All language subtitles for The.Real.Housewives.Of.Beverly.Hills.S03E06.WEBRip.x264-ION10

NARRATOR: Previously

Housewives of Beverly Hills."

You have the
emergency brake on.

What do you mean?

Where?

Any parent who has tried
to teach their teenage child

how to drive, God bless you.

That's 'cause I was
really [INAUDIBLE]..

Uh-oh, somebody's crying.

Shut the fuck up.

That was so rude.

LISA VANDERPUMP:
I think Brandi's

got major issues with Adrienne.

Is it appropriate?

And for you to say anything
other than that is wrong.

She was defending her sister.

ADRIENNE MALOOF: Who talks
to another woman that way?

That's what I don't know.

I don't know anybody
who does that.

I do feel like if Adrienne
and I don't nip this in the bud

right now, it's
going to get ugly.

LISA VANDERPUMP: Life isn't
all diamonds and rose,

but it should be.

BRANDI GLANVILLE: Money
doesn't give your class,

it just gives you money.

ADRIENNE MALOOF:
Know your friends.

Show your enemies the door.

TAYLOR ARMSTRONG: I fought
too hard for this zip code

to go home now.

YOLANDA HADID: I like to have
fun, but I don't play games.

KIM RICHARDS: Life
is a journey and I'm

finding myself every day.

KYLE RICHARDS; I'm born and
raised in Beverly Hills.

This is my town.

Hello.

Hi, honey.

I'm so upset with what's
going on with the egg situation.

I don't know what's
going on with that.

What do you think's
going on with the eggs?

I don't know.

They threw them
at your window also.

Do you think it's a
situation going at you?

She doesn't have
enemies, honey.

Well, like, I
mean-- it's like.

I mean like that got to be
like a high school prank.

Could be.

They're getting all our cars.

I mean, look at this.
I want to show you guys.

It's ridic-- I don't know
what we're going to do.

It's a real problem.

The only good thing is that I
don't think they got your car.

What?

They didn't get your car.

Nobody egged your car.

Shut up.

That's the only good thing.

Are you kidding me right now?

Your car.

That's mine?

That's your car.

That's my car?

Yeah.

I've got a car right now.

I'm going to cry.

Wait.

We handed her those keys.

She was blown away.

Look at this.

Looks really hot.

Look at just the full roof.

Oh, my god.

This is so unexpected.

Why?

You're 16 now.

Because you're 16.

You're a good kid.

You get good grades.

I know I'm going to get a
lot of heat from my friends

for buying this car for Alexia.

But Mauricio finally fulfilled
one of his dreams of opening

his own real estate company.

He works so hard and
to be able to buy

a car like this for his
daughter is a really

special moment for him.

Careful, honey.

Do you have all the dogs?

Yes.

Don't run over anybody.

There they go.

I always get B-12 shots.

Oh, you do?

I can't afford to
get sick with the boys.

I know.

I don't think I've
ever had a B-12 shot.

Really?

Nuh-uh.

I'd give you one.

No, you're not
gonna giving me one.

Oh.

So I'm opening the door for you.

Thank you.

We have so much to talk about.

[MUSIC PLAYING]

WAITER: How are we
doing over here?

We good?
- I'm good.

Why don't we start
with those two.

Thank you so much.

My pleasure.

Anytime.

[MUSIC PLAYING]

So we went to OI.

And when you called--

To tell you about
the book deal?

BRANDI GLANVILLE: --that night.
Oh, sorry.

About the book deal?

BRANDI GLANVILLE: Yeah.

I was at the table
with all the ladies.

And I was like, I
got a book deal.

And it was like
cricket, cricket.

Be happy for me,
all you rich people.

Like you already have money.

Let me get a little.

And then, Taylor's
like, I wrote a book

about my life and my
husband, and you got mad.

I go, you did it two days
after he passed away.

I go, I did it
three years later.

It's a little different.

You think it's inappropriate
that she wrote a book?

BRANDI GLANVILLE: It's
been like a hot minute.

This is none of
your business, OK?

You've made it the
world's business.

TAYLOR ARMSTRONG: You're
way out of your place.

Anyway, let's get back
to the book because--

Oh, yeah.

--I mean, that's
giving me an ulcer.

Are you happy about our cover?
BRANDI GLANVILLE: I am.

You should be.

BRANDI GLANVILLE:
So I was thinking.

I like just the title.

I didn't really necessarily
want my picture on it.

You have to have
your picture on it.

Why do you think that?

As beautiful as you
are, and with, you know,

the magazine covers
and stuff you did,

it's just it's an
instant recognizability.

Can we do something fun like--

Yeah, like, I
brought some books

that I've done in the past.

BRANDI GLANVILLE: OK.

Like this book, this
is a really fun cover.

I love that cover.

This book did very,
very, very well.

It was New-- number one
"New York Times" bestseller.

BRANDI GLANVILLE: I actually
see that book everywhere I go.

I've probably came
up with 500 titles

until we landed on this one.

We're having an issue with
your title, as you know.

BRANDI GLANVILLE: I
know, and I understand.

I really am--

I'm invested in my title,
"It's a Break Up, Not Cancer."

How I got [BLEEP] over and
got the [BLEEP] over it.

Right.

We can't put [BLEEP]
in the title.

That word is such a
big part of my life.

I say the f bomb.

I call it like I see it.

I don't sit and pretend
to be something I'm not.

If you're worried
I'm a loose cannon,

no, I'm the truth cannon.

I will tell you what
you don't want to hear.

Just saying.

[MUSIC PLAYING]

LISA VANDERPUMP: Let's
make this really fun.

I want a bottle of
rosé, sauvignon blanc,

pinot noir, cabernet, and
some champagne on ice.

We've got a new menu
for the SUR lounge.

So we're just gonna
have like a few of us

in the garden to sample
some of the new appetisers.

[MUSIC PLAYING]

So is Stassi not
working tonight?

Well, she is, right?

She doesn't look like it.

JAX: She's-- hasn't been a
happy camper all morning.

It hasn't been fun for her.

LISA VANDERPUMP: Last night at
a private party for Andy Cohen's

book, one of my servers managed
to piss off a very, very

important high-powered
agent in this town,

and a brilliant customer of
SUR, and more importantly,

a very good friend of mine.

He is one of the most
powerful people in this town.

She hit this
jackpot with that one.

Well, I'm not happy about it.

I'm really honest.

You need to get
her under control.

I'm serious.

You think she was
drinking last night, Jax?

I'm veering away
from that question.

I don't-- I didn't
see her drinking.

I didn't see her.

LISA VANDERPUMP:
SUR is a stone's

throw from four of the largest
talent agencies in the world.

So we constantly
deal with celebrities

and important people.

Her behaviour in this
instance was unacceptable.

I'm concerned over
Stassi being so rude.

You want to talk
to her quickly

now before the others get here?

I will.

I'll just say something to her.

When a server behaves
badly, it falls to me

to be the scolding mother.

So I have to chastise her.

I have to deal with her.

If you're bringing in an
attitude, don't even bother.

I'm not bringing
in an attitude.

I'm scared.

Were you drinking last night?

A little bit.

For that reason and
that reason alone,

I should sack you.

You cannot be drinking
when you're working.

And then you go up
to him, and you've

got an attitude with him.

You didn't even ask
my side of the story.

And I know you think--

But you don't have
a side of the story.

I am because--

No, you don't.

Let me tell you why.

He's one of our most important
customers for seven years.

I'm not interested in your
side of the story right now.

[MUSIC PLAYING]

I just feel like
this is unfair.

I, at least, want
you to know what

happened from my point of view.

You know, you have
his point of view.

I get he's an important
client, so I'm wrong.

Who's also a good
friend of mine.

OK, but I was literally
making a small joke.

And I had no idea that it was
going to blow up like that

and have him end up--

What was the small joke?

I literally was
like, this party sucks.

Everyone's leaving.

Well, that's a
really funny joke.

But bottom line
is I've apologised.

You need to apologise
to him as well.

STASSI: I came
here to apologise.

[MUSIC PLAYING]

But I also feel like
he owes me an apology.

He owe you an apology?

He called me a spoiled brat.

LISA VANDERPUMP: Listen,
I know him so well.

Stupid bitch.

And I know that your
attitude was so off,

he had a reason
to call you that.

[MUSIC PLAYING]

I feel like sometimes I'm
running a high school.

But they have to
take it seriously.

It's my business.

And they're not
going to screw it up.

I'm having my friends over.

I don't want to be upset by you.

So we'll talk about it tomorrow.

You're not working tonight.

[MUSIC PLAYING]

TAYLOR ARMSTRONG: Coming up.

LISA VANDERPUMP: Have you
actually felt strong since you

came out, or have you had
days where you thought,

I might like relapse?

[MUSIC PLAYING]

[TELEPHONE RINGING]

LISA VANDERPUMP
(ON PHONE): Hello?

Hello, darling.

It's Brandi.
LISA VANDERPUMP (ON PHONE): Hi.

How are you?

Are you hungry?

I am hungry.

LISA VANDERPUMP
(ON PHONE): Good.

But I had a question for you.

LISA VANDERPUMP (ON PHONE): Yes?

I was curious as to who
you had working the tasting.

LISA VANDERPUMP (ON
PHONE): Don't worry.

I'm not going to have Scheana.

That's what you're
worried about, right?

But I think it's easier
if you're not here--

- Absolutely.
- --now.

Is that OK?
- No, I totally agree.

- Is that OK?
- Yeah.

I just don't want
there to be any

taking away from the food and
the tasting and the company.

And I know that it's stressful
for probably all of us.

LISA VANDERPUMP
(ON PHONE): Yeah,

and if I know you're coming,
I'll never schedule her on.

Don't worry about it.

All will be well, OK?

All right, all right.

I'll see you in a little bit.

Kiss my boyfriend for me.

OK.

LISA VANDERPUMP
(ON PHONE): Who's

your boyfriend, by the way?

Is that my husband?

Yeah.

LISA VANDERPUMP (ON
PHONE): OK, just checking.

All right.

LISA VANDERPUMP (ON
PHONE): Bye, darling.

Bye.
Ciao.

[MUSIC PLAYING]

Ken just gave me this
to go put on the table.

OK.

Yeah, just put that on there.

And we need an ice bucket.

You know what?

Put the drinks on
this side table here.

And the people that don't drink,
offer them the virgin cocktail.

Yeah.

You can do that.

You can do something sexy, yeah?

OK, absolutely.

[MUSIC PLAYING]

LISA VANDERPUMP:
Hello, look at you.

It's a different look for you.

I'm happy to have all my
friends over for a tasting

of the new appetisers at SUR.

Everything good?

Everything's good.

You?

Yeah, I've been
kind of overworked,

underpaid, stressed.

Ken's having his hip
surgery tomorrow.

I can't even talk about it.

Ken needs his hip replaced
because he had a polo accident.

It's been 10 years.

And it's giving him
quite a lot of pain.

BRANDI GLANVILLE:
It's a big surgery.

Wow.

I know.

Stop.

No, I-- I saw him.

He said he's not nervous.

I'm nervous for him.

He's fine.

I'll come take care
of him if you're

working at the restaurant.

You'll be his nurse.

I don't think so.

Somebody has to be here.

Do you want to give him
a bloody heart attack,

or do you want
him to get better?

Will he-- will you be here,
or will you be at the hospital?

Oh, no, of course, I'm
gonna be there with him.

Cause you never stop working.

No, but I need--

I need somebody to
get his underwear off

because he won't take his
underwear off cause he says--

Don't look at me.

Talk to Brandi.

Brandi?

He's like, no,
I can have a hip

replacement keeping them on.

I'm like, what is your problem?

He doesn't want to
scare everyone away.

LISA VANDERPUMP: No.

It's a monster.

How do you know?

You told me.

I didn't tell you that.

Here her is right behind you.
- Oh, see.

Hi.

I'm very ticklish.

How are you?

LISA VANDERPUMP: And
the monster arrives.

Hello, darling.

Are you gonna kiss me again?

How are you?

I'm good.

Thank you.

There's nothing
wrong with my hip.

Where's where's Kyle?

Oh my god.

This is--

LISA VANDERPUMP:
Something's wrong.

--this is really--
you know what?

I don't know.

I think you need to call her.
BRANDI GLANVILLE: Where are you?

What-- are you OK?

What are you doing?

This is a problem.

And this is becoming
a real problem.

Quick, quick,
before she gets here.

Probably get her
machine or something.

Hi, it's Kyle.

Leave a message,
and I'll call you

back as soon as I get a chance.

Thank you.

Kyle, this is Brandi and Kim.

And we're--

Really worried about you.

- Yeah.
- Where are you?

Where are you?

This is becoming a
pattern that we see.

And anyway, if there's
anything, I know, we're waiting.

Get help.

Yeah, get help.

We love you.

We're here for you.

We'll try you back
in five minutes.

OK.

BRANDI GLANVILLE: Oh, boy.

Hi, girls.

Hi, how are you?

Hi, honey.

Hi.

Good to see you.

Hi, how are you?

Hey, how are you?

Oh, your hair's so straight.

It looks pretty.
- Oh, thank you.

I've never seen it like that.

I don't really like it.

How are you?

Hello.

What's up?

How are you?

OK, should we go and sit down?

KYLE RICHARDS: Where
are we sitting?

Do we have names?

LISA VANDERPUMP: No,
wherever you want, darling.

I'm going to sit there.

This is good.

Oh, it looks so nice.

They're going to
bring champagne or wine.

Well, I don't know.

It's a food tasting.

You tell me what we're
supposed to have.

Well, our food
goes with anything.

Well, I think--

I mean, the rosé is
just you can go-- yeah.

KEN: The white or rosé
I would have thought.

OK, whatever you think.

LISA VANDERPUMP: OK,
Kim, everything good?

Actually I am for once.

LISA VANDERPUMP: Whoa.

In-- for The first
time in awhile, I am OK.

LISA VANDERPUMP:
You are OK actually.

And you know what?

You look OK.

OK, so maybe I'm
not OK, but I look OK.

Well, I never know
with you because you're

always giggling and laughing.

So I don't know.

But I know now cause
I see the difference.

Have you actually felt
strong since you came out,

or have you had days where you
thought, I might like, relapse?

KIM RICHARDS: I have people
that make me feel like inside--

like I-- where I cry or feel
frustrated and emotional--

Are these people that
are part of your past?

Some I-- some I put in
my past, and some I can't.

Some are part of my life.

BRANDI GLANVILLE:
Like Kyle, right?

And is this
person at the table?

I just cannot get rid of her.

I think between
Kim and me there's

still underlying tension.

It's going to take
a while to get past.

But I'm hopeful that
we'll work things out.

KYLE RICHARDS: Well,
I'm proud of you.

And I love you so much.

LISA VANDERPUMP: Me, too.

I would say cheers, but it
would seem rather inappropriate.

[LAUGHTER]

How are you?

KEN: Oh, hey, Francis.

What's going on?

You guys hungry?

A little beef crostini, goat
cheese, black truffle sauce.

MAURICIO: We've got to
get some of the sauce.

FRANCIS: Shrimp skewers
with spicy coconut.

Salmon skewers with a
sweet and spicy sauce.

Japanese quesadillas filled
with mozzarella and wonton skins

and then lobster guacamole.

MAURICIO: Thank you very much.

KYLE RICHARDS: Oh, did
you get this one yet, Kim?

This is great, Francis.

Lisa, did you invite
Adrienne today?

No, she's busy
doing something.

I can't remember what it was.

LISA VANDERPUMP: No.

Oh, stop it.

BRANDI GLANVILLE: No,
she has a book deal.

She does not have a book deal.

That's what she said.

If you have anything going
on that's good in your life,

Adrienne's already
had it going on.

Are you serious?

She's not doing a book.

She said she has a book deal.

No.

Yes, she did.

I heard it, too.

I got a book deal
today, which I don't

know if anyone cares about it.

But I'm really excited about it.

Can I say I got
a book deal, too?

I just haven't said anything.

But I got a book deal, too.

KEN: Shouldn't think
it'd be very long.

MAURICIO: That was mean.

BRANDI GLANVILLE: Yeah,
but what's your book about,

how to have a rich family?

Maybe that's the title.

[MUSIC PLAYING]

FRANCIS: Ladies, gentlemen,
how was everything?

I loved the filet mignon
with the goat's cheese.

It was really good.

Loved the tomato salad with
the-- what was the reduction?

Cilantro vinaigrette.

LISA VANDERPUMP:
Yeah, I like that.

KYLE RICHARDS: Everything
was really good, Francis.

MAURICIO: Everything was good.

OK, Francis, good job.

KYLE RICHARDS:
Thank you so much.

Thank you.

See you soon.
- You guys have a great evening.

Good job.

FRANCIS: Thank you.

KYLE RICHARDS: Brandi?

Yeah?

KYLE RICHARDS:
What really did go

down between you and Adrienne?

BRANDI GLANVILLE: There's
been so many things

that you guys don't know about.

And it's just been
building and building

and building and building.

And now it's just--

I'm kind of like, I have
zero tolerance for--

I feel like she lies
a lot, you know.

I feel like she--

she said she has a
book deal, she doesn't.

LISA VANDERPUMP:
But how do you know

she doesn't have a book deal?

Because my book agent told me.

It's just been a lot
of little things.

And her and I got into
an argument on the phone.

But what was it about?

She wanted to meet
up and talk about you.

LISA VANDERPUMP:
What did she want

to talk about me for, though?

BRANDI GLANVILLE: She was
going to have a go at you.

And I knew it.

And I wasn't
comfortable with that.

It was an hour long call
of her and Paul telling me

what I needed to
Twitter, to take back

things that I had already said.

And I'm not going
to lie for anyone.

I'm not going to put
myself out there.

It basically-- what I would
have to say is I was lying.

And this is what I really meant.

And I'm not going to do that.

They wanted Brandi to
publicly tweet things

in support of them.

And they intimidated
her with the phone call.

That's not fair.

It just got-- it escalated
and escalated and got--

Was it heated?

Yeah, it was heated.

Yes, if someone
doesn't like somebody,

I'm not going to be like,
oh, I'm jumping on the team.

Like that's not me.

Little things, all the time
we're just like chipping

away, chipping away.

I jut felt like she was
making a spectacle of it

because there's tension
between her and I. Like

if you're concerned, don't
call attention to the table.

Because like I was
going to strangle her.

Back and forth, back and forth.

LISA VANDERPUMP: But
what was Is it about?

BRANDI GLANVILLE:
You have to ask her.

I don't know.

No, but why did she
want to talk about me?

BRANDI GLANVILLE: I don't know.

I think that no one's
really believing me.

But we all know this one
major lie to be true.

And it just annoys
the [BLEEP] out of me

that she keeps lying about it.

So I decide to say it out loud.

And then like she--

[MUSIC PLAYING]

KYLE RICHARDS: Are
you kidding me?

You did not just say that.

What is this woman thinking?

[MUSIC PLAYING]

TAYLOR ARMSTRONG:
Adrienne is really

protective over her family.

And if this is something
she wanted to hide,

this is going to
be a big problem.

KYLE RICHARDS: Well,
that's something

that's private, though.

I mean--

Like just don't say that then.

Like don't-- don't say anything.

[MUSIC PLAYING]

It's so private.

I-- I really just don't know
if Brandi realises how below

the belt she's gone on this one
and how her hurtful this could

be for Adrienne and her family.

LISA VANDERPUMP: OK,
all right, darlings.

Thank you for coming.

Thank you.

He's wonderful.

Brandi drops this big
bombshell about Adrienne.

And then everybody is getting
up from the table and leaving,

k like nobody's
going to do anything.

Is that it?

Taylor?

I'm just-- what do
you think of that

that just happened in there?

Why does she just blurt
things out when no one's

around to answer any questions?

You just don't mess
around with people's lives.

I think that that's what Brandi
doesn't understand sometimes

when she does these things.

[MUSIC PLAYING]

KYLE RICHARDS: Coming up.

You are a bitch.

[BLEEP] you.

You piece of [BLEEP].

[MUSIC PLAYING]

PAUL: Adrienne?

Anyone know where Adrienne is?

I got this.

I got my lettuce, red onions.

Now, here's my hamburgers.

But these are frozen.

How are we gonna defrost these?

Adrienne?

ADRIENNE MALOOF: Sally.

Hello, Adrienne.

Hi, guys.

PAUL: Look, it's
my beautiful wife.

Hi.

Hi, baby.

Did you wash your hands?
PAUL: Of course, soap and water.

ADRIENNE MALOOF: No, that's
not what you do to lettuce.

You know what you're
supposed to do?

- No, here, let's see how you.
- Gently tear.

Yeah, I know.

But-- but I'm a surgeon,
so I'm doing this.

CHRIS: That doesn't
mean you're a chef.

Let's do it Adrienne's way.

Can you take those cherry
tomatoes right there

and wash them?

Let's put those in the spinner.

Yeah, but Adrienne,
I'm telling you.

When I do this, it
doesn't come out as nice.

ADRIENNE MALOOF: Well,
look at what you're doing.

It doesn't come out as nice.

Watch this, Chris.

Let me tell you why
it doesn't come out.

Here-- [LAUGHS]

PAUL: How else do you do it?

ADRIENNE MALOOF: You know what?

I think I'm going to
have a glass of wine.

Do you want something?

This is very entertaining to me.

At this point in my life, the
people that are important to me

is my family, my good friends.

And I don't really think that
Brandi fits in that category.

Uh-oh, somebody's crying.

BRANDI GLANVILLE:
Shut the [BLEEP] up.

Cheers to you cooking for me.

Cheers.

Where's--

Where'd you get that wine?

Why?

I think--

I think it's-- I think it's old.

No.

PAUL: I think it's
been sitting open.

ADRIENNE MALOOF: No, no.

Paul and I are having a
barbecue with Paul's nephews.

It's a great day.

I've got family around me.

And that's what's important.

ADRIENNE MALOOF: Hey, Chris.
- Yep?

ADRIENNE MALOOF: I
have to tell you.

You know how many
times he's barbecued

since we've lived here?

Zero.

Fact, I don't know if he even
knows how to turn on the grill.

What are you doing?

Just take them and--

I'll get it.

PAUL: I smell the barbecue.

Oh, jeez.

[MUSIC PLAYING]

Hey, Adrienne, can-- can
you tell Sally cook this?

I got to go take
the kids swimming.

[MUSIC PLAYING]

How's the water?

CHRIS: Adrienne, he
look like a Yeti.

PAUL: What are you doing?

CHRIS: This is gross.

Watch.

Ew.

I know.

Ew, ew, ew.

I know.

You know what?

I told him--
- He needs some wax.

No, no, no, listen
listen, listen.

We should get that waxed.

ADRIENNE MALOOF: I-- I told
him we need a weed whacker.

I told him he's got
to get this waxed.

You're making fun of my back?

No, come on, the
lower back's gross.

ADRIENNE MALOOF: Your hair.

Do you know how many
times I've told him

to get rid of all that hair?

I've tried to shave it off.

I've tried to get
him to wax it off.

His back hair needs a weed
whacker to get rid of it.

CHRIS: It's gross, Paul.

That's bad.

I didn't know it was that bad.

[MUSIC PLAYING]

KYLE RICHARDS: Mauricio has
opened his own real estate

company called The Agency.

And tonight is one of
our first big events.

[MUSIC PLAYING]

CAMILLE: Oh, wonderful.

Look at this.

Wow, how nice.

But isn't this beautiful?

Oh, it's amazing.

[MUSIC PLAYING]

We're getting catered by WP24.

CAMILLE: Wow, that looks good.

MAURICIO: Which is,
like I told you,

is Wolfgang Puck's restaurant.

That's right.

They're located
in the hotel, and--

CAMILLE: Dimitri
is an amazing cook.

He really-- he's a great cook.

What do you--

I can make spanakopita.

I can make baklava.

Most of the meat stuff, but
I marinate it Greek style,

you know, olive
oil, lemon juice.

CAMILLE: Dimitri
is my boyfriend.

He's a really good guy.

He has shown me that I can
love again because he's

a compassionate soul.

So that allows me to trust
and believe in love again.

Like last night, he cooked for
me and my daughter and my son.

And he made--

Yeah, I made lamb
chops last night.

--lamb.

And this--

MAURICIO: So when are you
inviting us all for dinner?

We will.

The difference between Dimitri
and Kelsey, ah, eight inches.

Oh, look, it's Brandi
and her friend, Darin,

who finally, I'm meeting.

DARIN: Nice to meet you.

Nice to meet you.

You just hug hello
when you first meet?

Hello!

Hi, gorgeous.

You look so beautiful.

You, too.

I love this dress.

You're sparkly.

Hi, honey.

Hi, Brandi.

How are you?

I have met Dimitri before.

So I think he's
adorable and sweet.

I think that anything is
a step up from Kelsey.

How pretty this looks.

Hi, honey.

MAURICIO: Hello, my love.

KYLE RICHARDS: How are you?

I'm good.

And you?

Good.

Tonight is a big deal to
Mauricio and the Agency.

Tonight is his way of
showcasing his properties

and inviting
everyone to come down

and enjoy a good night while
maybe selling a condo or two.

So yeah, check out the energy.

Look at this building.

The building won a whole
bunch of architectural awards.

Wow.

That's amazing.

It's fantastic.

Let me show you one of the
condos we've got for sale.

You're going to love it.

The Agency has been an
unbelievable success.

Our company is looking to do,
you know, over $600 million,

maybe $750 million in year one.

Wow.

[MUSIC PLAYING]

This place looks pretty big.

MAURICIO: This particular
unit's about 2,400 square feet.

I'm asking $2.5 million.

CAMILLE: That's a
really good deal.

Yeah.

The views here, I
mean, we've got--

CAMILLE: Look at this view.
MAURICIO: --these drapes down.

CAMILLE: It's like a-- just a--

a whole wall of glass.

MAURICIO: You know,
this area there, where

you see the convention centre?

That's the new
proposed Farmers Field.

CAMILLE: That's going to be
the new football stadium.

MAURICIO: The new
football stadium.

CAMILLE: Right here.

So if I stay here,
and we have guests,

I can walk to see a game.

MAURICIO: You could actually
take a tunnel from here right

into the stadium.

CAMILLE: OK, now, I'm definitely
getting the season tickets.

If I was to buy one
of these condos,

it would be more for
investment purposes

than having a love nest there.

Thank you for sharing with me.

I think it's fantastic.

What a great project.

And hey, it's definitely
a possibility.

MAURICIO: In 2010, I was ranked
by the "Wall Street Journal"

as the-- the number seven real
estate agent in the country.

I had sales of $185
million that year.

You know, I hope to do
$200 million this year.

It's all engines forward.

Thank you.

You're welcome.

Salud.

[MUSIC PLAYING]

LISA VANDERPUMP: Today
is Ken's hip surgery.

And I'm anxious
for him, to see him

undergo any kind of operation
is as difficult for me

as it is for him.

WOMAN: Good morning.

KEN: Hi.

WOMAN: How are you?

Mr. Todd?

That's me.

WOMAN: Let's get started.

KEN: What's my room like?

I asked for satin
sheets, 35-inch TV.

There's a [INAUDIBLE] suite
where you have privacy and is--

you have a lot of amenities.

KEN: Well, I'll
have one of those.

Ken always masks everything.

Even if he was really anxious,
I don't think he would show me.

But I worry enough
for both of us.

Are you all right?

Yes, I'm OK.

OK.

Apparently you're
already scheduled

for five minute's time.

When?

They better hurry up
and get Pandy wasted.

Didn't they turn up?

Yeah, no, they're coming.

All right?

I'm good.

You're going to feel better.

I don't feel bad now.

Well, why are we doing it?

KEN: Exactly.

Let's go home.

LISA VANDERPUMP: Ken's
16 years older than me.

So I am worried.

I'd almost rather go in myself.

Just don't like waiting.

Why don't you have
something to make you relax?

Exactly.

Give me that IV.

Oh.

KEN: Hey there.

I'm not used to
seeing you like this.

Do you like my teddy paws?

I like this.

How you doing?

Good.

I'm glad you're here.

Of course.

PANDORA: Are you nervous?

Do I look nervous?

MAX: A little bit.

No, but you
never look nervous.

No, I just don't
think about it.

LISA VANDERPUMP: How
can you not think

about it, lying here with a
gown on and an IV in your arm?

It's time to think about it.

I know that Dr. Matta
is absolutely the best.

He is like the pioneer
of this surgery.

I think it is pretty routine.

But you never know.

So you're always anxious.

You're always worried.

MICHELLE: Mr. Todd?

KEN: Yeah.

Hi, my name's Michelle.

This is Stephanie.

We'll be your nurses in the
operating room today, OK.

I'm gonna ask you a
couple of questions.

And can you tell me in your own
words what we're doing today.

Just tell the
truth, penile implant.

NURSE: Yeah, OK, nice.

KEN: Yeah, a hip replacement.

NURSE: OK, on which side?

KEN: The left.

NURSE: OK.

And you've been marked?

LISA VANDERPUMP: Yep.

KEN: Yep.

NURSE: Can I take a quick look?

OK, great.

OK, let's see.

OK.

So Dr. Matta will come
out and speak with you

after surgery is over, OK?

LISA VANDERPUMP: Yeah, OK.

OK.

We're all ready.

Now, I'm getting nervous.

Are you?

All right.

Bye, Dad.

I love you.

I love you, too.

OK, we're all ready.

You're going?

Here we go, yeah.

Now, you get your party hat.

There you go.

[MUSIC PLAYING]

LISA VANDERPUMP: Is this it?

This is it.

Bye.

Love you.

I love you, too.

It's gonna be fine.

We'll see you guys soon, OK?

We'll take good care of him.

KEN: Bye.

[MUSIC PLAYING]

LISA VANDERPUMP: I know
he's going to be fine.

But whenever you see
somebody you love going

off into surgery, it's hard.

It-- it's a worry.

Of course, it is.

It's a worry because I
couldn't live without him.

[MUSIC PLAYING]

KYLE RICHARDS: Coming up.

PAUL: She made these comments,
which are a-- you know,

completely defamatory.

And that's a lawsuit.

You're just--

Let's go.

DWIGHT: Your
boyfriend's super hot.

Thank you.

DWIGHT: Yeah.

Whenever I see you,
I'm like, I hope you

have your boyfriend with you.

He's so cute.

I thought he was
going to be wearing

like a shirt tied like this
where you could see his abs.

Dimitri, he doesn't
say that much.

But he has a really
amazing six pack.

To break dance with
his underwear on.

- Ask him.
- I would.

How many drinks does it take?

I don't know.

He's gonna go get
him another one.

Or three.

[MUSIC PLAYING]

Hi.

- Hello.
- He's fine.

He is?

Everything went fine.

Yeah, everything went great.

As well as expected?

Yes.

No complications?

No, no complications
or problems.

Oh, thank you.

He's just gone to recovery room.

LISA VANDERPUMP: All right.

So he's still in recovery.

Can I go and see him?

Probably as soon as
the nurses say he's OK,

then you can go see him.

Will he-- he'll stay in
for a day or two, right?

Right.

And then he's going to
start walking, I think.

He'll start-- he'll probably
start walking tomorrow.

But you're happy
with everything?

It went as well--

Yeah, I'm happy I went.

Everything went fine, OK?

Thank you so much.

Were you worried about this?

I did.

Of course.

Oh, thank god.

You never realise how
important somebody is until

maybe there's just
a tiny chance that

they could be taken from you.

And I love that man so much.

I'm so happy.

Hey, darling.

Hi.

Darling?

Yes?

LISA VANDERPUMP:
How are you feeling?

You feel OK?

He's really sleepy.

Dr. Matta said it
went really well.

That's a relief there.

Can you feel this?

I know you can feel this.

You've been waiting for this.

Oh, I definitely know the
right spot to squeeze.

But he couldn't feel anything.

That's just normal.

I'm not worried about that.

I'm more worried about
the supermodel nurse

that's nursing him.

Ken wakes up, and he thinks
he's in a fantasy world.

He can't feel this--
anything now, right?

Not yet.

Can you feel me up here?

Can you feel this?

KEN: Yeah.

Yeah?

How about here?

KEN: No.

You need to go
front and centre,

and trust me, he'll say yes.

I can't feel a thing.

PANDORA: Just go to sleep.

[MUSIC PLAYING]

- Hi.
- Hi, Kim.

You look great.

Thank you.

You're welcome.

So do you.

Hi.

How are you?

Good.

You look gorgeous.

Thank you.

You look beautiful.

Thank you.
Hi.

Hi, darling.

Hi, hon, good to see you.

I like this.

This is nice coming here.

You're-- you're pushing me.

Am I pushing you?

Honey.

You want to put
the phone away?

OK, I will.

[MUSIC PLAYING]

Hi, guys.

How are you?

You look gorgeous.

Oh, hi, honey.

Hey, how are you?

Hi.

How are you?

Well, let's grab a seat.

You want to sit on the
couch or at the table?

I don't want to go
anywhere near them.

Let's sit over there.

BRANDI GLANVILLE: I'm not
really worried about running

into Adrienne and Paul
tonight because I don't think

these girls are the kind of
girls that run and tattle

the second they hear something.

You missed SUR.

I know.

I just wanted her to know what
was said about her because it

was that big, in my opinion.

Kyle asked Brandi, like
what is the problem

with you and Adrienne?

ADRIENNE MALOOF: She
said something rude.

She said you lie.

I'm a little like
wary of having Adrienne

here because things are good.

I mean, I don't understand
why this girl would say that.

We haven't done anything to her.

What is going on over there?

I have no idea.

TAYLOR ARMSTRONG:
We have no idea.

What's going on?

Kim and Adrienne
and Paul are fighting?

They look like
it's pretty heated.

So she said Adrienne's a liar?

Yeah, she did.

She said that in the
middle of a conversation?

Mm-hmm.

She's nuts.

No, Adrienne seems fine.

She's laughing.

KYLE RICHARDS: False
alarm, false alarm.

One of the things she
said, which I don't think

is anybody's business, and I
don't know anything about it.

I don't think you have to-- you
don't have to explain anything.

Here's the bombshell.

You know, here's the big one.

I needed Adrienne to know
that Brandi had released

something that was
very private and deep

about Adrienne's family.

[MUSIC PLAYING]

PAUL: If someone says
anything about my family,

I'm not going to
take that lightly.

She made these comments in
front of people, which are--

you know, completely defamatory.

This is what she does.

Oh, boy.

She's gonna get slapped
with a fat old lawsuit.

Brandi crossed the line
and hit below the belt.

Adrienne, either you're
going to let me do something.

Otherwise, we're leaving.
- No.

Otherwise, we're leaving.

No, no, no.

Otherwise, we're leaving.

I don't think you should
say anything tonight.

I just wanted--

No, I want to slam
this person right now.

Please.

I can't imagine that Brandi
would sink to this level.

To do that to somebody
is so absolutely,

incredibly classless.

This girl lies 24/7.

You know what it is?

She has too much
time on her hands.

And she's not taking
care of her own kids.

I didn't say
anything to you guys so

that you'd start an argument.

I just think you
should know that these

are the kind of things
she's saying because--

PAUL: And who knows
what else she's saying?

And can I ask you a question.

Did anyone say anything
positive like shut up?

Nobody really spoke.

I think Brandi kind of
just spoke her peace.

PAUL: Was it-- and
what comments did

Lisa bring into this since--

the other troublemaker,
what-- what did she say?

I-- I don't really--

I don't remember what Lisa said.

The only liar is her.

She probably was smiling.

This girl lies 24/7.

She lies about everything.

And that's a lawsuit.

Let's go.

What Brandi is saying is
character assassination.

Her lies have gone too far.

We're leaving.
- Why?

PAUL: We came in for a
minute, but we're leaving.

Where's my purse?

What has just gone down?

MAURICIO: What happened?

PAUL: We just heard comments
that that bitch made.

So we're gonna get out of here.

[MUSIC PLAYING]

MAURICIO: Who?

What are you talking about?

You.

I'm talking about you.

BRANDI GLANVILLE: What?

What were the comments I made?

PAUL: Actually I'm not gonna
tell you in front of the people

right now.
I want to just--

you don't know what I
want to do right now.

Really?

PAUL: Yeah.

OK.

PAUL: If you have some comment
about my family, tell me.

You just called me a bitch.
You just called me a bitch.

You are a bitch.

You want to come here
and I'll tell you?

Let me come over there
when you call me a bitch.

PAUL: Wait a minute.

You are a bitch.

You want to come over
here and I'll tell you.

BRANDI GLANVILLE: Sure.
You're here.

You tell me.

PAUL: You don't understand
what I'd like to do.

Tell me.

What would you like to tell me?
- You don't want to know, baby.

PAUL: Oh, really?
- No.

What would you like to
tell me since we haven't even

talked to you or bothered you?
BRANDI GLANVILLE: Really?

You haven't talked
me or bothered me?

PAUL: Yeah, we
haven't bothered you.

KIM RICHARDS: She can't
sit there and like--

KYLE RICHARDS: I
can't believe that Kim

has chosen Mauricio's
event to tell Adrienne

and Paul what Brandi said.

Dear god, no, not here,
not at Mauricio's event.

This is not going to happen.

PAUL: And then you made some
comments apparently at SUR.

ADRIENNE MALOOF: And you lie.
You lie constantly.

PAUL: That were absolutely
defamatory and more.

Hello!

ADRIENNE MALOOF: Guess what?

Are you kidding?

You're full of [BLEEP].

BRANDI GLANVILLE: No, I'm not.

It's my children.

We have are my children.

BRANDI GLANVILLE: [BLEEP] you.

[BLEEP] you.

PAUL: You're a piece of [BLEEP].

[MUSIC PLAYING]

KIM RICHARDS: Coming up.

ADRIENNE MALOOF: You lie.

You lie.

I am not lying, bitch.

ADRIENNE MALOOF:
And you know what?

I am not lying.

And you called
my wife a bitch?

[MUSIC PLAYING]

PAUL: I don't really
care about you.

Get your head-- ugh.

What do you want to do?

You want to punch me?

You're calling me a
bitch and grabbing my face.

PAUL: You just said
[BLEEP] you to me.

TAYLOR ARMSTRONG: I've
never seen Paul like this.

And that kind of anger
gets me super nervous.

You mentioned something
in public, some [BLEEP]----

Let me tell you what
we've learned today.

BRANDI GLANVILLE: Are
you [BLEEP] kidding me?

Why do you lie?

Get your finger
out of my face.

ADRIENNE MALOOF: No, no, no,
my finger's not in your face.

Really?

Are you kidding?

She lies.

What comments were you making?

On my children.

You are lying.
BRANDI GLANVILLE: Really?

I'm lying?

Don't do that
on your children.

Really?

I am not lying, bitch.

I am not lying.

And you know what?

And you told me I've
never called you?

You lie.

I am in complete panic mode.

All I'm thinking is please
do not embarrass my husband.

Please do not do this
in front of his clients.

Please, please,
please don't do this.

You lie.

I have it on my phone.

How many times
have I called you?

You said I never called you.

That was another lie.

Go away.

ADRIENNE MALOOF:
That's another lie.

PAUL: Go away?
BRANDI GLANVILLE: Yes, go away.

You're causing a scene.

We've got to go.

KYLE RICHARDS: Please, I
don't want you guys upset.

You lie.
BRANDI GLANVILLE: You lie.

No, we're not causing this.

And your employees
talk [BLEEP]..

You know what?

Oh, really?
So do yours, so do yours.

Mine?

I have employees?

Do I have employees?

ADRIENNE MALOOF: You sleep till
three o'clock in the afternoon

and leave your kids alone.

We've got to go.

So screw you.

You're a piece of [BLEEP].

BRANDI GLANVILLE: I sleep till
3:00 o'clock in the afternoon?

Go [BLEEP] yourself, Adrienne.

ADRIENNE MALOOF:
That is not right.

PAUL: We've got to go.

Let's [BLEEP].

[BLEEP] her.

Have you ever known me to
sleep until 3 AM or 3 PM?

Really?

MAN: You own your--
that's why we love you

because you own your [BLEEP].

ADRIENNE MALOOF: The girl
is crazy, cracked out

crazy, drug addict.

She's [BLEEP] full of drugs.

She talks about everybody else.

Look at her.

PAUL: All right,
let's go, let's go.

Things have gotten
so bad, I don't even

know where we go from here.

ADRIENNE MALOOF:
I'm really pissed.

KYLE RICHARDS: I know.
I don't blame you.

Really, really pissed.

I don't blame you.

PAUL: Let's go.

And not only that, you watch.

I'm [BLEEP] done.

Done.

KYLE RICHARDS: Next time
on "The Real Housewives

of Beverly Hills."

I told her in private.

With her screaming it,
and she was screaming.

Well, that was Paul.

Brandi screaming and
screaming the f word in front

of all my husband's clients.

Whatever, Kyle,
I've heard you.

Full of people.

Five times.

Heard you.

Blah, done that.

I don't know what to tell you.

I'm not happy with her.

I put up with her
for a long time.

And quite honestly,
whatever she said,

whether it's true or not true,
it's gossip, it's [BLEEP]..

- Lisa--
- Don't point your finger at me.

Excuse me.

I'm not pointing
my finger at you.

Excuse me.

I know that you don't like
Adrienne with the situation--

Oh my god.

Don't just spew your lies.

You just throw things
out there at random.

BRANDI GLANVILLE: I don't attack
people viciously for no reason.

I come back at you, yes.

I'm not that-- I'm
not a wallflower.

I know like the
things that I know.

And I don't want them
to keep coming at me

because I fire back.

And it's going to get ugly.

I think it already is.

It can get worse.

Trust me.

[MUSIC PLAYING]

KYLE RICHARDS: To learn
more about the Housewives

go to bravotv.com.

[MUSIC PLAYING]