All language subtitles for The.Real.Housewives.Of.Beverly.Hills.S02E04.WEBRip.x264-ION10.en

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,300 --> 00:00:05,030 - PREVIOUSLY ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 2 00:00:05,033 --> 00:00:06,633 - YOU'RE NOT GONNA BELIEVE WHO I JUST SAW. 3 00:00:06,633 --> 00:00:08,833 CEDRIC PULLS HIS BIKE UP RIGHT NEXT TO ME. 4 00:00:08,834 --> 00:00:10,034 - YOU LIE. 5 00:00:10,033 --> 00:00:11,233 - I HAVEN'T SEEN HIM 6 00:00:11,233 --> 00:00:12,773 SINCE EVERYTHING EXPLODED BETWEEN HE AND LISA. 7 00:00:12,767 --> 00:00:13,797 - OH, MY GOD. 8 00:00:13,800 --> 00:00:14,930 - I FEEL LIKE I'M BREAKING. 9 00:00:14,934 --> 00:00:16,634 - YOU'RE HAVING A NERVOUS BREAKDOWN. 10 00:00:16,633 --> 00:00:18,973 I CAN SEE IT. - I SEE VERY CLEARLY 11 00:00:18,967 --> 00:00:22,227 THAT TAYLOR IS IN NEED OF HELP RIGHT NOW. 12 00:00:22,233 --> 00:00:23,833 - THIS IS MY TEAM. THIS IS MY LAST GAME. 13 00:00:23,834 --> 00:00:25,904 I WANT TO SEE MY TEAM PLAY. 14 00:00:25,900 --> 00:00:27,370 WE'RE THINKING ABOUT HAVING TO MOVE 15 00:00:27,367 --> 00:00:29,527 THE SACRAMENTO KINGS TO ANOTHER CITY. 16 00:00:29,533 --> 00:00:30,933 WHAT'S THE PURPOSE OF HIDING? 17 00:00:30,934 --> 00:00:32,034 WHY HIDE? 18 00:00:32,033 --> 00:00:33,373 - IT'S DANGEROUS. DON'T GO. 19 00:00:33,367 --> 00:00:35,427 - KIM. - YEAH? 20 00:00:35,433 --> 00:00:36,733 - HEY, IT'S ADRIENNE. 21 00:00:36,734 --> 00:00:38,034 - MY POWER WENT OUT. 22 00:00:38,033 --> 00:00:40,473 I WOULD NEVER DO THIS TO YOU GUYS. 23 00:00:40,467 --> 00:00:42,427 AND THAT'S FINE. I'M RUNNING INTO A PROB-- 24 00:00:42,433 --> 00:00:44,373 I JUST FEEL BAD. I JUST FEEL TERRIBLE. 25 00:00:44,367 --> 00:00:45,397 I REALLY DO. 26 00:00:45,400 --> 00:00:46,530 - ALL RIGHT, HONEY. 27 00:00:46,533 --> 00:00:48,303 BYE. - SHE SOUNDED LIKE 28 00:00:48,300 --> 00:00:51,130 SHE WAS INTOXICATED. 29 00:00:51,133 --> 00:00:53,103 [upbeat music] 30 00:00:53,100 --> 00:00:55,000 - LIFE IN BEVERLY HILLS IS A GAME, 31 00:00:55,000 --> 00:00:56,430 AND I MAKE THE RULES. 32 00:00:59,300 --> 00:01:01,100 - I'M NOT THE RICHEST GIRL IN BEVERLY HILLS, 33 00:01:01,100 --> 00:01:02,230 BUT I AM THE LUCKIEST. 34 00:01:04,600 --> 00:01:06,100 - PEOPLE TRY TO FIGURE ME OUT, 35 00:01:06,100 --> 00:01:07,400 BUT I'M ONE OF A KIND. 36 00:01:10,166 --> 00:01:11,996 - I FINALLY FOUND MY VOICE, 37 00:01:12,000 --> 00:01:13,400 AND I'M NOT AFRAID TO USE IT. 38 00:01:15,467 --> 00:01:18,797 - HAVING IT ALL IS EASY IF YOU'RE WILLING TO WORK FOR IT. 39 00:01:21,367 --> 00:01:23,067 - DIAMONDS AREN'T A GIRL'S BEST FRIEND. 40 00:01:23,066 --> 00:01:24,226 FREEDOM IS. 41 00:01:31,333 --> 00:01:35,203 - HELLO? - KIM, ARE YOU ON YOUR WAY? 42 00:01:35,200 --> 00:01:36,870 - WHO IS THIS? OH, ADRIENNE? 43 00:01:36,867 --> 00:01:38,267 - YEAH. 44 00:01:38,266 --> 00:01:40,796 - YES, I AM. 45 00:01:40,800 --> 00:01:45,030 I HAVE NO MAKEUP ON. I'M DOING IT IN THE CAR. 46 00:01:45,033 --> 00:01:49,873 I'M NEVER LATE, ESPECIALLY FOR YOU AND PAUL. 47 00:01:49,867 --> 00:01:52,197 - DO YOU KNOW ABOUT HOW MUCH LONGER? 48 00:01:52,200 --> 00:01:53,800 - ABOUT 15 MINUTES. 49 00:01:53,800 --> 00:01:55,530 - 15 MINUTES. OKAY. 50 00:01:55,533 --> 00:01:58,873 THIS REALLY COULD BE OUR LAST GAME. 51 00:01:58,867 --> 00:02:00,397 IF KIM DOESN'T SHOW UP SOON, 52 00:02:00,400 --> 00:02:01,670 I MIGHT HAVE TO LEAVE WITHOUT HER. 53 00:02:01,667 --> 00:02:03,497 ALL RIGHT, SEE YOU SOON. 54 00:02:03,500 --> 00:02:06,600 OKAY, ALL RIGHT. BYE. 55 00:02:06,600 --> 00:02:08,970 - I THOUGHT SHE WAS INTOXICATED WITH SOMETHING. 56 00:02:08,967 --> 00:02:10,327 WHAT HAPPENS IF SHE DOESN'T REALLY SHOW UP 57 00:02:10,333 --> 00:02:12,303 IN 15, 20 MINUTES? 58 00:02:14,600 --> 00:02:15,870 - WE HAVE TO GO. 59 00:02:27,867 --> 00:02:29,497 KIM'S HERE, 60 00:02:29,500 --> 00:02:31,270 SO CAN YOU SIT BACK THERE? 61 00:02:31,266 --> 00:02:32,796 - WELL, LET ME SAY HI TO HER, BUT I WILL. 62 00:02:32,800 --> 00:02:35,930 - OKAY. - OH, MY GOD, LOOK AT HER FACE. 63 00:02:35,934 --> 00:02:38,604 - OH, MY GOSH. LOOK WHO'S HERE. 64 00:02:38,600 --> 00:02:41,230 - KIM. I'M JUST GLAD YOU MADE IT, HONEY. 65 00:02:41,233 --> 00:02:42,403 IT'S OKAY. 66 00:02:42,400 --> 00:02:43,500 COME ON. - I'M SORRY. 67 00:02:43,500 --> 00:02:44,530 - IT'S ALL RIGHT. IT'S ALL RIGHT. 68 00:02:44,533 --> 00:02:46,403 - HELLO, MISS KIMMY. - HI, HONEY. 69 00:02:46,400 --> 00:02:48,230 - MWAH. - HI. 70 00:02:48,233 --> 00:02:50,033 - WELL, YOU LOOK GOOD CONSIDERING THE POWER WENT OUT. 71 00:02:50,033 --> 00:02:52,733 - I MANAGED TO GET MY HAIR DONE, 72 00:02:52,734 --> 00:02:53,974 AND THEN THE POWER WENT OUT AGAIN 73 00:02:53,967 --> 00:02:55,927 ON THE WHOLE BLOCK. - OH, MY GOSH. 74 00:02:55,934 --> 00:02:57,174 - I'LL GET YOU A FRESH WATER. 75 00:02:57,166 --> 00:03:00,696 - AND THEN I COULDN'T SEE TO GET DRESSED. 76 00:03:00,700 --> 00:03:02,400 I COULDN'T SEE TO DO MY MAKEUP. 77 00:03:02,400 --> 00:03:03,430 - YEAH. - SO... 78 00:03:03,433 --> 00:03:04,673 - I HATE WHEN THAT HAPPENS. 79 00:03:04,667 --> 00:03:06,527 - I CALLED THE NEIGHBORS, AND I'M LIKE, 80 00:03:06,533 --> 00:03:07,803 "CAN I COME TO YOUR HOUSE? 81 00:03:07,800 --> 00:03:09,670 "I KNOW I DON'T KNOW YOU VERY WELL, 82 00:03:09,667 --> 00:03:12,567 BUT I'M KIND OF IN A CRUNCH." 83 00:03:16,633 --> 00:03:21,203 HONESTLY, I'M SO FLATTERED, YOU KNOW-- 84 00:03:21,200 --> 00:03:24,270 I JUST FEEL SO GOOD THAT IT WAS JUST KIND OF US TODAY. 85 00:03:24,266 --> 00:03:25,426 - YEAH, I WAS TOO. 86 00:03:25,433 --> 00:03:27,933 I WAS EXPLAINING TO PAUL THE TRIP 87 00:03:27,934 --> 00:03:29,374 A LITTLE BIT ABOUT PHIL. 88 00:03:29,367 --> 00:03:35,297 - I JUST WISH PAUL HAD BEEN-- AND JOHNNIE, THE MEDIATOR. 89 00:03:35,300 --> 00:03:38,630 - LISA SKIED WITH US. - LISA, THE SHOWOFF. 90 00:03:38,633 --> 00:03:41,273 - WELL, WHAT SHE-- OH, YES. 91 00:03:41,266 --> 00:03:45,296 - WAIT. OH, I'M NOT THAT GREAT OF A SKIER, BUT... 92 00:03:45,300 --> 00:03:48,100 AHH. AHH. 93 00:03:48,100 --> 00:03:50,000 THIS IS THE HAT. 94 00:03:50,000 --> 00:03:51,970 IT'S ALL FUR. 95 00:03:51,967 --> 00:03:54,027 FAUX I'M SURE. 96 00:03:54,033 --> 00:03:55,903 - FOR THE DOG OR HER? 97 00:03:55,900 --> 00:03:58,970 - HER. 98 00:03:58,967 --> 00:04:00,727 - [laughs] 99 00:04:00,734 --> 00:04:02,974 - SO TAYLOR... - TAYLOR. 100 00:04:02,967 --> 00:04:06,127 - ALL OF A SUDDEN SHE COMES RUNNING IN 101 00:04:06,133 --> 00:04:09,203 IN HER BRA AND A THONG 102 00:04:09,200 --> 00:04:11,530 AND GOT ON TOP OF ME. 103 00:04:11,533 --> 00:04:12,833 - YOU HAVE TO HEAR THIS, BECAUSE... 104 00:04:12,834 --> 00:04:14,104 - SHE'S LITERALLY... - HE'S HEARD 105 00:04:14,100 --> 00:04:17,270 MY SIDE OF THE STORY, AND I WANT HIM TO HEAR 106 00:04:17,266 --> 00:04:18,566 WHAT YOU HAVE TO SAY ABOUT IT. 107 00:04:18,567 --> 00:04:21,267 - SHE'S LIKE, "I JUST WANT TO SAY 108 00:04:21,266 --> 00:04:24,726 I LOVE YOU." 109 00:04:24,734 --> 00:04:27,334 - KIM ON THE FLIGHT DIDN'T STOP TALKING. 110 00:04:27,333 --> 00:04:29,303 I DON'T REALLY THINK SHE UNDERSTANDS 111 00:04:29,300 --> 00:04:31,670 HOW INTENSE THIS CAN BE FOR ME. 112 00:04:32,900 --> 00:04:34,900 YOU KNOW THIS IS GONNA BE DIFFICULT. 113 00:04:34,900 --> 00:04:36,430 THIS COULD POSSIBLY BE OUR LAST GAME 114 00:04:36,433 --> 00:04:40,373 EVER PLAYED IN SACRAMENTO, SO I'M KIND OF NERVOUS, 115 00:04:40,367 --> 00:04:43,967 A LITTLE NOT REALLY SURE HOW THE FANS ARE GONNA REACT. 116 00:04:43,967 --> 00:04:45,627 THEY MAY BE A LITTLE HOSTILE. 117 00:04:45,633 --> 00:04:47,703 SO I JUST WANT TO PREPARE YOU A LITTLE BIT. 118 00:04:47,700 --> 00:04:49,500 I KNOW I TOLD YOU-- - YOU KNOW WHAT? 119 00:04:49,500 --> 00:04:51,000 I'M READY FOR 'EM. 120 00:04:51,000 --> 00:04:52,570 - THIS GAME IS VERY IMPORTANT TO ME. 121 00:04:52,567 --> 00:04:55,567 THIS IS GONNA BE A TOUGH NIGHT. 122 00:05:07,967 --> 00:05:09,827 - JUSTIN? 123 00:05:09,834 --> 00:05:11,034 - YEAH? 124 00:05:11,033 --> 00:05:14,273 - OH. WILL YOU HELP ME HERE FOR A SECOND? 125 00:05:14,266 --> 00:05:15,526 - WHAT'S GOING ON? 126 00:05:15,533 --> 00:05:17,733 - DID WE GET ANY MORE OF THESE QUAKEHOLD! THINGS? 127 00:05:17,734 --> 00:05:18,874 - I CAN GET SOME. 128 00:05:18,867 --> 00:05:20,327 I'M SURE WE HAVE 'EM SOMEWHERE. 129 00:05:20,333 --> 00:05:21,833 - I DON'T UNDERSTAND. WE'RE JUST SUPPOSED TO-- 130 00:05:21,834 --> 00:05:23,834 - YOU'RE SUCH A WORRYWART. 131 00:05:23,834 --> 00:05:25,104 - OKAY. 132 00:05:25,100 --> 00:05:27,530 COULD YOU RESEND THAT EMAIL 133 00:05:27,533 --> 00:05:29,173 FOR THE PARTY--COCKTAIL PARTY? - YEAH. 134 00:05:29,166 --> 00:05:30,796 WHO WE SENDING IT TO THIS TIME? 135 00:05:30,800 --> 00:05:31,800 - JUSTIN, YOU KNOW HOW MANY PEOPLE TOLD ME 136 00:05:31,800 --> 00:05:32,800 THEY DIDN'T GET IT? 137 00:05:32,800 --> 00:05:34,070 - NO, DON'T TELL ME THAT. 138 00:05:34,066 --> 00:05:35,496 WE ONLY HAVE, LIKE, A FEW DAYS. 139 00:05:35,500 --> 00:05:36,830 I'M FREAKING OUT. 140 00:05:36,834 --> 00:05:39,034 - I'M HAVING A COCKTAIL PARTY 141 00:05:39,033 --> 00:05:40,133 TO RAISE MONEY FOR A CHARITY 142 00:05:40,133 --> 00:05:41,273 THAT IS VERY IMPORTANT TO ME. 143 00:05:41,266 --> 00:05:42,626 I HAVE NO RSVPs. 144 00:05:42,633 --> 00:05:44,533 HOW MANY DO WE HAVE? LIKE, THREE? 145 00:05:44,533 --> 00:05:45,603 - FOUR. 146 00:05:45,600 --> 00:05:48,470 - SHUT UP. DON'T TELL ME THAT. 147 00:05:48,467 --> 00:05:49,927 - IT'S GONNA BE FINE. WE'RE GONNA FIGURE IT OUT. 148 00:05:49,934 --> 00:05:52,074 - THE LOLLIPOP THEATER NETWORK RAISES MONEY 149 00:05:52,066 --> 00:05:53,296 FOR CHILDREN WITH CANCER. 150 00:05:53,300 --> 00:05:56,030 I CAN'T THINK OF ANYTHING MORE HEARTBREAKING 151 00:05:56,033 --> 00:05:57,933 THAN A CHILD GOING THROUGH ANY KIND 152 00:05:57,934 --> 00:05:59,474 OF LIFE-THREATENING ILLNESS LIKE THAT. 153 00:05:59,467 --> 00:06:01,497 WHAT DO WE HAVE SO FAR 154 00:06:01,500 --> 00:06:02,670 FOR THE SILENT AUCTION? 155 00:06:02,667 --> 00:06:04,067 - $150 GIFT CERTIFICATE 156 00:06:04,066 --> 00:06:05,426 TO DINNER AT LA DOLCE VITA. 157 00:06:05,433 --> 00:06:07,203 - OH, OKAY, THAT'S GOOD. - WE HAVE A DAY OF BEAUTY 158 00:06:07,200 --> 00:06:09,170 AT THE GIUSEPPE FRANCO SALON. 159 00:06:09,166 --> 00:06:12,466 - VERY NICE. - ALLIE'S GIVING A GIFT BASKET 160 00:06:12,467 --> 00:06:13,667 FROM BELLE PARISH. 161 00:06:13,667 --> 00:06:17,227 WE HAVE A MALLORY PAGE ORIGINAL FROM NEW ORLEANS, 162 00:06:17,233 --> 00:06:19,733 ARTIST OUT OF NEW ORLEANS, GIVING A 36x36. 163 00:06:19,734 --> 00:06:21,674 - OH. - WORTH 5 GRAND, YEAH. 164 00:06:21,667 --> 00:06:24,267 - [indistinct]'S GIVING THREE TRAINING SESSIONS. 165 00:06:24,266 --> 00:06:25,766 PETALS BY DAVID. - MY FAVORITE. OKAY. 166 00:06:25,767 --> 00:06:26,767 I'M GONNA CALL LISA. 167 00:06:26,767 --> 00:06:28,197 A LOT OF PEOPLE IN BEVERLY HILLS 168 00:06:28,200 --> 00:06:29,600 WILL, YOU KNOW, WRITE A CHECK, 169 00:06:29,600 --> 00:06:30,630 BUT IT'S REALLY IMPORTANT 170 00:06:30,633 --> 00:06:31,773 TO ME TO GET INVOLVED. 171 00:06:31,767 --> 00:06:32,797 I DON'T WANT TO JUST SHOW UP 172 00:06:32,800 --> 00:06:34,270 WITH A GREAT DRESS ON AND BE LIKE, 173 00:06:34,266 --> 00:06:36,166 "HERE YOU GO. I'M SUPPORTING THE CAUSE." 174 00:06:36,166 --> 00:06:37,426 JUSTIN, I HATE DOING THIS. 175 00:06:37,433 --> 00:06:38,903 - YOU HAVE TO. 176 00:06:38,900 --> 00:06:40,170 SHE'S YOUR FRIEND. - I KNOW, 177 00:06:40,166 --> 00:06:42,166 BUT IT ALWAYS GIVES ME ANXIETY TO ASK PEOPLE FOR MONEY. 178 00:06:42,166 --> 00:06:44,296 - SHE'S GOT MILLIONS. 179 00:06:44,300 --> 00:06:45,870 - LISA. - YES? 180 00:06:45,867 --> 00:06:47,767 - HI. WHAT ARE YOU DOING? 181 00:06:47,767 --> 00:06:49,297 DON'T PRETEND TO BE WORKING OUT. 182 00:06:49,300 --> 00:06:50,400 - I'M ON THE TREADMILL. 183 00:06:50,400 --> 00:06:51,730 - OH, PLEASE. 184 00:06:51,734 --> 00:06:53,134 ANYWAY, I NEED TO ASK YOU A FAVOR. 185 00:06:53,133 --> 00:06:54,733 I'M DOING A SILENT AUCTION. 186 00:06:54,734 --> 00:06:56,404 IS THERE ANY WAY YOU COULD DONATE A DINNER 187 00:06:56,400 --> 00:06:58,730 FOR TWO TO VILLA BLANCA OR SUR? 188 00:06:58,734 --> 00:07:01,304 - UH, YEAH, ABSOLUTELY, BUT DO IT FOR MORE. 189 00:07:01,300 --> 00:07:03,200 DO IT FOR, LIKE, FOUR OR SIX. 190 00:07:03,200 --> 00:07:04,800 - OKAY. - YEAH. 191 00:07:04,800 --> 00:07:06,330 - I'LL DO FOUR. I DON'T WANT TO BE GREEDY. 192 00:07:06,333 --> 00:07:07,433 FOUR IS ENOUGH. 193 00:07:07,433 --> 00:07:09,103 - THIS ISN'T FOR THE CHARITY FOR, UM, 194 00:07:09,100 --> 00:07:10,930 REDECORATING THE NEW HOUSE, IS IT? 195 00:07:10,934 --> 00:07:12,474 - [laughs] 196 00:07:12,467 --> 00:07:14,367 SHH. DON'T TELL ANYBODY. 197 00:07:14,367 --> 00:07:15,967 IT'S ALL FOR KIDS WITH CANCER. 198 00:07:15,967 --> 00:07:17,397 IT'S GONNA BE A LOT OF FUN, SO... 199 00:07:17,400 --> 00:07:19,130 - OKAY, ABSOLUTELY, I'LL SUPPORT IT. 200 00:07:19,133 --> 00:07:20,603 - THANK YOU FOR THE DONATION. 201 00:07:20,600 --> 00:07:22,000 I REALLY APPRECIATE IT. 202 00:07:22,000 --> 00:07:23,570 - ALL RIGHT. ABSOLUTELY. - WHEN YOU'RE PUTTING TOGETHER 203 00:07:23,567 --> 00:07:25,897 A CHARITY PARTY, IT'S NICE TO HAVE RICH FRIENDS. 204 00:07:25,900 --> 00:07:27,430 BRING SOME FRIENDS. - ALL RIGHT. 205 00:07:27,433 --> 00:07:28,933 ALL RIGHT. ALL RIGHT, DARLING. 206 00:07:28,934 --> 00:07:30,674 - OKAY. OKAY, BYE. 207 00:07:30,667 --> 00:07:31,827 AND THEIR WALLETS. 208 00:07:31,834 --> 00:07:33,204 [laughter] 209 00:07:40,500 --> 00:07:42,200 - HI. 210 00:07:42,200 --> 00:07:43,330 - WHOO. 211 00:07:43,333 --> 00:07:45,673 THANK YOU SO MUCH. 212 00:07:45,667 --> 00:07:47,727 THANK YOU FOR WAITING FOR ME. 213 00:07:47,734 --> 00:07:50,334 - THE POTENTIAL MOVE OF THE KINGS 214 00:07:50,333 --> 00:07:52,333 HAS BEEN ABSOLUTELY EXHAUSTING. 215 00:07:52,333 --> 00:07:54,573 THIS IS ONE OF THE BIGGEST DECISIONS 216 00:07:54,567 --> 00:07:57,227 MY FAMILY AND I HAS EVER HAD TO MAKE. 217 00:07:57,233 --> 00:08:02,633 AND I'M NOT REAL SURE WHAT WE'RE GONNA DO. 218 00:08:02,633 --> 00:08:04,933 - "FEARING TEAM'S RELOCATION, 219 00:08:04,934 --> 00:08:07,534 FANS EXPECTED TO BE VOCAL." 220 00:08:07,533 --> 00:08:10,403 - THE MAIN REASON FOR US POSSIBLY MOVING THE TEAM 221 00:08:10,400 --> 00:08:12,870 IS WE NEED TO HAVE A NEW ARENA 222 00:08:12,867 --> 00:08:14,197 TO BE COMPETITIVE. 223 00:08:14,200 --> 00:08:16,330 - CAN SOMEBODY FILL ME IN ON WHAT I'M IN FOR? 224 00:08:16,333 --> 00:08:20,273 - JUST BE PREPARED FOR ANYTHING, AND JUST STAY CLOSE TO US, 225 00:08:20,266 --> 00:08:21,726 YOU KNOW, IN OUR CIRCLE. 226 00:08:21,734 --> 00:08:23,374 OBVIOUSLY, YOU'RE GOING TO. AND YOU'LL BE ALL RIGHT. 227 00:08:23,367 --> 00:08:24,867 - WHAT DO YOU MEAN STAY CLOSE TO YOU? 228 00:08:24,867 --> 00:08:26,527 - NO, LIKE ANYTHING ELSE. - AM I IN JEOPARDY? 229 00:08:26,533 --> 00:08:28,003 - NO, NO, NO. 230 00:08:28,000 --> 00:08:32,970 - EVEN MY LITTLE BOY IS SAYING, "MOM, WHEN ARE WE GOING 231 00:08:32,967 --> 00:08:35,167 TO SACRAMENTO FOR THE GAME?" 232 00:08:35,166 --> 00:08:38,126 SO NOW IT'S KIND OF LIKE... 233 00:08:38,133 --> 00:08:40,473 I, YOU KNOW, IT'S HARD. 234 00:08:40,467 --> 00:08:41,797 - IT IS SAD. 235 00:08:41,800 --> 00:08:43,570 - CHANGE IS NEVER EASY. 236 00:08:43,567 --> 00:08:46,827 - I DON'T LIKE NEW RESTAURANTS, 237 00:08:46,834 --> 00:08:49,404 NEW PEOPLE. 238 00:08:49,400 --> 00:08:51,200 - WAIT A MINUTE, WHAT ARE YOU TALKING ABOUT? 239 00:08:51,200 --> 00:08:53,770 - I JUST LIKE MY ROUTINE. 240 00:08:53,767 --> 00:08:56,197 ARE THOSE CHOCOLATE? 241 00:09:01,200 --> 00:09:04,000 - HMM. "BABY, PLEASE DON'T GO. 242 00:09:04,000 --> 00:09:05,130 KINGS." 243 00:09:05,133 --> 00:09:07,633 - OH, MY GOSH. 244 00:09:07,633 --> 00:09:10,373 - HERE, HERE. 245 00:09:10,367 --> 00:09:13,367 - AW. - THAT'S WEIRD. 246 00:09:18,166 --> 00:09:21,826 - IT'S A HUGE DECISION. PEOPLE'S JOBS, FANS-- 247 00:09:21,834 --> 00:09:24,834 THAT'S WHAT MAKES IT EMOTIONALLY DRAINING 248 00:09:24,834 --> 00:09:26,434 AND VERY, VERY STRESSFUL. 249 00:09:26,433 --> 00:09:29,933 SO ODD TO THINK THAT YOU'RE MOVING. 250 00:09:29,934 --> 00:09:32,174 IT'S SAD. 251 00:09:35,333 --> 00:09:36,503 - COMING UP... 252 00:09:36,500 --> 00:09:38,230 - HEY, MALOOF, SELL THE TEAM. 253 00:09:38,233 --> 00:09:40,973 YOU SUCK! - BOO! 254 00:09:40,967 --> 00:09:43,297 - WAS WORRIED THE FANS MIGHT GET AGGRESSIVE. 255 00:09:43,300 --> 00:09:45,870 [yelling] 256 00:10:03,033 --> 00:10:04,933 - CAN YOU PUT SOME MONEY IN THE METER, DARLING? 257 00:10:04,934 --> 00:10:07,304 HEY. HOW ARE YOU? 258 00:10:07,300 --> 00:10:08,500 - HOW ARE YOU? - GOOD. 259 00:10:08,500 --> 00:10:11,030 EVERY WEEK YOU'RE GETTING BIGGER. 260 00:10:11,033 --> 00:10:12,473 IN ADDITION TO VILLA BLANCA, 261 00:10:12,467 --> 00:10:15,497 WE HAVE THIS RESTAURANT CALLED SUR IN WEST HOLLYWOOD. 262 00:10:15,500 --> 00:10:16,900 WE HAVE A COUPLE OF HUNDRED PEOPLE 263 00:10:16,900 --> 00:10:18,130 RESERVED ALREADY, RIGHT? - YES. 264 00:10:18,133 --> 00:10:19,333 AND YOU GUYS ARE COMING TONIGHT, THAT'S RIGHT? 265 00:10:19,333 --> 00:10:20,403 - YEAH. - ALL RIGHT. 266 00:10:20,400 --> 00:10:22,270 - OKAY. - THERE'S A SPACE NEXT DOOR, 267 00:10:22,266 --> 00:10:26,096 AND I'M ITCHING TO EXPAND SUR INTO THERE, 268 00:10:26,100 --> 00:10:28,030 SO I'VE DECIDED TO DO IT. 269 00:10:28,033 --> 00:10:30,273 WHAT I WANT TO SAY TO YOU, AND THIS IS REALLY IMPORTANT TO ME, 270 00:10:30,266 --> 00:10:32,266 YOU KNOW, YOU'VE GOT YOUNG KIDS. 271 00:10:32,266 --> 00:10:33,926 THAT IS A LOT OF WORK NEXT DOOR, 272 00:10:33,934 --> 00:10:35,974 AND YOU WILL BE WORKING 273 00:10:35,967 --> 00:10:38,697 TILL 2:00, 3:00 IN THE MORNING. 274 00:10:38,700 --> 00:10:40,500 LATER THAN HERE. - MAYBE 3:30. 275 00:10:40,500 --> 00:10:42,670 - AND THEY'RE GONNA BE WAKING UP AT 7:00, 276 00:10:42,667 --> 00:10:44,927 AND I REALLY WANT TO BE SURE 277 00:10:44,934 --> 00:10:46,574 HOW YOU FEEL ABOUT THAT. 278 00:10:46,567 --> 00:10:47,827 - WHAT WE DO IS FOR A GOOD CAUSE. 279 00:10:47,834 --> 00:10:49,374 YOU KNOW, WE'LL DO IT FOR SOMETHING 280 00:10:49,367 --> 00:10:50,497 THAT IS GOING TO BE VERY GOOD, 281 00:10:50,500 --> 00:10:51,600 AND THE CHALLENGE IS GOOD. 282 00:10:51,600 --> 00:10:52,930 - WE'RE VERY EXCITED, VERY EXCITED. 283 00:10:52,934 --> 00:10:56,004 MOTIVATED, EXCITED. I MEAN-- 284 00:10:56,000 --> 00:10:57,230 - IT'S GONNA PUT PRESSURE ON YOU, I GUARANTEE YOU. 285 00:10:57,233 --> 00:10:58,303 - YEAH, OF COURSE. 286 00:10:58,300 --> 00:10:59,630 - IT'S GONNA PUT PRESSURE ON YOU. 287 00:10:59,633 --> 00:11:01,373 IT'S GONNA PUT PRESSURE ON YOUR MARRIAGE. 288 00:11:01,367 --> 00:11:03,327 - YOU'VE GOT ALL YOUR CHARITY WORK, 289 00:11:03,333 --> 00:11:05,133 YOUR VILLA BLANCA AND SUR. 290 00:11:05,133 --> 00:11:06,503 - YEAH, THIS IS WHERE YOU COME IN. 291 00:11:06,500 --> 00:11:08,400 YOU CAN HELP ME. - [sighs] 292 00:11:08,400 --> 00:11:11,830 - I REMEMBER, I MEAN, 20, 25 YEARS AGO, 293 00:11:11,834 --> 00:11:15,604 WHEN WE WERE IN A SIMILAR SITUATION, YOU KNOW. 294 00:11:15,600 --> 00:11:19,070 IT'S A LOT OF WORK. YOU KNOW I WILL COME IN HERE, 295 00:11:19,066 --> 00:11:20,426 HAVE DINNER, 296 00:11:20,433 --> 00:11:22,733 YOU KNOW, HAVE A DRINK, AND THEN I GO HOME. 297 00:11:22,734 --> 00:11:24,404 "BYE, GUILLERMO," 10:00, 11:00. 298 00:11:24,400 --> 00:11:26,900 I DON'T WANT ANY RESENTMENT. I WANT TO PUT IT OUT THERE NOW 299 00:11:26,900 --> 00:11:28,570 THAT YOUR HOURS ARE GOING TO BE HUGE 300 00:11:28,567 --> 00:11:30,297 COMPARED TO WHAT THEY ARE NOW. 301 00:11:30,300 --> 00:11:31,630 - RIGHT, UM, WELL... 302 00:11:31,633 --> 00:11:33,703 - YOU THINK YOU HAVE GRAY HAIR NOW. 303 00:11:33,700 --> 00:11:35,770 SIX MONTHS LATER, YOU'LL BE LOOKING LIKE HIM. 304 00:11:35,767 --> 00:11:37,097 [laughter] - I WANT TO LOOK LIKE HIM. 305 00:11:37,100 --> 00:11:39,200 YOU KNOW... - THAT'S SEXY, THAT'S OKAY. 306 00:11:39,200 --> 00:11:41,000 - I WANT TO LOOK LIKE HIM, YOU KNOW. 307 00:11:41,000 --> 00:11:42,470 - IT'S NOT GRAY. IT'S BLONDE. 308 00:11:42,467 --> 00:11:45,427 - WE ARE TOGETHER-- - WHO TOLD YOU THAT, KEN? 309 00:11:45,433 --> 00:11:47,803 - WE'LL SET IT UP. - RIGHT. 310 00:11:47,800 --> 00:11:50,130 - SHE'LL DESIGN IT ALL SO IT LOOKS AMAZING. 311 00:11:50,133 --> 00:11:52,733 WE'LL GET ALL THE BASICS RIGHT, 312 00:11:52,734 --> 00:11:55,604 AND THEN GRADUALLY YOU CAN JUST TAKE OVER WITH IT. 313 00:11:55,600 --> 00:11:58,730 - IDEALLY, I WOULD LIKE TO KNOCK THIS OUT, 314 00:11:58,734 --> 00:11:59,804 LIKE, IN A COUPLE OF MONTHS. 315 00:11:59,800 --> 00:12:02,000 FINGERS CROSSED, HERE WE GO. 316 00:12:02,000 --> 00:12:03,830 - BYE, PRINCESS LISA. 317 00:12:03,834 --> 00:12:06,804 - OH, I LIKE THE FACT THAT YOU STILL CALL ME PRINCESS LISA. 318 00:12:06,800 --> 00:12:07,870 I LOVE THAT. 319 00:12:07,867 --> 00:12:09,497 - YEAH. - I REALLY LIKE THAT. 320 00:12:09,500 --> 00:12:11,900 - WHEN CAN I COME TO YOUR CASTLE? 321 00:12:11,900 --> 00:12:14,130 - OH, IT'S NOT A CASTLE. IT'S A HOUSE. 322 00:12:14,133 --> 00:12:17,433 - COME ON, DARLING. MWAH. ANOTHER ONE. MWAH. 323 00:12:17,433 --> 00:12:20,203 OH, THERE'S LIKE SOME GOOEY STUFF ALL OVER HER NOSE. 324 00:12:20,200 --> 00:12:22,070 WHAT WAS THAT? WAS THAT A PRESENT FOR ME? 325 00:12:22,066 --> 00:12:23,026 - HONEY. HONEY. 326 00:12:39,166 --> 00:12:41,096 [knock at door] 327 00:12:42,333 --> 00:12:43,373 - TAYLOR? - YEAH. 328 00:12:43,367 --> 00:12:45,367 both: HI. HOW ARE YOU? 329 00:12:45,367 --> 00:12:47,497 - I'M SO EXCITED I GOT TO USE MY PEEPHOLE, 330 00:12:47,500 --> 00:12:48,700 BECAUSE I JUST HAD IT PUT IN. 331 00:12:48,700 --> 00:12:51,500 THEY HAD TO MEASURE IT TO MY HEIGHT. 332 00:12:51,500 --> 00:12:53,430 THAT'S A GOOD HEIGHT. COME IN, COME IN. 333 00:12:53,433 --> 00:12:55,233 - OH, MY GOSH, I WAS JUST RUNNING ERRANDS. 334 00:12:55,233 --> 00:12:56,833 - CAN I GET YOU SOMETHING TO DRINK, TO EAT? 335 00:12:56,834 --> 00:12:58,934 SOMETHING? - OH, NO, I'M FINE. 336 00:12:58,934 --> 00:13:00,074 - ARE YOU SURE? - YEAH, YEAH, YEAH. 337 00:13:00,066 --> 00:13:01,466 - I DON'T WANT TO BE A BAD HOSTESS. 338 00:13:01,467 --> 00:13:02,497 - NO, YOU'RE A GREAT HOSTESS. - WHAT'S GOING ON? 339 00:13:02,500 --> 00:13:03,670 - I LOVE THOSE FLOWERS. 340 00:13:03,667 --> 00:13:05,097 - I KNOW. I DON'T-- 341 00:13:05,100 --> 00:13:07,530 I DON'T HAVE THE VANDERPUMP THUMB. 342 00:13:07,533 --> 00:13:08,973 - UM... - WHAT IS THIS? 343 00:13:08,967 --> 00:13:10,927 - I WAKE UP TODAY AND GET A CALL 344 00:13:10,934 --> 00:13:12,604 FROM MY HUSBAND THAT THERE'S AN ARTICLE 345 00:13:12,600 --> 00:13:14,700 IN THE PRESS ABOUT MY MARRIAGE. 346 00:13:14,700 --> 00:13:17,900 AND I'M NOT HAPPY. 347 00:13:17,900 --> 00:13:19,570 - WHERE DID THIS COME FROM? 348 00:13:19,567 --> 00:13:20,967 - I HAVE NO IDEA, BUT I'M TRYING TO FIND OUT. 349 00:13:20,967 --> 00:13:22,827 AFTER I CAME BACK FROM THE SKI TRIP, 350 00:13:22,834 --> 00:13:24,174 RUSSELL AND I DECIDED 351 00:13:24,166 --> 00:13:25,296 THAT I SHOULD NOT BE TALKING 352 00:13:25,300 --> 00:13:26,370 TO MY FRIENDS ABOUT MY MARRIAGE. 353 00:13:26,367 --> 00:13:28,567 NOW THERE'S A GOSSIP SITE 354 00:13:28,567 --> 00:13:30,167 FEATURING PIECES OF OUR PERSONAL LIFE. 355 00:13:30,166 --> 00:13:31,726 THIS IS NOT GOOD. 356 00:13:31,734 --> 00:13:33,034 - "TAYLOR'S A SWEET GIRL, 357 00:13:33,033 --> 00:13:35,333 BUT PEOPLE ARE STARTING TO GET WORRIED A BIT ABOUT--" 358 00:13:35,333 --> 00:13:36,773 THIS IS SO WEIRD. 359 00:13:36,767 --> 00:13:38,767 "SHE'S NOT ACTING LIKE HERSELF." 360 00:13:38,767 --> 00:13:39,897 YOU'VE BEEN YOURSELF. 361 00:13:39,900 --> 00:13:41,500 - IT SAYS I'M BARELY EATING. 362 00:13:45,033 --> 00:13:48,073 - ARE YOU HUNGRY? [laughter] 363 00:13:48,066 --> 00:13:49,966 NO, I KNOW YOU'VE BEEN STRESSED. 364 00:13:49,967 --> 00:13:51,127 I KNOW. - I HAVE BEEN STRESSED, 365 00:13:51,133 --> 00:13:53,273 BUT THIS IS NOT HELPING. 366 00:13:53,266 --> 00:13:55,626 - THIS IS, LIKE, PERSONAL STUFF. 367 00:13:55,633 --> 00:13:57,333 - DETAILED. 368 00:13:57,333 --> 00:13:59,233 - THAT'S WEIRD. 369 00:13:59,233 --> 00:14:00,503 WHERE WOULD THAT COME FROM? 370 00:14:00,500 --> 00:14:01,930 YOUR FIRST THOUGHT IS KIND OF, 371 00:14:01,934 --> 00:14:03,504 WELL, IT HAS TO BE SOMEBODY I KNOW. 372 00:14:03,500 --> 00:14:05,630 BUT THEN YOU THINK, 373 00:14:05,633 --> 00:14:06,673 COULD THEY REALLY DO THAT? 374 00:14:06,667 --> 00:14:08,667 COULD IT BE SOMEBODY IN YOUR HOUSE? 375 00:14:08,667 --> 00:14:10,697 WHO--I MEAN, YOUR NANNY? 376 00:14:10,700 --> 00:14:11,870 - I MEAN, EVERYONE IN MY LIFE 377 00:14:11,867 --> 00:14:14,827 IS UNDER A CONFIDENTIALITY AGREEMENT. 378 00:14:14,834 --> 00:14:17,774 - THEY'RE ALL UNDER A CONFIDENTIALITY AGREEMENT? 379 00:14:17,767 --> 00:14:19,127 - YEAH. YOU HAVE YOUR HOUSE STAFF 380 00:14:19,133 --> 00:14:21,073 UNDER A CONFIDENTIALITY AGREEMENT, I'M SURE. 381 00:14:21,066 --> 00:14:22,296 OR SHOULD. - NO. 382 00:14:22,300 --> 00:14:25,170 - WELL, YOU SHOULD. - I DON'T HAVE STAFF. 383 00:14:25,166 --> 00:14:30,026 BUT MY HOUSEKEEPER DOES NOT SIGN A CONFIDENTIALITY AGREEMENT. 384 00:14:30,033 --> 00:14:32,773 NO. - DOES RUSSELL KNOW ABOUT THIS? 385 00:14:32,767 --> 00:14:35,397 - YES, HE'S FURIOUS. HE'S FURIOUS. 386 00:14:35,400 --> 00:14:38,770 HE'S LIKE, "WHO OF YOUR FRIENDS HAS DONE THIS?" 387 00:14:38,767 --> 00:14:40,267 BECAUSE HE'S LIKE, THERE'S TOO MUCH INFORMATION 388 00:14:40,266 --> 00:14:42,666 HERE FOR THIS JUST TO BE A RANDOM SOURCE. 389 00:14:42,667 --> 00:14:44,627 ADRIENNE WOULD NEVER DO THAT TO ME. 390 00:14:44,633 --> 00:14:47,073 AND I DON'T REALLY THINK KIM TALKS TO A LOT OF PEOPLE. 391 00:14:47,066 --> 00:14:49,566 OBVIOUSLY I DON'T THINK KYLE WOULD DO THAT TO ME. 392 00:14:49,567 --> 00:14:52,127 AND IT'S NOT CAMILLE'S NATURE. 393 00:14:52,133 --> 00:14:54,433 I WOULD SAY THAT THE PERSON THAT HAS THE MOST INTERACTION 394 00:14:54,433 --> 00:14:56,933 WITH THE MEDIA 395 00:14:56,934 --> 00:14:58,034 IS LISA. 396 00:14:58,033 --> 00:14:59,573 - IT FEELS LIKE THERE'S A SPY. 397 00:14:59,567 --> 00:15:01,797 WELL, IT SAYS, "OUR SPY." IT SAYS, "OUR SPY." 398 00:15:01,800 --> 00:15:03,730 - WE HAVE A SPY. 399 00:15:03,734 --> 00:15:04,904 - I'VE HAD THAT HAPPEN TO ME TOO. 400 00:15:04,900 --> 00:15:06,730 - I'M SURE. 401 00:15:06,734 --> 00:15:08,234 - AND MY FAMILY. - YOUR FAMILY'S HAD IT 402 00:15:08,233 --> 00:15:09,803 A MILLION TIMES. 403 00:15:09,800 --> 00:15:11,170 I KNOW SOMEBODY WHO COULD HELP YOU FIGURE OUT. 404 00:15:11,166 --> 00:15:12,266 ELLIOT MINTZ. 405 00:15:12,266 --> 00:15:13,826 HE'S BEEN IN THIS BUSINESS FOREVER, 406 00:15:13,834 --> 00:15:16,504 AND HE COULD SAY WHO WOULD GIVE THIS STORY. 407 00:15:16,500 --> 00:15:19,170 WHAT HAPPENS IN BEVERLY HILLS STAYS IN BEVERLY HILLS. 408 00:15:19,166 --> 00:15:21,326 - WELL, NOT THANKS TO THE INTERNET. 409 00:15:21,333 --> 00:15:24,233 [laughter] 410 00:15:26,834 --> 00:15:28,974 - LOOK, THEY'RE ALL WAITING TO GET IN, ALL THESE PEOPLE. 411 00:15:28,967 --> 00:15:31,967 - 412 00:15:34,133 --> 00:15:35,433 PLEASE DON'T GO. 413 00:15:35,433 --> 00:15:38,373 - THE IMMEDIATE LOSS OF SEVERAL THOUSAND JOBS 414 00:15:38,367 --> 00:15:40,427 IN THE NATOMAS AREA THE DAY THEY LEAVE TOWN. 415 00:15:40,433 --> 00:15:42,603 [yelling] - OH, MY GOD. 416 00:15:42,600 --> 00:15:46,430 [indistinct shouting] 417 00:15:46,433 --> 00:15:49,173 - I'M GONNA HAVE ONE MORE SIP. I'M GETTING NERVOUS. 418 00:15:49,166 --> 00:15:50,226 - ALL RIGHT. 419 00:15:50,233 --> 00:15:52,133 FANS' EMOTIONS ARE RUNNING HIGH. 420 00:15:52,133 --> 00:15:54,403 [fans shouting] 421 00:15:54,400 --> 00:15:57,000 IT COULD HAVE BEEN VERY EASY TO STAY HOME. 422 00:15:57,000 --> 00:15:58,370 BUT I WANT TO BE THERE WITH THE FANS, 423 00:15:58,367 --> 00:16:00,697 AND I WANT TO SUPPORT THEM. DOES ANYBODY ELSE WANT A SIP? 424 00:16:00,700 --> 00:16:03,000 - NO. - NO, THANKS. I'M GOOD. 425 00:16:03,000 --> 00:16:05,430 [laughs] 426 00:16:05,433 --> 00:16:07,303 - WE'RE GONNA GO AHEAD AND MEET WITH THE SECURITY 427 00:16:07,300 --> 00:16:08,700 ALREADY HERE IN PLACE. - YEAH, I'M FINE. 428 00:16:08,700 --> 00:16:10,000 - AND WE'RE GONNA WALK US RIGHT UP TO THE SUITE. 429 00:16:10,000 --> 00:16:11,630 SO YOU DON'T HAVE TO GO 430 00:16:11,633 --> 00:16:13,103 THROUGH WHOLE CROWDS AND STUFF. 431 00:16:13,100 --> 00:16:15,300 AND THEN LOCAL POLICE WILL ALSO BE THERE OUT THERE, SO... 432 00:16:15,300 --> 00:16:18,430 - 433 00:16:18,433 --> 00:16:25,733 PLEASE DON'T GO. PLEASE DON'T GO. 434 00:16:25,734 --> 00:16:29,604 - GO BACK TO WHERE YOU BELONG, TRAITOR. 435 00:16:31,734 --> 00:16:33,204 - IT'S ALREADY STARTING. [bells jangling] 436 00:16:36,367 --> 00:16:37,597 - NO, I'M NOT WORRIED. 437 00:16:37,600 --> 00:16:39,430 - HEY, MALOOF, SELL THE TEAM. 438 00:16:39,433 --> 00:16:42,073 L.A. SUCKS. THEY SUCK. 439 00:16:42,066 --> 00:16:43,896 - I DON'T LIKE THIS. 440 00:16:43,900 --> 00:16:46,400 OBVIOUSLY. 441 00:16:46,400 --> 00:16:48,870 - I NEED TO GET SOMEONE OVER THERE ON THAT EXIT. 442 00:16:48,867 --> 00:16:51,997 I JUST NEED ONE ON THAT SIDE, WHERE YOU'RE AT OVER THERE, 443 00:16:52,000 --> 00:16:54,970 AND AT LEAST ONE RIGHT HERE, AT LEAST, OKAY? 444 00:16:54,967 --> 00:16:56,427 - NOW THIS IS WHAT KILLS ME. 445 00:16:56,433 --> 00:16:58,273 "YOU'RE RIPPING OUR HEARTS OUT. 446 00:16:58,266 --> 00:17:00,366 "PLEASE STAY. CAN'T WE MAKE IT WORK? 447 00:17:00,367 --> 00:17:02,497 SACRAMENTO LOVES THE KINGS." 448 00:17:02,500 --> 00:17:06,130 THAT'S THE STUFF-- THAT'S WHAT GETS HARD. 449 00:17:06,133 --> 00:17:07,833 all: SACRAMENTO. 450 00:17:07,834 --> 00:17:11,574 [clapping] SACRAMENTO. 451 00:17:11,567 --> 00:17:14,597 HERE WE STAY. HERE WE STAY. 452 00:17:17,033 --> 00:17:20,773 - HERE WE GO. 453 00:17:20,767 --> 00:17:22,597 - SO I WAS SITTING AT THE CIGAR BAR-- 454 00:17:22,600 --> 00:17:24,570 I USED TO GO TO THE CIGAR BAR. I LOVE CIGARS. 455 00:17:24,567 --> 00:17:27,327 AND AFTER I RIDE MY HORSE BEFORE PICKING UP MY KIDS-- 456 00:17:27,333 --> 00:17:28,603 - COME ON, YOU GUYS. 457 00:17:28,600 --> 00:17:29,870 - THERE WAS A GIRL THAT CAME IN... 458 00:17:29,867 --> 00:17:31,497 - LET'S WATCH THIS. 459 00:17:31,500 --> 00:17:34,670 - IN LOUIS VUITTON. LIKE--LIKE, HOT PINK. 460 00:17:34,667 --> 00:17:37,027 - NO. - SHE HAD IT ALL CUSTOM-MADE. 461 00:17:37,033 --> 00:17:39,173 AND I LOOK OVER AT HER AND HER NIPPLE'S HANGING OUT, 462 00:17:39,166 --> 00:17:41,566 AND I GO-- AND ALL THE GUYS ARE-- 463 00:17:41,567 --> 00:17:43,397 AND SHE WAS THERE WITH HER BOYFRIEND-- 464 00:17:43,400 --> 00:17:44,600 - ADRIENNE. 465 00:17:44,600 --> 00:17:45,930 NO, NO, I WANT YOU TO WATCH THE GAME. 466 00:17:45,934 --> 00:17:47,834 - AND I GO, "DEAR..." - [bleep]! 467 00:17:47,834 --> 00:17:49,574 "I WAS JUST WORRIED ABOUT IT GETTING CHILLY." 468 00:17:49,567 --> 00:17:51,167 - ENOUGH CHATTER ON THE OTHER SIDE. 469 00:17:51,166 --> 00:17:52,666 [cheers and applause] - OH. 470 00:17:52,667 --> 00:17:55,327 I'M LIKE, WAIT. OH, MY GOD, WAIT. 471 00:17:55,333 --> 00:17:57,633 - THAT GUY'S UNSTOPPABLE. - YOU'RE SO FUNNY. 472 00:17:57,633 --> 00:17:59,573 - COME ON, MAN. WATCH THE GAME. 473 00:17:59,567 --> 00:18:01,667 JESUS. - WE WERE HAVING A MOMENT. 474 00:18:01,667 --> 00:18:04,297 - COME ON! - YES! 475 00:18:05,834 --> 00:18:07,674 [whistle blows] 476 00:18:07,667 --> 00:18:10,097 [cheers and applause] 477 00:18:11,567 --> 00:18:13,627 - I DIDN'T TRAVEL ALL THE WAY TO SACRAMENTO 478 00:18:13,633 --> 00:18:15,133 TO HIDE IN A BOX. 479 00:18:15,133 --> 00:18:17,233 I WANTED TO BE CLOSE TO THE FANS. 480 00:18:17,233 --> 00:18:20,903 JOHNNIE, DO YOU THINK WE COULD GO DOWN ON THE FLOOR? 481 00:18:20,900 --> 00:18:23,700 - HELL NO. - NO? 482 00:18:23,700 --> 00:18:25,970 - NO WAY. - NO? 483 00:18:25,967 --> 00:18:28,667 - I DON'T RECOMMEND IT. 484 00:18:28,667 --> 00:18:30,367 YEAH, IT'S NOT A GOOD IDEA AT ALL. 485 00:18:30,367 --> 00:18:33,967 PLEASE DON'T. I WANT TO SAY-- 486 00:18:33,967 --> 00:18:35,497 - THE ANSWER IS-- LISTEN, THAT'S IT. 487 00:18:35,500 --> 00:18:37,500 - LET'S JUST NOT DO IT. - EVEN THOUGH IT COULD BE 488 00:18:37,500 --> 00:18:39,230 A VERY DANGEROUS SITUATION, 489 00:18:39,233 --> 00:18:40,933 I'M A VERY STRONG PERSON. 490 00:18:40,934 --> 00:18:42,874 I THINK I HAVE GOOD INSTINCTS AS WELL. 491 00:18:42,867 --> 00:18:45,297 WHAT IF WE WERE IN THE TUNNEL? 492 00:18:45,300 --> 00:18:47,230 STANDING INSIDE THE TUNNEL. - YEAH. 493 00:18:53,166 --> 00:18:54,996 [booing] 494 00:18:55,000 --> 00:18:57,670 - HAVE A HEART! HAVE A HEART, MALOOF! 495 00:18:57,667 --> 00:18:58,997 I'M ASKING YOU. 496 00:18:59,000 --> 00:19:00,470 [indistinct shouting] 497 00:19:00,467 --> 00:19:01,927 - I WAS WORRIED THE FANS 498 00:19:01,934 --> 00:19:03,204 MIGHT GET AGGRESSIVE. 499 00:19:03,200 --> 00:19:06,070 [shouting] 500 00:19:08,100 --> 00:19:10,570 - THAT GUY JUST HIT ME IN THE EAR. 501 00:19:10,567 --> 00:19:12,967 - I'M NOT QUITE SURE THAT I'M MAKING THE RIGHT DECISION. 502 00:19:12,967 --> 00:19:14,197 [beep] 503 00:19:17,033 --> 00:19:18,233 - COMING UP... 504 00:19:18,233 --> 00:19:19,533 - WHO'S THAT? 505 00:19:19,533 --> 00:19:20,833 - I DON'T KNOW. SHE'S TALL. 506 00:19:20,834 --> 00:19:22,904 IF YOU HAVE A BROKEN LEG, 507 00:19:22,900 --> 00:19:24,400 WOULD YOU REALLY PUT A STILETTO WITH IT? 508 00:19:24,400 --> 00:19:25,900 PLEASE. 509 00:19:30,300 --> 00:19:32,730 all: 510 00:19:32,734 --> 00:19:35,074 LET'S GO. LET'S GO. 511 00:19:35,066 --> 00:19:38,226 - STAY RIGHT HERE! - WHOO! 512 00:19:38,233 --> 00:19:39,403 - YOU'RE NOT GONNA SIT ON THE FLOOR. 513 00:19:39,400 --> 00:19:40,500 YOU'RE GONNA HAVE THINGS THROWN AT YOU. 514 00:19:40,500 --> 00:19:41,800 - I KNOW, I KNOW, I KNOW, I KNOW, I KNOW. 515 00:19:41,800 --> 00:19:42,970 I KNOW. I KNOW. - IT'S RIDICULOUS. 516 00:19:42,967 --> 00:19:45,167 - STAY HERE IN SACRAMENTO. 517 00:19:45,166 --> 00:19:47,126 THIS IS YOUR HOME. 518 00:19:47,133 --> 00:19:49,333 PLEASE STAY! DON'T GO. 519 00:19:49,333 --> 00:19:51,833 - WE LOVE OUR FANS, AND THEY'RE IMPORTANT TO US. 520 00:19:51,834 --> 00:19:53,004 IT'S JUST THAT WE REALLY NEED 521 00:19:53,000 --> 00:19:54,870 TO GENERATE MORE REVENUE. 522 00:19:54,867 --> 00:19:59,697 - I DON'T LIKE WHEN THEY SAY, "THINGS CAN GET A LITTLE HAIRY." 523 00:19:59,700 --> 00:20:03,130 THAT ALWAYS MAKE ME A LITTLE NERVOUS. 524 00:20:03,133 --> 00:20:05,003 - ♪♪ JUMP, JUMP ♪♪ 525 00:20:05,000 --> 00:20:07,600 - PAUL, CAN WE GO UNDERNEATH THE BASKET, SO WHEN IT GOES THROUGH, 526 00:20:07,600 --> 00:20:09,100 I CAN CATCH IT? 527 00:20:09,100 --> 00:20:11,230 - WHY DON'T YOU SWE-- YOU KNOW, WHEN THEY-- 528 00:20:11,233 --> 00:20:12,803 SOMEONE CALLS YOU, YOU CAN SWEEP THE FLOOR. 529 00:20:14,633 --> 00:20:17,903 [cheers and applause] 530 00:20:23,000 --> 00:20:25,870 - ADRIENNE, CAN I GET A PICTURE OF YOU FOR MY HUSBAND? 531 00:20:25,867 --> 00:20:28,167 - GOING TO THIS GAME 532 00:20:28,166 --> 00:20:31,466 WAS ABSOLUTELY THE RIGHT THING TO DO. 533 00:20:31,467 --> 00:20:34,667 - YES! - THERE WE GO! 534 00:20:34,667 --> 00:20:36,227 - I GOT TO SEE THE FANS. 535 00:20:36,233 --> 00:20:39,073 - ADRIENNE! 536 00:20:39,066 --> 00:20:40,866 - THANK YOU SO MUCH. 537 00:20:40,867 --> 00:20:42,527 - HEY, YOU. 538 00:20:42,533 --> 00:20:45,703 - MY FAVORITE GAME WAS THE ONE RIGHT AFTER CHRISTMAS... 539 00:20:45,700 --> 00:20:47,270 - 'CAUSE I GOT TO SEE OUR DANCERS. 540 00:20:47,266 --> 00:20:49,426 YOU'RE ALL SO BEAUTIFUL, AND YOU'VE DONE A GREAT JOB, 541 00:20:49,433 --> 00:20:50,533 SO THANK YOU. - THANK YOU. 542 00:20:50,533 --> 00:20:51,873 THANKS FOR COMING TO SUPPORT THE TEAM. 543 00:20:51,867 --> 00:20:53,097 - REALLY APPRECIATE IT. 544 00:20:53,100 --> 00:20:55,100 I THINK THEY ALSO APPRECIATED ME 545 00:20:55,100 --> 00:20:56,130 BEING THERE FOR THEM. 546 00:20:56,133 --> 00:20:58,173 HOW ARE YOU? YOU'RE SO BEAUTIFUL. 547 00:21:00,266 --> 00:21:02,896 - BYE. WE LOVE YOU. 548 00:21:05,300 --> 00:21:08,130 - IT WAS A DIFFICULT SITUATION FOR ME, 549 00:21:08,133 --> 00:21:11,373 BUT I WASN'T AFRAID TO HIT IT HEAD ON 550 00:21:11,367 --> 00:21:12,497 AND HANDLE IT. 551 00:21:12,500 --> 00:21:13,600 YOU GOT TO DEAL WITH IT. 552 00:21:13,600 --> 00:21:15,070 - THANK YOU FOR EVERYTHING. 553 00:21:15,066 --> 00:21:16,626 - THANKS. THANK YOU. 554 00:21:16,633 --> 00:21:18,373 THAT'S HOW I DO THINGS. 555 00:21:18,367 --> 00:21:20,627 I'M GLAD THAT I WENT. THANK YOU VERY MUCH. 556 00:21:20,633 --> 00:21:22,473 TAKE CARE. THANKS. - THIS WAS A GREAT NIGHT, 557 00:21:22,467 --> 00:21:24,327 AND I'M GLAD I SHARED IT WITH ADRIENNE. 558 00:21:24,333 --> 00:21:27,673 KIM, ON THE OTHER HAND... 559 00:21:27,667 --> 00:21:29,327 - BUH-BYE. [thump] 560 00:21:29,333 --> 00:21:31,533 [gasps] 561 00:21:31,533 --> 00:21:32,733 - YOU ALL RIGHT? - I THOUGHT IT WAS, LIKE, 562 00:21:32,734 --> 00:21:35,474 A GUN SHOT. - I KNOW. 563 00:21:35,467 --> 00:21:38,327 - I'M READY TO HAVE A HEART ATTACK RIGHT NOW. 564 00:21:54,967 --> 00:21:56,827 - HI. HOW YOU DOING? 565 00:21:56,834 --> 00:21:57,834 HELLO. - HI. 566 00:21:57,834 --> 00:21:59,004 - I'M JAKE. - HI, DEDRA. 567 00:21:59,000 --> 00:22:00,770 NICE TO MEET YOU. - HEY. 568 00:22:00,767 --> 00:22:02,227 CAMILLE. NICE TO MEET YOU. 569 00:22:02,233 --> 00:22:03,673 YEAH, RIGHT THERE. 570 00:22:03,667 --> 00:22:04,797 - OR DO THAT. - OKAY. 571 00:22:04,800 --> 00:22:06,830 - BAM. - BAM. [laughs] 572 00:22:06,834 --> 00:22:08,134 - FOR PEOPLE THAT DON'T LIKE COOTIES. 573 00:22:08,133 --> 00:22:10,033 - THAT'S ALL GOOD. 574 00:22:10,033 --> 00:22:12,373 I'M LOOKING FOR A WETSUIT, 575 00:22:12,367 --> 00:22:13,767 AND-- - I CAN HELP YOU WITH A WETSUIT. 576 00:22:13,767 --> 00:22:16,167 - AND A COUPLE BOARD. I'M LOOKING FOR PADDLEBOARDING. 577 00:22:16,166 --> 00:22:17,866 - OH, OKAY. - HE'S THE BOARD GUY. 578 00:22:17,867 --> 00:22:18,927 I'M THE WETSUIT PERSON. - SO WE'LL START 579 00:22:18,934 --> 00:22:20,134 WITH WETSUITS WITH YOU. - OKAY. 580 00:22:20,133 --> 00:22:21,633 - PERFECT. I'M LOOKING FORWARD 581 00:22:21,633 --> 00:22:22,933 TO MY VACATION WITH THE KIDS 582 00:22:22,934 --> 00:22:24,434 TO GO TO HAWAII. 583 00:22:24,433 --> 00:22:28,073 THIS IS SOMETHING I'VE BEEN DOING FOR YEARS. 584 00:22:28,066 --> 00:22:29,726 THIS IS THEIR EASTER/SPRING BREAK. 585 00:22:29,734 --> 00:22:31,004 - ISN'T THIS GREAT? 586 00:22:31,000 --> 00:22:32,370 - THE KIDS'LL LOVE 'EM FOR HAWAII. 587 00:22:32,367 --> 00:22:34,297 - YEAH. - I CAN'T WAIT TO GO. 588 00:22:34,300 --> 00:22:36,070 - I KNOW. YOU'RE SO LUCKY. 589 00:22:36,066 --> 00:22:37,496 - IT'S A GOOD PLACE FOR ME TO BE. 590 00:22:37,500 --> 00:22:40,800 LAST YEAR, I STILL HAD THE EMOTIONAL SUPPORT 591 00:22:40,800 --> 00:22:42,270 OF A HUSBAND. 592 00:22:42,266 --> 00:22:45,896 AND THIS YEAR I DON'T HAVE THAT SUPPORT. 593 00:22:45,900 --> 00:22:48,770 BUT I DO HAVE THE SUPPORT OF MY FRIENDS AND MY FAMILY. 594 00:22:48,767 --> 00:22:50,797 - WHAT DO YOU THINK, PURPLE OR PINK, D.D.? 595 00:22:50,800 --> 00:22:53,200 - UMM... I THINK THAT'S CUTE. 596 00:22:53,200 --> 00:22:54,970 I LIKE THE PURPLE. - DON'T YOU THINK THE PINK 597 00:22:54,967 --> 00:22:56,697 IS TOO? - YEAH, I THINK THE PINK IS TOO. 598 00:22:56,700 --> 00:22:58,800 - LAST YEAR, KELSEY HAD ASKED 599 00:22:58,800 --> 00:23:00,000 CARL TO GO TO HAWAII. 600 00:23:00,000 --> 00:23:01,800 - LOOKING GOOD, BABY. 601 00:23:01,800 --> 00:23:03,030 - WELL, THANK YOU, CARL. 602 00:23:03,033 --> 00:23:04,073 - CAMILLE, YOU LOOK GREAT. 603 00:23:04,066 --> 00:23:05,266 - OH, THANKS. - REALLY GOOD. 604 00:23:05,266 --> 00:23:06,866 - I'M JUST GONNA HAVE PEOPLE COME AROUND 605 00:23:06,867 --> 00:23:08,997 THAT JUST KISS MY ASS AND TELL ME HOW WONDERFUL I AM. 606 00:23:09,000 --> 00:23:10,070 PLEASE MORE, MORE. - BUT YOU ARE WONDERFUL. 607 00:23:10,066 --> 00:23:12,326 AND YOU'RE BEAUTIFUL. 608 00:23:12,333 --> 00:23:13,803 - KEEP GOING. - AND YOU'RE HOT. 609 00:23:13,800 --> 00:23:14,930 - I THOUGHT HE WAS A GOOD FRIEND. 610 00:23:14,934 --> 00:23:18,404 CARL KNEW THE WHOLE TIME 611 00:23:18,400 --> 00:23:20,370 THAT KELSEY HAD A GIRLFRIEND. 612 00:23:20,367 --> 00:23:22,127 I'M NO LONGER IN TOUCH WITH CARL. 613 00:23:22,133 --> 00:23:23,503 [laughter] 614 00:23:23,500 --> 00:23:24,800 THOSE ARE FUNKY. - THOSE ARE COOL. 615 00:23:24,800 --> 00:23:26,330 I KNOW. ALIEN FEET. 616 00:23:26,333 --> 00:23:28,233 - YEAH, THEY DO LOOK LIKE ALIENS. 617 00:23:28,233 --> 00:23:30,403 - MY TRUE FRIENDS THAT HAVE BEEN THERE 618 00:23:30,400 --> 00:23:32,430 HAVE BEEN AMAZING. 619 00:23:32,433 --> 00:23:34,803 AND I'M SO GRATEFUL TO HAVE THEM IN MY LIFE. 620 00:23:34,800 --> 00:23:36,370 - YOU CAN'T HURT THESE. - YEAH. 621 00:23:36,367 --> 00:23:39,167 - WHICH, IF SHE WERE TO DO THIS ON HER GLASS BOARD, 622 00:23:39,166 --> 00:23:41,226 SHE WOULD HAVE ALREADY BROKEN IT. 623 00:23:41,233 --> 00:23:43,873 - THE JOURNEY TAKES YOU THROUGH TWISTS AND TURNS, 624 00:23:43,867 --> 00:23:45,627 BUT I'VE LEARNED A LOT. 625 00:23:45,633 --> 00:23:48,573 AND I HAVE MY FRIENDS AND MY FAMILY TO THANK FOR THAT. 626 00:23:48,567 --> 00:23:50,597 THANK YOU. all: THANK YOU. 627 00:23:50,600 --> 00:23:53,570 - NICE MEETING YOU. - BYE-BYE. 628 00:24:01,867 --> 00:24:04,997 - COME ON, PORTIA. I MEAN KHLOE. 629 00:24:05,000 --> 00:24:06,970 CAN'T GET THE DOGS' AND THE KIDS' NAMES STRAIGHT. 630 00:24:06,967 --> 00:24:08,767 - COME ON, KHLOE. COME ON, PORTIA. 631 00:24:08,767 --> 00:24:10,467 COME ON, ROXY. 632 00:24:10,467 --> 00:24:12,567 - COME ON, YOU GUYS, GET IN. I HAVE TOO MUCH TO DO. 633 00:24:12,567 --> 00:24:13,927 WHAT DO YOU HAVE FOR ME? PLEASE TELL ME 634 00:24:13,934 --> 00:24:14,934 YOU HAVE SOMETHING FOR THE AUCTION. 635 00:24:14,934 --> 00:24:16,904 - I DO. I HAVE BODY BY RON. 636 00:24:16,900 --> 00:24:19,370 - OKAY, THAT'S GOOD. THIS IS FOR THE SILENT AUCTION. 637 00:24:19,367 --> 00:24:20,467 YAY! - YEAH, TWO OF THOSE. 638 00:24:20,467 --> 00:24:22,197 - AND WE PUT HOW MUCH IT'S WORTH-- 639 00:24:22,200 --> 00:24:23,730 I DON'T EVEN KNOW HOW TO DO ALL THAT. 640 00:24:23,734 --> 00:24:24,934 I'VE NEVER DONE THIS. 641 00:24:24,934 --> 00:24:27,374 - WHO'S YOUR EMCEE? 642 00:24:27,367 --> 00:24:29,867 YOU? - ME. [laughs] 643 00:24:29,867 --> 00:24:31,027 WAIT, WHAT DO YOU MEAN, EMCEE? 644 00:24:31,033 --> 00:24:32,473 THE HOSTESS? THAT'S ONLY ME. 645 00:24:32,467 --> 00:24:34,167 - OH. 646 00:24:34,166 --> 00:24:35,666 - I'VE BEEN REALLY OVERWHELMED. 647 00:24:35,667 --> 00:24:37,197 I'M MOVING INTO THE HOUSE 648 00:24:37,200 --> 00:24:39,700 AND TRYING TO THROW THIS EVENT TOGETHER, 649 00:24:39,700 --> 00:24:41,030 SO I'M A LITTLE ALL OVER THE PLACE. 650 00:24:41,033 --> 00:24:42,703 - CALL JUSTIN. 651 00:24:42,700 --> 00:24:44,130 - HE'S PICKING UP SOMETHING FROM PARIS RIGHT NOW. 652 00:24:44,133 --> 00:24:47,233 SHE'S GIVING ME A THING OF HER PERFUMES AND STUFF. 653 00:24:47,233 --> 00:24:48,973 I HAVE, LIKE, 12 OR 15 ITEMS. 654 00:24:48,967 --> 00:24:51,267 NOW I HAVE TO MAKE SURE PEOPLE COME. 655 00:24:51,266 --> 00:24:53,526 DID YOU TELL ANYBODY TO COME? 656 00:24:53,533 --> 00:24:54,873 [laughs] - I'M SORRY. 657 00:24:54,867 --> 00:24:55,927 - THIS IS NOT A GOOD FRIEND. 658 00:24:55,934 --> 00:24:57,534 THIS IS [indistinct]. 659 00:24:57,533 --> 00:24:58,773 THEY DID A BRAZILIAN BLOWOUT, 660 00:24:58,767 --> 00:25:00,527 THEY GAVE ME ALL THE PRODUCTS, BLAH-BLAH-BLAH. 661 00:25:00,533 --> 00:25:02,603 - BRAZILIAN BLOWOUTS ARE, LIKE, ILLEGAL NOW. 662 00:25:02,600 --> 00:25:04,030 - THEY'RE NOT ILLEGAL. 663 00:25:04,033 --> 00:25:05,373 THEY'RE JUST DANGEROUS. 664 00:25:05,367 --> 00:25:06,427 HONEY, I NEED HELP. 665 00:25:06,433 --> 00:25:09,403 - YEAH, YOU NEED TO... 666 00:25:09,400 --> 00:25:11,430 - WAIT, HONEY, THIS IS AN EXPENSIVE PIECE. 667 00:25:11,433 --> 00:25:12,773 YOU CAN'T JUST RIP IT UP LIKE THAT. 668 00:25:12,767 --> 00:25:14,067 TAKE IT EASY. 669 00:25:14,066 --> 00:25:16,166 - I'M SO SCARED NOBODY'S EVEN GONNA SHOW UP 670 00:25:16,166 --> 00:25:17,126 AT THIS POINT. 671 00:25:17,133 --> 00:25:18,433 - THIS IS A DISASTER. 672 00:25:18,433 --> 00:25:19,633 - WHAT DO YOU HAVE FOR ME? 673 00:25:19,633 --> 00:25:21,303 - PASTELS TO GO WITH THE LOLLIPOPS. 674 00:25:21,300 --> 00:25:22,600 - OH, CUTE. - AND WE'RE GONNA WRAP 'EM UP 675 00:25:22,600 --> 00:25:23,600 LIKE BON-BONS. 676 00:25:23,600 --> 00:25:24,930 - WHAT DO YOU MEAN? 677 00:25:24,934 --> 00:25:26,304 - LIKE, ROLL THEM UP AND WRAP THEM UP. 678 00:25:26,300 --> 00:25:27,430 AREN'T THEY CUTE? 679 00:25:27,433 --> 00:25:28,503 - THEY'RE VERY CUTE. 680 00:25:28,500 --> 00:25:29,670 WHERE DID YOU COME UP WITH THESE? 681 00:25:29,667 --> 00:25:31,327 - CHRISTIAN AUDIGIER OWED ME A FAVOR. 682 00:25:31,333 --> 00:25:34,573 - OH, LISTEN TO JUSTIN. - YES. 683 00:25:34,567 --> 00:25:35,727 - [laughs] 684 00:25:35,734 --> 00:25:37,804 I DON'T WANT TO BE, LIKE, TOO DRESSY. 685 00:25:37,800 --> 00:25:39,570 IS THIS TOO, LIKE-- 686 00:25:39,567 --> 00:25:40,597 IS THAT CUTE? - NO, THAT'S CUTE. 687 00:25:40,600 --> 00:25:42,200 I LIKE THAT. NOTHING ON TOP. 688 00:25:42,200 --> 00:25:44,030 NUDE. OH, THAT'S CUTE. 689 00:25:44,033 --> 00:25:45,203 - IS IT TOO DRESSY? 690 00:25:45,200 --> 00:25:46,370 - NO, I LIKE THAT. 691 00:25:46,367 --> 00:25:47,567 - YOU DO? - YEAH, WHAT SHOES 692 00:25:47,567 --> 00:25:48,697 WOULD YOU WEAR WITH THAT? 693 00:25:48,700 --> 00:25:50,000 - I DON'T KNOW. 694 00:25:50,000 --> 00:25:51,500 LIKE, PROBABLY THESE. 695 00:25:51,500 --> 00:25:53,230 NO, NOT DRESSY ENOUGH. - THIS IS CUTE. 696 00:25:53,233 --> 00:25:55,003 - ISN'T THIS A LITTLE BIT, LIKE, VA-VA-VOOM 697 00:25:55,000 --> 00:25:57,100 FOR, LIKE, A FUNDRAISER? 698 00:25:57,100 --> 00:25:59,070 - YOU'RE TRYING TO GET MONEY. 699 00:25:59,066 --> 00:26:00,896 - YEAH, BUT I'M NOT A STREETWALKER. 700 00:26:00,900 --> 00:26:02,030 - YOU KIND OF ARE. 701 00:26:02,033 --> 00:26:04,803 [laughter] 702 00:26:14,433 --> 00:26:17,403 - HELLO, VILLA BLANCA. 703 00:26:17,400 --> 00:26:19,570 YES, HOLD ON A SECOND. 704 00:26:19,567 --> 00:26:20,997 FOR HOW MANY? 705 00:26:21,000 --> 00:26:22,470 OKAY, HOLD ON ONE SECOND. 706 00:26:22,467 --> 00:26:23,827 STEVEN. 707 00:26:23,834 --> 00:26:25,604 - YES, MAY I HELP? - CAN YOU PUT A RESERVATION 708 00:26:25,600 --> 00:26:27,070 FOR THREE IN THERE? - ABSOLUTELY. 709 00:26:27,066 --> 00:26:28,196 - HELLO, KIRSTEN, WHAT'S GOING ON? 710 00:26:28,200 --> 00:26:29,700 VILLA BLANCA'S THRIVING. 711 00:26:29,700 --> 00:26:31,170 IT'S DOING VERY WELL. IT'S MY BABY. 712 00:26:31,166 --> 00:26:33,296 I'M VERY PROUD OF IT. OKAY, WELL, THERE'S-- 713 00:26:33,300 --> 00:26:36,300 THERE'S ALREADY, LIKE, 150 RESERVATIONS FOR LUNCH, 714 00:26:36,300 --> 00:26:39,230 SO I'M SURE WE NEED YOU. OKAY. 715 00:26:39,233 --> 00:26:41,433 ALL RIGHT. ALL RIGHT. HOLD ON ONE SECOND. 716 00:26:41,433 --> 00:26:42,933 IT'S KIRSTEN ON THE PHONE. 717 00:26:42,934 --> 00:26:44,834 YOU OUGHT TO TAKE THAT. - ABSOLUTELY. 718 00:26:44,834 --> 00:26:45,934 - I NEED SOME HELP OVER HERE ACTUALLY. 719 00:26:45,934 --> 00:26:47,204 CEDRIC DIDN'T JUST WORK FOR US. 720 00:26:47,200 --> 00:26:49,000 HE WAS PART OF OUR FAMILY. BEND OVER. 721 00:26:49,000 --> 00:26:50,230 IT'S NOT GONNA HURT A BIT. 722 00:26:50,233 --> 00:26:52,103 - THAT'S WHAT YOU SAID LAST TIME. 723 00:26:52,100 --> 00:26:53,930 - SO WE'VE GOT A LOT OF RESERVATIONS FOR LUNCH-- 724 00:26:53,934 --> 00:26:55,274 - YEAH, IT'S GONNA BE BUSY TODAY. 725 00:26:55,266 --> 00:26:58,096 - AND I NEED YOU TO HELP ME WITH TABLE 13 OVER HERE. 726 00:26:58,100 --> 00:26:59,370 - THANK YOU. 727 00:26:59,367 --> 00:27:00,727 - IT WASN'T DIFFICULT 728 00:27:00,734 --> 00:27:02,874 TO REPLACE CEDRIC AT VILLA BLANCA, 729 00:27:02,867 --> 00:27:05,697 BUT IT WAS DIFFICULT TO REPLACE CEDRIC EMOTIONALLY. 730 00:27:05,700 --> 00:27:09,500 IT'S RARE THAT YOU LET SOMEBODY INTO YOUR FAMILY 731 00:27:09,500 --> 00:27:10,930 AND EVEN MORE SO YOUR HEART. 732 00:27:10,934 --> 00:27:13,104 STEVEN, I NEED TWO BOTTLES OF ROSE, 733 00:27:13,100 --> 00:27:15,930 AND IF YOU COULD JUST HELP ME FOR FIVE MINUTES SET IT UP, 734 00:27:15,934 --> 00:27:17,574 'CAUSE I'VE GOT TO GO. - ABSOLUTELY. 735 00:27:17,567 --> 00:27:19,027 - YEAH? - AND ARE WE GONNA DO-- 736 00:27:19,033 --> 00:27:20,403 WE'RE GONNA DO PETALS ON THE TABLE? 737 00:27:20,400 --> 00:27:21,500 IS THAT RIGHT? - YEAH, YEAH. 738 00:27:21,500 --> 00:27:22,570 I'LL DO EVERYTHING. DON'T WORRY. 739 00:27:22,567 --> 00:27:24,567 SINCE WE PARTED WAYS, 740 00:27:24,567 --> 00:27:26,627 I HAVEN'T SEEN CEDRIC. 741 00:27:26,633 --> 00:27:29,833 I HAVE NO IDEA WHAT HE'S DOING. 742 00:27:29,834 --> 00:27:33,974 BUT HE'LL GO A LONG WAY TO FIND ANOTHER IDIOT LIKE ME. 743 00:27:33,967 --> 00:27:37,097 VOILA. 744 00:27:52,100 --> 00:27:54,800 - ALL RIGHT. 745 00:27:54,800 --> 00:27:56,970 - IT NEEDS TO BE DARKER HERE. 746 00:27:56,967 --> 00:27:58,967 - WELL, IT'S GOING TO GET DARKER LATER ON. 747 00:27:58,967 --> 00:28:01,167 - NO, I KNOW, BUT I DIDN'T REALIZE. 748 00:28:01,166 --> 00:28:02,696 HONEY, THOSE ARE ALL PARIS' PERFUME. 749 00:28:02,700 --> 00:28:04,170 THEY'RE GLASS. DON'T BREAK THEM. 750 00:28:04,166 --> 00:28:05,366 - OKAY. - ARE THESE FOR DRINKS? 751 00:28:05,367 --> 00:28:06,397 NO, THAT'S JUST DECORATION. 752 00:28:06,400 --> 00:28:08,230 - THOSE ARE JUST DECORATION. - OH. 753 00:28:08,233 --> 00:28:09,233 [laughs] 754 00:28:09,233 --> 00:28:10,533 ORIGINALLY THIS CHARITY 755 00:28:10,533 --> 00:28:11,473 WAS SUPPOSED TO BE AT MY HOME, 756 00:28:11,467 --> 00:28:12,767 BUT MY HOUSE WASN'T READY YET. 757 00:28:12,767 --> 00:28:16,497 SO WE LAST MINUTE HAD TO SCRAMBLE AND DO IT 758 00:28:16,500 --> 00:28:17,470 AT GLENN'S RESTAURANT. 759 00:28:17,467 --> 00:28:19,497 I JUST FELT VERY PUT TOGETHER 760 00:28:19,500 --> 00:28:21,000 WITH SPIT AND GLUE. 761 00:28:21,000 --> 00:28:22,800 - THIS IS GONNA BE BEAUTIFUL. - ISN'T IT? 762 00:28:22,800 --> 00:28:24,830 - YEAH, IT'S GONNA LOOK AMAZING. - I'M SO NERVOUS. 763 00:28:24,834 --> 00:28:26,804 - NO, THIS IS-- LOOK AT THIS VIEW TODAY. 764 00:28:26,800 --> 00:28:27,930 THE VIEW'S AMAZING. - OW. 765 00:28:27,934 --> 00:28:29,704 - CAREFUL. - OKAY, HOLD ON. 766 00:28:29,700 --> 00:28:30,900 LET ME JUST CHECK THIS. 767 00:28:30,900 --> 00:28:32,330 DO YOU WANT US TO-- OH, WAIT. 768 00:28:32,333 --> 00:28:36,573 OH, YOU GUYS HAVE TO START PUTTING THE FRAMES--OKAY. 769 00:28:36,567 --> 00:28:39,497 GLENN, CAN YOU GET ME, LIKE, LITTLE VOTIVE CANDLES? 770 00:28:39,500 --> 00:28:42,030 MY GOD, I'M FALLING APART. 771 00:28:42,033 --> 00:28:43,973 I REALLY WANTED FLOWERS. 772 00:28:43,967 --> 00:28:45,027 - I CAN GET SOME FLOWERS. 773 00:28:45,033 --> 00:28:46,203 - WHERE? 774 00:28:46,200 --> 00:28:47,200 - WE'RE GONNA PUT CANDLES ON THE TABLE. 775 00:28:47,200 --> 00:28:48,570 IT'LL LOOK GREAT. - I KNOW. 776 00:28:48,567 --> 00:28:49,397 - AND LOLLIPOPS. - I SHOULD HAVE HAD FLOWERS. 777 00:28:49,400 --> 00:28:50,470 - HONEY, EVERYBODY'S GONNA COME, 778 00:28:50,467 --> 00:28:51,527 AND YOU'RE GONNA DO GREAT. 779 00:28:51,533 --> 00:28:52,533 IT'S GONNA RAISE A LOT OF MONEY. 780 00:28:52,533 --> 00:28:54,133 WE'RE GONNA DO GOOD HERE. 781 00:28:54,133 --> 00:28:56,273 - CAMILLE'S IN HAWAII, SO SHE WON'T BE THERE, 782 00:28:56,266 --> 00:28:58,866 AND KIM COULDN'T MAKE IT BECAUSE SHE WAS TIRED 783 00:28:58,867 --> 00:29:00,227 FROM GOING TO SACRAMENTO. 784 00:29:00,233 --> 00:29:01,933 BIG SHOCKEROO. 785 00:29:01,934 --> 00:29:03,104 I REALLY FEEL LIKE WE NEED FLOWERS NOW, 786 00:29:03,100 --> 00:29:04,600 AND NOW I'M FREAKING OUT. 787 00:29:04,600 --> 00:29:06,500 - UM... 788 00:29:06,500 --> 00:29:08,900 - UH-OH. WE HAVE A BROKEN LOLLIPOP. 789 00:29:08,900 --> 00:29:10,500 - I KNOW. WHAT ARE WE GONNA DO? 790 00:29:10,500 --> 00:29:12,230 - UH-OH. THAT'S GONNA FALL. 791 00:29:12,233 --> 00:29:15,233 - HERE. HAVE THIS. 792 00:29:15,233 --> 00:29:17,403 - LISTEN TO YOU, YOU'RE LIKE, SO I WILL SHUT UP. 793 00:29:17,400 --> 00:29:19,130 NOBODY IS GOING TO COME. 794 00:29:19,133 --> 00:29:20,973 WERE YOU JUST TEASING WHEN YOU SAID 795 00:29:20,967 --> 00:29:22,297 WE'LL GET FLOWERS? HOW CAN I GET FLOWERS THIS FAST? 796 00:29:22,300 --> 00:29:23,730 - WE'RE GONNA CALL SUPERMAN. - 30 MINUTES. 797 00:29:23,734 --> 00:29:25,004 I'M HAVING A HEART ATTACK. - I KNOW. 798 00:29:25,000 --> 00:29:26,470 LET ME GO GET FLOWERS. I'LL BE RIGHT BACK. 799 00:29:26,467 --> 00:29:28,227 - COMING UP... - YOU NEED TO EAT. 800 00:29:28,233 --> 00:29:30,103 - I AM EATING. - YOU'RE NOT EATING, TAYLOR. 801 00:29:30,100 --> 00:29:32,530 - I'M EATING. I JUST-- - TAYLOR, YOU ADMITTED TO ME 802 00:29:32,533 --> 00:29:34,733 YOU'RE NOT EATING. 803 00:29:41,367 --> 00:29:44,127 - OKAY. TRY AND KEEP OUT OF TROUBLE TONIGHT. 804 00:29:44,133 --> 00:29:46,173 DON'T SAY ANYTHING ABOUT THERAPY. 805 00:29:46,166 --> 00:29:50,326 DON'T SAY ANYTHING TO ANYBODY--THIS WAY. 806 00:29:50,333 --> 00:29:52,873 - HOW ARE YOU, MY FRIEND? - HEY, BUDDY. 807 00:29:52,867 --> 00:29:53,967 - HELLO. - NICE TO SEE YOU. 808 00:29:53,967 --> 00:29:55,197 HI. HOW ARE YOU? - I'VE BEEN GOOD. 809 00:29:55,200 --> 00:29:56,330 - GOOD. YOU LOOK BEAUTIFUL. 810 00:29:56,333 --> 00:29:57,833 - OH. - NICE EARRINGS. 811 00:29:57,834 --> 00:29:59,274 - THANK YOU, DARLING. - WHAT'S GOING ON? 812 00:29:59,266 --> 00:30:01,266 I LIKE YOU IN ALL BLACK. - YOU DO? 813 00:30:01,266 --> 00:30:03,866 - YEAH. YOU'RE ALWAYS IN PINK AND PURPLE. 814 00:30:03,867 --> 00:30:05,367 - AM I? YEAH. WELL, YEAH. 815 00:30:05,367 --> 00:30:06,627 - I LIKE. I LIKE. LOOKS GOOD. 816 00:30:06,633 --> 00:30:08,233 - HELLO, DARLING. - HOW ARE YOU? 817 00:30:08,233 --> 00:30:10,873 - IT WASN'T THE NORMAL KIND OF BEVERLY HILLS TYPE 818 00:30:10,867 --> 00:30:12,097 OF CHARITY EVENT. 819 00:30:12,100 --> 00:30:14,970 IT WAS IN SOME KIND OF GODFORSAKEN PLACE 820 00:30:14,967 --> 00:30:17,597 AT THE BACK OF A MALL, BUT IT'S KYLE, SO, OF COURSE, 821 00:30:17,600 --> 00:30:20,200 I'M GONNA GO. - LOLLIPOPS. 822 00:30:20,200 --> 00:30:21,430 - OH, OKAY. THANK YOU. 823 00:30:21,433 --> 00:30:22,873 - YES. ALTHOUGH IT'S ON A SKEWER. 824 00:30:22,867 --> 00:30:25,697 - THANK YOU SO MUCH. 825 00:30:29,800 --> 00:30:32,700 - HI. HOW ARE YOU? 826 00:30:35,533 --> 00:30:37,203 HI, HOW ARE YOU? 827 00:30:37,200 --> 00:30:38,600 - GOOD TO SEE YOU. 828 00:30:38,600 --> 00:30:39,930 AS EVERYONE STARTS PILING IN, 829 00:30:39,934 --> 00:30:42,404 I'M THINKING, "THANK YOU, GOD." 830 00:30:42,400 --> 00:30:44,170 - I JUST GOT BACK FROM MEXICO CITY. 831 00:30:44,166 --> 00:30:45,396 I HAD THE MOST FUN. 832 00:30:46,834 --> 00:30:48,034 NOT FOR US. 833 00:30:48,033 --> 00:30:50,373 IT WAS GUNS AND CARS AND DRIVERS. 834 00:30:50,367 --> 00:30:52,197 AND BULLETPROOF CARS. 835 00:30:52,200 --> 00:30:54,230 AND THEN YOU JUST PUT IT OUT OF YOUR MIND. 836 00:31:00,433 --> 00:31:02,833 - HI. WHO'S THERE? 837 00:31:02,834 --> 00:31:04,204 - HELLO. 838 00:31:04,200 --> 00:31:07,430 - HI. - GOOD TO SEE YOU. 839 00:31:07,433 --> 00:31:09,003 - GOOD TO SEE YOU TOO. 840 00:31:09,000 --> 00:31:10,300 THIS IS SUCH A COOL VENUE. 841 00:31:10,300 --> 00:31:12,030 I NEVER KNEW THIS WAS IN HERE. 842 00:31:12,033 --> 00:31:14,803 both: HI. - GOOD TO SEE YOU. 843 00:31:14,800 --> 00:31:17,430 - HAVE YOU MET DANA? 844 00:31:17,433 --> 00:31:20,273 - UMM... - DON'T REMEMBER? 845 00:31:20,266 --> 00:31:21,366 - I'M USELESS. 846 00:31:21,367 --> 00:31:23,267 YOU KNOW, I DON'T EVEN RECOGNIZE KEN 847 00:31:23,266 --> 00:31:24,426 WHEN I WAKE UP IN THE MORNING. 848 00:31:24,433 --> 00:31:25,803 OH, YOU KNOW. 849 00:31:25,800 --> 00:31:26,800 - DANA, LISA. LISA, DANA. 850 00:31:26,800 --> 00:31:28,530 - HELLO, HI. 851 00:31:28,533 --> 00:31:30,773 HOW ARE YOU DOING? - I'M GOOD. 852 00:31:30,767 --> 00:31:32,567 I'M GOOD, I'M GOOD. - HOW ARE YOU REALLY DOING? 853 00:31:32,567 --> 00:31:33,867 - I'M GOOD. 854 00:31:33,867 --> 00:31:35,267 - MARGARITA ON THE ROCKS. 855 00:31:35,266 --> 00:31:36,726 - LOOK AT YOUR LITTLE ARM. 856 00:31:36,734 --> 00:31:38,874 SO MUCH BODY WEIGHT. I'M TELLING YOU, 857 00:31:38,867 --> 00:31:39,897 YOU'VE LOST SO MUCH WEIGHT. 858 00:31:39,900 --> 00:31:41,530 - REALLY? - I'M TELLING YOU, 859 00:31:41,533 --> 00:31:43,073 YOU'VE DROPPED 860 00:31:43,066 --> 00:31:45,396 A HELL OF A LOT OF WEIGHT, A WORRYING AMOUNT OF WEIGHT. 861 00:31:45,400 --> 00:31:46,400 - WHAT ARE WE HAVING? 862 00:31:46,400 --> 00:31:47,900 THE ARTICLE THAT WAS LEAKED 863 00:31:47,900 --> 00:31:50,330 HAD SOME VERY SPECIFIC INFORMATION IN IT 864 00:31:50,333 --> 00:31:51,533 REGARDING MY WEIGHT LOSS, 865 00:31:51,533 --> 00:31:53,803 AND IT'S A TOPIC THAT LISA CANNOT SEEM 866 00:31:53,800 --> 00:31:55,000 TO LET GO OF. 867 00:31:55,000 --> 00:31:56,500 I FIND THAT A LITTLE COINCIDENTAL. 868 00:31:56,500 --> 00:31:59,070 - I'M SERIOUS. WE NEED TO TALK ABOUT THAT. 869 00:32:08,333 --> 00:32:10,233 - GOOD EVENING, EVERYONE. 870 00:32:10,233 --> 00:32:11,773 IT MEANS A LOT TO ME 871 00:32:11,767 --> 00:32:13,497 THAT YOU ALL CAME OUT TONIGHT 872 00:32:13,500 --> 00:32:16,100 TO SUPPORT SOMETHING THAT IS SO IMPORTANT. 873 00:32:16,100 --> 00:32:19,830 WE ARE HERE TONIGHT 874 00:32:19,834 --> 00:32:21,434 TO HONOR, CELEBRATE, 875 00:32:21,433 --> 00:32:24,533 RAISE MONEY FOR THE LOLLIPOP THEATER NETWORK. 876 00:32:24,533 --> 00:32:26,703 AND I REALLY THANK YOU 877 00:32:26,700 --> 00:32:28,930 FOR MAKING THE EFFORT TO BE HERE 878 00:32:28,934 --> 00:32:32,834 AND TO SUPPORT ME AS YOUR FRIEND AND THIS REALLY IMPORTANT CAUSE. 879 00:32:32,834 --> 00:32:34,804 THANK YOU. [applause] 880 00:32:34,800 --> 00:32:38,770 MY HUSBAND HAS BEEN WAITING FOR HIS MOMENT TO TALK TONIGHT. 881 00:32:38,767 --> 00:32:41,327 - I'M GONNA TELL A QUICK STORY, OKAY? 882 00:32:41,333 --> 00:32:43,633 WHEN MY WIFE TOLD ME WHAT WE WERE RAISING MONEY FOR, 883 00:32:43,633 --> 00:32:45,003 KIDS WITH CANCER, 884 00:32:45,000 --> 00:32:46,470 IT ACTUALLY REALLY TOUCHED MY HEART 885 00:32:46,467 --> 00:32:48,797 BECAUSE I WAS BORN WITH A CANCEROUS BLOOD DISEASE 886 00:32:48,800 --> 00:32:50,200 CALLED NEUTROPENIA. 887 00:32:50,200 --> 00:32:52,300 3% OF THE CHILDREN THAT ARE BORN WITH THIS THING 888 00:32:52,300 --> 00:32:55,230 ARE CURED, AND SO I SPENT 889 00:32:55,233 --> 00:32:56,903 THE FIRST, LIKE, SIX YEARS OF MY LIFE, 890 00:32:56,900 --> 00:33:00,100 LIKE, BASICALLY, LIKE, IN HOSPITALS, 891 00:33:00,100 --> 00:33:02,200 GETTING CHECKED, BLOOD WORK. 892 00:33:02,200 --> 00:33:04,570 I MEAN, JUST ABSOLUTELY, LIKE, CRAZY STUFF, 893 00:33:04,567 --> 00:33:07,667 AND I'M JUST SO PROUD FOR YOU TO HAVE MADE THIS, 894 00:33:07,667 --> 00:33:10,327 AND I REALLY WANT TO HELP, YOU KNOW, ALL THE CHILDREN. 895 00:33:10,333 --> 00:33:13,433 [cheers and applause] 896 00:33:13,433 --> 00:33:15,773 WE RAISED ABOUT $15,000, 897 00:33:15,767 --> 00:33:18,167 A GOOD AMOUNT OF MONEY FOR THESE CHILDREN WHO ARE ILL. 898 00:33:18,166 --> 00:33:20,426 [cheers and applause] 899 00:33:29,734 --> 00:33:31,234 AM I GONNA FIT? 900 00:33:31,233 --> 00:33:33,103 - SMILE. 901 00:33:36,033 --> 00:33:37,373 - YOU'RE A GOOD FRIEND OF TAYLOR'S. 902 00:33:37,367 --> 00:33:39,097 - YES, I AM. - THAT'S HOW YOU'RE CONNECTED. 903 00:33:39,100 --> 00:33:40,700 - THAT'S RIGHT. AND NOW I'M A GOOD FRIEND 904 00:33:40,700 --> 00:33:42,670 OF YOURS. CHEERS. - ALL RIGHT. OKAY. 905 00:33:42,667 --> 00:33:44,767 I'M VERY WORRIED ABOUT THIS YOUNG LADY HERE. 906 00:33:44,767 --> 00:33:47,297 - YEAH, SO-- - I'M SERIOUSLY WORRIED. 907 00:33:47,300 --> 00:33:48,770 EVERY TIME I SEE YOU, 908 00:33:48,767 --> 00:33:50,127 YOU'RE IN TEARS. 909 00:33:50,133 --> 00:33:52,233 SOMETHING REALLY SERIOUS IS GOING ON WITH YOU. 910 00:33:52,233 --> 00:33:56,173 AND I'M VERY CONCERNED ABOUT YOUR ARMS. 911 00:33:56,166 --> 00:33:57,766 I'M VERY CONCERNED ABOUT HOW YOU'RE LOOKING. 912 00:33:57,767 --> 00:33:59,467 OKAY? 913 00:33:59,467 --> 00:34:01,797 IN TWO WEEKS, I'VE SEEN YOU DROP TEN POUNDS. 914 00:34:03,734 --> 00:34:06,774 AND YOU NEEDED TO PUT ON TEN POUNDS BEFORE. 915 00:34:06,767 --> 00:34:10,167 I KNOW SHE'S SEEING LIFE COACHES AND THERAPISTS, 916 00:34:10,166 --> 00:34:11,966 BUT THE ONE THING I AM AWARE OF IS, 917 00:34:11,967 --> 00:34:15,627 EVERY TIME I SEE HER, SHE'S EMOTIONAL 918 00:34:15,633 --> 00:34:17,173 AND SHE'S A FEW POUNDS LIGHTER. 919 00:34:17,166 --> 00:34:19,466 YOU NEED TO EAT. - I AM EATING. 920 00:34:19,467 --> 00:34:21,027 - YOU'RE NOT EATING, TAYLOR. - I'M EATING. 921 00:34:21,033 --> 00:34:22,933 - TAYLOR, YOU ADMITTED TO ME YOU'RE NOT EATING. 922 00:34:22,934 --> 00:34:25,074 - WHEN I'M STRESSED, I DON'T EAT. 923 00:34:25,066 --> 00:34:28,696 - BUT YOU'RE STRESSED MOST OF THE TIME. 924 00:34:28,700 --> 00:34:31,230 - IF YOU'RE WITH SOMEONE AT A CHARITY EVENT, 925 00:34:31,233 --> 00:34:32,903 YOU DON'T BRING UP THEIR WEIGHT. 926 00:34:32,900 --> 00:34:34,930 I MEAN, I JUST DON'T THINK IT'S NICE. 927 00:34:34,934 --> 00:34:36,834 - YOU KNOW WE HAVEN'T ALWAYS BEEN GOOD FRIENDS. 928 00:34:36,834 --> 00:34:38,004 YOU KNOW THAT, RIGHT? 929 00:34:38,000 --> 00:34:40,930 AND I AM SERIOUSLY CONCERNED ABOUT YOU. 930 00:34:40,934 --> 00:34:43,034 I'VE NEVER BEEN A HUGE FAN OF TAYLOR. 931 00:34:43,033 --> 00:34:44,373 I'VE BEEN HONEST ABOUT THAT. 932 00:34:44,367 --> 00:34:47,027 JUST BECAUSE I'M NOT SOMEBODY'S GREATEST FAN 933 00:34:47,033 --> 00:34:48,873 DOESN'T MEAN, IF I SEE THAT THEY'RE IN TROUBLE, 934 00:34:48,867 --> 00:34:50,697 I CAN'T REACH OUT A HAND TO HELP THEM. 935 00:34:50,700 --> 00:34:52,500 IF YOU NEED TO GET THE [bleep] OUT OF THERE, 936 00:34:52,500 --> 00:34:54,400 THEN YOU DO IT NOW, AND YOU REGROUP. 937 00:34:54,400 --> 00:34:56,330 I'M NOT SAYING I'M MASQUERADING AS YOUR BEST FRIEND. 938 00:34:56,333 --> 00:34:57,703 I'M JUST SAYING, RIGHT NOW, 939 00:34:57,700 --> 00:35:00,030 IF YOU NEED SOMETHING SORTING OUT, I'LL HELP YOU. 940 00:35:00,033 --> 00:35:02,033 - "YOU KNOW I'M NOT YOUR FRIEND, 941 00:35:02,033 --> 00:35:04,833 "BUT MY HOME IS OPEN TO YOU. 942 00:35:04,834 --> 00:35:06,404 "YOU KNOW I'M NOT YOUR FRIEND, 943 00:35:06,400 --> 00:35:08,370 "BUT SHARE WHAT'S GOING ON WITH ME 944 00:35:08,367 --> 00:35:11,327 IN YOUR MOST INNER, PERSONAL THOUGHTS." 945 00:35:11,333 --> 00:35:14,173 I MEAN, WHO DOES THIS? 946 00:35:14,166 --> 00:35:16,296 LET'S GO TO A SILENT AUCTION. THANK YOU, THOUGH. 947 00:35:16,300 --> 00:35:17,930 - AWESOME. 948 00:35:17,934 --> 00:35:19,174 THAT'D BE FUN. 949 00:35:19,166 --> 00:35:22,426 - TAYLOR, GET YOUR SKINNY ASS OVER TO MY HOUSE 950 00:35:22,433 --> 00:35:24,903 AND LET'S SORT YOURSELF OUT. 951 00:35:24,900 --> 00:35:28,000 END OF STORY. 952 00:35:32,400 --> 00:35:35,530 [upbeat music] 953 00:35:35,533 --> 00:35:39,473 ♪♪ ♪♪ 954 00:35:39,467 --> 00:35:40,867 - LET'S GO OVER THERE. - YEAH? 955 00:35:40,867 --> 00:35:42,327 - LET'S GO OVER THERE. 956 00:35:54,166 --> 00:35:56,326 - I LOVE THAT. 957 00:35:56,333 --> 00:35:59,433 - HEY, DO YOU HAVE ANY FOOD? 958 00:35:59,433 --> 00:36:01,673 - WHO'S THAT? - I DON'T KNOW. SHE'S TALL. 959 00:36:01,667 --> 00:36:04,027 - HI. 960 00:36:04,033 --> 00:36:06,103 - THIS IS BRANDI. THIS IS TAYLOR. 961 00:36:06,100 --> 00:36:08,300 - HI. IT'S SO NICE-- DON'T EVEN. 962 00:36:08,300 --> 00:36:10,900 - OKAY. - I INVITED A FRIEND OF MINE 963 00:36:10,900 --> 00:36:13,070 TO KYLE'S CHARITY EVENT, 964 00:36:13,066 --> 00:36:15,566 THINKING THAT SHE HAS JUST GONE THROUGH A DIVORCE, 965 00:36:15,567 --> 00:36:17,167 AND I WANTED TO JUST KIND OF SHOW HER A GOOD TIME. 966 00:36:17,166 --> 00:36:18,626 - WHAT HAPPENED? 967 00:36:18,633 --> 00:36:20,033 - YOU KNOW WHAT, THOSE HAPPENED. 968 00:36:20,033 --> 00:36:22,073 I JUST HAD SOME REALLY HIGH SHOES ON, 969 00:36:22,066 --> 00:36:24,396 AND I WENT DOWN. - TOOK A--YEAH. 970 00:36:24,400 --> 00:36:25,530 - NOT FUN. - I'M SURPRISED 971 00:36:25,533 --> 00:36:26,573 IT HASN'T HAPPENED TO US. - I KNOW. 972 00:36:26,567 --> 00:36:28,267 I KNOW, RIGHT? EXACTLY. 973 00:36:28,266 --> 00:36:30,866 - SHE'S WITH ADRIENNE. 974 00:36:30,867 --> 00:36:33,097 HI. HOW ARE YOU? 975 00:36:33,100 --> 00:36:35,070 - HI, HI, HI. - WHAT'S GOING ON? 976 00:36:35,066 --> 00:36:37,266 - WHO'S THE GIRL? - WHAT? 977 00:36:37,266 --> 00:36:40,826 - WHO'S THAT GIRL? - THAT'S BRANDI. 978 00:36:40,834 --> 00:36:45,574 - BRANDI, I'VE SEEN PICTURES IN SOME GOSSIP COLUMN 979 00:36:45,567 --> 00:36:47,367 OF HER HANGING OUT WITH CEDRIC. 980 00:36:47,367 --> 00:36:50,467 SO MY FEATHERS ARE A LITTLE RUFFLED 981 00:36:50,467 --> 00:36:52,027 BEFORE I EVEN START. 982 00:36:52,033 --> 00:36:53,573 - IF YOU HAVE A BROKEN LEG, 983 00:36:53,567 --> 00:36:55,067 WOULD YOU REALLY PUT A STILETTO WITH IT? 984 00:36:55,066 --> 00:36:57,666 PLEASE. 985 00:36:57,667 --> 00:36:59,827 [chatter] 986 00:37:01,867 --> 00:37:04,527 - HI. I FELT BAD FOR YOU. 987 00:37:04,533 --> 00:37:06,133 - IT'S HARD TO STAND UP AND SOCIALIZE RIGHT NOW. 988 00:37:06,133 --> 00:37:08,673 - I'VE DONE PLENTY OF DUMB THINGS, SO... 989 00:37:08,667 --> 00:37:10,167 - I JUST-- - WELL, HOW LONG DO YOU HAVE 990 00:37:10,166 --> 00:37:12,026 TO WEAR THE CAST? - I DON'T KNOW. 991 00:37:12,033 --> 00:37:13,473 THIS IS MY SECOND ONE. 992 00:37:13,467 --> 00:37:15,597 SO--ALREADY. I'VE ONLY BEEN ON IT 993 00:37:15,600 --> 00:37:17,600 FOR TWO WEEKS, 'CAUSE MY KIDS, THEY JUMP ALL OVER ME. 994 00:37:17,600 --> 00:37:19,070 - HOW MANY KIDS DO YOU HAVE? 995 00:37:19,066 --> 00:37:20,696 - TWO. I WAS MARRIED 996 00:37:20,700 --> 00:37:23,330 TO THE NUMBER ONE DOUCHE BAG OF ALL TIME. 997 00:37:23,333 --> 00:37:25,203 HIS NAME--I'M KIDDING. NO, NOT REALLY. 998 00:37:25,200 --> 00:37:27,070 EDDIE CIBRIAN. HE'S AN ACTOR. 999 00:37:27,066 --> 00:37:28,866 "ACTOR." HE'S REALLY GOOD-LOOKING. 1000 00:37:28,867 --> 00:37:29,997 THAT'S WHAT HE DOES. 1001 00:37:30,000 --> 00:37:31,170 - I'M HAVING A BIRTHDAY PARTY 1002 00:37:31,166 --> 00:37:32,596 FOR MY DAUGHTER IN A FEW WEEKS, 1003 00:37:32,600 --> 00:37:34,600 AND I'D LOVE FOR YOU TO COME AND BRING YOUR KIDS. 1004 00:37:34,600 --> 00:37:37,100 - I WOULD LOVE TO. THEY LOVE LITTLE GIRLS. 1005 00:37:37,100 --> 00:37:38,870 - SO YOU GUYS SHOULD COME. I DIDN'T EVEN KNOW 1006 00:37:38,867 --> 00:37:39,997 YOU AND ADRIENNE WERE FRIENDS. 1007 00:37:40,000 --> 00:37:41,000 YOU'RE BEAUTIFUL. - WELL, THANK YOU. 1008 00:37:41,000 --> 00:37:42,070 - I HAVE TO DO 1009 00:37:42,066 --> 00:37:43,326 THE SILENT AUCTION ACTUALLY. 1010 00:37:43,333 --> 00:37:44,773 SORRY. 1011 00:37:44,767 --> 00:37:48,467 [thumping music] 1012 00:37:48,467 --> 00:37:52,597 ♪♪ ♪♪ 1013 00:37:52,600 --> 00:37:55,300 - AND THIS IS BRANDI. - HI. 1014 00:37:55,300 --> 00:37:56,700 HI. - BRANDI, LISA. 1015 00:37:56,700 --> 00:38:00,400 LISA, BRANDI. KYLE, BRANDI. 1016 00:38:00,400 --> 00:38:02,030 BRANDI, THIS IS KYLE. - NICE TO MEET YOU. 1017 00:38:02,033 --> 00:38:03,933 - WHAT I LIKE ABOUT BRANDI 1018 00:38:03,934 --> 00:38:06,304 IS THAT SHE SPEAKS HER MIND. 1019 00:38:06,300 --> 00:38:10,030 I DON'T KNOW HOW THE OTHER GIRLS 1020 00:38:10,033 --> 00:38:11,903 ARE GONNA FEEL ABOUT THAT. - AM I MISTAKEN 1021 00:38:11,900 --> 00:38:13,700 OR ARE YOU FRIENDLY WITH CEDRIC? 1022 00:38:13,700 --> 00:38:15,930 - NO, I AM. - UH-HUH. 1023 00:38:15,934 --> 00:38:17,774 BUT RECENTLY? 1024 00:38:17,767 --> 00:38:19,227 - WHAT DO YOU MEAN? 1025 00:38:19,233 --> 00:38:20,803 15 YEARS AGO, WE MODELED TOGETHER... 1026 00:38:20,800 --> 00:38:23,930 - OH. - IN PARIS AND LONDON, 1027 00:38:23,934 --> 00:38:25,104 AND THEN RECENTLY WE-- 1028 00:38:25,100 --> 00:38:26,300 - YEAH, I SAW SOME PICTURES 1029 00:38:26,300 --> 00:38:27,500 OF YOU TWO TOGETHER. 1030 00:38:29,900 --> 00:38:34,370 AFTER WHAT CEDRIC DID TO US, 1031 00:38:34,367 --> 00:38:36,627 I DON'T WANT TO HAVE ANYTHING TO DO 1032 00:38:36,633 --> 00:38:40,533 PARTICULARLY WITH ANYBODY THAT'S FRIENDS WITH HIM. 1033 00:38:44,100 --> 00:38:46,870 - IT WAS LIKE I CROSSED INTO ENEMY TERRITORY. 1034 00:38:46,867 --> 00:38:48,167 YES, I'M FRIENDLY WITH CEDRIC. 1035 00:38:48,166 --> 00:38:49,696 IT DOESN'T DEFINE ME AS A PERSON. 1036 00:38:49,700 --> 00:38:51,200 - LISA'S NOT A FAN OF THIS ONE. 1037 00:38:51,200 --> 00:38:54,200 SHE'S FRIENDS WITH CEDRIC. - NO, NO, 15 YEARS AGO. 1038 00:38:54,200 --> 00:38:55,870 I ASKED HER, AND IT'S NOT TRUE. 1039 00:38:55,867 --> 00:38:57,797 - ALL RIGHT, SO I'M FINDING MY WINE GUY. 1040 00:39:00,767 --> 00:39:02,267 - WHAT IS WITH BRANDI? 1041 00:39:02,266 --> 00:39:07,066 - HER HUSBAND LEFT HER FOR LEANN RIMES. 1042 00:39:07,066 --> 00:39:08,626 - RIGHT. 1043 00:39:08,633 --> 00:39:10,003 - THAT'S HER CLAIM TO FAME. 1044 00:39:10,000 --> 00:39:12,670 - OH, YOU'RE IN A MOOD TONIGHT. 1045 00:39:12,667 --> 00:39:14,367 - NO, I'M JUST SAYING, THAT'S THE TRUTH. 1046 00:39:14,367 --> 00:39:16,567 I THINK ALL OF US WERE FEELING A LITTLE DEFENSIVE 1047 00:39:16,567 --> 00:39:17,697 FOR LISA. 1048 00:39:17,700 --> 00:39:19,600 THIS IS A DIRECT LINK TO CEDRIC. 1049 00:39:19,600 --> 00:39:22,200 PAUL. PAUL. 1050 00:39:22,200 --> 00:39:23,630 HOW DO YOU KNOW BRANDI? 1051 00:39:23,633 --> 00:39:25,673 I HAVE HEARD THAT HER MANNY IS CEDRIC. 1052 00:39:25,667 --> 00:39:28,827 - IN BEVERLY HILLS, YOUNGER AND PRETTIER WOMEN 1053 00:39:28,834 --> 00:39:31,174 ARE OFTEN MET WITH HOSTILITY AND JEALOUSY. 1054 00:39:31,166 --> 00:39:32,466 NO, THAT'S A BUNCH OF BULL[bleep]. 1055 00:39:32,467 --> 00:39:33,797 - WHAT DO YOU MEAN? THAT'S NOT-- 1056 00:39:33,800 --> 00:39:36,100 - I HAVE HEARD THAT HER MANNY IS CEDRIC. 1057 00:39:36,100 --> 00:39:37,400 - SHE HASN'T-- I DON'T THINK SHE'S SEEN HIM 1058 00:39:37,400 --> 00:39:38,530 IN, LIKE, 15 YEARS. 1059 00:39:38,533 --> 00:39:40,073 - THAT'S NOT TRUE. 1060 00:39:40,066 --> 00:39:42,296 - MY LITTLE BUTTERCUP, THERE IS PICTURES OF THEM 1061 00:39:42,300 --> 00:39:43,300 ON THE INTERNET TOGETHER. 1062 00:39:43,300 --> 00:39:45,700 - WHERE? - HAVING LUNCH IN BEVERLY HILLS. 1063 00:39:45,700 --> 00:39:47,070 PICTURES OF THEM HAVING LUNCH-- 1064 00:39:47,066 --> 00:39:49,226 - THEY USED TO WORK TOGETHER. - NOT 15 YEARS AGO, 1065 00:39:49,233 --> 00:39:51,273 MY LITTLE BUTTERCUP. IT WAS, LIKE, TWO WEEKS AGO. 1066 00:39:51,266 --> 00:39:53,726 - WHO GIVES A [bleep]? - I DON'T, 1067 00:39:53,734 --> 00:39:57,374 BUT LISA DOESN'T EXACTLY LOVE THAT SITUATION. 1068 00:39:57,367 --> 00:39:58,797 - SHOULD I THEN TAKE HER HOME RIGHT NOW 1069 00:39:58,800 --> 00:39:59,800 AND GET HER OUT OF HERE? 1070 00:39:59,800 --> 00:40:01,670 both: NO! 1071 00:40:01,667 --> 00:40:02,927 - WELL, THEN LET ME ASK YOU A QUESTION. 1072 00:40:02,934 --> 00:40:05,274 WHY IS SHE OVER THERE TALKING TO HER? 1073 00:40:05,266 --> 00:40:07,066 - YEAH, WHY IS LISA ALL OF A SUDDEN TALKING TO HER? 1074 00:40:07,066 --> 00:40:09,266 - BECAUSE LISA WANTS TO STAY ON TOP OF A SITUATION. 1075 00:40:09,266 --> 00:40:11,166 - WITH THE WOMEN, WHETHER IT'S GOSSIP 1076 00:40:11,166 --> 00:40:12,596 OR AN ARGUMENT, 1077 00:40:12,600 --> 00:40:15,570 IT STARTS LIKE THIS, AND THEN IT ESCALATES. 1078 00:40:15,567 --> 00:40:17,127 - SHE'D RATHER KNOW WHAT'S GOING ON-- 1079 00:40:17,133 --> 00:40:19,373 - KEEP YOUR ENEMIES-- - YEAH, KEEP YOUR ENEMIES CLOSE. 1080 00:40:23,033 --> 00:40:24,173 - COMING UP... 1081 00:40:24,166 --> 00:40:25,426 - JUST SO YOU KNOW, THOUGH, 1082 00:40:25,433 --> 00:40:26,733 HE'S NEVER SAID A BAD THING TO ME ABOUT YOU. 1083 00:40:26,734 --> 00:40:28,474 - WHAT COULD HE POSSIBLY SAY THAT WAS BAD? 1084 00:40:28,467 --> 00:40:29,927 - NO, I'M JUST SAYING. - "OH, MY GOD. 1085 00:40:29,934 --> 00:40:31,404 "THEY TOOK ME ON VACATIONS AND LET ME LIVE 1086 00:40:31,400 --> 00:40:32,630 IN THEIR MANSION FOR TWO YEARS." 1087 00:40:37,333 --> 00:40:39,273 - ELLIOT MINTZ. - I'M HOPING THAT ELLIOT MINTZ 1088 00:40:39,266 --> 00:40:40,726 CAN HELP ME FIGURE OUT WHO LEAKED 1089 00:40:40,734 --> 00:40:42,504 MY PERSONAL INFORMATION TO THE PRESS. 1090 00:40:42,500 --> 00:40:45,170 LIKE, A GROUP OF PEOPLE WERE TOGETHER, 1091 00:40:45,166 --> 00:40:46,996 AND THEN, THE NEXT THING I KNOW, 1092 00:40:47,000 --> 00:40:48,870 DETAILS ABOUT THAT GROUP 1093 00:40:48,867 --> 00:40:50,427 WERE IN THE PRESS. 1094 00:40:50,433 --> 00:40:54,633 - THE BEST WAY IS TO GO TO THE HEAD OF THE RATTLESNAKE, 1095 00:40:54,633 --> 00:40:57,203 NOT THE TAIL. 1096 00:41:00,633 --> 00:41:02,503 - OKAY. - YOU AT LEAST ASK, 1097 00:41:02,500 --> 00:41:04,130 "DID YOU REPEAT ANYTHING 1098 00:41:04,133 --> 00:41:05,433 ABOUT MY PRIVATE BUSINESS?" 1099 00:41:05,433 --> 00:41:08,773 AND LISTEN TO THE TONE OF THEIR VOICE 1100 00:41:08,767 --> 00:41:14,567 WHEN THEY SAY, "I KNEW NOTHING ABOUT WATERGATE," 1101 00:41:16,100 --> 00:41:20,670 "I DID NOT HAVE SEXUAL RELATIONS WITH THAT INTERN." 1102 00:41:26,266 --> 00:41:27,726 - I DON'T KNOW WHAT THAT MEANS. 1103 00:41:31,133 --> 00:41:32,933 THANK YOU. 1104 00:41:38,734 --> 00:41:42,504 [chatter] 1105 00:41:42,500 --> 00:41:44,730 [laughter] 1106 00:41:46,767 --> 00:41:48,997 - BRANDI KNOWS CEDRIC. 1107 00:41:49,000 --> 00:41:50,830 - YOU KNOW CEDRIC? - I DO. 1108 00:41:50,834 --> 00:41:52,604 - HOW DO YOU KNOW CEDRIC? - FROM MODELING. 1109 00:41:52,600 --> 00:41:53,600 - DID HE BORROW MONEY FROM YOU? 1110 00:41:53,600 --> 00:41:54,930 - NO. 1111 00:41:54,934 --> 00:41:56,034 ARE YOU GUYS FRIENDS? 1112 00:41:56,033 --> 00:41:57,403 - YEAH, WE'RE FRIENDLY. 1113 00:41:57,400 --> 00:41:59,630 I MEAN, IT'S NOT MY DEFINING MOMENT IN LIFE 1114 00:41:59,633 --> 00:42:01,133 KNOWING HIM. I MEAN... 1115 00:42:01,133 --> 00:42:04,603 IT'S--YES, I KNOW HIM, AND THAT'S THAT. 1116 00:42:04,600 --> 00:42:06,730 I MEAN... JUST SO YOU KNOW, THOUGH, 1117 00:42:06,734 --> 00:42:08,804 HE'S NEVER SAID A BAD THING TO ME ABOUT YOU WHATSOEVER. 1118 00:42:08,800 --> 00:42:11,030 WE NEVER REALLY EVEN TALKED ABOUT ANYTHING 1119 00:42:11,033 --> 00:42:12,803 THAT HAPPENED BETWEEN YOU GUYS, 1120 00:42:12,800 --> 00:42:14,000 JUST TO BE VERY CLEAR. 1121 00:42:14,000 --> 00:42:15,430 - WHAT COULD HE POSSIBLY SAY THAT WAS BAD? 1122 00:42:15,433 --> 00:42:16,433 - NO, I'M JUST SAYING-- - "OH, MY GOD. 1123 00:42:16,433 --> 00:42:17,903 "THEY TOOK ME VACATIONS AND LET ME LIVE 1124 00:42:17,900 --> 00:42:19,530 IN THEIR MANSION FOR TWO YEARS." 1125 00:42:19,533 --> 00:42:22,173 - SO, WAIT, WAS HE A FREELOADER? WHAT HAPPENED? 1126 00:42:22,166 --> 00:42:24,496 - SHE JUST NEEDS TO LET IT GO. 1127 00:42:24,500 --> 00:42:25,530 I MEAN, SERIOUSLY. 1128 00:42:25,533 --> 00:42:26,833 GET OVER IT, MOVE ON. 1129 00:42:26,834 --> 00:42:28,174 WHAT? HOW OLD IS SHE? 60? 1130 00:42:28,166 --> 00:42:30,626 LIKE, SHE SHOULDN'T BE ACTING THAT WAY. 1131 00:42:30,633 --> 00:42:32,133 - I'VE MOVED ON, BUT IT'S FINE. 1132 00:42:32,133 --> 00:42:33,833 BUT IT WAS FUNNY THERE WAS THAT CONNECTION. 1133 00:42:33,834 --> 00:42:35,174 - YEAH. - SMALL WORLD. 1134 00:42:35,166 --> 00:42:37,126 - SOMETIMES TOO SMALL. 1135 00:42:37,133 --> 00:42:38,933 - ALL RIGHT. EXCUSE ME, YOU GUYS. 1136 00:42:41,700 --> 00:42:44,800 - IT'S HUDDLE TIME. - WHAT HAPPENED? 1137 00:42:44,800 --> 00:42:46,430 - THIS IS REALLY WEIRD TO ME. 1138 00:42:46,433 --> 00:42:49,503 - WHY WOULD YOU WEAR A STILETTO WHEN YOU HAVE A BROKEN LEG? 1139 00:42:49,500 --> 00:42:52,600 EXCUSE ME. [overlapping chatter] 1140 00:42:52,600 --> 00:42:54,100 - I'M GONNA TOP THAT. 1141 00:42:54,100 --> 00:42:56,630 WHEN YOU'VE ALREADY BROKEN YOUR LEG ONCE OFF ANOTHER SHOE-- 1142 00:42:56,633 --> 00:42:58,073 - SHE BROKE HER LEG WHEN SHE FELL OFF HER SHOE. 1143 00:42:58,066 --> 00:43:00,796 - YOU DON'T LEARN YOUR LESSON. 1144 00:43:00,800 --> 00:43:02,530 - WOULD YOU SUE LOUBOUTIN? 1145 00:43:02,533 --> 00:43:06,103 [laughter] 1146 00:43:06,100 --> 00:43:08,230 - 'CAUSE SHE FELL OFF HER SHOE. 1147 00:43:08,233 --> 00:43:10,073 - THAT WAS SO MEAN. 1148 00:43:10,066 --> 00:43:13,826 LET'S HAVE A MOMENT OF SILENCE FOR HER TRIPPING ON A HIGH HEEL. 1149 00:43:13,834 --> 00:43:14,904 - AW. 1150 00:43:14,900 --> 00:43:16,000 - FRIENDLY GALS. 1151 00:43:16,000 --> 00:43:17,470 YOU GET WHAT YOU GIVE IN LIFE. 1152 00:43:17,467 --> 00:43:18,927 AND YOU GIVE OFF, LIKE, BITCHINESS, 1153 00:43:18,934 --> 00:43:20,134 YOU'RE GETTING IT BACK. 1154 00:43:20,133 --> 00:43:23,433 AND I'M PRETTY GOOD AT BEING A BITCH. 1155 00:43:23,433 --> 00:43:27,633 [chatter and laughter] 1156 00:43:27,633 --> 00:43:29,073 - LOVE IT. 1157 00:43:29,066 --> 00:43:31,666 - NEXT ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 1158 00:43:31,667 --> 00:43:35,167 - YEAH! WHOO-HOO! 1159 00:43:35,166 --> 00:43:36,996 - OKAY, I'M LOVING THE SUNGLASSES. 1160 00:43:37,000 --> 00:43:39,170 - OH, DID YOU KNOW, $25,000? 1161 00:43:39,166 --> 00:43:40,666 - MOST PEOPLE THAT HAVE A LOT OF MONEY 1162 00:43:40,667 --> 00:43:42,127 DON'T REALLY BRAG TOO MUCH ABOUT IT? 1163 00:43:42,133 --> 00:43:43,133 AND THAT'S THE HONEST TRUTH. 1164 00:43:43,133 --> 00:43:45,303 INSANE. - THAT'S RIGHT. 1165 00:43:45,300 --> 00:43:46,570 - I GET THAT FEELING THAT YOU GUYS THINK 1166 00:43:46,567 --> 00:43:48,367 I'M, LIKE, A SUPER SLUT, BUT I'M REALLY NOT. 1167 00:43:48,367 --> 00:43:49,727 - NO. - I DO NOW. 1168 00:43:49,734 --> 00:43:51,774 NOW THAT YOU SAID THAT. 1169 00:43:51,767 --> 00:43:53,997 TAYLOR IS COMPLETELY VANISHING. 1170 00:43:54,000 --> 00:43:56,730 - WHEN YOU'RE GETTING A DIVORCE, LIKE, YOU EAT ALL DAY LONG, 1171 00:43:56,734 --> 00:43:59,004 BUT YOU GET REALLY SKINNY. - IS SHE GETTING A DIVORCE? 1172 00:44:01,967 --> 00:44:05,997 - TO LEARN MORE ABOUT THE HOUSEWIVES, GO TO BRAVOTV.COM. 79234

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