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Eߣ�B��B��B�B�B��matroskaB��B��S�g �vM�t�M��S��I�fS��M��S��T�kS���M��S��S�kS��%�M��S��T�gS���1�O� I�f�*ױ�B@M��libebml v1.4.4 + libmatroska v1.7.1WA�mkvmerge v80.0 ('Roundabout') 64-bitD��AWG� Da�
��R� s��K�N�Y�Ӊ���l��T�k���ׁsň�����9m���� ��S_TEXT/UTF8"���enSn�SRTU���D, C�u��$Ġ���� This is J.J. Burden,
New York City.���C�u��������� Cowboy back yet, Solly?���C�u��ٝ����� Well, go, man.���C�u��|����� I'm hungry.��C�u�������� Like, uh, this is my pad,
why shouldn't I eat, huh?��,C�u��;4�� These creeps never eat.
Don't they know it's nutritious?��������b Come on, Ernie, move over.��OC�u��P������ Ow! My boil!��
CC�u��zk����� Dream world, huh?���C�u���6����� Narcotics...��~C�u���#����� Look here, I live comfortable.��!C�u��晠���� I'm no junkie bum.��������� Just look at my pad; it's clean.�� sC�u�� #�¡�� Yeah, it's clean except
for these creeps that come here�������� and call themselves my friends.���C�u��/m����� My friends, wow.���C�u@��F������ Like, they come here
with a little money, see.����ġ��E And then they expect me to use
my hard-earned connections��C�u��d������ to furnish them
with heroin, see.��
������� But then when I take
just a little for myself,��C�u��������� they cry and they scream,
the bastards.���C�u��������� Come on, man!���C�u���}����� They just wait here,
making me nervous.���C�u���}����� Sleeping-��������z That's all they do is sleep.��&C�u�������� Um, Leach, will you please
just say who you are?�������� All right, man.��
�C�u��)������ Me?��������8 I'm Leach.��[C�u��q3����� Jackie and Larry, man.��1�����? What do you say, baby?��1C�u@���J����� - Is Cowboy here?
- No, man, he's not here.��������� Hey, have they
just started jammin'?��������� What do you think,
baby, huh?���C�u���r����� Hey, Jackie.��C�u���j����� This is Mike.��6������ Cowboy back yet?��頛���
m Ah, come on, man.��
2C�u��尠���� Freddie, turn around.��
�C�u���Ӡ���� And over here is Sam.���C�u������� Ah, come on, man,
wake up, come on.��
D�����
� You're in the movies, baby.�������� Oh.���C�u��0%�¡�� Uh...Don't fire until you see
the whites of their eyes.��|C�u��Wh����� Solly, say something.��C�u��kI����� All right, don't say something.��+������ And last but not least, Ernest.��-C�u���E����� The light bulb!�� Ơ����
m All right.���C�u��ޢ����� You see that light bulb?��ؠ����� Do you realize that light travels���C�u��������� at 186,000 miles per second
per second?���C�u@��2�¡�� Come on, Solly, wake up, baby,
I want you to hear this.�� ����� � I haven't slept
since that night I met you,��y������ two years ago.���C�u��6I����� But for once pretend
that I'm asleep, huh?��������' Yeah.��aC�u��T��� So light travels at 186,000
miles per second per second.���C�u��wK����� Now, we, the human race,���C�u���砾��� is constantly being bombarded
with light particles.��8������ I'm gonna cut you up, you son of a bitch!��,C�u���@����� And now the question is,��������' like, why aren't we dead,
you know?��>C�u���K����� I mean, man, at 186,000 miles
per second per second,�����i we should all be annihilated!���C�u�������� But we aren't.��������U Why?��������� I'll tell you why.���C�u��3����� Dig.��
D�����
� Man is transparent.���C�u��!c����� You know what I mean,
transparent?��
\����� And that's why the light
flows through them,��gC�u��;t����� and it doesn't hurt me or you.�������� And now for the interesting part.���C�u��P������ Look, if man is transparent,��
������- then how do you account
for his shadow?���C�u@��nI����� Okay, man, to tell you the truth��㠭���� I don't have
the whole answer yet.�� ������� What do you think about it, Solly?��ZC�u���Ҡ���� Yeah.��>������ Hey, Freddie?��ؠ����c Pineapple.��C�u���ݠ���� Freddie?��ޠ����� Oh, come on, man, wake up!��+C�u@���}����� Hey, what's happening, Leach?��������` Oh, no...��������� Jackie, what tune
are we playing, baby?��������� What tune are we playing?
Is Cowboy back yet?��7C�u�������� Is Cowboy back?��㠥���� No, Cowboy's not back, man.��������� Man, Cowboy went to cop
and got copped.���C�u����� That's good, Jackie, eat it.��������7 Ah, man, no, I can't, man.��T�����
2 Thanks a lot, pal.��UC�u��0����� Come on, Larry,
here you go, baby.��������
\ Come on, it's good, baby.��C�u��'4����� I'm sick.��yC�u��D������ I'm hungry, Leach.���C�u��X堭��� Go on, man,
take it all, will you?��V������ Sweet.��l����� Come on, take it.��C�u��������� Hey, Ernie?��U������ Yeah.��������' Ernie, don't you see
where you make your mistake?��
�C�u�������� Ask and you shall receive.��
m����� I'm not much for tact.
I guess I never will be.���C�u��џ����� A fire.��>������ Well, Ernie, it's
a very rotting black shadow��
�C�u�������� that seeps through your body.��~�����% Oww!���C�u�� a����� Boil!��������E So you were listening,
Solly, eh?��
\C�u�� ��ġ�� Man, I guess you know now
that you're not the only person��ؠ���� who thinks about things like that.���C�u�� 3`����� Oh, my neck.��Z����� Put some hot water on it.�� �C�u�� N������ Yeah, I guess I should.��OC�u�� kk����� Maybe I ought to shave, too.��-������ Cut your throat.��yC�u�� �o����� Oh, yeah look.��x����� I've invited a couple
of chicks over.���C�u�� �𠴡�� Our boy there thinks
it'd be a swell idea�� 𠰡��
� to have a little battle
of the sexes.��
�C�u�� ������� Oh, man, where do you
get your ideas?��䠥���? - Oh, yeah, Solly.
- What?��<C�u@�� ������ If anybody knocks
on the door,��������a answer it for me, will you?��ݠ����� I don't feel like
getting busted today.�������� I haven't had dinner yet.��1C�u��
*4����� Or my fix.���C�u��
L蠶��� Solly, now, I used to think
that the people��'������ who walked the streets
every day-���C�u��
e.����� the aspirin addict
and the vitamin pill addict-��E������ those people are hooked
worse than me.�� C�u��
�ᠠ��� Worse than me, hooked.��������
\ They are.��C�u��
�堝��� Man, they sure are.��������O You happen to have a vice
that's illegal.��������� Yeah, I guess so.���C�u��
�'����� You're fed up
with everything for the moment.��������E And like the rest of us,���C�u��
͝����� you're a little hungry
for a little hope.��b�����
So you wait and worry.��
�C�u��
쒠���� "Fix of hope."��+�¡��� A fix to forget, to remember,
to be happy, to be sad...���C�u��ڠ���� to be...��������u To be.���C�u@��+ɠ���� So we wait
for the trustworthy cowboy��ؠ����~ to gallop in on a white horse.��������� Gallant white powder.��1C�u@��Ci����� Man, there ain't nothing
gallant about heroin!��T������ Why don't you cats
stop talking about it?��
�����
� You know you're a drag, huh?��7C�u@��V������ Why don't you
talk about it, man?��������` It's tough enough
I got a gig tomorrow.��7�����= I got to get straight.��������� What happened
to that bastard, anyway?��`C�u@��m������ He could have took
all that bread��l����� and burned us, anyway, right?��6����� � Hold it, Ernie,
come on, Ernie, hold it!���C�u�������� All right, all right!��1������ Oh, I'm sorry, Larry.��������
2 Sorry, man.��a�����: Uh, uh, uh, I just-���C�u@���ՠ���� let it run for a while, J.J.,��6������ because this will only
take a minute.��Ҡ����V All right, now, gentlemen,
gentlemen,���C�u@��������� let's not get hostile.�� s�����
Huh, you see?��`�����! I mean, the minute I put
a camera on you, you change.��
C�u@���o����� Now for instance, Leach,
where is he?��y����� Where's Leach?��������i Leach, would you come out
of the toilet, please?��bC�u@���ࠐ��� Leach?��������[ What do you want, man?��<�����> That's fine, that's fine.��1����� You see, we haven't been using
any lights yet,��bC�u�������� because we didn't want you
to stiffen up.�� I����� � Testing, testing.��7������ Testing, testing.���C�u@��&\����� Ha, thanks.��7������ But that's
what you're doing now.��������> You see, you're stiffening.��U�����: Just act naturally.���C�u@��A����� The stuff that you do every day
is just fine.�������� See, I've told you
over and over again,��������� I'm not interested in making
a Hollywood picture.��xC�u@��]����� Yeah, that's
very nice of you.��㠨���� ♪ We're going Hollywood! ♪��������
� Come on, now,
will you stop that?��㠴���u Will you please just, uh,
just stop that?�� �C�u��wҠ���� See, I know something
about Eisenstein and Flaherty.������u Go on,
drop those names, man.��UC�u���C����� Oh, no, man,
well, J.J., you better cut,��>������ because this has got to be
settled right now.��
�C�u@��������� Hey, J.J., you sure have
changed since Harlem, man.��
٠����� So have you, Jackie.��������� I'm my own man.��fC�u@��������� Is your name going to be
on this film?��ޠ����� See, I don't want you
to be worried��ؠ���� about anything, because...���C�u@���G����� What are you doing, man?�������� See, I don't want you to be
frightened of anything�������W because, you see,
you know how I...��
�C�u���/����� It's collapsible, man.��
٠¡��� You see, we don't want
anything extraordinary, you see.��+C�u��
������ Yeah, good.��ݠ����� I mean just get up there
and say who you are��Ҡ����� and how you came to be here.��
C�u@��
$2����� You really expect us
to do that, huh?��
C�����
� You know something,
if your cameraman and Jackie��ؠ����i hadn't gone to school together,���C�u��
;������ we wouldn't even let you
come up here.��1������ Oh, come on, man.��������- Hey, Jim.
Come here, man.���C�u@��
Rw�ġ�� You're not giving us that
much bread for this movie, see?��8��� I mean, the camera, baby,
they're taking pictures of us.��
C�u��
t����� What happens if the fuzz sees,
huh, man?��������
2 Not doing us any favors, baby.���C�u��
�ܠ���� Just relax and take it easy
and take what you get.��̠���� s Come on, now, you guys
have got me all wrong.��PC�u��
�F����� J.J., explain to them.�������&