All language subtitles for The Copenhagen Test S01E05 Looking Glass (1)

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These are the user uploaded subtitles that are being translated: Eߣ�B��B��B�B�B��matroskaB��B��S�g��M�t�M��S��I�fS��M��S��T�kS���M��S��S�kS����M��S��T�gS���s�O�I�f@�*ױ�B@M��libebml v1.4.2 + libmatroska v1.6.3WA�mkvmerge v65.0.0 ('Too Much') 64-bitD��AG �Da� ��J{��The Copenhagen Test S01E05 Looking Glasss��KW-�̉W�K�n��T�kȮ�ׁsň���~�W���������S_TEXT/UTF8"���en-USSn�Original | EnglishU���D)C�u@��렢���The story we tell���������is that Mosaic has an encrypted drive��)����� with the identity of whoever placed the mole��Ơ�����at The Orphanage.��vC�u@��;)�ˡŁWe use a third party to get the drive into Mosaic's hands�� ۠���� �without him knowing it was from us.��������ySaul, don't!��OC�u@��Z������These agencies��j�����kask you to do something unthinkable,��֠���� Bbut they don't know the real cost.�� 3C�u@��r�����The only ones that know that��I�����Jare the people in it.��q�����sYou always intended for him to die.��IC�u@�炆Р����Yeah.��f�����gKnow why?��������You needed to create a dead end.��������Now the enemy has no more leads,��SC�u�炝A�����nowhere left to focus except on finding the drive.�� ������ �My job is to protect our country�� �C�u@�炲V�����by manipulating people and sometimes�� -����� .getting them killed for the sake of a mission.����ơ��\St. George: The things you can't carry, bury it away�� cC�u@��������and try not to dig it back up.�������� �When you don't have the whole picture,���������how do you know that you're doing the right thing?���C�u@���a�����Be grateful���������for all the things you don't know.��p����� =It was a nice change of pace��������+to have someone do the right thing.���C�u���������I'm not supposed to give you my real name, so.��(�����)It's between us.��C�u@��L��¡��reporter: Last night, Tiananmen Square, Beijing.����ǡ���The largest public space in the world was a war zone.���C�u@��b������With orders to secure the square,��#�����$the People's Liberation Army of China,��֠�����three hundred thousand strong,��uC�u@�yj�����converged on Beijing from all directions.�� 7����� 8Unarmed citizens and students faced tanks�� C�u@���������and soldiers with semi-automatic weapons.�� ����� For the last five weeks,�������'the mass student demonstration��oC�u@���A�����has touched a nerve.�������Soon, everyone seemed to join...��������...protesting against hardship,�� ����bgovernment corruption--���C�u���}�����Victor. Hey, how's it goin'?���������So good!�������� �Come in. Come in.��kC�u��!䠤���How do you like the area?���������It's, uh--��@����� �It's very nice.���C�u��9Z�����And the interview for the engineering job?��򠚡���How did that go?��EC�u��P������Promising.��������Good.��������Good.���C�u@��t�����This is your immigration paperwork.���������Certificates of Naturalization.�������� CNo one will ever bother you about it.��)C�u���|�����And this...�� ������ �is a three-year lease on the house.��$C�u���������Paid in full.��q�����MYou've done so much for us, Victor.���C�u���������I know it's not home,��(�����)but you can have a fulfilling life here.�� �C�u���Ԡ����This is not enough.��J����� iYou are saying goodbye to us.�� C�u���ᠯ���I think, given the nature of my job,�� ������ �it's best if our lives don't intersect going forward.�� �C�u@��&�����You know how sorry I am that you got caught up�� ������ �in what I was working on in China.���������And I'm sorry for the suspicion.���C�u@��/������And that you had to leave your home.��֠�����But I am glad��k����� Cthat you made it here to this country.��zC�u��I1�����Because you wouldn't have been safe there.��Ҡ����No one chose this, but it happened.��)C�u��f������And I did my part.��q����� �Like I promised.��u�����For Preston and me,��C�u���������yes.������� _But you owe him more.���C�u���z�����When he is born, he won't know China.��)����� 8He won't know my family or Preston's family!�� �C�u@���+�����I'm glad he grows up in America.��N�����OThe army don't shoot you in the street here.��֠����&But in America,���C�u��ъ�����they don't like our faces.�� .����� 8We go to interview at lab, but they don't want us.�� C�u���a�����It will be hard for our son here.�� Y����� ZBecause he is like us.��J������Hey...��kC�u�� @�����But he is also not like us.�� .�����HHe is born here.��qC�u��:񠓡��American.��à����He is one of you.���C�u��R������In a country we don't know.�������� iYou are not done.�� �C�u��p~�����You look after him.���C�u���������You promise that.��JC�u���Q�����Have you picked a name yet?��C�u���𠔡��Alexander.���C�u��,6�����The Orphanage.��à�����If they suspect that you're compromised,�������� Cyou're dead!��C�u@��A͠����I've been having these moments.��̠�����It's like feedback in my brain.��֠�����Did anything like that happen��?C�u��U������to the Cassandra test subjects?��Ǡ�����No.��E����� oSacrifice their entire lives��#C�u��jD�����because they're doin' the right thing.���������But they never have the whole story.��C�u@���堧���Hi. Alexander.�� ������Natalie.��E�����bI'm not supposed to give you my real name.���C�u@���������Well, you're easy to pretend to fall for.�������� 9No one person���������gets to be more important than the mission.�� C�u��������For whoever ends up watching this,�������� �but I'm really hoping it's you, my friend.�� �C�u@���3�����My eyes and ears have been hacked���������by a nanotechnology������� called "Cassandra RU-two-five-eight."��UC�u@����á��It's broadcasting everything that I see and hear,�� ������ nand whoever did this is using the information�� -C�u��3������to compromise operations all over the world.�� ܠ�����I didn't know it had happened to me.��C�u@��K7�����And I wasn't a part of it.��E����� .But when The Orphanage discovered the hack,��򠭡��!they chose not to expose it.��zC�u@��aӠ����They kept it open to find the hackers���������who were responsible.��������&And I agreed to that.���C�u��{(�����For the good of our country,��Ǡ���� ^despite the risk to innocent lives.��*C�u@�����ȡI couldn't have known how far they were willing to go.��{����� nBut I have knowingly��Ǡ����6compromised classified information�� �C�u��������at the direction of my superiors.��$����� �And there's no stopping now.���C�u���B�ġ��And despite my loyalty, they still don't trust me.�� 砯����They watch every move I make.���C�u���Ǡ����I still believe in the mission,�� 4�ġ���but I know they're not telling me the whole truth.���C�u���Ԡ����I don't know who I can trust anymore.�� ������ �If you could go back in time...���C�u�� Z�¡��I'm not even sure of what's real in my own life.��͠�����Did you ask me something?��EC�u@� -~�����It's been so long, I was starting to wonder.�� ������ >Yeah, sorry, it's, uh,��t������it's work. - Work.���C�u�� TA�����Maybe we call it a day.��à�����Yeah. Sure.��qC�u�� �۠����He's being weird, right?���C�u@�� �𠪡��Lone wolf thinks Mosaic's drive��̠�����identifies them as the one who placed��̠���� �the mole in The Orphanage,��IC�u@�� �Ԡġ��which means they think someone close to them has flipped.��(�����)They can't trust anyone else with this.��#�����MThey will show up personally.��pC�u�� Ғ�����So, this is how we catch them.��J�����GWe build a trap.���C�u@�� �Y�����Director Moira asked me to relay an update���������on a magnetic drive we've been trying to locate.��̠�����Based on intelligence gathered���C�u@�� Ϡ����from a parallel operation in the EU��T�����Ucalled "Stormwatch,"��Ǡ����we believe with a high degree of certainty���C�u@�� ������that our former source, Saul Clemente,�� ����� codename "Mosaic,"�������� �went to Paris shortly before his death.���C�u�� =*�����Our analysts believe there's a strong possibility�� c����� dhe made this trip to hide the magnetic drive�� cC�u�� S򠠡��somewhere in the city.��(�ġ��)And they've narrowed it down to a three-square mile area.���C�u@�� j������We know exactly where the drive is.��S�����TWe had put a tracker on it�� ���� before we got it into Mosaic's hands.�� -C�u�� �������This is a performing arts venue. Here.�� 栮����Now, once the drive stopped moving,���C�u�� �#�����we obtained access to the cameras in that location.�� ������ �There are only a few, but we did find this.�� �C�u�� �������He walked up to the top floor,�������� �fifteen minutes later, he left.�� �C�u�� �&�����Public building, lots of people comin' and goin'.�� ࠬ��� �He hid that drive in plain sight.��PC�u@�� �E�š��You don't want the target to know exactly where it is yet.��N�����OOur enemy can't be ahead of us.�� �����RYou will lead them to it.���C�u@�� �3�����Alexander and Remy will enter the country in alias.�� ������ �By the time they touch down,���������we should've identified the target location.��(C�u@�� ������Our extraction agent, a local,���������will meet them and arrange transport�� ����� to an airfield we control.���C�u@�� )������Then you're home.�������Remy will go with you��蠧����to the immersive performance.��Ƞ�����The audience will be masked, not ideal for us,�� C�u@�� I������but it will make our target feel more comfortable�� ����� if they wanna follow you there.���������At any point after you have the drive,�� �C�u@�� b���that's when we expect the enemy to intercept.��(�����)Then we grab them.��O�����yYou're gonna bring them in.��C�u�� z:�����For questioning.�� ���� nThat part you won't have to worry about.���C�u�� �-�����Once we have them, it's above your pay grade.���C�u@�� �������This is a modified low-dose compound��O�����Pwith multiple drugs.��������HDissolves on the skin. It'll make them compliant.�� �C�u@�� �8�����We're gonna keep our distance. No comms,��Ѡ�����so it feels like you and Remy are alone.��)�����,You'll be more exposed than usual,��IC�u@�� ݮ�����but it's a risk that we have to take.��q������What if they decide to take out the location�� ۠�����and everyone in it to destroy the drive?���C�u�� ���¡��Then we won't have to wonder who the enemy is, will we?�� 報��� �They'll be the only one left standing.���C�u�� ������Whatever it takes, remember?�� �C�u�� ;������Something's off with him.��q�����{In what way?�������� I don't know.���C�u�� V �����Normally, I can read what he's thinking.��p�����qIt's right there. But...�������ysomething's changed.��vC�u@�� q������I just have this terrible feeling�������like I'm gonna miss something big.�������� �Use Michelle. Get him to talk.��Ǡ�����That's what I mean. He's not talking to her either.���C�u�� �2�����It--���������His walls are up for some reason.���C�u@�� �L�����You think we hold?���������No, we can't hold now.��D������We might only get one shot at this.��͠�����If our lone wolf senses a trap or goes dark,��OC�u�� �J�����we might never find them.��e�����{Keep watching Alexander.��N������If he's not onboard, we call it.�� C�u�� �Š����I'd like to meet him.���C�u�� qr�����You ever seen her talk this much?������� Never.��C�u�� �P�����What're you up to?��E����� �We're sacrificing so much for this operation.�� C�u�� ՠ����I wanted to see for myself if he was up for it.�� �C�u��#F�����I believe he is.���C�u��>"�����You're worried.����� �We'll know who our lone wolf is very soon.�� C�u��T�����Who? Yes.�� C�u��h �����But I can't figure out the why.�� �C�u@���R�����Hey. He's headed to your place.���������Michelle [over phone]: Why?��������MI don't know. Something's up.���C�u���������See if you can get him to talk.���������- Understood. - Thank you.���C�u@��H�����Look, I've been here before.��󠤡���I'm a little too charming,�������� �guy falls a little too hard for me,��#������he starts getting obsessive,��yC�u@��*q�����comes to my apartment late at night���������with little to no warning and then...�� �����bI have to kill him.��C�u��J������I can't stay long.���������I'm leaving to go out of town tomorrow, and, uh...�� �C�u��e������I-- I think we should call this off.��נ���� �Oh.���������Wow.���C�u���0�����Wow. This is, um--��T�����,This is awkward.��pC�u���������You thought we were together?���������- I'm being serious, Michelle. - So am I.���C�u@���+�����We never made this a formal thing.�� ������ �You know, you didn't have to come��������"all the way here to break up with me��oC�u@��ɽ�����if you didn't want to see me again.��E�����FWell, I thought you deserved that at least.��t����� �Well, thank you.��󠩡���Your chivalry knows no bounds.��$C�u���ڠ����Yeah.���C�u���à����What is this, our first fight?��#�����$It was bound to happen eventually, right?���C�u��������Look, if you're mad about something,��D�����Eyou might as well just come out and say it.��OC�u��9������Alexander.�� �����Hey.��JC�u��oT�����Let's just--��頤����Can we... talk about this?��UC�u���ʠ����I got an early flight.��p����� �You take care of yourself.���C�u��͠ʡāI just wanna know that what I do for my country matters.�� _C�u��!'�����Hey.��k�����lHe's leaving her place.��󠜡�� �He just got there.��qC�u��6ꠣ���He walked out in a hurry.�������� >She closed all her blinds.��C�u���Ԡ����Where is he going now?��EC�u���������Come in.���C�u���U�����Hey.���������Hi.��@�����Sorry to drop in on you like this. Um--�� �C�u���g�����You got a minute? - Yeah.��O����� �Sure.��@C�u��#�����You're still workin' nights.��k�����{Still workin' nights.��{C�u��>�����You've been back to the cabin.��@�����xYeah.���C�u��T������I told you I loved it from the minute we walked in.�� .�����}But I doubt that's why you're here.���C�u@��p�����What's up?��I�����JNothing. Nothing, um--��$�š��'I just wanted to say some things I've been thinkin' about.�� �C�u���3�����Whatever happened between us,���������I can only speak to my side of it. Um--���C�u���Ԡ����But I want you to know...������� �you were right.��@C�u���������I never let you in.��qC�u��ݹ�����And I'm sorry.�������0That's it. Um--��FC�u��� �����You don't have to respond or anything, I just--�� ����� �I just wanted to say it.�� YC�u��������I'll see you around, Rach.���C�u��aѠ����Why would he tell her that now?���C�u@���:�����There's a chance������I don't come back from this mission.�������� �And if something happens,��C�u���{�����no matter what anybody says,���ȡ �I want you to know that I did not betray this country.�� �C�u��������I'll go through with it,��D�����Ebut I'm not doing it The Orphanage's way.��C�u��򪠣���We have a plane to catch.��y�����zDon't worry, I grabbed our bags.��vC�u@��M�����tech 1: Coming in.�������� tech 2: Standing by.��p�����sSignals tech: They've left Washington airspace.��IC�u��� �����Switching to flight comms.���������Go for control.��EC�u@��ы�����Shadowboxer's apartment is clear.��Ǡ���� And she didn't go to work at the bar tonight.���������They don't have her.��@C�u���ߠ����Copy.��;�����Has she gone dark?��E����� iI can fix it.��������You were worried about Hale���C�u��������and now his minder is missing?��{����� �- I'll find her, sir. - That's a good idea.�� ZC�u��������Who's with you?��J������Honestly?��KC�u@���1�����You think that if they were coming for you��?�����@that they would send me?�������� �Did you run because you thought��������~that we were coming to kill you? Why?�� C�u���Π����Alexander broke it off.��(�����)- Tonight? - Yeah.��TC�u��]�����You didn't know? - No.��������MI told you on the phone, he's been acting weird.��$C�u��.蠩���We didn't tell him to do that.��v����� _Even if we had, which, again, we didn't,�� �C�u��KL�����wouldn't that mean your part in this is done?���������You get to walk free. Wasn't that the deal?���C�u��g������You haven't made a lot of deals�� �����with spy agencies, have you?��{����� CNo, I haven't.���C�u@��&�����The last time I was an alias��̠�����for an operation that went sideways,�� Y�����'the agency I was working for��IC�u���������sent the cleaners in after me within minutes.�� _������No loose ends.���C�u@���n�����I don't care what The Orphanage says.���������They're all the same.��k������They're never gonna let me go.���C�u���@�����Not after what I did.��������ROh, wow.���C�u���C�����They didn't give you my whole file, did they?��UC�u�������How do you think The Orphanage��k�����lcollected me in the first place?���C�u��(������I made a mistake.��󠦡���The kind you can't run from.���C�u��G ����They'll say my debt is never repaid.�� YC�u��]-�����And they're probably right.��P�����bSo, make a deal with me.��TC�u@��Y�����When we stop whoever did the hack,���������I'll find a way to get rid of your file.�� ������'I don't know how yet, but I'll find a way.�� C�u��� ����Please don't run.��q����� Come back in. I need you.���C�u��������The only way I know how to connect to him���������is through you. And...���C�u���b�����you're the only person who knows��u�����vwhat any of this feels like.��pC�u@���K�����Also, this?�� �����Going out on your own into the cold?��������HThat'll trigger exactly the kind of reaction���C�u���4�����you're afraid of.������� iThey will overreact.�� -C�u�� ˠ����The entire mission will get pulled.��Ҡ�����We are this close to this being over.��{C�u��I������If breaking up was Alexander's idea,��U����� that means he knows I'm not on his side anymore.�� .C�u��c֠����Our fiction that he can talk to the real me is blown.��yC�u@��w������He must've figured out������you're still manipulating him through me.��o����� _How do you know that?��������MBecause he did it right before he left.�� cC�u@���k�����So when you found out, he'd already be on his way.�� Z�š���That's exactly what I would do if I was about to go rogue.��HC�u���]�����Go home.�� ���� �Pretend everything's normal.���C�u���j�����You should call it off.��J����� �You've lost control of him.���C�u��W������Found her. Just a misunderstanding.��{C�u��ps�����We still a go?��򠙡���Mission's good.��@�����WLet's go.���C�u���������I have to see this through.��J�����yWe can't stop now.��C�u@���4�����Just keep an eye on it, okay?��?�����@Mm-hmm.��:�����{- Got it? - Got it.����¡�� �ground agent: Osiris and Timekeeper in position.���C�u@��Z �����They're heading into the theater.�������Perimeter holding a half mile out.��󠥡�� No sign of hostiles.�������+Thank you, Ground. Keep your distance��EC�u@��p{�����until our target shows themselves.���������Radio silence. ground agent: Roger that.��̠���� �Let me see it.���C�u���ߠ����I wanna know who's in that room.��͠�����Who's got eyes on the room?���C�u��� ����crowd: Ah!���C�u@���l�����They've reached the target room.������� =Now they've just gotta find it.���������Then the enemy will find them.��OC�u��󝠐���Hello.��gC�u��g �����Look for a key somewhere.���C�u���H�����- Hey. - What?��͠���� �Didn't Mosaic collect old guns?��{C�u��蠝���Excusez-moi.���C�u��>ʠ����Sure feels like it sometimes.��Ǡ����)Let's go.��C�u��[������Signals?��{C�u��o=�����Drive's moving. He's got it.��J����� �All right. All right.��{C�u@����ơ��Now they go to the stairwell to get to the extraction point��T�����Uon the breezeway.��?����� �Get the extraction agent in place.��I������If the enemy is at the theater,��C�u��������they could be intercepted at any time.���C�u��������Show me outside.��lC�u�� 栒���Zoom in.���C�u��=������Control.���C�u��|1�����They found our extraction agent.��v����� He's dead in his apartment.���C�u��㹠����Every morning...��������man: I look into obsidian eyes.�� ������Extraction?���C�u���ޠ����Let's get you out of here.���C�u@�� B@�����Get a closer shot.��o�����pground agent: Are we moving in?��u����� �No. We don't know if this is our lone wolf.�� -C�u@�� WT�����We have to warn them somehow.������� 4If that's not our guy,���������we can't give them a reason to panic.��OC�u�� r1�����We need identification. Get me a face.�� �C�u�� �������Who is this guy?��@C�u�� �g�����Hey.���������Where are we going?��J�����HThere's a service elevator.��uC�u�� �%�����It'll take us down to the waterline.��#�����$Safest way out.���C�u�� �������We got him. Punch in.���C�u��!:�����Why is this taking so long? Get me a name!�� 3C�u@��!f&�����Why don't we have a name yet?������� /It's classified!�� �����6ground agent: Sniper's Nest has a clean shot.���C�u��!$�����No, we take him alive. Ground, go!�� ^����� _ground agent: On the move. Three minutes out.��?C�u@��!�������Moira...������Pull the overhead camera in.��?����� /I wanna see where they're going.��e����� �Moira!�� ����XWe're picking up another RF signal.��oC�u@��!�U�����About thirty voices on it.������It's not ours.���������There's someone else here.������� Contact! Northwest corner.���C�u��!�S�����Contact! Northeast corner.���������They're all over!��C�u@��!�[�����Peter. It's the CIA.��Ѡ�����What the fuck are they doing here?���������CIA comms: Closing to target. Capture first.���C�u��"T�����But if he's escaping, we shoot to kill.���������Now let's find out if you're full of shit or not.��)C�u��"w������You okay?��J�����KWar wound.��������1Before we head down--�� -C�u��"�䠭���It's a Faraday cage for the drive.��U����� dIn case it's being tracked.��PC�u��"������Time is of the essence.��TC�u��"�/�����How'd you know he didn't have the drive, huh?��*������Because I was watching��C�u��# 7�����through your eyes,��z�����{Alexander Hale.���C�u��#/x�����Stay down.��@C�u��#R������We hold him here.��k������Strike should be on site in minutes.��$C�u��#�䠎���Hey.���������Hey. You're okay.��������WIt's okay.���C�u��#�_�����Remy's down.���C�u��#�������Now that's interesting.���C�u��#ܴ�����Get up.��A�����'You're comin' with me.���C�u@��#�w�����But I thought we were staying here.��#�����$CIA operative 1: Drop your weapon!��?����� dThis is the CIA!��������Alexander Hale, surrender, now!�� �C�u��$������CIA operative 2: I see him! Go, go!������� �Go! Go around!���C�u��$�ɠ����Watch your cover! Cover, go, go!��vC�u��%+s�����CIA operative 2: Go! Go!��蠨����Come on, move! Move! Come on!���C�u��%�4�����CIA operative: Alexander Hale, stop!���C�u��%�������Hale, stop!���C�u@��%�A�����ground agent: Orphanage, stand down!������� ZCIA operative: CIA!��D������ground agent: Don't move, drop your weapon!���C�u@��%�Ӡ����Get on the ground! CIA operative: Step back!��̠�����ground agent: Stand down, now!�������� iCIA operative: Lower your weapons and move back!��㠖���MYou back up!�������� Step back!���C�u��&3x�����ground agent: Osiris, we're Orphanage.��{����� �Come on. We need to get you to safety.�� �C�u��&Y �����We have Osiris.��FC�u@��&�`�����Get our people out of there.��#�����$Do not fire unless fired upon.��������ground agent: Osiris is off the map.���C�u��&�D�����Repeat, Osiris is off the map.��{�����He's going after the target.���C�u@��&������Which direction?������� Alexander must've put the drive�������1in a Faraday cage. We can't track him.��(C�u@��'u�����Get me every camera we own east of the city.���������I wanna see it!��蠨��� �tech 1: Yes sir, we're on it.��������This is a manhunt.���C�u@��'$������The operational theater is now the entire city.��T�����UWe find our operative��p����� �and we do not let him fall into the wrong hands!���C�u��':x�����Roger that. Pull up that quadrant.�� 3C�u��'j점���Henry!�������� �Edmund!���C�u��'�4�����I saw you on the monitor with Hale.�������� What's goin' on?��SC�u��'�������Did you tell anyone you know me?��*������No.���C�u��'�V�����Are you in trouble?��p����� �Not anymore.��C�u��(נ����Look, I don't know what--���������I don't care what you did.�������� BOkay?��JC�u��(,d�����This belongs to The Orphanage.�������Make sure it gets to them.���C�u��(�d�����Okay, next block.���C�u@��)Q$�����I realized during all this��֠ġ���that the only time that anyone actually told me the truth��������~was when I had already found it myself.��OC�u��)z������The people I work for want me in the dark.���C�u��)�Ơ����Because it's easier to control me that way.���C�u@��*wA�����Once we find who we're looking for,��#�����$The Orphanage might cut a deal with them��Ơ���� �in exchange for the technology.���C�u��*���¡��And they'll only tell me what helps them use me.�� �C�u@��*�2�����I'm never gonna find out why this happened.��O�����POr why they chose me. Or if there's a way��򠬡�� Cto get this thing out of my head.�� ZC�u��*�:�����And stop it from happening to anyone else.���C�u��+Q_�����I know you'll understand, my friend.��OC�u��+�(�����What--��k������You havin' fun, Alexander? - Uh-huh.�� �C�u��+�ࠡ���- Yeah? - Yeah!���������Yeah? Did it-- Did it go faster?�� ࠗ����Maybe!���C�u��+�W�����Oh!���������Yeah?��C�u��,=�����Me, me, me, me, me!��#�����$Me, me, me, me!��qC�u��-�5�����Get on the ground or I shoot.���¡�� iIf you were gonna shoot me, you'd have done it already.�� �C�u@��-� �����But you didn't for the same reason��O�����Pyou drugged your own partner.��͠�����For the same reason you didn't wanna hand me over��(C�u��-�E�����to The Orphanage just quite yet.�� ᠡ����You know you're hacked.��C�u��. 6�����And you know I'm the only one��D�����Ethat can answer your questions.��OC�u��.0P�����So, let's talk.��ES�ku�����뷎���*���������"ٷ����*��(��)����+�����*��a��ƻ���0ʷ����*�����v����;)���������� ۻ���E��������Q�������J������������O����Z�����������j����_��������%��ֻ���g߷�������V�� 3����r���������I����x]�������4��q�������������\��I�����з���������f�����7���������������P��������*�����������������W��S�����A�����B���� ������˷����B��C�� ������V���������� -��������������<�������IJ��������w�� 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