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These are the user uploaded subtitles that are being translated: 1 00:00:15,754 --> 00:00:19,149 TONIGHT, YOUR CHALLENGE IS TO SEPARATE WHAT IS TRUE 2 00:00:19,193 --> 00:00:21,325 FROM WHAT IS FALSE. 3 00:00:21,369 --> 00:00:25,155 FIVE STORIES-- SOME REAL, SOME FAKE. 4 00:00:25,199 --> 00:00:29,159 CAN YOU JUDGE WHICH ARE FACT AND WHICH ARE FICTION? 5 00:00:29,203 --> 00:00:30,682 TO FIND OUT, 6 00:00:30,726 --> 00:00:33,685 YOU MUST ENTER A WORLD OF BOTH TRUTH AND DECEPTION, 7 00:00:33,729 --> 00:00:37,559 A WORLD THAT IS BEYOND BELIEF. 8 00:00:49,310 --> 00:00:51,877 TO THOSE OF US WITH A SENSE OF ORGANIZATION, 9 00:00:51,921 --> 00:00:54,880 IT'S A SATISFYING FEELING TO SEE A WELL-DRAWN DESIGN. 10 00:00:54,924 --> 00:00:56,621 NOW, LOOK AT THIS CHECKERBOARD. 11 00:00:56,665 --> 00:00:59,929 THE SQUIGGLY LINES SEEM TO GO AGAINST EVERYTHING WE EXPECT. 12 00:00:59,972 --> 00:01:01,409 IT ALMOST LOOKS 13 00:01:01,452 --> 00:01:03,541 AS THOUGH THE LINES HAVE BEEN DRAWN FREEHAND, 14 00:01:03,585 --> 00:01:04,934 BUT HERE'S THE TRUTH-- 15 00:01:04,977 --> 00:01:07,023 THE LINES THAT APPEAR TO BE UNEVEN 16 00:01:07,067 --> 00:01:08,372 ARE ABSOLUTELY STRAIGHT. 17 00:01:08,416 --> 00:01:10,766 THE ILLUSION IS CREATED BY THE PLACEMENT 18 00:01:10,809 --> 00:01:13,334 OF THE SMALL DESIGNS WITHIN THE CHECKERBOARD. 19 00:01:13,377 --> 00:01:15,684 FROM A DISTANCE, OUR EYES STILL LIE TO US, 20 00:01:15,727 --> 00:01:17,381 EVEN THOUGH WE KNOW THE TRUTH. 21 00:01:17,425 --> 00:01:19,992 OUR STORIES TONIGHT PRESENT A SIMILAR CHALLENGE. 22 00:01:20,036 --> 00:01:22,647 WE'LL TELL YOU WHICH ARE FACT AND WHICH ARE FICTION 23 00:01:22,691 --> 00:01:23,996 AT THE END OF THE SHOW. 24 00:01:24,040 --> 00:01:25,911 BEFORE YOU MAKE YOUR DETERMINATION, 25 00:01:25,955 --> 00:01:27,435 REMEMBER THIS CHECKERBOARD. 26 00:01:27,478 --> 00:01:29,915 ALTHOUGH WE MAY SEEM TO BE TELLING YOU THE TRUTH, 27 00:01:29,959 --> 00:01:32,048 WE DON'T ALWAYS WALK A STRAIGHT LINE. 28 00:01:36,096 --> 00:01:42,276 WE'VE ALL SEEN GAMES LIKE THESE IN VARIOUS BARS AND RESTAURANTS. 29 00:01:44,669 --> 00:01:47,977 SOMETIMES THESE ACTIVITIES ARE MORE THAN MERE DIVERSIONS. 30 00:01:48,020 --> 00:01:51,285 THEY CAN BECOME AN ATTRACTION THAT ACTUALLY DRAWS PEOPLE 31 00:01:51,328 --> 00:01:53,765 TO AN ESTABLISHMENT JUST TO PLAY THEM. 32 00:01:53,809 --> 00:01:55,985 VINCE McCORMICK HAS HIS OWN GIMMICK 33 00:01:56,028 --> 00:01:57,987 FOR DRAWING PEOPLE TO HIS BAR 34 00:01:58,030 --> 00:01:59,989 THAT IS VERY SUCCESSFUL SO FAR, 35 00:02:00,032 --> 00:02:03,166 AND AS YOU'RE ABOUT TO SEE, IT'S CERTAINLY NO GAME. 36 00:02:15,526 --> 00:02:17,833 I HAD OWNED THE BLOODY HAND BAR 37 00:02:17,876 --> 00:02:20,052 IN THE GASTOWN DISTRICT OF VANCOUVER 38 00:02:20,096 --> 00:02:21,445 FOR THE PAST 25 YEARS. 39 00:02:21,489 --> 00:02:24,231 THERE WERE THE REGULARS, AND ALWAYS A FEW TOURISTS 40 00:02:24,274 --> 00:02:26,494 THAT CAME IN, CURIOUS ABOUT THE NAME. 41 00:02:26,537 --> 00:02:30,889 WELCOME TO THE BLOODY HAND. 42 00:02:30,933 --> 00:02:32,152 WHAT CAN I GET YOU? 43 00:02:32,195 --> 00:02:35,198 I'LL HAVE A BEER. YOU GOT IT. 44 00:02:35,242 --> 00:02:37,896 WHENEVER A NEW CUSTOMER CAME IN, I'D SIGNAL TO BILLY. 45 00:02:37,940 --> 00:02:39,985 HE KNEW WHAT TO DO NEXT. 46 00:02:40,029 --> 00:02:42,423 HEY, BILLY, WE NEED A NEW KEG IN HERE. 47 00:02:42,466 --> 00:02:44,686 RIGHT, VINCE. 48 00:02:44,729 --> 00:02:47,776 THERE YOU GO. 49 00:02:49,125 --> 00:02:50,996 THANK YOU. 50 00:02:56,088 --> 00:02:58,003 SO WHAT'S THE DEAL WITH THE HAND? 51 00:03:00,354 --> 00:03:02,878 OH, YOU'VE NEVER HEARD THE STORY, HUH? 52 00:03:04,923 --> 00:03:06,229 ABOUT 20 YEARS AGO, 53 00:03:06,273 --> 00:03:08,797 A BEAUTIFUL YOUNG GIRL WAS MURDERED 54 00:03:08,840 --> 00:03:11,234 IN THE ALLEY JUST BEHIND THE BAR. 55 00:03:11,278 --> 00:03:13,845 ALL THEY FOUND WAS HER BLOODY HAND. 56 00:03:13,889 --> 00:03:15,717 REALLY? 57 00:03:15,760 --> 00:03:18,807 PEOPLE KEPT COMING IN, ASKING ABOUT THE MURDER 58 00:03:18,850 --> 00:03:20,025 AND THE HAND, 59 00:03:20,069 --> 00:03:22,680 SO I FINALLY CHANGED THE NAME OF THE BAR. 60 00:03:22,724 --> 00:03:24,987 WE EVEN HAVE A DRINK CALLED THE BLOODY HAND. 61 00:03:25,030 --> 00:03:25,988 YOU WANT TO TRY IT? 62 00:03:26,031 --> 00:03:27,816 I'LL JUST STICK WITH BEER. 63 00:03:27,859 --> 00:03:31,602 SURE. FINE. WHATEVER. 64 00:03:31,646 --> 00:03:34,126 I COULD SEE OUT OF THE CORNER OF MY EYE 65 00:03:34,170 --> 00:03:35,693 BILLY WAS IN THE BACK DOING HIS THING. 66 00:03:35,737 --> 00:03:37,217 IT'S MOVING. 67 00:03:39,828 --> 00:03:41,743 WHY IS THAT THING POINTING AT ME? 68 00:03:41,786 --> 00:03:43,788 WHAT? IT'S POINTING AT YOU? 69 00:03:43,832 --> 00:03:45,529 YEAH, LOOK AT IT. 70 00:03:45,573 --> 00:03:47,836 I COULD TELL THIS GUY WAS IN NO MOOD FOR JOKES. 71 00:03:47,879 --> 00:03:50,273 THAT'S JUST BILLY. 72 00:03:50,317 --> 00:03:51,709 HE WORKS THE HAND 73 00:03:51,753 --> 00:03:53,624 WITH A JOYSTICK IN THE BACK ROOM. 74 00:03:53,668 --> 00:03:55,017 CUSTOMERS LOVE IT. 75 00:03:55,060 --> 00:03:56,540 GET A REAL KICK OUT OF IT WHEN IT POINTS AT THEM. 76 00:03:56,584 --> 00:03:58,150 WELL, I DON'T LIKE IT. 77 00:03:59,587 --> 00:04:02,285 TELL HIM TO POINT IT AT SOMEBODY ELSE. 78 00:04:02,329 --> 00:04:04,853 SURE. NO PROBLEM. 79 00:04:04,896 --> 00:04:09,292 WHATEVER WAS BOTHERING THIS GUY, I DIDN'T WANT TO PUSH IT. 80 00:04:09,336 --> 00:04:10,859 HEY, BILLY, 81 00:04:10,902 --> 00:04:14,079 STOP POINTING THAT HAND AT THE GUY IN THE BLUE PEACOAT. 82 00:04:14,123 --> 00:04:16,343 He can't take the joke. 83 00:04:16,386 --> 00:04:19,607 I'D SEEN LOTS OF GUYS LIKE HIM IN MY DAY, 84 00:04:19,650 --> 00:04:22,305 GOING THROUGH SOMETHING THEY CAN'T TALK ABOUT. 85 00:04:22,349 --> 00:04:23,872 IT'S BEST TO LET THEM BE. 86 00:04:23,915 --> 00:04:26,701 I THOUGHT THE GUY WOULD HAVE A FEW AND LEAVE, 87 00:04:26,744 --> 00:04:29,269 BUT HE HUNG OUT, EVEN SIGNED UP FOR POOL. 88 00:04:29,312 --> 00:04:32,272 OF COURSE, THE GUYS GOT WIND OF HOW WEIRD HE WAS, 89 00:04:32,315 --> 00:04:33,795 AND THEY LET HIM KNOW IT. 90 00:04:33,838 --> 00:04:35,971 HEY, BUDDY. 91 00:04:36,014 --> 00:04:37,973 YOU'RE NEXT. 92 00:04:38,016 --> 00:04:40,367 YOUR SHOT. 93 00:04:40,410 --> 00:04:46,068 ALL RIGHT, UH, STRAIGHT IN THE CORNER. 94 00:04:46,111 --> 00:04:48,418 STRAIGHT IN THERE. 95 00:04:53,597 --> 00:04:55,251 HE WAS A GOOD KID A LONG TIME AGO. 96 00:04:59,124 --> 00:05:00,735 WHAT'S SO FUNNY? 97 00:05:00,778 --> 00:05:03,999 YOU'RE BEING FOLLOWED. 98 00:05:07,307 --> 00:05:08,525 HEY, BARTENDER. 99 00:05:09,961 --> 00:05:11,963 BARTENDER! I THOUGHT I TOLD YOU 100 00:05:12,007 --> 00:05:14,357 I DIDN'T WANT THAT THING POINTING AT ME. 101 00:05:14,401 --> 00:05:17,621 JEEZ, PAL, I-I'M SORRY. 102 00:05:17,665 --> 00:05:20,058 HEY, BILLY, 103 00:05:20,102 --> 00:05:21,625 QUIT GOOFING AROUND. 104 00:05:21,669 --> 00:05:23,410 STOP POINTING THE FINGER 105 00:05:23,453 --> 00:05:25,412 AT THE GUY IN THE BLUE PEACOAT. 106 00:05:25,455 --> 00:05:26,935 LOOK, DON'T WORRY. 107 00:05:26,978 --> 00:05:29,590 IT WON'T HAPPEN AGAIN. I PROMISE. 108 00:05:34,899 --> 00:05:36,031 STOP LAUGHING. 109 00:05:36,074 --> 00:05:37,337 IT AIN'T FUNNY! 110 00:05:42,342 --> 00:05:43,517 I'M WARNING YOU. 111 00:05:43,560 --> 00:05:46,171 YOU BETTER MAKE THAT THING STOP. 112 00:05:46,215 --> 00:05:49,000 CALM DOWN. YOU'RE GETTING ALL WORKED UP OVER NOTHING. 113 00:05:49,044 --> 00:05:51,351 IT'S NOT NOTHING. I TOLD YOU, I DON'T LIKE IT! 114 00:05:52,743 --> 00:05:55,877 AND THAT CLOWN IN THE BACK IS GOING TO BE REAL SORRY 115 00:05:55,920 --> 00:05:59,576 IF HE DON'T CUT IT OUT RIGHT NOW! 116 00:05:59,620 --> 00:06:02,666 CALM DOWN. I'LL GO AND TALK TO HIM. 117 00:06:05,452 --> 00:06:08,411 OKAY, VINCE. KEG'S TAPPED. 118 00:06:08,455 --> 00:06:11,762 BILLY, YOU GOT TO STOP MESSING WITH THE HAND. 119 00:06:11,806 --> 00:06:13,285 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 120 00:06:13,329 --> 00:06:14,809 AFTER YOU TOLD ME TO STOP, I STOPPED. 121 00:06:15,984 --> 00:06:18,465 WHO'S BEEN WORKING IT? 122 00:06:18,508 --> 00:06:20,205 I DON'T KNOW. 123 00:06:20,249 --> 00:06:22,643 I'VE BEEN DOWN IN THE CELLAR CHANGING THE KEG. 124 00:06:30,825 --> 00:06:34,306 WHAT ARE YOU TRYING TO PULL? 125 00:06:34,350 --> 00:06:36,134 NOTHING. IT NEVER DID THIS BEFORE. 126 00:06:38,963 --> 00:06:42,227 TURN IT OFF. 127 00:06:44,447 --> 00:06:46,101 TURN IT OFF. 128 00:06:46,144 --> 00:06:47,363 WHOA. 129 00:06:49,104 --> 00:06:51,062 I SAID TURN IT OFF! 130 00:06:54,501 --> 00:06:57,155 NO. NO. 131 00:06:57,199 --> 00:06:59,114 YOU SET ME UP. YOU SET ME UP! 132 00:06:59,157 --> 00:07:00,550 WHAT ARE YOU TALKING ABOUT? 133 00:07:00,594 --> 00:07:02,378 YOU KNEW IT WAS ME AS SOON AS I WALKED IN! 134 00:07:02,422 --> 00:07:03,945 HEY, WHOA, WHOA. TAKE IT EASY. 135 00:07:03,988 --> 00:07:05,250 TAKE IT EASY. 136 00:07:05,294 --> 00:07:06,513 SHE WAS A TRAMP. 137 00:07:06,556 --> 00:07:08,253 SHE DESERVED TO DIE. 138 00:07:08,297 --> 00:07:11,039 THEY ALL DESERVE TO DIE! 139 00:07:11,082 --> 00:07:12,562 WHOA, WHOA, WHAT ARE YOU DOING? 140 00:07:12,606 --> 00:07:14,042 YOU STAY AWAY FROM ME. 141 00:07:14,085 --> 00:07:15,217 OKAY. 142 00:07:15,260 --> 00:07:17,480 SO HELP ME, I'LL KILL YOU ALL! 143 00:07:17,524 --> 00:07:19,917 AAH! 144 00:07:19,961 --> 00:07:21,397 GRAB HIS KNIFE! 145 00:07:26,446 --> 00:07:28,404 I CALLED THE POLICE, 146 00:07:28,448 --> 00:07:31,842 AND THEY ARRESTED THE DRIFTER. HIS NAME WAS NORRIS GLOVER. 147 00:07:31,886 --> 00:07:34,541 LATER THAT NIGHT, CONFESSED THAT HE WAS THE ONE 148 00:07:34,584 --> 00:07:37,021 WHO MURDERED THAT YOUNG WOMAN 20 YEARS AGO. 149 00:07:37,065 --> 00:07:39,937 HE TOLD THEM THAT HE DISMEMBERED THE BODY. 150 00:07:39,981 --> 00:07:43,027 ALL HE LEFT BEHIND WAS HER BLOODY HAND. 151 00:07:45,073 --> 00:07:47,118 WAS THE MURDERER ACTUALLY SET UP 152 00:07:47,162 --> 00:07:49,556 BY VINCE McCORMICK AND THE ROBOTIC HAND? 153 00:07:49,599 --> 00:07:51,209 SEEMS UNLIKELY. 154 00:07:51,253 --> 00:07:54,082 BUT THEN, WHAT CAUSED THE HAND TO KEEP TORMENTING THE MURDERER? 155 00:07:54,125 --> 00:07:56,345 IF BILLY WASN'T WORKING IT, WHO WAS? 156 00:07:56,388 --> 00:07:57,912 WAS IT JUST MALFUNCTIONING, 157 00:07:57,955 --> 00:08:00,392 OR DID THE SPIRIT OF THE MURDER VICTIM 158 00:08:00,436 --> 00:08:03,221 USE IT TO GET REVENGE ON THE MAN WHO KILLED HER? 159 00:08:03,265 --> 00:08:04,962 IN TRYING TO JUDGE THIS STORY, 160 00:08:05,006 --> 00:08:07,269 ARE YOU LEFT WITH EMPTY-HANDED LIES, 161 00:08:07,312 --> 00:08:10,141 OR ARE YOU ABLE TO PUT YOUR FINGER ON THE TRUTH? 162 00:08:10,185 --> 00:08:12,927 WE'LL FIND OUT IF THIS STORY IS TRUE OR FALSE 163 00:08:12,970 --> 00:08:14,537 AT THE END OF OUR SHOW. 164 00:08:14,581 --> 00:08:17,801 NEXT, A COUPLE FALLS PREY TO A PSYCHOPATHIC HOUSEKEEPER 165 00:08:17,845 --> 00:08:20,151 ON "BEYOND BELIEF: FACT OR FICTION?" 166 00:08:31,772 --> 00:08:34,426 THIS DOLL IS VERY IMPORTANT TO OUR NEXT STORY. 167 00:08:34,470 --> 00:08:35,950 IT'S A SIMPLE DOLL. 168 00:08:35,993 --> 00:08:38,518 IF YOU PULL THE STRING IN THE BACK, IT TALKS TO YOU. 169 00:08:38,561 --> 00:08:40,563 HELLO, MOMMY. HEIDI'S A GOOD GIRL. 170 00:08:40,607 --> 00:08:42,739 THIS PARTICULAR DOLL ISN'T OWNED BY A LITTLE GIRL. 171 00:08:42,783 --> 00:08:44,219 IT BELONGS TO A WOMAN 172 00:08:44,262 --> 00:08:46,917 WHO HAS APPROACHED SENIOR CITIZEN STATUS. 173 00:08:46,961 --> 00:08:49,790 IN FACT, SHE HAS A SPECIAL DOLL COLLECTION 174 00:08:49,833 --> 00:08:51,574 WHICH IS CURRENTLY CARED FOR 175 00:08:51,618 --> 00:08:53,881 BY HER RECENTLY HIRED HOUSEKEEPER-- 176 00:08:53,924 --> 00:08:56,448 A HOUSEKEEPER WHO, WE'RE ABOUT TO FIND OUT, 177 00:08:56,492 --> 00:08:58,233 IS NO LIVING DOLL. 178 00:09:12,726 --> 00:09:15,337 OH, BE CAREFUL, FAITH. LILY'S LEANING. 179 00:09:15,380 --> 00:09:18,383 I'M ALWAYS CAREFUL, MRS. McKINNEY. 180 00:09:18,427 --> 00:09:20,081 OH, I KNOW YOU ARE, DEAR. 181 00:09:20,124 --> 00:09:23,171 I JUST WORRY ABOUT MY LITTLE GIRLS. 182 00:09:23,214 --> 00:09:26,827 YOUR LITTLE GIRLS? OF COURSE. 183 00:09:26,870 --> 00:09:29,046 FAITH, YOU KNOW MRS. McKINNEY'S DOLLS 184 00:09:29,090 --> 00:09:30,831 ARE LIKE HER CHILDREN, 185 00:09:30,874 --> 00:09:33,311 AND MOTHERS DO TEND TO BE OVERPROTECTIVE. 186 00:09:33,355 --> 00:09:34,661 YES, SIR. 187 00:09:34,704 --> 00:09:37,794 MY MOTHER WAS QUITE PROTECTIVE OF ME. 188 00:09:42,103 --> 00:09:44,235 OH! HEIDI! 189 00:09:44,279 --> 00:09:46,498 OH, I-I'M SO VERY SORRY, MA'AM. 190 00:09:46,542 --> 00:09:50,894 IT WAS AN ACCIDENT, WASN'T IT, HEIDI? 191 00:09:50,938 --> 00:09:52,330 IS SHE ALL RIGHT, LYDIA? 192 00:09:52,374 --> 00:09:55,159 I THINK SO. 193 00:09:55,203 --> 00:09:57,248 HELLO, MOMMY. HEIDI'S A GOOD GIRL. 194 00:09:57,292 --> 00:09:59,816 SHE'S FINE, 195 00:09:59,860 --> 00:10:00,991 THANK GOODNESS. 196 00:10:01,035 --> 00:10:02,776 THAT WAS SO CLUMSY OF ME. 197 00:10:02,819 --> 00:10:05,387 I KNOW HOW MUCH HEIDI MEANS TO YOU. 198 00:10:05,430 --> 00:10:08,042 I PROMISE I'LL BE EVEN MORE CAREFUL. 199 00:10:08,085 --> 00:10:12,002 WELL, THANK YOU, FAITH. 200 00:10:12,046 --> 00:10:14,526 HEIDI LOVES HER MOMMY. 201 00:10:14,570 --> 00:10:17,051 AND MOMMY LOVES HEIDI. 202 00:10:22,230 --> 00:10:23,753 THERE. 203 00:10:28,192 --> 00:10:30,673 MR. AND MRS. McKINNEY HIRED FAITH ROBINSON 204 00:10:30,717 --> 00:10:33,154 SIX MONTHS EARLIER WHEN SHE ANSWERED AN AD. 205 00:10:33,197 --> 00:10:35,983 AT THE TIME, IT SEEMED LIKE A GOOD IDEA. 206 00:10:36,026 --> 00:10:39,508 MOMMY LOVES HEIDI. 207 00:10:47,951 --> 00:10:49,039 MR. McKINNEY! 208 00:10:52,521 --> 00:10:54,436 FAITH, JUST LEAVE THEM BE. 209 00:10:54,479 --> 00:10:56,525 NO, I-I WAS JUST REARRANGING THESE FOR THE MISSUS. 210 00:10:56,568 --> 00:10:57,700 SOME OF THEM FELL, 211 00:10:57,744 --> 00:10:58,919 AND I WAS JUST GOING TO BE PUTTING THEM 212 00:10:58,962 --> 00:11:00,137 BACK UP ON THE SHELF. 213 00:11:00,181 --> 00:11:01,399 STOP IT. 214 00:11:01,443 --> 00:11:03,575 I WAS JUST GOING TO BE REARRANGING THEM. 215 00:11:03,619 --> 00:11:05,752 STOP IT. 216 00:11:05,795 --> 00:11:08,102 YOU NO LONGER WORK HERE. 217 00:11:08,145 --> 00:11:11,018 I'LL WRITE YOU A SEVERANCE CHECK. 218 00:11:11,061 --> 00:11:12,454 IF I WERE YOU, 219 00:11:12,497 --> 00:11:14,456 I'D USE IT TO GET SOME PROFESSIONAL HELP. 220 00:11:56,541 --> 00:11:58,282 THE McKINNEYS WERE RELIEVED 221 00:11:58,326 --> 00:12:00,894 TO HAVE DISCHARGED FAITH ROBINSON THAT DAY. 222 00:12:00,937 --> 00:12:02,373 MR. McKINNEY WAS SURE 223 00:12:02,417 --> 00:12:05,376 THAT SHE WAS QUITE EMOTIONALLY DISTURBED. 224 00:12:05,420 --> 00:12:08,379 MRS. McKINNEY WAS JUST GLAD SHE WAS GONE. 225 00:12:08,423 --> 00:12:11,731 FAITH HAD BEGUN TO FRIGHTEN HER LATELY. 226 00:12:11,774 --> 00:12:14,734 WHAT NEITHER OF THE McKINNEYS KNEW, OF COURSE, 227 00:12:14,777 --> 00:12:17,606 WAS THAT FAITH HAD NEVER LEFT THE PROPERTY. 228 00:12:28,965 --> 00:12:32,055 HOUSEKEEPER FAITH ROBINSON WOULD CALL 911 229 00:12:32,099 --> 00:12:35,276 AND TELL THEM THAT SHE FOUND HER EMPLOYERS 230 00:12:35,319 --> 00:12:36,843 DEAD INSIDE THEIR CAR. 231 00:12:36,886 --> 00:12:38,540 THE NEXT MORNING, 232 00:12:38,583 --> 00:12:41,543 HOMICIDE DETECTIVE SAL SAMORA WOULD BE CALLED IN 233 00:12:41,586 --> 00:12:44,154 TO INVESTIGATE AN APPARENT SUICIDE PACT 234 00:12:44,198 --> 00:12:45,721 BY THE ELDERLY COUPLE. 235 00:12:45,765 --> 00:12:47,592 HEY, REG. WHAT DO WE GOT, MAN? 236 00:12:47,636 --> 00:12:49,812 SAL, MAID FOUND THEM AROUND 7:00 A.M. 237 00:12:49,856 --> 00:12:51,379 WAS THERE A NOTE? 238 00:12:51,422 --> 00:12:53,816 YEAH, THEY BOTH SIGNED IT. 239 00:12:53,860 --> 00:12:55,426 APPARENTLY THEY WERE PRETTY MISERABLE. 240 00:12:55,470 --> 00:12:57,428 HEALTH WAS FAILING, DIDN'T WANT TO LIVE ANYMORE-- 241 00:12:57,472 --> 00:12:58,821 YOU KNOW, THE USUAL STUFF. 242 00:12:58,865 --> 00:13:00,910 YEAH, SO THEY JUST TOOK THEMSELVES OUT, HUH? 243 00:13:00,954 --> 00:13:02,477 YEAH, LOOKS THAT WAY TO ME, SAL. 244 00:13:02,520 --> 00:13:04,566 IT'S TOO BAD. 245 00:13:04,609 --> 00:13:07,787 LOOKS LIKE THEY HAD A PRETTY GOOD LIFE. 246 00:13:07,830 --> 00:13:09,876 HEY, WHO FOUND THEM AGAIN? 247 00:13:09,919 --> 00:13:11,442 THE MAID. 248 00:13:13,705 --> 00:13:15,969 HOW DO YOU DO? I'M LIEUTENANT SAMORA. 249 00:13:16,012 --> 00:13:17,187 HI. 250 00:13:17,231 --> 00:13:19,146 YOU MIND IF I TAKE A SEAT? 251 00:13:19,189 --> 00:13:22,062 NO, NOT AT ALL. 252 00:13:25,630 --> 00:13:28,329 I UNDERSTAND THAT YOU FOUND THE BODIES. 253 00:13:28,372 --> 00:13:30,418 IS THAT RIGHT, MA'AM? 254 00:13:30,461 --> 00:13:31,854 YES, I DID. 255 00:13:31,898 --> 00:13:33,856 WHEN I WOKE UP THIS MORNING, 256 00:13:33,900 --> 00:13:35,336 I-I HEARD THE SOUND 257 00:13:35,379 --> 00:13:37,991 OF THE CAR RUNNING IN THE GARAGE. 258 00:13:38,034 --> 00:13:40,297 IT WAS VERY EARLY, 259 00:13:40,341 --> 00:13:42,647 SO I THOUGHT I'D TAKE A LOOK, 260 00:13:42,691 --> 00:13:44,867 AND THAT'S WHEN I FOUND THEM. 261 00:13:44,911 --> 00:13:49,132 I TURNED THE CAR OFF AND CALLED 911 RIGHT AWAY. 262 00:13:49,176 --> 00:13:51,221 NOW, THE CORONER HAS PLACED THE TIME OF DEATH 263 00:13:51,265 --> 00:13:52,440 AT AROUND 2:00 A.M., 264 00:13:52,483 --> 00:13:53,920 AND YOU FOUND THEM AT WHAT TIME? 265 00:13:53,963 --> 00:13:55,399 UM... 266 00:13:55,443 --> 00:13:58,750 IT MUST HAVE BEEN AROUND 7:00. 267 00:14:02,450 --> 00:14:05,366 IT WAS QUITE A SHOCK TO FIND THEM THAT WAY. 268 00:14:07,150 --> 00:14:09,892 THEY WERE VERY DEAR TO ME, 269 00:14:09,936 --> 00:14:13,287 ESPECIALLY MRS. McKINNEY. 270 00:14:13,330 --> 00:14:15,593 SHE WAS LIKE A SECOND MOM. 271 00:14:17,334 --> 00:14:20,207 I'M VERY SORRY FOR YOUR LOSS, MA'AM. 272 00:14:20,250 --> 00:14:23,775 OH, THEY WERE SO UNHAPPY-- 273 00:14:23,819 --> 00:14:25,908 DEEPLY DEPRESSED. 274 00:14:27,301 --> 00:14:31,261 I TOLD THEM THEY SHOULD SEEK PROFESSIONAL HELP, 275 00:14:31,305 --> 00:14:33,437 BUT THEY WOULDN'T LISTEN. 276 00:14:36,136 --> 00:14:40,314 MRS. McKINNEY HAD QUITE A COLLECTION OF DOLLS, HUH? 277 00:14:40,357 --> 00:14:43,926 YES, SHE DID. 278 00:14:54,284 --> 00:14:57,418 HELLO, MOMMY. I'M A GOOD GIRL. 279 00:14:57,461 --> 00:14:58,898 CUTE. 280 00:15:00,203 --> 00:15:02,292 THAT ONE'S NAME'S HEIDI. 281 00:15:02,336 --> 00:15:05,339 IT WAS MRS. McKINNEY'S FAVORITE. 282 00:15:07,036 --> 00:15:10,866 NO, NO, DON'T KILL MOMMY AND DADDY, MISS ROBINSON. 283 00:15:10,910 --> 00:15:13,913 UH, I DON'T UNDERSTAND. 284 00:15:15,088 --> 00:15:17,003 WHY DID SHE SAY THAT? 285 00:15:17,046 --> 00:15:19,222 WHY DID YOU KILL THEM, MISS ROBINSON? 286 00:15:19,266 --> 00:15:21,398 WHAT ARE YOU SAYING? 287 00:15:21,442 --> 00:15:23,879 SHE'S LYING! 288 00:15:23,923 --> 00:15:25,707 HEIDI'S LYING! 289 00:15:25,750 --> 00:15:27,143 SHE HATES ME. 290 00:15:27,187 --> 00:15:30,103 SHE'S ALWAYS HATED ME. 291 00:15:30,146 --> 00:15:32,932 WHY DID YOU KILL MY MOMMY AND DADDY? 292 00:15:32,975 --> 00:15:36,544 HE FIRED ME. 293 00:15:36,587 --> 00:15:38,720 WHAT ELSE COULD I DO? 294 00:15:38,763 --> 00:15:42,245 IT WASN'T MY FAULT. 295 00:15:45,118 --> 00:15:48,338 I THINK YOU'RE GOING TO NEED A LAWYER, MISS ROBINSON. 296 00:15:48,382 --> 00:15:51,254 FAITH ROBINSON CONFESSED TO THE DOUBLE MURDER 297 00:15:51,298 --> 00:15:53,474 OF MARSHALL AND LYDIA McKINNEY. 298 00:15:53,517 --> 00:15:55,998 SHE WAS FOUND NOT GUILTY BY REASON OF INSANITY 299 00:15:56,042 --> 00:15:58,566 AND IS NOW CONFINED TO A STATE MENTAL HOSPITAL 300 00:15:58,609 --> 00:16:00,916 IN UPSTATE NEW YORK. 301 00:16:02,962 --> 00:16:04,789 HOW COULD THIS HAVE HAPPENED? 302 00:16:04,833 --> 00:16:06,835 IS IT POSSIBLE THAT MRS. McKINNEY 303 00:16:06,878 --> 00:16:08,837 COULD HAVE RECORDED THAT MESSAGE 304 00:16:08,880 --> 00:16:11,057 BECAUSE OF HER FEAR OF FAITH ROBINSON, 305 00:16:11,100 --> 00:16:13,711 OR WAS IT SOME PRACTICAL JOKER AT THE FACTORY 306 00:16:13,755 --> 00:16:16,410 WHO SENT THE DOLL OUT WITH THE STRANGE MESSAGE? 307 00:16:16,453 --> 00:16:17,846 IF SO, HOW DO YOU EXPLAIN 308 00:16:17,889 --> 00:16:20,153 THE DOLL USING THE NAME "MISS ROBINSON"? 309 00:16:20,196 --> 00:16:22,285 OR DID THE LITTLE DOLL TRULY POSSESS 310 00:16:22,329 --> 00:16:25,071 THE HUMANLIKE SPIRIT THAT MRS. McKINNEY IMAGINED? 311 00:16:25,114 --> 00:16:27,812 IS THIS STORY OF THE DOLL WHO TRAPPED A KILLER 312 00:16:27,856 --> 00:16:29,249 INSPIRED BY A REAL EVENT, 313 00:16:29,292 --> 00:16:31,468 OR ARE WE JUST PULLING YOUR STRING? 314 00:16:31,512 --> 00:16:34,515 YOU'LL FIND OUT IF THIS STORY IS TRUE OR FALSE 315 00:16:34,558 --> 00:16:35,995 AT THE END OF OUR SHOW. 316 00:16:36,038 --> 00:16:38,998 NEXT, A FRIENDLY GAME OF CARDS LEADS TO MURDER 317 00:16:39,041 --> 00:16:41,478 ON "BEYOND BELIEF: FACT OR FICTION?" 318 00:16:52,663 --> 00:16:55,057 ALL RIGHT, GENTS, JACKS ARE BETTER TO OPEN. 319 00:16:55,101 --> 00:16:56,754 MONEY TALKS. NOBODY WALKS. 320 00:16:58,408 --> 00:17:00,758 HERE WE GO. READ 'EM AND WEEP. 321 00:17:00,802 --> 00:17:03,457 BEHIND ALL THE BLUFF AND BRAVADO OF POKER, 322 00:17:03,500 --> 00:17:07,069 THE GAME FOLLOWS A SERIOUS SET OF RULES. 323 00:17:07,113 --> 00:17:10,507 SOME ARE BASED ON FAIR PLAY. SOME ARE BASED ON SUPERSTITION. 324 00:17:10,551 --> 00:17:13,510 CARD PLAYERS HAVE A CODE, AND IT CAN'T BE VIOLATED. 325 00:17:13,554 --> 00:17:16,122 IT'S TRUE TODAY, AND IT WAS DEFINITELY TRUE 326 00:17:16,165 --> 00:17:19,081 BACK IN THE DAYS WHEN OUR NEXT STORY TOOK PLACE-- 327 00:17:19,125 --> 00:17:22,432 THE DAYS WHEN A LOSER HAD TO PAY WITH MORE THAN HIS MONEY. 328 00:17:22,476 --> 00:17:24,869 SOMETIMES HE HAD TO PAY WITH HIS LIFE. 329 00:17:38,579 --> 00:17:40,885 IN THE ROUGH-AND-TUMBLE TOWN 330 00:17:40,929 --> 00:17:42,322 OF LIVERPOOL, ENGLAND, 331 00:17:42,365 --> 00:17:45,629 DOCK WORKERS NED WILSON, BILL HUTCHINSON, AND IAN CLAYTON 332 00:17:45,673 --> 00:17:48,328 WOULD MEET ALMOST EVERY DAY AT MOLLY'S TAVERN 333 00:17:48,371 --> 00:17:50,547 FOR A LIVELY GAME OF DRAW POKER. 334 00:17:50,591 --> 00:17:51,766 HEY. 335 00:17:51,809 --> 00:17:53,855 WHAT YOU'LL BE DOING LATER ON, MOLLY? 336 00:17:53,898 --> 00:17:56,379 NOTHING WITH THE LIKES OF YOU, IAN CLAYTON. 337 00:17:59,382 --> 00:18:01,906 SO WHAT ARE YOU GOING TO DO, IAN? 338 00:18:01,950 --> 00:18:04,387 YOU GOING TO FOLD, OR YOU GOING TO BET? 339 00:18:04,431 --> 00:18:05,432 UH... 340 00:18:06,911 --> 00:18:08,565 I'M OUT. 341 00:18:08,609 --> 00:18:10,176 I'LL CALL YOU, NED. 342 00:18:10,219 --> 00:18:14,093 READ 'EM AND WEEP, LADS. 343 00:18:17,879 --> 00:18:19,533 WELL... 344 00:18:19,576 --> 00:18:22,579 WHAT HAVE WE GOT HERE? 345 00:18:29,020 --> 00:18:31,153 HAVE YOU GOT ROOM FOR ONE MORE? 346 00:18:31,197 --> 00:18:34,548 DO YOU KNOW THE GAME OF DRAW POKER? 347 00:18:34,591 --> 00:18:36,027 I DO. 348 00:18:36,071 --> 00:18:37,899 HAVE A SEAT. 349 00:18:44,819 --> 00:18:49,128 MOLLY, ANOTHER PINT. 350 00:19:02,837 --> 00:19:04,708 HAVE YOU GOT A NAME? 351 00:19:04,752 --> 00:19:08,495 IT'S ROBERT-- ROBERT EDWARDS. 352 00:19:28,558 --> 00:19:30,865 THE FOUR MEN PLAYED ALL AFTERNOON 353 00:19:30,908 --> 00:19:32,519 AND LATE INTO THE NIGHT. 354 00:19:32,562 --> 00:19:35,739 ROBERT EDWARDS CONTINUED TO WIN HAND AFTER HAND. 355 00:19:35,783 --> 00:19:37,741 IT SEEMED LIKE HE COULDN'T LOSE. 356 00:19:45,053 --> 00:19:47,751 IT'LL COST YOU EACH 5 MORE SHILLINGS. 357 00:19:59,546 --> 00:20:00,938 WE'RE ALL IN. 358 00:20:00,982 --> 00:20:03,376 WHAT ARE YOU HOLDING? 359 00:20:07,380 --> 00:20:08,816 YOU WIN AGAIN. 360 00:20:10,296 --> 00:20:13,995 YOU'RE A VERY GOOD POKER PLAYER, ROBERT EDWARDS. 361 00:20:14,038 --> 00:20:16,040 ISN'T HE, LADS? 362 00:20:16,084 --> 00:20:17,607 YEAH. HE'S QUITE GOOD. 363 00:20:17,651 --> 00:20:20,175 MAYBE A LITTLE TOO GOOD. 364 00:20:24,701 --> 00:20:27,095 LET GO OF ME ARM. 365 00:20:41,283 --> 00:20:42,545 WHOA! 366 00:20:48,247 --> 00:20:51,859 THIS MAN ROBERT EDWARDS WAS A CHEATER. 367 00:20:51,902 --> 00:20:55,776 HE GOT WHAT WAS DUE HIM. 368 00:21:16,623 --> 00:21:18,625 COME ON. 369 00:21:18,668 --> 00:21:20,409 LET'S SPLIT UP THE MONEY NOW. 370 00:21:20,453 --> 00:21:22,933 WE CAN'T DO THAT. 371 00:21:22,977 --> 00:21:25,588 YOU CAN'T SPLIT A CHEATER'S WINNINGS. 372 00:21:25,632 --> 00:21:26,720 IT'S BAD LUCK. 373 00:21:26,763 --> 00:21:28,156 HE'S RIGHT. 374 00:21:28,199 --> 00:21:30,680 THE MONEY HAS TO BE WON BACK FAIR AND SQUARE 375 00:21:30,724 --> 00:21:31,986 FROM AN HONEST MAN. 376 00:21:32,029 --> 00:21:35,337 WHERE ARE WE GOING TO FIND AN HONEST MAN? 377 00:21:35,381 --> 00:21:38,079 NED, IAN, AND BILL DIDN'T KNOW MANY HONEST MEN. 378 00:21:38,122 --> 00:21:41,256 IN FACT, THEY COULD ONLY THINK OF ONE PLACE 379 00:21:41,300 --> 00:21:43,302 WHERE THERE MIGHT BE ONE. 380 00:21:52,833 --> 00:21:55,139 WHAT'S YOUR NAME, SON? 381 00:21:55,183 --> 00:21:56,576 ARTHUR, SIR. 382 00:21:56,619 --> 00:21:59,274 LOOKS LIKE AN HONEST SORT, 383 00:21:59,318 --> 00:22:00,754 DOESN'T HE, LADS? 384 00:22:00,797 --> 00:22:02,321 Ian and Bill: AYE. 385 00:22:02,364 --> 00:22:05,149 DO YOU KNOW HOW TO PLAY POKER, ARTHUR? 386 00:22:05,193 --> 00:22:08,283 A-A LITTLE, BUT I HAVE NO MONEY TO PLAY. 387 00:22:08,327 --> 00:22:09,937 THAT'S ALL RIGHT, LAD. 388 00:22:09,980 --> 00:22:13,593 ME AND ME MATES-- WE GOT A PROPOSITION FOR YOU. 389 00:22:21,209 --> 00:22:22,819 THEY GAVE THE YOUNG MAN 390 00:22:22,863 --> 00:22:24,343 ROBERT EDWARDS' WINNINGS 391 00:22:24,386 --> 00:22:26,301 WITH THE PLAN OF TAKING IT ALL BACK FROM HIM. 392 00:22:26,345 --> 00:22:27,911 IT SEEMED FOOLPROOF, 393 00:22:27,955 --> 00:22:32,133 SINCE THE BOY KNEW VERY LITTLE ABOUT THE GAME OF POKER. 394 00:22:32,176 --> 00:22:33,874 IT'S YOUR BET, ARTHUR. 395 00:22:33,917 --> 00:22:36,746 I'M JUST NOT SURE WHAT TO DO, SIR. 396 00:22:38,574 --> 00:22:42,578 WELL, DO SOMETHING. WE HAVEN'T GOT ALL DAY. 397 00:22:42,622 --> 00:22:44,885 ALL RIGHT, THEN. 398 00:22:44,928 --> 00:22:46,713 I'LL BET... 399 00:22:46,756 --> 00:22:48,584 2 SHILLINGS. 400 00:22:48,628 --> 00:22:50,499 2 SHILLINGS. 401 00:22:50,543 --> 00:22:51,544 RIGHT. 402 00:22:51,587 --> 00:22:54,373 HOW MANY CARDS YOU WANT? 403 00:22:54,416 --> 00:22:55,678 HOW MANY CAN I TAKE? 404 00:22:55,722 --> 00:22:58,289 AS MANY AS YOU LIKE. 405 00:23:00,248 --> 00:23:02,032 CAN I TAKE FIVE? 406 00:23:02,076 --> 00:23:06,297 YEAH. FIVE'S GOOD. 407 00:23:06,341 --> 00:23:07,777 I'LL STAND. 408 00:23:07,821 --> 00:23:09,170 ME TOO. 409 00:23:09,213 --> 00:23:10,693 I'LL TAKE ONE. 410 00:23:12,826 --> 00:23:17,004 ALL RIGHT, ARTHUR, WHAT DO YOU GOT? 411 00:23:21,530 --> 00:23:26,143 I BELIEVE IT'S CALLED A ROYAL FLUSH. 412 00:23:37,198 --> 00:23:38,721 INSTEAD OF LOSING, 413 00:23:38,765 --> 00:23:41,985 YOUNG ARTHUR KEPT ADDING TO THE WINNINGS 414 00:23:42,029 --> 00:23:43,596 OF ROBERT EDWARDS. 415 00:23:43,639 --> 00:23:44,640 I'LL CALL. 416 00:23:49,297 --> 00:23:50,690 ANOTHER FULL HOUSE. 417 00:23:50,733 --> 00:23:52,213 I KNOW. 418 00:23:52,256 --> 00:23:54,302 I'VE NEVER BEEN SO LUCKY IN MY WHOLE LIFE. 419 00:23:54,345 --> 00:23:55,651 I'M THROUGH. 420 00:23:55,695 --> 00:23:57,087 ME TOO. 421 00:23:57,131 --> 00:23:58,349 YOU CLEANED ME OUT. 422 00:23:58,393 --> 00:23:59,742 IT MAKES NO SENSE. 423 00:23:59,786 --> 00:24:02,441 HE NEVER PLAYS POKER, AND HE BEATS US LIKE HE DID. 424 00:24:02,484 --> 00:24:03,790 HOW'D YOU DO IT, HUH? 425 00:24:03,833 --> 00:24:05,922 YOU WERE CHEATING, WEREN'T YOU? 426 00:24:05,966 --> 00:24:07,968 NO, I SWEAR. I DON'T KNOW HOW IT HAPPENED. 427 00:24:08,011 --> 00:24:09,970 NED, TAKE IT EASY. 428 00:24:10,013 --> 00:24:11,711 THE LAD DIDN'T CHEAT. 429 00:24:11,754 --> 00:24:14,409 WE LOST. THAT'S ALL THERE IS TO IT. 430 00:24:16,542 --> 00:24:18,935 I THOUGHT YOU SAID YOU DIDN'T KNOW 431 00:24:18,979 --> 00:24:20,807 HOW TO PLAY POKER THAT WELL. 432 00:24:20,850 --> 00:24:21,895 I DON'T. 433 00:24:23,157 --> 00:24:25,594 I USED TO WATCH ME FATHER PLAY, 434 00:24:25,638 --> 00:24:27,988 BEFORE HE LEFT ME AND ME MUM. 435 00:24:28,031 --> 00:24:29,729 YOU LEARNED FROM YOUR DAD? 436 00:24:29,772 --> 00:24:32,645 YES, SIR. MUM SAID HE WAS A CHEATER. 437 00:24:32,688 --> 00:24:35,082 IN FACT, HE LOST HIS LEFT EYE 438 00:24:35,125 --> 00:24:37,127 FOR CHEATING IN A GAME. 439 00:24:37,171 --> 00:24:38,607 THAT'S WHY I'D NEVER CHEAT. 440 00:24:38,651 --> 00:24:41,218 HIS LEFT EYE? 441 00:24:42,655 --> 00:24:44,439 WHAT WAS HIS NAME? 442 00:24:44,483 --> 00:24:45,788 HIS NAME? 443 00:24:45,832 --> 00:24:48,791 WELL, THAT WOULD BE ROBERT EDWARDS. 444 00:24:56,712 --> 00:24:58,279 WHAT HAPPENED HERE? 445 00:24:58,322 --> 00:25:00,934 WAS IT JUST A COINCIDENCE THAT YOUNG ARTHUR GOT LUCKY 446 00:25:00,977 --> 00:25:02,675 AT A GAME HE RARELY PLAYED, 447 00:25:02,718 --> 00:25:04,981 OR WAS HE HUSTLING HIS FELLOW PLAYERS? 448 00:25:05,025 --> 00:25:07,723 THEN AGAIN, MAYBE THE SPIRIT OF HIS DEAD FATHER 449 00:25:07,767 --> 00:25:10,073 WANTED TO PERFORM AT LEAST ONE GOOD DEED 450 00:25:10,117 --> 00:25:11,640 FOR A SON HE HAD ABANDONED, 451 00:25:11,684 --> 00:25:14,513 EVEN IF HE HAD TO PERFORM IT FROM THE OTHER SIDE. 452 00:25:14,556 --> 00:25:15,818 IF YOU'RE SEEKING CLUES 453 00:25:15,862 --> 00:25:18,038 ABOUT WHETHER THIS BIZARRE CARD GAME 454 00:25:18,081 --> 00:25:20,170 IS TRUE OR FALSE, DON'T LOOK AT ME. 455 00:25:20,214 --> 00:25:22,608 I'VE BEEN TRAINED TO KEEP A POKER FACE. 456 00:25:22,651 --> 00:25:25,611 WE'LL FIND OUT IF THIS STORY IS TRUE OR FALSE 457 00:25:25,654 --> 00:25:27,177 AT THE END OF OUR SHOW. 458 00:25:27,221 --> 00:25:30,006 NEXT, A TERRIFYING DREAM SEEMS TO COME TRUE 459 00:25:30,050 --> 00:25:32,531 ON "BEYOND BELIEF: FACT OR FICTION?" 460 00:25:45,631 --> 00:25:48,198 HAVE YOU NOTICED HOW MANY SUCCESSFUL RESTAURANTS 461 00:25:48,242 --> 00:25:50,157 ARE THEME-BASED THESE DAYS? 462 00:25:50,200 --> 00:25:51,767 THESE NEW EATING ESTABLISHMENTS 463 00:25:51,811 --> 00:25:54,074 CREATE ENTIRE WORLDS AROUND THEIR FOOD. 464 00:25:54,117 --> 00:25:56,598 IT CAN OFTEN MAKE FOR A UNIQUE DINING EXPERIENCE, 465 00:25:56,642 --> 00:25:58,339 HEAVY ON THE FUN. 466 00:25:58,382 --> 00:26:02,038 THERE'S A NEW THEME RESTAURANT IN MELANIE GRAYSON'S TOWN, 467 00:26:02,082 --> 00:26:04,737 BUT FUN ISN'T WHAT MELANIE ASSOCIATES WITH IT. 468 00:26:04,780 --> 00:26:06,216 ITS THEME IS-- 469 00:26:06,260 --> 00:26:10,307 WELL, IN MELANIE'S VIEW, ITS THEME IS TERROR. 470 00:26:13,093 --> 00:26:15,225 THIS IS HOW MY NIGHTMARE STARTED 471 00:26:15,269 --> 00:26:16,705 EVERY NIGHT. 472 00:26:16,749 --> 00:26:18,707 I'M INSIDE A GLASS ELEVATOR 473 00:26:18,751 --> 00:26:20,883 IN THE HIGHEST BUILDING IN TOWN. 474 00:26:20,927 --> 00:26:25,453 THE ELEVATOR GETS STUCK, AND THEN... 475 00:26:26,889 --> 00:26:28,064 AAH! 476 00:26:28,108 --> 00:26:29,152 AAH! 477 00:26:29,196 --> 00:26:31,154 SOMEBODY HELP ME! 478 00:26:31,198 --> 00:26:32,808 NO! 479 00:26:32,852 --> 00:26:34,114 AAH! 480 00:26:34,157 --> 00:26:35,463 AAH! 481 00:26:35,506 --> 00:26:37,465 MEL, MEL, HONEY, IT'S DAD. 482 00:26:37,508 --> 00:26:40,337 SWEETIE, WAKE UP. MEL. 483 00:26:43,253 --> 00:26:46,082 YOU OKAY? 484 00:26:46,126 --> 00:26:47,823 I DON'T KNOW WHAT IT IS, DAD. 485 00:26:47,867 --> 00:26:49,651 IT'S THAT ELEVATOR DREAM AGAIN. 486 00:26:49,695 --> 00:26:51,566 HONEY, HAVEN'T I ALWAYS TOLD YOU, 487 00:26:51,610 --> 00:26:54,177 JUST TAKE A BAD DREAM AND THROW IT OUT THE WINDOW? 488 00:26:54,221 --> 00:26:55,918 NOT THIS ONE. IT'S TERRIFYING. 489 00:26:55,962 --> 00:26:57,790 I'M TRAPPED IN AN ELEVATOR, 490 00:26:57,833 --> 00:27:00,749 AND THERE'S THIS MAN, AND HE'S REACHING FOR ME, 491 00:27:00,793 --> 00:27:02,142 AND THERE'S NO WAY OUT. 492 00:27:02,185 --> 00:27:03,926 WELL, THERE'S ALWAYS A WAY OUT, 493 00:27:03,970 --> 00:27:05,101 EVEN IN AN ELEVATOR. 494 00:27:05,145 --> 00:27:06,755 YOU KNOW, WHEN THEY BUILT THE THING, 495 00:27:06,799 --> 00:27:09,236 THE CONSTRUCTION WORKERS HAD TO MOVE UP AND DOWN, 496 00:27:09,279 --> 00:27:12,805 AND THERE'S ALWAYS A TELEPHONE AND SAFETY CABLES. 497 00:27:12,848 --> 00:27:15,677 SO YOU'RE SAYING THERE IS NO TRAP? 498 00:27:15,721 --> 00:27:17,070 THAT'S RIGHT. 499 00:27:17,113 --> 00:27:19,420 THERE'S ALWAYS A WAY OUT, 500 00:27:19,463 --> 00:27:23,467 AND IF YOU KEEP YOUR COOL, YOU'LL FIND IT. 501 00:27:27,341 --> 00:27:29,256 AAH! AAH! 502 00:27:31,084 --> 00:27:32,694 I LOVE THAT PART. 503 00:27:32,738 --> 00:27:34,391 YOU LOVE ANYTHING 504 00:27:34,435 --> 00:27:37,394 THAT SCARES THE CRAP OUT OF YOU. 505 00:27:37,438 --> 00:27:38,787 WHICH REMINDS ME-- 506 00:27:38,831 --> 00:27:40,920 I KNOW WHAT I WANT TO DO FOR MY BIRTHDAY. 507 00:27:40,963 --> 00:27:42,573 OOH, WHAT? 508 00:27:42,617 --> 00:27:43,749 I MADE RESERVATIONS FOR US AT ABOVE THE CLOUDS. 509 00:27:43,792 --> 00:27:45,359 THAT RESTAURANT WAS 510 00:27:45,402 --> 00:27:47,622 ON THE HIGHEST FLOOR OF A SKYSCRAPER, 511 00:27:47,666 --> 00:27:50,364 AND IT HAD GLASS ELEVATORS JUST LIKE IN MY DREAM. 512 00:27:50,407 --> 00:27:51,887 AAH! 513 00:27:51,931 --> 00:27:53,323 AAH! 514 00:27:53,367 --> 00:27:55,543 THAT'S A REALLY TRENDY RESTAURANT. 515 00:27:55,586 --> 00:27:56,805 CAN I WEAR THIS LITTLE-- 516 00:27:56,849 --> 00:27:58,851 IT'S AT THE TOP OF THE HARBOR TOWER, ISN'T IT? 517 00:27:58,894 --> 00:28:00,635 YEAH. 518 00:28:00,679 --> 00:28:03,551 IT'S ONLY THE TALLEST BUILDING IN THE ENTIRE TOWN. 519 00:28:03,594 --> 00:28:06,119 PERFECT. 520 00:28:06,162 --> 00:28:08,730 MELANIE? 521 00:28:08,774 --> 00:28:09,775 EARTH TO MELANIE. 522 00:28:09,818 --> 00:28:11,515 OH, SORRY. I WAS JUST-- 523 00:28:11,559 --> 00:28:12,995 I WAS THINKING, 524 00:28:13,039 --> 00:28:15,519 WHY DON'T WE TAKE YOU TO THAT PLACE AT THE BEACH? 525 00:28:15,563 --> 00:28:17,130 OH, LIKE MY 16th BIRTHDAY 526 00:28:17,173 --> 00:28:19,523 AT THAT STUPID SEAFOOD RESTAURANT? 527 00:28:19,567 --> 00:28:20,786 THAT WAS SO BORING, 528 00:28:20,829 --> 00:28:22,831 I ALMOST FELL ASLEEP IN THE CHOWDER. 529 00:28:22,875 --> 00:28:25,834 TRUST ME, NOBODY FALLS ASLEEP AT ABOVE THE CLOUDS, 530 00:28:25,878 --> 00:28:28,054 UNLESS THEY'RE ALREADY DEAD. 531 00:28:28,097 --> 00:28:31,274 THOSE WEREN'T THE WORDS I NEEDED TO HEAR. 532 00:28:31,318 --> 00:28:35,975 THAT NIGHT I HAD THE DREAM AGAIN. 533 00:28:36,018 --> 00:28:38,455 AAH! 534 00:28:38,499 --> 00:28:41,676 AAH! 535 00:28:43,330 --> 00:28:46,333 SOMEHOW, WITH DAD'S HELP, I MADE IT TO THE PARTY. 536 00:28:46,376 --> 00:28:49,249 I EVEN RODE UP IN THE ELEVAT WITH NO PROBLEM. 537 00:28:49,292 --> 00:28:50,859 I WAS ACTUALLY HAVING FUN. 538 00:28:50,903 --> 00:28:53,470 SO, WHO'S THE BIRTHDAY GIRL? 539 00:28:53,514 --> 00:28:54,645 ME. 540 00:28:54,689 --> 00:28:56,473 OH, WELL, THEN YOU GET A FREE DESSERT. 541 00:28:56,517 --> 00:28:58,562 WELL, IN THAT CASE, IT'S ALL OF OUR BIRTHDAYS. 542 00:28:58,606 --> 00:28:59,912 OH, WHAT A COINCIDENCE. 543 00:28:59,955 --> 00:29:03,393 WELL, THEN FREE DESSERTS FOR ALL OF YOU. 544 00:29:07,833 --> 00:29:08,790 WHAT? 545 00:29:08,834 --> 00:29:09,835 NOTHING. 546 00:29:13,012 --> 00:29:14,753 THE RESTAURANT WAS SO COOL. 547 00:29:14,796 --> 00:29:17,233 I HADN'T EVEN BEEN THINKING ABOUT THE FACT THAT 548 00:29:17,277 --> 00:29:19,932 I HAD TO ACTUALLY RIDE THAT ELEVATOR DOWN, TOO. 549 00:29:19,975 --> 00:29:21,847 I WAS FEELING PRETTY GOOD ABOUT IT 550 00:29:21,890 --> 00:29:24,675 L I ACTUALLY GOT INSIDE THE DOOR. 551 00:29:24,719 --> 00:29:28,810 THEN THE OLD FEAR STARTED TO COME BACK. 552 00:29:31,726 --> 00:29:32,945 PRESS THE BUTTON, MELANIE. 553 00:29:32,988 --> 00:29:34,903 WE DON'T WANT TO BE HERE ALL DAY. 554 00:29:34,947 --> 00:29:36,557 OH, SORRY. 555 00:29:39,560 --> 00:29:41,867 OH, MAN. 556 00:29:41,910 --> 00:29:45,479 I WAS DEFINITELY TENSE, 557 00:29:45,522 --> 00:29:49,613 BUT SO FAR, MY NIGHTMARE WASN'T COMING TRUE. 558 00:29:51,746 --> 00:29:55,794 BUT THEN, THE ELEVATOR-- IT STARTED TO SLOW DOWN, 559 00:29:55,837 --> 00:29:58,709 AND I RELIVED THE DREAM IN MY MIND AGAIN. 560 00:30:01,756 --> 00:30:03,410 AAH! 561 00:30:10,896 --> 00:30:13,333 THEN IT STOPPED JUST LIKE IN MY NIGHTMARE. 562 00:30:13,376 --> 00:30:14,813 WHAT'S HAPPENING? 563 00:30:17,163 --> 00:30:18,251 WHAT'S GOING ON? 564 00:30:18,294 --> 00:30:19,426 AAH! 565 00:30:21,297 --> 00:30:23,386 OH, MY GOD, GUYS, WE'RE STUCK. 566 00:30:23,430 --> 00:30:24,779 WE'RE STUCK. 567 00:30:24,823 --> 00:30:26,041 WE'RE STUCK? 568 00:30:27,477 --> 00:30:30,480 THE IMAGES OF THE DREAM KEPT FLOODING MY BRAIN, 569 00:30:30,524 --> 00:30:32,569 BUT I FOUGHT THEM OFF WITH THE SOUND OF MY FATHER'S VOICE. 570 00:30:32,613 --> 00:30:34,223 Dad's voice: THERE'S ALWAYS A WAY OUT. 571 00:30:34,267 --> 00:30:36,051 I WAS SUDDENLY THE LEADER. 572 00:30:36,095 --> 00:30:37,270 KEEP YOUR COOL. 573 00:30:37,313 --> 00:30:38,880 HOW DO WE GET OUT? 574 00:30:38,924 --> 00:30:40,577 I KNOW THERE'S SOMETHING. 575 00:30:40,621 --> 00:30:42,057 OH, MY GOD. 576 00:30:42,101 --> 00:30:44,277 THERE'S GOT TO BE A WAY OUT OF HERE, OKAY? 577 00:30:44,320 --> 00:30:46,888 UM, HOW DO WE GET OUT? HOW DO WE GET OUT? 578 00:30:46,932 --> 00:30:48,150 THIS IS OUR WAY OUT. 579 00:30:48,194 --> 00:30:50,892 THERE'S A PHONE. THERE'S A PHONE. 580 00:30:52,198 --> 00:30:53,808 DAMN. IT'S DEAD. 581 00:30:53,852 --> 00:30:55,157 IT'S DEAD? 582 00:30:55,201 --> 00:30:56,855 WE'RE STUCK UP HERE! OH, MY GOD! 583 00:30:56,898 --> 00:30:58,944 SOMEBODY HELP US! 584 00:30:58,987 --> 00:31:00,902 JUST BREATHE, ANNIE. 585 00:31:00,946 --> 00:31:02,382 BREATHE, ANNIE, BREATHE. 586 00:31:02,425 --> 00:31:04,558 HOW DO WE GET OUT? 587 00:31:04,601 --> 00:31:06,603 HELLO? WE'RE MOVING. 588 00:31:06,647 --> 00:31:08,954 WE'RE MOVING AGAIN. 589 00:31:08,997 --> 00:31:10,912 SE WE'RE MOVING. IT'S ALL RIGHT. 590 00:31:10,956 --> 00:31:11,913 OKAY. 591 00:31:11,957 --> 00:31:13,872 THE POWER JUST WENT OUT. 592 00:31:15,351 --> 00:31:17,049 AAH! 593 00:31:17,092 --> 00:31:18,485 Dad's voice: THERE'S ALWAYS A WAY OUT. 594 00:31:18,528 --> 00:31:20,487 THE POWER JUST WENT OUT! 595 00:31:20,530 --> 00:31:22,141 THE DOORS AREN'T GOING TO OPEN! 596 00:31:22,184 --> 00:31:24,404 JUST BREATHE. IT'S GOING TO BE ALL RIGHT. 597 00:31:24,447 --> 00:31:26,928 I PROMISE YOU. I PROMISE. IT'S GOING TO BE OKAY. 598 00:31:26,972 --> 00:31:29,800 IS IT OPENING? OH, MY GOD! 599 00:31:29,844 --> 00:31:31,106 HELP US! 600 00:31:31,150 --> 00:31:32,934 SOMEBODY HELP! 601 00:31:32,978 --> 00:31:34,501 HELP! PLEASE! 602 00:31:34,544 --> 00:31:37,112 WE'RE NOT GOING TO GET OUT! 603 00:31:38,592 --> 00:31:41,812 THEN, SAME AS IN MY DREAM, I SAW THE DOOR OPEN 604 00:31:41,856 --> 00:31:44,467 AND THE HAND REACH IN, 605 00:31:44,511 --> 00:31:47,949 AND THEN I KNEW WHAT IT ALL REALLY MEANT. 606 00:31:47,993 --> 00:31:50,691 HELLO, LADIES. IF YOU GRAB MY HAND ONE BY ONE, 607 00:31:50,734 --> 00:31:52,432 I'LL GET YOU OUT OF HERE. 608 00:31:52,475 --> 00:31:55,087 WHY DON'T YOU TAKE THE BIRTHDAY GIRL? 609 00:31:55,130 --> 00:31:57,393 SHE'S GOT A THING FOR FIREMEN. 610 00:31:57,437 --> 00:31:58,568 LIKE YOU DON'T. 611 00:31:58,612 --> 00:32:01,049 WELL, NOT TILL TODAY. 612 00:32:03,138 --> 00:32:07,403 MY FATHER WAS RIGHT. THERE'S ALWAYS A WAY OUT. 613 00:32:10,972 --> 00:32:12,669 WHAT'S THE EXPLANATION HERE? 614 00:32:12,713 --> 00:32:15,455 WAS THIS REALLY A PREMONITION THAT CAME TRUE, 615 00:32:15,498 --> 00:32:17,979 OR DID THE ELEVATOR SIMPLY MALFUNCTION? 616 00:32:18,023 --> 00:32:19,633 BUT THEN HOW DO YOU EXPLAIN 617 00:32:19,676 --> 00:32:22,114 THE EXACT PARALLELS TO MELANIE'S DREAM? 618 00:32:22,157 --> 00:32:24,638 IS THIS A STORY WHOSE ROOTS ARE PLANTED 619 00:32:24,681 --> 00:32:27,032 FIRMLY ON THE GROUND FLOOR OF REALITY, 620 00:32:27,075 --> 00:32:30,296 OR ARE THE WRITERS FLOATING FABLES ABOVE THE CLOUDS? 621 00:32:30,339 --> 00:32:33,081 WE'LL FIND OUT IF THIS STORY IS TRUE OR FALSE 622 00:32:33,125 --> 00:32:34,778 AT THE END OF OUR SHOW. 623 00:32:34,822 --> 00:32:37,912 NEXT, A BROKEN RELATIONSHIP AND A MYSTERIOUS COINCIDENCE 624 00:32:37,956 --> 00:32:40,262 ON "BEYOND BELIEF: FACT OR FICTION?" 625 00:32:50,620 --> 00:32:53,232 DO YOU USE A SCREEN SAVER FOR YOUR COMPUTER? 626 00:32:53,275 --> 00:32:55,669 MANUFACTURERS RECOMMEND THAT IF YOU LEAVE YOUR COMPUTER ON 627 00:32:55,712 --> 00:32:58,672 FOR EXTENDED PERIODS OF TIME, A SCREEN SAVER IS A GOOD IDEA. 628 00:32:58,715 --> 00:32:59,716 AND THERE ARE LOTS 629 00:32:59,760 --> 00:33:01,370 OF SCREEN SAVERS AVAILABLE TODAY, 630 00:33:01,414 --> 00:33:03,503 AS MANY AS THERE ARE VARIETIES OF CALENDARS. 631 00:33:03,546 --> 00:33:06,027 IN FACT, YOU CAN MAKE YOUR OWN PERSONAL SCREEN SAVER 632 00:33:06,071 --> 00:33:07,115 WITH PHOTOS OF YOUR CLOSEST FRIENDS 633 00:33:07,159 --> 00:33:08,682 AND FAMILY. 634 00:33:08,725 --> 00:33:12,164 MAGGIE GORDON AND RICKY HART ARE BOTH COMPUTER USERS, 635 00:33:12,207 --> 00:33:15,384 BUT THEY DON'T NEED A SAVER FOR THEIR SCREEN. 636 00:33:15,428 --> 00:33:18,170 THEY NEED ONE FOR THEIR RELATIONSHIP. 637 00:33:20,172 --> 00:33:22,739 RICKY AND I HAD BEEN LIVING TOGETHER IN DETROIT 638 00:33:22,783 --> 00:33:24,219 FOR FIVE YEARS. 639 00:33:24,263 --> 00:33:26,743 WE HAD OUR UPS AND DOWNS, LIKE ANY COUPLE, 640 00:33:26,787 --> 00:33:29,442 BUT LATELY I HAD REACHED MY BREAKING POINT. 641 00:33:29,485 --> 00:33:30,965 WHAT? 642 00:33:31,009 --> 00:33:34,534 NOTHING. 643 00:33:34,577 --> 00:33:37,189 I FELT LIKE I COULDN'T COUNT ON RICKY FOR ANYTHING. 644 00:33:37,232 --> 00:33:39,756 HE JUST REFUSED TO GROW UP. 645 00:33:39,800 --> 00:33:42,933 THE NIGHT BEFORE, I HAD MADE A SPECIAL DINNER 646 00:33:42,977 --> 00:33:44,935 TO CELEBRATE OUR FIFTH ANNIVERSARY. 647 00:33:44,979 --> 00:33:46,676 HE FORGOT ALL ABOUT IT 648 00:33:46,720 --> 00:33:49,288 AND WENT PARTYING WITH HIS FRIENDS AGAIN. 649 00:33:49,331 --> 00:33:51,812 HE HAD HURT ME ONE TIME TOO MANY. 650 00:33:56,512 --> 00:33:58,471 YOU SURE YOU WANT ME TO GO? 651 00:33:58,514 --> 00:34:01,822 I CAN'T LIVE LIKE THIS ANYMORE, RICKY. 652 00:34:01,865 --> 00:34:05,217 I'M TIRED OF WAITING UP AND WONDERING WHERE YOU ARE, 653 00:34:05,260 --> 00:34:06,653 IF YOU'RE ALL RIGHT. 654 00:34:06,696 --> 00:34:09,308 I'M TIRED OF EXCUSES. 655 00:34:09,351 --> 00:34:12,702 IT'S JUST NO GOOD ANYMORE. 656 00:34:12,746 --> 00:34:17,011 I'M STILL IN LOVE WITH YOU, MAGGIE. 657 00:34:17,055 --> 00:34:22,103 I'M SORRY, RICKY. 658 00:34:22,147 --> 00:34:25,498 I'M NOT IN LOVE WITH YOU ANYMORE. 659 00:34:25,541 --> 00:34:28,501 OKAY. 660 00:34:28,544 --> 00:34:30,024 I'LL COME BACK TOMORROW 661 00:34:30,068 --> 00:34:32,200 AND GET THE REST OF MY STUFF. 662 00:34:34,681 --> 00:34:36,900 WHAT I HAD ONCE WANTED WAS TO MARRY RICKY 663 00:34:36,944 --> 00:34:39,642 AND START A FAMILY, BUT HE COULDN'T COMMIT. 664 00:34:39,686 --> 00:34:42,689 AFTER ALL THE PAIN, I HAD COME TO THE CONCLUSION 665 00:34:42,732 --> 00:34:46,258 THAT IT WAS BETTER FOR BOTH OF US JUST TO END IT. 666 00:35:05,364 --> 00:35:08,149 RICKY CAME BACK THE NEXT NIGHT TO GET THE REST OF HIS THINGS, 667 00:35:08,193 --> 00:35:09,585 BUT I WAS GONE. 668 00:35:09,629 --> 00:35:11,848 I DIDN'T WANT TO BE THERE WHEN HE SHOWED UP. 669 00:35:11,892 --> 00:35:13,937 I COULDN'T FACE HIM AGAIN. 670 00:35:13,981 --> 00:35:16,723 I HAD LEFT HIM A NOTE AND AN OLD PICTURE OF US 671 00:35:16,766 --> 00:35:20,292 ON THE KITCHEN TABLE. 672 00:35:20,335 --> 00:35:22,990 "TO REMIND YOU OF HAPPIER TIMES. 673 00:35:23,033 --> 00:35:25,688 GOODBYE." 674 00:35:25,732 --> 00:35:28,300 BYE, MAGGIE. 675 00:35:28,343 --> 00:35:31,390 I LEFT DETROIT SHORTLY AFTER MY BREAKUP WITH RICKY. 676 00:35:31,433 --> 00:35:33,653 THERE WERE JUST TOO MANY MEMORIES. 677 00:35:33,696 --> 00:35:36,525 I WANTED TO START OVER AS FAR AWAY AS I COULD, 678 00:35:36,569 --> 00:35:39,137 SO I MOVED TO WEST HOLLYWOOD, CALIFORNIA. 679 00:35:39,180 --> 00:35:41,182 I GOT A GOOD JOB AS A PARALEGAL 680 00:35:41,226 --> 00:35:44,794 AND I MADE SOME NEW FRIENDS, BUT THE DISTANCE COULDN'T ERASE 681 00:35:44,838 --> 00:35:48,320 THE FEELINGS I STILL HAD FOR RICKY. 682 00:35:50,931 --> 00:35:52,454 COME ON, GIRL. 683 00:35:52,498 --> 00:35:54,064 LET'S GO OUT TONIGHT AND PARTY A LITTLE. 684 00:35:54,108 --> 00:35:58,025 I DON'T REALLY FEEL LIKE GOING OUT TONIGHT, TASHA. 685 00:35:58,068 --> 00:36:00,549 YOU NEVER FEEL LIKE GOING OUT. 686 00:36:00,593 --> 00:36:01,811 ALL YOU WANT TO DO 687 00:36:01,855 --> 00:36:04,162 IS SIT AROUND YOUR APARTMENT AND MOPE. 688 00:36:04,205 --> 00:36:06,947 IT'S LIKE YOU'RE IN MOURNING OR SOMETHING. 689 00:36:06,990 --> 00:36:09,689 FORGET ABOUT THAT GUY IN DETROIT. HE'S OVER. 690 00:36:09,732 --> 00:36:11,212 I CAN'T. 691 00:36:11,256 --> 00:36:13,780 GIRL, IT'S BEEN SIX MONTHS. 692 00:36:13,823 --> 00:36:15,608 THAT'S A LONG TIME. 693 00:36:15,651 --> 00:36:17,349 YOU'VE GOT TO MOVE ON. 694 00:36:17,392 --> 00:36:20,439 WHAT IF RICKY WAS THE LOVE OF MY LIFE 695 00:36:20,482 --> 00:36:22,223 AND I JUST LET HIM GO? 696 00:36:22,267 --> 00:36:24,094 COME OUT WITH ME TONIGHT 697 00:36:24,138 --> 00:36:27,837 AND YOU'LL MEET THE NEXT GREAT LOVE OF YOUR LIFE. 698 00:36:27,881 --> 00:36:31,319 I MET TWO GREAT LOVES OF MY LIFE JUST LAST WEEK. 699 00:36:31,363 --> 00:36:33,582 I'M NOT YOU, TASHA. 700 00:36:33,626 --> 00:36:36,455 LOOK, I KNOW YOU'RE HURTING, 701 00:36:36,498 --> 00:36:39,327 AND I'M SORRY. 702 00:36:39,371 --> 00:36:41,329 WHEN YOU'RE READY TO GO BACK OUT INTO THE WORLD, 703 00:36:41,373 --> 00:36:43,418 LET ME KNOW. 704 00:36:51,644 --> 00:36:52,819 I TRIED TO MOVE ON, 705 00:36:52,862 --> 00:36:55,387 BUT I COULDN'T GET RICKY OUT OF MY HEAD. 706 00:36:55,430 --> 00:36:58,259 I EVEN WENT OUT CLUBBING TH TASHA ONE NIGHT. 707 00:36:58,303 --> 00:37:01,828 ALL I DID WAS WATCH HER DANCE AND THINK ABOUT RICKY'S FACE. 708 00:37:01,871 --> 00:37:04,483 HE LOOKED SO SAD THE LAST TIME I SAW HIM. 709 00:37:05,919 --> 00:37:07,312 CHLOE. 710 00:37:07,355 --> 00:37:09,096 HI, IT'S MAGGIE. 711 00:37:09,139 --> 00:37:11,272 YEAH, I'M FINE. 712 00:37:11,316 --> 00:37:13,492 NO, I'M STILL IN CALIFORNIA. 713 00:37:13,535 --> 00:37:16,364 IT'S FABULOUS. EVERYTHING'S GREAT. 714 00:37:16,408 --> 00:37:19,715 I CAN'T BELIEVE IT'S BEEN A WHOLE YEAR. 715 00:37:19,759 --> 00:37:21,543 I WAS JUST WONDERING... 716 00:37:21,587 --> 00:37:23,806 DO YOU EVER BUMP INTO RICKY? 717 00:37:23,850 --> 00:37:25,634 NO, I'M OVER HIM. I'M JUST-- 718 00:37:25,678 --> 00:37:28,420 I WAS JUST WONDERING HOW HE WAS DOING. 719 00:37:28,463 --> 00:37:30,813 I CALLED A COUPLE MORE OLD FRIENDS IN DETROIT 720 00:37:30,857 --> 00:37:33,294 TO SEE IF ANY OF THEM KNEW ABOUT RICKY, 721 00:37:33,338 --> 00:37:34,904 BUT NO ONE HAD EVEN SEEN HIM. 722 00:37:34,948 --> 00:37:38,125 HE'D JUST SEEMED TO DROP OUT OF SIGHT. 723 00:37:41,259 --> 00:37:43,522 I DECIDED TO TAKE SOME NIGHT CLASSES 724 00:37:43,565 --> 00:37:46,655 AND GET BACK ON TRACK TOWARD MY LAW DEGREE. 725 00:37:46,699 --> 00:37:49,179 BETWEEN MY CLASSES AND MY PARALEGAL JOB, 726 00:37:49,223 --> 00:37:52,748 I DEPENDED ON MY LAPTOP COMPUTER FOR JUST ABOUT EVERYTHING, 727 00:37:52,792 --> 00:37:56,143 SO WHEN IT CRASHED, I NEEDED TO GET IT FIXED RIGHT AWAY. 728 00:37:56,186 --> 00:37:58,972 IT ONLY TOOK THE REPAIR SHOP A COUPLE OF DAYS, 729 00:37:59,015 --> 00:38:02,280 BUT I WAS ALREADY WAY BEHIND IN MY WORK. 730 00:38:02,323 --> 00:38:04,978 I DIDN'T REALIZE THAT IN A FEW SECONDS, 731 00:38:05,021 --> 00:38:07,894 I WAS GOING TO GET THE SURPRISE OF MY LIFE. 732 00:38:19,253 --> 00:38:21,690 WHAT I SAW WHEN THE COMPUTER BOOTED UP 733 00:38:21,734 --> 00:38:23,953 STILL GIVES ME GOOSE BUMPS TODAY. 734 00:38:23,997 --> 00:38:27,783 IT CAN'T BE. 735 00:38:27,827 --> 00:38:30,569 WHERE DID THAT COME FROM? 736 00:38:30,612 --> 00:38:34,921 IT WAS THE SAME PICTURE I LEFT BEHIND FOR RICKY, 737 00:38:34,964 --> 00:38:37,837 BUT WHAT WAS IT DOING ON MY LAPTOP? 738 00:38:37,880 --> 00:38:40,448 I BROUGHT MY COMPUTER BACK TO THE REPAIR SHOP. 739 00:38:40,492 --> 00:38:42,537 I HAD TO FIND OUT HOW THIS HAPPENED. 740 00:38:42,581 --> 00:38:44,670 YOU WANT TO CHECK OVER THERE, 741 00:38:44,713 --> 00:38:47,499 COME BACK WHEN YOU HAVE SOME REAL QUESTIONS. 742 00:38:47,542 --> 00:38:48,500 THANK YOU. 743 00:38:48,543 --> 00:38:50,458 THERE. THERE IT IS. 744 00:38:50,502 --> 00:38:52,199 OKAY. 745 00:38:52,242 --> 00:38:53,896 SO... 746 00:38:53,940 --> 00:38:55,811 WHAT'S THE PROBLEM? 747 00:38:55,855 --> 00:38:59,554 I WANT TO KNOW WHY THAT PICTURE IS ON MY LAPTOP. 748 00:38:59,598 --> 00:39:01,164 WAIT A MINUTE. 749 00:39:01,208 --> 00:39:03,036 WHAT'S YOUR NAME? 750 00:39:03,079 --> 00:39:05,952 MAGGIE GORDON. 751 00:39:05,995 --> 00:39:06,866 OH. 752 00:39:06,909 --> 00:39:08,433 I'VE BEEN WAITING FOR YOU. 753 00:39:08,476 --> 00:39:10,260 THERE WAS A SCREW-UP. 754 00:39:10,304 --> 00:39:12,698 SOME OTHER DUDE GOT YOUR LAPTOP, 755 00:39:12,741 --> 00:39:14,656 AND YOU GOT HIS. 756 00:39:14,700 --> 00:39:17,137 WHO-- WHOSE DID I GET? 757 00:39:17,180 --> 00:39:18,486 SOME DUDE. 758 00:39:18,530 --> 00:39:20,793 HE WAS IN L.A. ON BUSINESS. 759 00:39:20,836 --> 00:39:22,838 I THINK HE LIVES IN VENTURA COUNTY. 760 00:39:22,882 --> 00:39:24,710 ARE YOU KIDDING? VENTURA COUNTY? 761 00:39:24,753 --> 00:39:26,581 LISTEN, I THINK I KNOW THIS GUY. 762 00:39:26,625 --> 00:39:28,540 CAN YOU GIVE ME HIS ADDRESS? 763 00:39:28,583 --> 00:39:30,672 NO, I CAN'T. 764 00:39:30,716 --> 00:39:32,282 IT'S AGAINST STORE POLICY. 765 00:39:32,326 --> 00:39:34,067 LOOK, YOU DON'T UNDERSTAND. 766 00:39:34,110 --> 00:39:35,982 I USED TO LIVE WITH THIS GUY. 767 00:39:36,025 --> 00:39:39,159 I'M SORRY. I COULD LOSE MY JOB. 768 00:39:39,202 --> 00:39:41,640 I FELT DESPERATE, SO I OPENED UP TO HIM. 769 00:39:41,683 --> 00:39:42,902 PLEASE? 770 00:39:44,817 --> 00:39:47,036 LOOK, I USED TO BE IN LOVE WITH THIS GUY. 771 00:39:47,080 --> 00:39:48,908 I THINK I STILL AM. 772 00:39:48,951 --> 00:39:52,738 I'M STILL IN LOVE WITH YOU, TOO, MAGGIE. 773 00:39:52,781 --> 00:39:54,783 RICKY. 774 00:39:57,395 --> 00:39:59,701 I MISSED YOU SO MUCH. 775 00:39:59,745 --> 00:40:02,008 ME TOO. 776 00:40:02,051 --> 00:40:05,272 SO I GUESS THIS MEANS YOU DON'T NEED HIS ADDRESS. 777 00:40:16,022 --> 00:40:19,112 WAS THIS JUST A CHANCE MEETING OF TWO FORMER LOVERS, 778 00:40:19,155 --> 00:40:21,636 OR WAS THERE A HIGHER POWER AT WORK HERE? 779 00:40:21,680 --> 00:40:23,072 HOW ELSE DO YOU EXPLAIN 780 00:40:23,116 --> 00:40:25,466 BOTH PEOPLE USING THE SAME COMPUTER REPAIR SHOP 781 00:40:25,510 --> 00:40:27,729 OR THE SWITCHING OF THE COMPUTERS 782 00:40:27,773 --> 00:40:29,339 OR THE OLD PHOTO? 783 00:40:29,383 --> 00:40:31,646 IS THIS STORY OF THE COMPUTER THAT REUNITED A COUPLE 784 00:40:31,690 --> 00:40:33,518 AN OPEN DISPLAY OF HONESTY, 785 00:40:33,561 --> 00:40:36,869 OR ARE WE HIDING BEHIND A SCREEN OF DECEPTION? 786 00:40:36,912 --> 00:40:38,523 NEXT, YOU'LL FIND OUT 787 00:40:38,566 --> 00:40:41,526 WHICH OF OUR STORIES ARE FACT AND WHICH ARE FICTION 788 00:40:41,569 --> 00:40:44,659 WHEN "BEYOND BELIEF" RETURNS. 789 00:40:57,106 --> 00:40:59,631 NOW LET'S LOOK BACK AT TONIGHT'S STORIES 790 00:40:59,674 --> 00:41:01,894 AND FIND OUT WHICH ONES ARE INSPIRED BY ACTUAL EVENTS 791 00:41:01,937 --> 00:41:03,765 AND WHICH ONES ARE TOTALLY FALSE. 792 00:41:03,809 --> 00:41:05,288 LET'S REVIEW THE STORY 793 00:41:05,332 --> 00:41:08,117 OF THE BLOODY HAND THAT POINTED TO A KILLER. 794 00:41:08,161 --> 00:41:09,989 TURN IT OFF. 795 00:41:12,208 --> 00:41:13,862 TURN IT OFF. 796 00:41:13,906 --> 00:41:15,124 WHOA. 797 00:41:16,778 --> 00:41:18,780 I SAID TURN IT OFF! 798 00:41:22,262 --> 00:41:24,873 NO. NO. 799 00:41:24,917 --> 00:41:26,832 YOU SET ME UP. YOU SET ME UP! 800 00:41:26,875 --> 00:41:28,224 WHAT ARE YOU TALKING ABOUT? 801 00:41:28,268 --> 00:41:30,009 YOU KNEW IT WAS ME AS SOON AS I WALKED IN! 802 00:41:30,052 --> 00:41:32,315 DO YOU THINK THIS STORY REALLY HAPPENED? 803 00:41:32,359 --> 00:41:35,144 NOT ON YOUR LIFE. IT'S A LIE. 804 00:41:38,713 --> 00:41:40,759 WHAT WAS YOUR OPINION OF THE DOLL 805 00:41:40,802 --> 00:41:43,501 WHO WITNESSED THE HOUSEKEEPER'S DEADLY CRIME? 806 00:41:46,199 --> 00:41:49,071 NO, NO, DON'T KILL MOMMY AND DADDY, MISS ROBINSON. 807 00:41:49,115 --> 00:41:52,161 UH, I DON'T UNDERSTAND. 808 00:41:53,293 --> 00:41:55,164 WHY DID SHE SAY THAT? 809 00:41:55,208 --> 00:41:57,427 WHY DID YOU KILL THEM, MISS ROBINSON? 810 00:41:57,471 --> 00:41:59,604 WHAT ARE YOU SAYING? 811 00:41:59,647 --> 00:42:02,041 SHE'S LYING! 812 00:42:02,084 --> 00:42:03,912 HEIDI'S LYING! 813 00:42:03,956 --> 00:42:06,306 THIS ONE IS OBVIOUSLY FAKE, RIGHT? 814 00:42:06,349 --> 00:42:07,612 WRONG. IT HAPPENED. 815 00:42:07,655 --> 00:42:09,309 A SIMILAR STORY OCCURRED 816 00:42:09,352 --> 00:42:12,355 IN THE STATE OF NEW JERSEY ABOUT 20 YEARS AGO. 817 00:42:15,881 --> 00:42:18,710 HOW ABOUT THE STORY OF THE BIZARRE POKER GAME 818 00:42:18,753 --> 00:42:22,061 WHERE A SON RECLAIMED HIS MURDERED FATHER'S WINNINGS? 819 00:42:26,152 --> 00:42:27,588 ANOTHER FULL HOUSE. 820 00:42:27,632 --> 00:42:29,024 I KNOW. 821 00:42:29,068 --> 00:42:31,070 I'VE NEVER BEEN SO LUCKY IN MY WHOLE LIFE. 822 00:42:31,113 --> 00:42:32,462 I'M THROUGH. 823 00:42:32,506 --> 00:42:33,855 ME TOO. 824 00:42:33,899 --> 00:42:35,161 YOU CLEANED ME OUT. 825 00:42:35,204 --> 00:42:36,597 IT MAKES NO SENSE. 826 00:42:36,641 --> 00:42:39,165 HE NEVER PLAYS POKER, AND HE BEATS US LIKE HE DID. 827 00:42:39,208 --> 00:42:40,601 HOW'D YOU DO IT, HUH? 828 00:42:40,645 --> 00:42:42,647 YOU WERE CHEATING, WEREN'T YOU? 829 00:42:42,690 --> 00:42:46,433 NO, I SWEAR. I DON'T KNOW HOW IT HAPPENED. 830 00:42:46,476 --> 00:42:49,479 WAS THIS STORY BASED ON A REAL HAPPENING? 831 00:42:49,523 --> 00:42:52,613 YES. OUR RESEARCH SHOWS A SIMILAR INCIDENT 832 00:42:52,657 --> 00:42:55,660 TOOK PLACE IN SAN FRANCISCO IN THE 1850s. 833 00:42:59,228 --> 00:43:02,928 THE TEENAGER WHOSE STRANGE DREAM TURNED OUT TO BE PROPHETIC-- 834 00:43:02,971 --> 00:43:05,060 HOW DID YOU JUDGE THAT ONE? 835 00:43:05,104 --> 00:43:07,715 WE'RE NOT GOING TO GET OUT! 836 00:43:11,153 --> 00:43:13,591 AAH! 837 00:43:18,596 --> 00:43:21,250 HELLO, LADIES. IF YOU GRAB MY HAND ONE BY ONE, 838 00:43:21,294 --> 00:43:22,904 I'LL GET YOU OUT OF HERE. 839 00:43:22,948 --> 00:43:25,341 DID YOU THINK THIS WAS REAL? 840 00:43:25,385 --> 00:43:28,518 IF YOU DID, WE GOT YOU. IT'S FALSE. 841 00:43:32,044 --> 00:43:33,523 HOW ABOUT THE COUPLE 842 00:43:33,567 --> 00:43:35,438 AND THE SCREEN SAVER THAT PLAYED CUPID? 843 00:43:35,482 --> 00:43:37,223 LOOK, YOU DON'T UNDERSTAND. 844 00:43:37,266 --> 00:43:39,312 I USED TO LIVE WITH THIS GUY. 845 00:43:39,355 --> 00:43:42,445 I'M SORRY. I COULD LOSE MY JOB. 846 00:43:44,970 --> 00:43:46,188 PLEASE? 847 00:43:48,060 --> 00:43:50,323 LOOK, I USED TO BE IN LOVE WITH THIS GUY. 848 00:43:50,366 --> 00:43:52,194 I THINK STILL AM. 849 00:43:52,238 --> 00:43:55,981 I'M STILL IN LOVE WITH YOU, TOO, MAGGIE. 850 00:43:56,024 --> 00:43:57,896 RICKY. 851 00:43:57,939 --> 00:44:00,638 WAS THIS INSPIRED BY AN ACTUAL EVENT? 852 00:44:00,681 --> 00:44:02,901 NO WAY. IT'S A WORK OF FICTION. 853 00:44:06,513 --> 00:44:07,862 FACT AND FICTION-- 854 00:44:07,906 --> 00:44:10,691 SO CLOSE TO EACH OTHER IN THE DICTIONARY, 855 00:44:10,735 --> 00:44:12,650 BUT SO FAR APART IN REALITY. 856 00:44:12,693 --> 00:44:15,304 DOES ONE EVER EXIST WITHOUT THE OTHER, 857 00:44:15,348 --> 00:44:18,264 OR MUST THEY ALWAYS BE FOUND SIDE BY SIDE? 858 00:44:18,307 --> 00:44:20,788 AND ONCE YOU ENCOUNTER BOTH TOGETHER, 859 00:44:20,832 --> 00:44:24,487 YOU OFTEN FIND THAT THE SPACE BETWEEN THEM IS SO SMALL 860 00:44:24,531 --> 00:44:26,664 THAT IT'S TRULY BEYOND BELIEF. 861 00:44:26,707 --> 00:44:28,187 I'M JONATHAN FRAKES. 862 00:44:28,230 --> 00:44:31,494 THE STORY "BATTERED DOLL" IS TRUE, 863 00:44:31,538 --> 00:44:33,671 BASED ON FIRSTHAND RESEARCH 864 00:44:33,714 --> 00:44:36,674 CONDUCTED BY AUTHOR ROBERT TRALINS. 865 00:44:36,717 --> 00:44:40,678 FOR "BEYOND BELIEF," THIS IS CAMPBELL LANE. 60808

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