All language subtitles for The connection 1961

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: Eߣ�B��B��B�B�B��matroskaB��B��S�g�vM�t�M��S��I�fS��M��S��T�kS���M��S��S�kS��%�M��S��T�gS���1�O�I�f�*ױ�B@M��libebml v1.4.4 + libmatroska v1.7.1WA�mkvmerge v80.0 ('Roundabout') 64-bitD��AWG�Da�  ��R�s��K�N�Y�Ӊ���l��T�k���ׁsň�����9m������S_TEXT/UTF8"���enSn�SRTU���D,C�u��$Ġ����This is J.J. Burden, New York City.�� �C�u���������Cowboy back yet, Solly?���C�u��ٝ�����Well, go, man.���C�u��|�����I'm hungry.��C�u��������Like, uh, this is my pad, why shouldn't I eat, huh?��,C�u��;4�á��These creeps never eat. Don't they know it's nutritious?�� ������ bCome on, Ernie, move over.��OC�u��P������Ow! My boil!�� CC�u��zk�����Dream world, huh?���C�u���6�����Narcotics...��~C�u���#�����Look here, I live comfortable.��!C�u��晠����I'm no junkie bum.���������Just look at my pad; it's clean.�� sC�u�� #�¡��Yeah, it's clean except for these creeps that come here�� ����� �and call themselves my friends.���C�u��/m�����My friends, wow.���C�u@��F������Like, they come here with a little money, see.����ġ��EAnd then they expect me to use my hard-earned connections�� C�u��d������to furnish them with heroin, see.�� �������But then when I take just a little for myself,�� C�u���������they cry and they scream, the bastards.���C�u���������Come on, man!���C�u���}�����They just wait here, making me nervous.�� �C�u���}�����Sleeping-��������zThat's all they do is sleep.��&C�u��������Um, Leach, will you please just say who you are?�� ����� �All right, man.�� �C�u��)������Me?�� ������ 8I'm Leach.��[C�u��q3�����Jackie and Larry, man.��1�����?What do you say, baby?��1C�u@���J�����- Is Cowboy here? - No, man, he's not here.���������Hey, have they just started jammin'?���������What do you think, baby, huh?���C�u���r�����Hey, Jackie.��C�u���j�����This is Mike.��6������Cowboy back yet?��頛��� mAh, come on, man.�� 2C�u��尠����Freddie, turn around.�� �C�u���Ӡ����And over here is Sam.���C�u�������Ah, come on, man, wake up, come on.�� D����� �You're in the movies, baby.��������Oh.���C�u��0%�¡��Uh...Don't fire until you see the whites of their eyes.��|C�u��Wh�����Solly, say something.�� C�u��kI�����All right, don't say something.��+������And last but not least, Ernest.��-C�u���E�����The light bulb!�� Ơ���� mAll right.���C�u��ޢ�����You see that light bulb?��ؠ�����Do you realize that light travels���C�u���������at 186,000 miles per second per second?���C�u@��2�¡��Come on, Solly, wake up, baby, I want you to hear this.�� ����� �I haven't slept since that night I met you,��y������two years ago.���C�u��6I�����But for once pretend that I'm asleep, huh?��������'Yeah.��aC�u��T��á��So light travels at 186,000 miles per second per second.���C�u��wK�����Now, we, the human race,���C�u���砾���is constantly being bombarded with light particles.�� 8����� �I'm gonna cut you up, you son of a bitch!��,C�u���@�����And now the question is,��������'like, why aren't we dead, you know?�� >C�u���K�����I mean, man, at 186,000 miles per second per second,��à����iwe should all be annihilated!�� �C�u��������But we aren't.��������UWhy?���������I'll tell you why.���C�u��3�����Dig.�� D����� �Man is transparent.���C�u��!c�����You know what I mean, transparent?�� \�����And that's why the light flows through them,�� gC�u��;t�����and it doesn't hurt me or you.�� ����� �And now for the interesting part.���C�u��P������Look, if man is transparent,�� ������-then how do you account for his shadow?���C�u@��nI�����Okay, man, to tell you the truth��㠭����I don't have the whole answer yet.�� �������What do you think about it, Solly?��ZC�u���Ҡ����Yeah.�� >����� �Hey, Freddie?��ؠ����cPineapple.��C�u���ݠ����Freddie?��ޠ�����Oh, come on, man, wake up!��+C�u@���}�����Hey, what's happening, Leach?��������`Oh, no...�������� �Jackie, what tune are we playing, baby?���������What tune are we playing? Is Cowboy back yet?��7C�u��������Is Cowboy back?��㠥����No, Cowboy's not back, man.�������� �Man, Cowboy went to cop and got copped.���C�u��񚠦���That's good, Jackie, eat it.��������7Ah, man, no, I can't, man.��T����� 2Thanks a lot, pal.��UC�u��0�����Come on, Larry, here you go, baby.�� ������ \Come on, it's good, baby.��C�u��'4�����I'm sick.��yC�u��D������I'm hungry, Leach.���C�u��X堭���Go on, man, take it all, will you?��V������Sweet.��l�����Come on, take it.��C�u���������Hey, Ernie?��U������Yeah.��������'Ernie, don't you see where you make your mistake?�� �C�u��� �����Ask and you shall receive.�� m����� I'm not much for tact. I guess I never will be.�� �C�u��џ�����A fire.�� >����� �Well, Ernie, it's a very rotting black shadow�� �C�u��������that seeps through your body.��~�����%Oww!�� �C�u�� a�����Boil!��������ESo you were listening, Solly, eh?�� \C�u�� ��ġ��Man, I guess you know now that you're not the only person��ؠ����who thinks about things like that.�� �C�u�� 3`�����Oh, my neck.��Z�����Put some hot water on it.�� �C�u�� N������Yeah, I guess I should.��OC�u�� kk�����Maybe I ought to shave, too.��-������Cut your throat.��yC�u�� �o�����Oh, yeah look.��x����� I've invited a couple of chicks over.�� �C�u�� �𠴡��Our boy there thinks it'd be a swell idea�� 𠰡�� �to have a little battle of the sexes.�� �C�u�� �������Oh, man, where do you get your ideas?�� 䠥���?- Oh, yeah, Solly. - What?��<C�u@�� ������If anybody knocks on the door,��������aanswer it for me, will you?��ݠ���� �I don't feel like getting busted today.��������I haven't had dinner yet.��1C�u�� *4�����Or my fix.���C�u�� L蠶���Solly, now, I used to think that the people��'������who walked the streets every day-���C�u�� e.�����the aspirin addict and the vitamin pill addict-��E������those people are hooked worse than me.�� C�u�� �ᠠ���Worse than me, hooked.�� ������ \They are.��C�u�� �堝���Man, they sure are.��������OYou happen to have a vice that's illegal.���������Yeah, I guess so.���C�u�� �'�����You're fed up with everything for the moment.��������EAnd like the rest of us,���C�u�� ͝�����you're a little hungry for a little hope.�� b����� So you wait and worry.�� �C�u�� 쒠����"Fix of hope."��+�¡���A fix to forget, to remember, to be happy, to be sad...���C�u�� ڠ����to be...��������uTo be.���C�u@�� +ɠ����So we wait for the trustworthy cowboy��ؠ����~to gallop in on a white horse.���������Gallant white powder.��1C�u@�� Ci�����Man, there ain't nothing gallant about heroin!��T������Why don't you cats stop talking about it?�� ����� �You know you're a drag, huh?��7C�u@�� V������Why don't you talk about it, man?��������`It's tough enough I got a gig tomorrow.��7����� =I got to get straight.���������What happened to that bastard, anyway?��`C�u@�� m������He could have took all that bread��l�����and burned us, anyway, right?��6����� �Hold it, Ernie, come on, Ernie, hold it!���C�u�� ������All right, all right!��1������Oh, I'm sorry, Larry.�������� 2Sorry, man.��a�����:Uh, uh, uh, I just-���C�u@�� �ՠ����let it run for a while, J.J.,��6������because this will only take a minute.��Ҡ����VAll right, now, gentlemen, gentlemen,�� �C�u@�� �������let's not get hostile.�� s����� Huh, you see?��`�����!I mean, the minute I put a camera on you, you change.�� C�u@�� �o�����Now for instance, Leach, where is he?��y����� Where's Leach?��������iLeach, would you come out of the toilet, please?�� bC�u@�� �ࠐ���Leach?��������[What do you want, man?��<����� >That's fine, that's fine.��1�����You see, we haven't been using any lights yet,�� bC�u�� ������because we didn't want you to stiffen up.�� I����� �Testing, testing.��7������Testing, testing.���C�u@�� &\�����Ha, thanks.��7������But that's what you're doing now.�������� >You see, you're stiffening.��U�����:Just act naturally.���C�u@�� A�����The stuff that you do every day is just fine.�� ����� �See, I've told you over and over again,���������I'm not interested in making a Hollywood picture.��xC�u@�� ]�����Yeah, that's very nice of you.��㠨����♪ We're going Hollywood! ♪�������� �Come on, now, will you stop that?��㠴���uWill you please just, uh, just stop that?�� �C�u�� wҠ����See, I know something about Eisenstein and Flaherty.��Π����uGo on, drop those names, man.��UC�u�� �C�����Oh, no, man, well, J.J., you better cut,�� >����� �because this has got to be settled right now.�� �C�u@�� �������Hey, J.J., you sure have changed since Harlem, man.�� ٠�����So have you, Jackie.���������I'm my own man.��fC�u@�� �������Is your name going to be on this film?��ޠ�����See, I don't want you to be worried��ؠ����about anything, because...���C�u@�� �G�����What are you doing, man?��������See, I don't want you to be frightened of anything�������Wbecause, you see, you know how I...�� �C�u�� �/�����It's collapsible, man.�� ٠¡���You see, we don't want anything extraordinary, you see.��+C�u�� ������Yeah, good.��ݠ�����I mean just get up there and say who you are��Ҡ�����and how you came to be here.�� C�u@�� $2�����You really expect us to do that, huh?�� C����� �You know something, if your cameraman and Jackie��ؠ����ihadn't gone to school together,���C�u�� ;������we wouldn't even let you come up here.��1������Oh, come on, man.��������-Hey, Jim. Come here, man.���C�u@�� Rw�ġ��You're not giving us that much bread for this movie, see?�� 8�á�� �I mean, the camera, baby, they're taking pictures of us.�� C�u�� t�����What happens if the fuzz sees, huh, man?�� ������ 2Not doing us any favors, baby.���C�u�� �ܠ����Just relax and take it easy and take what you get.��̠���� sCome on, now, you guys have got me all wrong.��PC�u�� �F�����J.J., explain to them.�������&What are you...what?���C�u�� �Π����What are you doing?�������� IAre you still shooting?��������You told me to.��lC�u�� �-�����I told you to stop shooting!�� ����� �Now, dammit, I'm not gonna put up with this!�� �C�u�� �O�����I mean, I've given you a real break.��������OWe were going to make a great picture together, right?���C�u��Ҡ����Anybody would be ecstatic to work with me on this�� ������Vand take my direction.���C�u��������I haven't pushed you around, have I?�������� �Just remember I can always get another cameraman.�� C�u��5k�����All right, all right.��y�����Um, I'm sorry, J.J.,�� =C�u��T_�����but this thing was getting out of hand, you see.��������@Well, I shouldn't take it out on you.���C�u��kՠ����Okay, don't worry about it.�� D����� �Okay, but just keep me out of it, okay'?�� �C�u@���F�����Check!��k�����You are out of it.��預����Check!��������You know, that's right. Get the freaks, but not you.���C�u���������Some humanitarian.��ݠ�����Ah, come on, now, what are you worrying about?���C�u���������Look, I gave Cowboy enough money��O������to keep you high for a week, right?�� �C�u���Ӡơ��I'm giving you what you want, you give me what I want, huh?�� ������Who the hell is that now?�� IC�u���J�����It's Harry.��������I saw him coming down the alley.��~����� �He's got a suitcase.��&C�u��������Tell him to wait a minute.��&������Wait a minute, Harry.�� ������You see, all I'm trying to do-��1C�u@��M�����I hope he doesn't want to flop here, you know?��ޠ�����- Come off it. - I'm just trying to...��7����� bCome on, man.���C�u��.ڠ����I'm just trying to make a honest, human document.��z�����!Oh, yeah, excellent: New York Times.�� JC�u��H렏���Aw...��ޠ�����J.J., would you- No, no, no!�� s������Hold it, hold ill���C�u@��`�����Can't shoot the door from here.�������� �Let me get on the other side of the room.�������EWell, all right.���C�u��zƠ����Okay, you can go on.�� ������-Wait a minute, wait a minute, man.�� �C�u@���O�����Does this cat know we're making a movie?�� ������ 8No, man, he hasn't been on the scene��������isince you've been around.���C�u���������All right, we'll use it, huh?�� t����� We'll use it!��7������Okay, let's go to work, everybody,��C�u���H�����we haven't got all day.�� ������ DYou can open the door.���C�u��%������Man, that needle's gonna ruin that record.�� hC�u@���0�����I sure wish I could have heard that Bird record.��O������Yeah, me, too. I feel like playing.��������Give our guest a little background music.�� �C�u���%�����Come on, man, will you?��~�����%Go away, go away from me, huh?��ؠ�����Come on, I don't like that.���C�u�� ݠ����Come on, Jim, we're running out of film!�� ߠ���� �Just hold it.��l������Damn thing is falling apart.���C�u��#������I'll set up the other camera for you.��C�u@��^M�����Man, you know something, you shouldn't do that, man.��������PWe're trying to rehearse these tunes.��0�����'Look, man, If Jim Dunn doesn't pay us off,���C�u��t������let's hock his camera, you dig?��������[Good idea.���������What is so tough about being photographed?��'C�u���������Mr. Dunn...�� D����� �You know, I admire your attitude.�� �C�u@���������So why don't you get in the movie with us?�������&All right, take it easy.��x�����EJ.J., it's all right, just let it roll.���C�u��̚�����It doesn't do any harm.��������Now, gentlemen.��+������Hey, man, you call these peeps gentlemen?���C�u���c�����All right, all right... junkies, huh?�������� �Yeah, very funny, very funny.��l����� �You happy?��C�u���������Look, you junkies don't seem to understand, see,�� Ơ���� mthat when a hand is photographed���C�u�� x�����it becomes something other than just a hand.�� ����� �See, it's a matter of cinematic selection.��WC�u@��&6�����Hey, man, don't speak Spanish, I don't understand.��Z�����Oh, come on, now, baby, just act natural, huh?�� ������I mean, it's not like you're talking to someone��C�u@��A�����who doesn't dig you, you know?�� ������I read you cats.�� �ġ��oSolly, Solly, come on, baby, where's all your philosophy?���C�u��q������It went up in smoke!�������� ICome on, Ernie, man, come on now, where's your story?�� �C�u���Ӡ����Your capsule comments.�� s����� Where's my... capsules?��C�u@���ˠ����You've been telling us to act natural,��a�����and now we don't even own our own hands.��������WNow, look, you cats may know more about junk, see,�� �C�u@���������but let me swing with this movie, huh?�� C����� �Hey, baby, you want to swing with this movie?��Ҡ����cYeah.��C�u@��ҕ�����Then swing your ass in back of the camera, will you?��+�ġ���Listen, I want those chicks that you were going to invite�� ������to show up.���C�u@���5�����I was even hoping that the big connection�� ����� �would get wind of this and make it down here.��ؠ����EYou know what I mean? The man behind the man.�� �C�u@��������Hey, baby, you want to see the big connection,�������� Ithe man behind the man?��7�����'Yeah, is he gonna be here?���C�u@�i�����Sure.��Z�����No, baby, he will not be here.��1����� �Now, look, why don't you just sit down and relax?���C�u��/������Be quiet and relax. Dig.�� J�����QYou will not see the man...��C�u@��F������the man behind the man, because there is no such man.��Ƞá��oAh, now, wait a minute, if there's an organization, see,�� DC�u��b���there's got to be a head.��Ҡ����xWe don't think it's got a head.���C�u��xF�����How many times do I have to tell you?�� ����� �I'm the man, if you come to me.�� �C�u���i�����You're the man if I go to you.��y����� I don't understand that.��+������Because you're simple.��C�u@��������That's all right, nobody understands that.�� ������ 8Anyone coming to Leach��������feels that he's the central actor in his own drama.�� �C�u��������An artificial and melodramatic organization,�� ����� �but that's the set-up.���C�u��� �á��Surely, it starts in the ground and grows up as a poppy.��9C�u��������But after that it's a mundane game, that is, for me.���C�u@��������Come on, Larry, you don't have to do that, now, baby.�������� JCome on, out of the way.��ݠ�����The man is you.�� �C�u��Ƞ����You are the man.��������You are your own connection.��+������It starts and it stops here.�� C�u@��@ՠ����You come here to make a movie,��ޠ�����and now you're getting involved at your own risk.��������'- Hey, Solly? - Yeah.��[C�u@��V������What do you say when Cowboy gets back��f����� we turn Jim and J.J. on?�� s�����'I'm not donating a thing.��C�u��lӠ����Nobody's asking you for nothing, man.��������ZWell, don't look at me.�������Ask them.��,C�u@���������What do you say, baby?��������Well, they say one shot and you're hooked, huh?��+������It's horrible, man.��fC�u@���4�����Is that what they say, man?��䠮����J.J., is that camera still rolling?��נ���� I mean, film is expensive.��������FYou say hooked.��0C�u@���Q�����You've been talking about being hooked every day.����ɡÁUWhy don't you try something that's not habit-forming like pot?�� C�u���V�����What's pot?��������+- You know, mari-juana. - Oh.���������Yeah, mari-juana, yeah.���C�u��ڢ�����Okay, yeah, you got any pot?���������No, baby, I don't have any mari-juana.��cC�u@���P�����But how quaint of you to ask.��������UWell, they say that marijuana��+�����'leads to the stronger stuff, huh?��1C�u@��O�����For a guy who's making a movie about drugs,��������+you don't know very much about it.�� �������Okay, then what do you say we go back to work, huh?�� JC�u��0Ҡ����I'll use the handheld camera.�� 8����� �Why don't you try a little taste, baby.��%C�u��F}�����Don't you just want a little bit?�� 堲��� �Hey, Ernie, we got to turn Jim on, man.�� �C�u@��^F�����Like he'd be crazy, you know? I got to see that.�� ������ 8Man, I want to turn the other one on-the hip one.��&C�u@��y(�����He'd be helpless, at first, that is.�� D����� �You certainly are a mean bunch of boys.��Ҡ����cJust mind your own business, Sam.�� nC�u���������OW. my neck!�� sC�u���G�����Oh.���C�u@���i�����Solly, can't we, like, make something happen?��Ҡš��yYou know I'm sick and tired of sitting around and waiting.�� �C�u��'������Gentlemen, gentlemen.�� ������ \Do you realize that there isn't a day that-���C�u@��;������Okay, Jim, I'm going to stop shooting.��������UHardly a day goes by�� ����� without some item in the daily press��ZC�u@�O������concerning narcotics?��U������Now, in order to do right��Ҡ����uby this little authentic slice of life,�� gC�u��l=�����we've gone out and bribed a few natives.��Q������Actually I'm the only white man�� C�u���䠜���the natives trust.��1������Cool it, Solly.�������� He might take his bread back, man.��%C�u���������You have a point there, Leach.�� C����� �But imagine anyone wanting to use real junkies�� C�u���^�����just to make a movie.��������[Wow, believe me, we're not here for the money.��-C�u��ˌ�����Why don't you just talk to yourself, man?��������Come on, it's not that much.�� >������We're waiting.���C�u��䣠����We've waited before- the connection is coming.��'������He's always coming.���C�u���������But, so is education.�� 3�ǡ�� �For example, the man who will whisper the truth in your ear.���C�u��,}�����What do you want to hear?��Ҡơ��yThat we're a petty, miserable, self-annihilating microcosm?��?C�u��Gܠ����That's what you want to hear.��~�����%Dope fiends!�� hC�u��\�����Hurry, hurry, hurry, the circus is here!�� ߠ���� �Suicide is not uncommon among us.�� hC�u��u������The overdose of heroin��������1is where that frail line of life and death swings�� �C�u���[�����in a silent breeze of ecstatic summer.���C�u���������Who else can make so much out of passing out?��Ԡ����{But existence on another plane is sought,��cC�u���7�����whether to alleviate the suffering from this one�� 8����� �or to wish for death.�� 8C�u���������Doesn't matter.�� 䠨��� �Ah, I hate oversimplification.�� �C�u���ޠ����Sam.��`�����Sam is, Sam is simple.�� ������?Sam?��OC�u�������Someone?��ؠ����Come on, say something.�� s������Say something for posterity.�� C�u��7[�����I ain't much for that sort of stuff, Solly.��������KPay your dues.���C�u��N������Pay your dues.�� ����� �Okay.���C�u��c/�����But who's to say?����š�� II mean, who's there to squeeze the ball into his own shape�� �C�u��z������and tell me this is right?��U������You know that.���C�u���ࠥ���What do you want, Jim Dunn?�� ꠜ��� �A soft shoe dance?�� �C�u���������I don't need burnt cork, you know.�� 3C�u���ܠ����Now, Solly, you know Leach.�� ����� �I remember you slept here.�� \C�u��򎠰���Leach is a queer without being queer.��������Come on, man, will you?���C�u��n�����He even thinks like a chick.�� ������ 9You know, sometime I wish he would stop fighting it�� C�u��m�����and make the homosexual scene.�� m����� That's right, it would be a lot easier on all of us,�� �C�u��1Š����and he would swing more himself.�� b����� But, nah, he's undependable.�� bC�u��K֠����Just like a woman.���������Cowboy treats him like a woman and everything is fine,�� �C�u��e������but I can't do it.��Z�����I just look at him!��1����� �I can't do it.��C�u���󠺡��Solly. Now there's a cat that's hard to figure.��Ƞ����oEducated?���C�u���򠦡��Shit, he knows an awful lot.�� ������,But yet he's here waiting for the same stuff I am,���C�u@���������and he ain't rich.��O������He only gets high when he's happy.�������Most cats get high when they're down.��C�u@��������Not him.��`�����I can never figure that out.����á���You know, I see him in my mind as dancing on the street.��tC�u���>�����You know, dancing through the people.�� s����� Yelling, sometime whispering in people's ear.���C�u@��������Always with his book.�� m����� And he watches everything.��������nLike I was playing with this hoop here,���C�u��*������and he comes talking about the Roman symbol of death��������Kor some crap like that.��C�u��N�����He cracks me up!�� ����� �But I like him, though. Stand-up cat.���C�u��wt�����Ernie, you don't want much.���C�u���������Your horn, a little dope.��제����I don't trust you.�� C�u���ݠ����Well, the same, Sam!��l�����Come on, Ernie.��Ҡ���� �Your confession is next, man.�� JC�u���ݠ����You know, as long as Ernie is straight with me,�� ����� �I'm with him.��UC�u@��؎�����You see, I hold back, but he has no willpower��������cwhen it comes to not having anything to get high with.��'C�u@���������Hey, Jackie, you got any beer?��������ONo, man.������� My boil is killing me.��������iI'm going to put some hot water on it.��C�u��֠����Yeah, you do that little thing now.��E������You know, they got a saying in this world:���C�u��81�����"It isn't the shit that will do you in,��U������it's the lack of it."��������'Now, I steal.���C�u��P������But I only steal from people I don't like.�� Ơ���� mYou see, I wouldn't take a matchstick�� �C�u��h������from a friend of mine.�� C�u���'�����Look, Mr. Dunn.��ؠ����Mr. Dunn.��Z������I like telling stories best.���C�u@���𠱡��But, well, right now I'm kind of sick.�� 력��� �I mean, you can understand.�������:You've seen a lot of movies of fellas like me.�� hC�u���8�����It's torturous.��������,Look, I could use five more bucks.��Ҡ�����Only until I get paid.��[C�u@���ޠ����I'm supposed to see this fella about a job next week.�������� ISolly introduced me. Hey, didn't you, Solly?�� �C�u@�����á��Well, anyhow, I'm going to be rolling in the bread then.�� s����� But now I'm sort of down.��ؠ�����I got some powerful stories in me���C�u�� |�����when that shit is flowing through my vein.��O������So, how about it, huh, Mr. Dunn?�� DC�u@�� ']�����Not now, Sam, I'm busy.��������6See me later.������� �Oh. Yeah, okay.��y�����Well, I'm going to go and lay down a while, I guess.�� �C�u��!�A�����It's cool, man.���C�u��!Ҍ�����Want a drag, Ernie?�� ������Not me.������� bWhat's the matter, Ernie?��Z�����cI don't want to say.��=C�u@��!�Ҡ����Ernie, I know you, baby.��f����� Did you hear what he said?��U����� I'm in this gig, too. Nothing's going to happen.���C�u��!��ơ��Why don't you just take it easy? Look, you want to cop out?��C�u��":~�����All right, uh, all right, listen, Sam.��������ESam.���C�u��"Z������Well, Sam is right about me, in his own way.��젙����I mean, like...�� sC�u��"wC�����like, I only care to play.��������OA little dope makes life enjoyable.���C�u@��"� �ơ��Well, I play the same with or without it, that's the truth.�� n����� And no jive mother is gonna change me, either, man.�� IC�u��"�������Yeah, well, I've had to hock my horn.��W������Do you know what that feels like?��C�u��"Ħ�����Well, that's where the horn is now, in a pawn shop,��7������I got a job tomorrow, no horn.���C�u��"������Maybe somebody will borrow me theirs.�� DC�u��"�������I don't know, I guess...�� ������ 2Let's see, I guess you could say I'm lonely.��PC�u@��#"�����Well, not for you or anybody on this scene.�������� �Listen, I know these people.��Ҡ����I've known them for a long time, too long.�� 8C�u@��#4�����Hey, Jackie?��l�����What?��f����� Why don't you let me use your horn tonight.��������PMan, why don't you dig yourself.��gC�u��#Ht�����You see what I mean?��������Everybody's looking at you.�� h������Well, Sam...���C�u@��#`������Sam isn't too bad, you know?��l�����I mean, like... he could have told�� 堽����some really rotten bits that people tell about me.���C�u@��#�Ԡ����Yeah, thanks.��Ҡš��xListen, these people say I threw a kid out the window once�� �����,after I took an overdose.��l�����?Don't believe it.���C�u��#�s�����Hey, man, J.J.��f����� Hey! What are you doing?��O�����Make a speech. Help me with this thing.��1C�u��#�N�����Like this is your life.�� ߠ���� �Like.��頢���You're a very funny cat.��TC�u��#�4�����Leach, Leach...��������Leach is an orphan.���C�u��#������Yeah, the poor kid, huh?�� b����� You know, he always pretends to be so hip.���C�u@��$j�����But you know what his real story is,��ݠ�����he's nothing but a petty, conniving businessman.�� �������How about that, Leach?��C�u��$9������Yeah, well, get this straight anyway.��������1You know, like me, I admit when I've sinned.��4C�u��$T������And that's more than you get from most.��������1Come off it.�� h�����@Oh, yeah, you know, Leach?���C�u��$p|�����You know, sexually speaking...�� ������ 3Sexually speaking, Leach,�� sC�u@��$�ɠ����Leach can't be with a girl for more than one night.�� ߠ���� �What he likes is the courtship and the playing up�� C�u��$������and the making out, not it itself.��ݠ�����You don't like hearing the truth, do you, Leach?�� 3C�u@��$�a�����Yeah, and he uses junk that way, too.�� n����� Leach doesn't enjoy junk, ever.��~�ơ��:I'm suspicious of people who never enjoy getting high, man.���C�u��$�󠹡��What he likes is the excitement of getting it.�� ����� �Oh, come off it, man.�� �C�u��%!�����Uh, yeah,�� ������ >well, Solly, uh...�� �C�u��%'Ơ����Solly and Sam are very much alike.�� �C�u��%DƠ����I mean, they're really different people.��������dLike Solly can read Greek and Hebrew,�� mC�u��%c>�����and I don't think Sam can read English.�� m����� But they are alike.�� C�u��%y�����They both swing with being high,�� 堰��� �and as for Solly, Solly was born hip.���C�u��%�7�����You know, he don't even act like a junkie,��7������God knows what he's doing on this scene.��uC�u��%�0�����Sam...��נ����~Sam is going to be around a junkie,���������and junkies the rest of his life,���C�u@��%�4�����he don't have no choice.�� >����� �I really don't feel that way about Solly, though,��f������but they're alike.�� IC�u@��%������They both dig music, in the same way.���ʡā�They dig music, they have a kind of emotional digging, you dig?��!C�u��&������Which brings us to finding out the Cowboy.�� ������-Yeah.��~C�u��&᠛���Where is he, huh?��%������The Cowboy, what can you say about him?�� �C�u��&-�ȡHe's a good businessman, I mean, uh, he's a good businessman.��Ƞ����oSure.��lC�u@��&Cm�����These cats say...��x����� These cats call him a sweetheart,��ؠ�����I mean, they say, like, he's noted for his honesty.���C�u@��&jڠ����Personally I hope he gets back here soon.�� ��ɡÁVBecause chances are that he is the one cat that won't run out.���C�u��&�������The thing to remember about the Cowboy��������is that with him...���C�u��&�������with him, it's like it's good business.��������ONot a kind heart.�� �C�u@��&�/�����And Cowboy used to play alto like me.��������+Ah, man.�������� �I mean, I still play alto, but he used to.���������I don't have a horn anymore.���C�u@��&�d�ơ��You know, I've got the horrors, what are you trying to say.���������Solly.��l�á�� �Listen, I don't trust any one of these bastards anyways,��ݠ����:you know that?��<C�u@��&߁�����All right, listen.��[�¡��I've tied everything up in nice small packages for you.��%������Why did you all go out and mouth?���C�u@��&�͠����And tell everybody, like "Ernie really knows,��U������he really ripped things apart."�������� 9I was shit.���C�u@��' Z�á��Because I don't trust one son of bitch here in this pad.�� ������ bWhy did you want to come here in the first place,�������you know you're stupid?�� C�u@��'!*�����You want to see somebody suffer,����¡��Zlike you want to make a movie, you want to laugh at me.���������You don't want to know me.��1C�u��'6������These people-Sam don't care about me or my music.�� 2����� �He's for number one: himself.���C�u@��'L-�����Solly wouldn't even be on the scene.��`�����Sally's going to be so proud of himself��1����� �that he would never have to listen��k������to all the rotten stories being told about him,��aC�u��'c%�����by thieves and misfits.����á��PCowboy wants to screw me, it's his business to screw me.�� aC�u��'x}�����Leach...Leach wants me begging.�� ������-He wants my guts out.��1C�u��'�������What am I supposed to do?���C�u��'������All right, listen... listen, my father...��{C�u��'�4�����You know, my father made me work on his farm,��������?every day until I was 17.��C�u��'�������And he never paid me a dime.��U������Like all I ever got was like a slap in the face.��tC�u@��'�������Thanks, Solly, I can't cut this shit.��7������What am I supposed to do?������� �I'm supposed to get high before this happens.��U������Come on, take it easy.�� bC�u@��(K�����Jim, come here, man.��l�����Listen, I want my bread now. I done it already.��Ҡ���� �Bullshit, I talked for 20 minutes, man!�� �C�u@��(2�����You're looking at me, you're laughing at me,��l�����you son of a bitch!��l�����%I'll kill you!��l����� 8He's leaving, Solly, we'll never get-��C�u��(E���That's what the confession was for.�� J�¡�� �Listen, man, they make movies, what am I supposed to...��?C�u��(�砟���You guys got a match?���C�u@��)pi�����Freddie, let's split, man.��������aI don't want to get hung on a hanger.��%�����-He probably got copped.��6C�u��)�s�����Look, man, let's stick around,��䠢����Cowboy's got to show up.��C�u��)�������Is Leach still in here?�� I����� �Man, how about giving somebody else a break?��������All right, man.���C�u��)�������Turn the light out when you leave, will you?��������7Yeah, yeah.��OC�u��)�ݠ����Okay.�� ����� �Who threw that match on my floor, huh?��{C�u��*������What do you creeps think I'm running here anyhow,��,������a hotel for slobs?�� C�u��*@�����I feed you, I even give you my clothes.�� 8����� �And what do you do?�� �C�u��*6]�����Look at this place, it's a pigsty!�� �����KIt's a pigsty!�� C�u��*b������What else can I expect from you pigs anyhow?�� �C�u��*wܠ����My neck!��ݠ�����Solly?��1C�u��*�p�����Solly, what do you think I ought to do?���C�u��*�������Ernie?��1�ɡÁ�Ernie, be a good boy and take a look at this for me, will you?��zC�u��*�L�����What do you think I ought to do, baby?�� b�����tEasy!���C�u��*�L�����Ah, poor Leachy, that looks bad.�� D����� �Yeah?��������'Yeah, I'd see a doctor. Does that hurt?���C�u@��*�Π����Yeah!��頾����You know something? I threw the match on the floor.��͠����- Let go! - I want my money back.��������9Ow!��[C�u��+ �����Oh, man!��������6Now what did you do that for?��7����� He did it himself.��C�u��+42�����All right, all right.���������Lay him down.��l����� �Just lay down.��<������You squeeze it, Fred.���C�u@��+J[�����I'm going to squeeze it.��㠲����Yeah, you squeeze it. I'll get a towel.�� m������What are you fellas doing here?���C�u@��+_������All right, all right, come on.��l�����You think your doctors ought to wash their hands?��ޠ���� �Go back to your peephole, go ahead.���������Easy!��7C�u��+t:�����Ow!���������This is disgusting stuff coming out of here.�������KDon't throw it around.��kC�u@��+�������Out of him it may be anything.��7������Come on, that's enough, man.��%������Eek!��l������- Squeeze it hard. - It's wide open.��~C�u��+�y�����- Ow! - One more time now.��������No, man, that's enough!�� Ǡ����Oh, man, that looks bad.�� C�u��+�[�����This cat is corroded, man.�� 2����� �Go wash up, Jackie, come on.���C�u@��+�Ѡ����Solly, when it pops, what is that?�������%I don't know, baby,��l����� 8it's in the blood, it's internal.��7�����Imagine if it's spiked.���C�u��+񃠵���Well, it couldn't happen to a nicer fella.���������So, look.��C�u��,"������Ernie...��O������Ernie, I'm a man of principle.�� gC�u@��,7������I want you to pick up that match�� Ǡ���� mor whatever else you threw on my floor���������or cut out of here.��lC�u@��,LC�����Listen, you know, I'm a musician, man.��������7I blow my horn, I'm no goddamn housekeeper,�������� �not for you or anybody.��k������Well, you better just get out of here.�� C�u@��,b������I'm waiting on the Cowboy, you know that!��7������I got my money in his pocket.��6����� �I'm not leaving until I get my fix.��l������Yeah?���C�u@��,w������Now, look, man, how many times��������fhave I turned you on for nothing?��7����� CAh, yeah.��l�����VHow many times did I let you flop here,���C�u@��,� ����did I ever throw you out in the cold?�� I�ǡ�� �You're selfish, you're ungrateful, and don't forget it, man.�� �C�u@��,�C�����Now, come on, get out of here.��������I'm just going to vomit.��l������Why don't you get my money back and I'll leave.��a������Look, buster, I haven't got any money.�� �C�u@��,�������Besides, you didn't give me any money.��������You've got enough on you, though.�������� You've always got enough on you, you miserly bastard.��C�u@��,�ܠ����And whatever happened to the dollar caps��l�����you used to push, anyway?��k�����%The three-dollar bags? That was good shit, too.��1������Now, look here, buster,��l�����you've been living in another time, you know.���C�u@��,�F�����That was years ago, huh, Mike?��Ҡ����yNow don't go on blaming me for what it cost.��U�����uWho else is there to blame?��lC�u@��,�Π����As far as I'm concerned, you ain't nothing but a creep��������Owho's playing the small businessman.��<����� 2All right, come on, get out of here, man!��[C�u@��-�����Why don't you give me my money?��ޠ�����Now, look, man, what do you keep on pretending��ݠ���� that you're a musician for, huh?���C�u@��-)Y�ȡWhat do you keep on carrying that stupid mouthpiece for, man?�� Ǡȡ nYou're never going to use it no more, you can't play anymore.��T�����iYou've got to practice, now get out of here!���C�u@��-A󠒡��Come on!��f����� What am I supposed to do, drop my pants and bend over?����ɡÁ \I'm waiting on the Cowboy. I'm not leaving until he gets back.��[C�u��-VQ�����- Get out! - Fellas! Fellas!���C�u��-nD�����What did you do, man?���C�u��-�������I hate petty arguments.��������Besides, Cowboy's coming.�� C�u@��-����What do you mean?��l�����Cowboy's coming!�������� sWho's that he's got with him?���������I can't make it out, Solly, what is it?���C�u@��-� �����Somebody in uniform. It's the fuzz!�� t����� Some kind of Salvation sister.��������oYou don't think he's going to bring her��lC�u@��-nj�����up here, do you?��������fHow far away is Cowboy?��O����� \- He's here. - Huh?�� �����He's here, he just came in.���C�u@��-�,�����This is it, what we've been waiting for.��נ����~You going to turn on, too?������� 8That would be interesting.���C�u��-򹠍���No.��������`No, of course not.��̠�����About time you got here.��1C�u@��.d�����Where you been, baby?��<������We've been waiting all day for you, man.��1����� �Hey, Where's Leonard, man?��7������All right, man, let him up.���C�u��. W�����Hold it.��������Camera's jammed.�������� Okay, J.J., I'm shooting now.�� �C�u@��.8񠴡��Cool, just cool, wait for your turn, man,��%������you know I'm first, man.��a������You know I'm first.��l������I know you're first.���C�u��.`5�����Ma'am.�������� �Sister, uh...��[������why don't you sit down over there, baby?��fC�u��.w.�����I'm waiting for Brother Cowboy.��,������Okay, sister.��lC�u��.�&�����J.J., get her out of the way and keep her quiet.�� h����� Get these bathroom shots.��%C�u@��.������Sister Salvation��7������I'm J.J. Burden,��k����� �I'm going to tell you what it is we're doing here.�� ������We're making some home movies, you see?���C�u@��.�B�����That's Mr. Dunn over there.��������fRight, right, right.��l�����yCome over and meet some of the boys.��頔��� Thank you.��������EThis is Freddie, playing the piano here.�� IC�u@��.�w�����And there's Mike, over there on the bass.��̠���� sThat's Larry, Sam.�������Why don't you sit over here right next to Solly'?��%C�u��.�_�����Have a seat.��V������Comfortable there?��l�����Very, thank you.��fC�u��/ |�����Tell me, where did you meet Brother Cowboy?��������OHe asked me up to the apartment for a cup of tea.�� �C�u@��/2�����Yes, to meet all his friends.��1������How do you like this place?��l����� �Very much. Very much.��f������Isn't it pleasant, isn't it pleasant?��<C�u@��/2 �����Very pretty.��l�����And did Brother Cowboy join you��������yin one of the street corner services?�� �������Yes.��C�u��/I������Hey, J.J.��������<Well, I've got to go. Bye-bye.���C�u��/}R�����Hey, J.J., follow them as they come out��������Oand I'll stick with the bathroom.�� �������Check.��C�u@��2�ՠ����Sam.��l�����Coming right now!��1����� �Shh!��l�á���One can say things in a tiny voice as well as a big one.���C�u@��2�������Thank you, Sister Salvation.�� ����� �You're a great help to all of us.��������Thank you, Brother Cowboy.���C�u��2�|�����Brother Cowboy, is there a bathroom?��z�����!Yes, ma'am,��6C�u��3z�����but Sam hasn't had a bath in a long time.�� ߠ���� �I thought I'd help him wash away those sins of his,�� bC�u��3# �����you understand?��������`Surely, Brother Cowboy, surely.��QC�u��3Fᠢ���You look very pale, son.��%������Is something the matter?������� �Are you hungry, son?��&C�u@��3]3�����Why don't you leave me alone?��������<I'm in no mood for conversation.��ޠ���� �The soul, my dear child.��ޠ����EThe soul, I'm sure of it.���C�u@��3u͠����Listen, Sister, you know you've invited yourself��ݠ�����to a den of vipers?������� There will be enough sinners crossing your path today.��������Leave me alone.��lC�u��3�������You understand this.�� �������Brother Rat...�� C�u��3�������Brother Eel...�� C�u��3䖠����Brother Sun.�� JC�u��4���Now, yes, Sister.��Ԡ����{I'm going to sit you down.��OC�u��4%������You're welcome, Sister.��%�����!Now, Leonard the Locomotive and I���C�u��4?�����met this fine woman not too far from my house.���C�u��4Y������You know where the central police station is.��,C�u��4o������Well, not far from there.�� �C�u��4������Alone.��PC�u��4�Ӡ����A single voice in the wilderness.��C�u��4�������Under a flag symbolizing the American freedom��vC�u��4Ǵ�����of speech and religion.�� s������I stopped...���C�u��4� �����to hear the word of the Lord.��Ҡ����xAmen.��l����� �Amen, Sister, amen.�� >C�u��5y�����Amen.��ؠ���� 8A few gentlemen we all know��C�u��5Y�����began a conversation with me.�� D����� �And they asked the all-important questions.���C�u��57ˠ����Where were you, what have you been doing?��������'And how was the rodeo and horse tricks?��'C�u��5_��ȡLeonard the Locomotive succeeded in attracting some attention�� ����� �with his famous locomotive yell.��WC�u��5|8�����And this worker of the Lord.��������aAmen!��l����� tAmen, Sister.�� =C�u��5�������This good worker and I engaged�������� �in the most enlightening discussion.�� C�u��5�ޠ����We took a quiet walk here,��o�����and then, men, I invited her up for a little tea.���C�u@��5ۈ�����Orange Pekoe.��������Come off.���������Shut up, will you, man?��1������Now, possibly she, Leonard the Locomotive�� �C�u��5�������and the power of the Lord saved us all.��?C�u��6 �����For the moment, that is.��������7Amen, devout Brother Cowboy!���������Amen, Sister Salvation!���C�u��64)�����Now excuse me a moment.�� C�u��6N������Uh, Sister Salvation?�� �C�u@��6bE�����Why don't you make yourself comfortable?�������� ISister Salvation,���������just when did your record of saving souls start?�� 8C�u@��6 ����Cool it, Solly.��������UHave a little faith in the Lord, friend.��O�����KBrother, I began in the service of the Lord���C�u��6�������14 years ago.��͠���� tBut I've only been active for the past 7.��3C�u��6�������If you could see the hundreds of faces lined up�� ����� �when one holds out a helping hand,�� C�u��6�b�����it would warm your heart.�� �C�u��6������Do you know Harry McNulty?�� ����� �Baby, we don't know anyone.��%������Solly, you're next!���C�u@��7'�����Something strange going on here.��������+Save yourself, you sinners!��������Brother Cowboy has a potent medicine.�� �C�u��7(8�á��Brewed from the rarest, finest witch doctor white flower�� ������ 8that ever grew, shit!��������dOoh!��kC�u��7?������Come on, man.��������Oh, excuse me, Sister Salvation.�������QWow, man.���C�u��7a>�����Leach, why don't you make Sister Salvation��������a nice cup of tea while you're waiting?�� �C�u@��7vC�����I'm waiting to get on, man, I'm sick.��Ҡ����xI don't take long.�������� �You start the tea, I'll finish it.���C�u@��7�k�����Yeah, sure, man, hurry up, will you?��頩����He'll make it for you, Sister.�������� �Why don't you make the tea, man?�� �C�u��7Ѕ�����Come on, man.�� ������ 8Come on, Ernie, will you, man?�� >C�u��7袠����♪ There is a fountain filled with blood ♪��������♪ Drawn from Emmanuel's veins ♪��?C�u��8 J�����♪ And sinners plunged beneath that flood ♪��򠮡���♪ Lose all their guilty stains ♪���C�u��85^�����Oh, but you boys are too high for me.��젾����You too, Brother Eel, shall be saved by Brother Cow�� �C�u@�8VH�����in just one...��������You see before your very eyes Brother Sol.�� C������How you feeling, Brother Sol?�� �C�u@��8sq�ġ��You weren't kidding, Sam. That sure is powerful medicine.�� ������ hMm-hmm.��l�����{Brother Cowboy, have you finished in the bathroom?���C�u@��8�������Well, there's just Brother Leach, ma'am.��������OExcuse me, Sister.��1�����'And then our little baptism will be all over.�� �C�u��8����All right, Brother Cowboy,��`�����you just keep working.�� ������JThank you, ma'am.���C�u��8ǃ�����Come on.��6������Where do you-��1����� �Where do you come from, son?���C�u��8�c�����Uh, yeah.��������aAre you all right?��`����� hOh, yeah, baby, sure, I'm all right.�� �C�u��8������Where do I come from?��l�����See, I can remember.��㠧��� �Yes, where do you come from?�� �C�u��9i�����Huh? California.��������Oh, that's marvelous.�� �������What's so marvelous about that?���C�u��9*������No, it's so clean and healthy there.�� 렱��� �The trees and everything are so green.���C�u��9F������Oh, that's ridiculous.�� n����� All right, it's green.�� 9C�u��9^������I want to sleep... a while.�� �C�u��9}U�����All right, that chick is too much.�� �C�u��9�D�����Poor boy hasn't slept in days, Sister.�� J����� �Perhaps we should leave him alone, Cowboy.�� �C�u��9�a�����He looks like a good prospect to save.��������EWhy don't you go in the kitchen���C�u��9�0�����and get yourself a nice cup of tea?�������� �Oh, I'd like that, Cowboy, thank you.��C�u��9�������Cowboy?��6�����zI'm not high, man, I don't feel a thing, baby,��1C�u��:ࠦ���I really don't feel a thing.�� ������ 2Well, if you don't feel a thing, man,�� �C�u��:+V�����you're higher than the rest of us.��'������How much did you give Ernie, man?��C�u��:?ݠ����He's zonked out, and I don't feel a thing!��ؠ����Ah, cool it, man.�� 2C�u@��:U5�����I gave him the same as you,��ؠ����~you just got a higher tolerance, you dig?�� n������Nothing's happening, man.���C�u��:~������Hey, Mr. Dunn.���C�u��:�������You never made it, huh?��~C�u��:�㠷���Why don't you see what it's all about: jazz.���C�u��:ɉ�����Eh, Mr. Dunn?��Ҡ�����Eh, Mr. Dunn?�� hC�u��:厠����You're like, uh, baby,��������Pyou're supposed to know all about it.�� aC�u��:�栯���I mean, I mean don't be afraid, man.�� ������ >This is just your movie, it's not real.��C�u��;������I mean, really real.��������'Ha.��ZC�u��;:G�����I just...��V������I just don't know.���C�u��;OȠ����Don't know about what?�� ������ 8About...�� �C�u��;gh�����about drugs.���������What about you, baby?��~C�u��;� �����No, I know all about that scene.�� s����� Yeah.��[C�u��;�U�����There is something dirty�� Ǡ���� nabout just peeking into people's lives.���C�u��;�Π����Huh!��������,You don't have to make up your mind right now.���C�u��<9�����What, will you stop just...��젘����looking at me.��fC�u��<�"�����Hey, I want to watch.��������1Stay, Leach.���C�u��<�*�����Do you know Harry McNulty?�� ������ bThere are some questions I can't answer.�� C�u��<�G�����That's one of them.��0������He's got a bald head, and he doesn't eat well.���C�u@��=e�����What makes you think I would know him?��������OOh, Harry loves jazz music.�� D�����9I was sure he'd be here.�� �C�u��=#ܠ����I guess I was mistaken, God willing, that is.���C�u��=?;�����Oh, man, Jackie.��&������Sam, why you playing around?��6������Don't push me over like that.�� >C�u��=mW�����Don't do that no more, man.�� ������Yeah, okay.��%C�u��=�q�����Speaking of religion...���C�u��=�)�����That remind me of one that happened not so long ago.���C�u��> ������Hey, Larry?��������6Hmm?������� �You remember Abdul, the drummer?��|C�u��>0������Yeah, he played the drums?�� m����� Yeah.���C�u��>Xà����Abdul is from Harlem.�� C�u��>x_�����He recently had taken up the Muslim faith.��zC�u��>�;�����A religious man, if there ever was one.���C�u��>� ����Hey, what's happening, Sam, where's your story, baby?��O������Huh?�������� 3Come on.���C�u��>�y�����Hey, yeah.�� \�����Hey...��ZC�u��>�y�����Hey, dig Mr. Dunn.�� ������ 2Welcome back, Jim.��OC�u��?������Sister Salvation, the bathroom is all yours.�� 2����� �Thank you, Brother Cowboy.�� �C�u��?B������Man, what have you been doing to that woman?��������PWhat...have you... been doing?���C�u@��?`_�����I don't want her to leave here��a�����with a suspicious thought in her head!��Ҡ�����Look, Cowboy,��=�����dyou shouldn't have brought her here, baby.��C�u��?zq�����Man, don't you tell me what to do.�� Ơ���� mIt's my pad, man.��頜����It's his pad, man.�� C�u��?�"�����Huh?�� 8����� �Hey, Jim.��������Huh?��1C�u��?�������What's happening, man?��������ODon't be a drag, man.�� �C�u��?Ǫ�����Yeah.��ؠ����-He's sick! Come on, man, in the john!��+C�u@��?ݩ�����Come on, get in there!��頜����They are heathens!�� �����zDrink! That's what you've been doing in there.�� C�u��?�䠮���What do you mean, Sister Salvation?��ؠ����What do you mean, Brother Cowboy?��C�u��@ �¡��There are at least 10 bottles of wine in that bathroom,��������'all of them empty.��yC�u��@&S�����Oh, Lord, before my very own eyes,�� m����� I've been deceived.��U�����Hey, J, what about that party?��C�u��@A �����Come on, Jackie, out of the way!�� 𠴡�� �Wine is a mocker, strong drink is raging,��@C�u��@^������whosoever is deceived thereby is not wise.���������A false balance��UC�u��@w"�����is an abomination to the Lord,��Ԡ����{but a just weight is His delight.��,C�u��@�p�����I swing, baby.��������Be not among winebibbers,��C�u��@�Ƞ����for the drunken and the glutton shall come to poverty.��������'Who hath woe?��UC�u��@�ꠚ���Who hath sorrow?�� D����� �They that tarry long at the wine.�� �C�u��@�f�����They that go to seek out the mixed wine.�� ٠�����At last it biteth like a serpent���C�u��@�a�����and stingeth like an adder.�� ����iWho hath invented that uniform?��+C�u��A������What?��T������Ah, come on, baby, who invented��䠺��� �that very pretty little uniform you're wearing.��[C�u@��A%#�����No, I don't-��l�¡��That has nothing to do with what we were talking about.�� ������tYou can't get out of this that easily.���C�u��A>:�����You'll pay for this.��`�����Foggy day... in London, London, London...���C�u��Ab⠛���The War Congress.�� s����� 1878...winter.��dC�u��A������The flock is assembling.��������KComing back to you now, Sister Salvation.�� C�u��A������Elijah Cadman stood up and said,��,������"We need a military-type uniform.���C�u��A������War to the teeth...��Ƞ����oand salvation to the world!"��!C�u��A�P�����I made this uniform myself.�� �������The rest shall be according to climate.�� �C�u��A�t�����And all-embracing salvation.��򠱡���But I'm not one of the Salvation Army.���C�u��B!������Don't surrender now.�� m����� Or do.�� C�u��B6\�á��It was just, just, just, just, just one of those things.���C�u��BM������This is always happening to me.������� �Where are they? I don't understand.�� �C�u��BfB�����No more war.�� h����� You better leave��䠴����while the spirit of brotherhood prevails.�� C�u��B�ߠ����I don't want to leave.�� �C�u��B�%�����I know I'm a burden, Cowboy.��������'I...��[C�u��B�N�����I went to see about my funeral.�� g����� The man at Morgan's Funeral Parlor said�� >C�u��B�A�����it would cost 300 dollars to open and close the grave.��_C�u��B�G�����85 dollars for the headstone.�� \C�u��Cu�����I'm getting old, Cowboy.�� ������,MY eyes are going.��C�u��C)������I've been in the hospital, and I...�� 3C�u��C=������I don't want to leave, Cowboy.�� ������ hCowboy.���C�u��CZQ�����Go ahead, Sister Salvation.�� ������ 8Before we tell you who Harry McNulty is.�� �C�u��C�K�����You are not alone.�� C�u��C�W�����You are not alone.���C�u��C�"�����You are not alone.��yC�u��C�O�����You are not alone.���C�u��DJ�����That's a bring-down, huh, baby?���C�u��D7������Come on, Freddie.��������Why don't you blow something, baby?��7����� �Stay On it.�� gC�u��DN`�����How about me?�� JC�u��F{������Hey, J.J.�� �C�u��F������What you been doing, man?��ݠ�����Don't you want me to go on?�� h������Yeah.�� mC�u��F�������Yeah, I guess so.��ؠ���� �I think you need more light, man.���C�u��F�B�����I could finish it.��頍����No.�� 𠟡��'I don't feel nothing.�� �C�u��Fݧ�����I, uh...�� ����� �I shoot, too.���C�u��F�������Where's my camera, man?�� ������cWhere's my camera, man? Crazy.���C�u��G$ �����Keep your shirt on.��[C�u��Gk<�����Cowboy, I'm not high, man.��������cAh, take it easy, man.�� �C�u��G�㠞���Why don't you relax?��Z�����Enjoy it. baby-��7����� �But I didn't get a flash, man.�� �C�u��G�Y�����Leach, it's 10 years since I got a flash.��������&Relax, man.��C�u��G�-�����Yeah, relax, that's all I got to do, man.��7������Take a look at a book, or something.�������� 3Yeah.���C�u��G�u�����Come on, man, will you?�� J����� �Nah, not while I'm here.�� IC�u��G�V�����No, man, no, no, no.�� 𠬡�� �I just put the kettle on, Cowboy.��OC�u��G�㠯���Practice in your bathroom, will you?��Ҡ����yYeah, right.�� �����9Hey, Solly.��,C�u��H���Yeah?�� ����� �What happened to your White Sox today, man?�� \C�u��H0������They made it, baby,��������they're going to cop, man, you know that.��̠����-Yeah.���C�u��HHR�����Why, you bastards.��'������You square, daytime bastards.��iC�u��Ht̠����You know baseball ain't hip.��������OWhat?��������Well, I ain't hip.��C�u��H����You call it hip spending half of your time in jail?�� ������ 2I haven't spent any time, man.���C�u��H�v�����Good luck, you hear?��������`Well, you sure better expect it!�� bC�u��H������Besides, what's wrong��1������with a daytime scene of being square?�� �C�u��Hԙ�����Man, I got nothing against it.��������'They got lousy squares, and they got lousy hipsters.��RC�u��Is�����Personally, I couldn't make a daytime work scene.��_C�u��I(�����I like my hours the way they are,�� D����� �but that don't make me no better, man.���C�u��IJ:�����Nah.��1����� �You know what I'd do if I had a daytime job, Cowboy?�� �C�u��Ia������What would you do, man?��ؠ����I'd work about six months,���������just to establish credit, you dig?�� �C�u��I|������And then I'd go out and get me�� ����� �every type of charge card that there is.���C�u��I�(�����Food, liquor, travel.���C�u��I�j�����You know, man?��1�ɡÁ�I could fly all over this world, baby, and what could they do?���C�u��I�j�����Throw me in debtor's prison or something?��Ƞ����oNo, man.�� CC�u��I�àġ��Like, we're living in the United States of America, baby.���C�u��JϠ����We're free here.�� 𠷡�� �Oh, Leach, what movies you been seeing, huh?�� �C�u��J*栭���It's possible, man, it's possible.��+������Sounds like a lot of work, man.�� >C�u��J>������An awful lot of work.��������Besides, where could you work for six months, huh?���C�u@��J\m�����At what?��l�����Come on, man, I have some good gigs going for me.�� ������WHuh?��頴����♪ I'm dreaming of a White Christmas ♪���C�u��J�⠴���♪ Just like the ones I used to know ♪��LC�u��J�ՠ����Ha ha, yeah.���C�u��J�0�����Do you know we're living in a white society?�� \�����The man!�� �C�u��J�Ġ����Now, have you ever seen black snow?�� s����� Snow?��lC�u��J�������Who said snow?��������1We gonna get high again, man?�� C�����Sit down, man, sit down, sit down.��XC�u��Kנ����I've seen brown heroin from Mexico.�� ������ >That's Mexico, baby, that's Mexico.��jC�u��KB&�����Ah, wait a minute, wait a minute!��u�����Is this all there is to it?��7C�u��KY�����Just sitting around and making jokes?�� ����� �Why don't somebody do something?���C�u��Kr������You don't expect to learn everything in one day,�� ������ Ddo you, man?���C�u��K�w�����Cowboy, I'm not high, man.��'������I really don't feel a thing, nothing, man.�� hC�u��K�S�����Give it time, man.��ؠ����~Go in the kitchen and get something to eat, Leach.�� �C�u��K�.�����Say, say, I got one!�� ޠ���� �Hey, this should be worth five dollars, Jimmy Dunn.�� sC�u��K�͠����Listen, about three or four years ago...��򠞡���Are you comfortable?���C�u��K컠����Go, man, swing with me.��Ҡ����xYeah, yeah.�� �C�u��Lq�����Well, anyhow, me-�� ������ 8You remember when me and Cowboy and Leach���C�u@��LF�����had this pad down near the waterfront?��������+Sam.��l����� >Yeah.�� ������Well, last I remember when it first began, it-���C�u��L;������Hey, you're interrupting my story, man.��������I'm sorry, man.��l����� �Go.�� �����uYeah.���C�u��LQj�����Well, anyhow, it was-��!������What the hell was I going to say then?�� �C�u��Loe�����Hey, you know something, Cowboy?��6������This is some powerful shit you got here.�� ������Ooo-wee!���C�u��L�������I'll tell you, it's talking.�� m����� Oh, I know.��7������Cowboy cooked that night. That's right.��PC�u��L�������Some collard greens and ham hock, you hear me?�� h����� Yes, yes! Yes, yes!���C�u��L������Collard greens and ham hock!��T������Man, stop it, man, stop it.�� s�����Sam, stand still.���C�u��Lނ�����Yeah.�� g����� The phone rings.���C�u@��L�ߠ����It's some chick that don't exactly knock Leach out,�� ������ 8but he makes a date��[�¡��:and tells us that he would be back at 11 o'clock sharp.�� �C�u��Mu�����Come on, man, that's not what I meant.���������Yeah, well, he leaves.���C�u��M5������Cowboy pulls out some marijuana.�� 堿��� �We get high and have a couple of laughs about Leach.�� �C�u��MP:�����Well, I started sleeping.��&�š���So am I, man, I mean, there is nothing happening visually!���C�u��Mk������Visually?��1������Huh, visually.��%C�u��M�������Visually?��㠎����Huh?�������� �Yeah, well, anyhow, wham!��C�u��M�q�����The door was busted down����¡��[and two guys with guns are standing over Cowboy and me.���C�u��M�_�����They throws us against the wall,��V������and a couple of whacks on the head and all that.�� C�u��Nz�����Ha!��ޠ�����Yeah, well, a funny thing happened.�� h������Now they could have thrown us under the jail��C�u@��N)������for those long snakes of old needle marks.��U�ʡā�But no, it seems they find out that Leach rented the apartment,�� �C�u@��N?㠞���and they wanted him.��1�š���Well, Cowboy told them that we were supposed to meet Leach�� ������in this bar, not too far.��KC�u��Nvˠ����Well, it's nearing 11 o'clock.��򠛡���They fall for it.��yC�u��N�������We leave, we're walking up the block,��Ƞ����oarm in arm, of course.���C�u��N�;�����When here comes Leach, straight towards us,��������Qand he's got this chick with him.�� C�u��N�M�����Well, Cowboy drops his cigarette,�� ������Vbend down to pick it up,���C�u@��N��á��the cops step back to watch him, and I started coughing.��@������Leach gets the idea and kicked this chick�� �C�u��N������who's about to scream out "hello" to us.�� ������ 3Heh, they walk right on by.�� C�u��O򠷡��You know, we didn't see Leach for two years.��'������Well, we go into this candlelit bar,�� �C�u��O4F�����and Cowboy looks around very carefully.��������9The cops rushes him.�� C�u��OQF�����So Cowboy gets mad and picks out�� ������ ga rather well-tailored-looking kid.�� hC�u��Oh������Bang!��l������Oh, no, I mean, come on, man,�� C�u��O������I just give up, this is impossible.��͠����tWell, they collared him�� JC�u��O������and takes him to the station with us.�� >����� �That kid screamed all the way down to that station.�� �C�u��O�𠷡��They had to put him in the observation room.�� 2����� �They let us go.�� �C�u��O��¡��You know, I don't think they ever let that poor kid go.��i�����Hey, Sam?�� �C�u��O�I�����Did you ever think about becoming an actor?��򠧡���You think we're acting, man?��PC�u��P٠����No.��������ONo, I don't.�� >C�u��P& �����But I've noticed that you cats��1������don't seem to like having the camera on you.��,C�u��P;������And I thought maybe you'd just take a little while,�� ������ 8you'd get used to it.�� �C�u��PU#�����I guess nobody ever really gets used to it.��~�����ECome on, man.��6C�u@��PlE�����I feel great, how about you, man?�������� �Th-th-that's all.��l����� �Solid.��������Man, I don't know.��fC�u��P�b�����I just don't know what happened to me.���C�u��P�ߠ����You know something, Cowboy?���������I was gonna make you the hero of this film.�� �C�u��P�ޠ����Yeah, I was.����ɡÁOYou see, when you make a film, you're supposed to have a hero.���C�u@��P�T�����But maybe it's still not too late.��������J.J., what do you say, man,���������what do you say we get some shots of Cowboy, huh?���C�u��P�������I mean, I turned you on for something, didn't I?���������Yeah, yeah, come on, J.J.,���C�u@��Q������let's get some shots of this hero here, Cowboy!�� m����� You're in no shape to do anything.��7������Never mind that!���C�u��Q ������I'm the boss!��̠���� sGo on...like, like say something.���C�u��Qm]�����It's too much risk!�� ����� �To go out and score every night.�� �C�u��Q�������I mean, man, I'm followed every night!��C�u��Q�i�����And I have to scheme a way to get back here.��񠔡���I'm tired!�� �C�u��Q’�����Man, I've been moving my whole life.�� �C�u��Q�ՠ����Now, is that what you wanted, Jim?��C�u��RI�����Nothing more to say!��Ԡ����zI'm sick of the sight of you fake beboppers!�� �C�u@��R+U�����Get out of here!��������UI'm sick of the sight of you, too!�� �����Worrying about your precious camera!�� bC�u@��ROӠ����Expect to learn anything about anything��7������by flirting with people, huh?�� ������FMan, what do you think we do, live in a freak show?���C�u��Rq������Now you be the hero!�� C�u��R�������Relax, baby.�� �C�u��R�������Nobody's gonna run out on you, man.�� bC�u��R������Just high, man.�� JC�u��R�n�����You're just high.�� �����oI'm not high, Cowboy.���C�u��R�7�����Oh, what?���������I'm not high at all, you know what I mean?�� �C�u��S"S�����Look here, Cowboy.�� ������ gMan, you got some left, and I want some more.���C�u��S=4�ơ��Like I mean, strictly speaking, it's mine, and I want more!���C�u��SS]�����Everybody's high and I'm not!�� 堯��� �You gave them more than you gave me.�� C�u��Si������Now why should I cheat you, Leach?��������I'm not high, Cowboy.���C�u��S�������You are high.�������%That shit's in your system!�� ������cI want more!��OC�u��S�O�����All right.��UC�u��S�!�����It's your life.��yC�u��S�������Hey, Freddie?��������+What was that tune you were playing yesterday, man?�� g�����9Let's try it.��C�u��T%�����I got the ivies, baby.��r�����I got the intro.��������yOkay, solid.�� C�u��WN������That bitch. My last spike, Jackie.��Ԡ����zI'll see if there's some salt, man,��=C�u@��Wb������give him a salt shot.��l�����You can't, baby, that was my last spike.�� ����� �Sam, come over.��l����� �Watch out, baby, watch out.��頭���iHey, Cowboy, I'm cutting out, man.���C�u@��Wy������Yeah, all right.��������aSee you tomorrow, Cowboy.��k����� sAll right, Fred.��Ҡ�����You think we can walk him, Sam?��C�u��W�9�����Nah, this guy is snoring.��1������Sam, put him on the couch.�������� 8All right, Michael.�� \C�u@��W�t�����Take the chair. I got him.��������Cowboy, baby, I'm going to see you tomorrow.��ޠ����-Yeah, all right, Larry.�� C�u��W�U�����Take care of yourself.��0C�u@��W�Y�����Hey, look, Cowboy, what can I do to help out?��[�����Anything, man?��l����� I got it, baby. Go on, Jackie.���C�u��W������I'll see you tomorrow, then, yeah?��������`All right.��ޠ���� �Take it easy, brother.�� �C�u��Xz�����Jackie.��ޠ�����Man, you know that's a drag.�� C�u��X)������It's like a bring-down, man, I don't dig this at all.�� �C�u��XA �����Yeah, well, listen I got a gig I got to make anyway,�� ����� �I got to get uptown, get a horn, get my...��dC�u@��XgѠ����All right, listen, I got to make it anyway.�� ������ bI got a meet.��頲����I'll see you cats later on in the week.��PC�u��X�������I hope nothing happens with him.�� b����� I got to make it, I'll see you later.�� �C�u��X�A�����Chicken shit bastard.�� m������How is he?��C�u��X�Р����Not too good.��������0Should I get a doctor?��[����� 2No, not yet.���C�u��X�Q�����No use all of us getting in trouble.��������UThat bastard Ernie turns my guts.�� �C�u@��X�ޠ����I remember when he threw a kid out the window��������after taking an overdose,���¡�� 2without even looking to see whether he was dead or not.�� 3C�u��X�꠬���We never found out for sure, Sam.��T������Well, I always believe he did it.�� �C�u��Y������Yeah, that's it.�� Ǡ���� mCome on, now.��ޠ�����Yeah, come on, baby.�� �C�u��Y4𠘡��Come on, baby.�� 𠢡�� �Atta baby, come on, now.�� �C�u��YO������Atta baby, come on.��`������Yeah, come on.���C�u��Ye������Three...eight...four.�� b����� Three eight four!��������@My number's up, I can see it!�� CC�u��Y�Р����Ahhh!��y�����-My God, they're coming!���C�u��Y�������Hide!�� C����� �Please don't let them get me.��������Don't worry, Sam, he'll probably live.�� �C�u��Y�󠠡��Don't let them get me.��頞����Whatever that means.�� 8�����oHey, Solly?��6C�u��Y�?�����When did they make heroin illegal?�������%1928.���C�u��Y�񠎡��Why?�������I really don't know.�� nC�u��Z�����To protect people from themselves.�� ٠�����Public opinion.���C�u��Z 2�����Maybe the liquor lobby.�� n����� I was once heard it was a plot of the rich.�� �C�u��Z?Q�����I wish I knew.���������Man, who cares, huh?�� DC�u��ZcR�����They got a bomb, don't they?��y������Protect us from ourselves.�� �C�u��Z�������Man, I bet those Japanese cats don't feel that way.���C�u��Z�v�����It's your theory, isn't it, Solly?��-������Just a theory, nothing to do with us.��C�u@��Z�������Well, Leach doesn't need any theories,��������+if that's what you mean.�� �������Man, I believe that anything that's illegal��C�u��Z�/�����is illegal because it makes more money��~�����%for more people that way.��VC�u@��Z�Q�����That may be right.��[�����But junk does take its effect.�� ������:Man, we all pay our dues, whatever we do.�� �C�u��\I|�����It's all over.�� ������VYeah...�� �C�u��\d^�����it's all over.��%C�u��\|Π����It's all yours now.�� IC�u��^9������Okay, play that back, please.�� S�k �7����$ķ��������� ������������&���������ٝ�����S���������|�����w�������������������,����;4���������� �����G���������J��O����P������W���� C����zk�����y����������6����������~�����#����������!����晷���������������=��������#�� s���� #�����J���� 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