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- IN THIS BOOK,
I WILL TAKE YOU, THE READER,
4
00:00:41,563 --> 00:00:44,392
WITH ME INTO THE SECRET
INNER WORLD OF THE PIMP.
5
00:00:47,873 --> 00:00:52,574
I WILL LAY BARE MY LIFE
AND THOUGHTS AS A PIMP.
6
00:00:52,617 --> 00:00:55,577
THE ACCOUNT OF MY BRUTALITY
AND CUNNING AS A PIMP
7
00:00:55,620 --> 00:00:57,405
WILL FILL MANY OF YOU
WITH REVULSION.
8
00:01:00,321 --> 00:01:02,105
I REGRET
THAT IT IS IMPOSSIBLE
9
00:01:02,149 --> 00:01:04,412
TO RECOUNT TO YOU ALL
OF MY EXPERIENCES AS A PIMP.
10
00:01:07,415 --> 00:01:10,374
PERHAPS MY REMORSE
FOR MY GHASTLY LIFE
11
00:01:10,418 --> 00:01:13,160
WILL DIMINISH TO THE DEGREE
12
00:01:13,203 --> 00:01:15,336
THAT WITHIN THIS ONE BOOK
13
00:01:15,379 --> 00:01:17,381
I HAVE BEEN ALLOWED
TO PURGE MYSELF.
14
00:01:28,784 --> 00:01:32,875
- IF PROSTITUTION IS KNOWN
AS THE OLDEST PROFESSION,
15
00:01:32,918 --> 00:01:35,573
THEN PIMPING
IS THE SECOND OLDEST PROFESSION.
16
00:01:38,881 --> 00:01:40,796
- RIGHT NOW, IT'S BEEN
TAKEN OUT OF CONTEXT,
17
00:01:40,839 --> 00:01:45,409
BECAUSE MAINSTREAM HAS ADAPTED
AND ADOPTED THAT WORD
18
00:01:45,453 --> 00:01:47,324
AND ADOPTED
THE FORMULA OF PIMPING
19
00:01:47,368 --> 00:01:48,456
AND THINKIN'
THEY KNOW WHAT IT IS.
20
00:01:48,499 --> 00:01:51,720
BUT PIMPING IS A PLAYER
21
00:01:51,763 --> 00:01:54,723
SENDING A BITCH TO THE CORNER
TO GET MONEY.
22
00:01:54,766 --> 00:01:56,507
- THERE'S A FASCINATION
23
00:01:56,551 --> 00:01:59,684
WITH ANY TIME YOU DON'T
HAVE TO WORK FOR MONEY.
24
00:01:59,728 --> 00:02:02,209
WHOEVER'S DOING
THE LEAST AMOUNT
25
00:02:02,252 --> 00:02:05,299
FOR SOME CASH,
THAT IS FASCINATING.
26
00:02:05,342 --> 00:02:07,170
IT'S, LIKE, WHAT--
WHAT'S HE DO?
27
00:02:07,214 --> 00:02:09,955
SHE DOES THE WORK,
HE GETS--
28
00:02:09,999 --> 00:02:14,395
I GOTTA FIGURE OUT HOW
TO GET INTO THIS, YOU KNOW.
29
00:02:14,438 --> 00:02:16,658
- YOU HAD TO KNOW
HOW TO CONTROL
30
00:02:16,701 --> 00:02:18,660
AND HOW TO OPERATE A STABLE,
31
00:02:18,703 --> 00:02:22,185
HOW TO DAZZLE, BEFUDDLE,
32
00:02:22,229 --> 00:02:24,666
BEWITCH, ENTRANCE,
33
00:02:24,709 --> 00:02:26,711
AND HYPNOTIZE A WOMAN.
34
00:02:26,755 --> 00:02:29,453
AND NOT ONLY ONE WOMAN,
BUT EIGHT, NINE,
35
00:02:29,497 --> 00:02:33,588
AND TO KEEP THEM
IN HARMONIOUS EFFORT.
36
00:02:33,631 --> 00:02:36,112
AND IF YOU THINK
THAT ISN'T A JOB, MY FRIEND,
37
00:02:36,156 --> 00:02:39,333
YOU ASK ANY MARRIED MAN.
38
00:02:39,376 --> 00:02:40,725
- ICEBERG SLIM IS THE NAME
39
00:02:40,769 --> 00:02:43,641
THAT IS SYNONYMOUS
WITH THE PIMP GAME.
40
00:02:43,685 --> 00:02:47,993
HE'S A WRITER
WHO LIVED AN INCREDIBLE LIFE
41
00:02:48,037 --> 00:02:51,606
AND WROTE BOOKS
THAT I GREW UP ON.
42
00:02:51,649 --> 00:02:52,607
- I LOVED HIM
AND I TOLD HIM THAT
43
00:02:52,650 --> 00:02:54,217
EVERY SINGLE TIME
I TALKED TO HIM,
44
00:02:54,261 --> 00:02:56,480
BECAUSE HE WAS MY GOD.
45
00:02:56,524 --> 00:02:59,483
- RUNS THE LADIES,
HAS THE RAP,
46
00:02:59,527 --> 00:03:02,051
THE CLOTHES, THE JEWELRY,
THE DRUGS,
47
00:03:02,094 --> 00:03:03,444
HAS DONE TIME.
48
00:03:03,487 --> 00:03:05,837
STREET CRED
BY THE TRUCKLOAD.
49
00:03:05,881 --> 00:03:09,319
- ICEBERG SLIM WAS A GUY
WHO ACTUALLY LIVED THE LIFE
50
00:03:09,363 --> 00:03:12,192
THAT HE WAS WRITING ABOUT.
51
00:03:12,235 --> 00:03:16,152
- PIMPMIGHT BE
MY FAVORITE BOOK OF ALL TIME.
52
00:03:16,196 --> 00:03:17,240
- YEAH, I CHECKED THAT OUT.
53
00:03:17,284 --> 00:03:19,068
THE P-I-M-P.
54
00:03:19,111 --> 00:03:21,810
PIMPHAD A BIG IMPACT
ON THE GAME,
55
00:03:21,853 --> 00:03:25,596
TO GIVE BASIC INSTRUCTIONS
OF HOW TO PLAY THE GAME.
56
00:03:25,640 --> 00:03:27,337
IF WAS JUST AMAZING,
THE THOUGHT OF THAT.
57
00:03:27,381 --> 00:03:28,773
IT WAS JUST FASCINATING.
58
00:03:28,817 --> 00:03:31,428
- HE WOULD PAINT
BEAUTIFUL PICTURES
59
00:03:31,472 --> 00:03:33,387
USING UGLY PAINT, YOU KNOW.
60
00:03:33,430 --> 00:03:35,215
YOU KNOW, HE WAS, LIKE,
LOOKING AROUND
61
00:03:35,258 --> 00:03:37,086
AND JUST FINDING THE BEAUTY
AND THE APPRECIATION
62
00:03:37,129 --> 00:03:38,827
OF WHEREVER YOU ARE,
63
00:03:38,870 --> 00:03:41,612
BE IT IN THE GHETTO
OR A HIGH CLASS NEIGHBORHOOD
64
00:03:41,656 --> 00:03:43,788
AND SHOWING THAT
IT'S OKAY TO STUMBLE,
65
00:03:43,832 --> 00:03:45,573
BUT IT'S NOT OKAY TO FALL,
YOU KNOW.
66
00:03:45,616 --> 00:03:48,140
ALWAYS GET BACK UP
AND YOU KEEP GOING.
67
00:03:48,184 --> 00:03:51,100
- HIS BOOKS TOLD THE TRUTH
ABOUT THE LIFE.
68
00:03:51,143 --> 00:03:54,277
THERE WAS NO ONE MORE ELOQUENT
THAN ICEBERG SLIM,
69
00:03:54,321 --> 00:03:57,585
OR NO ONE MORE POETIC
OR MORE ACCURATE
70
00:03:57,628 --> 00:04:01,632
IN TERMS OF DESCRIBING
WHERE HE CAME FROM.
71
00:04:01,676 --> 00:04:03,199
- I WAS IN A BAR,
72
00:04:03,243 --> 00:04:07,116
AND THERE WAS A FELLA
ARGUING WITH ANOTHER FELLA.
73
00:04:07,159 --> 00:04:10,554
AND THIS FELLA
DREW A GUN
74
00:04:10,598 --> 00:04:12,382
AND FIRED AT THE FELLA.
75
00:04:12,426 --> 00:04:15,516
THE BULLET
WENT THROUGH MY HAT.
76
00:04:15,559 --> 00:04:18,083
I WAS FULL OF COCAINE
AT THE TIME
77
00:04:18,127 --> 00:04:19,911
AND I DIDN'T REACT,
78
00:04:19,955 --> 00:04:23,219
SO MY FRIEND SAID,
MAN, YOU WERE SO COOL.
79
00:04:23,263 --> 00:04:26,222
HE SAYS, YOU WERE ICY.
80
00:04:26,266 --> 00:04:28,920
AND THEY CALLED ME
ICEBERG SLIM.
81
00:04:28,964 --> 00:04:30,661
♪ THICK THIGHS,
BUT SHE FULL OF SURPRISES ♪
82
00:04:30,705 --> 00:04:32,881
♪ I SWEAR
THIS BITCH IS SHADY ♪
83
00:04:32,924 --> 00:04:33,969
♪ IT'S WHAT I KNOW
84
00:04:34,012 --> 00:04:36,014
♪ SEX ON HER MIND
ALL THE TIME ♪
85
00:04:36,058 --> 00:04:37,755
♪ AND YOU THINK
THAT THAT'S YOUR BABY ♪
86
00:04:37,799 --> 00:04:39,061
♪ YOU DON'T KNOW
87
00:04:39,104 --> 00:04:40,976
♪ YOU A GOOD GUY
THAT'S LIVING A LIE ♪
88
00:04:41,019 --> 00:04:42,717
♪ BUT SHE DOVE
AND PLAYED YOUR SAFETY ♪
89
00:04:42,760 --> 00:04:43,935
♪ THAT'S WHAT I KNOW
90
00:04:43,979 --> 00:04:45,850
♪ IF YOU COOL
AND SHE'S SATISFIED ♪
91
00:04:45,894 --> 00:04:47,852
♪ HOW COME THAT BITCH
JUST PAGED ME? ♪
92
00:04:47,896 --> 00:04:49,463
♪ YOU DON'T KNOW
93
00:04:49,506 --> 00:04:53,771
- WHEN YOU'RE DEALING
WITH PIMPS AND HOs,
94
00:04:53,815 --> 00:04:55,904
THEY HAVE TO LOOK THE PART.
95
00:04:55,947 --> 00:04:58,515
SO AS A KID, YOU KNOW,
96
00:04:58,559 --> 00:05:01,649
SOME PREACHER WALKS IN,
IT'S, LIKE, YEAH, WHATEVER.
97
00:05:01,692 --> 00:05:05,305
SOME PIMP WALKS IN,
AND, YOU KNOW,
98
00:05:05,348 --> 00:05:07,307
YOU COULD HEAR A CHURCH MOUSE
PISS ON THE CARPET
99
00:05:07,350 --> 00:05:10,484
IT'S SO QUIET.
100
00:05:10,527 --> 00:05:14,357
- THE FIRST STAGES
OF MY OWN STREET POISONING
101
00:05:14,401 --> 00:05:16,403
HAPPENED WHEN I WAS A BOY.
102
00:05:16,446 --> 00:05:17,578
MY MOTHER HAD A BEAUTY SHOP
103
00:05:17,621 --> 00:05:21,408
AND SHE CATERED
TO A COLONY
104
00:05:21,451 --> 00:05:24,628
OF BLACK HOOKERS AND PIMPS.
105
00:05:24,672 --> 00:05:27,892
AND THESE FELLAS
WOULD BE DECKED OUT
106
00:05:27,936 --> 00:05:30,373
IN ALL THEIR FINERY
WITH ALL THE DIAMONDS
107
00:05:30,417 --> 00:05:32,680
AND ALL THE REST OF IT,
AND OF COURSE THEIR WOMEN.
108
00:05:32,723 --> 00:05:36,118
- A PIMP
WAS HELD IN REGARD,
109
00:05:36,161 --> 00:05:38,120
LIKE AN ATHLETE
OR ENTERTAINER.
110
00:05:38,163 --> 00:05:43,604
HE WASN'T LIKE AN ADVOCATE
OF PEACE OR VIOLENCE.
111
00:05:43,647 --> 00:05:47,738
HE WAS MORE OF LESS
LIKE A HERO.
112
00:05:47,782 --> 00:05:50,088
- A PIMP IS JUDGED
BY HIS FLASH.
113
00:05:50,132 --> 00:05:51,699
YOU KNOW WHAT I MEAN?
114
00:05:51,742 --> 00:05:54,223
HIS CADILLAC, HIS HOUSE,
HIS JEWELRY,
115
00:05:54,266 --> 00:05:55,877
HIS CLOTHES.
116
00:05:55,920 --> 00:05:58,532
THAT'S HOW YOU SIZE UP
A PIMP ECONOMY.
117
00:05:58,575 --> 00:06:00,969
- WELL GROOMED,
SMELLED GOOD.
118
00:06:01,012 --> 00:06:02,927
YOU KNOW, EVERYTHING,
119
00:06:02,971 --> 00:06:04,668
'CAUSE YOU'RE TRYING
TO OUTMATCH THIS FEMALE.
120
00:06:04,712 --> 00:06:06,104
YOU WANT THAT WOMAN
TO LOOK AT YOU
121
00:06:06,148 --> 00:06:08,629
AND SAY THIS IS THE FINEST MAN
I'VE EVER SEEN.
122
00:06:08,672 --> 00:06:11,240
- I MEAN,
IMMACULATE DRESSER.
123
00:06:11,283 --> 00:06:14,678
I MEAN, HAIR COIFFED.
124
00:06:14,722 --> 00:06:17,202
BRAND NEW CADILLAC
EVERY YEAR.
125
00:06:17,246 --> 00:06:18,856
WHEN YOU'RE A KID, YOU KNOW,
126
00:06:18,900 --> 00:06:22,207
IF SOMEBODY HAD A BRAND NEW
CADILLAC EVERY YEAR,
127
00:06:22,251 --> 00:06:24,471
HE WAS SOMETHING.
128
00:06:27,169 --> 00:06:29,867
- AND THAT WAS THE FIRST TIME
THAT I WAS IMPRESSED.
129
00:06:29,911 --> 00:06:31,913
BECAUSE YOU MUST REMEMBER,
130
00:06:31,956 --> 00:06:34,524
BACK IN THOSE DAYS,
IF YOU WERE BLACK.
131
00:06:34,568 --> 00:06:36,787
YOUR OPPORTUNITIES
WERE SO NARROW.
132
00:06:50,758 --> 00:06:52,890
- A BLACK PERSON
BORN DURING THAT TIME,
133
00:06:52,934 --> 00:06:56,764
WHAT YOU WERE DEALING WITH
WAS ALMOST BEYOND WORDS.
134
00:06:56,807 --> 00:06:59,201
THOSE RACE RIOTS IN CHICAGO
135
00:06:59,244 --> 00:07:02,900
STARTED BECAUSE A BLACK KID
136
00:07:02,944 --> 00:07:07,557
SWAM INTO AN AREA
THAT WAS WHITES ONLY.
137
00:07:17,219 --> 00:07:19,830
- SINCE THE TIME WHEN
SHE WAS SIX MONTHS PREGNANT,
138
00:07:19,874 --> 00:07:22,572
MY FATHER HAD BEGUN
TO SHOW HIS TRUE COLORS.
139
00:07:22,616 --> 00:07:25,314
AFTER MY BIRTH,
HE GOT WORSE
140
00:07:25,357 --> 00:07:28,317
AND HAD THE STUPID GALL
TO SUGGEST TO MAMA
141
00:07:28,360 --> 00:07:30,885
THAT I BE PUT ON
A CATHOLIC CHURCH DOORSTEP.
142
00:07:30,928 --> 00:07:33,191
MAMA NATURALLY REFUSED,
143
00:07:33,235 --> 00:07:36,325
SO HE HURLED ME
AGAINST THE WALL IN DISGUST.
144
00:07:36,368 --> 00:07:39,937
I SURVIVED IT
AND HE LEFT US.
145
00:07:39,981 --> 00:07:41,112
- HE CAME FROM
A SINGLE PARENT HOME.
146
00:07:41,156 --> 00:07:43,332
HIS MOM, YOU KNOW,
BY HOOK OR BY CROOK,
147
00:07:43,375 --> 00:07:44,725
SHE NEEDED TO PUT FOOD
ON THE TABLE, YOU KNOW,
148
00:07:44,768 --> 00:07:45,900
AND TO PUT FOOD
ON THE TABLE,
149
00:07:47,249 --> 00:07:47,815
SHE HAD TO BE OUT AND ABOUT
IN THE WORLD TO DO SO.
150
00:07:48,903 --> 00:07:49,425
AND IT WAS JUST UNFORTUNATE,
YOU KNOW,
151
00:07:50,600 --> 00:07:51,862
THAT SHE, YOU KNOW,
ENTRUSTED HER BABY BOY
152
00:07:51,906 --> 00:07:53,429
INTO THE HANDS
OF THE WRONG PERSON.
153
00:07:53,473 --> 00:07:54,952
- IN THE OPENING OF PIMP,
154
00:07:54,996 --> 00:08:00,262
THE WAY THAT HE DESCRIBES
HIS INITIAL FORAY
155
00:08:00,305 --> 00:08:02,046
INTO THE WORLD OF PIMPING
156
00:08:02,090 --> 00:08:04,440
IS THROUGH
BEING SEXUALLY ABUSED
157
00:08:04,484 --> 00:08:08,183
BY HIS BABYSITTER MAUDE.
158
00:08:08,226 --> 00:08:11,621
- I REMEMBER MORE VIVIDLY
THE MOIST ODOROUS DARKNESS
159
00:08:11,665 --> 00:08:14,581
AND THE BRISTLE-LIKE HAIRS
TICKLING MY FACE
160
00:08:14,624 --> 00:08:17,932
AND MOST VIVIDLY,
I CAN REMEMBER MY PANIC
161
00:08:17,975 --> 00:08:20,500
WHEN IN THE WILD MOMENT
OF HER CLIMAX
162
00:08:20,543 --> 00:08:22,937
SHE WOULD SAVAGELY
JERK MY HEAD EVEN TIGHTER
163
00:08:22,980 --> 00:08:26,418
INTO THE HAIRY MAW.
164
00:08:26,462 --> 00:08:28,029
- RIGHT OFF THE BAT,
165
00:08:28,072 --> 00:08:29,944
HE'S SUBJECTED OR DOMINATED
166
00:08:29,987 --> 00:08:32,990
BY A FORCEFUL WOMAN
WHO SEXUALIZES HIM.
167
00:08:33,034 --> 00:08:37,995
HE'S TAUGHT ABOUT THE WHOLE
NATURE OF SEXUAL DOMINANCE
168
00:08:38,039 --> 00:08:40,911
AND THEN LATER,
HE HAS NEGATIVE EXPERIENCES
169
00:08:40,955 --> 00:08:42,347
WITH HIS MOTHER.
170
00:08:42,391 --> 00:08:46,743
SHE HOOKS UP WITH A MAN
NAMED HENRY UPSHAW,
171
00:08:46,787 --> 00:08:49,572
- A SUCCESSFUL MAN,
LOVED HER TO DEATH.
172
00:08:49,616 --> 00:08:51,835
LOVED HER AND LOVED HER SON.
173
00:08:51,879 --> 00:08:54,882
IT'S THE ONLY MAN
IN ICEBERG'S LIFE
174
00:08:54,925 --> 00:08:57,058
THAT HE TALKS ABOUT,
IDENTIFIES WITH
175
00:08:57,101 --> 00:09:00,583
AND TALKS ABOUT IN NOT ONLY
A RESPECTFUL WAY,
176
00:09:00,627 --> 00:09:03,368
BUT SOMEONE WHO REALLY
TOUCHED HIS HEART AND SOUL,
177
00:09:03,412 --> 00:09:05,414
BECAUSE HE REALLY CARED
ABOUT HIM
178
00:09:05,457 --> 00:09:07,155
AS A HUMAN BEING.
179
00:09:07,198 --> 00:09:09,461
WITH HENRY UPSHAW,
THINGS WERE IDYLLIC
180
00:09:09,505 --> 00:09:12,813
UNTIL HIS MOTHER
MET A CON MAN NAMED STEVE.
181
00:09:12,856 --> 00:09:16,164
- HE WAS ONE
OF MARY'S CUSTOMERS
182
00:09:16,207 --> 00:09:18,079
IN HER BEAUTY SHOP.
183
00:09:18,122 --> 00:09:21,648
HE WAS
A REAL SLICK HUSTLER,
184
00:09:21,691 --> 00:09:25,608
AND HE ESSENTIALLY
HUSTLED HER
185
00:09:25,652 --> 00:09:31,222
AND CONVINCED HER
TO LEAVE WITH HIM TO CHICAGO.
186
00:09:31,266 --> 00:09:36,619
- HIS MOTHER FALLS FOR THE CON
ON HENRY UPSHAW
187
00:09:36,663 --> 00:09:39,970
AND FUCKS UP EVERYTHING.
188
00:09:40,014 --> 00:09:42,407
FUCKS UP EVERYTHING.
FUCKS UP ALL THE STABILITY.
189
00:09:42,451 --> 00:09:45,367
FUCKS UP, LIKE,
HIS, LIKE, ONE SHOT.
190
00:09:45,410 --> 00:09:47,543
REALLY.
IT'S THE ONLY SHOT HE'S GOT.
191
00:09:47,587 --> 00:09:49,501
- WHAT'S SO UPSETTING
TO ICEBERG
192
00:09:49,545 --> 00:09:51,721
IS NOT JUST
THAT HIS MOM
193
00:09:51,765 --> 00:09:54,724
HAS RIPPED HIM AWAY
FROM A MOORING,
194
00:09:54,768 --> 00:09:56,334
FROM A FOUNDATION
THAT HE'S FOUND,
195
00:09:56,378 --> 00:09:57,466
BUT THE WAY SHE DOES IT.
196
00:09:59,599 --> 00:10:01,209
- I CAN NEVER FORGET
THAT MORNING
197
00:10:01,252 --> 00:10:02,950
WHEN MAMA HAD FINISHED
PACKING OUR CLOTHES
198
00:10:02,993 --> 00:10:05,387
AND HENRY LOST
HIS INNER FIGHT
199
00:10:05,430 --> 00:10:07,215
FOR HIS PRIDE AND DIGNITY.
200
00:10:07,258 --> 00:10:09,304
HE FELL DOWN ON HIS KNEES
201
00:10:09,347 --> 00:10:11,001
AND BAWLED
LIKE A SCALDED CHILD,
202
00:10:11,045 --> 00:10:13,656
PLEADING WITH MAMA
NOT TO LEAVE HIM.
203
00:10:13,700 --> 00:10:15,179
I WILL NEVER FORGET
HER FACE,
204
00:10:15,223 --> 00:10:19,227
AS COLD AS AN EXECUTIONER'S,
WHICH SHE WAS
205
00:10:19,270 --> 00:10:22,056
AS SHE KICKED
AND STRUGGLED LOOSE FROM HIM.
206
00:10:22,099 --> 00:10:24,232
THEN, WITH AN AWFUL GRIN
ON HER FACE,
207
00:10:24,275 --> 00:10:27,061
SHE LIED AND SAID,
HENRY, HONEY,
208
00:10:27,104 --> 00:10:29,063
I JUST WANT
TO GET AWAY FOR A WHILE.
209
00:10:29,106 --> 00:10:31,152
DARLING, WE'LL BE BACK.
210
00:10:33,502 --> 00:10:39,551
- TO SEE HIS MOTHER BETRAY
THE ONLY MAN HE EVER LOVED,
211
00:10:39,595 --> 00:10:42,598
HE LEARNED THAT THERE'S
ONE THING I'M NOT GONNA BE
212
00:10:42,642 --> 00:10:44,469
IS THOSE GUYS.
213
00:10:44,513 --> 00:10:48,212
I'M GONNA GET HER
BEFORE SHE GETS ME,
214
00:10:48,256 --> 00:10:50,084
'CAUSE I KNOW
SHE'S GONNA BETRAY ME.
215
00:10:50,127 --> 00:10:53,740
- SHE THEN CONSPIRES
WITH STEVE
216
00:10:53,783 --> 00:10:57,308
TO TAKE OFF
HER EX-HUSBAND'S LOOT.
217
00:10:57,352 --> 00:11:00,007
- FROM THAT, HE LOST
ALL RESPECT FOR WOMEN,
218
00:11:00,050 --> 00:11:02,662
IN A SENSE.
219
00:11:02,705 --> 00:11:07,667
IT'S, LIKE, EVEN YOU
FELL FOR THIS SHIT?
220
00:11:07,710 --> 00:11:10,713
AND IN A SENSE,
SHE CREATED THE PIMP.
221
00:11:10,757 --> 00:11:12,019
- WHEN THE MONEY RUNS OUT
222
00:11:12,062 --> 00:11:14,021
AND SHE'S ESSENTIALLY
OUTLIVED HER USEFULNESS,
223
00:11:14,064 --> 00:11:15,283
STEVE STARTS TO SHOW
HIS TRUE COLORS
224
00:11:15,326 --> 00:11:16,588
AND HE STARTS
KICKING HER ASS.
225
00:11:16,632 --> 00:11:17,807
AND THIS STEVE IS, LIKE,
226
00:11:17,851 --> 00:11:18,982
ONE OF THE CRUELEST
MOTHERFUCKERS
227
00:11:19,026 --> 00:11:20,201
I'VE EVER SEEN IN A BOOK.
228
00:11:20,244 --> 00:11:21,898
LIKE, HE MURDERS
THIS KITTEN,
229
00:11:21,942 --> 00:11:23,117
LIKE, RIGHT IN FRONT OF 'EM.
230
00:11:23,160 --> 00:11:24,684
LIKE, WHO DOES THAT?
231
00:11:24,727 --> 00:11:29,514
- STEVE HAD STOMPED ON THREE
AND A HALF YEARS OF OUR LIVES.
232
00:11:29,558 --> 00:11:31,821
I WOULD SOON BE 14.
233
00:11:31,865 --> 00:11:34,432
ON AUGUST 4th, MY BIRTHDAY,
234
00:11:34,476 --> 00:11:35,912
MAMA CAME HOME
FROM THE HOSPITAL
235
00:11:35,956 --> 00:11:38,698
WITH HER BROKEN JAW WIRED
236
00:11:38,741 --> 00:11:40,874
AND HER BODY
COVERED WITH BRUISES.
237
00:11:40,917 --> 00:11:44,051
STEVE ATTACKED HER
WITH HIS FISTS AND FEET
238
00:11:44,094 --> 00:11:46,183
AND THEN ESCAPED
THROUGH THE GRIMY CATACOMBS
239
00:11:46,227 --> 00:11:48,925
OF THE GHETTO.
240
00:11:48,969 --> 00:11:50,753
- SHE WAS ALONE
IN THE STREETS,
241
00:11:50,797 --> 00:11:52,624
TRYING TO FIND WORK.
242
00:11:52,668 --> 00:11:55,236
WE'RE TALKING ABOUT
DURING THE DEPRESSION
243
00:11:55,279 --> 00:11:57,151
WHEN PEOPLE--
NOT ONLY BLACK PEOPLE--
244
00:11:57,194 --> 00:11:59,370
PEOPLE WERE SUFFERING.
245
00:11:59,414 --> 00:12:02,852
SHE LEFT ICEBERG
BY HIMSELF A LOT,
246
00:12:02,896 --> 00:12:06,247
ISOLATED IN THIS
LITTLE PLACE THAT THEY HAD.
247
00:12:06,290 --> 00:12:07,901
HE DISCOVERED THE STREETS.
248
00:12:10,381 --> 00:12:12,383
- THE SLIDE WAS GREASED.
249
00:12:12,427 --> 00:12:14,864
I WAS STARTING
MY LONG PLUNGE
250
00:12:14,908 --> 00:12:17,171
TO THE VERY BOTTOM
OF THE GRIM PIT.
251
00:12:17,214 --> 00:12:20,391
MY TRIP DOWNWARD
REALLY WAS CINCHED
252
00:12:20,435 --> 00:12:23,394
WHEN I MET A PETTY HUSTLER
WHO WAS VERY LIKEABLE,
253
00:12:23,438 --> 00:12:25,396
AND WE BECAME PALS.
254
00:12:25,440 --> 00:12:30,314
MY HUSTLER PAL
WAS CALLED PARTY TIME.
255
00:12:30,358 --> 00:12:33,056
HE HAD A HEAD
FULL OF WILD RISKY HUSTLES
256
00:12:33,100 --> 00:12:34,666
HE WANTED TO TRY.
257
00:12:34,710 --> 00:12:37,365
HE NEEDED A PARTNER.
258
00:12:37,408 --> 00:12:39,454
- PARTY TIME, HE WAS THIS
REAL KNOWLEDGEABLE BROTHER,
259
00:12:39,497 --> 00:12:42,152
SO HE WAS ABLE TO GIVE ICE
THE RUNDOWN.
260
00:12:42,196 --> 00:12:44,111
HE WAS ABLE TO BREAK IT DOWN
INTO THE SIMPLEST TERMS,
261
00:12:44,154 --> 00:12:46,113
LIKE, YOU KNOW, AND NOT
BECOME CROSS WITH HIM
262
00:12:46,156 --> 00:12:47,679
IF HE DIDN'T
CATCH ON RIGHT AWAY.
263
00:12:47,723 --> 00:12:51,031
- EVEN THOUGH
I HAD STARTED TO ROT INSIDE
264
00:12:51,074 --> 00:12:52,423
FROM THE STREET POISONING,
265
00:12:52,467 --> 00:12:55,644
AMAZINGLY, AT 15,
I GRADUATED FROM HIGH SCHOOL
266
00:12:55,687 --> 00:12:58,342
WITH A 98.4 AVERAGE.
267
00:12:58,386 --> 00:13:01,998
- I GOT A SCHOLARSHIP
TO GO TO COLLEGE,
268
00:13:02,042 --> 00:13:05,567
AND I GOT IT BY DAYDREAMING,
269
00:13:05,610 --> 00:13:08,570
BUT I WAS ABLE TO RETAIN
ENOUGH OF THE INFORMATION
270
00:13:08,613 --> 00:13:10,964
SO THAT
THE BLACK TUSKEGEE CLUB
271
00:13:11,007 --> 00:13:14,358
SENT ME TO TUSKEGEE
DURING THE DEPRESSION.
272
00:13:14,402 --> 00:13:17,274
- THIS IS THE HOME
OF BOOKER T. WASHINGTON,
273
00:13:17,318 --> 00:13:21,583
ONE OF THE MOST POWERFUL
BLACK LEADERS EVER.
274
00:13:21,626 --> 00:13:24,455
- IMMEDIATELY, BECAUSE I WAS
ALREADY STREET POISONED,
275
00:13:24,499 --> 00:13:27,154
I STARTED BOOTLEGGING
ON CAMPUS.
276
00:13:27,197 --> 00:13:29,809
IN ALABAMA, OKAY?
277
00:13:29,852 --> 00:13:32,812
SO I GOT EXPELLED.
I WAS SENT HOME.
278
00:13:32,855 --> 00:13:34,683
SO MY MOTHER SAT DOWN,
279
00:13:34,726 --> 00:13:38,513
AND HER WORDS OF WISDOM,
COME BACK TO ME NOW.
280
00:13:38,556 --> 00:13:40,820
SHE SAYS, BOBBY,
APPARENTLY,
281
00:13:40,863 --> 00:13:46,695
YOU LIKE TO RUN
AND ASSOCIATE WITH BAD PEOPLE,
282
00:13:46,738 --> 00:13:48,697
WITH STREET PEOPLE.
283
00:13:48,740 --> 00:13:52,266
SHE SAYS YOU CAN BECOME
A CRIMINAL LAWYER,
284
00:13:52,309 --> 00:13:54,485
SHE SAYS,
AND MAKE 'EM PAY YOU.
285
00:13:54,529 --> 00:13:57,401
SHE SAID, BOBBY,
GET YOUR EDUCATION.
286
00:13:57,445 --> 00:14:00,404
BECOME A CRIMINAL LAWYER
AND GET A LICENSE
287
00:14:00,448 --> 00:14:02,232
TO ASSOCIATE WITH THE PEOPLE
288
00:14:02,276 --> 00:14:05,583
THAT YOU ADMIRE
AND LIKE SO MUCH.
289
00:14:05,627 --> 00:14:09,979
HAVE YOU EVER HEARD ANYTHING
MORE WISE THAN THAT?
290
00:14:12,460 --> 00:14:14,679
- 1937.
291
00:14:14,723 --> 00:14:18,335
HE'S OUT OF TUSKEGEE.
HE'S IN MILWAUKEE.
292
00:14:18,379 --> 00:14:22,992
HE COMES ACROSS A WOMAN
NAMED PEPPER IBBETTS.
293
00:14:23,036 --> 00:14:25,255
BOBBY BECK THOUGHT HE WAS
THE SLICKEST GUY ON EARTH,
294
00:14:25,299 --> 00:14:27,518
BUT AS SLICK
AS HE THOUGHT HE WAS,
295
00:14:27,562 --> 00:14:29,303
PEPPER IBBETTS
WAS EVEN SLICKER.
296
00:14:29,346 --> 00:14:31,435
AS FAST
AS HE THOUGHT HE WAS,
297
00:14:31,479 --> 00:14:33,437
SHE WAS 10 TIMES FASTER.
298
00:14:33,481 --> 00:14:34,917
SHE WAS OLDER THAN HE WAS.
299
00:14:34,961 --> 00:14:37,137
SHE WAS AN EX-PROSTITUTE.
300
00:14:37,180 --> 00:14:39,269
SHE HAD BEEN AROUND.
SHE HAD MARRIED A WHITE GUY.
301
00:14:39,313 --> 00:14:40,705
SHE HAD MONEY.
302
00:14:40,749 --> 00:14:42,490
SHE INTRODUCED HIM
TO COCAINE.
303
00:14:42,533 --> 00:14:45,406
SHE TURNED HIM OUT.
304
00:14:45,449 --> 00:14:47,408
- I WAS JUST A HEP PUNK.
305
00:14:47,451 --> 00:14:49,584
I WASN'T IN HER LEAGUE.
306
00:14:49,627 --> 00:14:52,935
THAT FREAK BITCH
CAJOLED AND PERSUADED ME
307
00:14:52,979 --> 00:14:55,459
TO DO EVERYTHING
IN THE SEXUAL BOOK.
308
00:14:55,503 --> 00:14:57,940
WHAT A THRILL
FOR A DOG LIKE HER
309
00:14:57,984 --> 00:15:00,943
TO TURN OUT
A TENDER FOOL LIKE ME.
310
00:15:00,987 --> 00:15:02,118
IF PEPPER HAD LIVED
311
00:15:02,162 --> 00:15:04,425
IN THE OLD BIBLICAL CITY
OF SODOM,
312
00:15:04,468 --> 00:15:08,342
THE CITIZENS WOULD HAVE
STONED HER TO DEATH.
313
00:15:08,385 --> 00:15:10,039
- SHE HAD HIS NOSE WIDE OPEN
314
00:15:10,083 --> 00:15:11,780
AND SHE HAD HIM JUMPING OUT
THE WINDOW, SO TO SPEAK,
315
00:15:11,823 --> 00:15:13,173
AND DOING THINGS
THAT HE NORMALLY
316
00:15:13,216 --> 00:15:14,478
PROBABLY WOULDN'T HAVE DONE.
317
00:15:14,522 --> 00:15:16,480
- HE LATER GOT DOUBLE-CROSSED
INTO PRISON,
318
00:15:16,524 --> 00:15:19,744
IT WAS PEPPER
AND A COP NAMED DELANSKY,
319
00:15:19,788 --> 00:15:21,877
ALONG WITH
AN UNKNOWN HEIST MAN.
320
00:15:21,921 --> 00:15:25,011
HE GOT CHARGED WITH
ACCESSORY TO ROBBERY.
321
00:15:25,054 --> 00:15:27,187
- AN 18-YEAR-OLD BLACK MAN
322
00:15:27,230 --> 00:15:30,668
BEING SENT TO REFORMATORY
BACK IN THE 1930s AND 40s
323
00:15:30,712 --> 00:15:32,235
WOULD HAVE BEEN
VERY, VERY LIKELY
324
00:15:32,279 --> 00:15:34,368
SUBJECTED
TO ALL SORTS OF RACISM.
325
00:15:34,411 --> 00:15:36,500
AT THAT TIME,
MANY OF THE GUARDS,
326
00:15:36,544 --> 00:15:39,416
OR PROBABLY MOST OF THEM
WOULD HAVE BEEN WHITE.
327
00:15:39,460 --> 00:15:41,549
THEY KNEW THAT
THEY COULD PUSH THEM AROUND,
328
00:15:41,592 --> 00:15:44,421
PERHAPS
PHYSICALLY ABUSE THEM.
329
00:15:44,465 --> 00:15:47,076
HE PROBABLY GOT TREATED
VERY, VERY POORLY.
330
00:15:47,120 --> 00:15:49,992
- IT WAS THERE,
IN THE DORMITORY,
331
00:15:50,036 --> 00:15:53,082
THAT I GOT THE INSATIABLE
DESIRE TO PIMP.
332
00:15:53,126 --> 00:15:54,692
I WAS A MEMBER OF A CLIQUE
333
00:15:54,736 --> 00:15:57,304
THAT TALKED ABOUT NOTHING
EXCEPT WHORES AND PIMPING.
334
00:15:57,347 --> 00:16:01,569
I BEGAN TO FEEL
A NEW SLICKNESS AND HARDNESS.
335
00:16:01,612 --> 00:16:02,657
- HE'S LIKE A SPONGE.
336
00:16:02,700 --> 00:16:04,093
HE'S SOAKING UP
ALL THESE STORIES
337
00:16:04,137 --> 00:16:06,269
AND ALL THE GAME THESE
DIFFERENT GUYS ARE RUNNING DOWN,
338
00:16:06,313 --> 00:16:08,054
AND HE'S PLUCKING OUT
THE BEST PARTS
339
00:16:08,097 --> 00:16:09,707
TO APPLY TO WHAT
HE'S TRYING TO DO.
340
00:16:09,751 --> 00:16:12,710
- HE WANTED TO MASTER
MANIPULATING THE PSYCHOLOGY
341
00:16:12,754 --> 00:16:14,538
OF THE HOs,
OF THE WOMEN,
342
00:16:14,582 --> 00:16:17,063
WHEN HE STARTED TO REALIZE
THAT THE BEST PIMPS--
343
00:16:17,106 --> 00:16:19,674
THAT IS TO SAY
THE MOST SUCCESSFUL ONES--
344
00:16:19,717 --> 00:16:22,024
WERE THE ONES WITH THE COLDEST,
WITH THE LEAST EMOTION.
345
00:16:22,068 --> 00:16:23,678
THE REAL ICEBERG HEART.
346
00:16:23,721 --> 00:16:28,422
- WITH GOOD TIME,
I WAS FREE, SLICK, AND BITTER.
347
00:16:28,465 --> 00:16:30,815
NO MORE SMALL TOWNS FOR ME.
348
00:16:30,859 --> 00:16:33,470
I WAS GOING TO THE CITY
TO GET MY DEGREE IN PIMPING.
349
00:16:41,130 --> 00:16:44,307
WHEN YOU'RE BLACK,
MY FRIEND,
350
00:16:44,351 --> 00:16:46,788
AND YOU GET TWISTED,
351
00:16:46,831 --> 00:16:50,052
ONE'S EGO
352
00:16:50,096 --> 00:16:55,057
NEEDED TO BE THOUGHT OF
AS GREAT AND GRAND,
353
00:16:55,101 --> 00:17:00,367
AND THIS WAS A WAY TO DO IT,
354
00:17:00,410 --> 00:17:02,238
TO HAVE
YOUR OWN LITTLE KINGDOM.
355
00:17:05,894 --> 00:17:08,679
- WHEN I FIRST GOT
TO CHICAGO,
356
00:17:08,723 --> 00:17:10,899
I HAD THIS WILD DREAM
357
00:17:10,942 --> 00:17:14,468
OF PICKING THE BRAIN
OF THE TOWN'S TOP PIMP,
358
00:17:14,511 --> 00:17:16,035
AND EVENTUALLY I DID.
359
00:17:16,078 --> 00:17:18,602
IN RETROSPECT,
I SUPPOSE I COULD SAY
360
00:17:18,646 --> 00:17:23,694
THAT I WANTED TO BE
LIKE GOD
361
00:17:23,738 --> 00:17:25,348
FOR A WHORE, YOU SEE.
362
00:17:28,873 --> 00:17:31,006
- CHICAGO AT THAT
PERIOD OF TIME
363
00:17:31,050 --> 00:17:33,965
WAS PROFOUNDLY SATURATED
364
00:17:34,009 --> 00:17:36,794
WITH EVERY KIND OF ELEMENT
YOU COULD THINK OF.
365
00:17:36,838 --> 00:17:38,100
THERE WERE
VERY, VERY GOOD PEOPLE
366
00:17:38,144 --> 00:17:39,797
AND VERY, VERY BAD PEOPLE.
367
00:17:39,841 --> 00:17:42,104
- I COME FROM THAT LIFE,
AND I COME FROM CHICAGO.
368
00:17:42,148 --> 00:17:44,585
EVERY STREET HAD A GANG,
369
00:17:44,628 --> 00:17:46,674
AND ALL WE SAW
WERE MACHINE GUNS
370
00:17:46,717 --> 00:17:49,764
AND DEAD BODIES EVERY DAY.
371
00:17:49,807 --> 00:17:53,333
HARLEM AND WATTS AND COMPTON,
MAN, WAS LIKE BOYSTOWN.
372
00:17:53,376 --> 00:17:54,899
THAT WAS NOTHING
AFTER CHICAGO, MAN.
373
00:17:54,943 --> 00:17:58,686
CHICAGO WAS ROUGH, MAN.
374
00:17:58,729 --> 00:18:01,123
- DURING THOSE DAYS
IN THE FORTIES,
375
00:18:01,167 --> 00:18:02,777
YOU COULD EITHER BE A BARBER
376
00:18:02,820 --> 00:18:05,649
YOU COULD BE A LAWYER
IF YOUR PARENTS HAD MONEY,
377
00:18:05,693 --> 00:18:09,349
YOU COULD BE A BOXER,
YOU COULD BE A MUSICIAN,
378
00:18:09,392 --> 00:18:10,872
OR YOU COULD BE A PIMP.
379
00:18:13,527 --> 00:18:15,442
- WE SAW PIMPS EVERYWHERE.
380
00:18:15,485 --> 00:18:17,792
SERIOUS, SERIOUS PIMPS.
381
00:18:17,835 --> 00:18:20,969
I DON'T MEAN
JHERI CURL PIMPS.
382
00:18:21,012 --> 00:18:23,363
- BABY BELL
WAS THE BIG PIMP IN CHICAGO.
383
00:18:23,406 --> 00:18:26,366
- BABY BELL
WAS PHENOMENAL, MAN.
384
00:18:26,409 --> 00:18:29,108
HE WAS BIG TIME.
385
00:18:29,151 --> 00:18:31,762
IT'S A LEVEL
THAT PLAYERS WANNA REACH.
386
00:18:31,806 --> 00:18:37,246
BABY BELL USED TO TRAVEL
WITH 32 PIECES OF LUGGAGE.
387
00:18:37,290 --> 00:18:38,682
DO YOU HEAR ME?
388
00:18:38,726 --> 00:18:40,771
AND HE USED TO HAVE
WHITE WOMEN.
389
00:18:40,815 --> 00:18:43,165
AND THIS WAS AT
AN EARLY TIME
390
00:18:43,209 --> 00:18:45,950
WHEN THIS WAS A NO-NO.
391
00:18:45,994 --> 00:18:48,779
- ONCE YOU'RE IN THE STREET,
YOU NEED FATHER FIGURES
392
00:18:48,823 --> 00:18:50,520
'CAUSE YOU DON'T JUST
WALK OUT IN THE STREET
393
00:18:50,564 --> 00:18:53,088
AND BECOME THE GREATEST PIMP
IN THE WORLD BY OSMOSIS.
394
00:18:53,132 --> 00:18:54,568
YOU NEED TO LEARN.
395
00:18:54,611 --> 00:18:57,484
SO IN A WAY,
A CAT LIKE BABY BELL,
396
00:18:57,527 --> 00:19:00,487
YOU KNOW, BELL
IS LIKE A FATHER FIGURE
397
00:19:00,530 --> 00:19:03,185
AS WELL AS A TEACHER,
AS WELL AS A PROFESSOR,
398
00:19:03,229 --> 00:19:04,621
YOU KNOW, A MENTOR.
399
00:19:04,665 --> 00:19:07,233
- I BECAME A PIMP
400
00:19:07,276 --> 00:19:12,455
PRIMARILY BECAUSE OF
THE INFLUENCE
401
00:19:12,499 --> 00:19:17,678
OF WELL-HEELED PIMPS
AND OTHER HUSTLERS
402
00:19:17,721 --> 00:19:21,029
DURING A PERIOD
OF DIRE POVERTY IN MY LIFE.
403
00:19:21,072 --> 00:19:25,033
AND I FEEL THAT
I WAS INFLUENCED
404
00:19:25,076 --> 00:19:27,862
BY THE FLASHY GLAMOUR,
405
00:19:27,905 --> 00:19:33,650
THE INFESTATION OF DIAMONDS
ON THESE HUSTLERS,
406
00:19:33,694 --> 00:19:37,393
AND ALSO
BY THEIR BIG FLASHY CARS.
407
00:19:37,437 --> 00:19:39,874
AND I WANTED
A SENSE OF IMPORTANCE.
408
00:19:42,181 --> 00:19:44,183
- THERE WAS AN AREA
ON THE SOUTH SIDE OF CHICAGO
409
00:19:44,226 --> 00:19:46,707
CALLED 39th
AND COTTAGE GROVE,
410
00:19:46,750 --> 00:19:50,406
AND BASICALLY IT WAS
A RED LIGHT DISTRICT.
411
00:19:50,450 --> 00:19:52,452
AND ICEBERG SLIM
412
00:19:52,495 --> 00:19:55,933
WAS ONE OF THE NEIGHBORHOOD
ROLE MODELS.
413
00:19:55,977 --> 00:19:58,762
WHEN I FIRST HEARD
ICEBERG SLIM,
414
00:19:58,806 --> 00:20:03,158
MY IMPRESSION OF HIM
WAS A TOWERING INTELLECT.
415
00:20:03,202 --> 00:20:05,029
HE WAS TALKING ABOUT
416
00:20:05,073 --> 00:20:08,816
THE ECONOMICS
OF SEXUAL INTERCOURSE
417
00:20:08,859 --> 00:20:13,299
AND HOW HE LOOKED UPON
WHAT HE WAS DOING
418
00:20:13,342 --> 00:20:15,431
AS A BROKER.
419
00:20:15,475 --> 00:20:16,432
- YOU KNOW,
A LOT OF PEOPLE THINK
420
00:20:16,476 --> 00:20:19,696
THAT TOP PIMPS ARE DUMMIES.
421
00:20:19,740 --> 00:20:22,221
THAT'S NOT TRUE.
422
00:20:22,264 --> 00:20:27,226
THEY'RE JUST PERVERTED.
423
00:20:27,269 --> 00:20:32,143
I'VE NEVER KNOWN A TOP PIMP
WHO DIDN'T HAVE A HIGH IQ.
424
00:20:32,187 --> 00:20:34,537
- ACTUALLY, I THINK
HE WOULD HAVE BEEN
425
00:20:34,581 --> 00:20:36,887
A GOOD SALESPERSON.
426
00:20:36,931 --> 00:20:39,890
DO YOU NOW HOW IT TAKES
A LOT TO SELL A WOMAN,
427
00:20:39,934 --> 00:20:42,632
TO MAKE A WOMAN
SELL HER BODY.
428
00:20:42,676 --> 00:20:44,591
- MOST OF THE PROSTITUTES
THAT I'VE KNOWN
429
00:20:44,634 --> 00:20:46,419
AND THE ONES
THAT I'VE CONTROLLED
430
00:20:46,462 --> 00:20:50,814
WERE FASCINATED
AND BEWITCHED
431
00:20:50,858 --> 00:20:53,817
BY MY PHONY GLAMOUR,
432
00:20:53,861 --> 00:20:58,039
OF THE POISONOUS
PIMP CHARISMA,
433
00:20:58,082 --> 00:21:01,999
AND THEY LIVED IN
MY REFLECTED GLORY, SO TO SPEAK.
434
00:21:02,043 --> 00:21:04,350
IT GAVE THEM
A SENSE OF IMPORTANCE.
435
00:21:04,393 --> 00:21:06,265
- WHAT IS THE LIFE
OF A PROSTITUTE LIKE?
436
00:21:06,308 --> 00:21:10,530
- IT'S GOT TO BE HOLY HELL.
437
00:21:10,573 --> 00:21:12,358
THE BOOBY TRAPS
IN THE STREET,
438
00:21:12,401 --> 00:21:15,361
THE DEATH TRAPS
IN THE STREET FOR A PROSTITUTE,
439
00:21:15,404 --> 00:21:19,278
HER LIFE--
THE LIFE OF A PROSTITUTE
440
00:21:19,321 --> 00:21:21,802
IS FILLED WITH TENSION
AND THE PRESSURE OF THE PIMP.
441
00:21:21,845 --> 00:21:24,021
I HOPE YOU WON'T MIND
442
00:21:24,065 --> 00:21:25,414
ASKING YOU IN HERE
FOR A DRINK
443
00:21:25,458 --> 00:21:26,676
AFTER MEETING YOU
ON THE STREET THERE.
444
00:22:04,975 --> 00:22:06,847
- SLIM TELLS HIS GIRLS
445
00:22:06,890 --> 00:22:08,588
THEY CAN LEAVE
WHENEVER THEY GET READY.
446
00:22:08,631 --> 00:22:11,547
BUT THEY DON'T WANNA LEAVE
'CAUSE HE'S TOO GOOD TO 'EM,
447
00:22:11,591 --> 00:22:13,506
BUT THEY MUST GET THE MONEY.
448
00:22:13,549 --> 00:22:16,726
OTHERWISE, YOU'RE FIRED
OR SOMETHING LIKE THAT.
449
00:22:16,770 --> 00:22:20,513
CAN YOU IMAGINE
A PIMP FIRING A WHORE?
450
00:22:20,556 --> 00:22:23,516
- MY TOTAL IMAGE OF MYSELF
451
00:22:23,559 --> 00:22:31,524
WAS THAT I WAS SOME SORT
OF BLACK EVIL SVENGALI.
452
00:22:33,743 --> 00:22:35,354
- WHEN YOU LOOK
AT OLD PICTURES OF HIM,
453
00:22:35,397 --> 00:22:37,312
YOU SEE THIS FACE,
454
00:22:37,356 --> 00:22:39,140
THIS MASK HE WORE.
455
00:22:41,490 --> 00:22:43,971
THERE WAS NO EMOTION,
NO EMOTION WHATSOEVER.
456
00:22:44,014 --> 00:22:45,799
HIS FOOT HAD NO PROBLEM
457
00:22:45,842 --> 00:22:48,192
FINDING ITS WAY
TO A WOMAN'S ASS.
458
00:22:48,236 --> 00:22:51,108
- ICEBERG
HAD NO HESITATION AT ALL
459
00:22:51,152 --> 00:22:53,546
ABOUT TAKING
TWO LINES OF COCAINE
460
00:22:53,589 --> 00:22:55,461
SO HE COULD
SLAP UP HIS BITCH, YOU KNOW.
461
00:22:55,504 --> 00:22:57,811
- BRUTALITY
WAS THE NAME OF THE GAME.
462
00:22:57,854 --> 00:22:59,508
FIRST OF ALL,
463
00:22:59,552 --> 00:23:02,816
YOU'D SPELL OUT
YOUR RULES AND REGULATIONS,
464
00:23:02,859 --> 00:23:07,603
AND IF ANY OF THOSE RULES
WERE BROKEN,
465
00:23:07,647 --> 00:23:09,213
YOU HAD TO PUNISH 'EM.
466
00:23:13,957 --> 00:23:17,439
- HE WOULD VISUALIZE
BEING COLD AS A REFRIGERATOR,
467
00:23:17,483 --> 00:23:20,268
BEING COLD AS A FREEZER,
468
00:23:20,311 --> 00:23:22,792
WHERE HE WOULD BE ABLE
TO GUARD HIS EMOTIONS
469
00:23:22,836 --> 00:23:26,187
AGAINST RIVAL PIMPS, COPS,
HIS WOMEN.
470
00:23:26,230 --> 00:23:28,711
THEY WERE NEVER ABLE
TO READ HIM.
471
00:23:28,755 --> 00:23:30,626
- I'VE HAD
HUNDREDS OF WOMEN.
472
00:23:30,670 --> 00:23:34,630
I'VE NEVER ADMITTED TO ONE
THAT I EVER HAD A PROBLEM
473
00:23:34,674 --> 00:23:39,461
OR THAT ANYTHING WORRIED ME.
474
00:23:39,505 --> 00:23:43,204
AND THAT'S THE SECRET.
475
00:23:43,247 --> 00:23:44,988
- HE SAID
HE WAS A PSYCHOPATH.
476
00:23:45,032 --> 00:23:49,819
HE SAID HE GOT A THRILL
OUT OF DEGRADING WOMEN
477
00:23:49,863 --> 00:23:51,995
AND HURTING THEM,
BRUTALIZING THEM,
478
00:23:52,039 --> 00:23:53,736
KEEPING A RELENTLESS
PSYCHOLOGICAL
479
00:23:53,780 --> 00:23:56,696
AND PHYSICAL PRESSURE
ON THEM.
480
00:23:56,739 --> 00:23:59,786
- I WANTED THAT THRILL,
481
00:23:59,829 --> 00:24:03,354
THAT VOLUPTUOUS SENSATION
OF CONTROLLING
482
00:24:03,398 --> 00:24:06,270
A STABLE OF WOMEN.
483
00:24:11,014 --> 00:24:12,451
- HE HAD TO GRAB
THAT INTELLECT,
484
00:24:12,494 --> 00:24:16,193
GRAB THAT SPIRIT,
GRAB THAT HOPE
485
00:24:16,237 --> 00:24:18,108
AND HE WAS--
I DON'T THINK
486
00:24:18,152 --> 00:24:19,936
THERE WAS ANYBODY
BETTER AT IT THAN HIM.
487
00:24:19,980 --> 00:24:22,330
- HE SAID THE HARDEST THING
FOR ME TO DO EVERY DAY
488
00:24:22,373 --> 00:24:25,115
WAS TO SAY SOMETHING
TO MY STABLE
489
00:24:25,159 --> 00:24:28,684
THAT WOULD CONFOUND
THEIR MIND
490
00:24:28,728 --> 00:24:33,036
TO MENTALLY
KEEP THEM IN CHECK.
491
00:24:33,080 --> 00:24:36,649
- AT THE END OF THE DAY,
THERE'S ONLY ONE GAME.
492
00:24:36,692 --> 00:24:39,042
IT'S YOU EITHER WORK
FOR SOMEBODY
493
00:24:39,086 --> 00:24:41,175
OR YOU HAVE PEOPLE
WORK FOR YOU.
494
00:24:41,218 --> 00:24:44,395
PIMPING IS NO DIFFERENT,
YOU KNOW.
495
00:24:44,439 --> 00:24:47,050
IF YOU REALLY BREAK IT DOWN
TO THE LOWEST LEVEL,
496
00:24:47,094 --> 00:24:53,361
IT'S USING YOUR FINESSE
AND YOUR CHARISMA
497
00:24:53,404 --> 00:24:57,844
TO CONVINCE SOMEBODY TO DO
WHAT YOU WANT THEM TO DO.
498
00:24:57,887 --> 00:25:00,542
- YOU CAN'T BE
A NORMAL PERSON,
499
00:25:00,586 --> 00:25:03,197
NOT AND SUCCEED
IN THAT LIFE.
500
00:25:03,240 --> 00:25:07,375
AND YOU'VE GOT TO BE
ABSOLUTELY UNFLAPPABLE.
501
00:25:07,418 --> 00:25:10,378
WHAT YOU DO LITERALLY
502
00:25:10,421 --> 00:25:13,424
IS PLAY GOD.
503
00:25:13,468 --> 00:25:15,557
- WHEN YOU HAVE
FIVE OR SIX HOs,
504
00:25:15,601 --> 00:25:17,820
EVERY ONE OF THEM
THINKS THEIR MAN IS GOD.
505
00:25:17,864 --> 00:25:22,085
HE SAID, THAT'S WHY YOU DON'T
HAVE SEX WITH THEM VERY OFTEN.
506
00:25:22,129 --> 00:25:24,044
YOU'VE GOT TO BE GOD,
507
00:25:24,087 --> 00:25:28,657
AND, HEY, IF SHE CAN TOUCH
GOD ANY TIME SHE WANTS,
508
00:25:28,701 --> 00:25:31,399
THEN HE'S NOT GOD ANYMORE.
509
00:25:33,401 --> 00:25:35,011
- THE LIFE OF A PIMP
510
00:25:35,055 --> 00:25:38,101
IS UNREMITTING TENSION
AND PRESSURES.
511
00:25:38,145 --> 00:25:43,846
A PIMP LIVES ON
THE PRECIPICE OF DISASTER.
512
00:25:43,890 --> 00:25:47,023
I THINK HE'S THE MOST
HATED AND FEARED CREATURE
513
00:25:47,067 --> 00:25:48,634
OF THE UNDERWORLD.
514
00:25:48,677 --> 00:25:50,200
- ALL OF US, HONEY.
ALL OF US.
515
00:25:50,244 --> 00:25:55,902
- TO TRY TO ACTUALLY
CONTROL A FEMALE
516
00:25:55,945 --> 00:25:58,078
WHO'S BASICALLY A CRIMINAL,
517
00:25:58,121 --> 00:26:01,037
A ROBBER, A THIEF,
518
00:26:01,081 --> 00:26:04,650
TO GET THAT TO OPERATE
UNDER YOUR MOTIVATION
519
00:26:04,693 --> 00:26:07,217
IS NOT AN EASY THING TO DO,
YOU KNOW WHAT I'M SAYING?
520
00:26:07,261 --> 00:26:08,784
SO I TELL CATS,
521
00:26:08,828 --> 00:26:10,003
I'M, LIKE,
YOU'D DO BETTER SELLING DRUGS.
522
00:26:10,046 --> 00:26:11,439
AT LEAST A KEY OF DOPE
523
00:26:11,482 --> 00:26:12,745
WON'T WAKE UP
IN THE MIDDLE OF THE NIGHT
524
00:26:14,224 --> 00:26:15,443
AND KILL YOU FOR SOMETHING
YOU SAID TO IT EARLY THAT DAY.
525
00:26:15,486 --> 00:26:18,141
- HOLDING A STABLE TOGETHER
REQUIRES THE PIMP
526
00:26:18,185 --> 00:26:21,231
TO KEEP EACH INDIVIDUAL MEMBER
OF THE STABLE
527
00:26:21,275 --> 00:26:23,843
IN APPARENT COMPETITION.
528
00:26:23,886 --> 00:26:26,846
- BECAUSE OF THE NATURE
OF THE PREY--
529
00:26:26,889 --> 00:26:29,631
AND I DON'T HAVE TO TELL
YOU GENTLEMEN
530
00:26:29,675 --> 00:26:33,374
HOW CUNNING THEY ARE--
531
00:26:33,417 --> 00:26:35,245
THE ENEMY.
532
00:26:35,289 --> 00:26:37,030
- YOUR WORD GOT TO BE LAW.
533
00:26:37,073 --> 00:26:39,293
EVEN IF YOU TELL
THAT FEMALE,
534
00:26:39,336 --> 00:26:42,296
I'M NOT GONNA ACCEPT YOU
OR GEORGIA YOU
535
00:26:42,339 --> 00:26:45,647
OR GIVE YOU ANY LOVE
UNTIL YOU GIVE ME MY MONEY.
536
00:26:45,691 --> 00:26:47,127
YOU GOT TO MEAN THAT.
537
00:26:47,170 --> 00:26:49,085
YOU GOTTA KEEP
YOUR GANG LIVE
538
00:26:49,129 --> 00:26:50,957
AND LET 'EM KNOW
THAT YOU'RE DOWN
539
00:26:51,000 --> 00:26:52,828
AND THAT YOU
ABOUT YOUR MONEY.
540
00:26:52,872 --> 00:26:55,657
- IT'S A SKULL GAME.
PIMPING IS A SKULL GAME.
541
00:26:55,701 --> 00:26:58,355
IT'S A GAME
OF MANIPULATIVE PSYCHOLOGY.
542
00:26:58,399 --> 00:26:59,966
- AND BELIEVE ME,
543
00:27:00,009 --> 00:27:03,665
TO REALLY BE A PIMP
TAKES A LOT.
544
00:27:03,709 --> 00:27:05,667
THE AVERAGE MAN
WALKING UP AND DOWN THE STREET,
545
00:27:05,711 --> 00:27:06,973
HE MAY BE
UNDER THE IMPRESSION
546
00:27:07,016 --> 00:27:08,975
THAT HE CAN PIMP,
547
00:27:09,018 --> 00:27:11,151
BUT WHEN
HE'S PUT TO THE TEST,
548
00:27:11,194 --> 00:27:12,543
HE'LL FLUNK.
549
00:27:20,073 --> 00:27:23,250
- MY BROTHER,
MY OLDER BROTHER SHABAZZ
550
00:27:23,293 --> 00:27:27,689
HAD, UM...
WHEN HE GOT OUT OF JAIL,
551
00:27:27,733 --> 00:27:30,692
HE CHANGED HIS NAME
FROM CHARLES TO SHABAZZ.
552
00:27:30,736 --> 00:27:32,302
HE BECAME A 5 PERCENTER.
553
00:27:32,346 --> 00:27:36,524
AND, YOU KNOW,
THERE WAS KORANS
554
00:27:36,567 --> 00:27:40,441
AND A BUNCH OF, YOU KNOW,
ISLAMIC LITERATURE,
555
00:27:40,484 --> 00:27:43,357
AND THEN
EVERY ICEBERG SLIM BOOK
556
00:27:43,400 --> 00:27:45,011
WAS RIGHT NEXT TO IT.
557
00:27:56,849 --> 00:27:59,286
- IT WAS DECEMBER 1945.
558
00:27:59,329 --> 00:28:02,985
FOR SEVEN YEARS,
I DEVOTED MYSELF
559
00:28:03,029 --> 00:28:05,379
TO GETTING HIP
TO THAT PIMP'S BOOK.
560
00:28:05,422 --> 00:28:09,992
I HAD THOUGHT AND ACTED
LIKE A BLACK GOD.
561
00:28:10,036 --> 00:28:12,386
SIX MONTHS LATER,
SWEET CALLED ME.
562
00:28:12,429 --> 00:28:16,346
HE SAID, BERG, I GOT A WIRE
THE FBI'S QUIZZING WHORES.
563
00:28:16,390 --> 00:28:17,739
THEY'RE TRYING TO BUILD
564
00:28:17,783 --> 00:28:21,351
A FIVE OR SIX COUNT RAP
AGAINST YOU.
565
00:28:21,395 --> 00:28:25,051
- HE'S PICKED UP FOR
VIOLATING THE MANN ACT.
566
00:28:25,094 --> 00:28:26,269
TWO OF HIS WOMEN--
567
00:28:26,313 --> 00:28:28,228
HIS BOTTOM WOMAN
OF MANY YEARS, PHYLLIS,
568
00:28:28,271 --> 00:28:30,883
HIS FIRST WOMAN, TURNED
STATES EVIDENCE AGAINST HIM.
569
00:28:30,926 --> 00:28:34,321
HE WAS INCARCERATED
IN LEAVENWORTH,
570
00:28:34,364 --> 00:28:37,324
THE ALMA MATER
OF MACHINE GUN KELLY
571
00:28:37,367 --> 00:28:40,544
BUGS MORAN, AL CAPONE.
572
00:28:40,588 --> 00:28:44,287
- ICEBERG SLIM WRITES ABOUT
A PSYCHIATRIST IN THE 1940s
573
00:28:44,331 --> 00:28:46,637
THAT HE ENCOUNTERED
IN PRISON.
574
00:28:46,681 --> 00:28:50,293
THE PSYCHIATRIST CAME FROM
A PSYCHO-ANALYTICAL BACKGROUND
575
00:28:50,337 --> 00:28:53,427
AND BELIEVED THAT PIMPS,
PARTICULARLY BLACK PIMPS,
576
00:28:53,470 --> 00:28:55,995
HAD A REAL HATRED
OF THEIR MOTHERS.
577
00:28:56,038 --> 00:29:00,086
- THE PERSON THAT HAD
THE GREATEST EFFECT ON HIM
578
00:29:00,129 --> 00:29:03,306
PSYCHOLOGICALLY
WAS HIS MOTHER.
579
00:29:03,350 --> 00:29:06,309
HE DIDN'T WANT
TO KEEP HURTING HIS MOTHER,
580
00:29:06,353 --> 00:29:08,834
AND YET
THERE WAS A PART HERE
581
00:29:08,877 --> 00:29:11,097
THAT WAS A DIVIDED SOUL.
582
00:29:11,140 --> 00:29:14,796
BECAUSE THERE WERE
ALSO PARTS OF HIM
583
00:29:14,840 --> 00:29:17,103
THAT WERE ANGRY
AT HIS MOTHER
584
00:29:17,146 --> 00:29:19,627
AND HELD THINGS
AGAINST HIS MOTHER,
585
00:29:19,670 --> 00:29:22,151
WHICH REALLY PSYCHOLOGICALLY
586
00:29:22,195 --> 00:29:25,546
HAD SOME THINGS TO DO WITH
THE WAY HE TREATED OTHER WOMEN
587
00:29:25,589 --> 00:29:29,028
AND HIS UTTER
DISRESPECT FOR WOMEN.
588
00:29:31,160 --> 00:29:33,162
- MY REPUTATION COMING UP
589
00:29:33,206 --> 00:29:35,208
BEFORE I GOT
STREET POISONED,
590
00:29:35,251 --> 00:29:37,079
ALL OF MY MOTHER'S FRIENDS,
591
00:29:37,123 --> 00:29:41,867
ALL OF MY ASSOCIATES'
MOTHERS AND FATHERS,
592
00:29:41,910 --> 00:29:44,783
THEY ALL THOUGHT
I WAS THE MOST CHARMING,
593
00:29:44,826 --> 00:29:47,002
THE SWEETEST--
THEY USED TO TALK ABOUT,
594
00:29:47,046 --> 00:29:49,831
OH, YOUR SON IS SO SWEET.
595
00:29:49,875 --> 00:29:51,485
OH, HE'S SUCH A GENTLEMAN.
596
00:29:51,528 --> 00:29:53,835
YOU SEE WHAT I MEAN?
597
00:29:53,879 --> 00:29:59,145
SO TO GET FROM THAT "A"
598
00:29:59,188 --> 00:30:02,713
TO THE HORRIFIC "Z"
OF PIMPING
599
00:30:02,757 --> 00:30:04,715
REQUIRED MORE OF ME
600
00:30:04,759 --> 00:30:06,543
THAN IT DID
THE AVERAGE PERSON.
601
00:30:06,587 --> 00:30:08,154
- WHICH I THINK PLAYED OUT
602
00:30:08,197 --> 00:30:10,634
IN HIS VERY, VERY
DIRECT EXPERIENCES
603
00:30:10,678 --> 00:30:12,419
WITH SOME OF THE GIRLS
IN HIS STABLE,
604
00:30:12,462 --> 00:30:14,725
INCLUDING THE GIRL
WHO HE BEAT VIOLENTLY,
605
00:30:14,769 --> 00:30:18,381
AND AT THE SAME TIME WANTED
TO NURTURE AND HOLD AND HUG.
606
00:30:18,425 --> 00:30:21,471
- BUT I ALWAYS HAD
THAT SUCKERS STREAK IN ME.
607
00:30:21,515 --> 00:30:26,650
I DON'T MEAN THAT
IT COMPROMISED MY PIMPING.
608
00:30:26,694 --> 00:30:29,610
BUT IT WAS ALWAYS THERE.
609
00:30:29,653 --> 00:30:32,439
- YOU CAN'T JUST
DOG A WOMAN OUT
610
00:30:32,482 --> 00:30:35,529
AND JUST GORILLA PIMP
A BITCH TO DEATH.
611
00:30:35,572 --> 00:30:38,488
THERE'S GOTTA BE SOME COMPASSION
TO PIMPING IN THERE,
612
00:30:38,532 --> 00:30:41,013
SOME SOFT SIDE, SOME TENDER
LOVING PIMPING IN THERE.
613
00:30:41,056 --> 00:30:43,145
BECAUSE IF YOU CONSTANTLY
WITH THE WOMEN,
614
00:30:43,189 --> 00:30:45,408
YOU GOTTA HAVE
A NATURAL FEELING FOR 'EM.
615
00:30:45,452 --> 00:30:46,279
THEY GIVE YOU MONEY.
YOU RESPECT 'EM.
616
00:30:47,454 --> 00:30:48,237
YOU ACTUALLY BEING
A FATHER FIGURE TO 'EM.
617
00:30:52,067 --> 00:30:54,417
- 28 YEARS OLD,
HE'S RELEASED FROM LEAVENWORTH,
618
00:30:54,461 --> 00:30:58,117
HE'S BACK ON THE STREET
FLAT ON HIS ASS.
619
00:30:58,160 --> 00:31:00,293
SO AUTOMATICALLY,
HIS FIRST THOUGHT IS, LIKE,
620
00:31:00,336 --> 00:31:02,817
OKAY, I GOTTA GET
MY PIMPING GAME BACK UP.
621
00:31:02,861 --> 00:31:04,384
- HE HAS
NO OTHER ALTERNATIVE
622
00:31:04,427 --> 00:31:08,475
BUT TO TURN
TO STRONG-ARMED ROBBERY.
623
00:31:08,518 --> 00:31:11,957
AND WITHIN A MONTH, BAM,
HE'S BACK IN THE SLAMMER.
624
00:31:12,000 --> 00:31:14,524
HE'S SENTENCED TO COOK COUNTY
HOUSE OF CORRECTIONS
625
00:31:14,568 --> 00:31:15,917
FOR A YEAR.
626
00:31:15,961 --> 00:31:17,919
THEY PUT HIM ON
THE COAL PILE.
627
00:31:17,963 --> 00:31:20,530
NEVER DONE A HARD DAY'S WORK
IN HIS LIFE.
628
00:31:20,574 --> 00:31:23,229
A PIMP ON A COAL PILE
IS LIKE OIL AND WATER.
629
00:31:23,272 --> 00:31:29,888
SO GOOD FRIDAY 1947,
HE ESCAPED.
630
00:31:29,931 --> 00:31:31,628
- HE'S A FUGITIVE
FROM JUSTICE.
631
00:31:31,672 --> 00:31:32,934
HE'S RUNNING ALL OVER
THE MIDWEST
632
00:31:32,978 --> 00:31:34,849
WITH EIGHT PROSTITUTES
633
00:31:34,893 --> 00:31:38,331
AND HE'S AN ADDICT
OF HEROIN AND COCAINE.
634
00:31:41,508 --> 00:31:42,813
- DID YOU MAKE
A LOT OF MONEY?
635
00:31:42,857 --> 00:31:45,686
- OH...
636
00:31:45,729 --> 00:31:49,908
BUT WHERE'D IT GO?
IN MY ARM.
637
00:31:49,951 --> 00:31:52,780
IN A BLIZZARD OF COCAINE
638
00:31:52,823 --> 00:31:54,869
UP MY NOSE.
639
00:31:54,913 --> 00:31:58,438
ALL KINDS OF CLOTHES.
640
00:31:58,481 --> 00:32:02,268
SPENDING IT ACROSS THE BAR
IN CABARETS.
641
00:32:02,311 --> 00:32:05,575
- DOPE IS MAYBE ONE OF
THE GREATEST PIMPS TO EVER LIVE,
642
00:32:05,619 --> 00:32:08,361
BECAUSE ANYBODY
WHO USES DOPE
643
00:32:08,404 --> 00:32:10,363
AND GETS HOOKED ON DOPE,
644
00:32:10,406 --> 00:32:13,975
YOU'RE A HO
AND THE DOPE IS PIMPING YOU.
645
00:32:14,019 --> 00:32:16,673
- WHEN YOU'RE IN THE LIFE,
646
00:32:16,717 --> 00:32:19,894
YOU NEVER REALIZE THAT
YOU'RE GOING TO GET OLD.
647
00:32:19,938 --> 00:32:22,244
THAT NEVER OCCURS TO YOU
648
00:32:22,288 --> 00:32:27,554
BECAUSE THE DRUGS
KEEP YOU IN A TRACE.
649
00:32:27,597 --> 00:32:29,469
- BY THE LATE 1950s,
650
00:32:29,512 --> 00:32:31,123
HE'S GOT HIS GIRLS
IN WHOREHOUSES,
651
00:32:31,166 --> 00:32:33,516
HE GETS BUSTED,
THEY RUN HIS FINGERPRINTS
652
00:32:33,560 --> 00:32:35,301
AND FIND OUT
HE'S AN ESCAPED CONVICT.
653
00:32:37,390 --> 00:32:39,609
- HIS RUN IN THE GAME
IS OVER.
654
00:32:39,653 --> 00:32:43,091
HE'S SENTENCED BACK
TO THE HOUSE OF CORRECTIONS.
655
00:32:43,135 --> 00:32:47,356
HE DOES NINE MONTHS
IN SOLITARY CONFINEMENT.
656
00:32:52,274 --> 00:32:55,190
- I LOOKED AROUND
MY NEW HOME.
657
00:32:55,234 --> 00:32:56,800
IT WAS A TIGHT BOX
658
00:32:56,844 --> 00:32:59,716
DESIGNED TO CRUSH AND TORTURE
THE HUMAN SPIRIT.
659
00:32:59,760 --> 00:33:02,023
I RAISED MY ARMS ABOVE ME.
660
00:33:02,067 --> 00:33:06,332
MY FINGERTIPS TOUCHED
THE COLD STEEL CEILING.
661
00:33:06,375 --> 00:33:08,682
I STRETCHED THEM OUT
TO THE SIDE.
662
00:33:08,725 --> 00:33:12,077
I TOUCHED THE STEEL WALLS.
663
00:33:12,120 --> 00:33:14,818
THE MATTRESS COVER
WAS STAINED AND STINKING
664
00:33:14,862 --> 00:33:17,517
FROM OLD PUKE AND CRAP.
665
00:33:17,560 --> 00:33:20,650
IT WASN'T JUST THE CELL.
666
00:33:20,694 --> 00:33:24,002
IT WAS THE SIGHTS AND SOUNDS
OF THE MISERY AND TORMENT
667
00:33:24,045 --> 00:33:25,525
ON THE ROW.
668
00:33:25,568 --> 00:33:27,353
[men shouting]
669
00:33:27,396 --> 00:33:29,311
- AT THE END
OF THE FOURTH MONTH,
670
00:33:29,355 --> 00:33:31,183
MY SKULL WAS SHAKING
ON MY SHOULDERS
671
00:33:31,226 --> 00:33:34,447
LIKE I HAD PALSY.
672
00:33:34,490 --> 00:33:36,449
- HE SAID THAT
HE WOULD HAVE TO DO THINGS
673
00:33:36,492 --> 00:33:38,538
TO STRENGTHEN HIS MIND
674
00:33:38,581 --> 00:33:41,019
TO KEEP FROM GOING CRAZY.
675
00:33:41,062 --> 00:33:43,543
- HIS WRITING
MAY HAVE ACTUALLY BEGUN
676
00:33:43,586 --> 00:33:46,546
IN THAT PRISON WORLD
IN THAT SETTING
677
00:33:46,589 --> 00:33:48,765
WHERE HE STARTED
CREATING STORIES,
678
00:33:48,809 --> 00:33:52,726
WHETHER ABOUT HIS OWN LIFE
OR FICTIONAL ONES.
679
00:33:52,769 --> 00:33:55,381
- HE SAID, I HAD TO PLAY
MENTAL GAMES WITH MYSELF,
680
00:33:55,424 --> 00:33:57,513
AND I HAD TO HAVE
CERTAIN CONVERSATIONS
681
00:33:57,557 --> 00:33:59,211
TO JUST KEEP ME GOING.
682
00:33:59,254 --> 00:34:01,474
HE SAID, BECAUSE
I WAS DETERMINED
683
00:34:01,517 --> 00:34:03,519
THAT THE MAN
WAS NOT GOING TO BREAK ME.
684
00:34:05,304 --> 00:34:08,698
♪ I COULD
JUST LAY RIGHT DOWN ♪
685
00:34:08,742 --> 00:34:12,615
♪ I TELL YOU, CHILDREN,
I COULD LAY RIGHT DOWN ♪
686
00:34:12,659 --> 00:34:14,400
- HE HAD A LOT TO COPE WITH.
687
00:34:14,443 --> 00:34:17,838
HIS BEST FRIEND,
JOE "PARTY TIME" EVANS,
688
00:34:17,881 --> 00:34:19,405
WAS KILLED.
689
00:34:21,494 --> 00:34:24,105
BABY BELL WAS DEAD.
690
00:34:27,456 --> 00:34:28,849
- HE GETS A LETTER
FROM HIS MOTHER,
691
00:34:28,892 --> 00:34:30,111
AND THAT SHE'S VERY SICK
692
00:34:30,155 --> 00:34:31,765
AND THAT HE NEEDS
TO GET OUT TO LOS ANGELES.
693
00:34:31,808 --> 00:34:35,769
- I HAD COME TO A DECISION
IN THAT AWFUL CELL.
694
00:34:35,812 --> 00:34:40,165
I WAS THROUGH
WITH PIMPING AND DRUGS.
695
00:34:40,208 --> 00:34:43,037
I HAD FOUND OUT THAT PIMPING
IS FOR YOUNG MEN,
696
00:34:43,081 --> 00:34:45,039
THE STUPID KIND.
697
00:34:45,083 --> 00:34:46,475
I GOT INSIGHT THAT PERHAPS
698
00:34:46,519 --> 00:34:49,261
I COULD NEVER HAVE HOPED
TO GET OUTSIDE.
699
00:34:49,304 --> 00:34:53,178
I COULD SEE
THE TERRIBLE PATTERN OF MY LIFE.
700
00:34:53,221 --> 00:34:55,832
MAMA MIGHT DIE IN CALIFORNIA
AT ANY TIME.
701
00:34:55,876 --> 00:34:58,922
I HAD TO GET TO HER
BEFORE SHE DIED.
702
00:34:58,966 --> 00:35:01,534
I HAD TO CONVINCE HER
I LOVED HER.
703
00:35:01,577 --> 00:35:02,970
I HAD TO GET THERE
704
00:35:03,013 --> 00:35:05,929
AS MUCH FOR MYSELF
AS FOR HER.
705
00:35:05,973 --> 00:35:08,106
- HERE HE IS, HE'S STRUGGLING
TRYING KEEP HIS SANITY,
706
00:35:08,149 --> 00:35:10,630
AND DURING THIS TIME,
707
00:35:10,673 --> 00:35:14,764
HE FINDS OUT
THEY MAY TACK ON MORE TIME.
708
00:35:14,808 --> 00:35:17,027
HE MAY NOT GET OUT
WHEN THEY TELL HIM
709
00:35:17,071 --> 00:35:18,333
THAT HE'S
SUPPOSED TO BE RELEASED.
710
00:35:18,377 --> 00:35:22,598
- IN ORDER
TO SECURE HIS FREEDOM
711
00:35:22,642 --> 00:35:24,818
ON THE DAY THAT HE
IS SUPPOSED TO BE RELEASED,
712
00:35:24,861 --> 00:35:27,603
HE WRITES A LETTER
TO THE WARDEN
713
00:35:27,647 --> 00:35:32,304
IN WHICH HE MAKES
A LEGAL SOUNDING PLEA
714
00:35:32,347 --> 00:35:35,394
FOR HIS RELEASE.
715
00:35:35,437 --> 00:35:37,526
- USING THE PEN
AND THE PAPER
716
00:35:37,570 --> 00:35:40,312
TO GET SOMEWHERE IN LIFE
FOR THE FIRST TIME
717
00:35:40,355 --> 00:35:43,489
WAS CATHARTIC FOR HIM.
718
00:35:43,532 --> 00:35:47,362
THIS IS WHEN HE BECAME
A WRITER, IN EFFECT,
719
00:35:47,406 --> 00:35:51,410
AND THAT WRITING,
THEN AND LATER ON,
720
00:35:51,453 --> 00:35:53,847
ENABLED HIM TO LEAVE
THE PENITENTIARY,
721
00:35:53,890 --> 00:35:57,372
ENABLED HIM TO LEAVE
THE LIFE OF CRIME BEHIND
722
00:35:57,416 --> 00:35:59,113
AND SO THROUGH WRITING,
723
00:35:59,157 --> 00:36:00,897
HE REALLY DID
CHANGE HIS LIFE.
724
00:36:00,941 --> 00:36:02,638
- WRITERS ARE BORN
AND NOT CREATED,
725
00:36:02,682 --> 00:36:05,075
SO THAT GENE,
THAT GENIUS GENE
726
00:36:05,119 --> 00:36:06,468
HAS ALWAYS BEEN THERE
SOMEWHERE INSIDE OF YOU.
727
00:36:06,512 --> 00:36:07,861
IT JUST TAKES SOMETHING
TO TRIGGER IT.
728
00:36:07,904 --> 00:36:11,430
- HE SAYS I HATED
BEING IN THE STEEL CASKET
729
00:36:11,473 --> 00:36:13,214
WHERE THEY LOCKED ME AWAY,
730
00:36:13,258 --> 00:36:15,521
BUT THEY SAVED MY LIFE.
731
00:36:15,564 --> 00:36:19,351
BECAUSE IF I HAD TRIED
TO CONTINUE ON,
732
00:36:19,394 --> 00:36:22,180
I WOULDN'T HAVE LIVED.
733
00:36:22,223 --> 00:36:23,920
- HE SAID, SO I KNEW
734
00:36:23,964 --> 00:36:27,228
THAT I WAS GOING TO LEAVE
THE STREET LIFE ALONE
735
00:36:27,272 --> 00:36:29,578
AND DO WHATEVER I HAD TO DO
736
00:36:29,622 --> 00:36:32,320
TO STRAIGHTEN UP
737
00:36:32,364 --> 00:36:35,976
AND LEAD
A DIFFERENT KIND OF LIFE.
738
00:36:36,019 --> 00:36:38,587
♪ LOVE AND HAPPINESS
739
00:36:38,631 --> 00:36:40,763
♪ MAKING IT RIGHT
740
00:36:40,807 --> 00:36:43,897
♪ LOVE AND HAPPINESS
741
00:36:43,940 --> 00:36:45,942
♪ MAKING IT RIGHT
742
00:36:45,986 --> 00:36:48,771
♪ LOVE AND HAPPINESS
743
00:36:48,815 --> 00:36:50,512
♪ MAKING IT RIGHT
744
00:36:50,556 --> 00:36:53,994
- LOS ANGELES BECOMES
THE END POINT OF HIS JOURNEY
745
00:36:54,037 --> 00:36:55,561
BECAUSE HE'S TRYING
TO GET BACK TO MAMA.
746
00:36:55,604 --> 00:36:58,564
- I HAD NO ONE EXCEPT MAMA.
747
00:36:58,607 --> 00:37:01,567
MY COMING TO HER
HAD BEEN LIKE A MIRACLE.
748
00:37:01,610 --> 00:37:06,006
IT WAS THE MAGIC
THAT GAVE HER STRENGTH.
749
00:37:06,049 --> 00:37:08,008
SHE TOLD ME
THAT I SHOULD GET MARRIED
750
00:37:08,051 --> 00:37:09,488
AND HAVE CHILDREN.
751
00:37:16,669 --> 00:37:19,019
- I HAD COME OUT HERE
TO CALIFORNIA
752
00:37:19,062 --> 00:37:21,935
'CAUSE I WAS JUST BORED,
SO I CAME OUT HERE.
753
00:37:21,978 --> 00:37:23,589
[coughs]
754
00:37:23,632 --> 00:37:27,419
I HAD WORKED
FOR A HAMBURGER STAND
755
00:37:27,462 --> 00:37:31,988
AND THIS GUY STARTED--
STOPPED BY THERE
756
00:37:32,032 --> 00:37:36,079
AND HE LOOKED LIKE
A PROFESSIONAL TO ME,
757
00:37:36,123 --> 00:37:38,952
EITHER A DOCTOR,
A LAWYER,
758
00:37:38,995 --> 00:37:42,651
OR A PRESIDENT
OF SOME BANK.
759
00:37:42,695 --> 00:37:45,524
IMPECCABLY DRESSED.
760
00:37:45,567 --> 00:37:50,006
SHOES SHINED,
THE CAR SPOTLESS.
761
00:37:50,050 --> 00:37:53,793
JUST UNBELIEVABLE.
762
00:37:53,836 --> 00:37:55,838
AND HE SAID
COULD I TAKE YOU SOMEWHERE
763
00:37:55,882 --> 00:37:58,580
WHERE YOU COULD EAT SOMETHING
BESIDES A HAMBURGER?
764
00:37:58,624 --> 00:38:01,757
I SAID, WHAT THE HELL.
765
00:38:01,801 --> 00:38:04,369
SO WE GO AND WE EAT.
766
00:38:04,412 --> 00:38:08,808
AND I DRANK TOO MUCH,
767
00:38:08,851 --> 00:38:10,723
WHICH I USUALLY DID
BACK IN THOSE DAYS.
768
00:38:10,766 --> 00:38:12,333
I DRANK ALL OF MY WHISKEY
769
00:38:12,377 --> 00:38:13,900
AND ALL OF
ANYBODY ELSE'S WHISKEY
770
00:38:13,943 --> 00:38:15,684
I COULD GET MY HANDS ON.
771
00:38:15,728 --> 00:38:18,513
AND I GOT SICK
772
00:38:18,557 --> 00:38:21,995
LIKE I HAVE NEVER BEEN SICK
BEFORE IN MY LIFE.
773
00:38:22,038 --> 00:38:24,998
AND HE TOOK ME
TO THE EMERGENCY ROOM.
774
00:38:25,041 --> 00:38:29,742
THE DOCTOR SAID
THAT I WAS, UM...
775
00:38:29,785 --> 00:38:32,788
I WAS FOUR MONTHS--
AROUND FOUR MONTHS PREGNANT.
776
00:38:32,832 --> 00:38:34,529
I SAID,
YOU'VE GOT TO BE LYING.
777
00:38:34,573 --> 00:38:37,184
AND HE SAID, NO.
778
00:38:37,227 --> 00:38:40,187
AND THEN I STARTED CRYING,
AND BOB CAME IN.
779
00:38:40,230 --> 00:38:41,580
HE SAID, WHAT'S THE MATTER?
780
00:38:41,623 --> 00:38:43,364
I SAID, DIDN'T THEY TELL YOU
WHAT'S WRONG WITH ME?
781
00:38:43,408 --> 00:38:45,105
AND HE SAID, YEAH.
782
00:38:45,148 --> 00:38:49,849
I SAID, AND WHO'S GONNA
HELP TAKE CARE OF ME?
783
00:38:49,892 --> 00:38:52,504
AND HE SAID, I AM.
784
00:38:52,547 --> 00:38:55,898
SO HE TOOK ME
OVER TO THE APARTMENT
785
00:38:55,942 --> 00:38:57,900
WHERE HE WAS LIVING
WITH HIS MOTHER.
786
00:38:57,944 --> 00:39:03,079
SHE MARRIED A MAN
THAT WORKED FOR THE RAILROAD.
787
00:39:03,123 --> 00:39:05,038
HIS NAME WAS BECK.
788
00:39:05,081 --> 00:39:08,737
THAT'S WHY BOB TOOK BECK
AS A LAST NAME.
789
00:39:08,781 --> 00:39:10,696
WHEN HE BROUGHT ME IN THERE,
790
00:39:10,739 --> 00:39:12,872
THEN OF COURSE IMMEDIATELY
791
00:39:12,915 --> 00:39:16,092
THE WHEELS STARTED TURNING
IN HER MIND,
792
00:39:16,136 --> 00:39:19,052
AND SHE WOULD GO BACK
793
00:39:19,095 --> 00:39:22,882
AND SHE WOULD SAY, BABY,
YOU GET AWAY FROM HIM.
794
00:39:22,925 --> 00:39:25,232
BOBBY'S NO GOOD.
HE'S MY SON.
795
00:39:25,275 --> 00:39:28,017
I LOVE HIM.
HE'S NO GOOD.
796
00:39:28,061 --> 00:39:33,414
AND I ASKED HIM
WHAT WAS SHE TALKING ABOUT?
797
00:39:33,458 --> 00:39:35,416
HE SAID, I'LL TELL YOU,
798
00:39:35,460 --> 00:39:38,332
BUT NOW'S NOT THE TIME.
799
00:39:38,376 --> 00:39:41,466
SHE WAS AN OLD WOMAN,
800
00:39:41,509 --> 00:39:44,425
AND SHE DIED,
801
00:39:44,469 --> 00:39:48,429
AND I HAVE NEVER
IN MY LIFE
802
00:39:48,473 --> 00:39:52,999
SEEN ANYBODY SUFFER
THE WAY HE DID
803
00:39:53,042 --> 00:39:54,957
THE DAY HIS MAMA DIED.
804
00:40:05,707 --> 00:40:09,842
IN JUNE I HAD ROBIN,
805
00:40:09,885 --> 00:40:12,453
AND THEN 15 MONTHS LATER,
806
00:40:12,497 --> 00:40:15,935
I HAD CAMILLE.
807
00:40:15,978 --> 00:40:20,418
WE WERE SO BROKE,
SO HE STARTED EXTERMINATING.
808
00:40:23,377 --> 00:40:26,162
HE SAID, I DON'T KNOW
HOW TO DO ANYTHING.
809
00:40:26,206 --> 00:40:29,296
HE FIGURED THAT WAS
THE ONLY THING THAT HE COULD DO
810
00:40:29,339 --> 00:40:32,342
WITHOUT GOING BACK
INTO THE LIFE.
811
00:40:32,386 --> 00:40:34,170
ALL HE WANTED WAS ME
812
00:40:34,214 --> 00:40:37,391
AND THE CHILDREN SOMETIMES.
813
00:40:37,435 --> 00:40:41,395
THEY WERE TOTALLY
MY RESPONSIBILITY.
814
00:40:41,439 --> 00:40:43,789
- SHE WAS, LIKE,
THE HEAD OF THE HOUSE.
815
00:40:43,832 --> 00:40:46,835
SHE WAS THE PERSON
THAT GAVE DISCIPLINE.
816
00:40:46,879 --> 00:40:51,318
SHE WAS THE PERSON
WHO MADE MEALS, RULES.
817
00:40:51,361 --> 00:40:56,323
- ANYTIME THE CHILDREN
DID SOMETHING WRONG, HONEY.
818
00:40:56,366 --> 00:40:58,499
OR I'M GONNA TELL MOMMY
819
00:40:58,543 --> 00:41:00,109
AND ALL THIS KIND OF CRAP.
820
00:41:00,153 --> 00:41:01,502
- HE WAS A GREAT DAD.
821
00:41:01,546 --> 00:41:02,938
I MEAN,
HE COULD HAVE BEEN BETTER,
822
00:41:02,982 --> 00:41:04,897
BUT WE COULD ALL BE BETTER
THAN WHAT WE ARE.
823
00:41:04,940 --> 00:41:07,508
FROM WHAT HE CAME FROM
824
00:41:07,552 --> 00:41:10,685
AND TO WHAT
HE WAS TRYING TO DO,
825
00:41:10,729 --> 00:41:13,688
HE DIDN'T HAVE
ANY EXPERIENCE WITH KIDS,
826
00:41:13,732 --> 00:41:15,951
AND THEN SUDDENLY
HE HAS FOUR
827
00:41:15,995 --> 00:41:17,387
AND THREE ARE GIRLS.
THAT'S--
828
00:41:17,431 --> 00:41:18,737
- THREE OF THEM ARE GIRLS,
829
00:41:18,780 --> 00:41:21,696
AND HE WAS IN A POSITION
HIS ENTIRE LIFE
830
00:41:21,740 --> 00:41:24,264
OF PUTTING HIS BOOT
IN THE BACK
831
00:41:24,307 --> 00:41:26,788
OF EVERY SINGLE FEMALE
THAT HE CAME ACROSS.
832
00:41:26,832 --> 00:41:29,269
- MY DAD USED TO SAY
IT WAS A CURSE.
833
00:41:29,312 --> 00:41:34,753
THIS MUST BE
MY SENTENCE BEFORE DEATH,
834
00:41:34,796 --> 00:41:38,539
THE THREE OF YOU.
835
00:41:38,583 --> 00:41:40,802
WHEN WE WERE YOUNGER,
836
00:41:40,846 --> 00:41:42,935
THEY LIVED ON
90th AND CRENSHAW
837
00:41:42,978 --> 00:41:45,372
IN A BLACK NEIGHBORHOOD,
838
00:41:45,415 --> 00:41:48,462
AND SOMEONE THREW A BRICK
AT MELODY WHEN SHE WAS FOUR.
839
00:41:50,333 --> 00:41:51,987
IT HIT HER IN THE HEAD.
840
00:41:52,031 --> 00:41:55,600
SHE'S, LIKE, A FOUR-YEAR-OLD
BABY PLAYING.
841
00:41:55,643 --> 00:41:58,211
I THINK THAT THAT SCENE
IN HIS MIND
842
00:41:58,254 --> 00:42:01,214
KIND OF SET THE STAGE
FOR, WOW.
843
00:42:01,257 --> 00:42:02,955
I'VE GOT THESE MIXED KIDS,
844
00:42:02,998 --> 00:42:06,393
THIS WHITE WOMAN,
845
00:42:06,436 --> 00:42:09,004
AND PEOPLE ARE ANGRY.
846
00:42:09,048 --> 00:42:12,442
- IT TOOK 14,000 TROOPS
TO BRING AN END
847
00:42:12,486 --> 00:42:14,793
TO WHAT BOTH NEGRO
AND WHITE LEADERS CALLED
848
00:42:14,836 --> 00:42:17,099
INSURRECTION BY HOODLUMS.
849
00:42:17,143 --> 00:42:19,493
- WHEN THEY HAD
THAT TERRIBLE RIOT,
850
00:42:19,537 --> 00:42:21,060
IT WAS BAD.
851
00:42:21,103 --> 00:42:24,237
HE TOLD ME TO KEEP
THE CHILDREN IN A BEDROOM
852
00:42:24,280 --> 00:42:26,195
AND KEEP THAT BEDROOM LOCKED
853
00:42:26,239 --> 00:42:27,632
AND I WASN'T
TO COME OUT OF THAT BEDROOM
854
00:42:27,675 --> 00:42:30,809
UNTIL I HEARD HIS VOICE.
855
00:42:30,852 --> 00:42:32,680
'CAUSE HE WAS SCARED
TO DEATH
856
00:42:32,724 --> 00:42:35,161
SOMETHING WAS GONNA HAPPEN.
857
00:42:35,204 --> 00:42:40,688
HE SAID, YOU HAVE TO REALIZE
858
00:42:40,732 --> 00:42:44,910
I AIN'T NEVER, EVER
GONNA BE ACCEPTED
859
00:42:44,953 --> 00:42:46,564
IN THE WHITE WORLD,
860
00:42:46,607 --> 00:42:51,133
AND WE'LL NEVER
BE ABLE TO LIVE
861
00:42:51,177 --> 00:42:55,224
ANYWHERE EXCEPT ON
THE OUTSKIRTS OF THE GHETTO,
862
00:42:55,268 --> 00:42:58,488
WHERE THERE'S
A MIXTURE OF PEOPLE.
863
00:42:58,532 --> 00:43:00,273
- THE CENSUS TAKERS,
864
00:43:00,316 --> 00:43:02,144
THEY DON'T EVEN COUNT
PEOPLE IN THE UNDERWORLD.
865
00:43:02,188 --> 00:43:06,061
THAT'S WHAT
I LIKED ABOUT IT.
866
00:43:06,105 --> 00:43:07,672
YOU SEE?
867
00:43:07,715 --> 00:43:12,590
I DIDN'T HAVE
TO BE BRUISED AND WOUNDED
868
00:43:12,633 --> 00:43:14,156
IN MY EFFORTS
TO MAKE A LIVING
869
00:43:14,200 --> 00:43:16,768
BY COMING IN CONTACT
WITH WHITE SOCIETY.
870
00:43:16,811 --> 00:43:19,466
I WAS NEVER REMINDED
THAT I WAS A NIGGER.
871
00:43:33,262 --> 00:43:34,655
- ALL DAY LONG,
872
00:43:34,699 --> 00:43:37,266
HE WOULD GO AND KILL
THOSE ROACHES AND RATS
873
00:43:37,310 --> 00:43:38,659
AND SHIT LIKE THAT.
874
00:43:38,703 --> 00:43:44,186
HE WOULD COME IN
NASTY AND SWEATY AND...
875
00:43:44,230 --> 00:43:46,188
HE HATED IT.
876
00:43:46,232 --> 00:43:48,713
EVEN THEN, THOUGH,
877
00:43:48,756 --> 00:43:52,325
THIS MAN COULD NOT GET UP
AND GO OUT IN THE STREETS
878
00:43:52,368 --> 00:43:55,371
WITHOUT PUTTING ON
A PAIR OF DRESS PANTS
879
00:43:55,415 --> 00:43:59,114
AND A DRESS SHIRT
AND A GODDAMN HAT.
880
00:43:59,158 --> 00:44:01,682
WHEN HE GOT HOME
FROM CANVASSING,
881
00:44:01,726 --> 00:44:04,163
AS HE CALLED IT,
TO FIND OTHER JOBS,
882
00:44:04,206 --> 00:44:06,165
HE'D WANT TO TALK.
883
00:44:06,208 --> 00:44:09,908
AND HE WOULD TELL ME
THESE OUTRAGEOUS THINGS
884
00:44:09,951 --> 00:44:14,216
AND I SAID, A WOMAN WOULD
GO OUT AND SELL HERSELF
885
00:44:14,260 --> 00:44:16,479
AND GIVE THE MONEY TO A MAN?
886
00:44:16,523 --> 00:44:18,525
I SAID, YOU'RE OUT
OF YOUR GODDAMN MIND.
887
00:44:18,568 --> 00:44:24,531
AND THEN HE WOULD TALK ABOUT
THE DIFFERENT EXPERIENCES
888
00:44:24,574 --> 00:44:26,446
THAT HE WOULD HAVE.
889
00:44:26,489 --> 00:44:29,971
I SAID, YOU KNOW WHAT?
GIVE ME A NOTE PAD.
890
00:44:30,015 --> 00:44:31,712
YOU START TALKING TO ME,
891
00:44:31,756 --> 00:44:34,454
AND I'LL START
WRITING IT DOWN.
892
00:44:34,497 --> 00:44:37,239
AND I DID.
893
00:44:37,283 --> 00:44:39,241
AFTER I PUT
THE CHILDREN TO BED,
894
00:44:39,285 --> 00:44:41,766
IT WAS IN THERE.
895
00:44:41,809 --> 00:44:43,506
AND THEN HE'D SAY,
896
00:44:43,550 --> 00:44:45,726
YOU THINK YOU CAN GET
ANY TYPING DONE TONIGHT?
897
00:44:45,770 --> 00:44:47,206
AND I'D SAY, I'LL SEE.
898
00:44:47,249 --> 00:44:51,123
AND 12:00, 12:30, I'D GO OUT
AND TURN THAT TYPEWRITER ON.
899
00:44:51,166 --> 00:44:54,822
- SHE COULD TYPE
160, 170 WORDS A MINUTE.
900
00:44:54,866 --> 00:44:56,389
- AND HE WAS REALLY
ANIMATED.
901
00:44:56,432 --> 00:44:58,217
- YEAH.
- AND EXCITED.
902
00:44:58,260 --> 00:45:02,308
- AND HE WOULD ACT OUT
THE WHOLE BOOK RIGHT THERE.
903
00:45:02,351 --> 00:45:05,311
- HE WOULD BE TELLING ME
WHAT TO WRITE DOWN,
904
00:45:05,354 --> 00:45:07,052
AND I'M SITTING IN A CHAIR
AND I'M WRITING,
905
00:45:07,095 --> 00:45:09,532
AND HE'S STANDING--
DO YOU--
906
00:45:09,576 --> 00:45:11,273
AND ALL UP IN MY FACE.
907
00:45:11,317 --> 00:45:15,582
HE WAS A CONSUMMATE ACTOR
ABSOLUTELY.
908
00:45:15,625 --> 00:45:17,845
- SHE COULD PUT
THIS THING TOGETHER
909
00:45:17,889 --> 00:45:19,804
AND ACT IT OUT WITH HIM.
910
00:45:19,847 --> 00:45:22,763
IT WAS
AN AMAZING EXPERIENCE.
911
00:45:22,807 --> 00:45:25,418
I WISH THAT ALL OF YOU
COULD HAVE SEEN IT.
912
00:45:25,461 --> 00:45:28,900
- WE COULD FINISH
EACH OTHER'S SENTENCES.
913
00:45:28,943 --> 00:45:32,251
HIS STORIES, THEY WERE
SO FASCINATING TO ME.
914
00:45:32,294 --> 00:45:35,210
I FELT THAT IF THEY WERE
THAT FASCINATING TO ME,
915
00:45:35,254 --> 00:45:39,562
THEY OBVIOUSLY
WERE GOING TO BE FASCINATING
916
00:45:39,606 --> 00:45:42,435
TO MORE THAN
A MILLION PEOPLE.
917
00:45:42,478 --> 00:45:46,439
I HAD SEEN THE AD
IN THE SENTINEL,
918
00:45:46,482 --> 00:45:49,094
THE BLACK NEWSPAPER
FOR LOS ANGELES.
919
00:45:49,137 --> 00:45:52,793
HOLLOWAY HOUSE
WAS RUNNING A LITTLE AD
920
00:45:52,837 --> 00:45:55,448
FOR BLACK WRITERS.
921
00:45:55,491 --> 00:45:57,015
- AT THAT TIME,
922
00:45:57,058 --> 00:45:58,756
THERE WAS NO VENUE
923
00:45:58,799 --> 00:46:05,763
FOR A TALENTED
YOUNG BLACK AUTHOR PERIOD.
924
00:46:05,806 --> 00:46:08,766
- WHEN YOU'RE ATTACHED TO
SOMETHING LIKE HOLLOWAY HOUSE,
925
00:46:08,809 --> 00:46:11,029
IT'S SUCH AN ICONIC PLACE
926
00:46:11,072 --> 00:46:14,293
BECAUSE OF THE FACT
THAT THEY ARE THE DOORWAY
927
00:46:14,336 --> 00:46:17,426
FOR SO MANY
UNIQUE AMERICAN VOICES
928
00:46:17,470 --> 00:46:21,604
LIKE JOSEPH NAZEL,
DONALD GOINES,
929
00:46:21,648 --> 00:46:25,304
AND ODIE HAWKINS.
930
00:46:25,347 --> 00:46:28,263
BENTLEY MORRISS I THINK
931
00:46:28,307 --> 00:46:32,137
SHOULD BE CONSIDERED
A PIONEER IN ONE SENSE
932
00:46:32,180 --> 00:46:34,574
BUT A DRAG IN ANOTHER.
933
00:46:34,617 --> 00:46:42,277
- BENTLEY IS THIS REALLY
EPIC PERSONALITY.
934
00:46:42,321 --> 00:46:46,325
HE WAS INTERESTED
IN A TRAJECTORY
935
00:46:46,368 --> 00:46:48,544
THAT KEPT HIM
UNDER THE RADAR
936
00:46:48,588 --> 00:46:53,462
OF FABULOUS SUCCESS.
937
00:46:53,506 --> 00:46:57,815
- HOLLOWAY HOUSE
FIRST CAME INTO BEING IN 1961.
938
00:46:57,858 --> 00:47:04,125
WE FELT THAT
WE COULD...NOT COMPETE,
939
00:47:04,169 --> 00:47:07,563
BUT AT LEAST BE A PART
OF THE WORLD OF PUBLICATION.
940
00:47:07,607 --> 00:47:10,131
NOW, WE'RE NOT HARDCOVER.
WE'RE PAPERBACK,
941
00:47:10,175 --> 00:47:13,265
WHICH IS THE LOW RING
OF PUBLISHING.
942
00:47:13,308 --> 00:47:15,310
- IT WAS
A THIRD-TIER PUBLISHER,
943
00:47:15,354 --> 00:47:18,139
WHICH WOULD,
AT THAT POINT IN TIME
944
00:47:18,183 --> 00:47:19,749
LOCK YOU OUT,
FREEZE YOU OUT
945
00:47:19,793 --> 00:47:22,883
OF THE NEW YORK
LITERARY SCENE.
946
00:47:22,927 --> 00:47:24,929
- I THOUGHT
HE DID A LOUSY JOB
947
00:47:24,972 --> 00:47:27,845
BRINGING OUT BOOKS
WITH LOUSY COVERS.
948
00:47:27,888 --> 00:47:30,935
HE DID ALMOST NOTHING
TO PROMOTE THE BOOKS.
949
00:47:30,978 --> 00:47:33,502
THEY WERE ALMOST SOLD
BY WORD OF MOUTH.
950
00:47:33,546 --> 00:47:37,550
- THEY WERE SOLD IN DRUGSTORES
AND NEWSSTANDS.
951
00:47:37,593 --> 00:47:39,117
THAT'S HOW YOU FIND
YOUR HOLLOWAY HOUSE BOOKS.
952
00:47:39,160 --> 00:47:40,509
- THEY DIDN'T WANT
TO CALL THEIR BOOKS
953
00:47:40,553 --> 00:47:42,772
AFRICAN-AMERICAN BOOKS.
954
00:47:42,816 --> 00:47:47,386
THEY WANTED TO CALL THEM
BOOKS FROM THE BLACK EXPERIENCE.
955
00:47:47,429 --> 00:47:51,390
- BENTLEY IS NOT A RACIST
IN ANY KIND OF WAY.
956
00:47:51,433 --> 00:47:54,175
IF THEY COULD FIND A WAY
957
00:47:54,219 --> 00:47:56,221
THAT YOU COULD MAKE MONEY
FOR THEM,
958
00:47:56,264 --> 00:47:58,876
THEY DIDN'T CARE
WHO YOU WERE.
959
00:47:58,919 --> 00:48:00,965
THEY WERE WILLING
TO EXPLOIT ANYONE
960
00:48:01,008 --> 00:48:02,662
WHO COULD MAKE MONEY
FOR THEM.
961
00:48:02,705 --> 00:48:04,707
- WE WERE NOT PROSELYTIZERS.
962
00:48:04,751 --> 00:48:08,102
WE WEREN'T
SOCIALLY INCLINED.
963
00:48:08,146 --> 00:48:11,279
WE WERE IN THE BUSINESS
TO MAKE MONEY.
964
00:48:11,323 --> 00:48:14,674
BUT WITH IT
WAS THE ADDITIONAL CAVEAT
965
00:48:14,717 --> 00:48:17,155
OF YOU'RE DOING
SOMETHING GOOD.
966
00:48:17,198 --> 00:48:18,591
YOU'RE DOING
SOMETHING IMPORTANT.
967
00:48:18,634 --> 00:48:21,202
AND, HEY, YOU KNOW,
THAT'S A GREAT FORMULA.
968
00:48:23,030 --> 00:48:25,946
- I ASKED BOB
WHY HE DIDN'T FIND OUT
969
00:48:25,990 --> 00:48:28,296
WHAT THESE PEOPLE REQUIRED
970
00:48:28,340 --> 00:48:30,037
AND LET'S SEE
IF IT'S SELLABLE.
971
00:48:30,081 --> 00:48:32,300
BECAUSE IF IT'S SELLABLE,
972
00:48:32,344 --> 00:48:35,608
THEN WE'RE SETTING HERE
STRUGGLING LIKE THIS
973
00:48:35,651 --> 00:48:37,958
WITH NO MONEY
TO FEED THE KIDS,
974
00:48:38,002 --> 00:48:39,786
NO MILK MONEY,
NO CIGARETTE MONEY,
975
00:48:39,829 --> 00:48:42,615
NO NOTHING, BARELY
GETTING BY ON THE RENT.
976
00:48:42,658 --> 00:48:46,010
WE DON'T HAVE TO LIVE LIKE--
'CAUSE WRITERS MAKE MONEY.
977
00:48:46,053 --> 00:48:48,360
AND I GOT
100 PAGES TOGETHER.
978
00:48:48,403 --> 00:48:52,016
AND HE TOOK IT
TO BENTLEY MORRISS.
979
00:48:52,059 --> 00:48:54,061
- I CAN SEE HIM AT THE DOOR
AT THIS MOMENT.
980
00:48:54,105 --> 00:48:58,065
JUST IMMACULATE.
981
00:48:58,109 --> 00:49:00,372
THIS EXTRAORDINARY
HUMAN BEING
982
00:49:00,415 --> 00:49:04,115
OF ABOUT--I THINK
ABOUT 6-3 IN HEIGHT
983
00:49:04,158 --> 00:49:06,378
CAME AND SAID HE'S AN AUTHOR
984
00:49:06,421 --> 00:49:08,902
AND HE'D LIKE TO LEAVE
A MANUSCRIPT.
985
00:49:08,946 --> 00:49:10,512
THE EDITOR AT THE TIME
986
00:49:10,556 --> 00:49:15,213
WAS A CHAP BY THE NAME
OF MILTON VAN SICKLE.
987
00:49:15,256 --> 00:49:17,476
HE READ IT,
BROUGHT IT IN TO ME,
988
00:49:17,519 --> 00:49:19,304
AND I SAID, WOW.
989
00:49:19,347 --> 00:49:22,133
IT WAS SUCH A REVELATION
990
00:49:22,176 --> 00:49:25,832
TO RECEIVE A BOOK
WITH SUCH INTENSITY
991
00:49:25,875 --> 00:49:28,182
AND WITH SUCH TRUTHFULNESS.
992
00:49:28,226 --> 00:49:31,751
- BENTLEY MORRISS
GAVE US A $5,000 ADVANCE.
993
00:49:31,794 --> 00:49:34,797
AND WE WERE DOWN TO FIVE.
994
00:49:34,841 --> 00:49:36,147
YOU GOT $5.00,
995
00:49:36,190 --> 00:49:38,976
SOMEBODY GONNA CUT YOU
A CHECK FOR 5 GRAND,
996
00:49:39,019 --> 00:49:40,368
WHAT ARE YOU GONNA DO?
997
00:49:40,412 --> 00:49:43,632
ARE YOU GONNA GIVE THEM
THAT PORTION OF YOUR WORK
998
00:49:43,676 --> 00:49:45,112
AND THEN PROMISE THEM
999
00:49:45,156 --> 00:49:49,464
THAT THE REST OF IT WILL BE
DELIVERED WITHIN TWO MONTHS?
1000
00:49:49,508 --> 00:49:52,511
AND THAT'S WHAT WE DID.
1001
00:49:52,554 --> 00:49:54,078
- CERTAINLY, HIM COMING UP
1002
00:49:54,121 --> 00:49:57,081
WITH THE NOM DE PLUME
OF ICEBERG SLIM
1003
00:49:57,124 --> 00:49:59,474
WAS AN EXTREMELY CLEVER
WRITER'S DEVICE
1004
00:49:59,518 --> 00:50:02,173
BECAUSE IT TELLS YOU
RIGHT IN THE NAME,
1005
00:50:02,216 --> 00:50:04,044
SLIM, OKAY,
HE'S GOOD LOOKING.
1006
00:50:04,088 --> 00:50:05,350
HE'S CAT-LIKE.
1007
00:50:05,393 --> 00:50:08,483
ICEBERG:
HE'S COLD, COLD, COLD,
1008
00:50:08,527 --> 00:50:10,224
AND ONLY THE TIP
OF THE ICEBERG SHOWED,
1009
00:50:10,268 --> 00:50:11,617
JUST WHAT
HE WANTED YOU TO SEE.
1010
00:50:11,660 --> 00:50:14,794
MOST OF IT
WAS HIDDEN FROM VIEW.
1011
00:50:14,837 --> 00:50:17,231
HE SAID, NO, ON THE STREET,
THEY CALL ME CAVANAUGH.
1012
00:50:17,275 --> 00:50:19,059
THAT WAS MY NAME.
CAVANAUGH.
1013
00:50:19,103 --> 00:50:22,019
- EVERYBODY
WAS ENTHRALLED BY THE BOOK,
1014
00:50:22,062 --> 00:50:23,237
AND WE FIGURED, LET'S GO.
1015
00:50:26,458 --> 00:50:28,460
- PIMPWAS
THE FIRST REAL BOOK
1016
00:50:28,503 --> 00:50:30,505
ABOUT THE STREET LIFE,
1017
00:50:30,549 --> 00:50:33,073
AND THE FIRST
REAL BLACK EXPERIENCE
1018
00:50:33,117 --> 00:50:35,293
PUT INTO A BOOK FORM.
1019
00:50:35,336 --> 00:50:37,773
- YOU HAD JAMES BALDWIN,
FOR EXAMPLE,
1020
00:50:37,817 --> 00:50:41,212
OR RALPH ELLISON,
VERY LITERATE BLACK WRITERS
1021
00:50:41,255 --> 00:50:43,779
WHO DID NOT REFLECT
THE NITTY GRITTY
1022
00:50:43,823 --> 00:50:46,739
OF LIFE ON THE STREET.
1023
00:50:46,782 --> 00:50:48,436
ICEBERG SLIM
WAS THE REAL THING.
1024
00:50:50,699 --> 00:50:53,615
IF WAS INSIGHTFUL
IN TERMS OF
1025
00:50:53,659 --> 00:50:55,487
THE LIFE OF THE STREET
ITSELF.
1026
00:50:55,530 --> 00:51:00,840
HE'D TAKE SOMETHING
VERY GORY OR SIMPLE,
1027
00:51:00,883 --> 00:51:02,581
BUT HE'D BRING POETRY
TO IT SOMEHOW.
1028
00:51:02,624 --> 00:51:04,713
- THE DELIVERY
IS SO POETIC IN NATURE
1029
00:51:04,757 --> 00:51:06,541
THAT YOU ARE
FALLING IN LOVE WITH THE WORDS
1030
00:51:06,585 --> 00:51:08,413
EVEN THOUGH THAT
THEY ARE WORD OF VIOLENCE
1031
00:51:08,456 --> 00:51:10,502
AND WORDS OF TURMOIL
AND TERROR.
1032
00:51:10,545 --> 00:51:11,981
- IT WAS SO INTRIGUING.
1033
00:51:12,025 --> 00:51:13,679
HERE I AM, A LITTLE GIRL,
A YOUNG GIRL,
1034
00:51:13,722 --> 00:51:16,203
AND I'M READING THIS STUFF
ABOUT PIMPS
1035
00:51:16,247 --> 00:51:19,250
AND DRUGS AND PROSTITUTION
1036
00:51:19,293 --> 00:51:22,775
AND, YOU KNOW, YOUR IMAGINATION
JUST GOES HAYWIRE.
1037
00:51:22,818 --> 00:51:25,125
- JUST DOESN'T SOUND
LIKE ANYTHING ELSE
1038
00:51:25,169 --> 00:51:28,302
OR FEEL LIKE ANYTHING ELSE.
1039
00:51:28,346 --> 00:51:30,130
IT'S A SNAPSHOT
1040
00:51:30,174 --> 00:51:33,351
OF THINGS YOU'RE NEVER
GONNA BE ABLE TO SEE.
1041
00:51:33,394 --> 00:51:36,223
- YOU CRACK ANY PAGE
ON THE BOOK
1042
00:51:36,267 --> 00:51:38,747
AND READ OUT A PARAGRAPH
1043
00:51:38,791 --> 00:51:40,880
AND IT'S THE CRAZIEST SHIT
YOU'VE EVER HEARD.
1044
00:51:40,923 --> 00:51:45,841
IT'S NOT JUST THE GAME,
IT'S THE PAIN OF THE GAME.
1045
00:51:45,885 --> 00:51:48,540
- HE REALLY TELLS YOU
WHERE THIS PIMP IS FROM
1046
00:51:48,583 --> 00:51:50,324
AND TAKES YOU
INTO EVERYTHING
1047
00:51:50,368 --> 00:51:51,847
THIS PIMP HAS GONE THROUGH
1048
00:51:51,891 --> 00:51:55,634
AND WHAT HAS MADE THIS PIMP.
1049
00:51:55,677 --> 00:51:57,288
- IT WAS RAW.
1050
00:51:57,331 --> 00:52:00,291
TO BE ABLE
TO WRITE ABOUT SUCH THINGS
1051
00:52:00,334 --> 00:52:03,120
IN A WAY THAT CAPTURES
THE ESSENCE
1052
00:52:03,163 --> 00:52:04,686
OF WHAT HAS TRANSPIRED
1053
00:52:04,730 --> 00:52:07,689
AS WELL AS GIVING THESE EVENTS
A CERTAIN LITERARY FLAIR
1054
00:52:07,733 --> 00:52:11,737
IS, I THINK,
WHAT MAKES PIMPSTAND OUT.
1055
00:52:11,780 --> 00:52:14,348
- UNRELENTINGLY BRUTAL.
1056
00:52:14,392 --> 00:52:18,657
AND ICEBERG SLIM'S WRITING
IS SO VIVID AND SO CLEAR,
1057
00:52:18,700 --> 00:52:23,749
HE MAKES IT ALL INESCAPABLE.
1058
00:52:23,792 --> 00:52:26,012
- THE WHOLE BOOK'S GRIPPING.
1059
00:52:26,055 --> 00:52:28,232
YOU CANNOT PUT IT DOWN.
1060
00:52:28,275 --> 00:52:30,843
- THE SHIT WAS SO DEEP--
WRITTEN IN DEEP SLANG,
1061
00:52:30,886 --> 00:52:32,845
YOU KNOW, A LOT OF PEOPLE
EVEN HEARD THAT
1062
00:52:32,888 --> 00:52:35,761
AND DIDN'T KNOW WHAT THE FUCK
ICEBERG WAS TALKING ABOUT,
1063
00:52:35,804 --> 00:52:38,503
AND THAT WAS THE COOL PART
ABOUT IT, YOU KNOW.
1064
00:52:38,546 --> 00:52:40,592
- HIS PUBLISHER DIDN'T
UNDERSTAND THE DAMN BOOK.
1065
00:52:40,635 --> 00:52:44,596
I SAID TO HIM,
THESE TERMS THAT YOU USE,
1066
00:52:44,639 --> 00:52:46,206
CATCHING, BLOWING, TRICKING,
1067
00:52:46,250 --> 00:52:47,816
BITCHES, BOTTOM WOMAN.
1068
00:52:47,860 --> 00:52:49,470
I DON'T UNDERSTAND
WHAT YOU'RE TALKING ABOUT.
1069
00:52:49,514 --> 00:52:52,256
- SO I ASKED BOB
1070
00:52:52,299 --> 00:52:55,737
WOULD HE ENDEAVOR
TO COMPILE
1071
00:52:55,781 --> 00:52:57,478
A SECTION OF GLOSSARY
1072
00:52:57,522 --> 00:52:59,654
IN DEFINITION
OF SOME OF THE PHRASES.
1073
00:52:59,698 --> 00:53:01,352
HE SAID
HE'D BE DELIGHTED TO.
1074
00:53:01,395 --> 00:53:04,181
- CHILI PIMP IS DEFINED
AS A SMALL TIME PIMP,
1075
00:53:04,224 --> 00:53:07,053
PROBABLY ONLY HAS
ONE HO WORKING FOR HIM
1076
00:53:07,096 --> 00:53:08,576
AND HE'S NEW TO THE GAME.
1077
00:53:08,620 --> 00:53:11,362
THE BOTTOM BITCH
IS THE PIMP'S MAIN WOMAN
1078
00:53:11,405 --> 00:53:14,234
WHO RUNS ALL THE OTHER HOs.
1079
00:53:14,278 --> 00:53:18,064
VIC OR A TRICK,
THAT'S A MARK OR A VICTIM.
1080
00:53:18,107 --> 00:53:19,500
WHY A TRICK?
1081
00:53:19,544 --> 00:53:21,241
THE TRICK PAYS FOR SOMETHING
1082
00:53:21,285 --> 00:53:23,025
THAT A REAL MAN
GETS FOR FREE.
1083
00:53:23,069 --> 00:53:24,853
THAT'S THE TRICK OF IT.
1084
00:53:24,897 --> 00:53:27,116
- AND THEN WHEN HE DID THAT
AND I REREAD THE BOOK--
1085
00:53:27,160 --> 00:53:29,597
AND I REREAD IT
MANY, MANY, MANY TIMES--
1086
00:53:29,641 --> 00:53:32,252
AND I HAD THE GLOSSARY
TO REFER TO,
1087
00:53:32,296 --> 00:53:34,733
I FELT I KNEW
WHAT I WAS READING.
1088
00:53:34,776 --> 00:53:41,174
- HE REALLY LAID OUT
THE ETIQUETTE OF THE PIMP,
1089
00:53:41,218 --> 00:53:43,872
THE GENTLEMAN OF LEISURE.
1090
00:53:43,916 --> 00:53:47,006
YOU KNOW, HOW FLAMBOYANT
AND HOW FLY
1091
00:53:47,049 --> 00:53:49,443
CAN THIS LIFESTYLE BE?
1092
00:53:49,487 --> 00:53:51,750
- THERE WAS OBVIOUSLY
A ROMANTIC ELEMENT
1093
00:53:51,793 --> 00:53:54,753
THAT APPEALED
TO A YOUNG BLACK MAN
1094
00:53:54,796 --> 00:53:57,886
OF, GEE, THAT'D BE
A GREAT LIFE TO HAVE.
1095
00:53:57,930 --> 00:54:00,019
- THE WAY HE ARTICULATES
HIS WORDS
1096
00:54:00,062 --> 00:54:02,674
AND THROUGH HIS LIFESTYLE,
1097
00:54:02,717 --> 00:54:04,850
IT MAKES PIMPING SEEM FUN.
1098
00:54:04,893 --> 00:54:06,155
IT MAKES PIMPING SEEM LIKE
1099
00:54:06,199 --> 00:54:07,853
IT'S THE COOLEST SHIT
IN THE WORLD.
1100
00:54:07,896 --> 00:54:10,029
BUT REALLY IT'S NOT.
IT'S A TOUGH SPORT.
1101
00:54:10,072 --> 00:54:12,640
- WHEN YOU'RE
STREET POISONED,
1102
00:54:12,684 --> 00:54:19,299
A YOUNGSTER READS THE BOOK
AND HE RATIONALIZES.
1103
00:54:19,343 --> 00:54:25,044
YOU SEE, WE MUST HAVE
A RATIONALE FOR STUPIDITY.
1104
00:54:25,087 --> 00:54:26,828
ANY TIME
WE DO SOMETHING STUPID,
1105
00:54:26,872 --> 00:54:29,831
WE FIRST GOT TO
CONVINCE OURSELVES
1106
00:54:29,875 --> 00:54:32,051
THAT WE GOT TO DO
THAT STUPID THING.
1107
00:54:32,094 --> 00:54:33,270
SO THEY RATIONALIZE.
1108
00:54:33,313 --> 00:54:36,838
OH, THIS STUD,
I'M HIPPER THAN THIS.
1109
00:54:36,882 --> 00:54:39,319
I WON'T GET CRACKED,
YOU KNOW.
1110
00:54:39,363 --> 00:54:41,190
I WON'T GET CAUGHT.
1111
00:54:41,234 --> 00:54:43,367
I WON'T GO TO THE JOINT.
I WON'T GO TO THE PENITENTIARY.
1112
00:54:43,410 --> 00:54:45,412
I WON'T USE DRUGS.
1113
00:54:45,456 --> 00:54:46,935
I WON'T USE HEROIN.
I WON'T GET HOOKED.
1114
00:54:46,979 --> 00:54:48,415
I WON'T BE A JUNKIE.
1115
00:54:48,459 --> 00:54:50,330
I'LL BE COOLER, YOU KNOW.
1116
00:54:50,374 --> 00:54:52,724
SURE, THE DUDE IS RIGHTEOUS,
1117
00:54:52,767 --> 00:54:55,466
BUT I'M MORE RIGHTEOUS,
YOU KNOW.
1118
00:54:55,509 --> 00:54:57,206
I'M MORE TOGETHER
THAN THIS DUDE.
1119
00:54:57,250 --> 00:55:00,384
THIS DUDE IS OLD, YOU KNOW.
1120
00:55:00,427 --> 00:55:01,950
YOU SEE?
THIS IS THE RATIONALE.
1121
00:55:01,994 --> 00:55:03,343
THAT'S UNFORTUNATE.
1122
00:55:03,387 --> 00:55:10,176
IN L.A., WHERE I'VE BEEN
LIVING THE LAST 10 YEARS,
1123
00:55:10,219 --> 00:55:16,182
JUST HORDES OF YOUNGSTERS
APPROACH ME ON THE STREET,
1124
00:55:16,225 --> 00:55:20,447
AND THEY TRY
TO PICK MY BRAIN
1125
00:55:20,491 --> 00:55:23,189
FOR THE HIDDEN TREASURES
1126
00:55:23,232 --> 00:55:26,323
THEY THINK ARE BURIED
INSIDE MY SKULL.
1127
00:55:26,366 --> 00:55:30,370
AND I ALWAYS
SLAP THEIR WRIST
1128
00:55:30,414 --> 00:55:31,676
BEFORE THEY REACH FOR IT.
1129
00:55:31,719 --> 00:55:34,853
- HE JUST WANTED
YOUNG BLACK PEOPLE
1130
00:55:34,896 --> 00:55:40,293
TO REALIZE THAT YOUR HEAD
CAN HELP YOU
1131
00:55:40,337 --> 00:55:43,122
GET ON A HIGHER PLANE.
1132
00:55:43,165 --> 00:55:49,433
AND HE DE-GLAMOURIZED IT.
1133
00:55:49,476 --> 00:55:53,088
HE TOOK ALL THE GLAMOUR
OUT OF THAT.
1134
00:55:53,132 --> 00:55:56,701
- WE FELT THIS WAS GONNA BE
AN UNUSUAL BOOK,
1135
00:55:56,744 --> 00:55:58,920
AND SO WE PURSUED
UNUSUAL METHODS.
1136
00:55:58,964 --> 00:56:02,054
AND THERE WAS A CHAP
BY THE NAME OF JOE PYNE
1137
00:56:02,097 --> 00:56:04,361
ON KTTV
1138
00:56:04,404 --> 00:56:08,060
WHO RAN WILD INTERVIEWS
1139
00:56:08,103 --> 00:56:10,584
OF THE MOST BIZARRE
AND OFF-BEAT PEOPLE,
1140
00:56:10,628 --> 00:56:13,413
BUT HE HAD
AN INCREDIBLE AUDIENCE.
1141
00:56:13,457 --> 00:56:16,155
AND SO WE CALLED KTTV
1142
00:56:16,198 --> 00:56:19,288
AND PRESENTED TO THEM THE
POSSIBILITY OF THIS AUTHOR.
1143
00:56:19,332 --> 00:56:21,813
WOULD HE LIKE TO DO
AN INTERVIEW?
1144
00:56:21,856 --> 00:56:25,469
HE PUT HIM ON,
AND ALL HELL BROKE LOOSE.
1145
00:56:27,645 --> 00:56:30,082
- THIS IS NOT ONE OF
THE REVEREND'S EVIL SPIRITS.
1146
00:56:30,125 --> 00:56:32,780
OUR GUEST MASQUERADES
UNDER THE NAME OF ICEBERG SLIM.
1147
00:56:32,824 --> 00:56:35,087
MANY OF YOU
REMEMBER HIS STORY
1148
00:56:35,130 --> 00:56:37,045
OF HIS DAYS
AS A PROCURER
1149
00:56:37,089 --> 00:56:39,613
OR IF YOU WILL A PIMP.
1150
00:56:39,657 --> 00:56:42,442
NOW HE LEADS
A RESPECTABLE FAMILY LIFE.
1151
00:56:42,486 --> 00:56:44,662
ICEBERG SLIM
HAS GONE STRAIGHT.
1152
00:56:44,705 --> 00:56:47,926
FOR THIS REASON, HE CONTINUES
TO HIDE HIS IDENTITY.
1153
00:56:47,969 --> 00:56:50,058
IT REALLY PAINED YOU
TO GO STRAIGHT.
1154
00:56:50,102 --> 00:56:52,844
- OH, YES. THIS IS
A BETTER BAG, AS THEY SAY.
1155
00:56:52,887 --> 00:56:55,063
[audience laughs]
1156
00:56:55,107 --> 00:56:56,325
- YOU DON'T MISS
ALL THAT EXCITEMENT, HUH?
1157
00:56:56,369 --> 00:56:57,718
- OH, OF COURSE NOT.
1158
00:56:57,762 --> 00:56:59,633
I MEAN...
1159
00:56:59,677 --> 00:57:01,505
- YOU GET TO KEEP
YOUR MONEY NOW.
1160
00:57:01,548 --> 00:57:03,855
- THAT'S RIGHT, AND PIMP
IS A RUNAWAY BEST SELLER.
1161
00:57:03,898 --> 00:57:05,073
- IS THAT RIGHT?
1162
00:57:05,117 --> 00:57:08,120
- THEY CAN'T KEEP THEM
ON THE STANDS.
1163
00:57:08,163 --> 00:57:11,340
- WE COULDN'T KEEP
THE PHONES SILENT.
1164
00:57:11,384 --> 00:57:15,170
WE DIDN'T HAVE TIME
TO PUNCH 911 IF WE HAD TO
1165
00:57:15,214 --> 00:57:17,172
'CAUSE CALLS WERE COMING IN.
1166
00:57:17,216 --> 00:57:19,174
WHERE CAN I BUY THE BOOK?
1167
00:57:19,218 --> 00:57:21,263
WHEN WE GOT
THAT BOX OF BOOKS
1168
00:57:21,307 --> 00:57:23,918
AND HE BROUGHT 'EM HOME
WITH PIMP,
1169
00:57:23,962 --> 00:57:26,834
YOU SHOULD HAVE SEEN
THE DANCE THAT I DID.
1170
00:57:26,878 --> 00:57:28,836
AND I SAID,
I TOLD YOU, GODDAMMIT.
1171
00:57:28,880 --> 00:57:30,272
LOOK AT THIS.
1172
00:57:30,316 --> 00:57:32,057
DIDN'T I TELL YOU
THIS WAS A BOOK?
1173
00:57:32,100 --> 00:57:34,973
DIDN'T I TELL YOU?
1174
00:57:35,016 --> 00:57:37,976
AND HE SAID, SO WHAT
SHOULD BE THE NEXT ONE?
1175
00:57:38,019 --> 00:57:39,238
- HE RETURNS NOW
1176
00:57:39,281 --> 00:57:41,893
TO TELL US ABOUT
THE MOST INCREDIBLE CON MAN
1177
00:57:41,936 --> 00:57:43,503
HE EVER KNEW:
1178
00:57:43,547 --> 00:57:45,200
A BLONDE-HAIRED,
BLUE-EYED NEGRO
1179
00:57:45,244 --> 00:57:46,985
CALLED WHITE FOLKS.
1180
00:57:47,028 --> 00:57:48,552
YOU'RE NOT PUTTING US ON,
ARE YOU, SLIM?
1181
00:57:48,595 --> 00:57:51,337
- NO, THAT'S FACTUAL.
1182
00:57:51,380 --> 00:57:52,991
- ONE OF THE THINGS
1183
00:57:53,034 --> 00:57:55,907
THAT SLIM IS INCREDIBLY
BRILLIANT AT DOING
1184
00:57:55,950 --> 00:57:58,475
IS BEING ABLE
TO IMPERSONATE
1185
00:57:58,518 --> 00:58:00,999
THE VOICES
OF MANY PEOPLE AT ONCE.
1186
00:58:01,042 --> 00:58:03,175
- HOW DID HE GET THAT NAME?
1187
00:58:03,218 --> 00:58:04,829
BECAUSE OF THE FACT THAT
HE COULD PASS OVER THE LINE,
1188
00:58:04,872 --> 00:58:06,439
OF THE COLOR LINE?
1189
00:58:06,483 --> 00:58:08,615
- THAT'S RIGHT.
1190
00:58:08,659 --> 00:58:10,399
"WHITE FOLKS"
WAS A TERM APPLIED TO HIM
1191
00:58:10,443 --> 00:58:12,097
BY HIS FRIENDS.
1192
00:58:12,140 --> 00:58:15,187
HIS ENEMIES
IN THE BLACK GHETTO
1193
00:58:15,230 --> 00:58:17,189
CALLED HIM TRICK BABY.
1194
00:58:17,232 --> 00:58:19,539
- THE NAME OF YOUR BOOK
IS TRICK BABY.
1195
00:58:19,583 --> 00:58:20,845
- THAT'S RIGHT.
1196
00:58:20,888 --> 00:58:22,368
- HERE'S WHAT'S GREAT
ABOUT TRICK BABY.
1197
00:58:22,411 --> 00:58:23,717
IT'S THE STRUCTURE OF IT.
1198
00:58:23,761 --> 00:58:26,111
BECAUSE
WHAT IT STARTS WITH IS
1199
00:58:26,154 --> 00:58:29,723
ICEBERG HIMSELF
BEING IN A JAIL CELL.
1200
00:58:29,767 --> 00:58:31,943
AND IN COMES WHAT SEEMS
TO THIS WHITE CAT
1201
00:58:31,986 --> 00:58:33,379
GETS PUT INTO HIS CELL.
1202
00:58:33,422 --> 00:58:36,904
AND THEN, ICEBERG THEN
PROCEEDS TO TELL YOU THIS STORY,
1203
00:58:36,948 --> 00:58:39,994
BUT THE STORY IS TOLD
FROM FIRST PERSON
1204
00:58:40,038 --> 00:58:41,648
FROM WHITE FOLKS
POINT OF VIEW.
1205
00:58:41,692 --> 00:58:43,302
- ICEBERG SLIM'S TALENT
1206
00:58:43,345 --> 00:58:46,131
IS THE ABILITY,
THE UNCANNY ABILITY
1207
00:58:46,174 --> 00:58:50,048
TO BE ABLE TO MEMORIZE
THESE SNIPPETS OF CONVERSATION
1208
00:58:50,091 --> 00:58:51,484
THAT HE'S HAD
THROUGHOUT HIS LIFE
1209
00:58:51,528 --> 00:58:56,358
AND CONSTRUCT THEM INTO
NARRATIVES AND CHARACTERS.
1210
00:58:56,402 --> 00:59:01,233
- THE BOOK IS
AN INCREDIBLE ADVENTURE STORY
1211
00:59:01,276 --> 00:59:04,279
OF THE CON AS
IT'S PLAYED IN THE STREET.
1212
00:59:04,323 --> 00:59:05,672
- AND, I MIGHT ADD,
1213
00:59:05,716 --> 00:59:07,413
BECAUSE IT'S TOLD
IN FIRST PERSON,
1214
00:59:07,456 --> 00:59:09,720
IT'S CLASSIC NOIR STRUCTURE.
1215
00:59:09,763 --> 00:59:11,373
- I HAVEN'T HAD A CHANCE
TO READ THIS,
1216
00:59:11,417 --> 00:59:12,766
BUT HE KNOWS
I READ HIS OTHER ONE
1217
00:59:12,810 --> 00:59:14,812
AND I JUST GOT THIS ONE
AT THIS MOMENT.
1218
00:59:14,855 --> 00:59:16,901
IF THIS IS ANYTHING
LIKE YOUR FIRST BOOK,
1219
00:59:16,944 --> 00:59:18,859
IT OUGHT TO REALLY DO WELL.
1220
00:59:18,903 --> 00:59:21,906
- WHEN A BOOK
REACHES THE LEVEL
1221
00:59:21,949 --> 00:59:24,648
OF A MOTION PICTURE,
1222
00:59:24,691 --> 00:59:28,782
THE CAPABILITY
FOR EXPLOITATION IS ENORMOUS.
1223
00:59:28,826 --> 00:59:34,788
IN 1972,
TRICK BABYBECAME A FILM.
1224
00:59:34,832 --> 00:59:36,573
- TRICK BABY,
1225
00:59:36,616 --> 00:59:38,618
ICEBERG SLIM'S
BEST SELLING GUT STORY
1226
00:59:38,662 --> 00:59:40,185
OF THE WORLD OF THE CON,
1227
00:59:40,228 --> 00:59:42,404
THE HUSTLERS,
THE HIGH-ROLLERS,
1228
00:59:42,448 --> 00:59:44,145
AND THE HATCHET MEN
WHO MADE IT UP.
1229
00:59:44,189 --> 00:59:46,234
- HIS WHITE SKIN
GIVES US A SLICK EDGE.
1230
00:59:46,278 --> 00:59:48,802
I CATCH THE BLACK MARKS,
HE CATCHES THE HONEYS.
1231
00:59:48,846 --> 00:59:50,761
- TRICK BABY:
ICEBERG SLIM WROTE IT
1232
00:59:50,804 --> 00:59:52,763
THE WAY HE LIVED IT.
1233
00:59:52,806 --> 00:59:54,547
IT'S HIS WORLD,
SOMETIMES BRUTAL,
1234
00:59:54,591 --> 00:59:56,070
BUT ALWAYS REAL.
1235
00:59:56,114 --> 00:59:58,159
RATED "R."
1236
00:59:58,203 --> 00:59:59,639
SEE IT.
1237
00:59:59,683 --> 01:00:02,599
TRICK BABYCAME OUT
IN JANUARY 1973
1238
01:00:02,642 --> 01:00:04,165
FROM UNIVERSAL PICTURES
1239
01:00:04,209 --> 01:00:06,994
AND WAS REALLY
ONE OF THE FIRST
1240
01:00:07,038 --> 01:00:08,692
SO-CALLED
BLAXPLOITATION FILMS
1241
01:00:08,735 --> 01:00:11,738
TO BE BASED ON
A TRUE STORY.
1242
01:00:11,782 --> 01:00:13,305
- I WASN'T REALLY A FAN
1243
01:00:13,348 --> 01:00:15,612
OF THE BLACK EXPLOITATION
FILMS THAT I'D SEEN,
1244
01:00:15,655 --> 01:00:19,137
AND I DIDN'T CONSIDER
TRICK BABYTO BE ONE.
1245
01:00:19,180 --> 01:00:22,183
IT WAS A CON MAN STORY.
1246
01:00:22,227 --> 01:00:23,620
- THERE WERE LINES
OF PIMPS AND HUSTLERS
1247
01:00:23,663 --> 01:00:25,404
AROUND THE BLOCK
IN EVERY CITY
1248
01:00:25,447 --> 01:00:27,014
TO SEE THIS FILM.
1249
01:00:27,058 --> 01:00:31,497
- WE GOT $25,000
FROM UNIVERSAL,
1250
01:00:31,540 --> 01:00:33,586
AND HE CAME HOME WITH IT.
1251
01:00:33,630 --> 01:00:35,675
HE CASHED THE CHECK
1252
01:00:35,719 --> 01:00:38,025
AND BROUGHT IT
ALL IN CASH, NATURALLY.
1253
01:00:38,069 --> 01:00:43,509
AND HE THREW A FULL-LENGTH
WHITE MINK COAT
1254
01:00:43,552 --> 01:00:45,598
OUT ON THE BED
1255
01:00:45,642 --> 01:00:48,949
AND THEN
ALL THESE $100 BILLS.
1256
01:00:48,993 --> 01:00:52,953
HE SAID, SO WHAT
DO YOU THINK OF THAT?
1257
01:00:52,997 --> 01:00:56,130
AND I SAID, WE CAN
GET THE HELL OUT OF THIS HOUSE.
1258
01:00:56,174 --> 01:00:57,871
AND I SAID,
AND WHAT IS THIS?
1259
01:00:57,915 --> 01:00:59,699
HE SAID, A WHITE MINK COAT.
1260
01:00:59,743 --> 01:01:02,571
AND I SAID, I NEVER TOLD YOU
I WANTED A WHITE MINK COAT.
1261
01:01:02,615 --> 01:01:04,051
I DON'T LIKE COATS.
1262
01:01:04,095 --> 01:01:06,880
YOU'RE GONNA WEAR THIS ONE.
1263
01:01:06,924 --> 01:01:09,970
SO I GOT
A $10,000 WHITE MINK COAT.
1264
01:01:10,014 --> 01:01:14,758
- I NEVER SAW ROBERT
IN A STATE OF EUPHORIA.
1265
01:01:14,801 --> 01:01:19,197
IT WAS ALL VERY EVEN,
1266
01:01:19,240 --> 01:01:22,679
BUT HE WENT FROM
THIS PLATFORM OF LITERATI
1267
01:01:22,722 --> 01:01:26,030
INTO FILM.
1268
01:01:26,073 --> 01:01:29,337
HE EXPERIENCED
THAT MOMENT IN THE SUN.
1269
01:01:38,869 --> 01:01:40,740
- WELL, I ACTUALLY
TRIED TO PIMP
1270
01:01:40,784 --> 01:01:42,481
WITH AN ICEBERG SLIM BOOK.
1271
01:01:42,524 --> 01:01:45,745
I'LL NEVER FORGET ONE TIME,
ONE OF MY PARTNERS NAMED GARY,
1272
01:01:45,789 --> 01:01:47,051
WE HAD SOME HOs, YOU KNOW.
1273
01:01:47,094 --> 01:01:48,487
SO I GOT
IN MY LITTLE PIMP SUIT,
1274
01:01:48,530 --> 01:01:49,706
YOU KNOW WHAT I'M SAYING?
1275
01:01:49,749 --> 01:01:52,186
SO WE SHOWED UP,
SO, YOU KNOW.
1276
01:01:52,230 --> 01:01:54,058
WE CHOPPING 'EM.
WE, LIKE, YEAH, BABY.
1277
01:01:54,101 --> 01:01:55,189
YOU KNOW,
WE REAL LIVE PIMPING.
1278
01:01:55,233 --> 01:01:57,017
YOU KNOW, IT'S PIMPING
JUMPING OFF.
1279
01:01:57,061 --> 01:01:59,019
BUT THESE WAS REAL HOs,
SO THEY'D BEEN AROUND PIMPS.
1280
01:01:59,063 --> 01:02:00,717
SO OF COURSE THEY KNEW,
YOU KNOW.
1281
01:02:00,760 --> 01:02:02,283
SO WE TRYING TO PIMP ON 'EM,
1282
01:02:02,327 --> 01:02:04,895
AND, YOU KNOW, IN THE MIDDLE
OF THE PIMPING,
1283
01:02:04,938 --> 01:02:06,287
WE RUNNING INTO
THE OTHER ROOM,
1284
01:02:06,331 --> 01:02:08,942
BREAKING ICEBERG SLIM
BOOKS OPEN, LIKE, YO,
1285
01:02:08,986 --> 01:02:10,683
AND THEN RUNNING BACK.
YO, BITCH.
1286
01:02:10,727 --> 01:02:12,903
WHAT THE HELL?
YOU BITCH, YOU KNOW.
1287
01:02:12,946 --> 01:02:16,863
AND THEY, LIKE, HOW LONG
HAVE YOU BEEN DOING THIS?
1288
01:02:16,907 --> 01:02:19,431
THE NEXT DAY,
THE TWO HOs WOKE UP
1289
01:02:19,474 --> 01:02:21,085
AND STOLE HIS CAR.
1290
01:02:36,665 --> 01:02:39,668
- AFTER HE WROTE TRICK BABY
IN 1967,
1291
01:02:39,712 --> 01:02:43,585
HE PUBLISHED
MAMA BLACK WIDOWIN 1969,
1292
01:02:43,629 --> 01:02:47,067
THE STORY OF
AN AFRICAN-AMERICAN HOMOSEXUAL.
1293
01:02:47,111 --> 01:02:50,505
- HOMOSEXUALITY
IN THOSE DAYS WAS TABOO.
1294
01:02:50,549 --> 01:02:52,551
IF YOU WERE IN THE CLOSET,
YOU WERE IN THE CLOSET.
1295
01:02:52,594 --> 01:02:54,031
- HE REALLY TOOK
THOSE CHARACTERS
1296
01:02:54,074 --> 01:02:56,033
FROM THE DEPTHS OF SOCIETY
1297
01:02:56,076 --> 01:02:58,687
AND BROUGHT THEM
TO THE AUDIENCE THAT HE HAD.
1298
01:02:58,731 --> 01:03:01,212
- I WAS ESPECIALLY INTERESTED
IN HIS BOOK OF ESSAYS,
1299
01:03:01,255 --> 01:03:03,823
THE NAKED SOUL
OF ICEBERG SLIM,
1300
01:03:03,867 --> 01:03:05,782
WHICH WAS
A COLLECTION OF HIS THOUGHTS
1301
01:03:05,825 --> 01:03:09,307
ON POLITICAL
AND CULTURAL ISSUES.
1302
01:03:09,350 --> 01:03:11,918
- HE ALSO HAS
A LETTER TO HIS FATHER,
1303
01:03:11,962 --> 01:03:15,792
IN WHICH
HE TRIES TO INVITE HIM
1304
01:03:15,835 --> 01:03:18,446
BACK INTO HIS LIFE.
1305
01:03:18,490 --> 01:03:22,711
- SOME OF THE CHAPTERS,
IF YOU READ THEM INTENSELY,
1306
01:03:22,755 --> 01:03:25,714
LITERALLY DRAWS TEARS
'CAUSE THEY'RE SO CONFESSIONAL.
1307
01:03:25,758 --> 01:03:27,499
- AFTER THE NAKED SOUL
OF ICEBERG SLIM,
1308
01:03:27,542 --> 01:03:31,198
HE PUBLISHES DEATH WISH
IN 1977.
1309
01:03:31,242 --> 01:03:33,113
IT'S A STORY
ABOUT THE MAFIA.
1310
01:03:33,157 --> 01:03:36,160
HE SHOWS
AN ARTISTIC MATURITY
1311
01:03:36,203 --> 01:03:39,641
BY BEING ABLE
TO ENVISION LIVES
1312
01:03:39,685 --> 01:03:42,296
THAT HE DID NOT NECESSARILY
DIRECTLY HAVE CONTACT WITH.
1313
01:03:42,340 --> 01:03:46,170
- IN THE BOOK,
THE CHARACTER TRICK BABY
1314
01:03:46,213 --> 01:03:48,868
BASICALLY IS WILLING TO PLAY
A DEEP HUSTLE
1315
01:03:48,912 --> 01:03:50,304
OR A DEEP CON.
1316
01:03:50,348 --> 01:03:53,394
AFTER READING THE BOOKS,
1317
01:03:53,438 --> 01:03:56,702
SOMEBODY SAID,
YOU KNOW DUDE GOT AN ALBUM.
1318
01:03:56,745 --> 01:03:58,704
I'M, LIKE, WHAT?
1319
01:03:58,747 --> 01:04:01,881
- ♪ I WAS STALKING HOs
IN THE CENTER OF TOWN ♪
1320
01:04:01,925 --> 01:04:04,884
♪ RIGHT IN THE MIDDLE
OF THE SQUARE ♪
1321
01:04:04,928 --> 01:04:07,887
♪ WAITING FOR MY MAN
1322
01:04:07,931 --> 01:04:11,586
♪ 'CAUSE I HAD A PLAN
TO COP SOME REEFER THERE ♪
1323
01:04:11,630 --> 01:04:15,199
♪ AND I WAS FLYING
FAIRLY HIGH ♪
1324
01:04:15,242 --> 01:04:18,289
♪ JUST STANDING THERE
DIGGING THE HOs ♪
1325
01:04:18,332 --> 01:04:19,899
- OH, SHIT.
1326
01:04:19,943 --> 01:04:22,554
I MEAN, IT WAS JUST, LIKE,
HIS VOICE
1327
01:04:22,597 --> 01:04:26,123
AND THE WAY HE--
BITCH, DRY YOUR TEARS.
1328
01:04:26,166 --> 01:04:30,214
NOW WE HAD A VOICE
TO ADD TO THE WORDS.
1329
01:04:32,303 --> 01:04:35,915
AS KIDS, PICKING THAT
LITTLE BIT OF LIFE UP
1330
01:04:35,959 --> 01:04:38,222
CHANGED OUR WHOLE STYLE.
1331
01:04:38,265 --> 01:04:40,572
WE GOT TURNED OUT.
1332
01:04:40,615 --> 01:04:43,792
I MEAN, MY WHOLE CREW
GOT TURNED OUT.
1333
01:04:43,836 --> 01:04:47,840
- THE VERY LIFE
THAT HAD SHAPED HIM
1334
01:04:47,884 --> 01:04:49,842
AND THE VERY LIFE
THAT HE COULD THEN TURN AROUND
1335
01:04:49,886 --> 01:04:52,932
AND WRITE IN A LITERARY WAY
AND REFLECT ON,
1336
01:04:52,976 --> 01:04:56,805
WHICH SHOULD HAVE THEN
CATAPULTED HIM OUT OF THAT LIFE,
1337
01:04:56,849 --> 01:04:58,459
AT THE SAME TIME, THEN,
1338
01:04:58,503 --> 01:05:02,899
BECAUSE HE'S WRITING FOR
A THIRD TIER HOUSE,
1339
01:05:02,942 --> 01:05:05,336
EVEN THOUGH
THOSE BOOKS ARE SELLING,
1340
01:05:05,379 --> 01:05:08,513
HE HAS TO STILL THEN
STEP BACK INTO THE LIFE
1341
01:05:08,556 --> 01:05:10,036
JUST TO PUT FOOD
ON THE TABLE
1342
01:05:10,080 --> 01:05:12,125
AT THE SAME TIME
THAT HE'S WRITING ABOUT IT.
1343
01:05:12,169 --> 01:05:13,344
THAT'S, LIKE,
THE DOUBLE LIFE,
1344
01:05:13,387 --> 01:05:15,259
THE DOUBLE LIFE
OF ROBERT BECK.
1345
01:05:15,302 --> 01:05:18,566
- THE FIRST TIME
I REALLY SAW SLIM
1346
01:05:18,610 --> 01:05:20,046
WAS IN THE PARISIAN ROOM
1347
01:05:20,090 --> 01:05:23,354
ON LA BREA AND WASHINGTON
HERE IN LOS ANGELES.
1348
01:05:23,397 --> 01:05:25,312
AND HE WOULD SIT THERE,
1349
01:05:25,356 --> 01:05:26,748
AND THEN
HIS LADIES WOULD COME IN
1350
01:05:26,792 --> 01:05:28,968
AND THEY WOULD
GIVE HIM MONEY.
1351
01:05:29,012 --> 01:05:31,275
BUT ONE NIGHT,
I HEAR THIS COMMOTION.
1352
01:05:31,318 --> 01:05:32,798
I RUN BACK THERE
IN THE BACK
1353
01:05:32,841 --> 01:05:35,018
TO SEE WHAT IS GOING ON,
YOU KNOW.
1354
01:05:35,061 --> 01:05:37,150
HE SAID, THIS BITCH
BRING ME 50 FUCKING DOLLARS
1355
01:05:37,194 --> 01:05:38,847
AND SHE BEEN GONE ALL DAY.
1356
01:05:38,891 --> 01:05:41,067
AND HE SAID, BITCH,
1357
01:05:41,111 --> 01:05:43,069
WHERE IN THE FUCK
YOU BEEN ALL DAY?
1358
01:05:43,113 --> 01:05:45,550
SHE SAID, WELL,
I HAD MY PERIOD
1359
01:05:45,593 --> 01:05:48,553
AND I JUST
DIDN'T FEEL WELL.
1360
01:05:48,596 --> 01:05:51,121
HE SAID, YOU AIN'T GOT
LOCKJAW, HAVE YOU?
1361
01:05:51,164 --> 01:05:53,253
- YOU THINK
HE WAS STILL PIMPING?
1362
01:05:53,297 --> 01:05:55,821
BECAUSE SOMEONE
TOLD YOU THAT, HUH?
1363
01:05:55,864 --> 01:05:57,344
PIMPING WHO?
1364
01:05:57,388 --> 01:06:00,826
WHAT WOULD BE THE REASON,
THOUGH? THE PURPOSE?
1365
01:06:00,869 --> 01:06:02,436
LIKE, A STABLE OF GIRLS
1366
01:06:02,480 --> 01:06:06,092
GOING OUT AND--
WHO TOLD YOU THAT?
1367
01:06:06,136 --> 01:06:10,096
HE USED TO MOVE, LIKE,
THESE HOOKERS INTO THE HOUSE.
1368
01:06:10,140 --> 01:06:11,706
- WELL, THEY WERE
HIS ASSISTANTS.
1369
01:06:11,750 --> 01:06:13,795
- THEY WERE, LIKE,
SUPPOSED TO BE ASSISTANTS--
1370
01:06:13,839 --> 01:06:14,971
- OR PUBLICISTS.
1371
01:06:16,320 --> 01:06:21,716
- BUT THERE WAS A LOT OF
TRAFFIC BETWEEN THE ROOMS.
1372
01:06:21,760 --> 01:06:26,069
- I'D HAVE TO SAY 150%
THAT IS NOT TRUE.
1373
01:06:26,112 --> 01:06:28,027
MY MOM WAS PSYCHOTIC.
1374
01:06:28,071 --> 01:06:29,637
THERE IS NO WAY--
1375
01:06:29,681 --> 01:06:31,422
I MEAN, YEAH,
HE HAD SEX WITH OTHER WOMEN,
1376
01:06:31,465 --> 01:06:33,424
BUT MAKING MONEY
OFF OF THEM?
1377
01:06:33,467 --> 01:06:36,731
MM-MMM. REFORMED.
1378
01:06:39,038 --> 01:06:40,431
- AIRTIGHT WILLIE & ME,
1379
01:06:40,474 --> 01:06:42,607
A COLLECTION
OF SHORT STORIES,
1380
01:06:42,650 --> 01:06:44,565
IS HIS LAST BOOK TO BE
PUBLISHED BY HOLLOWAY HOUSE
1381
01:06:44,609 --> 01:06:46,350
IN 1979.
1382
01:06:46,393 --> 01:06:49,353
- FOR EACH ONE
OF THOSE BOOKS,
1383
01:06:49,396 --> 01:06:54,010
WE WERE GETTING ADVANCES
FROM BENTLEY.
1384
01:06:54,053 --> 01:06:57,578
AND THEN ROYALTIES
1385
01:06:57,622 --> 01:07:01,365
AND BENTLEY WOULD PAY WHATEVER
HE WANTED TO ON ROYALTIES.
1386
01:07:01,408 --> 01:07:03,193
- WELL, THE ROYALTY STATEMENTS
OF HOLLOWAY HOUSE
1387
01:07:03,236 --> 01:07:06,370
ARE REALLY COMICAL BECAUSE
YOU KNOW THAT THEY'RE A FARCE
1388
01:07:06,413 --> 01:07:10,069
AND THEY HAVE NO BEARING
TO ANY KIND OF REALITY.
1389
01:07:10,113 --> 01:07:13,899
I'M HAPPY WHEN MY, YOU KNOW,
WHEN MY BEER MONEY COMES
1390
01:07:13,942 --> 01:07:15,727
IN THE FORM
OF MY ROYALTY CHECK.
1391
01:07:15,770 --> 01:07:17,816
- WELL, WE WERE
A SMALL HOUSE.
1392
01:07:17,859 --> 01:07:22,212
WE HAD VERY MODEST
TYPE OF FINANCING.
1393
01:07:22,255 --> 01:07:26,999
WE'D LAY IT ON THE LINE
TO THE AUTHOR,
1394
01:07:27,043 --> 01:07:28,783
THIS IS WHAT WE PAY,
1395
01:07:28,827 --> 01:07:31,264
AND IF YOU CAN LIVE WITH IT,
1396
01:07:31,308 --> 01:07:34,006
WE'LL BECOME PARTNERS.
1397
01:07:34,050 --> 01:07:38,141
IT WAS NEVER THAT AN AUTHOR
WAS WORKING FOR HOLLOWAY.
1398
01:07:38,184 --> 01:07:41,144
IT WAS ALWAYS A PARTNERSHIP.
1399
01:07:41,187 --> 01:07:45,800
- HOW MANY AUTHORS DID NOT
TAKE YOU UP ON YOUR OFFER?
1400
01:07:45,844 --> 01:07:47,541
- NONE.
1401
01:07:47,585 --> 01:07:50,327
- THERE'S A STORY
TOLD ABOUT BENTLEY
1402
01:07:50,370 --> 01:07:53,504
WHERE ONE OF HIS WRITERS
GOES TO HIM.
1403
01:07:53,547 --> 01:07:55,245
LISTEN, I KNOW
YOU'RE CHEATING ME
1404
01:07:55,288 --> 01:07:57,203
AND YOU NEED
TO PAY ME MORE.
1405
01:07:57,247 --> 01:08:00,337
AND BENTLEY
SAT BEHIND HIS DESK
1406
01:08:00,380 --> 01:08:04,123
GOT UP,
WALKED TO HIS WINDOW,
1407
01:08:04,167 --> 01:08:06,734
LOOKED DOWN AT THE STREET,
DOWN AT MELROSE BELOW
1408
01:08:06,778 --> 01:08:07,735
AT THE CARS GOING BY
1409
01:08:08,910 --> 01:08:11,391
AND SAYING, YOU SEE
THAT STREET OUT THERE?
1410
01:08:11,435 --> 01:08:12,827
YES.
1411
01:08:12,871 --> 01:08:16,527
YOU KNOW, THERE ARE SCORES
OF WRITERS DOWN THERE.
1412
01:08:16,570 --> 01:08:18,050
I COULD THROW A ROCK
DOWN THERE
1413
01:08:18,094 --> 01:08:20,270
AND KILL 20 WRITERS.
1414
01:08:20,313 --> 01:08:23,447
I DON'T NEED YOU,
YOU KNOW.
1415
01:08:23,490 --> 01:08:26,363
IF YOU WANT TO CONTINUE
TO BE PUBLISHED BY ME,
1416
01:08:26,406 --> 01:08:29,714
YOU SHUT THE FUCK UP
AND TAKE WHAT I GIVE YOU.
1417
01:08:29,757 --> 01:08:30,932
- HE SENT ME DOWN THERE
1418
01:08:30,976 --> 01:08:34,022
WHEN BENTLEY
HAD TO BE MOTHERFUCKED
1419
01:08:34,066 --> 01:08:38,766
'CAUSE BENTLEY WOULDN'T SEND
THE GODDAMN ROYALTY CHECKS OUT.
1420
01:08:38,810 --> 01:08:42,379
- THEN HE STARTED
LOOKING AT THE BREAKDOWN SHEETS
1421
01:08:42,422 --> 01:08:45,817
AND HE WAS, LIKE,
THEY SOLD?
1422
01:08:45,860 --> 01:08:48,820
BUT THE CHECKS DON'T ADD UP.
- DON'T REFLECT IT.
1423
01:08:48,863 --> 01:08:52,824
- DON'T ADD UP TO THE NUMBERS
OF BOOKS THAT ARE SOLD.
1424
01:08:52,867 --> 01:08:57,220
- THEY ALWAYS RECEIVED
THE AMOUNT OF MONEY
1425
01:08:57,263 --> 01:08:58,482
THAT THEY SHOULD
HAVE RECEIVED.
1426
01:08:58,525 --> 01:09:00,179
WE DID AN HONEST JOB.
1427
01:09:00,223 --> 01:09:03,313
WE NEVER TOOK ADVANTAGE
OF OUR AUTHORS
1428
01:09:03,356 --> 01:09:04,879
BECAUSE THEY WERE,
IN EFFECT,
1429
01:09:04,923 --> 01:09:06,881
OUR BREAD AND BUTTER.
1430
01:09:06,925 --> 01:09:09,754
HOLLOWAY WOULD RECEIVE
MANY CALLS
1431
01:09:09,797 --> 01:09:13,975
FOR PERSONAL APPEARANCES,
BOOK SIGNINGS, AND SO ON,
1432
01:09:14,019 --> 01:09:16,717
AND WE WOULD TAKE ADVANTAGE
OF EVERY ONE
1433
01:09:16,761 --> 01:09:19,155
BECAUSE IT WAS ADDITIONAL
PROMOTION AND MERCHANDISING.
1434
01:09:19,198 --> 01:09:21,331
- HE WAS DEFINITELY
OUT OF THE HOUSE A LOT
1435
01:09:21,374 --> 01:09:23,681
WHEN THE BOOKS
STARTED TAKING OFF.
1436
01:09:23,724 --> 01:09:25,987
THAT WAS THE DISTANCE
BETWEEN MY PARENTS
1437
01:09:26,031 --> 01:09:27,598
WAS HIM JUST KIND OF OFF,
1438
01:09:27,641 --> 01:09:30,122
YOU KNOW, BECOMING,
YOU KNOW, THIS WRITER.
1439
01:09:30,166 --> 01:09:32,516
ACTUALLY A PIMP AGAIN,
IS WHAT SHE WOULD SAY.
1440
01:09:32,559 --> 01:09:34,561
YOU KNOW,
HE'S BACK OUT THERE
1441
01:09:34,605 --> 01:09:38,522
AND THEN SHE'S LEFT AT HOME
WITH FOUR KIDS.
1442
01:09:38,565 --> 01:09:39,871
SHE WAS UNHAPPY,
1443
01:09:39,914 --> 01:09:42,482
AND THAT MADE FOR
AN UNHAPPY UNION.
1444
01:09:42,526 --> 01:09:45,746
- YOU HAVE NO IDEA
WHAT IT WAS LIKE.
1445
01:09:45,790 --> 01:09:47,574
I HAD FOUR KIDS TO FEED,
1446
01:09:47,618 --> 01:09:50,708
WASH CLOTHES,
HOUSE TO CLEAN,
1447
01:09:50,751 --> 01:09:52,971
TYPING TO DO,
1448
01:09:53,014 --> 01:09:54,712
AND HE'S BEEN DIAGNOSED
WITH DIABETES,
1449
01:09:54,755 --> 01:09:57,584
SO I'VE GOT THAT TRAUMA
1450
01:09:57,628 --> 01:10:01,109
TAKING CARE OF HIM.
1451
01:10:01,153 --> 01:10:04,025
- MY MOM WAS DRINKING A LOT,
1452
01:10:04,069 --> 01:10:06,506
AND REALLY SAD AND DEPRESSED
1453
01:10:06,550 --> 01:10:11,424
WITH MY DAD'S PHILANDERING
AROUND TOWN AND THINGS.
1454
01:10:11,468 --> 01:10:13,034
I BELIEVE
A LOT OF DEPRESSION SET IN
1455
01:10:13,078 --> 01:10:14,471
DURING THAT TIME, TOO.
1456
01:10:17,430 --> 01:10:20,041
- HE SHOULD HAVE BEEN
BETTER TO ME.
1457
01:10:20,085 --> 01:10:23,001
HOWEVER,
HE WASN'T MEAN TO ME.
1458
01:10:23,044 --> 01:10:25,830
AND I WAS THE ONE THAT
ALWAYS STARTED THE ARGUMENTS,
1459
01:10:25,873 --> 01:10:27,614
AND WHEN THEY GOT
REALLY HEATED,
1460
01:10:27,658 --> 01:10:29,921
HE WAS THE ONE
THAT WOULD LEAVE THE HOUSE.
1461
01:10:29,964 --> 01:10:32,924
- MY MOTHER USED TO CALL
MY FATHER A GOD
1462
01:10:32,967 --> 01:10:34,360
WHEN THEY WERE ARGUING.
1463
01:10:34,404 --> 01:10:38,625
SHE WOULD SAY YOU'RE GOD,
SO YOU MUST KNOW EVERYTHING.
1464
01:10:38,669 --> 01:10:41,193
AND IT WASN'T
A TERM OF ENDEARMENT.
1465
01:10:41,237 --> 01:10:44,544
SHE DID WANT A LITTLE BIT
OF THE LIMELIGHT
1466
01:10:44,588 --> 01:10:45,893
AND KIND OF WANTED
TO TRAVEL
1467
01:10:45,937 --> 01:10:49,201
AND DO THINGS WITH HIM.
1468
01:10:49,245 --> 01:10:51,812
SHE PROBABLY WANTED MORE OF
A CELEBRATION WITH OUR LIVES
1469
01:10:51,856 --> 01:10:53,336
AS FAR AS JUST, LIKE,
1470
01:10:53,379 --> 01:10:55,642
NOW WE HAVE, LIKE,
YOU KNOW, A NICE HOUSE,
1471
01:10:55,686 --> 01:10:58,079
AND IT ONLY MADE HIM
MORE DISTANT.
1472
01:10:58,123 --> 01:11:02,083
- HE WAS A TOTAL LONER.
1473
01:11:02,127 --> 01:11:03,563
THE ONLY ONE THAT HE HAD
1474
01:11:03,607 --> 01:11:05,739
THAT CAME
ON A CONSISTENT BASIS
1475
01:11:05,783 --> 01:11:07,741
WAS R.G. ARMSTRONG.
1476
01:11:07,785 --> 01:11:10,353
AND HE AND R.G.
USED TO SIT IN THERE
1477
01:11:10,396 --> 01:11:12,920
AND WRITE MOVIE SCRIPTS.
1478
01:11:12,964 --> 01:11:15,445
I SAID, BOB, WHY AREN'T YOU
WRITING A NOVEL?
1479
01:11:15,488 --> 01:11:17,708
YOU HAVEN'T WRITTEN A DAMN THING
SINCE WE'VE BEEN IN THE HOUSE.
1480
01:11:17,751 --> 01:11:19,666
WHY AREN'T YOU WRITING?
1481
01:11:19,710 --> 01:11:21,407
HOW MANY MORE TIMES
I HAVE TO GO UP THERE
1482
01:11:21,451 --> 01:11:23,148
AND MOTHERFUCK THAT JEW
1483
01:11:23,191 --> 01:11:25,237
AND MAKE HIM GIVE ME
SOME MORE MONEY
1484
01:11:25,281 --> 01:11:28,109
TO FEED THESE CHILDREN?
1485
01:11:28,153 --> 01:11:31,591
AND THEN I GOT
A PART TIME JOB.
1486
01:11:31,635 --> 01:11:34,681
AND THEN HE QUIT WRITING
ALTOGETHER.
1487
01:11:34,725 --> 01:11:37,380
AND I TOLD HIM,
I SAID, UH-UH. NO, BABY.
1488
01:11:37,423 --> 01:11:40,557
WE AIN'T PIMPING ME,
ALL RIGHT?
1489
01:11:40,600 --> 01:11:44,082
I NEVER PAID A MAN'S RENT
IN MY LIFE,
1490
01:11:44,125 --> 01:11:46,345
AND I GODDAMN SURE
DON'T INTEND
1491
01:11:46,389 --> 01:11:48,478
TO START PAYING YOURS NOW.
1492
01:11:48,521 --> 01:11:52,482
YOU EITHER DO
WHAT YOU KNOW HOW TO DO,
1493
01:11:52,525 --> 01:11:55,702
AND LET'S GET SOME MONEY
ROLLING IN HERE,
1494
01:11:55,746 --> 01:11:58,096
OR YOU LAY HERE
ON YOUR DEAD ASS
1495
01:11:58,139 --> 01:12:00,664
AND I'M MOVING OUT
WITH MY CHILDREN.
1496
01:12:00,707 --> 01:12:02,579
AND I DID.
1497
01:12:10,064 --> 01:12:11,805
- HE DIDN'T WANT TO LEAVE
HIS FAMILY.
1498
01:12:11,849 --> 01:12:13,590
THAT'S ALL HE HAD.
1499
01:12:13,633 --> 01:12:17,028
THAT'S ALL HE WORKED FOR
WAS US.
1500
01:12:17,071 --> 01:12:19,073
- YEAH, I THINK MY MOM--
- HE DIDN'T JUST DO THAT--
1501
01:12:19,117 --> 01:12:20,466
HOLD ON. HOLD ON.
1502
01:12:20,510 --> 01:12:22,468
- I THINK SHE'S THE ONE
THAT WANTED TO LEAVE TOWN.
1503
01:12:22,512 --> 01:12:26,080
- HE DIDN'T DO THAT SHIT
FOR ANY OTHER REASON
1504
01:12:26,124 --> 01:12:28,169
BUT FOR HIS KIDS
AND HIS WOMAN.
1505
01:12:28,213 --> 01:12:29,562
- MM-HMM.
1506
01:12:29,606 --> 01:12:31,999
- AND HE HAD TO LEAVE
BECAUSE OF HER,
1507
01:12:32,043 --> 01:12:34,524
BECAUSE SHE WAS CRAZY
AND SHE WAS OUT OF HER MIND.
1508
01:12:34,567 --> 01:12:41,661
- MY FATHER DIDN'T KNOW HOW
TO BE IN A RELATIONSHIP,
1509
01:12:41,705 --> 01:12:45,448
WHETHER IT'S WITH A WOMAN,
WITH A BUDDY,
1510
01:12:45,491 --> 01:12:47,928
I MEAN,
CERTAINLY NOT CHILDREN.
1511
01:12:51,671 --> 01:12:54,674
- I STILL
HAVE NOT BEEN ABLE
1512
01:12:54,718 --> 01:12:57,590
TO UNEARTH WHAT IT WAS,
1513
01:12:57,634 --> 01:13:00,898
BUT THERE WAS SOME NEED
THAT HE HAD FOR ME
1514
01:13:00,941 --> 01:13:05,076
THAT JUST CRUSHED HIM
WHEN I LEFT.
1515
01:13:05,119 --> 01:13:09,472
'CAUSE HE DIDN'T THINK
I WAS GONNA DO IT.
1516
01:13:09,515 --> 01:13:12,562
HE JUST DID NOT BELIEVE
THAT I WOULD LEAVE HIM.
1517
01:13:47,292 --> 01:13:48,859
- TOWARD THE LATTER YEARS,
1518
01:13:48,902 --> 01:13:50,948
HE WAS LIVING
IN A ONE-ROOM EFFICIENCY
1519
01:13:50,991 --> 01:13:53,559
OVER AT 48th AND CRENSHAW.
1520
01:13:53,603 --> 01:13:55,779
THE SUGAR DIABETES
HAD TAKEN ITS TOLL,
1521
01:13:55,822 --> 01:13:57,476
AND HE WAS MARRIED
AT THAT TIME
1522
01:13:57,520 --> 01:14:00,261
TO ANOTHER WOMAN.
1523
01:14:00,305 --> 01:14:02,525
- AFTER I READ DEATH WISH,
1524
01:14:02,568 --> 01:14:05,615
I WROTE HIM A LETTER
THANKING HIM FOR WRITING IT
1525
01:14:05,658 --> 01:14:08,966
AND I NEVER EXPECTED
A RESPONSE.
1526
01:14:09,009 --> 01:14:12,143
OH, I HAD PUT
MY PHONE NUMBER IN THE LETTER,
1527
01:14:12,186 --> 01:14:14,493
AND A COUPLE WEEKS LATER
HE CALLED
1528
01:14:14,537 --> 01:14:16,669
AND WE JUST STARTED TALKING.
1529
01:14:16,713 --> 01:14:20,151
- BUT HE ONLY LET HER
COME BY AND VISIT.
1530
01:14:20,194 --> 01:14:23,371
WE WAS MORE IN ISOLATION,
1531
01:14:23,415 --> 01:14:25,983
ALMOST IN SECLUSION.
1532
01:14:26,026 --> 01:14:28,725
- I THINK HIS HEALTH
WAS REALLY DETERIORATING,
1533
01:14:28,768 --> 01:14:31,815
AND IT WAS HAPPENING
FOR SOME TIME,
1534
01:14:31,858 --> 01:14:33,860
I WANNA SAY
A GOOD SIX YEARS
1535
01:14:33,904 --> 01:14:36,689
WHERE HE WAS
GOING THROUGH DIALYSIS.
1536
01:14:36,733 --> 01:14:39,039
ONCE YOUR BODY
IS FAILING ON YOU,
1537
01:14:39,083 --> 01:14:42,913
THAT PRETTY MUCH TAKES AWAY
FROM YOUR CREATIVITY.
1538
01:14:42,956 --> 01:14:46,046
BUT, YOU KNOW,
HE REALLY DID
1539
01:14:46,090 --> 01:14:48,658
CARE ABOUT WHAT
WAS GOING ON IN THE WORLD.
1540
01:14:48,701 --> 01:14:50,834
IT WAS REALLY IMPORTANT,
WORLD EVENTS.
1541
01:14:50,877 --> 01:14:53,053
IT WAS REALLY IMPORTANT
THAT WE HAD THE TOOLS
1542
01:14:53,097 --> 01:14:55,273
TO ENTER WHATEVER
WAS HAPPENING IN THE WORLD.
1543
01:14:55,316 --> 01:14:57,971
- YOU HAVE TO HAVE
A REALIZATION
1544
01:14:58,015 --> 01:15:02,846
THAT WHEN YOU EXPLOIT
YOUR OWN KIND,
1545
01:15:02,889 --> 01:15:06,284
THAT YOU ARE IN EFFECT
COUNTER-REVOLUTIONARY.
1546
01:15:06,327 --> 01:15:08,678
THAT YOU ARE HOBBLING
AND CRIPPLING
1547
01:15:08,721 --> 01:15:10,070
THE STRUGGLE
OF BLACK PEOPLE,
1548
01:15:10,114 --> 01:15:11,768
OF FREEDOM AND DIGNITY.
1549
01:15:11,811 --> 01:15:14,988
- HE WAS MY GOD.
ARE YOU KIDDING ME?
1550
01:15:15,032 --> 01:15:16,729
I KNEW
THAT HE KNEW SHIT
1551
01:15:16,773 --> 01:15:20,907
THAT PEOPLE...DON'T KNOW.
1552
01:15:20,951 --> 01:15:23,431
DON'T KNOW,
WOULD NEVER FIGURE OUT,
1553
01:15:23,475 --> 01:15:24,868
OR EVEN TRY.
1554
01:15:24,911 --> 01:15:26,217
BECAUSE THEY DIDN'T HAVE TO.
1555
01:15:26,260 --> 01:15:28,436
BECAUSE THEY HAD
A SUPPORT SYSTEM,
1556
01:15:28,480 --> 01:15:30,482
SOMETHING THAT HE NEVER HAD.
1557
01:15:30,526 --> 01:15:32,745
I MEAN, WHEN
I GOT ARRESTED THAT TIME--
1558
01:15:32,789 --> 01:15:33,833
THAT WAS THE ONLY TIME
1559
01:15:33,877 --> 01:15:35,574
I WAS ARRESTED
WHEN HE WAS ALIVE.
1560
01:15:35,618 --> 01:15:37,228
IT'S BEEN MANY TIMES
SINCE THEN.
1561
01:15:37,271 --> 01:15:39,535
- OH, BOY.
1562
01:15:39,578 --> 01:15:43,582
- ANYWAY, I GOT ARRESTED
WITH 10 KILOS OF COCAINE
1563
01:15:43,626 --> 01:15:45,105
AND A MILLION DOLLARS CASH.
1564
01:15:45,149 --> 01:15:46,977
SO THEY CALLED MY FATHER
1565
01:15:47,020 --> 01:15:49,066
'CAUSE THEY WANTED
TO GIVE ME 50 YEARS.
1566
01:15:49,109 --> 01:15:52,069
I THOUGHT THAT WOULD BE
A SCARY PHONE CALL TO MAKE,
1567
01:15:52,112 --> 01:15:54,462
BUT IT WASN'T 'CAUSE
HE JUST TOOK IT ALL...
1568
01:15:54,506 --> 01:15:56,987
UH-HUH, AND THEN
WHAT DID YOU HAVE
1569
01:15:57,030 --> 01:15:59,119
IN YOUR POSSESSION,
MY DEAR?
1570
01:15:59,163 --> 01:16:02,253
NOTHING, DAD.
I SWEAR. I WOULDN'T LIE.
1571
01:16:02,296 --> 01:16:04,516
[laughs]
1572
01:16:04,560 --> 01:16:06,126
AND HE WAS, LIKE, OKAY.
1573
01:16:06,170 --> 01:16:07,606
I'M GONNA CALL
THE PROSECUTOR RIGHT NOW
1574
01:16:07,650 --> 01:16:09,216
AND PLEAD YOUR CASE.
1575
01:16:09,260 --> 01:16:12,002
AND HE DID,
AND I COULDN'T BELIEVE THAT.
1576
01:16:12,045 --> 01:16:13,699
AND HE DIDN'T LET ANYTHING
STAND...
1577
01:16:13,743 --> 01:16:19,183
GET IN THE WAY OF HIM
BEING ABLE TO DELIVER HIMSELF
1578
01:16:19,226 --> 01:16:21,054
UNTO YOU IF YOU NEEDED IT.
1579
01:16:21,098 --> 01:16:22,926
- HE WAS VERY SUPPORTIVE
1580
01:16:22,969 --> 01:16:26,625
AS FAR AS, LIKE,
GIVING YOU KIND OF...
1581
01:16:26,669 --> 01:16:29,236
AN INSIGHT
ON WHAT WILL COME,
1582
01:16:29,280 --> 01:16:31,108
BEING A GIRL,
BEING A WOMAN.
1583
01:16:31,151 --> 01:16:32,936
WHEN I WAS A TEENAGER,
1584
01:16:32,979 --> 01:16:34,590
I DIDN'T WANT TO HEAR
ANYTHING HE HAD TO SAY,
1585
01:16:34,633 --> 01:16:37,070
AS ANY TEENAGE GIRL,
1586
01:16:37,114 --> 01:16:38,550
BUT HE WAS GIVING ME LOVE.
1587
01:16:38,594 --> 01:16:39,943
I DIDN'T THINK
IT WAS LOVE BACK THEN.
1588
01:16:39,986 --> 01:16:41,727
I JUST THOUGHT HE WAS,
YOU KNOW,
1589
01:16:41,771 --> 01:16:44,730
THIS NON-EXISTING FATHER.
1590
01:16:44,774 --> 01:16:47,603
BUT NOW, OBVIOUSLY,
YEAH, THAT WAS LOVE.
1591
01:17:14,542 --> 01:17:17,545
IT WAS THE THIRD DAY
OF THE RIOTS,
1592
01:17:17,589 --> 01:17:19,765
LOS ANGELES,
WITH THE RODNEY KING THING.
1593
01:17:19,809 --> 01:17:21,941
AND IT WAS PRETTY EVIDENT
1594
01:17:21,985 --> 01:17:25,205
THAT MY FATHER
WAS NOT DOING WELL.
1595
01:17:25,249 --> 01:17:27,033
- GANGRENE HAD SET IN
1596
01:17:27,077 --> 01:17:28,426
BECAUSE OF THE DIABETES
IN HIS FOOT,
1597
01:17:28,469 --> 01:17:30,515
AND HE WAS GONNA
HAVE TO HAVE
1598
01:17:30,558 --> 01:17:33,387
SOME PARTS OF IT AMPUTATED.
1599
01:17:33,431 --> 01:17:36,086
- MELODY CALLED ME
AT THE OFFICE,
1600
01:17:36,129 --> 01:17:39,045
AND SHE SAID
DADDY'S IN THE HOSPITAL
1601
01:17:39,089 --> 01:17:41,874
AND THEY WANT
TO TAKE HIS LEG OFF,
1602
01:17:41,918 --> 01:17:44,834
AND HE REFUSED TO LET 'EM
TAKE HIS LEG OFF.
1603
01:17:44,877 --> 01:17:50,404
AND I SAID, MELODY,
CALL YOUR DAD BACK
1604
01:17:50,448 --> 01:17:54,495
AND TELL HIM THAT
I WILL BE THERE TO SEE HIM
1605
01:17:54,539 --> 01:17:56,802
AND TELL HIM
I SAID GOOD NIGHT.
1606
01:17:56,846 --> 01:17:59,109
AND HE DIED THAT NIGHT.
1607
01:18:06,551 --> 01:18:12,122
EVERY TIME
THAT I PUT MY HAND OUT
1608
01:18:12,165 --> 01:18:14,385
TO TRY TO SHOW HIM
1609
01:18:14,428 --> 01:18:18,389
THAT THE ANIMOSITY
WASN'T AS STRONG AND AS RAGING
1610
01:18:18,432 --> 01:18:22,654
AS IT HAD BEEN
IN THE BEGINNING,
1611
01:18:22,698 --> 01:18:24,917
SOMETHING BAD
WOULD HAPPEN TO HIM.
1612
01:18:27,572 --> 01:18:29,400
- I WAS IN FRANCE.
1613
01:18:29,443 --> 01:18:31,619
BY THE TIME I GOT HERE,
HE WAS ALREADY DEAD,
1614
01:18:31,663 --> 01:18:34,274
AND I KNEW IT
WHEN THE PLANE HIT THE TARMAC.
1615
01:18:37,843 --> 01:18:40,628
- I GOT A CALL FROM BETTY,
1616
01:18:40,672 --> 01:18:44,894
AND SHE SAID, LEON,
DADDY'S GONE.
1617
01:19:02,607 --> 01:19:05,218
- I WAS ONE OF THE PALLBEARERS
AT HIS FUNERAL.
1618
01:19:05,262 --> 01:19:06,959
I KNOW THEY NEVER HAVE
WOMEN PALLBEARERS.
1619
01:19:07,003 --> 01:19:08,961
- BUT SHE WAS
RIGHT IN THERE.
1620
01:19:09,005 --> 01:19:10,484
- I WAS RIGHT IN THERE.
1621
01:19:13,052 --> 01:19:16,099
- I NEVER GOT A CHANCE
TO BE AN ADULT
1622
01:19:16,142 --> 01:19:19,798
AND KIND OF APOLOGIZE FOR
BEING ESTRANGED FROM HIM.
1623
01:19:19,842 --> 01:19:22,975
HE DIED WITH US
ON BAD, BAD TERMS,
1624
01:19:23,019 --> 01:19:26,109
WHICH, YOU KNOW.
1625
01:19:26,152 --> 01:19:30,766
EVERYONE HAS REGRETS, SO...
1626
01:19:32,855 --> 01:19:37,729
- NO ONE WOULD KNOW THAT HE
WAS AS INFLUENTIAL AS HE IS,
1627
01:19:37,773 --> 01:19:41,777
EVEN TODAY, 20 YEARS LATER
AFTER HIS DEATH,
1628
01:19:41,820 --> 01:19:43,779
BY THE WAY THAT HE LIVED
AND THE THINGS THAT HE HAD.
1629
01:19:43,822 --> 01:19:45,171
HE HAD NOTHING.
1630
01:19:45,215 --> 01:19:48,914
- IF I HAD KNOWN
IT WAS THAT BAD,
1631
01:19:48,958 --> 01:19:51,395
I THINK
I WOULD HAVE GONE
1632
01:19:51,438 --> 01:19:53,832
AND SAID THAT'S OKAY,
I'LL TAKE CARE OF YOU.
1633
01:19:53,876 --> 01:19:55,965
I DON'T THINK
I WOULD HAVE LET HIM--
1634
01:19:56,008 --> 01:20:00,143
I DON'T THINK I WOULD HAVE
LET HIM STAY LIKE THAT.
1635
01:20:00,186 --> 01:20:03,450
I DON'T BELIEVE
THAT I WOULD.
1636
01:20:03,494 --> 01:20:08,455
I COULDN'T BECAUSE
HE WAS PART OF ME.
1637
01:20:08,499 --> 01:20:11,676
I MEAN, WE MADE
ICEBERG SLIM TOGETHER.
1638
01:20:15,114 --> 01:20:17,116
IT WASN'T
A ONE-PERSON PROCESS,
1639
01:20:17,160 --> 01:20:21,860
IT WAS A TWO-PEOPLE
PROCESS, YOU KNOW.
1640
01:20:21,904 --> 01:20:26,473
HE WAS A WONDERFUL PERSON,
1641
01:20:26,517 --> 01:20:28,736
AND I LOVE HIM
1642
01:20:28,780 --> 01:20:30,216
AND I MISS HIM.
1643
01:20:49,366 --> 01:20:52,195
- ICEBERG SLIM BOOKS
WILL ALWAYS SELL WELL.
1644
01:20:52,238 --> 01:20:55,154
THEY ALWAYS HAVE SOLD WELL,
AND WHEN WE ORDER THEM,
1645
01:20:55,198 --> 01:20:57,765
WE ORDER, YOU KNOW,
50 OR 100 AT A TIME
1646
01:20:57,809 --> 01:20:59,376
TO MAKE SURE
THAT WE NEVER RUN OUT.
1647
01:20:59,419 --> 01:21:01,291
SOMETIMES
SOMEBODY WILL COME IN
1648
01:21:01,334 --> 01:21:03,162
AND LITERALLY
PICK UP ONE OF EACH
1649
01:21:03,206 --> 01:21:06,296
BECAUSE PEOPLE WANNA
PASS THEM ALONG TO THEIR FRIENDS
1650
01:21:06,339 --> 01:21:08,994
AND HAVE THE ENTIRE SET,
SO IT'S INTERESTING.
1651
01:21:09,038 --> 01:21:10,822
- THE ACCEPTANCE
OF ICEBERG SLIM
1652
01:21:10,866 --> 01:21:12,780
HAS BEEN LITERALLY
UNIVERSAL.
1653
01:21:12,824 --> 01:21:15,131
IF I'M CORRECT,
1654
01:21:15,174 --> 01:21:19,091
I BELIEVE
IT'S 8 OR 10 LANGUAGES.
1655
01:21:19,135 --> 01:21:21,833
INTERNATIONAL PUBLISHERS,
IN THE MAIN,
1656
01:21:21,877 --> 01:21:23,922
ARE ALL PEOPLE
OF HIGH REPUTE,
1657
01:21:23,966 --> 01:21:27,883
THAT FELT THAT THERE WAS
A GREAT DEAL OF WORTH HERE.
1658
01:21:27,926 --> 01:21:32,322
- HE USED TO SAY,
I COULD HAVE BEEN ANYTHING.
1659
01:21:32,365 --> 01:21:34,977
I COULD HAVE BEEN SOMEBODY.
1660
01:21:35,020 --> 01:21:36,413
I SAID, WHAT THE HELL
DO YOU THINK YOU ARE?
1661
01:21:36,456 --> 01:21:37,762
YOU'RE A WRITER
1662
01:21:37,805 --> 01:21:40,460
THAT'S READY BY MILLIONS
AND MILLIONS OF PEOPLE.
1663
01:21:40,504 --> 01:21:42,593
YOU ARE SOMEBODY.
1664
01:21:42,636 --> 01:21:45,204
- TO DESCRIBE THE LIFE
OF ICEBERG SLIM,
1665
01:21:45,248 --> 01:21:47,293
I WOULD SAY
IT'S NOT A STORY
1666
01:21:47,337 --> 01:21:49,600
TO GLAMOURIZE
A PLAYER'S LIFE.
1667
01:21:49,643 --> 01:21:52,255
IT'S RATHER
A STORY OF REDEMPTION.
1668
01:22:12,188 --> 01:22:17,323
- HIS CONTRIBUTION
TO AFRICAN-AMERICAN LITERATURE
1669
01:22:17,367 --> 01:22:19,804
HASN'T BEEN TOUCHED
BY ANYONE.
1670
01:22:19,847 --> 01:22:26,767
HE WAS LITERALLY AN ICON
IN THIS GENRE.
1671
01:22:26,811 --> 01:22:29,466
- ICEBERG SLIM
REPRESENTS CHANGE.
1672
01:22:29,509 --> 01:22:31,685
HE REPRESENTS--
HE'S LIKE A BEACON OF HOPE
1673
01:22:31,729 --> 01:22:33,905
FOR ANYBODY WHO'S LIVING
IN IMPOVERISHED CONDITIONS
1674
01:22:33,949 --> 01:22:35,341
THAT WANTS TO CHANGE,
YOU KNOW,
1675
01:22:35,385 --> 01:22:37,953
AND IS LOOKING
FOR THAT OUTLET.
1676
01:22:37,996 --> 01:22:40,129
- I AM A NEW YORK TIMES
BEST SELLING AUTHOR,
1677
01:22:40,172 --> 01:22:42,609
AND IF IT WASN'T
FOR ICEBERG SLIM,
1678
01:22:42,653 --> 01:22:45,438
I PROBABLY WOULDN'T EVEN
HAVE A PLATFORM.
1679
01:22:45,482 --> 01:22:48,746
HE'S ONE OF THE PIONEERS,
NO DOUBT ABOUT IT.
1680
01:22:48,789 --> 01:22:52,271
- THE BOOK COMPANY'S
CALLED CASH MONEY CONTENT,
1681
01:22:52,315 --> 01:22:53,577
AND WE DEFINITELY PROUD
OF THE FACT
1682
01:22:53,620 --> 01:22:56,710
THAT WE PUBLISH
ICEBERG SLIM BOOKS.
1683
01:22:56,754 --> 01:23:01,846
I THINK IT'S IMPORTANT
THAT WE PROTECT HIS LEGACY.
1684
01:23:01,889 --> 01:23:05,284
THESE BOOKS WILL LIVE
FOREVER, GUARANTEED.
1685
01:23:05,328 --> 01:23:07,939
- THOSE OF US
THAT KNOW ICEBERG SLIM
1686
01:23:07,983 --> 01:23:11,943
WILL PUT HIM WITH BALDWIN
AND CHESTER HIMES,
1687
01:23:11,987 --> 01:23:15,294
RICHARD WRIGHT
AND ALEX HALEY, EVEN.
1688
01:23:15,338 --> 01:23:17,122
AS THE WRAP GIFT
1689
01:23:17,166 --> 01:23:19,951
FOR EVERY MOVIE
I'VE EVER DONE,
1690
01:23:19,995 --> 01:23:24,129
I GIVE OUT COPIES OF PIMP
TO THE WHOLE CAST AND CREW.
1691
01:23:24,173 --> 01:23:26,349
ALL THE QUESTIONS OF LIFE
1692
01:23:26,392 --> 01:23:29,613
CAN BE ANSWERED
IF YOU READ THIS BOOK.
1693
01:23:29,656 --> 01:23:33,182
- FROM READING ICEBERG SLIMS
AND REALLY GETTING INTO IT,
1694
01:23:33,225 --> 01:23:34,879
I KNEW THAT THAT
WAS THE ONLY WAY
1695
01:23:34,922 --> 01:23:37,969
TO TELL A STORY:
TO TELL BOTH SIDES OF IT.
1696
01:23:38,013 --> 01:23:42,278
WHENEVER YOU WOULD LISTEN
TO AN ICE-T RECORD,
1697
01:23:42,321 --> 01:23:44,802
IT'S THE GAME,
BUT IT'S THE B-SIDE, TOO.
1698
01:23:44,845 --> 01:23:48,197
- HE REALLY HAD, LIKE,
A BIG HEART,
1699
01:23:48,240 --> 01:23:50,329
EVEN THOUGH
HE NEVER SHOWED ANYONE.
1700
01:23:50,373 --> 01:23:52,592
I THINK THAT HIS HEART
1701
01:23:52,636 --> 01:23:55,639
WAS ABSOLUTELY BURSTING
INSIDE OF HIM HALF THE TIME.
1702
01:23:58,468 --> 01:24:00,644
- YOU KNOW, BROTHER BECK,
1703
01:24:00,687 --> 01:24:04,517
YOUR AUTOBIOGRAPHY,
PIMP,WHICH YOU WROTE,
1704
01:24:04,561 --> 01:24:07,042
IT MAY HAVE ENCOURAGED
A LOT OF YOUNG BROTHERS
1705
01:24:07,085 --> 01:24:09,131
TO BECOME PIMPS.
1706
01:24:09,174 --> 01:24:11,089
HOW DO YOU FEEL ABOUT THIS?
1707
01:24:11,133 --> 01:24:14,353
- I THINK
IT'S VERY UNFORTUNATE
1708
01:24:14,397 --> 01:24:20,533
THAT THERE HAVE BEEN MANY
MISGUIDED YOUNG BLACK MEN
1709
01:24:20,577 --> 01:24:22,535
WHO SHOULD KNOW BETTER,
1710
01:24:22,579 --> 01:24:26,191
WHO MISSED THE WHOLE MESSAGE
IN THE BOOK,
1711
01:24:26,235 --> 01:24:29,977
AND THAT WAS
THAT NOTHING GOOD
1712
01:24:30,021 --> 01:24:32,719
CAME TO ME
EXCEPT THE PENITENTIARY
1713
01:24:32,763 --> 01:24:35,418
AND A HEROIN HABIT
1714
01:24:35,461 --> 01:24:37,942
AND MISERY
1715
01:24:37,985 --> 01:24:41,293
AND THE COMPLETE WASTE
OF MY LIFE.
1716
01:24:41,337 --> 01:24:47,821
I STUPIDLY TRIED
TO GET SOMETHING FOR NOTHING.
1717
01:24:47,865 --> 01:24:49,910
AND ANY TIME THAT YOU TRY TO
GET SOMETHING FOR NOTHING,
1718
01:24:49,954 --> 01:24:52,609
YOU'RE GONNA SUFFER...
1719
01:24:52,652 --> 01:24:54,263
ONE WAY OR ANOTHER.
1720
01:24:57,570 --> 01:24:59,790
♪ THIS IS A MAN'S WORLD
1721
01:25:03,141 --> 01:25:05,187
♪ THIS IS A MAN'S WORLD
1722
01:25:09,234 --> 01:25:12,063
♪ BUT IT WOULDN'T
BE NOTHING ♪
1723
01:25:12,107 --> 01:25:17,938
♪ NOTHING WITHOUT A WOMAN
OR A GIRL ♪
1724
01:25:23,466 --> 01:25:29,907
♪ YOU SEE,
MAN MADE THE CARS ♪
1725
01:25:29,950 --> 01:25:34,346
♪ TO TAKE US OVER THE ROAD
1726
01:25:34,390 --> 01:25:40,004
♪ MAN MADE THE TRAIN
1727
01:25:40,047 --> 01:25:44,443
♪ TO CARRY THE HEAVY LOAD
1728
01:25:44,487 --> 01:25:48,186
♪ MAN MADE
THE ELECTRIC LIGHT ♪
1729
01:25:48,230 --> 01:25:53,191
♪ TO TAKE US
OUT OF THE DARK ♪
1730
01:25:53,235 --> 01:25:57,500
♪ MAN MADE THE BOAT
FOR THE WATER ♪
1731
01:25:57,543 --> 01:26:00,198
♪ LIKE NOAH MADE THE ARK
1732
01:26:00,242 --> 01:26:05,421
♪ THIS IS A MAN'S,
MAN'S, MAN'S WORLD ♪
1733
01:26:05,464 --> 01:26:06,857
♪ BUT IT WOULDN'T
BE NOTHING ♪
1734
01:26:06,900 --> 01:26:10,730
♪ NOTHING WITHOUT A WOMAN
OR A GIRL ♪
1735
01:26:19,435 --> 01:26:24,309
♪ MAN THINKS ABOUT
A LITTLE BIT OF BABY GIRLS ♪
1736
01:26:24,353 --> 01:26:29,009
♪ AND OF BABY BOYS
1737
01:26:29,053 --> 01:26:33,231
♪ MAN MAKE THEM HAPPY
1738
01:26:33,275 --> 01:26:37,757
♪ 'CAUSE MAN
MAKE THEM TOYS ♪
1739
01:26:37,801 --> 01:26:40,369
♪ AND AFTER MAN
MAKE EVERYTHING ♪
1740
01:26:40,412 --> 01:26:44,286
♪ EVERYTHING HE CAN
1741
01:26:44,329 --> 01:26:47,637
♪ YOU KNOW
THAT MAN MAKES MONEY ♪
1742
01:26:47,680 --> 01:26:50,553
♪ TO BUY FROM OTHER MEN
1743
01:26:53,643 --> 01:26:57,908
♪ THIS IS A MAN'S WORLD
1744
01:26:57,951 --> 01:26:59,344
♪ BUT IT WOULDN'T
BE NOTHING ♪
1745
01:26:59,388 --> 01:27:01,651
♪ NOTHING,
NOT ONE LITTLE THING ♪
1746
01:27:01,694 --> 01:27:04,610
♪ WITHOUT A WOMAN
OR A GIRL ♪
1747
01:27:10,094 --> 01:27:13,315
♪ HE'S LOST
1748
01:27:13,358 --> 01:27:15,012
♪ IN THE WILDERNESS
1749
01:27:18,320 --> 01:27:22,280
♪ HE'S LOST
1750
01:27:22,324 --> 01:27:24,326
♪ IN BITTERNESS
1751
01:27:27,329 --> 01:27:28,460
♪ HE'S LOST
122493
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