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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,379 --> 00:00:06,965 ♪♪ 2 00:00:06,965 --> 00:00:09,827 Romany: WHAT IF HISTORY'S MOST FAMOUS ASSASSIN... 3 00:00:09,827 --> 00:00:12,000 JOHN WILKES BOOTH. 4 00:00:12,000 --> 00:00:15,206 ...MURDERED ONE OF THIS COUNTRY'S GREATEST PRESIDENTS... 5 00:00:15,206 --> 00:00:17,793 [ GUNSHOT, PEOPLE SCREAM ] 6 00:00:17,793 --> 00:00:19,482 ...AND GOT AWAY WITH IT? 7 00:00:19,482 --> 00:00:21,034 BOOTH ESCAPED. 8 00:00:22,965 --> 00:00:26,448 A MYSTERIOUS MISSING MUMMY MIGHT HOLD THE ANSWER. 9 00:00:26,448 --> 00:00:28,172 NO WAY! 10 00:00:28,172 --> 00:00:31,206 BUT ONLY IF...I CAN FIND IT. 11 00:00:31,206 --> 00:00:32,620 OHH. 12 00:00:35,827 --> 00:00:40,206 I'M ARCHAEOLOGIST AND MUMMY EXPERT RAMY ROMANY. 13 00:00:40,206 --> 00:00:43,310 ACROSS THE GLOBE, EARTH IS GIVING UP HER DEAD. 14 00:00:43,310 --> 00:00:45,896 OH, MY GOD, PEDRO! LOOK AT THIS! 15 00:00:45,896 --> 00:00:47,724 THANKS TO CUTTING-EDGE TECHNOLOGY, 16 00:00:47,724 --> 00:00:49,931 NEW MUMMIES ARE UNEARTHED EVERY DAY. 17 00:00:49,931 --> 00:00:52,103 IT IS LIKE AN UNDERWATER CRIME SCENE. 18 00:00:52,103 --> 00:00:54,379 THESE MUMMIES HOLD EXTRAORDINARY SECRETS... 19 00:00:54,379 --> 00:00:56,000 OH, MY GOD! WHAT IS THIS?! 20 00:00:56,000 --> 00:00:57,034 PRICELESS. 21 00:00:57,034 --> 00:00:59,344 ...IF YOU KNOW HOW TO UNWRAP THEM. 22 00:00:59,344 --> 00:01:01,448 THAT CHANGES... EVERYTHING. 23 00:01:01,448 --> 00:01:03,758 THIS IS... 24 00:01:03,758 --> 00:01:06,241 "MUMMIES UNWRAPPED." 25 00:01:06,241 --> 00:01:09,241 --Captions by VITAC-- www.vitac.com 26 00:01:09,241 --> 00:01:12,172 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 27 00:01:12,172 --> 00:01:18,206 ♪♪ 28 00:01:18,206 --> 00:01:20,275 IN THE 1920s, 29 00:01:20,275 --> 00:01:22,344 A MUMMY BEGAN APPEARING AS A POPULAR ATTRACTION 30 00:01:22,344 --> 00:01:26,586 IN TRAVELING SIDESHOWS ACROSS THE UNITED STATES. 31 00:01:26,586 --> 00:01:29,620 THERE WAS NOTHING ESPECIALLY FREAKISH ABOUT THIS MUMMY 32 00:01:29,620 --> 00:01:34,241 EXCEPT ITS ALLEGED IDENTITY -- JOHN WILKES BOOTH. 33 00:01:36,620 --> 00:01:39,689 THE EXHIBITOR CLAIMED THAT AFTER KILLING ABRAHAM LINCOLN... 34 00:01:39,689 --> 00:01:41,241 [ GUNSHOT, PEOPLE SCREAM ] 35 00:01:41,241 --> 00:01:43,724 ...BOOTH WAS NOT KILLED BY U.S. TROOPS. 36 00:01:45,275 --> 00:01:48,137 THEY MAINTAINED THAT BOOTH ESCAPED AND LIVED OUT HIS DAYS 37 00:01:48,137 --> 00:01:50,586 UNDER VARIOUS ASSUMED IDENTITIES. 38 00:01:52,517 --> 00:01:53,758 NOBODY HAS BEEN ABLE TO CONFIRM 39 00:01:53,758 --> 00:01:57,517 WHETHER THE MUMMY WAS REALLY BOOTH 40 00:01:57,517 --> 00:02:01,137 BECAUSE IN THE LATE 1970s, IT DISAPPEARED. 41 00:02:04,344 --> 00:02:07,068 IF I CAN UNCOVER THE TRUE IDENTITY OF THE MUMMY, 42 00:02:07,068 --> 00:02:11,206 I CAN PROVE WHETHER THE WORLD'S MOST FAMOUS ASSASSIN 43 00:02:11,206 --> 00:02:14,310 GOT AWAY WITH MURDER. 44 00:02:14,310 --> 00:02:16,448 THERE'S A MAN IN WASHINGTON, D.C. 45 00:02:16,448 --> 00:02:18,689 HE SAYS BOOTH DID ESCAPE, 46 00:02:18,689 --> 00:02:20,862 THAT THE HISTORY BOOKS ARE WRONG. 47 00:02:22,689 --> 00:02:24,758 I'M MEETING WITH NATE ORLOWEK, 48 00:02:24,758 --> 00:02:27,137 WHO'S BEEN RESEARCHING THE BOOTH ESCAPE THEORY 49 00:02:27,137 --> 00:02:28,827 FOR OVER FOUR DECADES. 50 00:02:28,827 --> 00:02:31,931 SINCE THE 1990s, NATE HAS BEEN WORKING WITH BOOTH DESCENDANTS 51 00:02:31,931 --> 00:02:35,862 TO GET PERMISSION TO CONDUCT DNA TESTS ON THE BODY OF THE MAN 52 00:02:35,862 --> 00:02:40,000 THAT THE GOVERNMENT MAINTAINS IS JOHN WILKES BOOTH. 53 00:02:40,000 --> 00:02:43,689 SO FAR, THE COURTS HAVE BLOCKED ALL SUCH ATTEMPTS. 54 00:02:45,448 --> 00:02:48,965 WE'RE STARTING WHERE IT ALL BEGAN -- FORD'S THEATRE. 55 00:02:51,448 --> 00:02:53,551 IT GIVES ME THE CHILLS LOOKING AT THIS 56 00:02:53,551 --> 00:02:55,793 AND THINKING, 150 YEARS AGO, 57 00:02:55,793 --> 00:02:57,551 THE GREAT PRESIDENT OF THIS COUNTRY, 58 00:02:57,551 --> 00:03:01,310 ABRAHAM LINCOLN, WAS SITTING RIGHT THERE PEACEFULLY. 59 00:03:02,827 --> 00:03:05,000 WE ALL KNOW THE OFFICIAL STORY. 60 00:03:05,000 --> 00:03:07,034 LINCOLN WAS SITTING IN THE PRESIDENT'S BOX. 61 00:03:07,034 --> 00:03:08,655 THE GUARD WAS MISSING. 62 00:03:08,655 --> 00:03:12,172 JOHN WILKES BOOTH, WHO KNEW THE THEATER WELL, 63 00:03:12,172 --> 00:03:15,655 CAME TO THE BOX AND WAITED FOR HIS MOMENT. 64 00:03:15,655 --> 00:03:17,172 A FUNNY LINE IN THE PLAY. 65 00:03:17,172 --> 00:03:18,758 [ LAUGHTER ] 66 00:03:18,758 --> 00:03:22,758 HE COUNTED ON THE LAUGHTER TO MUFFLE THE SOUND OF THE SHOT. 67 00:03:22,758 --> 00:03:24,896 BOOTH STOOD BEHIND LINCOLN, 68 00:03:24,896 --> 00:03:27,517 POINTED HIS GUN AT THE BACK OF LINCOLN'S HEAD, 69 00:03:27,517 --> 00:03:29,344 THEN PULLED THE TRIGGER. 70 00:03:29,344 --> 00:03:31,137 [ GUNSHOT ] 71 00:03:31,137 --> 00:03:36,241 BOOTH THEN CLIMBED RIGHT HERE, ONTO THE FRONT OF THE BOX, 72 00:03:36,241 --> 00:03:38,793 AND HE JUMPED DOWN, 73 00:03:38,793 --> 00:03:43,689 AND HE LANDED ON HIS LEFT LEG AND BROKE HIS LEG. 74 00:03:43,689 --> 00:03:47,896 EVEN THOUGH HE HAD A BROKEN LEG, HE WAS ABLE TO DRAG HIMSELF 75 00:03:47,896 --> 00:03:50,241 ACROSS THE STAGE AND OUT TO THE BACK. 76 00:03:50,241 --> 00:03:52,275 AND THERE WAS A HORSE WAITING FOR HIM, 77 00:03:52,275 --> 00:03:56,379 AND HE JUMPED ON THE HORSE, AND HE GALLOPED AWAY. 78 00:03:56,379 --> 00:03:58,068 ACCORDING TO THE OFFICIAL ACCOUNT, 79 00:03:58,068 --> 00:04:01,827 JOHN WILKES BOOTH FLED SOUTH FROM FORD'S THEATRE 80 00:04:01,827 --> 00:04:04,137 AND CROSSED THE BRIDGE INTO MARYLAND. 81 00:04:04,137 --> 00:04:08,172 HE WAS JOINED THERE BY COCONSPIRATOR DAVID HEROLD, 82 00:04:08,172 --> 00:04:12,275 AND THE TWO COLLECTED WEAPONS THEY'D HIDDEN AT A TAVERN. 83 00:04:12,275 --> 00:04:15,275 AFTER FINDING A DOCTOR TO TREAT BOOTH'S BROKEN LEG, 84 00:04:15,275 --> 00:04:16,896 THEY CONTINUED SOUTH. 85 00:04:18,517 --> 00:04:20,344 THE FEDERAL GOVERNMENT OFFERED A REWARD 86 00:04:20,344 --> 00:04:23,931 OF $50,000 FOR BOOTH'S CAPTURE, 87 00:04:23,931 --> 00:04:26,793 AND AN EPIC MANHUNT WAS LAUNCHED. 88 00:04:26,793 --> 00:04:31,068 THE GOVERNMENT WAS DETERMINED TO GET BOOTH AND QUICKLY. 89 00:04:31,068 --> 00:04:33,482 BOOTH AND HEROLD HID IN THE WOODS OF SOUTHERN MARYLAND 90 00:04:33,482 --> 00:04:36,379 FOR FIVE DAYS, AVOIDING THE FEDERAL TROOPS 91 00:04:36,379 --> 00:04:39,206 AND DETECTIVES HUNTING FOR THE TWO FUGITIVES. 92 00:04:41,172 --> 00:04:43,689 BOOTH EVENTUALLY ENDED UP IN THIS TOBACCO BARN, 93 00:04:43,689 --> 00:04:45,241 ONE THAT LOOKS MUCH LIKE THIS. 94 00:04:45,241 --> 00:04:47,827 Romany: HOW LONG WERE THEY HIDING IN THERE FOR? 95 00:04:47,827 --> 00:04:48,862 ACCORDING TO THE CONVENTIONAL HISTORY, 96 00:04:48,862 --> 00:04:52,275 THEY WERE THERE FOR 2 1/2 DAYS, 97 00:04:52,275 --> 00:04:56,206 AND ON THE MORNING OF APRIL 26, 1865, 98 00:04:56,206 --> 00:04:59,172 THE FEDERAL TROOPS CAUGHT UP WITH THEM. 99 00:04:59,172 --> 00:05:01,206 THEY SURROUNDED THE BARN, 100 00:05:01,206 --> 00:05:04,655 AND THEY DEMANDED THAT BOOTH AND HEROLD SURRENDER. 101 00:05:04,655 --> 00:05:07,586 ACCORDING TO ALL ACCOUNTS, HEROLD DID SURRENDER 102 00:05:07,586 --> 00:05:10,413 BUT THE OTHER MAN STILL REFUSED TO COME OUT 103 00:05:10,413 --> 00:05:14,034 AND SO COLONEL CONGER, THE HEAD OF THE PLATOON, 104 00:05:14,034 --> 00:05:16,689 ORDERED THAT THE BARN BE SET ON FIRE. 105 00:05:16,689 --> 00:05:19,034 NEVERTHELESS, THE MAN REFUSED TO SURRENDER, 106 00:05:19,034 --> 00:05:21,586 AND SO COLONEL CONGER SET THE BARN ON FIRE. 107 00:05:21,586 --> 00:05:25,241 [ FIRE CRACKLING ] 108 00:05:25,241 --> 00:05:27,551 ONE OF THE SOLDIERS, NAMED BOSTON CORBETT, FELT 109 00:05:27,551 --> 00:05:30,379 THAT HE SHOULD DO SOMETHING TO AVENGE LINCOLN'S MURDER. 110 00:05:30,379 --> 00:05:32,689 HE WALKED UP TO THE ENTRANCE OF THE BARN 111 00:05:32,689 --> 00:05:38,103 AND PUT HIS GUN THROUGH THE SLAT AND SHOT. 112 00:05:38,103 --> 00:05:40,310 THE BULLET HIT THE MAN IN THE BARN 113 00:05:40,310 --> 00:05:43,827 IN THE BACK OF THE NECK, WOUNDING HIM MORTALLY. 114 00:05:43,827 --> 00:05:45,586 AND OF COURSE, THE GOVERNMENT CLAIMS THAT THAT MAN 115 00:05:45,586 --> 00:05:47,310 WAS JOHN WILKES BOOTH. 116 00:05:47,310 --> 00:05:50,034 AND THAT IS WHERE NATE BELIEVES THE GOVERNMENT BEGAN 117 00:05:50,034 --> 00:05:53,793 ONE OF THE BIGGEST COVER-UPS IN HISTORY. 118 00:05:53,793 --> 00:05:55,655 THERE'S OVERWHELMING EVIDENCE THAT THAT MAN 119 00:05:55,655 --> 00:05:57,758 WAS NOT JOHN WILKES BOOTH. 120 00:06:00,137 --> 00:06:02,275 NATE BELIEVES THAT BOOTH HAD ALREADY FLED SOUTH 121 00:06:02,275 --> 00:06:04,344 THE DAY THAT TROOPS ARRIVED 122 00:06:04,344 --> 00:06:08,344 AND THAT THE MAN KILLED IN THE BARN ONLY LOOKED LIKE BOOTH. 123 00:06:08,344 --> 00:06:10,862 NATE ALSO BELIEVES THAT THE $50,000 REWARD 124 00:06:10,862 --> 00:06:13,482 FOR BOOTH'S CAPTURE WAS MOTIVATION FOR THE SOLDIERS 125 00:06:13,482 --> 00:06:17,896 TO INSIST THAT THE DEAD MAN WAS IN FACT BOOTH. 126 00:06:17,896 --> 00:06:21,000 A SINGLE PHOTO OF THE CORPSE WAS REPORTEDLY TAKEN, 127 00:06:21,000 --> 00:06:23,551 BUT IT QUICKLY DISAPPEARED FROM THE SECRETARY OF WAR 128 00:06:23,551 --> 00:06:25,620 EDWIN STANTON'S FILES, 129 00:06:25,620 --> 00:06:29,517 ALONG WITH 27 SHEETS FROM BOOTH'S DIARY. 130 00:06:29,517 --> 00:06:33,103 RUMORS BEGAN TO CIRCULATE, SAYING THAT BOOTH ESCAPED 131 00:06:33,103 --> 00:06:37,034 AND THAT THERE WAS A COVER-UP TO HIDE THIS FACT. 132 00:06:37,034 --> 00:06:40,034 YEARS LATER, THE PHOTOGRAPHER'S ADULT SON 133 00:06:40,034 --> 00:06:42,448 CLAIMED THAT THE PHOTO OF THE MAN KILLED AT THE BARN 134 00:06:42,448 --> 00:06:44,448 WAS NEVER TAKEN 135 00:06:44,448 --> 00:06:48,620 AND THE MAN'S FACE WAS DAMAGED AND NOT RECOGNIZABLE AS BOOTH. 136 00:06:50,275 --> 00:06:52,034 AND WHAT SORT OF EVIDENCE DO YOU HAVE THAT 137 00:06:52,034 --> 00:06:54,034 THE GOVERNMENT ATTEMPTED A COVER-UP? 138 00:06:54,034 --> 00:06:55,758 LET ME SHOW YOU. 139 00:06:57,896 --> 00:07:00,206 THE GOVERNMENT CLAIMS BOOTH WAS SECRETLY BURIED 140 00:07:00,206 --> 00:07:02,413 IN WASHINGTON'S OLD PENITENTIARY. 141 00:07:04,344 --> 00:07:08,137 THEY SAY HIS BODY WAS EXHUMED AND MOVED TWICE MORE. 142 00:07:08,137 --> 00:07:11,000 YET NO PHOTOS EXIST OF IT. 143 00:07:11,000 --> 00:07:14,689 AND ALL EFFORTS TO CONDUCT DNA ANALYSIS HAVE BEEN BLOCKED. 144 00:07:16,482 --> 00:07:19,103 EVEN AFTER THE ASSASSIN'S REPORTED DEATH, 145 00:07:19,103 --> 00:07:22,931 REPORTS OF BOOTH SIGHTINGS CONTINUED FOR YEARS. 146 00:07:27,620 --> 00:07:30,896 IN 1907, FINIS L. BATES, 147 00:07:30,896 --> 00:07:33,689 THE FORMER ATTORNEY GENERAL FOR THE STATE OF TENNESSEE, 148 00:07:33,689 --> 00:07:35,482 PUBLISHED HIS FIRSTHAND KNOWLEDGE 149 00:07:35,482 --> 00:07:37,448 OF BOOTH'S ALLEGED ESCAPE. 150 00:07:37,448 --> 00:07:39,275 FINIS L. BATES WAS A VERY YOUNG ATTORNEY 151 00:07:39,275 --> 00:07:41,310 IN THE 1870s IN TEXAS. 152 00:07:41,310 --> 00:07:43,103 AND HE BECAME FRIENDLY WITH THIS MAN 153 00:07:43,103 --> 00:07:44,655 WHO CALLED HIMSELF JOHN ST. HELEN. 154 00:07:44,655 --> 00:07:45,827 JOHN ST. HELEN? 155 00:07:45,827 --> 00:07:48,344 JOHN ST. HELEN WAS JOHN WILKES BOOTH. 156 00:07:48,344 --> 00:07:49,724 THIS IS ONE OF THE VERY FEW COPIES 157 00:07:49,724 --> 00:07:53,206 THAT IS STILL IN EXISTENCE OF A BOOK THAT BATES WROTE 158 00:07:53,206 --> 00:07:56,241 TO INFORM US OF WHAT THIS MAN TOLD HIM. 159 00:07:56,241 --> 00:08:00,448 ONE NIGHT IN 1877, ST. HELEN FELL VERY ILL 160 00:08:00,448 --> 00:08:02,344 AND THOUGHT HE WAS ABOUT TO DIE, 161 00:08:02,344 --> 00:08:08,206 AND HE SAID TO BATES, "I'M REALLY JOHN WILKES BOOTH." 162 00:08:08,206 --> 00:08:10,241 HE TOLD HIM THAT THE ORIGINAL PLOT 163 00:08:10,241 --> 00:08:11,827 WAS TO KIDNAP PRESIDENT LINCOLN. 164 00:08:11,827 --> 00:08:13,862 THIS WAS NOT KNOWN UNTIL THE GOVERNMENT 165 00:08:13,862 --> 00:08:16,310 RELEASED THE RECORDS IN 1935. 166 00:08:16,310 --> 00:08:19,448 IN THE BOOK, FINIS BATES EXPLAINS THAT AFTER ST. HELEN 167 00:08:19,448 --> 00:08:23,068 CONFESSED TO KILLING LINCOLN, HE DISAPPEARED. 168 00:08:23,068 --> 00:08:25,620 25 YEARS LATER, THE SAME MAN, 169 00:08:25,620 --> 00:08:28,068 GOING BY THE NAME DAVID E. GEORGE, 170 00:08:28,068 --> 00:08:32,517 CONFESSED TO BEING BOOTH AND THEN COMMITTED SUICIDE. 171 00:08:32,517 --> 00:08:35,586 WELL, DAVID E. GEORGE DIED ON THE MORNING 172 00:08:35,586 --> 00:08:38,655 OF JANUARY 13, 1903, OF POISON, 173 00:08:38,655 --> 00:08:40,517 AND HE HAD LEFT INSTRUCTIONS 174 00:08:40,517 --> 00:08:42,724 THAT THE PEOPLE THERE SHOULD CONTACT BATES, 175 00:08:42,724 --> 00:08:43,965 WHO WAS LIVING IN MEMPHIS, TENNESSEE. 176 00:08:43,965 --> 00:08:44,965 MM-HMM. 177 00:08:44,965 --> 00:08:48,172 BATES CAME AND MUMMIFIED THIS BODY 178 00:08:48,172 --> 00:08:50,793 BECAUSE BATES BELIEVED THAT HE WAS JOHN WILKES BOOTH. 179 00:08:50,793 --> 00:08:52,241 SO, WAIT. 180 00:08:52,241 --> 00:08:56,827 BATES ORDERED THE MORTICIAN TO MUMMIFY DAVID E. GEORGE? 181 00:08:56,827 --> 00:08:59,344 ORDINARILY, IF SOMEONE DIES AND DOESN'T HAVE ANY FAMILY 182 00:08:59,344 --> 00:09:02,206 OR SOMEONE TO CLAIM THE BODY, THEY WOULD JUST BURY THE BODY. 183 00:09:02,206 --> 00:09:04,655 BUT BATES, WHEN HE CAME THERE, SAID, 184 00:09:04,655 --> 00:09:06,241 "WELL, THIS IS NOT AN ORDINARY PERSON. 185 00:09:06,241 --> 00:09:08,068 THIS IS NOT REALLY DAVID E. GEORGE. 186 00:09:08,068 --> 00:09:12,689 AND THEREFORE, I WOULD LIKE YOU TO MUMMIFY IT." 187 00:09:12,689 --> 00:09:15,586 BATES ARRANGED FOR THE BODY TO BE MUMMIFIED, 188 00:09:15,586 --> 00:09:19,172 AND HE PROFITED WHEN IT TOURED SIDESHOWS AND CARNIVALS, 189 00:09:19,172 --> 00:09:24,172 WHICH MAKES ME WONDER ABOUT BATES' MOTIVES IN ALL THIS. 190 00:09:24,172 --> 00:09:27,758 SO HERE WE HAVE AN AFFIDAVIT FROM SIX NEUTRAL PHYSICIANS 191 00:09:27,758 --> 00:09:29,241 WHO EXAMINED THE BODY 192 00:09:29,241 --> 00:09:34,068 STATING THAT THIS MAN HAD A SCARRED RIGHT EYEBROW, 193 00:09:34,068 --> 00:09:37,241 A SCARRED RIGHT THUMB, AND A BROKEN LEFT LEG -- 194 00:09:37,241 --> 00:09:40,448 MARKS THAT JOHN WILKES BOOTH, WE KNOW TODAY, HAD. 195 00:09:40,448 --> 00:09:42,103 THIS IS EXTREMELY INTRIGUING. 196 00:09:42,103 --> 00:09:43,586 HERE'S MY PROBLEM, NATE. RIGHT? 197 00:09:43,586 --> 00:09:47,241 THIS HAPPENED WHEN THE MUMMY WAS ALREADY TOURING AMERICA, 198 00:09:47,241 --> 00:09:50,482 AND THIS COULD HAVE BEEN NOTHING MORE THAN A PUBLICITY STUNT. 199 00:09:50,482 --> 00:09:53,137 WELL, THE PHYSICIANS WHO DID THIS EXAMINATION 200 00:09:53,137 --> 00:09:54,827 HAD NO AX TO GRIND, 201 00:09:54,827 --> 00:09:57,137 AND THEY DON'T EVEN SAY THAT THIS WAS JOHN WILKES BOOTH. 202 00:09:57,137 --> 00:10:00,862 THEY JUST SIMPLY DID AN EXAMINATION. 203 00:10:00,862 --> 00:10:02,241 THERE WAS ENOUGH EVIDENCE SUGGESTING 204 00:10:02,241 --> 00:10:03,965 THAT BOOTH POSSIBLY ESCAPED 205 00:10:03,965 --> 00:10:07,689 THAT THE FBI CREATED A FILE ON THE ASSASSIN. 206 00:10:07,689 --> 00:10:14,103 THE INVESTIGATION WAS ACTIVE IN 1922, 1948, AND 1977 207 00:10:14,103 --> 00:10:18,517 WITH NO DEFINITIVE CONCLUSION EVER BEING REACHED. 208 00:10:18,517 --> 00:10:22,172 JOHN ST. HELEN GAVE BATES A TINTYPE PHOTO. 209 00:10:22,172 --> 00:10:24,310 IT WAS A TYPE OF PHOTO TAKEN IN THE MID-1800s. 210 00:10:24,310 --> 00:10:27,275 MM. SO HE KEPT THIS TINTYPE. 211 00:10:27,275 --> 00:10:30,137 IT'S THE ONLY PHOTOGRAPH THAT WE KNOW OF 212 00:10:30,137 --> 00:10:33,793 AFTER HE WAS SUPPOSEDLY KILLED IN THE BARN. 213 00:10:33,793 --> 00:10:37,758 I CAN BARELY MAKE OUT WHO THIS MAN IS. 214 00:10:37,758 --> 00:10:40,517 IT'S DAMAGED AND VERY LOW RESOLUTION. 215 00:10:40,517 --> 00:10:42,310 IF WE HAD THE ORIGINAL, WE MIGHT BE ABLE 216 00:10:42,310 --> 00:10:44,689 TO RECOVER MORE DEFINITIVE INFORMATION. 217 00:10:44,689 --> 00:10:46,758 I SPENT MANY YEARS TRYING TO FIND THE ORIGINAL, 218 00:10:46,758 --> 00:10:49,137 AND FINALLY, I WAS ABLE TO TRACE IT 219 00:10:49,137 --> 00:10:50,862 TO AN OBSCURE COLLECTION 220 00:10:50,862 --> 00:10:53,413 IN A VERY SMALL TOWN IN THE MIDDLE OF TEXAS. 221 00:10:53,413 --> 00:10:55,689 AND IT ENDED UP AND IS NOW IN 222 00:10:55,689 --> 00:10:57,275 WHAT'S CALLED THE SWAIM COLLECTION 223 00:10:57,275 --> 00:11:00,275 AT GEORGETOWN UNIVERSITY LIBRARY IN WASHINGTON, D.C. 224 00:11:02,620 --> 00:11:04,241 JOHN ST. HELEN AND DAVID E. GEORGE 225 00:11:04,241 --> 00:11:06,310 COULD BE THE SAME PERSON. 226 00:11:06,310 --> 00:11:08,068 THEIR AGES AND THEIR STORIES ALIGN 227 00:11:08,068 --> 00:11:10,103 WITH THE BOOTH ESCAPE THEORY. 228 00:11:10,103 --> 00:11:12,827 BUT IF I'M GOING TO FIND THIS MISSING MUMMY, 229 00:11:12,827 --> 00:11:14,758 I NEED TO KNOW IF JOHN WILKES BOOTH 230 00:11:14,758 --> 00:11:16,034 REALLY COULD HAVE LIVED OUT HIS DAYS 231 00:11:16,034 --> 00:11:20,689 AS JOHN ST. HELEN AND THEN DAVID E. GEORGE. 232 00:11:20,689 --> 00:11:22,689 THANK YOU VERY MUCH. 233 00:11:22,689 --> 00:11:24,965 I NEED TO FIND THE CLEAREST HIGH-RESOLUTION PHOTO 234 00:11:24,965 --> 00:11:27,448 TO HELP PROVE WHETHER THESE THREE NAMES 235 00:11:27,448 --> 00:11:29,000 WERE ALL THE SAME MAN. 236 00:11:30,586 --> 00:11:32,275 THE ORIGINAL PHOTO. 237 00:11:35,000 --> 00:11:36,724 WOW! 238 00:11:39,862 --> 00:11:42,517 SO THIS PHOTO WAS TAKEN 12 YEARS 239 00:11:42,517 --> 00:11:45,413 AFTER THE ASSASSINATION OF PRESIDENT ABRAHAM LINCOLN? 240 00:11:45,413 --> 00:11:47,758 IT WAS 1877 WHEN HE GAVE THE TINTYPE TO BATES. 241 00:11:47,758 --> 00:11:49,620 IT WAS 11 OR 12 YEARS LATER. 242 00:11:49,620 --> 00:11:51,586 OF COURSE, IF THIS MAN IS JOHN WILKES BOOTH, 243 00:11:51,586 --> 00:11:53,517 THEN THAT WOULD SETTLE THE ENTIRE CASE, 244 00:11:53,517 --> 00:11:55,655 BECAUSE IF HE WAS STILL ALIVE IN 1877, 245 00:11:55,655 --> 00:11:58,068 HE CERTAINLY WASN'T KILLED IN 1865. 246 00:11:58,068 --> 00:12:00,413 NATE HAS GIVEN ME ALL THE EVIDENCE HE HAS 247 00:12:00,413 --> 00:12:02,931 THAT SUPPORTS THE THEORY THAT BOOTH ESCAPED. 248 00:12:02,931 --> 00:12:05,379 BUT THERE'S ONE PIECE OF HARD EVIDENCE IN THERE, 249 00:12:05,379 --> 00:12:07,241 THE TINTYPE PHOTO. 250 00:12:07,241 --> 00:12:10,344 MY PLAN IS TO USE 21st-CENTURY TECHNOLOGY 251 00:12:10,344 --> 00:12:13,241 TO TRY AND SOLVE A 150-YEAR-OLD CASE. 252 00:12:16,724 --> 00:12:19,379 I'VE ARRANGED A MEETING WITH FORMER NYPD DETECTIVE 253 00:12:19,379 --> 00:12:22,689 AND FACIAL RECOGNITION EXPERT ROGER RODRIGUEZ 254 00:12:22,689 --> 00:12:25,379 TO SEE HOW WE MIGHT BE ABLE TO USE THIS LATEST TECHNOLOGY 255 00:12:25,379 --> 00:12:27,068 IN FACIAL RECOGNITION 256 00:12:27,068 --> 00:12:30,655 TO MORE PRECISELY COMPARE THE TWO MEN IN THE IMAGES -- 257 00:12:30,655 --> 00:12:32,827 THE PHOTO OF JOHN ST. HELEN 258 00:12:32,827 --> 00:12:36,034 AND A KNOWN IMAGE OF JOHN WILKES BOOTH. 259 00:12:36,034 --> 00:12:39,241 I CAN'T TELL YOU HOW OBSESSED AND INTERESTED I AM 260 00:12:39,241 --> 00:12:40,482 WITH YOUR LINE OF WORK. 261 00:12:40,482 --> 00:12:41,551 HOW DID YOU GET INTO THIS? 262 00:12:41,551 --> 00:12:43,172 WELL, I STARTED MY CAREER 263 00:12:43,172 --> 00:12:44,586 WITH THE NEW YORK CITY POLICE DEPARTMENT, 264 00:12:44,586 --> 00:12:45,827 STARTED DOING PATROL. 265 00:12:45,827 --> 00:12:48,137 DID OVER 20 YEARS OF SERVICE THERE. 266 00:12:48,137 --> 00:12:50,206 BUT SHORTLY AFTER THE EVENTS OF 9/11, 267 00:12:50,206 --> 00:12:52,758 I WANTED TO PURSUE A CAREER IN POLICE TECHNOLOGY, 268 00:12:52,758 --> 00:12:55,034 IN UTILIZING TECHNOLOGY TO CATCH THE BAD GUYS. 269 00:12:55,034 --> 00:12:58,655 AND I WAS TASKED TO BUILD THE FACIAL RECOGNITION UNIT. 270 00:12:58,655 --> 00:13:02,137 THE TECHNOLOGY HAS BEEN INSTRUMENTAL IN ASSISTING 271 00:13:02,137 --> 00:13:03,827 TO IDENTIFY THOUSANDS OF PEOPLE. 272 00:13:03,827 --> 00:13:05,172 THOUSANDS? YES. 273 00:13:05,172 --> 00:13:07,620 DO YOU THINK WE CAN CRACK A 150-YEAR-OLD CASE, THOUGH? 274 00:13:07,620 --> 00:13:10,689 WE CAN GIVE IT A SHOT. COME INTO MY OFFICE. 275 00:13:10,689 --> 00:13:13,551 I BROUGHT A FLASH DRIVE TODAY THAT HAS HIGH-RESOLUTION PHOTOS 276 00:13:13,551 --> 00:13:15,896 OF JOHN WILKES BOOTH, AS WELL AS PHOTOS OF THE MAN 277 00:13:15,896 --> 00:13:18,310 THAT CLAIMED TO BE BOOTH YEARS LATER. 278 00:13:18,310 --> 00:13:21,172 THAT MAN WENT BY THE ALIAS OF JOHN ST. HELEN 279 00:13:21,172 --> 00:13:25,137 AND THEN LATER CALLED HIMSELF DAVID E. GEORGE. 280 00:13:25,137 --> 00:13:27,620 HOW DOES THE SOFTWARE ACTUALLY WORK? 281 00:13:27,620 --> 00:13:29,965 WHAT IT DOES IS IT BASICALLY CHANGES 282 00:13:29,965 --> 00:13:32,482 THE ACTUAL FACE INTO A NUMERIC CODE. 283 00:13:32,482 --> 00:13:33,793 IT LOCKS INTO THE EYES, 284 00:13:33,793 --> 00:13:36,965 AND THEN THE FACE IS REPRESENTED AS A SERIES OF NUMBERS. 285 00:13:36,965 --> 00:13:38,655 AND THEN THE ALGORITHMS WORK THEIR WAY AROUND, 286 00:13:38,655 --> 00:13:40,344 PERFORMING THEIR MAGIC. 287 00:13:40,344 --> 00:13:45,586 I CLEARLY SEE LOTS AND LOTS OF DAMAGE TO THIS PHOTO. 288 00:13:45,586 --> 00:13:47,206 THESE TOOLS ARE VERY, VERY IMPORTANT 289 00:13:47,206 --> 00:13:48,517 IN THE INVESTIGATIVE PROCESS 290 00:13:48,517 --> 00:13:50,241 TO MAKE THESE IMAGES MORE CONDUCIVE 291 00:13:50,241 --> 00:13:51,689 FOR FACIAL RECOGNITION. 292 00:13:51,689 --> 00:13:54,137 ROGER STARTS WITH A PHOTO OF JOHN ST. HELEN, 293 00:13:54,137 --> 00:13:55,931 THE MAN WHO CLAIMED TO BE BOOTH. 294 00:13:55,931 --> 00:14:00,206 HE DUPLICATES, FLIPS, AND MERGES THE UNDAMAGED SIDE OF THE FACE. 295 00:14:00,206 --> 00:14:02,517 THIS CREATES A JOHN ST. HELEN FACE 296 00:14:02,517 --> 00:14:05,241 THAT CAN BE COMPARED WITH THE BOOTH FACE. 297 00:14:05,241 --> 00:14:08,000 IF WE WERE TO CAPTURE A MUG SHOT OF JOHN WILKES BOOTH, 298 00:14:08,000 --> 00:14:10,206 THAT IS WHAT THE MUG SHOT WOULD LOOK LIKE. 299 00:14:10,206 --> 00:14:13,103 I WOULD DEFINITELY LOOK AT THIS PHOTO 300 00:14:13,103 --> 00:14:14,965 A LITTLE MORE IN DETAIL. 301 00:14:14,965 --> 00:14:17,000 AFTER ENHANCING BOTH PHOTOS, 302 00:14:17,000 --> 00:14:20,103 ROGER USES SPECIALIZED TOOLS TO COMPARE THE TWO FACES, 303 00:14:20,103 --> 00:14:22,275 LOOKING FOR SHARED LANDMARKS 304 00:14:22,275 --> 00:14:26,448 AND DISTINCT FACIAL FEATURES, LIKE MOLES AND FRECKLES. 305 00:14:26,448 --> 00:14:28,827 JOHN WILKES BOOTH AND ST. HELEN'S FEATURES 306 00:14:28,827 --> 00:14:30,206 ARE SIMILAR. 307 00:14:30,206 --> 00:14:32,896 BUT IN ORDER TO GET A MORE OBJECTIVE COMPARISON, 308 00:14:32,896 --> 00:14:34,758 THE SOFTWARE WILL EXAMINE THE PHOTOS 309 00:14:34,758 --> 00:14:36,896 IN A KIND OF VIRTUAL LINEUP. 310 00:14:36,896 --> 00:14:40,275 ROGER ADDS JOHN WILKES BOOTH'S PHOTO INTO A PUBLIC MUG SHOT 311 00:14:40,275 --> 00:14:44,689 DATABASE OF 5,000 WHITE MALES FROM THE VIRGINIA AREA. 312 00:14:44,689 --> 00:14:46,172 WHY DO WE NEED 5,000 PICTURES? 313 00:14:46,172 --> 00:14:48,448 CAN'T WE JUST PUT IT AGAINST THE TINTYPE PHOTO 314 00:14:48,448 --> 00:14:49,724 AND CALL IT A DAY? 315 00:14:49,724 --> 00:14:52,793 IT'S MORE FACE TEMPLATES THAT IT HAS TO COMPARE AGAINST. 316 00:14:52,793 --> 00:14:55,068 WHAT YOU WANT TO DO IS DRIVE THESE RESULTS 317 00:14:55,068 --> 00:14:57,172 TO LEVELS OF SPECIFICITY. 318 00:14:57,172 --> 00:14:59,172 NEXT, WE'LL RUN ST. HELEN'S PHOTO 319 00:14:59,172 --> 00:15:02,379 THROUGH WHAT'S CALLED A QUERY, WHICH COMPARES HIS FACE 320 00:15:02,379 --> 00:15:05,413 TO THE THOUSANDS OF FACES IN THE DATABASE, 321 00:15:05,413 --> 00:15:08,896 INCLUDING JOHN WILKES BOOTH'S FACE. 322 00:15:08,896 --> 00:15:11,724 ACCORDING TO ROGER, IF THE JOHN WILKES BOOTH PHOTO 323 00:15:11,724 --> 00:15:14,758 APPEARS WITHIN THE TOP 250 RESULTS, 324 00:15:14,758 --> 00:15:16,724 THEN IT'S A PROMISING MATCH. 325 00:15:16,724 --> 00:15:20,793 JUST RUN A QUERY IN THE SYSTEM AND SEE WHERE BOOTH LANDED. 326 00:15:20,793 --> 00:15:27,482 ♪♪ 327 00:15:27,482 --> 00:15:28,655 WAIT. 328 00:15:30,172 --> 00:15:32,068 AM I READING THIS CORRECT? 329 00:15:35,172 --> 00:15:36,586 ♪♪ 330 00:15:36,586 --> 00:15:40,344 Romany: THERE'S A MUMMY WHO SOME BELIEVE WAS JOHN WILKES BOOTH... 331 00:15:42,758 --> 00:15:45,482 ...THAT THE NOTORIOUS ASSASSIN WASN'T KILLED BY U.S. TROOPS 332 00:15:45,482 --> 00:15:48,793 AFTER SHOOTING ABRAHAM LINCOLN. 333 00:15:48,793 --> 00:15:51,758 I'M MEETING WITH EX-POLICE DETECTIVE ROGER RODRIGUEZ 334 00:15:51,758 --> 00:15:54,137 TO USE THE LATEST FACIAL-RECOGNITION SOFTWARE 335 00:15:54,137 --> 00:15:56,172 TO COMPARE PHOTOS OF BOOTH WITH THE PHOTOS 336 00:15:56,172 --> 00:15:59,586 OF A MAN WHO LATER CLAIMED TO BE BOOTH. 337 00:15:59,586 --> 00:16:02,310 IF THEY ARE THE SAME PERSON, THEN IT MEANS THAT 338 00:16:02,310 --> 00:16:05,206 JOHN WILKES BOOTH GOT AWAY WITH MURDER. 339 00:16:06,655 --> 00:16:10,551 JUST RUN A QUERY IN THE SYSTEM AND SEE WHERE BOOTH LANDED. 340 00:16:12,379 --> 00:16:15,310 ACCORDING TO ROGER, IF THE JOHN WILKES BOOTH PHOTO 341 00:16:15,310 --> 00:16:18,344 APPEARS WITHIN THE TOP 250 RESULTS, 342 00:16:18,344 --> 00:16:20,896 THEN IT'S A PROMISING MATCH. 343 00:16:20,896 --> 00:16:27,103 ♪♪ 344 00:16:27,103 --> 00:16:28,206 WAIT. 345 00:16:28,206 --> 00:16:30,379 THAT'S WITHIN THE TOP THREE PERCENTILE 346 00:16:30,379 --> 00:16:32,689 OUT OF 5,000? CORRECT. 347 00:16:32,689 --> 00:16:34,620 THIS IMAGE WOULD DEFINITELY PIQUE MY INTEREST 348 00:16:34,620 --> 00:16:39,068 IN AN INVESTIGATION COMING IN OR LANDING WITHIN THE TOP 250. 349 00:16:39,068 --> 00:16:41,275 HOW DOES THE FACIAL RECOGNITION SYSTEM 350 00:16:41,275 --> 00:16:44,275 WORK ON PICTURES OF THE DEAD? 351 00:16:47,206 --> 00:16:50,241 LET'S TAKE A LOOK AT THE PHOTO. LET'S SEE WHAT WE CAN DO. 352 00:16:50,241 --> 00:16:53,517 WE CAN SEE HERE THE SHAPE OF THE EYEBROW 353 00:16:53,517 --> 00:16:55,689 AND THE SHAPE OF THE EYE 354 00:16:55,689 --> 00:16:59,310 IS VERY, VERY DISTINCT ON BOTH IMAGES. 355 00:16:59,310 --> 00:17:03,137 PUTTING IN MIND THAT ONE OF THEM IS AN EMBALMED DEAD BODY... 356 00:17:03,137 --> 00:17:05,275 CORRECT. 357 00:17:05,275 --> 00:17:07,000 ...THERE IS STRIKING RESEMBLANCE. 358 00:17:07,000 --> 00:17:09,448 THE EARLOBE'S RIGHT THERE -- SAME EARLOBE. 359 00:17:09,448 --> 00:17:13,931 AND THE SHAPE OF THE INSIDE OF THE EAR IS EXACTLY THE SAME. 360 00:17:13,931 --> 00:17:15,379 THEY ARE STRIKINGLY SIMILAR. 361 00:17:15,379 --> 00:17:16,724 WE HAVE NOW DOCUMENTED, 362 00:17:16,724 --> 00:17:19,172 USING OUR LANDMARK MEASUREMENT TOOL, 363 00:17:19,172 --> 00:17:21,034 THE SPACE BETWEEN THE EYES. 364 00:17:21,034 --> 00:17:24,241 THEY ARE SEPARATED BY ONLY ONE PIXEL. 365 00:17:24,241 --> 00:17:26,655 THAT'S A UNIQUE CHARACTERISTIC. 366 00:17:26,655 --> 00:17:29,758 SO THE SOFTWARE HAS IDENTIFIED SIMILARITIES 367 00:17:29,758 --> 00:17:31,793 WITHIN THE TWO INDIVIDUALS. 368 00:17:31,793 --> 00:17:33,827 LET'S PULL THE SHOT OF DAVID E. GEORGE. 369 00:17:33,827 --> 00:17:36,586 LET'S SCROLL. LET'S SEE WHERE OUR SUBJECT LANDED. 370 00:17:36,586 --> 00:17:38,655 THERE'S NO WAY HE SHOWS UP AT ALL. 371 00:17:38,655 --> 00:17:44,310 ♪♪ 372 00:17:44,310 --> 00:17:45,862 VERY, VERY SURPRISING TO ME. 373 00:17:45,862 --> 00:17:47,103 PRETTY INTERESTING. 374 00:17:49,103 --> 00:17:54,517 IT'S LESS THAN 1%. THAT'S WITHIN THE 0.5%. 375 00:17:54,517 --> 00:17:56,448 IF THAT'S TRUE, THEN 376 00:17:56,448 --> 00:17:59,655 THE MUMMY THAT TOURED AMERICA AS JOHN WILKES BOOTH 377 00:17:59,655 --> 00:18:02,000 COULD BE ACTUALLY JOHN WILKES BOOTH. 378 00:18:02,000 --> 00:18:05,310 WOULD IT HOLD UP IN A COURT OF LAW? 379 00:18:05,310 --> 00:18:07,241 NO. 380 00:18:07,241 --> 00:18:08,241 WHAT WOULD? 381 00:18:08,241 --> 00:18:09,448 DNA. 382 00:18:09,448 --> 00:18:18,310 ♪♪ 383 00:18:18,310 --> 00:18:21,137 I FIND IT REALLY COMPELLING THAT JOHN WILKES BOOTH, 384 00:18:21,137 --> 00:18:26,310 JOHN ST. HELEN, AND THE MUMMY ALL HAVE THESE SIMILARITIES. 385 00:18:26,310 --> 00:18:29,586 BUT ULTIMATELY, I HAVE TO AGREE WITH ROGER. 386 00:18:29,586 --> 00:18:32,655 IN MY BOOK, DNA IS THE ONLY DEFINITIVE PROOF 387 00:18:32,655 --> 00:18:35,137 AND THE ONLY WAY I'LL BE CONVINCED, 388 00:18:35,137 --> 00:18:38,379 WHICH MEANS I HAVE TO TRACK DOWN THIS MUMMY. 389 00:18:40,103 --> 00:18:43,310 THE MUMMY DISAPPEARED IN THE 1970s. 390 00:18:43,310 --> 00:18:45,896 SO I'LL HAVE TO RETRACE THE MUMMY'S PATH 391 00:18:45,896 --> 00:18:48,517 ALL THE WAY BACK TO WHERE BOOTH, UNDER THE ALIAS 392 00:18:48,517 --> 00:18:52,931 OF DAVID E. GEORGE, SUPPOSEDLY LIVED. 393 00:18:52,931 --> 00:18:55,344 I'M IN ENID, OKLAHOMA. 394 00:18:55,344 --> 00:18:59,068 THIS IS WHERE HE RENTED A ROOM IN THE EARLY 1900s 395 00:18:59,068 --> 00:19:02,551 ABOVE WHAT IS NOW A FURNITURE STORE. 396 00:19:02,551 --> 00:19:05,448 HERE IS WHERE DAVID E. GEORGE DIED, 397 00:19:05,448 --> 00:19:09,000 AND DAYS LATER, HIS BODY WAS MUMMIFIED. 398 00:19:09,000 --> 00:19:11,172 THE LOCATION IS OWNED BY AMATEUR HISTORIAN 399 00:19:11,172 --> 00:19:14,517 AND RESEARCHER RUSS FRAZEE. 400 00:19:14,517 --> 00:19:15,689 YOUR STORE IS ASSOCIATED 401 00:19:15,689 --> 00:19:18,000 WITH A VERY IMPORTANT STORY IN HISTORY. 402 00:19:18,000 --> 00:19:21,482 WELL, IT'S ONE OF THE OLDEST REMAINING BUILDINGS IN DOWNTOWN. 403 00:19:21,482 --> 00:19:26,413 IT WAS BUILT IN 1898, BUILT AS THE GRAND AVENUE HOTEL 404 00:19:26,413 --> 00:19:31,379 AT THE TIME OF BOOTH OR DAVID E. GEORGE'S DEATH. 405 00:19:31,379 --> 00:19:34,000 SO DAVID E. GEORGE LIVED UP HERE? 406 00:19:34,000 --> 00:19:36,551 YES. WE CAN GO UPSTAIRS HERE NOW. 407 00:19:38,310 --> 00:19:41,275 LOCAL LORE HAS IT THAT DAVID E. GEORGE ARRIVED IN ENID 408 00:19:41,275 --> 00:19:44,965 AND WOULD SOMETIMES CONFESS TO BEING JOHN WILKES BOOTH. 409 00:19:44,965 --> 00:19:46,379 BUT I'M CURIOUS ABOUT THE EVIDENCE 410 00:19:46,379 --> 00:19:48,344 THAT SUPPORTS THAT CLAIM. 411 00:19:48,344 --> 00:19:52,172 THIS WAS KIND OF THE MOTEL 6 OF THE DAY -- VERY BASIC. 412 00:19:52,172 --> 00:19:55,034 THERE WASN'T EVEN ANY RUNNING WATER UP HERE. 413 00:19:55,034 --> 00:19:57,896 THIS IS THE ROOM WHERE GEORGE LIVED. 414 00:19:57,896 --> 00:19:59,724 SO THIS IS IT. 415 00:19:59,724 --> 00:20:01,793 OH, LOOK AT THIS. 416 00:20:01,793 --> 00:20:04,103 THIS IS WHERE DAVID E. GEORGE LIVED. 417 00:20:04,103 --> 00:20:06,517 THIS IS THE PLACE. 418 00:20:06,517 --> 00:20:08,551 ORIGINAL WALLPAPER. 419 00:20:08,551 --> 00:20:10,068 OH, A BOTTLE OF WHISKEY. 420 00:20:10,068 --> 00:20:12,103 THEY WERE BIG DRINKERS IN THOSE DAYS. 421 00:20:12,103 --> 00:20:13,758 SO, BASED ON YOUR STORY, 422 00:20:13,758 --> 00:20:17,551 AFTER BOOTH ASSASSINATED PRESIDENT ABRAHAM LINCOLN, 423 00:20:17,551 --> 00:20:20,068 HE FLED TO TEXAS. 424 00:20:20,068 --> 00:20:22,172 THEN AFTER THAT, HE CAME UP TO ENID. 425 00:20:22,172 --> 00:20:25,413 IT IS SOMEWHAT DIFFICULT TO FIGURE HIM OUT 426 00:20:25,413 --> 00:20:29,310 BETWEEN THE ASSASSINATION AND UNTIL HE GOT TO TEXAS. 427 00:20:29,310 --> 00:20:31,103 HE HAD MANY ALIASES. 428 00:20:31,103 --> 00:20:32,793 THERE WAS NO FORMAL 429 00:20:32,793 --> 00:20:35,758 IDENTIFICATION PAPERS IN THOSE DAYS. 430 00:20:35,758 --> 00:20:39,000 YOU COULD BE ANYONE YOU WANTED. 431 00:20:39,000 --> 00:20:42,655 AND DAVID E. GEORGE SPENT HIS EVENINGS IN SALOONS. 432 00:20:42,655 --> 00:20:46,517 WHEN DRUNK, HE WOULD CONFESS TO BEING JOHN WILKES BOOTH. 433 00:20:46,517 --> 00:20:49,448 HE EVEN REVEALED DETAILS OF THE ASSASSINATION PLOT 434 00:20:49,448 --> 00:20:53,758 THAT WOULDN'T BE MADE PUBLIC UNTIL 1935. 435 00:20:53,758 --> 00:20:55,793 I MEAN, YOU GREW UP AROUND THIS LEGACY 436 00:20:55,793 --> 00:20:57,103 AND THIS STORY ALL YOUR LIFE. 437 00:20:57,103 --> 00:20:58,310 WHAT DO YOU BELIEVE? 438 00:20:58,310 --> 00:21:00,379 DO YOU BELIEVE THAT JOHN WILKES BOOTH 439 00:21:00,379 --> 00:21:01,896 ACTUALLY SURVIVED? 440 00:21:01,896 --> 00:21:03,344 WELL, I DO. 441 00:21:03,344 --> 00:21:06,137 IT WAS IN THE OKLAHOMA HISTORY TEXTBOOKS 442 00:21:06,137 --> 00:21:10,655 BACK IN THE EARLY '60s, WHEN I WAS IN JUNIOR HIGH. 443 00:21:10,655 --> 00:21:11,689 WAIT. 444 00:21:11,689 --> 00:21:13,655 JOHN WILKES BOOTH'S SURVIVAL 445 00:21:13,655 --> 00:21:16,103 WAS A PART OF THE TEXTBOOKS HERE IN OKLAHOMA? 446 00:21:16,103 --> 00:21:17,413 SURE WAS. 447 00:21:17,413 --> 00:21:19,068 SO IT'S NOT JUST THE ORAL HISTORY. 448 00:21:19,068 --> 00:21:22,103 IT'S A PART OF THE WRITTEN HISTORY OF ENID, OKLAHOMA. 449 00:21:22,103 --> 00:21:23,103 YES. 450 00:21:24,620 --> 00:21:27,000 I WANT TO SEE THE DOCUMENTS ABOUT DAVID E. GEORGE 451 00:21:27,000 --> 00:21:29,275 THAT RUSS HAS COLLECTED OVER THE YEARS. 452 00:21:32,724 --> 00:21:37,379 THIS IS FROM THE OKLAHOMA HISTORICAL SOCIETY, 1922. 453 00:21:37,379 --> 00:21:41,034 "THE LAST WILL AND TESTAMENT OF DAVE E. GEORGE. 454 00:21:41,034 --> 00:21:44,448 JANUARY 15, 1903." 455 00:21:44,448 --> 00:21:47,413 THIS IS A WRITTEN RECORD DAYS AFTER HE DIED. 456 00:21:47,413 --> 00:21:49,482 "AT MOST TIMES, HE WAS JOLLY 457 00:21:49,482 --> 00:21:52,137 AND WHEN DRINKING, WOULD ENTERTAIN A CROWD 458 00:21:52,137 --> 00:21:55,344 BY ACTING PORTIONS OF SHAKESPEARE." 459 00:21:55,344 --> 00:21:56,758 SHAKESPEARE? AND DRINK. YEAH. 460 00:21:56,758 --> 00:21:59,172 WASN'T JOHN WILKES BOOTH ALSO A SHAKESPEAREAN ACTOR? 461 00:21:59,172 --> 00:22:01,620 A GREAT SHAKESPEAREAN ACTOR. 462 00:22:01,620 --> 00:22:05,275 "JANUARY 21, 1903, THE ENID DAILY WAY. 463 00:22:05,275 --> 00:22:08,413 DOCTORS ARE CONFIDENT FROM HIS SYMPTOMS 464 00:22:08,413 --> 00:22:14,137 THAT HE DIED FROM ARSENIC POISON SELF-ADMINISTERED." 465 00:22:14,137 --> 00:22:17,413 RUSS, DO YOU BELIEVE THAT JOHN WILKES BOOTH ESCAPED 466 00:22:17,413 --> 00:22:18,931 AFTER KILLING LINCOLN? 467 00:22:18,931 --> 00:22:21,517 DO YOU BELIEVE THAT IT'S A COVER-UP? 468 00:22:21,517 --> 00:22:22,793 YES. 469 00:22:25,241 --> 00:22:28,758 ♪♪ 470 00:22:28,758 --> 00:22:31,103 Romany: I'M IN ENID, OKLAHOMA, WHERE DAVID E. GEORGE 471 00:22:31,103 --> 00:22:34,206 SPENT HIS LAST DAYS IN 1903. 472 00:22:34,206 --> 00:22:36,517 GEORGE CLAIMED TO BE JOHN WILKES BOOTH 473 00:22:36,517 --> 00:22:40,310 AND TO HAVE GOTTEN AWAY WITH KILLING ABRAHAM LINCOLN. 474 00:22:40,310 --> 00:22:45,206 SHORTLY AFTER HIS DEATH, HIS BODY WAS MUMMIFIED. 475 00:22:45,206 --> 00:22:48,000 RUSS, DO YOU BELIEVE THAT JOHN WILKES BOOTH 476 00:22:48,000 --> 00:22:50,137 ESCAPED AFTER KILLING LINCOLN? 477 00:22:50,137 --> 00:22:52,724 DO YOU BELIEVE THAT IT'S A COVER-UP? 478 00:22:52,724 --> 00:22:53,896 YES. 479 00:22:55,482 --> 00:22:59,827 WE BELIEVE THAT SOME UNFORTUNATE SOUL WAS MURDERED 480 00:22:59,827 --> 00:23:02,310 BY THE FEDERAL GOVERNMENT IN THE BARN 481 00:23:02,310 --> 00:23:05,241 AND THEN CLAIMED TO BE BOOTH. 482 00:23:05,241 --> 00:23:08,034 AND WHAT HAPPENED AFTER DAVID E. GEORGE DIED? 483 00:23:08,034 --> 00:23:10,241 WELL, THE BODY WAS LOADED ON A WAGON 484 00:23:10,241 --> 00:23:13,793 AND TAKEN ACROSS THE SQUARE TO THE FUNERAL PARLOR, 485 00:23:13,793 --> 00:23:15,551 AND THEY EMBALMED IT. 486 00:23:15,551 --> 00:23:17,896 AND THE EMBALMING PROCESS 487 00:23:17,896 --> 00:23:21,482 INVOLVED INJECTING THE BODY WITH ARSENIC. 488 00:23:21,482 --> 00:23:23,827 AND THAT'S HOW HE BECAME A MUMMY? 489 00:23:23,827 --> 00:23:24,827 YES. 490 00:23:24,827 --> 00:23:26,379 WHAT HAPPENED TO HIS MUMMY? 491 00:23:26,379 --> 00:23:28,206 PEOPLE TRIED TO CLAIM THE BODY, 492 00:23:28,206 --> 00:23:30,724 BUT THE MORTICIAN KEPT IT AT THE FUNERAL HOME. 493 00:23:30,724 --> 00:23:32,344 PEOPLE WERE POURING INTO ENID, 494 00:23:32,344 --> 00:23:34,551 ASKING, "IS THIS THE BODY OF BOOTH?" 495 00:23:34,551 --> 00:23:37,068 SO PEOPLE HAD ALREADY HEARD THIS COULD BE BOOTH? 496 00:23:37,068 --> 00:23:38,068 YEAH. 497 00:23:38,068 --> 00:23:39,586 AND THEN WHAT HAPPENED TO THE MUMMY? 498 00:23:39,586 --> 00:23:41,551 HE SOLD IT TO A CIRCUS. 499 00:23:41,551 --> 00:23:43,206 THEY WERE A LITTLE MORE LENIENT 500 00:23:43,206 --> 00:23:46,551 WITH THE LAW BACK IN THOSE DAYS. 501 00:23:46,551 --> 00:23:49,862 BEFORE MOVIE HOUSES AND RADIO BECAME THE AMERICAN PUBLIC'S 502 00:23:49,862 --> 00:23:54,758 PRIMARY SOURCE OF ENTERTAINMENT, FREAK SHOWS, DIME MUSEUMS, 503 00:23:54,758 --> 00:23:57,137 AND SIDESHOWS TOURED THE COUNTRY. 504 00:23:57,137 --> 00:23:58,965 CUSTOMERS WOULD PAY A SMALL FEE 505 00:23:58,965 --> 00:24:02,344 TO SEE EVERYTHING FROM BEARDED LADIES AND TWO-HEADED COWS 506 00:24:02,344 --> 00:24:07,068 TO FIRE-EATERS AND, YES, HUMAN MUMMIES. 507 00:24:07,068 --> 00:24:09,793 WE HAVE SOME EXCELLENT PICTURES HERE. 508 00:24:09,793 --> 00:24:14,068 THAT'S HIM SITTING CLOTHED AS A MUMMY IN THE FUNERAL PARLOR. 509 00:24:14,068 --> 00:24:16,241 THAT'S HOW HE LOOKED IN THE FUNERAL HOME? 510 00:24:16,241 --> 00:24:17,241 THAT'S IT. YEAH. 511 00:24:17,241 --> 00:24:19,965 THIS MAN IS THE SAME MAN RIGHT HERE, 512 00:24:19,965 --> 00:24:22,655 A PICTURE TAKEN 35 YEARS LATER 513 00:24:22,655 --> 00:24:25,655 WHILE HIS MUMMY WAS TOURING AMERICA? 514 00:24:25,655 --> 00:24:27,379 THAT'S CORRECT. 515 00:24:31,655 --> 00:24:35,793 BASED ON WHAT I'VE SEEN SO FAR, THE MUMMY OF DAVID E. GEORGE 516 00:24:35,793 --> 00:24:40,068 REALLY COULD BE THE MUMMY OF JOHN WILKES BOOTH. 517 00:24:40,068 --> 00:24:42,862 IF I CAN FIND THE BODY, I WANT TO DO SOME DNA 518 00:24:42,862 --> 00:24:46,482 TESTING TO SEE IF BOTH PEOPLE ARE ONE AND THE SAME. 519 00:24:48,275 --> 00:24:50,034 BUT FIRST, I NEED TO KNOW 520 00:24:50,034 --> 00:24:54,310 IF THE MUMMY WOULD STILL BE INTACT AFTER ALL THIS TIME. 521 00:24:54,310 --> 00:24:56,724 I KNOW THAT ARSENIC WAS COMMONLY USED TOWARDS 522 00:24:56,724 --> 00:24:59,793 THE END OF THE 19th CENTURY AS AN EMBALMING AGENT, 523 00:24:59,793 --> 00:25:03,137 BUT WHAT I DON'T KNOW IS WHETHER SOMEBODY EMBALMED WITH ARSENIC 524 00:25:03,137 --> 00:25:05,896 COULD MAINTAIN HIS FACIAL FEATURES. 525 00:25:05,896 --> 00:25:07,620 I'M MEETING DR. JOHN FRITCH 526 00:25:07,620 --> 00:25:09,965 HERE AT THE UNIVERSITY OF CENTRAL OKLAHOMA. 527 00:25:09,965 --> 00:25:12,793 HE'S AN EXPERT IN PERIOD EMBALMING PROCEDURES. 528 00:25:14,379 --> 00:25:17,034 I GOT SOME PHOTOS RIGHT HERE. 529 00:25:21,344 --> 00:25:23,965 ALL RIGHT. SO, QUICK BACKGROUND. 530 00:25:23,965 --> 00:25:27,931 THIS RIGHT HERE IS A PHOTO OF A MAN NAMED DAVE E. GEORGE. 531 00:25:27,931 --> 00:25:31,310 WE ALSO KNOW THAT HE DIED OF ARSENIC POISONING 532 00:25:31,310 --> 00:25:33,103 SELF-ADMINISTERED. 533 00:25:33,103 --> 00:25:38,000 AND 35 YEARS LATER, THIS RIGHT HERE IS ALLEGEDLY HIS MUMMY, 534 00:25:38,000 --> 00:25:43,034 WHICH TOURED THE COUNTRY IN SIDESHOWS AS JOHN WILKES BOOTH. 535 00:25:43,034 --> 00:25:47,344 IS IT POSSIBLE THAT AFTER 35 YEARS, FROM THIS PICTURE 536 00:25:47,344 --> 00:25:50,344 TO THAT PICTURE, ARSENIC PRESERVATION 537 00:25:50,344 --> 00:25:52,965 COULD HAVE KEPT THE BODY, 538 00:25:52,965 --> 00:25:55,344 MAINTAINING THE FEATURES LIKE THIS? 539 00:25:55,344 --> 00:25:59,275 I HAVE SOME TEXTBOOKS FROM THAT PERIOD, 540 00:25:59,275 --> 00:26:02,137 AND THEY'RE KIND OF -- THESE ARE HISTORICAL. 541 00:26:02,137 --> 00:26:04,000 EMBALMING TECHNIQUES. 542 00:26:04,000 --> 00:26:06,000 THE ART AND SCIENCE OF EMBALMING, 543 00:26:06,000 --> 00:26:07,862 I JUST FOUND FASCINATING. 544 00:26:07,862 --> 00:26:09,551 ONE IS RIGHT HERE. 545 00:26:09,551 --> 00:26:13,517 "ARSENATE OF SODA IS ONE OF THE STRONGEST PRESERVATIONS 546 00:26:13,517 --> 00:26:14,896 FOR ANIMAL TISSUE. 547 00:26:14,896 --> 00:26:18,275 CAUSES A RAPID DESICCATION OF THE CELLULAR TISSUE." 548 00:26:18,275 --> 00:26:19,931 SO WE'RE TALKING, IT WOULD DRY OUT 549 00:26:19,931 --> 00:26:21,965 THOSE TISSUES VERY QUICKLY, 550 00:26:21,965 --> 00:26:23,896 AND THAT IS KEY TO LONG-TERM PRESERVATION. 551 00:26:23,896 --> 00:26:25,241 ABSOLUTELY. 552 00:26:25,241 --> 00:26:27,896 EVEN IN THE CURRENT ENVIRONMENT, WHEN WE USE FORMALDEHYDE, 553 00:26:27,896 --> 00:26:30,586 THAT'S THE SECRET, IS REMOVING WATER. 554 00:26:30,586 --> 00:26:33,620 SO THIS PERSON TOOK THEIR OWN LIFE? 555 00:26:33,620 --> 00:26:34,724 YES. OKAY. 556 00:26:34,724 --> 00:26:36,965 AND WAS FOUND...NEARLY INSTANTLY. 557 00:26:36,965 --> 00:26:39,862 HIS BODY, BIOLOGICALLY, WAS HEALTHY. 558 00:26:39,862 --> 00:26:42,586 SO THE PREDICTION WOULD BE THAT 559 00:26:42,586 --> 00:26:47,310 IT WOULD TAKE OUR PROCEDURE QUITE WELL. 560 00:26:47,310 --> 00:26:49,551 NOW, THESE ARE HISTORICAL ITEMS. 561 00:26:49,551 --> 00:26:51,551 WOW! LOOK AT THIS. 562 00:26:51,551 --> 00:26:52,931 CAN I TAKE IT OUT?OF COURSE. YES. 563 00:26:52,931 --> 00:26:55,413 THAT'S AN INJECTION. 564 00:26:55,413 --> 00:26:57,724 IT WAS VERY COMMON IN THIS PERIOD 565 00:26:57,724 --> 00:26:59,620 TO DO THE EMBALMING AT HOME. 566 00:26:59,620 --> 00:27:01,103 AND SO YOU DIDN'T WANT TO MAKE A MESS, 567 00:27:01,103 --> 00:27:02,793 AND SO YOU WOULD USE YOUR DRAIN TUBES. 568 00:27:02,793 --> 00:27:05,068 YOU'D INSERT THEM IN THE VEINS. 569 00:27:05,068 --> 00:27:08,793 AND THEN AS YOU PUSH YOUR ARSENIC-BASED FLUID IN, 570 00:27:08,793 --> 00:27:10,931 THE BLOOD WOULD THEN BE WITHDRAWN, 571 00:27:10,931 --> 00:27:12,448 AND THEY WOULD PUT IT IN A VESSEL 572 00:27:12,448 --> 00:27:15,344 SO THAT THEY COULD TAKE IT AWAY FROM THE HOUSE. 573 00:27:15,344 --> 00:27:19,068 DO YOU THINK THERE'S ANY CHANCE THAT TODAY 574 00:27:19,068 --> 00:27:22,206 THIS MUMMY STILL EXISTS WITH THE FEATURES? 575 00:27:22,206 --> 00:27:23,620 I WOULD SAY IT'S POSSIBLE. 576 00:27:23,620 --> 00:27:27,068 IF THIS EMBALMER HAD KNOWLEDGE THAT THERE WAS GOING TO BE 577 00:27:27,068 --> 00:27:28,931 A NEED FOR THIS MUMMY TO BE AROUND 578 00:27:28,931 --> 00:27:31,206 FOR AN EXTENDED PERIOD OF TIME, 579 00:27:31,206 --> 00:27:32,724 THEY WOULD HAVE USED A STRONG -- 580 00:27:32,724 --> 00:27:34,655 HIGHER CONCENTRATION OF ARSENIC.ABSOLUTELY. 581 00:27:34,655 --> 00:27:37,758 WELL, WE KNOW THAT THIS EMBALMER DID PLAN 582 00:27:37,758 --> 00:27:40,689 ON HAVING THIS MUMMY BECOME A SIDESHOW MUMMY. 583 00:27:40,689 --> 00:27:43,000 I THINK IT'S A GREAT POSSIBILITY IT STILL EXISTS 584 00:27:43,000 --> 00:27:45,862 AND IN A RECOGNIZABLE FORM. 585 00:27:45,862 --> 00:27:51,482 ♪♪ 586 00:27:51,482 --> 00:27:57,172 ♪♪ 587 00:27:57,172 --> 00:28:00,068 I'M NOW CONFIDENT THAT THE SO-CALLED BOOTH MUMMY 588 00:28:00,068 --> 00:28:02,413 COULD BE INTACT TODAY. 589 00:28:02,413 --> 00:28:04,310 BUT I STILL HAVE TO FIND IT. 590 00:28:04,310 --> 00:28:10,206 ♪♪ 591 00:28:10,206 --> 00:28:13,793 I'M HERE IN AUSTIN, TEXAS, TO MEET WITH STEVE BUSTI, 592 00:28:13,793 --> 00:28:16,103 AN EXHIBITOR OF SIDESHOW ARTIFACTS 593 00:28:16,103 --> 00:28:18,206 AND ONE OF THE COUNTRY'S FOREMOST COLLECTORS 594 00:28:18,206 --> 00:28:20,172 OF HUMAN REMAINS. 595 00:28:20,172 --> 00:28:22,689 I NEED TO FIND OUT IF HE HAS ANY THEORIES 596 00:28:22,689 --> 00:28:23,931 ABOUT WHERE THE MISSING 597 00:28:23,931 --> 00:28:27,379 JOHN WILKES BOOTH MUMMY IS TODAY. 598 00:28:27,379 --> 00:28:30,310 OKAY, RAMY, THIS IS A CABINET OF CURIOSITIES. 599 00:28:30,310 --> 00:28:31,965 NO WAY! 600 00:28:35,620 --> 00:28:37,413 OH, MY GOD! LOOK AT THIS! 601 00:28:37,413 --> 00:28:40,241 THIS IS THE MUMMY FROM GUANAJUATO. 602 00:28:40,241 --> 00:28:41,793 THE PROPERTIES OF THE SOIL 603 00:28:41,793 --> 00:28:43,965 COMBINED WITH MAYBE THE ARID REGION 604 00:28:43,965 --> 00:28:46,103 CREATED THESE NATURAL MUMMIES. 605 00:28:47,793 --> 00:28:52,034 WHAT DOES IT TAKE TO ACQUIRE A MUMMY LIKE THAT? 606 00:28:52,034 --> 00:28:54,758 BASICALLY, YOU JUST NEED TO HAVE THE RIGHT CONNECTIONS. 607 00:28:54,758 --> 00:28:57,827 THEY'RE STILL AROUND, BUT IT'S BECOME INCREASINGLY HARDER 608 00:28:57,827 --> 00:29:00,724 TO FIND THE REAL DEAL. 609 00:29:00,724 --> 00:29:04,862 HOW WOULD A MAN LIKE MYSELF TRACK A MUMMY, LET'S SAY LIKE 610 00:29:04,862 --> 00:29:07,482 JOHN WILKES BOOTH'S ALLEGED MUMMY? 611 00:29:07,482 --> 00:29:09,000 OUT OF ALL THE MUMMY EXHIBITS, 612 00:29:09,000 --> 00:29:10,931 THAT WAS PROBABLY THE MOST FAMOUS. 613 00:29:10,931 --> 00:29:12,413 I DON'T KNOW WHERE IT IS. 614 00:29:12,413 --> 00:29:15,275 THE LAST KNOWN LOCATION WAS PROBABLY MID-1970s, 615 00:29:15,275 --> 00:29:16,758 SOMEWHERE IN PENNSYLVANIA. 616 00:29:16,758 --> 00:29:18,137 IT'S OUT THERE SOMEWHERE, YOU KNOW. 617 00:29:18,137 --> 00:29:20,379 YOU DON'T JUST LOSE A MUMMY OR MISPLACE A MUMMY. 618 00:29:20,379 --> 00:29:23,862 YOU'VE ACQUIRED MUMMIES. I'VE ONLY STUDIED THEM. 619 00:29:23,862 --> 00:29:25,206 BIG DIFFERENCE. 620 00:29:25,206 --> 00:29:29,758 NOW, HOW DO YOU TRACE A MUMMY THAT YOU'RE LOOKING FOR? 621 00:29:29,758 --> 00:29:32,034 YOU BASICALLY HAVE TO START MAKING CONNECTIONS. 622 00:29:32,034 --> 00:29:33,931 YOU HAVE TO KNOW WHO ARE 623 00:29:33,931 --> 00:29:35,275 SOME OF THESE OTHER COLLECTORS OUT THERE 624 00:29:35,275 --> 00:29:37,172 THAT HAVE MAYBE SOME OF THESE MUMMIES 625 00:29:37,172 --> 00:29:38,517 IN THEIR PRIVATE COLLECTION. 626 00:29:38,517 --> 00:29:40,655 AND... 627 00:29:40,655 --> 00:29:42,517 YOU HAVE CONNECTIONS? 628 00:29:42,517 --> 00:29:43,517 [ LAUGHS ] 629 00:29:43,517 --> 00:29:45,413 UM... 630 00:29:45,413 --> 00:29:46,862 THESE COLLECTORS ARE VERY PRIVATE. 631 00:29:46,862 --> 00:29:50,793 THEY DON'T WANT TO SHARE WHAT THEY'VE GOT WITH THE WORLD. 632 00:29:50,793 --> 00:29:53,068 BUT I WILL MAKE SOME PHONE CALLS FOR YOU. 633 00:29:53,068 --> 00:29:54,379 THAT'S GREAT. 634 00:29:54,379 --> 00:30:00,413 ♪♪ 635 00:30:00,413 --> 00:30:03,034 [ CELLPHONE RINGS ] 636 00:30:03,034 --> 00:30:04,827 STEVE, WHAT DO YOU GOT? 637 00:30:04,827 --> 00:30:06,275 YES. PLEASE. 638 00:30:06,275 --> 00:30:07,655 I GOT IT RIGHT HERE. 639 00:30:07,655 --> 00:30:10,172 WHAT'S HIS NAME? 640 00:30:10,172 --> 00:30:11,724 ROBERT. 641 00:30:11,724 --> 00:30:13,000 HIS PHONE NUMBER? 642 00:30:15,103 --> 00:30:18,413 NO, I COMPLETELY UNDERSTAND. I WILL TREAD LIGHTLY. 643 00:30:18,413 --> 00:30:20,413 YES, I'LL BE VERY CAREFUL. 644 00:30:23,000 --> 00:30:25,482 I MAY HAVE JUST FOUND THE BOOTH MUMMY. 645 00:30:28,965 --> 00:30:31,344 Romany: THERE'S A THEORY THAT AFTER ASSASSINATING 646 00:30:31,344 --> 00:30:34,931 PRESIDENT ABRAHAM LINCOLN IN 1865, 647 00:30:34,931 --> 00:30:37,551 JOHN WILKES BOOTH ESCAPED. 648 00:30:39,068 --> 00:30:43,310 YEARS LATER, HIS MUMMIFIED REMAINS TOURED THE COUNTRY, 649 00:30:43,310 --> 00:30:46,551 BUT THEN THE MUMMY VANISHED. 650 00:30:51,482 --> 00:30:54,068 [ CELLPHONE RINGS ] 651 00:30:54,068 --> 00:30:56,310 STEVE, WHAT DO YOU GOT? 652 00:30:56,310 --> 00:30:57,931 WHAT'S HIS NAME? 653 00:30:57,931 --> 00:30:59,517 ROBERT. 654 00:30:59,517 --> 00:31:00,896 HIS PHONE NUMBER? 655 00:31:02,896 --> 00:31:06,206 NO, I COMPLETELY UNDERSTAND. I WILL TREAD LIGHTLY. 656 00:31:06,206 --> 00:31:08,310 YES, I'LL BE VERY CAREFUL. 657 00:31:10,758 --> 00:31:14,586 I MAY HAVE JUST FOUND THE BOOTH MUMMY. 658 00:31:14,586 --> 00:31:18,241 40 YEARS -- 40 YEARS SINCE IT'S LAST BEEN SEEN. 659 00:31:18,241 --> 00:31:21,310 IF THAT'S TRUE, ONE DNA TEST AND WE'LL KNOW 660 00:31:21,310 --> 00:31:24,896 IF THE KILLER OF THE GREATEST PRESIDENT IN AMERICAN HISTORY 661 00:31:24,896 --> 00:31:26,862 ACTUALLY GOT AWAY WITH IT. 662 00:31:26,862 --> 00:31:32,965 ♪♪ 663 00:31:32,965 --> 00:31:39,103 ♪♪ 664 00:31:39,103 --> 00:31:40,965 THIS IS IT. 665 00:31:40,965 --> 00:31:42,586 THIS IS THE HOUSE. 666 00:31:42,586 --> 00:31:44,275 LET'S SEE WHERE THIS TAKES US. 667 00:31:48,655 --> 00:31:50,931 I'VE REACHED OUT TO THIS COLLECTOR MULTIPLE TIMES, 668 00:31:50,931 --> 00:31:52,724 AND HE HAS NOT RESPONDED. 669 00:31:52,724 --> 00:31:55,793 KNOCKING ON HIS DOOR MAY BE THE ONLY WAY IN. 670 00:31:55,793 --> 00:32:05,137 ♪♪ 671 00:32:05,137 --> 00:32:14,448 ♪♪ 672 00:32:14,448 --> 00:32:16,724 OKAY. HE SAID YES. COME ON. 673 00:32:19,206 --> 00:32:21,068 JUST BE VERY RESPECTFUL. I TOLD HIM ONE CAMERA. 674 00:32:21,068 --> 00:32:23,931 I THINK TWO IS FINE, BUT BE VERY RESPECTFUL. 675 00:32:23,931 --> 00:32:31,965 ♪♪ 676 00:32:31,965 --> 00:32:33,862 ROBERT, THE CAMERAS ARE HERE. 677 00:32:36,103 --> 00:32:38,413 OH, WOW! LOOK AT THIS! 678 00:32:38,413 --> 00:32:44,413 ♪♪ 679 00:32:44,413 --> 00:32:46,137 YOU KNOW... 680 00:32:46,137 --> 00:32:49,034 WHEN I GOT YOUR PHONE NUMBER, 681 00:32:49,034 --> 00:32:50,862 THEY TOLD ME THAT YOU'RE VERY PROTECTIVE 682 00:32:50,862 --> 00:32:53,482 AND THAT YOU'RE NEVER GONNA LET ANYONE IN. 683 00:32:53,482 --> 00:32:55,241 IT SEEMS LIKE YOU HAVE A REPUTATION 684 00:32:55,241 --> 00:32:58,965 THAT YOU DON'T WANT TO LET ANYONE IN. 685 00:32:58,965 --> 00:33:01,344 YOU'RE A PROFESSIONAL EGYPTOLOGIST. 686 00:33:01,344 --> 00:33:02,965 YOU'RE AN EDUCATED MAN. 687 00:33:02,965 --> 00:33:04,551 YOU'RE SOMEONE I WOULD BE INTERESTED IN KNOWING. 688 00:33:04,551 --> 00:33:06,206 IT'S THAT SIMPLE. 689 00:33:06,206 --> 00:33:07,448 WELL, THANK YOU VERY MUCH, ROBERT. 690 00:33:07,448 --> 00:33:09,620 I AM INTERESTED IN KNOWING YOU. 691 00:33:14,517 --> 00:33:16,103 ROBERT, IF YOU DON'T MIND ME ASKING, 692 00:33:16,103 --> 00:33:17,758 WHAT GOT YOU INTERESTED IN ALL THIS? 693 00:33:17,758 --> 00:33:19,965 I WOULD HAVE TO BLAME THAT ON MY GRANDMOTHER. 694 00:33:19,965 --> 00:33:21,689 MY GRANDMOTHER USED TO TAKE US TO 695 00:33:21,689 --> 00:33:24,413 THE MUSEUM OF NATURAL HISTORY IN NEW YORK CITY, 696 00:33:24,413 --> 00:33:27,206 AND IT WAS LOVE AT FIRST SIGHT. 697 00:33:27,206 --> 00:33:28,379 FINALLY, SHE STARTED TO TAKE US 698 00:33:28,379 --> 00:33:30,448 TO THE METROPOLITAN MUSEUM OF ART, 699 00:33:30,448 --> 00:33:31,586 AND I'M SURE YOU KNOW THEY HAVE 700 00:33:31,586 --> 00:33:33,448 A MAGNIFICENT EGYPTIAN COLLECTION THERE. 701 00:33:33,448 --> 00:33:35,068 YEAH. IT'S LIKE COMING HOME. 702 00:33:35,068 --> 00:33:37,413 IT'S WONDERFUL STUFF. 703 00:33:37,413 --> 00:33:38,482 I HOPE THAT MY APPRECIATION 704 00:33:38,482 --> 00:33:40,517 FOR ROBERT'S IMPRESSIVE COLLECTION 705 00:33:40,517 --> 00:33:42,103 IS BUYING ME SOME GOODWILL 706 00:33:42,103 --> 00:33:46,034 SO I CAN FINALLY ASK ABOUT THE JOHN WILKES BOOTH MUMMY. 707 00:33:46,034 --> 00:33:48,586 AS WE ALL KNOW, IT'S A SENSITIVE SUBJECT. 708 00:33:48,586 --> 00:33:51,413 THE COLLECTION ALSO HAS A NUMBER OF SKULLS 709 00:33:51,413 --> 00:33:53,655 FROM NEW GUINEA, THE ASMAT PEOPLE. 710 00:33:53,655 --> 00:33:55,000 THIS IS A REAL PAPUA NEW GUINEA SKULL? 711 00:33:55,000 --> 00:33:56,241 YES. 712 00:33:56,241 --> 00:34:04,551 ♪♪ 713 00:34:04,551 --> 00:34:06,172 THAT'S A SKULL CUP. 714 00:34:06,172 --> 00:34:09,586 THIS IS TIBET, SO THEY DON'T HAVE A LOT OF WOOD, 715 00:34:09,586 --> 00:34:12,620 AND DOING THIS IS HONORING THEIR ANCESTORS. 716 00:34:12,620 --> 00:34:14,655 ABSOLUTELY.IT HONORS THEIR DEAD. 717 00:34:14,655 --> 00:34:17,103 HOW MANY HUMANS DO YOU THINK LIVE WITH YOU -- 718 00:34:17,103 --> 00:34:18,758 OR DEAD WITH YOU IN YOUR OWN HOUSE? 719 00:34:18,758 --> 00:34:20,241 ABOUT 200. 720 00:34:20,241 --> 00:34:22,517 IT'S ABOUT 208, IN FACT, I THINK. 721 00:34:22,517 --> 00:34:24,862 YOU HAVE 208 OTHER HUMANS? 722 00:34:24,862 --> 00:34:26,034 RIGHT. 723 00:34:26,034 --> 00:34:28,206 HOW OFTEN DO YOU GET TO GO AROUND YOUR HOUSE 724 00:34:28,206 --> 00:34:33,655 AND SHOW PEOPLE THAT HAVE NEVER SEEN YOUR COLLECTION BEFORE? 725 00:34:33,655 --> 00:34:35,655 YOU'RE THE FIRST. 726 00:34:35,655 --> 00:34:38,379 I AM HERE FOR A VERY SPECIFIC REASON. 727 00:34:38,379 --> 00:34:43,655 I WAS LOOKING FOR A REAL HUMAN MUMMY, MAYBE EVEN FAMOUS. 728 00:34:43,655 --> 00:34:45,172 DO YOU WANT TO SEE IT? 729 00:34:48,517 --> 00:34:50,034 LET'S GO DOWN HERE. 730 00:34:50,034 --> 00:34:53,724 FINALLY, AFTER ALL THE PHONE CALLS AND DETECTIVE WORK, 731 00:34:53,724 --> 00:34:57,689 ROBERT KNOWS I'M LOOKING TO SEE HIS FAMOUS SIDESHOW MUMMY. 732 00:34:57,689 --> 00:34:59,000 THERE'S A LOT OF ROOMS IN THIS HOUSE. 733 00:34:59,000 --> 00:35:00,103 YOU JUST NEVER KNOW WHAT'S GONNA BE 734 00:35:00,103 --> 00:35:02,241 BEHIND A CLOSED DOOR, SO... 735 00:35:02,241 --> 00:35:08,379 ♪♪ 736 00:35:08,379 --> 00:35:10,068 YOU'VE SEEN A LOT OF MUMMIES IN YOUR TRAVELS, 737 00:35:10,068 --> 00:35:12,448 BUT I DOUBT YOU'VE EVER SEEN ONE LIKE THIS. 738 00:35:12,448 --> 00:35:17,551 ♪♪ 739 00:35:17,551 --> 00:35:22,655 ♪♪ 740 00:35:22,655 --> 00:35:23,862 OHH. 741 00:35:26,862 --> 00:35:31,965 ♪♪ 742 00:35:31,965 --> 00:35:37,068 ♪♪ 743 00:35:37,068 --> 00:35:38,379 ROBERT, ARE YOU MARRIED? 744 00:35:38,379 --> 00:35:39,965 I AM. 745 00:35:39,965 --> 00:35:41,620 WHAT DOES YOUR WIFE... 746 00:35:41,620 --> 00:35:43,000 EVERYONE WANTS TO KNOW WHAT THE WIFE -- 747 00:35:43,000 --> 00:35:44,793 WELL, LOOK, YOU HAVE ALL THESE DEAD PEOPLE 748 00:35:44,793 --> 00:35:46,793 INSIDE YOUR HOUSE, ROBERT. 749 00:35:46,793 --> 00:35:49,551 THE WIFE UNDERSTANDS THE HISTORICAL SIGNIFICANCE 750 00:35:49,551 --> 00:35:50,827 AND IMPORTANCE OF THESE THINGS, 751 00:35:50,827 --> 00:35:52,758 SO IT DOESN'T BOTHER HER, DOESN'T BOTHER HER. 752 00:35:52,758 --> 00:35:54,206 I MEAN, YOU KNOW AS WELL AS I DO, 753 00:35:54,206 --> 00:35:55,344 THE DEAD ARE NOT GONNA HURT YOU. 754 00:35:55,344 --> 00:35:56,758 IT'S THE LIVING YOU HAVE TO WORRY ABOUT. 755 00:35:56,758 --> 00:35:59,275 HA! THAT'S VERY TRUE. 756 00:36:05,034 --> 00:36:06,689 YOU'VE SEEN A LOT OF MUMMIES IN YOUR TRAVELS, 757 00:36:06,689 --> 00:36:08,275 BUT I DOUBT YOU'VE EVER SEEN ONE LIKE THIS. 758 00:36:08,275 --> 00:36:09,758 Romany: MY CROSS-COUNTRY SEARCH FOR THE MUMMY 759 00:36:09,758 --> 00:36:12,482 THAT MANY BELIEVE TO BE THE NOTORIOUS ASSASSIN 760 00:36:12,482 --> 00:36:15,827 JOHN WILKES BOOTH HAS BROUGHT ME HERE 761 00:36:15,827 --> 00:36:18,034 TO THE BASEMENT OF ONE OF THE WORLD'S 762 00:36:18,034 --> 00:36:21,758 FOREMOST COLLECTORS OF HUMAN REMAINS. 763 00:36:21,758 --> 00:36:24,241 I'M CONVINCED THAT THE ONLY WAY 764 00:36:24,241 --> 00:36:28,379 TO DETERMINE WHETHER BOOTH ESCAPED AFTER KILLING LINCOLN 765 00:36:28,379 --> 00:36:32,448 IS THROUGH DNA TESTING OF HIS SUPPOSED MUMMY. 766 00:36:32,448 --> 00:36:33,758 OHH. 767 00:36:38,172 --> 00:36:39,586 THIS IS... 768 00:36:44,413 --> 00:36:49,275 ♪♪ 769 00:36:49,275 --> 00:36:50,344 WHAT YOU'RE LOOKING AT 770 00:36:50,344 --> 00:36:52,241 HAS BEEN REFERRED TO OVER THE YEARS 771 00:36:52,241 --> 00:36:55,344 AS THE PIG-TAILED MAN OR THE PIG-TAILED WOMAN. 772 00:36:55,344 --> 00:36:57,793 IT'S UNUSUAL, IT'S RARE, BUT ON OCCASION, 773 00:36:57,793 --> 00:37:02,620 PEOPLE ARE BORN WITH A CAUDAL APPENDAGE -- A TAIL. 774 00:37:02,620 --> 00:37:05,655 HE WAS MUMMIFIED EXQUISITELY.YES. 775 00:37:05,655 --> 00:37:07,413 THIS HAS GONE FROM ONE COMMERCIAL 776 00:37:07,413 --> 00:37:09,655 ANATOMICAL MUSEUM TO ANOTHER. 777 00:37:09,655 --> 00:37:13,068 I WAS ABLE TO TRACE IT UP TO ABOUT THE YEAR 1919 778 00:37:13,068 --> 00:37:17,172 IN A STORE SHOW, OR A FREAK SHOW, IF YOU WILL. 779 00:37:19,103 --> 00:37:21,379 THIS IS INDEED A RARE SIDESHOW MUMMY, 780 00:37:21,379 --> 00:37:24,137 BUT IT'S NOT THE JOHN WILKES BOOTH MUMMY. 781 00:37:27,241 --> 00:37:29,551 IT'S NOT THE MUMMY I CAME HERE FOR. 782 00:37:33,965 --> 00:37:36,103 I'VE BEEN FOLLOWING A STORY... 783 00:37:38,413 --> 00:37:39,586 ...UM... 784 00:37:41,517 --> 00:37:46,206 ...A STORY OF SIGNIFICANT HISTORICAL... 785 00:37:48,206 --> 00:37:49,620 ...VALUE. 786 00:37:49,620 --> 00:37:52,758 IT'S A STORY THAT RELATES TO ONE OF THE GREATEST PRESIDENTS 787 00:37:52,758 --> 00:37:55,689 OUR COUNTRY EVER HAD. 788 00:37:55,689 --> 00:37:58,517 I CAN TELL THAT, FROM THE WAY YOU'RE REACTING, 789 00:37:58,517 --> 00:38:00,000 YOU ALREADY KNOW WHAT I'M TALKING ABOUT. 790 00:38:00,000 --> 00:38:03,482 I DO. I DO. 791 00:38:03,482 --> 00:38:05,448 YOU'RE NOT THE ONLY PERSON THAT'S LOSING A LOT OF SLEEP 792 00:38:05,448 --> 00:38:08,000 OVER THE BOOTH MUMMY, TRUST ME. 793 00:38:08,000 --> 00:38:12,482 THE STORY ENDS FOR ME IN PENNSYLVANIA, 1970s, 794 00:38:12,482 --> 00:38:13,965 WHEN THIS MUMMY WAS LAST SEEN. 795 00:38:13,965 --> 00:38:15,068 MM-HMM. 796 00:38:15,068 --> 00:38:17,482 DOES IT HAVE THE SAME ENDING WITH YOU? 797 00:38:17,482 --> 00:38:19,862 A LOT OF PEOPLE WOULD LIKE TO KNOW WHERE THAT MUMMY IS -- 798 00:38:19,862 --> 00:38:22,517 A LOT OF PEOPLE. 799 00:38:22,517 --> 00:38:24,586 NO ONE SEEMS TO KNOW WHERE IT IS. 800 00:38:24,586 --> 00:38:25,758 LIKE YOU SAID, IT WAS LAST SEEN 801 00:38:25,758 --> 00:38:28,689 IN THE MID-'70s IN PENNSYLVANIA. 802 00:38:28,689 --> 00:38:30,965 THAT MUCH, EVERYONE KNOWS. 803 00:38:30,965 --> 00:38:33,413 BUT THEY DON'T KNOW WHERE IT IS TODAY. 804 00:38:33,413 --> 00:38:35,965 LEAST, MOST PEOPLE DON'T. 805 00:38:35,965 --> 00:38:38,137 HAVE YOU SEEN IT AFTER THE '70s? 806 00:38:39,896 --> 00:38:41,034 I HAVE. 807 00:38:41,034 --> 00:38:43,724 I'LL SAY THAT. I HAVE SEEN IT. 808 00:38:43,724 --> 00:38:46,068 AND WHAT DID YOU SEE? 809 00:38:46,068 --> 00:38:50,000 SAW WHAT IS REPORTEDLY THE JOHN WILKES BOOTH MUMMY. 810 00:38:50,000 --> 00:38:53,655 THE CONDITION OF THE SKIN AND ALL WAS EXCELLENT. 811 00:38:53,655 --> 00:38:56,379 MAKE NO MISTAKE ABOUT IT. IT'S AN AMAZING THING. 812 00:38:58,206 --> 00:38:59,689 DO YOU HAVE IT? 813 00:39:05,862 --> 00:39:07,827 NOT GONNA ANSWER THAT QUESTION. 814 00:39:11,034 --> 00:39:12,137 NOPE. WON'T ANSWER THAT. 815 00:39:12,137 --> 00:39:13,965 DO YOU KNOW WHO HAS IT? 816 00:39:17,758 --> 00:39:22,172 IS THERE ANYTHING I CAN DO TO... 817 00:39:22,172 --> 00:39:26,551 CONVINCE YOU TO TAKE ME TO THE BOOTH MUMMY? 818 00:39:28,827 --> 00:39:30,931 NO. NO, I CAN'T DO THAT. 819 00:39:30,931 --> 00:39:32,551 AND YOU CAN'T BECAUSE YOU CAN'T, 820 00:39:32,551 --> 00:39:35,586 OR YOU CAN'T BECAUSE YOU WON'T? 821 00:39:35,586 --> 00:39:36,862 BOTH. 822 00:39:36,862 --> 00:39:39,931 PEOPLE HAVE BEEN HUNTING THIS THING FOR YEARS, 823 00:39:39,931 --> 00:39:42,448 AND... 824 00:39:42,448 --> 00:39:44,068 THE TIME'S JUST NOT RIGHT. 825 00:39:44,068 --> 00:39:46,241 THE DAY YOU SAW THE BOOTH MUMMY, 826 00:39:46,241 --> 00:39:48,482 CAN YOU TELL ME MORE ABOUT THAT DAY? 827 00:39:48,482 --> 00:39:49,965 NO, NO. I CAN'T DO THAT EITHER. 828 00:39:49,965 --> 00:39:52,206 NO. NO. LIKE, WHEN YOU SAW IT. LIKE, NOT -- 829 00:39:52,206 --> 00:39:53,827 NO. NO, I CAN'T DO THAT. 830 00:39:53,827 --> 00:39:56,241 NO? I CAN'T. WE'RE DONE HERE. 831 00:39:56,241 --> 00:39:58,034 ALL RIGHT, GUYS. ALL RIGHT. 832 00:40:00,689 --> 00:40:02,655 WE'RE DONE HERE, GUYS. LET'S GO. 833 00:40:02,655 --> 00:40:03,724 LET'S GO. 834 00:40:03,724 --> 00:40:11,103 ♪♪ 835 00:40:11,103 --> 00:40:12,965 FASCINATING MAN. 836 00:40:12,965 --> 00:40:21,551 ♪♪ 837 00:40:21,551 --> 00:40:24,103 I'VE PUSHED ROBERT AS HARD AS I COULD, 838 00:40:24,103 --> 00:40:27,206 AND HE KNOWS SOMETHING THAT HE'S NOT SHARING. 839 00:40:29,206 --> 00:40:34,275 HE HAD 208 DIFFERENT HUMAN REMAINS IN HIS HOUSE. 840 00:40:34,275 --> 00:40:38,931 ROBERT COULD VERY WELL OWN THE BOOTH MUMMY, 841 00:40:38,931 --> 00:40:41,551 AND HE'S NOT WILLING TO SHARE IT WITH THE WORLD. 842 00:40:45,379 --> 00:40:48,448 I SAW IT IN HIS EYES. HE KNOWS SOMETHING. 843 00:40:48,448 --> 00:40:51,034 HE KNOWS SOMETHING THAT HE'S NOT SHARING. 844 00:40:53,413 --> 00:40:55,620 DOES HE KNOW THE TRUTH? 845 00:41:00,103 --> 00:41:02,379 I BELIEVE THAT I JUST FOUND WHERE THE TRAIL OF THE MISSING 846 00:41:02,379 --> 00:41:04,413 JOHN WILKES BOOTH MUMMY ENDS. 847 00:41:09,275 --> 00:41:11,448 ROBERT DIDN'T WANT TO APPEAR ON TELEVISION, 848 00:41:11,448 --> 00:41:13,172 BUT I CHANGED HIS MIND. 849 00:41:13,172 --> 00:41:15,068 HE TOLD ME THAT IT WASN'T THE RIGHT TIME TO GO PUBLIC 850 00:41:15,068 --> 00:41:17,137 WITH THE BOOTH MUMMY, 851 00:41:17,137 --> 00:41:20,758 BUT I HOPE MY CONVERSATION TODAY WILL CHANGE HIS MIND 852 00:41:20,758 --> 00:41:23,655 AND HE WILL AGREE TO LET ME CONDUCT DNA TESTING 853 00:41:23,655 --> 00:41:26,344 THAT PROVES ONCE AND FOR ALL 854 00:41:26,344 --> 00:41:29,379 WHETHER AMERICA'S GREATEST ASSASSIN 855 00:41:29,379 --> 00:41:32,482 PAID FOR HIS CRIMES WITH HIS LIFE OR WALKED AWAY SCOT-FREE. 64871

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