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1
00:00:02,026 --> 00:00:03,863
CRYSILDA: I see it now.
2
00:00:03,863 --> 00:00:04,865
‐ What?
3
00:00:04,865 --> 00:00:06,618
‐ How to make it right.
4
00:00:07,494 --> 00:00:09,582
How to get away clean.
5
00:00:09,582 --> 00:00:11,712
‐ [screaming]
6
00:00:15,427 --> 00:00:17,264
RITA: I'm looking for a girl.
7
00:00:17,264 --> 00:00:18,851
This is 16 years old,
8
00:00:18,851 --> 00:00:20,562
so she would be in her 30s now.
9
00:00:21,397 --> 00:00:22,692
Her name is Annie.
10
00:00:24,070 --> 00:00:25,698
JOY: What were you gonna do
with me?
11
00:00:25,698 --> 00:00:27,493
‐ Joy...
12
00:00:27,493 --> 00:00:29,956
‐ You were gonna kill us both,
weren't you?
13
00:00:29,956 --> 00:00:31,584
JOY: You need to go.
14
00:00:31,584 --> 00:00:34,131
‐ Joy, I'm not going anywhere
without you.
15
00:00:35,843 --> 00:00:37,054
[gunshot]
16
00:00:37,054 --> 00:00:38,683
DEPUTY: Hands up!
17
00:00:38,683 --> 00:00:41,020
‐ I did it!
18
00:00:41,020 --> 00:00:42,649
AUGUSTIN: She brought me back.
19
00:00:42,649 --> 00:00:45,195
The Wilkes woman brought
all of us back.
20
00:00:45,195 --> 00:00:46,949
‐ You're seeing signs
where there are none.
21
00:00:46,949 --> 00:00:49,996
‐ What vessel is suitable?
Show us the proper vessel.
22
00:00:49,996 --> 00:00:52,334
SHERIFF BOUCHER: Her head's
swimming with antipsychotics.
23
00:00:52,334 --> 00:00:53,879
AUGUSTIN:
What was the problem?
24
00:00:53,879 --> 00:00:56,175
‐ The medicine they use, it...
25
00:00:56,175 --> 00:00:57,637
confuses them.
26
00:00:57,637 --> 00:00:59,850
AUGUSTIN: And the vessel?
27
00:00:59,850 --> 00:01:02,104
For Amity?
28
00:01:02,104 --> 00:01:03,983
You chose her?
‐ No.
29
00:01:03,983 --> 00:01:05,987
She chose us.
30
00:01:05,987 --> 00:01:09,034
It's all happening exactly
as Amity said it would.
31
00:01:09,034 --> 00:01:11,581
[dark music]
32
00:01:18,261 --> 00:01:21,267
[door creaks]
33
00:01:28,616 --> 00:01:30,452
ACE: Hello, Anne.
34
00:01:30,452 --> 00:01:32,581
[eerie music]
35
00:01:32,581 --> 00:01:34,210
‐ Ace?
36
00:01:34,210 --> 00:01:35,212
[door slams]
37
00:01:35,212 --> 00:01:36,757
What's happening?
38
00:01:36,757 --> 00:01:39,553
They questioned me,
but they brought us here.
39
00:01:39,553 --> 00:01:41,683
Am I under arrest?
40
00:01:41,683 --> 00:01:44,271
‐ He's with us now.
41
00:01:44,271 --> 00:01:48,697
♪ ♪
42
00:01:48,697 --> 00:01:50,701
Let's find you a place
to clean up.
43
00:01:50,701 --> 00:01:54,041
♪ ♪
44
00:01:54,041 --> 00:01:57,047
[strange echoing whistling]
45
00:01:59,636 --> 00:02:02,642
[Leonard Cohen's "Avalanche"]
46
00:02:02,642 --> 00:02:09,614
♪ ♪
47
00:02:23,726 --> 00:02:26,188
[bell jingles]
48
00:02:26,188 --> 00:02:30,238
♪ ♪
49
00:02:30,238 --> 00:02:36,375
COHEN: ♪ I stepped
into an avalanche ♪
50
00:02:36,375 --> 00:02:39,089
♪ It covered up my soul ♪
51
00:02:39,089 --> 00:02:40,885
♪ ♪
52
00:02:40,885 --> 00:02:46,813
♪ When I am not
this hunchback that you see ♪
53
00:02:46,813 --> 00:02:50,070
♪ I sleep
beneath the golden hill ♪
54
00:02:50,070 --> 00:02:52,491
♪ ♪
55
00:02:52,491 --> 00:02:56,332
♪ You who wish
to conquer pain ♪
56
00:02:56,332 --> 00:03:02,427
♪ You must learn,
learn to serve me well ♪
57
00:03:02,427 --> 00:03:09,441
♪ ♪
58
00:03:12,907 --> 00:03:16,957
♪ You strike my side
by accident ♪
59
00:03:16,957 --> 00:03:18,418
♪ ♪
60
00:03:18,418 --> 00:03:22,092
♪ As you go down
for your gold ♪
61
00:03:22,092 --> 00:03:24,013
♪ ♪
62
00:03:24,013 --> 00:03:28,981
♪ The cripple here
that you clothe and feed ♪
63
00:03:28,981 --> 00:03:32,404
♪ Is neither starved
nor cold ♪
64
00:03:32,404 --> 00:03:39,418
♪ ♪
65
00:03:42,382 --> 00:03:45,388
[ominous music]
66
00:03:45,388 --> 00:03:52,402
♪ ♪
67
00:04:12,234 --> 00:04:14,279
‐ What have you found?
68
00:04:14,279 --> 00:04:15,783
‐ Her pills.
69
00:04:20,542 --> 00:04:23,548
[suspenseful music]
70
00:04:23,548 --> 00:04:27,013
♪ ♪
71
00:04:30,311 --> 00:04:37,325
♪ ♪
72
00:04:40,039 --> 00:04:43,045
[disjointed, tense music]
73
00:04:43,045 --> 00:04:49,516
♪ ♪
74
00:04:49,516 --> 00:04:52,147
ANNIE: I saw this a week ago,
75
00:04:52,147 --> 00:04:54,443
and it was kind of
a flop house.
76
00:04:54,443 --> 00:04:57,240
‐ We figure if we can
fix a place like this,
77
00:04:57,240 --> 00:04:59,453
we can fix anything.
78
00:04:59,453 --> 00:05:00,789
Anyone.
79
00:05:02,417 --> 00:05:04,379
As long as you're here,
you have sanctuary.
80
00:05:04,379 --> 00:05:06,718
ANNIE: No, no,
we are not staying here.
81
00:05:06,718 --> 00:05:09,431
‐ If you leave now,
you'd be taking your chances...
82
00:05:09,431 --> 00:05:10,851
♪ ♪
83
00:05:10,851 --> 00:05:12,897
With the state.
84
00:05:12,897 --> 00:05:15,903
Child Protective Services.
85
00:05:15,903 --> 00:05:18,449
Everyone needs help sometimes.
86
00:05:18,449 --> 00:05:20,788
No shame in it.
87
00:05:20,788 --> 00:05:22,540
Stay the night.
88
00:05:22,540 --> 00:05:24,963
Until it's safe out there
for you and Joy.
89
00:05:24,963 --> 00:05:28,010
JOY: [weeping]
90
00:05:46,756 --> 00:05:49,428
‐ Little love...
91
00:05:49,428 --> 00:05:51,808
[sighs]
I wanna fix it...
92
00:05:53,477 --> 00:05:56,317
But I don't know how.
93
00:05:56,317 --> 00:05:58,529
I just know we can't stay here.
94
00:05:58,529 --> 00:06:00,325
[door opens]
95
00:06:00,325 --> 00:06:03,581
[approaching footsteps]
96
00:06:03,581 --> 00:06:05,711
As soon as it's safe,
we'll leave.
97
00:06:05,711 --> 00:06:07,464
I promise.
98
00:06:09,301 --> 00:06:11,138
EERIE VOICE: [whispering]
Annie...
99
00:06:17,150 --> 00:06:19,614
ANNIE: Sweetheart...
100
00:06:19,614 --> 00:06:21,241
EERIE VOICE: [whispering]
Annie...
101
00:06:21,241 --> 00:06:25,124
[tense music]
102
00:06:25,124 --> 00:06:27,003
Annie.
103
00:06:28,172 --> 00:06:30,551
‐ What are you doing?
104
00:06:30,551 --> 00:06:32,848
Have you been
taking your pills?
105
00:06:32,848 --> 00:06:35,353
ANNIE:
Yes, they gave them back to me.
106
00:06:35,353 --> 00:06:42,367
♪ ♪
107
00:07:01,614 --> 00:07:04,369
CHRIS: I understand
Amity's vessel is here now.
108
00:07:04,369 --> 00:07:07,960
‐ Yes, she'll be back
with us soon.
109
00:07:10,423 --> 00:07:12,051
‐ And the doctor?
110
00:07:12,051 --> 00:07:15,391
VALERIE: Augustin says
it's time for her too.
111
00:07:15,391 --> 00:07:17,520
She's your affair now.
112
00:07:17,520 --> 00:07:23,658
♪ ♪
113
00:07:23,658 --> 00:07:25,829
[knocks on door]
114
00:07:30,338 --> 00:07:32,676
‐ Hey, what are you doing here?
115
00:07:34,554 --> 00:07:37,477
I've gotta get to work.
‐ I just need to talk to you.
116
00:07:40,066 --> 00:07:42,153
‐ So, where have you been?
117
00:07:44,032 --> 00:07:47,455
‐ If your brother's sleeping
at the office now...
118
00:07:47,455 --> 00:07:49,919
that means you've got the place
all to yourself.
119
00:07:49,919 --> 00:07:51,965
NADIA: So?
120
00:07:51,965 --> 00:07:54,010
‐ So maybe we can
find some virtue
121
00:07:54,010 --> 00:07:56,766
in the circumstances.
122
00:07:56,766 --> 00:07:59,062
‐ It's not a joke.
123
00:07:59,062 --> 00:08:01,066
CHRIS: [sighs]
124
00:08:03,738 --> 00:08:05,617
You two will work it out.
125
00:08:07,036 --> 00:08:08,330
It's time.
126
00:08:08,330 --> 00:08:10,418
‐ No, it's not.
127
00:08:10,418 --> 00:08:12,965
[gags]
128
00:08:12,965 --> 00:08:15,971
‐ [grunts softly]
‐ [gagging]
129
00:08:17,348 --> 00:08:20,604
‐ [grunting]
130
00:08:20,604 --> 00:08:22,150
‐ [grunts]
‐ [hollers]
131
00:08:22,150 --> 00:08:23,820
Bitch!
132
00:08:23,820 --> 00:08:26,158
[dramatic music]
133
00:08:26,158 --> 00:08:27,493
NADIA: [screams]
134
00:08:27,493 --> 00:08:29,289
CHRIS: [grunts, hollers]
135
00:08:29,289 --> 00:08:31,669
‐ What's wrong with you?!
‐ Kill you, bitch!
136
00:08:31,669 --> 00:08:33,047
NADIA: Chris, get off!
137
00:08:33,047 --> 00:08:34,549
‐ Chris is dead
and you're next.
138
00:08:34,549 --> 00:08:36,303
‐ What are you doing?!
139
00:08:36,303 --> 00:08:39,184
‐ Four fuckin' years
and you think you can get away?
140
00:08:39,184 --> 00:08:41,605
[both grunting]
141
00:08:48,077 --> 00:08:49,830
NADIA: [yelps]
142
00:08:52,043 --> 00:08:54,047
[panting]
143
00:08:58,263 --> 00:08:59,684
‐ It is time.
144
00:08:59,684 --> 00:09:03,650
Cell network,
phone lines, power.
145
00:09:05,027 --> 00:09:06,948
Once we cut off
communication...
146
00:09:08,910 --> 00:09:11,373
[lights clang]
147
00:09:11,373 --> 00:09:13,335
Kill anyone that's left.
148
00:09:13,335 --> 00:09:15,005
‐ [panting]
149
00:09:26,738 --> 00:09:28,825
[heavy thud]
150
00:09:28,825 --> 00:09:31,831
[wheels clattering]
151
00:09:41,809 --> 00:09:43,938
Hello?
152
00:09:43,938 --> 00:09:47,654
What the fuck?
[sighs]
153
00:09:47,654 --> 00:09:50,660
[tense music]
154
00:09:50,660 --> 00:09:56,546
♪ ♪
155
00:09:56,546 --> 00:09:58,802
[phone dock clicking]
156
00:09:58,802 --> 00:10:05,314
♪ ♪
157
00:10:05,314 --> 00:10:07,276
Is anybody here?
158
00:10:09,197 --> 00:10:11,034
Hello?
159
00:10:23,935 --> 00:10:26,899
[melancholy music]
160
00:10:26,899 --> 00:10:33,913
♪ ♪
161
00:11:36,121 --> 00:11:39,127
[foreboding music]
162
00:11:39,127 --> 00:11:46,141
♪ ♪
163
00:12:07,266 --> 00:12:09,772
VALERIE: There is something
you need to see.
164
00:12:09,772 --> 00:12:16,786
♪ ♪
165
00:12:21,086 --> 00:12:23,131
‐ Whose hand is this?
166
00:12:23,131 --> 00:12:25,344
‐ The girl's.
167
00:12:25,344 --> 00:12:28,350
What if the daughter
is the vessel?
168
00:12:28,350 --> 00:12:30,855
‐ [speaking French]
169
00:12:41,459 --> 00:12:44,423
[tense music rises,
crescendos]
170
00:13:08,848 --> 00:13:15,820
♪ ♪
171
00:13:31,434 --> 00:13:33,480
Is this your daughter's?
172
00:13:33,480 --> 00:13:34,775
‐ Yeah.
173
00:13:34,775 --> 00:13:36,361
Did she leave it out?
174
00:13:36,361 --> 00:13:39,826
ACE:
She has a very unique style.
175
00:13:39,826 --> 00:13:41,747
Has she always been an artist?
176
00:13:41,747 --> 00:13:43,793
Joy.
177
00:13:43,793 --> 00:13:46,089
‐ Steady hand, that girl.
178
00:13:47,968 --> 00:13:51,140
ACE: Is she... doing better?
179
00:13:55,023 --> 00:13:57,277
If there's anything at all
that she needs‐‐
180
00:13:57,277 --> 00:14:00,785
a favorite meal, new clothes...
181
00:14:00,785 --> 00:14:03,039
art supplies.
182
00:14:03,039 --> 00:14:05,670
Even‐‐I hope
you'll forgive me‐‐
183
00:14:05,670 --> 00:14:07,716
uh...
184
00:14:07,716 --> 00:14:08,843
any medication.
185
00:14:08,843 --> 00:14:10,972
‐ No, nothing like that.
186
00:14:10,972 --> 00:14:12,934
She's not like‐‐
‐ Of course.
187
00:14:12,934 --> 00:14:14,520
I just wondered.
188
00:14:19,906 --> 00:14:21,325
[muffled thud]
189
00:14:25,793 --> 00:14:28,674
‐ That door...
190
00:14:28,674 --> 00:14:30,845
‐ Yes?
191
00:14:30,845 --> 00:14:32,682
‐ What's down there?
192
00:14:38,694 --> 00:14:40,489
‐ The basement.
193
00:14:40,489 --> 00:14:43,119
ANNIE: You keep it locked.
194
00:14:43,119 --> 00:14:44,623
‐ I do.
195
00:14:44,623 --> 00:14:46,084
We're finishing it.
196
00:14:46,084 --> 00:14:48,338
I don't want someone
to get hurt.
197
00:14:48,338 --> 00:14:51,344
[sinister music]
198
00:14:51,344 --> 00:14:58,358
♪ ♪
199
00:14:58,358 --> 00:15:01,447
EERIE VOICE: [whispering]
Annie.
200
00:15:13,889 --> 00:15:16,895
[metal clanging]
201
00:15:21,362 --> 00:15:23,199
NADIA: Hello?
202
00:15:29,295 --> 00:15:31,340
Miss Davis?
203
00:15:31,340 --> 00:15:33,136
What happened?
Where is everyone?
204
00:15:33,136 --> 00:15:34,723
‐ The parade came by.
205
00:15:34,723 --> 00:15:38,229
They went out to look,
and they never came back.
206
00:15:38,229 --> 00:15:41,068
They all kept talking
about a noise,
207
00:15:41,068 --> 00:15:42,279
but I couldn't hear it.
208
00:15:42,279 --> 00:15:45,160
‐ [grunting]
209
00:15:45,160 --> 00:15:48,166
[coughing, gasping]
210
00:15:48,166 --> 00:15:50,963
♪ ♪
211
00:15:50,963 --> 00:15:53,218
It hurts.
Jesus.
212
00:15:53,218 --> 00:15:55,055
‐ What hurts?
213
00:15:55,055 --> 00:15:56,767
‐ Get him out of me.
Get him away.
214
00:15:56,767 --> 00:15:59,104
I don't know what's happening.
215
00:15:59,104 --> 00:16:00,232
There's something inside of me!
‐ Chris, it's Nadia.
216
00:16:00,232 --> 00:16:01,400
There's no one here but us.
217
00:16:01,400 --> 00:16:03,739
‐ [gasping]
218
00:16:03,739 --> 00:16:04,991
What happened?
219
00:16:04,991 --> 00:16:07,329
‐ You attacked me
is what happened.
220
00:16:07,329 --> 00:16:09,458
‐ There's someone‐‐
221
00:16:09,458 --> 00:16:11,755
someone inside of me.
222
00:16:11,755 --> 00:16:14,343
[panting]
223
00:16:14,343 --> 00:16:15,972
[groans]
224
00:16:15,972 --> 00:16:17,642
‐ Listen, you're having
a psychotic break.
225
00:16:17,642 --> 00:16:20,773
I'm treating you with Haldol
to stabilize you.
226
00:16:20,773 --> 00:16:23,069
I know what you're feeling
feels very real right now‐‐
227
00:16:23,069 --> 00:16:25,573
‐ It is real.
It's all‐‐it's all real.
228
00:16:25,573 --> 00:16:27,870
They're coming for you, Nadia.
229
00:16:27,870 --> 00:16:30,292
They're coming for everyone.
230
00:16:30,292 --> 00:16:32,880
‐ Chris? Chris?
231
00:16:35,510 --> 00:16:37,849
EERIE VOICE: [whispering]
Annie.
232
00:16:39,018 --> 00:16:40,813
Can't you see
233
00:16:40,813 --> 00:16:43,986
what these dirty birds want?
234
00:16:43,986 --> 00:16:45,196
Can't you see
235
00:16:45,196 --> 00:16:48,244
how you're giving in to them?
236
00:16:48,244 --> 00:16:50,833
Giving her to them.
237
00:16:52,294 --> 00:16:55,258
Dirty words in a dirty book...
238
00:16:56,636 --> 00:16:59,809
Blind you
to what's really going on,
239
00:16:59,809 --> 00:17:02,899
just like they did
with your father.
240
00:17:02,899 --> 00:17:04,611
[no audible dialogue]
241
00:17:04,611 --> 00:17:06,322
[echoing] Annie...
242
00:17:06,322 --> 00:17:07,950
‐ [whimpers]
243
00:17:07,950 --> 00:17:09,203
‐ Annie!
244
00:17:09,203 --> 00:17:12,334
‐ [hyperventilating]
245
00:17:12,334 --> 00:17:15,340
[sinister music]
246
00:17:15,340 --> 00:17:22,354
♪ ♪
247
00:17:32,667 --> 00:17:36,340
‐ [gasping]
248
00:17:36,340 --> 00:17:39,346
[screams]
249
00:17:39,346 --> 00:17:41,308
This isn't real.
250
00:17:41,308 --> 00:17:44,398
CRYSILDA: They put filth
inside her.
251
00:17:44,398 --> 00:17:46,026
‐ [whimpering]
You aren't‐‐you aren't real!
252
00:17:46,026 --> 00:17:47,571
CRYSILDA: Get her clean!
253
00:18:09,031 --> 00:18:11,703
‐ Did you get any sleep?
254
00:18:11,703 --> 00:18:13,707
‐ I guess.
255
00:18:13,707 --> 00:18:17,214
‐ Nothing like
a nice, long sleep.
256
00:18:18,424 --> 00:18:21,430
‐ [breathing heavily]
257
00:18:24,520 --> 00:18:26,858
‐ Joy?
258
00:18:30,866 --> 00:18:33,120
‐ Why are you
being so nice to us?
259
00:18:33,120 --> 00:18:34,791
ACE: [chuckles]
260
00:18:34,791 --> 00:18:37,546
‐ You weren't like this
when we first got here.
261
00:18:40,552 --> 00:18:42,097
‐ People change.
262
00:18:42,097 --> 00:18:43,599
ANNIE: Joy?
263
00:18:43,599 --> 00:18:46,605
[eerie music]
264
00:18:46,605 --> 00:18:49,821
♪ ♪
265
00:18:49,821 --> 00:18:52,660
[rapid approaching footsteps]
266
00:18:54,664 --> 00:19:00,341
♪ ♪
267
00:19:00,341 --> 00:19:03,807
ACE:
That appalling man you met,
268
00:19:03,807 --> 00:19:06,646
he was at a funny place
in his life.
269
00:19:06,646 --> 00:19:09,861
Turns out, his time was up,
270
00:19:09,861 --> 00:19:12,783
and now he feels like a...
271
00:19:12,783 --> 00:19:15,789
distant memory.
272
00:19:17,334 --> 00:19:20,173
Think you might
like a change, Joy?
273
00:19:20,173 --> 00:19:22,052
Given what you've been through.
274
00:19:22,052 --> 00:19:29,066
♪ ♪
275
00:19:35,161 --> 00:19:37,499
Terrible thing...
276
00:19:37,499 --> 00:19:40,088
to see someone die like that...
277
00:19:40,088 --> 00:19:42,509
and right in front of you.
278
00:19:42,509 --> 00:19:46,392
And to be responsible
for someone's death.
279
00:19:46,392 --> 00:19:49,439
‐ No, no, it was an accident.
280
00:19:51,110 --> 00:19:53,782
‐ Things happen for a reason.
281
00:19:53,782 --> 00:19:56,245
[insects buzzing]
282
00:19:56,245 --> 00:19:58,457
And you did a bad thing.
283
00:19:58,457 --> 00:20:00,378
A terrible thing, Joy.
284
00:20:00,378 --> 00:20:03,134
Now you feel empty.
285
00:20:03,134 --> 00:20:04,177
A shell.
286
00:20:04,177 --> 00:20:07,392
♪ ♪
287
00:20:07,392 --> 00:20:10,023
‐ [whimpers softly]
288
00:20:10,023 --> 00:20:12,110
[yelps]
289
00:20:12,110 --> 00:20:14,489
[sinister music]
290
00:20:14,489 --> 00:20:16,786
JOY: [muffled screaming]
291
00:20:16,786 --> 00:20:18,623
‐ Shh.
292
00:20:18,623 --> 00:20:19,667
‐ Get off!
293
00:20:19,667 --> 00:20:21,086
ACE: But lucky you.
294
00:20:21,086 --> 00:20:23,842
‐ [muffled] Let me go!
Let me go!
295
00:20:23,842 --> 00:20:25,470
ACE: Not for long.
296
00:20:29,186 --> 00:20:32,192
[dark music]
297
00:20:32,192 --> 00:20:39,206
♪ ♪
298
00:20:57,450 --> 00:20:59,037
‐ [panting]
299
00:20:59,037 --> 00:21:01,375
[groaning]
‐ Just breathe.
300
00:21:01,375 --> 00:21:03,129
You're safe now.
301
00:21:05,383 --> 00:21:08,640
‐ Just give me more
of that stuff.
302
00:21:08,640 --> 00:21:10,936
I can't hold him back
any longer.
303
00:21:10,936 --> 00:21:14,025
[inhales hoarsely]
[groaning]
304
00:21:14,025 --> 00:21:16,113
NADIA: Chris? Chris.
305
00:21:17,115 --> 00:21:18,450
‐ [yelps]
306
00:21:18,450 --> 00:21:20,831
NADIA:
I'm getting more medicine.
307
00:21:20,831 --> 00:21:23,837
‐ [groaning, straining]
308
00:21:23,837 --> 00:21:26,843
[suspenseful music]
309
00:21:26,843 --> 00:21:31,226
♪ ♪
310
00:21:31,226 --> 00:21:33,815
[door opens]
311
00:21:33,815 --> 00:21:37,781
BILLY: Just sweep
the building for people
and shoot anyone that's left.
312
00:21:37,781 --> 00:21:44,795
♪ ♪
313
00:21:47,467 --> 00:21:49,179
‐ Chris, there are men here
with guns.
314
00:21:49,179 --> 00:21:52,060
‐ My men, and I'll enjoy
watching what they do to you.
315
00:21:52,060 --> 00:21:55,107
‐ What?
‐ I'm in here, brothers!
316
00:21:55,107 --> 00:21:58,113
[muffled screaming]
‐ [shushes]
317
00:21:59,532 --> 00:22:01,161
‐ Hello, boys!
I'm in here!
318
00:22:01,161 --> 00:22:02,497
NADIA: Shut the fuck up!
319
00:22:02,497 --> 00:22:06,088
‐ [muffled screaming]
320
00:22:06,088 --> 00:22:13,102
♪ ♪
321
00:22:14,981 --> 00:22:17,653
[distant clatter]
322
00:22:17,653 --> 00:22:19,657
[muffled holler]
323
00:22:19,657 --> 00:22:26,671
♪ ♪
324
00:22:30,846 --> 00:22:33,183
[gunfire]
[glass shatters]
325
00:22:33,183 --> 00:22:34,770
[gunfire continues]
326
00:22:34,770 --> 00:22:36,774
‐ [grunting]
327
00:22:39,571 --> 00:22:41,575
‐ [screams]
328
00:22:41,575 --> 00:22:42,870
CHRIS: You're all gonna die!
329
00:22:42,870 --> 00:22:44,832
‐ Fuck!
330
00:22:44,832 --> 00:22:47,295
[panel beeps]
331
00:22:47,295 --> 00:22:49,842
‐ [muffled grunting]
332
00:22:53,892 --> 00:22:54,894
[gunshot]
333
00:22:56,647 --> 00:22:57,649
[gunshot]
334
00:23:01,616 --> 00:23:03,202
BILLY:
Open the fucking door!
335
00:23:03,202 --> 00:23:04,997
‐ [grunts]
336
00:23:04,997 --> 00:23:06,834
[door rattling]
337
00:23:08,545 --> 00:23:10,049
Go around the back!
338
00:23:10,049 --> 00:23:11,928
‐ You're not
getting out of here alive.
339
00:23:11,928 --> 00:23:13,890
Open the door.
340
00:23:16,646 --> 00:23:18,273
[grunts]
341
00:23:18,273 --> 00:23:21,279
[suspenseful music]
342
00:23:21,279 --> 00:23:28,293
♪ ♪
343
00:23:32,301 --> 00:23:35,057
No, don't, don't.
344
00:23:35,057 --> 00:23:37,270
‐ [panting]
‐ Don't, don't‐‐
345
00:23:37,270 --> 00:23:39,482
‐ It's just a little Haldol.
Come on, Chris!
346
00:23:39,482 --> 00:23:41,153
‐ [grunts]
347
00:23:47,666 --> 00:23:50,881
[rattling]
[muffled chatter]
348
00:23:55,765 --> 00:23:57,769
TIMOTHY:
Did you find the Wilkes woman?
349
00:23:57,769 --> 00:23:59,773
VALERIE: No, not yet.
Search the grounds.
350
00:23:59,773 --> 00:24:01,736
Go up to the girl.
351
00:24:01,736 --> 00:24:03,071
No one gets in.
352
00:24:03,071 --> 00:24:05,576
Not until sunset tomorrow.
353
00:24:06,829 --> 00:24:08,958
ANNIE: Joy‐‐no, no.
354
00:24:12,131 --> 00:24:15,137
[water dripping]
355
00:24:17,099 --> 00:24:19,688
‐ Find her.
356
00:24:19,688 --> 00:24:22,318
Get her clean.
357
00:24:22,318 --> 00:24:25,992
Get her out
of this dirty world.
358
00:24:36,304 --> 00:24:39,102
[sinister music]
359
00:24:39,102 --> 00:24:46,116
♪ ♪
360
00:25:07,033 --> 00:25:09,329
[clatter]
361
00:25:09,329 --> 00:25:16,343
♪ ♪
362
00:25:26,279 --> 00:25:27,281
‐ [gasps]
363
00:25:28,951 --> 00:25:31,624
[muffled screaming]
364
00:25:34,003 --> 00:25:36,549
‐ Where's my girl?
365
00:25:36,549 --> 00:25:38,053
‐ [muffled]
I don't know, you bitch!
366
00:25:38,053 --> 00:25:39,973
[muffled screaming]
367
00:25:39,973 --> 00:25:42,353
‐ Look what you're
making me do.
368
00:25:42,353 --> 00:25:44,565
[breathing heavily]
‐ Up in the attic!
369
00:25:44,565 --> 00:25:46,361
Attic!
370
00:25:46,361 --> 00:25:47,446
[muffled screaming]
371
00:25:47,446 --> 00:25:49,575
ANNIE: [grunts]
372
00:25:49,575 --> 00:25:51,496
[screams]
373
00:25:52,624 --> 00:25:54,920
[both screaming]
374
00:25:56,047 --> 00:25:58,803
‐ [gasping]
375
00:26:02,226 --> 00:26:09,240
♪ ♪
376
00:26:16,087 --> 00:26:17,381
[door slams]
377
00:26:20,387 --> 00:26:21,682
[lock clicks]
378
00:26:21,682 --> 00:26:28,654
♪ ♪
379
00:26:37,839 --> 00:26:40,302
[object clatters]
380
00:26:40,302 --> 00:26:41,847
ANNIE: [screams]
381
00:26:41,847 --> 00:26:43,433
‐ Helene?
382
00:26:46,314 --> 00:26:48,318
Helene?
383
00:26:48,318 --> 00:26:50,489
Helene?
What happened?
384
00:26:50,489 --> 00:26:51,742
[object scrapes]
385
00:26:59,465 --> 00:27:02,471
[intense music]
386
00:27:02,471 --> 00:27:09,443
♪ ♪
387
00:27:25,852 --> 00:27:27,146
‐ [gasps]
388
00:27:29,066 --> 00:27:30,235
[board clatters]
389
00:27:30,235 --> 00:27:32,448
JOY: Mom?
‐ Oh, little love.
390
00:27:32,448 --> 00:27:36,456
Oh.
[breathing heavily]
391
00:27:36,456 --> 00:27:38,043
‐ What's happening?
392
00:27:38,043 --> 00:27:40,965
ANNIE: We're getting out,
that's what.
393
00:27:42,677 --> 00:27:44,263
‐ What did they do to you?
394
00:27:44,263 --> 00:27:46,476
CRYSILDA: [whispering]
Annie.
395
00:27:46,476 --> 00:27:49,608
You have to save her...
396
00:27:49,608 --> 00:27:53,073
like I tried to do for you.
397
00:27:53,073 --> 00:27:55,118
CRYSILDA: You know
there's only one way out
398
00:27:55,118 --> 00:27:57,164
of this dirty world.
399
00:27:57,164 --> 00:28:00,838
You know what you have to do.
400
00:28:00,838 --> 00:28:03,051
End your pain.
401
00:28:03,051 --> 00:28:05,890
End her pain.
402
00:28:05,890 --> 00:28:08,061
‐ Joy...
403
00:28:08,061 --> 00:28:09,563
‐ Mom.
‐ We're gonna...
404
00:28:09,563 --> 00:28:11,526
CRYSILDA: Kill her, Annie.
405
00:28:11,526 --> 00:28:13,238
Make her clean.
406
00:28:13,238 --> 00:28:14,407
[baby crying]
407
00:28:14,407 --> 00:28:16,870
Make her clean.
408
00:28:16,870 --> 00:28:18,581
Get her clean.
409
00:28:18,581 --> 00:28:21,630
Make her clean.
410
00:28:21,630 --> 00:28:23,801
‐ [gasps]
411
00:28:23,801 --> 00:28:25,680
‐ Mom, can we go?
412
00:28:25,680 --> 00:28:27,307
‐ [breathing shakily]
413
00:28:27,307 --> 00:28:28,894
‐ Mom?
414
00:28:28,894 --> 00:28:33,821
♪ ♪
415
00:28:33,821 --> 00:28:36,033
‐ Hang on to me, okay?
416
00:28:36,033 --> 00:28:37,746
Don't make a sound.
417
00:28:37,746 --> 00:28:44,760
♪ ♪
418
00:28:47,891 --> 00:28:50,897
[indistinct whispered chatter]
419
00:29:05,760 --> 00:29:12,774
♪ ♪
420
00:29:47,886 --> 00:29:50,892
[birds chirping]
421
00:29:59,033 --> 00:30:02,039
‐ [breathing shallowly]
422
00:30:02,039 --> 00:30:05,045
[tense music]
423
00:30:05,045 --> 00:30:08,844
♪ ♪
424
00:30:08,844 --> 00:30:10,347
[pounding on door]
BILLY: Doctor!
425
00:30:10,347 --> 00:30:12,601
Let's try this again!
426
00:30:12,601 --> 00:30:14,146
NADIA: No!
‐ One life for two!
427
00:30:14,146 --> 00:30:17,110
How does that sound?
428
00:30:17,110 --> 00:30:18,906
CHRIS:
Nadia, don't open the door.
429
00:30:18,906 --> 00:30:21,912
‐ Ten!
‐ Don't open the door.
430
00:30:21,912 --> 00:30:24,124
‐ Nine!
‐ No, no, no, no, no.
431
00:30:24,124 --> 00:30:25,962
CHRIS: Don't open it.
BILLY: Eight!
432
00:30:25,962 --> 00:30:28,091
‐ I can see‐‐
I can see what he's seen.
433
00:30:28,091 --> 00:30:30,178
Don't open the door.
[gasps]
434
00:30:30,178 --> 00:30:32,557
Give me more of that drug.
‐ Six!
435
00:30:32,557 --> 00:30:35,355
CHRIS: Give me more Haldol.
436
00:30:35,355 --> 00:30:37,610
BILLY: Five!
‐ Nadia, I can hold him back.
437
00:30:37,610 --> 00:30:38,988
It has to be now.
438
00:30:38,988 --> 00:30:40,198
[pounding on glass]
439
00:30:40,198 --> 00:30:42,119
BILLY: Three!
440
00:30:42,119 --> 00:30:43,622
Two!
441
00:30:43,622 --> 00:30:44,791
[muffled crash]
[Nadia screams]
442
00:30:44,791 --> 00:30:46,168
[glass shatters]
443
00:30:46,168 --> 00:30:48,799
‐ [whimpering]
444
00:30:51,345 --> 00:30:53,016
[gasps]
445
00:30:53,016 --> 00:30:54,769
[panel beeps]
446
00:30:56,105 --> 00:30:57,942
BILLY: Bertrand?
447
00:31:02,325 --> 00:31:04,706
‐ Thank you.
448
00:31:04,706 --> 00:31:07,294
She's back there.
449
00:31:12,596 --> 00:31:14,433
[both grunt]
450
00:31:15,895 --> 00:31:19,109
[both grunting]
451
00:31:19,109 --> 00:31:20,863
[gunshot]
452
00:31:25,205 --> 00:31:28,211
NADIA: [grunts]
‐ [groaning]
453
00:31:30,090 --> 00:31:31,550
‐ [whimpering]
454
00:31:31,550 --> 00:31:35,851
[repeating]
No, no, no, no, no, no.
455
00:31:35,851 --> 00:31:37,647
‐ It's...
[panting]
456
00:31:37,647 --> 00:31:39,233
It's okay.
457
00:31:39,233 --> 00:31:40,568
‐ I'll get you into surgery.
458
00:31:40,568 --> 00:31:42,615
‐ No, Nadia.
I'm not really here.
459
00:31:44,034 --> 00:31:46,998
I'm already gone.
460
00:31:46,998 --> 00:31:48,627
[groans]
461
00:31:50,213 --> 00:31:53,010
You have to stop them.
462
00:31:53,010 --> 00:31:54,931
‐ Chris...
[weeping]
463
00:31:54,931 --> 00:31:57,645
‐ [grunts]
Just...
464
00:31:58,897 --> 00:32:00,734
Just know...
465
00:32:03,239 --> 00:32:05,577
I alway‐‐I always...
466
00:32:15,931 --> 00:32:19,146
‐ [screams]
467
00:32:19,146 --> 00:32:22,152
[brooding music]
468
00:32:22,152 --> 00:32:29,166
♪ ♪
469
00:33:03,150 --> 00:33:04,737
VALERIE: [whistling]
470
00:33:04,737 --> 00:33:06,908
This way.
471
00:33:06,908 --> 00:33:08,494
There they are.
472
00:33:08,494 --> 00:33:09,998
Over there.
473
00:33:09,998 --> 00:33:16,761
♪ ♪
474
00:33:26,656 --> 00:33:29,662
[crowd murmuring]
475
00:33:36,676 --> 00:33:37,928
‐ [grunts]
476
00:33:40,934 --> 00:33:42,270
Joy?
477
00:33:44,274 --> 00:33:46,028
‐ [grunts]
478
00:33:46,028 --> 00:33:47,740
[both grunting]
479
00:33:47,740 --> 00:33:49,702
Come on!
480
00:33:49,702 --> 00:33:51,246
‐ Joy!
481
00:33:52,958 --> 00:33:55,213
Joy, no!
482
00:33:55,213 --> 00:33:56,590
Joy!
483
00:33:56,590 --> 00:33:58,970
Joy, don't!
484
00:33:58,970 --> 00:34:01,058
Joy!
485
00:34:02,227 --> 00:34:03,521
Joy!
486
00:34:03,521 --> 00:34:06,485
[echoing tone]
487
00:34:06,485 --> 00:34:09,491
[solemn music]
488
00:34:09,491 --> 00:34:16,505
♪ ♪
30817
