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1
00:00:13,580 --> 00:00:16,559
HOLD IT, 99, I THINK
THIS IS THE PLACE.
2
00:00:16,583 --> 00:00:19,262
MAX, ARE YOU SURE THIS IS
WHERE AGENT 51 SAID TO MEET HIM?
3
00:00:19,286 --> 00:00:21,932
WHAT'S THE MATTER WITH
YOU, 99? YOU'RE AWFULLY JUMPY.
4
00:00:21,956 --> 00:00:23,279
DON'T YOU LIKE THE CIRCUS?
5
00:00:23,303 --> 00:00:25,468
NOT AT NIGHT, MAX.
LISTEN TO THOSE ANIMALS.
6
00:00:28,996 --> 00:00:31,108
- RELAX, 99.
- RELAX?
7
00:00:31,132 --> 00:00:32,675
AGENT 51 SAID TO
BE VERY CAREFUL.
8
00:00:32,699 --> 00:00:35,245
THAT WE'D BE IN EXTREME
DANGER EVERY MINUTE.
9
00:00:35,269 --> 00:00:37,847
99, DANGER IS A
WAY OF LIFE TO ME.
10
00:00:37,871 --> 00:00:39,349
THE WHOLE SECRET TO IT
11
00:00:39,373 --> 00:00:41,951
IS TO REMAIN CALM
AND POISED AT ALL TIMES.
12
00:00:41,975 --> 00:00:44,154
- MAX...
- AGH! DON'T DO THAT, 99.
13
00:00:44,178 --> 00:00:47,790
I'M SORRY, MAX, BUT I
THOUGHT I HEARD FOOTSTEPS.
14
00:00:47,814 --> 00:00:50,460
I DIDN'T HEAR ANYTHING, 99.
IT MUST BE YOUR IMAGINATION.
15
00:00:50,484 --> 00:00:52,129
I'M AGENT 51. DON'T BE AFRAID.
16
00:00:53,687 --> 00:00:54,797
51, WHAT'S GOING ON HERE?
17
00:00:54,821 --> 00:00:56,333
YOU SCARED ME TO DEATH!
18
00:00:56,357 --> 00:00:58,935
I'M SORRY, BUT I DIDN'T WANT
ANY SCREAMS WHEN YOU SAW ME.
19
00:00:58,959 --> 00:01:00,203
I WOULDN'T HAVE SCREAMED.
20
00:01:00,227 --> 00:01:02,039
I WASN'T WORRIED ABOUT YOU.
21
00:01:02,063 --> 00:01:05,942
WHAT'S GOING ON HERE, 51? WHAT ARE YOU
DOING IN THAT RIDICULOUS GORILLA COSTUME?
22
00:01:05,966 --> 00:01:07,744
IT WAS THE ONLY
JOB THEY HAD OPEN.
23
00:01:07,768 --> 00:01:10,613
LISTEN, I HAVEN'T GOT MUCH
TIME. I'M DUE BACK FOR REHEARSAL.
24
00:01:10,637 --> 00:01:12,349
BUT I THINK I'VE
CRACKED THE CASE.
25
00:01:12,373 --> 00:01:14,238
TELL THE CHIEF THAT... UH!
26
00:01:19,046 --> 00:01:21,758
THEY GOT ME, 86, THEY GOT ME.
27
00:01:21,782 --> 00:01:23,659
WHO GOT YOU, WHO? TELL US QUICK.
28
00:01:23,683 --> 00:01:26,496
- GIVE HIM A CHANCE, 99. TAKE IT EASY.
- MAX, THERE'S NO TIME.
29
00:01:26,520 --> 00:01:28,265
WILL YOU LET ME HANDLE THIS?
30
00:01:28,289 --> 00:01:30,867
51, 51, WOULD YOU
LIKE A GLASS OF WATER?
31
00:01:30,891 --> 00:01:32,903
NO THANKS, I...
32
00:01:32,927 --> 00:01:35,671
HOW ABOUT A BANANA?
33
00:01:35,695 --> 00:01:38,574
IT'S NO USE, MAX. HE'S DEAD.
34
00:01:38,598 --> 00:01:40,410
POOR 51. WHAT A WAY TO GO,
35
00:01:40,434 --> 00:01:44,247
WITH A KNIFE IN HIS BACK IN
A RIDICULOUS GORILLA SUIT.
36
00:01:44,271 --> 00:01:46,939
WELL, THAT'S SHOW BUSINESS.
37
00:02:45,665 --> 00:02:49,245
KAOS IS USING THIS CIRCUS
FOR A SMUGGLING OPERATION.
38
00:02:49,269 --> 00:02:52,715
EVERYWHERE THIS CIRCUS HAS
TRAVELED, IN EUROPE AND AMERICA,
39
00:02:52,739 --> 00:02:55,651
SUPPLIES OF INDUSTRIAL
DIAMONDS HAVE BECOME DEPLETED.
40
00:02:55,675 --> 00:02:57,921
NOW ADDED TO THAT IS THE
FACT THAT THERE HAVE BEEN
41
00:02:57,945 --> 00:03:00,890
FOUR MYSTERIOUS DEATHS IN
THE CIRCUS IN THE PAST SIX MONTHS.
42
00:03:00,914 --> 00:03:02,091
AGENT 51 WAS THE FIFTH.
43
00:03:02,115 --> 00:03:04,493
EACH OF THE OTHERS
DIED A VIOLENT DEATH
44
00:03:04,517 --> 00:03:06,129
DURING AN ACTUAL PERFORMANCE.
45
00:03:06,153 --> 00:03:08,865
HMM. NO WONDER THEY
DRAW SUCH BIG CROWDS.
46
00:03:08,889 --> 00:03:12,201
MAX, DID YOU FIND
ANYTHING ON 51's BODY?
47
00:03:12,225 --> 00:03:14,571
WELL, JUST THIS RING, CHIEF.
48
00:03:14,595 --> 00:03:16,305
LET ME SEE.
49
00:03:16,329 --> 00:03:18,708
IT'S A DIAMOND RING. YOU
KNOW WHAT THAT COULD MEAN?
50
00:03:18,732 --> 00:03:21,076
HE WAS ENGAGED?
51
00:03:21,100 --> 00:03:22,912
NO, HE WAS GETTING
CLOSER TO THE TRUTH.
52
00:03:22,936 --> 00:03:24,681
THAT'S WHY HE WAS ELIMINATED.
53
00:03:24,705 --> 00:03:28,084
MAX, YOU AND 99 WILL RETURN TO THE
CIRCUS TO GET TO THE BOTTOM OF THIS.
54
00:03:28,108 --> 00:03:31,854
NOW I WANT YOU TO GET OVER TO THE LAB
AND SEE CARLSON FOR SOME SPECIAL EQUIPMENT.
55
00:03:31,878 --> 00:03:34,624
I WANT YOU TO POSE AS REPORTERS
FOR "CIRCUS WORLD" MAGAZINE.
56
00:03:34,648 --> 00:03:37,527
LOOK CHIEF, SINCE
THIS IS A CIRCUS,
57
00:03:37,551 --> 00:03:39,362
WHY DON'T WE GO
AS TENT SALESMEN?
58
00:03:39,386 --> 00:03:41,397
WHAT'S THE MATTER
WITH BEING REPORTERS?
59
00:03:41,421 --> 00:03:44,656
WELL, NOTHING, CHIEF, EXCEPT
THAT A TENT'S A BETTER COVER.
60
00:03:46,760 --> 00:03:49,506
A LITTLE HUMOR THERE, CHIEF.
61
00:03:49,530 --> 00:03:50,795
OKAY.
62
00:03:56,703 --> 00:03:59,516
NOW SINCE YOUR COVER
IS TO BE REPORTERS,
63
00:03:59,540 --> 00:04:02,485
WE'VE DEVELOPED THIS
SPECIAL EQUIPMENT.
64
00:04:02,509 --> 00:04:04,954
INSIDE THIS CAMERA
65
00:04:04,978 --> 00:04:07,023
IS A HIDDEN TAPE RECORDER.
66
00:04:07,047 --> 00:04:09,025
AND THIS TAPE RECORDER
67
00:04:09,049 --> 00:04:12,395
ACTUALLY CONCEALS
A HIDDEN CAMERA.
68
00:04:12,419 --> 00:04:15,698
- MAY I ASK YOU A QUESTION,
PROFESSOR CARLSON?
- CERTAINLY.
69
00:04:15,722 --> 00:04:18,835
UH, WHY HIDE A TAPE
RECORDER IN A CAMERA
70
00:04:18,859 --> 00:04:21,004
AND A CAMERA IN A TAPE RECORDER?
71
00:04:21,028 --> 00:04:23,372
WHY NOT JUST TAKE
PICTURES WITH THE CAMERA
72
00:04:23,396 --> 00:04:25,708
AND RECORD WITH THE RECORDER?
73
00:04:25,732 --> 00:04:29,634
BECAUSE MY MIND DOESN'T
WORK THAT WAY, THAT'S WHY.
74
00:04:42,749 --> 00:04:44,360
MR. SMART?
75
00:04:44,384 --> 00:04:46,462
I'M PEPPER HANLON, PRESS
AGENT FOR THE CIRCUS.
76
00:04:46,486 --> 00:04:48,497
- GOOD TO MEET YOU.
- NICE TO MEET YOU.
77
00:04:48,521 --> 00:04:52,068
UH, "CIRCUS WORLD" MAGAZINE ASKED US
TO DO A STORY ON YOUR CIRCUS, MR. HANLON,
78
00:04:52,092 --> 00:04:53,970
AND WE THOUGHT AN
INTERESTING APPROACH
79
00:04:53,994 --> 00:04:56,305
MIGHT BE THE BAD LUCK
THAT'S BEEN DOGGING YOU,
80
00:04:56,329 --> 00:04:59,809
LIKE THE FIVE FATAL ACCIDENTS
IN THE LAST SIX MONTHS.
81
00:04:59,833 --> 00:05:02,045
OH, YES, THAT'S A
TERRIBLE SHAME.
82
00:05:02,069 --> 00:05:04,480
OF COURSE THE CIRCUS CAN
BE A DANGEROUS BUSINESS.
83
00:05:04,504 --> 00:05:06,082
IS THE CIRCUS INSURED?
84
00:05:06,106 --> 00:05:08,317
AN INSURANCE MAN CAME
AROUND JUST LAST MONTH.
85
00:05:08,341 --> 00:05:10,920
- OH, THAT'S GOOD.
- NO, THAT'S BAD. HE HAD AN ACCIDENT.
86
00:05:10,944 --> 00:05:12,589
- WAS HE INSURED?
- I DON'T THINK SO.
87
00:05:12,613 --> 00:05:14,891
WHERE WOULD YOU LIKE
TO BEGIN YOUR INTERVIEWS?
88
00:05:14,915 --> 00:05:18,427
WELL, WE THOUGHT WE MIGHT LIKE
TO START WITH THE MAIN SUSPECTS...
89
00:05:18,451 --> 00:05:19,896
UH, PERFORMERS.
90
00:05:19,920 --> 00:05:22,699
UM, HOW ABOUT RAYMOND THE
MAGNIFICENT, THE KNIFE THROWER?
91
00:05:22,723 --> 00:05:25,790
- FINE, HIS TRAILER
IS RIGHT OVER THERE.
- OH, THANK YOU.
92
00:05:33,500 --> 00:05:37,246
YOU MUST BE THE REPORTERS
FROM THE "CIRCUS WORLD" MAGAZINE.
93
00:05:37,270 --> 00:05:40,650
AND YOU MUST BE
RAYMOND THE MAGNIFICENT.
94
00:05:40,674 --> 00:05:42,318
YOU MAY TELL YOUR READERS
95
00:05:42,342 --> 00:05:44,821
I AM THE GREATEST KNIFE
THROWER IN THE WORLD.
96
00:05:44,845 --> 00:05:47,356
HAVE YOU ALWAYS BEEN A
KNIFE THROWER, RAYMOND?
97
00:05:47,380 --> 00:05:49,826
NO.
98
00:05:49,850 --> 00:05:53,763
I STARTED IN THE CIRCUS,
JUMPING 500' FROM A DIVING BOARD
99
00:05:53,787 --> 00:05:55,197
INTO A BARREL OF FLAMING OIL.
100
00:05:55,221 --> 00:05:57,100
WASN'T THAT
INCREDIBLY DANGEROUS?
101
00:05:57,124 --> 00:05:59,202
I TOOK STEPS TO
MINIMIZE THE RISKS.
102
00:05:59,226 --> 00:06:02,994
- WHAT DID YOU DO?
- I CUT OUT MATINEES.
103
00:06:06,232 --> 00:06:08,044
WELL, I MUST SAY, RAYMOND,
104
00:06:08,068 --> 00:06:11,448
THAT YOU CERTAINLY KEEP YOUR
KNIVES IN MAGNIFICENT CONDITION.
105
00:06:11,472 --> 00:06:15,151
THE BLADE OF THIS ONE
SPARKLES LIKE A DIAMOND.
106
00:06:15,175 --> 00:06:17,442
COME IN.
107
00:06:21,414 --> 00:06:22,791
WHO'S THAT?
108
00:06:22,815 --> 00:06:25,328
THAT'S RUDOLPH,
THE CIRCUS MASCOT.
109
00:06:25,352 --> 00:06:29,112
NOW IF YOU'LL EXCUSE ME PLEASE,
I MUST SEE TO AN URGENT MATTER.
110
00:06:32,392 --> 00:06:34,971
99, THERE'S SOMETHING
STRANGE ABOUT THAT MAN.
111
00:06:34,995 --> 00:06:38,307
DID YOU NOTICE THE REACTION ON HIS
FACE WHEN I SAID THE WORD "DIAMOND"?
112
00:06:38,331 --> 00:06:40,276
- MM-HMM.
- I THINK HE
KNOWS SOMETHING.
113
00:06:40,300 --> 00:06:42,579
- TAKE A LOOK AND
SEE WHERE HE WENT.
- RIGHT, MAX.
114
00:06:42,603 --> 00:06:44,413
MAX, HE'S GONE INTO
ANOTHER TRAILER.
115
00:06:44,437 --> 00:06:46,015
HE'S IN THERE
TALKING TO SOMEONE.
116
00:06:46,039 --> 00:06:48,985
DO YOU THINK WE SHOULD
CONSULT THE CHIEF ABOUT HIM?
117
00:06:49,009 --> 00:06:52,021
MAX, HE'S JUST A
HARMLESS LITTLE MONKEY.
118
00:06:52,045 --> 00:06:55,157
I KNOW THAT, 99, BUT
HE'S STILL OUR CHIEF.
119
00:07:01,321 --> 00:07:04,267
MAX, THAT'S THE TRAILER OVER
THERE THAT RAYMOND WENT INTO.
120
00:07:04,291 --> 00:07:05,868
IT BELONGS TO GERTRUDE-GERALD,
121
00:07:05,892 --> 00:07:08,037
THE HALF-MAN, HALF-WOMAN.
122
00:07:08,061 --> 00:07:10,473
WELL, WE'LL JUST WAIT
UNTIL RAYMOND LEAVES
123
00:07:10,497 --> 00:07:13,075
AND THEN WE'LL ASK
GERTRUDE-GERALD A FEW QUESTIONS.
124
00:07:13,099 --> 00:07:15,611
MR. SMART, MR. SMART,
125
00:07:15,635 --> 00:07:17,280
DOWN HERE.
126
00:07:17,304 --> 00:07:19,582
I'M TINY ALLEN. MR. SMART,
127
00:07:19,606 --> 00:07:22,351
I UNDERSTAND YOU'RE INTERESTED
IN THE CIRCUS ACCIDENTS.
128
00:07:22,375 --> 00:07:24,320
AND A LITTLE MATTER
OF SMUGGLED DIAMONDS.
129
00:07:24,344 --> 00:07:25,621
GO ON.
130
00:07:25,645 --> 00:07:28,758
I DON'T WANT RAYMOND
TO SEE ME TALKING TO YOU.
131
00:07:28,782 --> 00:07:31,094
CAN YOU COME TO MY
TRAILER IN ABOUT 20 MINUTES?
132
00:07:31,118 --> 00:07:32,995
I'LL HAVE SOME
INFORMATION FOR YOU.
133
00:07:33,019 --> 00:07:34,939
- I'LL BE THERE.
- IT'S NUMBER SEVEN.
134
00:07:37,758 --> 00:07:40,169
WELL, 99...
135
00:07:40,193 --> 00:07:43,706
IT'S TIME TO QUESTION
OUR NEXT SUSPECT.
136
00:07:43,730 --> 00:07:47,376
SO MY MAGAZINE JUST WANTS ANYTHING
THAT WOULD BE OF INTEREST TO OUR READERS.
137
00:07:47,400 --> 00:07:49,078
FOR EXAMPLE,
138
00:07:49,102 --> 00:07:51,915
DOES YOUR CONDITION PRESENT
ANY PERSONAL PROBLEMS?
139
00:07:51,939 --> 00:07:54,906
WELL, I HAVE TROUBLE
CHECKING INTO HOTELS.
140
00:07:57,044 --> 00:07:58,555
DO YOU ENJOY CIRCUS LIFE?
141
00:07:58,579 --> 00:08:00,957
- HMM, I HATE IT.
- OH, REALLY? WHY?
142
00:08:00,981 --> 00:08:02,658
YOU MEET TOO MANY WEIRDOES.
143
00:08:02,682 --> 00:08:05,862
BESIDES, PEOPLE IN SHOW
BUSINESS ARE TOO SELF-CENTERED.
144
00:08:05,886 --> 00:08:08,097
I OFTEN WORK WITH PEOPLE
FOR MONTHS AND THEN
145
00:08:08,121 --> 00:08:11,400
WHEN I RUN INTO THEM YEARS
LATER THEY DON'T EVEN SAY HELLO.
146
00:08:11,424 --> 00:08:13,624
WELL, PERHAPS THEY
DON'T RECOGNIZE YOU.
147
00:08:14,795 --> 00:08:16,672
TELL ME, GERTRUDE-GERALD...
148
00:08:16,696 --> 00:08:18,941
PLEASE, CALL ME GERTIE-GERRY.
149
00:08:18,965 --> 00:08:20,910
ALL RIGHT, GERTIE-GERRY,
150
00:08:20,934 --> 00:08:23,145
WHAT DID YOU DO BEFORE
YOU JOINED THE CIRCUS?
151
00:08:23,169 --> 00:08:24,803
I WAS A DANCE TEAM.
152
00:08:26,373 --> 00:08:29,285
UH, GERTIE-GERRY, MY
READERS WOULD LIKE TO KNOW
153
00:08:29,309 --> 00:08:31,487
SOMETHING ABOUT
YOUR PERSONAL TASTES.
154
00:08:31,511 --> 00:08:33,656
FOR EXAMPLE,
155
00:08:33,680 --> 00:08:35,625
HOW DO YOU FEEL ABOUT DIAMONDS?
156
00:08:35,649 --> 00:08:39,528
DIAMONDS. THEY DON'T
MEAN A THING TO ME.
157
00:08:39,552 --> 00:08:43,499
ARE YOU ABSOLUTELY CERTAIN THAT
DIAMONDS MEAN NOTHING TO YOU?
158
00:08:43,523 --> 00:08:45,935
WELL, DIAMONDS DO
HAVE A CERTAIN APPEAL.
159
00:08:45,959 --> 00:08:48,504
THEY GLITTER LIKE A
MILLION STARRY NIGHTS.
160
00:08:48,528 --> 00:08:51,206
YOU KNOW, IT'S STRANGE THAT
YOU SHOULD ASK ABOUT DIAMONDS.
161
00:08:51,230 --> 00:08:52,908
WHY?
162
00:08:52,932 --> 00:08:54,810
WELL, TINY ALLEN THE MIDGET
163
00:08:54,834 --> 00:08:57,146
WAS TALKING ABOUT
DIAMONDS JUST THE OTHER DAY.
164
00:08:57,170 --> 00:08:59,715
IN FACT... IN FACT HE
OFFERED TO GIVE ME ONE.
165
00:08:59,739 --> 00:09:01,316
DID YOU ACCEPT?
166
00:09:01,340 --> 00:09:03,753
ARE YOU KIDDING?
WITH HIM AROUND?
167
00:09:03,777 --> 00:09:06,088
TELL ME, WHAT DO YOU
THINK OF THE SEVERAL DEATHS
168
00:09:06,112 --> 00:09:08,190
THAT HAVE OCCURRED
IN THE CIRCUS RECENTLY?
169
00:09:08,214 --> 00:09:11,093
I IGNORE SUCH THINGS. I
MIND MY OWN BUSINESS
170
00:09:11,117 --> 00:09:13,029
AND DEVOTE MYSELF
TO MY TWO HOBBIES.
171
00:09:13,053 --> 00:09:14,429
WHAT ARE THEY?
172
00:09:14,453 --> 00:09:17,755
WEIGHTLIFTING AND EMBROIDERY.
173
00:09:19,993 --> 00:09:22,138
WELL, MAX, I GUESS WE
BETTER GO SEE TINY ALLEN.
174
00:09:22,162 --> 00:09:24,439
I DON'T THINK GERTRUDE-GERALD
KNOWS TOO MUCH.
175
00:09:24,463 --> 00:09:27,143
DON'T BE TOO SURE
ABOUT THAT, 99.
176
00:09:27,167 --> 00:09:29,344
DID YOU NOTICE THE
EXPRESSION ON THEIR FACES
177
00:09:29,368 --> 00:09:31,814
- WHEN I ASKED
ABOUT THE DIAMONDS?
- YES.
178
00:09:31,838 --> 00:09:33,448
ONE OF THEM IS LYING.
179
00:09:33,472 --> 00:09:35,685
WELL, HOW DID IT GO WITH
GERTRUDE AND GERALD?
180
00:09:35,709 --> 00:09:37,119
OH, THEY WERE VERY NICE.
181
00:09:37,143 --> 00:09:39,955
I WONDER IF YOU COULD TELL US
WHERE TRAILER NUMBER SEVEN IS.
182
00:09:39,979 --> 00:09:41,456
- TINY ALLEN, THE MIDGET?
- YES.
183
00:09:41,480 --> 00:09:43,059
IT'S THAT ONE, RIGHT OVER THERE.
184
00:09:43,083 --> 00:09:45,549
UH, THANK YOU VERY
MUCH. COME ON, 99.
185
00:09:53,059 --> 00:09:55,738
TINY ALLEN?
186
00:09:55,762 --> 00:09:59,141
TINY ALLEN.
187
00:09:59,165 --> 00:10:02,678
FOR A LITTLE FELLOW HE'S
GOT A REAL DEEP VOICE.
188
00:10:02,702 --> 00:10:05,181
MAX, THAT'S IT OVER
THERE, NUMBER SEVEN.
189
00:10:05,205 --> 00:10:06,537
OH.
190
00:10:19,418 --> 00:10:21,964
CAN HONDO HELP YOU?
191
00:10:21,988 --> 00:10:23,899
UH, YES. WELL, YOU SEE,
192
00:10:23,923 --> 00:10:27,169
I HAD AN APPOINTMENT WITH TINY
ALLEN AND THE DOOR IS LOCKED.
193
00:10:27,193 --> 00:10:31,040
ME STRONGMAN. ME FIX.
194
00:10:31,064 --> 00:10:32,797
UH!
195
00:10:37,403 --> 00:10:41,272
YOU KNOW, I HAD A DENTIST IN THE
ARMY THAT USED TO WORK THE SAME WAY.
196
00:10:54,254 --> 00:10:56,332
THAT'S STRANGE, 99.
197
00:10:56,356 --> 00:10:59,135
ALL THE WINDOWS ARE
LOCKED FROM THE INSIDE TOO.
198
00:10:59,159 --> 00:11:01,904
MAX, LOOK!
199
00:11:01,928 --> 00:11:04,340
HE'S BEEN SHOT THROUGH
THE BACK AT CLOSE RANGE.
200
00:11:04,364 --> 00:11:06,442
HMM, COMMITTED SUICIDE.
201
00:11:06,466 --> 00:11:08,944
THAT'S IMPOSSIBLE, MAX.
202
00:11:08,968 --> 00:11:11,347
YOU'RE RIGHT. THERE'S NO GUN.
203
00:11:11,371 --> 00:11:13,349
WAIT A MINUTE. IF ALL
THE DOORS AND WINDOWS
204
00:11:13,373 --> 00:11:16,652
ARE LOCKED FROM THE INSIDE,
HOW DID THE MURDERER GET OUT?
205
00:11:16,676 --> 00:11:19,222
WELL, MAYBE HE WAS
MURDERED ON THE OUTSIDE
206
00:11:19,246 --> 00:11:21,591
AND THEN SLIPPED IN
THROUGH THIS TRANSOM.
207
00:11:21,615 --> 00:11:23,226
BUT THEN HOW DID
HE LOCK THE DOOR?
208
00:11:23,250 --> 00:11:26,262
SIMPLY BY TURNING THE KEY, 99.
209
00:11:26,286 --> 00:11:29,198
HAVE YOU EVER HEARD OF A CASE
WHERE A DEAD MAN LOCKED A DOOR?
210
00:11:29,222 --> 00:11:32,768
NO. NOT UNTIL NOW.
211
00:11:32,792 --> 00:11:34,803
THERE MUST BE SOME
OTHER EXPLANATION.
212
00:11:34,827 --> 00:11:37,806
MAYBE WE SHOULD
QUESTION THAT STRONGMAN.
213
00:11:37,830 --> 00:11:39,375
YOU'RE RIGHT, 99.
214
00:11:39,399 --> 00:11:42,311
HE CERTAINLY WAS CLOSE BY
THIS TRAILER WHEN WE ARRIVED.
215
00:11:42,335 --> 00:11:44,269
- COME ON.
- RIGHT.
216
00:11:49,575 --> 00:11:52,621
PARDON ME, HONDO, COULD
I ASK YOU A FEW QUESTIONS?
217
00:11:52,645 --> 00:11:54,523
ME HONDO.
218
00:11:54,547 --> 00:11:57,226
CIRCUS STRONGMAN.
219
00:11:57,250 --> 00:12:00,729
UH, ME MAXWELL SMART.
MAGAZINE REPORTER.
220
00:12:00,753 --> 00:12:03,454
YOU CERTAINLY DO
LOOK STRONG, HONDO.
221
00:12:08,228 --> 00:12:11,674
HONDO CAN LIFT
LOCOMOTIVE WITH ONE HAND.
222
00:12:11,698 --> 00:12:13,209
REALLY?
223
00:12:13,233 --> 00:12:16,512
UM, DO YOU HAPPEN TO KNOW
ANYTHING ABOUT DIAMONDS, HONDO?
224
00:12:16,536 --> 00:12:19,548
HONDO CAN CRUSH
DIAMONDS WITH TEETH.
225
00:12:19,572 --> 00:12:21,384
WHAT KIND OF A TRICK IS THAT?
226
00:12:21,408 --> 00:12:22,852
EXPENSIVE.
227
00:12:22,876 --> 00:12:24,353
WHAT ELSE DOES HONDO DO?
228
00:12:24,377 --> 00:12:26,388
HONDO'S GREATEST TRICK
229
00:12:26,412 --> 00:12:30,325
IS KEEPING TWIN-ENGINE
PLANE FROM TAKING OFF.
230
00:12:30,349 --> 00:12:31,593
HOW DO YOU DO THAT?
231
00:12:31,617 --> 00:12:34,685
I BREAK PILOT'S LEGS.
232
00:12:35,788 --> 00:12:37,300
THAT HONDO IS A BRUTE.
233
00:12:37,324 --> 00:12:40,369
YES, BUT FORTUNATELY WE'RE
TRAINED TO DEAL WITH GUYS LIKE THAT.
234
00:12:40,393 --> 00:12:43,439
- HOW, MAX?
- BY TRYING NOT TO
ANTAGONIZE THEM.
235
00:12:43,463 --> 00:12:45,407
WELL, WE'RE RIGHT
BACK WHERE WE STARTED.
236
00:12:45,431 --> 00:12:47,210
NOT QUITE, 99.
237
00:12:47,234 --> 00:12:49,312
LET'S TAKE A LOOK
AT WHAT WE'VE GOT:
238
00:12:49,336 --> 00:12:52,215
A DEAD MIDGET, A CHIMPANZEE,
239
00:12:52,239 --> 00:12:54,984
A STRONGMAN WHO CRUSHES
CAMERAS WITH HIS HANDS,
240
00:12:55,008 --> 00:12:58,221
A HALF-MAN, HALF-WOMAN WHO
LIKES EMBROIDERY AND WEIGHTLIFTING.
241
00:12:58,245 --> 00:12:59,989
IT'S ALL BEGINNING
TO FORM A PATTERN.
242
00:13:00,013 --> 00:13:01,190
MAX, YOU MEAN YOU KNOW?
243
00:13:02,415 --> 00:13:05,694
MAX, THAT KNIFE
MISSED YOU BY INCHES.
244
00:13:05,718 --> 00:13:07,718
YOU THINK IT'S SOME
KIND OF A WARNING?
245
00:13:09,389 --> 00:13:11,033
WAIT A MINUTE, 99.
246
00:13:11,057 --> 00:13:14,203
I'VE SEEN THAT KNIFE
SOMEWHERE BEFORE. BUT WHERE?
247
00:13:14,227 --> 00:13:17,907
- MAX, I KNOW.
- HOLD IT, 99, I'M TRYING
TO PLACE THE KNIFE.
248
00:13:17,931 --> 00:13:20,343
- BUT, MAX, THAT KNIFE...
- 99, WOULD YOU PLEASE
BE QUIET?
249
00:13:20,367 --> 00:13:22,912
- YOU'RE INTERRUPTING
MY TRAIN OF THOUGHT.
- IT'S RAYMOND'S KNIFE.
250
00:13:22,936 --> 00:13:25,014
THERE, NOW YOU'VE DONE
IT. NOW YOU'VE DONE IT.
251
00:13:25,038 --> 00:13:28,184
YOU'VE BROKEN MY TRAIN OF
THOUGHT WHEN I ALMOST HAD IT.
252
00:13:28,208 --> 00:13:30,219
WAIT A MINUTE. WAIT A MINUTE.
253
00:13:30,243 --> 00:13:33,489
RAYMOND'S KNIVES HAD
THE SAME KIND OF HANDLES.
254
00:13:33,513 --> 00:13:35,391
THIS MUST BE RAYMOND'S KNIFE.
255
00:13:35,415 --> 00:13:38,460
GOOD THINKING, MAX.
256
00:13:38,484 --> 00:13:41,363
NOW THAT WE KNOW WHO
THE KNIFE BELONGS TO,
257
00:13:41,387 --> 00:13:43,832
ALL WE HAVE TO
DO IS TO FIGURE OUT
258
00:13:43,856 --> 00:13:46,602
WHO THREW IT.
259
00:13:48,728 --> 00:13:51,073
MAX, IT HAS TO BE
RAYMOND'S KNIFE.
260
00:13:51,097 --> 00:13:54,209
WELL, IF IT IS, HE'S
IN A LOT OF TROUBLE.
261
00:13:54,233 --> 00:13:56,845
- WHY?
- HE MISSED ME TWICE.
262
00:13:56,869 --> 00:13:59,503
HE COULD LOSE HIS JOB.
263
00:14:13,886 --> 00:14:17,399
IT'S NO USE, 99. WE'VE SEARCHED
EVERYWHERE AND STILL NO DIAMONDS.
264
00:14:17,423 --> 00:14:20,220
I'D BETTER CALL IN. YOU
KEEP A SHARP LOOKOUT.
265
00:14:20,244 --> 00:14:21,244
RIGHT.
266
00:14:26,900 --> 00:14:29,378
- What have you got, Max?- ABSOLUTELY NOTHING, CHIEF.
267
00:14:29,402 --> 00:14:31,013
WE'RE DRAWING A COMPLETE BLANK.
268
00:14:31,037 --> 00:14:33,882
HAVE YOU SEARCHED EVERYWHERE?
THOSE DIAMONDS HAVE GOT TO BE THERE.
269
00:14:33,906 --> 00:14:38,053
BELIEVE ME, CHIEF, WE HAVE
SEARCHED EVERYWHERE.
270
00:14:38,077 --> 00:14:41,657
EXCEPT IN THE LION'S CAGE.
271
00:14:41,681 --> 00:14:43,159
WHY HAVEN'T YOU
SEARCHED THERE, MAX?
272
00:14:43,183 --> 00:14:45,661
ARE YOU KIDDING?
THERE ARE LIONS IN THERE!
273
00:14:45,685 --> 00:14:47,563
MAX, WHEN YOU JOINED CONTROL
274
00:14:47,587 --> 00:14:49,731
YOU KNEW IT WOULD
INVOLVE CERTAIN RISKS.
275
00:14:49,755 --> 00:14:51,600
I KNOW, CHIEF, BUT...
276
00:14:51,624 --> 00:14:54,236
WELL, YOU JUST CAN'T GO
BARGING INTO A LION'S CAGE.
277
00:14:54,260 --> 00:14:55,871
THEY MAY RESENT STRANGERS.
278
00:14:55,895 --> 00:14:59,375
MAX, I DON'T EXPECT YOU
TO GO INTO THE CAGE ALONE.
279
00:14:59,399 --> 00:15:02,278
- OH.
- Take a whip and a chair.
280
00:15:02,302 --> 00:15:04,313
A WHIP AND A CHAIR?
281
00:15:04,337 --> 00:15:07,649
WELL, TO TELL YOU THE TRUTH,
CHIEF, THOSE LIONS LOOK PRETTY MEAN.
282
00:15:07,673 --> 00:15:09,818
I DON'T THINK A WHIP AND
A CHAIR WILL BE ENOUGH.
283
00:15:09,842 --> 00:15:11,187
WHAT DO YOU HAVE IN MIND, MAX?
284
00:15:11,211 --> 00:15:15,090
UH, WELL... DOES THE WORD
"BAZOOKA" MEAN ANYTHING TO YOU?
285
00:15:15,114 --> 00:15:17,959
MAX, WE HAVE TO HAVE THOSE
DIAMONDS TO MAKE AN ARREST.
286
00:15:17,983 --> 00:15:21,630
IT COULD MEAN THE END OF THE KAOS
SMUGGLING OPERATION ONCE AND FOR ALL.
287
00:15:21,654 --> 00:15:22,931
RIGHT, CHIEF.
288
00:15:22,955 --> 00:15:25,100
NOW, YOU'RE JUST GOING
TO HAVE TO GO IN THERE
289
00:15:25,124 --> 00:15:27,736
AND FACE THOSE VICIOUS,
HUNGRY, MAN-EATING LIONS.
290
00:15:27,760 --> 00:15:29,338
- BUT, MAX...
- YES, CHIEF?
291
00:15:29,362 --> 00:15:31,662
DON'T TAKE ANY
UNNECESSARY RISKS.
292
00:15:33,933 --> 00:15:36,211
WHAT DID HE SAY, MAX?
293
00:15:36,235 --> 00:15:39,382
- I'VE GOTTA GO INTO
THE LION'S CAGE.
- MAX, YOU CAN'T DO THAT.
294
00:15:39,406 --> 00:15:41,917
I'VE GOT TO, 99. IT'S AN ORDER.
295
00:15:41,941 --> 00:15:44,019
AND AN ORDER IS AN ORDER.
NOTHING CAN STOP ME.
296
00:15:44,043 --> 00:15:45,254
HOLD IT, SMART!
297
00:15:45,278 --> 00:15:47,589
BOY, AM I GLAD TO SEE YOU.
298
00:15:47,613 --> 00:15:50,759
IT'LL BE A PLEASURE TO GET RID
OF TWO MORE CONTROL AGENTS.
299
00:15:50,783 --> 00:15:54,429
WAIT A MINUTE, HANLON, HOW DID
YOU KNOW I WAS A CONTROL AGENT?
300
00:15:54,453 --> 00:15:57,400
ANY MAN WHO WILL GO
INTO A LION'S CAGE UNARMED
301
00:15:57,424 --> 00:15:59,735
IS EITHER A CONTROL
AGENT OR A FOOL.
302
00:15:59,759 --> 00:16:02,738
ARE YOU SURE THOSE
ARE MY ONLY CHOICES?
303
00:16:02,762 --> 00:16:05,040
- ALL RIGHT,
DROP THAT CHAIR!
- 99, DUCK!
304
00:16:08,434 --> 00:16:10,312
OH!
305
00:16:10,336 --> 00:16:14,071
ALL RIGHT, HONDO. I'M USED TO
DEALING WITH BIG UGLY APES LIKE YOU.
306
00:16:23,249 --> 00:16:25,928
UH, LISTEN, HONDO, I...
307
00:16:25,952 --> 00:16:29,186
I HOPE I WASN'T OUT OF LINE
WITH THAT CRACK ABOUT THE APE.
308
00:16:39,365 --> 00:16:41,243
SO, HANLON,
309
00:16:41,267 --> 00:16:43,446
YOU'RE THE LEADER OF
THIS LITTLE CONSPIRACY.
310
00:16:43,470 --> 00:16:45,681
THAT'S RIGHT, MR. SMART.
311
00:16:45,705 --> 00:16:49,017
DIAMONDS ARE SO MUCH MORE
REWARDING THAN PRESS AGENTRY.
312
00:16:49,041 --> 00:16:51,854
OF COURSE I KNEW FROM THE
FIRST YOU WEREN'T REPORTERS.
313
00:16:51,878 --> 00:16:53,956
OH, WHAT MADE YOU SUSPICIOUS?
314
00:16:53,980 --> 00:16:55,624
YOU ASKED TOO MANY QUESTIONS.
315
00:16:55,648 --> 00:16:58,783
OF COURSE, I KNEW THAT
WOULD GIVE US AWAY.
316
00:16:59,919 --> 00:17:02,497
AND NOW YOU KNOW
TOO MUCH TO LIVE.
317
00:17:02,521 --> 00:17:04,900
HOW ARE YOU GOING TO
EXPLAIN OUR DISAPPEARANCE?
318
00:17:04,924 --> 00:17:08,003
SINCE ACCIDENTAL DEATH IS
NOT UNCOMMON IN THE CIRCUS,
319
00:17:08,027 --> 00:17:11,373
WE'LL ARRANGE TO HAVE YOU BOTH
KILLED AT TONIGHT'S PERFORMANCE.
320
00:17:11,397 --> 00:17:15,077
THE HIGHLIGHT OF EACH PERFORMANCE
IS WHEN A MAN IS SHOT FROM A CANNON.
321
00:17:15,101 --> 00:17:19,081
HONDO, PREPARE MR. SMART
TO BE THE HUMAN CANNONBALL.
322
00:17:19,105 --> 00:17:21,984
THE HUMAN CANNONBALL.
323
00:17:22,008 --> 00:17:24,853
THE HUMAN CANNONBALL?
324
00:17:24,877 --> 00:17:27,356
SO, THAT'S HOW
YOU PLAN TO KILL ME.
325
00:17:27,380 --> 00:17:29,825
NO, THAT'S HOW WE
DISPOSE OF THE BODY.
326
00:17:29,849 --> 00:17:33,361
OH, THAT'S DIFFERENT.
327
00:17:33,385 --> 00:17:36,498
LISTEN, HANLON, LEAVE THE GIRL
ALONE. SHE DOESN'T KNOW A THING.
328
00:17:36,522 --> 00:17:38,567
I'M AFRAID THAT'S
IMPOSSIBLE, SMART.
329
00:17:38,591 --> 00:17:40,803
WE'RE DEPENDING ON
YOUR LOVELY ASSISTANT
330
00:17:40,827 --> 00:17:42,805
TO BE OUR NEW LION TAMER.
331
00:17:42,829 --> 00:17:44,807
SHE SHOULD SURVIVE NO
MORE THAN 10 SECONDS
332
00:17:44,831 --> 00:17:46,942
IN THERE WITH THOSE HUNGRY CATS.
333
00:17:46,966 --> 00:17:48,477
MAX, I'M SCARED.
334
00:17:48,501 --> 00:17:50,946
DON'T BE SCARED, 99, WE
HOLD THE ACES IN THIS GAME.
335
00:17:50,970 --> 00:17:53,548
- WHAT DO YOU MEAN?
- JUST THIS, HANLON:
336
00:17:53,572 --> 00:17:57,519
IN THE MORNING THE POLICE WILL RECEIVE A
LETTER EXPOSING YOUR ENTIRE OPERATION,
337
00:17:57,543 --> 00:18:00,990
WHICH I TOOK THE PRECAUTION
OF WRITING LAST NIGHT.
338
00:18:01,014 --> 00:18:03,025
I TOLD YOU HE WAS DANGEROUS.
339
00:18:03,049 --> 00:18:07,518
WHEN THE POLICE GET THIS LETTER,
YOU'LL ALL GO TO PRISON FOR...
340
00:18:11,157 --> 00:18:14,903
LISTEN, HONDO, YOU WANT TO MAKE
YOURSELF $10.00? MAIL THIS LETTER.
341
00:18:14,927 --> 00:18:17,272
HONDO, DESTROY THAT LETTER!
342
00:18:17,296 --> 00:18:18,929
DESTROY IT!
343
00:18:21,700 --> 00:18:24,013
IF IT WAS PHONE BOOK...
344
00:18:24,037 --> 00:18:27,505
TAKE THEM AWAY! TAKE THEM!
345
00:18:28,774 --> 00:18:32,121
THIS ISN'T FAIR,
TWO AGAINST ONE.
346
00:18:34,213 --> 00:18:36,525
OH, MAX, I'M AFRAID THIS IS IT.
347
00:18:36,549 --> 00:18:39,294
HANLON SAID THOSE LIONS
HAVEN'T BEEN FED IN THREE DAYS.
348
00:18:39,318 --> 00:18:41,696
OH, I'M SURE HE'S
EXAGGERATING, 99.
349
00:18:41,720 --> 00:18:43,698
THEY MUST HAVE SENT
OUT FOR SOMETHING.
350
00:18:43,722 --> 00:18:46,502
A SANDWICH, A DOUGHNUT,
PIECE OF STRUDEL.
351
00:18:46,526 --> 00:18:49,006
I HOPE YOU'RE RIGHT, MAX.
352
00:18:49,095 --> 00:18:50,839
LISTEN, 99...
353
00:18:50,863 --> 00:18:53,142
IN CASE I DON'T GET OUT
OF THIS ALIVE AND YOU DO...
354
00:18:53,166 --> 00:18:55,110
MAX, YOU WILL GET
OUT OF THIS ALIVE!
355
00:18:55,134 --> 00:18:58,180
WELL, JUST IN CASE I DON'T, 99,
I'D LIKE YOU TO DO ME A FAVOR.
356
00:18:58,204 --> 00:19:00,449
I DON'T WANT A BIG FUNERAL.
357
00:19:00,473 --> 00:19:03,218
I'D JUST LIKE A FEW OF MY
CLOSE FRIENDS TO GET TOGETHER
358
00:19:03,242 --> 00:19:06,988
AND TRY TO BRING
ME BACK TO LIFE.
359
00:19:07,012 --> 00:19:10,526
IF ONLY WE COULD GET
OUT OF THESE ROPES.
360
00:19:12,952 --> 00:19:15,030
- 99, WAIT A MINUTE.
- WHAT?
361
00:19:15,054 --> 00:19:18,133
- THESE GLASS BUTTONS.
- MAX, TRY IT.
362
00:19:18,157 --> 00:19:21,158
HURRY, MAX, HURRY.
363
00:19:23,596 --> 00:19:27,309
99, THESE BUTTONS ARE CUTTING
THROUGH THESE ROPES LIKE BUTTER.
364
00:19:27,333 --> 00:19:29,066
MAX, YOU DON'T THINK...
365
00:19:33,172 --> 00:19:36,085
THEY'RE DIAMONDS, 99. HIDDEN
RIGHT OUT HERE IN PLAIN VIEW.
366
00:19:36,109 --> 00:19:37,519
MAX, QUICK, THEY'RE COMING.
367
00:19:37,543 --> 00:19:39,254
- HURRY!
- NOW LISTEN,
368
00:19:39,278 --> 00:19:42,157
JUST KEEP YOUR HANDS BEHIND
YOUR BACK AND WHEN WE GET OUTSIDE
369
00:19:42,181 --> 00:19:44,014
- WE'LL MAKE A BREAK FOR IT.
- RIGHT, MAX.
370
00:19:46,586 --> 00:19:48,197
ALL RIGHT, MR. SMART,
371
00:19:48,221 --> 00:19:49,731
YOU'RE ABOUT TO MAKE YOUR DEBUT
372
00:19:49,755 --> 00:19:52,834
AND YOUR FAREWELL
APPEARANCE ALL IN ONE NIGHT.
373
00:19:52,858 --> 00:19:55,126
RAYMOND, CUT THE ROPES.
374
00:19:57,463 --> 00:19:59,174
ALL RIGHT, GET UP!
375
00:19:59,198 --> 00:20:02,677
- MAX...
- QUIET, 99,
THE SHOW MUST GO ON.
376
00:20:02,701 --> 00:20:04,401
LET'S GO.
377
00:20:09,275 --> 00:20:10,474
NOW!
378
00:20:12,612 --> 00:20:14,623
- OH!
- I'LL GET HIM,
YOU GET HER.
379
00:20:14,647 --> 00:20:16,125
NO, I'LL GET HIM. YOU GET HER.
380
00:20:16,149 --> 00:20:19,094
- NEVER MIND,
I'LL GET THEM BOTH.
- RIGHT.
381
00:20:19,118 --> 00:20:21,399
NICE GOING, MAX!
382
00:20:21,854 --> 00:20:25,601
OH! MAX, IT'S HONDO.
383
00:20:25,625 --> 00:20:28,237
I KNOW IT'S HONDO.
384
00:20:28,261 --> 00:20:29,871
SHOOT! SHOOT!
385
00:20:29,895 --> 00:20:32,741
NO, I DON'T WANT TO AROUSE THE
CROWD INSIDE UNLESS I HAVE TO.
386
00:20:32,765 --> 00:20:35,399
- USE YOUR KNIVES!
- NO!
387
00:20:44,109 --> 00:20:46,188
NOW, LOOK WHAT
YOU'VE DONE, HONDO.
388
00:20:46,212 --> 00:20:48,624
YOU'VE RUINED A
PERFECTLY GOOD CROWBAR.
389
00:20:48,648 --> 00:20:50,692
GRAB HIM, HONDO!
390
00:20:50,716 --> 00:20:53,817
RAYMOND, THROW YOUR KNIVES.
391
00:20:56,389 --> 00:20:58,834
MAX!
392
00:20:58,858 --> 00:21:02,171
MISSED ME BY THAT MUCH.
393
00:21:02,195 --> 00:21:03,861
TWICE.
394
00:21:05,331 --> 00:21:08,232
HONDO KNOW WHY.
395
00:21:13,439 --> 00:21:16,818
NO, HONDO, NO NO NO NO!
396
00:21:16,842 --> 00:21:18,353
STOP IT, HONDO, STOP!
397
00:21:18,377 --> 00:21:19,988
NO!
398
00:21:20,012 --> 00:21:23,158
I'LL HAVE TO FINISH
YOU TWO OFF MYSELF.
399
00:21:26,151 --> 00:21:30,065
TAKE CARE OF THESE TWO MEN.
AND TAKE CARE OF THIS ONE TOO.
400
00:21:30,089 --> 00:21:32,167
- 99, ARE YOU ALL RIGHT?
- CHIEF!
401
00:21:32,191 --> 00:21:34,202
SO, THIS IS WHAT
YOU DO AT NIGHT.
402
00:21:34,226 --> 00:21:36,505
WHEN I DIDN'T HEAR FROM YOU
FOR SIX HOURS, I WAS AFRAID
403
00:21:36,529 --> 00:21:38,740
THEY MIGHT TRY SOMETHING
AT TONIGHT'S PERFORMANCE.
404
00:21:38,764 --> 00:21:40,375
ARE YOU ALL RIGHT, MAX?
405
00:21:40,399 --> 00:21:42,711
YES, I'M FINE, 99,
EXCEPT FOR MY BODY.
406
00:21:42,735 --> 00:21:44,512
WE FOUND THE DIAMONDS, CHIEF.
407
00:21:44,536 --> 00:21:48,016
- THEY WERE PART OF RAYMOND
THE MAGNIFICENT'S COSTUME.
- GOOD WORK, 99.
408
00:21:48,040 --> 00:21:50,385
YES, CHIEF, THOSE THREE
WERE PART OF A KAOS GANG
409
00:21:50,409 --> 00:21:53,021
THAT WAS RESPONSIBLE FOR
THE MURDER OF THOSE AGENTS.
410
00:21:53,045 --> 00:21:56,058
WHAT ABOUT HIM? I MEAN, HER?
411
00:21:56,082 --> 00:21:58,560
- I DON'T KNOW WHAT I MEAN.
- THAT'S GERTRUDE-GERALD,
412
00:21:58,584 --> 00:22:01,230
ONE OF THE MOST INSIDIOUS
VILLAINS I'VE EVER ENCOUNTERED,
413
00:22:01,254 --> 00:22:03,431
WITH ALL THE CUNNING OF A MAN
414
00:22:03,455 --> 00:22:05,734
AND THE STRENGTH OF A WOMAN.
415
00:22:05,758 --> 00:22:07,836
I THINK IT'S THE OTHER
WAY AROUND, MAX.
416
00:22:07,860 --> 00:22:10,572
HUH? OH... EH, YES, RIGHT, 99.
417
00:22:10,596 --> 00:22:12,574
ALL RIGHT, GERTRUDE-GERALD,
COME ALONG.
418
00:22:12,598 --> 00:22:14,576
YOU PLAYED YOUR
LAST PERFORMANCE.
419
00:22:14,600 --> 00:22:18,080
WAIT A MINUTE, CHIEF. AREN'T YOU
GONNA FRISK HER? UH, HIM... UH, THEM?
420
00:22:18,104 --> 00:22:20,515
MAX, WE'LL TAKE CARE OF
THAT DOWN AT HEADQUARTERS.
421
00:22:20,539 --> 00:22:22,650
WAIT A MINUTE, CHIEF.
WHY TAKE ANY CHANCES?
422
00:22:22,674 --> 00:22:25,120
WHY DON'T WE TAKE CARE
OF IT RIGHT HERE AND NOW?
423
00:22:25,144 --> 00:22:27,089
MAX, IT MIGHT BE A
LITTLE EMBARRASSING.
424
00:22:27,113 --> 00:22:29,224
HUH? OH.
425
00:22:29,248 --> 00:22:31,660
YES, I SEE WHAT YOU
MEAN, CHIEF. WELL,
426
00:22:31,684 --> 00:22:34,663
IT'S REALLY QUITE SIMPLE,
CHIEF. HERE'S WHAT WE'LL DO...
427
00:22:34,687 --> 00:22:37,165
I'LL FRISK GERTRUDE
AND YOU'LL FRISK GERALD.
428
00:22:37,189 --> 00:22:38,467
NO, MAX.
429
00:22:38,491 --> 00:22:40,135
I'VE GOT IT, CHIEF.
430
00:22:40,159 --> 00:22:44,840
I'LL FRISK 99 AND YOU FRISK
GERTRUDE AND GERALD.
431
00:22:44,864 --> 00:22:48,599
YOU WANNA FRISK ME AND LET
GERTRUDE AND GERALD FRISK EACH OTHER?
432
00:22:49,868 --> 00:22:51,780
I'VE GOT AN IDEA, CHIEF.
433
00:22:51,804 --> 00:22:56,507
WHY DON'T WE TAKE THEM DOWN TO
HEADQUARTERS AND FRISK THEM DOWN THERE?
434
00:23:02,415 --> 00:23:05,193
86, THERE IS JUST ONE
LOOSE END TO THIS CASE.
435
00:23:05,217 --> 00:23:08,364
HOW DID THEY MURDER TINY
ALLEN IN A LOCKED ROOM?
436
00:23:08,388 --> 00:23:10,332
THAT'S WHAT I'M TRYING
TO TELL YOU, CHIEF.
437
00:23:10,356 --> 00:23:13,301
SHH! HERE COMES YOUR ANSWER NOW.
438
00:23:16,396 --> 00:23:18,340
IT'S RUDOLPH THE CIRCUS MASCOT.
439
00:23:18,364 --> 00:23:20,227
I'M AFRAID WE'RE GONNA
HAVE TO ARREST HIM
440
00:23:20,251 --> 00:23:22,277
AS AN ACCESSORY IN THE
MURDER OF TINY ALLEN.
441
00:23:22,301 --> 00:23:23,545
YOU'RE IN A LOT OF
TROUBLE, LITTLE FELLOW.
442
00:23:23,569 --> 00:23:25,414
MAX, WHAT ARE YOU TALKING ABOUT?
443
00:23:25,438 --> 00:23:27,883
THAT'S WHAT I'M TRYING TO TELL YOU,
CHIEF. DON'T YOU SEE WHAT HAPPENED?
444
00:23:27,907 --> 00:23:29,217
HANLON MURDERED THE MIDGET,
445
00:23:29,241 --> 00:23:31,119
THEN HE SENT THIS TRAINED
MONKEY THROUGH THE TRANSOM,
446
00:23:31,143 --> 00:23:33,522
HAD HIM LOCK THE DOOR
AND LEAVE THE SAME WAY.
447
00:23:33,546 --> 00:23:35,891
THAT'S INGENIOUS, BUT HOW
DID YOU KNOW HE'D COME BACK?
448
00:23:35,915 --> 00:23:39,728
BECAUSE THE CRIMINAL ALWAYS
RETURNS TO THE SCENE OF HIS CRIME.
449
00:23:39,752 --> 00:23:42,564
- KIND OF A SHAME
THOUGH, CHIEF.
- WHAT DO YOU MEAN?
450
00:23:42,588 --> 00:23:46,367
WELL, POOR LITTLE DEVIL IS GONNA HAVE
TO SPEND THE REST OF HIS LIFE BEHIND BARS.
35158
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