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1
00:00:02,586 --> 00:00:04,550
IN THE HEART
OF KENTUCKY BOURBON COUNTRY,
2
00:00:04,551 --> 00:00:07,102
BELOW ONE OF LOUISVILLE'S
ELITE HOTELS,
3
00:00:07,103 --> 00:00:09,378
LIES A SERIES
OF FORGOTTEN TUNNELS.
4
00:00:09,379 --> 00:00:13,378
WAS THIS THE SECRET ESCAPE ROUTE
OF NOTORIOUS GANGSTER AL CAPONE?
5
00:00:13,379 --> 00:00:15,343
I THINK WE FOUND
SOMETHING IN HERE.
6
00:00:15,344 --> 00:00:17,067
I'LL DEPLOY
STATE-OF-THE-ART TECHNOLOGY
7
00:00:17,068 --> 00:00:19,067
TO PEER BENEATH THE FLOORBOARDS
8
00:00:19,068 --> 00:00:21,516
AND PICK UP HIS TRAIL.
9
00:00:21,517 --> 00:00:24,136
AND, IN WESTERN WASHINGTON,
A BIZARRE LANDSCAPE
10
00:00:24,137 --> 00:00:26,585
HAS BEEN BAFFLING SCIENTISTS
FOR CENTURIES.
11
00:00:26,586 --> 00:00:30,930
WHO OR WHAT BUILT
THE MYSTERIOUS MIMA MOUNDS?
12
00:00:30,931 --> 00:00:33,861
OKAY, HERE WE GO.
13
00:00:33,862 --> 00:00:35,688
NOW, AN ADVANCED
SCANNING PROCESS
14
00:00:35,689 --> 00:00:37,481
WILL TURN THEM INSIDE OUT
15
00:00:37,482 --> 00:00:40,379
AND COULD LEAD TO
A STARTLING REVELATION.
16
00:00:42,172 --> 00:00:44,826
HIDDEN JUST BELOW
THE EARTH'S SURFACE,
17
00:00:44,827 --> 00:00:48,309
THERE ARE COUNTLESS
UNSOLVED MYSTERIES.
18
00:00:48,310 --> 00:00:51,861
AND, TODAY, WE FINALLY HAVE
THE TOOLS TO UNLOCK THEM.
19
00:00:51,862 --> 00:00:53,412
LOOK AT THAT!WHOA.
20
00:00:53,413 --> 00:00:55,309
I THINK THIS IS IT.
21
00:00:55,310 --> 00:00:56,619
I'M ROB NELSON,
22
00:00:56,620 --> 00:00:59,136
A SCIENTIST USING
STATE-OF-THE-ART TECHNOLOGY
23
00:00:59,137 --> 00:01:01,964
TO PEEL THE LID OFF
OUR PLANET'S HIDDEN DEPTHS.
24
00:01:01,965 --> 00:01:03,309
THE MOMENT OF TRUTH
RIGHT HERE.
25
00:01:03,310 --> 00:01:05,827
HOLY MOLY!
26
00:01:08,275 --> 00:01:11,240
THESE ARE THE SECRETS
OF THE UNDERGROUND.
27
00:01:11,241 --> 00:01:13,378
Captions by VITAC--
www.vitac.com
28
00:01:13,379 --> 00:01:15,654
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
29
00:01:15,655 --> 00:01:18,895
LOUISVILLE, KENTUCKY,
KNOWN FOR ITS BOURBON,
30
00:01:18,896 --> 00:01:22,000
BATS AND THE FASTEST
2 MINUTES IN SPORTS.
31
00:01:25,206 --> 00:01:27,516
BUT THIS SOUTHERN JEWEL
OF THE BLUEGRASS STATE
32
00:01:27,517 --> 00:01:30,792
MAY BE HIDING A DARK SECRET.
33
00:01:30,793 --> 00:01:33,481
THIS BIRTHPLACE OF AMERICA'S
ONLY NATIVE WHISKEY
34
00:01:33,482 --> 00:01:34,723
WAS A KNOWN BUSINESS HUB
35
00:01:34,724 --> 00:01:37,136
FOR NOTORIOUS BOOTLEGGER
AL CAPONE.
36
00:01:37,137 --> 00:01:40,619
AND EVERYONE KNEW IT,
INCLUDING THE POLICE.
37
00:01:40,620 --> 00:01:41,861
YET, FOR NEARLY A DECADE,
38
00:01:41,862 --> 00:01:43,688
HE CONDUCTED
HIS ILLICIT BOOZE TRADE
39
00:01:43,689 --> 00:01:46,102
WITHOUT EVER BEING
CAUGHT IN THE ACT.
40
00:01:46,103 --> 00:01:48,619
WHENEVER ONE OF HIS PREFERRED
HANGOUTS WAS RAIDED,
41
00:01:48,620 --> 00:01:51,102
THE MOB BOSS WAS ALWAYS
ONE STEP AHEAD.
42
00:01:51,103 --> 00:01:53,171
WITNESSES CLAIMED HE'D
BE THERE ONE MINUTE,
43
00:01:53,172 --> 00:01:56,654
THEN GONE THE NEXT
WITHOUT A TRACE.
44
00:01:56,655 --> 00:01:59,516
SO HOW DID CAPONE CONTINUE
HIS ILLEGAL OPERATION
45
00:01:59,517 --> 00:02:02,757
FOR OVER A DECADE
WITHOUT EVER GETTING CAUGHT?
46
00:02:02,758 --> 00:02:04,240
LEGEND SAYS THE ANSWER MAY LIE
47
00:02:04,241 --> 00:02:06,688
UNDERNEATH THE CITY
OF LOUISVILLE.
48
00:02:06,689 --> 00:02:08,343
THERE IS RUMORED TO BE
A SECRET NETWORK
49
00:02:08,344 --> 00:02:10,861
OF TUNNELS CARVED
DEEP BELOW THE SKYSCRAPERS
50
00:02:10,862 --> 00:02:13,688
AND CITY STREETS THAT CONNECT
SEVERAL DOWNTOWN BUILDINGS
51
00:02:13,689 --> 00:02:18,861
WITH AN ALLEGED MAFIA ESCAPE
ROUTE TO THE OHIO RIVER.
52
00:02:18,862 --> 00:02:21,102
DURING PROHIBITION,
THE UNDERGROUND NETWORK
53
00:02:21,103 --> 00:02:22,895
IS BELIEVED TO HAVE
PLAYED A KEY ROLE
54
00:02:22,896 --> 00:02:24,826
IN CAPONE'S
BOOTLEGGING BUSINESS.
55
00:02:24,827 --> 00:02:29,067
THE QUESTION IS, DO THESE
RUMORED TUNNELS REALLY EXIST?
56
00:02:29,068 --> 00:02:31,757
AND, IF SO, COULD CAPONE
HAVE ACCESSED THEM
57
00:02:31,758 --> 00:02:33,550
TO ESCAPE AUTHORITIES
58
00:02:33,551 --> 00:02:37,067
AND PEDDLE HIS ILLEGAL BOOZE?
59
00:02:37,068 --> 00:02:40,516
MY INVESTIGATION STARTS
AT BIG AL'S FAVORITE POKER SPOT
60
00:02:40,517 --> 00:02:42,723
AND THE CENTRAL FOCUS
OF TUNNEL RUMORS,
61
00:02:42,724 --> 00:02:45,378
THE HISTORIC SEELBACH HOTEL.
62
00:02:45,379 --> 00:02:46,826
OPENED IN 1905,
63
00:02:46,827 --> 00:02:49,861
THIS DOWNTOWN HOT SPOT'S
OLD-WORLD GRANDEUR QUICKLY
64
00:02:49,862 --> 00:02:52,964
MADE IT THE PLACE
TO SEE AND BE SEEN.
65
00:02:52,965 --> 00:02:57,585
NOTABLE GUESTS INCLUDED
FDR, JFK AND THE ROLLING STONES.
66
00:02:57,586 --> 00:02:59,102
F. SCOTT FITZGERALD USED
67
00:02:59,103 --> 00:03:01,688
THE SEELBACH AS INSPIRATION
IN HIS CLASSIC NOVEL
68
00:03:01,689 --> 00:03:03,240
"THE GREAT GATSBY."
69
00:03:03,241 --> 00:03:05,826
THE TITLE CHARACTER WAS BASED
ON THE REAL-LIFE GANGSTERS
70
00:03:05,827 --> 00:03:07,999
HE SAW HERE, LIKE AL CAPONE,
71
00:03:08,000 --> 00:03:09,343
WHO WAS BUSY MAKING HIS MARK
72
00:03:09,344 --> 00:03:11,930
ON THE BOURBON
CAPITAL OF THE WORLD.
73
00:03:11,931 --> 00:03:14,378
IN THE PROHIBITION ERA
OF THE 1920s,
74
00:03:14,379 --> 00:03:15,688
EASTERN KENTUCKY SUPPLIED
75
00:03:15,689 --> 00:03:18,136
MUCH OF THE NATION
WITH ILLEGAL ALCOHOL.
76
00:03:18,137 --> 00:03:21,171
AFTER PICKING UP A NEW SUPPLY
OF BOURBON AND MOONSHINE,
77
00:03:21,172 --> 00:03:22,792
IT WAS SAID CAPONE
AND HIS CRONIES
78
00:03:22,793 --> 00:03:25,067
WOULD MEET AT THE SEELBACH
TO CONDUCT BUSINESS.
79
00:03:25,068 --> 00:03:26,999
FROM HERE, CASH AND CONTRABAND
80
00:03:27,000 --> 00:03:28,999
WERE ALLEGEDLY
FUNNELED UNDERGROUND,
81
00:03:29,000 --> 00:03:32,136
OUT OF SIGHT FROM THE POLICE,
AND ACROSS THE COUNTRY.
82
00:03:32,137 --> 00:03:33,861
THIS IS THE LEGEND.
83
00:03:33,862 --> 00:03:35,378
BUT DID IT REALLY HAPPEN?
84
00:03:35,379 --> 00:03:37,826
I NEED TO SEE THESE
RUMORED TUNNELS MYSELF.
85
00:03:37,827 --> 00:03:39,516
HI!
WELCOME TO THE SEELBACH.
86
00:03:39,517 --> 00:03:41,619
- ROB NELSON.
- HI, NICE TO MEET YOU.
87
00:03:41,620 --> 00:03:43,309
- NICE HOTEL.
- THANK YOU VERY MUCH.
88
00:03:43,310 --> 00:03:46,378
SO I JOURNEY WITH HOTEL
REPRESENTATIVE JIM MEYER
89
00:03:46,379 --> 00:03:49,861
TWO FLOORS BELOW THE LOBBY
TO THE HOTEL'S SUB-BASEMENT,
90
00:03:49,862 --> 00:03:52,205
WHERE THEY'RE SAID
TO BE LOCATED.
91
00:03:52,206 --> 00:03:53,585
TWO TUNNELS DOWN HERE.
92
00:03:53,586 --> 00:03:55,826
WHOA!
LOOK AT THAT!
93
00:03:55,827 --> 00:03:57,619
AND THEN THERE'S
A SECOND TUNNEL...
94
00:03:57,620 --> 00:03:59,620
- OH, YEAH.
- ...ON THIS SIDE.
95
00:04:03,482 --> 00:04:04,619
THIS IS AWESOME.
96
00:04:04,620 --> 00:04:07,136
LOOKS LIKE A GREAT PLACE
TO ESCAPE AS A GANGSTER.
97
00:04:07,137 --> 00:04:09,274
- YEAH.
- SMUGGLE YOUR BOOZE.
98
00:04:09,275 --> 00:04:10,550
HAVE YOU BEEN IN HERE?
99
00:04:10,551 --> 00:04:12,171
I HAVE LOOKED
AROUND THE CORNER.
100
00:04:12,172 --> 00:04:15,447
THAT'S AS FAR
AS I WANTED TO GO.
101
00:04:15,448 --> 00:04:17,343
WHEN THE HOTEL WAS
FIRST CONSTRUCTED,
102
00:04:17,344 --> 00:04:19,792
THESE TUNNELS WERE BUILT
TO FLUSH OUT RAINWATER
103
00:04:19,793 --> 00:04:21,067
FROM THE BASEMENT.
104
00:04:21,068 --> 00:04:23,240
SO THEY COULD'VE CONNECTED
TO A CITY-WIDE
105
00:04:23,241 --> 00:04:25,033
SEWER SYSTEM
THAT WOULD'VE OFFERED
106
00:04:25,034 --> 00:04:27,481
CAPONE AN ESCAPE
TO JUST ABOUT ANYWHERE.
107
00:04:27,482 --> 00:04:29,136
WHAT I LOVE ABOUT
THESE UNDERGROUND BASEMENTS
108
00:04:29,137 --> 00:04:30,964
IS YOU NEVER KNOW
WHAT YOU'RE GONNA FIND.
109
00:04:30,965 --> 00:04:32,964
AND YOU'RE KIND OF
LOOKING INTO THE--
110
00:04:32,965 --> 00:04:35,067
THE SECRET HISTORY
OF THE BUILDING.
111
00:04:35,068 --> 00:04:36,481
I CAN GUARANTEE,
YOU'LL NEVER KNOW
112
00:04:36,482 --> 00:04:38,378
WHAT YOU'RE GONNA
FIND BACK THERE.
113
00:04:38,379 --> 00:04:39,550
ALL RIGHT.
THANK YOU, JIM.
114
00:04:39,551 --> 00:04:40,895
CAN I-- CAN I JUST
EXPLORE IT FROM HERE?
115
00:04:40,896 --> 00:04:42,205
- ABSOLUTELY.
- OKAY.
116
00:04:42,206 --> 00:04:45,136
- GOOD LUCK.
- THANK YOU.
117
00:04:45,137 --> 00:04:48,102
I'M GONNA TAKE THE GoPro
BACK INTO THIS TUNNEL,
118
00:04:48,103 --> 00:04:49,654
TRY TO FIGURE OUT
IF IT LEADS ANYWHERE.
119
00:04:49,655 --> 00:04:51,964
SAFETY FIRST, THOUGH.
120
00:04:51,965 --> 00:04:54,482
PUT MY MASK ON.
121
00:05:00,206 --> 00:05:02,516
THIS IS EXCITING.
ALL RIGHT.
122
00:05:02,517 --> 00:05:04,481
I'M GONNA TAKE YOU DOWN
DEEP INTO THE TUNNEL.
123
00:05:04,482 --> 00:05:05,965
CHECK THIS OUT.
124
00:05:08,172 --> 00:05:11,171
I MAKE MY WAY DOWN
THE NARROW TUNNEL.
125
00:05:11,172 --> 00:05:12,585
THIS IS NOT SOMETHING
126
00:05:12,586 --> 00:05:14,965
THAT THE AVERAGE
TOURIST GETS TO SEE.
127
00:05:20,379 --> 00:05:21,964
BUT I QUICKLY COME
TO WHAT APPEARS
128
00:05:21,965 --> 00:05:23,654
TO BE A DEAD END
129
00:05:23,655 --> 00:05:26,516
WITH TWO BLOCKED ENTRANCES.
130
00:05:26,517 --> 00:05:28,378
THERE'S TWO PASSAGEWAYS,
131
00:05:28,379 --> 00:05:31,964
ONE THIS WAY
AND ONE THIS WAY.
132
00:05:31,965 --> 00:05:34,205
BOTH OF THEM COULD
LEAD SOMEWHERE.
133
00:05:34,206 --> 00:05:37,447
HOLD ON.
134
00:05:37,448 --> 00:05:39,067
OH, WOW.
135
00:05:39,068 --> 00:05:40,723
THIS ONE DEFINITELY
LEADS SOMEWHERE.
136
00:05:40,724 --> 00:05:42,102
AND IT KEEPS GOING.
137
00:05:42,103 --> 00:05:44,861
I CAN HEAR RIGHT NOW,
I CAN FEEL AIR COMING THROUGH.
138
00:05:44,862 --> 00:05:46,895
SO THE RUMOR THAT
AL CAPONE CAME IN HERE,
139
00:05:46,896 --> 00:05:49,240
HID HIS MONEY, HID HIS BOOZE,
140
00:05:49,241 --> 00:05:50,826
COULD VERY WELL BE TRUE.
141
00:05:50,827 --> 00:05:53,550
BUT, TO CONFIRM THESE TUNNELS
REALLY KEEP GOING,
142
00:05:53,551 --> 00:05:56,999
I NEED TO USE SOME OF THE TECH
I BROUGHT WITH ME.
143
00:05:57,000 --> 00:05:59,861
FIRST UP, THE
GROUND-PENETRATING RADAR DEVICE.
144
00:05:59,862 --> 00:06:02,309
THE GPR WILL EMIT
A PULSE OF ELECTROMAGNETIC
145
00:06:02,310 --> 00:06:03,826
ENERGY INTO THE WALL.
146
00:06:03,827 --> 00:06:06,274
THE PULSE WILL BOUNCE
BACK TO A RECEIVER.
147
00:06:06,275 --> 00:06:08,585
AND THE SPEED AND STRENGTH
OF ITS RETURN DETERMINES
148
00:06:08,586 --> 00:06:11,067
THE WALL'S DENSITY
AND THICKNESS.
149
00:06:11,068 --> 00:06:13,999
AND, ALMOST IMMEDIATELY,
THE GPR OFFERS SOLID CLUES
150
00:06:14,000 --> 00:06:16,033
ABOUT WHAT'S BEHIND THIS WALL.
151
00:06:16,034 --> 00:06:17,240
SO YOU CAN SEE, CLEAR AS DAY,
152
00:06:17,241 --> 00:06:19,274
THERE'S REINFORCEMENT,
3 TO 6 INCHES.
153
00:06:19,275 --> 00:06:21,895
YOU CAN SEE THERE'S
REBAR IN THERE.
154
00:06:21,896 --> 00:06:23,274
THE ANOMALIES IN THE DATA
155
00:06:23,275 --> 00:06:25,412
REVEAL NOT ONLY
WHAT'S INSIDE THE WALL
156
00:06:25,413 --> 00:06:28,309
BUT WHAT'S BEHIND IT...
157
00:06:28,310 --> 00:06:30,826
NOTHING.
158
00:06:30,827 --> 00:06:33,136
YOU CAN ALSO SEE THAT
THERE'S ESSENTIALLY A GAP
159
00:06:33,137 --> 00:06:36,757
AFTER 9 INCHES.
160
00:06:36,758 --> 00:06:39,102
SO IT LOOKS TO ME
THAT THIS WALL
161
00:06:39,103 --> 00:06:41,792
IS ABOUT 9 INCHES THICK.
162
00:06:41,793 --> 00:06:44,654
AND NOW FOR THE SECOND
POTENTIAL OPENING.
163
00:06:44,655 --> 00:06:46,551
OKAY. I'M GONNA RUN IT
ON THE INNER WALL.
164
00:06:49,724 --> 00:06:52,205
OH, YEAH.
THERE WE GO.
165
00:06:52,206 --> 00:06:53,792
THIS IS A VERY,
VERY THIN WALL.
166
00:06:53,793 --> 00:06:55,412
THIS IS ONLY, LIKE,
2 INCHES THICK.
167
00:06:55,413 --> 00:06:56,757
THERE'S NOTHING BEHIND IT.
168
00:06:56,758 --> 00:07:00,343
IF, IN THEORY, WE COULD
GET THROUGH THIS WALL,
169
00:07:00,344 --> 00:07:03,205
I THINK WE COULD GET
TO A WHOLE TUNNEL NETWORK.
170
00:07:03,206 --> 00:07:04,550
GPR CONFIRMS IT.
171
00:07:04,551 --> 00:07:07,585
THERE'S EMPTY SPACE
BEHIND THESE TWO PORTALS.
172
00:07:07,586 --> 00:07:09,481
THAT MEANS THAT,
IF CAPONE ESCAPED THROUGH
173
00:07:09,482 --> 00:07:10,688
THESE SEWER TUNNELS,
174
00:07:10,689 --> 00:07:12,688
HE COULD'VE CHOSEN
TO GO EITHER DIRECTION,
175
00:07:12,689 --> 00:07:15,654
FURTHER CONFUSING ANYONE
ATTEMPTING TO PURSUE HIM.
176
00:07:15,655 --> 00:07:17,481
SO ALL HE HAD TO DO
WAS WALK DOWN HERE
177
00:07:17,482 --> 00:07:18,792
FROM THE LOBBY LIKE I DID,
178
00:07:18,793 --> 00:07:21,171
AND HE'D BE HOME FREE, RIGHT?
179
00:07:21,172 --> 00:07:24,205
ACCORDING TO THE LEGENDS,
NOT EXACTLY.
180
00:07:24,206 --> 00:07:26,378
WHILE CAPONE MAY HAVE LIKED
DOING HIS BUSINESS
181
00:07:26,379 --> 00:07:28,343
AT THE SEELBACH BECAUSE
OF ITS PROXIMITY
182
00:07:28,344 --> 00:07:29,826
TO THE TUNNEL SYSTEM,
183
00:07:29,827 --> 00:07:32,309
HE COULDN'T JUST MEET
HIS ASSOCIATES IN THE LOBBY
184
00:07:32,310 --> 00:07:34,343
EXCHANGING SUITCASES OF CASH.
185
00:07:34,344 --> 00:07:36,861
SO HE PREFERRED TO MEET
IN THE GENTLEMEN'S POKER ROOM,
186
00:07:36,862 --> 00:07:38,067
WHICH WAS MORE PRIVATE.
187
00:07:38,068 --> 00:07:40,481
BUT IT WAS ALSO ON THE 2nd FLOOR
188
00:07:40,482 --> 00:07:43,136
WITH NO DIRECT ACCESS
TO THE SUB-BASEMENT.
189
00:07:43,137 --> 00:07:44,516
OR WAS THERE?
190
00:07:44,517 --> 00:07:46,999
IF THE POLICE RAIDED
THE HOTEL LOOKING FOR CAPONE,
191
00:07:47,000 --> 00:07:48,619
WHICH THEY OFTEN DID,
192
00:07:48,620 --> 00:07:50,619
HOW COULD HE HAVE MADE
HIS WAY DOWN THREE FLIGHTS
193
00:07:50,620 --> 00:07:52,654
WITHOUT BEING SEEN?
194
00:07:52,655 --> 00:07:54,930
I THINK THIS HOTEL
MAY BE HIDING EVEN MORE
195
00:07:54,931 --> 00:07:56,964
THAN ITS
UNDERGROUND TUNNEL SYSTEM.
196
00:07:56,965 --> 00:07:58,826
COULD THERE ALSO BE
A SECRET STAIRCASE
197
00:07:58,827 --> 00:08:01,274
CONNECTING THE POKER ROOM
TO THE BASEMENT?
198
00:08:01,275 --> 00:08:03,274
TO TRACE THE ESCAPE
ROUTE OF AL CAPONE,
199
00:08:03,275 --> 00:08:05,033
I'M GOING TO NEED
SOME HIGH-TECH TOYS.
200
00:08:05,034 --> 00:08:06,826
JUST TURN IT ON AND RUN IT.
201
00:08:06,827 --> 00:08:08,930
OH, WOW.
LOOK AT THAT!
202
00:08:08,931 --> 00:08:11,792
AND, LATER, I'LL DEPLOY
ANOTHER SET OF GADGETS
203
00:08:11,793 --> 00:08:14,481
TO PROBE WASHINGTON'S
OTHERWORLDLY MIMA MOUNDS.
204
00:08:14,482 --> 00:08:15,861
THIS IS UNBELIEVABLE.
205
00:08:15,862 --> 00:08:17,516
ARE THEY THE WORK
OF ANCIENT HUMANS,
206
00:08:17,517 --> 00:08:21,274
THE EARTH ITSELF OR SOMETHING
EVEN MORE UNBELIEVABLE?
207
00:08:21,275 --> 00:08:23,206
OKAY, SO LET ME JUST
GET THIS STRAIGHT.
208
00:08:29,965 --> 00:08:31,102
I'M IN LOUISVILLE,
KENTUCKY, ON THE HUNT
209
00:08:31,103 --> 00:08:33,930
FOR AL CAPONE'S SECRET
ESCAPE ROUTE.
210
00:08:33,931 --> 00:08:35,309
I UNCOVERED A PAIR OF TUNNELS
211
00:08:35,310 --> 00:08:38,067
IN THE BASEMENT OF
CAPONE'S FAVORITE LOCAL HOTEL,
212
00:08:38,068 --> 00:08:41,861
THE SEELBACH, THAT APPEAR
TO LEAD AWAY FROM THE BUILDING.
213
00:08:41,862 --> 00:08:44,412
BUT TO UNDERSTAND HOW
HE COULD'VE ACCESSED THEM,
214
00:08:44,413 --> 00:08:47,619
I NEED TO LEARN MORE ABOUT
THE SEELBACH'S STORIED PAST.
215
00:08:47,620 --> 00:08:50,205
SO I ARRANGE A MEETING
WITH HISTORIAN
216
00:08:50,206 --> 00:08:53,136
AND FORMER SEELBACH EMPLOYEE
LARRY JOHNSON.
217
00:08:53,137 --> 00:08:55,481
THIS IS THE GENTLEMEN'S
POKER ROOM.
218
00:08:55,482 --> 00:08:57,033
SO I'VE HEARD THE LEGENDS
219
00:08:57,034 --> 00:08:59,102
THAT,
WHEN AL CAPONE WAS HERE,
220
00:08:59,103 --> 00:09:01,102
HE USED SOME SORT OF, UH,
221
00:09:01,103 --> 00:09:04,550
ESCAPE DOOR TO ESCAPE,
YOU KNOW, THE POLICE.
222
00:09:04,551 --> 00:09:06,895
YOU KNOW, IF HE WAS
HERE IN THIS ROOM,
223
00:09:06,896 --> 00:09:09,067
THEN HOW WOULD
HE DO THAT?
224
00:09:09,068 --> 00:09:11,136
AT THE TIME, THE HOTEL
WAS OWNED BY A GENTLEMAN
225
00:09:11,137 --> 00:09:12,895
BY THE NAME OF ABRAHAM LIEBLING
FROM CHICAGO.
226
00:09:12,896 --> 00:09:14,792
SO THERE WERE
CHICAGO TIES.
227
00:09:14,793 --> 00:09:17,688
THEY WOULD, UH,
MAKE SURE THAT THE HOTEL
228
00:09:17,689 --> 00:09:19,516
WAS SECURE FOR THEM
WHEN THEY WERE HERE.
229
00:09:19,517 --> 00:09:21,205
IF THE POLICE
CAME IN DOWNSTAIRS,
230
00:09:21,206 --> 00:09:22,826
THERE WAS A BUTTON EITHER
AT THE FRONT DESK
231
00:09:22,827 --> 00:09:24,240
OR IN THE BELL STAND.
232
00:09:24,241 --> 00:09:25,757
SOMEBODY WOULD
PUSH THE BUTTON.
233
00:09:25,758 --> 00:09:27,688
THESE DOORS
WERE SPRING-LOADED.
234
00:09:27,689 --> 00:09:29,102
AND THEY WOULD
AUTOMATICALLY CLOSE.
235
00:09:29,103 --> 00:09:30,136
AND THAT TOLD THE GENTLEMEN
236
00:09:30,137 --> 00:09:31,481
THAT IT WAS TIME
FOR THEM TO LEAVE.
237
00:09:31,482 --> 00:09:32,895
SO IT WOULD SPRING SHUT?
238
00:09:32,896 --> 00:09:33,930
IT WOULD SPRING SHUT
239
00:09:33,931 --> 00:09:35,792
AND LOOK LIKE A WALL
FROM THE OTHER SIDE.
240
00:09:35,793 --> 00:09:37,274
AND, FROM THE OUTSIDE,
YOU WOULDN'T EVEN KNOW
241
00:09:37,275 --> 00:09:39,240
THAT THIS ROOM
EVEN EXISTED.
242
00:09:39,241 --> 00:09:42,033
AND, OF COURSE, YOU'D NEED
AN ESCAPE OUT OF THIS ROOM.
243
00:09:42,034 --> 00:09:45,412
BASICALLY, THIS WHOLE STORY
STARTS FROM THIS ROOM.
244
00:09:45,413 --> 00:09:48,171
SEALING THE DOORS
COULD BUY CAPONE SOME TIME.
245
00:09:48,172 --> 00:09:50,205
BUT HE STILL NEEDED
AN ESCAPE ROUTE IN CASE
246
00:09:50,206 --> 00:09:52,240
THE COPS DISCOVERED
THE POKER ROOM.
247
00:09:52,241 --> 00:09:53,930
SO HOW DID HE GET OUT?
248
00:09:53,931 --> 00:09:55,792
LOOKING AROUND THE ROOM,
249
00:09:55,793 --> 00:09:58,826
THERE DON'T APPEAR TO BE
ANY OBVIOUS EXITS.
250
00:09:58,827 --> 00:10:02,412
BUT THEN I COME ACROSS
SOMETHING PECULIAR.
251
00:10:02,413 --> 00:10:05,240
THIS PANEL IN THE WALL
LOOKS LIKE A SEALED DOOR
252
00:10:05,241 --> 00:10:07,619
AND SOUNDS HOLLOW
WHEN I KNOCK ON IT.
253
00:10:07,620 --> 00:10:09,240
IN, UH, 1981,
THERE WAS A FIRE
254
00:10:09,241 --> 00:10:10,516
THAT BURNED OUT THE DOOR.
255
00:10:10,517 --> 00:10:12,654
SO THEY WERE
NO LONGER OPERATIONAL.
256
00:10:12,655 --> 00:10:14,205
COULD CONSTRUCTION
FROM THE REPAIRS
257
00:10:14,206 --> 00:10:17,102
HAVE COVERED UP
AL CAPONE'S SECRET PASSAGEWAY?
258
00:10:17,103 --> 00:10:19,343
SINCE WE CAN'T JUST
TEAR OPEN THE WALL,
259
00:10:19,344 --> 00:10:21,792
THERE'S ONLY ONE WAY
TO FIND OUT FOR SURE.
260
00:10:21,793 --> 00:10:23,378
I'M GONNA GET SOME OF
MY TECH GUYS UP HERE
261
00:10:23,379 --> 00:10:26,205
TO SCAN THE ROOM
AND PIECE TOGETHER THIS MYSTERY.
262
00:10:26,206 --> 00:10:29,171
I'M BRINGING IN BRAD RISTER
AND HIS TEAM OF EXPERTS
263
00:10:29,172 --> 00:10:31,412
FROM GPR ENGINEERING
TO HELP ME HUNT
264
00:10:31,413 --> 00:10:33,481
FOR THE POKER ROOM'S
HIDDEN SECRETS.
265
00:10:33,482 --> 00:10:34,861
- THANKS FOR COMING.
- ABSOLUTELY.
266
00:10:34,862 --> 00:10:36,861
- GOOD TO SEE YOU.
- GOOD TO SEE YOU.
267
00:10:36,862 --> 00:10:39,619
THE FIRST PIECE OF TECH
WE'LL USE IS A LiDAR MACHINE,
268
00:10:39,620 --> 00:10:42,205
WHICH STANDS FOR LIGHT
DETECTION AND RANGING.
269
00:10:42,206 --> 00:10:43,412
THIS THING IS GONNA
SPIN AROUND,
270
00:10:43,413 --> 00:10:44,757
SHOOT A WHOLE
BUNCH OF LASERS,
271
00:10:44,758 --> 00:10:46,550
WHICH IS GONNA GIVE US
A RELIEF PICTURE OF THIS ROOM.
272
00:10:46,551 --> 00:10:48,723
SO, HOPEFULLY, IF THERE WAS
A SECRET PASSAGEWAY,
273
00:10:48,724 --> 00:10:50,136
WE'LL BE ABLE TO FIND IT.
274
00:10:50,137 --> 00:10:52,067
LiDAR USES THE LIGHT FROM LASERS
275
00:10:52,068 --> 00:10:54,102
TO CREATE
3-DIMENSIONAL RENDERINGS
276
00:10:54,103 --> 00:10:56,723
THAT CAN THEN BE ANALYZED
WITH PRECISION
277
00:10:56,724 --> 00:10:58,516
DOWN TO THE SMALLEST DETAILS.
278
00:10:58,517 --> 00:11:00,723
IT CAN ALSO BE USED
ON A MACRO SCALE,
279
00:11:00,724 --> 00:11:02,447
LIKE IN 2015,
280
00:11:02,448 --> 00:11:04,343
WHEN AERIAL REMOTE-SENSING LiDAR
281
00:11:04,344 --> 00:11:07,343
WAS USED TO DISCOVER
A MYSTERIOUS CULTURE'S LOST CITY
282
00:11:07,344 --> 00:11:09,516
IN THE HONDURAN RAINFOREST.
283
00:11:09,517 --> 00:11:10,723
TODAY, THOUGH, WE'LL USE IT
284
00:11:10,724 --> 00:11:13,274
TO SCAN
CAPONE'S 2nd-FLOOR HIDEOUT,
285
00:11:13,275 --> 00:11:16,067
INCLUDING THE POKER ROOM
AND HALLWAYS SURROUNDING IT,
286
00:11:16,068 --> 00:11:17,792
TO GIVE US
A MORE ACCURATE PICTURE
287
00:11:17,793 --> 00:11:19,447
OF THE ENTIRE SPACE
288
00:11:19,448 --> 00:11:21,930
AND EXPOSE ANY ANOMALIES
UNDER FLOORS
289
00:11:21,931 --> 00:11:23,861
AND BEHIND WALLS
THAT COULD UNCOVER
290
00:11:23,862 --> 00:11:26,550
REMNANTS OF CAPONE'S
HIDDEN STAIRCASE.
291
00:11:26,551 --> 00:11:27,895
LET'S TURN IT ON
AND RUN IT.
292
00:11:27,896 --> 00:11:29,895
THE LASERS FROM THE LiDAR
COULD DAMAGE OUR CAMERAS.
293
00:11:29,896 --> 00:11:32,895
SO WE CAN'T FILM THE PROCESS.
294
00:11:32,896 --> 00:11:37,585
BUT I CAN'T WAIT TO SEE
WHAT THE DATA REVEALS.
295
00:11:37,586 --> 00:11:38,930
OKAY.
SO I HAVE OUR RESULTS
296
00:11:38,931 --> 00:11:41,309
OF OUR LiDAR TEST RIGHT HERE.
297
00:11:41,310 --> 00:11:44,067
WE'LL SEE IF WE CAN
FIND ANY ANOMALIES.
298
00:11:44,068 --> 00:11:47,481
THE DATA GIVES ME A 3-D
MODEL OF THE ENTIRE ROOM.
299
00:11:47,482 --> 00:11:50,412
OKAY, SO HERE'S THE ENTRANCE
TO THE POKER ROOM.
300
00:11:50,413 --> 00:11:53,378
THE TABLE, CHANDELIER AND EVEN
THE CARPET PATTERN
301
00:11:53,379 --> 00:11:54,861
ARE CLEAR AS DAY.
302
00:11:54,862 --> 00:11:56,895
ANYTHING THAT'S STRANGE
OR OUT OF PLACE
303
00:11:56,896 --> 00:11:59,343
WILL SHOW UP
IN THE LiDAR IMAGE.
304
00:11:59,344 --> 00:12:01,585
AND WHAT I'M MOST
INTERESTED IN IS THE AREA
305
00:12:01,586 --> 00:12:03,793
NEAR THAT SEALED DOOR I FOUND.
306
00:12:07,827 --> 00:12:10,481
OH, WOW.
LOOK AT THAT.
307
00:12:10,482 --> 00:12:12,067
IF YOU LOOK AT THIS, YEAH,
308
00:12:12,068 --> 00:12:13,930
RIGHT HERE
BEHIND THE POKER ROOM,
309
00:12:13,931 --> 00:12:17,136
THERE'S A LITTLE
INDENTATION IN THE FLOOR,
310
00:12:17,137 --> 00:12:20,067
LIKE SOMEBODY WAS TRYING
TO COVER SOMETHING UP OR,
311
00:12:20,068 --> 00:12:22,895
UM, MAYBE FILL SOMETHING IN.
312
00:12:22,896 --> 00:12:24,792
ESSENTIALLY, WHAT IT'S DOING
IS IT'S ALLOWING US
313
00:12:24,793 --> 00:12:28,274
TO NOW PINPOINT
OUR INVESTIGATION RIGHT HERE.
314
00:12:28,275 --> 00:12:29,861
SO WHAT I'LL DO
IS I'LL GRAB BRAD.
315
00:12:29,862 --> 00:12:33,102
I'LL GRAB THE GUYS.
WE'LL SCAN THIS AREA
316
00:12:33,103 --> 00:12:35,379
AND SEE IF THERE'S
ANY HIDDEN SECRETS BELOW.
317
00:12:37,724 --> 00:12:39,999
THE LiDAR REVEALED EXACTLY
318
00:12:40,000 --> 00:12:41,343
WHERE I NEED
TO SEARCH FOR EVIDENCE
319
00:12:41,344 --> 00:12:43,516
OF CAPONE'S HIDDEN ESCAPE HATCH,
320
00:12:43,517 --> 00:12:46,757
MOST LIKELY A SMALL
STAIRCASE LEADING DOWN.
321
00:12:46,758 --> 00:12:49,274
THERE IS
AN INDENTATION HERE.
322
00:12:49,275 --> 00:12:52,826
THE NEXT STEP IS TO DETERMINE
WHAT LIES BENEATH IT
323
00:12:52,827 --> 00:12:54,930
BY USING
GROUND-PENETRATING RADAR.
324
00:12:54,931 --> 00:12:57,965
I'M GONNA RUN A VERTICAL STRIPE
FROM HERE OVER.
325
00:13:02,206 --> 00:13:04,895
HOLY CRAP!
326
00:13:04,896 --> 00:13:06,585
COULD THAT BE A STAIR?
327
00:13:06,586 --> 00:13:09,033
YOU DO HAVE SOME TYPE
OF ANOMALY DOWN HERE,
328
00:13:09,034 --> 00:13:11,481
UH, ABOUT 7 1/2 INCHES.
329
00:13:11,482 --> 00:13:14,447
OUR GPR DATA HAS REVEALED
SOME CURIOUS IRREGULARITIES
330
00:13:14,448 --> 00:13:16,757
IN THE MATERIALS
BENEATH THIS FLOOR.
331
00:13:16,758 --> 00:13:19,067
THEY COULD'VE REMODELED
AND COVERED THIS BACK OVER.
332
00:13:19,068 --> 00:13:19,964
WHAT I INTERPRET
OUT OF THE DATA
333
00:13:19,965 --> 00:13:21,240
THAT YOU JUST SCANNED,
334
00:13:21,241 --> 00:13:23,999
THAT THE FLOOR IS DISCONTINUOUS
ON HOW IT'S BUILT.
335
00:13:24,000 --> 00:13:27,964
SO, IF IT WAS BUILT ORIGINAL
AT A CERTAIN THICKNESS,
336
00:13:27,965 --> 00:13:30,171
THEN ALL THIS DATA
WOULD LOOK THE SAME.
337
00:13:30,172 --> 00:13:34,688
IT'S GOT MULTIPLE LAYERS
OF SOME TYPE OF MATERIAL.
338
00:13:34,689 --> 00:13:36,550
SO YOU CAN'T TELL
IF THERE'S A STAIRCASE.
339
00:13:36,551 --> 00:13:38,516
BUT YOU CAN TELL THAT
THIS PROBABLY
340
00:13:38,517 --> 00:13:39,723
WAS NOT
THE ORIGINAL FLOOR.
341
00:13:39,724 --> 00:13:42,240
THAT'S NOT
THE ORIGINAL FLOOR, RIGHT.
342
00:13:42,241 --> 00:13:44,136
IT SEEMS CLEAR THAT,
AT SOME POINT,
343
00:13:44,137 --> 00:13:46,999
THIS PART OF THE HOTEL
WAS RECONSTRUCTED,
344
00:13:47,000 --> 00:13:51,136
PERHAPS INADVERTENTLY COVERING
UP CAPONE'S INFAMOUS TRACKS.
345
00:13:51,137 --> 00:13:53,205
WHEN IT CAME TO THE ART
OF ELUDING CAPTURE,
346
00:13:53,206 --> 00:13:55,654
BIG AL WAS THE BEST
IN THE BUSINESS.
347
00:13:55,655 --> 00:13:57,895
AT THE FAMOUS GREEN MILL
COCKTAIL LOUNGE
348
00:13:57,896 --> 00:13:59,136
BACK IN HIS NATIVE CHICAGO,
349
00:13:59,137 --> 00:14:00,999
HE HAD A REGULAR BOOTH
WITH CLEAR VIEWS
350
00:14:01,000 --> 00:14:03,619
OF BOTH THE FRONT
AND BACK ENTRANCES.
351
00:14:03,620 --> 00:14:05,481
IT WAS SAID THAT,
WHEN COPS RAIDED THE JOINT,
352
00:14:05,482 --> 00:14:08,447
CAPONE DISAPPEARED DOWN
A SECRET HATCH BEHIND THE BAR
353
00:14:08,448 --> 00:14:11,240
THAT LED TO A NETWORK
OF OLD COAL TUNNELS BELOW.
354
00:14:11,241 --> 00:14:13,619
FROM THERE, HE COULD
SLIP INTO VARIOUS BUILDINGS
355
00:14:13,620 --> 00:14:15,102
CONNECTED TO THE TUNNELS
356
00:14:15,103 --> 00:14:17,586
AND STAY ONE STEP
AHEAD OF THE POLICE.
357
00:14:19,586 --> 00:14:22,136
IT MAY SOUND LIKE THE STUFF
OF HOLLYWOOD MOVIES.
358
00:14:22,137 --> 00:14:24,102
BUT CRAFTY CRIMINALS
HAVE BEEN USING TUNNELS
359
00:14:24,103 --> 00:14:27,792
TO ESCAPE AS LONG AS AUTHORITIES
HAVE BEEN CHASING THEM.
360
00:14:27,793 --> 00:14:30,412
SINCE ANCIENT TIMES,
CATACOMBS IN ROME
361
00:14:30,413 --> 00:14:32,447
AND PARIS HAVE OFFERED OUTLAWS
362
00:14:32,448 --> 00:14:35,137
AND REBELS AN EASY REFUGE
FROM THE LAW.
363
00:14:37,758 --> 00:14:39,171
AND, EVEN IN OUR TIME,
364
00:14:39,172 --> 00:14:42,205
INFAMOUS MEXICAN DRUG LORD
"EL CHAPO" GUZMáN
365
00:14:42,206 --> 00:14:44,205
TOOK A PAGE
FROM CAPONE'S PLAYBOOK
366
00:14:44,206 --> 00:14:46,378
WHEN HE CONSTRUCTED
SEVEN SAFE HOUSES
367
00:14:46,379 --> 00:14:49,171
IN THE MEXICAN CITY OF CULIACáN.
368
00:14:49,172 --> 00:14:51,792
LOOKS LIKE A BATHTUB, RIGHT?
CHECK THIS OUT.
369
00:14:51,793 --> 00:14:54,481
EACH MODEST-LOOKING HOME
HAD A BATHTUB EQUIPPED
370
00:14:54,482 --> 00:14:55,895
WITH A SECRET
TUNNEL BELOW IT.
371
00:14:55,896 --> 00:14:58,688
THE TUNNELS WOULD LINK UP
WITH THE PUBLIC SEWAGE SYSTEM,
372
00:14:58,689 --> 00:15:01,447
WHERE GUZMáN COULD TRUDGE
THROUGH UNDERGROUND SLUDGE
373
00:15:01,448 --> 00:15:02,930
FOR UPWARDS OF 2 MILES
374
00:15:02,931 --> 00:15:05,102
BEFORE RESURFACING
UNDER A BATHTUB
375
00:15:05,103 --> 00:15:07,171
IN A DIFFERENT SAFE HOUSE,
376
00:15:07,172 --> 00:15:10,102
EFFECTIVELY ALLOWING HIM
TO ELUDE POLICE FOR YEARS.
377
00:15:10,103 --> 00:15:13,378
IN 2013, THE CHICAGO
CRIME COMMISSION NAMED
378
00:15:13,379 --> 00:15:16,171
GUZMáN PUBLIC ENEMY NUMBER ONE.
379
00:15:16,172 --> 00:15:17,757
AND THE FIRST PERSON
EVER TO RECEIVE
380
00:15:17,758 --> 00:15:21,102
THAT TITLE, AL CAPONE.
381
00:15:21,103 --> 00:15:23,274
THIS SECTION OF THIS ROOM
382
00:15:23,275 --> 00:15:24,999
VERY WELL COULD'VE
BEEN THE STAIRWAY.
383
00:15:25,000 --> 00:15:27,619
THIS IS A HUGE DISCOVERY
BECAUSE THIS COULD BE
384
00:15:27,620 --> 00:15:29,861
THE HIDDEN PASSAGEWAY
OF AL CAPONE.
385
00:15:29,862 --> 00:15:31,447
NOBODY HAS
ACTUALLY COME IN
386
00:15:31,448 --> 00:15:32,826
AND DETECTED
THESE ANOMALIES YET.
387
00:15:32,827 --> 00:15:33,964
- MM-HMM.
- THERE-- THERE'S RUMORS
388
00:15:33,965 --> 00:15:35,516
THAT THESE EXISTED.
389
00:15:35,517 --> 00:15:37,964
WE KNOW NOW THAT THE FLOOR
IS DIFFERENT HERE.
390
00:15:37,965 --> 00:15:40,171
HE HAD TO HAVE FOUND A WAY
TO GET TO THE BASEMENT.
391
00:15:40,172 --> 00:15:42,895
WE HAVE TO FIGURE OUT
WHAT'S BELOW THIS...
392
00:15:42,896 --> 00:15:43,999
MM-HMM.
393
00:15:44,000 --> 00:15:45,516
...AND KIND OF DO IT
ALL IN REVERSE...
394
00:15:45,517 --> 00:15:47,516
- AND WORK IT BACKWARDS, SURE.
- ...AND WORK IT BACKWARDS.
395
00:15:47,517 --> 00:15:50,343
NOW I WANT TO TRACE THIS
SHAFT DOWN INTO THE BASEMENT.
396
00:15:50,344 --> 00:15:53,274
SO I ASK SEELBACH HISTORIAN
LARRY JOHNSON TO SHOW ME
397
00:15:53,275 --> 00:15:55,723
WHAT'S DIRECTLY
UNDER THE POKER ROOM.
398
00:15:55,724 --> 00:15:57,757
TWO FLIGHTS STRAIGHT DOWN LIES
399
00:15:57,758 --> 00:15:59,274
ONE OF THE MOST ICONIC ROOMS
400
00:15:59,275 --> 00:16:01,205
IN THE SEELBACH AND ONE
THAT CAPONE
401
00:16:01,206 --> 00:16:03,964
AND HIS CRONIES
WOULD'VE KNOWN QUITE WELL.
402
00:16:03,965 --> 00:16:07,136
HOLY MOLY!
403
00:16:07,137 --> 00:16:08,412
THIS IS AN AWESOME ROOM.
404
00:16:08,413 --> 00:16:10,067
THIS IS THE RATHSKELLER.
405
00:16:10,068 --> 00:16:12,723
FUN FACT, "RATHSKELLER"
IS A GERMAN WORD
406
00:16:12,724 --> 00:16:15,309
FOR A SUBTERRANEAN BEER HALL.
407
00:16:15,310 --> 00:16:16,550
F. SCOTT FITZGERALD
WAS ACTUALLY
408
00:16:16,551 --> 00:16:18,067
KICKED OUT OF THE ROOM
FOR BEING A DRUNK.
409
00:16:18,068 --> 00:16:20,343
AND, ON ONE OCCASION,
HE WAS SITTING AT THE BAR.
410
00:16:20,344 --> 00:16:22,930
AND HE SPOTTED
AL CAPONE AND GEORGE REMUS.
411
00:16:22,931 --> 00:16:25,240
AND THAT'S WHERE HE STARTED
WRITING "THE GREAT GATSBY."
412
00:16:25,241 --> 00:16:26,757
- OH, REALLY?
- HE'D WRITE DOWN NOTES
413
00:16:26,758 --> 00:16:29,309
ON COCKTAIL NAPKINS
ABOUT HOW THE PEOPLE REACTED.
414
00:16:29,310 --> 00:16:32,274
SO AL CAPONE WOULD'VE COME DOWN
THROUGH HERE, IN THEORY?
415
00:16:32,275 --> 00:16:35,205
YES.
416
00:16:35,206 --> 00:16:37,343
OUR PURSUIT
OF CAPONE'S ESCAPE ROUTE
417
00:16:37,344 --> 00:16:39,309
TAKES US
INTO AN OLD WINE CELLAR
418
00:16:39,310 --> 00:16:40,654
WHICH LINES UP EXACTLY
419
00:16:40,655 --> 00:16:42,516
WITH THE STAIRCASE
SHAFT WE DETECTED.
420
00:16:42,517 --> 00:16:45,102
SO, RIGHT NOW, WE'RE
UNDERNEATH THE POKER ROOM?
421
00:16:45,103 --> 00:16:48,205
WE'RE ACTUALLY 1 1/2
FLOORS UNDERGROUND.
422
00:16:48,206 --> 00:16:49,826
AND THE POKER ROOM
IS STRAIGHT UP
423
00:16:49,827 --> 00:16:51,172
FROM THIS SHAFT
RIGHT HERE.
424
00:17:01,000 --> 00:17:03,792
HOLY CRAP.
425
00:17:03,793 --> 00:17:07,240
LARRY, HAVE YOU SEEN THIS?
IF YOU LOOK RIGHT HERE,
426
00:17:07,241 --> 00:17:09,205
YOU CAN SEE THE WOOD
STEPS ON THE BOTTOM...
427
00:17:09,206 --> 00:17:11,033
- OH, YEAH.
- ...AND RIGHT THERE.
428
00:17:11,034 --> 00:17:13,274
AND THERE'S, LIKE,
A LITTLE BIT OF A COVE
429
00:17:13,275 --> 00:17:14,585
KIND OF DUG OUT.
430
00:17:14,586 --> 00:17:16,757
HERE WAS THE OLD MATERIAL.
THAT'S UNDERNEATH THE STAIRS.
431
00:17:16,758 --> 00:17:18,585
- YEAH.
- SO THAT WOULDN'T HAVE BEEN
432
00:17:18,586 --> 00:17:19,999
WHERE THE STAIRCASE
WOULD'VE BEEN.
433
00:17:20,000 --> 00:17:22,654
IT WOULD'VE HAD TO HAVE BEEN
FROM ABOUT THERE OVER,
434
00:17:22,655 --> 00:17:24,412
WHICH MEANS THAT IT WOULD'VE
ONLY BEEN ABOUT THAT WIDE.
435
00:17:24,413 --> 00:17:25,516
YEAH.
436
00:17:25,517 --> 00:17:27,447
IT WOULD'VE BEEN
A VERY NARROW STAIRCASE.
437
00:17:27,448 --> 00:17:29,723
WAS THAT BEFORE YOU WERE HERE?
DID YOU EVER SEE THE STAIRS?
438
00:17:29,724 --> 00:17:30,999
I NEVER SAW THE STAIRS.
439
00:17:31,000 --> 00:17:32,378
THIS IS THE FIRST TIME
I'VE BEEN IN THIS ROOM.
440
00:17:32,379 --> 00:17:34,999
IT'S LIKE WE'RE FIGURING
OUT THIS MYSTERY AS WE GO.
441
00:17:35,000 --> 00:17:37,378
- YEAH, AS WE GO.
- OH, WOW, LOOK AT THAT.
442
00:17:37,379 --> 00:17:39,999
HAVE YOU--
DID YOU NOTICE THAT?
443
00:17:40,000 --> 00:17:42,619
I'VE NEVER SEEN
THAT HOLE BEFORE.
444
00:17:42,620 --> 00:17:43,826
WHOA!
445
00:17:43,827 --> 00:17:45,275
LET ME CRAWL UP THERE
A LITTLE BIT.
446
00:17:52,482 --> 00:17:54,516
WE'RE IN THE SEELBACH
HOTEL IN LOUISVILLE, KENTUCKY,
447
00:17:54,517 --> 00:17:56,033
ON THE TRAIL OF WHAT
MAY HAVE BEEN
448
00:17:56,034 --> 00:17:58,757
AL CAPONE'S LEGENDARY
ESCAPE ROUTE,
449
00:17:58,758 --> 00:18:01,309
A VERTICAL SHAFT
FROM THE 2nd-FLOOR POKER ROOM
450
00:18:01,310 --> 00:18:03,102
INTO THE SUB-BASEMENT.
451
00:18:03,103 --> 00:18:04,619
THERE'S, LIKE, A LITTLE GAP.
452
00:18:04,620 --> 00:18:06,516
IT'S NOT VERY BIG,
MAYBE 2 FEET.
453
00:18:06,517 --> 00:18:07,930
I THINK YOU COULD SQUEEZE
THROUGH IT, THOUGH.
454
00:18:07,931 --> 00:18:09,861
THIS IS FRICKING COOL.
455
00:18:09,862 --> 00:18:11,964
I'M GONNA TAKE THE GoPro,
PUT IT UP THERE
456
00:18:11,965 --> 00:18:13,964
SO YOU GUYS CAN SEE
WHAT IT LOOKS LIKE.
457
00:18:13,965 --> 00:18:15,723
UH, ALL RIGHT.
458
00:18:15,724 --> 00:18:18,723
WE'RE GOING UP INSIDE--
459
00:18:18,724 --> 00:18:21,654
INSIDE THE CEILING
FROM THE DOWNSTAIRS,
460
00:18:21,655 --> 00:18:24,033
UP, UP, UP, UP, UP, UP.
461
00:18:24,034 --> 00:18:26,516
AND THERE WE GO.
IT'S A SUPER TIGHT GAP.
462
00:18:26,517 --> 00:18:28,516
AL CAPONE WAS NO FEATHERWEIGHT.
463
00:18:28,517 --> 00:18:30,930
HE WAS SAID TO STAND
AROUND 5'10"
464
00:18:30,931 --> 00:18:33,171
AND WEIGH AS MUCH AS 250 POUNDS.
465
00:18:33,172 --> 00:18:34,930
IT WOULD'VE BEEN
ESPECIALLY TIGHT
466
00:18:34,931 --> 00:18:36,585
FOR SOMEONE THE SIZE OF CAPONE.
467
00:18:36,586 --> 00:18:39,136
BUT IT'S POSSIBLE HE COULD'VE
SQUEEZED THROUGH HERE.
468
00:18:39,137 --> 00:18:42,550
WE'VE GOT THE STAIRS
RIGHT THERE AND THIS--
469
00:18:42,551 --> 00:18:44,102
THIS IS THE WALL
ON THE OTHER SIDE.
470
00:18:44,103 --> 00:18:47,550
SO WE'RE TALKING MAYBE
2 FEET IN BETWEEN.
471
00:18:47,551 --> 00:18:49,757
BUT I THINK A STAIRCASE
COULD'VE BEEN IN THERE.
472
00:18:49,758 --> 00:18:52,861
WHAT I'M LOOKING FOR IS
SOME SORT OF SIGNS OF A FIRE.
473
00:18:52,862 --> 00:18:54,481
THAT-- THAT BLACK RIGHT THERE,
474
00:18:54,482 --> 00:18:56,412
THAT LOOKS PRETTY PROMISING
TO ME.
475
00:18:56,413 --> 00:19:00,240
IN 1981, A FIRE DESTROYED
THIS SECTION OF THE SEELBACH.
476
00:19:00,241 --> 00:19:02,964
SO, IF THERE REALLY
WAS A STAIRCASE HERE,
477
00:19:02,965 --> 00:19:04,654
IT WOULD'VE GONE UP IN FLAMES.
478
00:19:04,655 --> 00:19:07,343
BUT THE SHAFT ITSELF
PREDATES THE FIRE.
479
00:19:07,344 --> 00:19:09,826
COME HERE AND LOOK AT THIS.
480
00:19:09,827 --> 00:19:11,792
OKAY.
THAT'S WHAT WE'RE TALKING ABOUT.
481
00:19:11,793 --> 00:19:14,585
ALL THAT'S BEEN REDONE.
YOU SEE THAT BLACK THERE?
482
00:19:14,586 --> 00:19:16,619
THAT COULD'VE BEEN
FROM THE OLD FIRE.
483
00:19:16,620 --> 00:19:19,240
THERE IS NO EVIDENCE
OF A STAIRCASE ANYMORE
484
00:19:19,241 --> 00:19:22,205
EXCEPT FOR A FEW PIECES OF WOOD
485
00:19:22,206 --> 00:19:24,964
THAT I'VE DISCOVERED.
486
00:19:24,965 --> 00:19:26,274
THIS IS EXCITING.
487
00:19:26,275 --> 00:19:28,585
THE BURNED WOOD
IS COMPELLING EVIDENCE
488
00:19:28,586 --> 00:19:30,688
THAT A WOODEN STRUCTURE,
QUITE POSSIBLY
489
00:19:30,689 --> 00:19:33,274
A WORKING STAIRCASE,
ONCE EXISTED HERE.
490
00:19:33,275 --> 00:19:36,619
CAPONE COULD CONCEIVABLY
HAVE USED IT TO SLIP DOWN HERE
491
00:19:36,620 --> 00:19:38,930
FROM THE POKER ROOM
WITHOUT BEING SEEN.
492
00:19:38,931 --> 00:19:40,826
THESE SECRET STAIRS
WOULD'VE LED HIM
493
00:19:40,827 --> 00:19:42,895
ALMOST DIRECTLY
TO THE RATHSKELLER,
494
00:19:42,896 --> 00:19:44,723
WHERE HE COULD'VE QUICKLY
MADE HIS WAY DOWN
495
00:19:44,724 --> 00:19:47,033
TO THE SUB-BASEMENT
AND, FROM THERE,
496
00:19:47,034 --> 00:19:49,205
INTO THE TUNNEL SYSTEM
I SAW EARLIER,
497
00:19:49,206 --> 00:19:52,033
WHERE HE'D HAVE HIS CHOICE
OF TWO EXIT PATHS LEADING
498
00:19:52,034 --> 00:19:53,585
TO OTHER PARTS OF THE CITY.
499
00:19:53,586 --> 00:19:56,309
THIS HIDDEN ESCAPE ROUTE
WOULD'VE ALLOWED CAPONE
500
00:19:56,310 --> 00:19:58,688
TO MOVE FREELY
UNDERNEATH LOUISVILLE,
501
00:19:58,689 --> 00:20:00,550
ELUDE CAPTURE FOR YEARS
502
00:20:00,551 --> 00:20:02,861
AND ENABLE HIS ILLEGAL EMPIRE,
503
00:20:02,862 --> 00:20:04,826
WORTH BILLIONS IN TODAY'S MONEY,
504
00:20:04,827 --> 00:20:08,274
TO FLOURISH FOR SO LONG.
505
00:20:08,275 --> 00:20:10,930
SO IT SEEMS THE PARTY CROWD
OF THE PROHIBITION ERA
506
00:20:10,931 --> 00:20:12,274
OWES A DEBT OF GRATITUDE
507
00:20:12,275 --> 00:20:16,343
TO THE SEELBACH
AND ITS HIDDEN SECRETS.
508
00:20:16,344 --> 00:20:20,585
NOW, FROM THE URBAN
UNDERBELLY OF THE HEARTLAND,
509
00:20:20,586 --> 00:20:24,826
I'M HEADING TO THE WILD EXPANSE
OF THE WEST COAST.
510
00:20:24,827 --> 00:20:26,792
JUST OUTSIDE OLYMPIA,
WASHINGTON, SITS
511
00:20:26,793 --> 00:20:29,413
AN ALMOST OTHERWORLDLY SITE...
512
00:20:31,724 --> 00:20:34,550
...A SPRAWLING PLAIN
COVERED BY ROUNDED,
513
00:20:34,551 --> 00:20:39,309
EARTHEN MOUNDS THAT STRETCH
FOR 10,000 ACRES.
514
00:20:39,310 --> 00:20:43,585
SOME OF THE MOUNDS
STAND OVER 7 FEET TALL.
515
00:20:43,586 --> 00:20:46,412
THESE ARE THE MIMA MOUNDS.
516
00:20:46,413 --> 00:20:49,550
I HAVE NEVER SEEN
ANYTHING LIKE THIS.
517
00:20:49,551 --> 00:20:51,033
IN ALL DIRECTIONS,
518
00:20:51,034 --> 00:20:52,757
AS FAR AS THE EYE CAN SEE,
519
00:20:52,758 --> 00:20:56,585
ARE THESE HUGE, HUGE MOUNDS.
520
00:20:56,586 --> 00:20:57,861
ARE THEY MAN-MADE,
521
00:20:57,862 --> 00:21:00,861
SOME SORT OF OBSCURE
GEOLOGICAL PHENOMENON
522
00:21:00,862 --> 00:21:04,412
OR SOMETHING EVEN
MORE SURPRISING?
523
00:21:04,413 --> 00:21:07,550
SO FAR, NO ONE HAS COME UP
WITH A DEFINITIVE ANSWER.
524
00:21:07,551 --> 00:21:08,861
THESE MOUNDS ARE ONE
OF THE GREATEST
525
00:21:08,862 --> 00:21:12,309
UNSOLVED MYSTERIES
IN ALL OF AMERICAN GEOLOGY.
526
00:21:12,310 --> 00:21:14,034
SO I WANT TO FIGURE OUT
WHAT'S GOING ON.
527
00:21:16,655 --> 00:21:19,412
THIS MYSTERIOUS LANDSCAPE
IS SO BIZARRE
528
00:21:19,413 --> 00:21:23,930
THAT SOME HAVE EVEN SUGGESTED
IT WAS SHAPED BY ANCIENT ALIENS.
529
00:21:23,931 --> 00:21:26,102
THAT MIGHT BE A STRETCH.
530
00:21:26,103 --> 00:21:29,999
BUT HOW ABOUT OTHER
SENTIENT BEINGS?
531
00:21:30,000 --> 00:21:31,964
WHEN EARLY EXPLORERS
FIRST HAPPENED
532
00:21:31,965 --> 00:21:34,171
UPON THIS SPOT IN 1841,
533
00:21:34,172 --> 00:21:35,378
THEY BELIEVED THE HILLS
534
00:21:35,379 --> 00:21:37,585
WERE ANCIENT NATIVE
AMERICAN BURIAL MOUNDS
535
00:21:37,586 --> 00:21:40,619
BECAUSE THEY LOOKED SIMILAR TO
OTHERS FOUND ACROSS THE COUNTRY,
536
00:21:40,620 --> 00:21:44,309
JUST ON A MUCH
WIDER SCALE.
537
00:21:44,310 --> 00:21:45,964
WHEN THE ADVENTURERS
DUG INTO THEM,
538
00:21:45,965 --> 00:21:48,792
THOUGH, THEY FOUND NO BONES
OR OTHER RELICS.
539
00:21:48,793 --> 00:21:52,171
SO THE MOUNDS DON'T APPEAR
TO BE GRAVE SITES.
540
00:21:52,172 --> 00:21:55,586
BUT COULD THEY BE SOME OTHER
KIND OF HUMAN CONSTRUCTION?
541
00:21:59,793 --> 00:22:02,343
WALKING UP, DOWN AND AROUND
THESE HILLS,
542
00:22:02,344 --> 00:22:04,861
THEY CERTAINLY REMIND ME
OF MAN-MADE EARTHWORKS
543
00:22:04,862 --> 00:22:08,757
I'VE SEEN BEFORE,
544
00:22:08,758 --> 00:22:10,757
LIKE THE CAHOKIA
MOUNDS IN ILLINOIS,
545
00:22:10,758 --> 00:22:13,654
WHICH WERE PART OF
A THRIVING ANCIENT CITY COMPLETE
546
00:22:13,655 --> 00:22:16,792
WITH A TOWERING CENTRAL PLAZA
547
00:22:16,793 --> 00:22:18,309
OR THE REMNANTS OF RIDGES
548
00:22:18,310 --> 00:22:21,102
AND HILLS THAT MARK PREHISTORIC
SETTLEMENTS AT WATSON BRAKE
549
00:22:21,103 --> 00:22:23,757
AND POVERTY POINT IN LOUISIANA
550
00:22:23,758 --> 00:22:26,205
OR EFFIGY MOUNDS SCATTERED
AROUND THE COUNTRY,
551
00:22:26,206 --> 00:22:28,481
SOME OF WHICH HELPED CHART
THE ALIGNMENT OF PLANETS
552
00:22:28,482 --> 00:22:31,205
AND STARS THAT WERE IMPORTANT
TO THE BUILDERS.
553
00:22:31,206 --> 00:22:33,757
SO COULD THERE BE
SOME OTHER CEREMONIAL
554
00:22:33,758 --> 00:22:36,240
OR PRACTICAL PURPOSE
TO THE MIMA MOUNDS
555
00:22:36,241 --> 00:22:39,792
BEYOND SIMPLE BURIAL SITES?
556
00:22:39,793 --> 00:22:41,585
ARCHAEOLOGICAL
EVIDENCE SUGGESTS
557
00:22:41,586 --> 00:22:42,999
THAT HUMANS HAVE BEEN
IN THIS AREA
558
00:22:43,000 --> 00:22:46,481
FOR ALMOST 13,000 YEARS.
559
00:22:46,482 --> 00:22:48,205
SO I THINK THAT IF
I CAN FIND EVIDENCE
560
00:22:48,206 --> 00:22:50,999
OF SOME CLEAR PATTERN
TO THE MOUND PLACEMENT,
561
00:22:51,000 --> 00:22:53,344
THAT COULD SUGGEST
THEY'RE MAN-MADE.
562
00:23:00,068 --> 00:23:01,757
IT'S NEARLY IMPOSSIBLE TO SEE
563
00:23:01,758 --> 00:23:03,171
IF THERE'S
AN OVERARCHING PATTERN
564
00:23:03,172 --> 00:23:05,550
FROM DOWN HERE ON THE GROUND.
565
00:23:05,551 --> 00:23:09,171
SO WHAT I REALLY NEED
IS A BIRD'S-EYE VIEW.
566
00:23:09,172 --> 00:23:13,516
AND THE ONLY WAY TO DO
THAT IS TO BREAK OUT MY DRONE.
567
00:23:13,517 --> 00:23:15,896
OKAY, HERE WE GO.
568
00:23:21,793 --> 00:23:24,481
AS THE DRONE SOARS
INTO THE SKY ABOVE,
569
00:23:24,482 --> 00:23:26,412
IMAGES START TO COME IN.
570
00:23:26,413 --> 00:23:29,619
AND, AT FIRST GLANCE,
THE MOUNDS APPEAR VERY ORDERLY.
571
00:23:29,620 --> 00:23:31,619
YOU KNOW,
AS I'M LOOKING AT THIS,
572
00:23:31,620 --> 00:23:34,516
IT LOOKS VERY SYMMETRICAL TO ME.
573
00:23:34,517 --> 00:23:36,481
I ALMOST THINK
I'M SEEING A PATTERN.
574
00:23:36,482 --> 00:23:37,792
COULD THIS BE THE EVIDENCE
575
00:23:37,793 --> 00:23:40,067
OF HUMAN INVOLVEMENT
I'M LOOKING FOR?
576
00:23:40,068 --> 00:23:42,827
WHOA, LOOK AT THAT!
577
00:23:50,517 --> 00:23:51,654
I'M TRYING TO SOLVE
578
00:23:51,655 --> 00:23:53,309
THE ENDURING MYSTERY
OF THE MIMA MOUNDS,
579
00:23:53,310 --> 00:23:55,171
A BIZARRE LANDSCAPE
THAT REMINDS ME
580
00:23:55,172 --> 00:23:56,516
OF OTHER MAN-MADE EARTHWORKS
581
00:23:56,517 --> 00:23:58,136
I'VE SEEN AROUND THE COUNTRY
582
00:23:58,137 --> 00:24:01,171
BUT ON A MUCH MORE
MIND-BOGGLING SCALE.
583
00:24:01,172 --> 00:24:03,447
SO I'VE LAUNCHED A DRONE
TO SEE IF I CAN MAKE OUT
584
00:24:03,448 --> 00:24:05,516
ANY EVIDENCE
OF UNNATURAL SHAPES
585
00:24:05,517 --> 00:24:06,999
OR INTENTIONAL PATTERNS
586
00:24:07,000 --> 00:24:11,240
THAT WOULD SUGGEST
HUMAN INVOLVEMENT.
587
00:24:11,241 --> 00:24:14,067
AND I MAY BE ONTO SOMETHING.
588
00:24:14,068 --> 00:24:15,757
I ALMOST THINK
I'M SEEING A PATTERN.
589
00:24:15,758 --> 00:24:18,274
I MEAN, YOU CAN SEE
ALL THESE LITTLE MOUNDS.
590
00:24:18,275 --> 00:24:21,654
AND THEY LOOK SOMEWHAT EVEN.
OR DO THEY?
591
00:24:21,655 --> 00:24:23,102
IS IT JUST THAT MY BRAIN
592
00:24:23,103 --> 00:24:26,102
WANTS TO SEE A PATTERN
EVEN IF NONE EXISTS?
593
00:24:26,103 --> 00:24:28,585
THAT'S ACTUALLY
A PSYCHOLOGICAL PHENOMENON
594
00:24:28,586 --> 00:24:31,550
CALLED PAREIDOLIA.
595
00:24:31,551 --> 00:24:35,033
OUR BRAINS ARE WIRED
TO DETECT HUMAN FACES FROM BIRTH
596
00:24:35,034 --> 00:24:36,792
AND TO MAKE SENSE
OF THE VISUAL INFORMATION
597
00:24:36,793 --> 00:24:38,412
IN FRONT OF US.
598
00:24:38,413 --> 00:24:40,826
SO, BECAUSE OF THAT,
WE SOMETIMES SEE FACES
599
00:24:40,827 --> 00:24:44,619
OR DISTINCT SHAPES
IN INANIMATE OBJECTS
600
00:24:44,620 --> 00:24:51,550
LIKE ROCKS OR PLANETS
OR EVEN TOAST.
601
00:24:51,551 --> 00:24:54,171
IN FACT, THE LONGER I LOOK
AT THE DRONE FOOTAGE,
602
00:24:54,172 --> 00:24:55,516
THE LESS CONVINCED I AM THAT
603
00:24:55,517 --> 00:24:57,067
THERE'S ANY PRECONCEIVED ORDER
604
00:24:57,068 --> 00:24:58,550
OR DESIGN TO THE MOUNDS.
605
00:24:58,551 --> 00:24:59,792
I FEEL LIKE MY MIND
606
00:24:59,793 --> 00:25:02,964
IS SHOWING A PATTERN TO ME
THAT MAY NOT EXIST.
607
00:25:02,965 --> 00:25:05,792
I DON'T SEE ANY OF THE HALLMARKS
OF MAN-MADE ORIGINS FOUND
608
00:25:05,793 --> 00:25:07,964
IN OTHER NATIVE AMERICAN MOUNDS.
609
00:25:07,965 --> 00:25:09,930
THERE'S NO REPEATING
GEOMETRIC PATTERN
610
00:25:09,931 --> 00:25:11,481
OR ANIMAL SHAPES
611
00:25:11,482 --> 00:25:12,723
OR EVEN MORE THAN
A COUPLE MOUNDS
612
00:25:12,724 --> 00:25:15,033
THAT LIE IN A STRAIGHT LINE.
613
00:25:15,034 --> 00:25:18,688
THE MOUNDS ARE ALSO
ALL DIFFERENT SIZES.
614
00:25:18,689 --> 00:25:21,964
SO, WITHOUT CONVINCING PHYSICAL
EVIDENCE TO THE CONTRARY,
615
00:25:21,965 --> 00:25:24,861
LIKE A TRAIL OF MAN-MADE
ARTIFACTS IN THE VICINITY,
616
00:25:24,862 --> 00:25:26,619
I'LL HAVE TO CONSIDER
OTHER THEORIES
617
00:25:26,620 --> 00:25:30,033
ABOUT THE CREATION
OF THE MIMA MOUNDS.
618
00:25:30,034 --> 00:25:32,930
THE MOST LIKELY ALTERNATIVE
TO HUMAN CONSTRUCTION
619
00:25:32,931 --> 00:25:35,550
WOULD BE SOME SORT OF
GEOLOGICAL PROCESS.
620
00:25:35,551 --> 00:25:37,757
IN FACT, LOOKING AT
THE DRONE FOOTAGE,
621
00:25:37,758 --> 00:25:42,309
IT ALMOST SEEMS LIKE SOMETHING
PUSHED THE EARTH UP FROM BELOW.
622
00:25:42,310 --> 00:25:43,723
I'M WONDERING IF THE MIMA MOUNDS
623
00:25:43,724 --> 00:25:45,826
MIGHT BE AN EXTREME VERSION
OF A PHENOMENON
624
00:25:45,827 --> 00:25:48,793
I'VE SEEN BEFORE
CALLED A GILGAI FIELD.
625
00:25:51,310 --> 00:25:53,067
GILGAI ARE REPEATED MOUNDS
626
00:25:53,068 --> 00:25:55,585
AND DEPRESSIONS THAT FORM
IN CLAY-RICH SOIL.
627
00:25:55,586 --> 00:25:57,757
CYCLES OF WET
AND DRY SEASONS
628
00:25:57,758 --> 00:25:59,067
CAUSE THE GROUND TO SWELL
629
00:25:59,068 --> 00:26:01,102
AND SHRINK AS THE CLAY
SUCKS UP WATER
630
00:26:01,103 --> 00:26:02,861
AND THEN DRIES OUT.
631
00:26:02,862 --> 00:26:04,205
OVER TIME, THE SUB-SOIL
632
00:26:04,206 --> 00:26:07,895
IS FORCED UPWARDS
TO FORM MOUNDS.
633
00:26:07,896 --> 00:26:11,205
THE ONLY WAY TO KNOW IF THIS IS
WHAT I'M SEEING AT MIMA MOUNDS
634
00:26:11,206 --> 00:26:15,102
IS TO GET A BETTER UNDERSTANDING
OF THE EARTH BENEATH MY FEET.
635
00:26:15,103 --> 00:26:17,171
IF I CAN FIND CLAY
PRESENT IN THE SOIL,
636
00:26:17,172 --> 00:26:20,102
THAT COULD SUGGEST
THESE MOUNDS ARE GILGAI.
637
00:26:20,103 --> 00:26:23,343
SO I'M TURNING TO GEOPHYSICIST
DR. MIKE FEVES
638
00:26:23,344 --> 00:26:25,757
TO HELP ME DEPLOY
A POWERFUL TECHNOLOGY
639
00:26:25,758 --> 00:26:28,412
THAT SHOULD BE ABLE
TO DETECT CLAY CONTENT.
640
00:26:28,413 --> 00:26:33,412
IT'S CALLED ELECTRICAL
RESISTIVITY TOMOGRAPHY OR E.R.T.
641
00:26:33,413 --> 00:26:36,378
E.R.T. IS AN ADVANCED SUBSURFACE
IMAGING TECHNIQUE
642
00:26:36,379 --> 00:26:39,895
THAT ALLOWS US TO SEE HUNDREDS
OF FEET BELOW THE SURFACE.
643
00:26:39,896 --> 00:26:41,964
IT WORKS BY INJECTING
ELECTRICAL CURRENT
644
00:26:41,965 --> 00:26:43,102
INTO THE GROUND
645
00:26:43,103 --> 00:26:45,378
BETWEEN TWO ELECTRODES
AT A TIME.
646
00:26:45,379 --> 00:26:47,826
ADDITIONAL ELECTRODES
THEN MEASURE HOW EASILY
647
00:26:47,827 --> 00:26:50,516
THAT CURRENT IS FLOWING
THROUGH WHATEVER LIES BELOW.
648
00:26:50,517 --> 00:26:53,619
SINCE THE CONDUCTIVITY OF
VARIOUS MATERIALS IS DIFFERENT,
649
00:26:53,620 --> 00:26:56,102
E.R.T. CAN DETERMINE SPECIFIC
SOIL ELEMENTS,
650
00:26:56,103 --> 00:26:57,619
FIND WATER TABLES
651
00:26:57,620 --> 00:27:00,930
AND EVEN LOCATE VOIDS
IN THE SUBSURFACE.
652
00:27:00,931 --> 00:27:03,792
E.R.T. MADE HEADLINES IN 2016
653
00:27:03,793 --> 00:27:06,826
WHEN IT WAS USED TO UNCOVER
A SECRET TUNNEL DUG BY JEWS
654
00:27:06,827 --> 00:27:11,240
ATTEMPTING TO FLEE A NAZI
EXECUTION SITE IN LITHUANIA.
655
00:27:11,241 --> 00:27:13,792
AND IT'S A GREAT TOOL
FOR OUR INVESTIGATION
656
00:27:13,793 --> 00:27:17,757
INTO WHETHER THE MIMA MOUNDS
COULD BE GILGAI.
657
00:27:17,758 --> 00:27:20,412
SINCE CLAY MATERIALS
ARE HIGHLY CONDUCTIVE,
658
00:27:20,413 --> 00:27:22,654
SOIL WITH CLAY CONTENT
CAN BE EASILY
659
00:27:22,655 --> 00:27:24,895
IDENTIFIED WITH E.R.T. TESTING.
660
00:27:24,896 --> 00:27:27,378
Dr. Feves: WE'RE GONNA PUT
A STAKE IN EVERY 4 FEET.
661
00:27:27,379 --> 00:27:30,309
- OKAY.
- THAT'S GOOD!
662
00:27:30,310 --> 00:27:31,723
56 METAL ELECTRODES
663
00:27:31,724 --> 00:27:34,000
WILL PASS THE CURRENT
INTO THE GROUND.
664
00:27:37,172 --> 00:27:41,136
COOL THING IS THIS HAS
NEVER BEEN DONE BEFORE OUT HERE.
665
00:27:41,137 --> 00:27:42,964
COULD FIND SOMETHING NEW.
666
00:27:42,965 --> 00:27:45,447
THERE YOU GO.
PERFECT.
667
00:27:45,448 --> 00:27:47,654
WITH THE STAKES IN PLACE,
WE RUN OUR CABLE,
668
00:27:47,655 --> 00:27:49,309
WHICH ATTACHES TO EACH ELECTRODE
669
00:27:49,310 --> 00:27:51,310
AND THE DATA ACQUISITION SYSTEM.
670
00:27:53,965 --> 00:27:56,792
- GOOD AND TIGHT.
- OKAY.
671
00:27:56,793 --> 00:27:59,205
WELL, I'M HOPING
IT SHOWS SOMETHING,
672
00:27:59,206 --> 00:28:00,481
GIVES US
SOME SORT OF READING,
673
00:28:00,482 --> 00:28:02,240
SOME SORT OF INDICATION
WHAT'S UNDERNEATH HERE.
674
00:28:02,241 --> 00:28:03,378
SO I'LL HIT THE START
BUTTON HERE.
675
00:28:03,379 --> 00:28:05,688
AND WE'RE OFF AND RUNNING.
676
00:28:05,689 --> 00:28:08,447
CURRENT STARTS PULSING
INTO THE EARTH.
677
00:28:08,448 --> 00:28:12,240
AND DATA STARTS ROLLING IN
WITH SOME SURPRISING RESULTS.
678
00:28:12,241 --> 00:28:16,343
THIS GROUND HERE IS REALLY
HIGH RESISTIVITY.
679
00:28:16,344 --> 00:28:17,826
SO WHAT DOES THAT--
WHAT DOES THAT MEAN?
680
00:28:17,827 --> 00:28:21,723
WE'RE SEEING RESISTIVITIES
HERE OF 150,000 OHM-METERS.
681
00:28:21,724 --> 00:28:24,619
THAT'S LIKE
INTACT KIND OF ROCK
682
00:28:24,620 --> 00:28:26,895
THAT YOU REALLY CAN'T
GET CURRENT INTO,
683
00:28:26,896 --> 00:28:29,274
WHICH IMPLIES THERE'S
NO CLAY CONTENT IN THE--
684
00:28:29,275 --> 00:28:30,964
IN THE-- IN THE SOILS.
685
00:28:30,965 --> 00:28:33,481
AND IT'S VERY DRY.
686
00:28:33,482 --> 00:28:35,999
INSTEAD OF FINDING SOFTER,
CLAY-RICH SOIL,
687
00:28:36,000 --> 00:28:38,033
WE'VE DISCOVERED THAT
A HARD LAYER OF DRY,
688
00:28:38,034 --> 00:28:41,619
GRANULAR MATERIAL RUNS
UNDER THIS ENTIRE AREA,
689
00:28:41,620 --> 00:28:44,723
WHICH MEANS THESE MOUNDS
COULDN'T BE GILGAI.
690
00:28:44,724 --> 00:28:47,309
SO WE CAN ELIMINATE
THAT THEORY.
691
00:28:47,310 --> 00:28:49,999
BUT NOW I'M WONDERING
WHAT OTHER NATURAL FORCES
692
00:28:50,000 --> 00:28:52,792
HAVE THE ABILITY
TO RESHAPE THE EARTH?
693
00:28:52,793 --> 00:28:54,585
AND THERE'S ONE
IMPORTANT CHARACTERISTIC
694
00:28:54,586 --> 00:28:57,654
OF THIS PART OF THE COUNTRY
THAT HAS TO BE CONSIDERED.
695
00:28:57,655 --> 00:28:59,861
IT'S PRONE TO SEISMIC ACTIVITY.
696
00:28:59,862 --> 00:29:03,067
THE MIMA MOUNDS ARE LOCATED
WITHIN THE RING OF FIRE,
697
00:29:03,068 --> 00:29:05,516
A GEOLOGICALLY AND
VOLCANICALLY ACTIVE AREA
698
00:29:05,517 --> 00:29:07,205
THAT RUNS AROUND THE PACIFIC.
699
00:29:07,206 --> 00:29:09,309
ROUGHLY 90%
OF THE WORLD'S EARTHQUAKES
700
00:29:09,310 --> 00:29:11,137
OCCUR ALONG THIS PATH.
701
00:29:15,482 --> 00:29:17,964
SOME SCIENTISTS HAVE SPECULATED
THAT THE MIMA MOUNDS
702
00:29:17,965 --> 00:29:20,067
COULD BE THE RESULT
OF SEISMIC ACTIVITY,
703
00:29:20,068 --> 00:29:22,930
THAT TECTONIC RUMBLINGS
CAUSE THE EARTH'S CRUST
704
00:29:22,931 --> 00:29:26,550
TO RIPPLE AND FORM
DISTINCT HILLS.
705
00:29:26,551 --> 00:29:29,964
IN MY RESEARCH, I CAME ACROSS
A PRETTY LOW-TECH EXPERIMENT
706
00:29:29,965 --> 00:29:32,205
THAT CAN BE DONE
TO TEST THIS THEORY.
707
00:29:32,206 --> 00:29:34,033
AND I WANT TO TRY IT OUT MYSELF.
708
00:29:34,034 --> 00:29:36,826
SO I'M GONNA TAKE THIS HAMMER,
WHICH SIMULATES AN EARTHQUAKE.
709
00:29:36,827 --> 00:29:38,861
THE EARTH'S CRUST
IS REPRESENTED HERE
710
00:29:38,862 --> 00:29:41,895
BY THE PLYWOOD
AND KIND OF THE TOPSOIL
711
00:29:41,896 --> 00:29:45,343
IS REPRESENTED
BY THIS THIN SHEET OF SAND.
712
00:29:45,344 --> 00:29:48,585
AND SO LET'S JUST SEE
HOW LIKELY IT IS
713
00:29:48,586 --> 00:29:51,206
THAT THESE MOUNDS
FORMED THIS WAY.
714
00:29:57,620 --> 00:30:01,171
EACH HAMMER HIT IS MEANT
TO REPRESENT A SEISMIC EVENT.
715
00:30:01,172 --> 00:30:03,447
IT'S MAKING THE BOARD SHAKE
IN ROUGHLY THE SAME WAY
716
00:30:03,448 --> 00:30:05,517
THE GROUND
WOULD DURING AN EARTHQUAKE.
717
00:30:10,241 --> 00:30:12,378
OH, MY GOSH!
LOOK AT THAT!
718
00:30:12,379 --> 00:30:14,102
YOU SEE THAT?
719
00:30:14,103 --> 00:30:17,585
THAT-- THAT BASICALLY LOOKS
EXACTLY LIKE MIMA MOUNDS.
720
00:30:17,586 --> 00:30:21,033
THIS IS UNBELIEVABLE.
721
00:30:21,034 --> 00:30:23,447
IS A HAMMER AND PLYWOOD
REALLY ALL IT TAKES
722
00:30:23,448 --> 00:30:25,688
TO UNLOCK THE MYSTERY
OF THE MIMA MOUNDS?
723
00:30:25,689 --> 00:30:26,964
OR COULD THERE BE SOMETHING
724
00:30:26,965 --> 00:30:29,136
EVEN MORE SURPRISING
AT WORK HERE?
725
00:30:29,137 --> 00:30:32,999
TO FIND OUT, I'M GOING TO HAVE
TO DIG DEEPER, LITERALLY.
726
00:30:33,000 --> 00:30:35,413
KILLED IT.
727
00:30:43,931 --> 00:30:46,723
COULD THE MYSTERIOUS
MIMA MOUNDS OF WASHINGTON STATE
728
00:30:46,724 --> 00:30:50,585
HAVE BEEN SHAPED BY CENTURIES
OF EARTHQUAKES?
729
00:30:50,586 --> 00:30:52,309
I'M PUTTING THAT THEORY
TO THE TEST
730
00:30:52,310 --> 00:30:53,654
WITH A PIECE OF PLYWOOD,
731
00:30:53,655 --> 00:30:57,689
SOME SAND AND A HAMMER
TO REPLICATE SEISMIC ACTIVITY.
732
00:31:00,862 --> 00:31:02,309
LOOK AT THAT!
733
00:31:02,310 --> 00:31:06,447
ALL OF A SUDDEN, IT'S FORMING
MOUNDS ON THE SURFACE.
734
00:31:06,448 --> 00:31:08,136
RIGHT DOWN HERE,
YOU CAN SEE
735
00:31:08,137 --> 00:31:12,033
WHAT LOOKS EXACTLY
LIKE MIMA MOUNDS
736
00:31:12,034 --> 00:31:13,965
BUT ON A MUCH SMALLER SCALE.
737
00:31:16,206 --> 00:31:18,274
THIS IS UNBELIEVABLE.
738
00:31:18,275 --> 00:31:20,585
I ACTUALLY DID NOT KNOW
IF THIS WAS GOING TO WORK.
739
00:31:20,586 --> 00:31:22,619
PROBLEM IS, I'M NOT SURE
IF THIS SCALES UP
740
00:31:22,620 --> 00:31:23,999
TO A LARGER LEVEL
741
00:31:24,000 --> 00:31:27,655
AND REALLY COULD BE SOMETHING
THAT EARTHQUAKES FORM.
742
00:31:31,068 --> 00:31:34,033
TO FIGURE THAT OUT, I NEED MORE
INFORMATION ABOUT THE NATURE
743
00:31:34,034 --> 00:31:36,310
OF THE SEISMIC ACTIVITY
IN THE AREA.
744
00:31:41,000 --> 00:31:43,343
SO I'M HEADING TO MEET
DR. JOHN VIDALE,
745
00:31:43,344 --> 00:31:46,274
THE DIRECTOR OF THE PACIFIC
NORTHWEST SEISMIC NETWORK
746
00:31:46,275 --> 00:31:48,310
AT THE UNIVERSITY OF WASHINGTON.
747
00:31:50,827 --> 00:31:53,930
SO, IN THIS
PARTICULAR AREA,
748
00:31:53,931 --> 00:31:55,171
IN THE SEATTLE REGION,
749
00:31:55,172 --> 00:31:56,550
THERE'S A LOT
OF SEISMIC ACTIVITY, RIGHT?
750
00:31:56,551 --> 00:31:59,205
YEAH, WE HAVE A LOT OF DIFFERENT
KINDS OF EARTHQUAKES.
751
00:31:59,206 --> 00:32:01,309
AND IT'S, UH, ONE OF
THE PRIMARY DANGERS
752
00:32:01,310 --> 00:32:03,412
OF NATURE AROUND HERE.
753
00:32:03,413 --> 00:32:07,067
SO COULD BIG EARTHQUAKES
LEAD TO BIG MOUNDS?
754
00:32:07,068 --> 00:32:09,240
I TELL JOHN ABOUT
MY FINDINGS USING THE BOARD,
755
00:32:09,241 --> 00:32:10,688
HAMMER AND SAND.
756
00:32:10,689 --> 00:32:12,481
I DON'T KNOW IF YOU CAN
SCALE THAT UP, THOUGH.
757
00:32:12,482 --> 00:32:14,550
YOU'RE THE SEISMIC EXPERT.
I MEAN, WHAT--
758
00:32:14,551 --> 00:32:16,378
WHAT ARE YOUR THOUGHTS?
- PEOPLE DO THAT WITH DRUMS.
759
00:32:16,379 --> 00:32:17,757
AND THEY PUT STEEL FILINGS.
760
00:32:17,758 --> 00:32:20,343
AND IT MAKES ALL SORTS OF
PRETTY PATTERNS IF YOU SHAKE IT.
761
00:32:20,344 --> 00:32:23,378
BUT, UNFORTUNATELY, THE GROUND
DOESN'T ACT THAT WAY.
762
00:32:23,379 --> 00:32:24,826
IF YOU SHAKE IT,
IT DOESN'T JUST SHIFT
763
00:32:24,827 --> 00:32:26,826
AROUND INTO LITTLE PILES
VERY EASILY.
764
00:32:26,827 --> 00:32:29,516
IT JUST STAYS RIGHT
WHERE IT WAS AND VIBRATES.
765
00:32:29,517 --> 00:32:31,343
AND, IN YOUR EXPERIENCE,
YOU'VE NEVER SEEN ANYTHING
766
00:32:31,344 --> 00:32:33,688
LIKE THAT
FROM SEISMIC ACTIVITY?
767
00:32:33,689 --> 00:32:35,550
NOTHING LIKE THAT.
768
00:32:35,551 --> 00:32:37,171
JOHN TELLS ME
THAT EARTHQUAKES
769
00:32:37,172 --> 00:32:40,309
CAN RESHAPE THE LAND
IN VARIOUS WAYS.
770
00:32:40,310 --> 00:32:42,757
THEY CAN CAUSE THE EARTH
TO CRACK OPEN
771
00:32:42,758 --> 00:32:46,274
OR TRIGGER
TSUNAMIS AND LANDSLIDES.
772
00:32:46,275 --> 00:32:48,964
BUT THERE'S NO DOCUMENTED
INCIDENT OF SEISMIC ACTIVITY
773
00:32:48,965 --> 00:32:52,965
CAUSING REPEATED, UNIFORM MOUNDS
TO FORM ON EARTH'S SURFACE.
774
00:32:55,241 --> 00:32:56,585
SO IT SOUNDS LIKE EARTHQUAKES
775
00:32:56,586 --> 00:32:59,550
PROBABLY DIDN'T CREATE
THE MIMA MOUNDS.
776
00:32:59,551 --> 00:33:02,930
AND THEY DON'T SEEM
TO BE MAN-MADE OR GILGAI EITHER.
777
00:33:02,931 --> 00:33:04,447
I'M BUILDING AN IMPRESSIVE LIST
778
00:33:04,448 --> 00:33:08,688
OF FACTORS THAT DO NOT EXPLAIN
THESE MYSTERIOUS MOUNDS.
779
00:33:08,689 --> 00:33:11,723
BUT I'M STILL SEARCHING
FOR THE ONE THAT DOES.
780
00:33:11,724 --> 00:33:13,861
EACH FAILED THEORY
IS BRINGING ME CLOSER.
781
00:33:13,862 --> 00:33:15,861
BUT I HAVEN'T GOTTEN
ENOUGH INFORMATION ABOUT
782
00:33:15,862 --> 00:33:18,274
THE INTERNAL STRUCTURE
OF THE MOUNDS YET.
783
00:33:18,275 --> 00:33:21,688
WHAT I REALLY NEED IS
TO ACTUALLY SEE INSIDE ONE.
784
00:33:21,689 --> 00:33:23,033
I'VE GOTTEN PERMISSION
TO OPEN UP
785
00:33:23,034 --> 00:33:24,826
A MOUND ON PRIVATE LAND,
786
00:33:24,827 --> 00:33:26,619
ONE THAT I'VE BEEN TOLD
DOES NOT CONTAIN
787
00:33:26,620 --> 00:33:28,274
ANY SENSITIVE ARTIFACTS.
788
00:33:28,275 --> 00:33:30,724
SO I'M BRINGING
IN A BIG MACHINE.
789
00:33:35,000 --> 00:33:38,033
THE ONLY WAY FOR ME
TO GET DOWN IN THESE THINGS
790
00:33:38,034 --> 00:33:41,517
AND GET A GOOD CROSS-SECTION
IS TO USE A BIG TOY.
791
00:33:52,448 --> 00:33:54,619
IT'S NOT EXACTLY
CUTTING-EDGE TECH.
792
00:33:54,620 --> 00:33:57,000
BUT, MAN, IS IT FUN!
793
00:34:01,758 --> 00:34:04,895
KILLED IT.
794
00:34:15,310 --> 00:34:16,964
WOO-HOO-HOO!
795
00:34:16,965 --> 00:34:19,102
YEAH!
796
00:34:19,103 --> 00:34:22,379
ALL RIGHT.
LET'S SEE WHAT WE GOT.
797
00:34:25,068 --> 00:34:27,274
I IMMEDIATELY NOTICE
SOMETHING INTERESTING.
798
00:34:27,275 --> 00:34:31,826
THE DISSECTED HILL IS MADE UP
OF TWO DISTINCT LAYERS OF SOIL.
799
00:34:31,827 --> 00:34:34,757
SO WHAT WE GOT IS
WE GOT A NICE 2-1/2 FOOT SECTION
800
00:34:34,758 --> 00:34:36,309
OF REALLY DARK DIRT INTERSPERSED
801
00:34:36,310 --> 00:34:38,826
WITH THESE ROCKS,
LITTLE TINY PEBBLES AND THINGS.
802
00:34:38,827 --> 00:34:40,274
AND THEN THERE'S
A REALLY GOOD LAYER
803
00:34:40,275 --> 00:34:42,723
RIGHT HERE
OF LIGHTER-COLORED STONE.
804
00:34:42,724 --> 00:34:44,964
SEEMS A LOT HARDER DOWN HERE.
805
00:34:44,965 --> 00:34:46,619
BUT I'M NO GEOLOGY EXPERT.
806
00:34:46,620 --> 00:34:49,482
AND I'M NOT SURE HOW
TO INTERPRET WHAT I'M SEEING.
807
00:34:52,379 --> 00:34:54,585
SO I REACH OUT
TO DR. JENNIFER BURNHAM,
808
00:34:54,586 --> 00:34:55,861
A SOIL SCIENTIST.
809
00:34:55,862 --> 00:34:57,896
SHE AGREES TO MEET ME
AT THE MOUND.
810
00:35:02,034 --> 00:35:03,343
SO, FROM HERE TO HERE,
811
00:35:03,344 --> 00:35:04,274
YOU DON'T REALLY SEE
A WHOLE LOT OF DIFFERENCE.
812
00:35:04,275 --> 00:35:06,274
IT'S ALL
FAIRLY CONSISTENT.
813
00:35:06,275 --> 00:35:08,757
IT IS.
IT'S VERY UNIFORM.
814
00:35:08,758 --> 00:35:10,757
WE DO HAVE A VERY
CLEAR BOUNDARY WHERE,
815
00:35:10,758 --> 00:35:12,550
NOT ONLY
DOES THE COLOR CHANGE
816
00:35:12,551 --> 00:35:14,171
BUT, EVEN AT FIRST GLANCE,
817
00:35:14,172 --> 00:35:17,240
YOU CAN SEE THE SIZE
OF THE ROCKS VARIES.
818
00:35:17,241 --> 00:35:19,102
WE TAKE A CLOSER LOOK
AT THE TWO LAYERS
819
00:35:19,103 --> 00:35:22,205
WITH THE AID OF A SIEVE.
820
00:35:22,206 --> 00:35:24,310
FIRST, THE TOP LAYER...
821
00:35:26,172 --> 00:35:28,378
SO, HERE, WE'D SAY THERE ARE
FAR MORE PARTICLES
822
00:35:28,379 --> 00:35:31,067
THAT ARE SMALL
THAN THERE ARE LARGE.
823
00:35:31,068 --> 00:35:33,136
THEN, THE BOTTOM.
824
00:35:33,137 --> 00:35:35,655
TAKE IT AWAY.
825
00:35:39,517 --> 00:35:41,550
ALL RIGHT.
826
00:35:41,551 --> 00:35:43,412
BASICALLY, THE RATIO
OF THE BOTTOM
827
00:35:43,413 --> 00:35:46,757
IS, UH, REALLY SKEWED
TOWARDS BIG ROCKS.
828
00:35:46,758 --> 00:35:47,861
CORRECT.
829
00:35:47,862 --> 00:35:50,343
JENNIFER SAYS THAT
THIS DISTRIBUTION,
830
00:35:50,344 --> 00:35:52,309
SMALLER-GRAIN SEDIMENT ON TOP
831
00:35:52,310 --> 00:35:53,999
AND LARGER CHUNKS
AT THE BOTTOM,
832
00:35:54,000 --> 00:35:56,378
IS UNUSUAL IN
A SEISMICALLY ACTIVE ZONE.
833
00:35:56,379 --> 00:35:59,757
WELL, IN A EARTHQUAKE-PRONE
AREA LIKE WE ARE HERE,
834
00:35:59,758 --> 00:36:01,792
YOU MIGHT NOT EXPECT IT
TO LOOK LIKE THAT.
835
00:36:01,793 --> 00:36:03,757
YOU MIGHT EXPECT MAYBE
SOME OF THE LARGER ROCKS
836
00:36:03,758 --> 00:36:05,378
TO BE NEAR THE TOP.
837
00:36:05,379 --> 00:36:06,930
THAT'S BECAUSE
OF A PHENOMENON
838
00:36:06,931 --> 00:36:09,033
CALLED GRANULAR CONVECTION,
839
00:36:09,034 --> 00:36:12,895
ALSO KNOWN AS
THE BRAZIL NUT EFFECT.
840
00:36:12,896 --> 00:36:16,378
TAKE A JAR WITH RICE
AND BRAZIL NUTS.
841
00:36:16,379 --> 00:36:20,172
AND THEN YOU SIMULATE SEISMIC
ACTIVITY BY SHAKING 'EM UP.
842
00:36:23,068 --> 00:36:24,792
THE SMALLER RICE KERNELS FILTER
843
00:36:24,793 --> 00:36:27,723
DOWN INTO THE SPACES
CREATED BY EACH JOSTLE
844
00:36:27,724 --> 00:36:31,274
AND PUSH THE LARGER NUTS UP.
845
00:36:31,275 --> 00:36:33,136
SO, WITH ALL THE EARTHQUAKES
THAT HAVE STIRRED UP
846
00:36:33,137 --> 00:36:35,171
THE SOIL HERE
OVER THE CENTURIES,
847
00:36:35,172 --> 00:36:36,792
YOU WOULD EXPECT
TO SEE LARGER STONES
848
00:36:36,793 --> 00:36:38,136
IN THE TOPSOIL LAYER
849
00:36:38,137 --> 00:36:40,757
WITH SMALLER PARTICLES BELOW.
850
00:36:40,758 --> 00:36:43,792
BUT IT LOOKS LIKE EXACTLY
THE OPPOSITE IS HAPPENING.
851
00:36:43,793 --> 00:36:45,964
SO THE QUESTION IS, WHY?
852
00:36:45,965 --> 00:36:49,205
WHAT SECRET IS
THE SOIL REVEALING?
853
00:36:49,206 --> 00:36:51,792
WHAT DO YOU THINK
THAT THIS COULD BE?
854
00:36:51,793 --> 00:36:54,309
SO I THINK THAT
THE EVIDENCE FITS BEST
855
00:36:54,310 --> 00:36:58,240
WITH WHAT'S CALLED
THE GOPHER HYPOTHESIS.
856
00:36:58,241 --> 00:37:01,102
LIKE, THE IDEA
THAT GOPHERS BUILD THIS?
857
00:37:01,103 --> 00:37:03,068
CORRECT.
858
00:37:11,034 --> 00:37:12,240
I'VE OPENED UP
859
00:37:12,241 --> 00:37:14,619
ONE OF WASHINGTON
STATE'S FAMOUS MIMA MOUNDS.
860
00:37:14,620 --> 00:37:16,067
AND WHAT I'VE FOUND IS BIZARRE
861
00:37:16,068 --> 00:37:18,481
FOR AN AREA PRONE
TO SEISMIC ACTIVITY,
862
00:37:18,482 --> 00:37:21,309
A SOIL STRUCTURE WHERE
THE BIG STONES ARE AT THE BASE,
863
00:37:21,310 --> 00:37:24,826
CONTRADICTING THE PHENOMENON
KNOWN AS THE BRAZIL NUT EFFECT,
864
00:37:24,827 --> 00:37:26,550
WHICH HOLDS THAT
SMALLER PARTICLES
865
00:37:26,551 --> 00:37:29,274
ACTUALLY SETTLE AT
THE BOTTOM OVER TIME.
866
00:37:29,275 --> 00:37:31,274
I'VE ELIMINATED HUMANS
AND EARTHQUAKES
867
00:37:31,275 --> 00:37:32,895
AS THE MAKERS OF THESE MOUNDS.
868
00:37:32,896 --> 00:37:35,171
BUT SOIL SCIENTIST
JENNIFER BURNHAM
869
00:37:35,172 --> 00:37:38,171
HAS A SURPRISING
ALTERNATIVE THEORY.
870
00:37:38,172 --> 00:37:41,171
WHAT DO YOU THINK
THAT THIS COULD BE?
871
00:37:41,172 --> 00:37:42,481
IT IS A BIT
INCOMPREHENSIBLE
872
00:37:42,482 --> 00:37:45,826
TO THINK ABOUT THAT
SMALL POCKET GOPHERS
873
00:37:45,827 --> 00:37:48,447
COULD HAVE CREATED
THESE MOUNDS.
874
00:37:48,448 --> 00:37:49,792
WAIT A MINUTE.
875
00:37:49,793 --> 00:37:52,447
DOES JENNIFER REALLY THINK
THAT CUTE LITTLE GOPHERS
876
00:37:52,448 --> 00:37:55,136
BUILT THE HUGE MOUNDS AT MIMA?
877
00:37:55,137 --> 00:37:58,102
POCKET GOPHERS ARE BURROWING
RODENTS THAT AVERAGE
878
00:37:58,103 --> 00:38:00,205
JUST 8 INCHES IN LENGTH.
879
00:38:00,206 --> 00:38:02,343
THEY SPEND MOST
OF THEIR LIVES UNDERGROUND,
880
00:38:02,344 --> 00:38:04,067
IN A TUNNEL SYSTEM
WHERE THEY NEST,
881
00:38:04,068 --> 00:38:06,757
REST AND STORE FOOD.
882
00:38:06,758 --> 00:38:09,067
GOPHERS ARE KNOWN
TO HAVE INHABITED THE AREA
883
00:38:09,068 --> 00:38:11,274
AROUND THE MIMA PRAIRIE
AT ONE TIME,
884
00:38:11,275 --> 00:38:16,274
ALTHOUGH THEY'VE LONG SINCE
MOVED ON TO GREENER PASTURES.
885
00:38:16,275 --> 00:38:17,654
OKAY, SO LET ME JUST
GET THIS STRAIGHT.
886
00:38:17,655 --> 00:38:19,447
THESE ARE HUGE MOUNDS.
887
00:38:19,448 --> 00:38:21,205
I THINK IT-- I THINK,
IF MOST PEOPLE WALKED UP
888
00:38:21,206 --> 00:38:23,205
TO THIS AND THE IDEA
889
00:38:23,206 --> 00:38:25,378
WAS PRESENTED
THAT GOPHERS MADE IT,
890
00:38:25,379 --> 00:38:26,826
THEY'D SAY, "NO WAY.
THOSE ARE TOO BIG."
891
00:38:26,827 --> 00:38:27,964
THEY'RE HUGE.
892
00:38:27,965 --> 00:38:29,205
I MEAN, THEY'RE ALMOST
6 FEET TALL,
893
00:38:29,206 --> 00:38:30,688
SOME OF 'EM OVER THAT.
- YOU'RE RIGHT.
894
00:38:30,689 --> 00:38:31,826
BUT IT'S NOT ONE GOPHER
895
00:38:31,827 --> 00:38:33,412
DOING THESE
IN A SHORT ORDER OF TIME.
896
00:38:33,413 --> 00:38:35,723
IT'S, UH,
MANY GENERATIONS OVER--
897
00:38:35,724 --> 00:38:37,585
OVER HUNDREDS OF YEARS.
898
00:38:37,586 --> 00:38:39,033
IT SOUNDS CRAZY.
899
00:38:39,034 --> 00:38:40,999
BUT JENNIFER THINKS
THE STONE LAYER AT THE BOTTOM
900
00:38:41,000 --> 00:38:43,688
OF THE MOUND IS A SMOKING GUN.
901
00:38:43,689 --> 00:38:45,861
WHAT'S KEY IS
THE SIZE OF THE COBBLES
902
00:38:45,862 --> 00:38:47,378
THAT WE'RE FINDING HERE.
903
00:38:47,379 --> 00:38:49,895
A GOPHER CAN'T MOVE
SOMETHING LIKE THIS
904
00:38:49,896 --> 00:38:51,309
THROUGH THEIR BURROWS.
905
00:38:51,310 --> 00:38:54,826
THEY CAN ONLY MOVE THE
SMALLER PARTICLES THAT ARE HERE.
906
00:38:54,827 --> 00:38:56,378
SO THEY'LL BURROW AROUND
907
00:38:56,379 --> 00:38:58,654
AND UNDER THESE LARGER
CLASTS AND,
908
00:38:58,655 --> 00:39:00,343
EVENTUALLY, OVER TIME,
909
00:39:00,344 --> 00:39:03,171
WILL START SINKING
TO THE BOTTOM.
910
00:39:03,172 --> 00:39:05,895
AND THAT'S EXACTLY
WHAT WE'RE SEEING HERE.
911
00:39:05,896 --> 00:39:08,481
BUT THERE'S ONE KEY WAY
THE MIMA MOUNDS
912
00:39:08,482 --> 00:39:10,723
ARE NOT LIKE TYPICAL BURROWS.
913
00:39:10,724 --> 00:39:13,136
MOST OF THE TIME,
GOPHERS DIG DOWN.
914
00:39:13,137 --> 00:39:14,826
WHY WOULDN'T THEY BE
DOING THAT HERE?
915
00:39:14,827 --> 00:39:17,067
GOPHERS WILL NOT
BUILD MOUNDS
916
00:39:17,068 --> 00:39:19,240
UNLESS THEY CANNOT
BURROW DOWNWARDS.
917
00:39:19,241 --> 00:39:21,757
SO, IF THERE'S SOMETHING
THAT'S HARD TO GET THROUGH,
918
00:39:21,758 --> 00:39:23,757
THEN THEY WILL TEND,
UM, TO DIG--
919
00:39:23,758 --> 00:39:25,585
OR BUILD THEIR MOUNDS HERE.
920
00:39:25,586 --> 00:39:27,550
AND WE KNOW FROM OUR E.R.T. TEST
921
00:39:27,551 --> 00:39:28,861
THAT THERE'S HARDER MATERIAL
922
00:39:28,862 --> 00:39:31,895
BENEATH THE ENTIRE
MIMA MOUND PRAIRIE.
923
00:39:31,896 --> 00:39:33,792
NOW I CAN ALSO SEE IT
924
00:39:33,793 --> 00:39:36,205
RIGHT BELOW
THE LAYER OF LARGER STONES.
925
00:39:36,206 --> 00:39:39,447
AND I CAN'T IMAGINE A GOPHER
BEING ABLE TO BURROW THROUGH IT.
926
00:39:39,448 --> 00:39:42,757
AND JENNIFER TELLS ME THIS AREA
USED TO HAVE A HIGH WATER TABLE,
927
00:39:42,758 --> 00:39:44,136
WHICH IS ANOTHER IMPEDIMENT
928
00:39:44,137 --> 00:39:48,171
THAT PREVENTS GOPHERS
FROM BURROWING DOWN.
929
00:39:48,172 --> 00:39:51,067
BUT, STILL,
IS IT REALLY POSSIBLE
930
00:39:51,068 --> 00:39:54,481
FOR SUCH TINY CRITTERS
TO MOVE SO MUCH DIRT?
931
00:39:54,482 --> 00:39:56,102
JENNIFER HAS ONE
MORE PIECE OF TECH
932
00:39:56,103 --> 00:39:58,447
TO HELP SUPPORT THE THEORY,
933
00:39:58,448 --> 00:39:59,723
A NEW COMPUTER PROGRAM
934
00:39:59,724 --> 00:40:02,619
THAT SIMULATES GOPHER
BURROWING BEHAVIOR.
935
00:40:02,620 --> 00:40:05,344
I'LL SHOW YOU THIS COMPUTER
MODEL I HAVE HERE.
936
00:40:07,379 --> 00:40:10,033
IT CAN CROSS-REFERENCE
STANDARD GOPHER STATISTICS,
937
00:40:10,034 --> 00:40:11,930
SUCH AS THE AMOUNT OF SOIL
938
00:40:11,931 --> 00:40:15,136
A GOPHER CAN MOVE ANNUALLY
AND THEIR TYPICAL HOME RANGE
939
00:40:15,137 --> 00:40:17,930
WITH SITE-SPECIFIC CONDITIONS
LIKE THE HARD SUBSTRATE
940
00:40:17,931 --> 00:40:20,240
WE DISCOVERED UNDER
THE MIMA MOUNDS
941
00:40:20,241 --> 00:40:21,757
AND SHOW US WHAT WOULD HAPPEN
942
00:40:21,758 --> 00:40:24,688
AS GOPHERS CONSTRUCT
THEIR BURROWS.
943
00:40:24,689 --> 00:40:26,413
OKAY.
SO LET'S SEE THIS MODEL.
944
00:40:29,689 --> 00:40:31,309
THE GROUND STARTS FLAT.
945
00:40:31,310 --> 00:40:33,136
BUT, AS THE SIMULATION SPEEDS
946
00:40:33,137 --> 00:40:35,171
THROUGH THE YEARS
OF GOPHER ACTIVITY,
947
00:40:35,172 --> 00:40:37,550
SMALL HILLS START TO FORM.
948
00:40:37,551 --> 00:40:39,378
OH, WOW!
949
00:40:39,379 --> 00:40:41,102
THE REDDER COLORS INDICATE
THAT THE HEIGHT IS INCREASING.
950
00:40:41,103 --> 00:40:42,412
THE WHITER...
- OH, MY GOODNESS.
951
00:40:42,413 --> 00:40:44,964
...WHITER COLORS ARE INDICATING,
UM, LOWER ELEVATION.
952
00:40:44,965 --> 00:40:47,378
SO THIS IS JUST
A RANDOMIZED MODEL.
953
00:40:47,379 --> 00:40:49,205
IT-- IT LOOKS--
954
00:40:49,206 --> 00:40:51,999
IT LOOKS JUST LIKE
THE AERIAL IMAGES WE TOOK.
955
00:40:52,000 --> 00:40:53,861
THE MODEL IS SHOWING ME
SOMETHING
956
00:40:53,862 --> 00:40:56,171
THAT SEEMED SO UNLIKELY
JUST MINUTES EARLIER.
957
00:40:56,172 --> 00:40:58,964
OVER THE COURSE
OF 500 TO 700 YEARS,
958
00:40:58,965 --> 00:41:01,343
SUCCESSIVE GENERATIONS
OF GOPHERS
959
00:41:01,344 --> 00:41:03,757
COULD HAVE FORMED MOUNDS
AS BIG AS THE ONES
960
00:41:03,758 --> 00:41:05,930
THAT SURROUND US HERE
AT THE MIMA SITE.
961
00:41:05,931 --> 00:41:07,619
THAT IS FANTASTIC.
962
00:41:07,620 --> 00:41:09,550
AND YOU COULD NEVER HAVE
SEEN THIS WITHOUT
963
00:41:09,551 --> 00:41:10,999
RUNNING A MODEL LIKE THIS,
964
00:41:11,000 --> 00:41:13,447
RUNNING SOME
HIGH-TECH SCIENCE.
965
00:41:13,448 --> 00:41:15,585
YEAH. IT'S ONE
IMPORTANT COMPONENT
966
00:41:15,586 --> 00:41:18,688
OF THIS PIECE OF THE PUZZLE
THAT WE'RE TRYING TO SOLVE.
967
00:41:18,689 --> 00:41:20,378
WHEN I STARTED
THIS INVESTIGATION,
968
00:41:20,379 --> 00:41:22,654
I DEFINITELY DIDN'T
SEE THIS COMING.
969
00:41:22,655 --> 00:41:24,964
BUT TECHNOLOGY MAY
FINALLY BE REVEALING
970
00:41:24,965 --> 00:41:27,274
THE LIKELY ARCHITECTS
OF THE MIMA MOUNDS.
971
00:41:27,275 --> 00:41:30,481
NOT THE NATIVE INHABITANTS
OF THE PACIFIC NORTHWEST,
972
00:41:30,482 --> 00:41:32,585
SINCE WE FOUND
NO ARCHAEOLOGICAL EVIDENCE
973
00:41:32,586 --> 00:41:34,067
OF HUMAN HABITATION HERE.
974
00:41:34,068 --> 00:41:36,619
NOT CLAY-RICH SOIL EXPANDING
975
00:41:36,620 --> 00:41:38,447
AND SHRINKING WITH THE SEASONS,
976
00:41:38,448 --> 00:41:42,067
SINCE OUR ELECTRICAL TESTING
REVEALED NO CLAY CONTENT.
977
00:41:42,068 --> 00:41:44,102
AND NOT SEISMIC ACTIVITY,
978
00:41:44,103 --> 00:41:46,205
WHICH TENDS TO LEAVE
BEHIND CREVICES,
979
00:41:46,206 --> 00:41:47,585
NOT PIMPLES.
980
00:41:47,586 --> 00:41:49,619
INSTEAD, THE MIMA MOUNDS APPEAR
981
00:41:49,620 --> 00:41:52,481
TO BE THE WORK OF GENERATIONS
OF GOPHERS BUSILY
982
00:41:52,482 --> 00:41:54,826
MOVING THE SOIL UPWARD
FROM BELOW
983
00:41:54,827 --> 00:41:58,688
AND LEAVING BEHIND
A LANDSCAPE LIKE NO OTHER.
984
00:41:58,689 --> 00:42:02,585
THE MIMA MOUNDS HAVE PRESERVED
THEIR SECRETS FOR MILLENNIA.
985
00:42:02,586 --> 00:42:05,413
THEY JUST NEEDED SCIENCE
TO DECODE THEM.
75868
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