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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:54,791 --> 00:01:57,333 PARIS HEIDELBERG HAMBURG STOCKHOLM 2 00:02:15,125 --> 00:02:17,416 Master, we have to go. 3 00:03:20,000 --> 00:03:24,375 Master, a telegram has arrived from Mrs. Marta Abba. telegram has arrived from Mrs. Marta Abba. 4 00:03:34,458 --> 00:03:36,958 He won't be there this time either. 5 00:03:41,166 --> 00:03:43,250 Sit here, Saul. 6 00:03:49,083 --> 00:03:50,750 You know all about me, Saul. 7 00:03:52,083 --> 00:03:55,958 You know that I wanted to share this long journey with Marta alone. 8 00:03:56,375 --> 00:03:58,583 I did not want anyone from my family. 9 00:03:58,750 --> 00:04:02,375 Nor my beloved children. Stenù, Fausto, Lietta, none. 10 00:04:04,083 --> 00:04:06,458 Do you know why I only wanted her? 11 00:04:07,916 --> 00:04:13,500 Because the Nobel Prize is not only a prize for me, but also to his art. 12 00:04:14,833 --> 00:04:16,791 She was... 13 00:04:19,666 --> 00:04:22,375 My inspirational muse. 14 00:05:11,958 --> 00:05:14,041 Good morning to all. 15 00:05:14,458 --> 00:05:17,833 I am Marta, Marta Abba. 16 00:05:19,458 --> 00:05:21,166 Here I am. 17 00:05:23,708 --> 00:05:25,916 Um... Shall I start? 18 00:05:26,791 --> 00:05:28,958 Papa... Miss Abba... 19 00:05:29,416 --> 00:05:32,625 They are Massimo Bontempelli, The author of the comedy. 20 00:05:32,791 --> 00:05:36,250 Which part have you prepared? All of them. 21 00:05:36,666 --> 00:05:37,708 Ah. 22 00:05:41,375 --> 00:05:43,541 All of them? Yes. 23 00:05:43,708 --> 00:05:47,750 With the help of my sister Cele. She is also an actress. She is here with me. 24 00:05:48,375 --> 00:05:51,291 Well, Miss. I'm Pirandello. So... 25 00:05:52,750 --> 00:05:56,375 First act, Scene with the friend Orsa and Vulcano. 26 00:05:56,541 --> 00:05:58,958 The kissing scene. Let's start with the joke: 27 00:05:59,125 --> 00:06:02,291 "Come on, Orsa, come here. Tell us in detail." 28 00:06:11,958 --> 00:06:14,708 Come on, Orsa, come here. 29 00:06:14,875 --> 00:06:18,041 Tell us in detail. You too, Vulcan, here with us. 30 00:06:18,208 --> 00:06:22,166 We have to do everything we can to help this poor little girl. 31 00:06:23,208 --> 00:06:27,833 I was a bit rude. Forgive me, Orsina, I got distracted. 32 00:06:28,000 --> 00:06:31,666 Sometimes I don't even know what what I do, what I think. 33 00:06:32,083 --> 00:06:34,166 Excuse me? Huh? 34 00:06:35,375 --> 00:06:36,583 Tell me... 35 00:06:36,750 --> 00:06:40,375 Tell me you love me and give me a kiss, my friend. 36 00:06:42,750 --> 00:06:44,458 More beautiful... 37 00:06:47,750 --> 00:06:49,541 Thus... 38 00:06:52,458 --> 00:06:54,583 And you too, Vulcan, a kiss. 39 00:06:55,791 --> 00:06:57,875 On the forehead. 40 00:07:07,708 --> 00:07:09,541 Shall I go on, master? 41 00:07:15,833 --> 00:07:17,916 Wasn't I good? 42 00:07:33,416 --> 00:07:37,875 You are welcome, Miss. We are happy that she has come. 43 00:07:38,041 --> 00:07:40,416 Can we have two chairs, please? 44 00:07:45,166 --> 00:07:47,041 You see, dear Marta? 45 00:07:47,500 --> 00:07:51,416 For years I have been trying to find a balance in my head during I've been trying to find a balance 46 00:07:51,583 --> 00:07:54,375 between the tangible materiality tangible materiality of the theater 47 00:07:54,541 --> 00:07:57,791 and the elusive materiality of women. 48 00:07:59,166 --> 00:08:00,500 The theater... 49 00:08:00,666 --> 00:08:03,000 It is something concrete, it is done. 50 00:08:03,791 --> 00:08:07,333 You women in your place... have a body 51 00:08:07,500 --> 00:08:10,958 but how do you to put your soul on stage. 52 00:08:11,333 --> 00:08:15,916 That, I have always wondered how it is possible to represent 53 00:08:16,083 --> 00:08:19,208 the dark charm of femininity 54 00:08:19,416 --> 00:08:23,416 and I have written dozens of female figures female figures, but in this aspect... 55 00:08:24,500 --> 00:08:26,166 has always eluded me. 56 00:08:27,708 --> 00:08:30,083 And now she comes along, Marta, and it's like.... 57 00:08:30,666 --> 00:08:33,291 if I had been waiting for it been waiting for it forever. 58 00:08:33,875 --> 00:08:36,500 Where was she hiding all this time? 59 00:08:38,416 --> 00:08:40,916 I did the life that all girls do, 60 00:08:41,833 --> 00:08:44,083 but with fixed thinking, 61 00:08:44,250 --> 00:08:45,958 always. 62 00:08:46,125 --> 00:08:47,750 The theater. 63 00:08:48,041 --> 00:08:50,958 I live for the theater, maestro. 64 00:09:24,791 --> 00:09:26,041 Bitch. 65 00:09:26,208 --> 00:09:29,041 The philosopher Benedetto Croce is criticized because he says 66 00:09:29,208 --> 00:09:31,791 that art is the knowledge of the moment of intuition. 67 00:09:31,958 --> 00:09:34,791 And the theoretical activity, dispenses with the practical activity. 68 00:09:34,958 --> 00:09:39,125 It is devoid of will, feelings. Art is imagination, fantasy. 69 00:09:39,500 --> 00:09:42,708 Croce believes he has the truth in his pocket. 70 00:09:43,500 --> 00:09:47,541 Art cannot be separated from reason, Massimo. 71 00:09:47,708 --> 00:09:51,833 You cannot create poetry, beauty without using reason. 72 00:09:52,000 --> 00:09:55,375 But how is it done! Croce should also tell us this. 73 00:09:55,541 --> 00:09:59,625 Yes, you have it in for Croce because he the late Mattia Pascal. 74 00:09:59,791 --> 00:10:02,708 Don't... don't talk nonsense. 75 00:10:02,875 --> 00:10:06,791 Enough, make like the puppets. They've been talking for two hours! 76 00:10:06,958 --> 00:10:10,625 For once we see each other let's talk about about something else. The newspaper where... 77 00:10:10,791 --> 00:10:14,333 Oh, it's here. First page of the Messaggero. 78 00:10:14,500 --> 00:10:17,791 "The war is over, there is an armistice. 79 00:10:17,958 --> 00:10:21,625 More important things happen, prisoners are also released. 80 00:10:21,791 --> 00:10:25,041 Yes. My son does not return. 81 00:10:25,208 --> 00:10:27,416 Antonietta, why are you saying this? 82 00:10:27,583 --> 00:10:30,666 The letter from the Ministry of of War was clear. 83 00:10:30,833 --> 00:10:34,500 In a week, maximum, Stefano is home. He does not return. 84 00:10:34,916 --> 00:10:40,500 No, no... you have been telling me for four years now that my son is about to come back and... 85 00:10:40,666 --> 00:10:42,750 Antonietta, stop it. 86 00:10:44,333 --> 00:10:46,416 And who are you? 87 00:10:47,875 --> 00:10:50,083 What are they doing here? 88 00:10:50,250 --> 00:10:55,250 Besides, I listen to them... talk, talk, talk. You can't understand anything they say. 89 00:10:57,500 --> 00:10:58,791 Photo... 90 00:10:59,500 --> 00:11:02,000 The photo was taken, the photo... 91 00:11:03,166 --> 00:11:05,416 The photo has been taken. 92 00:11:05,583 --> 00:11:07,375 Ah... wait, CE... 93 00:11:07,541 --> 00:11:09,041 There... no! 94 00:11:09,208 --> 00:11:10,958 Aaa... aaa... aaa... 95 00:11:11,125 --> 00:11:13,333 I... I... The photo is... 96 00:11:13,500 --> 00:11:15,375 I... AAAH! 97 00:11:16,500 --> 00:11:18,875 The photo was taken! 98 00:11:19,833 --> 00:11:22,833 This time it is true, Stefano is coming back. 99 00:11:23,750 --> 00:11:26,291 Got it? It really comes back. 100 00:11:26,458 --> 00:11:29,291 But the photo was taken! It's okay, Stefano is back. 101 00:11:29,458 --> 00:11:33,291 We need to celebrate. Bring the desserts, I'll get the sparkling wine. 102 00:11:33,958 --> 00:11:35,250 You are coming. 103 00:11:35,416 --> 00:11:39,708 Here it is. Let's make a toast to Stefano's return. 104 00:11:39,875 --> 00:11:42,625 Hey, the maid... The maid brings them. 105 00:11:42,791 --> 00:11:44,000 The servant brings them. 106 00:11:44,416 --> 00:11:45,875 Come on, come on, come on... 107 00:11:46,708 --> 00:11:50,458 Uh... but what are they still doing here? Go away. 108 00:11:50,625 --> 00:11:54,208 I asked them to leave. Go away! 109 00:11:54,583 --> 00:11:58,416 I told you to leave! This is my home! 110 00:11:58,583 --> 00:12:01,000 It's my house! Get up! 111 00:12:01,375 --> 00:12:03,458 Go away! 112 00:12:06,916 --> 00:12:09,708 Run! 113 00:12:11,708 --> 00:12:14,083 Poor children... 114 00:12:14,916 --> 00:12:16,958 This is my home. 115 00:12:17,958 --> 00:12:19,791 This is my home. 116 00:12:20,208 --> 00:12:23,916 It's my house, I told them to leave! 117 00:12:24,083 --> 00:12:26,166 It's my home! 118 00:12:28,333 --> 00:12:32,291 Get out! How long you take to come, huh? 119 00:12:37,583 --> 00:12:39,375 Go away. 120 00:12:39,541 --> 00:12:41,458 Out, out, out... 121 00:12:43,041 --> 00:12:46,791 This... these are my things. This is my house. 122 00:12:47,333 --> 00:12:49,000 It's my home... 123 00:12:50,541 --> 00:12:52,208 Calm down. 124 00:13:00,000 --> 00:13:01,458 You go... 125 00:13:01,875 --> 00:13:04,333 Go write. Yes. 126 00:13:04,500 --> 00:13:06,875 Go, go, go... 127 00:13:07,041 --> 00:13:11,583 Go write, go to the bedroom, that's the only thing you can do. 128 00:13:17,625 --> 00:13:19,250 Dad! 129 00:13:33,416 --> 00:13:36,041 Keep going, keep going. 130 00:14:12,458 --> 00:14:13,958 Good appetite. 131 00:14:14,125 --> 00:14:17,000 Luigino, what a beautiful family. 132 00:14:19,208 --> 00:14:23,125 We are... We are happy and nobody knows it. 133 00:14:31,875 --> 00:14:34,500 What's wrong? Why don't you eat? It gets cold. 134 00:14:35,375 --> 00:14:36,833 Eh, but... 135 00:14:38,333 --> 00:14:41,833 They put some poison on my plate, No... 136 00:14:42,375 --> 00:14:46,041 Mom, please! Antonietta, please finish. 137 00:14:48,208 --> 00:14:49,875 Eat. 138 00:14:50,875 --> 00:14:52,083 You eat. 139 00:14:52,708 --> 00:14:55,000 With your father eaten everything, 140 00:14:55,166 --> 00:14:57,333 even the sulfur mine, then... 141 00:14:57,500 --> 00:14:59,666 Eat, come on, come on. 142 00:15:00,166 --> 00:15:01,833 Watch. 143 00:15:08,875 --> 00:15:12,375 Hey, are you convinced now? Am I dying? No. 144 00:15:12,541 --> 00:15:14,166 You can eat. 145 00:15:15,333 --> 00:15:18,666 Beeee... 146 00:15:20,958 --> 00:15:23,208 Beeee... 147 00:15:24,708 --> 00:15:27,333 Beeee... Faust. 148 00:15:28,041 --> 00:15:30,125 Finish it! Do it for them, at least. 149 00:15:30,291 --> 00:15:33,666 Eighty thousand lire, my father my father gave to your father. 150 00:15:33,958 --> 00:15:36,041 All my dowry and also the sulfur mine 151 00:15:36,208 --> 00:15:40,166 that was flooded by çulpa of your father. Everyone knows it. 152 00:15:40,333 --> 00:15:43,125 All... all those little dead ones... all those little dead ones... all those little dead ones... all those little dead ones 153 00:15:43,291 --> 00:15:46,166 with water in the belly. Still with this story? 154 00:15:46,333 --> 00:15:50,083 The flooding of the mine was a disgrace! 155 00:15:50,250 --> 00:15:53,416 Do you think I have not suffered the death of those "children"? 156 00:15:53,583 --> 00:15:58,250 Do you understand that it wasn't my fault? You understand that, don't you, Lietta? 157 00:15:59,291 --> 00:16:01,750 Oh... oh, Lietta... 158 00:16:02,750 --> 00:16:04,833 Love, my daughter. 159 00:16:06,083 --> 00:16:10,541 What I don't understand is that... But I don't... But I'm not enough for you? 160 00:16:11,208 --> 00:16:14,208 Huh? I... I... Antonietta... 161 00:16:14,375 --> 00:16:16,750 No... Look at me, I'm still... 162 00:16:17,333 --> 00:16:19,166 Come, come, love. Luigino... 163 00:16:19,333 --> 00:16:21,666 Luigi... Luigi? 164 00:16:22,833 --> 00:16:24,166 Luigino... 165 00:16:51,083 --> 00:16:53,958 What are you doing? Leave this, leave this! 166 00:16:54,125 --> 00:16:56,250 I want to die! No. 167 00:16:56,416 --> 00:16:58,500 SSSH... 168 00:17:02,375 --> 00:17:04,666 You don't have to be in this house anymore. 169 00:17:05,375 --> 00:17:07,791 Tomorrow I will take you to Florence with Aunt Lina. 170 00:17:22,166 --> 00:17:23,500 Let's go... 171 00:17:23,666 --> 00:17:25,833 Come on, Luigino, write, write. 172 00:17:26,833 --> 00:17:28,875 I don't bother you. 173 00:17:29,041 --> 00:17:32,958 You work well with me. 174 00:17:33,125 --> 00:17:37,208 Oh, I have to dye my hair. Look, what a shame... 175 00:17:37,375 --> 00:17:40,583 All my sympathy for this woman woman was a matter for her 176 00:17:40,750 --> 00:17:44,250 like the fiercest cruelty. But you have expelled me! 177 00:17:44,416 --> 00:17:46,708 "If you expelled me." 178 00:17:46,875 --> 00:17:51,125 We are really six very interesting very interesting characters. 179 00:17:51,291 --> 00:17:56,000 Do you hear that? Expelled. Does it sound like I kicked you out? 180 00:17:56,166 --> 00:17:59,791 Scary, sir. "It seemed to him that I had thrown him out." 181 00:17:59,958 --> 00:18:04,166 Terrifying, sir. 182 00:18:04,750 --> 00:18:07,291 Terrifying... His deafness terrifying... 183 00:18:07,458 --> 00:18:10,625 mental deafness. Me instead of killing myself, 184 00:18:10,791 --> 00:18:14,000 would have killed one of both of them. The father or the son. 185 00:18:14,166 --> 00:18:16,416 Write, write. 186 00:18:18,000 --> 00:18:20,083 Close to me. 187 00:18:22,208 --> 00:18:24,000 Forever close to me. 188 00:18:24,416 --> 00:18:27,500 Because it is my condemnation. All my passion... 189 00:18:27,666 --> 00:18:31,416 All my passion that must culminate in your scream. 190 00:18:31,583 --> 00:18:34,875 Daughter... she is my daughter! 191 00:18:35,041 --> 00:18:40,833 She is my daughter... no, mine. Heart yes, for the children. 192 00:18:41,125 --> 00:18:45,708 Mentally Deaf. "Mentally deaf." 193 00:18:45,875 --> 00:18:50,208 To despair. Come here... with your mouth. 194 00:18:50,375 --> 00:18:53,791 I'm ready. Come on, come on, come on, get up! 195 00:18:54,166 --> 00:18:56,750 Yes. Come on, come on, come on. 196 00:18:57,458 --> 00:18:58,791 Come on, let's go. 197 00:19:00,750 --> 00:19:02,416 Luigino? 198 00:19:03,041 --> 00:19:06,125 Luigino... come here. 199 00:19:06,875 --> 00:19:08,958 I am waiting for you. 200 00:20:04,416 --> 00:20:06,291 Stenù... 201 00:20:25,708 --> 00:20:29,750 Corporal Michele Ornado. Present. 202 00:20:29,916 --> 00:20:33,625 Sergeant Franco Odorisi. Here I am. 203 00:20:35,083 --> 00:20:37,875 Private Davide Camuti. 204 00:20:39,250 --> 00:20:42,833 Private Davide Camuti. Present! 205 00:20:43,625 --> 00:20:47,291 Lieutenant Rocco Granato. I am. 206 00:20:47,958 --> 00:20:50,083 Private Pino... 207 00:20:51,291 --> 00:20:54,416 Pino Visentin. Here I am. 208 00:20:55,500 --> 00:20:57,916 Paolo Roboti. Stenù! 209 00:20:58,666 --> 00:21:01,083 Federico Reale. 210 00:21:01,250 --> 00:21:05,000 Daddy! Daddy, take me home. Dad, take me home. Yeah, sure. 211 00:21:07,291 --> 00:21:09,875 Coming! 212 00:21:10,041 --> 00:21:11,666 Coming! 213 00:21:26,291 --> 00:21:27,750 Love... 214 00:21:27,916 --> 00:21:29,333 Love! 215 00:21:29,875 --> 00:21:31,333 Love... 216 00:21:32,625 --> 00:21:34,916 Come, come, come... Come, come, come. 217 00:21:35,083 --> 00:21:39,916 Beware of that one, of your father. He is capable of anything. 218 00:21:41,958 --> 00:21:44,291 He sleeps with your sister. 219 00:21:48,833 --> 00:21:50,916 Huh? My little... 220 00:21:52,916 --> 00:21:54,375 Nooo... 221 00:21:55,541 --> 00:21:57,541 No... 222 00:22:12,041 --> 00:22:14,791 Your name. 223 00:22:14,958 --> 00:22:17,916 Ma'am? Your name. 224 00:22:19,166 --> 00:22:20,833 My name is... 225 00:22:22,000 --> 00:22:24,083 Portulano Antonietta. 226 00:22:26,208 --> 00:22:28,500 I was born... 227 00:22:28,666 --> 00:22:30,500 in Girgenti in 1872 and. 228 00:22:31,208 --> 00:22:32,250 y... 229 00:22:35,333 --> 00:22:37,416 In a large house. 230 00:22:38,625 --> 00:22:40,958 From the balcony you could see the sea. 231 00:22:41,875 --> 00:22:43,416 I was... 232 00:22:44,041 --> 00:22:45,791 to the school of... 233 00:22:45,958 --> 00:22:48,041 of the nuns of the Immaculate Conception. 234 00:22:48,958 --> 00:22:52,708 I was confirmed at the Church of San Nicola. 235 00:22:55,041 --> 00:22:57,125 She had a beautiful dress. 236 00:22:57,583 --> 00:22:58,958 White. 237 00:23:00,166 --> 00:23:02,333 I... I believe in God. 238 00:23:05,916 --> 00:23:07,333 Vivía 239 00:23:08,041 --> 00:23:09,500 in the palace... 240 00:23:12,083 --> 00:23:14,458 In the palazzo... Portulano. 241 00:23:14,625 --> 00:23:16,500 At Palazzo Portano. 242 00:23:16,666 --> 00:23:18,875 We were Ri... cos. 243 00:23:19,583 --> 00:23:22,208 I had... I had a sulfur mine, mine. 244 00:23:22,708 --> 00:23:26,166 Then... then it flooded and hundreds died 245 00:23:26,916 --> 00:23:29,000 of children inside. 246 00:23:30,625 --> 00:23:32,458 I have nothing left. 247 00:23:32,708 --> 00:23:35,666 Where is your mother's suitcase? Ninth... 248 00:23:35,833 --> 00:23:38,375 I don't... I don't need the suitcase. 249 00:23:38,541 --> 00:23:42,708 You... you can go. I'm fine here with... with the sister. 250 00:23:42,875 --> 00:23:45,583 I... I don't need you anymore. You guys go away. 251 00:23:45,750 --> 00:23:48,958 I don't need them anymore. I'm... I feel... 252 00:23:49,125 --> 00:23:53,291 I feel good here, I feel safe. safe. I... I see her that... 253 00:23:55,708 --> 00:23:58,875 No, I don't need the suitcase. 254 00:23:59,041 --> 00:24:03,333 Look, all the things that's inside... I see it... 255 00:24:03,500 --> 00:24:06,625 Look... See? See? 256 00:24:06,791 --> 00:24:10,833 See, love? I I don't need it anymore. 257 00:24:11,000 --> 00:24:15,166 Look... look at this here. I don't need it anymore. 258 00:24:15,333 --> 00:24:19,541 But... mom... I used to wear it... for Luigi. 259 00:24:19,708 --> 00:24:21,208 Excuse me. Mom... 260 00:24:21,375 --> 00:24:23,541 I don't need this anymore. Mom... 261 00:24:23,708 --> 00:24:27,500 Let me do what I want! Wait... 262 00:24:27,666 --> 00:24:31,833 I also want to get rid of this thing I don't need anymore! Get out! 263 00:24:32,000 --> 00:24:33,625 Out, out, out, out, out! 264 00:24:33,791 --> 00:24:37,541 Oh, no... Get out! Get out! I can't do it. 265 00:24:37,708 --> 00:24:39,375 Faust... Go away! 266 00:24:39,541 --> 00:24:42,833 Mom, the dress. I said Get out! 267 00:24:46,666 --> 00:24:49,208 Oh! No, you stay seated. I'll... 268 00:24:49,375 --> 00:24:52,041 I am not... I am them. 269 00:24:52,208 --> 00:24:55,333 Nothing, but I wanted to ask... 270 00:24:56,166 --> 00:24:59,625 What time are the masses? In the morning... 271 00:24:59,791 --> 00:25:02,916 At what time? In the morning very early, at six o'clock. 272 00:25:19,500 --> 00:25:23,375 Since these six characters characters came to see me, 273 00:25:23,541 --> 00:25:26,750 I could no longer get rid of them. 274 00:25:27,541 --> 00:25:29,916 One night, while I was writing I was writing, 275 00:25:30,666 --> 00:25:32,833 they stand in front of me 276 00:25:33,000 --> 00:25:35,083 A somber man 277 00:25:35,875 --> 00:25:37,666 the father, 278 00:25:38,416 --> 00:25:41,166 A woman dressed in mourning, mother 279 00:25:41,333 --> 00:25:43,583 holding a girl by the hand girl by the hand, 280 00:25:44,291 --> 00:25:47,875 a boy with a gun in his gun in his pocket, 281 00:25:49,208 --> 00:25:51,666 another taciturn young man, the son 282 00:25:52,333 --> 00:25:54,541 And then she, the stepdaughter 283 00:25:55,333 --> 00:25:58,208 wrong, blatant. 284 00:25:59,458 --> 00:26:03,458 And first one, and then the other begins to tell me about his sad cases, 285 00:26:03,625 --> 00:26:05,625 their passions, 286 00:26:05,791 --> 00:26:09,666 and the more I try to chase them away, the more they haunt me 287 00:26:09,833 --> 00:26:12,833 telling me scenes they want to represent, 288 00:26:13,000 --> 00:26:16,958 even more so to live them, a real real torture, believe me, 289 00:26:17,125 --> 00:26:19,333 and they give me no respite. 290 00:26:22,833 --> 00:26:25,250 That, they are here now. 291 00:26:25,916 --> 00:26:29,083 You can't see them or feel them, but I can! 292 00:26:29,666 --> 00:26:32,750 They are whispering their sorrows to me... 293 00:26:33,166 --> 00:26:34,875 Small, small. 294 00:26:35,625 --> 00:26:39,041 With braids over the shoulders, the panties longer than the skirt. 295 00:26:39,208 --> 00:26:41,000 Small like this one. 296 00:26:43,250 --> 00:26:46,875 Misery... Really misery for a man... 297 00:26:48,000 --> 00:26:49,250 alone. 298 00:26:50,458 --> 00:26:54,708 He is not yet old enough to do without the woman 299 00:26:54,875 --> 00:26:58,541 and not so young anymore, to be able to easily, without shame, 300 00:26:58,708 --> 00:27:00,791 go looking for her. 301 00:27:01,250 --> 00:27:03,625 But what do I say misery, horror! 302 00:27:04,625 --> 00:27:06,166 Horror. 303 00:27:06,625 --> 00:27:08,500 Horror! 304 00:27:09,500 --> 00:27:11,541 My husband... 305 00:27:12,208 --> 00:27:15,000 With my... daughter! 306 00:27:15,666 --> 00:27:17,458 Horror! 307 00:27:17,625 --> 00:27:22,625 Horror! Horror! Horror! Horror! That's enough! Oh God! 308 00:27:27,166 --> 00:27:29,375 Nooo! 309 00:28:02,541 --> 00:28:04,125 Gentlemen... 310 00:28:04,291 --> 00:28:08,041 Stop clapping, but... did you understand? 311 00:28:08,208 --> 00:28:10,250 Yes, yes. Yes, of course. 312 00:28:10,458 --> 00:28:13,541 Half an hour break. Let's go. 313 00:28:19,875 --> 00:28:22,500 So? You don't say anything? 314 00:28:23,416 --> 00:28:25,208 Yes, Luigi... yes. 315 00:28:26,500 --> 00:28:29,375 But I don't think the not ready. 316 00:28:29,541 --> 00:28:30,791 What for? 317 00:28:30,958 --> 00:28:33,875 To that mother who... What? 318 00:28:34,625 --> 00:28:38,625 To those lurid scenes between the stepdaughter and the father, Luigi! 319 00:28:40,291 --> 00:28:42,000 And then? And then! 320 00:28:42,500 --> 00:28:45,208 Then a child who commits suicide. 321 00:28:49,750 --> 00:28:51,833 You, Stefano, what do you say? 322 00:28:53,458 --> 00:28:57,291 Dad, I... Stefano knows you, like me. 323 00:28:57,458 --> 00:28:59,791 He knows what you have in your head, but he 324 00:28:59,958 --> 00:29:02,416 public no, it is not necessary to know your private life. 325 00:29:02,583 --> 00:29:06,166 It is our private life that interests me. 326 00:29:06,333 --> 00:29:10,791 Life, as we suffer it every day. we suffer every day. 327 00:29:10,958 --> 00:29:14,083 It is necessary to provoke the slap them in the face. 328 00:29:14,250 --> 00:29:16,875 Be careful, don't get slapped by them. 329 00:29:17,041 --> 00:29:19,625 You are afraid of the audience. 330 00:29:19,791 --> 00:29:23,583 But go to that country, go! You are a coward. 331 00:29:23,833 --> 00:29:28,208 See you running away? Cowards run away, dear Bontempelli. 332 00:29:45,375 --> 00:29:49,083 Excuse me, but you are the writer Bontempelli. 333 00:29:49,250 --> 00:29:52,083 Yes. With whom do I have the pleasure of talking to? 334 00:29:52,250 --> 00:29:56,375 I am Saul Colin, Luigi Pirandello's literary agent of Luigi Pirandello. 335 00:29:56,541 --> 00:30:01,458 The master has... invited me to this absolute first 336 00:30:01,625 --> 00:30:04,875 and said between us, I would like to take the show to Paris. I would like to take the show to Paris. 337 00:30:05,041 --> 00:30:06,291 To Paris? 338 00:30:06,458 --> 00:30:11,916 I am sure it will be a great success a great success and I want to bring 339 00:30:12,083 --> 00:30:14,541 the six characters all over Europe. Let's hope so. 340 00:30:14,708 --> 00:30:18,000 The audience in the valley is very difficult. Dad! 341 00:30:18,166 --> 00:30:20,791 Lietta. Come here. Excuse me. 342 00:30:22,041 --> 00:30:24,416 So, are you ready? 343 00:30:24,583 --> 00:30:26,666 You are never ready. 344 00:30:27,333 --> 00:30:30,708 Mr. Pirandello, what an honor! This is Manuel. 345 00:30:30,875 --> 00:30:34,500 Lietta told me a lot about you. 346 00:30:34,666 --> 00:30:37,291 You... are not Italian. 347 00:30:37,833 --> 00:30:42,083 Chilean. I am an officer of the Chilean embassy here in Rome. 348 00:30:42,250 --> 00:30:45,166 Five minutes. 349 00:30:45,333 --> 00:30:47,708 We don't tell you anything. Go. 350 00:30:47,875 --> 00:30:49,791 See you later. 351 00:31:11,166 --> 00:31:14,833 # Eyes that look at me # 352 00:31:16,791 --> 00:31:20,291 # Tell me what you want 353 00:31:21,583 --> 00:31:27,166 # Do you want me or the one you're looking at? 354 00:31:29,333 --> 00:31:32,958 # Big arms, beautiful thighs 355 00:31:33,458 --> 00:31:35,708 # Red mouth 356 00:31:37,250 --> 00:31:39,875 # Loose hair 357 00:31:40,041 --> 00:31:43,958 # Stick out your chest, walk straight # 358 00:31:44,666 --> 00:31:48,541 # Broken nails 359 00:31:48,708 --> 00:31:50,666 # Shamelessly # 360 00:31:52,166 --> 00:31:55,000 # The belly contorts # 361 00:31:55,666 --> 00:31:59,208 # contorting, moving here # 362 00:32:05,500 --> 00:32:08,291 # Eyes that look at me # 363 00:32:08,833 --> 00:32:13,708 # what do you want from me, tell me what you want # 364 00:32:14,083 --> 00:32:16,875 # Tell me what you want 365 00:32:18,250 --> 00:32:21,458 # Belly contorts # 366 00:32:22,666 --> 00:32:25,333 # Belly contorts # 367 00:32:26,291 --> 00:32:29,208 # It moves here, the truth # 368 00:32:29,541 --> 00:32:32,333 # It's contorted here # 369 00:32:38,500 --> 00:32:40,250 # Come here with me. # 370 00:32:45,250 --> 00:32:47,000 Shame on you! 371 00:32:47,166 --> 00:32:50,791 Why if you don't like it... 372 00:32:51,291 --> 00:32:54,291 It's an indecency! It gives you money. 373 00:32:54,458 --> 00:32:58,166 That girl is a prostitute. Enough! 374 00:32:59,000 --> 00:33:02,583 For God's sake, Mom! No, for God's sake. You slut! 375 00:33:03,625 --> 00:33:04,958 Enough! 376 00:33:05,125 --> 00:33:07,750 Silence! Silence! 377 00:33:08,375 --> 00:33:11,666 I still have it here in my ears! It's a scandal! 378 00:33:11,833 --> 00:33:15,250 Stop it! That scream drove me crazy! 379 00:33:15,416 --> 00:33:19,583 She can represent me however she wants I don't care, even dressed. 380 00:33:20,000 --> 00:33:23,500 No. As long as I have... at least arms, 381 00:33:23,666 --> 00:33:26,166 only bare arms. 382 00:33:26,333 --> 00:33:27,916 Naked! 383 00:33:28,291 --> 00:33:31,583 Why... Look, stand like this, 384 00:33:32,375 --> 00:33:35,000 with my head resting on his chest, like this. 385 00:33:35,833 --> 00:33:38,750 and his arms around her neck, like this.... 386 00:33:39,666 --> 00:33:42,833 It's indecent! I could see myself throbbing here in my arm.... 387 00:33:43,000 --> 00:33:45,541 Here, a vein! Stop it! 388 00:33:46,083 --> 00:33:50,083 So it's as if only that one vein of mine disgusts me. 389 00:33:50,250 --> 00:33:52,458 I squinted my eyes like this. 390 00:33:53,416 --> 00:33:58,041 It's indecent! And I sank my head on his chest. 391 00:33:58,208 --> 00:34:00,666 Shame on you! You slut! 392 00:34:01,750 --> 00:34:03,500 Not like this. 393 00:34:05,375 --> 00:34:07,708 Scream... scream! 394 00:34:08,083 --> 00:34:10,625 How you screamed then! No, Lord. 395 00:34:10,791 --> 00:34:14,333 No, Lord, do not allow it. 396 00:34:14,500 --> 00:34:18,416 Now, come now, hate forever! 397 00:34:18,583 --> 00:34:21,166 My torment is not over. 398 00:34:21,375 --> 00:34:23,708 She is my daughter! 399 00:34:23,875 --> 00:34:28,333 She's my daughter! Oh, no! Stop it! 400 00:34:28,916 --> 00:34:32,583 But no, no... No mother must not be here. 401 00:34:32,750 --> 00:34:35,250 I'm leaving. Spit blood! 402 00:34:35,416 --> 00:34:37,208 Now! 403 00:34:37,416 --> 00:34:40,416 Stop with these hands or I'll break them! 404 00:34:42,791 --> 00:34:43,916 It's indecent! 405 00:34:46,541 --> 00:34:49,000 # I'm in love # # 406 00:34:49,166 --> 00:34:52,791 Go away! # The heart is strong 407 00:34:52,958 --> 00:34:54,333 Enough! 408 00:35:06,458 --> 00:35:08,833 It is an indecency! 409 00:35:16,625 --> 00:35:19,041 I have to face them. No, Dad... 410 00:35:19,291 --> 00:35:21,791 Gentlemen... Clown! 411 00:35:21,958 --> 00:35:23,625 No... 412 00:35:23,958 --> 00:35:25,916 Let me explain. 413 00:35:32,125 --> 00:35:33,541 Master... 414 00:35:51,791 --> 00:35:53,416 Then... 415 00:35:53,833 --> 00:35:55,583 Cortina! 416 00:36:09,166 --> 00:36:12,708 A failure... failure... Failure! 417 00:36:50,416 --> 00:36:52,500 Oh, tonight... huh? Ssh! 418 00:37:03,041 --> 00:37:04,750 Dad... 419 00:37:07,083 --> 00:37:09,791 Why don't you come and have some fun? Huh? 420 00:37:11,666 --> 00:37:14,291 Look, Faustino, your sister sister leaves me alone. 421 00:37:14,458 --> 00:37:17,791 No! You know, Lietta? I'm happy for you. 422 00:37:17,958 --> 00:37:20,750 You will finally have the life you've always wanted. 423 00:37:20,916 --> 00:37:24,041 Excuse me? Now that you are not surrounded by honorable masses, 424 00:37:24,208 --> 00:37:25,971 I wanted to introduce you to my love. 425 00:37:25,995 --> 00:37:29,000 Then I'll take this opportunity I also introduce you to my love. 426 00:37:29,166 --> 00:37:31,250 Olinda Labroca. Enchanted. 427 00:37:31,416 --> 00:37:34,583 I've heard a lot about you. It is a very refined music. 428 00:37:34,750 --> 00:37:37,375 Stefano always exaggerates. 429 00:37:37,541 --> 00:37:40,375 She is my heart. Paola Masino. Very happy. 430 00:37:40,625 --> 00:37:43,666 Remember this name because she will become she will become a famous writer. 431 00:37:44,791 --> 00:37:47,791 Now who's exaggerating? Nice to meet you. 432 00:37:47,958 --> 00:37:49,083 My pleasure. 433 00:37:51,250 --> 00:37:55,416 Ladies and gentlemen, on behalf of of the embassy I represent, 434 00:37:55,583 --> 00:37:59,000 I have to give good news to the news to the groom. 435 00:38:00,583 --> 00:38:04,208 Dear Manuel, you will soon return to Santiago 436 00:38:04,375 --> 00:38:07,916 where he will go to fill a very prestigious position 437 00:38:08,083 --> 00:38:10,250 for the Chilean government. 438 00:38:10,416 --> 00:38:14,291 Then you will be able to make your mistress to know our country. 439 00:38:14,458 --> 00:38:18,208 Let's celebrate this moment... 440 00:38:25,833 --> 00:38:28,583 "Ah, Lietta, my beautiful little one! 441 00:38:29,458 --> 00:38:34,291 I am so full of anguish bitterness for your remoteness! 442 00:38:34,458 --> 00:38:38,041 The house seems to me empty like my life, Lietta. 443 00:38:38,208 --> 00:38:40,583 Do you know that Fausto also left me? 444 00:38:40,750 --> 00:38:43,750 He has also done something crazy. 445 00:38:43,916 --> 00:38:46,416 He went to Paris to become a painter. 446 00:38:46,583 --> 00:38:49,666 A good hot broth. 447 00:38:50,625 --> 00:38:52,916 "You have to come back soon, Lietta, 448 00:38:53,083 --> 00:38:56,291 otherwise your father... will die of anguish. 449 00:38:57,250 --> 00:39:01,333 Master, you cannot spend the night on an empty stomach. 450 00:39:01,500 --> 00:39:03,416 "Daddy adored, your letters 451 00:39:03,583 --> 00:39:06,916 keep me company in these lonely days 452 00:39:07,083 --> 00:39:11,791 and make me feel that I am with you. I know of your successes. 453 00:39:12,583 --> 00:39:15,750 Stefano wrote to me about the young actress with whom you collaborate. 454 00:39:15,916 --> 00:39:18,333 I'm happy for you." 455 00:39:21,416 --> 00:39:23,500 I must have been 13, 14 years old. 456 00:39:23,666 --> 00:39:26,333 Since then, being an actress has been my fixed thought. 457 00:39:26,500 --> 00:39:29,083 Then I apply to the Amateur Playwriting Academy 458 00:39:29,250 --> 00:39:32,791 against my father's wishes. I had prepared myself. 459 00:39:32,958 --> 00:39:35,625 For months I had been studying a monologue from A Doll's House. 460 00:39:36,083 --> 00:39:39,875 I had become... I felt... Nora. 461 00:39:40,458 --> 00:39:44,708 I was sure they would admit me. Instead, they wouldn't even let me start. 462 00:39:45,375 --> 00:39:48,291 "How old are you? Are you a child. 463 00:39:48,458 --> 00:39:52,458 Treasure, at your age, the theater you could only watch from your armchair." 464 00:39:53,083 --> 00:39:55,708 I'll let you imagine the disappointment. 465 00:39:55,875 --> 00:39:59,250 Then my father decided that he had to help help one of our stores. 466 00:39:59,875 --> 00:40:03,166 For a while I went, I also had fun, 467 00:40:03,333 --> 00:40:05,416 then I started to get bored 468 00:40:05,583 --> 00:40:07,666 and when you get bored, what does it do? 469 00:40:08,875 --> 00:40:10,250 Dreams. 470 00:40:10,541 --> 00:40:14,750 The store window looked like a small stage to me. seemed to me like a small stage. 471 00:40:15,458 --> 00:40:17,791 I stood there in front of 472 00:40:17,958 --> 00:40:20,541 and I became... Nora, 473 00:40:21,958 --> 00:40:23,625 Hedda Gabler, 474 00:40:23,791 --> 00:40:25,708 Ofelia... 475 00:40:25,875 --> 00:40:27,625 Crazy Ophelia. 476 00:40:29,291 --> 00:40:31,375 You can't imagine my surprise 477 00:40:32,666 --> 00:40:34,875 when I raised my eyes 478 00:40:35,041 --> 00:40:38,875 and in front of me, a small crowd crowd was looking at me 479 00:40:40,083 --> 00:40:42,208 and applauded me. 480 00:40:44,250 --> 00:40:46,666 I cried with joy. 481 00:40:55,375 --> 00:40:56,833 Marta... 482 00:40:58,333 --> 00:40:59,916 Abba. 483 00:41:01,416 --> 00:41:03,500 But why didn't I invent you! 484 00:41:11,541 --> 00:41:15,500 Silvio d'Amico made me me to discover this place. 485 00:41:16,791 --> 00:41:19,166 Look how wonderful. 486 00:41:19,333 --> 00:41:21,333 Palazzo Braschi! 487 00:41:21,500 --> 00:41:26,125 Now you will see inside the magnificence of gold. 488 00:41:26,500 --> 00:41:29,250 I read the script of Our Goddess. I loved it. 489 00:41:29,416 --> 00:41:32,541 It is an absolute masterpiece. Bontempelli is a genius. 490 00:41:32,708 --> 00:41:36,833 Look, I found some fabrics perfect for the protagonist. 491 00:41:37,000 --> 00:41:38,500 Watch. 492 00:41:40,041 --> 00:41:43,083 Because you, the women of today, want to 493 00:41:43,250 --> 00:41:46,875 to be free, independent, determined. 494 00:41:47,041 --> 00:41:50,500 Anxious to live more dynamically than their grandmothers, or their mothers. 495 00:41:50,666 --> 00:41:52,916 I am the mother. 496 00:41:53,083 --> 00:41:56,208 Oh, with all due respect, ma'am. Master. 497 00:42:01,208 --> 00:42:04,125 Look how wonderful. 498 00:42:07,916 --> 00:42:11,166 This blue could be be perfect for 499 00:42:11,333 --> 00:42:13,750 the kissing scene between the Dea and Orsa. 500 00:42:14,541 --> 00:42:17,458 What do you think? Wait for it. 501 00:42:20,291 --> 00:42:21,375 Ven. 502 00:42:34,125 --> 00:42:35,291 Here you go. 503 00:42:44,541 --> 00:42:46,725 Tell me you love me. 504 00:42:47,750 --> 00:42:50,375 Give me a kiss my friend. 505 00:42:54,750 --> 00:42:58,291 Get your mother and Cele to help you. Cele. Choose the models, I... 506 00:43:03,125 --> 00:43:06,916 Master, what an honor! 507 00:43:07,083 --> 00:43:09,166 Did you come to greet us? 508 00:43:09,333 --> 00:43:12,750 I know you are preparing a new show. 509 00:43:12,916 --> 00:43:15,416 What about a hair hair arrangement. 510 00:43:16,166 --> 00:43:20,166 Just a blunt. Please. Come, make yourself comfortable. 511 00:43:20,750 --> 00:43:22,958 Rudy! There's the master. 512 00:43:24,958 --> 00:43:26,583 Leave it, I'll take care of it. 513 00:43:26,875 --> 00:43:29,250 Perfect. Mom, what do you think? 514 00:43:29,416 --> 00:43:32,250 And... I wouldn't know. Cele. 515 00:43:32,916 --> 00:43:36,625 What scene were you thinking of? After our kissing scene. 516 00:43:37,166 --> 00:43:39,250 How I am theatrical. 517 00:43:43,458 --> 00:43:46,333 Ten years less, Maestro. 518 00:43:50,375 --> 00:43:52,291 Orsa, where are you? 519 00:43:54,250 --> 00:43:55,750 Orsetta? 520 00:43:59,083 --> 00:44:01,916 Orsina? 521 00:44:09,333 --> 00:44:12,250 Orsina... but what do you have? 522 00:44:12,875 --> 00:44:15,791 No, no, don't cry, love. 523 00:44:16,083 --> 00:44:18,041 No, no, calm down. 524 00:44:18,583 --> 00:44:21,041 Come on, tell us well. Come here. 525 00:44:21,708 --> 00:44:23,791 Vulcan, come here! 526 00:44:24,583 --> 00:44:28,541 What's wrong with you? Have I been a little rude? Huh? 527 00:44:30,375 --> 00:44:32,416 Forgive me, my dear, forgive me. 528 00:44:32,583 --> 00:44:37,166 I am distracted. Sometimes I don't even know what I'm doing, what I'm thinking. 529 00:44:37,333 --> 00:44:39,500 Huh? Excuse me? 530 00:44:42,541 --> 00:44:43,875 Tell me. 531 00:44:44,791 --> 00:44:47,041 Tell me you love me. 532 00:44:48,083 --> 00:44:49,833 Give me a kiss, my friend! 533 00:44:56,000 --> 00:44:57,916 More beautiful. 534 00:45:07,541 --> 00:45:10,541 Oooh... Silence. 535 00:45:10,708 --> 00:45:14,125 What is happening? 536 00:45:18,000 --> 00:45:19,791 Ah... like this. 537 00:45:19,958 --> 00:45:23,333 Mmm... mmm... 538 00:45:24,333 --> 00:45:26,500 You too, Vulcan, a kiss. 539 00:45:31,833 --> 00:45:33,083 Ah! 540 00:45:34,083 --> 00:45:35,916 On the forehead. 541 00:45:59,916 --> 00:46:02,958 Ah, I really do look like a handsome young man. 542 00:46:03,125 --> 00:46:05,500 Ada, the jacket. Here it is. 543 00:46:06,416 --> 00:46:08,958 Ah! You were saying Vulcan? 544 00:46:09,225 --> 00:46:11,433 It's over there and the Countess Orsa Manda say... 545 00:46:11,500 --> 00:46:15,833 Send her to hell! Those two are clumsy and annoying. 546 00:46:16,250 --> 00:46:18,416 I want to have fun. 547 00:46:18,791 --> 00:46:22,250 I want to ride a horse. OP, OP, OP, OP, OP, OP... 548 00:46:22,416 --> 00:46:25,416 Ah, ha, ha, ha, ha, ha, ha, ha.... 549 00:46:26,166 --> 00:46:28,291 I would like to be a man 550 00:46:28,458 --> 00:46:32,083 not to be obliged to take women seriously! take women seriously! 551 00:46:33,583 --> 00:46:35,916 I can't stand them, 552 00:46:36,083 --> 00:46:37,375 to women. 553 00:46:39,000 --> 00:46:41,291 Op! 554 00:46:48,458 --> 00:46:50,333 Brava! 555 00:46:52,041 --> 00:46:54,291 Master... Bravo! 556 00:46:54,458 --> 00:46:56,625 Congratulations. Bravo! 557 00:46:58,458 --> 00:47:00,541 Lietta. Papa! 558 00:47:02,875 --> 00:47:05,250 When did you arrive? This morning. 559 00:47:05,416 --> 00:47:07,833 Stefano kept me hidden to surprise you. 560 00:47:08,000 --> 00:47:10,291 You have succeeded. Yes. 561 00:47:10,666 --> 00:47:12,166 Marta, come. 562 00:47:12,750 --> 00:47:15,916 This is my daughter Lietta, the one who lives in Chile. 563 00:47:16,083 --> 00:47:18,375 A pleasure. With her husband Manuel. 564 00:47:18,541 --> 00:47:22,916 My pleasure. Lietta, Miss Marta Abba. 565 00:47:23,083 --> 00:47:27,000 I know it's good for my father. He does me good. 566 00:47:29,000 --> 00:47:32,750 Master, the kitchen is closed. Master, I'm hungry. 567 00:47:32,916 --> 00:47:34,833 Good evening, excuse me. 568 00:47:35,416 --> 00:47:39,208 We're going to dinner. Are you coming? No, it was a long trip. 569 00:47:39,375 --> 00:47:41,916 I am very tired. You, Fausto? 570 00:47:42,083 --> 00:47:44,833 No, I'm staying with them. We have a lot of things to tell each other. 571 00:47:45,000 --> 00:47:47,708 Okay, I'll go then. I'll go then. 572 00:47:47,958 --> 00:47:51,250 Go, they are waiting for you. See you at see you tomorrow for lunch. 573 00:47:51,416 --> 00:47:52,666 Yes. 574 00:48:08,625 --> 00:48:10,791 What happened? 575 00:48:16,666 --> 00:48:19,708 I like his style. Who knows who will say daddy. 576 00:48:20,416 --> 00:48:22,291 It will not be to your liking. 577 00:48:22,458 --> 00:48:25,708 It does not mean that it is not a good work. 578 00:48:25,916 --> 00:48:29,375 The genius of the house is him and he says that I should take up sculpture. 579 00:48:29,541 --> 00:48:33,166 They are a family of artists. Yes, except for me, 580 00:48:33,333 --> 00:48:36,833 Manuel who decided to marry you and create a family. 581 00:48:39,583 --> 00:48:40,875 Manuel... 582 00:48:44,083 --> 00:48:47,208 You should have invited ABBA. No... 583 00:48:47,375 --> 00:48:50,166 Marta is in the theater, she is working. 584 00:48:50,333 --> 00:48:53,250 But today is a rest day. Yes, but I wasn't convinced 585 00:48:53,416 --> 00:48:56,458 of the lights and forced Bontempelli and all 586 00:48:56,625 --> 00:49:00,375 actors and technicians to return to the tests of the play. 587 00:49:00,541 --> 00:49:05,458 I have never met a woman with a practical sense of art like her. 588 00:49:08,041 --> 00:49:10,291 Practicality is what 589 00:49:10,458 --> 00:49:13,041 we are always missing Pirandello. 590 00:49:16,958 --> 00:49:19,625 Dad? Just a moment, Lietta. 591 00:49:19,875 --> 00:49:21,500 Gentlemen... 592 00:49:24,000 --> 00:49:28,666 I decided to ask Mussolini to support our idea 593 00:49:28,833 --> 00:49:31,875 of a national theater funded by the state. 594 00:49:32,583 --> 00:49:35,250 After the success of Marta in Nostra Dea, 595 00:49:35,416 --> 00:49:38,625 I have no reason to doubt that we will obtain your approval. 596 00:49:38,791 --> 00:49:43,333 I therefore propose a toast to this great new venture. 597 00:49:44,916 --> 00:49:46,708 Dad. Yes? 598 00:49:51,500 --> 00:49:54,041 Could you come over there for a moment? 599 00:50:10,000 --> 00:50:12,416 What is it, Lietta dear? 600 00:50:20,791 --> 00:50:23,791 You know, Dad? I don't have much to do in Chile. 601 00:50:24,666 --> 00:50:28,958 In front of the house I have a garden and one day I planted a tree. 602 00:50:30,166 --> 00:50:34,291 I chose an olive tree. I took care of it as much as possible. 603 00:50:34,458 --> 00:50:39,208 I took care of it, but for two years I could not make it bear fruit 604 00:50:41,833 --> 00:50:45,541 and it was in that period that I became pregnant with Manolito. 605 00:50:47,291 --> 00:50:50,083 I was so happy to to become a mother! 606 00:50:50,541 --> 00:50:54,208 You don't know how I would have wanted to be close to you in those moments 607 00:50:56,333 --> 00:51:00,541 and how I would have needed you when the child died. 608 00:51:02,375 --> 00:51:05,500 You told me you were about to die without me 609 00:51:06,500 --> 00:51:10,583 and now that I'm back, I can't find you. What do you mean? I am here. 610 00:51:10,750 --> 00:51:15,541 Not for me. I don't understand, what are you accusing me of? 611 00:51:16,583 --> 00:51:20,833 You decided to get married and go to live abroad. 612 00:51:21,000 --> 00:51:23,041 What could I do? 613 00:51:23,208 --> 00:51:26,333 What a life I would have had here with a mother in the asylum and you... 614 00:51:26,500 --> 00:51:29,666 I'm what? In the clutches of your ghosts! 615 00:51:30,750 --> 00:51:32,333 I do not understand. 616 00:51:32,500 --> 00:51:36,375 I died that night you found me you found me with the gun in my hand, 617 00:51:39,958 --> 00:51:44,166 but it seems to me that you managed to console yourself very well with that actress, didn't you? 618 00:51:44,333 --> 00:51:47,000 But who? Marta? 619 00:51:47,916 --> 00:51:51,625 If you don't even know her, how can you say these things? 620 00:51:51,791 --> 00:51:55,500 You don't know what I've these four years! 621 00:51:55,666 --> 00:51:57,875 You were not, you were in Chile 622 00:51:58,041 --> 00:52:01,916 and my ghosts, as you call them as you call them, have become... 623 00:52:02,083 --> 00:52:03,375 in demons. 624 00:52:03,541 --> 00:52:07,875 Marta brought me back to life as an artist and as a man. 625 00:52:08,041 --> 00:52:12,000 She inspired me. She's like another daughter to me, can you understand that? 626 00:52:12,166 --> 00:52:14,625 Maybe I am his son. Yes, I can see that. 627 00:52:14,791 --> 00:52:18,933 You dress fashionably, you change the color of your hair hair color and I don't recognize you anymore. 628 00:52:19,041 --> 00:52:22,291 However, we are your children, 629 00:52:23,791 --> 00:52:27,208 not Marta Abba. Just you talk, Fausto 630 00:52:27,375 --> 00:52:30,250 that you have always felt like a stranger in the family 631 00:52:30,416 --> 00:52:33,166 and you ran away to Paris to be an artist. 632 00:52:33,333 --> 00:52:35,500 Yes, of course, that you are my children 633 00:52:35,666 --> 00:52:39,083 and they have always been able to count on me. Dad... 634 00:52:41,750 --> 00:52:43,833 You're unfair, Dad. 635 00:52:46,916 --> 00:52:48,291 But you... 636 00:52:48,541 --> 00:52:50,541 Who are they? 637 00:52:51,041 --> 00:52:53,208 Who are they? 638 00:52:54,625 --> 00:52:56,416 Who are you, Fausto? 639 00:52:57,833 --> 00:52:59,625 Where are you running away? 640 00:53:06,375 --> 00:53:07,916 I... 641 00:53:08,750 --> 00:53:11,666 I am this, Dad. Here you go. 642 00:53:14,208 --> 00:53:15,666 We... 643 00:53:16,625 --> 00:53:18,291 we are this. 644 00:53:46,250 --> 00:53:48,333 Ah, right... 645 00:53:49,375 --> 00:53:50,958 It is true. 646 00:53:51,166 --> 00:53:52,583 My God... 647 00:53:52,750 --> 00:53:55,083 My God, my God, my God... 648 00:53:56,166 --> 00:53:58,375 How do I do now? 649 00:53:59,208 --> 00:54:01,291 How do I do now? 650 00:54:01,833 --> 00:54:04,583 I can't go on like this. 651 00:54:05,416 --> 00:54:07,583 Ah, no, no, I can't do it anymore. 652 00:54:10,625 --> 00:54:12,708 How do I do now? 653 00:54:16,041 --> 00:54:18,833 You! Do you understand me? 654 00:54:19,958 --> 00:54:22,041 Look at me! 655 00:54:24,000 --> 00:54:25,500 There... 656 00:54:25,958 --> 00:54:28,166 There with my flesh, 657 00:54:29,083 --> 00:54:31,125 with my blood, 658 00:54:31,791 --> 00:54:34,208 with my seeing eyes, 659 00:54:34,791 --> 00:54:39,750 what he was doing to me, that he all of me for his statue. 660 00:54:40,208 --> 00:54:42,833 Me being there, alive 661 00:54:43,750 --> 00:54:45,666 and be nothing. 662 00:54:48,333 --> 00:54:49,708 Is it possible? 663 00:54:50,625 --> 00:54:54,708 If he had not realized that he was suffering, but he did. 664 00:54:55,375 --> 00:54:59,333 Did you notice if he made me these eyes there on the statue! 665 00:55:00,333 --> 00:55:03,458 I know, it didn't have to be to be anything to him, 666 00:55:05,458 --> 00:55:07,333 but I was made of meat. 667 00:55:08,666 --> 00:55:10,375 Of meat... 668 00:55:11,625 --> 00:55:13,958 I was macerated! 669 00:55:15,708 --> 00:55:17,166 Yes. 670 00:55:20,416 --> 00:55:22,833 How do I do now? 671 00:55:29,541 --> 00:55:31,750 How do I do now? 672 00:55:41,583 --> 00:55:43,875 Brava! sublime! 673 00:55:53,333 --> 00:55:54,708 I salute the Duce! 674 00:55:59,833 --> 00:56:01,916 Teacher. 675 00:56:05,125 --> 00:56:08,333 Don't be surprised to to hear me talk like this. 676 00:56:08,500 --> 00:56:12,916 I am not one of those saints who pretend to know nothing. 677 00:56:13,083 --> 00:56:16,833 I am like this, precisely because I know it. 678 00:56:28,083 --> 00:56:31,041 Mamma Mia, what an earthquake! 679 00:56:31,208 --> 00:56:34,458 I didn't manage to close one eye tonight. 680 00:56:34,625 --> 00:56:37,708 Room 18, all night. Was it them? 681 00:56:37,875 --> 00:56:40,791 -You-you, you-you, you-you. Margheri. 682 00:56:40,958 --> 00:56:42,875 Him? The comic capo? 683 00:56:43,041 --> 00:56:46,958 A chambermaid came out of her room. Oh, Holy Virgin, shameless! 684 00:57:30,625 --> 00:57:34,166 Good evening, may I ask the lady to dance? 685 00:57:38,208 --> 00:57:39,750 Master? 686 00:59:00,083 --> 00:59:02,208 Good night, maestro. Good night to you. 687 00:59:08,666 --> 00:59:12,291 Is there something wrong, maestro? No, everything is fine. 688 00:59:12,791 --> 00:59:16,000 Why don't you come to my room? We have a drink, talk a little 689 00:59:16,166 --> 00:59:20,041 Go and rest too. No, I insist. 690 00:59:20,791 --> 00:59:22,666 Please, maestro. 691 00:59:23,041 --> 00:59:25,125 So hot... So hot! 692 00:59:26,041 --> 00:59:29,291 Make yourself comfortable. One minute and I'll be back. 693 00:59:46,583 --> 00:59:48,791 Excuse me, maestro. 694 01:00:05,291 --> 01:00:07,458 Oh, I'm finally breathing. 695 01:00:07,708 --> 01:00:10,041 Maestro, Grappino or Vermut? 696 01:00:10,458 --> 01:00:12,625 You decide, my dear. 697 01:00:23,375 --> 01:00:24,583 Cin Cin, then. 698 01:00:25,458 --> 01:00:26,750 Cin Cin. 699 01:00:30,166 --> 01:00:31,500 Mmmm... 700 01:00:33,875 --> 01:00:36,041 What an audience tonight! 701 01:00:36,208 --> 01:00:38,833 How wonderful is the Como Social Theater, 702 01:00:39,000 --> 01:00:43,250 with all those costumes, the photos of Caruso photos of Caruso, Duse, D'Annunzio. 703 01:00:51,625 --> 01:00:53,083 "It rains 704 01:00:54,041 --> 01:00:55,666 on your eyelashes 705 01:00:56,541 --> 01:00:58,000 black 706 01:00:59,625 --> 01:01:01,916 Yes, you look like you're crying, 707 01:01:04,125 --> 01:01:06,208 but of pleasure." 708 01:01:12,333 --> 01:01:14,416 What's up, maestro? 709 01:02:05,541 --> 01:02:07,500 Come here, Marta, 710 01:02:08,666 --> 01:02:10,541 in the mirror. 711 01:02:19,083 --> 01:02:20,875 What do you see? 712 01:02:24,041 --> 01:02:26,041 An old man, you see. 713 01:02:26,666 --> 01:02:29,125 A face with wrinkles, 714 01:02:29,291 --> 01:02:31,375 withered lips. 715 01:02:46,041 --> 01:02:50,541 You can't know this terrible thing terrible thing that happens to old people. 716 01:02:50,708 --> 01:02:52,541 A mirror! 717 01:02:52,708 --> 01:02:55,000 Suddenly discovering you and... 718 01:02:57,208 --> 01:02:59,291 And shame. 719 01:02:59,458 --> 01:03:01,500 The shame of feeling... 720 01:03:02,541 --> 01:03:05,291 looking like an old man. 721 01:03:06,083 --> 01:03:07,791 The heart... 722 01:03:09,458 --> 01:03:11,708 still young and warm. 723 01:03:16,708 --> 01:03:18,916 I would have liked to kiss you before 724 01:03:20,833 --> 01:03:22,458 But you can't. 725 01:03:23,708 --> 01:03:25,791 You shouldn't! 726 01:04:04,291 --> 01:04:05,791 Atrocious. 727 01:04:09,291 --> 01:04:11,166 Atrocious. 728 01:04:34,875 --> 01:04:38,041 You will always be my teacher 729 01:04:38,208 --> 01:04:41,000 and I will be, forever. 730 01:04:57,458 --> 01:05:00,208 How long does it take to repair? 731 01:05:01,500 --> 01:05:03,416 With this sun, who wants to, doctor? 732 01:05:04,166 --> 01:05:06,500 at least four or five hours. 733 01:05:07,250 --> 01:05:11,208 But then, don't you remember that near here is your father's mine? 734 01:05:12,000 --> 01:05:14,375 Then, with a walk, you get there. 735 01:05:19,083 --> 01:05:22,791 What do you say, Marta? Would you like to walk a little? 736 01:05:23,500 --> 01:05:25,583 Why not, maestro? 737 01:05:26,166 --> 01:05:27,625 Let's go. 738 01:05:29,500 --> 01:05:31,333 Master! Master! 739 01:05:32,083 --> 01:05:34,625 Master... She looks great. 740 01:05:34,791 --> 01:05:39,000 The water is very hot, come on. Let's go for a walk with the master. 741 01:05:39,166 --> 01:05:42,625 No! Margheri, get dressed. 742 01:05:42,791 --> 01:05:46,375 No, just now when I was having fun. 743 01:05:57,333 --> 01:05:59,583 Let's go... Let's go! 744 01:05:59,750 --> 01:06:02,625 Let's go, let's go! 745 01:06:06,708 --> 01:06:09,666 Come on, walk, walk! 746 01:06:15,583 --> 01:06:18,666 Come on, let's go! 747 01:06:24,208 --> 01:06:26,500 Let's go! 748 01:06:31,250 --> 01:06:33,541 Go! 749 01:07:15,041 --> 01:07:18,750 Do you feel this animal stench? 750 01:07:19,500 --> 01:07:21,916 They live in slums 751 01:07:22,083 --> 01:07:24,416 between goats and pigs. 752 01:07:25,250 --> 01:07:28,791 Humans and beasts all together, as one family. 753 01:07:29,541 --> 01:07:31,333 I come from here. 754 01:07:31,500 --> 01:07:35,750 My father managed these mines and here he wanted me, doing the accounting. 755 01:07:36,583 --> 01:07:39,916 On the other hand, when I was 18 I ran away to Germany 756 01:07:40,083 --> 01:07:42,166 and I came back here alone... 757 01:07:44,708 --> 01:07:46,833 ten years later. 758 01:07:48,416 --> 01:07:51,250 Let's go, guys! 759 01:08:01,083 --> 01:08:02,958 Oh... oooh... 760 01:08:03,125 --> 01:08:07,000 Friend, join me in the dance. 761 01:08:07,208 --> 01:08:09,625 And in fact, in fact... 762 01:08:09,791 --> 01:08:11,375 eavesdropping, 763 01:08:11,875 --> 01:08:15,541 I saw a girl, 764 01:08:15,875 --> 01:08:18,000 dance partner, 765 01:08:18,166 --> 01:08:21,208 pretty, but very pretty... 766 01:08:22,166 --> 01:08:24,666 I saw her come out of a tunic 767 01:08:24,833 --> 01:08:28,833 that was torn and a titty was coming out. 768 01:08:30,875 --> 01:08:32,333 Iaco... 769 01:08:32,875 --> 01:08:36,708 Friend of the dances, Join me, Iacco. 770 01:08:37,833 --> 01:08:39,500 You know, Marta? 771 01:08:39,666 --> 01:08:43,375 Saul Colin sent me a proposal a proposal 772 01:08:43,541 --> 01:08:48,000 of the most important production house 773 01:08:48,166 --> 01:08:50,416 German film industry, Feldner und Samle. 774 01:08:51,416 --> 01:08:55,250 They want to make a movie of all six characters. 775 01:08:55,416 --> 01:08:58,041 A six-character film? Yes. 776 01:08:58,208 --> 01:09:00,750 I have been working on it for years 777 01:09:00,916 --> 01:09:04,375 and the direction will be by Murnau, the greatest German film director. 778 01:09:04,541 --> 01:09:07,541 Remember Nosferatu? What a masterpiece! 779 01:09:08,958 --> 01:09:11,041 And that's not all. 780 01:09:11,416 --> 01:09:14,958 I am also asked to play a role in the film. to play a role in the film. 781 01:09:16,375 --> 01:09:18,666 I will be... the author. 782 01:09:20,500 --> 01:09:23,333 For the role of the stepdaughter, Murnau thought 783 01:09:23,500 --> 01:09:28,125 in a new young Italian actress whose name... her name is... her name is... 784 01:09:30,708 --> 01:09:33,875 Her name is Marta Abba. Do you know her, by any chance? 785 01:09:37,208 --> 01:09:39,291 The cinematograph! 786 01:09:41,625 --> 01:09:44,125 Berlin, Berlin... 787 01:09:44,291 --> 01:09:46,375 I have always dreamed of it, master! 788 01:09:46,791 --> 01:09:48,875 Can I hug him? 789 01:09:59,625 --> 01:10:03,375 We are never so far away from our desires 790 01:10:03,541 --> 01:10:07,708 as when we delude ourselves to possess what we desire. 791 01:10:12,833 --> 01:10:15,291 # Throughout history # 792 01:10:15,458 --> 01:10:18,000 # An invitation to emancipation 793 01:10:18,166 --> 01:10:20,416 From humans to protozoa # From humans to protozoa # 794 01:10:20,583 --> 01:10:23,041 # Wherever, women want power # 795 01:10:23,208 --> 01:10:25,791 # From Amazonia to the rogues of Berlin 796 01:10:25,958 --> 01:10:28,208 # Rumbles a cry # 797 01:10:28,291 --> 01:10:29,333 # What they do 798 01:10:29,416 --> 01:10:31,291 # men, we can do it so can we ? 799 01:10:31,458 --> 01:10:33,791 # Maybe even better # 800 01:10:33,958 --> 01:10:36,458 # Men out of the Reichstag! 801 01:10:36,625 --> 01:10:39,375 # And out of the State Parliament! 802 01:10:39,541 --> 01:10:41,625 # And out of the regional government! # 803 01:10:41,791 --> 01:10:44,250 # We will make it a women's residence! 804 01:10:44,416 --> 01:10:47,083 # Men out of existence! # 805 01:10:47,250 --> 01:10:49,750 # Enough men here! # 806 01:10:49,916 --> 01:10:52,041 # And no more men over there! # 807 01:10:52,208 --> 01:10:54,958 # They should be far away from all this! 808 01:10:55,125 --> 01:10:57,375 # Get the men out of the Palace! # 809 01:10:57,541 --> 01:11:00,458 # You get in trouble with a woman! 810 01:11:02,875 --> 01:11:05,125 # Men have all the jobs 811 01:11:05,291 --> 01:11:07,958 # They are policemen and they are philosophers # 812 01:11:08,125 --> 01:11:10,541 # They climb rung after rung # 813 01:11:10,708 --> 01:11:13,250 # And we're still in the kitchen # 814 01:11:13,416 --> 01:11:15,291 # They reach # 815 01:11:15,375 --> 01:11:18,125 # honors and we do the tripe # 816 01:11:18,833 --> 01:11:21,250 # They throw themselves into politics 817 01:11:21,416 --> 01:11:24,250 # But it's better not to talk about it # 818 01:11:24,416 --> 01:11:26,625 # Men out of the Reichstag # 819 01:11:26,708 --> 01:11:28,750 # And outside the State Parliament # 820 01:11:28,833 --> 01:11:31,958 Bravo, Marta! Congratulations, Maestro! 821 01:11:32,208 --> 01:11:34,625 We will make a great movie 822 01:11:34,708 --> 01:11:40,625 that will unite the two most significant European cultures cultures: Italy and Germany. 823 01:11:41,791 --> 01:11:46,250 Although I fear that the Weimar Weimar Republic will be short-lived. 824 01:11:46,875 --> 01:11:49,166 Cheers... Cheers! 825 01:12:03,166 --> 01:12:05,333 He knew everything! 826 01:12:05,416 --> 01:12:06,791 We have been fooled! 827 01:12:11,500 --> 01:12:13,833 Mr. Feldner is waiting for you. 828 01:12:14,916 --> 01:12:16,875 Please follow me. 829 01:12:17,666 --> 01:12:20,333 I can't now, I'll talk to you later. 830 01:12:28,250 --> 01:12:30,916 Maestro, welcome. 831 01:12:38,958 --> 01:12:42,291 Would you like a cognac or...? 832 01:12:43,833 --> 01:12:45,666 Master, I am very sorry. 833 01:12:47,833 --> 01:12:49,541 Murnau has deceived us. 834 01:12:50,916 --> 01:12:52,625 Signed two contracts: 835 01:12:53,625 --> 01:12:57,083 one with us and one with Fox in the Fox in the United States. 836 01:12:58,000 --> 01:13:01,958 Left Berlin for Los Angeles tonight. 837 01:13:03,041 --> 01:13:04,875 He will not make the film. 838 01:13:05,125 --> 01:13:08,625 But how? Wasn't everything already agreed? 839 01:13:08,916 --> 01:13:11,083 It seems that Fox made him... 840 01:13:12,333 --> 01:13:14,041 an excellent offer. 841 01:13:19,916 --> 01:13:22,041 And Marta, now... 842 01:13:24,791 --> 01:13:25,833 Pardon? 843 01:13:26,041 --> 01:13:27,833 Marta, Marta... 844 01:13:29,125 --> 01:13:31,875 When we arrived at the hotel, 845 01:13:32,041 --> 01:13:36,708 Murnau had him find a large bouquet of roses with a note: 846 01:13:37,000 --> 01:13:41,333 "Dearest Marta, cinema has found a new diva. a new diva". 847 01:13:44,333 --> 01:13:46,750 Who knows how much it will hurt. 848 01:13:47,833 --> 01:13:50,000 How do I tell you now? 849 01:13:51,083 --> 01:13:55,583 Master, I am not abandoning the project. 850 01:13:56,708 --> 01:13:58,916 We will make it. 851 01:14:35,833 --> 01:14:38,833 Happy New Year, Mr. Feldner. 852 01:14:38,958 --> 01:14:42,625 # Beautiful gigolo 853 01:14:42,791 --> 01:14:45,416 # Poor gigolo 854 01:14:46,250 --> 01:14:50,041 # Don't think about the times anymore # 855 01:14:52,250 --> 01:14:55,625 # When you were a hussar # 856 01:14:55,791 --> 01:14:58,500 # Covered with gold 857 01:14:59,250 --> 01:15:03,583 # You could ride through the streets # 858 01:15:05,916 --> 01:15:08,791 # Uniform is fine 859 01:15:09,125 --> 01:15:12,541 # The treasure says goodbye 860 01:15:13,625 --> 01:15:18,250 # Beautiful world, you wore bangs # 861 01:15:19,416 --> 01:15:23,208 # When your heart breaks 862 01:15:23,375 --> 01:15:26,541 # Show a smiling face # 863 01:15:27,208 --> 01:15:31,875 # You pay and you have to dance # 864 01:15:33,458 --> 01:15:36,291 # Beautiful gigolo 865 01:15:37,083 --> 01:15:39,750 # Poor gigolo 866 01:15:40,708 --> 01:15:44,833 # Don't think about the times anymore # 867 01:15:47,000 --> 01:15:49,666 # When you were a hussar # 868 01:15:50,625 --> 01:15:53,625 # Covered with gold 869 01:15:54,083 --> 01:15:58,708 # You could ride through the streets # 870 01:16:00,375 --> 01:16:03,208 # Uniform is fine 871 01:16:03,958 --> 01:16:07,000 # The treasure says goodbye 872 01:16:07,166 --> 01:16:11,916 # Beautiful world, you wore bangs # 873 01:16:13,083 --> 01:16:16,500 # When your heart breaks 874 01:16:16,666 --> 01:16:20,083 # Show a smiling face # 875 01:16:20,541 --> 01:16:25,333 # You pay and you have to dance. # 876 01:16:35,666 --> 01:16:37,208 Teacher. 877 01:16:40,041 --> 01:16:43,208 # When your heart breaks 878 01:16:43,958 --> 01:16:47,458 # Show a smiling face # 879 01:16:48,625 --> 01:16:50,625 # You pay # 880 01:16:50,791 --> 01:16:53,458 # And you have to # 881 01:16:53,625 --> 01:16:56,166 # Dancing. # 882 01:17:03,708 --> 01:17:05,875 Pleased to meet you. 883 01:17:11,375 --> 01:17:13,083 Wonderful. 884 01:17:17,458 --> 01:17:21,458 Master, why don't you take off your coat? Make yourself comfortable. 885 01:17:22,541 --> 01:17:27,666 We've been waiting for it for so long. There was... a lot of chaos outside. 886 01:17:27,916 --> 01:17:30,833 Master... let's celebrate. 887 01:17:31,791 --> 01:17:35,291 Here's to our film debut film debut. 888 01:17:35,458 --> 01:17:37,583 Oh, Marta. 889 01:17:39,208 --> 01:17:41,291 Master, what's going on? 890 01:17:41,875 --> 01:17:45,333 I don't even know... where to start. 891 01:17:46,250 --> 01:17:47,875 Murnau... 892 01:17:48,750 --> 01:17:50,833 Unbelievable! 893 01:17:51,708 --> 01:17:57,208 Feldner told me that he left tonight for America. 894 01:17:57,375 --> 01:18:00,916 It seems that Fox offered him offered him a million-dollar contract 895 01:18:01,083 --> 01:18:03,166 and he accepted. 896 01:18:04,041 --> 01:18:06,083 But... no. 897 01:18:13,875 --> 01:18:15,958 What about our film? 898 01:18:18,291 --> 01:18:20,541 For now it will not be done 899 01:18:21,958 --> 01:18:24,875 and I don't know when and I don't know if its time will come. 900 01:18:28,541 --> 01:18:31,166 Ladies and Gentlemen! 901 01:18:31,833 --> 01:18:34,791 Get ready to toast! 902 01:18:36,125 --> 01:18:40,750 It is only a few moments before 1929. 903 01:18:40,958 --> 01:18:42,958 Almost there! 904 01:18:43,125 --> 01:18:45,250 Raise your glasses! 905 01:18:45,833 --> 01:18:48,375 Ten, nine... 906 01:18:48,916 --> 01:18:50,958 eight, seven... 907 01:18:51,958 --> 01:18:53,958 six, five... 908 01:18:54,416 --> 01:18:55,458 four... 909 01:18:55,666 --> 01:18:57,625 three, two... 910 01:18:58,291 --> 01:18:59,458 one! 911 01:19:01,416 --> 01:19:03,500 Happy New Year! 912 01:19:45,041 --> 01:19:47,500 Are you alone, dear? 913 01:19:48,500 --> 01:19:50,583 Where is your wife? 914 01:19:50,750 --> 01:19:53,541 Did he leave you alone tonight? 915 01:19:54,250 --> 01:19:55,958 What is your name? 916 01:19:56,750 --> 01:19:59,000 Don't tell me... 917 01:20:57,458 --> 01:20:59,541 The dream vanished, master. 918 01:21:00,791 --> 01:21:02,875 The decision has been made. 919 01:21:07,333 --> 01:21:09,416 Return to Italy. 920 01:22:12,208 --> 01:22:13,583 Stenù! 921 01:22:15,166 --> 01:22:16,875 Stefano... 922 01:22:17,458 --> 01:22:21,333 I wrote you dozens of letters, you never answered me. 923 01:22:22,125 --> 01:22:23,958 It's not like you. 924 01:22:24,458 --> 01:22:26,541 I wrote to Marta to hear from you. 925 01:22:26,708 --> 01:22:28,166 No... 926 01:22:30,000 --> 01:22:35,333 How are your children? They are growing up, but without grandpa. 927 01:22:36,625 --> 01:22:39,041 Don't be cruel, Stenù. 928 01:22:41,500 --> 01:22:43,000 Faust. 929 01:22:43,916 --> 01:22:46,791 Fausto opened his first exhibition two weeks ago 930 01:22:46,958 --> 01:22:49,833 at the Palazzo degli Exposizioni in Rome. Uh... 931 01:22:50,000 --> 01:22:52,083 You weren't there either. 932 01:22:55,500 --> 01:23:00,083 Lietta. She raises the girls and is a good mother. 933 01:23:00,583 --> 01:23:01,708 What about you? 934 01:23:02,791 --> 01:23:05,125 Me? Mm. 935 01:23:06,958 --> 01:23:10,791 I am here, Dad, at your your service, as always. 936 01:23:10,958 --> 01:23:13,916 To my... service? 937 01:23:14,541 --> 01:23:18,000 Dad, it's the truth. I have always been useful to you. 938 01:23:18,958 --> 01:23:21,500 Is there a problem to be solved? There's Stefano. 939 01:23:21,666 --> 01:23:25,083 Do we need to talk to publishers or entrepreneurs? Here I am. 940 01:23:25,625 --> 01:23:29,333 Do the accounts need to be put in order? Stefano is there, he is always there. 941 01:23:33,833 --> 01:23:35,958 I was annulled in you, Dad. 942 01:23:40,958 --> 01:23:43,333 But I am not your accountant. 943 01:23:50,916 --> 01:23:53,083 Take me home, Stenù. 944 01:23:59,958 --> 01:24:02,541 I wasn't a good father, was I? 945 01:24:03,333 --> 01:24:05,750 I couldn't do anything else. 946 01:24:06,875 --> 01:24:08,291 But you... 947 01:24:09,708 --> 01:24:11,791 You have to promise me one thing. 948 01:24:12,500 --> 01:24:15,500 What is it? You have to write. 949 01:24:15,666 --> 01:24:19,041 You and I can only do that, write. 950 01:24:19,208 --> 01:24:24,291 We must write, to take revenge for having been born. 951 01:24:31,416 --> 01:24:32,625 What a scare! 952 01:24:32,708 --> 01:24:33,916 Kids! 953 01:24:34,375 --> 01:24:38,041 The cake has arrived. Let's go, let's go, let's go. 954 01:24:38,208 --> 01:24:40,416 Can you blow? Are you ready? 955 01:24:41,791 --> 01:24:44,666 Happy Birthday! Congratulations. 956 01:24:44,833 --> 01:24:47,208 You have become a little man. Congratulations. 957 01:24:49,291 --> 01:24:51,708 Thank you for this nice evening. 958 01:24:52,541 --> 01:24:53,875 I... 959 01:24:54,333 --> 01:24:57,000 I don't know what else to say, just thank you. 960 01:24:57,541 --> 01:25:00,833 But Dad, thanks to you. It's true, it's been a nice evening. 961 01:25:06,208 --> 01:25:08,958 Dad, the clinic called yesterday. 962 01:25:09,125 --> 01:25:11,208 From the clinic? 963 01:25:11,375 --> 01:25:15,083 Yes, Mom would like to meet her grandchildren. 964 01:25:16,166 --> 01:25:18,875 Our children. Of course. 965 01:25:20,958 --> 01:25:22,791 It's only fair. 966 01:25:22,958 --> 01:25:26,541 It's only fair that a grandmother wants to meet her grandchildren. 967 01:25:26,875 --> 01:25:28,958 Yes, fair enough, Dad. 968 01:25:31,291 --> 01:25:33,750 But it's even fairer that you are too. 969 01:25:35,791 --> 01:25:38,250 Me? Yes. 970 01:25:44,666 --> 01:25:45,916 Y... 971 01:26:01,708 --> 01:26:04,208 I don't know if I can do it, 972 01:26:05,583 --> 01:26:07,041 then... 973 01:26:08,833 --> 01:26:11,125 fourteen years old. 974 01:26:18,666 --> 01:26:20,541 Antonietta... 975 01:26:31,833 --> 01:26:33,333 Enough... 976 01:26:34,583 --> 01:26:35,958 Enough... 977 01:26:37,583 --> 01:26:39,083 Marta. 978 01:26:52,500 --> 01:26:54,500 "Marta mía! 979 01:26:55,958 --> 01:26:59,625 It's the middle of the night, but I can't sleep. 980 01:27:02,250 --> 01:27:03,958 I write... 981 01:27:04,125 --> 01:27:06,916 about you and for you, 982 01:27:07,875 --> 01:27:11,250 but I couldn't follow a word of it 983 01:27:11,416 --> 01:27:13,916 if your inspirational image 984 01:27:14,083 --> 01:27:17,791 to abandon me even for an instant. 985 01:27:18,125 --> 01:27:21,916 I am a headless fly. 986 01:27:22,375 --> 01:27:23,708 Ah... 987 01:27:24,541 --> 01:27:27,833 If only it could be foreseen 988 01:27:28,000 --> 01:27:32,708 all the evil that can be born of good 989 01:27:32,958 --> 01:27:35,125 we think we do." 990 01:27:50,083 --> 01:27:51,583 Mom... 991 01:27:52,916 --> 01:27:55,583 Stefano. Come, sit down. 992 01:28:00,125 --> 01:28:03,458 Oh! There are also the children. 993 01:28:04,083 --> 01:28:06,208 How cute! 994 01:28:07,166 --> 01:28:09,541 But how cute they are. 995 01:28:10,333 --> 01:28:11,708 Buh! 996 01:28:16,833 --> 01:28:18,625 Come along, children. 997 01:28:21,583 --> 01:28:23,416 Fausto! 998 01:28:23,583 --> 01:28:27,125 How funny you are! This is Pompilia, my wife. 999 01:28:27,666 --> 01:28:31,041 This is Pierluigi, our son. Good morning, Grandma. 1000 01:28:31,291 --> 01:28:36,000 He speaks French. Now I live in Paris, I am a painter. 1001 01:28:36,166 --> 01:28:39,083 I have always wanted to go to Paris. 1002 01:28:41,208 --> 01:28:44,541 They look happy. Yes, Mom. I chose my life. 1003 01:28:44,708 --> 01:28:45,791 Lietta! 1004 01:28:45,958 --> 01:28:47,500 Lietta...! 1005 01:28:58,833 --> 01:29:01,166 He is my husband. 1006 01:29:01,416 --> 01:29:03,500 Pleased to meet you. 1007 01:29:08,708 --> 01:29:11,791 You have become a mother. Well done. 1008 01:29:12,791 --> 01:29:15,666 There was also Manolito, but he died. 1009 01:29:16,916 --> 01:29:18,125 Oh... 1010 01:29:19,541 --> 01:29:20,958 Oooh... 1011 01:29:25,333 --> 01:29:29,000 What are your names? Maria Luisa. 1012 01:29:29,166 --> 01:29:31,958 Beautiful name, congratulations, and you? 1013 01:29:32,166 --> 01:29:34,291 Lietta. As mom. 1014 01:29:39,416 --> 01:29:40,458 Ah! 1015 01:29:42,666 --> 01:29:44,333 # It's raining, it's raining # 1016 01:29:45,375 --> 01:29:47,458 # The cat is testing 1017 01:29:48,333 --> 01:29:50,666 # The mouse is getting married # 1018 01:29:51,125 --> 01:29:53,916 # With the silk beret. # 1019 01:29:58,916 --> 01:30:01,791 This... is Luigi's chair. 1020 01:30:02,166 --> 01:30:03,875 Where is Luigi? 1021 01:30:09,916 --> 01:30:12,083 He always hides. 1022 01:30:14,666 --> 01:30:16,833 It rains, it rains 1023 01:30:17,500 --> 01:30:19,625 The cat is testing. 1024 01:30:53,166 --> 01:30:57,166 The doctors would sometimes would bring me the newspapers 1025 01:30:57,333 --> 01:31:01,416 and... and I heard about your successes 1026 01:31:01,583 --> 01:31:05,000 and... and I saw you grow old in the photographs. 1027 01:31:05,625 --> 01:31:07,833 How you have aged. 1028 01:31:10,916 --> 01:31:12,458 A little old man! 1029 01:31:13,458 --> 01:31:15,583 A cute little old man! 1030 01:31:17,250 --> 01:31:18,291 I... 1031 01:31:19,083 --> 01:31:21,875 I wear... bridal mourning. 1032 01:31:24,666 --> 01:31:26,458 I am dead. 1033 01:31:38,958 --> 01:31:40,333 Dead. 1034 01:31:41,375 --> 01:31:43,458 Dead, dead, dead, dead, puff.... 1035 01:31:44,208 --> 01:31:46,958 Ah, but what a beautiful table you have prepared. 1036 01:31:50,000 --> 01:31:52,958 Yum, yum, yum, yum, yum, yum, yum.... 1037 01:31:53,958 --> 01:31:55,666 But... 1038 01:31:55,875 --> 01:31:58,541 I'm not hungry, no... 1039 01:31:59,458 --> 01:32:01,916 But Mom will always be with you, huh? 1040 01:32:02,916 --> 01:32:05,500 But... but later, later. 1041 01:32:05,916 --> 01:32:08,625 Then... In life, however, I did not succeed. 1042 01:32:09,208 --> 01:32:11,500 I am now returning to the clinic. 1043 01:32:11,833 --> 01:32:13,708 Come on, come on. I don't... 1044 01:32:14,583 --> 01:32:17,000 Mom... Mom, wait. Bye, Grandma. 1045 01:32:17,166 --> 01:32:19,250 "Goodbye, Grandma." 1046 01:32:20,000 --> 01:32:22,416 How cute! Yes, "Goodbye, Grandma." 1047 01:32:22,583 --> 01:32:25,250 "Goodbye, Grandma." 1048 01:32:25,458 --> 01:32:27,250 "Goodbye, Grandma." 1049 01:32:30,291 --> 01:32:34,625 One of the few things, or perhaps the only one, 1050 01:32:34,791 --> 01:32:38,291 I knew for sure was this one: 1051 01:32:39,083 --> 01:32:42,500 my name was Mattia Pascal 1052 01:32:43,375 --> 01:32:44,833 and I took advantage of it. 1053 01:32:45,000 --> 01:32:48,708 A statement about the Nobel Prize. Did you expect it? 1054 01:32:48,875 --> 01:32:51,791 Did the Duce congratulate you? Do you want to say something? 1055 01:32:51,958 --> 01:32:53,916 Answer us. Look at the camera. 1056 01:32:54,083 --> 01:32:57,041 What does Duce think? Watch here. 1057 01:32:57,208 --> 01:32:59,041 Look at the camera. One photo. 1058 01:32:59,208 --> 01:33:00,791 "Pa... 1059 01:33:02,541 --> 01:33:05,208 yasa..." 1060 01:33:07,333 --> 01:33:08,875 "das." 1061 01:33:09,041 --> 01:33:11,958 Clowning around. May we ask you a few questions? 1062 01:33:12,791 --> 01:33:15,791 "Pa-ya... 1063 01:33:16,541 --> 01:33:18,166 sa... 1064 01:33:18,333 --> 01:33:20,166 das. 1065 01:33:20,333 --> 01:33:21,458 Pa..." 1066 01:33:21,625 --> 01:33:25,458 Every time a friend or acquaintance of mine friend or acquaintance of mine 1067 01:33:25,625 --> 01:33:28,083 showed that he had lost his mind 1068 01:33:28,250 --> 01:33:32,666 to the point of coming to me for advice or suggestions, 1069 01:33:33,541 --> 01:33:37,500 I shrugged my shoulders, squinting my eyes 1070 01:33:38,208 --> 01:33:40,291 and answered him: 1071 01:33:40,750 --> 01:33:44,625 "My name is Mattia Pascal." 1072 01:33:45,708 --> 01:33:48,208 "Thank you, dear, I know." 1073 01:33:48,375 --> 01:33:50,500 "And you think that's not enough?" 1074 01:34:17,958 --> 01:34:19,000 Your Majesty... 1075 01:34:19,541 --> 01:34:21,750 ladies and gentlemen. 1076 01:34:22,458 --> 01:34:26,208 This year, the Royal Swedish Academy 1077 01:34:26,416 --> 01:34:28,958 has chosen these six names 1078 01:34:29,125 --> 01:34:33,541 among the most illustrious representatives of human thought, 1079 01:34:34,458 --> 01:34:40,208 names that will honor their countries and the world. 1080 01:34:43,333 --> 01:34:46,416 Nobel Prize in Literature 1081 01:34:46,583 --> 01:34:50,166 to the illustrious Italian writer 1082 01:34:50,333 --> 01:34:52,708 Luigi Pirandello. 1083 01:35:34,083 --> 01:35:37,041 It is with immense satisfaction 1084 01:35:37,208 --> 01:35:41,291 that I express my gratitude to Their Majesties 1085 01:35:41,458 --> 01:35:44,958 and the illustrious Royal Swedish Academy 1086 01:35:45,125 --> 01:35:47,750 for their generous judgment 1087 01:35:47,916 --> 01:35:52,333 that crowns my long literary career. 1088 01:36:06,041 --> 01:36:10,750 To succeed in my literary my literary endeavors, 1089 01:36:10,916 --> 01:36:13,958 I must have attended the school of life. 1090 01:36:14,875 --> 01:36:18,333 This school is the only one 1091 01:36:18,500 --> 01:36:23,166 that can help a mind like mine, similar to that of a child. 1092 01:36:24,875 --> 01:36:27,541 I have always felt the need 1093 01:36:27,708 --> 01:36:32,166 of believing in the appearances of life without reservation. 1094 01:36:33,541 --> 01:36:38,291 The sincerity with which I learned this lesson 1095 01:36:38,458 --> 01:36:41,958 has revealed a humility, a love 1096 01:36:42,125 --> 01:36:47,041 and respect for life and respect for life 1097 01:36:47,208 --> 01:36:51,375 to absorb bitter disappointments, 1098 01:36:51,541 --> 01:36:55,333 painful experiences, terrible wounds... 1099 01:36:56,500 --> 01:36:58,416 And all the errors of innocence 1100 01:36:58,583 --> 01:37:02,875 that give depth and value to existence. 1101 01:37:04,583 --> 01:37:07,500 This allowed me to grow 1102 01:37:07,666 --> 01:37:11,000 and at the same time and at the same time remain myself. 1103 01:37:13,000 --> 01:37:15,500 As it developed, the talent came back to me... 1104 01:37:16,875 --> 01:37:20,500 unable to live as a true artist a true artist, 1105 01:37:20,666 --> 01:37:24,541 capable only of of thoughts, of feelings, 1106 01:37:25,916 --> 01:37:30,083 and so, in the illusion of creating myself, I only created... 1107 01:37:32,333 --> 01:37:36,208 what I felt and what I could believe in. what I could believe in. 1108 01:37:38,166 --> 01:37:42,375 I feel gratitude and pride at the thought 1109 01:37:43,833 --> 01:37:46,833 that my creation has been been considered worthy 1110 01:37:47,000 --> 01:37:51,708 of the prestigious award with which I am honored. 1111 01:37:53,708 --> 01:37:56,333 I would like to believe 1112 01:37:56,500 --> 01:38:00,041 which has been awarded not so much for the so much for the expertise of the writer, 1113 01:38:00,208 --> 01:38:03,791 which is always irrelevant, but... 1114 01:38:05,500 --> 01:38:08,958 for human sincerity 1115 01:38:09,625 --> 01:38:11,708 of my work. 1116 01:38:24,125 --> 01:38:27,083 Excuse me... who died? 1117 01:38:27,666 --> 01:38:29,458 Mattia Pascal. 1118 01:38:29,791 --> 01:38:31,041 Mattia Pascal? 1119 01:38:31,250 --> 01:38:32,791 Precisely him. 1120 01:38:33,250 --> 01:38:35,791 Mattia Pascal is me. 1121 01:38:36,041 --> 01:38:39,208 Do not play with death. death, it brings bad luck. 1122 01:38:40,750 --> 01:38:42,291 Cut! 1123 01:38:42,708 --> 01:38:44,125 It's a piece of crap! 1124 01:38:44,291 --> 01:38:46,166 Crap, crap, crap, crap! 1125 01:38:46,875 --> 01:38:49,375 Nicola, what is all this smoke? 1126 01:38:49,541 --> 01:38:51,666 You can't see anything! 1127 01:38:52,250 --> 01:38:55,125 Sorry, cinema is very is very complicated. 1128 01:38:55,291 --> 01:38:57,083 We have to repeat the scene. 1129 01:38:57,250 --> 01:38:59,166 Let's start from the beginning! 1130 01:39:01,041 --> 01:39:02,708 Just a light mist... 1131 01:39:02,958 --> 01:39:07,583 It seems incredible that that out of this chaos can emerge 1132 01:39:08,375 --> 01:39:10,541 something that makes sense, huh? 1133 01:39:14,958 --> 01:39:16,541 Dad... 1134 01:39:17,375 --> 01:39:20,833 Isn't it better if we go home? Why should we? 1135 01:39:21,000 --> 01:39:24,166 Because you feel bad. Leave me alone. 1136 01:39:24,791 --> 01:39:27,875 If you take this taste away from me taste... Isn't that right, Saul? 1137 01:39:28,041 --> 01:39:29,333 Well... 1138 01:39:29,500 --> 01:39:32,875 It is a great pleasure for me pleasure to be here with you 1139 01:39:33,041 --> 01:39:36,041 and enjoy this wonderful show. 1140 01:39:36,416 --> 01:39:38,291 Uh, we have... 1141 01:39:39,083 --> 01:39:41,541 traveled a lot, maestro. 1142 01:39:42,083 --> 01:39:45,791 I would like to say just... two words. 1143 01:39:46,375 --> 01:39:48,500 Silence! Let's roll! 1144 01:39:51,625 --> 01:39:52,666 It rolls. 1145 01:39:52,791 --> 01:39:54,250 Let's roll! 1146 01:39:54,416 --> 01:39:56,750 The clapperboard... Thank you. 1147 01:39:58,458 --> 01:39:59,500 Master... 1148 01:40:00,291 --> 01:40:02,166 Do you want to give the clapperboard? 1149 01:40:02,333 --> 01:40:04,708 Me? I would be honored. 1150 01:40:07,500 --> 01:40:10,250 What do I have to say? It is very simple. 1151 01:40:10,666 --> 01:40:12,416 I say "motor". 1152 01:40:12,666 --> 01:40:15,208 then you give the clapperboard and say: 1153 01:40:15,541 --> 01:40:16,791 "Mattia Pascal, 1154 01:40:17,000 --> 01:40:18,791 scene 146... 1155 01:40:20,208 --> 01:40:21,291 Action!" 1156 01:40:22,000 --> 01:40:23,916 Is that all right? Here you go, Maestro. 1157 01:40:24,083 --> 01:40:25,833 Here? Here is perfect. 1158 01:40:26,916 --> 01:40:28,166 On that side. 1159 01:40:28,583 --> 01:40:29,625 Thus. 1160 01:40:33,333 --> 01:40:34,791 Mattia Pascal, 1161 01:40:34,958 --> 01:40:37,625 scene 146... 1162 01:40:49,583 --> 01:40:50,666 Action! 1163 01:41:08,041 --> 01:41:09,541 Excuse me... 1164 01:41:10,833 --> 01:41:11,916 Who has died? 1165 01:41:12,458 --> 01:41:13,625 Mattia Pascal. 1166 01:41:14,791 --> 01:41:17,708 Mattia Pascal? That's him. 1167 01:41:19,250 --> 01:41:20,958 Mattia Pascal is me. 1168 01:41:21,291 --> 01:41:23,625 You don't play with death, sir. 1169 01:41:24,166 --> 01:41:25,708 It brings bad luck. 1170 01:41:54,291 --> 01:41:57,000 "Dead, don't dress me. 1171 01:41:58,875 --> 01:42:01,750 Wrap me naked in a sheet. 1172 01:42:03,666 --> 01:42:07,833 No flowers on the bed and no candles lit. 1173 01:42:09,791 --> 01:42:13,750 Lower class car, that of the poor. of the poor. 1174 01:42:15,083 --> 01:42:17,291 No one to accompany me, 1175 01:42:17,458 --> 01:42:22,291 no relatives, no friends, no friends, nor politicians. 1176 01:42:23,500 --> 01:42:25,000 The cart, 1177 01:42:25,166 --> 01:42:26,958 the horse, 1178 01:42:27,375 --> 01:42:29,250 the coachman 1179 01:42:29,583 --> 01:42:31,166 and nothing else." 1180 01:42:40,458 --> 01:42:43,250 # For eternity # 1181 01:42:44,250 --> 01:42:46,750 # We will know # 1182 01:42:48,666 --> 01:42:52,333 # With your burning eyes # 1183 01:42:52,541 --> 01:42:56,375 # With your flaming eyes # 1184 01:42:56,541 --> 01:43:00,000 # Filled with the fire of passion # 1185 01:43:00,583 --> 01:43:03,708 # Such a beautiful game 1186 01:43:04,708 --> 01:43:07,833 # I'm in love with you # 1187 01:43:08,708 --> 01:43:11,500 # I'm afraid of you # 1188 01:43:12,666 --> 01:43:15,666 # For eternity # 1189 01:43:16,875 --> 01:43:19,916 # We will know. # 1190 01:43:24,416 --> 01:43:26,500 "Burn my body. 1191 01:43:27,375 --> 01:43:31,875 And may my freshly cremated body be left to the wind 1192 01:43:32,458 --> 01:43:36,041 because nothing, not even not even the ashes, 1193 01:43:36,208 --> 01:43:38,416 I would like them to remain of me. 1194 01:43:39,541 --> 01:43:43,000 But if this can't be done, 1195 01:43:43,166 --> 01:43:47,166 that the funerary urn be taken to Sicily 1196 01:43:47,333 --> 01:43:50,375 and embedded in some rough stone 1197 01:43:51,166 --> 01:43:53,875 of the Girgenti field, 1198 01:43:55,083 --> 01:43:57,166 where I was born." 80551