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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,400 --> 00:00:05,570 - PREVIOUSLY ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 2 00:00:05,567 --> 00:00:07,467 - IF I HAD TO GO TO SEE A THERAPIST 3 00:00:07,467 --> 00:00:09,467 TO MAKE MY MARRIAGE BETTER, 4 00:00:09,467 --> 00:00:13,327 I WOULD FEEL WEAK. 5 00:00:13,333 --> 00:00:14,773 - WE'RE GOING TO COLORADO, 6 00:00:14,767 --> 00:00:16,797 TO SOMEWHERE CALLED BEAVER CREEK. 7 00:00:16,800 --> 00:00:18,630 OH, MY GOD. YOU MADE IT! 8 00:00:18,633 --> 00:00:19,633 - KIM, GRAB HIM BY THE EARS. 9 00:00:19,633 --> 00:00:20,703 IT'S GONNA HELP. 10 00:00:20,700 --> 00:00:23,530 - LISA, SHUT UP! HAD ENOUGH OF YOU. 11 00:00:23,533 --> 00:00:26,373 - JUST WANT SO BADLY TO MAKE IT WORK. 12 00:00:26,367 --> 00:00:31,067 - WHY? 13 00:00:31,066 --> 00:00:33,126 - LIFE IN BEVERLY HILLS IS A GAME, 14 00:00:33,133 --> 00:00:37,103 AND I MAKE THE RULES. 15 00:00:37,100 --> 00:00:39,200 - I'M NOT THE RICHEST GIRL IN BEVERLY HILLS, 16 00:00:39,200 --> 00:00:42,470 BUT I AM THE LUCKIEST. 17 00:00:42,467 --> 00:00:44,197 - PEOPLE TRY TO FIGURE ME OUT, 18 00:00:44,200 --> 00:00:46,100 BUT I'M ONE OF A KIND. 19 00:00:48,166 --> 00:00:50,066 - I FINALLY FOUND MY VOICE, 20 00:00:50,066 --> 00:00:52,466 AND I'M NOT AFRAID TO USE IT. 21 00:00:53,734 --> 00:00:55,234 - HAVE IT ALL IS EASY 22 00:00:55,233 --> 00:00:58,703 IF YOU'RE WILLING TO WORK FOR IT. 23 00:00:58,700 --> 00:01:01,300 - DIAMONDS AREN'T A GIRL'S BEST FRIEND. 24 00:01:01,300 --> 00:01:04,270 FREEDOM IS. 25 00:01:16,600 --> 00:01:18,230 - WE'VE HAD A GREAT DAY ON THE SLOPES. 26 00:01:18,233 --> 00:01:20,603 EVERYTHING'S FANTASTIC. 27 00:01:20,600 --> 00:01:21,970 GIRLS GETTING ALONG REALLY WELL. 28 00:01:21,967 --> 00:01:24,197 KYLE'S BEEN IN THE HOT TUB WITH TAYLOR. 29 00:01:24,200 --> 00:01:27,130 I THINK TAYLOR'S DRUNK NEARLY A WHOLE BOTTLE OF WINE. 30 00:01:27,133 --> 00:01:31,503 THERE'S TEARS, AND SHE'S STARTING TO GET VERY EMOTIONAL. 31 00:01:31,500 --> 00:01:33,230 - SOMETIMES WHEN YOU GET AWAY, 32 00:01:33,233 --> 00:01:35,933 IT JUST GIVES YOU A MINUTE TO BREATHE. 33 00:01:35,934 --> 00:01:38,234 AND SOMETIMES THAT'S A GOOD THING, AND... 34 00:01:38,233 --> 00:01:41,303 SOMETIMES IT'S JUST REALLY HARD. 35 00:01:41,300 --> 00:01:42,470 - YOU DON'T NEED HIM TO BE OKAY. 36 00:01:42,467 --> 00:01:43,997 YOU DO NOT NEED HIM TO BE OKAY. 37 00:01:44,000 --> 00:01:46,430 YOU NEED YOURSELF TO BE OKAY. 38 00:01:54,100 --> 00:01:56,470 - AFTER A LONG DAY OF SKIING, I WAS TIRED, 39 00:01:56,467 --> 00:01:58,727 SO I WENT TO MY BEDROOM TO TAKE A NAP. 40 00:02:04,667 --> 00:02:07,367 - I HAD NO IDEA WHAT YOU WERE GOING THROUGH 41 00:02:07,367 --> 00:02:08,327 WITH YOUR OWN FAMILY. 42 00:02:08,333 --> 00:02:10,303 - TAYLOR? KIM? 43 00:02:10,300 --> 00:02:11,970 AFTER SKIING FOR THREE HOURS, 44 00:02:11,967 --> 00:02:14,297 I JUST NEEDED TO GO LAY DOWN. 45 00:02:14,300 --> 00:02:16,930 - KIM, I WAS THE GIRL THAT-- 46 00:02:16,934 --> 00:02:18,734 IF YOU WERE GONNA BET ON SOMEONE, 47 00:02:18,734 --> 00:02:22,474 I--I WOULD NEVER BET ON ME. 48 00:02:22,467 --> 00:02:26,027 - I WAS IN THE DEEPEST SLEEP OF EXHAUSTION, 49 00:02:26,033 --> 00:02:29,373 AND NEXT THING I KNOW, TAYLOR COMES RUNNING IN, 50 00:02:29,367 --> 00:02:32,267 AND SHE, LIKE, JUMPED ON TOP OF ME, 51 00:02:32,266 --> 00:02:33,466 AND I WAS HALF ASLEEP, 52 00:02:33,467 --> 00:02:35,927 SO I WAS LIKE, "WHOA. WHAT HAPPENED?" 53 00:02:35,934 --> 00:02:38,004 AND SHE SAID, "I...I... 54 00:02:38,000 --> 00:02:40,330 I...I DRANK TOO MUCH." 55 00:02:40,333 --> 00:02:42,803 - I GREW UP WITH NOTHING. 56 00:02:42,800 --> 00:02:45,800 WE HAD NOTHING. 57 00:02:49,367 --> 00:02:51,227 I WAS SO POOR. 58 00:02:51,233 --> 00:02:54,473 AND I'M SO TERRIFIED OF GOING BACK TO THAT. 59 00:02:54,467 --> 00:02:56,167 - NOBODY SAYS YOU HAVE TO, 60 00:02:56,166 --> 00:02:57,296 IF YOU'RE THAT SCARED OF IT. 61 00:02:57,300 --> 00:02:58,730 AND YOU'RE A HARD WORKER, YOU SAID. 62 00:02:58,734 --> 00:03:00,304 YOU'RE A SMART GIRL. 63 00:03:00,300 --> 00:03:02,500 AND YOU HAVE GREAT OPPORTUNITY. 64 00:03:02,500 --> 00:03:05,370 YOU NEED TO CHANGE THAT INSIDE. 65 00:03:05,367 --> 00:03:08,467 AND YOU KNOW WHAT? NOTHING'S GONNA BRING YOU DOWN. 66 00:03:08,467 --> 00:03:10,197 - I'M TRYING. 67 00:03:10,200 --> 00:03:13,770 IT'S EASY FOR ME TO BE DRAWN TO ADRIENNE, 68 00:03:13,767 --> 00:03:15,767 BECAUSE SHE HAS NO PROBLEMS. 69 00:03:15,767 --> 00:03:17,597 AND YOU AND I PROBABLY HAVE SIMILAR PROBLEMS. 70 00:03:17,600 --> 00:03:21,200 - EVERYBODY HAS PROBLEMS. 71 00:03:21,200 --> 00:03:24,200 EVERYBODY HAS SOMETHING INSIDE 72 00:03:24,200 --> 00:03:26,270 THAT HURTS THEM, THAT ACHES THEM, 73 00:03:26,266 --> 00:03:27,766 THAT ANNOYS THEM. 74 00:03:27,767 --> 00:03:29,997 ALL THE GOOD THINGS THAT HAVE HAPPENED TO YOU, 75 00:03:30,000 --> 00:03:31,030 ALL THE GOOD THINGS, 76 00:03:31,033 --> 00:03:34,773 IF YOU CAN FOCUS ON THE GOOD... 77 00:03:34,767 --> 00:03:36,927 - I GUESS I FEEL SO FRAGILE 78 00:03:36,934 --> 00:03:38,604 BECAUSE OF EVERYTHING I'M GOING THROUGH, 79 00:03:38,600 --> 00:03:40,630 AND I FEEL SO BAD ABOUT OUR RELATIONSHIP, 80 00:03:40,633 --> 00:03:44,573 AND EVERYTHING THAT I-- I DID WITH YOU. 81 00:03:44,567 --> 00:03:46,697 DON'T--DO NOT [bleep] DRAG ME INTO THIS. 82 00:03:46,700 --> 00:03:48,130 I'M 'BOUT TO TAKE YOU OUT BACK 83 00:03:48,133 --> 00:03:50,533 AND PULL SOME OKLAHOMA ON YOUR ASS. 84 00:03:51,667 --> 00:03:52,697 - WHAT'S HAPPENING HERE? 85 00:03:52,700 --> 00:03:54,070 - I HAD A LITTLE NAP, 86 00:03:54,066 --> 00:03:56,696 AND I GOT WOKEN UP BY A HALF-NAKED WOMAN. 87 00:03:56,700 --> 00:03:57,700 - WE WENT IN THE JACUZZI. 88 00:03:57,700 --> 00:04:00,100 - I THREW A ROBE ON HER. 89 00:04:00,100 --> 00:04:02,170 - I JUST HOPE YOU CAN FORGIVE ME. 90 00:04:02,166 --> 00:04:04,866 WE'D BOTH BEEN THROUGH SO MUCH. 91 00:04:04,867 --> 00:04:06,267 I'M SORRY. 92 00:04:06,266 --> 00:04:08,496 I'M SO SORRY. 93 00:04:08,500 --> 00:04:09,730 - BUT IT'S OVER. 94 00:04:09,734 --> 00:04:10,834 - IT'S OVER. 95 00:04:10,834 --> 00:04:13,334 - YOU KNOW? 96 00:04:13,333 --> 00:04:15,703 - LOOK HOW STRONG MY SISTER IS. - I KNOW. 97 00:04:15,700 --> 00:04:17,030 - I LOVE HER. 98 00:04:17,033 --> 00:04:19,933 - KIM'S ALWAYS GIVEN ME A HARD TIME ABOUT MOTHERING HER, 99 00:04:19,934 --> 00:04:22,004 SO IT'S KIND OF FUNNY TO SEE HER 100 00:04:22,000 --> 00:04:23,700 ALL OF A SUDDEN MOTHERING TAYLOR. 101 00:04:23,700 --> 00:04:25,830 - I WAS SUCH AN [bleep]HOLE. 102 00:04:25,834 --> 00:04:27,304 - YEAH, I KNOW. 103 00:04:27,300 --> 00:04:33,170 [laughter] 104 00:04:33,166 --> 00:04:35,026 SO WAS I. 105 00:04:35,033 --> 00:04:37,833 - OH, GUESS WHAT? SO WAS I? 106 00:04:37,834 --> 00:04:39,574 - ACTUALLY, YOU REALLY WERE. 107 00:04:39,567 --> 00:04:41,427 YOU WERE THE WORST. 108 00:04:41,433 --> 00:04:42,473 - YOU WERE THERE WORST. 109 00:04:42,467 --> 00:04:44,527 YOU JUST DIDN'T SHOW IT. 110 00:04:49,000 --> 00:04:52,400 - NOW WE'RE GONNA GO UPSTAIRS. WE'RE GONNA EAT. 111 00:04:52,400 --> 00:04:54,970 - WHERE DID ALL YOU PEOPLE COME FROM? 112 00:04:54,967 --> 00:04:55,967 - THERE'S A LOT OF 'EM. 113 00:04:55,967 --> 00:04:57,167 - I'M KYLE. - HI, KYLE. 114 00:04:57,166 --> 00:04:58,166 - HOW ARE YOU? 115 00:04:58,166 --> 00:04:59,126 - GOOD. THIS IS NOAH. 116 00:04:59,133 --> 00:05:01,703 - NOAH. TRACY. - WHITNEY. 117 00:05:01,700 --> 00:05:03,630 - WHITNEY, THAT'S EASY TO REMEMBER. 118 00:05:03,633 --> 00:05:04,633 CHEERS, ADRIENNE. 119 00:05:04,633 --> 00:05:07,203 - CHEERS. - GOOD TIMES. 120 00:05:09,767 --> 00:05:11,097 - WHERE ARE THE GIRLS? 121 00:05:11,100 --> 00:05:14,170 - I DON'T KNOW, BUT DINNER'S IN TEN MINUTES. 122 00:05:17,567 --> 00:05:21,327 - TAYLOR? KIM? 123 00:05:21,333 --> 00:05:23,673 WHAT ARE YOU DOING? 124 00:05:27,667 --> 00:05:29,027 - HEY. 125 00:05:29,033 --> 00:05:30,903 - EVEN WHEN YOU THINK YOU'RE HAVING THE BEST TIME 126 00:05:30,900 --> 00:05:33,300 AND THINGS ARE GOING GREAT, ALL OF A SUDDEN... 127 00:05:33,300 --> 00:05:34,930 - KIM, COME OVER HERE. 128 00:05:34,934 --> 00:05:37,734 DEAR GOD. I JUST WANT TO BE LEFT ALONE. 129 00:05:37,734 --> 00:05:40,374 - TAYLOR CHOSE TO HIDE. 130 00:05:40,367 --> 00:05:43,067 IN KYLE'S SUITCASE. IN OUR CLOSET. 131 00:05:43,066 --> 00:05:45,666 - HEY, LEAVE OUR UNDERWEAR OUT OF THERE. 132 00:05:45,667 --> 00:05:46,697 - SURPRISE! 133 00:05:46,700 --> 00:05:48,570 [laughter] 134 00:05:48,567 --> 00:05:50,827 TAYLOR IS IN A SUITCASE. 135 00:05:50,834 --> 00:05:53,334 - I'M READY TO GO HOME. 136 00:05:53,333 --> 00:05:54,603 - I'M LIKE, "COME ON. 137 00:05:54,600 --> 00:05:56,430 "WE GOT TO GET YOU OUT OF THERE, GET YOU DRESSED. 138 00:05:56,433 --> 00:05:58,003 LET'S GET YOUR MAKEUP ON." 139 00:05:58,000 --> 00:05:59,400 - IT'S THE ALTITUDE. 140 00:05:59,400 --> 00:06:01,300 WE'RE GOING UPSTAIRS, AND WE'RE GETTING READY. 141 00:06:01,300 --> 00:06:02,500 YES, WE'RE GONNA GO HAVE FUN NOW. 142 00:06:02,500 --> 00:06:05,330 LET'S GO HAVE DINNER. 143 00:06:05,333 --> 00:06:07,633 - OH, MY GOODNESS. 144 00:06:09,467 --> 00:06:11,197 - KYLE--TAYLOR? 145 00:06:11,200 --> 00:06:13,230 - ARE YOU OKAY? 146 00:06:13,233 --> 00:06:16,173 - I DON'T KNOW IF IT'S THE COMBINATION OF THE ALCOHOL 147 00:06:16,166 --> 00:06:19,126 AND BEING SO THIN, THE ALTITUDE... 148 00:06:19,133 --> 00:06:20,173 ARE YOU OKAY? 149 00:06:20,166 --> 00:06:22,566 - NO. - BUT ALL A SUDDEN... 150 00:06:22,567 --> 00:06:25,927 SHE'S STARTING TO GO CRAZY. 151 00:06:25,934 --> 00:06:28,474 OW. 152 00:06:28,467 --> 00:06:29,567 - KIM. 153 00:06:29,567 --> 00:06:30,867 - I'M HERE. WHAT'S UP? 154 00:06:30,867 --> 00:06:32,797 ARE YOU DRESSED? 155 00:06:32,800 --> 00:06:36,200 YOU LOOK VERY CUTE. OOH. OW. WATCH MY FEET. 156 00:06:36,200 --> 00:06:41,230 - I HEARD PEOPLE YELLING AND DOORS SLAMMING. 157 00:06:41,233 --> 00:06:46,173 IT DIDN'T SEEM LIKE THIS PERSON WAS PLAYING, JOKING AROUND. 158 00:06:46,166 --> 00:06:47,796 IT SEEMED VERY INTENSE. 159 00:06:47,800 --> 00:06:49,470 - GO FIX YOUR MAKEUP. 160 00:06:49,467 --> 00:06:50,697 - OKAY. WHAT KIND OF MAKEUP? 161 00:06:50,700 --> 00:06:52,530 - I'D PUT A LITTLE BLUSH AND A LITTLE GLOSS ON. 162 00:06:52,533 --> 00:06:54,203 - OKAY. - AND YOUR HAIR LOOKS GREAT. 163 00:06:54,200 --> 00:06:55,200 - OKAY, THANK YOU. 164 00:06:55,200 --> 00:06:56,270 - AND YOU JUST... 165 00:06:56,266 --> 00:06:58,266 AND THEN WE'LL SEE YOU IN A MINUTE. 166 00:06:58,266 --> 00:07:01,126 OKAY. 167 00:07:01,133 --> 00:07:02,503 - NOT GOOD. 168 00:07:02,500 --> 00:07:03,730 ADRIENNE. 169 00:07:03,734 --> 00:07:07,474 MAYBE YOU SHOULD COME SEE HER, TALK TO HER. 170 00:07:07,467 --> 00:07:09,267 I THINK TAYLOR WAS HAVING A HORRIBLE MOMENT. 171 00:07:09,266 --> 00:07:10,296 - TAYLOR. 172 00:07:10,300 --> 00:07:11,500 - WHAT ELSE IS GOING ON WITH YOU? 173 00:07:11,500 --> 00:07:13,070 - TAYLOR, COME ON, HONEY. COME UP. 174 00:07:13,066 --> 00:07:14,496 - WHAT'S GOING ON? WHAT'S GOING ON... 175 00:07:14,500 --> 00:07:15,530 - UM, ADRIENNE? 176 00:07:15,533 --> 00:07:16,703 - YEAH. - OKAY, COME ON. 177 00:07:16,700 --> 00:07:18,870 WHAT'S GOING ON? - NOW MY MAKEUP'S GONE. 178 00:07:18,867 --> 00:07:22,027 - LISA. LISA. WE ALL HAVE TO GO UP TO DINNER. 179 00:07:22,033 --> 00:07:25,203 - NO, WE DON'T. - YES. COME ON. 180 00:07:25,200 --> 00:07:27,700 - NO. HONESTLY, IT'S GONE. 181 00:07:27,700 --> 00:07:29,300 MY ENTIRE MAKEUP BAG'S GONE. 182 00:07:29,300 --> 00:07:31,700 - THEY PROBABLY PUT IT IN ONE OF THE DRAWERS, PROBABLY. 183 00:07:31,700 --> 00:07:35,100 - SHE REALLY SEEMED, UM, DISORIENTED. 184 00:07:35,100 --> 00:07:37,000 HONEY, TAYLOR. 185 00:07:37,000 --> 00:07:38,000 - OH, NO, NO, NO. 186 00:07:38,000 --> 00:07:39,000 - YES, THEY ARE. 187 00:07:39,000 --> 00:07:40,000 - IT'S HERE. - HONEY. 188 00:07:40,000 --> 00:07:41,000 - WHERE IS IT? 189 00:07:41,000 --> 00:07:42,130 - YES, THEY ARE. 190 00:07:42,133 --> 00:07:43,203 - NO, THEY'RE NOT. TAYLOR. 191 00:07:43,200 --> 00:07:44,230 - ...MAKEUP BAG. 192 00:07:44,233 --> 00:07:47,473 - WELL, OKAY, WE'LL FIND IT. 193 00:07:47,467 --> 00:07:48,867 - TAYLOR. HONEY. 194 00:07:48,867 --> 00:07:50,627 - TAYLOR, WHAT DOES IT LOOK LIKE? 195 00:07:50,633 --> 00:07:53,173 - IT'S BLUE WITH RED FLOWERS. 196 00:07:53,166 --> 00:07:54,126 AND I DON'T LIKE THIS. 197 00:07:54,133 --> 00:07:56,033 IT'S A [bleep] THING. 198 00:07:56,033 --> 00:07:57,033 - HONEY... 199 00:07:57,033 --> 00:07:59,303 - [bleep]... 200 00:07:59,300 --> 00:08:01,070 - THEY'RE NOT GONNA STEAL YOUR MAKEUP, HONEY. 201 00:08:01,066 --> 00:08:02,496 - I'M TELLING YOU THE TRUTH, KIM. 202 00:08:02,500 --> 00:08:05,070 I HAD A BLUE MAKEUP BAG WITH RED FLOWERS. 203 00:08:05,066 --> 00:08:06,166 - OKAY. 204 00:08:06,166 --> 00:08:07,666 - UM, I DON'T KNOW. 205 00:08:07,667 --> 00:08:11,027 - THERE'S MORE GOING ON THAN THIS. 206 00:08:11,033 --> 00:08:12,933 - I DO NOT FEEL THIS IS A NORMAL REACTION 207 00:08:12,934 --> 00:08:15,234 TO SOMEONE LOSING THEIR MAKEUP BAG, YOU KNOW? 208 00:08:15,233 --> 00:08:17,673 - I'M NOT DOING THIS [bleep] [bleep]. 209 00:08:17,667 --> 00:08:18,897 - KIM? 210 00:08:18,900 --> 00:08:21,830 - KYLE, WHERE'S TAYLOR'S MAKEUP BAG? 211 00:08:21,834 --> 00:08:23,804 - IT'S RIGHT HERE. 212 00:08:23,800 --> 00:08:24,870 - IS ALL HER MAKEUP IN THERE? 213 00:08:24,867 --> 00:08:26,297 - TAYLOR, LOOK WHAT I FOUND. 214 00:08:26,300 --> 00:08:27,870 LOOK WHAT WE GOT. 215 00:08:27,867 --> 00:08:29,027 TAYLOR. 216 00:08:29,033 --> 00:08:30,403 - I DIDN'T PUT IT IN THERE. 217 00:08:30,400 --> 00:08:31,800 - OKAY. KYLE... 218 00:08:31,800 --> 00:08:34,230 - I--I'M WILLING TO DO EVERYTHING YOU GUYS WANT, 219 00:08:34,233 --> 00:08:35,233 BUT I'M NOT DOING THIS. 220 00:08:35,233 --> 00:08:36,573 - IS THIS YOURS? 221 00:08:36,567 --> 00:08:39,197 - BECAUSE I DON'T WANT TO BE THE CRAZY [bleep] BITCH. 222 00:08:39,200 --> 00:08:42,870 - I BELIEVE THAT TAYLOR IS DRINKING... 223 00:08:42,867 --> 00:08:45,197 TOO MUCH TO COPE WITH HER MARRIAGE. 224 00:08:45,200 --> 00:08:49,000 BECAUSE HER BEHAVIOR IS IRRATIONAL. 225 00:08:52,200 --> 00:08:53,730 - ALL RIGHT, HONEY? COME ON. 226 00:08:53,734 --> 00:08:54,974 LET'S GO UP. - LET'S GO. COME ON. 227 00:08:54,967 --> 00:08:56,997 - 'CAUSE CAMILLE'S WAITING. 228 00:08:57,000 --> 00:09:00,170 - LISA AND ADRIENNE DIDN'T GIVE ME SPECIFICS, 229 00:09:00,166 --> 00:09:02,796 BUT THEY TOLD ME THAT TAYLOR WAS DOWNSTAIRS, 230 00:09:02,800 --> 00:09:05,630 AND SHE SEEMED TO BE EXTREMELY UPSET. 231 00:09:05,633 --> 00:09:10,273 - WELL, I THINK YOU LOOK LIKE YOU'VE WORKED THROUGH IT. 232 00:09:10,266 --> 00:09:12,496 - I'M TRYING. I REALLY AM. 233 00:09:12,500 --> 00:09:13,670 - I KNOW. 234 00:09:13,667 --> 00:09:16,367 - TAYLOR. 235 00:09:16,367 --> 00:09:18,467 - PICK UP YOUR BOOTSTRAPS, 236 00:09:18,467 --> 00:09:20,197 GET UPSTAIRS, LET'S GET SOME FOOD IN YOU, 237 00:09:20,200 --> 00:09:23,070 AND LET'S EAT. 238 00:09:23,066 --> 00:09:24,696 - COME ON. 239 00:09:24,700 --> 00:09:26,270 - A LOT OF SUPPORT, MORE THAN YOU REALIZE. 240 00:09:26,266 --> 00:09:28,796 YOU REALLY DO. 241 00:09:28,800 --> 00:09:31,500 - A REASONABLE VOICE IS COMING UP. 242 00:09:31,500 --> 00:09:33,900 SHE SEEMS TO BE IN A VERY DANGEROUS PLACE, 243 00:09:33,900 --> 00:09:35,230 IN MY OPINION. 244 00:09:35,233 --> 00:09:38,203 - I THINK SHE'S HAVING A NERVOUS BREAKDOWN. 245 00:09:38,200 --> 00:09:39,500 - IT WAS JUST STRANGE, YOU KNOW. 246 00:09:39,500 --> 00:09:41,800 ONE MINUTE WE WERE JUST HAVING SO MUCH FUN, 247 00:09:41,800 --> 00:09:44,130 AND THEN, YOU KNOW, WITHIN TWO HOURS, 248 00:09:44,133 --> 00:09:46,503 THE WHOLE THING HAS HIT ROCK BOTTOM. 249 00:09:46,500 --> 00:09:49,270 - I DON'T--I DON'T WANT TO... 250 00:09:49,266 --> 00:09:50,626 - WHAT'S FOR DINNER? 251 00:09:50,633 --> 00:09:54,033 - OH, MY GOSH. 252 00:09:54,033 --> 00:09:55,903 - COMING UP... 253 00:09:55,900 --> 00:09:57,700 - YOU'RE HAVING A NERVOUS BREAKDOWN. 254 00:10:08,934 --> 00:10:10,734 - LET'S GO HAVE DINNER. 255 00:10:10,734 --> 00:10:13,174 I THINK TAYLOR SHOULD PROBABLY JUST RELAX, 'CAUSE... 256 00:10:13,166 --> 00:10:14,826 - WHAT IS GOING-- I DON'T EVEN KNOW WHAT... 257 00:10:14,834 --> 00:10:17,304 TAYLOR'S OUTSIDE, HER AND KYLE WERE TALKING. 258 00:10:17,300 --> 00:10:19,100 THIS IS ALL I'M GETTING, AND THEN... 259 00:10:19,100 --> 00:10:20,130 WHAT HAPPENED? 260 00:10:20,133 --> 00:10:21,673 - THEY WERE IN THE JACUZZI. 261 00:10:21,667 --> 00:10:23,427 THEY HAD A FEW DRINKS. - OKAY. 262 00:10:23,433 --> 00:10:25,573 - OFTEN WHEN PEOPLE HAVE A FEW DRINKS AND START TO BE... 263 00:10:25,567 --> 00:10:27,167 - WELL, IT'S THE ALTITUDE, AND THE... 264 00:10:27,166 --> 00:10:30,926 LISA GRABBED ME AND SAID, "IT'S NOT GOOD." 265 00:10:30,934 --> 00:10:34,034 I THOUGHT, "OH, NO. NOT AT MY HOUSE AGAIN. 266 00:10:34,033 --> 00:10:36,403 NOT ANOTHER DINNER PARTY FROM HELL." 267 00:10:36,400 --> 00:10:38,030 NO, WE SHOULD REALLY SIT DOWN. 268 00:10:38,033 --> 00:10:39,933 GET EVERYBODY TOGETHER AND START DINNER. 269 00:10:39,934 --> 00:10:42,404 COME WITH ME OVER HERE. 270 00:10:42,400 --> 00:10:43,770 - IT'S A LOT OF CARBS FOR YOU, I KNOW. 271 00:10:43,767 --> 00:10:44,967 - DO YOU WANT ONE, HONEY? KYLE. 272 00:10:44,967 --> 00:10:46,967 - DON'T OVERDO IT. - YOU WANT ONE, HONEY? 273 00:10:46,967 --> 00:10:48,827 - I NEVER EAT. 274 00:10:48,834 --> 00:10:50,674 - COKE? 275 00:10:50,667 --> 00:10:53,497 AND A LITTLE LIP-GLOSS FOR YOU? 276 00:10:53,500 --> 00:10:54,570 THERE WE GO. 277 00:10:54,567 --> 00:10:57,897 - I'M PUTTING ON LIP-GLOSS FOR WHAT? 278 00:10:57,900 --> 00:10:58,900 - HAVE SOME OF THESE. 279 00:10:58,900 --> 00:11:00,370 THIS IS A TUNA TARTARE. 280 00:11:00,367 --> 00:11:01,367 - I'LL HAVE THAT. 281 00:11:01,367 --> 00:11:03,997 - OH, MY GOD, THE TUNA TARTARE! 282 00:11:04,000 --> 00:11:07,930 - THE TUNA TARTARE. 283 00:11:07,934 --> 00:11:11,404 - I IMMEDIATELY THOUGHT THAT TAYLOR LOOKED DIFFERENT. 284 00:11:11,400 --> 00:11:13,800 HER EYES WERE GLOSSY. 285 00:11:13,800 --> 00:11:15,900 YOU'RE HAVING A NERVOUS BREAKDOWN. 286 00:11:15,900 --> 00:11:16,900 - MM. 287 00:11:16,900 --> 00:11:18,370 - YEAH, YOU ARE. 288 00:11:18,367 --> 00:11:19,797 I CAN SEE IT. 289 00:11:19,800 --> 00:11:22,500 SHE DIDN'T SEEM LIKE SHE WAS IN THE MOMENT. 290 00:11:22,500 --> 00:11:25,270 COME ON. 291 00:11:25,266 --> 00:11:29,226 PULL IT TOGETHER. COME ON. SERIOUSLY. 292 00:11:29,233 --> 00:11:31,903 DON'T DRINK, THOUGH. HAVE SOME WATER. 293 00:11:34,033 --> 00:11:35,403 I'M WORRIED ABOUT HER. 294 00:11:35,400 --> 00:11:36,930 - I AM TOO. 295 00:11:36,934 --> 00:11:39,874 - NO, I MEAN-- I'M SERIOUSLY WORRIED ABOUT HER. 296 00:11:39,867 --> 00:11:44,427 SHE MENTALLY WAS VERY, UH, DISTRAUGHT. 297 00:11:44,433 --> 00:11:46,333 I'VE NEVER SEEN HER LIKE THAT. 298 00:11:46,333 --> 00:11:47,833 - I'M SORRY. 299 00:11:47,834 --> 00:11:49,974 - HEY, IT'S OKAY, DARLING. IT'S FINE. IT'S FINE. 300 00:11:49,967 --> 00:11:51,397 OKAY? IT'S FINE. 301 00:11:51,400 --> 00:11:52,570 ALL RIGHT. COME ON. 302 00:11:52,567 --> 00:11:54,367 DON'T BE SORRY. DON'T BE SORRY. 303 00:11:54,367 --> 00:11:55,867 - I FEEL BAD FOR TAYLOR, 304 00:11:55,867 --> 00:11:57,827 BUT WE'RE ON VACATION. COME ON. 305 00:12:00,133 --> 00:12:03,203 - OKAY. SO WHO'S SITTING WHERE? 306 00:12:03,200 --> 00:12:04,600 - I'LL SIT HERE. 307 00:12:04,600 --> 00:12:06,370 - YOU KNOW, CAMILLE, I THINK THAT HONESTLY, 308 00:12:06,367 --> 00:12:09,497 FOR ME, IT WAS SITTING IN MASON'S ROOM. 309 00:12:09,500 --> 00:12:11,770 - OH, GOSH. - WHAT? 310 00:12:11,767 --> 00:12:15,197 - AND JUST RECOGNIZING WHAT HE DID TO YOU. 311 00:12:15,200 --> 00:12:17,030 - OH, NO. - AW. 312 00:12:17,033 --> 00:12:18,803 - AND THEN FEELING WHAT... 313 00:12:18,800 --> 00:12:23,000 IT COULD HAPPEN TO MY OWN CHILD. 314 00:12:23,000 --> 00:12:26,370 - TAYLOR JUST ALWAYS LOOKS LIKE SUCH A VICTIM TO ME. 315 00:12:26,367 --> 00:12:27,967 - ARE YOU ALL RIGHT? 316 00:12:27,967 --> 00:12:31,827 - AND SHE JUST SEEMS TO DISSOLVE IN TEARS ALL THE TIME. 317 00:12:31,834 --> 00:12:34,374 - BECAUSE I STILL HAVE HOPE. 318 00:12:34,367 --> 00:12:35,967 - YEAH, BUT SOMETIMES, HOPE IS-- 319 00:12:35,967 --> 00:12:37,497 - HOPE FOR WHAT? - HOPE OF WHAT? 320 00:12:37,500 --> 00:12:39,270 TO TURN SOMETHING IN THAT YOU NEVER HAD? 321 00:12:39,266 --> 00:12:41,626 - CAN I JUST SAY ONE THING? - TAYLOR. 322 00:12:41,633 --> 00:12:42,833 - I DON'T KNOW-- I DON'T KNOW-- 323 00:12:42,834 --> 00:12:44,404 I DON'T KNOW ANYTHING ABOUT THE SITUATION. 324 00:12:44,400 --> 00:12:46,630 ALL I DO KNOW IS THAT WHEN SHE CALLED TODAY, 325 00:12:46,633 --> 00:12:49,273 SHE SAID RUSSELL WAS GOING OUT OF HIS WAY 326 00:12:49,266 --> 00:12:50,626 TO MAKE SURE THAT HER THINGS WERE-- 327 00:12:50,633 --> 00:12:53,373 - THAT'S A BAND-AID. THAT'S A SUPERFICIAL-- 328 00:12:53,367 --> 00:12:55,227 - I DISAGREE WITH YOU. IT IS NOT A BAND-AID. 329 00:12:55,233 --> 00:12:56,703 - BECAUSE YOU DON'T KNOW WHAT'S GONE ON. 330 00:12:56,700 --> 00:12:58,230 - I DON'T KNOW WHAT'S GOING ON. - YOU JUST SAID THAT. 331 00:12:58,233 --> 00:12:59,373 WELL, THAT'S SUPERFICIAL. - BUT WHAT I'M SAYING, LISA, 332 00:12:59,367 --> 00:13:00,867 IS THAT THERE ARE LITTLE STEPS. 333 00:13:00,867 --> 00:13:02,467 - OKAY, ALL RIGHT, ALL RIGHT. 334 00:13:02,467 --> 00:13:03,527 - BUT THE HISTORY IS LONG. 335 00:13:03,533 --> 00:13:05,003 - IS WAY DEEPER THAN THAT. 336 00:13:05,000 --> 00:13:06,500 - SOMETIMES, PEOPLE ARE LONELY, 337 00:13:06,500 --> 00:13:08,000 AND SO THEY'LL TURN TO THIS LONELINESS-- 338 00:13:08,000 --> 00:13:09,870 - YOU DON'T HAVE TO BE ALONE TO BE LONELY. 339 00:13:09,867 --> 00:13:11,797 YOU CAN BE IN A ROOM FULL OF PEOPLE AND BE LONELY. 340 00:13:11,800 --> 00:13:13,700 - YOU CAN BE MARRIED AND BE ALONE. 341 00:13:13,700 --> 00:13:16,030 - YEAH. - IT'S TRUE. 342 00:13:16,033 --> 00:13:19,873 BUT SOMETIMES WHEN YOU'RE AFRAID TO LEAVE A SITUATION, 343 00:13:19,867 --> 00:13:21,527 IT'S BECAUSE OF LONELINESS. 344 00:13:21,533 --> 00:13:23,573 - CAN I TELL YOU WHAT YOUR SOUP IS? 345 00:13:23,567 --> 00:13:26,027 - YES. 346 00:13:26,033 --> 00:13:28,433 - OKAY. WHEW. OKAY. 347 00:13:28,433 --> 00:13:30,133 ALL RIGHT. - OKAY. 348 00:13:30,133 --> 00:13:33,103 - THIS FIRST COURSE IS A CARROT GINGER SOUP, 349 00:13:33,100 --> 00:13:36,170 AND YOU HAVE A CROUTON THAT'S MADE WITH FOUR GRAINS, 350 00:13:36,166 --> 00:13:37,526 SO WE MADE THE BREAD IN OUR SHOP, 351 00:13:37,533 --> 00:13:38,973 SO FOUR DIFFERENT GRAINS. 352 00:13:38,967 --> 00:13:41,427 IT'S NUTTY AND IT'S SWEET AND IT'S CRUNCHY, 353 00:13:41,433 --> 00:13:45,903 AND THEN A, UM, MASCARPONE, CUMIN, PANELA ON TOP, 354 00:13:45,900 --> 00:13:48,630 AND THEN, UH, SWEET AND SALTY PINE NUTS. 355 00:13:48,633 --> 00:13:50,573 SO PLEASE ENJOY THAT. 356 00:13:50,567 --> 00:13:51,567 - THANK YOU. - MM-HMM 357 00:13:51,567 --> 00:13:52,727 - THANKS. 358 00:13:52,734 --> 00:13:54,434 - THANKS FOR BREAKING THE MOMENT, AS WELL. 359 00:13:54,433 --> 00:13:55,673 - ANY TIME. 360 00:13:55,667 --> 00:13:57,127 - I HAVE NO IDEA WHAT SHE SAID. 361 00:14:00,900 --> 00:14:03,100 - SINCE THE GIRLS WERE OUT HAVING A GOOD TIME 362 00:14:03,100 --> 00:14:04,800 IN COLORADO SKIING, 363 00:14:04,800 --> 00:14:06,270 IT WAS TIME FOR THE BOYS TO GO OUT 364 00:14:06,266 --> 00:14:07,796 AND HAVE A LITTLE BITE TO EAT AND A LITTLE DRINK. 365 00:14:07,800 --> 00:14:09,600 DO YOU SMOKE CIGARS? 366 00:14:09,600 --> 00:14:11,870 YOU KNOW WHAT, I REALLY DON'T. 367 00:14:11,867 --> 00:14:14,327 I LOVE THE SMELL OF IT. YOU'VE GOT SOME NICE CIGARS. 368 00:14:14,333 --> 00:14:15,573 - I BROUGHT ALL THESE CIGARS. 369 00:14:15,567 --> 00:14:16,867 - YOU'VE GOT ALL OF THESE COHIBAS. 370 00:14:16,867 --> 00:14:20,127 HOW'D YOU BRING THESE IN FROM, UH-- 371 00:14:20,133 --> 00:14:21,273 [clears throat aggressively] 372 00:14:21,266 --> 00:14:23,026 [laughter] 373 00:14:23,033 --> 00:14:24,273 - I'LL TRY ONE OF THESE COHIBAS. 374 00:14:24,266 --> 00:14:26,096 DO YOU CARE--DO I HAVE TO FINISH IT, OR CAN I-- 375 00:14:26,100 --> 00:14:28,700 [laughs] 376 00:14:30,934 --> 00:14:33,204 - [laughs] 377 00:14:33,200 --> 00:14:34,330 - I'M SORRY, THIS IS DISGUSTING. 378 00:14:34,333 --> 00:14:35,603 YOU HAVE ONE PUFF 379 00:14:35,600 --> 00:14:38,070 OF THAT VERY, VERY EXPENSIVE CIGAR-- 380 00:14:38,066 --> 00:14:39,426 I'M TELLING YOU RIGHT NOW, 381 00:14:39,433 --> 00:14:41,273 YOU'RE SMOKING AT LEAST TEN PUFFS OF THAT DAMN THING. 382 00:14:41,266 --> 00:14:43,196 - THIS THING IS SO DISGUSTING. 383 00:14:43,200 --> 00:14:45,330 - BUT ENJOY IT. 384 00:14:45,333 --> 00:14:46,373 - LET ME TELL YOU SOMETHING. 385 00:14:46,367 --> 00:14:48,327 I AM SO JEALOUS THAT MY WIFE 386 00:14:48,333 --> 00:14:51,603 IS IN MY FAVORITE PLACE ON EARTH. 387 00:14:51,600 --> 00:14:54,100 - THAT'D BE FUN FOR US TO GO SKIING. 388 00:14:54,100 --> 00:14:55,630 - YOU KNOW WHAT'S FUN, IF YOU GUYS ARE UP TO IT, 389 00:14:55,633 --> 00:14:57,003 IS GOING HELI-SKIING, 390 00:14:57,000 --> 00:14:59,830 BECAUSE THAT'S, LIKE, UH... 391 00:14:59,834 --> 00:15:03,104 - I THINK I MIGHT BE A BIT TOO OLD FOR THAT HELI-SKIING. 392 00:15:03,100 --> 00:15:07,530 - YOU CAN DO IT. 393 00:15:07,533 --> 00:15:08,673 - WHY COULDN'T RUSSELL COME THEN? 394 00:15:08,667 --> 00:15:10,967 - RUSSELL APPARENTLY IS IN SAN DIEGO. 395 00:15:10,967 --> 00:15:12,297 - OH, HE'S NOT COMING TONIGHT? 396 00:15:12,300 --> 00:15:13,770 - NO, HE'S NOT COMING. I GOT AN EMAIL 397 00:15:13,767 --> 00:15:15,227 SAYING "THANKS FOR THE INVITE, BUT NO THANKS." 398 00:15:15,233 --> 00:15:16,333 - OH, I THOUGHT HE WAS COMING. 399 00:15:16,333 --> 00:15:17,503 - SO LET ME ASK YOU A QUESTION. 400 00:15:17,500 --> 00:15:19,670 RUSSELL AND TAYLOR. 401 00:15:19,667 --> 00:15:23,427 - RUSSELL AND TAYLOR'S MARRIAGE. 402 00:15:23,433 --> 00:15:26,103 IN GENERAL, YOU KNOW, IT'S... 403 00:15:26,100 --> 00:15:27,930 WHAT HE SAYS, SHE SAYS, 404 00:15:27,934 --> 00:15:29,604 AND THEN WHAT THE REAL TRUTH IS. 405 00:15:29,600 --> 00:15:32,370 SO WHO KNOWS WHAT GOES ON IN THAT RELATIONSHIP. 406 00:15:32,367 --> 00:15:34,097 TAYLOR WAS TELLING US 407 00:15:34,100 --> 00:15:35,900 THAT RUSSELL AND TAYLOR WERE DOING THERAPY. 408 00:15:35,900 --> 00:15:36,870 - RIGHT. 409 00:15:36,867 --> 00:15:39,127 - AND APPARENTLY IT'S HELPING. 410 00:15:39,133 --> 00:15:41,203 EVERYONE CAN USE THAT. - RIGHT. 411 00:15:41,200 --> 00:15:44,830 - NOW, KEN'S THOUGHT BASICALLY WAS "WHY DO YOU NEED THAT?" 412 00:15:44,834 --> 00:15:45,874 - RIGHT. 413 00:15:45,867 --> 00:15:47,127 - I THINK I SAID, 414 00:15:47,133 --> 00:15:50,373 "ME BEING AN OLD-FASHIONED BRITISH GUY, YOU KNOW, 415 00:15:50,367 --> 00:15:53,267 UM, I DON'T BELIEVE IN THERAPY." 416 00:15:53,266 --> 00:15:54,226 - RIGHT. 417 00:15:54,233 --> 00:15:55,303 - BUT THAT WAS FOR ME. 418 00:15:55,300 --> 00:15:56,770 I'M ACTUALLY SORRY I SAID IT. 419 00:15:56,767 --> 00:15:57,767 - OH, OKAY. 420 00:15:57,767 --> 00:15:59,497 - BECAUSE... 421 00:15:59,500 --> 00:16:02,270 I DIDN'T REALIZE IT WOULD UPSET TAYLOR SO MUCH, 422 00:16:02,266 --> 00:16:04,866 AND SHE ENDED UP IN THE BATHROOM CRYING. 423 00:16:04,867 --> 00:16:06,197 - CRYING. YEAH, SHE DID. 424 00:16:06,200 --> 00:16:08,070 - I HAPPEN TO LIKE TAYLOR. 425 00:16:08,066 --> 00:16:09,996 I THINK SHE'S GOING THROUGH A LOT. 426 00:16:10,000 --> 00:16:12,070 - I MEAN, I'M GLAD THEY'RE GOING TO THERAPY. 427 00:16:12,066 --> 00:16:13,126 I HOPE IT WORKS OUT FOR 'EM. 428 00:16:13,133 --> 00:16:16,703 - CHEERS, MY FRIENDS. 429 00:16:16,700 --> 00:16:18,700 - TO THE LADIES HAVING A GOOD TIME. 430 00:16:18,700 --> 00:16:21,700 - I'LL DRINK TO THE LADIES HAVING A GOOD TIME. 431 00:16:24,233 --> 00:16:26,403 - CAMILLE GAVE IT HER ALL. 432 00:16:26,400 --> 00:16:27,400 NO MATTER WHAT SHE DID. 433 00:16:27,400 --> 00:16:28,630 AND LOOK. 434 00:16:28,633 --> 00:16:30,173 - AND RUSSELL DOESN'T CHEAT ON ME. 435 00:16:30,166 --> 00:16:32,026 - I WAS GONNA-- I DON'T KNOW... 436 00:16:32,033 --> 00:16:33,073 - HE DOESN'T CHEAT ON ME. 437 00:16:33,066 --> 00:16:35,426 - BUT... 438 00:16:35,433 --> 00:16:37,903 OTHER THINGS COULD BE WORSE. 439 00:16:41,567 --> 00:16:44,827 I HAVE NOT SEEN RUSSELL TREAT TAYLOR POORLY, 440 00:16:44,834 --> 00:16:49,774 HOWEVER, THERE ARE RUMORS IN BEVERLY HILLS THAT HE DOES, 441 00:16:49,767 --> 00:16:53,967 AND I ALSO KNOW WHAT SHE HAS TOLD ALL THE GIRLS, 442 00:16:53,967 --> 00:16:56,267 AND SO... 443 00:16:56,266 --> 00:16:58,196 I DON'T KNOW WHAT TO THINK. 444 00:16:58,200 --> 00:17:00,770 - IF SOMEBODY RAISED A HAND TO YOU, FOR EXAMPLE. 445 00:17:00,767 --> 00:17:01,827 - ARE YOU KIDDING ME? 446 00:17:01,834 --> 00:17:04,934 - EXACTLY. HOW LONG WOULD WE BE THERE? 447 00:17:04,934 --> 00:17:08,534 HOW LONG IF SOMEBODY RAISED A HAND TO YOU WOULD YOU BE THERE? 448 00:17:08,533 --> 00:17:10,973 - THEY'D BE... WELL, KNOWING ME... 449 00:17:10,967 --> 00:17:13,897 - EXACTLY. 450 00:17:13,900 --> 00:17:15,900 - LET'S JUST FAST FORWARD FOR A MINUTE 451 00:17:15,900 --> 00:17:19,500 AND PRETEND THAT YOU HAVE THE STRENGTH AND THE COURAGE 452 00:17:19,500 --> 00:17:22,300 AND THE TIME THAT YOU FELT YOU'VE ALREADY PUT INTO THIS, 453 00:17:22,300 --> 00:17:23,430 AND YOU LEFT. 454 00:17:23,433 --> 00:17:27,373 - AND THE SAFETY FOR MY DAUGHTER. 455 00:17:27,367 --> 00:17:30,997 - DON'T YOU REALLY FEEL THAT MAYBE YOU REALLY DESERVE BETTER 456 00:17:31,000 --> 00:17:32,730 THAN THE WAY YOU'VE BEEN TREATED? 457 00:17:32,734 --> 00:17:34,934 - I THINK I DON'T BELIEVE THAT. 458 00:17:34,934 --> 00:17:37,074 - THAT'S THE PROBLEM, ISN'T IT? 459 00:17:37,066 --> 00:17:39,626 - SHE DOESN'T REALLY KNOW WHAT TO DO. 460 00:17:39,633 --> 00:17:41,073 I THINK SHE'S AFRAID TO LEAVE. 461 00:17:41,066 --> 00:17:43,126 I THINK SHE'S AFRAID TO BE ALONE. 462 00:17:43,133 --> 00:17:45,673 AND I'M NOT QUITE SURE IF SHE'S READY. 463 00:17:45,667 --> 00:17:48,267 - YOU KNOW, IT'S OKAY. IT'S OKAY. 464 00:17:48,266 --> 00:17:49,866 IF IT DOESN'T WORK, YOU'RE NOT A FAILURE. 465 00:17:49,867 --> 00:17:50,867 - THAT'S RIGHT. 466 00:17:50,867 --> 00:17:51,867 - NO, OF COURSE NOT. 467 00:17:51,867 --> 00:17:54,097 - YOU ARE NOT A FAILURE. 468 00:17:57,100 --> 00:17:58,300 - BELIEVE ME, I'VE BEEN THERE. 469 00:17:58,300 --> 00:17:59,930 REMEMBER HOW STRONG YOU ARE. 470 00:17:59,934 --> 00:18:00,934 LET ME TELL YOU WHAT IT IS. 471 00:18:00,934 --> 00:18:04,074 SOMETIMES TWO SEPARATE, HAPPY HOMES 472 00:18:04,066 --> 00:18:05,526 ARE BETTER THAN ONE MISERABLE HOME. 473 00:18:05,533 --> 00:18:06,873 - YEAH. YOU KNOW, REALLY. 474 00:18:06,867 --> 00:18:08,497 IF YOU'RE IN LOVE WITH SOMEONE, 475 00:18:08,500 --> 00:18:11,830 AND YOU REALLY HAVE SOMETHING WORTH FIGHTING FOR AND SAVING, 476 00:18:11,834 --> 00:18:14,874 YOU DO EVERYTHING YOU CAN IN YOUR POWER TO SAVE THAT. 477 00:18:14,867 --> 00:18:18,297 HOWEVER, I DON'T FEEL THAT FROM TAYLOR. 478 00:18:18,300 --> 00:18:20,500 - BUT I'M IN LOVE WITH HIM, 479 00:18:20,500 --> 00:18:23,730 AND THAT MAKES ME SO SAD. 480 00:18:23,734 --> 00:18:25,334 - ARE YOU IN LOVE WITH HIM, 481 00:18:25,333 --> 00:18:27,773 OR ARE YOU AFRAID TO BE ALONE? 482 00:18:31,000 --> 00:18:32,000 - WOW. 483 00:18:32,000 --> 00:18:33,100 - [sighs] 484 00:18:33,100 --> 00:18:34,500 - IT'S JUST ONE FUN LAUGH OF A... 485 00:18:34,500 --> 00:18:37,230 [laughter] 486 00:18:37,233 --> 00:18:39,873 - EVERY DINNER AT CAMILLE'S HAS BEEN ENTERTAINING. 487 00:18:39,867 --> 00:18:42,297 - I KNOW. WHAT IS IT? 488 00:18:42,300 --> 00:18:43,330 - I KNOW, RIGHT? 489 00:18:43,333 --> 00:18:44,373 - SO SORRY. I JUST... 490 00:18:44,367 --> 00:18:45,627 - YOU KNOW WHAT I WANT TO DO? 491 00:18:45,633 --> 00:18:47,533 - IT SHOULD NOT HAVE BEEN DISCUSSED AT THE TABLE. 492 00:18:47,533 --> 00:18:49,203 YOU KNOW. "SHE'S FRAGILE." 493 00:18:49,200 --> 00:18:50,600 THIS, AND THEN THERE'S THAT. 494 00:18:50,600 --> 00:18:52,500 AND YOU DON'T KNOW THIS, AND YOU DON'T KNOW THAT. 495 00:18:52,500 --> 00:18:55,230 YOU KNOW WHAT? SOMEBODY, LET'S CHANGE THE SUBJECT. 496 00:18:55,233 --> 00:18:56,933 IT'S OVER. - IT'S OVER. 497 00:18:56,934 --> 00:18:59,534 - IT'S OVER. DON'T MAKE ME THROW MY NAPKIN AT YOU. 498 00:18:59,533 --> 00:19:01,303 BAM. BAM. 499 00:19:01,300 --> 00:19:02,730 LIKE, I'M GONNA MAKE MAGIC ON YOU. 500 00:19:02,734 --> 00:19:04,734 WAIT, I'M GONNA MAKE MAGIC ON YOU. 501 00:19:04,734 --> 00:19:06,504 WATCH. I'M GONNA MAKE YOU ALL BETTER. WATCH. 502 00:19:06,500 --> 00:19:08,470 I'M GONNA GO BAM. AND SHE'S-- 503 00:19:08,467 --> 00:19:12,897 BAM. AND SHE'S BETTER. 504 00:19:12,900 --> 00:19:14,500 - OOH. 505 00:19:14,500 --> 00:19:15,900 - LOOK. LOOK. LOOK, SHE'S HAPPY NOW. 506 00:19:15,900 --> 00:19:17,370 - SEE? - YES. IT'S AMAZING. 507 00:19:17,367 --> 00:19:18,567 - ALL RIGHTY THEN. 508 00:19:18,567 --> 00:19:20,867 - SEE? AND YOU THOUGHT YOU WERE A PSYCHOLOGIST. 509 00:19:20,867 --> 00:19:22,567 - I HAVE NEVER THOUGHT I WAS A PSYCHOLOGIST. 510 00:19:22,567 --> 00:19:23,997 - WELL, YOU BEEN ACTING ONE ALL YEAR. 511 00:19:24,000 --> 00:19:27,570 - I'VE BEEN TRYING TO BE A REASONABLE VOICE HERE. 512 00:19:27,567 --> 00:19:28,667 I'M NOT A PSYCHOLOGIST. 513 00:19:28,667 --> 00:19:32,227 JESUS... 514 00:19:32,233 --> 00:19:33,873 THIS WAS CERTAINLY A DAY 515 00:19:33,867 --> 00:19:36,127 THAT ENDED VERY DIFFERENTLY TO HOW IT STARTED, 516 00:19:36,133 --> 00:19:40,833 BUT I FEEL THAT TAYLOR RIGHT NOW NEEDS HER FRIENDS AROUND HER. 517 00:19:40,834 --> 00:19:44,104 YOU KNOW, I WANT HER TO-- TO SORT HER LIFE OUT. 518 00:19:46,233 --> 00:19:48,633 COMING UP. - I'M GOING. 519 00:19:48,633 --> 00:19:50,533 - IT'S NOT WORTH THE RISK. 520 00:20:07,600 --> 00:20:08,630 - THERE'S MY LUGGAGE. 521 00:20:08,633 --> 00:20:09,633 WHAT AM I THINKING? 522 00:20:09,633 --> 00:20:11,133 OVERALL, I THINK THE TRIP 523 00:20:11,133 --> 00:20:13,673 WAS A GREAT EXPERIENCE FOR ALL OF US WOMEN. 524 00:20:13,667 --> 00:20:16,267 WE ALL SKIED, WE ALL HAD FUN. 525 00:20:16,266 --> 00:20:19,726 I FELT LIKE POOR TAYLOR HAD THE WORST TIME OF IT ALL. 526 00:20:19,734 --> 00:20:23,374 I FELT BAD, BECAUSE SHE DEFINITELY HAD THAT... 527 00:20:23,367 --> 00:20:26,597 REMORSEFUL, LIKE, "WHAT DO I DO? WHAT DO I SAY?" 528 00:20:26,600 --> 00:20:29,300 ALL THAT... NOBODY LIKES THAT FEELING. 529 00:20:36,000 --> 00:20:37,470 - I SWEAR, IT'S GREAT TO BE HOME. 530 00:20:37,467 --> 00:20:40,927 THE TRIP WAS EMOTIONALLY DRAINING. 531 00:20:40,934 --> 00:20:43,374 I LEFT WITH KIND OF A HEAVY HEAD, 532 00:20:43,367 --> 00:20:45,867 HOPING THAT TAYLOR WAS GONNA BE OKAY. 533 00:20:45,867 --> 00:20:47,927 - WHAT A NIGHT THAT WAS LAST NIGHT. 534 00:20:47,934 --> 00:20:49,504 - YOU KNOW WHAT? 535 00:20:49,500 --> 00:20:51,500 IT WAS REALLY BAD. 536 00:20:51,500 --> 00:20:52,800 REALLY, REALLY BAD. 537 00:20:52,800 --> 00:20:53,970 - IT WAS SCARY. 538 00:20:53,967 --> 00:20:56,797 - IT WAS... IT WAS BAD FOR--FOR TAYLOR, 539 00:20:56,800 --> 00:21:00,770 BECAUSE I FEEL SO BAD FOR HER PERIOD, BUT YET... 540 00:21:00,767 --> 00:21:03,727 I'VE NEVER SEEN HER SO SKINNY. EVER. 541 00:21:03,734 --> 00:21:04,734 - SHE'S WAY TOO THIN. 542 00:21:04,734 --> 00:21:06,704 - SHE'S UNBELIEVABLE. 543 00:21:06,700 --> 00:21:08,330 - I THINK SHE'S SO STRESSED SHE CAN'T EAT. 544 00:21:08,333 --> 00:21:10,633 - SOMETHING IS SERIOUSLY GOING ON WITH HER. 545 00:21:10,633 --> 00:21:13,373 - I THINK SHE HAS GOT SO MUCH GOING ON, 546 00:21:13,367 --> 00:21:16,397 AND I THINK SHE HIT HER BREAKING POINT. 547 00:21:16,400 --> 00:21:17,970 - SHE WAS KIND OF MUMBLING AFTER A WHILE, 548 00:21:17,967 --> 00:21:21,697 AND I--AND I REALLY HAD TO GRAB HER AND SAY, 549 00:21:21,700 --> 00:21:22,900 "TAYLOR, ARE YOU OKAY?" 550 00:21:22,900 --> 00:21:25,230 YOU KNOW, "SLOW DOWN. RELAX. IT'S OKAY." 551 00:21:25,233 --> 00:21:28,003 I REALLY THINK IT WAS A COMBINATION 552 00:21:28,000 --> 00:21:30,930 OF THE ALTITUDE AND THE ALCOHOL, 553 00:21:30,934 --> 00:21:32,834 THAT IT REALLY HIT HER. 554 00:21:32,834 --> 00:21:35,174 AND OBVIOUSLY SHE HAS A LOT GOING ON. 555 00:21:35,166 --> 00:21:37,296 - I FEEL LIKE... 556 00:21:37,300 --> 00:21:39,000 SHE'S REALLY FIGHTING FOR SOMETHING 557 00:21:39,000 --> 00:21:41,270 THAT SHE REALLY, REALLY WANTS, THOUGH. 558 00:22:01,066 --> 00:22:02,026 - LILY PADS LOOK NICE. 559 00:22:02,033 --> 00:22:03,073 - LILY PADS ARE COMING IN, 560 00:22:03,066 --> 00:22:04,126 AND I LOVE-- 561 00:22:04,133 --> 00:22:05,703 THE CAMELLIAS ARE COMING IN NICELY. 562 00:22:05,700 --> 00:22:06,670 - IT'S LIKE A SPA. 563 00:22:06,667 --> 00:22:07,697 - [laughs] I KNOW. 564 00:22:07,700 --> 00:22:09,670 - LIKE, YOUR SPA. 565 00:22:09,667 --> 00:22:11,327 - YOU WANT TO SIT DOWN FOR A LITTLE BIT? 566 00:22:11,333 --> 00:22:13,573 - YEAH. 567 00:22:13,567 --> 00:22:15,467 - WORN OUT? 568 00:22:15,467 --> 00:22:17,097 - AH, IT FEELS NICE. 569 00:22:17,100 --> 00:22:18,100 - FEELS GREAT, HUH? 570 00:22:18,100 --> 00:22:19,570 - JUST TO RELAX. - MM. 571 00:22:19,567 --> 00:22:22,097 LISTEN--LISTEN TO THE WATERFALL FROM THE POND. 572 00:22:22,100 --> 00:22:24,500 ISN'T THAT RELAXING? 573 00:22:24,500 --> 00:22:25,570 - MM-HMM. 574 00:22:25,567 --> 00:22:27,927 THIS WOULD BE HARD TO GIVE UP FOR ME. 575 00:22:27,934 --> 00:22:29,434 - IT'S NOT THAT I CAN'T AFFORD IT. 576 00:22:29,433 --> 00:22:30,873 IT'S JUST IT'S JUST ME AND THE KIDS, 577 00:22:30,867 --> 00:22:35,067 AND DO I WANT TO MAINTAIN FIVE ACRES OF LAND. 578 00:22:35,066 --> 00:22:37,396 - WELL, AND IT'S ALSO THE MEMORIES TOO. 579 00:22:37,400 --> 00:22:39,870 - YEAH. IT'S DIFFICULT... 580 00:22:39,867 --> 00:22:41,727 TO THINK OF LEAVING THIS BEHIND, 581 00:22:41,734 --> 00:22:43,604 BUT, UM, I'M NOT READY TO GIVE IT UP YET. 582 00:22:43,600 --> 00:22:44,900 - NO? - NO. 583 00:22:44,900 --> 00:22:46,500 - YOU KNOW, FOR MY KIDS. 584 00:22:46,500 --> 00:22:49,030 IT'S TOO TRAUMATIC TO MOVE THEM. 585 00:22:49,033 --> 00:22:51,103 - LIKE, IF YOU TOOK AWAY, LIKE, ALL THE HOUSES AND... 586 00:22:51,100 --> 00:22:52,170 - MM-HMM. 587 00:22:52,166 --> 00:22:54,926 - THE LIFESTYLE THAT YOU AND KELSEY HAD, 588 00:22:54,934 --> 00:22:57,204 LIKE, WHAT DO YOU MISS THE MOST? 589 00:22:57,200 --> 00:22:59,570 - I MISS HAVING A PARTNER. 590 00:22:59,567 --> 00:23:01,227 YOU KNOW. 591 00:23:01,233 --> 00:23:03,973 - I'M NOT HAPPY ABOUT THE WAY IT HAPPENED, 592 00:23:03,967 --> 00:23:07,727 BEING PUBLICLY HUMILIATED AND DISCARDED. 593 00:23:07,734 --> 00:23:09,834 BUT ALL I CAN SAY IS THAT I'M IN A GOOD PLACE, 594 00:23:09,834 --> 00:23:13,434 I'M HAPPY, AND MAYBE IT NEEDED TO HAPPEN THE WAY IT DID. 595 00:23:13,433 --> 00:23:15,303 - BY THE WAY, HOW WAS BEAVER CREEK? 596 00:23:15,300 --> 00:23:16,570 DID YOU GUYS HAVE FUN? 597 00:23:16,567 --> 00:23:18,127 'CAUSE YOU DIDN'T EVEN TELL ME ABOUT IT. 598 00:23:18,133 --> 00:23:19,373 - WE HAD A GREAT TIME. - DID YOU? 599 00:23:19,367 --> 00:23:20,467 - I MEAN, WE HAD A... 600 00:23:20,467 --> 00:23:21,997 - YEAH, I HAD SO MUCH FUN WITH THE GIRLS. 601 00:23:22,000 --> 00:23:24,600 WE LAUGHED A LOT, AND, UM... 602 00:23:24,600 --> 00:23:26,070 - EVERYBODY GOT ALONG? 603 00:23:26,066 --> 00:23:27,896 - WELL... 604 00:23:27,900 --> 00:23:30,600 UNCOMFORTABLE MOMENT WITH TAYLOR. 605 00:23:30,600 --> 00:23:31,600 - WHAT HAPPENED? 606 00:23:31,600 --> 00:23:32,930 - SHE WAS, UM, 607 00:23:32,934 --> 00:23:34,974 SHE'S GOING THROUGH SOMETHING WITH HER HUSBAND, 608 00:23:34,967 --> 00:23:36,867 SO SHE WAS-- STARTED CRYING AT THE TABLE, 609 00:23:36,867 --> 00:23:40,267 THAT, YOU KNOW, SHE SAID SHE WAS AT HER BREAKING POINT. 610 00:23:40,266 --> 00:23:42,296 - OH, MY GOD. - I KNOW. 611 00:23:42,300 --> 00:23:45,230 - I COULD SEE THE PAIN IN HER FACE. 612 00:23:45,233 --> 00:23:47,103 I COULD FEEL THE PAIN. 613 00:23:47,100 --> 00:23:49,070 - MY ADVICE TO HER IS THAT, YOU KNOW, 614 00:23:49,066 --> 00:23:51,566 DO WHAT'S BEST FOR HER AND HER DAUGHTER, 615 00:23:51,567 --> 00:23:53,997 AND SHE REALLY NEEDS TO BE HAPPY. 616 00:23:54,000 --> 00:23:56,570 - YOU THINK THEY'LL BE ABLE TO WORK IT OUT? 617 00:23:56,567 --> 00:23:57,867 - I HOPE SO. 618 00:23:57,867 --> 00:24:00,127 I HOPE THEY CAN WORK IT OUT FOR THEIR DAUGHTER. 619 00:24:00,133 --> 00:24:01,833 - YEAH. BUT AT LEAST THEY'RE GOING THROUGH THERAPY. 620 00:24:01,834 --> 00:24:03,574 - YEAH, I KNOW. 621 00:24:03,567 --> 00:24:06,527 - I KNOW YOU GUYS DIDN'T. 622 00:24:06,533 --> 00:24:07,573 - NO. 623 00:24:07,567 --> 00:24:09,227 OUR SITUATIONS WERE DIFFERENT. 624 00:24:09,233 --> 00:24:11,273 SHE'S WORKING ON HER MARRIAGE, 625 00:24:11,266 --> 00:24:14,496 AND GOING TO THERAPY WITH HER HUSBAND. 626 00:24:14,500 --> 00:24:17,070 I DIDN'T HAVE THAT OPPORTUNITY WITH MY EX. 627 00:24:17,066 --> 00:24:18,466 BUT I'VE BEEN THERE. 628 00:24:18,467 --> 00:24:21,727 - YEAH, YOU SURE HAVE. 629 00:24:27,166 --> 00:24:29,296 [horn honks] 630 00:24:40,000 --> 00:24:42,070 - HOW ARE YOU? 631 00:24:42,066 --> 00:24:44,096 - AFTER YOU. 632 00:24:44,100 --> 00:24:48,970 [speaks Spanish] 633 00:24:48,967 --> 00:24:50,567 I LIKE TO SEE THE RESTAURANT FULL. 634 00:24:50,567 --> 00:24:52,027 - I KNOW. 635 00:24:52,033 --> 00:24:53,203 - DON'T YOU? 636 00:24:53,200 --> 00:24:54,530 - IT'S NICE. YEAH. 637 00:24:54,533 --> 00:24:56,303 WE CANNOT FORGET TO ORDER THE KIDS' FOOD TO GO. 638 00:24:56,300 --> 00:24:57,670 - FOR SURE. 639 00:24:57,667 --> 00:24:59,867 - I PROMISED THEM TWO FRITA PLATTERS AND CHICKEN TACOS. 640 00:24:59,867 --> 00:25:00,967 OKAY. 641 00:25:00,967 --> 00:25:02,427 - TWO CHICKEN TACOS AND AN ENCHILADA. 642 00:25:02,433 --> 00:25:04,673 - DON'T DO THAT. 643 00:25:04,667 --> 00:25:06,697 I'M A LITTLE BIT HESITANT TO TELL MAURICIO 644 00:25:06,700 --> 00:25:08,470 ABOUT EVERYTHING THAT HAPPENED IN COLORADO, 645 00:25:08,467 --> 00:25:09,997 BECAUSE I'M EMBARRASSED. 646 00:25:10,000 --> 00:25:12,200 TO GO ON A BEAUTIFUL TRIP LIKE THIS AND COME BACK 647 00:25:12,200 --> 00:25:14,930 AND SAY, "OH, MY GOD. YOU CAN'T BELIEVE THE DRAMA." 648 00:25:14,934 --> 00:25:19,404 I DON'T WANT HIM TO THINK THAT WE'RE ALL...INSANE. 649 00:25:19,400 --> 00:25:22,030 - YOU NEVER REALLY GOT INTO IT WITH ME, 650 00:25:22,033 --> 00:25:24,403 AND I--WHATEVER HAPPENED IN COLORADO WITH TAYLOR 651 00:25:24,400 --> 00:25:25,600 WAS A LITTLE BIT MORE INTENSE 652 00:25:25,600 --> 00:25:27,330 THAN YOU'VE ACTUALLY, LIKE, TOLD ME ABOUT. 653 00:25:27,333 --> 00:25:30,373 - IT WAS, LIKE, ALL OF A SUDDEN SHE JUST SNAPPED LIKE THAT. 654 00:25:30,367 --> 00:25:32,597 AND SHE WAS CRYING, AND... 655 00:25:32,600 --> 00:25:33,930 I SWEAR TO GOD. 656 00:25:33,934 --> 00:25:37,274 IT'S, LIKE, I--I FEEL LIKE THIS GIRL IS SO... 657 00:25:37,266 --> 00:25:42,566 FRAGILE, AND SHE'S VERY VAGUE ABOUT IT. 658 00:25:42,567 --> 00:25:44,167 KIM AND TAYLOR, 659 00:25:44,166 --> 00:25:46,826 I WENT IN AND WAS GETTING MY MAKEUP--DOING MY MAKEUP. 660 00:25:46,834 --> 00:25:49,604 UM, I WENT IN, AND KIM AND TAYLOR 661 00:25:49,600 --> 00:25:54,000 WERE LAYING ON THE BED THAT KIM AND I WERE SLEEPING IN, TALKING. 662 00:25:54,000 --> 00:25:56,170 IT WAS VERY FUNNY TO SEE HER, 663 00:25:56,166 --> 00:25:58,796 LIKE, OUT WITH THE GIRLS AND SKIING, OUT TO DINNER. 664 00:25:58,800 --> 00:26:00,670 KIM NEVER DOES THAT. - RIGHT. 665 00:26:00,667 --> 00:26:01,927 - IT'S SO GOOD FOR HER TO DO THAT. 666 00:26:01,934 --> 00:26:03,304 IT REALLY IS GOOD FOR HER TO DO THAT. 667 00:26:03,300 --> 00:26:05,100 - OH, I'M SO HAPPY. 668 00:26:05,100 --> 00:26:07,300 - WITH ALL THE CRAZINESS THAT WAS GOING DOWN WITH TAYLOR, 669 00:26:07,300 --> 00:26:09,730 IT WAS NICE JUST TO BE ON THE SAME PAGE WITH KIM FOR ONCE, 670 00:26:09,734 --> 00:26:12,574 AND SORT OF PUT OUR BAGGAGE BEHIND US. 671 00:26:12,567 --> 00:26:14,897 FOR SO LONG AFTER THE FIGHT, 672 00:26:14,900 --> 00:26:19,000 WE WERE BOTH ANGRY, AND... 673 00:26:19,000 --> 00:26:21,570 NOW WE'RE FINALLY--WE'RE... 674 00:26:21,567 --> 00:26:24,097 WE'RE JUST HAVING FUN AGAIN. 675 00:26:24,100 --> 00:26:26,100 - I--I, UM, I COMMEND HER. 676 00:26:26,100 --> 00:26:27,670 I REALLY HOPE... 677 00:26:27,667 --> 00:26:29,927 - IT'S GOOD. - IT ALL WORKS OUT. 678 00:26:29,934 --> 00:26:32,004 I'M REALLY HAPPY TO SEE KIM AND KYLE 679 00:26:32,000 --> 00:26:33,270 WORKING ON THEIR RELATIONSHIP, 680 00:26:33,266 --> 00:26:37,196 HOWEVER, I FEEL VERY HURT BY KIM. 681 00:26:37,200 --> 00:26:39,470 TO HAVE HAD THOSE ALLEGATIONS THROWN OUT AT ME, 682 00:26:39,467 --> 00:26:42,997 AND TO HEAR HOW SHE ACTUALLY FEELS ABOUT ME... 683 00:26:43,000 --> 00:26:45,400 - MY HUSBAND HAS HELPED YOU EVERY MONTH, 684 00:26:45,400 --> 00:26:47,470 AND STOOD BY YOU AND TAKEN CARE OF YOU, OKAY? 685 00:26:47,467 --> 00:26:48,827 LIKE YOU'RE A SECOND [bleep] WIFE. 686 00:26:48,834 --> 00:26:51,104 - STOLE MY GODDAMN HOUSE! 687 00:26:51,100 --> 00:26:52,900 - ANYTHING WE'VE EVER HELPED YOU WITH IS OVER. 688 00:26:52,900 --> 00:26:55,130 YOU'RE ON YOUR OWN NOW. 689 00:26:55,133 --> 00:26:57,433 - I FEEL LIKE EVERYTHING I'VE DONE FOR HER 690 00:26:57,433 --> 00:26:59,403 IS, LIKE, JUST TOTALLY MEANINGLESS. 691 00:26:59,400 --> 00:27:01,530 YOU KNOW, SHE MAY BE ABLE TO PATCH THINGS UP 692 00:27:01,533 --> 00:27:03,633 WITH KYLE AND MAYBE EVEN TAYLOR, 693 00:27:03,633 --> 00:27:05,933 UM, BUT WITH ME, IT'S GONNA BE A LITTLE BIT MORE DIFFICULT. 694 00:27:05,934 --> 00:27:07,174 I THINK THAT SHE'S GONNA 695 00:27:07,166 --> 00:27:09,366 HAVE TO REALLY GO OUT THERE AND GET SOME HELP. 696 00:27:09,367 --> 00:27:10,927 AND IF SHE'S ABLE TO DO THAT, 697 00:27:10,934 --> 00:27:12,804 UH, I MIGHT JUST BE ABLE 698 00:27:12,800 --> 00:27:14,230 TO PATCH THINGS UP WITH HER AS WELL. 699 00:27:14,233 --> 00:27:16,873 I DO HOPE ONE DAY SHE DOES APOLOGIZE FOR THOSE THINGS, 700 00:27:16,867 --> 00:27:18,197 BECAUSE THEY WERE WRONG, 701 00:27:18,200 --> 00:27:22,530 THEY WERE MEAN, AND THEY WERE CRUEL. 702 00:27:22,533 --> 00:27:23,773 - COMING UP... 703 00:27:23,767 --> 00:27:24,967 - TELL ME THE TRUTH. 704 00:27:24,967 --> 00:27:26,197 - I SWEAR TO GOD... 705 00:27:26,200 --> 00:27:28,030 - JUST DON'T INTERFERE WITH MY BUSINESS. 706 00:27:41,633 --> 00:27:43,633 - HEY. HI. HOW ARE YOU? 707 00:27:43,633 --> 00:27:44,633 - GOOD. YOU? 708 00:27:44,633 --> 00:27:45,673 - GOOD. YEAH. 709 00:27:45,667 --> 00:27:46,997 ARE YOU, UH, READY TO GO NEXT DOOR? 710 00:27:47,000 --> 00:27:48,530 - YEAH. - HEY, BUDDY. HOW'S IT GOING? 711 00:27:48,533 --> 00:27:50,303 - GOOD, GOOD. - OKAY, I'VE GOT THE KEYS. 712 00:27:50,300 --> 00:27:51,270 OKAY, LET'S GO. 713 00:27:51,266 --> 00:27:52,296 AS WELL AS VILLA BLANCA, 714 00:27:52,300 --> 00:27:55,270 WE HAVE THIS REALLY SEXY RESTAURANT 715 00:27:55,266 --> 00:27:57,096 CALLED SUR IN WEST HOLLYWOOD, 716 00:27:57,100 --> 00:27:59,830 AND THE SPACE NEXT DOOR HAS BECOME AVAILABLE, 717 00:27:59,834 --> 00:28:03,534 AND I AM DESPERATE TO EXPAND INTO THERE. 718 00:28:03,533 --> 00:28:05,873 I MEAN, I KNOW YOU'VE SEEN IT BEFORE, 719 00:28:05,867 --> 00:28:09,067 BUT JUST LOOK AT IT WITH AN OPEN MIND, OKAY? 720 00:28:09,066 --> 00:28:10,626 IT'S SUCH A BEAUTIFUL SPACE. 721 00:28:10,633 --> 00:28:11,633 LOOK AT IT. 722 00:28:11,633 --> 00:28:13,603 - YEAH. 723 00:28:13,600 --> 00:28:15,570 - I MEAN, I'M LOVING IT. 724 00:28:15,567 --> 00:28:16,897 I'VE SEEN THE PREMISES NEXT DOOR. 725 00:28:16,900 --> 00:28:19,470 I'VE COVETED THEM FOR YEARS, REALLY. 726 00:28:19,467 --> 00:28:21,197 IT WOULD MAKE A FANTASTIC SPACE. 727 00:28:21,200 --> 00:28:22,900 I CAN EXPAND SUR. 728 00:28:22,900 --> 00:28:24,530 I JUST HAVE TO PERSUADE MY HUSBAND. 729 00:28:24,533 --> 00:28:25,903 I'VE GOT GREAT IDEAS. 730 00:28:25,900 --> 00:28:27,330 I WOULD ACTUALLY PROBABLY LIKE TO PUT 731 00:28:27,333 --> 00:28:29,273 A LITTLE BIT MORE GLASS IN THIS SKYLIGHT. 732 00:28:29,266 --> 00:28:31,196 WE CAN PUT A HUGE BAR IN DOWN HERE, 733 00:28:31,200 --> 00:28:32,400 FINISH ABOUT HERE. 734 00:28:32,400 --> 00:28:34,570 LOOK AT THE HIGH CEILINGS. IT'S BEAUTIFUL. 735 00:28:34,567 --> 00:28:35,897 AND WE COULD OPEN THIS HERE 736 00:28:35,900 --> 00:28:38,000 SO IT COMES STRAIGHT ONTO THE PATIO. 737 00:28:38,000 --> 00:28:39,800 OKAY, WE JUST KNOCK THROUGH THAT WALL, 738 00:28:39,800 --> 00:28:41,800 AND THEN MAYBE HAVE MERCHANDISE HERE, 739 00:28:41,800 --> 00:28:44,030 LIKE THE DRESSES, THE T-SHIRTS, BLAH, BLAH, BLAH. 740 00:28:44,033 --> 00:28:46,773 THAT COULD BE A PRIVATE ROOM, WHICH WOULD BE BEAUTIFUL. 741 00:28:46,767 --> 00:28:49,497 - HOW DO WE KNOW THAT BY DOUBLING THE SIZE OF SUR 742 00:28:49,500 --> 00:28:51,100 WE'RE NOT GOING TO SPOIL THE EFFECT OF IT? 743 00:28:51,100 --> 00:28:54,570 CHANGE SEXY, LITTLE SUR INTO BIG SUR? 744 00:28:54,567 --> 00:28:55,997 - STILL GONNA HAVE SEXY, LITTLE SUR. 745 00:28:56,000 --> 00:28:57,800 THIS IS GONNA BE MORE OF A BAR HERE. 746 00:28:57,800 --> 00:29:00,230 IT'S GOT A GARDEN LIKE YOU'VE NEVER SEEN. 747 00:29:00,233 --> 00:29:02,133 I MEAN, IT DOESN'T LOOK MUCH RIGHT NOW, 748 00:29:02,133 --> 00:29:03,773 BUT TO HAVE A GARDEN LIKE-- 749 00:29:03,767 --> 00:29:05,127 NO, BUT TO HAVE A GARDEN LIKE THIS... 750 00:29:05,133 --> 00:29:06,203 - SUCH A BIG PROJECT. 751 00:29:06,200 --> 00:29:08,400 - WELL, IT'S NOT REALLY A BIG PROJECT. 752 00:29:08,400 --> 00:29:11,570 I MEAN, OKAY, THERE'S A FEW PROBLEMS OUT HERE. 753 00:29:11,567 --> 00:29:12,767 I MEAN, RIGHT NOW, 754 00:29:12,767 --> 00:29:14,667 YOU'RE LOOKING AT IT AT ITS WORST, RIGHT? 755 00:29:14,667 --> 00:29:18,427 I CAN PUT A WOODEN FLOOR IN HERE, WHICH WOULD BE BEAUTIFUL. 756 00:29:18,433 --> 00:29:19,973 I MEAN, IT'S EXQUISITE. 757 00:29:19,967 --> 00:29:23,127 - I'M JUST THINKING OF WHETHER YOU CAN FIND THE TIME TO DO IT. 758 00:29:23,133 --> 00:29:24,733 THE DESIGN AND EVERYTHING. - I CAN DO IT. 759 00:29:24,734 --> 00:29:26,334 - YOU'VE GOT ALL YOUR CHARITY WORK. 760 00:29:26,333 --> 00:29:28,103 YOU KNOW, VILLA BLANCA AND SUR. 761 00:29:28,100 --> 00:29:31,730 - THIS IS WHERE YOU COME IN. YOU CAN HELP ME. 762 00:29:31,734 --> 00:29:33,234 - KEN... 763 00:29:33,233 --> 00:29:35,503 WOULD LIKE TO LIVE IN MONTECITO, 764 00:29:35,500 --> 00:29:38,170 AND HE WOULD LIKE TO BE RETIRED TOTALLY, 765 00:29:38,166 --> 00:29:41,196 BUT, YOU KNOW, WE GOT BILLS TO PAY. 766 00:29:41,200 --> 00:29:43,170 GET TO WORK, LAZY ASS. 767 00:29:43,166 --> 00:29:44,426 - HAVE YOU WORKED OUT ROUGHLY 768 00:29:44,433 --> 00:29:46,333 HOW MUCH IT'S GONNA COST YOU TO CONVERT THIS? 769 00:29:46,333 --> 00:29:49,503 - THE MAIN MONEY'S GONNA GO INTO REORGANIZING THE KITCHEN. 770 00:29:49,500 --> 00:29:51,830 - WHAT ABOUT THE HOLES THROUGH FROM SUR? 771 00:29:51,834 --> 00:29:53,174 - RIGHT. THAT'S NOT A PROBLEM. 772 00:29:53,166 --> 00:29:54,396 - THAT'S A BIG COST. 773 00:29:54,400 --> 00:29:56,270 - WHAT, KNOCKING A HOLE IN THE WALL IS A BIG COST? 774 00:29:56,266 --> 00:29:57,426 - IT'S ALL GOT TO BE STRUCTURALLY DONE. 775 00:29:57,433 --> 00:29:58,903 - IT'S NOT A HUGE JOB, 776 00:29:58,900 --> 00:30:03,000 AND I THINK THAT FOR OUR STORAGE AND FOR OUR MERCHANDISING, 777 00:30:03,000 --> 00:30:04,170 WE DEFINITELY NEED IT. 778 00:30:04,166 --> 00:30:06,426 - YOU GOT A WHOLE PATIO TO CREATE. 779 00:30:06,433 --> 00:30:08,303 YOU GOT A BAR TO CREATE. 780 00:30:08,300 --> 00:30:10,730 SEATING AREAS. SOUND SYSTEM. 781 00:30:10,734 --> 00:30:12,534 AIR CONDITIONING. OFFICE. 782 00:30:12,533 --> 00:30:13,773 IT MOUNTS UP. 783 00:30:13,767 --> 00:30:15,397 - KEN'S SAYING NO RIGHT NOW, 784 00:30:15,400 --> 00:30:17,870 BUT KEN CAN'T SAY NO FOR LONG. 785 00:30:17,867 --> 00:30:19,267 YOU KNOW, I HAVE THIS LITTLE TRICK 786 00:30:19,266 --> 00:30:21,426 THAT I DO ON CHRISTMAS AND BIRTHDAYS. 787 00:30:21,433 --> 00:30:22,933 SO IF IT COMES TO THAT, 788 00:30:22,934 --> 00:30:24,974 I WILL TAKE ONE FOR THE TEAM. 789 00:30:24,967 --> 00:30:27,227 COME ON. THINK HOW MUCH FUN IT'S GONNA BE. 790 00:30:27,233 --> 00:30:29,373 CHALLENGING. WE LIKE CHALLENGES. 791 00:30:29,367 --> 00:30:30,327 JIGGY, WHAT DO YOU THINK? 792 00:30:30,333 --> 00:30:32,373 [dog barks] 793 00:30:45,000 --> 00:30:46,830 - HEY, TROY. HOW YOU DOING, BUDDY? 794 00:30:46,834 --> 00:30:48,274 - GOOD, GOOD. HOW YOU DOING? 795 00:30:48,266 --> 00:30:50,796 - WELL, I'M A LITTLE BIT NERVOUS. 796 00:30:50,800 --> 00:30:52,770 WHAT'S THE MOOD LIKE UP THERE? 797 00:30:52,767 --> 00:30:54,567 - I MEAN, THERE'S A LOT OF ILLOGICAL THINKING, 798 00:30:54,567 --> 00:30:56,627 BECAUSE THE EMOTIONS ARE BRINGING IT OUT RIGHT NOW, 799 00:30:56,633 --> 00:30:59,233 SO IF YOU GUYS END UP COMING UP HERE, 800 00:30:59,233 --> 00:31:02,033 SAFETY IS OF THE UTMOST CONCERN. 801 00:31:02,033 --> 00:31:04,403 - [kisses] 802 00:31:04,400 --> 00:31:07,570 MY FAMILY AND I OWN THE SACRAMENTO KINGS. 803 00:31:07,567 --> 00:31:10,167 WE'RE GOING UP FOR THE LAST GAME OF THE SEASON. 804 00:31:10,166 --> 00:31:13,426 WE'VE TRIED NOW FOR TEN YEARS 805 00:31:13,433 --> 00:31:16,503 TO HAVE A STATE-OF-THE-ART ARENA, 806 00:31:16,500 --> 00:31:18,530 AND I THINK THE FANS DESERVE IT. 807 00:31:18,533 --> 00:31:22,433 WE'VE TRIED AND TRIED AND TRIED TO MAKE THAT HAPPEN, 808 00:31:22,433 --> 00:31:25,833 AND UNLESS SOMEBODY CAN MAKE THAT HAPPEN, 809 00:31:25,834 --> 00:31:27,734 WE MAY HAVE TO MOVE THE TEAM. 810 00:31:27,734 --> 00:31:29,574 IT COULD POSSIBLY REALLY BE OUR LAST GAME. 811 00:31:29,567 --> 00:31:30,997 JACKPOT. 812 00:31:31,000 --> 00:31:32,330 YOU WANT TO GO? 813 00:31:32,333 --> 00:31:33,603 AW. COME ON. 814 00:31:33,600 --> 00:31:36,030 - JOHNNIE, CAN YOU COME HERE FOR A SECOND? 815 00:31:36,033 --> 00:31:40,133 SO I DID HEAR ADRIENNE GET ON THE PHONE A FEW MINUTES AGO, 816 00:31:40,133 --> 00:31:44,503 SAYING THAT SHE WANTED TO GO TO HER NORMAL SUITE. 817 00:31:44,500 --> 00:31:47,630 NOW IT SOUNDS LIKE YOU'RE SAYING THAT'S A BAD IDEA. 818 00:31:47,633 --> 00:31:49,103 - IT'S DEFINITELY A BAD IDEA. 819 00:31:49,100 --> 00:31:50,670 - OKAY. 820 00:31:50,667 --> 00:31:52,867 - EVERYBODY'S GONNA BE LOOKING UP AT THE SUITE "M" TONIGHT 821 00:31:52,867 --> 00:31:54,427 TO SEE IF THERE'S ANY MALOOF PRESENCE, 822 00:31:54,433 --> 00:31:57,173 AND IT'S JUST--IT'S TOO MUCH OF AN EMOTIONAL, VOLATILE NIGHT. 823 00:31:57,166 --> 00:32:00,526 AND THAT'S WHY, AFTER SPEAKING WITH HER BROTHER 824 00:32:00,533 --> 00:32:02,133 AND OUR DIRECTOR OF SECURITY, 825 00:32:02,133 --> 00:32:05,733 IF YOU GUYS GO, WE'LL MOVE YOU GUYS INTO A DIFFERENT SUITE. 826 00:32:05,734 --> 00:32:07,374 - OBVIOUSLY, YOU KNOW, YOU GUYS ARE THERE, 827 00:32:07,367 --> 00:32:08,367 YOU GUYS KNOW IT MORE. 828 00:32:08,367 --> 00:32:09,767 I TALKED TO SAC P.D., 829 00:32:09,767 --> 00:32:11,997 AND THEY WERE SAYING THAT IT WAS GONNA BE KIND OF HAIRY TOO. 830 00:32:12,000 --> 00:32:13,770 - BUT OVERALL YOU THINK THIS IS A STUPID IDEA. 831 00:32:13,767 --> 00:32:14,967 OR NOT THE SMARTEST IDEA. 832 00:32:14,967 --> 00:32:16,227 - WELL, I, YOU KNOW-- 833 00:32:16,233 --> 00:32:17,973 IT CERTAINLY WOULDN'T BE A RECOMMENDATION. 834 00:32:17,967 --> 00:32:19,227 - ALL RIGHT, BUDDY. 835 00:32:19,233 --> 00:32:21,273 THANK YOU, AND HAVE A SAFE TRIP TO NEW YORK, MY FRIEND. 836 00:32:21,266 --> 00:32:22,566 - OKAY. THANK YOU. THANKS, GUYS. 837 00:32:22,567 --> 00:32:23,567 - ALL RIGHT. THANKS, MAN. 838 00:32:23,567 --> 00:32:25,997 - UM, THIS WAS A MISTAKE TO GO. 839 00:32:26,000 --> 00:32:29,970 I--I DIDN'T KNOW IT WAS THAT BAD. 840 00:32:29,967 --> 00:32:32,367 - LET'S GO. 841 00:32:32,367 --> 00:32:34,897 - SO WHERE IS... 842 00:32:34,900 --> 00:32:36,530 WHEN YOU WERE UP THERE, IS SHE, 843 00:32:36,533 --> 00:32:38,073 LIKE, ALMOST READY OR WHAT? 844 00:32:38,066 --> 00:32:39,766 - YEAH, SHE'S COMING DOWN RIGHT NOW. 845 00:32:39,767 --> 00:32:42,297 - DOES SHE HAVE ANY IDEA THAT WE'RE GONNA TALK? 846 00:32:42,300 --> 00:32:43,300 - I DON'T THINK SO. 847 00:32:43,300 --> 00:32:44,870 - A LITTLE BIT ABOUT THIS? 848 00:32:44,867 --> 00:32:46,127 - I DON'T THINK SO. 849 00:32:46,133 --> 00:32:48,233 I DON'T THINK SHE'S GONNA BE HAPPY ABOUT IT. 850 00:32:48,233 --> 00:32:51,103 - UM... [sighs] 851 00:32:51,100 --> 00:32:54,270 WOULD YOU LIKE TO SIT NEXT TO ME, HONEY? 852 00:32:54,266 --> 00:32:57,896 - ARE WE LEAVING? WHAT'S GOING ON? 853 00:32:57,900 --> 00:33:01,200 LET'S GO. REALLY. SERIOUSLY? LET'S GO. 854 00:33:01,200 --> 00:33:02,370 - I TALKED TO TROY. 855 00:33:02,367 --> 00:33:03,797 - AH. 856 00:33:03,800 --> 00:33:07,870 - HE SAID IT'S A VERY HOT, HOT, HOT SITUATION, NUMBER ONE. 857 00:33:07,867 --> 00:33:10,767 YOU KNOW, THEY'RE GONNA TRY TO THROW THEIR DRINKS AT YOU. 858 00:33:10,767 --> 00:33:12,027 - LISTEN, ADRIENNE... 859 00:33:12,033 --> 00:33:14,073 - IT'S NOT GONNA BE A GOOD IDEA. - CAN I ASK-- 860 00:33:14,066 --> 00:33:16,396 - LET'S GO TO SAN FRANCISCO. WE HAVE THE PLANE. 861 00:33:16,400 --> 00:33:18,230 LET'S GO HAVE DINNER IN SAN FRANCISCO WITH KIM. 862 00:33:18,233 --> 00:33:19,533 - I'M NOT DOING THAT. COME ON. 863 00:33:19,533 --> 00:33:20,773 - WELL... 864 00:33:20,767 --> 00:33:23,127 - GOT TO FACE THE MUSIC. COME ON. LET'S-- 865 00:33:23,133 --> 00:33:24,173 - FACE THE MUSIC? 866 00:33:24,166 --> 00:33:25,396 WHAT DO YOU MEAN FACE THE MUSIC? 867 00:33:25,400 --> 00:33:26,370 THIS IS DANGEROUS. 868 00:33:26,367 --> 00:33:28,697 - IT'S--I'M OKAY. 869 00:33:28,700 --> 00:33:30,000 - WHAT DO YOU MEAN YOU'RE OKAY? 870 00:33:30,000 --> 00:33:32,170 WHAT HAPPENS IF SOMEONE THROWS SOMETHING AT YOUR FACE? 871 00:33:32,166 --> 00:33:33,326 - WOULDN'T BE THE FIRST TIME 872 00:33:33,333 --> 00:33:35,773 SOMEBODY'S THROWN SOMETHING AT MY FACE. 873 00:33:35,767 --> 00:33:38,297 - I THINK THAT THERE'S A GREAT POSSIBILITY 874 00:33:38,300 --> 00:33:40,230 OF--OF A PROBLEM HAPPENING. 875 00:33:40,233 --> 00:33:42,673 DANGER. IT'S DANGEROUS. DON'T GO. 876 00:33:42,667 --> 00:33:44,427 I PERSONALLY DON'T THINK WE SHOULD GO. 877 00:33:44,433 --> 00:33:46,933 - WELL, I'M GOING. SO... 878 00:33:46,934 --> 00:33:48,734 - OKAY, SO YOU JUST WANT TO GO, PERIOD... 879 00:33:48,734 --> 00:33:49,904 - I'M GOING. 880 00:33:49,900 --> 00:33:51,070 - WHAT DO YOU MEAN YOU'RE GOING? 881 00:33:51,066 --> 00:33:52,366 IF YOU'RE GOING, I'M GOING. 882 00:33:52,367 --> 00:33:54,097 - WELL, YOU SAID YOU PERSONALLY DON'T WANT TO GO. 883 00:33:54,100 --> 00:33:55,430 - THAT'S NOT WHAT I JUST SAID. 884 00:33:55,433 --> 00:33:57,203 - YOU JUST SAID, "I PERSONALLY DON'T WANT TO GO." 885 00:33:57,200 --> 00:33:58,200 - NO, I KNOW WHAT I SAID. 886 00:33:58,200 --> 00:33:59,370 I SAID "WE SHOULD NOT BE GOING." 887 00:33:59,367 --> 00:34:00,567 WHAT DO YOU MEAN I SHOULD-- 888 00:34:00,567 --> 00:34:02,167 WHAT, I'M GONNA STAY AT HOME AND LET YOU GO? 889 00:34:02,166 --> 00:34:03,366 - I'M GONNA GO. 890 00:34:03,367 --> 00:34:05,497 - OKAY. SO THAT MEANS THEN WE ARE GONNA GO. 891 00:34:05,500 --> 00:34:06,570 - OKAY, THEN WE'RE GONNA GO. 892 00:34:06,567 --> 00:34:07,727 AND WE'RE RUNNING LATE. 893 00:34:07,734 --> 00:34:09,874 PAUL HAS HIS BUSINESS AND I HAVE MY BUSINESS, 894 00:34:09,867 --> 00:34:12,667 SO I'D RATHER KEEP THE BUSINESS SEPARATED. 895 00:34:12,667 --> 00:34:13,867 - COME ON. - COME ON. WE'RE GOING. 896 00:34:13,867 --> 00:34:15,327 - IT'S NOT--IT'S NOT RIGHT. 897 00:34:15,333 --> 00:34:16,403 - IT DOESN'T MATTER WHETHER 898 00:34:16,400 --> 00:34:18,070 WE'RE IN SUITE "F" OR SUITE "M". 899 00:34:18,066 --> 00:34:19,996 - BECAUSE HE SAID LESS PEOPLE WILL BE LOOKING AT YOU. 900 00:34:20,000 --> 00:34:22,570 - WHOLE SAFETY, AND ALL THE NEGATIVE RAMIFICATIONS. 901 00:34:22,567 --> 00:34:24,297 - YOU HAVE TO HAVE A LITTLE MORE FAITH IN ME. 902 00:34:24,300 --> 00:34:26,400 - THAT HAS NOTHING TO DO WITH IT, FAITH. 903 00:34:26,400 --> 00:34:29,370 WHAT, YOU CAN CONTROL 2,000, 3,000 PEOPLE? 904 00:34:29,367 --> 00:34:32,027 IT'S NOT WORTH THE RISK. 905 00:34:43,166 --> 00:34:45,666 - COME ON IN. - COME ON IN, PUPS. 906 00:34:45,667 --> 00:34:47,967 - HOW ARE YOU? - GOOD. HOW'VE YOU BEEN? 907 00:34:47,967 --> 00:34:50,167 - OH, WELL, YOU KNOW, I'M STARTING TO THINK 908 00:34:50,166 --> 00:34:52,866 THAT ALL OF THIS SELF HELP IS MAKING ME LOSE MY MIND. 909 00:34:52,867 --> 00:34:54,967 [laughter] - OH, NO. 910 00:34:54,967 --> 00:34:56,797 - RUSSELL AND I ARE DOING MARRIAGE COUNSELING, 911 00:34:56,800 --> 00:34:59,400 AND I ALSO HAVE A LIFE COACH THAT I'M WORKING WITH, 912 00:34:59,400 --> 00:35:01,470 TO JUST HELP ME FIND MY VOICE, 913 00:35:01,467 --> 00:35:04,527 AND JUST SPEAK UP FOR MYSELF MORE FREQUENTLY. 914 00:35:04,533 --> 00:35:07,203 - OKAY, SO TELL ME SINCE I LAST SAW YOU 915 00:35:07,200 --> 00:35:08,300 WHAT'S BEEN GOING ON. 916 00:35:08,300 --> 00:35:09,970 - LET'S SEE. WHERE DO I BEGIN? 917 00:35:09,967 --> 00:35:11,467 WELL, I THOUGH IT WOULD BE A GOOD IDEA 918 00:35:11,467 --> 00:35:14,897 FOR ME TO GET AWAY FOR A FEW DAYS WITH THE GIRLS, AND... 919 00:35:14,900 --> 00:35:17,230 IN RETROSPECT, I THINK MAYBE IT WAS TOO MUCH FOR ME. 920 00:35:17,233 --> 00:35:18,433 - WHAT HAPPENED? 921 00:35:18,433 --> 00:35:21,033 - WELL, I THINK I HAD A PANIC ATTACK. 922 00:35:21,033 --> 00:35:22,403 - SO WHAT HAPPENED? 923 00:35:22,400 --> 00:35:24,500 - WE HAD BEEN SKIING ALL DAY, I HADN'T EATEN ANYTHING, 924 00:35:24,500 --> 00:35:28,530 AND THEN KYLE AND I GOT IN THIS INCREDIBLY HOT HOT TUB TOGETHER, 925 00:35:28,533 --> 00:35:30,173 IT WAS, LIKE, 105 DEGREES, 926 00:35:30,166 --> 00:35:31,866 AND HAD A GLASS OF WINE, 927 00:35:31,867 --> 00:35:33,467 AND THEN I STARTED TO GET EMOTIONAL, 928 00:35:33,467 --> 00:35:36,497 AND THEN I JUST COULDN'T GET THE REIGNS BACK ON IT. 929 00:35:36,500 --> 00:35:37,870 - KYLE... 930 00:35:37,867 --> 00:35:40,127 - I--I'M WILLING TO DO EVERYTHING YOU GUYS WANT, 931 00:35:40,133 --> 00:35:41,533 BUT I'M NOT DOING THAT. 932 00:35:41,533 --> 00:35:44,833 BECAUSE I DON'T WANT TO BE THE CRAZY [bleep] BITCH. 933 00:35:44,834 --> 00:35:48,074 CAMILLE, SHE JUST WENT THROUGH A DIVORCE, 934 00:35:48,066 --> 00:35:50,026 SO SHE'S FEELING THIS HORRIBLE LONELINESS, 935 00:35:50,033 --> 00:35:52,073 AND SHE ALSO WAS BETRAYED IN HER MARRIAGE, 936 00:35:52,066 --> 00:35:55,426 AND SO SHE WAS GIVING IT TO ME FROM HER PERSPECTIVE, 937 00:35:55,433 --> 00:35:56,533 AND THEN MY FRIEND LISA, 938 00:35:56,533 --> 00:35:58,973 SHE HAS THIS INCREDIBLY STRONG MARRIAGE 939 00:35:58,967 --> 00:36:01,567 WHERE SHE WEARS THE PANTS AND SHE RUNS THE SHOW, 940 00:36:01,567 --> 00:36:04,197 AND SO COULD NEVER IMAGINE BEING IN MY KIND OF MARRIAGE, 941 00:36:04,200 --> 00:36:07,700 AND THEN, UM, KIM IS DIVORCED, AND HAS BEEN FOR A LONG TIME, 942 00:36:07,700 --> 00:36:09,070 AND SO SHE'S FELT THE PAIN OF THAT, 943 00:36:09,066 --> 00:36:10,466 SO SHE HAS HER PERSPECTIVE. 944 00:36:10,467 --> 00:36:13,527 AND I FEEL LIKE BY THE END OF THE TRIP I WAS LIKE... 945 00:36:13,533 --> 00:36:15,173 AND I JUST COULDN'T HANDLE IT ANYMORE. 946 00:36:15,166 --> 00:36:16,926 - THAT'S EXACTLY WHAT I'M TALKING ABOUT. 947 00:36:16,934 --> 00:36:18,874 - I WAS TAKING ON EVERYONE'S VERSION OF WHAT IT WAS, 948 00:36:18,867 --> 00:36:21,767 AND I FEEL LIKE I LITERALLY JUST HAD A BREAKDOWN. 949 00:36:21,767 --> 00:36:24,167 - WE WANT TO START MAKING THINGS BETTER, 950 00:36:24,166 --> 00:36:26,866 AND LET'S WORK TO GET THIS MARRIAGE BACK ON TRACK. 951 00:36:26,867 --> 00:36:28,527 - RIGHT, RIGHT. AND THAT'S WHAT I WANT. 952 00:36:28,533 --> 00:36:30,603 - AND WE CAN DO THAT. WE CAN DO THAT. 953 00:36:30,600 --> 00:36:32,630 - IN RETROSPECT, I SHOULD HAVE NEVER 954 00:36:32,633 --> 00:36:34,133 TALKED TO MY FRIENDS ABOUT MY MARRIAGE, 955 00:36:34,133 --> 00:36:36,533 BECAUSE IT'S ONLY CONFUSED ME AND COMPLICATED MATTERS. 956 00:36:36,533 --> 00:36:39,233 - I WANT YOU TO BE ABLE TO GET TO THAT POINT 957 00:36:39,233 --> 00:36:41,073 WHERE ANYONE CAN SAY ANYTHING, 958 00:36:41,066 --> 00:36:43,326 AND IT'S JUST-- YOU'VE GOT YOUR ARMOR ON. 959 00:36:43,333 --> 00:36:45,133 IT DOESN'T EVEN DENT. 960 00:36:45,133 --> 00:36:46,333 BUT YOU'RE NOT THERE YET. 961 00:36:46,333 --> 00:36:49,833 - I REALLY WANT TO GET MY MARRIAGE ON TRACK. 962 00:36:49,834 --> 00:36:53,374 AND I RECOGNIZE THAT BY TELLING MY FRIENDS THINGS, 963 00:36:53,367 --> 00:36:56,327 GOOD OR BAD, IT'S JUST CONFUSING ME. 964 00:36:56,333 --> 00:36:58,103 - THAT'S WHAT I NEED. I NEED THE SUIT OF ARMOR. 965 00:36:58,100 --> 00:36:59,400 - YOU DO. AND WE'RE MAKING IT. 966 00:36:59,400 --> 00:37:02,070 - YEAH. RIGHT NOW I'VE GOT A SUIT OF ALUMINUM. 967 00:37:02,066 --> 00:37:03,226 - AW. - IT'S NOT SO GOOD. 968 00:37:03,233 --> 00:37:04,673 - WE'LL GET THERE. WE'LL GET THERE. 969 00:37:04,667 --> 00:37:06,067 YOU'RE DOING SO WELL. 970 00:37:06,066 --> 00:37:07,966 HONESTLY, TAYLOR, YOU'RE DOING AMAZING. 971 00:37:07,967 --> 00:37:09,997 I'M REALLY PROUD OF YOU. 972 00:37:12,767 --> 00:37:15,267 - ALL RIGHT. LISTEN. I'M CALLING TROY. 973 00:37:15,266 --> 00:37:16,626 - YOU'RE CALLING TROY ABOUT WHAT? 974 00:37:16,633 --> 00:37:18,073 YOU ALREADY MADE THE DECISION TO GO. 975 00:37:18,066 --> 00:37:20,696 - WE'RE GOING, BUT WE'RE SITTING IN SUITE "M." 976 00:37:20,700 --> 00:37:23,030 - HE WAS ADAMANT. DO NOT DO THAT. 977 00:37:23,033 --> 00:37:24,303 - THE PROBLEM IS-- 978 00:37:24,300 --> 00:37:25,770 - 'CAUSE IT'S LIKE A SLAP IN THE FACE. 979 00:37:25,767 --> 00:37:26,967 - IT'S NOT A SLAP IN THE FACE. 980 00:37:26,967 --> 00:37:28,297 HOW'S IT A SLAP IN THE FACE? 981 00:37:28,300 --> 00:37:29,870 THIS IS MY TEAM. THIS IS MY LAST GAME. 982 00:37:29,867 --> 00:37:32,267 I WANT TO SEE MY-- MY TEAM PLAY. 983 00:37:32,266 --> 00:37:34,096 PAUL WAS OVERSTEPPING HIS BOUNDARIES. 984 00:37:34,100 --> 00:37:36,400 IS SOMEBODY MEETING YOU DOWN THERE? 985 00:37:36,400 --> 00:37:37,500 - YES, MA'AM. 986 00:37:37,500 --> 00:37:38,800 - SECURITY FROM OUR TEAM OR FROM--? 987 00:37:38,800 --> 00:37:39,830 - WE HAVE OUR TEAM. 988 00:37:39,834 --> 00:37:41,934 WE'LL ALSO HAVE THE, UM... 989 00:37:41,934 --> 00:37:43,034 - THE KINGS... - KINGS. 990 00:37:43,033 --> 00:37:44,873 THE KINGS ARENA SECURITY MEETING US. 991 00:37:44,867 --> 00:37:46,297 ALSO SACRAMENTO POLICE. 992 00:37:46,300 --> 00:37:48,900 - I DO FEEL THAT ADRIENNE WAS BEING A LITTLE BIT NAIVE. 993 00:37:48,900 --> 00:37:51,600 UH, NOT KNOWING THAT THIS COULD BE A DANGEROUS SITUATION. 994 00:37:51,600 --> 00:37:52,930 - WHAT PAUL I THINK WAS TRYING TO SAY 995 00:37:52,934 --> 00:37:54,574 WAS ABOUT PEOPLE HECKLING YOU 996 00:37:54,567 --> 00:37:57,397 AND GETTING ON YOU AND STUFF AND... 997 00:37:57,400 --> 00:37:58,370 - NO, WE'RE GOING. 998 00:37:58,367 --> 00:38:01,097 LET'S JUST FACE IT HEAD ON. 999 00:38:01,100 --> 00:38:02,630 - THIS IS GONNA BE A HOT SITUATION. 1000 00:38:02,633 --> 00:38:04,373 - DOES KIM KNOW... 1001 00:38:04,367 --> 00:38:06,997 I'VE EXPLAINED TO HER IT WAS OUR LAST GAME. 1002 00:38:07,000 --> 00:38:09,370 - BUT DOES SHE KNOW ANY OF THIS STUFF? 1003 00:38:09,367 --> 00:38:10,797 - I'VE INVITED KIM TO FLY WITH US, 1004 00:38:10,800 --> 00:38:12,170 'CAUSE I HAVEN'T BEEN ABLE TO SPEND 1005 00:38:12,166 --> 00:38:15,266 A LOT OF ONE ON ONE TIME WITH HER. 1006 00:38:15,266 --> 00:38:17,266 IF YOU WANT TO GO, THEN WHY DON'T YOU MAKE IT EASY 1007 00:38:17,266 --> 00:38:18,766 AND STAY IN THE OTHER SUITE? 1008 00:38:18,767 --> 00:38:21,167 WHY JUST... 1009 00:38:21,166 --> 00:38:22,166 [sighs] 1010 00:38:22,166 --> 00:38:23,266 I DON'T KNOW. WHATEVER. 1011 00:38:23,266 --> 00:38:25,096 - BECAUSE I'LL TELL YOU WHY. - UGH. 1012 00:38:25,100 --> 00:38:26,600 - BECAUSE IF I'M GONNA GO... - YEAH. 1013 00:38:26,600 --> 00:38:29,170 - WHAT'S THE PURPOSE OF HIDING? WHY HIDE? 1014 00:38:29,166 --> 00:38:30,666 - AND, BY THE WAY, THE PEOPLE ALREADY KNOW 1015 00:38:30,667 --> 00:38:31,997 THEY'RE GETTING THAT SUITE. 1016 00:38:32,000 --> 00:38:33,700 THE "S" PEOPLE ARE GONNA BE USING THE "M" SUITE. 1017 00:38:33,700 --> 00:38:35,100 - DID YOU SWITCH IT? WITHOUT ASKING? 1018 00:38:35,100 --> 00:38:36,200 - TROY DID THAT. 1019 00:38:36,200 --> 00:38:38,730 - TELL ME THE TRUTH. - I SWEAR TO GOD. 1020 00:38:38,734 --> 00:38:40,334 - JUST DON'T INTERFERE WITH MY BUSINESS. 1021 00:38:40,333 --> 00:38:43,273 - WAIT A MINUTE. I JUST SAID I DIDN'T DO ANYTHING. 1022 00:38:43,266 --> 00:38:44,966 - I KNEW WHAT I WAS DOING. 1023 00:38:44,967 --> 00:38:46,967 - DON'T--AND DON'T ACCUSE ME OF [bleep] LIKE THAT. 1024 00:38:46,967 --> 00:38:48,397 - ACCUSE YOU OF WHAT? 1025 00:38:48,400 --> 00:38:50,730 - I DIDN'T--I'M GONNA CHANGE THE SUITE ON MY OWN. 1026 00:38:50,734 --> 00:38:52,034 - WELL, IT WAS "M" LAST NIGHT. 1027 00:38:52,033 --> 00:38:53,973 - IT WAS--WELL, HE APPARENTLY CHANGED IT 1028 00:38:53,967 --> 00:38:55,297 AFTER YOU GUYS DID IT. 1029 00:38:55,300 --> 00:38:57,870 - NO, HE APPARENTLY CHANGED IT AFTER YOU TALKED TO HIM. 1030 00:39:03,767 --> 00:39:04,797 - COMING UP... 1031 00:39:04,800 --> 00:39:06,770 - I CAN'T BELIEVE IT. KIM. 1032 00:39:06,767 --> 00:39:09,467 - I DON'T HAVE TIME FOR THIS RIGHT NOW. WHO'S THIS? 1033 00:39:09,467 --> 00:39:11,727 - IT'S PAUL AND ADRIENNE. - WHO? 1034 00:39:17,834 --> 00:39:19,174 - I HAVE THREE DOGS. 1035 00:39:19,166 --> 00:39:22,166 MAY COME AS A BIG SHOCK, BUT THEY POOP IN THE BACKYARD. 1036 00:39:22,166 --> 00:39:24,666 A LOT OF TIMES IT ENDS UP BEING ME 1037 00:39:24,667 --> 00:39:26,697 WHO PICKS UP THE DOG POOP. 1038 00:39:26,700 --> 00:39:28,730 YOU THINK CLEANING UP POOP IS FUN? 1039 00:39:28,734 --> 00:39:30,334 - YEAH. - WHY? 1040 00:39:30,333 --> 00:39:33,033 - I WANT TO DO IT BY MYSELF. 1041 00:39:33,033 --> 00:39:35,733 - FOR SOME REASON, PORSCHE LIKES TO PICK UP THE DOG POOP. 1042 00:39:35,734 --> 00:39:37,804 SHE THINKS USING THE LITTLE POOPER SCOOPER, 1043 00:39:37,800 --> 00:39:39,830 THE LITTLE CLAMP IS FUN. 1044 00:39:39,834 --> 00:39:40,834 I'M HELPING, MOM? 1045 00:39:40,834 --> 00:39:43,904 - YOU CAN HELP ME FIND IT. EW. 1046 00:39:43,900 --> 00:39:45,700 IT'S LIKE AN EASTER HUNT, 1047 00:39:45,700 --> 00:39:47,770 ONLY NOTHING LIKE IT. 1048 00:39:47,767 --> 00:39:49,397 [laughs] 1049 00:39:49,400 --> 00:39:51,630 - POOPER SCOOPER! 1050 00:39:51,633 --> 00:39:53,733 [laughs] 1051 00:39:53,734 --> 00:39:55,834 - OKAY. HEY, NOT BA-- UH. 1052 00:39:55,834 --> 00:39:56,874 - RIGHT THERE, MOM. 1053 00:39:56,867 --> 00:40:01,127 - THANKS. 1054 00:40:01,133 --> 00:40:02,133 THANKS. 1055 00:40:02,133 --> 00:40:03,133 - POOP. 1056 00:40:03,133 --> 00:40:04,903 - UGH. NOW I GOT TO GET... 1057 00:40:04,900 --> 00:40:07,270 UGH! 1058 00:40:07,266 --> 00:40:08,796 THANK YOU, DETECTIVE PORSCHE. 1059 00:40:08,800 --> 00:40:10,030 - HEY! 1060 00:40:10,033 --> 00:40:12,073 POOP. 1061 00:40:12,066 --> 00:40:13,066 [laughter] 1062 00:40:22,100 --> 00:40:23,770 - OH, MY GOD. THIS IS MORE STRESSFUL 1063 00:40:23,767 --> 00:40:28,067 THAN ACTUALLY GETTING TO THE GAME. 1064 00:40:28,066 --> 00:40:29,766 I CAN'T BELIEVE IT. 1065 00:40:29,767 --> 00:40:31,427 WHEN PAUL AND I GO TO THE AIRPORT, 1066 00:40:31,433 --> 00:40:32,703 KIM WAS NOT THERE. 1067 00:40:32,700 --> 00:40:36,330 SO I STARTED PANICKING A LITTLE BIT, 1068 00:40:36,333 --> 00:40:40,333 BECAUSE WE'RE KIND OF ON A SCHEDULE. 1069 00:40:40,333 --> 00:40:42,573 OKAY, I'M GONNA CALL KIM REAL QUICK. 1070 00:40:42,567 --> 00:40:45,167 [phone rings] 1071 00:40:45,166 --> 00:40:47,266 - HELLO. - KIM. 1072 00:40:47,266 --> 00:40:51,426 - YEAH. - HEY, IT'S ADRIENNE. 1073 00:40:51,433 --> 00:40:52,733 - WHO? 1074 00:40:52,734 --> 00:40:54,004 - KIM. 1075 00:40:54,000 --> 00:40:55,600 - WHO--WHO IS THIS? 1076 00:40:55,600 --> 00:40:57,400 - IT'S ADRIENNE. 1077 00:40:57,400 --> 00:40:59,400 - WHO? 1078 00:40:59,400 --> 00:41:01,100 - KIM. 1079 00:41:01,100 --> 00:41:03,900 - WHO? I DON'T HAVE TIME FOR THIS RIGHT NOW. 1080 00:41:03,900 --> 00:41:04,870 WHO IS THIS? 1081 00:41:04,867 --> 00:41:06,567 - IT'S PAUL AND ADRIENNE. 1082 00:41:06,567 --> 00:41:09,367 - OH, MY GOSH, ADRIENNE, I AM SO SORRY. 1083 00:41:09,367 --> 00:41:10,427 - THAT'S OKAY, HONEY. 1084 00:41:10,433 --> 00:41:11,673 [laughter] "I DON'T HAVE TIME-- 1085 00:41:11,667 --> 00:41:13,267 I DON'T HAVE TIME FOR THIS." 1086 00:41:13,266 --> 00:41:14,726 MY POWER WENT OUT, AND I'M... 1087 00:41:14,734 --> 00:41:16,574 I'M NE--I WOULD NEVER DO THIS TO YOU GUYS. 1088 00:41:16,567 --> 00:41:19,167 I FEEL SO BAD. I'M SO EXCITED TO GO WITH YOU GUYS TODAY. 1089 00:41:19,166 --> 00:41:21,426 AND THAT'S FINE. I'M RUNNING INTO YOUR-- 1090 00:41:21,433 --> 00:41:22,633 I JUST FEEL BAD. 1091 00:41:22,633 --> 00:41:24,533 I'M SO EXCITED TO GO WITH YOU GUYS. 1092 00:41:24,533 --> 00:41:27,433 I LOVE YOU GUYS. I FEEL HORRIBLE. 1093 00:41:27,433 --> 00:41:30,603 I JUST FEEL TERRIBLE. I'M REALLY TERRIBLE. 1094 00:41:30,600 --> 00:41:32,770 - IT WAS A WEIRD CONVERSATION. 1095 00:41:32,767 --> 00:41:35,997 UM, KIM DID NOT SOUND HER NORMAL SELF. 1096 00:41:36,000 --> 00:41:37,970 AND I JUST FEEL HORRIBLE. 1097 00:41:37,967 --> 00:41:39,667 I'M RUSHING, RUSHING, RUSHING, 1098 00:41:39,667 --> 00:41:42,097 AND I'LL BE THERE, LIKE, REALLY-- 1099 00:41:42,100 --> 00:41:44,100 I'M LEAVING HERE IN, LIKE, TEN MINUTES. 1100 00:41:44,100 --> 00:41:45,370 I'M SO SORRY. 1101 00:41:45,367 --> 00:41:46,797 - KIM, IT'S OKAY, HONEY. 1102 00:41:46,800 --> 00:41:48,000 - 'CAUSE IT'S A NICE AIRPORT, 1103 00:41:48,000 --> 00:41:50,830 AND--AND I LOVE THE PLANES OVER THERE, 1104 00:41:50,834 --> 00:41:51,934 SO, YOU KNOW, BUT STILL. 1105 00:41:51,934 --> 00:41:53,934 IT'S NOT--NOT COOL, AND I JUST... 1106 00:41:53,934 --> 00:41:55,004 - OH, IT'S ALL... 1107 00:41:55,000 --> 00:41:56,930 - HONEY, SERIOUSLY, IT'S OKAY. 1108 00:41:56,934 --> 00:42:00,204 - I WAS READY TO DRAW MY HAIR IN A PONYTAIL, WET, 1109 00:42:00,200 --> 00:42:02,330 AND THEN I THOUGHT, "NO WAY. 1110 00:42:02,333 --> 00:42:05,073 IN THE MIDDLE OF THE SACRAMENTO KING GUYS?" 1111 00:42:05,066 --> 00:42:06,966 AND THEN I'M LIKE, "YOU KNOW, OH, MY GOD. 1112 00:42:06,967 --> 00:42:08,427 I GOT TO DO SOMETHING." 1113 00:42:08,433 --> 00:42:10,833 - ALL RIGHT, HONEY. IT'S OKAY. IT'S OKAY. 1114 00:42:10,834 --> 00:42:13,004 WE LOVE YOU. WE'LL--WE'LL BE HERE. 1115 00:42:13,000 --> 00:42:14,400 - I LOVE YOU TOO. I'LL SEE YOU THERE. 1116 00:42:14,400 --> 00:42:16,100 - ALL RIGHT, HONEY. BYE. 1117 00:42:16,100 --> 00:42:17,100 - OKAY. ALL RIGHT, BYE. 1118 00:42:17,100 --> 00:42:19,000 - BYE. BYE. 1119 00:42:19,000 --> 00:42:20,000 - SHUT THAT OFF. 1120 00:42:20,000 --> 00:42:21,130 - THE POWER WENT OFF. 1121 00:42:21,133 --> 00:42:23,073 I DON'T KNOW WHAT TO SAY. 1122 00:42:23,066 --> 00:42:24,896 - SHE'S JUST-- SHE'S JUST FREAKING OUT. 1123 00:42:24,900 --> 00:42:26,500 - SHE DID NOT SEEM-- 1124 00:42:26,500 --> 00:42:28,500 SHE DID NOT SEEM COMPLETELY WITH IT. 1125 00:42:28,500 --> 00:42:30,400 - NO, BUT SHE'S BEEN SICK, THOUGH. 1126 00:42:30,400 --> 00:42:31,800 - SHE DIDN'T SOUND SICK. 1127 00:42:31,800 --> 00:42:33,400 - NO, BUT, I MEAN, ON THE TRIP SHE WAS SICK, 1128 00:42:33,400 --> 00:42:34,400 AND SHE WAS CONGESTED. 1129 00:42:34,400 --> 00:42:35,400 - JUST WAIT A MINUTE. 1130 00:42:35,400 --> 00:42:38,230 SHE SOUNDED LIKE SHE WAS INTOXICATED. 1131 00:42:38,233 --> 00:42:40,503 - PAUL, DON'T... 1132 00:42:40,500 --> 00:42:45,070 YOU DON'T...KNOW THAT. 1133 00:42:45,066 --> 00:42:48,726 - I'M VERY WORRIED THAT KIM IS NOT GONNA MAKE THE FLIGHT. 1134 00:42:48,734 --> 00:42:52,174 I THOUGHT THAT KIM WAS FAR FROM BEING READY. 1135 00:42:52,166 --> 00:42:54,196 - I DON'T THINK IT'S GONNA BE TEN MINUTES. 1136 00:42:54,200 --> 00:42:55,530 WE'RE GONNA MAKE IT. - IT'S 3:00. 1137 00:42:55,533 --> 00:42:57,903 - I KNOW. I'M GIVING HER TEN MINUTES. 1138 00:42:57,900 --> 00:42:59,300 - NO, SHE'S AT HOME. 1139 00:42:59,300 --> 00:43:02,030 SHE WON'T BE HERE FOR AT LEAST ANOTHER HOUR OR SO. 1140 00:43:02,033 --> 00:43:03,773 - I SAY WE GO HAVE A DRINK. 1141 00:43:03,767 --> 00:43:05,427 - WE'VE RENTED A PRIVATE JET. 1142 00:43:05,433 --> 00:43:07,703 UH, YOU KNOW, THEY'RE WAITING FOR US. 1143 00:43:07,700 --> 00:43:10,630 BUT 20,000 FANS AND A BASKETBALL TEAM 1144 00:43:10,633 --> 00:43:12,073 IS NOT GONNA WAIT FOR US. 1145 00:43:12,066 --> 00:43:14,526 NO, SHE WON'T BE HERE FOR AT LEAST AN HOUR AND A HALF. 1146 00:43:14,533 --> 00:43:15,973 [groans] 1147 00:43:15,967 --> 00:43:18,927 - I CANNOT MISS THE LAST GAME OF OUR SEASON. 1148 00:43:18,934 --> 00:43:22,174 - [laughs] OH, MY GOD. 1149 00:43:22,166 --> 00:43:24,226 - OKAY, BUT YOU KNOW WHAT? 1150 00:43:24,233 --> 00:43:26,773 SERIOUSLY, SHE WAS SICK, THOUGH. 1151 00:43:26,767 --> 00:43:31,527 ADRIENNE, SHE'S [bleep]ED UP. 1152 00:43:31,533 --> 00:43:34,603 - NEXT TIME ON THE REAL HOUSEWIVES OF BEVERLY HILLS... 1153 00:43:34,600 --> 00:43:36,230 - I'M HAVING A COCKTAIL PARTY 1154 00:43:36,233 --> 00:43:38,573 TO RAISE MONEY FOR A CHARITY. 1155 00:43:38,567 --> 00:43:40,027 - WHO'S THAT? 1156 00:43:40,033 --> 00:43:41,203 - YOUNGER AND PRETTIER WOMEN 1157 00:43:41,200 --> 00:43:43,500 ARE OFTEN MET WITH HOSTILITY AND JEALOUSY. 1158 00:43:43,500 --> 00:43:47,100 - HEY HUSBAND LEFT HER FOR LEANN RIMES. 1159 00:43:47,100 --> 00:43:48,330 THAT'S HER CLAIM TO FAME. 1160 00:43:48,333 --> 00:43:51,703 - FRIENDLY GALS. 1161 00:43:51,700 --> 00:43:56,070 - DON'T GO! DON'T GO! DON'T GO! 1162 00:43:56,066 --> 00:43:58,966 - THERE'S AN ARTICLE IN THE PRESS ABOUT MY MARRIAGE, 1163 00:43:58,967 --> 00:44:02,027 AND I'M NOT HAPPY. 1164 00:44:02,033 --> 00:44:04,203 - TO LEARN MORE ABOUT THE HOUSEWIVES, 1165 00:44:04,200 --> 00:44:06,000 GO TO BRAVOTV.COM. 79125

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