All language subtitles for Secrets.of.the.Underground.S01E01.Capones.Escape.Tunnels.1080p.AMZN.WEB-DL.DD+2.0.H.264-playWEB_track3_[eng]

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,586 --> 00:00:04,550 IN THE HEART OF KENTUCKY BOURBON COUNTRY, 2 00:00:04,551 --> 00:00:07,102 BELOW ONE OF LOUISVILLE'S ELITE HOTELS, 3 00:00:07,103 --> 00:00:09,378 LIES A SERIES OF FORGOTTEN TUNNELS. 4 00:00:09,379 --> 00:00:13,378 WAS THIS THE SECRET ESCAPE ROUTE OF NOTORIOUS GANGSTER AL CAPONE? 5 00:00:13,379 --> 00:00:15,343 I THINK WE FOUND SOMETHING IN HERE. 6 00:00:15,344 --> 00:00:17,067 I'LL DEPLOY STATE-OF-THE-ART TECHNOLOGY 7 00:00:17,068 --> 00:00:19,067 TO PEER BENEATH THE FLOORBOARDS 8 00:00:19,068 --> 00:00:21,516 AND PICK UP HIS TRAIL. 9 00:00:21,517 --> 00:00:24,136 AND, IN WESTERN WASHINGTON, A BIZARRE LANDSCAPE 10 00:00:24,137 --> 00:00:26,585 HAS BEEN BAFFLING SCIENTISTS FOR CENTURIES. 11 00:00:26,586 --> 00:00:30,930 WHO OR WHAT BUILT THE MYSTERIOUS MIMA MOUNDS? 12 00:00:30,931 --> 00:00:33,861 OKAY, HERE WE GO. 13 00:00:33,862 --> 00:00:35,688 NOW, AN ADVANCED SCANNING PROCESS 14 00:00:35,689 --> 00:00:37,481 WILL TURN THEM INSIDE OUT 15 00:00:37,482 --> 00:00:40,379 AND COULD LEAD TO A STARTLING REVELATION. 16 00:00:42,172 --> 00:00:44,826 HIDDEN JUST BELOW THE EARTH'S SURFACE, 17 00:00:44,827 --> 00:00:48,309 THERE ARE COUNTLESS UNSOLVED MYSTERIES. 18 00:00:48,310 --> 00:00:51,861 AND, TODAY, WE FINALLY HAVE THE TOOLS TO UNLOCK THEM. 19 00:00:51,862 --> 00:00:53,412 LOOK AT THAT!WHOA. 20 00:00:53,413 --> 00:00:55,309 I THINK THIS IS IT. 21 00:00:55,310 --> 00:00:56,619 I'M ROB NELSON, 22 00:00:56,620 --> 00:00:59,136 A SCIENTIST USING STATE-OF-THE-ART TECHNOLOGY 23 00:00:59,137 --> 00:01:01,964 TO PEEL THE LID OFF OUR PLANET'S HIDDEN DEPTHS. 24 00:01:01,965 --> 00:01:03,309 THE MOMENT OF TRUTH RIGHT HERE. 25 00:01:03,310 --> 00:01:05,827 HOLY MOLY! 26 00:01:08,275 --> 00:01:11,240 THESE ARE THE SECRETS OF THE UNDERGROUND. 27 00:01:11,241 --> 00:01:13,378 Captions by VITAC-- www.vitac.com 28 00:01:13,379 --> 00:01:15,654 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 29 00:01:15,655 --> 00:01:18,895 LOUISVILLE, KENTUCKY, KNOWN FOR ITS BOURBON, 30 00:01:18,896 --> 00:01:22,000 BATS AND THE FASTEST 2 MINUTES IN SPORTS. 31 00:01:25,206 --> 00:01:27,516 BUT THIS SOUTHERN JEWEL OF THE BLUEGRASS STATE 32 00:01:27,517 --> 00:01:30,792 MAY BE HIDING A DARK SECRET. 33 00:01:30,793 --> 00:01:33,481 THIS BIRTHPLACE OF AMERICA'S ONLY NATIVE WHISKEY 34 00:01:33,482 --> 00:01:34,723 WAS A KNOWN BUSINESS HUB 35 00:01:34,724 --> 00:01:37,136 FOR NOTORIOUS BOOTLEGGER AL CAPONE. 36 00:01:37,137 --> 00:01:40,619 AND EVERYONE KNEW IT, INCLUDING THE POLICE. 37 00:01:40,620 --> 00:01:41,861 YET, FOR NEARLY A DECADE, 38 00:01:41,862 --> 00:01:43,688 HE CONDUCTED HIS ILLICIT BOOZE TRADE 39 00:01:43,689 --> 00:01:46,102 WITHOUT EVER BEING CAUGHT IN THE ACT. 40 00:01:46,103 --> 00:01:48,619 WHENEVER ONE OF HIS PREFERRED HANGOUTS WAS RAIDED, 41 00:01:48,620 --> 00:01:51,102 THE MOB BOSS WAS ALWAYS ONE STEP AHEAD. 42 00:01:51,103 --> 00:01:53,171 WITNESSES CLAIMED HE'D BE THERE ONE MINUTE, 43 00:01:53,172 --> 00:01:56,654 THEN GONE THE NEXT WITHOUT A TRACE. 44 00:01:56,655 --> 00:01:59,516 SO HOW DID CAPONE CONTINUE HIS ILLEGAL OPERATION 45 00:01:59,517 --> 00:02:02,757 FOR OVER A DECADE WITHOUT EVER GETTING CAUGHT? 46 00:02:02,758 --> 00:02:04,240 LEGEND SAYS THE ANSWER MAY LIE 47 00:02:04,241 --> 00:02:06,688 UNDERNEATH THE CITY OF LOUISVILLE. 48 00:02:06,689 --> 00:02:08,343 THERE IS RUMORED TO BE A SECRET NETWORK 49 00:02:08,344 --> 00:02:10,861 OF TUNNELS CARVED DEEP BELOW THE SKYSCRAPERS 50 00:02:10,862 --> 00:02:13,688 AND CITY STREETS THAT CONNECT SEVERAL DOWNTOWN BUILDINGS 51 00:02:13,689 --> 00:02:18,861 WITH AN ALLEGED MAFIA ESCAPE ROUTE TO THE OHIO RIVER. 52 00:02:18,862 --> 00:02:21,102 DURING PROHIBITION, THE UNDERGROUND NETWORK 53 00:02:21,103 --> 00:02:22,895 IS BELIEVED TO HAVE PLAYED A KEY ROLE 54 00:02:22,896 --> 00:02:24,826 IN CAPONE'S BOOTLEGGING BUSINESS. 55 00:02:24,827 --> 00:02:29,067 THE QUESTION IS, DO THESE RUMORED TUNNELS REALLY EXIST? 56 00:02:29,068 --> 00:02:31,757 AND, IF SO, COULD CAPONE HAVE ACCESSED THEM 57 00:02:31,758 --> 00:02:33,550 TO ESCAPE AUTHORITIES 58 00:02:33,551 --> 00:02:37,067 AND PEDDLE HIS ILLEGAL BOOZE? 59 00:02:37,068 --> 00:02:40,516 MY INVESTIGATION STARTS AT BIG AL'S FAVORITE POKER SPOT 60 00:02:40,517 --> 00:02:42,723 AND THE CENTRAL FOCUS OF TUNNEL RUMORS, 61 00:02:42,724 --> 00:02:45,378 THE HISTORIC SEELBACH HOTEL. 62 00:02:45,379 --> 00:02:46,826 OPENED IN 1905, 63 00:02:46,827 --> 00:02:49,861 THIS DOWNTOWN HOT SPOT'S OLD-WORLD GRANDEUR QUICKLY 64 00:02:49,862 --> 00:02:52,964 MADE IT THE PLACE TO SEE AND BE SEEN. 65 00:02:52,965 --> 00:02:57,585 NOTABLE GUESTS INCLUDED FDR, JFK AND THE ROLLING STONES. 66 00:02:57,586 --> 00:02:59,102 F. SCOTT FITZGERALD USED 67 00:02:59,103 --> 00:03:01,688 THE SEELBACH AS INSPIRATION IN HIS CLASSIC NOVEL 68 00:03:01,689 --> 00:03:03,240 "THE GREAT GATSBY." 69 00:03:03,241 --> 00:03:05,826 THE TITLE CHARACTER WAS BASED ON THE REAL-LIFE GANGSTERS 70 00:03:05,827 --> 00:03:07,999 HE SAW HERE, LIKE AL CAPONE, 71 00:03:08,000 --> 00:03:09,343 WHO WAS BUSY MAKING HIS MARK 72 00:03:09,344 --> 00:03:11,930 ON THE BOURBON CAPITAL OF THE WORLD. 73 00:03:11,931 --> 00:03:14,378 IN THE PROHIBITION ERA OF THE 1920s, 74 00:03:14,379 --> 00:03:15,688 EASTERN KENTUCKY SUPPLIED 75 00:03:15,689 --> 00:03:18,136 MUCH OF THE NATION WITH ILLEGAL ALCOHOL. 76 00:03:18,137 --> 00:03:21,171 AFTER PICKING UP A NEW SUPPLY OF BOURBON AND MOONSHINE, 77 00:03:21,172 --> 00:03:22,792 IT WAS SAID CAPONE AND HIS CRONIES 78 00:03:22,793 --> 00:03:25,067 WOULD MEET AT THE SEELBACH TO CONDUCT BUSINESS. 79 00:03:25,068 --> 00:03:26,999 FROM HERE, CASH AND CONTRABAND 80 00:03:27,000 --> 00:03:28,999 WERE ALLEGEDLY FUNNELED UNDERGROUND, 81 00:03:29,000 --> 00:03:32,136 OUT OF SIGHT FROM THE POLICE, AND ACROSS THE COUNTRY. 82 00:03:32,137 --> 00:03:33,861 THIS IS THE LEGEND. 83 00:03:33,862 --> 00:03:35,378 BUT DID IT REALLY HAPPEN? 84 00:03:35,379 --> 00:03:37,826 I NEED TO SEE THESE RUMORED TUNNELS MYSELF. 85 00:03:37,827 --> 00:03:39,516 HI! WELCOME TO THE SEELBACH. 86 00:03:39,517 --> 00:03:41,619 - ROB NELSON. - HI, NICE TO MEET YOU. 87 00:03:41,620 --> 00:03:43,309 - NICE HOTEL. - THANK YOU VERY MUCH. 88 00:03:43,310 --> 00:03:46,378 SO I JOURNEY WITH HOTEL REPRESENTATIVE JIM MEYER 89 00:03:46,379 --> 00:03:49,861 TWO FLOORS BELOW THE LOBBY TO THE HOTEL'S SUB-BASEMENT, 90 00:03:49,862 --> 00:03:52,205 WHERE THEY'RE SAID TO BE LOCATED. 91 00:03:52,206 --> 00:03:53,585 TWO TUNNELS DOWN HERE. 92 00:03:53,586 --> 00:03:55,826 WHOA! LOOK AT THAT! 93 00:03:55,827 --> 00:03:57,619 AND THEN THERE'S A SECOND TUNNEL... 94 00:03:57,620 --> 00:03:59,620 - OH, YEAH. - ...ON THIS SIDE. 95 00:04:03,482 --> 00:04:04,619 THIS IS AWESOME. 96 00:04:04,620 --> 00:04:07,136 LOOKS LIKE A GREAT PLACE TO ESCAPE AS A GANGSTER. 97 00:04:07,137 --> 00:04:09,274 - YEAH. - SMUGGLE YOUR BOOZE. 98 00:04:09,275 --> 00:04:10,550 HAVE YOU BEEN IN HERE? 99 00:04:10,551 --> 00:04:12,171 I HAVE LOOKED AROUND THE CORNER. 100 00:04:12,172 --> 00:04:15,447 THAT'S AS FAR AS I WANTED TO GO. 101 00:04:15,448 --> 00:04:17,343 WHEN THE HOTEL WAS FIRST CONSTRUCTED, 102 00:04:17,344 --> 00:04:19,792 THESE TUNNELS WERE BUILT TO FLUSH OUT RAINWATER 103 00:04:19,793 --> 00:04:21,067 FROM THE BASEMENT. 104 00:04:21,068 --> 00:04:23,240 SO THEY COULD'VE CONNECTED TO A CITY-WIDE 105 00:04:23,241 --> 00:04:25,033 SEWER SYSTEM THAT WOULD'VE OFFERED 106 00:04:25,034 --> 00:04:27,481 CAPONE AN ESCAPE TO JUST ABOUT ANYWHERE. 107 00:04:27,482 --> 00:04:29,136 WHAT I LOVE ABOUT THESE UNDERGROUND BASEMENTS 108 00:04:29,137 --> 00:04:30,964 IS YOU NEVER KNOW WHAT YOU'RE GONNA FIND. 109 00:04:30,965 --> 00:04:32,964 AND YOU'RE KIND OF LOOKING INTO THE-- 110 00:04:32,965 --> 00:04:35,067 THE SECRET HISTORY OF THE BUILDING. 111 00:04:35,068 --> 00:04:36,481 I CAN GUARANTEE, YOU'LL NEVER KNOW 112 00:04:36,482 --> 00:04:38,378 WHAT YOU'RE GONNA FIND BACK THERE. 113 00:04:38,379 --> 00:04:39,550 ALL RIGHT. THANK YOU, JIM. 114 00:04:39,551 --> 00:04:40,895 CAN I-- CAN I JUST EXPLORE IT FROM HERE? 115 00:04:40,896 --> 00:04:42,205 - ABSOLUTELY. - OKAY. 116 00:04:42,206 --> 00:04:45,136 - GOOD LUCK. - THANK YOU. 117 00:04:45,137 --> 00:04:48,102 I'M GONNA TAKE THE GoPro BACK INTO THIS TUNNEL, 118 00:04:48,103 --> 00:04:49,654 TRY TO FIGURE OUT IF IT LEADS ANYWHERE. 119 00:04:49,655 --> 00:04:51,964 SAFETY FIRST, THOUGH. 120 00:04:51,965 --> 00:04:54,482 PUT MY MASK ON. 121 00:05:00,206 --> 00:05:02,516 THIS IS EXCITING. ALL RIGHT. 122 00:05:02,517 --> 00:05:04,481 I'M GONNA TAKE YOU DOWN DEEP INTO THE TUNNEL. 123 00:05:04,482 --> 00:05:05,965 CHECK THIS OUT. 124 00:05:08,172 --> 00:05:11,171 I MAKE MY WAY DOWN THE NARROW TUNNEL. 125 00:05:11,172 --> 00:05:12,585 THIS IS NOT SOMETHING 126 00:05:12,586 --> 00:05:14,965 THAT THE AVERAGE TOURIST GETS TO SEE. 127 00:05:20,379 --> 00:05:21,964 BUT I QUICKLY COME TO WHAT APPEARS 128 00:05:21,965 --> 00:05:23,654 TO BE A DEAD END 129 00:05:23,655 --> 00:05:26,516 WITH TWO BLOCKED ENTRANCES. 130 00:05:26,517 --> 00:05:28,378 THERE'S TWO PASSAGEWAYS, 131 00:05:28,379 --> 00:05:31,964 ONE THIS WAY AND ONE THIS WAY. 132 00:05:31,965 --> 00:05:34,205 BOTH OF THEM COULD LEAD SOMEWHERE. 133 00:05:34,206 --> 00:05:37,447 HOLD ON. 134 00:05:37,448 --> 00:05:39,067 OH, WOW. 135 00:05:39,068 --> 00:05:40,723 THIS ONE DEFINITELY LEADS SOMEWHERE. 136 00:05:40,724 --> 00:05:42,102 AND IT KEEPS GOING. 137 00:05:42,103 --> 00:05:44,861 I CAN HEAR RIGHT NOW, I CAN FEEL AIR COMING THROUGH. 138 00:05:44,862 --> 00:05:46,895 SO THE RUMOR THAT AL CAPONE CAME IN HERE, 139 00:05:46,896 --> 00:05:49,240 HID HIS MONEY, HID HIS BOOZE, 140 00:05:49,241 --> 00:05:50,826 COULD VERY WELL BE TRUE. 141 00:05:50,827 --> 00:05:53,550 BUT, TO CONFIRM THESE TUNNELS REALLY KEEP GOING, 142 00:05:53,551 --> 00:05:56,999 I NEED TO USE SOME OF THE TECH I BROUGHT WITH ME. 143 00:05:57,000 --> 00:05:59,861 FIRST UP, THE GROUND-PENETRATING RADAR DEVICE. 144 00:05:59,862 --> 00:06:02,309 THE GPR WILL EMIT A PULSE OF ELECTROMAGNETIC 145 00:06:02,310 --> 00:06:03,826 ENERGY INTO THE WALL. 146 00:06:03,827 --> 00:06:06,274 THE PULSE WILL BOUNCE BACK TO A RECEIVER. 147 00:06:06,275 --> 00:06:08,585 AND THE SPEED AND STRENGTH OF ITS RETURN DETERMINES 148 00:06:08,586 --> 00:06:11,067 THE WALL'S DENSITY AND THICKNESS. 149 00:06:11,068 --> 00:06:13,999 AND, ALMOST IMMEDIATELY, THE GPR OFFERS SOLID CLUES 150 00:06:14,000 --> 00:06:16,033 ABOUT WHAT'S BEHIND THIS WALL. 151 00:06:16,034 --> 00:06:17,240 SO YOU CAN SEE, CLEAR AS DAY, 152 00:06:17,241 --> 00:06:19,274 THERE'S REINFORCEMENT, 3 TO 6 INCHES. 153 00:06:19,275 --> 00:06:21,895 YOU CAN SEE THERE'S REBAR IN THERE. 154 00:06:21,896 --> 00:06:23,274 THE ANOMALIES IN THE DATA 155 00:06:23,275 --> 00:06:25,412 REVEAL NOT ONLY WHAT'S INSIDE THE WALL 156 00:06:25,413 --> 00:06:28,309 BUT WHAT'S BEHIND IT... 157 00:06:28,310 --> 00:06:30,826 NOTHING. 158 00:06:30,827 --> 00:06:33,136 YOU CAN ALSO SEE THAT THERE'S ESSENTIALLY A GAP 159 00:06:33,137 --> 00:06:36,757 AFTER 9 INCHES. 160 00:06:36,758 --> 00:06:39,102 SO IT LOOKS TO ME THAT THIS WALL 161 00:06:39,103 --> 00:06:41,792 IS ABOUT 9 INCHES THICK. 162 00:06:41,793 --> 00:06:44,654 AND NOW FOR THE SECOND POTENTIAL OPENING. 163 00:06:44,655 --> 00:06:46,551 OKAY. I'M GONNA RUN IT ON THE INNER WALL. 164 00:06:49,724 --> 00:06:52,205 OH, YEAH. THERE WE GO. 165 00:06:52,206 --> 00:06:53,792 THIS IS A VERY, VERY THIN WALL. 166 00:06:53,793 --> 00:06:55,412 THIS IS ONLY, LIKE, 2 INCHES THICK. 167 00:06:55,413 --> 00:06:56,757 THERE'S NOTHING BEHIND IT. 168 00:06:56,758 --> 00:07:00,343 IF, IN THEORY, WE COULD GET THROUGH THIS WALL, 169 00:07:00,344 --> 00:07:03,205 I THINK WE COULD GET TO A WHOLE TUNNEL NETWORK. 170 00:07:03,206 --> 00:07:04,550 GPR CONFIRMS IT. 171 00:07:04,551 --> 00:07:07,585 THERE'S EMPTY SPACE BEHIND THESE TWO PORTALS. 172 00:07:07,586 --> 00:07:09,481 THAT MEANS THAT, IF CAPONE ESCAPED THROUGH 173 00:07:09,482 --> 00:07:10,688 THESE SEWER TUNNELS, 174 00:07:10,689 --> 00:07:12,688 HE COULD'VE CHOSEN TO GO EITHER DIRECTION, 175 00:07:12,689 --> 00:07:15,654 FURTHER CONFUSING ANYONE ATTEMPTING TO PURSUE HIM. 176 00:07:15,655 --> 00:07:17,481 SO ALL HE HAD TO DO WAS WALK DOWN HERE 177 00:07:17,482 --> 00:07:18,792 FROM THE LOBBY LIKE I DID, 178 00:07:18,793 --> 00:07:21,171 AND HE'D BE HOME FREE, RIGHT? 179 00:07:21,172 --> 00:07:24,205 ACCORDING TO THE LEGENDS, NOT EXACTLY. 180 00:07:24,206 --> 00:07:26,378 WHILE CAPONE MAY HAVE LIKED DOING HIS BUSINESS 181 00:07:26,379 --> 00:07:28,343 AT THE SEELBACH BECAUSE OF ITS PROXIMITY 182 00:07:28,344 --> 00:07:29,826 TO THE TUNNEL SYSTEM, 183 00:07:29,827 --> 00:07:32,309 HE COULDN'T JUST MEET HIS ASSOCIATES IN THE LOBBY 184 00:07:32,310 --> 00:07:34,343 EXCHANGING SUITCASES OF CASH. 185 00:07:34,344 --> 00:07:36,861 SO HE PREFERRED TO MEET IN THE GENTLEMEN'S POKER ROOM, 186 00:07:36,862 --> 00:07:38,067 WHICH WAS MORE PRIVATE. 187 00:07:38,068 --> 00:07:40,481 BUT IT WAS ALSO ON THE 2nd FLOOR 188 00:07:40,482 --> 00:07:43,136 WITH NO DIRECT ACCESS TO THE SUB-BASEMENT. 189 00:07:43,137 --> 00:07:44,516 OR WAS THERE? 190 00:07:44,517 --> 00:07:46,999 IF THE POLICE RAIDED THE HOTEL LOOKING FOR CAPONE, 191 00:07:47,000 --> 00:07:48,619 WHICH THEY OFTEN DID, 192 00:07:48,620 --> 00:07:50,619 HOW COULD HE HAVE MADE HIS WAY DOWN THREE FLIGHTS 193 00:07:50,620 --> 00:07:52,654 WITHOUT BEING SEEN? 194 00:07:52,655 --> 00:07:54,930 I THINK THIS HOTEL MAY BE HIDING EVEN MORE 195 00:07:54,931 --> 00:07:56,964 THAN ITS UNDERGROUND TUNNEL SYSTEM. 196 00:07:56,965 --> 00:07:58,826 COULD THERE ALSO BE A SECRET STAIRCASE 197 00:07:58,827 --> 00:08:01,274 CONNECTING THE POKER ROOM TO THE BASEMENT? 198 00:08:01,275 --> 00:08:03,274 TO TRACE THE ESCAPE ROUTE OF AL CAPONE, 199 00:08:03,275 --> 00:08:05,033 I'M GOING TO NEED SOME HIGH-TECH TOYS. 200 00:08:05,034 --> 00:08:06,826 JUST TURN IT ON AND RUN IT. 201 00:08:06,827 --> 00:08:08,930 OH, WOW. LOOK AT THAT! 202 00:08:08,931 --> 00:08:11,792 AND, LATER, I'LL DEPLOY ANOTHER SET OF GADGETS 203 00:08:11,793 --> 00:08:14,481 TO PROBE WASHINGTON'S OTHERWORLDLY MIMA MOUNDS. 204 00:08:14,482 --> 00:08:15,861 THIS IS UNBELIEVABLE. 205 00:08:15,862 --> 00:08:17,516 ARE THEY THE WORK OF ANCIENT HUMANS, 206 00:08:17,517 --> 00:08:21,274 THE EARTH ITSELF OR SOMETHING EVEN MORE UNBELIEVABLE? 207 00:08:21,275 --> 00:08:23,206 OKAY, SO LET ME JUST GET THIS STRAIGHT. 208 00:08:29,965 --> 00:08:31,102 I'M IN LOUISVILLE, KENTUCKY, ON THE HUNT 209 00:08:31,103 --> 00:08:33,930 FOR AL CAPONE'S SECRET ESCAPE ROUTE. 210 00:08:33,931 --> 00:08:35,309 I UNCOVERED A PAIR OF TUNNELS 211 00:08:35,310 --> 00:08:38,067 IN THE BASEMENT OF CAPONE'S FAVORITE LOCAL HOTEL, 212 00:08:38,068 --> 00:08:41,861 THE SEELBACH, THAT APPEAR TO LEAD AWAY FROM THE BUILDING. 213 00:08:41,862 --> 00:08:44,412 BUT TO UNDERSTAND HOW HE COULD'VE ACCESSED THEM, 214 00:08:44,413 --> 00:08:47,619 I NEED TO LEARN MORE ABOUT THE SEELBACH'S STORIED PAST. 215 00:08:47,620 --> 00:08:50,205 SO I ARRANGE A MEETING WITH HISTORIAN 216 00:08:50,206 --> 00:08:53,136 AND FORMER SEELBACH EMPLOYEE LARRY JOHNSON. 217 00:08:53,137 --> 00:08:55,481 THIS IS THE GENTLEMEN'S POKER ROOM. 218 00:08:55,482 --> 00:08:57,033 SO I'VE HEARD THE LEGENDS 219 00:08:57,034 --> 00:08:59,102 THAT, WHEN AL CAPONE WAS HERE, 220 00:08:59,103 --> 00:09:01,102 HE USED SOME SORT OF, UH, 221 00:09:01,103 --> 00:09:04,550 ESCAPE DOOR TO ESCAPE, YOU KNOW, THE POLICE. 222 00:09:04,551 --> 00:09:06,895 YOU KNOW, IF HE WAS HERE IN THIS ROOM, 223 00:09:06,896 --> 00:09:09,067 THEN HOW WOULD HE DO THAT? 224 00:09:09,068 --> 00:09:11,136 AT THE TIME, THE HOTEL WAS OWNED BY A GENTLEMAN 225 00:09:11,137 --> 00:09:12,895 BY THE NAME OF ABRAHAM LIEBLING FROM CHICAGO. 226 00:09:12,896 --> 00:09:14,792 SO THERE WERE CHICAGO TIES. 227 00:09:14,793 --> 00:09:17,688 THEY WOULD, UH, MAKE SURE THAT THE HOTEL 228 00:09:17,689 --> 00:09:19,516 WAS SECURE FOR THEM WHEN THEY WERE HERE. 229 00:09:19,517 --> 00:09:21,205 IF THE POLICE CAME IN DOWNSTAIRS, 230 00:09:21,206 --> 00:09:22,826 THERE WAS A BUTTON EITHER AT THE FRONT DESK 231 00:09:22,827 --> 00:09:24,240 OR IN THE BELL STAND. 232 00:09:24,241 --> 00:09:25,757 SOMEBODY WOULD PUSH THE BUTTON. 233 00:09:25,758 --> 00:09:27,688 THESE DOORS WERE SPRING-LOADED. 234 00:09:27,689 --> 00:09:29,102 AND THEY WOULD AUTOMATICALLY CLOSE. 235 00:09:29,103 --> 00:09:30,136 AND THAT TOLD THE GENTLEMEN 236 00:09:30,137 --> 00:09:31,481 THAT IT WAS TIME FOR THEM TO LEAVE. 237 00:09:31,482 --> 00:09:32,895 SO IT WOULD SPRING SHUT? 238 00:09:32,896 --> 00:09:33,930 IT WOULD SPRING SHUT 239 00:09:33,931 --> 00:09:35,792 AND LOOK LIKE A WALL FROM THE OTHER SIDE. 240 00:09:35,793 --> 00:09:37,274 AND, FROM THE OUTSIDE, YOU WOULDN'T EVEN KNOW 241 00:09:37,275 --> 00:09:39,240 THAT THIS ROOM EVEN EXISTED. 242 00:09:39,241 --> 00:09:42,033 AND, OF COURSE, YOU'D NEED AN ESCAPE OUT OF THIS ROOM. 243 00:09:42,034 --> 00:09:45,412 BASICALLY, THIS WHOLE STORY STARTS FROM THIS ROOM. 244 00:09:45,413 --> 00:09:48,171 SEALING THE DOORS COULD BUY CAPONE SOME TIME. 245 00:09:48,172 --> 00:09:50,205 BUT HE STILL NEEDED AN ESCAPE ROUTE IN CASE 246 00:09:50,206 --> 00:09:52,240 THE COPS DISCOVERED THE POKER ROOM. 247 00:09:52,241 --> 00:09:53,930 SO HOW DID HE GET OUT? 248 00:09:53,931 --> 00:09:55,792 LOOKING AROUND THE ROOM, 249 00:09:55,793 --> 00:09:58,826 THERE DON'T APPEAR TO BE ANY OBVIOUS EXITS. 250 00:09:58,827 --> 00:10:02,412 BUT THEN I COME ACROSS SOMETHING PECULIAR. 251 00:10:02,413 --> 00:10:05,240 THIS PANEL IN THE WALL LOOKS LIKE A SEALED DOOR 252 00:10:05,241 --> 00:10:07,619 AND SOUNDS HOLLOW WHEN I KNOCK ON IT. 253 00:10:07,620 --> 00:10:09,240 IN, UH, 1981, THERE WAS A FIRE 254 00:10:09,241 --> 00:10:10,516 THAT BURNED OUT THE DOOR. 255 00:10:10,517 --> 00:10:12,654 SO THEY WERE NO LONGER OPERATIONAL. 256 00:10:12,655 --> 00:10:14,205 COULD CONSTRUCTION FROM THE REPAIRS 257 00:10:14,206 --> 00:10:17,102 HAVE COVERED UP AL CAPONE'S SECRET PASSAGEWAY? 258 00:10:17,103 --> 00:10:19,343 SINCE WE CAN'T JUST TEAR OPEN THE WALL, 259 00:10:19,344 --> 00:10:21,792 THERE'S ONLY ONE WAY TO FIND OUT FOR SURE. 260 00:10:21,793 --> 00:10:23,378 I'M GONNA GET SOME OF MY TECH GUYS UP HERE 261 00:10:23,379 --> 00:10:26,205 TO SCAN THE ROOM AND PIECE TOGETHER THIS MYSTERY. 262 00:10:26,206 --> 00:10:29,171 I'M BRINGING IN BRAD RISTER AND HIS TEAM OF EXPERTS 263 00:10:29,172 --> 00:10:31,412 FROM GPR ENGINEERING TO HELP ME HUNT 264 00:10:31,413 --> 00:10:33,481 FOR THE POKER ROOM'S HIDDEN SECRETS. 265 00:10:33,482 --> 00:10:34,861 - THANKS FOR COMING. - ABSOLUTELY. 266 00:10:34,862 --> 00:10:36,861 - GOOD TO SEE YOU. - GOOD TO SEE YOU. 267 00:10:36,862 --> 00:10:39,619 THE FIRST PIECE OF TECH WE'LL USE IS A LiDAR MACHINE, 268 00:10:39,620 --> 00:10:42,205 WHICH STANDS FOR LIGHT DETECTION AND RANGING. 269 00:10:42,206 --> 00:10:43,412 THIS THING IS GONNA SPIN AROUND, 270 00:10:43,413 --> 00:10:44,757 SHOOT A WHOLE BUNCH OF LASERS, 271 00:10:44,758 --> 00:10:46,550 WHICH IS GONNA GIVE US A RELIEF PICTURE OF THIS ROOM. 272 00:10:46,551 --> 00:10:48,723 SO, HOPEFULLY, IF THERE WAS A SECRET PASSAGEWAY, 273 00:10:48,724 --> 00:10:50,136 WE'LL BE ABLE TO FIND IT. 274 00:10:50,137 --> 00:10:52,067 LiDAR USES THE LIGHT FROM LASERS 275 00:10:52,068 --> 00:10:54,102 TO CREATE 3-DIMENSIONAL RENDERINGS 276 00:10:54,103 --> 00:10:56,723 THAT CAN THEN BE ANALYZED WITH PRECISION 277 00:10:56,724 --> 00:10:58,516 DOWN TO THE SMALLEST DETAILS. 278 00:10:58,517 --> 00:11:00,723 IT CAN ALSO BE USED ON A MACRO SCALE, 279 00:11:00,724 --> 00:11:02,447 LIKE IN 2015, 280 00:11:02,448 --> 00:11:04,343 WHEN AERIAL REMOTE-SENSING LiDAR 281 00:11:04,344 --> 00:11:07,343 WAS USED TO DISCOVER A MYSTERIOUS CULTURE'S LOST CITY 282 00:11:07,344 --> 00:11:09,516 IN THE HONDURAN RAINFOREST. 283 00:11:09,517 --> 00:11:10,723 TODAY, THOUGH, WE'LL USE IT 284 00:11:10,724 --> 00:11:13,274 TO SCAN CAPONE'S 2nd-FLOOR HIDEOUT, 285 00:11:13,275 --> 00:11:16,067 INCLUDING THE POKER ROOM AND HALLWAYS SURROUNDING IT, 286 00:11:16,068 --> 00:11:17,792 TO GIVE US A MORE ACCURATE PICTURE 287 00:11:17,793 --> 00:11:19,447 OF THE ENTIRE SPACE 288 00:11:19,448 --> 00:11:21,930 AND EXPOSE ANY ANOMALIES UNDER FLOORS 289 00:11:21,931 --> 00:11:23,861 AND BEHIND WALLS THAT COULD UNCOVER 290 00:11:23,862 --> 00:11:26,550 REMNANTS OF CAPONE'S HIDDEN STAIRCASE. 291 00:11:26,551 --> 00:11:27,895 LET'S TURN IT ON AND RUN IT. 292 00:11:27,896 --> 00:11:29,895 THE LASERS FROM THE LiDAR COULD DAMAGE OUR CAMERAS. 293 00:11:29,896 --> 00:11:32,895 SO WE CAN'T FILM THE PROCESS. 294 00:11:32,896 --> 00:11:37,585 BUT I CAN'T WAIT TO SEE WHAT THE DATA REVEALS. 295 00:11:37,586 --> 00:11:38,930 OKAY. SO I HAVE OUR RESULTS 296 00:11:38,931 --> 00:11:41,309 OF OUR LiDAR TEST RIGHT HERE. 297 00:11:41,310 --> 00:11:44,067 WE'LL SEE IF WE CAN FIND ANY ANOMALIES. 298 00:11:44,068 --> 00:11:47,481 THE DATA GIVES ME A 3-D MODEL OF THE ENTIRE ROOM. 299 00:11:47,482 --> 00:11:50,412 OKAY, SO HERE'S THE ENTRANCE TO THE POKER ROOM. 300 00:11:50,413 --> 00:11:53,378 THE TABLE, CHANDELIER AND EVEN THE CARPET PATTERN 301 00:11:53,379 --> 00:11:54,861 ARE CLEAR AS DAY. 302 00:11:54,862 --> 00:11:56,895 ANYTHING THAT'S STRANGE OR OUT OF PLACE 303 00:11:56,896 --> 00:11:59,343 WILL SHOW UP IN THE LiDAR IMAGE. 304 00:11:59,344 --> 00:12:01,585 AND WHAT I'M MOST INTERESTED IN IS THE AREA 305 00:12:01,586 --> 00:12:03,793 NEAR THAT SEALED DOOR I FOUND. 306 00:12:07,827 --> 00:12:10,481 OH, WOW. LOOK AT THAT. 307 00:12:10,482 --> 00:12:12,067 IF YOU LOOK AT THIS, YEAH, 308 00:12:12,068 --> 00:12:13,930 RIGHT HERE BEHIND THE POKER ROOM, 309 00:12:13,931 --> 00:12:17,136 THERE'S A LITTLE INDENTATION IN THE FLOOR, 310 00:12:17,137 --> 00:12:20,067 LIKE SOMEBODY WAS TRYING TO COVER SOMETHING UP OR, 311 00:12:20,068 --> 00:12:22,895 UM, MAYBE FILL SOMETHING IN. 312 00:12:22,896 --> 00:12:24,792 ESSENTIALLY, WHAT IT'S DOING IS IT'S ALLOWING US 313 00:12:24,793 --> 00:12:28,274 TO NOW PINPOINT OUR INVESTIGATION RIGHT HERE. 314 00:12:28,275 --> 00:12:29,861 SO WHAT I'LL DO IS I'LL GRAB BRAD. 315 00:12:29,862 --> 00:12:33,102 I'LL GRAB THE GUYS. WE'LL SCAN THIS AREA 316 00:12:33,103 --> 00:12:35,379 AND SEE IF THERE'S ANY HIDDEN SECRETS BELOW. 317 00:12:37,724 --> 00:12:39,999 THE LiDAR REVEALED EXACTLY 318 00:12:40,000 --> 00:12:41,343 WHERE I NEED TO SEARCH FOR EVIDENCE 319 00:12:41,344 --> 00:12:43,516 OF CAPONE'S HIDDEN ESCAPE HATCH, 320 00:12:43,517 --> 00:12:46,757 MOST LIKELY A SMALL STAIRCASE LEADING DOWN. 321 00:12:46,758 --> 00:12:49,274 THERE IS AN INDENTATION HERE. 322 00:12:49,275 --> 00:12:52,826 THE NEXT STEP IS TO DETERMINE WHAT LIES BENEATH IT 323 00:12:52,827 --> 00:12:54,930 BY USING GROUND-PENETRATING RADAR. 324 00:12:54,931 --> 00:12:57,965 I'M GONNA RUN A VERTICAL STRIPE FROM HERE OVER. 325 00:13:02,206 --> 00:13:04,895 HOLY CRAP! 326 00:13:04,896 --> 00:13:06,585 COULD THAT BE A STAIR? 327 00:13:06,586 --> 00:13:09,033 YOU DO HAVE SOME TYPE OF ANOMALY DOWN HERE, 328 00:13:09,034 --> 00:13:11,481 UH, ABOUT 7 1/2 INCHES. 329 00:13:11,482 --> 00:13:14,447 OUR GPR DATA HAS REVEALED SOME CURIOUS IRREGULARITIES 330 00:13:14,448 --> 00:13:16,757 IN THE MATERIALS BENEATH THIS FLOOR. 331 00:13:16,758 --> 00:13:19,067 THEY COULD'VE REMODELED AND COVERED THIS BACK OVER. 332 00:13:19,068 --> 00:13:19,964 WHAT I INTERPRET OUT OF THE DATA 333 00:13:19,965 --> 00:13:21,240 THAT YOU JUST SCANNED, 334 00:13:21,241 --> 00:13:23,999 THAT THE FLOOR IS DISCONTINUOUS ON HOW IT'S BUILT. 335 00:13:24,000 --> 00:13:27,964 SO, IF IT WAS BUILT ORIGINAL AT A CERTAIN THICKNESS, 336 00:13:27,965 --> 00:13:30,171 THEN ALL THIS DATA WOULD LOOK THE SAME. 337 00:13:30,172 --> 00:13:34,688 IT'S GOT MULTIPLE LAYERS OF SOME TYPE OF MATERIAL. 338 00:13:34,689 --> 00:13:36,550 SO YOU CAN'T TELL IF THERE'S A STAIRCASE. 339 00:13:36,551 --> 00:13:38,516 BUT YOU CAN TELL THAT THIS PROBABLY 340 00:13:38,517 --> 00:13:39,723 WAS NOT THE ORIGINAL FLOOR. 341 00:13:39,724 --> 00:13:42,240 THAT'S NOT THE ORIGINAL FLOOR, RIGHT. 342 00:13:42,241 --> 00:13:44,136 IT SEEMS CLEAR THAT, AT SOME POINT, 343 00:13:44,137 --> 00:13:46,999 THIS PART OF THE HOTEL WAS RECONSTRUCTED, 344 00:13:47,000 --> 00:13:51,136 PERHAPS INADVERTENTLY COVERING UP CAPONE'S INFAMOUS TRACKS. 345 00:13:51,137 --> 00:13:53,205 WHEN IT CAME TO THE ART OF ELUDING CAPTURE, 346 00:13:53,206 --> 00:13:55,654 BIG AL WAS THE BEST IN THE BUSINESS. 347 00:13:55,655 --> 00:13:57,895 AT THE FAMOUS GREEN MILL COCKTAIL LOUNGE 348 00:13:57,896 --> 00:13:59,136 BACK IN HIS NATIVE CHICAGO, 349 00:13:59,137 --> 00:14:00,999 HE HAD A REGULAR BOOTH WITH CLEAR VIEWS 350 00:14:01,000 --> 00:14:03,619 OF BOTH THE FRONT AND BACK ENTRANCES. 351 00:14:03,620 --> 00:14:05,481 IT WAS SAID THAT, WHEN COPS RAIDED THE JOINT, 352 00:14:05,482 --> 00:14:08,447 CAPONE DISAPPEARED DOWN A SECRET HATCH BEHIND THE BAR 353 00:14:08,448 --> 00:14:11,240 THAT LED TO A NETWORK OF OLD COAL TUNNELS BELOW. 354 00:14:11,241 --> 00:14:13,619 FROM THERE, HE COULD SLIP INTO VARIOUS BUILDINGS 355 00:14:13,620 --> 00:14:15,102 CONNECTED TO THE TUNNELS 356 00:14:15,103 --> 00:14:17,586 AND STAY ONE STEP AHEAD OF THE POLICE. 357 00:14:19,586 --> 00:14:22,136 IT MAY SOUND LIKE THE STUFF OF HOLLYWOOD MOVIES. 358 00:14:22,137 --> 00:14:24,102 BUT CRAFTY CRIMINALS HAVE BEEN USING TUNNELS 359 00:14:24,103 --> 00:14:27,792 TO ESCAPE AS LONG AS AUTHORITIES HAVE BEEN CHASING THEM. 360 00:14:27,793 --> 00:14:30,412 SINCE ANCIENT TIMES, CATACOMBS IN ROME 361 00:14:30,413 --> 00:14:32,447 AND PARIS HAVE OFFERED OUTLAWS 362 00:14:32,448 --> 00:14:35,137 AND REBELS AN EASY REFUGE FROM THE LAW. 363 00:14:37,758 --> 00:14:39,171 AND, EVEN IN OUR TIME, 364 00:14:39,172 --> 00:14:42,205 INFAMOUS MEXICAN DRUG LORD "EL CHAPO" GUZMáN 365 00:14:42,206 --> 00:14:44,205 TOOK A PAGE FROM CAPONE'S PLAYBOOK 366 00:14:44,206 --> 00:14:46,378 WHEN HE CONSTRUCTED SEVEN SAFE HOUSES 367 00:14:46,379 --> 00:14:49,171 IN THE MEXICAN CITY OF CULIACáN. 368 00:14:49,172 --> 00:14:51,792 LOOKS LIKE A BATHTUB, RIGHT? CHECK THIS OUT. 369 00:14:51,793 --> 00:14:54,481 EACH MODEST-LOOKING HOME HAD A BATHTUB EQUIPPED 370 00:14:54,482 --> 00:14:55,895 WITH A SECRET TUNNEL BELOW IT. 371 00:14:55,896 --> 00:14:58,688 THE TUNNELS WOULD LINK UP WITH THE PUBLIC SEWAGE SYSTEM, 372 00:14:58,689 --> 00:15:01,447 WHERE GUZMáN COULD TRUDGE THROUGH UNDERGROUND SLUDGE 373 00:15:01,448 --> 00:15:02,930 FOR UPWARDS OF 2 MILES 374 00:15:02,931 --> 00:15:05,102 BEFORE RESURFACING UNDER A BATHTUB 375 00:15:05,103 --> 00:15:07,171 IN A DIFFERENT SAFE HOUSE, 376 00:15:07,172 --> 00:15:10,102 EFFECTIVELY ALLOWING HIM TO ELUDE POLICE FOR YEARS. 377 00:15:10,103 --> 00:15:13,378 IN 2013, THE CHICAGO CRIME COMMISSION NAMED 378 00:15:13,379 --> 00:15:16,171 GUZMáN PUBLIC ENEMY NUMBER ONE. 379 00:15:16,172 --> 00:15:17,757 AND THE FIRST PERSON EVER TO RECEIVE 380 00:15:17,758 --> 00:15:21,102 THAT TITLE, AL CAPONE. 381 00:15:21,103 --> 00:15:23,274 THIS SECTION OF THIS ROOM 382 00:15:23,275 --> 00:15:24,999 VERY WELL COULD'VE BEEN THE STAIRWAY. 383 00:15:25,000 --> 00:15:27,619 THIS IS A HUGE DISCOVERY BECAUSE THIS COULD BE 384 00:15:27,620 --> 00:15:29,861 THE HIDDEN PASSAGEWAY OF AL CAPONE. 385 00:15:29,862 --> 00:15:31,447 NOBODY HAS ACTUALLY COME IN 386 00:15:31,448 --> 00:15:32,826 AND DETECTED THESE ANOMALIES YET. 387 00:15:32,827 --> 00:15:33,964 - MM-HMM. - THERE-- THERE'S RUMORS 388 00:15:33,965 --> 00:15:35,516 THAT THESE EXISTED. 389 00:15:35,517 --> 00:15:37,964 WE KNOW NOW THAT THE FLOOR IS DIFFERENT HERE. 390 00:15:37,965 --> 00:15:40,171 HE HAD TO HAVE FOUND A WAY TO GET TO THE BASEMENT. 391 00:15:40,172 --> 00:15:42,895 WE HAVE TO FIGURE OUT WHAT'S BELOW THIS... 392 00:15:42,896 --> 00:15:43,999 MM-HMM. 393 00:15:44,000 --> 00:15:45,516 ...AND KIND OF DO IT ALL IN REVERSE... 394 00:15:45,517 --> 00:15:47,516 - AND WORK IT BACKWARDS, SURE. - ...AND WORK IT BACKWARDS. 395 00:15:47,517 --> 00:15:50,343 NOW I WANT TO TRACE THIS SHAFT DOWN INTO THE BASEMENT. 396 00:15:50,344 --> 00:15:53,274 SO I ASK SEELBACH HISTORIAN LARRY JOHNSON TO SHOW ME 397 00:15:53,275 --> 00:15:55,723 WHAT'S DIRECTLY UNDER THE POKER ROOM. 398 00:15:55,724 --> 00:15:57,757 TWO FLIGHTS STRAIGHT DOWN LIES 399 00:15:57,758 --> 00:15:59,274 ONE OF THE MOST ICONIC ROOMS 400 00:15:59,275 --> 00:16:01,205 IN THE SEELBACH AND ONE THAT CAPONE 401 00:16:01,206 --> 00:16:03,964 AND HIS CRONIES WOULD'VE KNOWN QUITE WELL. 402 00:16:03,965 --> 00:16:07,136 HOLY MOLY! 403 00:16:07,137 --> 00:16:08,412 THIS IS AN AWESOME ROOM. 404 00:16:08,413 --> 00:16:10,067 THIS IS THE RATHSKELLER. 405 00:16:10,068 --> 00:16:12,723 FUN FACT, "RATHSKELLER" IS A GERMAN WORD 406 00:16:12,724 --> 00:16:15,309 FOR A SUBTERRANEAN BEER HALL. 407 00:16:15,310 --> 00:16:16,550 F. SCOTT FITZGERALD WAS ACTUALLY 408 00:16:16,551 --> 00:16:18,067 KICKED OUT OF THE ROOM FOR BEING A DRUNK. 409 00:16:18,068 --> 00:16:20,343 AND, ON ONE OCCASION, HE WAS SITTING AT THE BAR. 410 00:16:20,344 --> 00:16:22,930 AND HE SPOTTED AL CAPONE AND GEORGE REMUS. 411 00:16:22,931 --> 00:16:25,240 AND THAT'S WHERE HE STARTED WRITING "THE GREAT GATSBY." 412 00:16:25,241 --> 00:16:26,757 - OH, REALLY? - HE'D WRITE DOWN NOTES 413 00:16:26,758 --> 00:16:29,309 ON COCKTAIL NAPKINS ABOUT HOW THE PEOPLE REACTED. 414 00:16:29,310 --> 00:16:32,274 SO AL CAPONE WOULD'VE COME DOWN THROUGH HERE, IN THEORY? 415 00:16:32,275 --> 00:16:35,205 YES. 416 00:16:35,206 --> 00:16:37,343 OUR PURSUIT OF CAPONE'S ESCAPE ROUTE 417 00:16:37,344 --> 00:16:39,309 TAKES US INTO AN OLD WINE CELLAR 418 00:16:39,310 --> 00:16:40,654 WHICH LINES UP EXACTLY 419 00:16:40,655 --> 00:16:42,516 WITH THE STAIRCASE SHAFT WE DETECTED. 420 00:16:42,517 --> 00:16:45,102 SO, RIGHT NOW, WE'RE UNDERNEATH THE POKER ROOM? 421 00:16:45,103 --> 00:16:48,205 WE'RE ACTUALLY 1 1/2 FLOORS UNDERGROUND. 422 00:16:48,206 --> 00:16:49,826 AND THE POKER ROOM IS STRAIGHT UP 423 00:16:49,827 --> 00:16:51,172 FROM THIS SHAFT RIGHT HERE. 424 00:17:01,000 --> 00:17:03,792 HOLY CRAP. 425 00:17:03,793 --> 00:17:07,240 LARRY, HAVE YOU SEEN THIS? IF YOU LOOK RIGHT HERE, 426 00:17:07,241 --> 00:17:09,205 YOU CAN SEE THE WOOD STEPS ON THE BOTTOM... 427 00:17:09,206 --> 00:17:11,033 - OH, YEAH. - ...AND RIGHT THERE. 428 00:17:11,034 --> 00:17:13,274 AND THERE'S, LIKE, A LITTLE BIT OF A COVE 429 00:17:13,275 --> 00:17:14,585 KIND OF DUG OUT. 430 00:17:14,586 --> 00:17:16,757 HERE WAS THE OLD MATERIAL. THAT'S UNDERNEATH THE STAIRS. 431 00:17:16,758 --> 00:17:18,585 - YEAH. - SO THAT WOULDN'T HAVE BEEN 432 00:17:18,586 --> 00:17:19,999 WHERE THE STAIRCASE WOULD'VE BEEN. 433 00:17:20,000 --> 00:17:22,654 IT WOULD'VE HAD TO HAVE BEEN FROM ABOUT THERE OVER, 434 00:17:22,655 --> 00:17:24,412 WHICH MEANS THAT IT WOULD'VE ONLY BEEN ABOUT THAT WIDE. 435 00:17:24,413 --> 00:17:25,516 YEAH. 436 00:17:25,517 --> 00:17:27,447 IT WOULD'VE BEEN A VERY NARROW STAIRCASE. 437 00:17:27,448 --> 00:17:29,723 WAS THAT BEFORE YOU WERE HERE? DID YOU EVER SEE THE STAIRS? 438 00:17:29,724 --> 00:17:30,999 I NEVER SAW THE STAIRS. 439 00:17:31,000 --> 00:17:32,378 THIS IS THE FIRST TIME I'VE BEEN IN THIS ROOM. 440 00:17:32,379 --> 00:17:34,999 IT'S LIKE WE'RE FIGURING OUT THIS MYSTERY AS WE GO. 441 00:17:35,000 --> 00:17:37,378 - YEAH, AS WE GO. - OH, WOW, LOOK AT THAT. 442 00:17:37,379 --> 00:17:39,999 HAVE YOU-- DID YOU NOTICE THAT? 443 00:17:40,000 --> 00:17:42,619 I'VE NEVER SEEN THAT HOLE BEFORE. 444 00:17:42,620 --> 00:17:43,826 WHOA! 445 00:17:43,827 --> 00:17:45,275 LET ME CRAWL UP THERE A LITTLE BIT. 446 00:17:52,482 --> 00:17:54,516 WE'RE IN THE SEELBACH HOTEL IN LOUISVILLE, KENTUCKY, 447 00:17:54,517 --> 00:17:56,033 ON THE TRAIL OF WHAT MAY HAVE BEEN 448 00:17:56,034 --> 00:17:58,757 AL CAPONE'S LEGENDARY ESCAPE ROUTE, 449 00:17:58,758 --> 00:18:01,309 A VERTICAL SHAFT FROM THE 2nd-FLOOR POKER ROOM 450 00:18:01,310 --> 00:18:03,102 INTO THE SUB-BASEMENT. 451 00:18:03,103 --> 00:18:04,619 THERE'S, LIKE, A LITTLE GAP. 452 00:18:04,620 --> 00:18:06,516 IT'S NOT VERY BIG, MAYBE 2 FEET. 453 00:18:06,517 --> 00:18:07,930 I THINK YOU COULD SQUEEZE THROUGH IT, THOUGH. 454 00:18:07,931 --> 00:18:09,861 THIS IS FRICKING COOL. 455 00:18:09,862 --> 00:18:11,964 I'M GONNA TAKE THE GoPro, PUT IT UP THERE 456 00:18:11,965 --> 00:18:13,964 SO YOU GUYS CAN SEE WHAT IT LOOKS LIKE. 457 00:18:13,965 --> 00:18:15,723 UH, ALL RIGHT. 458 00:18:15,724 --> 00:18:18,723 WE'RE GOING UP INSIDE-- 459 00:18:18,724 --> 00:18:21,654 INSIDE THE CEILING FROM THE DOWNSTAIRS, 460 00:18:21,655 --> 00:18:24,033 UP, UP, UP, UP, UP, UP. 461 00:18:24,034 --> 00:18:26,516 AND THERE WE GO. IT'S A SUPER TIGHT GAP. 462 00:18:26,517 --> 00:18:28,516 AL CAPONE WAS NO FEATHERWEIGHT. 463 00:18:28,517 --> 00:18:30,930 HE WAS SAID TO STAND AROUND 5'10" 464 00:18:30,931 --> 00:18:33,171 AND WEIGH AS MUCH AS 250 POUNDS. 465 00:18:33,172 --> 00:18:34,930 IT WOULD'VE BEEN ESPECIALLY TIGHT 466 00:18:34,931 --> 00:18:36,585 FOR SOMEONE THE SIZE OF CAPONE. 467 00:18:36,586 --> 00:18:39,136 BUT IT'S POSSIBLE HE COULD'VE SQUEEZED THROUGH HERE. 468 00:18:39,137 --> 00:18:42,550 WE'VE GOT THE STAIRS RIGHT THERE AND THIS-- 469 00:18:42,551 --> 00:18:44,102 THIS IS THE WALL ON THE OTHER SIDE. 470 00:18:44,103 --> 00:18:47,550 SO WE'RE TALKING MAYBE 2 FEET IN BETWEEN. 471 00:18:47,551 --> 00:18:49,757 BUT I THINK A STAIRCASE COULD'VE BEEN IN THERE. 472 00:18:49,758 --> 00:18:52,861 WHAT I'M LOOKING FOR IS SOME SORT OF SIGNS OF A FIRE. 473 00:18:52,862 --> 00:18:54,481 THAT-- THAT BLACK RIGHT THERE, 474 00:18:54,482 --> 00:18:56,412 THAT LOOKS PRETTY PROMISING TO ME. 475 00:18:56,413 --> 00:19:00,240 IN 1981, A FIRE DESTROYED THIS SECTION OF THE SEELBACH. 476 00:19:00,241 --> 00:19:02,964 SO, IF THERE REALLY WAS A STAIRCASE HERE, 477 00:19:02,965 --> 00:19:04,654 IT WOULD'VE GONE UP IN FLAMES. 478 00:19:04,655 --> 00:19:07,343 BUT THE SHAFT ITSELF PREDATES THE FIRE. 479 00:19:07,344 --> 00:19:09,826 COME HERE AND LOOK AT THIS. 480 00:19:09,827 --> 00:19:11,792 OKAY. THAT'S WHAT WE'RE TALKING ABOUT. 481 00:19:11,793 --> 00:19:14,585 ALL THAT'S BEEN REDONE. YOU SEE THAT BLACK THERE? 482 00:19:14,586 --> 00:19:16,619 THAT COULD'VE BEEN FROM THE OLD FIRE. 483 00:19:16,620 --> 00:19:19,240 THERE IS NO EVIDENCE OF A STAIRCASE ANYMORE 484 00:19:19,241 --> 00:19:22,205 EXCEPT FOR A FEW PIECES OF WOOD 485 00:19:22,206 --> 00:19:24,964 THAT I'VE DISCOVERED. 486 00:19:24,965 --> 00:19:26,274 THIS IS EXCITING. 487 00:19:26,275 --> 00:19:28,585 THE BURNED WOOD IS COMPELLING EVIDENCE 488 00:19:28,586 --> 00:19:30,688 THAT A WOODEN STRUCTURE, QUITE POSSIBLY 489 00:19:30,689 --> 00:19:33,274 A WORKING STAIRCASE, ONCE EXISTED HERE. 490 00:19:33,275 --> 00:19:36,619 CAPONE COULD CONCEIVABLY HAVE USED IT TO SLIP DOWN HERE 491 00:19:36,620 --> 00:19:38,930 FROM THE POKER ROOM WITHOUT BEING SEEN. 492 00:19:38,931 --> 00:19:40,826 THESE SECRET STAIRS WOULD'VE LED HIM 493 00:19:40,827 --> 00:19:42,895 ALMOST DIRECTLY TO THE RATHSKELLER, 494 00:19:42,896 --> 00:19:44,723 WHERE HE COULD'VE QUICKLY MADE HIS WAY DOWN 495 00:19:44,724 --> 00:19:47,033 TO THE SUB-BASEMENT AND, FROM THERE, 496 00:19:47,034 --> 00:19:49,205 INTO THE TUNNEL SYSTEM I SAW EARLIER, 497 00:19:49,206 --> 00:19:52,033 WHERE HE'D HAVE HIS CHOICE OF TWO EXIT PATHS LEADING 498 00:19:52,034 --> 00:19:53,585 TO OTHER PARTS OF THE CITY. 499 00:19:53,586 --> 00:19:56,309 THIS HIDDEN ESCAPE ROUTE WOULD'VE ALLOWED CAPONE 500 00:19:56,310 --> 00:19:58,688 TO MOVE FREELY UNDERNEATH LOUISVILLE, 501 00:19:58,689 --> 00:20:00,550 ELUDE CAPTURE FOR YEARS 502 00:20:00,551 --> 00:20:02,861 AND ENABLE HIS ILLEGAL EMPIRE, 503 00:20:02,862 --> 00:20:04,826 WORTH BILLIONS IN TODAY'S MONEY, 504 00:20:04,827 --> 00:20:08,274 TO FLOURISH FOR SO LONG. 505 00:20:08,275 --> 00:20:10,930 SO IT SEEMS THE PARTY CROWD OF THE PROHIBITION ERA 506 00:20:10,931 --> 00:20:12,274 OWES A DEBT OF GRATITUDE 507 00:20:12,275 --> 00:20:16,343 TO THE SEELBACH AND ITS HIDDEN SECRETS. 508 00:20:16,344 --> 00:20:20,585 NOW, FROM THE URBAN UNDERBELLY OF THE HEARTLAND, 509 00:20:20,586 --> 00:20:24,826 I'M HEADING TO THE WILD EXPANSE OF THE WEST COAST. 510 00:20:24,827 --> 00:20:26,792 JUST OUTSIDE OLYMPIA, WASHINGTON, SITS 511 00:20:26,793 --> 00:20:29,413 AN ALMOST OTHERWORLDLY SITE... 512 00:20:31,724 --> 00:20:34,550 ...A SPRAWLING PLAIN COVERED BY ROUNDED, 513 00:20:34,551 --> 00:20:39,309 EARTHEN MOUNDS THAT STRETCH FOR 10,000 ACRES. 514 00:20:39,310 --> 00:20:43,585 SOME OF THE MOUNDS STAND OVER 7 FEET TALL. 515 00:20:43,586 --> 00:20:46,412 THESE ARE THE MIMA MOUNDS. 516 00:20:46,413 --> 00:20:49,550 I HAVE NEVER SEEN ANYTHING LIKE THIS. 517 00:20:49,551 --> 00:20:51,033 IN ALL DIRECTIONS, 518 00:20:51,034 --> 00:20:52,757 AS FAR AS THE EYE CAN SEE, 519 00:20:52,758 --> 00:20:56,585 ARE THESE HUGE, HUGE MOUNDS. 520 00:20:56,586 --> 00:20:57,861 ARE THEY MAN-MADE, 521 00:20:57,862 --> 00:21:00,861 SOME SORT OF OBSCURE GEOLOGICAL PHENOMENON 522 00:21:00,862 --> 00:21:04,412 OR SOMETHING EVEN MORE SURPRISING? 523 00:21:04,413 --> 00:21:07,550 SO FAR, NO ONE HAS COME UP WITH A DEFINITIVE ANSWER. 524 00:21:07,551 --> 00:21:08,861 THESE MOUNDS ARE ONE OF THE GREATEST 525 00:21:08,862 --> 00:21:12,309 UNSOLVED MYSTERIES IN ALL OF AMERICAN GEOLOGY. 526 00:21:12,310 --> 00:21:14,034 SO I WANT TO FIGURE OUT WHAT'S GOING ON. 527 00:21:16,655 --> 00:21:19,412 THIS MYSTERIOUS LANDSCAPE IS SO BIZARRE 528 00:21:19,413 --> 00:21:23,930 THAT SOME HAVE EVEN SUGGESTED IT WAS SHAPED BY ANCIENT ALIENS. 529 00:21:23,931 --> 00:21:26,102 THAT MIGHT BE A STRETCH. 530 00:21:26,103 --> 00:21:29,999 BUT HOW ABOUT OTHER SENTIENT BEINGS? 531 00:21:30,000 --> 00:21:31,964 WHEN EARLY EXPLORERS FIRST HAPPENED 532 00:21:31,965 --> 00:21:34,171 UPON THIS SPOT IN 1841, 533 00:21:34,172 --> 00:21:35,378 THEY BELIEVED THE HILLS 534 00:21:35,379 --> 00:21:37,585 WERE ANCIENT NATIVE AMERICAN BURIAL MOUNDS 535 00:21:37,586 --> 00:21:40,619 BECAUSE THEY LOOKED SIMILAR TO OTHERS FOUND ACROSS THE COUNTRY, 536 00:21:40,620 --> 00:21:44,309 JUST ON A MUCH WIDER SCALE. 537 00:21:44,310 --> 00:21:45,964 WHEN THE ADVENTURERS DUG INTO THEM, 538 00:21:45,965 --> 00:21:48,792 THOUGH, THEY FOUND NO BONES OR OTHER RELICS. 539 00:21:48,793 --> 00:21:52,171 SO THE MOUNDS DON'T APPEAR TO BE GRAVE SITES. 540 00:21:52,172 --> 00:21:55,586 BUT COULD THEY BE SOME OTHER KIND OF HUMAN CONSTRUCTION? 541 00:21:59,793 --> 00:22:02,343 WALKING UP, DOWN AND AROUND THESE HILLS, 542 00:22:02,344 --> 00:22:04,861 THEY CERTAINLY REMIND ME OF MAN-MADE EARTHWORKS 543 00:22:04,862 --> 00:22:08,757 I'VE SEEN BEFORE, 544 00:22:08,758 --> 00:22:10,757 LIKE THE CAHOKIA MOUNDS IN ILLINOIS, 545 00:22:10,758 --> 00:22:13,654 WHICH WERE PART OF A THRIVING ANCIENT CITY COMPLETE 546 00:22:13,655 --> 00:22:16,792 WITH A TOWERING CENTRAL PLAZA 547 00:22:16,793 --> 00:22:18,309 OR THE REMNANTS OF RIDGES 548 00:22:18,310 --> 00:22:21,102 AND HILLS THAT MARK PREHISTORIC SETTLEMENTS AT WATSON BRAKE 549 00:22:21,103 --> 00:22:23,757 AND POVERTY POINT IN LOUISIANA 550 00:22:23,758 --> 00:22:26,205 OR EFFIGY MOUNDS SCATTERED AROUND THE COUNTRY, 551 00:22:26,206 --> 00:22:28,481 SOME OF WHICH HELPED CHART THE ALIGNMENT OF PLANETS 552 00:22:28,482 --> 00:22:31,205 AND STARS THAT WERE IMPORTANT TO THE BUILDERS. 553 00:22:31,206 --> 00:22:33,757 SO COULD THERE BE SOME OTHER CEREMONIAL 554 00:22:33,758 --> 00:22:36,240 OR PRACTICAL PURPOSE TO THE MIMA MOUNDS 555 00:22:36,241 --> 00:22:39,792 BEYOND SIMPLE BURIAL SITES? 556 00:22:39,793 --> 00:22:41,585 ARCHAEOLOGICAL EVIDENCE SUGGESTS 557 00:22:41,586 --> 00:22:42,999 THAT HUMANS HAVE BEEN IN THIS AREA 558 00:22:43,000 --> 00:22:46,481 FOR ALMOST 13,000 YEARS. 559 00:22:46,482 --> 00:22:48,205 SO I THINK THAT IF I CAN FIND EVIDENCE 560 00:22:48,206 --> 00:22:50,999 OF SOME CLEAR PATTERN TO THE MOUND PLACEMENT, 561 00:22:51,000 --> 00:22:53,344 THAT COULD SUGGEST THEY'RE MAN-MADE. 562 00:23:00,068 --> 00:23:01,757 IT'S NEARLY IMPOSSIBLE TO SEE 563 00:23:01,758 --> 00:23:03,171 IF THERE'S AN OVERARCHING PATTERN 564 00:23:03,172 --> 00:23:05,550 FROM DOWN HERE ON THE GROUND. 565 00:23:05,551 --> 00:23:09,171 SO WHAT I REALLY NEED IS A BIRD'S-EYE VIEW. 566 00:23:09,172 --> 00:23:13,516 AND THE ONLY WAY TO DO THAT IS TO BREAK OUT MY DRONE. 567 00:23:13,517 --> 00:23:15,896 OKAY, HERE WE GO. 568 00:23:21,793 --> 00:23:24,481 AS THE DRONE SOARS INTO THE SKY ABOVE, 569 00:23:24,482 --> 00:23:26,412 IMAGES START TO COME IN. 570 00:23:26,413 --> 00:23:29,619 AND, AT FIRST GLANCE, THE MOUNDS APPEAR VERY ORDERLY. 571 00:23:29,620 --> 00:23:31,619 YOU KNOW, AS I'M LOOKING AT THIS, 572 00:23:31,620 --> 00:23:34,516 IT LOOKS VERY SYMMETRICAL TO ME. 573 00:23:34,517 --> 00:23:36,481 I ALMOST THINK I'M SEEING A PATTERN. 574 00:23:36,482 --> 00:23:37,792 COULD THIS BE THE EVIDENCE 575 00:23:37,793 --> 00:23:40,067 OF HUMAN INVOLVEMENT I'M LOOKING FOR? 576 00:23:40,068 --> 00:23:42,827 WHOA, LOOK AT THAT! 577 00:23:50,517 --> 00:23:51,654 I'M TRYING TO SOLVE 578 00:23:51,655 --> 00:23:53,309 THE ENDURING MYSTERY OF THE MIMA MOUNDS, 579 00:23:53,310 --> 00:23:55,171 A BIZARRE LANDSCAPE THAT REMINDS ME 580 00:23:55,172 --> 00:23:56,516 OF OTHER MAN-MADE EARTHWORKS 581 00:23:56,517 --> 00:23:58,136 I'VE SEEN AROUND THE COUNTRY 582 00:23:58,137 --> 00:24:01,171 BUT ON A MUCH MORE MIND-BOGGLING SCALE. 583 00:24:01,172 --> 00:24:03,447 SO I'VE LAUNCHED A DRONE TO SEE IF I CAN MAKE OUT 584 00:24:03,448 --> 00:24:05,516 ANY EVIDENCE OF UNNATURAL SHAPES 585 00:24:05,517 --> 00:24:06,999 OR INTENTIONAL PATTERNS 586 00:24:07,000 --> 00:24:11,240 THAT WOULD SUGGEST HUMAN INVOLVEMENT. 587 00:24:11,241 --> 00:24:14,067 AND I MAY BE ONTO SOMETHING. 588 00:24:14,068 --> 00:24:15,757 I ALMOST THINK I'M SEEING A PATTERN. 589 00:24:15,758 --> 00:24:18,274 I MEAN, YOU CAN SEE ALL THESE LITTLE MOUNDS. 590 00:24:18,275 --> 00:24:21,654 AND THEY LOOK SOMEWHAT EVEN. OR DO THEY? 591 00:24:21,655 --> 00:24:23,102 IS IT JUST THAT MY BRAIN 592 00:24:23,103 --> 00:24:26,102 WANTS TO SEE A PATTERN EVEN IF NONE EXISTS? 593 00:24:26,103 --> 00:24:28,585 THAT'S ACTUALLY A PSYCHOLOGICAL PHENOMENON 594 00:24:28,586 --> 00:24:31,550 CALLED PAREIDOLIA. 595 00:24:31,551 --> 00:24:35,033 OUR BRAINS ARE WIRED TO DETECT HUMAN FACES FROM BIRTH 596 00:24:35,034 --> 00:24:36,792 AND TO MAKE SENSE OF THE VISUAL INFORMATION 597 00:24:36,793 --> 00:24:38,412 IN FRONT OF US. 598 00:24:38,413 --> 00:24:40,826 SO, BECAUSE OF THAT, WE SOMETIMES SEE FACES 599 00:24:40,827 --> 00:24:44,619 OR DISTINCT SHAPES IN INANIMATE OBJECTS 600 00:24:44,620 --> 00:24:51,550 LIKE ROCKS OR PLANETS OR EVEN TOAST. 601 00:24:51,551 --> 00:24:54,171 IN FACT, THE LONGER I LOOK AT THE DRONE FOOTAGE, 602 00:24:54,172 --> 00:24:55,516 THE LESS CONVINCED I AM THAT 603 00:24:55,517 --> 00:24:57,067 THERE'S ANY PRECONCEIVED ORDER 604 00:24:57,068 --> 00:24:58,550 OR DESIGN TO THE MOUNDS. 605 00:24:58,551 --> 00:24:59,792 I FEEL LIKE MY MIND 606 00:24:59,793 --> 00:25:02,964 IS SHOWING A PATTERN TO ME THAT MAY NOT EXIST. 607 00:25:02,965 --> 00:25:05,792 I DON'T SEE ANY OF THE HALLMARKS OF MAN-MADE ORIGINS FOUND 608 00:25:05,793 --> 00:25:07,964 IN OTHER NATIVE AMERICAN MOUNDS. 609 00:25:07,965 --> 00:25:09,930 THERE'S NO REPEATING GEOMETRIC PATTERN 610 00:25:09,931 --> 00:25:11,481 OR ANIMAL SHAPES 611 00:25:11,482 --> 00:25:12,723 OR EVEN MORE THAN A COUPLE MOUNDS 612 00:25:12,724 --> 00:25:15,033 THAT LIE IN A STRAIGHT LINE. 613 00:25:15,034 --> 00:25:18,688 THE MOUNDS ARE ALSO ALL DIFFERENT SIZES. 614 00:25:18,689 --> 00:25:21,964 SO, WITHOUT CONVINCING PHYSICAL EVIDENCE TO THE CONTRARY, 615 00:25:21,965 --> 00:25:24,861 LIKE A TRAIL OF MAN-MADE ARTIFACTS IN THE VICINITY, 616 00:25:24,862 --> 00:25:26,619 I'LL HAVE TO CONSIDER OTHER THEORIES 617 00:25:26,620 --> 00:25:30,033 ABOUT THE CREATION OF THE MIMA MOUNDS. 618 00:25:30,034 --> 00:25:32,930 THE MOST LIKELY ALTERNATIVE TO HUMAN CONSTRUCTION 619 00:25:32,931 --> 00:25:35,550 WOULD BE SOME SORT OF GEOLOGICAL PROCESS. 620 00:25:35,551 --> 00:25:37,757 IN FACT, LOOKING AT THE DRONE FOOTAGE, 621 00:25:37,758 --> 00:25:42,309 IT ALMOST SEEMS LIKE SOMETHING PUSHED THE EARTH UP FROM BELOW. 622 00:25:42,310 --> 00:25:43,723 I'M WONDERING IF THE MIMA MOUNDS 623 00:25:43,724 --> 00:25:45,826 MIGHT BE AN EXTREME VERSION OF A PHENOMENON 624 00:25:45,827 --> 00:25:48,793 I'VE SEEN BEFORE CALLED A GILGAI FIELD. 625 00:25:51,310 --> 00:25:53,067 GILGAI ARE REPEATED MOUNDS 626 00:25:53,068 --> 00:25:55,585 AND DEPRESSIONS THAT FORM IN CLAY-RICH SOIL. 627 00:25:55,586 --> 00:25:57,757 CYCLES OF WET AND DRY SEASONS 628 00:25:57,758 --> 00:25:59,067 CAUSE THE GROUND TO SWELL 629 00:25:59,068 --> 00:26:01,102 AND SHRINK AS THE CLAY SUCKS UP WATER 630 00:26:01,103 --> 00:26:02,861 AND THEN DRIES OUT. 631 00:26:02,862 --> 00:26:04,205 OVER TIME, THE SUB-SOIL 632 00:26:04,206 --> 00:26:07,895 IS FORCED UPWARDS TO FORM MOUNDS. 633 00:26:07,896 --> 00:26:11,205 THE ONLY WAY TO KNOW IF THIS IS WHAT I'M SEEING AT MIMA MOUNDS 634 00:26:11,206 --> 00:26:15,102 IS TO GET A BETTER UNDERSTANDING OF THE EARTH BENEATH MY FEET. 635 00:26:15,103 --> 00:26:17,171 IF I CAN FIND CLAY PRESENT IN THE SOIL, 636 00:26:17,172 --> 00:26:20,102 THAT COULD SUGGEST THESE MOUNDS ARE GILGAI. 637 00:26:20,103 --> 00:26:23,343 SO I'M TURNING TO GEOPHYSICIST DR. MIKE FEVES 638 00:26:23,344 --> 00:26:25,757 TO HELP ME DEPLOY A POWERFUL TECHNOLOGY 639 00:26:25,758 --> 00:26:28,412 THAT SHOULD BE ABLE TO DETECT CLAY CONTENT. 640 00:26:28,413 --> 00:26:33,412 IT'S CALLED ELECTRICAL RESISTIVITY TOMOGRAPHY OR E.R.T. 641 00:26:33,413 --> 00:26:36,378 E.R.T. IS AN ADVANCED SUBSURFACE IMAGING TECHNIQUE 642 00:26:36,379 --> 00:26:39,895 THAT ALLOWS US TO SEE HUNDREDS OF FEET BELOW THE SURFACE. 643 00:26:39,896 --> 00:26:41,964 IT WORKS BY INJECTING ELECTRICAL CURRENT 644 00:26:41,965 --> 00:26:43,102 INTO THE GROUND 645 00:26:43,103 --> 00:26:45,378 BETWEEN TWO ELECTRODES AT A TIME. 646 00:26:45,379 --> 00:26:47,826 ADDITIONAL ELECTRODES THEN MEASURE HOW EASILY 647 00:26:47,827 --> 00:26:50,516 THAT CURRENT IS FLOWING THROUGH WHATEVER LIES BELOW. 648 00:26:50,517 --> 00:26:53,619 SINCE THE CONDUCTIVITY OF VARIOUS MATERIALS IS DIFFERENT, 649 00:26:53,620 --> 00:26:56,102 E.R.T. CAN DETERMINE SPECIFIC SOIL ELEMENTS, 650 00:26:56,103 --> 00:26:57,619 FIND WATER TABLES 651 00:26:57,620 --> 00:27:00,930 AND EVEN LOCATE VOIDS IN THE SUBSURFACE. 652 00:27:00,931 --> 00:27:03,792 E.R.T. MADE HEADLINES IN 2016 653 00:27:03,793 --> 00:27:06,826 WHEN IT WAS USED TO UNCOVER A SECRET TUNNEL DUG BY JEWS 654 00:27:06,827 --> 00:27:11,240 ATTEMPTING TO FLEE A NAZI EXECUTION SITE IN LITHUANIA. 655 00:27:11,241 --> 00:27:13,792 AND IT'S A GREAT TOOL FOR OUR INVESTIGATION 656 00:27:13,793 --> 00:27:17,757 INTO WHETHER THE MIMA MOUNDS COULD BE GILGAI. 657 00:27:17,758 --> 00:27:20,412 SINCE CLAY MATERIALS ARE HIGHLY CONDUCTIVE, 658 00:27:20,413 --> 00:27:22,654 SOIL WITH CLAY CONTENT CAN BE EASILY 659 00:27:22,655 --> 00:27:24,895 IDENTIFIED WITH E.R.T. TESTING. 660 00:27:24,896 --> 00:27:27,378 Dr. Feves: WE'RE GONNA PUT A STAKE IN EVERY 4 FEET. 661 00:27:27,379 --> 00:27:30,309 - OKAY. - THAT'S GOOD! 662 00:27:30,310 --> 00:27:31,723 56 METAL ELECTRODES 663 00:27:31,724 --> 00:27:34,000 WILL PASS THE CURRENT INTO THE GROUND. 664 00:27:37,172 --> 00:27:41,136 COOL THING IS THIS HAS NEVER BEEN DONE BEFORE OUT HERE. 665 00:27:41,137 --> 00:27:42,964 COULD FIND SOMETHING NEW. 666 00:27:42,965 --> 00:27:45,447 THERE YOU GO. PERFECT. 667 00:27:45,448 --> 00:27:47,654 WITH THE STAKES IN PLACE, WE RUN OUR CABLE, 668 00:27:47,655 --> 00:27:49,309 WHICH ATTACHES TO EACH ELECTRODE 669 00:27:49,310 --> 00:27:51,310 AND THE DATA ACQUISITION SYSTEM. 670 00:27:53,965 --> 00:27:56,792 - GOOD AND TIGHT. - OKAY. 671 00:27:56,793 --> 00:27:59,205 WELL, I'M HOPING IT SHOWS SOMETHING, 672 00:27:59,206 --> 00:28:00,481 GIVES US SOME SORT OF READING, 673 00:28:00,482 --> 00:28:02,240 SOME SORT OF INDICATION WHAT'S UNDERNEATH HERE. 674 00:28:02,241 --> 00:28:03,378 SO I'LL HIT THE START BUTTON HERE. 675 00:28:03,379 --> 00:28:05,688 AND WE'RE OFF AND RUNNING. 676 00:28:05,689 --> 00:28:08,447 CURRENT STARTS PULSING INTO THE EARTH. 677 00:28:08,448 --> 00:28:12,240 AND DATA STARTS ROLLING IN WITH SOME SURPRISING RESULTS. 678 00:28:12,241 --> 00:28:16,343 THIS GROUND HERE IS REALLY HIGH RESISTIVITY. 679 00:28:16,344 --> 00:28:17,826 SO WHAT DOES THAT-- WHAT DOES THAT MEAN? 680 00:28:17,827 --> 00:28:21,723 WE'RE SEEING RESISTIVITIES HERE OF 150,000 OHM-METERS. 681 00:28:21,724 --> 00:28:24,619 THAT'S LIKE INTACT KIND OF ROCK 682 00:28:24,620 --> 00:28:26,895 THAT YOU REALLY CAN'T GET CURRENT INTO, 683 00:28:26,896 --> 00:28:29,274 WHICH IMPLIES THERE'S NO CLAY CONTENT IN THE-- 684 00:28:29,275 --> 00:28:30,964 IN THE-- IN THE SOILS. 685 00:28:30,965 --> 00:28:33,481 AND IT'S VERY DRY. 686 00:28:33,482 --> 00:28:35,999 INSTEAD OF FINDING SOFTER, CLAY-RICH SOIL, 687 00:28:36,000 --> 00:28:38,033 WE'VE DISCOVERED THAT A HARD LAYER OF DRY, 688 00:28:38,034 --> 00:28:41,619 GRANULAR MATERIAL RUNS UNDER THIS ENTIRE AREA, 689 00:28:41,620 --> 00:28:44,723 WHICH MEANS THESE MOUNDS COULDN'T BE GILGAI. 690 00:28:44,724 --> 00:28:47,309 SO WE CAN ELIMINATE THAT THEORY. 691 00:28:47,310 --> 00:28:49,999 BUT NOW I'M WONDERING WHAT OTHER NATURAL FORCES 692 00:28:50,000 --> 00:28:52,792 HAVE THE ABILITY TO RESHAPE THE EARTH? 693 00:28:52,793 --> 00:28:54,585 AND THERE'S ONE IMPORTANT CHARACTERISTIC 694 00:28:54,586 --> 00:28:57,654 OF THIS PART OF THE COUNTRY THAT HAS TO BE CONSIDERED. 695 00:28:57,655 --> 00:28:59,861 IT'S PRONE TO SEISMIC ACTIVITY. 696 00:28:59,862 --> 00:29:03,067 THE MIMA MOUNDS ARE LOCATED WITHIN THE RING OF FIRE, 697 00:29:03,068 --> 00:29:05,516 A GEOLOGICALLY AND VOLCANICALLY ACTIVE AREA 698 00:29:05,517 --> 00:29:07,205 THAT RUNS AROUND THE PACIFIC. 699 00:29:07,206 --> 00:29:09,309 ROUGHLY 90% OF THE WORLD'S EARTHQUAKES 700 00:29:09,310 --> 00:29:11,137 OCCUR ALONG THIS PATH. 701 00:29:15,482 --> 00:29:17,964 SOME SCIENTISTS HAVE SPECULATED THAT THE MIMA MOUNDS 702 00:29:17,965 --> 00:29:20,067 COULD BE THE RESULT OF SEISMIC ACTIVITY, 703 00:29:20,068 --> 00:29:22,930 THAT TECTONIC RUMBLINGS CAUSE THE EARTH'S CRUST 704 00:29:22,931 --> 00:29:26,550 TO RIPPLE AND FORM DISTINCT HILLS. 705 00:29:26,551 --> 00:29:29,964 IN MY RESEARCH, I CAME ACROSS A PRETTY LOW-TECH EXPERIMENT 706 00:29:29,965 --> 00:29:32,205 THAT CAN BE DONE TO TEST THIS THEORY. 707 00:29:32,206 --> 00:29:34,033 AND I WANT TO TRY IT OUT MYSELF. 708 00:29:34,034 --> 00:29:36,826 SO I'M GONNA TAKE THIS HAMMER, WHICH SIMULATES AN EARTHQUAKE. 709 00:29:36,827 --> 00:29:38,861 THE EARTH'S CRUST IS REPRESENTED HERE 710 00:29:38,862 --> 00:29:41,895 BY THE PLYWOOD AND KIND OF THE TOPSOIL 711 00:29:41,896 --> 00:29:45,343 IS REPRESENTED BY THIS THIN SHEET OF SAND. 712 00:29:45,344 --> 00:29:48,585 AND SO LET'S JUST SEE HOW LIKELY IT IS 713 00:29:48,586 --> 00:29:51,206 THAT THESE MOUNDS FORMED THIS WAY. 714 00:29:57,620 --> 00:30:01,171 EACH HAMMER HIT IS MEANT TO REPRESENT A SEISMIC EVENT. 715 00:30:01,172 --> 00:30:03,447 IT'S MAKING THE BOARD SHAKE IN ROUGHLY THE SAME WAY 716 00:30:03,448 --> 00:30:05,517 THE GROUND WOULD DURING AN EARTHQUAKE. 717 00:30:10,241 --> 00:30:12,378 OH, MY GOSH! LOOK AT THAT! 718 00:30:12,379 --> 00:30:14,102 YOU SEE THAT? 719 00:30:14,103 --> 00:30:17,585 THAT-- THAT BASICALLY LOOKS EXACTLY LIKE MIMA MOUNDS. 720 00:30:17,586 --> 00:30:21,033 THIS IS UNBELIEVABLE. 721 00:30:21,034 --> 00:30:23,447 IS A HAMMER AND PLYWOOD REALLY ALL IT TAKES 722 00:30:23,448 --> 00:30:25,688 TO UNLOCK THE MYSTERY OF THE MIMA MOUNDS? 723 00:30:25,689 --> 00:30:26,964 OR COULD THERE BE SOMETHING 724 00:30:26,965 --> 00:30:29,136 EVEN MORE SURPRISING AT WORK HERE? 725 00:30:29,137 --> 00:30:32,999 TO FIND OUT, I'M GOING TO HAVE TO DIG DEEPER, LITERALLY. 726 00:30:33,000 --> 00:30:35,413 KILLED IT. 727 00:30:43,931 --> 00:30:46,723 COULD THE MYSTERIOUS MIMA MOUNDS OF WASHINGTON STATE 728 00:30:46,724 --> 00:30:50,585 HAVE BEEN SHAPED BY CENTURIES OF EARTHQUAKES? 729 00:30:50,586 --> 00:30:52,309 I'M PUTTING THAT THEORY TO THE TEST 730 00:30:52,310 --> 00:30:53,654 WITH A PIECE OF PLYWOOD, 731 00:30:53,655 --> 00:30:57,689 SOME SAND AND A HAMMER TO REPLICATE SEISMIC ACTIVITY. 732 00:31:00,862 --> 00:31:02,309 LOOK AT THAT! 733 00:31:02,310 --> 00:31:06,447 ALL OF A SUDDEN, IT'S FORMING MOUNDS ON THE SURFACE. 734 00:31:06,448 --> 00:31:08,136 RIGHT DOWN HERE, YOU CAN SEE 735 00:31:08,137 --> 00:31:12,033 WHAT LOOKS EXACTLY LIKE MIMA MOUNDS 736 00:31:12,034 --> 00:31:13,965 BUT ON A MUCH SMALLER SCALE. 737 00:31:16,206 --> 00:31:18,274 THIS IS UNBELIEVABLE. 738 00:31:18,275 --> 00:31:20,585 I ACTUALLY DID NOT KNOW IF THIS WAS GOING TO WORK. 739 00:31:20,586 --> 00:31:22,619 PROBLEM IS, I'M NOT SURE IF THIS SCALES UP 740 00:31:22,620 --> 00:31:23,999 TO A LARGER LEVEL 741 00:31:24,000 --> 00:31:27,655 AND REALLY COULD BE SOMETHING THAT EARTHQUAKES FORM. 742 00:31:31,068 --> 00:31:34,033 TO FIGURE THAT OUT, I NEED MORE INFORMATION ABOUT THE NATURE 743 00:31:34,034 --> 00:31:36,310 OF THE SEISMIC ACTIVITY IN THE AREA. 744 00:31:41,000 --> 00:31:43,343 SO I'M HEADING TO MEET DR. JOHN VIDALE, 745 00:31:43,344 --> 00:31:46,274 THE DIRECTOR OF THE PACIFIC NORTHWEST SEISMIC NETWORK 746 00:31:46,275 --> 00:31:48,310 AT THE UNIVERSITY OF WASHINGTON. 747 00:31:50,827 --> 00:31:53,930 SO, IN THIS PARTICULAR AREA, 748 00:31:53,931 --> 00:31:55,171 IN THE SEATTLE REGION, 749 00:31:55,172 --> 00:31:56,550 THERE'S A LOT OF SEISMIC ACTIVITY, RIGHT? 750 00:31:56,551 --> 00:31:59,205 YEAH, WE HAVE A LOT OF DIFFERENT KINDS OF EARTHQUAKES. 751 00:31:59,206 --> 00:32:01,309 AND IT'S, UH, ONE OF THE PRIMARY DANGERS 752 00:32:01,310 --> 00:32:03,412 OF NATURE AROUND HERE. 753 00:32:03,413 --> 00:32:07,067 SO COULD BIG EARTHQUAKES LEAD TO BIG MOUNDS? 754 00:32:07,068 --> 00:32:09,240 I TELL JOHN ABOUT MY FINDINGS USING THE BOARD, 755 00:32:09,241 --> 00:32:10,688 HAMMER AND SAND. 756 00:32:10,689 --> 00:32:12,481 I DON'T KNOW IF YOU CAN SCALE THAT UP, THOUGH. 757 00:32:12,482 --> 00:32:14,550 YOU'RE THE SEISMIC EXPERT. I MEAN, WHAT-- 758 00:32:14,551 --> 00:32:16,378 WHAT ARE YOUR THOUGHTS? - PEOPLE DO THAT WITH DRUMS. 759 00:32:16,379 --> 00:32:17,757 AND THEY PUT STEEL FILINGS. 760 00:32:17,758 --> 00:32:20,343 AND IT MAKES ALL SORTS OF PRETTY PATTERNS IF YOU SHAKE IT. 761 00:32:20,344 --> 00:32:23,378 BUT, UNFORTUNATELY, THE GROUND DOESN'T ACT THAT WAY. 762 00:32:23,379 --> 00:32:24,826 IF YOU SHAKE IT, IT DOESN'T JUST SHIFT 763 00:32:24,827 --> 00:32:26,826 AROUND INTO LITTLE PILES VERY EASILY. 764 00:32:26,827 --> 00:32:29,516 IT JUST STAYS RIGHT WHERE IT WAS AND VIBRATES. 765 00:32:29,517 --> 00:32:31,343 AND, IN YOUR EXPERIENCE, YOU'VE NEVER SEEN ANYTHING 766 00:32:31,344 --> 00:32:33,688 LIKE THAT FROM SEISMIC ACTIVITY? 767 00:32:33,689 --> 00:32:35,550 NOTHING LIKE THAT. 768 00:32:35,551 --> 00:32:37,171 JOHN TELLS ME THAT EARTHQUAKES 769 00:32:37,172 --> 00:32:40,309 CAN RESHAPE THE LAND IN VARIOUS WAYS. 770 00:32:40,310 --> 00:32:42,757 THEY CAN CAUSE THE EARTH TO CRACK OPEN 771 00:32:42,758 --> 00:32:46,274 OR TRIGGER TSUNAMIS AND LANDSLIDES. 772 00:32:46,275 --> 00:32:48,964 BUT THERE'S NO DOCUMENTED INCIDENT OF SEISMIC ACTIVITY 773 00:32:48,965 --> 00:32:52,965 CAUSING REPEATED, UNIFORM MOUNDS TO FORM ON EARTH'S SURFACE. 774 00:32:55,241 --> 00:32:56,585 SO IT SOUNDS LIKE EARTHQUAKES 775 00:32:56,586 --> 00:32:59,550 PROBABLY DIDN'T CREATE THE MIMA MOUNDS. 776 00:32:59,551 --> 00:33:02,930 AND THEY DON'T SEEM TO BE MAN-MADE OR GILGAI EITHER. 777 00:33:02,931 --> 00:33:04,447 I'M BUILDING AN IMPRESSIVE LIST 778 00:33:04,448 --> 00:33:08,688 OF FACTORS THAT DO NOT EXPLAIN THESE MYSTERIOUS MOUNDS. 779 00:33:08,689 --> 00:33:11,723 BUT I'M STILL SEARCHING FOR THE ONE THAT DOES. 780 00:33:11,724 --> 00:33:13,861 EACH FAILED THEORY IS BRINGING ME CLOSER. 781 00:33:13,862 --> 00:33:15,861 BUT I HAVEN'T GOTTEN ENOUGH INFORMATION ABOUT 782 00:33:15,862 --> 00:33:18,274 THE INTERNAL STRUCTURE OF THE MOUNDS YET. 783 00:33:18,275 --> 00:33:21,688 WHAT I REALLY NEED IS TO ACTUALLY SEE INSIDE ONE. 784 00:33:21,689 --> 00:33:23,033 I'VE GOTTEN PERMISSION TO OPEN UP 785 00:33:23,034 --> 00:33:24,826 A MOUND ON PRIVATE LAND, 786 00:33:24,827 --> 00:33:26,619 ONE THAT I'VE BEEN TOLD DOES NOT CONTAIN 787 00:33:26,620 --> 00:33:28,274 ANY SENSITIVE ARTIFACTS. 788 00:33:28,275 --> 00:33:30,724 SO I'M BRINGING IN A BIG MACHINE. 789 00:33:35,000 --> 00:33:38,033 THE ONLY WAY FOR ME TO GET DOWN IN THESE THINGS 790 00:33:38,034 --> 00:33:41,517 AND GET A GOOD CROSS-SECTION IS TO USE A BIG TOY. 791 00:33:52,448 --> 00:33:54,619 IT'S NOT EXACTLY CUTTING-EDGE TECH. 792 00:33:54,620 --> 00:33:57,000 BUT, MAN, IS IT FUN! 793 00:34:01,758 --> 00:34:04,895 KILLED IT. 794 00:34:15,310 --> 00:34:16,964 WOO-HOO-HOO! 795 00:34:16,965 --> 00:34:19,102 YEAH! 796 00:34:19,103 --> 00:34:22,379 ALL RIGHT. LET'S SEE WHAT WE GOT. 797 00:34:25,068 --> 00:34:27,274 I IMMEDIATELY NOTICE SOMETHING INTERESTING. 798 00:34:27,275 --> 00:34:31,826 THE DISSECTED HILL IS MADE UP OF TWO DISTINCT LAYERS OF SOIL. 799 00:34:31,827 --> 00:34:34,757 SO WHAT WE GOT IS WE GOT A NICE 2-1/2 FOOT SECTION 800 00:34:34,758 --> 00:34:36,309 OF REALLY DARK DIRT INTERSPERSED 801 00:34:36,310 --> 00:34:38,826 WITH THESE ROCKS, LITTLE TINY PEBBLES AND THINGS. 802 00:34:38,827 --> 00:34:40,274 AND THEN THERE'S A REALLY GOOD LAYER 803 00:34:40,275 --> 00:34:42,723 RIGHT HERE OF LIGHTER-COLORED STONE. 804 00:34:42,724 --> 00:34:44,964 SEEMS A LOT HARDER DOWN HERE. 805 00:34:44,965 --> 00:34:46,619 BUT I'M NO GEOLOGY EXPERT. 806 00:34:46,620 --> 00:34:49,482 AND I'M NOT SURE HOW TO INTERPRET WHAT I'M SEEING. 807 00:34:52,379 --> 00:34:54,585 SO I REACH OUT TO DR. JENNIFER BURNHAM, 808 00:34:54,586 --> 00:34:55,861 A SOIL SCIENTIST. 809 00:34:55,862 --> 00:34:57,896 SHE AGREES TO MEET ME AT THE MOUND. 810 00:35:02,034 --> 00:35:03,343 SO, FROM HERE TO HERE, 811 00:35:03,344 --> 00:35:04,274 YOU DON'T REALLY SEE A WHOLE LOT OF DIFFERENCE. 812 00:35:04,275 --> 00:35:06,274 IT'S ALL FAIRLY CONSISTENT. 813 00:35:06,275 --> 00:35:08,757 IT IS. IT'S VERY UNIFORM. 814 00:35:08,758 --> 00:35:10,757 WE DO HAVE A VERY CLEAR BOUNDARY WHERE, 815 00:35:10,758 --> 00:35:12,550 NOT ONLY DOES THE COLOR CHANGE 816 00:35:12,551 --> 00:35:14,171 BUT, EVEN AT FIRST GLANCE, 817 00:35:14,172 --> 00:35:17,240 YOU CAN SEE THE SIZE OF THE ROCKS VARIES. 818 00:35:17,241 --> 00:35:19,102 WE TAKE A CLOSER LOOK AT THE TWO LAYERS 819 00:35:19,103 --> 00:35:22,205 WITH THE AID OF A SIEVE. 820 00:35:22,206 --> 00:35:24,310 FIRST, THE TOP LAYER... 821 00:35:26,172 --> 00:35:28,378 SO, HERE, WE'D SAY THERE ARE FAR MORE PARTICLES 822 00:35:28,379 --> 00:35:31,067 THAT ARE SMALL THAN THERE ARE LARGE. 823 00:35:31,068 --> 00:35:33,136 THEN, THE BOTTOM. 824 00:35:33,137 --> 00:35:35,655 TAKE IT AWAY. 825 00:35:39,517 --> 00:35:41,550 ALL RIGHT. 826 00:35:41,551 --> 00:35:43,412 BASICALLY, THE RATIO OF THE BOTTOM 827 00:35:43,413 --> 00:35:46,757 IS, UH, REALLY SKEWED TOWARDS BIG ROCKS. 828 00:35:46,758 --> 00:35:47,861 CORRECT. 829 00:35:47,862 --> 00:35:50,343 JENNIFER SAYS THAT THIS DISTRIBUTION, 830 00:35:50,344 --> 00:35:52,309 SMALLER-GRAIN SEDIMENT ON TOP 831 00:35:52,310 --> 00:35:53,999 AND LARGER CHUNKS AT THE BOTTOM, 832 00:35:54,000 --> 00:35:56,378 IS UNUSUAL IN A SEISMICALLY ACTIVE ZONE. 833 00:35:56,379 --> 00:35:59,757 WELL, IN A EARTHQUAKE-PRONE AREA LIKE WE ARE HERE, 834 00:35:59,758 --> 00:36:01,792 YOU MIGHT NOT EXPECT IT TO LOOK LIKE THAT. 835 00:36:01,793 --> 00:36:03,757 YOU MIGHT EXPECT MAYBE SOME OF THE LARGER ROCKS 836 00:36:03,758 --> 00:36:05,378 TO BE NEAR THE TOP. 837 00:36:05,379 --> 00:36:06,930 THAT'S BECAUSE OF A PHENOMENON 838 00:36:06,931 --> 00:36:09,033 CALLED GRANULAR CONVECTION, 839 00:36:09,034 --> 00:36:12,895 ALSO KNOWN AS THE BRAZIL NUT EFFECT. 840 00:36:12,896 --> 00:36:16,378 TAKE A JAR WITH RICE AND BRAZIL NUTS. 841 00:36:16,379 --> 00:36:20,172 AND THEN YOU SIMULATE SEISMIC ACTIVITY BY SHAKING 'EM UP. 842 00:36:23,068 --> 00:36:24,792 THE SMALLER RICE KERNELS FILTER 843 00:36:24,793 --> 00:36:27,723 DOWN INTO THE SPACES CREATED BY EACH JOSTLE 844 00:36:27,724 --> 00:36:31,274 AND PUSH THE LARGER NUTS UP. 845 00:36:31,275 --> 00:36:33,136 SO, WITH ALL THE EARTHQUAKES THAT HAVE STIRRED UP 846 00:36:33,137 --> 00:36:35,171 THE SOIL HERE OVER THE CENTURIES, 847 00:36:35,172 --> 00:36:36,792 YOU WOULD EXPECT TO SEE LARGER STONES 848 00:36:36,793 --> 00:36:38,136 IN THE TOPSOIL LAYER 849 00:36:38,137 --> 00:36:40,757 WITH SMALLER PARTICLES BELOW. 850 00:36:40,758 --> 00:36:43,792 BUT IT LOOKS LIKE EXACTLY THE OPPOSITE IS HAPPENING. 851 00:36:43,793 --> 00:36:45,964 SO THE QUESTION IS, WHY? 852 00:36:45,965 --> 00:36:49,205 WHAT SECRET IS THE SOIL REVEALING? 853 00:36:49,206 --> 00:36:51,792 WHAT DO YOU THINK THAT THIS COULD BE? 854 00:36:51,793 --> 00:36:54,309 SO I THINK THAT THE EVIDENCE FITS BEST 855 00:36:54,310 --> 00:36:58,240 WITH WHAT'S CALLED THE GOPHER HYPOTHESIS. 856 00:36:58,241 --> 00:37:01,102 LIKE, THE IDEA THAT GOPHERS BUILD THIS? 857 00:37:01,103 --> 00:37:03,068 CORRECT. 858 00:37:11,034 --> 00:37:12,240 I'VE OPENED UP 859 00:37:12,241 --> 00:37:14,619 ONE OF WASHINGTON STATE'S FAMOUS MIMA MOUNDS. 860 00:37:14,620 --> 00:37:16,067 AND WHAT I'VE FOUND IS BIZARRE 861 00:37:16,068 --> 00:37:18,481 FOR AN AREA PRONE TO SEISMIC ACTIVITY, 862 00:37:18,482 --> 00:37:21,309 A SOIL STRUCTURE WHERE THE BIG STONES ARE AT THE BASE, 863 00:37:21,310 --> 00:37:24,826 CONTRADICTING THE PHENOMENON KNOWN AS THE BRAZIL NUT EFFECT, 864 00:37:24,827 --> 00:37:26,550 WHICH HOLDS THAT SMALLER PARTICLES 865 00:37:26,551 --> 00:37:29,274 ACTUALLY SETTLE AT THE BOTTOM OVER TIME. 866 00:37:29,275 --> 00:37:31,274 I'VE ELIMINATED HUMANS AND EARTHQUAKES 867 00:37:31,275 --> 00:37:32,895 AS THE MAKERS OF THESE MOUNDS. 868 00:37:32,896 --> 00:37:35,171 BUT SOIL SCIENTIST JENNIFER BURNHAM 869 00:37:35,172 --> 00:37:38,171 HAS A SURPRISING ALTERNATIVE THEORY. 870 00:37:38,172 --> 00:37:41,171 WHAT DO YOU THINK THAT THIS COULD BE? 871 00:37:41,172 --> 00:37:42,481 IT IS A BIT INCOMPREHENSIBLE 872 00:37:42,482 --> 00:37:45,826 TO THINK ABOUT THAT SMALL POCKET GOPHERS 873 00:37:45,827 --> 00:37:48,447 COULD HAVE CREATED THESE MOUNDS. 874 00:37:48,448 --> 00:37:49,792 WAIT A MINUTE. 875 00:37:49,793 --> 00:37:52,447 DOES JENNIFER REALLY THINK THAT CUTE LITTLE GOPHERS 876 00:37:52,448 --> 00:37:55,136 BUILT THE HUGE MOUNDS AT MIMA? 877 00:37:55,137 --> 00:37:58,102 POCKET GOPHERS ARE BURROWING RODENTS THAT AVERAGE 878 00:37:58,103 --> 00:38:00,205 JUST 8 INCHES IN LENGTH. 879 00:38:00,206 --> 00:38:02,343 THEY SPEND MOST OF THEIR LIVES UNDERGROUND, 880 00:38:02,344 --> 00:38:04,067 IN A TUNNEL SYSTEM WHERE THEY NEST, 881 00:38:04,068 --> 00:38:06,757 REST AND STORE FOOD. 882 00:38:06,758 --> 00:38:09,067 GOPHERS ARE KNOWN TO HAVE INHABITED THE AREA 883 00:38:09,068 --> 00:38:11,274 AROUND THE MIMA PRAIRIE AT ONE TIME, 884 00:38:11,275 --> 00:38:16,274 ALTHOUGH THEY'VE LONG SINCE MOVED ON TO GREENER PASTURES. 885 00:38:16,275 --> 00:38:17,654 OKAY, SO LET ME JUST GET THIS STRAIGHT. 886 00:38:17,655 --> 00:38:19,447 THESE ARE HUGE MOUNDS. 887 00:38:19,448 --> 00:38:21,205 I THINK IT-- I THINK, IF MOST PEOPLE WALKED UP 888 00:38:21,206 --> 00:38:23,205 TO THIS AND THE IDEA 889 00:38:23,206 --> 00:38:25,378 WAS PRESENTED THAT GOPHERS MADE IT, 890 00:38:25,379 --> 00:38:26,826 THEY'D SAY, "NO WAY. THOSE ARE TOO BIG." 891 00:38:26,827 --> 00:38:27,964 THEY'RE HUGE. 892 00:38:27,965 --> 00:38:29,205 I MEAN, THEY'RE ALMOST 6 FEET TALL, 893 00:38:29,206 --> 00:38:30,688 SOME OF 'EM OVER THAT. - YOU'RE RIGHT. 894 00:38:30,689 --> 00:38:31,826 BUT IT'S NOT ONE GOPHER 895 00:38:31,827 --> 00:38:33,412 DOING THESE IN A SHORT ORDER OF TIME. 896 00:38:33,413 --> 00:38:35,723 IT'S, UH, MANY GENERATIONS OVER-- 897 00:38:35,724 --> 00:38:37,585 OVER HUNDREDS OF YEARS. 898 00:38:37,586 --> 00:38:39,033 IT SOUNDS CRAZY. 899 00:38:39,034 --> 00:38:40,999 BUT JENNIFER THINKS THE STONE LAYER AT THE BOTTOM 900 00:38:41,000 --> 00:38:43,688 OF THE MOUND IS A SMOKING GUN. 901 00:38:43,689 --> 00:38:45,861 WHAT'S KEY IS THE SIZE OF THE COBBLES 902 00:38:45,862 --> 00:38:47,378 THAT WE'RE FINDING HERE. 903 00:38:47,379 --> 00:38:49,895 A GOPHER CAN'T MOVE SOMETHING LIKE THIS 904 00:38:49,896 --> 00:38:51,309 THROUGH THEIR BURROWS. 905 00:38:51,310 --> 00:38:54,826 THEY CAN ONLY MOVE THE SMALLER PARTICLES THAT ARE HERE. 906 00:38:54,827 --> 00:38:56,378 SO THEY'LL BURROW AROUND 907 00:38:56,379 --> 00:38:58,654 AND UNDER THESE LARGER CLASTS AND, 908 00:38:58,655 --> 00:39:00,343 EVENTUALLY, OVER TIME, 909 00:39:00,344 --> 00:39:03,171 WILL START SINKING TO THE BOTTOM. 910 00:39:03,172 --> 00:39:05,895 AND THAT'S EXACTLY WHAT WE'RE SEEING HERE. 911 00:39:05,896 --> 00:39:08,481 BUT THERE'S ONE KEY WAY THE MIMA MOUNDS 912 00:39:08,482 --> 00:39:10,723 ARE NOT LIKE TYPICAL BURROWS. 913 00:39:10,724 --> 00:39:13,136 MOST OF THE TIME, GOPHERS DIG DOWN. 914 00:39:13,137 --> 00:39:14,826 WHY WOULDN'T THEY BE DOING THAT HERE? 915 00:39:14,827 --> 00:39:17,067 GOPHERS WILL NOT BUILD MOUNDS 916 00:39:17,068 --> 00:39:19,240 UNLESS THEY CANNOT BURROW DOWNWARDS. 917 00:39:19,241 --> 00:39:21,757 SO, IF THERE'S SOMETHING THAT'S HARD TO GET THROUGH, 918 00:39:21,758 --> 00:39:23,757 THEN THEY WILL TEND, UM, TO DIG-- 919 00:39:23,758 --> 00:39:25,585 OR BUILD THEIR MOUNDS HERE. 920 00:39:25,586 --> 00:39:27,550 AND WE KNOW FROM OUR E.R.T. TEST 921 00:39:27,551 --> 00:39:28,861 THAT THERE'S HARDER MATERIAL 922 00:39:28,862 --> 00:39:31,895 BENEATH THE ENTIRE MIMA MOUND PRAIRIE. 923 00:39:31,896 --> 00:39:33,792 NOW I CAN ALSO SEE IT 924 00:39:33,793 --> 00:39:36,205 RIGHT BELOW THE LAYER OF LARGER STONES. 925 00:39:36,206 --> 00:39:39,447 AND I CAN'T IMAGINE A GOPHER BEING ABLE TO BURROW THROUGH IT. 926 00:39:39,448 --> 00:39:42,757 AND JENNIFER TELLS ME THIS AREA USED TO HAVE A HIGH WATER TABLE, 927 00:39:42,758 --> 00:39:44,136 WHICH IS ANOTHER IMPEDIMENT 928 00:39:44,137 --> 00:39:48,171 THAT PREVENTS GOPHERS FROM BURROWING DOWN. 929 00:39:48,172 --> 00:39:51,067 BUT, STILL, IS IT REALLY POSSIBLE 930 00:39:51,068 --> 00:39:54,481 FOR SUCH TINY CRITTERS TO MOVE SO MUCH DIRT? 931 00:39:54,482 --> 00:39:56,102 JENNIFER HAS ONE MORE PIECE OF TECH 932 00:39:56,103 --> 00:39:58,447 TO HELP SUPPORT THE THEORY, 933 00:39:58,448 --> 00:39:59,723 A NEW COMPUTER PROGRAM 934 00:39:59,724 --> 00:40:02,619 THAT SIMULATES GOPHER BURROWING BEHAVIOR. 935 00:40:02,620 --> 00:40:05,344 I'LL SHOW YOU THIS COMPUTER MODEL I HAVE HERE. 936 00:40:07,379 --> 00:40:10,033 IT CAN CROSS-REFERENCE STANDARD GOPHER STATISTICS, 937 00:40:10,034 --> 00:40:11,930 SUCH AS THE AMOUNT OF SOIL 938 00:40:11,931 --> 00:40:15,136 A GOPHER CAN MOVE ANNUALLY AND THEIR TYPICAL HOME RANGE 939 00:40:15,137 --> 00:40:17,930 WITH SITE-SPECIFIC CONDITIONS LIKE THE HARD SUBSTRATE 940 00:40:17,931 --> 00:40:20,240 WE DISCOVERED UNDER THE MIMA MOUNDS 941 00:40:20,241 --> 00:40:21,757 AND SHOW US WHAT WOULD HAPPEN 942 00:40:21,758 --> 00:40:24,688 AS GOPHERS CONSTRUCT THEIR BURROWS. 943 00:40:24,689 --> 00:40:26,413 OKAY. SO LET'S SEE THIS MODEL. 944 00:40:29,689 --> 00:40:31,309 THE GROUND STARTS FLAT. 945 00:40:31,310 --> 00:40:33,136 BUT, AS THE SIMULATION SPEEDS 946 00:40:33,137 --> 00:40:35,171 THROUGH THE YEARS OF GOPHER ACTIVITY, 947 00:40:35,172 --> 00:40:37,550 SMALL HILLS START TO FORM. 948 00:40:37,551 --> 00:40:39,378 OH, WOW! 949 00:40:39,379 --> 00:40:41,102 THE REDDER COLORS INDICATE THAT THE HEIGHT IS INCREASING. 950 00:40:41,103 --> 00:40:42,412 THE WHITER... - OH, MY GOODNESS. 951 00:40:42,413 --> 00:40:44,964 ...WHITER COLORS ARE INDICATING, UM, LOWER ELEVATION. 952 00:40:44,965 --> 00:40:47,378 SO THIS IS JUST A RANDOMIZED MODEL. 953 00:40:47,379 --> 00:40:49,205 IT-- IT LOOKS-- 954 00:40:49,206 --> 00:40:51,999 IT LOOKS JUST LIKE THE AERIAL IMAGES WE TOOK. 955 00:40:52,000 --> 00:40:53,861 THE MODEL IS SHOWING ME SOMETHING 956 00:40:53,862 --> 00:40:56,171 THAT SEEMED SO UNLIKELY JUST MINUTES EARLIER. 957 00:40:56,172 --> 00:40:58,964 OVER THE COURSE OF 500 TO 700 YEARS, 958 00:40:58,965 --> 00:41:01,343 SUCCESSIVE GENERATIONS OF GOPHERS 959 00:41:01,344 --> 00:41:03,757 COULD HAVE FORMED MOUNDS AS BIG AS THE ONES 960 00:41:03,758 --> 00:41:05,930 THAT SURROUND US HERE AT THE MIMA SITE. 961 00:41:05,931 --> 00:41:07,619 THAT IS FANTASTIC. 962 00:41:07,620 --> 00:41:09,550 AND YOU COULD NEVER HAVE SEEN THIS WITHOUT 963 00:41:09,551 --> 00:41:10,999 RUNNING A MODEL LIKE THIS, 964 00:41:11,000 --> 00:41:13,447 RUNNING SOME HIGH-TECH SCIENCE. 965 00:41:13,448 --> 00:41:15,585 YEAH. IT'S ONE IMPORTANT COMPONENT 966 00:41:15,586 --> 00:41:18,688 OF THIS PIECE OF THE PUZZLE THAT WE'RE TRYING TO SOLVE. 967 00:41:18,689 --> 00:41:20,378 WHEN I STARTED THIS INVESTIGATION, 968 00:41:20,379 --> 00:41:22,654 I DEFINITELY DIDN'T SEE THIS COMING. 969 00:41:22,655 --> 00:41:24,964 BUT TECHNOLOGY MAY FINALLY BE REVEALING 970 00:41:24,965 --> 00:41:27,274 THE LIKELY ARCHITECTS OF THE MIMA MOUNDS. 971 00:41:27,275 --> 00:41:30,481 NOT THE NATIVE INHABITANTS OF THE PACIFIC NORTHWEST, 972 00:41:30,482 --> 00:41:32,585 SINCE WE FOUND NO ARCHAEOLOGICAL EVIDENCE 973 00:41:32,586 --> 00:41:34,067 OF HUMAN HABITATION HERE. 974 00:41:34,068 --> 00:41:36,619 NOT CLAY-RICH SOIL EXPANDING 975 00:41:36,620 --> 00:41:38,447 AND SHRINKING WITH THE SEASONS, 976 00:41:38,448 --> 00:41:42,067 SINCE OUR ELECTRICAL TESTING REVEALED NO CLAY CONTENT. 977 00:41:42,068 --> 00:41:44,102 AND NOT SEISMIC ACTIVITY, 978 00:41:44,103 --> 00:41:46,205 WHICH TENDS TO LEAVE BEHIND CREVICES, 979 00:41:46,206 --> 00:41:47,585 NOT PIMPLES. 980 00:41:47,586 --> 00:41:49,619 INSTEAD, THE MIMA MOUNDS APPEAR 981 00:41:49,620 --> 00:41:52,481 TO BE THE WORK OF GENERATIONS OF GOPHERS BUSILY 982 00:41:52,482 --> 00:41:54,826 MOVING THE SOIL UPWARD FROM BELOW 983 00:41:54,827 --> 00:41:58,688 AND LEAVING BEHIND A LANDSCAPE LIKE NO OTHER. 984 00:41:58,689 --> 00:42:02,585 THE MIMA MOUNDS HAVE PRESERVED THEIR SECRETS FOR MILLENNIA. 985 00:42:02,586 --> 00:42:05,413 THEY JUST NEEDED SCIENCE TO DECODE THEM. 75868

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.