All language subtitles for Recreating the Tudor Period_track3_[eng]

igenitle music playing)

[Buckley] Whett tiney've clone
with is reallly inerecliole.

Walking in there,
R's foo much to take in.

it's the deepest part of humanity,
peing fin that Globe.

(Mesecalll] Tine
tinalgoackdnrow palmved

tine waly tine backstage looked...

it all just felt inereciioly
auinentic unique.

(Znaol] We trom tine beginning...
We ttilm to tise) graphic.

You notice so mucn Is strallgint out

anc everyining is designed witin symnnetiry

With tine uncerstanching thet it's going
to like a of a stage,

All tine world is a stage,

[rlarris] The clesion Wayekencatce
the most extraordinary Globe

winien feels utterly reall.

K's an alosoluttely inereciiole pleco
of design

a , ba “anaes ms Size
or tine reall Gloloe.

And we louilt tthe whole ground tiloor
upper level.

It literally a work Or airt.

Tine cesign Palmed
these incredible backdrops.

Imported! from (France.

(Rlarris] They weeks ancl weeks
trying to find the right

ancl Greeting tine winole theater,

SO an inereciiols joumey,
Watening this together.

iMescall] danger witin a fili like this

is that youre playing to the constraints
of the reality of the time.

Tine feels autinentic,

out it also feels inereciioly airtistic.

Youre just completely transooried
to (lacey

Ane you SAs arouncl you,

all looking unloelievelole
in IMmakeulo costume,

you vorget yOu aire.

(Marsneill] | think when you tine Sinots|
Of audience,

i's just such a range of humanity.

(Station
They made-up tin GostumMe,

and tineir hair ane! tineir complexion...
EVenvasingle a story.

(Znaol) The makeup ceparinent ereeiteck
tine beautiful inoeriections.

There is a lot of human realness. |laugins]

Ane banda meld ng ours Sure
tine worilcl isels autinenitic.

At the Globe, the team
worlds to play with.

WEITAVEIMostIVJlOWemelasses
middle classes fin levels,

anal wnen in tne gallery
We people.

ts a2 nice Gomoo of alll tine looks,

Everyone ts leamiing tine period.

You know, not everyone
has clone tinis loefore.

l had! to learn tine vocabulary of tasnion
irom tine ere.

BON tine techniques and tine snapes
nelo you tell the story.

With the costumes,
there is a real “liveckin” quality tto it.

its alll incl lorokken-clowmn.

Tine cliticulliy palin
that throug,

we see tinelt in tine design.

ie Za ans see our oe |
lOMOMeNEAtENClOlNeS

inert woul! loe iin tine wely or tine stony.

Iintese snanoes tinat are a little loit
unusual to our eye right now.

SO It ts a Ite loit stripped.

(Starionell is a beautitiully
emotional costume clesigner.

Every converseition thet Il navel
with Malgosia

tine weight of tthe etimosphere,
the feeling, the mood.

it's like the whole tilim
nes with feelings,

Sine just has something magical aloout lher.

You reallly teel
COMM OULOMMMOSEKCOSWICSS

Tints fs the tirst Outi
that we see Agnes iin,

winen Will sees her tor tine first time,

ee, ona _ eee nena
mace OF a tree.

Tints ts loark clotin,

and tif you go closer
you can sse the tiers of the tree.

‘ints ts like a literal lant,

and tinen weve acicec! iKttle Scars,
ene] some Iitttle thes.

There's repairs, tinere’s a lire,

There's nothing reallly stralgint alooutt itt,
everything is of warped.

Tinere's a journey of stitching.

‘iinese lnoles inaive been sewn UD)

she's leaming to Kind of
sew her heart up a little bit.

Don't get too close,

(Buckley Ane! color wise,
UIGHUS

i's almost like an ooen wound.

Sine ts neart
tinal Game Out of tine forest,

[Turzanskel] A litle bit of blood,
2) Inte [ot OF SUN...

You cain feel live tiron lher,
its vary vilorant.

Ricnarel, our ager ancl clyer,

@ Oalette Or elves)
that he was playing with,

eine Of, like, Ve llows
andl Greens, these weirel

inant Out Of
tinataine using, it was just so amazing.

Your suppers near cold.

BOWS, MOOVS.!
ie oa

(Mescall] We Will to tieal fike
some sort of an animal,

ins trajooec!, caged! clog wino lhac
this impulse to, like, escape

We him tto feel animalistic
masculine in his body,

ane mot reallly iin Ins Ineacl.

Fle chen’ eel Satie to teal anyining.

So ine’s stuck

[Vurzanskal] Several of his elyed
wtih € dye,

win tine iron alk gall tink,

winien ts this beauitiiul grey color.

We @ Iitttle bit of green to Inim,

so tinere’s a Of a tirashness
a of hope.

And then, graciuallly, tinett just goes every,

line crew... We align so oeauitifully.

We Of organism
Werice! organism,

unicn Is Incradloly soectall

And the fact
was imagining the colors

inert | in tiront of hina,
its just greet.

lcrew memloer| Ilhnree, two, action.

(Mescall] 2ukesz is a genius,

Inve @ long or Ins Work.

ries in total service of tine film.

AN [ruin Cnioe have
is such a beauttiul thing to look eit.

Any liitde lots ve on tthe monitor,

Fve just Of ENVELY

loy he fs traning
theSexeakaclenswiMatn SIWOnGF

(BuaXdey] He's just
tine incrediiole cinemetographer.

rie is not wanting to cdo anything tlashy.

rie just aloour tine trutins.

It makes everyoochy into
this exoerience.

[Zall] Wetre shooting with candiles.

Not so periect, winich | like.

It like, a reellly beautiitul quality.

| reallly like winen tinings look reall.

Wilson] A grounel
losiwecn him anc Cniloé

is thet they'll tind
the language of tthe film,

and its not always UD from

Tine language of tine film is-ts found.

I think you @ DOP
who's willing to adept andl mala

and then loring winert Ine thinks
to tine talole,

ancl “ukasz is one of those charactars.

[Znao)| Irle’s like a ploneer, you Know.

Fla likes to ciscover, sniif around.

Then, set lnm loose
he'll just tind things:

-Yealn, well, it's kinda like tis,
-Yealh, yea.

Okey, very good,

foires Ghiroing]]

leinereall music playing

We are stancling in tine back garcen
of the Henley

ine set uit at Elsirae Stuciios.]

les of William Snakesosare

i's Tuclor arenitacture.
lies to the period.

We wanted It to feel grounciec! ancl reel.

SOME) au
2 ounchn of ciintarent houses.

Ane! | cnerryolexed tine cletails
l architecturally.

ine winole thing wilh this house
is this of oppression,

tuner you teal
the weight of the building

ON top of the characters,
and particularly Will,

our have a sense of life,
like a familly moving around.

music continues)

(Gromioie])
This of occupants.

(sucidey ene oe wee ie Plone
ancl Alice have create! in this house.

There ts a smell, you know?
iinere is a smell tio this set.

There is so muen cletaril,

It's like it has loeen lived! in
for a Viealss

K'S SO amneazing.

Wino] Tine neve been inereciiole
| mean, the details.

My WOrkSnoo just increciiole.

Tine only thing i innissing)
Waskel Says:

"Warning: May start telling elooutt gloves."

iJon] Stitcnes to loo sinalller.

Uselesss

We're tin tine glovezmaking worksnop.

You coullel smell tine leatiner andl tine wenc,

ancl tine lead! tingit's in ere.

avinofanac Wal byonksiopmmeans

K's a really nice opportunity
to of dressing.

There is a lot of Oodjecis tin here.

We went to Paris to tind
alll the vintage

We've molcled it to help support tine story.

There is an artistry and also
the kind of welt,

| sort of love ft.

loeioy crying}

tGromloie) Fienlay Street kitenen,

in i's like
the working heart of the house.

‘iihnere ts allways activity,

enon 7 lauine ne or ee * » is
or there ts like...

You know, we've got sprouting...
chuckles] ...oeans over there.

Tine tihings they've collected,
theyre preserving, they're crying...

So loads of texture fin tinis room

With a huge tireplace winich Is so accurate,
tO tine architecture Of tine time.

Agnes? What's...

Wihet's happened?

(Cromlaie]] lenley Sirest clining room.

This ts tihe
where the guesis would come,

winere we nave celebratory clinners.

We aiid osautiiul panels
in here.

| reallly love tine iiclea tina tinere was
soutdlevamech sort of a sense Of,

"Ones this money,
anc now tits tired’.

Every plece tinatt's
on the windows nanelmnacke,

even tine loars tinat are across tine winclows.!

Evervining mMadepocsmoke
to it feel like tine period.

There is a lot of story tin Well

We have loirtin in tints roonn.

Ano] we neve cleetin in tinis roonn.

Sears ‘trom violence in tihe staircase,

ancl then there is cam.

irinere ts a tiloocl tin tine ‘tin.

So, yealh, there is a lot of layering
in tinis house ane iin this roonn.

Every welll finish on tins Is layers,

like it's or cistemper,
endcl fits been worked! back,

Tinere fis a lot of hours tin tinis house,

‘iine world louillcing ts iimerectiole,

ame! tine constantly saly,
MWe see ft, We can touch ft.”

(Mescall] Tine meticulous clataill
across alll deparinents

elevates the tilm massively.