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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:38,168 --> 00:00:41,519 - IN THIS BOOK, I WILL TAKE YOU, THE READER, 4 00:00:41,563 --> 00:00:44,392 WITH ME INTO THE SECRET INNER WORLD OF THE PIMP. 5 00:00:47,873 --> 00:00:52,574 I WILL LAY BARE MY LIFE AND THOUGHTS AS A PIMP. 6 00:00:52,617 --> 00:00:55,577 THE ACCOUNT OF MY BRUTALITY AND CUNNING AS A PIMP 7 00:00:55,620 --> 00:00:57,405 WILL FILL MANY OF YOU WITH REVULSION. 8 00:01:00,321 --> 00:01:02,105 I REGRET THAT IT IS IMPOSSIBLE 9 00:01:02,149 --> 00:01:04,412 TO RECOUNT TO YOU ALL OF MY EXPERIENCES AS A PIMP. 10 00:01:07,415 --> 00:01:10,374 PERHAPS MY REMORSE FOR MY GHASTLY LIFE 11 00:01:10,418 --> 00:01:13,160 WILL DIMINISH TO THE DEGREE 12 00:01:13,203 --> 00:01:15,336 THAT WITHIN THIS ONE BOOK 13 00:01:15,379 --> 00:01:17,381 I HAVE BEEN ALLOWED TO PURGE MYSELF. 14 00:01:28,784 --> 00:01:32,875 - IF PROSTITUTION IS KNOWN AS THE OLDEST PROFESSION, 15 00:01:32,918 --> 00:01:35,573 THEN PIMPING IS THE SECOND OLDEST PROFESSION. 16 00:01:38,881 --> 00:01:40,796 - RIGHT NOW, IT'S BEEN TAKEN OUT OF CONTEXT, 17 00:01:40,839 --> 00:01:45,409 BECAUSE MAINSTREAM HAS ADAPTED AND ADOPTED THAT WORD 18 00:01:45,453 --> 00:01:47,324 AND ADOPTED THE FORMULA OF PIMPING 19 00:01:47,368 --> 00:01:48,456 AND THINKIN' THEY KNOW WHAT IT IS. 20 00:01:48,499 --> 00:01:51,720 BUT PIMPING IS A PLAYER 21 00:01:51,763 --> 00:01:54,723 SENDING A BITCH TO THE CORNER TO GET MONEY. 22 00:01:54,766 --> 00:01:56,507 - THERE'S A FASCINATION 23 00:01:56,551 --> 00:01:59,684 WITH ANY TIME YOU DON'T HAVE TO WORK FOR MONEY. 24 00:01:59,728 --> 00:02:02,209 WHOEVER'S DOING THE LEAST AMOUNT 25 00:02:02,252 --> 00:02:05,299 FOR SOME CASH, THAT IS FASCINATING. 26 00:02:05,342 --> 00:02:07,170 IT'S, LIKE, WHAT-- WHAT'S HE DO? 27 00:02:07,214 --> 00:02:09,955 SHE DOES THE WORK, HE GETS-- 28 00:02:09,999 --> 00:02:14,395 I GOTTA FIGURE OUT HOW TO GET INTO THIS, YOU KNOW. 29 00:02:14,438 --> 00:02:16,658 - YOU HAD TO KNOW HOW TO CONTROL 30 00:02:16,701 --> 00:02:18,660 AND HOW TO OPERATE A STABLE, 31 00:02:18,703 --> 00:02:22,185 HOW TO DAZZLE, BEFUDDLE, 32 00:02:22,229 --> 00:02:24,666 BEWITCH, ENTRANCE, 33 00:02:24,709 --> 00:02:26,711 AND HYPNOTIZE A WOMAN. 34 00:02:26,755 --> 00:02:29,453 AND NOT ONLY ONE WOMAN, BUT EIGHT, NINE, 35 00:02:29,497 --> 00:02:33,588 AND TO KEEP THEM IN HARMONIOUS EFFORT. 36 00:02:33,631 --> 00:02:36,112 AND IF YOU THINK THAT ISN'T A JOB, MY FRIEND, 37 00:02:36,156 --> 00:02:39,333 YOU ASK ANY MARRIED MAN. 38 00:02:39,376 --> 00:02:40,725 - ICEBERG SLIM IS THE NAME 39 00:02:40,769 --> 00:02:43,641 THAT IS SYNONYMOUS WITH THE PIMP GAME. 40 00:02:43,685 --> 00:02:47,993 HE'S A WRITER WHO LIVED AN INCREDIBLE LIFE 41 00:02:48,037 --> 00:02:51,606 AND WROTE BOOKS THAT I GREW UP ON. 42 00:02:51,649 --> 00:02:52,607 - I LOVED HIM AND I TOLD HIM THAT 43 00:02:52,650 --> 00:02:54,217 EVERY SINGLE TIME I TALKED TO HIM, 44 00:02:54,261 --> 00:02:56,480 BECAUSE HE WAS MY GOD. 45 00:02:56,524 --> 00:02:59,483 - RUNS THE LADIES, HAS THE RAP, 46 00:02:59,527 --> 00:03:02,051 THE CLOTHES, THE JEWELRY, THE DRUGS, 47 00:03:02,094 --> 00:03:03,444 HAS DONE TIME. 48 00:03:03,487 --> 00:03:05,837 STREET CRED BY THE TRUCKLOAD. 49 00:03:05,881 --> 00:03:09,319 - ICEBERG SLIM WAS A GUY WHO ACTUALLY LIVED THE LIFE 50 00:03:09,363 --> 00:03:12,192 THAT HE WAS WRITING ABOUT. 51 00:03:12,235 --> 00:03:16,152 - PIMPMIGHT BE MY FAVORITE BOOK OF ALL TIME. 52 00:03:16,196 --> 00:03:17,240 - YEAH, I CHECKED THAT OUT. 53 00:03:17,284 --> 00:03:19,068 THE P-I-M-P. 54 00:03:19,111 --> 00:03:21,810 PIMPHAD A BIG IMPACT ON THE GAME, 55 00:03:21,853 --> 00:03:25,596 TO GIVE BASIC INSTRUCTIONS OF HOW TO PLAY THE GAME. 56 00:03:25,640 --> 00:03:27,337 IF WAS JUST AMAZING, THE THOUGHT OF THAT. 57 00:03:27,381 --> 00:03:28,773 IT WAS JUST FASCINATING. 58 00:03:28,817 --> 00:03:31,428 - HE WOULD PAINT BEAUTIFUL PICTURES 59 00:03:31,472 --> 00:03:33,387 USING UGLY PAINT, YOU KNOW. 60 00:03:33,430 --> 00:03:35,215 YOU KNOW, HE WAS, LIKE, LOOKING AROUND 61 00:03:35,258 --> 00:03:37,086 AND JUST FINDING THE BEAUTY AND THE APPRECIATION 62 00:03:37,129 --> 00:03:38,827 OF WHEREVER YOU ARE, 63 00:03:38,870 --> 00:03:41,612 BE IT IN THE GHETTO OR A HIGH CLASS NEIGHBORHOOD 64 00:03:41,656 --> 00:03:43,788 AND SHOWING THAT IT'S OKAY TO STUMBLE, 65 00:03:43,832 --> 00:03:45,573 BUT IT'S NOT OKAY TO FALL, YOU KNOW. 66 00:03:45,616 --> 00:03:48,140 ALWAYS GET BACK UP AND YOU KEEP GOING. 67 00:03:48,184 --> 00:03:51,100 - HIS BOOKS TOLD THE TRUTH ABOUT THE LIFE. 68 00:03:51,143 --> 00:03:54,277 THERE WAS NO ONE MORE ELOQUENT THAN ICEBERG SLIM, 69 00:03:54,321 --> 00:03:57,585 OR NO ONE MORE POETIC OR MORE ACCURATE 70 00:03:57,628 --> 00:04:01,632 IN TERMS OF DESCRIBING WHERE HE CAME FROM. 71 00:04:01,676 --> 00:04:03,199 - I WAS IN A BAR, 72 00:04:03,243 --> 00:04:07,116 AND THERE WAS A FELLA ARGUING WITH ANOTHER FELLA. 73 00:04:07,159 --> 00:04:10,554 AND THIS FELLA DREW A GUN 74 00:04:10,598 --> 00:04:12,382 AND FIRED AT THE FELLA. 75 00:04:12,426 --> 00:04:15,516 THE BULLET WENT THROUGH MY HAT. 76 00:04:15,559 --> 00:04:18,083 I WAS FULL OF COCAINE AT THE TIME 77 00:04:18,127 --> 00:04:19,911 AND I DIDN'T REACT, 78 00:04:19,955 --> 00:04:23,219 SO MY FRIEND SAID, MAN, YOU WERE SO COOL. 79 00:04:23,263 --> 00:04:26,222 HE SAYS, YOU WERE ICY. 80 00:04:26,266 --> 00:04:28,920 AND THEY CALLED ME ICEBERG SLIM. 81 00:04:28,964 --> 00:04:30,661 ♪ THICK THIGHS, BUT SHE FULL OF SURPRISES ♪ 82 00:04:30,705 --> 00:04:32,881 ♪ I SWEAR THIS BITCH IS SHADY ♪ 83 00:04:32,924 --> 00:04:33,969 ♪ IT'S WHAT I KNOW 84 00:04:34,012 --> 00:04:36,014 ♪ SEX ON HER MIND ALL THE TIME ♪ 85 00:04:36,058 --> 00:04:37,755 ♪ AND YOU THINK THAT THAT'S YOUR BABY ♪ 86 00:04:37,799 --> 00:04:39,061 ♪ YOU DON'T KNOW 87 00:04:39,104 --> 00:04:40,976 ♪ YOU A GOOD GUY THAT'S LIVING A LIE ♪ 88 00:04:41,019 --> 00:04:42,717 ♪ BUT SHE DOVE AND PLAYED YOUR SAFETY ♪ 89 00:04:42,760 --> 00:04:43,935 ♪ THAT'S WHAT I KNOW 90 00:04:43,979 --> 00:04:45,850 ♪ IF YOU COOL AND SHE'S SATISFIED ♪ 91 00:04:45,894 --> 00:04:47,852 ♪ HOW COME THAT BITCH JUST PAGED ME? ♪ 92 00:04:47,896 --> 00:04:49,463 ♪ YOU DON'T KNOW 93 00:04:49,506 --> 00:04:53,771 - WHEN YOU'RE DEALING WITH PIMPS AND HOs, 94 00:04:53,815 --> 00:04:55,904 THEY HAVE TO LOOK THE PART. 95 00:04:55,947 --> 00:04:58,515 SO AS A KID, YOU KNOW, 96 00:04:58,559 --> 00:05:01,649 SOME PREACHER WALKS IN, IT'S, LIKE, YEAH, WHATEVER. 97 00:05:01,692 --> 00:05:05,305 SOME PIMP WALKS IN, AND, YOU KNOW, 98 00:05:05,348 --> 00:05:07,307 YOU COULD HEAR A CHURCH MOUSE PISS ON THE CARPET 99 00:05:07,350 --> 00:05:10,484 IT'S SO QUIET. 100 00:05:10,527 --> 00:05:14,357 - THE FIRST STAGES OF MY OWN STREET POISONING 101 00:05:14,401 --> 00:05:16,403 HAPPENED WHEN I WAS A BOY. 102 00:05:16,446 --> 00:05:17,578 MY MOTHER HAD A BEAUTY SHOP 103 00:05:17,621 --> 00:05:21,408 AND SHE CATERED TO A COLONY 104 00:05:21,451 --> 00:05:24,628 OF BLACK HOOKERS AND PIMPS. 105 00:05:24,672 --> 00:05:27,892 AND THESE FELLAS WOULD BE DECKED OUT 106 00:05:27,936 --> 00:05:30,373 IN ALL THEIR FINERY WITH ALL THE DIAMONDS 107 00:05:30,417 --> 00:05:32,680 AND ALL THE REST OF IT, AND OF COURSE THEIR WOMEN. 108 00:05:32,723 --> 00:05:36,118 - A PIMP WAS HELD IN REGARD, 109 00:05:36,161 --> 00:05:38,120 LIKE AN ATHLETE OR ENTERTAINER. 110 00:05:38,163 --> 00:05:43,604 HE WASN'T LIKE AN ADVOCATE OF PEACE OR VIOLENCE. 111 00:05:43,647 --> 00:05:47,738 HE WAS MORE OF LESS LIKE A HERO. 112 00:05:47,782 --> 00:05:50,088 - A PIMP IS JUDGED BY HIS FLASH. 113 00:05:50,132 --> 00:05:51,699 YOU KNOW WHAT I MEAN? 114 00:05:51,742 --> 00:05:54,223 HIS CADILLAC, HIS HOUSE, HIS JEWELRY, 115 00:05:54,266 --> 00:05:55,877 HIS CLOTHES. 116 00:05:55,920 --> 00:05:58,532 THAT'S HOW YOU SIZE UP A PIMP ECONOMY. 117 00:05:58,575 --> 00:06:00,969 - WELL GROOMED, SMELLED GOOD. 118 00:06:01,012 --> 00:06:02,927 YOU KNOW, EVERYTHING, 119 00:06:02,971 --> 00:06:04,668 'CAUSE YOU'RE TRYING TO OUTMATCH THIS FEMALE. 120 00:06:04,712 --> 00:06:06,104 YOU WANT THAT WOMAN TO LOOK AT YOU 121 00:06:06,148 --> 00:06:08,629 AND SAY THIS IS THE FINEST MAN I'VE EVER SEEN. 122 00:06:08,672 --> 00:06:11,240 - I MEAN, IMMACULATE DRESSER. 123 00:06:11,283 --> 00:06:14,678 I MEAN, HAIR COIFFED. 124 00:06:14,722 --> 00:06:17,202 BRAND NEW CADILLAC EVERY YEAR. 125 00:06:17,246 --> 00:06:18,856 WHEN YOU'RE A KID, YOU KNOW, 126 00:06:18,900 --> 00:06:22,207 IF SOMEBODY HAD A BRAND NEW CADILLAC EVERY YEAR, 127 00:06:22,251 --> 00:06:24,471 HE WAS SOMETHING. 128 00:06:27,169 --> 00:06:29,867 - AND THAT WAS THE FIRST TIME THAT I WAS IMPRESSED. 129 00:06:29,911 --> 00:06:31,913 BECAUSE YOU MUST REMEMBER, 130 00:06:31,956 --> 00:06:34,524 BACK IN THOSE DAYS, IF YOU WERE BLACK. 131 00:06:34,568 --> 00:06:36,787 YOUR OPPORTUNITIES WERE SO NARROW. 132 00:06:50,758 --> 00:06:52,890 - A BLACK PERSON BORN DURING THAT TIME, 133 00:06:52,934 --> 00:06:56,764 WHAT YOU WERE DEALING WITH WAS ALMOST BEYOND WORDS. 134 00:06:56,807 --> 00:06:59,201 THOSE RACE RIOTS IN CHICAGO 135 00:06:59,244 --> 00:07:02,900 STARTED BECAUSE A BLACK KID 136 00:07:02,944 --> 00:07:07,557 SWAM INTO AN AREA THAT WAS WHITES ONLY. 137 00:07:17,219 --> 00:07:19,830 - SINCE THE TIME WHEN SHE WAS SIX MONTHS PREGNANT, 138 00:07:19,874 --> 00:07:22,572 MY FATHER HAD BEGUN TO SHOW HIS TRUE COLORS. 139 00:07:22,616 --> 00:07:25,314 AFTER MY BIRTH, HE GOT WORSE 140 00:07:25,357 --> 00:07:28,317 AND HAD THE STUPID GALL TO SUGGEST TO MAMA 141 00:07:28,360 --> 00:07:30,885 THAT I BE PUT ON A CATHOLIC CHURCH DOORSTEP. 142 00:07:30,928 --> 00:07:33,191 MAMA NATURALLY REFUSED, 143 00:07:33,235 --> 00:07:36,325 SO HE HURLED ME AGAINST THE WALL IN DISGUST. 144 00:07:36,368 --> 00:07:39,937 I SURVIVED IT AND HE LEFT US. 145 00:07:39,981 --> 00:07:41,112 - HE CAME FROM A SINGLE PARENT HOME. 146 00:07:41,156 --> 00:07:43,332 HIS MOM, YOU KNOW, BY HOOK OR BY CROOK, 147 00:07:43,375 --> 00:07:44,725 SHE NEEDED TO PUT FOOD ON THE TABLE, YOU KNOW, 148 00:07:44,768 --> 00:07:45,900 AND TO PUT FOOD ON THE TABLE, 149 00:07:47,249 --> 00:07:47,815 SHE HAD TO BE OUT AND ABOUT IN THE WORLD TO DO SO. 150 00:07:48,903 --> 00:07:49,425 AND IT WAS JUST UNFORTUNATE, YOU KNOW, 151 00:07:50,600 --> 00:07:51,862 THAT SHE, YOU KNOW, ENTRUSTED HER BABY BOY 152 00:07:51,906 --> 00:07:53,429 INTO THE HANDS OF THE WRONG PERSON. 153 00:07:53,473 --> 00:07:54,952 - IN THE OPENING OF PIMP, 154 00:07:54,996 --> 00:08:00,262 THE WAY THAT HE DESCRIBES HIS INITIAL FORAY 155 00:08:00,305 --> 00:08:02,046 INTO THE WORLD OF PIMPING 156 00:08:02,090 --> 00:08:04,440 IS THROUGH BEING SEXUALLY ABUSED 157 00:08:04,484 --> 00:08:08,183 BY HIS BABYSITTER MAUDE. 158 00:08:08,226 --> 00:08:11,621 - I REMEMBER MORE VIVIDLY THE MOIST ODOROUS DARKNESS 159 00:08:11,665 --> 00:08:14,581 AND THE BRISTLE-LIKE HAIRS TICKLING MY FACE 160 00:08:14,624 --> 00:08:17,932 AND MOST VIVIDLY, I CAN REMEMBER MY PANIC 161 00:08:17,975 --> 00:08:20,500 WHEN IN THE WILD MOMENT OF HER CLIMAX 162 00:08:20,543 --> 00:08:22,937 SHE WOULD SAVAGELY JERK MY HEAD EVEN TIGHTER 163 00:08:22,980 --> 00:08:26,418 INTO THE HAIRY MAW. 164 00:08:26,462 --> 00:08:28,029 - RIGHT OFF THE BAT, 165 00:08:28,072 --> 00:08:29,944 HE'S SUBJECTED OR DOMINATED 166 00:08:29,987 --> 00:08:32,990 BY A FORCEFUL WOMAN WHO SEXUALIZES HIM. 167 00:08:33,034 --> 00:08:37,995 HE'S TAUGHT ABOUT THE WHOLE NATURE OF SEXUAL DOMINANCE 168 00:08:38,039 --> 00:08:40,911 AND THEN LATER, HE HAS NEGATIVE EXPERIENCES 169 00:08:40,955 --> 00:08:42,347 WITH HIS MOTHER. 170 00:08:42,391 --> 00:08:46,743 SHE HOOKS UP WITH A MAN NAMED HENRY UPSHAW, 171 00:08:46,787 --> 00:08:49,572 - A SUCCESSFUL MAN, LOVED HER TO DEATH. 172 00:08:49,616 --> 00:08:51,835 LOVED HER AND LOVED HER SON. 173 00:08:51,879 --> 00:08:54,882 IT'S THE ONLY MAN IN ICEBERG'S LIFE 174 00:08:54,925 --> 00:08:57,058 THAT HE TALKS ABOUT, IDENTIFIES WITH 175 00:08:57,101 --> 00:09:00,583 AND TALKS ABOUT IN NOT ONLY A RESPECTFUL WAY, 176 00:09:00,627 --> 00:09:03,368 BUT SOMEONE WHO REALLY TOUCHED HIS HEART AND SOUL, 177 00:09:03,412 --> 00:09:05,414 BECAUSE HE REALLY CARED ABOUT HIM 178 00:09:05,457 --> 00:09:07,155 AS A HUMAN BEING. 179 00:09:07,198 --> 00:09:09,461 WITH HENRY UPSHAW, THINGS WERE IDYLLIC 180 00:09:09,505 --> 00:09:12,813 UNTIL HIS MOTHER MET A CON MAN NAMED STEVE. 181 00:09:12,856 --> 00:09:16,164 - HE WAS ONE OF MARY'S CUSTOMERS 182 00:09:16,207 --> 00:09:18,079 IN HER BEAUTY SHOP. 183 00:09:18,122 --> 00:09:21,648 HE WAS A REAL SLICK HUSTLER, 184 00:09:21,691 --> 00:09:25,608 AND HE ESSENTIALLY HUSTLED HER 185 00:09:25,652 --> 00:09:31,222 AND CONVINCED HER TO LEAVE WITH HIM TO CHICAGO. 186 00:09:31,266 --> 00:09:36,619 - HIS MOTHER FALLS FOR THE CON ON HENRY UPSHAW 187 00:09:36,663 --> 00:09:39,970 AND FUCKS UP EVERYTHING. 188 00:09:40,014 --> 00:09:42,407 FUCKS UP EVERYTHING. FUCKS UP ALL THE STABILITY. 189 00:09:42,451 --> 00:09:45,367 FUCKS UP, LIKE, HIS, LIKE, ONE SHOT. 190 00:09:45,410 --> 00:09:47,543 REALLY. IT'S THE ONLY SHOT HE'S GOT. 191 00:09:47,587 --> 00:09:49,501 - WHAT'S SO UPSETTING TO ICEBERG 192 00:09:49,545 --> 00:09:51,721 IS NOT JUST THAT HIS MOM 193 00:09:51,765 --> 00:09:54,724 HAS RIPPED HIM AWAY FROM A MOORING, 194 00:09:54,768 --> 00:09:56,334 FROM A FOUNDATION THAT HE'S FOUND, 195 00:09:56,378 --> 00:09:57,466 BUT THE WAY SHE DOES IT. 196 00:09:59,599 --> 00:10:01,209 - I CAN NEVER FORGET THAT MORNING 197 00:10:01,252 --> 00:10:02,950 WHEN MAMA HAD FINISHED PACKING OUR CLOTHES 198 00:10:02,993 --> 00:10:05,387 AND HENRY LOST HIS INNER FIGHT 199 00:10:05,430 --> 00:10:07,215 FOR HIS PRIDE AND DIGNITY. 200 00:10:07,258 --> 00:10:09,304 HE FELL DOWN ON HIS KNEES 201 00:10:09,347 --> 00:10:11,001 AND BAWLED LIKE A SCALDED CHILD, 202 00:10:11,045 --> 00:10:13,656 PLEADING WITH MAMA NOT TO LEAVE HIM. 203 00:10:13,700 --> 00:10:15,179 I WILL NEVER FORGET HER FACE, 204 00:10:15,223 --> 00:10:19,227 AS COLD AS AN EXECUTIONER'S, WHICH SHE WAS 205 00:10:19,270 --> 00:10:22,056 AS SHE KICKED AND STRUGGLED LOOSE FROM HIM. 206 00:10:22,099 --> 00:10:24,232 THEN, WITH AN AWFUL GRIN ON HER FACE, 207 00:10:24,275 --> 00:10:27,061 SHE LIED AND SAID, HENRY, HONEY, 208 00:10:27,104 --> 00:10:29,063 I JUST WANT TO GET AWAY FOR A WHILE. 209 00:10:29,106 --> 00:10:31,152 DARLING, WE'LL BE BACK. 210 00:10:33,502 --> 00:10:39,551 - TO SEE HIS MOTHER BETRAY THE ONLY MAN HE EVER LOVED, 211 00:10:39,595 --> 00:10:42,598 HE LEARNED THAT THERE'S ONE THING I'M NOT GONNA BE 212 00:10:42,642 --> 00:10:44,469 IS THOSE GUYS. 213 00:10:44,513 --> 00:10:48,212 I'M GONNA GET HER BEFORE SHE GETS ME, 214 00:10:48,256 --> 00:10:50,084 'CAUSE I KNOW SHE'S GONNA BETRAY ME. 215 00:10:50,127 --> 00:10:53,740 - SHE THEN CONSPIRES WITH STEVE 216 00:10:53,783 --> 00:10:57,308 TO TAKE OFF HER EX-HUSBAND'S LOOT. 217 00:10:57,352 --> 00:11:00,007 - FROM THAT, HE LOST ALL RESPECT FOR WOMEN, 218 00:11:00,050 --> 00:11:02,662 IN A SENSE. 219 00:11:02,705 --> 00:11:07,667 IT'S, LIKE, EVEN YOU FELL FOR THIS SHIT? 220 00:11:07,710 --> 00:11:10,713 AND IN A SENSE, SHE CREATED THE PIMP. 221 00:11:10,757 --> 00:11:12,019 - WHEN THE MONEY RUNS OUT 222 00:11:12,062 --> 00:11:14,021 AND SHE'S ESSENTIALLY OUTLIVED HER USEFULNESS, 223 00:11:14,064 --> 00:11:15,283 STEVE STARTS TO SHOW HIS TRUE COLORS 224 00:11:15,326 --> 00:11:16,588 AND HE STARTS KICKING HER ASS. 225 00:11:16,632 --> 00:11:17,807 AND THIS STEVE IS, LIKE, 226 00:11:17,851 --> 00:11:18,982 ONE OF THE CRUELEST MOTHERFUCKERS 227 00:11:19,026 --> 00:11:20,201 I'VE EVER SEEN IN A BOOK. 228 00:11:20,244 --> 00:11:21,898 LIKE, HE MURDERS THIS KITTEN, 229 00:11:21,942 --> 00:11:23,117 LIKE, RIGHT IN FRONT OF 'EM. 230 00:11:23,160 --> 00:11:24,684 LIKE, WHO DOES THAT? 231 00:11:24,727 --> 00:11:29,514 - STEVE HAD STOMPED ON THREE AND A HALF YEARS OF OUR LIVES. 232 00:11:29,558 --> 00:11:31,821 I WOULD SOON BE 14. 233 00:11:31,865 --> 00:11:34,432 ON AUGUST 4th, MY BIRTHDAY, 234 00:11:34,476 --> 00:11:35,912 MAMA CAME HOME FROM THE HOSPITAL 235 00:11:35,956 --> 00:11:38,698 WITH HER BROKEN JAW WIRED 236 00:11:38,741 --> 00:11:40,874 AND HER BODY COVERED WITH BRUISES. 237 00:11:40,917 --> 00:11:44,051 STEVE ATTACKED HER WITH HIS FISTS AND FEET 238 00:11:44,094 --> 00:11:46,183 AND THEN ESCAPED THROUGH THE GRIMY CATACOMBS 239 00:11:46,227 --> 00:11:48,925 OF THE GHETTO. 240 00:11:48,969 --> 00:11:50,753 - SHE WAS ALONE IN THE STREETS, 241 00:11:50,797 --> 00:11:52,624 TRYING TO FIND WORK. 242 00:11:52,668 --> 00:11:55,236 WE'RE TALKING ABOUT DURING THE DEPRESSION 243 00:11:55,279 --> 00:11:57,151 WHEN PEOPLE-- NOT ONLY BLACK PEOPLE-- 244 00:11:57,194 --> 00:11:59,370 PEOPLE WERE SUFFERING. 245 00:11:59,414 --> 00:12:02,852 SHE LEFT ICEBERG BY HIMSELF A LOT, 246 00:12:02,896 --> 00:12:06,247 ISOLATED IN THIS LITTLE PLACE THAT THEY HAD. 247 00:12:06,290 --> 00:12:07,901 HE DISCOVERED THE STREETS. 248 00:12:10,381 --> 00:12:12,383 - THE SLIDE WAS GREASED. 249 00:12:12,427 --> 00:12:14,864 I WAS STARTING MY LONG PLUNGE 250 00:12:14,908 --> 00:12:17,171 TO THE VERY BOTTOM OF THE GRIM PIT. 251 00:12:17,214 --> 00:12:20,391 MY TRIP DOWNWARD REALLY WAS CINCHED 252 00:12:20,435 --> 00:12:23,394 WHEN I MET A PETTY HUSTLER WHO WAS VERY LIKEABLE, 253 00:12:23,438 --> 00:12:25,396 AND WE BECAME PALS. 254 00:12:25,440 --> 00:12:30,314 MY HUSTLER PAL WAS CALLED PARTY TIME. 255 00:12:30,358 --> 00:12:33,056 HE HAD A HEAD FULL OF WILD RISKY HUSTLES 256 00:12:33,100 --> 00:12:34,666 HE WANTED TO TRY. 257 00:12:34,710 --> 00:12:37,365 HE NEEDED A PARTNER. 258 00:12:37,408 --> 00:12:39,454 - PARTY TIME, HE WAS THIS REAL KNOWLEDGEABLE BROTHER, 259 00:12:39,497 --> 00:12:42,152 SO HE WAS ABLE TO GIVE ICE THE RUNDOWN. 260 00:12:42,196 --> 00:12:44,111 HE WAS ABLE TO BREAK IT DOWN INTO THE SIMPLEST TERMS, 261 00:12:44,154 --> 00:12:46,113 LIKE, YOU KNOW, AND NOT BECOME CROSS WITH HIM 262 00:12:46,156 --> 00:12:47,679 IF HE DIDN'T CATCH ON RIGHT AWAY. 263 00:12:47,723 --> 00:12:51,031 - EVEN THOUGH I HAD STARTED TO ROT INSIDE 264 00:12:51,074 --> 00:12:52,423 FROM THE STREET POISONING, 265 00:12:52,467 --> 00:12:55,644 AMAZINGLY, AT 15, I GRADUATED FROM HIGH SCHOOL 266 00:12:55,687 --> 00:12:58,342 WITH A 98.4 AVERAGE. 267 00:12:58,386 --> 00:13:01,998 - I GOT A SCHOLARSHIP TO GO TO COLLEGE, 268 00:13:02,042 --> 00:13:05,567 AND I GOT IT BY DAYDREAMING, 269 00:13:05,610 --> 00:13:08,570 BUT I WAS ABLE TO RETAIN ENOUGH OF THE INFORMATION 270 00:13:08,613 --> 00:13:10,964 SO THAT THE BLACK TUSKEGEE CLUB 271 00:13:11,007 --> 00:13:14,358 SENT ME TO TUSKEGEE DURING THE DEPRESSION. 272 00:13:14,402 --> 00:13:17,274 - THIS IS THE HOME OF BOOKER T. WASHINGTON, 273 00:13:17,318 --> 00:13:21,583 ONE OF THE MOST POWERFUL BLACK LEADERS EVER. 274 00:13:21,626 --> 00:13:24,455 - IMMEDIATELY, BECAUSE I WAS ALREADY STREET POISONED, 275 00:13:24,499 --> 00:13:27,154 I STARTED BOOTLEGGING ON CAMPUS. 276 00:13:27,197 --> 00:13:29,809 IN ALABAMA, OKAY? 277 00:13:29,852 --> 00:13:32,812 SO I GOT EXPELLED. I WAS SENT HOME. 278 00:13:32,855 --> 00:13:34,683 SO MY MOTHER SAT DOWN, 279 00:13:34,726 --> 00:13:38,513 AND HER WORDS OF WISDOM, COME BACK TO ME NOW. 280 00:13:38,556 --> 00:13:40,820 SHE SAYS, BOBBY, APPARENTLY, 281 00:13:40,863 --> 00:13:46,695 YOU LIKE TO RUN AND ASSOCIATE WITH BAD PEOPLE, 282 00:13:46,738 --> 00:13:48,697 WITH STREET PEOPLE. 283 00:13:48,740 --> 00:13:52,266 SHE SAYS YOU CAN BECOME A CRIMINAL LAWYER, 284 00:13:52,309 --> 00:13:54,485 SHE SAYS, AND MAKE 'EM PAY YOU. 285 00:13:54,529 --> 00:13:57,401 SHE SAID, BOBBY, GET YOUR EDUCATION. 286 00:13:57,445 --> 00:14:00,404 BECOME A CRIMINAL LAWYER AND GET A LICENSE 287 00:14:00,448 --> 00:14:02,232 TO ASSOCIATE WITH THE PEOPLE 288 00:14:02,276 --> 00:14:05,583 THAT YOU ADMIRE AND LIKE SO MUCH. 289 00:14:05,627 --> 00:14:09,979 HAVE YOU EVER HEARD ANYTHING MORE WISE THAN THAT? 290 00:14:12,460 --> 00:14:14,679 - 1937. 291 00:14:14,723 --> 00:14:18,335 HE'S OUT OF TUSKEGEE. HE'S IN MILWAUKEE. 292 00:14:18,379 --> 00:14:22,992 HE COMES ACROSS A WOMAN NAMED PEPPER IBBETTS. 293 00:14:23,036 --> 00:14:25,255 BOBBY BECK THOUGHT HE WAS THE SLICKEST GUY ON EARTH, 294 00:14:25,299 --> 00:14:27,518 BUT AS SLICK AS HE THOUGHT HE WAS, 295 00:14:27,562 --> 00:14:29,303 PEPPER IBBETTS WAS EVEN SLICKER. 296 00:14:29,346 --> 00:14:31,435 AS FAST AS HE THOUGHT HE WAS, 297 00:14:31,479 --> 00:14:33,437 SHE WAS 10 TIMES FASTER. 298 00:14:33,481 --> 00:14:34,917 SHE WAS OLDER THAN HE WAS. 299 00:14:34,961 --> 00:14:37,137 SHE WAS AN EX-PROSTITUTE. 300 00:14:37,180 --> 00:14:39,269 SHE HAD BEEN AROUND. SHE HAD MARRIED A WHITE GUY. 301 00:14:39,313 --> 00:14:40,705 SHE HAD MONEY. 302 00:14:40,749 --> 00:14:42,490 SHE INTRODUCED HIM TO COCAINE. 303 00:14:42,533 --> 00:14:45,406 SHE TURNED HIM OUT. 304 00:14:45,449 --> 00:14:47,408 - I WAS JUST A HEP PUNK. 305 00:14:47,451 --> 00:14:49,584 I WASN'T IN HER LEAGUE. 306 00:14:49,627 --> 00:14:52,935 THAT FREAK BITCH CAJOLED AND PERSUADED ME 307 00:14:52,979 --> 00:14:55,459 TO DO EVERYTHING IN THE SEXUAL BOOK. 308 00:14:55,503 --> 00:14:57,940 WHAT A THRILL FOR A DOG LIKE HER 309 00:14:57,984 --> 00:15:00,943 TO TURN OUT A TENDER FOOL LIKE ME. 310 00:15:00,987 --> 00:15:02,118 IF PEPPER HAD LIVED 311 00:15:02,162 --> 00:15:04,425 IN THE OLD BIBLICAL CITY OF SODOM, 312 00:15:04,468 --> 00:15:08,342 THE CITIZENS WOULD HAVE STONED HER TO DEATH. 313 00:15:08,385 --> 00:15:10,039 - SHE HAD HIS NOSE WIDE OPEN 314 00:15:10,083 --> 00:15:11,780 AND SHE HAD HIM JUMPING OUT THE WINDOW, SO TO SPEAK, 315 00:15:11,823 --> 00:15:13,173 AND DOING THINGS THAT HE NORMALLY 316 00:15:13,216 --> 00:15:14,478 PROBABLY WOULDN'T HAVE DONE. 317 00:15:14,522 --> 00:15:16,480 - HE LATER GOT DOUBLE-CROSSED INTO PRISON, 318 00:15:16,524 --> 00:15:19,744 IT WAS PEPPER AND A COP NAMED DELANSKY, 319 00:15:19,788 --> 00:15:21,877 ALONG WITH AN UNKNOWN HEIST MAN. 320 00:15:21,921 --> 00:15:25,011 HE GOT CHARGED WITH ACCESSORY TO ROBBERY. 321 00:15:25,054 --> 00:15:27,187 - AN 18-YEAR-OLD BLACK MAN 322 00:15:27,230 --> 00:15:30,668 BEING SENT TO REFORMATORY BACK IN THE 1930s AND 40s 323 00:15:30,712 --> 00:15:32,235 WOULD HAVE BEEN VERY, VERY LIKELY 324 00:15:32,279 --> 00:15:34,368 SUBJECTED TO ALL SORTS OF RACISM. 325 00:15:34,411 --> 00:15:36,500 AT THAT TIME, MANY OF THE GUARDS, 326 00:15:36,544 --> 00:15:39,416 OR PROBABLY MOST OF THEM WOULD HAVE BEEN WHITE. 327 00:15:39,460 --> 00:15:41,549 THEY KNEW THAT THEY COULD PUSH THEM AROUND, 328 00:15:41,592 --> 00:15:44,421 PERHAPS PHYSICALLY ABUSE THEM. 329 00:15:44,465 --> 00:15:47,076 HE PROBABLY GOT TREATED VERY, VERY POORLY. 330 00:15:47,120 --> 00:15:49,992 - IT WAS THERE, IN THE DORMITORY, 331 00:15:50,036 --> 00:15:53,082 THAT I GOT THE INSATIABLE DESIRE TO PIMP. 332 00:15:53,126 --> 00:15:54,692 I WAS A MEMBER OF A CLIQUE 333 00:15:54,736 --> 00:15:57,304 THAT TALKED ABOUT NOTHING EXCEPT WHORES AND PIMPING. 334 00:15:57,347 --> 00:16:01,569 I BEGAN TO FEEL A NEW SLICKNESS AND HARDNESS. 335 00:16:01,612 --> 00:16:02,657 - HE'S LIKE A SPONGE. 336 00:16:02,700 --> 00:16:04,093 HE'S SOAKING UP ALL THESE STORIES 337 00:16:04,137 --> 00:16:06,269 AND ALL THE GAME THESE DIFFERENT GUYS ARE RUNNING DOWN, 338 00:16:06,313 --> 00:16:08,054 AND HE'S PLUCKING OUT THE BEST PARTS 339 00:16:08,097 --> 00:16:09,707 TO APPLY TO WHAT HE'S TRYING TO DO. 340 00:16:09,751 --> 00:16:12,710 - HE WANTED TO MASTER MANIPULATING THE PSYCHOLOGY 341 00:16:12,754 --> 00:16:14,538 OF THE HOs, OF THE WOMEN, 342 00:16:14,582 --> 00:16:17,063 WHEN HE STARTED TO REALIZE THAT THE BEST PIMPS-- 343 00:16:17,106 --> 00:16:19,674 THAT IS TO SAY THE MOST SUCCESSFUL ONES-- 344 00:16:19,717 --> 00:16:22,024 WERE THE ONES WITH THE COLDEST, WITH THE LEAST EMOTION. 345 00:16:22,068 --> 00:16:23,678 THE REAL ICEBERG HEART. 346 00:16:23,721 --> 00:16:28,422 - WITH GOOD TIME, I WAS FREE, SLICK, AND BITTER. 347 00:16:28,465 --> 00:16:30,815 NO MORE SMALL TOWNS FOR ME. 348 00:16:30,859 --> 00:16:33,470 I WAS GOING TO THE CITY TO GET MY DEGREE IN PIMPING. 349 00:16:41,130 --> 00:16:44,307 WHEN YOU'RE BLACK, MY FRIEND, 350 00:16:44,351 --> 00:16:46,788 AND YOU GET TWISTED, 351 00:16:46,831 --> 00:16:50,052 ONE'S EGO 352 00:16:50,096 --> 00:16:55,057 NEEDED TO BE THOUGHT OF AS GREAT AND GRAND, 353 00:16:55,101 --> 00:17:00,367 AND THIS WAS A WAY TO DO IT, 354 00:17:00,410 --> 00:17:02,238 TO HAVE YOUR OWN LITTLE KINGDOM. 355 00:17:05,894 --> 00:17:08,679 - WHEN I FIRST GOT TO CHICAGO, 356 00:17:08,723 --> 00:17:10,899 I HAD THIS WILD DREAM 357 00:17:10,942 --> 00:17:14,468 OF PICKING THE BRAIN OF THE TOWN'S TOP PIMP, 358 00:17:14,511 --> 00:17:16,035 AND EVENTUALLY I DID. 359 00:17:16,078 --> 00:17:18,602 IN RETROSPECT, I SUPPOSE I COULD SAY 360 00:17:18,646 --> 00:17:23,694 THAT I WANTED TO BE LIKE GOD 361 00:17:23,738 --> 00:17:25,348 FOR A WHORE, YOU SEE. 362 00:17:28,873 --> 00:17:31,006 - CHICAGO AT THAT PERIOD OF TIME 363 00:17:31,050 --> 00:17:33,965 WAS PROFOUNDLY SATURATED 364 00:17:34,009 --> 00:17:36,794 WITH EVERY KIND OF ELEMENT YOU COULD THINK OF. 365 00:17:36,838 --> 00:17:38,100 THERE WERE VERY, VERY GOOD PEOPLE 366 00:17:38,144 --> 00:17:39,797 AND VERY, VERY BAD PEOPLE. 367 00:17:39,841 --> 00:17:42,104 - I COME FROM THAT LIFE, AND I COME FROM CHICAGO. 368 00:17:42,148 --> 00:17:44,585 EVERY STREET HAD A GANG, 369 00:17:44,628 --> 00:17:46,674 AND ALL WE SAW WERE MACHINE GUNS 370 00:17:46,717 --> 00:17:49,764 AND DEAD BODIES EVERY DAY. 371 00:17:49,807 --> 00:17:53,333 HARLEM AND WATTS AND COMPTON, MAN, WAS LIKE BOYSTOWN. 372 00:17:53,376 --> 00:17:54,899 THAT WAS NOTHING AFTER CHICAGO, MAN. 373 00:17:54,943 --> 00:17:58,686 CHICAGO WAS ROUGH, MAN. 374 00:17:58,729 --> 00:18:01,123 - DURING THOSE DAYS IN THE FORTIES, 375 00:18:01,167 --> 00:18:02,777 YOU COULD EITHER BE A BARBER 376 00:18:02,820 --> 00:18:05,649 YOU COULD BE A LAWYER IF YOUR PARENTS HAD MONEY, 377 00:18:05,693 --> 00:18:09,349 YOU COULD BE A BOXER, YOU COULD BE A MUSICIAN, 378 00:18:09,392 --> 00:18:10,872 OR YOU COULD BE A PIMP. 379 00:18:13,527 --> 00:18:15,442 - WE SAW PIMPS EVERYWHERE. 380 00:18:15,485 --> 00:18:17,792 SERIOUS, SERIOUS PIMPS. 381 00:18:17,835 --> 00:18:20,969 I DON'T MEAN JHERI CURL PIMPS. 382 00:18:21,012 --> 00:18:23,363 - BABY BELL WAS THE BIG PIMP IN CHICAGO. 383 00:18:23,406 --> 00:18:26,366 - BABY BELL WAS PHENOMENAL, MAN. 384 00:18:26,409 --> 00:18:29,108 HE WAS BIG TIME. 385 00:18:29,151 --> 00:18:31,762 IT'S A LEVEL THAT PLAYERS WANNA REACH. 386 00:18:31,806 --> 00:18:37,246 BABY BELL USED TO TRAVEL WITH 32 PIECES OF LUGGAGE. 387 00:18:37,290 --> 00:18:38,682 DO YOU HEAR ME? 388 00:18:38,726 --> 00:18:40,771 AND HE USED TO HAVE WHITE WOMEN. 389 00:18:40,815 --> 00:18:43,165 AND THIS WAS AT AN EARLY TIME 390 00:18:43,209 --> 00:18:45,950 WHEN THIS WAS A NO-NO. 391 00:18:45,994 --> 00:18:48,779 - ONCE YOU'RE IN THE STREET, YOU NEED FATHER FIGURES 392 00:18:48,823 --> 00:18:50,520 'CAUSE YOU DON'T JUST WALK OUT IN THE STREET 393 00:18:50,564 --> 00:18:53,088 AND BECOME THE GREATEST PIMP IN THE WORLD BY OSMOSIS. 394 00:18:53,132 --> 00:18:54,568 YOU NEED TO LEARN. 395 00:18:54,611 --> 00:18:57,484 SO IN A WAY, A CAT LIKE BABY BELL, 396 00:18:57,527 --> 00:19:00,487 YOU KNOW, BELL IS LIKE A FATHER FIGURE 397 00:19:00,530 --> 00:19:03,185 AS WELL AS A TEACHER, AS WELL AS A PROFESSOR, 398 00:19:03,229 --> 00:19:04,621 YOU KNOW, A MENTOR. 399 00:19:04,665 --> 00:19:07,233 - I BECAME A PIMP 400 00:19:07,276 --> 00:19:12,455 PRIMARILY BECAUSE OF THE INFLUENCE 401 00:19:12,499 --> 00:19:17,678 OF WELL-HEELED PIMPS AND OTHER HUSTLERS 402 00:19:17,721 --> 00:19:21,029 DURING A PERIOD OF DIRE POVERTY IN MY LIFE. 403 00:19:21,072 --> 00:19:25,033 AND I FEEL THAT I WAS INFLUENCED 404 00:19:25,076 --> 00:19:27,862 BY THE FLASHY GLAMOUR, 405 00:19:27,905 --> 00:19:33,650 THE INFESTATION OF DIAMONDS ON THESE HUSTLERS, 406 00:19:33,694 --> 00:19:37,393 AND ALSO BY THEIR BIG FLASHY CARS. 407 00:19:37,437 --> 00:19:39,874 AND I WANTED A SENSE OF IMPORTANCE. 408 00:19:42,181 --> 00:19:44,183 - THERE WAS AN AREA ON THE SOUTH SIDE OF CHICAGO 409 00:19:44,226 --> 00:19:46,707 CALLED 39th AND COTTAGE GROVE, 410 00:19:46,750 --> 00:19:50,406 AND BASICALLY IT WAS A RED LIGHT DISTRICT. 411 00:19:50,450 --> 00:19:52,452 AND ICEBERG SLIM 412 00:19:52,495 --> 00:19:55,933 WAS ONE OF THE NEIGHBORHOOD ROLE MODELS. 413 00:19:55,977 --> 00:19:58,762 WHEN I FIRST HEARD ICEBERG SLIM, 414 00:19:58,806 --> 00:20:03,158 MY IMPRESSION OF HIM WAS A TOWERING INTELLECT. 415 00:20:03,202 --> 00:20:05,029 HE WAS TALKING ABOUT 416 00:20:05,073 --> 00:20:08,816 THE ECONOMICS OF SEXUAL INTERCOURSE 417 00:20:08,859 --> 00:20:13,299 AND HOW HE LOOKED UPON WHAT HE WAS DOING 418 00:20:13,342 --> 00:20:15,431 AS A BROKER. 419 00:20:15,475 --> 00:20:16,432 - YOU KNOW, A LOT OF PEOPLE THINK 420 00:20:16,476 --> 00:20:19,696 THAT TOP PIMPS ARE DUMMIES. 421 00:20:19,740 --> 00:20:22,221 THAT'S NOT TRUE. 422 00:20:22,264 --> 00:20:27,226 THEY'RE JUST PERVERTED. 423 00:20:27,269 --> 00:20:32,143 I'VE NEVER KNOWN A TOP PIMP WHO DIDN'T HAVE A HIGH IQ. 424 00:20:32,187 --> 00:20:34,537 - ACTUALLY, I THINK HE WOULD HAVE BEEN 425 00:20:34,581 --> 00:20:36,887 A GOOD SALESPERSON. 426 00:20:36,931 --> 00:20:39,890 DO YOU NOW HOW IT TAKES A LOT TO SELL A WOMAN, 427 00:20:39,934 --> 00:20:42,632 TO MAKE A WOMAN SELL HER BODY. 428 00:20:42,676 --> 00:20:44,591 - MOST OF THE PROSTITUTES THAT I'VE KNOWN 429 00:20:44,634 --> 00:20:46,419 AND THE ONES THAT I'VE CONTROLLED 430 00:20:46,462 --> 00:20:50,814 WERE FASCINATED AND BEWITCHED 431 00:20:50,858 --> 00:20:53,817 BY MY PHONY GLAMOUR, 432 00:20:53,861 --> 00:20:58,039 OF THE POISONOUS PIMP CHARISMA, 433 00:20:58,082 --> 00:21:01,999 AND THEY LIVED IN MY REFLECTED GLORY, SO TO SPEAK. 434 00:21:02,043 --> 00:21:04,350 IT GAVE THEM A SENSE OF IMPORTANCE. 435 00:21:04,393 --> 00:21:06,265 - WHAT IS THE LIFE OF A PROSTITUTE LIKE? 436 00:21:06,308 --> 00:21:10,530 - IT'S GOT TO BE HOLY HELL. 437 00:21:10,573 --> 00:21:12,358 THE BOOBY TRAPS IN THE STREET, 438 00:21:12,401 --> 00:21:15,361 THE DEATH TRAPS IN THE STREET FOR A PROSTITUTE, 439 00:21:15,404 --> 00:21:19,278 HER LIFE-- THE LIFE OF A PROSTITUTE 440 00:21:19,321 --> 00:21:21,802 IS FILLED WITH TENSION AND THE PRESSURE OF THE PIMP. 441 00:21:21,845 --> 00:21:24,021 I HOPE YOU WON'T MIND 442 00:21:24,065 --> 00:21:25,414 ASKING YOU IN HERE FOR A DRINK 443 00:21:25,458 --> 00:21:26,676 AFTER MEETING YOU ON THE STREET THERE. 444 00:22:04,975 --> 00:22:06,847 - SLIM TELLS HIS GIRLS 445 00:22:06,890 --> 00:22:08,588 THEY CAN LEAVE WHENEVER THEY GET READY. 446 00:22:08,631 --> 00:22:11,547 BUT THEY DON'T WANNA LEAVE 'CAUSE HE'S TOO GOOD TO 'EM, 447 00:22:11,591 --> 00:22:13,506 BUT THEY MUST GET THE MONEY. 448 00:22:13,549 --> 00:22:16,726 OTHERWISE, YOU'RE FIRED OR SOMETHING LIKE THAT. 449 00:22:16,770 --> 00:22:20,513 CAN YOU IMAGINE A PIMP FIRING A WHORE? 450 00:22:20,556 --> 00:22:23,516 - MY TOTAL IMAGE OF MYSELF 451 00:22:23,559 --> 00:22:31,524 WAS THAT I WAS SOME SORT OF BLACK EVIL SVENGALI. 452 00:22:33,743 --> 00:22:35,354 - WHEN YOU LOOK AT OLD PICTURES OF HIM, 453 00:22:35,397 --> 00:22:37,312 YOU SEE THIS FACE, 454 00:22:37,356 --> 00:22:39,140 THIS MASK HE WORE. 455 00:22:41,490 --> 00:22:43,971 THERE WAS NO EMOTION, NO EMOTION WHATSOEVER. 456 00:22:44,014 --> 00:22:45,799 HIS FOOT HAD NO PROBLEM 457 00:22:45,842 --> 00:22:48,192 FINDING ITS WAY TO A WOMAN'S ASS. 458 00:22:48,236 --> 00:22:51,108 - ICEBERG HAD NO HESITATION AT ALL 459 00:22:51,152 --> 00:22:53,546 ABOUT TAKING TWO LINES OF COCAINE 460 00:22:53,589 --> 00:22:55,461 SO HE COULD SLAP UP HIS BITCH, YOU KNOW. 461 00:22:55,504 --> 00:22:57,811 - BRUTALITY WAS THE NAME OF THE GAME. 462 00:22:57,854 --> 00:22:59,508 FIRST OF ALL, 463 00:22:59,552 --> 00:23:02,816 YOU'D SPELL OUT YOUR RULES AND REGULATIONS, 464 00:23:02,859 --> 00:23:07,603 AND IF ANY OF THOSE RULES WERE BROKEN, 465 00:23:07,647 --> 00:23:09,213 YOU HAD TO PUNISH 'EM. 466 00:23:13,957 --> 00:23:17,439 - HE WOULD VISUALIZE BEING COLD AS A REFRIGERATOR, 467 00:23:17,483 --> 00:23:20,268 BEING COLD AS A FREEZER, 468 00:23:20,311 --> 00:23:22,792 WHERE HE WOULD BE ABLE TO GUARD HIS EMOTIONS 469 00:23:22,836 --> 00:23:26,187 AGAINST RIVAL PIMPS, COPS, HIS WOMEN. 470 00:23:26,230 --> 00:23:28,711 THEY WERE NEVER ABLE TO READ HIM. 471 00:23:28,755 --> 00:23:30,626 - I'VE HAD HUNDREDS OF WOMEN. 472 00:23:30,670 --> 00:23:34,630 I'VE NEVER ADMITTED TO ONE THAT I EVER HAD A PROBLEM 473 00:23:34,674 --> 00:23:39,461 OR THAT ANYTHING WORRIED ME. 474 00:23:39,505 --> 00:23:43,204 AND THAT'S THE SECRET. 475 00:23:43,247 --> 00:23:44,988 - HE SAID HE WAS A PSYCHOPATH. 476 00:23:45,032 --> 00:23:49,819 HE SAID HE GOT A THRILL OUT OF DEGRADING WOMEN 477 00:23:49,863 --> 00:23:51,995 AND HURTING THEM, BRUTALIZING THEM, 478 00:23:52,039 --> 00:23:53,736 KEEPING A RELENTLESS PSYCHOLOGICAL 479 00:23:53,780 --> 00:23:56,696 AND PHYSICAL PRESSURE ON THEM. 480 00:23:56,739 --> 00:23:59,786 - I WANTED THAT THRILL, 481 00:23:59,829 --> 00:24:03,354 THAT VOLUPTUOUS SENSATION OF CONTROLLING 482 00:24:03,398 --> 00:24:06,270 A STABLE OF WOMEN. 483 00:24:11,014 --> 00:24:12,451 - HE HAD TO GRAB THAT INTELLECT, 484 00:24:12,494 --> 00:24:16,193 GRAB THAT SPIRIT, GRAB THAT HOPE 485 00:24:16,237 --> 00:24:18,108 AND HE WAS-- I DON'T THINK 486 00:24:18,152 --> 00:24:19,936 THERE WAS ANYBODY BETTER AT IT THAN HIM. 487 00:24:19,980 --> 00:24:22,330 - HE SAID THE HARDEST THING FOR ME TO DO EVERY DAY 488 00:24:22,373 --> 00:24:25,115 WAS TO SAY SOMETHING TO MY STABLE 489 00:24:25,159 --> 00:24:28,684 THAT WOULD CONFOUND THEIR MIND 490 00:24:28,728 --> 00:24:33,036 TO MENTALLY KEEP THEM IN CHECK. 491 00:24:33,080 --> 00:24:36,649 - AT THE END OF THE DAY, THERE'S ONLY ONE GAME. 492 00:24:36,692 --> 00:24:39,042 IT'S YOU EITHER WORK FOR SOMEBODY 493 00:24:39,086 --> 00:24:41,175 OR YOU HAVE PEOPLE WORK FOR YOU. 494 00:24:41,218 --> 00:24:44,395 PIMPING IS NO DIFFERENT, YOU KNOW. 495 00:24:44,439 --> 00:24:47,050 IF YOU REALLY BREAK IT DOWN TO THE LOWEST LEVEL, 496 00:24:47,094 --> 00:24:53,361 IT'S USING YOUR FINESSE AND YOUR CHARISMA 497 00:24:53,404 --> 00:24:57,844 TO CONVINCE SOMEBODY TO DO WHAT YOU WANT THEM TO DO. 498 00:24:57,887 --> 00:25:00,542 - YOU CAN'T BE A NORMAL PERSON, 499 00:25:00,586 --> 00:25:03,197 NOT AND SUCCEED IN THAT LIFE. 500 00:25:03,240 --> 00:25:07,375 AND YOU'VE GOT TO BE ABSOLUTELY UNFLAPPABLE. 501 00:25:07,418 --> 00:25:10,378 WHAT YOU DO LITERALLY 502 00:25:10,421 --> 00:25:13,424 IS PLAY GOD. 503 00:25:13,468 --> 00:25:15,557 - WHEN YOU HAVE FIVE OR SIX HOs, 504 00:25:15,601 --> 00:25:17,820 EVERY ONE OF THEM THINKS THEIR MAN IS GOD. 505 00:25:17,864 --> 00:25:22,085 HE SAID, THAT'S WHY YOU DON'T HAVE SEX WITH THEM VERY OFTEN. 506 00:25:22,129 --> 00:25:24,044 YOU'VE GOT TO BE GOD, 507 00:25:24,087 --> 00:25:28,657 AND, HEY, IF SHE CAN TOUCH GOD ANY TIME SHE WANTS, 508 00:25:28,701 --> 00:25:31,399 THEN HE'S NOT GOD ANYMORE. 509 00:25:33,401 --> 00:25:35,011 - THE LIFE OF A PIMP 510 00:25:35,055 --> 00:25:38,101 IS UNREMITTING TENSION AND PRESSURES. 511 00:25:38,145 --> 00:25:43,846 A PIMP LIVES ON THE PRECIPICE OF DISASTER. 512 00:25:43,890 --> 00:25:47,023 I THINK HE'S THE MOST HATED AND FEARED CREATURE 513 00:25:47,067 --> 00:25:48,634 OF THE UNDERWORLD. 514 00:25:48,677 --> 00:25:50,200 - ALL OF US, HONEY. ALL OF US. 515 00:25:50,244 --> 00:25:55,902 - TO TRY TO ACTUALLY CONTROL A FEMALE 516 00:25:55,945 --> 00:25:58,078 WHO'S BASICALLY A CRIMINAL, 517 00:25:58,121 --> 00:26:01,037 A ROBBER, A THIEF, 518 00:26:01,081 --> 00:26:04,650 TO GET THAT TO OPERATE UNDER YOUR MOTIVATION 519 00:26:04,693 --> 00:26:07,217 IS NOT AN EASY THING TO DO, YOU KNOW WHAT I'M SAYING? 520 00:26:07,261 --> 00:26:08,784 SO I TELL CATS, 521 00:26:08,828 --> 00:26:10,003 I'M, LIKE, YOU'D DO BETTER SELLING DRUGS. 522 00:26:10,046 --> 00:26:11,439 AT LEAST A KEY OF DOPE 523 00:26:11,482 --> 00:26:12,745 WON'T WAKE UP IN THE MIDDLE OF THE NIGHT 524 00:26:14,224 --> 00:26:15,443 AND KILL YOU FOR SOMETHING YOU SAID TO IT EARLY THAT DAY. 525 00:26:15,486 --> 00:26:18,141 - HOLDING A STABLE TOGETHER REQUIRES THE PIMP 526 00:26:18,185 --> 00:26:21,231 TO KEEP EACH INDIVIDUAL MEMBER OF THE STABLE 527 00:26:21,275 --> 00:26:23,843 IN APPARENT COMPETITION. 528 00:26:23,886 --> 00:26:26,846 - BECAUSE OF THE NATURE OF THE PREY-- 529 00:26:26,889 --> 00:26:29,631 AND I DON'T HAVE TO TELL YOU GENTLEMEN 530 00:26:29,675 --> 00:26:33,374 HOW CUNNING THEY ARE-- 531 00:26:33,417 --> 00:26:35,245 THE ENEMY. 532 00:26:35,289 --> 00:26:37,030 - YOUR WORD GOT TO BE LAW. 533 00:26:37,073 --> 00:26:39,293 EVEN IF YOU TELL THAT FEMALE, 534 00:26:39,336 --> 00:26:42,296 I'M NOT GONNA ACCEPT YOU OR GEORGIA YOU 535 00:26:42,339 --> 00:26:45,647 OR GIVE YOU ANY LOVE UNTIL YOU GIVE ME MY MONEY. 536 00:26:45,691 --> 00:26:47,127 YOU GOT TO MEAN THAT. 537 00:26:47,170 --> 00:26:49,085 YOU GOTTA KEEP YOUR GANG LIVE 538 00:26:49,129 --> 00:26:50,957 AND LET 'EM KNOW THAT YOU'RE DOWN 539 00:26:51,000 --> 00:26:52,828 AND THAT YOU ABOUT YOUR MONEY. 540 00:26:52,872 --> 00:26:55,657 - IT'S A SKULL GAME. PIMPING IS A SKULL GAME. 541 00:26:55,701 --> 00:26:58,355 IT'S A GAME OF MANIPULATIVE PSYCHOLOGY. 542 00:26:58,399 --> 00:26:59,966 - AND BELIEVE ME, 543 00:27:00,009 --> 00:27:03,665 TO REALLY BE A PIMP TAKES A LOT. 544 00:27:03,709 --> 00:27:05,667 THE AVERAGE MAN WALKING UP AND DOWN THE STREET, 545 00:27:05,711 --> 00:27:06,973 HE MAY BE UNDER THE IMPRESSION 546 00:27:07,016 --> 00:27:08,975 THAT HE CAN PIMP, 547 00:27:09,018 --> 00:27:11,151 BUT WHEN HE'S PUT TO THE TEST, 548 00:27:11,194 --> 00:27:12,543 HE'LL FLUNK. 549 00:27:20,073 --> 00:27:23,250 - MY BROTHER, MY OLDER BROTHER SHABAZZ 550 00:27:23,293 --> 00:27:27,689 HAD, UM... WHEN HE GOT OUT OF JAIL, 551 00:27:27,733 --> 00:27:30,692 HE CHANGED HIS NAME FROM CHARLES TO SHABAZZ. 552 00:27:30,736 --> 00:27:32,302 HE BECAME A 5 PERCENTER. 553 00:27:32,346 --> 00:27:36,524 AND, YOU KNOW, THERE WAS KORANS 554 00:27:36,567 --> 00:27:40,441 AND A BUNCH OF, YOU KNOW, ISLAMIC LITERATURE, 555 00:27:40,484 --> 00:27:43,357 AND THEN EVERY ICEBERG SLIM BOOK 556 00:27:43,400 --> 00:27:45,011 WAS RIGHT NEXT TO IT. 557 00:27:56,849 --> 00:27:59,286 - IT WAS DECEMBER 1945. 558 00:27:59,329 --> 00:28:02,985 FOR SEVEN YEARS, I DEVOTED MYSELF 559 00:28:03,029 --> 00:28:05,379 TO GETTING HIP TO THAT PIMP'S BOOK. 560 00:28:05,422 --> 00:28:09,992 I HAD THOUGHT AND ACTED LIKE A BLACK GOD. 561 00:28:10,036 --> 00:28:12,386 SIX MONTHS LATER, SWEET CALLED ME. 562 00:28:12,429 --> 00:28:16,346 HE SAID, BERG, I GOT A WIRE THE FBI'S QUIZZING WHORES. 563 00:28:16,390 --> 00:28:17,739 THEY'RE TRYING TO BUILD 564 00:28:17,783 --> 00:28:21,351 A FIVE OR SIX COUNT RAP AGAINST YOU. 565 00:28:21,395 --> 00:28:25,051 - HE'S PICKED UP FOR VIOLATING THE MANN ACT. 566 00:28:25,094 --> 00:28:26,269 TWO OF HIS WOMEN-- 567 00:28:26,313 --> 00:28:28,228 HIS BOTTOM WOMAN OF MANY YEARS, PHYLLIS, 568 00:28:28,271 --> 00:28:30,883 HIS FIRST WOMAN, TURNED STATES EVIDENCE AGAINST HIM. 569 00:28:30,926 --> 00:28:34,321 HE WAS INCARCERATED IN LEAVENWORTH, 570 00:28:34,364 --> 00:28:37,324 THE ALMA MATER OF MACHINE GUN KELLY 571 00:28:37,367 --> 00:28:40,544 BUGS MORAN, AL CAPONE. 572 00:28:40,588 --> 00:28:44,287 - ICEBERG SLIM WRITES ABOUT A PSYCHIATRIST IN THE 1940s 573 00:28:44,331 --> 00:28:46,637 THAT HE ENCOUNTERED IN PRISON. 574 00:28:46,681 --> 00:28:50,293 THE PSYCHIATRIST CAME FROM A PSYCHO-ANALYTICAL BACKGROUND 575 00:28:50,337 --> 00:28:53,427 AND BELIEVED THAT PIMPS, PARTICULARLY BLACK PIMPS, 576 00:28:53,470 --> 00:28:55,995 HAD A REAL HATRED OF THEIR MOTHERS. 577 00:28:56,038 --> 00:29:00,086 - THE PERSON THAT HAD THE GREATEST EFFECT ON HIM 578 00:29:00,129 --> 00:29:03,306 PSYCHOLOGICALLY WAS HIS MOTHER. 579 00:29:03,350 --> 00:29:06,309 HE DIDN'T WANT TO KEEP HURTING HIS MOTHER, 580 00:29:06,353 --> 00:29:08,834 AND YET THERE WAS A PART HERE 581 00:29:08,877 --> 00:29:11,097 THAT WAS A DIVIDED SOUL. 582 00:29:11,140 --> 00:29:14,796 BECAUSE THERE WERE ALSO PARTS OF HIM 583 00:29:14,840 --> 00:29:17,103 THAT WERE ANGRY AT HIS MOTHER 584 00:29:17,146 --> 00:29:19,627 AND HELD THINGS AGAINST HIS MOTHER, 585 00:29:19,670 --> 00:29:22,151 WHICH REALLY PSYCHOLOGICALLY 586 00:29:22,195 --> 00:29:25,546 HAD SOME THINGS TO DO WITH THE WAY HE TREATED OTHER WOMEN 587 00:29:25,589 --> 00:29:29,028 AND HIS UTTER DISRESPECT FOR WOMEN. 588 00:29:31,160 --> 00:29:33,162 - MY REPUTATION COMING UP 589 00:29:33,206 --> 00:29:35,208 BEFORE I GOT STREET POISONED, 590 00:29:35,251 --> 00:29:37,079 ALL OF MY MOTHER'S FRIENDS, 591 00:29:37,123 --> 00:29:41,867 ALL OF MY ASSOCIATES' MOTHERS AND FATHERS, 592 00:29:41,910 --> 00:29:44,783 THEY ALL THOUGHT I WAS THE MOST CHARMING, 593 00:29:44,826 --> 00:29:47,002 THE SWEETEST-- THEY USED TO TALK ABOUT, 594 00:29:47,046 --> 00:29:49,831 OH, YOUR SON IS SO SWEET. 595 00:29:49,875 --> 00:29:51,485 OH, HE'S SUCH A GENTLEMAN. 596 00:29:51,528 --> 00:29:53,835 YOU SEE WHAT I MEAN? 597 00:29:53,879 --> 00:29:59,145 SO TO GET FROM THAT "A" 598 00:29:59,188 --> 00:30:02,713 TO THE HORRIFIC "Z" OF PIMPING 599 00:30:02,757 --> 00:30:04,715 REQUIRED MORE OF ME 600 00:30:04,759 --> 00:30:06,543 THAN IT DID THE AVERAGE PERSON. 601 00:30:06,587 --> 00:30:08,154 - WHICH I THINK PLAYED OUT 602 00:30:08,197 --> 00:30:10,634 IN HIS VERY, VERY DIRECT EXPERIENCES 603 00:30:10,678 --> 00:30:12,419 WITH SOME OF THE GIRLS IN HIS STABLE, 604 00:30:12,462 --> 00:30:14,725 INCLUDING THE GIRL WHO HE BEAT VIOLENTLY, 605 00:30:14,769 --> 00:30:18,381 AND AT THE SAME TIME WANTED TO NURTURE AND HOLD AND HUG. 606 00:30:18,425 --> 00:30:21,471 - BUT I ALWAYS HAD THAT SUCKERS STREAK IN ME. 607 00:30:21,515 --> 00:30:26,650 I DON'T MEAN THAT IT COMPROMISED MY PIMPING. 608 00:30:26,694 --> 00:30:29,610 BUT IT WAS ALWAYS THERE. 609 00:30:29,653 --> 00:30:32,439 - YOU CAN'T JUST DOG A WOMAN OUT 610 00:30:32,482 --> 00:30:35,529 AND JUST GORILLA PIMP A BITCH TO DEATH. 611 00:30:35,572 --> 00:30:38,488 THERE'S GOTTA BE SOME COMPASSION TO PIMPING IN THERE, 612 00:30:38,532 --> 00:30:41,013 SOME SOFT SIDE, SOME TENDER LOVING PIMPING IN THERE. 613 00:30:41,056 --> 00:30:43,145 BECAUSE IF YOU CONSTANTLY WITH THE WOMEN, 614 00:30:43,189 --> 00:30:45,408 YOU GOTTA HAVE A NATURAL FEELING FOR 'EM. 615 00:30:45,452 --> 00:30:46,279 THEY GIVE YOU MONEY. YOU RESPECT 'EM. 616 00:30:47,454 --> 00:30:48,237 YOU ACTUALLY BEING A FATHER FIGURE TO 'EM. 617 00:30:52,067 --> 00:30:54,417 - 28 YEARS OLD, HE'S RELEASED FROM LEAVENWORTH, 618 00:30:54,461 --> 00:30:58,117 HE'S BACK ON THE STREET FLAT ON HIS ASS. 619 00:30:58,160 --> 00:31:00,293 SO AUTOMATICALLY, HIS FIRST THOUGHT IS, LIKE, 620 00:31:00,336 --> 00:31:02,817 OKAY, I GOTTA GET MY PIMPING GAME BACK UP. 621 00:31:02,861 --> 00:31:04,384 - HE HAS NO OTHER ALTERNATIVE 622 00:31:04,427 --> 00:31:08,475 BUT TO TURN TO STRONG-ARMED ROBBERY. 623 00:31:08,518 --> 00:31:11,957 AND WITHIN A MONTH, BAM, HE'S BACK IN THE SLAMMER. 624 00:31:12,000 --> 00:31:14,524 HE'S SENTENCED TO COOK COUNTY HOUSE OF CORRECTIONS 625 00:31:14,568 --> 00:31:15,917 FOR A YEAR. 626 00:31:15,961 --> 00:31:17,919 THEY PUT HIM ON THE COAL PILE. 627 00:31:17,963 --> 00:31:20,530 NEVER DONE A HARD DAY'S WORK IN HIS LIFE. 628 00:31:20,574 --> 00:31:23,229 A PIMP ON A COAL PILE IS LIKE OIL AND WATER. 629 00:31:23,272 --> 00:31:29,888 SO GOOD FRIDAY 1947, HE ESCAPED. 630 00:31:29,931 --> 00:31:31,628 - HE'S A FUGITIVE FROM JUSTICE. 631 00:31:31,672 --> 00:31:32,934 HE'S RUNNING ALL OVER THE MIDWEST 632 00:31:32,978 --> 00:31:34,849 WITH EIGHT PROSTITUTES 633 00:31:34,893 --> 00:31:38,331 AND HE'S AN ADDICT OF HEROIN AND COCAINE. 634 00:31:41,508 --> 00:31:42,813 - DID YOU MAKE A LOT OF MONEY? 635 00:31:42,857 --> 00:31:45,686 - OH... 636 00:31:45,729 --> 00:31:49,908 BUT WHERE'D IT GO? IN MY ARM. 637 00:31:49,951 --> 00:31:52,780 IN A BLIZZARD OF COCAINE 638 00:31:52,823 --> 00:31:54,869 UP MY NOSE. 639 00:31:54,913 --> 00:31:58,438 ALL KINDS OF CLOTHES. 640 00:31:58,481 --> 00:32:02,268 SPENDING IT ACROSS THE BAR IN CABARETS. 641 00:32:02,311 --> 00:32:05,575 - DOPE IS MAYBE ONE OF THE GREATEST PIMPS TO EVER LIVE, 642 00:32:05,619 --> 00:32:08,361 BECAUSE ANYBODY WHO USES DOPE 643 00:32:08,404 --> 00:32:10,363 AND GETS HOOKED ON DOPE, 644 00:32:10,406 --> 00:32:13,975 YOU'RE A HO AND THE DOPE IS PIMPING YOU. 645 00:32:14,019 --> 00:32:16,673 - WHEN YOU'RE IN THE LIFE, 646 00:32:16,717 --> 00:32:19,894 YOU NEVER REALIZE THAT YOU'RE GOING TO GET OLD. 647 00:32:19,938 --> 00:32:22,244 THAT NEVER OCCURS TO YOU 648 00:32:22,288 --> 00:32:27,554 BECAUSE THE DRUGS KEEP YOU IN A TRACE. 649 00:32:27,597 --> 00:32:29,469 - BY THE LATE 1950s, 650 00:32:29,512 --> 00:32:31,123 HE'S GOT HIS GIRLS IN WHOREHOUSES, 651 00:32:31,166 --> 00:32:33,516 HE GETS BUSTED, THEY RUN HIS FINGERPRINTS 652 00:32:33,560 --> 00:32:35,301 AND FIND OUT HE'S AN ESCAPED CONVICT. 653 00:32:37,390 --> 00:32:39,609 - HIS RUN IN THE GAME IS OVER. 654 00:32:39,653 --> 00:32:43,091 HE'S SENTENCED BACK TO THE HOUSE OF CORRECTIONS. 655 00:32:43,135 --> 00:32:47,356 HE DOES NINE MONTHS IN SOLITARY CONFINEMENT. 656 00:32:52,274 --> 00:32:55,190 - I LOOKED AROUND MY NEW HOME. 657 00:32:55,234 --> 00:32:56,800 IT WAS A TIGHT BOX 658 00:32:56,844 --> 00:32:59,716 DESIGNED TO CRUSH AND TORTURE THE HUMAN SPIRIT. 659 00:32:59,760 --> 00:33:02,023 I RAISED MY ARMS ABOVE ME. 660 00:33:02,067 --> 00:33:06,332 MY FINGERTIPS TOUCHED THE COLD STEEL CEILING. 661 00:33:06,375 --> 00:33:08,682 I STRETCHED THEM OUT TO THE SIDE. 662 00:33:08,725 --> 00:33:12,077 I TOUCHED THE STEEL WALLS. 663 00:33:12,120 --> 00:33:14,818 THE MATTRESS COVER WAS STAINED AND STINKING 664 00:33:14,862 --> 00:33:17,517 FROM OLD PUKE AND CRAP. 665 00:33:17,560 --> 00:33:20,650 IT WASN'T JUST THE CELL. 666 00:33:20,694 --> 00:33:24,002 IT WAS THE SIGHTS AND SOUNDS OF THE MISERY AND TORMENT 667 00:33:24,045 --> 00:33:25,525 ON THE ROW. 668 00:33:25,568 --> 00:33:27,353 [men shouting] 669 00:33:27,396 --> 00:33:29,311 - AT THE END OF THE FOURTH MONTH, 670 00:33:29,355 --> 00:33:31,183 MY SKULL WAS SHAKING ON MY SHOULDERS 671 00:33:31,226 --> 00:33:34,447 LIKE I HAD PALSY. 672 00:33:34,490 --> 00:33:36,449 - HE SAID THAT HE WOULD HAVE TO DO THINGS 673 00:33:36,492 --> 00:33:38,538 TO STRENGTHEN HIS MIND 674 00:33:38,581 --> 00:33:41,019 TO KEEP FROM GOING CRAZY. 675 00:33:41,062 --> 00:33:43,543 - HIS WRITING MAY HAVE ACTUALLY BEGUN 676 00:33:43,586 --> 00:33:46,546 IN THAT PRISON WORLD IN THAT SETTING 677 00:33:46,589 --> 00:33:48,765 WHERE HE STARTED CREATING STORIES, 678 00:33:48,809 --> 00:33:52,726 WHETHER ABOUT HIS OWN LIFE OR FICTIONAL ONES. 679 00:33:52,769 --> 00:33:55,381 - HE SAID, I HAD TO PLAY MENTAL GAMES WITH MYSELF, 680 00:33:55,424 --> 00:33:57,513 AND I HAD TO HAVE CERTAIN CONVERSATIONS 681 00:33:57,557 --> 00:33:59,211 TO JUST KEEP ME GOING. 682 00:33:59,254 --> 00:34:01,474 HE SAID, BECAUSE I WAS DETERMINED 683 00:34:01,517 --> 00:34:03,519 THAT THE MAN WAS NOT GOING TO BREAK ME. 684 00:34:05,304 --> 00:34:08,698 ♪ I COULD JUST LAY RIGHT DOWN ♪ 685 00:34:08,742 --> 00:34:12,615 ♪ I TELL YOU, CHILDREN, I COULD LAY RIGHT DOWN ♪ 686 00:34:12,659 --> 00:34:14,400 - HE HAD A LOT TO COPE WITH. 687 00:34:14,443 --> 00:34:17,838 HIS BEST FRIEND, JOE "PARTY TIME" EVANS, 688 00:34:17,881 --> 00:34:19,405 WAS KILLED. 689 00:34:21,494 --> 00:34:24,105 BABY BELL WAS DEAD. 690 00:34:27,456 --> 00:34:28,849 - HE GETS A LETTER FROM HIS MOTHER, 691 00:34:28,892 --> 00:34:30,111 AND THAT SHE'S VERY SICK 692 00:34:30,155 --> 00:34:31,765 AND THAT HE NEEDS TO GET OUT TO LOS ANGELES. 693 00:34:31,808 --> 00:34:35,769 - I HAD COME TO A DECISION IN THAT AWFUL CELL. 694 00:34:35,812 --> 00:34:40,165 I WAS THROUGH WITH PIMPING AND DRUGS. 695 00:34:40,208 --> 00:34:43,037 I HAD FOUND OUT THAT PIMPING IS FOR YOUNG MEN, 696 00:34:43,081 --> 00:34:45,039 THE STUPID KIND. 697 00:34:45,083 --> 00:34:46,475 I GOT INSIGHT THAT PERHAPS 698 00:34:46,519 --> 00:34:49,261 I COULD NEVER HAVE HOPED TO GET OUTSIDE. 699 00:34:49,304 --> 00:34:53,178 I COULD SEE THE TERRIBLE PATTERN OF MY LIFE. 700 00:34:53,221 --> 00:34:55,832 MAMA MIGHT DIE IN CALIFORNIA AT ANY TIME. 701 00:34:55,876 --> 00:34:58,922 I HAD TO GET TO HER BEFORE SHE DIED. 702 00:34:58,966 --> 00:35:01,534 I HAD TO CONVINCE HER I LOVED HER. 703 00:35:01,577 --> 00:35:02,970 I HAD TO GET THERE 704 00:35:03,013 --> 00:35:05,929 AS MUCH FOR MYSELF AS FOR HER. 705 00:35:05,973 --> 00:35:08,106 - HERE HE IS, HE'S STRUGGLING TRYING KEEP HIS SANITY, 706 00:35:08,149 --> 00:35:10,630 AND DURING THIS TIME, 707 00:35:10,673 --> 00:35:14,764 HE FINDS OUT THEY MAY TACK ON MORE TIME. 708 00:35:14,808 --> 00:35:17,027 HE MAY NOT GET OUT WHEN THEY TELL HIM 709 00:35:17,071 --> 00:35:18,333 THAT HE'S SUPPOSED TO BE RELEASED. 710 00:35:18,377 --> 00:35:22,598 - IN ORDER TO SECURE HIS FREEDOM 711 00:35:22,642 --> 00:35:24,818 ON THE DAY THAT HE IS SUPPOSED TO BE RELEASED, 712 00:35:24,861 --> 00:35:27,603 HE WRITES A LETTER TO THE WARDEN 713 00:35:27,647 --> 00:35:32,304 IN WHICH HE MAKES A LEGAL SOUNDING PLEA 714 00:35:32,347 --> 00:35:35,394 FOR HIS RELEASE. 715 00:35:35,437 --> 00:35:37,526 - USING THE PEN AND THE PAPER 716 00:35:37,570 --> 00:35:40,312 TO GET SOMEWHERE IN LIFE FOR THE FIRST TIME 717 00:35:40,355 --> 00:35:43,489 WAS CATHARTIC FOR HIM. 718 00:35:43,532 --> 00:35:47,362 THIS IS WHEN HE BECAME A WRITER, IN EFFECT, 719 00:35:47,406 --> 00:35:51,410 AND THAT WRITING, THEN AND LATER ON, 720 00:35:51,453 --> 00:35:53,847 ENABLED HIM TO LEAVE THE PENITENTIARY, 721 00:35:53,890 --> 00:35:57,372 ENABLED HIM TO LEAVE THE LIFE OF CRIME BEHIND 722 00:35:57,416 --> 00:35:59,113 AND SO THROUGH WRITING, 723 00:35:59,157 --> 00:36:00,897 HE REALLY DID CHANGE HIS LIFE. 724 00:36:00,941 --> 00:36:02,638 - WRITERS ARE BORN AND NOT CREATED, 725 00:36:02,682 --> 00:36:05,075 SO THAT GENE, THAT GENIUS GENE 726 00:36:05,119 --> 00:36:06,468 HAS ALWAYS BEEN THERE SOMEWHERE INSIDE OF YOU. 727 00:36:06,512 --> 00:36:07,861 IT JUST TAKES SOMETHING TO TRIGGER IT. 728 00:36:07,904 --> 00:36:11,430 - HE SAYS I HATED BEING IN THE STEEL CASKET 729 00:36:11,473 --> 00:36:13,214 WHERE THEY LOCKED ME AWAY, 730 00:36:13,258 --> 00:36:15,521 BUT THEY SAVED MY LIFE. 731 00:36:15,564 --> 00:36:19,351 BECAUSE IF I HAD TRIED TO CONTINUE ON, 732 00:36:19,394 --> 00:36:22,180 I WOULDN'T HAVE LIVED. 733 00:36:22,223 --> 00:36:23,920 - HE SAID, SO I KNEW 734 00:36:23,964 --> 00:36:27,228 THAT I WAS GOING TO LEAVE THE STREET LIFE ALONE 735 00:36:27,272 --> 00:36:29,578 AND DO WHATEVER I HAD TO DO 736 00:36:29,622 --> 00:36:32,320 TO STRAIGHTEN UP 737 00:36:32,364 --> 00:36:35,976 AND LEAD A DIFFERENT KIND OF LIFE. 738 00:36:36,019 --> 00:36:38,587 ♪ LOVE AND HAPPINESS 739 00:36:38,631 --> 00:36:40,763 ♪ MAKING IT RIGHT 740 00:36:40,807 --> 00:36:43,897 ♪ LOVE AND HAPPINESS 741 00:36:43,940 --> 00:36:45,942 ♪ MAKING IT RIGHT 742 00:36:45,986 --> 00:36:48,771 ♪ LOVE AND HAPPINESS 743 00:36:48,815 --> 00:36:50,512 ♪ MAKING IT RIGHT 744 00:36:50,556 --> 00:36:53,994 - LOS ANGELES BECOMES THE END POINT OF HIS JOURNEY 745 00:36:54,037 --> 00:36:55,561 BECAUSE HE'S TRYING TO GET BACK TO MAMA. 746 00:36:55,604 --> 00:36:58,564 - I HAD NO ONE EXCEPT MAMA. 747 00:36:58,607 --> 00:37:01,567 MY COMING TO HER HAD BEEN LIKE A MIRACLE. 748 00:37:01,610 --> 00:37:06,006 IT WAS THE MAGIC THAT GAVE HER STRENGTH. 749 00:37:06,049 --> 00:37:08,008 SHE TOLD ME THAT I SHOULD GET MARRIED 750 00:37:08,051 --> 00:37:09,488 AND HAVE CHILDREN. 751 00:37:16,669 --> 00:37:19,019 - I HAD COME OUT HERE TO CALIFORNIA 752 00:37:19,062 --> 00:37:21,935 'CAUSE I WAS JUST BORED, SO I CAME OUT HERE. 753 00:37:21,978 --> 00:37:23,589 [coughs] 754 00:37:23,632 --> 00:37:27,419 I HAD WORKED FOR A HAMBURGER STAND 755 00:37:27,462 --> 00:37:31,988 AND THIS GUY STARTED-- STOPPED BY THERE 756 00:37:32,032 --> 00:37:36,079 AND HE LOOKED LIKE A PROFESSIONAL TO ME, 757 00:37:36,123 --> 00:37:38,952 EITHER A DOCTOR, A LAWYER, 758 00:37:38,995 --> 00:37:42,651 OR A PRESIDENT OF SOME BANK. 759 00:37:42,695 --> 00:37:45,524 IMPECCABLY DRESSED. 760 00:37:45,567 --> 00:37:50,006 SHOES SHINED, THE CAR SPOTLESS. 761 00:37:50,050 --> 00:37:53,793 JUST UNBELIEVABLE. 762 00:37:53,836 --> 00:37:55,838 AND HE SAID COULD I TAKE YOU SOMEWHERE 763 00:37:55,882 --> 00:37:58,580 WHERE YOU COULD EAT SOMETHING BESIDES A HAMBURGER? 764 00:37:58,624 --> 00:38:01,757 I SAID, WHAT THE HELL. 765 00:38:01,801 --> 00:38:04,369 SO WE GO AND WE EAT. 766 00:38:04,412 --> 00:38:08,808 AND I DRANK TOO MUCH, 767 00:38:08,851 --> 00:38:10,723 WHICH I USUALLY DID BACK IN THOSE DAYS. 768 00:38:10,766 --> 00:38:12,333 I DRANK ALL OF MY WHISKEY 769 00:38:12,377 --> 00:38:13,900 AND ALL OF ANYBODY ELSE'S WHISKEY 770 00:38:13,943 --> 00:38:15,684 I COULD GET MY HANDS ON. 771 00:38:15,728 --> 00:38:18,513 AND I GOT SICK 772 00:38:18,557 --> 00:38:21,995 LIKE I HAVE NEVER BEEN SICK BEFORE IN MY LIFE. 773 00:38:22,038 --> 00:38:24,998 AND HE TOOK ME TO THE EMERGENCY ROOM. 774 00:38:25,041 --> 00:38:29,742 THE DOCTOR SAID THAT I WAS, UM... 775 00:38:29,785 --> 00:38:32,788 I WAS FOUR MONTHS-- AROUND FOUR MONTHS PREGNANT. 776 00:38:32,832 --> 00:38:34,529 I SAID, YOU'VE GOT TO BE LYING. 777 00:38:34,573 --> 00:38:37,184 AND HE SAID, NO. 778 00:38:37,227 --> 00:38:40,187 AND THEN I STARTED CRYING, AND BOB CAME IN. 779 00:38:40,230 --> 00:38:41,580 HE SAID, WHAT'S THE MATTER? 780 00:38:41,623 --> 00:38:43,364 I SAID, DIDN'T THEY TELL YOU WHAT'S WRONG WITH ME? 781 00:38:43,408 --> 00:38:45,105 AND HE SAID, YEAH. 782 00:38:45,148 --> 00:38:49,849 I SAID, AND WHO'S GONNA HELP TAKE CARE OF ME? 783 00:38:49,892 --> 00:38:52,504 AND HE SAID, I AM. 784 00:38:52,547 --> 00:38:55,898 SO HE TOOK ME OVER TO THE APARTMENT 785 00:38:55,942 --> 00:38:57,900 WHERE HE WAS LIVING WITH HIS MOTHER. 786 00:38:57,944 --> 00:39:03,079 SHE MARRIED A MAN THAT WORKED FOR THE RAILROAD. 787 00:39:03,123 --> 00:39:05,038 HIS NAME WAS BECK. 788 00:39:05,081 --> 00:39:08,737 THAT'S WHY BOB TOOK BECK AS A LAST NAME. 789 00:39:08,781 --> 00:39:10,696 WHEN HE BROUGHT ME IN THERE, 790 00:39:10,739 --> 00:39:12,872 THEN OF COURSE IMMEDIATELY 791 00:39:12,915 --> 00:39:16,092 THE WHEELS STARTED TURNING IN HER MIND, 792 00:39:16,136 --> 00:39:19,052 AND SHE WOULD GO BACK 793 00:39:19,095 --> 00:39:22,882 AND SHE WOULD SAY, BABY, YOU GET AWAY FROM HIM. 794 00:39:22,925 --> 00:39:25,232 BOBBY'S NO GOOD. HE'S MY SON. 795 00:39:25,275 --> 00:39:28,017 I LOVE HIM. HE'S NO GOOD. 796 00:39:28,061 --> 00:39:33,414 AND I ASKED HIM WHAT WAS SHE TALKING ABOUT? 797 00:39:33,458 --> 00:39:35,416 HE SAID, I'LL TELL YOU, 798 00:39:35,460 --> 00:39:38,332 BUT NOW'S NOT THE TIME. 799 00:39:38,376 --> 00:39:41,466 SHE WAS AN OLD WOMAN, 800 00:39:41,509 --> 00:39:44,425 AND SHE DIED, 801 00:39:44,469 --> 00:39:48,429 AND I HAVE NEVER IN MY LIFE 802 00:39:48,473 --> 00:39:52,999 SEEN ANYBODY SUFFER THE WAY HE DID 803 00:39:53,042 --> 00:39:54,957 THE DAY HIS MAMA DIED. 804 00:40:05,707 --> 00:40:09,842 IN JUNE I HAD ROBIN, 805 00:40:09,885 --> 00:40:12,453 AND THEN 15 MONTHS LATER, 806 00:40:12,497 --> 00:40:15,935 I HAD CAMILLE. 807 00:40:15,978 --> 00:40:20,418 WE WERE SO BROKE, SO HE STARTED EXTERMINATING. 808 00:40:23,377 --> 00:40:26,162 HE SAID, I DON'T KNOW HOW TO DO ANYTHING. 809 00:40:26,206 --> 00:40:29,296 HE FIGURED THAT WAS THE ONLY THING THAT HE COULD DO 810 00:40:29,339 --> 00:40:32,342 WITHOUT GOING BACK INTO THE LIFE. 811 00:40:32,386 --> 00:40:34,170 ALL HE WANTED WAS ME 812 00:40:34,214 --> 00:40:37,391 AND THE CHILDREN SOMETIMES. 813 00:40:37,435 --> 00:40:41,395 THEY WERE TOTALLY MY RESPONSIBILITY. 814 00:40:41,439 --> 00:40:43,789 - SHE WAS, LIKE, THE HEAD OF THE HOUSE. 815 00:40:43,832 --> 00:40:46,835 SHE WAS THE PERSON THAT GAVE DISCIPLINE. 816 00:40:46,879 --> 00:40:51,318 SHE WAS THE PERSON WHO MADE MEALS, RULES. 817 00:40:51,361 --> 00:40:56,323 - ANYTIME THE CHILDREN DID SOMETHING WRONG, HONEY. 818 00:40:56,366 --> 00:40:58,499 OR I'M GONNA TELL MOMMY 819 00:40:58,543 --> 00:41:00,109 AND ALL THIS KIND OF CRAP. 820 00:41:00,153 --> 00:41:01,502 - HE WAS A GREAT DAD. 821 00:41:01,546 --> 00:41:02,938 I MEAN, HE COULD HAVE BEEN BETTER, 822 00:41:02,982 --> 00:41:04,897 BUT WE COULD ALL BE BETTER THAN WHAT WE ARE. 823 00:41:04,940 --> 00:41:07,508 FROM WHAT HE CAME FROM 824 00:41:07,552 --> 00:41:10,685 AND TO WHAT HE WAS TRYING TO DO, 825 00:41:10,729 --> 00:41:13,688 HE DIDN'T HAVE ANY EXPERIENCE WITH KIDS, 826 00:41:13,732 --> 00:41:15,951 AND THEN SUDDENLY HE HAS FOUR 827 00:41:15,995 --> 00:41:17,387 AND THREE ARE GIRLS. THAT'S-- 828 00:41:17,431 --> 00:41:18,737 - THREE OF THEM ARE GIRLS, 829 00:41:18,780 --> 00:41:21,696 AND HE WAS IN A POSITION HIS ENTIRE LIFE 830 00:41:21,740 --> 00:41:24,264 OF PUTTING HIS BOOT IN THE BACK 831 00:41:24,307 --> 00:41:26,788 OF EVERY SINGLE FEMALE THAT HE CAME ACROSS. 832 00:41:26,832 --> 00:41:29,269 - MY DAD USED TO SAY IT WAS A CURSE. 833 00:41:29,312 --> 00:41:34,753 THIS MUST BE MY SENTENCE BEFORE DEATH, 834 00:41:34,796 --> 00:41:38,539 THE THREE OF YOU. 835 00:41:38,583 --> 00:41:40,802 WHEN WE WERE YOUNGER, 836 00:41:40,846 --> 00:41:42,935 THEY LIVED ON 90th AND CRENSHAW 837 00:41:42,978 --> 00:41:45,372 IN A BLACK NEIGHBORHOOD, 838 00:41:45,415 --> 00:41:48,462 AND SOMEONE THREW A BRICK AT MELODY WHEN SHE WAS FOUR. 839 00:41:50,333 --> 00:41:51,987 IT HIT HER IN THE HEAD. 840 00:41:52,031 --> 00:41:55,600 SHE'S, LIKE, A FOUR-YEAR-OLD BABY PLAYING. 841 00:41:55,643 --> 00:41:58,211 I THINK THAT THAT SCENE IN HIS MIND 842 00:41:58,254 --> 00:42:01,214 KIND OF SET THE STAGE FOR, WOW. 843 00:42:01,257 --> 00:42:02,955 I'VE GOT THESE MIXED KIDS, 844 00:42:02,998 --> 00:42:06,393 THIS WHITE WOMAN, 845 00:42:06,436 --> 00:42:09,004 AND PEOPLE ARE ANGRY. 846 00:42:09,048 --> 00:42:12,442 - IT TOOK 14,000 TROOPS TO BRING AN END 847 00:42:12,486 --> 00:42:14,793 TO WHAT BOTH NEGRO AND WHITE LEADERS CALLED 848 00:42:14,836 --> 00:42:17,099 INSURRECTION BY HOODLUMS. 849 00:42:17,143 --> 00:42:19,493 - WHEN THEY HAD THAT TERRIBLE RIOT, 850 00:42:19,537 --> 00:42:21,060 IT WAS BAD. 851 00:42:21,103 --> 00:42:24,237 HE TOLD ME TO KEEP THE CHILDREN IN A BEDROOM 852 00:42:24,280 --> 00:42:26,195 AND KEEP THAT BEDROOM LOCKED 853 00:42:26,239 --> 00:42:27,632 AND I WASN'T TO COME OUT OF THAT BEDROOM 854 00:42:27,675 --> 00:42:30,809 UNTIL I HEARD HIS VOICE. 855 00:42:30,852 --> 00:42:32,680 'CAUSE HE WAS SCARED TO DEATH 856 00:42:32,724 --> 00:42:35,161 SOMETHING WAS GONNA HAPPEN. 857 00:42:35,204 --> 00:42:40,688 HE SAID, YOU HAVE TO REALIZE 858 00:42:40,732 --> 00:42:44,910 I AIN'T NEVER, EVER GONNA BE ACCEPTED 859 00:42:44,953 --> 00:42:46,564 IN THE WHITE WORLD, 860 00:42:46,607 --> 00:42:51,133 AND WE'LL NEVER BE ABLE TO LIVE 861 00:42:51,177 --> 00:42:55,224 ANYWHERE EXCEPT ON THE OUTSKIRTS OF THE GHETTO, 862 00:42:55,268 --> 00:42:58,488 WHERE THERE'S A MIXTURE OF PEOPLE. 863 00:42:58,532 --> 00:43:00,273 - THE CENSUS TAKERS, 864 00:43:00,316 --> 00:43:02,144 THEY DON'T EVEN COUNT PEOPLE IN THE UNDERWORLD. 865 00:43:02,188 --> 00:43:06,061 THAT'S WHAT I LIKED ABOUT IT. 866 00:43:06,105 --> 00:43:07,672 YOU SEE? 867 00:43:07,715 --> 00:43:12,590 I DIDN'T HAVE TO BE BRUISED AND WOUNDED 868 00:43:12,633 --> 00:43:14,156 IN MY EFFORTS TO MAKE A LIVING 869 00:43:14,200 --> 00:43:16,768 BY COMING IN CONTACT WITH WHITE SOCIETY. 870 00:43:16,811 --> 00:43:19,466 I WAS NEVER REMINDED THAT I WAS A NIGGER. 871 00:43:33,262 --> 00:43:34,655 - ALL DAY LONG, 872 00:43:34,699 --> 00:43:37,266 HE WOULD GO AND KILL THOSE ROACHES AND RATS 873 00:43:37,310 --> 00:43:38,659 AND SHIT LIKE THAT. 874 00:43:38,703 --> 00:43:44,186 HE WOULD COME IN NASTY AND SWEATY AND... 875 00:43:44,230 --> 00:43:46,188 HE HATED IT. 876 00:43:46,232 --> 00:43:48,713 EVEN THEN, THOUGH, 877 00:43:48,756 --> 00:43:52,325 THIS MAN COULD NOT GET UP AND GO OUT IN THE STREETS 878 00:43:52,368 --> 00:43:55,371 WITHOUT PUTTING ON A PAIR OF DRESS PANTS 879 00:43:55,415 --> 00:43:59,114 AND A DRESS SHIRT AND A GODDAMN HAT. 880 00:43:59,158 --> 00:44:01,682 WHEN HE GOT HOME FROM CANVASSING, 881 00:44:01,726 --> 00:44:04,163 AS HE CALLED IT, TO FIND OTHER JOBS, 882 00:44:04,206 --> 00:44:06,165 HE'D WANT TO TALK. 883 00:44:06,208 --> 00:44:09,908 AND HE WOULD TELL ME THESE OUTRAGEOUS THINGS 884 00:44:09,951 --> 00:44:14,216 AND I SAID, A WOMAN WOULD GO OUT AND SELL HERSELF 885 00:44:14,260 --> 00:44:16,479 AND GIVE THE MONEY TO A MAN? 886 00:44:16,523 --> 00:44:18,525 I SAID, YOU'RE OUT OF YOUR GODDAMN MIND. 887 00:44:18,568 --> 00:44:24,531 AND THEN HE WOULD TALK ABOUT THE DIFFERENT EXPERIENCES 888 00:44:24,574 --> 00:44:26,446 THAT HE WOULD HAVE. 889 00:44:26,489 --> 00:44:29,971 I SAID, YOU KNOW WHAT? GIVE ME A NOTE PAD. 890 00:44:30,015 --> 00:44:31,712 YOU START TALKING TO ME, 891 00:44:31,756 --> 00:44:34,454 AND I'LL START WRITING IT DOWN. 892 00:44:34,497 --> 00:44:37,239 AND I DID. 893 00:44:37,283 --> 00:44:39,241 AFTER I PUT THE CHILDREN TO BED, 894 00:44:39,285 --> 00:44:41,766 IT WAS IN THERE. 895 00:44:41,809 --> 00:44:43,506 AND THEN HE'D SAY, 896 00:44:43,550 --> 00:44:45,726 YOU THINK YOU CAN GET ANY TYPING DONE TONIGHT? 897 00:44:45,770 --> 00:44:47,206 AND I'D SAY, I'LL SEE. 898 00:44:47,249 --> 00:44:51,123 AND 12:00, 12:30, I'D GO OUT AND TURN THAT TYPEWRITER ON. 899 00:44:51,166 --> 00:44:54,822 - SHE COULD TYPE 160, 170 WORDS A MINUTE. 900 00:44:54,866 --> 00:44:56,389 - AND HE WAS REALLY ANIMATED. 901 00:44:56,432 --> 00:44:58,217 - YEAH. - AND EXCITED. 902 00:44:58,260 --> 00:45:02,308 - AND HE WOULD ACT OUT THE WHOLE BOOK RIGHT THERE. 903 00:45:02,351 --> 00:45:05,311 - HE WOULD BE TELLING ME WHAT TO WRITE DOWN, 904 00:45:05,354 --> 00:45:07,052 AND I'M SITTING IN A CHAIR AND I'M WRITING, 905 00:45:07,095 --> 00:45:09,532 AND HE'S STANDING-- DO YOU-- 906 00:45:09,576 --> 00:45:11,273 AND ALL UP IN MY FACE. 907 00:45:11,317 --> 00:45:15,582 HE WAS A CONSUMMATE ACTOR ABSOLUTELY. 908 00:45:15,625 --> 00:45:17,845 - SHE COULD PUT THIS THING TOGETHER 909 00:45:17,889 --> 00:45:19,804 AND ACT IT OUT WITH HIM. 910 00:45:19,847 --> 00:45:22,763 IT WAS AN AMAZING EXPERIENCE. 911 00:45:22,807 --> 00:45:25,418 I WISH THAT ALL OF YOU COULD HAVE SEEN IT. 912 00:45:25,461 --> 00:45:28,900 - WE COULD FINISH EACH OTHER'S SENTENCES. 913 00:45:28,943 --> 00:45:32,251 HIS STORIES, THEY WERE SO FASCINATING TO ME. 914 00:45:32,294 --> 00:45:35,210 I FELT THAT IF THEY WERE THAT FASCINATING TO ME, 915 00:45:35,254 --> 00:45:39,562 THEY OBVIOUSLY WERE GOING TO BE FASCINATING 916 00:45:39,606 --> 00:45:42,435 TO MORE THAN A MILLION PEOPLE. 917 00:45:42,478 --> 00:45:46,439 I HAD SEEN THE AD IN THE SENTINEL, 918 00:45:46,482 --> 00:45:49,094 THE BLACK NEWSPAPER FOR LOS ANGELES. 919 00:45:49,137 --> 00:45:52,793 HOLLOWAY HOUSE WAS RUNNING A LITTLE AD 920 00:45:52,837 --> 00:45:55,448 FOR BLACK WRITERS. 921 00:45:55,491 --> 00:45:57,015 - AT THAT TIME, 922 00:45:57,058 --> 00:45:58,756 THERE WAS NO VENUE 923 00:45:58,799 --> 00:46:05,763 FOR A TALENTED YOUNG BLACK AUTHOR PERIOD. 924 00:46:05,806 --> 00:46:08,766 - WHEN YOU'RE ATTACHED TO SOMETHING LIKE HOLLOWAY HOUSE, 925 00:46:08,809 --> 00:46:11,029 IT'S SUCH AN ICONIC PLACE 926 00:46:11,072 --> 00:46:14,293 BECAUSE OF THE FACT THAT THEY ARE THE DOORWAY 927 00:46:14,336 --> 00:46:17,426 FOR SO MANY UNIQUE AMERICAN VOICES 928 00:46:17,470 --> 00:46:21,604 LIKE JOSEPH NAZEL, DONALD GOINES, 929 00:46:21,648 --> 00:46:25,304 AND ODIE HAWKINS. 930 00:46:25,347 --> 00:46:28,263 BENTLEY MORRISS I THINK 931 00:46:28,307 --> 00:46:32,137 SHOULD BE CONSIDERED A PIONEER IN ONE SENSE 932 00:46:32,180 --> 00:46:34,574 BUT A DRAG IN ANOTHER. 933 00:46:34,617 --> 00:46:42,277 - BENTLEY IS THIS REALLY EPIC PERSONALITY. 934 00:46:42,321 --> 00:46:46,325 HE WAS INTERESTED IN A TRAJECTORY 935 00:46:46,368 --> 00:46:48,544 THAT KEPT HIM UNDER THE RADAR 936 00:46:48,588 --> 00:46:53,462 OF FABULOUS SUCCESS. 937 00:46:53,506 --> 00:46:57,815 - HOLLOWAY HOUSE FIRST CAME INTO BEING IN 1961. 938 00:46:57,858 --> 00:47:04,125 WE FELT THAT WE COULD...NOT COMPETE, 939 00:47:04,169 --> 00:47:07,563 BUT AT LEAST BE A PART OF THE WORLD OF PUBLICATION. 940 00:47:07,607 --> 00:47:10,131 NOW, WE'RE NOT HARDCOVER. WE'RE PAPERBACK, 941 00:47:10,175 --> 00:47:13,265 WHICH IS THE LOW RING OF PUBLISHING. 942 00:47:13,308 --> 00:47:15,310 - IT WAS A THIRD-TIER PUBLISHER, 943 00:47:15,354 --> 00:47:18,139 WHICH WOULD, AT THAT POINT IN TIME 944 00:47:18,183 --> 00:47:19,749 LOCK YOU OUT, FREEZE YOU OUT 945 00:47:19,793 --> 00:47:22,883 OF THE NEW YORK LITERARY SCENE. 946 00:47:22,927 --> 00:47:24,929 - I THOUGHT HE DID A LOUSY JOB 947 00:47:24,972 --> 00:47:27,845 BRINGING OUT BOOKS WITH LOUSY COVERS. 948 00:47:27,888 --> 00:47:30,935 HE DID ALMOST NOTHING TO PROMOTE THE BOOKS. 949 00:47:30,978 --> 00:47:33,502 THEY WERE ALMOST SOLD BY WORD OF MOUTH. 950 00:47:33,546 --> 00:47:37,550 - THEY WERE SOLD IN DRUGSTORES AND NEWSSTANDS. 951 00:47:37,593 --> 00:47:39,117 THAT'S HOW YOU FIND YOUR HOLLOWAY HOUSE BOOKS. 952 00:47:39,160 --> 00:47:40,509 - THEY DIDN'T WANT TO CALL THEIR BOOKS 953 00:47:40,553 --> 00:47:42,772 AFRICAN-AMERICAN BOOKS. 954 00:47:42,816 --> 00:47:47,386 THEY WANTED TO CALL THEM BOOKS FROM THE BLACK EXPERIENCE. 955 00:47:47,429 --> 00:47:51,390 - BENTLEY IS NOT A RACIST IN ANY KIND OF WAY. 956 00:47:51,433 --> 00:47:54,175 IF THEY COULD FIND A WAY 957 00:47:54,219 --> 00:47:56,221 THAT YOU COULD MAKE MONEY FOR THEM, 958 00:47:56,264 --> 00:47:58,876 THEY DIDN'T CARE WHO YOU WERE. 959 00:47:58,919 --> 00:48:00,965 THEY WERE WILLING TO EXPLOIT ANYONE 960 00:48:01,008 --> 00:48:02,662 WHO COULD MAKE MONEY FOR THEM. 961 00:48:02,705 --> 00:48:04,707 - WE WERE NOT PROSELYTIZERS. 962 00:48:04,751 --> 00:48:08,102 WE WEREN'T SOCIALLY INCLINED. 963 00:48:08,146 --> 00:48:11,279 WE WERE IN THE BUSINESS TO MAKE MONEY. 964 00:48:11,323 --> 00:48:14,674 BUT WITH IT WAS THE ADDITIONAL CAVEAT 965 00:48:14,717 --> 00:48:17,155 OF YOU'RE DOING SOMETHING GOOD. 966 00:48:17,198 --> 00:48:18,591 YOU'RE DOING SOMETHING IMPORTANT. 967 00:48:18,634 --> 00:48:21,202 AND, HEY, YOU KNOW, THAT'S A GREAT FORMULA. 968 00:48:23,030 --> 00:48:25,946 - I ASKED BOB WHY HE DIDN'T FIND OUT 969 00:48:25,990 --> 00:48:28,296 WHAT THESE PEOPLE REQUIRED 970 00:48:28,340 --> 00:48:30,037 AND LET'S SEE IF IT'S SELLABLE. 971 00:48:30,081 --> 00:48:32,300 BECAUSE IF IT'S SELLABLE, 972 00:48:32,344 --> 00:48:35,608 THEN WE'RE SETTING HERE STRUGGLING LIKE THIS 973 00:48:35,651 --> 00:48:37,958 WITH NO MONEY TO FEED THE KIDS, 974 00:48:38,002 --> 00:48:39,786 NO MILK MONEY, NO CIGARETTE MONEY, 975 00:48:39,829 --> 00:48:42,615 NO NOTHING, BARELY GETTING BY ON THE RENT. 976 00:48:42,658 --> 00:48:46,010 WE DON'T HAVE TO LIVE LIKE-- 'CAUSE WRITERS MAKE MONEY. 977 00:48:46,053 --> 00:48:48,360 AND I GOT 100 PAGES TOGETHER. 978 00:48:48,403 --> 00:48:52,016 AND HE TOOK IT TO BENTLEY MORRISS. 979 00:48:52,059 --> 00:48:54,061 - I CAN SEE HIM AT THE DOOR AT THIS MOMENT. 980 00:48:54,105 --> 00:48:58,065 JUST IMMACULATE. 981 00:48:58,109 --> 00:49:00,372 THIS EXTRAORDINARY HUMAN BEING 982 00:49:00,415 --> 00:49:04,115 OF ABOUT--I THINK ABOUT 6-3 IN HEIGHT 983 00:49:04,158 --> 00:49:06,378 CAME AND SAID HE'S AN AUTHOR 984 00:49:06,421 --> 00:49:08,902 AND HE'D LIKE TO LEAVE A MANUSCRIPT. 985 00:49:08,946 --> 00:49:10,512 THE EDITOR AT THE TIME 986 00:49:10,556 --> 00:49:15,213 WAS A CHAP BY THE NAME OF MILTON VAN SICKLE. 987 00:49:15,256 --> 00:49:17,476 HE READ IT, BROUGHT IT IN TO ME, 988 00:49:17,519 --> 00:49:19,304 AND I SAID, WOW. 989 00:49:19,347 --> 00:49:22,133 IT WAS SUCH A REVELATION 990 00:49:22,176 --> 00:49:25,832 TO RECEIVE A BOOK WITH SUCH INTENSITY 991 00:49:25,875 --> 00:49:28,182 AND WITH SUCH TRUTHFULNESS. 992 00:49:28,226 --> 00:49:31,751 - BENTLEY MORRISS GAVE US A $5,000 ADVANCE. 993 00:49:31,794 --> 00:49:34,797 AND WE WERE DOWN TO FIVE. 994 00:49:34,841 --> 00:49:36,147 YOU GOT $5.00, 995 00:49:36,190 --> 00:49:38,976 SOMEBODY GONNA CUT YOU A CHECK FOR 5 GRAND, 996 00:49:39,019 --> 00:49:40,368 WHAT ARE YOU GONNA DO? 997 00:49:40,412 --> 00:49:43,632 ARE YOU GONNA GIVE THEM THAT PORTION OF YOUR WORK 998 00:49:43,676 --> 00:49:45,112 AND THEN PROMISE THEM 999 00:49:45,156 --> 00:49:49,464 THAT THE REST OF IT WILL BE DELIVERED WITHIN TWO MONTHS? 1000 00:49:49,508 --> 00:49:52,511 AND THAT'S WHAT WE DID. 1001 00:49:52,554 --> 00:49:54,078 - CERTAINLY, HIM COMING UP 1002 00:49:54,121 --> 00:49:57,081 WITH THE NOM DE PLUME OF ICEBERG SLIM 1003 00:49:57,124 --> 00:49:59,474 WAS AN EXTREMELY CLEVER WRITER'S DEVICE 1004 00:49:59,518 --> 00:50:02,173 BECAUSE IT TELLS YOU RIGHT IN THE NAME, 1005 00:50:02,216 --> 00:50:04,044 SLIM, OKAY, HE'S GOOD LOOKING. 1006 00:50:04,088 --> 00:50:05,350 HE'S CAT-LIKE. 1007 00:50:05,393 --> 00:50:08,483 ICEBERG: HE'S COLD, COLD, COLD, 1008 00:50:08,527 --> 00:50:10,224 AND ONLY THE TIP OF THE ICEBERG SHOWED, 1009 00:50:10,268 --> 00:50:11,617 JUST WHAT HE WANTED YOU TO SEE. 1010 00:50:11,660 --> 00:50:14,794 MOST OF IT WAS HIDDEN FROM VIEW. 1011 00:50:14,837 --> 00:50:17,231 HE SAID, NO, ON THE STREET, THEY CALL ME CAVANAUGH. 1012 00:50:17,275 --> 00:50:19,059 THAT WAS MY NAME. CAVANAUGH. 1013 00:50:19,103 --> 00:50:22,019 - EVERYBODY WAS ENTHRALLED BY THE BOOK, 1014 00:50:22,062 --> 00:50:23,237 AND WE FIGURED, LET'S GO. 1015 00:50:26,458 --> 00:50:28,460 - PIMPWAS THE FIRST REAL BOOK 1016 00:50:28,503 --> 00:50:30,505 ABOUT THE STREET LIFE, 1017 00:50:30,549 --> 00:50:33,073 AND THE FIRST REAL BLACK EXPERIENCE 1018 00:50:33,117 --> 00:50:35,293 PUT INTO A BOOK FORM. 1019 00:50:35,336 --> 00:50:37,773 - YOU HAD JAMES BALDWIN, FOR EXAMPLE, 1020 00:50:37,817 --> 00:50:41,212 OR RALPH ELLISON, VERY LITERATE BLACK WRITERS 1021 00:50:41,255 --> 00:50:43,779 WHO DID NOT REFLECT THE NITTY GRITTY 1022 00:50:43,823 --> 00:50:46,739 OF LIFE ON THE STREET. 1023 00:50:46,782 --> 00:50:48,436 ICEBERG SLIM WAS THE REAL THING. 1024 00:50:50,699 --> 00:50:53,615 IF WAS INSIGHTFUL IN TERMS OF 1025 00:50:53,659 --> 00:50:55,487 THE LIFE OF THE STREET ITSELF. 1026 00:50:55,530 --> 00:51:00,840 HE'D TAKE SOMETHING VERY GORY OR SIMPLE, 1027 00:51:00,883 --> 00:51:02,581 BUT HE'D BRING POETRY TO IT SOMEHOW. 1028 00:51:02,624 --> 00:51:04,713 - THE DELIVERY IS SO POETIC IN NATURE 1029 00:51:04,757 --> 00:51:06,541 THAT YOU ARE FALLING IN LOVE WITH THE WORDS 1030 00:51:06,585 --> 00:51:08,413 EVEN THOUGH THAT THEY ARE WORD OF VIOLENCE 1031 00:51:08,456 --> 00:51:10,502 AND WORDS OF TURMOIL AND TERROR. 1032 00:51:10,545 --> 00:51:11,981 - IT WAS SO INTRIGUING. 1033 00:51:12,025 --> 00:51:13,679 HERE I AM, A LITTLE GIRL, A YOUNG GIRL, 1034 00:51:13,722 --> 00:51:16,203 AND I'M READING THIS STUFF ABOUT PIMPS 1035 00:51:16,247 --> 00:51:19,250 AND DRUGS AND PROSTITUTION 1036 00:51:19,293 --> 00:51:22,775 AND, YOU KNOW, YOUR IMAGINATION JUST GOES HAYWIRE. 1037 00:51:22,818 --> 00:51:25,125 - JUST DOESN'T SOUND LIKE ANYTHING ELSE 1038 00:51:25,169 --> 00:51:28,302 OR FEEL LIKE ANYTHING ELSE. 1039 00:51:28,346 --> 00:51:30,130 IT'S A SNAPSHOT 1040 00:51:30,174 --> 00:51:33,351 OF THINGS YOU'RE NEVER GONNA BE ABLE TO SEE. 1041 00:51:33,394 --> 00:51:36,223 - YOU CRACK ANY PAGE ON THE BOOK 1042 00:51:36,267 --> 00:51:38,747 AND READ OUT A PARAGRAPH 1043 00:51:38,791 --> 00:51:40,880 AND IT'S THE CRAZIEST SHIT YOU'VE EVER HEARD. 1044 00:51:40,923 --> 00:51:45,841 IT'S NOT JUST THE GAME, IT'S THE PAIN OF THE GAME. 1045 00:51:45,885 --> 00:51:48,540 - HE REALLY TELLS YOU WHERE THIS PIMP IS FROM 1046 00:51:48,583 --> 00:51:50,324 AND TAKES YOU INTO EVERYTHING 1047 00:51:50,368 --> 00:51:51,847 THIS PIMP HAS GONE THROUGH 1048 00:51:51,891 --> 00:51:55,634 AND WHAT HAS MADE THIS PIMP. 1049 00:51:55,677 --> 00:51:57,288 - IT WAS RAW. 1050 00:51:57,331 --> 00:52:00,291 TO BE ABLE TO WRITE ABOUT SUCH THINGS 1051 00:52:00,334 --> 00:52:03,120 IN A WAY THAT CAPTURES THE ESSENCE 1052 00:52:03,163 --> 00:52:04,686 OF WHAT HAS TRANSPIRED 1053 00:52:04,730 --> 00:52:07,689 AS WELL AS GIVING THESE EVENTS A CERTAIN LITERARY FLAIR 1054 00:52:07,733 --> 00:52:11,737 IS, I THINK, WHAT MAKES PIMPSTAND OUT. 1055 00:52:11,780 --> 00:52:14,348 - UNRELENTINGLY BRUTAL. 1056 00:52:14,392 --> 00:52:18,657 AND ICEBERG SLIM'S WRITING IS SO VIVID AND SO CLEAR, 1057 00:52:18,700 --> 00:52:23,749 HE MAKES IT ALL INESCAPABLE. 1058 00:52:23,792 --> 00:52:26,012 - THE WHOLE BOOK'S GRIPPING. 1059 00:52:26,055 --> 00:52:28,232 YOU CANNOT PUT IT DOWN. 1060 00:52:28,275 --> 00:52:30,843 - THE SHIT WAS SO DEEP-- WRITTEN IN DEEP SLANG, 1061 00:52:30,886 --> 00:52:32,845 YOU KNOW, A LOT OF PEOPLE EVEN HEARD THAT 1062 00:52:32,888 --> 00:52:35,761 AND DIDN'T KNOW WHAT THE FUCK ICEBERG WAS TALKING ABOUT, 1063 00:52:35,804 --> 00:52:38,503 AND THAT WAS THE COOL PART ABOUT IT, YOU KNOW. 1064 00:52:38,546 --> 00:52:40,592 - HIS PUBLISHER DIDN'T UNDERSTAND THE DAMN BOOK. 1065 00:52:40,635 --> 00:52:44,596 I SAID TO HIM, THESE TERMS THAT YOU USE, 1066 00:52:44,639 --> 00:52:46,206 CATCHING, BLOWING, TRICKING, 1067 00:52:46,250 --> 00:52:47,816 BITCHES, BOTTOM WOMAN. 1068 00:52:47,860 --> 00:52:49,470 I DON'T UNDERSTAND WHAT YOU'RE TALKING ABOUT. 1069 00:52:49,514 --> 00:52:52,256 - SO I ASKED BOB 1070 00:52:52,299 --> 00:52:55,737 WOULD HE ENDEAVOR TO COMPILE 1071 00:52:55,781 --> 00:52:57,478 A SECTION OF GLOSSARY 1072 00:52:57,522 --> 00:52:59,654 IN DEFINITION OF SOME OF THE PHRASES. 1073 00:52:59,698 --> 00:53:01,352 HE SAID HE'D BE DELIGHTED TO. 1074 00:53:01,395 --> 00:53:04,181 - CHILI PIMP IS DEFINED AS A SMALL TIME PIMP, 1075 00:53:04,224 --> 00:53:07,053 PROBABLY ONLY HAS ONE HO WORKING FOR HIM 1076 00:53:07,096 --> 00:53:08,576 AND HE'S NEW TO THE GAME. 1077 00:53:08,620 --> 00:53:11,362 THE BOTTOM BITCH IS THE PIMP'S MAIN WOMAN 1078 00:53:11,405 --> 00:53:14,234 WHO RUNS ALL THE OTHER HOs. 1079 00:53:14,278 --> 00:53:18,064 VIC OR A TRICK, THAT'S A MARK OR A VICTIM. 1080 00:53:18,107 --> 00:53:19,500 WHY A TRICK? 1081 00:53:19,544 --> 00:53:21,241 THE TRICK PAYS FOR SOMETHING 1082 00:53:21,285 --> 00:53:23,025 THAT A REAL MAN GETS FOR FREE. 1083 00:53:23,069 --> 00:53:24,853 THAT'S THE TRICK OF IT. 1084 00:53:24,897 --> 00:53:27,116 - AND THEN WHEN HE DID THAT AND I REREAD THE BOOK-- 1085 00:53:27,160 --> 00:53:29,597 AND I REREAD IT MANY, MANY, MANY TIMES-- 1086 00:53:29,641 --> 00:53:32,252 AND I HAD THE GLOSSARY TO REFER TO, 1087 00:53:32,296 --> 00:53:34,733 I FELT I KNEW WHAT I WAS READING. 1088 00:53:34,776 --> 00:53:41,174 - HE REALLY LAID OUT THE ETIQUETTE OF THE PIMP, 1089 00:53:41,218 --> 00:53:43,872 THE GENTLEMAN OF LEISURE. 1090 00:53:43,916 --> 00:53:47,006 YOU KNOW, HOW FLAMBOYANT AND HOW FLY 1091 00:53:47,049 --> 00:53:49,443 CAN THIS LIFESTYLE BE? 1092 00:53:49,487 --> 00:53:51,750 - THERE WAS OBVIOUSLY A ROMANTIC ELEMENT 1093 00:53:51,793 --> 00:53:54,753 THAT APPEALED TO A YOUNG BLACK MAN 1094 00:53:54,796 --> 00:53:57,886 OF, GEE, THAT'D BE A GREAT LIFE TO HAVE. 1095 00:53:57,930 --> 00:54:00,019 - THE WAY HE ARTICULATES HIS WORDS 1096 00:54:00,062 --> 00:54:02,674 AND THROUGH HIS LIFESTYLE, 1097 00:54:02,717 --> 00:54:04,850 IT MAKES PIMPING SEEM FUN. 1098 00:54:04,893 --> 00:54:06,155 IT MAKES PIMPING SEEM LIKE 1099 00:54:06,199 --> 00:54:07,853 IT'S THE COOLEST SHIT IN THE WORLD. 1100 00:54:07,896 --> 00:54:10,029 BUT REALLY IT'S NOT. IT'S A TOUGH SPORT. 1101 00:54:10,072 --> 00:54:12,640 - WHEN YOU'RE STREET POISONED, 1102 00:54:12,684 --> 00:54:19,299 A YOUNGSTER READS THE BOOK AND HE RATIONALIZES. 1103 00:54:19,343 --> 00:54:25,044 YOU SEE, WE MUST HAVE A RATIONALE FOR STUPIDITY. 1104 00:54:25,087 --> 00:54:26,828 ANY TIME WE DO SOMETHING STUPID, 1105 00:54:26,872 --> 00:54:29,831 WE FIRST GOT TO CONVINCE OURSELVES 1106 00:54:29,875 --> 00:54:32,051 THAT WE GOT TO DO THAT STUPID THING. 1107 00:54:32,094 --> 00:54:33,270 SO THEY RATIONALIZE. 1108 00:54:33,313 --> 00:54:36,838 OH, THIS STUD, I'M HIPPER THAN THIS. 1109 00:54:36,882 --> 00:54:39,319 I WON'T GET CRACKED, YOU KNOW. 1110 00:54:39,363 --> 00:54:41,190 I WON'T GET CAUGHT. 1111 00:54:41,234 --> 00:54:43,367 I WON'T GO TO THE JOINT. I WON'T GO TO THE PENITENTIARY. 1112 00:54:43,410 --> 00:54:45,412 I WON'T USE DRUGS. 1113 00:54:45,456 --> 00:54:46,935 I WON'T USE HEROIN. I WON'T GET HOOKED. 1114 00:54:46,979 --> 00:54:48,415 I WON'T BE A JUNKIE. 1115 00:54:48,459 --> 00:54:50,330 I'LL BE COOLER, YOU KNOW. 1116 00:54:50,374 --> 00:54:52,724 SURE, THE DUDE IS RIGHTEOUS, 1117 00:54:52,767 --> 00:54:55,466 BUT I'M MORE RIGHTEOUS, YOU KNOW. 1118 00:54:55,509 --> 00:54:57,206 I'M MORE TOGETHER THAN THIS DUDE. 1119 00:54:57,250 --> 00:55:00,384 THIS DUDE IS OLD, YOU KNOW. 1120 00:55:00,427 --> 00:55:01,950 YOU SEE? THIS IS THE RATIONALE. 1121 00:55:01,994 --> 00:55:03,343 THAT'S UNFORTUNATE. 1122 00:55:03,387 --> 00:55:10,176 IN L.A., WHERE I'VE BEEN LIVING THE LAST 10 YEARS, 1123 00:55:10,219 --> 00:55:16,182 JUST HORDES OF YOUNGSTERS APPROACH ME ON THE STREET, 1124 00:55:16,225 --> 00:55:20,447 AND THEY TRY TO PICK MY BRAIN 1125 00:55:20,491 --> 00:55:23,189 FOR THE HIDDEN TREASURES 1126 00:55:23,232 --> 00:55:26,323 THEY THINK ARE BURIED INSIDE MY SKULL. 1127 00:55:26,366 --> 00:55:30,370 AND I ALWAYS SLAP THEIR WRIST 1128 00:55:30,414 --> 00:55:31,676 BEFORE THEY REACH FOR IT. 1129 00:55:31,719 --> 00:55:34,853 - HE JUST WANTED YOUNG BLACK PEOPLE 1130 00:55:34,896 --> 00:55:40,293 TO REALIZE THAT YOUR HEAD CAN HELP YOU 1131 00:55:40,337 --> 00:55:43,122 GET ON A HIGHER PLANE. 1132 00:55:43,165 --> 00:55:49,433 AND HE DE-GLAMOURIZED IT. 1133 00:55:49,476 --> 00:55:53,088 HE TOOK ALL THE GLAMOUR OUT OF THAT. 1134 00:55:53,132 --> 00:55:56,701 - WE FELT THIS WAS GONNA BE AN UNUSUAL BOOK, 1135 00:55:56,744 --> 00:55:58,920 AND SO WE PURSUED UNUSUAL METHODS. 1136 00:55:58,964 --> 00:56:02,054 AND THERE WAS A CHAP BY THE NAME OF JOE PYNE 1137 00:56:02,097 --> 00:56:04,361 ON KTTV 1138 00:56:04,404 --> 00:56:08,060 WHO RAN WILD INTERVIEWS 1139 00:56:08,103 --> 00:56:10,584 OF THE MOST BIZARRE AND OFF-BEAT PEOPLE, 1140 00:56:10,628 --> 00:56:13,413 BUT HE HAD AN INCREDIBLE AUDIENCE. 1141 00:56:13,457 --> 00:56:16,155 AND SO WE CALLED KTTV 1142 00:56:16,198 --> 00:56:19,288 AND PRESENTED TO THEM THE POSSIBILITY OF THIS AUTHOR. 1143 00:56:19,332 --> 00:56:21,813 WOULD HE LIKE TO DO AN INTERVIEW? 1144 00:56:21,856 --> 00:56:25,469 HE PUT HIM ON, AND ALL HELL BROKE LOOSE. 1145 00:56:27,645 --> 00:56:30,082 - THIS IS NOT ONE OF THE REVEREND'S EVIL SPIRITS. 1146 00:56:30,125 --> 00:56:32,780 OUR GUEST MASQUERADES UNDER THE NAME OF ICEBERG SLIM. 1147 00:56:32,824 --> 00:56:35,087 MANY OF YOU REMEMBER HIS STORY 1148 00:56:35,130 --> 00:56:37,045 OF HIS DAYS AS A PROCURER 1149 00:56:37,089 --> 00:56:39,613 OR IF YOU WILL A PIMP. 1150 00:56:39,657 --> 00:56:42,442 NOW HE LEADS A RESPECTABLE FAMILY LIFE. 1151 00:56:42,486 --> 00:56:44,662 ICEBERG SLIM HAS GONE STRAIGHT. 1152 00:56:44,705 --> 00:56:47,926 FOR THIS REASON, HE CONTINUES TO HIDE HIS IDENTITY. 1153 00:56:47,969 --> 00:56:50,058 IT REALLY PAINED YOU TO GO STRAIGHT. 1154 00:56:50,102 --> 00:56:52,844 - OH, YES. THIS IS A BETTER BAG, AS THEY SAY. 1155 00:56:52,887 --> 00:56:55,063 [audience laughs] 1156 00:56:55,107 --> 00:56:56,325 - YOU DON'T MISS ALL THAT EXCITEMENT, HUH? 1157 00:56:56,369 --> 00:56:57,718 - OH, OF COURSE NOT. 1158 00:56:57,762 --> 00:56:59,633 I MEAN... 1159 00:56:59,677 --> 00:57:01,505 - YOU GET TO KEEP YOUR MONEY NOW. 1160 00:57:01,548 --> 00:57:03,855 - THAT'S RIGHT, AND PIMP IS A RUNAWAY BEST SELLER. 1161 00:57:03,898 --> 00:57:05,073 - IS THAT RIGHT? 1162 00:57:05,117 --> 00:57:08,120 - THEY CAN'T KEEP THEM ON THE STANDS. 1163 00:57:08,163 --> 00:57:11,340 - WE COULDN'T KEEP THE PHONES SILENT. 1164 00:57:11,384 --> 00:57:15,170 WE DIDN'T HAVE TIME TO PUNCH 911 IF WE HAD TO 1165 00:57:15,214 --> 00:57:17,172 'CAUSE CALLS WERE COMING IN. 1166 00:57:17,216 --> 00:57:19,174 WHERE CAN I BUY THE BOOK? 1167 00:57:19,218 --> 00:57:21,263 WHEN WE GOT THAT BOX OF BOOKS 1168 00:57:21,307 --> 00:57:23,918 AND HE BROUGHT 'EM HOME WITH PIMP, 1169 00:57:23,962 --> 00:57:26,834 YOU SHOULD HAVE SEEN THE DANCE THAT I DID. 1170 00:57:26,878 --> 00:57:28,836 AND I SAID, I TOLD YOU, GODDAMMIT. 1171 00:57:28,880 --> 00:57:30,272 LOOK AT THIS. 1172 00:57:30,316 --> 00:57:32,057 DIDN'T I TELL YOU THIS WAS A BOOK? 1173 00:57:32,100 --> 00:57:34,973 DIDN'T I TELL YOU? 1174 00:57:35,016 --> 00:57:37,976 AND HE SAID, SO WHAT SHOULD BE THE NEXT ONE? 1175 00:57:38,019 --> 00:57:39,238 - HE RETURNS NOW 1176 00:57:39,281 --> 00:57:41,893 TO TELL US ABOUT THE MOST INCREDIBLE CON MAN 1177 00:57:41,936 --> 00:57:43,503 HE EVER KNEW: 1178 00:57:43,547 --> 00:57:45,200 A BLONDE-HAIRED, BLUE-EYED NEGRO 1179 00:57:45,244 --> 00:57:46,985 CALLED WHITE FOLKS. 1180 00:57:47,028 --> 00:57:48,552 YOU'RE NOT PUTTING US ON, ARE YOU, SLIM? 1181 00:57:48,595 --> 00:57:51,337 - NO, THAT'S FACTUAL. 1182 00:57:51,380 --> 00:57:52,991 - ONE OF THE THINGS 1183 00:57:53,034 --> 00:57:55,907 THAT SLIM IS INCREDIBLY BRILLIANT AT DOING 1184 00:57:55,950 --> 00:57:58,475 IS BEING ABLE TO IMPERSONATE 1185 00:57:58,518 --> 00:58:00,999 THE VOICES OF MANY PEOPLE AT ONCE. 1186 00:58:01,042 --> 00:58:03,175 - HOW DID HE GET THAT NAME? 1187 00:58:03,218 --> 00:58:04,829 BECAUSE OF THE FACT THAT HE COULD PASS OVER THE LINE, 1188 00:58:04,872 --> 00:58:06,439 OF THE COLOR LINE? 1189 00:58:06,483 --> 00:58:08,615 - THAT'S RIGHT. 1190 00:58:08,659 --> 00:58:10,399 "WHITE FOLKS" WAS A TERM APPLIED TO HIM 1191 00:58:10,443 --> 00:58:12,097 BY HIS FRIENDS. 1192 00:58:12,140 --> 00:58:15,187 HIS ENEMIES IN THE BLACK GHETTO 1193 00:58:15,230 --> 00:58:17,189 CALLED HIM TRICK BABY. 1194 00:58:17,232 --> 00:58:19,539 - THE NAME OF YOUR BOOK IS TRICK BABY. 1195 00:58:19,583 --> 00:58:20,845 - THAT'S RIGHT. 1196 00:58:20,888 --> 00:58:22,368 - HERE'S WHAT'S GREAT ABOUT TRICK BABY. 1197 00:58:22,411 --> 00:58:23,717 IT'S THE STRUCTURE OF IT. 1198 00:58:23,761 --> 00:58:26,111 BECAUSE WHAT IT STARTS WITH IS 1199 00:58:26,154 --> 00:58:29,723 ICEBERG HIMSELF BEING IN A JAIL CELL. 1200 00:58:29,767 --> 00:58:31,943 AND IN COMES WHAT SEEMS TO THIS WHITE CAT 1201 00:58:31,986 --> 00:58:33,379 GETS PUT INTO HIS CELL. 1202 00:58:33,422 --> 00:58:36,904 AND THEN, ICEBERG THEN PROCEEDS TO TELL YOU THIS STORY, 1203 00:58:36,948 --> 00:58:39,994 BUT THE STORY IS TOLD FROM FIRST PERSON 1204 00:58:40,038 --> 00:58:41,648 FROM WHITE FOLKS POINT OF VIEW. 1205 00:58:41,692 --> 00:58:43,302 - ICEBERG SLIM'S TALENT 1206 00:58:43,345 --> 00:58:46,131 IS THE ABILITY, THE UNCANNY ABILITY 1207 00:58:46,174 --> 00:58:50,048 TO BE ABLE TO MEMORIZE THESE SNIPPETS OF CONVERSATION 1208 00:58:50,091 --> 00:58:51,484 THAT HE'S HAD THROUGHOUT HIS LIFE 1209 00:58:51,528 --> 00:58:56,358 AND CONSTRUCT THEM INTO NARRATIVES AND CHARACTERS. 1210 00:58:56,402 --> 00:59:01,233 - THE BOOK IS AN INCREDIBLE ADVENTURE STORY 1211 00:59:01,276 --> 00:59:04,279 OF THE CON AS IT'S PLAYED IN THE STREET. 1212 00:59:04,323 --> 00:59:05,672 - AND, I MIGHT ADD, 1213 00:59:05,716 --> 00:59:07,413 BECAUSE IT'S TOLD IN FIRST PERSON, 1214 00:59:07,456 --> 00:59:09,720 IT'S CLASSIC NOIR STRUCTURE. 1215 00:59:09,763 --> 00:59:11,373 - I HAVEN'T HAD A CHANCE TO READ THIS, 1216 00:59:11,417 --> 00:59:12,766 BUT HE KNOWS I READ HIS OTHER ONE 1217 00:59:12,810 --> 00:59:14,812 AND I JUST GOT THIS ONE AT THIS MOMENT. 1218 00:59:14,855 --> 00:59:16,901 IF THIS IS ANYTHING LIKE YOUR FIRST BOOK, 1219 00:59:16,944 --> 00:59:18,859 IT OUGHT TO REALLY DO WELL. 1220 00:59:18,903 --> 00:59:21,906 - WHEN A BOOK REACHES THE LEVEL 1221 00:59:21,949 --> 00:59:24,648 OF A MOTION PICTURE, 1222 00:59:24,691 --> 00:59:28,782 THE CAPABILITY FOR EXPLOITATION IS ENORMOUS. 1223 00:59:28,826 --> 00:59:34,788 IN 1972, TRICK BABYBECAME A FILM. 1224 00:59:34,832 --> 00:59:36,573 - TRICK BABY, 1225 00:59:36,616 --> 00:59:38,618 ICEBERG SLIM'S BEST SELLING GUT STORY 1226 00:59:38,662 --> 00:59:40,185 OF THE WORLD OF THE CON, 1227 00:59:40,228 --> 00:59:42,404 THE HUSTLERS, THE HIGH-ROLLERS, 1228 00:59:42,448 --> 00:59:44,145 AND THE HATCHET MEN WHO MADE IT UP. 1229 00:59:44,189 --> 00:59:46,234 - HIS WHITE SKIN GIVES US A SLICK EDGE. 1230 00:59:46,278 --> 00:59:48,802 I CATCH THE BLACK MARKS, HE CATCHES THE HONEYS. 1231 00:59:48,846 --> 00:59:50,761 - TRICK BABY: ICEBERG SLIM WROTE IT 1232 00:59:50,804 --> 00:59:52,763 THE WAY HE LIVED IT. 1233 00:59:52,806 --> 00:59:54,547 IT'S HIS WORLD, SOMETIMES BRUTAL, 1234 00:59:54,591 --> 00:59:56,070 BUT ALWAYS REAL. 1235 00:59:56,114 --> 00:59:58,159 RATED "R." 1236 00:59:58,203 --> 00:59:59,639 SEE IT. 1237 00:59:59,683 --> 01:00:02,599 TRICK BABYCAME OUT IN JANUARY 1973 1238 01:00:02,642 --> 01:00:04,165 FROM UNIVERSAL PICTURES 1239 01:00:04,209 --> 01:00:06,994 AND WAS REALLY ONE OF THE FIRST 1240 01:00:07,038 --> 01:00:08,692 SO-CALLED BLAXPLOITATION FILMS 1241 01:00:08,735 --> 01:00:11,738 TO BE BASED ON A TRUE STORY. 1242 01:00:11,782 --> 01:00:13,305 - I WASN'T REALLY A FAN 1243 01:00:13,348 --> 01:00:15,612 OF THE BLACK EXPLOITATION FILMS THAT I'D SEEN, 1244 01:00:15,655 --> 01:00:19,137 AND I DIDN'T CONSIDER TRICK BABYTO BE ONE. 1245 01:00:19,180 --> 01:00:22,183 IT WAS A CON MAN STORY. 1246 01:00:22,227 --> 01:00:23,620 - THERE WERE LINES OF PIMPS AND HUSTLERS 1247 01:00:23,663 --> 01:00:25,404 AROUND THE BLOCK IN EVERY CITY 1248 01:00:25,447 --> 01:00:27,014 TO SEE THIS FILM. 1249 01:00:27,058 --> 01:00:31,497 - WE GOT $25,000 FROM UNIVERSAL, 1250 01:00:31,540 --> 01:00:33,586 AND HE CAME HOME WITH IT. 1251 01:00:33,630 --> 01:00:35,675 HE CASHED THE CHECK 1252 01:00:35,719 --> 01:00:38,025 AND BROUGHT IT ALL IN CASH, NATURALLY. 1253 01:00:38,069 --> 01:00:43,509 AND HE THREW A FULL-LENGTH WHITE MINK COAT 1254 01:00:43,552 --> 01:00:45,598 OUT ON THE BED 1255 01:00:45,642 --> 01:00:48,949 AND THEN ALL THESE $100 BILLS. 1256 01:00:48,993 --> 01:00:52,953 HE SAID, SO WHAT DO YOU THINK OF THAT? 1257 01:00:52,997 --> 01:00:56,130 AND I SAID, WE CAN GET THE HELL OUT OF THIS HOUSE. 1258 01:00:56,174 --> 01:00:57,871 AND I SAID, AND WHAT IS THIS? 1259 01:00:57,915 --> 01:00:59,699 HE SAID, A WHITE MINK COAT. 1260 01:00:59,743 --> 01:01:02,571 AND I SAID, I NEVER TOLD YOU I WANTED A WHITE MINK COAT. 1261 01:01:02,615 --> 01:01:04,051 I DON'T LIKE COATS. 1262 01:01:04,095 --> 01:01:06,880 YOU'RE GONNA WEAR THIS ONE. 1263 01:01:06,924 --> 01:01:09,970 SO I GOT A $10,000 WHITE MINK COAT. 1264 01:01:10,014 --> 01:01:14,758 - I NEVER SAW ROBERT IN A STATE OF EUPHORIA. 1265 01:01:14,801 --> 01:01:19,197 IT WAS ALL VERY EVEN, 1266 01:01:19,240 --> 01:01:22,679 BUT HE WENT FROM THIS PLATFORM OF LITERATI 1267 01:01:22,722 --> 01:01:26,030 INTO FILM. 1268 01:01:26,073 --> 01:01:29,337 HE EXPERIENCED THAT MOMENT IN THE SUN. 1269 01:01:38,869 --> 01:01:40,740 - WELL, I ACTUALLY TRIED TO PIMP 1270 01:01:40,784 --> 01:01:42,481 WITH AN ICEBERG SLIM BOOK. 1271 01:01:42,524 --> 01:01:45,745 I'LL NEVER FORGET ONE TIME, ONE OF MY PARTNERS NAMED GARY, 1272 01:01:45,789 --> 01:01:47,051 WE HAD SOME HOs, YOU KNOW. 1273 01:01:47,094 --> 01:01:48,487 SO I GOT IN MY LITTLE PIMP SUIT, 1274 01:01:48,530 --> 01:01:49,706 YOU KNOW WHAT I'M SAYING? 1275 01:01:49,749 --> 01:01:52,186 SO WE SHOWED UP, SO, YOU KNOW. 1276 01:01:52,230 --> 01:01:54,058 WE CHOPPING 'EM. WE, LIKE, YEAH, BABY. 1277 01:01:54,101 --> 01:01:55,189 YOU KNOW, WE REAL LIVE PIMPING. 1278 01:01:55,233 --> 01:01:57,017 YOU KNOW, IT'S PIMPING JUMPING OFF. 1279 01:01:57,061 --> 01:01:59,019 BUT THESE WAS REAL HOs, SO THEY'D BEEN AROUND PIMPS. 1280 01:01:59,063 --> 01:02:00,717 SO OF COURSE THEY KNEW, YOU KNOW. 1281 01:02:00,760 --> 01:02:02,283 SO WE TRYING TO PIMP ON 'EM, 1282 01:02:02,327 --> 01:02:04,895 AND, YOU KNOW, IN THE MIDDLE OF THE PIMPING, 1283 01:02:04,938 --> 01:02:06,287 WE RUNNING INTO THE OTHER ROOM, 1284 01:02:06,331 --> 01:02:08,942 BREAKING ICEBERG SLIM BOOKS OPEN, LIKE, YO, 1285 01:02:08,986 --> 01:02:10,683 AND THEN RUNNING BACK. YO, BITCH. 1286 01:02:10,727 --> 01:02:12,903 WHAT THE HELL? YOU BITCH, YOU KNOW. 1287 01:02:12,946 --> 01:02:16,863 AND THEY, LIKE, HOW LONG HAVE YOU BEEN DOING THIS? 1288 01:02:16,907 --> 01:02:19,431 THE NEXT DAY, THE TWO HOs WOKE UP 1289 01:02:19,474 --> 01:02:21,085 AND STOLE HIS CAR. 1290 01:02:36,665 --> 01:02:39,668 - AFTER HE WROTE TRICK BABY IN 1967, 1291 01:02:39,712 --> 01:02:43,585 HE PUBLISHED MAMA BLACK WIDOWIN 1969, 1292 01:02:43,629 --> 01:02:47,067 THE STORY OF AN AFRICAN-AMERICAN HOMOSEXUAL. 1293 01:02:47,111 --> 01:02:50,505 - HOMOSEXUALITY IN THOSE DAYS WAS TABOO. 1294 01:02:50,549 --> 01:02:52,551 IF YOU WERE IN THE CLOSET, YOU WERE IN THE CLOSET. 1295 01:02:52,594 --> 01:02:54,031 - HE REALLY TOOK THOSE CHARACTERS 1296 01:02:54,074 --> 01:02:56,033 FROM THE DEPTHS OF SOCIETY 1297 01:02:56,076 --> 01:02:58,687 AND BROUGHT THEM TO THE AUDIENCE THAT HE HAD. 1298 01:02:58,731 --> 01:03:01,212 - I WAS ESPECIALLY INTERESTED IN HIS BOOK OF ESSAYS, 1299 01:03:01,255 --> 01:03:03,823 THE NAKED SOUL OF ICEBERG SLIM, 1300 01:03:03,867 --> 01:03:05,782 WHICH WAS A COLLECTION OF HIS THOUGHTS 1301 01:03:05,825 --> 01:03:09,307 ON POLITICAL AND CULTURAL ISSUES. 1302 01:03:09,350 --> 01:03:11,918 - HE ALSO HAS A LETTER TO HIS FATHER, 1303 01:03:11,962 --> 01:03:15,792 IN WHICH HE TRIES TO INVITE HIM 1304 01:03:15,835 --> 01:03:18,446 BACK INTO HIS LIFE. 1305 01:03:18,490 --> 01:03:22,711 - SOME OF THE CHAPTERS, IF YOU READ THEM INTENSELY, 1306 01:03:22,755 --> 01:03:25,714 LITERALLY DRAWS TEARS 'CAUSE THEY'RE SO CONFESSIONAL. 1307 01:03:25,758 --> 01:03:27,499 - AFTER THE NAKED SOUL OF ICEBERG SLIM, 1308 01:03:27,542 --> 01:03:31,198 HE PUBLISHES DEATH WISH IN 1977. 1309 01:03:31,242 --> 01:03:33,113 IT'S A STORY ABOUT THE MAFIA. 1310 01:03:33,157 --> 01:03:36,160 HE SHOWS AN ARTISTIC MATURITY 1311 01:03:36,203 --> 01:03:39,641 BY BEING ABLE TO ENVISION LIVES 1312 01:03:39,685 --> 01:03:42,296 THAT HE DID NOT NECESSARILY DIRECTLY HAVE CONTACT WITH. 1313 01:03:42,340 --> 01:03:46,170 - IN THE BOOK, THE CHARACTER TRICK BABY 1314 01:03:46,213 --> 01:03:48,868 BASICALLY IS WILLING TO PLAY A DEEP HUSTLE 1315 01:03:48,912 --> 01:03:50,304 OR A DEEP CON. 1316 01:03:50,348 --> 01:03:53,394 AFTER READING THE BOOKS, 1317 01:03:53,438 --> 01:03:56,702 SOMEBODY SAID, YOU KNOW DUDE GOT AN ALBUM. 1318 01:03:56,745 --> 01:03:58,704 I'M, LIKE, WHAT? 1319 01:03:58,747 --> 01:04:01,881 - ♪ I WAS STALKING HOs IN THE CENTER OF TOWN ♪ 1320 01:04:01,925 --> 01:04:04,884 ♪ RIGHT IN THE MIDDLE OF THE SQUARE ♪ 1321 01:04:04,928 --> 01:04:07,887 ♪ WAITING FOR MY MAN 1322 01:04:07,931 --> 01:04:11,586 ♪ 'CAUSE I HAD A PLAN TO COP SOME REEFER THERE ♪ 1323 01:04:11,630 --> 01:04:15,199 ♪ AND I WAS FLYING FAIRLY HIGH ♪ 1324 01:04:15,242 --> 01:04:18,289 ♪ JUST STANDING THERE DIGGING THE HOs ♪ 1325 01:04:18,332 --> 01:04:19,899 - OH, SHIT. 1326 01:04:19,943 --> 01:04:22,554 I MEAN, IT WAS JUST, LIKE, HIS VOICE 1327 01:04:22,597 --> 01:04:26,123 AND THE WAY HE-- BITCH, DRY YOUR TEARS. 1328 01:04:26,166 --> 01:04:30,214 NOW WE HAD A VOICE TO ADD TO THE WORDS. 1329 01:04:32,303 --> 01:04:35,915 AS KIDS, PICKING THAT LITTLE BIT OF LIFE UP 1330 01:04:35,959 --> 01:04:38,222 CHANGED OUR WHOLE STYLE. 1331 01:04:38,265 --> 01:04:40,572 WE GOT TURNED OUT. 1332 01:04:40,615 --> 01:04:43,792 I MEAN, MY WHOLE CREW GOT TURNED OUT. 1333 01:04:43,836 --> 01:04:47,840 - THE VERY LIFE THAT HAD SHAPED HIM 1334 01:04:47,884 --> 01:04:49,842 AND THE VERY LIFE THAT HE COULD THEN TURN AROUND 1335 01:04:49,886 --> 01:04:52,932 AND WRITE IN A LITERARY WAY AND REFLECT ON, 1336 01:04:52,976 --> 01:04:56,805 WHICH SHOULD HAVE THEN CATAPULTED HIM OUT OF THAT LIFE, 1337 01:04:56,849 --> 01:04:58,459 AT THE SAME TIME, THEN, 1338 01:04:58,503 --> 01:05:02,899 BECAUSE HE'S WRITING FOR A THIRD TIER HOUSE, 1339 01:05:02,942 --> 01:05:05,336 EVEN THOUGH THOSE BOOKS ARE SELLING, 1340 01:05:05,379 --> 01:05:08,513 HE HAS TO STILL THEN STEP BACK INTO THE LIFE 1341 01:05:08,556 --> 01:05:10,036 JUST TO PUT FOOD ON THE TABLE 1342 01:05:10,080 --> 01:05:12,125 AT THE SAME TIME THAT HE'S WRITING ABOUT IT. 1343 01:05:12,169 --> 01:05:13,344 THAT'S, LIKE, THE DOUBLE LIFE, 1344 01:05:13,387 --> 01:05:15,259 THE DOUBLE LIFE OF ROBERT BECK. 1345 01:05:15,302 --> 01:05:18,566 - THE FIRST TIME I REALLY SAW SLIM 1346 01:05:18,610 --> 01:05:20,046 WAS IN THE PARISIAN ROOM 1347 01:05:20,090 --> 01:05:23,354 ON LA BREA AND WASHINGTON HERE IN LOS ANGELES. 1348 01:05:23,397 --> 01:05:25,312 AND HE WOULD SIT THERE, 1349 01:05:25,356 --> 01:05:26,748 AND THEN HIS LADIES WOULD COME IN 1350 01:05:26,792 --> 01:05:28,968 AND THEY WOULD GIVE HIM MONEY. 1351 01:05:29,012 --> 01:05:31,275 BUT ONE NIGHT, I HEAR THIS COMMOTION. 1352 01:05:31,318 --> 01:05:32,798 I RUN BACK THERE IN THE BACK 1353 01:05:32,841 --> 01:05:35,018 TO SEE WHAT IS GOING ON, YOU KNOW. 1354 01:05:35,061 --> 01:05:37,150 HE SAID, THIS BITCH BRING ME 50 FUCKING DOLLARS 1355 01:05:37,194 --> 01:05:38,847 AND SHE BEEN GONE ALL DAY. 1356 01:05:38,891 --> 01:05:41,067 AND HE SAID, BITCH, 1357 01:05:41,111 --> 01:05:43,069 WHERE IN THE FUCK YOU BEEN ALL DAY? 1358 01:05:43,113 --> 01:05:45,550 SHE SAID, WELL, I HAD MY PERIOD 1359 01:05:45,593 --> 01:05:48,553 AND I JUST DIDN'T FEEL WELL. 1360 01:05:48,596 --> 01:05:51,121 HE SAID, YOU AIN'T GOT LOCKJAW, HAVE YOU? 1361 01:05:51,164 --> 01:05:53,253 - YOU THINK HE WAS STILL PIMPING? 1362 01:05:53,297 --> 01:05:55,821 BECAUSE SOMEONE TOLD YOU THAT, HUH? 1363 01:05:55,864 --> 01:05:57,344 PIMPING WHO? 1364 01:05:57,388 --> 01:06:00,826 WHAT WOULD BE THE REASON, THOUGH? THE PURPOSE? 1365 01:06:00,869 --> 01:06:02,436 LIKE, A STABLE OF GIRLS 1366 01:06:02,480 --> 01:06:06,092 GOING OUT AND-- WHO TOLD YOU THAT? 1367 01:06:06,136 --> 01:06:10,096 HE USED TO MOVE, LIKE, THESE HOOKERS INTO THE HOUSE. 1368 01:06:10,140 --> 01:06:11,706 - WELL, THEY WERE HIS ASSISTANTS. 1369 01:06:11,750 --> 01:06:13,795 - THEY WERE, LIKE, SUPPOSED TO BE ASSISTANTS-- 1370 01:06:13,839 --> 01:06:14,971 - OR PUBLICISTS. 1371 01:06:16,320 --> 01:06:21,716 - BUT THERE WAS A LOT OF TRAFFIC BETWEEN THE ROOMS. 1372 01:06:21,760 --> 01:06:26,069 - I'D HAVE TO SAY 150% THAT IS NOT TRUE. 1373 01:06:26,112 --> 01:06:28,027 MY MOM WAS PSYCHOTIC. 1374 01:06:28,071 --> 01:06:29,637 THERE IS NO WAY-- 1375 01:06:29,681 --> 01:06:31,422 I MEAN, YEAH, HE HAD SEX WITH OTHER WOMEN, 1376 01:06:31,465 --> 01:06:33,424 BUT MAKING MONEY OFF OF THEM? 1377 01:06:33,467 --> 01:06:36,731 MM-MMM. REFORMED. 1378 01:06:39,038 --> 01:06:40,431 - AIRTIGHT WILLIE & ME, 1379 01:06:40,474 --> 01:06:42,607 A COLLECTION OF SHORT STORIES, 1380 01:06:42,650 --> 01:06:44,565 IS HIS LAST BOOK TO BE PUBLISHED BY HOLLOWAY HOUSE 1381 01:06:44,609 --> 01:06:46,350 IN 1979. 1382 01:06:46,393 --> 01:06:49,353 - FOR EACH ONE OF THOSE BOOKS, 1383 01:06:49,396 --> 01:06:54,010 WE WERE GETTING ADVANCES FROM BENTLEY. 1384 01:06:54,053 --> 01:06:57,578 AND THEN ROYALTIES 1385 01:06:57,622 --> 01:07:01,365 AND BENTLEY WOULD PAY WHATEVER HE WANTED TO ON ROYALTIES. 1386 01:07:01,408 --> 01:07:03,193 - WELL, THE ROYALTY STATEMENTS OF HOLLOWAY HOUSE 1387 01:07:03,236 --> 01:07:06,370 ARE REALLY COMICAL BECAUSE YOU KNOW THAT THEY'RE A FARCE 1388 01:07:06,413 --> 01:07:10,069 AND THEY HAVE NO BEARING TO ANY KIND OF REALITY. 1389 01:07:10,113 --> 01:07:13,899 I'M HAPPY WHEN MY, YOU KNOW, WHEN MY BEER MONEY COMES 1390 01:07:13,942 --> 01:07:15,727 IN THE FORM OF MY ROYALTY CHECK. 1391 01:07:15,770 --> 01:07:17,816 - WELL, WE WERE A SMALL HOUSE. 1392 01:07:17,859 --> 01:07:22,212 WE HAD VERY MODEST TYPE OF FINANCING. 1393 01:07:22,255 --> 01:07:26,999 WE'D LAY IT ON THE LINE TO THE AUTHOR, 1394 01:07:27,043 --> 01:07:28,783 THIS IS WHAT WE PAY, 1395 01:07:28,827 --> 01:07:31,264 AND IF YOU CAN LIVE WITH IT, 1396 01:07:31,308 --> 01:07:34,006 WE'LL BECOME PARTNERS. 1397 01:07:34,050 --> 01:07:38,141 IT WAS NEVER THAT AN AUTHOR WAS WORKING FOR HOLLOWAY. 1398 01:07:38,184 --> 01:07:41,144 IT WAS ALWAYS A PARTNERSHIP. 1399 01:07:41,187 --> 01:07:45,800 - HOW MANY AUTHORS DID NOT TAKE YOU UP ON YOUR OFFER? 1400 01:07:45,844 --> 01:07:47,541 - NONE. 1401 01:07:47,585 --> 01:07:50,327 - THERE'S A STORY TOLD ABOUT BENTLEY 1402 01:07:50,370 --> 01:07:53,504 WHERE ONE OF HIS WRITERS GOES TO HIM. 1403 01:07:53,547 --> 01:07:55,245 LISTEN, I KNOW YOU'RE CHEATING ME 1404 01:07:55,288 --> 01:07:57,203 AND YOU NEED TO PAY ME MORE. 1405 01:07:57,247 --> 01:08:00,337 AND BENTLEY SAT BEHIND HIS DESK 1406 01:08:00,380 --> 01:08:04,123 GOT UP, WALKED TO HIS WINDOW, 1407 01:08:04,167 --> 01:08:06,734 LOOKED DOWN AT THE STREET, DOWN AT MELROSE BELOW 1408 01:08:06,778 --> 01:08:07,735 AT THE CARS GOING BY 1409 01:08:08,910 --> 01:08:11,391 AND SAYING, YOU SEE THAT STREET OUT THERE? 1410 01:08:11,435 --> 01:08:12,827 YES. 1411 01:08:12,871 --> 01:08:16,527 YOU KNOW, THERE ARE SCORES OF WRITERS DOWN THERE. 1412 01:08:16,570 --> 01:08:18,050 I COULD THROW A ROCK DOWN THERE 1413 01:08:18,094 --> 01:08:20,270 AND KILL 20 WRITERS. 1414 01:08:20,313 --> 01:08:23,447 I DON'T NEED YOU, YOU KNOW. 1415 01:08:23,490 --> 01:08:26,363 IF YOU WANT TO CONTINUE TO BE PUBLISHED BY ME, 1416 01:08:26,406 --> 01:08:29,714 YOU SHUT THE FUCK UP AND TAKE WHAT I GIVE YOU. 1417 01:08:29,757 --> 01:08:30,932 - HE SENT ME DOWN THERE 1418 01:08:30,976 --> 01:08:34,022 WHEN BENTLEY HAD TO BE MOTHERFUCKED 1419 01:08:34,066 --> 01:08:38,766 'CAUSE BENTLEY WOULDN'T SEND THE GODDAMN ROYALTY CHECKS OUT. 1420 01:08:38,810 --> 01:08:42,379 - THEN HE STARTED LOOKING AT THE BREAKDOWN SHEETS 1421 01:08:42,422 --> 01:08:45,817 AND HE WAS, LIKE, THEY SOLD? 1422 01:08:45,860 --> 01:08:48,820 BUT THE CHECKS DON'T ADD UP. - DON'T REFLECT IT. 1423 01:08:48,863 --> 01:08:52,824 - DON'T ADD UP TO THE NUMBERS OF BOOKS THAT ARE SOLD. 1424 01:08:52,867 --> 01:08:57,220 - THEY ALWAYS RECEIVED THE AMOUNT OF MONEY 1425 01:08:57,263 --> 01:08:58,482 THAT THEY SHOULD HAVE RECEIVED. 1426 01:08:58,525 --> 01:09:00,179 WE DID AN HONEST JOB. 1427 01:09:00,223 --> 01:09:03,313 WE NEVER TOOK ADVANTAGE OF OUR AUTHORS 1428 01:09:03,356 --> 01:09:04,879 BECAUSE THEY WERE, IN EFFECT, 1429 01:09:04,923 --> 01:09:06,881 OUR BREAD AND BUTTER. 1430 01:09:06,925 --> 01:09:09,754 HOLLOWAY WOULD RECEIVE MANY CALLS 1431 01:09:09,797 --> 01:09:13,975 FOR PERSONAL APPEARANCES, BOOK SIGNINGS, AND SO ON, 1432 01:09:14,019 --> 01:09:16,717 AND WE WOULD TAKE ADVANTAGE OF EVERY ONE 1433 01:09:16,761 --> 01:09:19,155 BECAUSE IT WAS ADDITIONAL PROMOTION AND MERCHANDISING. 1434 01:09:19,198 --> 01:09:21,331 - HE WAS DEFINITELY OUT OF THE HOUSE A LOT 1435 01:09:21,374 --> 01:09:23,681 WHEN THE BOOKS STARTED TAKING OFF. 1436 01:09:23,724 --> 01:09:25,987 THAT WAS THE DISTANCE BETWEEN MY PARENTS 1437 01:09:26,031 --> 01:09:27,598 WAS HIM JUST KIND OF OFF, 1438 01:09:27,641 --> 01:09:30,122 YOU KNOW, BECOMING, YOU KNOW, THIS WRITER. 1439 01:09:30,166 --> 01:09:32,516 ACTUALLY A PIMP AGAIN, IS WHAT SHE WOULD SAY. 1440 01:09:32,559 --> 01:09:34,561 YOU KNOW, HE'S BACK OUT THERE 1441 01:09:34,605 --> 01:09:38,522 AND THEN SHE'S LEFT AT HOME WITH FOUR KIDS. 1442 01:09:38,565 --> 01:09:39,871 SHE WAS UNHAPPY, 1443 01:09:39,914 --> 01:09:42,482 AND THAT MADE FOR AN UNHAPPY UNION. 1444 01:09:42,526 --> 01:09:45,746 - YOU HAVE NO IDEA WHAT IT WAS LIKE. 1445 01:09:45,790 --> 01:09:47,574 I HAD FOUR KIDS TO FEED, 1446 01:09:47,618 --> 01:09:50,708 WASH CLOTHES, HOUSE TO CLEAN, 1447 01:09:50,751 --> 01:09:52,971 TYPING TO DO, 1448 01:09:53,014 --> 01:09:54,712 AND HE'S BEEN DIAGNOSED WITH DIABETES, 1449 01:09:54,755 --> 01:09:57,584 SO I'VE GOT THAT TRAUMA 1450 01:09:57,628 --> 01:10:01,109 TAKING CARE OF HIM. 1451 01:10:01,153 --> 01:10:04,025 - MY MOM WAS DRINKING A LOT, 1452 01:10:04,069 --> 01:10:06,506 AND REALLY SAD AND DEPRESSED 1453 01:10:06,550 --> 01:10:11,424 WITH MY DAD'S PHILANDERING AROUND TOWN AND THINGS. 1454 01:10:11,468 --> 01:10:13,034 I BELIEVE A LOT OF DEPRESSION SET IN 1455 01:10:13,078 --> 01:10:14,471 DURING THAT TIME, TOO. 1456 01:10:17,430 --> 01:10:20,041 - HE SHOULD HAVE BEEN BETTER TO ME. 1457 01:10:20,085 --> 01:10:23,001 HOWEVER, HE WASN'T MEAN TO ME. 1458 01:10:23,044 --> 01:10:25,830 AND I WAS THE ONE THAT ALWAYS STARTED THE ARGUMENTS, 1459 01:10:25,873 --> 01:10:27,614 AND WHEN THEY GOT REALLY HEATED, 1460 01:10:27,658 --> 01:10:29,921 HE WAS THE ONE THAT WOULD LEAVE THE HOUSE. 1461 01:10:29,964 --> 01:10:32,924 - MY MOTHER USED TO CALL MY FATHER A GOD 1462 01:10:32,967 --> 01:10:34,360 WHEN THEY WERE ARGUING. 1463 01:10:34,404 --> 01:10:38,625 SHE WOULD SAY YOU'RE GOD, SO YOU MUST KNOW EVERYTHING. 1464 01:10:38,669 --> 01:10:41,193 AND IT WASN'T A TERM OF ENDEARMENT. 1465 01:10:41,237 --> 01:10:44,544 SHE DID WANT A LITTLE BIT OF THE LIMELIGHT 1466 01:10:44,588 --> 01:10:45,893 AND KIND OF WANTED TO TRAVEL 1467 01:10:45,937 --> 01:10:49,201 AND DO THINGS WITH HIM. 1468 01:10:49,245 --> 01:10:51,812 SHE PROBABLY WANTED MORE OF A CELEBRATION WITH OUR LIVES 1469 01:10:51,856 --> 01:10:53,336 AS FAR AS JUST, LIKE, 1470 01:10:53,379 --> 01:10:55,642 NOW WE HAVE, LIKE, YOU KNOW, A NICE HOUSE, 1471 01:10:55,686 --> 01:10:58,079 AND IT ONLY MADE HIM MORE DISTANT. 1472 01:10:58,123 --> 01:11:02,083 - HE WAS A TOTAL LONER. 1473 01:11:02,127 --> 01:11:03,563 THE ONLY ONE THAT HE HAD 1474 01:11:03,607 --> 01:11:05,739 THAT CAME ON A CONSISTENT BASIS 1475 01:11:05,783 --> 01:11:07,741 WAS R.G. ARMSTRONG. 1476 01:11:07,785 --> 01:11:10,353 AND HE AND R.G. USED TO SIT IN THERE 1477 01:11:10,396 --> 01:11:12,920 AND WRITE MOVIE SCRIPTS. 1478 01:11:12,964 --> 01:11:15,445 I SAID, BOB, WHY AREN'T YOU WRITING A NOVEL? 1479 01:11:15,488 --> 01:11:17,708 YOU HAVEN'T WRITTEN A DAMN THING SINCE WE'VE BEEN IN THE HOUSE. 1480 01:11:17,751 --> 01:11:19,666 WHY AREN'T YOU WRITING? 1481 01:11:19,710 --> 01:11:21,407 HOW MANY MORE TIMES I HAVE TO GO UP THERE 1482 01:11:21,451 --> 01:11:23,148 AND MOTHERFUCK THAT JEW 1483 01:11:23,191 --> 01:11:25,237 AND MAKE HIM GIVE ME SOME MORE MONEY 1484 01:11:25,281 --> 01:11:28,109 TO FEED THESE CHILDREN? 1485 01:11:28,153 --> 01:11:31,591 AND THEN I GOT A PART TIME JOB. 1486 01:11:31,635 --> 01:11:34,681 AND THEN HE QUIT WRITING ALTOGETHER. 1487 01:11:34,725 --> 01:11:37,380 AND I TOLD HIM, I SAID, UH-UH. NO, BABY. 1488 01:11:37,423 --> 01:11:40,557 WE AIN'T PIMPING ME, ALL RIGHT? 1489 01:11:40,600 --> 01:11:44,082 I NEVER PAID A MAN'S RENT IN MY LIFE, 1490 01:11:44,125 --> 01:11:46,345 AND I GODDAMN SURE DON'T INTEND 1491 01:11:46,389 --> 01:11:48,478 TO START PAYING YOURS NOW. 1492 01:11:48,521 --> 01:11:52,482 YOU EITHER DO WHAT YOU KNOW HOW TO DO, 1493 01:11:52,525 --> 01:11:55,702 AND LET'S GET SOME MONEY ROLLING IN HERE, 1494 01:11:55,746 --> 01:11:58,096 OR YOU LAY HERE ON YOUR DEAD ASS 1495 01:11:58,139 --> 01:12:00,664 AND I'M MOVING OUT WITH MY CHILDREN. 1496 01:12:00,707 --> 01:12:02,579 AND I DID. 1497 01:12:10,064 --> 01:12:11,805 - HE DIDN'T WANT TO LEAVE HIS FAMILY. 1498 01:12:11,849 --> 01:12:13,590 THAT'S ALL HE HAD. 1499 01:12:13,633 --> 01:12:17,028 THAT'S ALL HE WORKED FOR WAS US. 1500 01:12:17,071 --> 01:12:19,073 - YEAH, I THINK MY MOM-- - HE DIDN'T JUST DO THAT-- 1501 01:12:19,117 --> 01:12:20,466 HOLD ON. HOLD ON. 1502 01:12:20,510 --> 01:12:22,468 - I THINK SHE'S THE ONE THAT WANTED TO LEAVE TOWN. 1503 01:12:22,512 --> 01:12:26,080 - HE DIDN'T DO THAT SHIT FOR ANY OTHER REASON 1504 01:12:26,124 --> 01:12:28,169 BUT FOR HIS KIDS AND HIS WOMAN. 1505 01:12:28,213 --> 01:12:29,562 - MM-HMM. 1506 01:12:29,606 --> 01:12:31,999 - AND HE HAD TO LEAVE BECAUSE OF HER, 1507 01:12:32,043 --> 01:12:34,524 BECAUSE SHE WAS CRAZY AND SHE WAS OUT OF HER MIND. 1508 01:12:34,567 --> 01:12:41,661 - MY FATHER DIDN'T KNOW HOW TO BE IN A RELATIONSHIP, 1509 01:12:41,705 --> 01:12:45,448 WHETHER IT'S WITH A WOMAN, WITH A BUDDY, 1510 01:12:45,491 --> 01:12:47,928 I MEAN, CERTAINLY NOT CHILDREN. 1511 01:12:51,671 --> 01:12:54,674 - I STILL HAVE NOT BEEN ABLE 1512 01:12:54,718 --> 01:12:57,590 TO UNEARTH WHAT IT WAS, 1513 01:12:57,634 --> 01:13:00,898 BUT THERE WAS SOME NEED THAT HE HAD FOR ME 1514 01:13:00,941 --> 01:13:05,076 THAT JUST CRUSHED HIM WHEN I LEFT. 1515 01:13:05,119 --> 01:13:09,472 'CAUSE HE DIDN'T THINK I WAS GONNA DO IT. 1516 01:13:09,515 --> 01:13:12,562 HE JUST DID NOT BELIEVE THAT I WOULD LEAVE HIM. 1517 01:13:47,292 --> 01:13:48,859 - TOWARD THE LATTER YEARS, 1518 01:13:48,902 --> 01:13:50,948 HE WAS LIVING IN A ONE-ROOM EFFICIENCY 1519 01:13:50,991 --> 01:13:53,559 OVER AT 48th AND CRENSHAW. 1520 01:13:53,603 --> 01:13:55,779 THE SUGAR DIABETES HAD TAKEN ITS TOLL, 1521 01:13:55,822 --> 01:13:57,476 AND HE WAS MARRIED AT THAT TIME 1522 01:13:57,520 --> 01:14:00,261 TO ANOTHER WOMAN. 1523 01:14:00,305 --> 01:14:02,525 - AFTER I READ DEATH WISH, 1524 01:14:02,568 --> 01:14:05,615 I WROTE HIM A LETTER THANKING HIM FOR WRITING IT 1525 01:14:05,658 --> 01:14:08,966 AND I NEVER EXPECTED A RESPONSE. 1526 01:14:09,009 --> 01:14:12,143 OH, I HAD PUT MY PHONE NUMBER IN THE LETTER, 1527 01:14:12,186 --> 01:14:14,493 AND A COUPLE WEEKS LATER HE CALLED 1528 01:14:14,537 --> 01:14:16,669 AND WE JUST STARTED TALKING. 1529 01:14:16,713 --> 01:14:20,151 - BUT HE ONLY LET HER COME BY AND VISIT. 1530 01:14:20,194 --> 01:14:23,371 WE WAS MORE IN ISOLATION, 1531 01:14:23,415 --> 01:14:25,983 ALMOST IN SECLUSION. 1532 01:14:26,026 --> 01:14:28,725 - I THINK HIS HEALTH WAS REALLY DETERIORATING, 1533 01:14:28,768 --> 01:14:31,815 AND IT WAS HAPPENING FOR SOME TIME, 1534 01:14:31,858 --> 01:14:33,860 I WANNA SAY A GOOD SIX YEARS 1535 01:14:33,904 --> 01:14:36,689 WHERE HE WAS GOING THROUGH DIALYSIS. 1536 01:14:36,733 --> 01:14:39,039 ONCE YOUR BODY IS FAILING ON YOU, 1537 01:14:39,083 --> 01:14:42,913 THAT PRETTY MUCH TAKES AWAY FROM YOUR CREATIVITY. 1538 01:14:42,956 --> 01:14:46,046 BUT, YOU KNOW, HE REALLY DID 1539 01:14:46,090 --> 01:14:48,658 CARE ABOUT WHAT WAS GOING ON IN THE WORLD. 1540 01:14:48,701 --> 01:14:50,834 IT WAS REALLY IMPORTANT, WORLD EVENTS. 1541 01:14:50,877 --> 01:14:53,053 IT WAS REALLY IMPORTANT THAT WE HAD THE TOOLS 1542 01:14:53,097 --> 01:14:55,273 TO ENTER WHATEVER WAS HAPPENING IN THE WORLD. 1543 01:14:55,316 --> 01:14:57,971 - YOU HAVE TO HAVE A REALIZATION 1544 01:14:58,015 --> 01:15:02,846 THAT WHEN YOU EXPLOIT YOUR OWN KIND, 1545 01:15:02,889 --> 01:15:06,284 THAT YOU ARE IN EFFECT COUNTER-REVOLUTIONARY. 1546 01:15:06,327 --> 01:15:08,678 THAT YOU ARE HOBBLING AND CRIPPLING 1547 01:15:08,721 --> 01:15:10,070 THE STRUGGLE OF BLACK PEOPLE, 1548 01:15:10,114 --> 01:15:11,768 OF FREEDOM AND DIGNITY. 1549 01:15:11,811 --> 01:15:14,988 - HE WAS MY GOD. ARE YOU KIDDING ME? 1550 01:15:15,032 --> 01:15:16,729 I KNEW THAT HE KNEW SHIT 1551 01:15:16,773 --> 01:15:20,907 THAT PEOPLE...DON'T KNOW. 1552 01:15:20,951 --> 01:15:23,431 DON'T KNOW, WOULD NEVER FIGURE OUT, 1553 01:15:23,475 --> 01:15:24,868 OR EVEN TRY. 1554 01:15:24,911 --> 01:15:26,217 BECAUSE THEY DIDN'T HAVE TO. 1555 01:15:26,260 --> 01:15:28,436 BECAUSE THEY HAD A SUPPORT SYSTEM, 1556 01:15:28,480 --> 01:15:30,482 SOMETHING THAT HE NEVER HAD. 1557 01:15:30,526 --> 01:15:32,745 I MEAN, WHEN I GOT ARRESTED THAT TIME-- 1558 01:15:32,789 --> 01:15:33,833 THAT WAS THE ONLY TIME 1559 01:15:33,877 --> 01:15:35,574 I WAS ARRESTED WHEN HE WAS ALIVE. 1560 01:15:35,618 --> 01:15:37,228 IT'S BEEN MANY TIMES SINCE THEN. 1561 01:15:37,271 --> 01:15:39,535 - OH, BOY. 1562 01:15:39,578 --> 01:15:43,582 - ANYWAY, I GOT ARRESTED WITH 10 KILOS OF COCAINE 1563 01:15:43,626 --> 01:15:45,105 AND A MILLION DOLLARS CASH. 1564 01:15:45,149 --> 01:15:46,977 SO THEY CALLED MY FATHER 1565 01:15:47,020 --> 01:15:49,066 'CAUSE THEY WANTED TO GIVE ME 50 YEARS. 1566 01:15:49,109 --> 01:15:52,069 I THOUGHT THAT WOULD BE A SCARY PHONE CALL TO MAKE, 1567 01:15:52,112 --> 01:15:54,462 BUT IT WASN'T 'CAUSE HE JUST TOOK IT ALL... 1568 01:15:54,506 --> 01:15:56,987 UH-HUH, AND THEN WHAT DID YOU HAVE 1569 01:15:57,030 --> 01:15:59,119 IN YOUR POSSESSION, MY DEAR? 1570 01:15:59,163 --> 01:16:02,253 NOTHING, DAD. I SWEAR. I WOULDN'T LIE. 1571 01:16:02,296 --> 01:16:04,516 [laughs] 1572 01:16:04,560 --> 01:16:06,126 AND HE WAS, LIKE, OKAY. 1573 01:16:06,170 --> 01:16:07,606 I'M GONNA CALL THE PROSECUTOR RIGHT NOW 1574 01:16:07,650 --> 01:16:09,216 AND PLEAD YOUR CASE. 1575 01:16:09,260 --> 01:16:12,002 AND HE DID, AND I COULDN'T BELIEVE THAT. 1576 01:16:12,045 --> 01:16:13,699 AND HE DIDN'T LET ANYTHING STAND... 1577 01:16:13,743 --> 01:16:19,183 GET IN THE WAY OF HIM BEING ABLE TO DELIVER HIMSELF 1578 01:16:19,226 --> 01:16:21,054 UNTO YOU IF YOU NEEDED IT. 1579 01:16:21,098 --> 01:16:22,926 - HE WAS VERY SUPPORTIVE 1580 01:16:22,969 --> 01:16:26,625 AS FAR AS, LIKE, GIVING YOU KIND OF... 1581 01:16:26,669 --> 01:16:29,236 AN INSIGHT ON WHAT WILL COME, 1582 01:16:29,280 --> 01:16:31,108 BEING A GIRL, BEING A WOMAN. 1583 01:16:31,151 --> 01:16:32,936 WHEN I WAS A TEENAGER, 1584 01:16:32,979 --> 01:16:34,590 I DIDN'T WANT TO HEAR ANYTHING HE HAD TO SAY, 1585 01:16:34,633 --> 01:16:37,070 AS ANY TEENAGE GIRL, 1586 01:16:37,114 --> 01:16:38,550 BUT HE WAS GIVING ME LOVE. 1587 01:16:38,594 --> 01:16:39,943 I DIDN'T THINK IT WAS LOVE BACK THEN. 1588 01:16:39,986 --> 01:16:41,727 I JUST THOUGHT HE WAS, YOU KNOW, 1589 01:16:41,771 --> 01:16:44,730 THIS NON-EXISTING FATHER. 1590 01:16:44,774 --> 01:16:47,603 BUT NOW, OBVIOUSLY, YEAH, THAT WAS LOVE. 1591 01:17:14,542 --> 01:17:17,545 IT WAS THE THIRD DAY OF THE RIOTS, 1592 01:17:17,589 --> 01:17:19,765 LOS ANGELES, WITH THE RODNEY KING THING. 1593 01:17:19,809 --> 01:17:21,941 AND IT WAS PRETTY EVIDENT 1594 01:17:21,985 --> 01:17:25,205 THAT MY FATHER WAS NOT DOING WELL. 1595 01:17:25,249 --> 01:17:27,033 - GANGRENE HAD SET IN 1596 01:17:27,077 --> 01:17:28,426 BECAUSE OF THE DIABETES IN HIS FOOT, 1597 01:17:28,469 --> 01:17:30,515 AND HE WAS GONNA HAVE TO HAVE 1598 01:17:30,558 --> 01:17:33,387 SOME PARTS OF IT AMPUTATED. 1599 01:17:33,431 --> 01:17:36,086 - MELODY CALLED ME AT THE OFFICE, 1600 01:17:36,129 --> 01:17:39,045 AND SHE SAID DADDY'S IN THE HOSPITAL 1601 01:17:39,089 --> 01:17:41,874 AND THEY WANT TO TAKE HIS LEG OFF, 1602 01:17:41,918 --> 01:17:44,834 AND HE REFUSED TO LET 'EM TAKE HIS LEG OFF. 1603 01:17:44,877 --> 01:17:50,404 AND I SAID, MELODY, CALL YOUR DAD BACK 1604 01:17:50,448 --> 01:17:54,495 AND TELL HIM THAT I WILL BE THERE TO SEE HIM 1605 01:17:54,539 --> 01:17:56,802 AND TELL HIM I SAID GOOD NIGHT. 1606 01:17:56,846 --> 01:17:59,109 AND HE DIED THAT NIGHT. 1607 01:18:06,551 --> 01:18:12,122 EVERY TIME THAT I PUT MY HAND OUT 1608 01:18:12,165 --> 01:18:14,385 TO TRY TO SHOW HIM 1609 01:18:14,428 --> 01:18:18,389 THAT THE ANIMOSITY WASN'T AS STRONG AND AS RAGING 1610 01:18:18,432 --> 01:18:22,654 AS IT HAD BEEN IN THE BEGINNING, 1611 01:18:22,698 --> 01:18:24,917 SOMETHING BAD WOULD HAPPEN TO HIM. 1612 01:18:27,572 --> 01:18:29,400 - I WAS IN FRANCE. 1613 01:18:29,443 --> 01:18:31,619 BY THE TIME I GOT HERE, HE WAS ALREADY DEAD, 1614 01:18:31,663 --> 01:18:34,274 AND I KNEW IT WHEN THE PLANE HIT THE TARMAC. 1615 01:18:37,843 --> 01:18:40,628 - I GOT A CALL FROM BETTY, 1616 01:18:40,672 --> 01:18:44,894 AND SHE SAID, LEON, DADDY'S GONE. 1617 01:19:02,607 --> 01:19:05,218 - I WAS ONE OF THE PALLBEARERS AT HIS FUNERAL. 1618 01:19:05,262 --> 01:19:06,959 I KNOW THEY NEVER HAVE WOMEN PALLBEARERS. 1619 01:19:07,003 --> 01:19:08,961 - BUT SHE WAS RIGHT IN THERE. 1620 01:19:09,005 --> 01:19:10,484 - I WAS RIGHT IN THERE. 1621 01:19:13,052 --> 01:19:16,099 - I NEVER GOT A CHANCE TO BE AN ADULT 1622 01:19:16,142 --> 01:19:19,798 AND KIND OF APOLOGIZE FOR BEING ESTRANGED FROM HIM. 1623 01:19:19,842 --> 01:19:22,975 HE DIED WITH US ON BAD, BAD TERMS, 1624 01:19:23,019 --> 01:19:26,109 WHICH, YOU KNOW. 1625 01:19:26,152 --> 01:19:30,766 EVERYONE HAS REGRETS, SO... 1626 01:19:32,855 --> 01:19:37,729 - NO ONE WOULD KNOW THAT HE WAS AS INFLUENTIAL AS HE IS, 1627 01:19:37,773 --> 01:19:41,777 EVEN TODAY, 20 YEARS LATER AFTER HIS DEATH, 1628 01:19:41,820 --> 01:19:43,779 BY THE WAY THAT HE LIVED AND THE THINGS THAT HE HAD. 1629 01:19:43,822 --> 01:19:45,171 HE HAD NOTHING. 1630 01:19:45,215 --> 01:19:48,914 - IF I HAD KNOWN IT WAS THAT BAD, 1631 01:19:48,958 --> 01:19:51,395 I THINK I WOULD HAVE GONE 1632 01:19:51,438 --> 01:19:53,832 AND SAID THAT'S OKAY, I'LL TAKE CARE OF YOU. 1633 01:19:53,876 --> 01:19:55,965 I DON'T THINK I WOULD HAVE LET HIM-- 1634 01:19:56,008 --> 01:20:00,143 I DON'T THINK I WOULD HAVE LET HIM STAY LIKE THAT. 1635 01:20:00,186 --> 01:20:03,450 I DON'T BELIEVE THAT I WOULD. 1636 01:20:03,494 --> 01:20:08,455 I COULDN'T BECAUSE HE WAS PART OF ME. 1637 01:20:08,499 --> 01:20:11,676 I MEAN, WE MADE ICEBERG SLIM TOGETHER. 1638 01:20:15,114 --> 01:20:17,116 IT WASN'T A ONE-PERSON PROCESS, 1639 01:20:17,160 --> 01:20:21,860 IT WAS A TWO-PEOPLE PROCESS, YOU KNOW. 1640 01:20:21,904 --> 01:20:26,473 HE WAS A WONDERFUL PERSON, 1641 01:20:26,517 --> 01:20:28,736 AND I LOVE HIM 1642 01:20:28,780 --> 01:20:30,216 AND I MISS HIM. 1643 01:20:49,366 --> 01:20:52,195 - ICEBERG SLIM BOOKS WILL ALWAYS SELL WELL. 1644 01:20:52,238 --> 01:20:55,154 THEY ALWAYS HAVE SOLD WELL, AND WHEN WE ORDER THEM, 1645 01:20:55,198 --> 01:20:57,765 WE ORDER, YOU KNOW, 50 OR 100 AT A TIME 1646 01:20:57,809 --> 01:20:59,376 TO MAKE SURE THAT WE NEVER RUN OUT. 1647 01:20:59,419 --> 01:21:01,291 SOMETIMES SOMEBODY WILL COME IN 1648 01:21:01,334 --> 01:21:03,162 AND LITERALLY PICK UP ONE OF EACH 1649 01:21:03,206 --> 01:21:06,296 BECAUSE PEOPLE WANNA PASS THEM ALONG TO THEIR FRIENDS 1650 01:21:06,339 --> 01:21:08,994 AND HAVE THE ENTIRE SET, SO IT'S INTERESTING. 1651 01:21:09,038 --> 01:21:10,822 - THE ACCEPTANCE OF ICEBERG SLIM 1652 01:21:10,866 --> 01:21:12,780 HAS BEEN LITERALLY UNIVERSAL. 1653 01:21:12,824 --> 01:21:15,131 IF I'M CORRECT, 1654 01:21:15,174 --> 01:21:19,091 I BELIEVE IT'S 8 OR 10 LANGUAGES. 1655 01:21:19,135 --> 01:21:21,833 INTERNATIONAL PUBLISHERS, IN THE MAIN, 1656 01:21:21,877 --> 01:21:23,922 ARE ALL PEOPLE OF HIGH REPUTE, 1657 01:21:23,966 --> 01:21:27,883 THAT FELT THAT THERE WAS A GREAT DEAL OF WORTH HERE. 1658 01:21:27,926 --> 01:21:32,322 - HE USED TO SAY, I COULD HAVE BEEN ANYTHING. 1659 01:21:32,365 --> 01:21:34,977 I COULD HAVE BEEN SOMEBODY. 1660 01:21:35,020 --> 01:21:36,413 I SAID, WHAT THE HELL DO YOU THINK YOU ARE? 1661 01:21:36,456 --> 01:21:37,762 YOU'RE A WRITER 1662 01:21:37,805 --> 01:21:40,460 THAT'S READY BY MILLIONS AND MILLIONS OF PEOPLE. 1663 01:21:40,504 --> 01:21:42,593 YOU ARE SOMEBODY. 1664 01:21:42,636 --> 01:21:45,204 - TO DESCRIBE THE LIFE OF ICEBERG SLIM, 1665 01:21:45,248 --> 01:21:47,293 I WOULD SAY IT'S NOT A STORY 1666 01:21:47,337 --> 01:21:49,600 TO GLAMOURIZE A PLAYER'S LIFE. 1667 01:21:49,643 --> 01:21:52,255 IT'S RATHER A STORY OF REDEMPTION. 1668 01:22:12,188 --> 01:22:17,323 - HIS CONTRIBUTION TO AFRICAN-AMERICAN LITERATURE 1669 01:22:17,367 --> 01:22:19,804 HASN'T BEEN TOUCHED BY ANYONE. 1670 01:22:19,847 --> 01:22:26,767 HE WAS LITERALLY AN ICON IN THIS GENRE. 1671 01:22:26,811 --> 01:22:29,466 - ICEBERG SLIM REPRESENTS CHANGE. 1672 01:22:29,509 --> 01:22:31,685 HE REPRESENTS-- HE'S LIKE A BEACON OF HOPE 1673 01:22:31,729 --> 01:22:33,905 FOR ANYBODY WHO'S LIVING IN IMPOVERISHED CONDITIONS 1674 01:22:33,949 --> 01:22:35,341 THAT WANTS TO CHANGE, YOU KNOW, 1675 01:22:35,385 --> 01:22:37,953 AND IS LOOKING FOR THAT OUTLET. 1676 01:22:37,996 --> 01:22:40,129 - I AM A NEW YORK TIMES BEST SELLING AUTHOR, 1677 01:22:40,172 --> 01:22:42,609 AND IF IT WASN'T FOR ICEBERG SLIM, 1678 01:22:42,653 --> 01:22:45,438 I PROBABLY WOULDN'T EVEN HAVE A PLATFORM. 1679 01:22:45,482 --> 01:22:48,746 HE'S ONE OF THE PIONEERS, NO DOUBT ABOUT IT. 1680 01:22:48,789 --> 01:22:52,271 - THE BOOK COMPANY'S CALLED CASH MONEY CONTENT, 1681 01:22:52,315 --> 01:22:53,577 AND WE DEFINITELY PROUD OF THE FACT 1682 01:22:53,620 --> 01:22:56,710 THAT WE PUBLISH ICEBERG SLIM BOOKS. 1683 01:22:56,754 --> 01:23:01,846 I THINK IT'S IMPORTANT THAT WE PROTECT HIS LEGACY. 1684 01:23:01,889 --> 01:23:05,284 THESE BOOKS WILL LIVE FOREVER, GUARANTEED. 1685 01:23:05,328 --> 01:23:07,939 - THOSE OF US THAT KNOW ICEBERG SLIM 1686 01:23:07,983 --> 01:23:11,943 WILL PUT HIM WITH BALDWIN AND CHESTER HIMES, 1687 01:23:11,987 --> 01:23:15,294 RICHARD WRIGHT AND ALEX HALEY, EVEN. 1688 01:23:15,338 --> 01:23:17,122 AS THE WRAP GIFT 1689 01:23:17,166 --> 01:23:19,951 FOR EVERY MOVIE I'VE EVER DONE, 1690 01:23:19,995 --> 01:23:24,129 I GIVE OUT COPIES OF PIMP TO THE WHOLE CAST AND CREW. 1691 01:23:24,173 --> 01:23:26,349 ALL THE QUESTIONS OF LIFE 1692 01:23:26,392 --> 01:23:29,613 CAN BE ANSWERED IF YOU READ THIS BOOK. 1693 01:23:29,656 --> 01:23:33,182 - FROM READING ICEBERG SLIMS AND REALLY GETTING INTO IT, 1694 01:23:33,225 --> 01:23:34,879 I KNEW THAT THAT WAS THE ONLY WAY 1695 01:23:34,922 --> 01:23:37,969 TO TELL A STORY: TO TELL BOTH SIDES OF IT. 1696 01:23:38,013 --> 01:23:42,278 WHENEVER YOU WOULD LISTEN TO AN ICE-T RECORD, 1697 01:23:42,321 --> 01:23:44,802 IT'S THE GAME, BUT IT'S THE B-SIDE, TOO. 1698 01:23:44,845 --> 01:23:48,197 - HE REALLY HAD, LIKE, A BIG HEART, 1699 01:23:48,240 --> 01:23:50,329 EVEN THOUGH HE NEVER SHOWED ANYONE. 1700 01:23:50,373 --> 01:23:52,592 I THINK THAT HIS HEART 1701 01:23:52,636 --> 01:23:55,639 WAS ABSOLUTELY BURSTING INSIDE OF HIM HALF THE TIME. 1702 01:23:58,468 --> 01:24:00,644 - YOU KNOW, BROTHER BECK, 1703 01:24:00,687 --> 01:24:04,517 YOUR AUTOBIOGRAPHY, PIMP,WHICH YOU WROTE, 1704 01:24:04,561 --> 01:24:07,042 IT MAY HAVE ENCOURAGED A LOT OF YOUNG BROTHERS 1705 01:24:07,085 --> 01:24:09,131 TO BECOME PIMPS. 1706 01:24:09,174 --> 01:24:11,089 HOW DO YOU FEEL ABOUT THIS? 1707 01:24:11,133 --> 01:24:14,353 - I THINK IT'S VERY UNFORTUNATE 1708 01:24:14,397 --> 01:24:20,533 THAT THERE HAVE BEEN MANY MISGUIDED YOUNG BLACK MEN 1709 01:24:20,577 --> 01:24:22,535 WHO SHOULD KNOW BETTER, 1710 01:24:22,579 --> 01:24:26,191 WHO MISSED THE WHOLE MESSAGE IN THE BOOK, 1711 01:24:26,235 --> 01:24:29,977 AND THAT WAS THAT NOTHING GOOD 1712 01:24:30,021 --> 01:24:32,719 CAME TO ME EXCEPT THE PENITENTIARY 1713 01:24:32,763 --> 01:24:35,418 AND A HEROIN HABIT 1714 01:24:35,461 --> 01:24:37,942 AND MISERY 1715 01:24:37,985 --> 01:24:41,293 AND THE COMPLETE WASTE OF MY LIFE. 1716 01:24:41,337 --> 01:24:47,821 I STUPIDLY TRIED TO GET SOMETHING FOR NOTHING. 1717 01:24:47,865 --> 01:24:49,910 AND ANY TIME THAT YOU TRY TO GET SOMETHING FOR NOTHING, 1718 01:24:49,954 --> 01:24:52,609 YOU'RE GONNA SUFFER... 1719 01:24:52,652 --> 01:24:54,263 ONE WAY OR ANOTHER. 1720 01:24:57,570 --> 01:24:59,790 ♪ THIS IS A MAN'S WORLD 1721 01:25:03,141 --> 01:25:05,187 ♪ THIS IS A MAN'S WORLD 1722 01:25:09,234 --> 01:25:12,063 ♪ BUT IT WOULDN'T BE NOTHING ♪ 1723 01:25:12,107 --> 01:25:17,938 ♪ NOTHING WITHOUT A WOMAN OR A GIRL ♪ 1724 01:25:23,466 --> 01:25:29,907 ♪ YOU SEE, MAN MADE THE CARS ♪ 1725 01:25:29,950 --> 01:25:34,346 ♪ TO TAKE US OVER THE ROAD 1726 01:25:34,390 --> 01:25:40,004 ♪ MAN MADE THE TRAIN 1727 01:25:40,047 --> 01:25:44,443 ♪ TO CARRY THE HEAVY LOAD 1728 01:25:44,487 --> 01:25:48,186 ♪ MAN MADE THE ELECTRIC LIGHT ♪ 1729 01:25:48,230 --> 01:25:53,191 ♪ TO TAKE US OUT OF THE DARK ♪ 1730 01:25:53,235 --> 01:25:57,500 ♪ MAN MADE THE BOAT FOR THE WATER ♪ 1731 01:25:57,543 --> 01:26:00,198 ♪ LIKE NOAH MADE THE ARK 1732 01:26:00,242 --> 01:26:05,421 ♪ THIS IS A MAN'S, MAN'S, MAN'S WORLD ♪ 1733 01:26:05,464 --> 01:26:06,857 ♪ BUT IT WOULDN'T BE NOTHING ♪ 1734 01:26:06,900 --> 01:26:10,730 ♪ NOTHING WITHOUT A WOMAN OR A GIRL ♪ 1735 01:26:19,435 --> 01:26:24,309 ♪ MAN THINKS ABOUT A LITTLE BIT OF BABY GIRLS ♪ 1736 01:26:24,353 --> 01:26:29,009 ♪ AND OF BABY BOYS 1737 01:26:29,053 --> 01:26:33,231 ♪ MAN MAKE THEM HAPPY 1738 01:26:33,275 --> 01:26:37,757 ♪ 'CAUSE MAN MAKE THEM TOYS ♪ 1739 01:26:37,801 --> 01:26:40,369 ♪ AND AFTER MAN MAKE EVERYTHING ♪ 1740 01:26:40,412 --> 01:26:44,286 ♪ EVERYTHING HE CAN 1741 01:26:44,329 --> 01:26:47,637 ♪ YOU KNOW THAT MAN MAKES MONEY ♪ 1742 01:26:47,680 --> 01:26:50,553 ♪ TO BUY FROM OTHER MEN 1743 01:26:53,643 --> 01:26:57,908 ♪ THIS IS A MAN'S WORLD 1744 01:26:57,951 --> 01:26:59,344 ♪ BUT IT WOULDN'T BE NOTHING ♪ 1745 01:26:59,388 --> 01:27:01,651 ♪ NOTHING, NOT ONE LITTLE THING ♪ 1746 01:27:01,694 --> 01:27:04,610 ♪ WITHOUT A WOMAN OR A GIRL ♪ 1747 01:27:10,094 --> 01:27:13,315 ♪ HE'S LOST 1748 01:27:13,358 --> 01:27:15,012 ♪ IN THE WILDERNESS 1749 01:27:18,320 --> 01:27:22,280 ♪ HE'S LOST 1750 01:27:22,324 --> 01:27:24,326 ♪ IN BITTERNESS 1751 01:27:27,329 --> 01:27:28,460 ♪ HE'S LOST 122493

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