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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,066 --> 00:00:04,126 - JUST WHEN YOU THOUGHT YOU'D SEEN IT ALL... 2 00:00:04,133 --> 00:00:05,633 - ENOUGH! 3 00:00:05,633 --> 00:00:06,473 - THE REAL HOUSEWIVES OF BEVERLY HILLS 4 00:00:06,467 --> 00:00:09,167 ARE BACK AT THE DINNER TABLE. 5 00:00:09,166 --> 00:00:12,166 - THIS IS ALL BULL[bleep] TO ME. 6 00:00:12,166 --> 00:00:13,796 - BUT THAT'S WHO I AM, KYLE. 7 00:00:13,800 --> 00:00:15,500 - NO, THAT'S NOT WHO YOU ARE, CAMILLE, 8 00:00:15,500 --> 00:00:17,800 THAT'S WHO YOU ARE PRETENDING TO BE. 9 00:00:17,800 --> 00:00:19,530 - THIS IS THE DINNER PARTY FROM HELL 10 00:00:19,533 --> 00:00:21,603 WITH ALL NEW INTERVIEWS AND FOOTAGE 11 00:00:21,600 --> 00:00:23,830 THE HOUSEWIVES NEVER WANTED YOU TO SEE. 12 00:00:23,834 --> 00:00:25,974 - I TRIED TO KICK THEM OUT IN A SUBTLE TONE 13 00:00:25,967 --> 00:00:27,167 AND THEY DIDN'T LEAVE, 14 00:00:27,166 --> 00:00:28,826 AND I'M LIKE, "THEN [bleep] LEAVE." 15 00:00:28,834 --> 00:00:32,104 - I SAW INTERNET PICTURES OF HER WITH HER LEGS SPREAD. 16 00:00:32,100 --> 00:00:34,930 - ONE OF THEM WILL KILL THE OTHER TO FEED THEIR YOUNG. 17 00:00:37,200 --> 00:00:38,570 - [gasp] WHAT IS THAT? 18 00:00:38,567 --> 00:00:40,027 - IS THAT A KNEE? - OH! 19 00:00:40,033 --> 00:00:42,403 - LUCIFER HAS MANY FACES. 20 00:00:42,400 --> 00:00:44,600 - WOW, I'VE NEVER SEEN HER FROM THAT ANGLE. 21 00:00:44,600 --> 00:00:46,500 [laughter] 22 00:00:46,500 --> 00:00:48,500 - HOLD ONTO YOUR CRYSTAL BALLS 23 00:00:48,500 --> 00:00:50,870 AND GRAB YOUR ELECTRIC CIGARETTE, 24 00:00:50,867 --> 00:00:53,267 YOU'RE INVITED BACK TO THE TABLE 25 00:00:53,266 --> 00:00:57,126 AT THE MOST OUTRAGEOUS DINNER IN HOUSEWIVES HISTORY. 26 00:00:58,200 --> 00:01:00,930 BET ALLISON DIDN'T SEE THIS COMING. 27 00:01:00,934 --> 00:01:02,704 [upbeat music] 28 00:01:02,700 --> 00:01:04,800 - OKAY, ENOUGH. GIRLS, ENOUGH. 29 00:01:04,800 --> 00:01:06,130 ENOUGH, ENOUGH, ENOUGH! 30 00:01:06,133 --> 00:01:09,033 ♪♪ ♪♪ 31 00:01:09,033 --> 00:01:11,933 - I MEAN, IT'S A FEW CLOWNS SHORT OF A CIRCUS. 32 00:01:11,934 --> 00:01:13,704 ♪♪ ♪♪ 33 00:01:13,700 --> 00:01:17,270 - THE MEDIUM, I SAW HER DOWN I THINK TWO OR THREE COCKTAILS. 34 00:01:17,266 --> 00:01:20,066 ♪♪ ♪♪ 35 00:01:20,066 --> 00:01:22,696 - WHY DON'T YOU GO BLOW UP YOUR LIPS SOME MORE? 36 00:01:22,700 --> 00:01:26,070 ♪♪ ♪♪ 37 00:01:26,066 --> 00:01:28,366 - THIS IS ALL BULL[bleep] TO ME, OKAY? 38 00:01:28,367 --> 00:01:31,127 ♪♪ ♪♪ 39 00:01:31,133 --> 00:01:34,003 - SHE POSED NAKED IN PLAYBOY AFTER THE OJ TRIAL. 40 00:01:34,000 --> 00:01:37,000 ♪♪ ♪♪ 41 00:01:44,066 --> 00:01:46,526 - SO YOU'RE READY FOR A COCKTAIL AS WELL? 42 00:01:46,533 --> 00:01:47,973 - OH, I AM SO READY FOR A COCKTAIL. 43 00:01:47,967 --> 00:01:51,167 - I WAITED UNTIL I GOT HERE. - I KNOW. I GOT YOUR TEXT. 44 00:01:51,166 --> 00:01:52,866 - GET YOURSELF ALL NICE AND READY. 45 00:01:52,867 --> 00:01:54,227 - WE'RE PREPARED. - YEAH. 46 00:01:54,233 --> 00:01:55,673 - I LIKE ALLISON BECAUSE 47 00:01:55,667 --> 00:01:58,197 SHE SHOOTS STRAIGHT FROM THE HIP. 48 00:01:58,200 --> 00:01:59,400 NO BULL[bleep]. 49 00:01:59,400 --> 00:02:00,800 - SO DO YOU WANNA HAVE A COCKTAIL? 50 00:02:00,800 --> 00:02:02,330 - ABSOLUTELY. - YEAH. 51 00:02:02,333 --> 00:02:04,873 - WHEN I INVITED ALLISON, THERE WAS ABSOLUTELY NO SET-UP. 52 00:02:04,867 --> 00:02:07,397 AND I THOUGHT THE GIRLS WOULD ENJOY MEETING HER 53 00:02:07,400 --> 00:02:09,800 BECAUSE SHE'S GOT A GREAT PERSONALITY. 54 00:02:09,800 --> 00:02:11,670 - THANK YOU. AT SOME POINT WE'LL NEED 55 00:02:11,667 --> 00:02:13,427 SOMEBODY TO CARRY THOSE FOR US. 56 00:02:18,433 --> 00:02:19,903 - OKAY, I'M LEAVING. 57 00:02:19,900 --> 00:02:21,770 - BYE, GIRLS. - ALEXIA, TEXT IN WITH ME 58 00:02:21,767 --> 00:02:22,797 AND CHECK. - I WILL! 59 00:02:22,800 --> 00:02:25,100 - I JUST HAD THIS FEELING THAT, 60 00:02:25,100 --> 00:02:29,270 HMM, THIS COULD BE NOT A GOOD SITUATION. 61 00:02:29,266 --> 00:02:31,626 SO HAVING FAYE THERE, 62 00:02:31,633 --> 00:02:33,873 I THOUGHT "OKAY, I SHOULD BE SAFE. " 63 00:02:33,867 --> 00:02:36,367 HMM, WHO KNEW? [chuckles] 64 00:02:36,367 --> 00:02:39,097 WHOO-HOO-HOO. HI, HOW ARE YOU? 65 00:02:39,100 --> 00:02:41,730 - KYLE TOLD ME EVERY LAST BIT 66 00:02:41,734 --> 00:02:43,834 OF WHAT HAPPENED IN NEW YORK. SHE TOLD ME EVERYTHING. 67 00:02:43,834 --> 00:02:46,874 IN MY OPINION, I THINK ACTUALLY CAMILLE IS SICK. 68 00:02:46,867 --> 00:02:49,197 I THINK SHE NEEDS TREATMENT. 69 00:02:49,200 --> 00:02:51,730 - KYLE HAD ASKED ME IF IT WAS OKAY TO BRING A FRIEND. 70 00:02:51,734 --> 00:02:54,574 AND SHE DIDN'T--ON THE PHONE WHEN SHE HAD ASKED, 71 00:02:54,567 --> 00:02:56,127 SHE DIDN'T SAY WHO IT WAS. 72 00:02:56,133 --> 00:02:58,703 SO I DIDN'T KNOW WHO IT WAS, BASICALLY, UNTIL SHE GOT HERE. 73 00:02:58,700 --> 00:03:00,330 - OH, NICE. 74 00:03:00,333 --> 00:03:02,073 - IT'S GOOD LUCK. - WHAT HAPPENED? 75 00:03:02,066 --> 00:03:03,726 - I THOUGHT HE SLAMMED IT IN THE DOOR. 76 00:03:03,734 --> 00:03:06,934 CAN YOU IMAGINE GETTING KILLED BY A STRAND OF PEARLS? 77 00:03:06,934 --> 00:03:10,104 - ACTUALLY...YES. [laughing] 78 00:03:10,100 --> 00:03:11,470 - THAT'S OKAY. - IF THEY'RE REAL. 79 00:03:11,467 --> 00:03:13,067 - THERE ARE WORSE WAYS OF GETTING KILLED. 80 00:03:13,066 --> 00:03:14,096 - [laughing] 81 00:03:18,066 --> 00:03:20,566 - ONE OF THE GIRLS WHO'S GONNA BE THERE TONIGHT, 82 00:03:20,567 --> 00:03:22,727 THE SHOW MEDIUM IS BASED AROUND HER. 83 00:03:22,734 --> 00:03:25,034 CAMILLE SAID THE MORE A-- MORE SHE DRINKS, 84 00:03:25,033 --> 00:03:27,873 THE MORE LIKELY SHE IS TO HAVE A--A FEELING. 85 00:03:30,200 --> 00:03:32,270 - MY GIRLFRIEND ALLISON DOES LIKE TO DRINK. 86 00:03:32,266 --> 00:03:34,026 SHE ENJOYS A COCKTAIL. 87 00:03:34,033 --> 00:03:37,673 AND WHEN SHE HAS TOO MANY, SHE MAY... 88 00:03:37,667 --> 00:03:39,767 HIT BELOW THE BELT A BIT. 89 00:03:39,767 --> 00:03:41,827 - HERE. CHEERS. - CHEERS. 90 00:03:41,834 --> 00:03:43,504 - HERE'S TO OLD FRIENDS AND NEW FRIENDS. 91 00:03:43,500 --> 00:03:45,800 - I KNOW. MY NEW FRIENDS THAT YOU'LL MEET TONIGHT. 92 00:03:45,800 --> 00:03:48,430 - AND NEW FRIENDS THAT MAY END UP BEING OLD FRIENDS. 93 00:03:48,433 --> 00:03:49,833 - OH, YES, THEY'RE READY. 94 00:03:49,834 --> 00:03:51,434 SOME OF THEM ARE OUT THE DOOR ALREADY. 95 00:03:51,433 --> 00:03:52,533 [laughter] 96 00:03:52,533 --> 00:03:54,933 BY CHOICE. MY CHOICE. BUT... 97 00:03:54,934 --> 00:03:56,174 - WOW. 98 00:03:58,667 --> 00:04:02,697 - I HADN'T ANY IDEA THAT SHE DID PLAYBOY. 99 00:04:02,700 --> 00:04:04,130 - I'M SO SCARED. WHAT? 100 00:04:04,133 --> 00:04:06,033 [giggles] - THE CHATTER IS ALL AROUND 101 00:04:06,033 --> 00:04:07,673 ABOUT... - SHE DID SOMETHING PLAYBOY. 102 00:04:07,667 --> 00:04:09,927 - RIGHT. BUT SOMEBODY SHOWED-- SENT ME A PHOTOGRAPH. 103 00:04:09,934 --> 00:04:11,704 AND IT DID NOT LOOK LIKE A PLAYBOY SHOT. 104 00:04:11,700 --> 00:04:13,100 IT LOOKED MORE LIKE A PORN SHOT. 105 00:04:13,100 --> 00:04:15,370 - WHAT DO YOU KNOW THAT I DON'T KNOW? 106 00:04:15,367 --> 00:04:16,667 - I DON'T KNOW. 107 00:04:16,667 --> 00:04:18,827 WHAT DO YOU KNOW THAT I DON'T KNOW? 108 00:04:18,834 --> 00:04:20,734 - I'M NOT SAYING ANYTHING MORE. 109 00:04:20,734 --> 00:04:23,274 - I KNEW EVERYTHING ABOUT CAMILLE'S PAST. 110 00:04:23,266 --> 00:04:25,896 I KNEW SHE WAS AN EXOTIC DANCER, 111 00:04:25,900 --> 00:04:29,470 I KNEW SHE HAD DONE TWO SOFT PORNOS, 112 00:04:29,467 --> 00:04:32,197 I HAD KNOWN SHE HAD DONE PLAYBOY. 113 00:04:32,200 --> 00:04:33,600 - MM-MM. 114 00:04:33,600 --> 00:04:35,370 - AND I JUST DON'T UNDERSTAND WHAT'S GOING ON 115 00:04:35,367 --> 00:04:37,227 AND WHY SHE WOULD DO THIS TO YOU. 116 00:04:37,233 --> 00:04:38,903 - JUST MAKE YOUR OWN JUDGMENT, YOU KNOW, 117 00:04:38,900 --> 00:04:40,930 YOU LOOK TONIGHT AND TELL ME WHAT YOU THINK. 118 00:04:43,066 --> 00:04:44,296 - ADRIENNE. - YES? 119 00:04:44,300 --> 00:04:45,970 - ARE YOU PREPARED? - THERE'S NO WAY THINGS 120 00:04:45,967 --> 00:04:48,267 ARE GONNA GO AWRY WITH ADRIENNE IN TOW. 121 00:04:48,266 --> 00:04:50,296 - NO, I KNOW. - ON THE WAY TO CAMILLE'S HOUSE, 122 00:04:50,300 --> 00:04:53,170 I ABSOLUTELY WAS NERVOUS THAT WE WERE GONNA HAVE TENSION. 123 00:04:53,166 --> 00:04:56,366 BUT I THOUGHT, "OH, WE'LL DEFINITELY BEHAVE LIKE LADIES 124 00:04:56,367 --> 00:04:58,697 CONSIDERING THERE WILL BE OTHER PEOPLE THERE." 125 00:04:58,700 --> 00:05:00,670 [giggles] 126 00:05:19,333 --> 00:05:20,833 - WE STILL HAVE HORSES. YEAH. 127 00:05:20,834 --> 00:05:22,504 WE BRING OUR HORSES HERE ONCE IN A WHILE. 128 00:05:22,500 --> 00:05:24,530 - OH, LOOK, YOUR FRIENDS ARE HERE. 129 00:05:24,533 --> 00:05:26,073 - HI, GUYS! 130 00:05:26,066 --> 00:05:27,396 - THIS IS STUNNING. WOW. 131 00:05:27,400 --> 00:05:29,830 - THANK YOU SO MUCH FOR COMING. 132 00:05:29,834 --> 00:05:31,774 MWAH. MWAH. 133 00:05:31,767 --> 00:05:34,897 - I CAN SEE WHY YOU NEVER LEAVE. IT'S SO GORGEOUS. 134 00:05:34,900 --> 00:05:36,430 MWAH. MWAH. 135 00:05:36,433 --> 00:05:38,303 I HAVEN'T SEEN YOU IN SO LONG. 136 00:05:38,300 --> 00:05:40,930 - THIS IS ALLISON DUBOIS. THIS IS LISA. 137 00:05:40,934 --> 00:05:42,434 IT'S MY GIRLFRIEND ADRIENNE. 138 00:05:42,433 --> 00:05:44,703 - HI, NICE TO MEET YOU. - AND THIS IS TAYLOR. 139 00:05:44,700 --> 00:05:46,130 - WHEN WE WALKED IN AND MET ALLISON, 140 00:05:46,133 --> 00:05:47,973 I COULD FEEL HER REALLY SIZING US UP. 141 00:05:47,967 --> 00:05:49,267 SHE WAS LOOKING US UP AND DOWN, 142 00:05:49,266 --> 00:05:51,226 AND KIND OF SCANNING EACH OF US. 143 00:05:51,233 --> 00:05:54,233 AND I FELT LIKE I WAS GETTING SIZED UP FOR AN ATTACK. 144 00:05:56,700 --> 00:06:00,000 - I ALSO FELT LIKE I WANTED TO BUY HER A NEW CARDIGAN. 145 00:06:00,000 --> 00:06:01,630 - YOU KNOW THAT SHOW MEDIUM ON TV... 146 00:06:01,633 --> 00:06:03,373 - YEAH, I'VE NEVER SEEN IT. - YEAH, THAT'S HER. 147 00:06:03,367 --> 00:06:04,867 IT'S ABOUT HER. - IT'S ABOUT YOU, 148 00:06:04,867 --> 00:06:07,167 OR YOU'RE IN IT? - IT'S BASED ON HER LIFE. 149 00:06:07,166 --> 00:06:10,226 - PATRICIA ARQUETTE PLAYS ME. - OH. 150 00:06:10,233 --> 00:06:12,303 - SO YOU CONSULT ON IT? - YES. 151 00:06:12,300 --> 00:06:13,870 BUT I HAVE THIS WHOLE OTHER LIFE 152 00:06:13,867 --> 00:06:16,467 OF ACTUALLY HAVING A JOB-- LIKE DOING SOMETHING REAL. 153 00:06:16,467 --> 00:06:19,997 AND PROFILING SERIAL KILLERS. - OH, REALLY? 154 00:06:20,000 --> 00:06:21,430 - BUT THE SHOW IS A NICE ADDITION. 155 00:06:21,433 --> 00:06:24,173 IT SHOWS PEOPLE WHAT I DO. 156 00:06:24,166 --> 00:06:26,396 - OH, GOSH, I MUST WATCH IT. 157 00:06:28,266 --> 00:06:30,996 OOPS! IT'S BEEN CANCELLED. 158 00:06:31,000 --> 00:06:33,500 WHERE'S KYLE? I'VE BET THEY'VE GONE SOMEWHERE ELSE. 159 00:06:33,500 --> 00:06:37,100 - THEY'RE ALWAYS LATE. - THEY'VE CHICKENED OUT. 160 00:06:37,100 --> 00:06:38,930 - AS SOON AS I KNEW CAMILLE HAD TWO FRIENDS, 161 00:06:38,934 --> 00:06:40,404 YOU BETTER BELIEVE I WAS HAPPY 162 00:06:40,400 --> 00:06:41,670 THAT I HAD FAYE COMING WITH ME. 163 00:06:43,934 --> 00:06:46,534 - I FELT LIKE I WAS WALKING INTO THE LION'S DEN. 164 00:06:46,533 --> 00:06:50,373 CAMILLE ASKED ALLISON AND D.D. TO COME IN FOR THE KILL. 165 00:06:50,367 --> 00:06:52,827 - HI. - HEY, KIM. 166 00:06:52,834 --> 00:06:54,674 THANK YOU FOR COMING. - THANK YOU. 167 00:06:54,667 --> 00:06:56,767 - IT'S SO GOOD TO SEE YOU. - YOUR HOUSE IS BEAUTIFUL. 168 00:06:56,767 --> 00:06:58,897 - THANK YOU. KYLE. - HI. 169 00:06:58,900 --> 00:07:00,730 HOW ARE YOU? - THANK YOU SO MUCH FOR COMING. 170 00:07:00,734 --> 00:07:02,304 - THANK YOU FOR HAVING ME. 171 00:07:02,300 --> 00:07:04,600 HERE'S A LITTLE SOMETHING FOR HAVING US HERE. 172 00:07:04,600 --> 00:07:05,970 - THANK YOU. - THANK YOU. 173 00:07:05,967 --> 00:07:07,567 - I WAS A LITTLE UNCOMFORTABLE GOING THERE. 174 00:07:07,567 --> 00:07:11,197 I JUST KEPT THINKING THIS DOES NOT FEEL LIKE A GENUINE 175 00:07:11,200 --> 00:07:14,000 LET'S-GET-TOGETHER-AND- SMOOTH-THINGS-OVER SITUATION. 176 00:07:14,000 --> 00:07:15,600 - FAYE, CAMILLE GRAMMER. - NICE TO MEET YOU. 177 00:07:15,600 --> 00:07:17,170 - BEAUTIFUL PROPERTY. - WELCOME TO MY HOUSE. 178 00:07:17,166 --> 00:07:18,566 - THANK YOU. - THANK YOU FOR COMING. 179 00:07:18,567 --> 00:07:21,327 - VERY SWEET. 180 00:07:21,333 --> 00:07:23,903 - FAYE RESNICK CAME INTO MY HOME AND SHOOK MY HAND. 181 00:07:23,900 --> 00:07:26,530 I KNEW IMMEDIATELY WHAT SHE WAS THERE FOR. 182 00:07:26,533 --> 00:07:29,233 I FELT HER ENERGY, I DIDN'T FEEL SHE WAS SINCERE, 183 00:07:29,233 --> 00:07:31,973 AND I THINK HER INTENTION WAS SHE WAS READY TO ATTACK. 184 00:07:33,834 --> 00:07:36,104 SERIOUSLY, SO THANK YOU FOR TAKING THE DRIVER. 185 00:07:36,100 --> 00:07:38,500 - CAMILLE'S COCKTAIL WAS LIKE A BOWL OF SOUP. 186 00:07:38,500 --> 00:07:40,130 IT WAS HUGE. 187 00:07:40,133 --> 00:07:42,633 YUMMY. AND I TOOK A COUPLE OF SIPS, 188 00:07:42,633 --> 00:07:45,133 AND IT WAS OBVIOUSLY DESIGNED TO KIND OF BLOW YOUR SOCKS OFF. 189 00:07:45,133 --> 00:07:47,233 - THESE ARE GINORMOUS. 190 00:07:47,233 --> 00:07:50,173 - CHEERS. [giggles] 191 00:07:50,166 --> 00:07:52,766 - I WAS EXCITED TO MEET THE MEDIUM. 192 00:07:52,767 --> 00:07:55,827 I CAN'T WAIT TO SEE, YOU KNOW, WHAT TURNS UP. 193 00:07:55,834 --> 00:07:57,834 - SHE DOESN'T DO READINGS, SHE'S A MEDIUM, 194 00:07:57,834 --> 00:07:59,734 SO SHE KIND OF... - SHE SEES THINGS. 195 00:07:59,734 --> 00:08:02,704 AND IF SHE SEES SOMETHING, THEN SHE'LL TELL YOU. 196 00:08:05,433 --> 00:08:06,803 - I'M SO RUDE BECAUSE I DON'T KNOW 197 00:08:06,800 --> 00:08:08,900 IF SHE'S HERE TO RELAX, OR... 198 00:08:08,900 --> 00:08:10,170 - I DON'T THINK SHE'S WORKING. 199 00:08:10,166 --> 00:08:11,626 - I DON'T THINK SO EITHER. 200 00:08:11,633 --> 00:08:13,673 - OKAY, LET'S PUT HER TO THE TEST. 201 00:08:13,667 --> 00:08:15,597 - LET'S DO IT. - LET'S GIVE HER A WORKOUT. 202 00:08:15,600 --> 00:08:17,900 - [giggles] 203 00:08:17,900 --> 00:08:20,300 - OKAY, I THINK WE'RE GONNA MAKE OUR WAY 204 00:08:20,300 --> 00:08:21,630 OVER TO THE DINING ROOM. 205 00:08:21,633 --> 00:08:23,433 - I HOPE THEY BRING THE PITCHER FOR US. 206 00:08:23,433 --> 00:08:24,933 WE'RE HAVING A GIRL'S NIGHT, RIGHT? 207 00:08:24,934 --> 00:08:27,574 - I KNOW, CHEERS, YEAH. - [laughing] 208 00:08:27,567 --> 00:08:28,927 - MY TWO GUESTS OF HONOR, SIT HERE. 209 00:08:28,934 --> 00:08:30,304 BUT YOU'RE ALL MY GUESTS OF HONOR. 210 00:08:30,300 --> 00:08:32,930 BUT I'M GONNA HAVE D.D. AND ALLISON SIT NEXT TO ME. 211 00:08:32,934 --> 00:08:35,274 AND THEN YOU GUYS SIT WHEREVER YOU WANT. 212 00:08:42,200 --> 00:08:46,200 - CHEERS, EVERYBODY. [overlapping chatter] 213 00:08:46,200 --> 00:08:48,370 - WHEN WE FIRST SHOWED UP, WE WERE ACTUALLY INTRIGUED 214 00:08:48,367 --> 00:08:50,127 BY THE FACT THAT THERE WAS A PSYCHIC THERE. 215 00:08:52,300 --> 00:08:54,300 - SHE WAS A BIT ODD. 216 00:08:54,300 --> 00:08:58,200 AND I COULD TELL THAT SHE HAD AN AWKWARD ENERGY TOWARD US. 217 00:08:58,200 --> 00:09:00,100 - THE FLOWERS ARE AMAZING. - THANK YOU. 218 00:09:00,100 --> 00:09:02,470 - YOU DID A GREAT JOB WITH THE FLOWERS. 219 00:09:02,467 --> 00:09:05,327 - CHEERS. 220 00:09:05,333 --> 00:09:07,003 - WHAT ARE YOU DRINKING? 221 00:09:07,000 --> 00:09:08,330 - [giggles] 222 00:09:08,333 --> 00:09:10,073 - I'VE HAD, LIKE, FOUR COKES. 223 00:09:10,066 --> 00:09:12,296 - YOU'VE HAD FOUR COKES AND YOU'RE LOOKING THAT HAPPY? 224 00:09:12,300 --> 00:09:13,600 - [giggles] I GUESS. 225 00:09:13,600 --> 00:09:15,000 - I BEG TO DIFFER, MA'AM. 226 00:09:15,000 --> 00:09:16,600 - YEAH, I'M NOT... - REALLY? 227 00:09:16,600 --> 00:09:18,600 - NO, NOT USUALLY. [giggles] 228 00:09:18,600 --> 00:09:21,100 - BUT YOU'RE A LOT OF FUN. - I AM. 229 00:09:21,100 --> 00:09:23,130 - YEAH, YOU ARE. - I HAVE A LOT OF FUN. 230 00:09:23,133 --> 00:09:25,473 - I THINK I LIKE YOU. - I LIKE YOU TOO. 231 00:09:25,467 --> 00:09:28,497 I LIKE YOUR ENERGY, I LIKE YOUR VIBE. 232 00:09:28,500 --> 00:09:30,670 SO, YOU KNOW...YEAH. 233 00:09:30,667 --> 00:09:32,867 - BUT I AM MAKING SURE THAT THE ELIXIR 234 00:09:32,867 --> 00:09:34,767 THAT THEY MIXED FOR US TONIGHT-- 235 00:09:34,767 --> 00:09:36,867 - CAN YOU JUST MAKE SURE IT'S ALL RIGHT FOR EVERYBODY? 236 00:09:36,867 --> 00:09:39,097 - GIRL, I THINK I'VE TESTED IT ENOUGH 237 00:09:39,100 --> 00:09:41,970 TO MAKE SURE THAT IT'S TRIED AND TRUE. 238 00:09:41,967 --> 00:09:44,667 - I HAVE A FEELING YOU'VE TESTED ENOUGH. 239 00:09:44,667 --> 00:09:48,597 - I HAD NO IDEA WHAT WAS ABOUT TO TRANSPIRE. 240 00:09:48,600 --> 00:09:50,800 - IT'S SATURDAY. AND SEE, I'M STILL YOUNG, 241 00:09:50,800 --> 00:09:53,230 SO WHEN SATURDAY HITS, I GET ALL EXCITED. 242 00:09:53,233 --> 00:09:55,973 AND I'M, LIKE, "YEAH. WHAT ARE WE GONNA DO," RIGHT? 243 00:09:55,967 --> 00:09:58,067 AND THAT PART OF ME STILL COMES OUT. 244 00:09:58,066 --> 00:09:59,196 AND IT'S A GIRLS' NIGHT. 245 00:09:59,200 --> 00:10:02,170 SO WE'RE NOT SUPPOSED TO BE GOOD. 246 00:10:05,200 --> 00:10:07,370 WE'RE SUPPOSED TO BE REALLY, REALLY BAD 247 00:10:07,367 --> 00:10:09,997 IN A CONTROLLED SETTING. 248 00:10:10,000 --> 00:10:12,670 LIFE IS SO CRIPPLING SOMETIMES. 249 00:10:12,667 --> 00:10:13,967 IT'S NICE TO ACTUALLY 250 00:10:13,967 --> 00:10:16,927 BE IN CONTROL OF YOUR ANNIHILATION. 251 00:10:20,033 --> 00:10:23,133 - IN CONTROL OF YOUR ANNIHILATION? 252 00:10:23,133 --> 00:10:25,103 IS SHE ABOUT TO ANNIHILATE ME? 253 00:10:25,100 --> 00:10:28,070 - [giggles] 254 00:10:28,066 --> 00:10:29,166 - COMING UP... 255 00:10:29,166 --> 00:10:31,366 - ALLISON, IS MY GRANDMOTHER HERE? 256 00:10:31,367 --> 00:10:32,867 - THE FACT THAT YOU WOULD EVEN ASK THAT 257 00:10:32,867 --> 00:10:34,927 WOULD OFFEND HER. 258 00:10:41,367 --> 00:10:44,367 [indistinct chatter] 259 00:10:44,367 --> 00:10:45,867 - MY ANGEL OF MERCY. 260 00:10:45,867 --> 00:10:48,797 [laughter] 261 00:10:48,800 --> 00:10:50,930 - I ACTUALLY SAT NEXT TO ALLISON, 262 00:10:50,934 --> 00:10:52,504 WHO HAPPENS TO BE THE MEDIUM. 263 00:10:52,500 --> 00:10:54,230 AND, OF COURSE, WHEN I FIRST MET HER, 264 00:10:54,233 --> 00:10:55,673 I THOUGHT SHE WAS A LITTLE STRANGE. 265 00:10:55,667 --> 00:10:57,697 - I ALWAYS SAY I'M A SECRETARY TO THE DEAD. 266 00:10:57,700 --> 00:11:00,030 I'M A GLORIFIED SEC--I TAKE NOTES, AND I PASS THEM ON. 267 00:11:00,033 --> 00:11:02,173 - THAT'S AMAZING. BUT I GUESS 268 00:11:02,166 --> 00:11:04,026 IF YOU'RE TALKING TO DEAD PEOPLE YOU WOULD BE. 269 00:11:04,033 --> 00:11:06,233 - SO NOW, HOW DO YOU KNOW FAYE? 270 00:11:06,233 --> 00:11:09,833 AND WHO IS FAYE? 271 00:11:09,834 --> 00:11:12,604 I KNOW--I MEAN, THIS IS-- I KNOW SHE LOOKS FAMILIAR. 272 00:11:12,600 --> 00:11:14,870 BUT I DON'T KNOW WHO FAYE IS. 273 00:11:14,867 --> 00:11:16,867 - SHE'S A VERY CLOSE FAMILY FRIEND. 274 00:11:16,867 --> 00:11:20,197 I CONSIDER HER LIKE A SISTER. - OH, THAT'S NICE. 275 00:11:20,200 --> 00:11:22,030 AND YOU KNOW HOW I KNOW HER? 276 00:11:22,033 --> 00:11:24,033 I SAW HER NAKED IN PLAYBOY. 277 00:11:24,033 --> 00:11:25,373 THAT'S HOW I KNOW FAYE. 278 00:11:27,400 --> 00:11:30,970 - "OH...FAYE... [sigh] 279 00:11:30,967 --> 00:11:32,697 I JUST REALIZED," 280 00:11:32,700 --> 00:11:35,000 LIKE SHE JUST OPENED UP A MAGAZINE LAST WEEK 281 00:11:35,000 --> 00:11:36,500 AND HAPPENED TO SEE IT. 282 00:11:36,500 --> 00:11:39,070 - SHE POSED NAKED IN PLAYBOY AFTER THE O.J. TRIAL. 283 00:11:39,066 --> 00:11:40,526 THAT'S HER. 284 00:11:44,600 --> 00:11:45,970 AND I THOUGHT YOU LOOKED AMAZING. 285 00:11:45,967 --> 00:11:48,667 - THANK YOU. 286 00:11:48,667 --> 00:11:50,867 - I RECOGNIZED DURING THE DINNER-- 287 00:11:50,867 --> 00:11:52,597 IT WAS THE HAIR. I THINK IT'S THE EXTENSIONS 288 00:11:52,600 --> 00:11:55,270 AND THE BLOWN UP FAKE LIPS. BUT, UM... 289 00:11:55,266 --> 00:11:57,496 AND THEN I REALIZED, "OH, MY GOD, THAT'S WHO IT IS. 290 00:11:57,500 --> 00:11:59,030 IT'S FAYE RESNICK." 291 00:11:59,033 --> 00:12:00,733 THE MORALLY CORRUPT FAYE RESNICK. 292 00:12:00,734 --> 00:12:02,704 - HOW RUDE. 293 00:12:02,700 --> 00:12:04,800 I MEAN, HOW CAN YOU SAY SOMETHING LIKE THAT? 294 00:12:04,800 --> 00:12:08,370 HOW CAN YOU BE SO JUDGMENTAL, WITH YOUR PAST? 295 00:12:09,800 --> 00:12:11,470 - I FELT LIKE I WAS BLIND SIGHTED. 296 00:12:11,467 --> 00:12:12,897 IT WAS, LIKE, AN UNPROVOKED ATTACK 297 00:12:12,900 --> 00:12:14,930 THAT CAME OUT OF NOWHERE. I LOVED IT. 298 00:12:14,934 --> 00:12:18,004 AND I HAVE TO SAY THAT I LOVED YOUR SPREAD. 299 00:12:18,000 --> 00:12:19,300 - LITERALLY. 300 00:12:19,300 --> 00:12:21,000 [laughter] 301 00:12:21,000 --> 00:12:24,170 I DIDN'T SPREAD. - NO, YOU DIDN'T. 302 00:12:25,533 --> 00:12:27,773 - I JUST WANTED TO JUST, LIKE, STOP. 303 00:12:27,767 --> 00:12:29,427 WHAT? WHAT IS HAPPENING HERE? 304 00:12:29,433 --> 00:12:31,573 LET'S TALK ABOUT THE FACT THAT, YOU KNOW, 305 00:12:31,567 --> 00:12:35,327 YOU ARE LIVING IN A GLASS HOUSE, WOMAN. 306 00:12:35,333 --> 00:12:37,273 BUT I CONTROLLED MYSELF. 307 00:12:37,266 --> 00:12:39,466 - CAMILLE... 308 00:12:39,467 --> 00:12:40,627 DIDN'T YOU DO PLAYBOY? 309 00:12:40,633 --> 00:12:42,103 - YES. - YOU DID. 310 00:12:42,100 --> 00:12:43,500 WHEN DID YOU DO PLAYBOY? - YEARS AGO. 311 00:12:43,500 --> 00:12:45,270 THAT'S WHEN I MET KELSEY. 312 00:12:45,266 --> 00:12:47,326 - I FELT LIKE CAMILLE HAD PLANNED IT OUT 313 00:12:47,333 --> 00:12:48,973 TO SAY THAT TO FAYE ALL ALONG. 314 00:12:48,967 --> 00:12:50,797 SO AS SOON AS SHE SAID THAT, I THOUGHT, 315 00:12:50,800 --> 00:12:52,930 "YOU KNOW WHAT, I'M GONNA HAVE TO REMIND YOU 316 00:12:52,934 --> 00:12:55,734 THAT YOU DID THE SAME. AND MORE." 317 00:12:55,734 --> 00:12:59,234 - THE REALITY, CAMILLE, IS, YOU KNOW, I DID PLAYBOY, 318 00:12:59,233 --> 00:13:01,373 BUT I DIDN'T "SPREAD." 319 00:13:01,367 --> 00:13:03,297 LIKE SHE HAD DONE. 320 00:13:04,934 --> 00:13:06,804 I DIDN'T DO THE MAIN-- 321 00:13:06,800 --> 00:13:08,530 IT WAS JUST A-- LIKE, A SUPPLEMENT. 322 00:13:08,533 --> 00:13:12,973 I WASN'T--I DID THE, UM, PLAYBOY BOOK OF LINGERIE. 323 00:13:12,967 --> 00:13:15,127 - IT'S CLOTHED. 324 00:13:17,700 --> 00:13:19,730 - WHAT? 325 00:13:19,734 --> 00:13:21,734 - LINGERIE? I THOUGHT THE WHOLE POINT OF PLAYBOY 326 00:13:21,734 --> 00:13:24,534 WAS NO LINGERIE. 327 00:13:24,533 --> 00:13:26,333 - I MEAN, OKAY, WE GOT INTO THIS CONVERSATION 328 00:13:26,333 --> 00:13:27,803 HOW I POSED FOR PLAYBOY TOO, 329 00:13:27,800 --> 00:13:29,230 BUT I WAS IN MY EARLY 20s. 330 00:13:29,233 --> 00:13:31,233 IT WASN'T COMING OFF OF A BIG MURDER TRIAL 331 00:13:31,233 --> 00:13:33,273 THAT MY GIRLFRIEND WAS KILLED! 332 00:13:33,266 --> 00:13:35,366 YOU KNOW, THAT'S JUST A WHOLE DIFFERENT-- 333 00:13:35,367 --> 00:13:38,067 I CAN'T--THOSE KIND OF PEOPLE I DON'T UNDERSTAND 334 00:13:38,066 --> 00:13:40,066 AND I DON'T WANT TO ASSOCIATE WITH. 335 00:13:40,066 --> 00:13:41,266 I DON'T LIKE THEIR ENERGY, 336 00:13:41,266 --> 00:13:42,826 I THINK THEY'RE TOXIC PEOPLE, 337 00:13:42,834 --> 00:13:44,304 AND I HAVE NO RESPECT FOR ANYBODY 338 00:13:44,300 --> 00:13:47,300 THAT DOES SOMETHING LIKE THAT. 339 00:13:47,300 --> 00:13:48,970 - [giggles] 340 00:13:48,967 --> 00:13:51,667 - THE MEDIUM WAS REALLY ENJOYING HERSELF, 341 00:13:51,667 --> 00:13:54,567 BECAUSE I SAW HER DOWN, I THINK, TWO OR THREE COCKTAILS. 342 00:13:54,567 --> 00:13:57,027 AND THESE WERE VERY STRONG COCKTAILS. 343 00:13:57,033 --> 00:13:59,503 I ACTUALLY TOOK TWO SIPS AND I WAS, LIKE, "WOW." 344 00:14:00,900 --> 00:14:04,630 - ALLISON, YEAH, SHE WAS KNOCKING BACK THE WITCHES' BREW. 345 00:14:04,633 --> 00:14:08,803 - [giggles] - [giggles] 346 00:14:08,800 --> 00:14:10,470 - I'M NOT SURE WHY YOU'D INVITE SOMEBODY 347 00:14:10,467 --> 00:14:13,867 WHO YOU KNOW HITS BELOW THE BELT AFTER A FEW MARTINIS, 348 00:14:13,867 --> 00:14:17,097 AND THEN SERVE THEM DRINKS IN SOMETHING I CAN TAKE A BATH IN. 349 00:14:17,100 --> 00:14:19,170 - IT LOOKED MUCH BIGGER ON-CAMERA 350 00:14:19,166 --> 00:14:22,166 THAN IT DOES IN PERSON. [chuckles] 351 00:14:27,900 --> 00:14:33,900 - CHEERS. 352 00:14:33,900 --> 00:14:36,270 - AAH! 353 00:14:36,266 --> 00:14:37,896 - AND THEN ALLISON DUBOIS 354 00:14:37,900 --> 00:14:40,330 PULLS OUT THIS ELECTRONIC CIGARETTE. 355 00:14:40,333 --> 00:14:43,403 I THINK IT'S, LIKE, A PROP FROM SOME MOVIE OR SOMETHING. 356 00:14:43,400 --> 00:14:45,900 - AND SHE WAS, LIKE... [inhales] 357 00:14:45,900 --> 00:14:47,500 [exhales] 358 00:14:47,500 --> 00:14:51,070 - MY GOD, HOW OBNOXIOUS. 359 00:14:51,066 --> 00:14:54,126 - HER VAPORIZER CIGARETTE THAT WAS-- 360 00:14:54,133 --> 00:14:56,473 I GUESS THAT'S SO YOU DON'T INHALE THE SMOKE. 361 00:14:56,467 --> 00:14:58,597 YOU'RE JUST INHALING THE VAPOR. 362 00:14:58,600 --> 00:15:00,000 GOOD FOR ALLISON. 363 00:15:00,000 --> 00:15:03,570 SHE DIDN'T WANNA SIT AT MY DINNER TABLE BLOWING SMOKE. 364 00:15:03,567 --> 00:15:05,597 - BUT I THINK THAT ONE PERSON HERE 365 00:15:05,600 --> 00:15:07,670 IS INTERESTED IN HAVING AN EXPERIENCE. 366 00:15:07,667 --> 00:15:10,497 I KNOW THAT--THAT-- I MEAN, LISA IS DYING-- 367 00:15:10,500 --> 00:15:11,930 - LISA, I THINK YOU'RE THE ONE. 368 00:15:11,934 --> 00:15:14,134 - LISA IS DYING TO HAVE ONE. 369 00:15:14,133 --> 00:15:16,233 - OKAY, WELL, 370 00:15:16,233 --> 00:15:18,033 I'LL MAKE YOU DINNER, BUT I DON'T WANT TO KNOW 371 00:15:18,033 --> 00:15:20,173 IF MY HUSBAND'S CHEATING ON ME, JUST FOR THE RECORD. 372 00:15:20,166 --> 00:15:21,766 BUT I WILL MAKE YOU DINNER. 373 00:15:21,767 --> 00:15:24,397 [giggles] 374 00:15:24,400 --> 00:15:27,870 - I HAD BROUGHT ALLISON BASICALLY AS A GUEST. 375 00:15:27,867 --> 00:15:30,167 AND... 376 00:15:30,166 --> 00:15:31,966 I DIDN'T WANT HER TO FEEL LIKE 377 00:15:31,967 --> 00:15:33,727 SHE HAD TO PERFORM FOR ANYBODY THAT NIGHT. 378 00:15:33,734 --> 00:15:35,234 - ALLISON, DO YOU KIND OF FEEL 379 00:15:35,233 --> 00:15:37,403 LIKE PEOPLE HAVE PASSED AROUND? 380 00:15:37,400 --> 00:15:40,270 - I DEFINITELY MAKE SURE WITH PEOPLE WHO DIED-- 381 00:15:40,266 --> 00:15:42,326 LIKE, IF I'M AT A DINNER PARTY WITH Y'ALL, 382 00:15:42,333 --> 00:15:44,233 THEY GOT TO TAKE A SECOND CHAIR, 383 00:15:44,233 --> 00:15:46,733 BECAUSE YOU ARE THE ONES THAT I'M FOCUSED ON. 384 00:15:46,734 --> 00:15:50,874 BUT I HEAD TAP PEOPLE TOO. SO I PULL THOUGHTS. 385 00:15:50,867 --> 00:15:53,397 - IF ALLISON ONLY KNEW WHAT I WAS THINKING. 386 00:15:53,400 --> 00:15:55,730 - THE THOUGHTS SHE WOULD'VE PULLED FROM MY HEAD THAT NIGHT 387 00:15:55,734 --> 00:15:58,074 WAS "GET ME THE HELL OUT OF HERE." 388 00:15:58,066 --> 00:16:00,126 BUT, LIKE, I'LL BE ABLE TO, LIKE, TAP INTO SOMEBODY 389 00:16:00,133 --> 00:16:01,673 AND BE, LIKE, "SHE HAS FATHER ISSUES. 390 00:16:01,667 --> 00:16:03,097 "HER MOTHER KEPT HER MOUTH CLOSED. 391 00:16:03,100 --> 00:16:04,430 "DIDN'T STAND UP TO THE FATHER. 392 00:16:04,433 --> 00:16:05,873 "THAT'S WHY SHE HAS MOTHER ISSUES 393 00:16:05,867 --> 00:16:08,727 AND THE DADDY ISSUES. DADDY WAS, LIKE, NEVER THERE." 394 00:16:08,734 --> 00:16:10,374 AND SO I START PULLING THAT INFORMATION. 395 00:16:10,367 --> 00:16:13,327 - ARE YOU HEAD TAPPING ME NOW? - NO. 396 00:16:13,333 --> 00:16:15,573 NOT EXACTLY. - OH, GO ON. 397 00:16:15,567 --> 00:16:17,627 - EVERYBODY WANTED HER TO PERFORM A READING. 398 00:16:17,633 --> 00:16:20,103 AND YOU KNOW, SHE'S COMING TO SOMEBODY'S HOME 399 00:16:20,100 --> 00:16:23,300 FOR A DINNER PARTY, SHE'S NOT COMING TO BE THE SHOW PONY. 400 00:16:23,300 --> 00:16:25,070 - DON'T THINK I'M DOING THIS TO YOU LADIES 401 00:16:25,066 --> 00:16:27,066 'CAUSE WE'RE HAVING A GIRLS' NIGHT, AND I RESPECT. 402 00:16:27,066 --> 00:16:28,566 - AND WE RESPECT YOU 403 00:16:28,567 --> 00:16:30,467 BECAUSE YOU WANT TO HAVE YOUR GIRLS' NIGHT TOO. 404 00:16:30,467 --> 00:16:32,897 EXACTLY. - CAN'T YOU DO SOMETHING? 405 00:16:32,900 --> 00:16:35,570 - I THINK I'VE BEEN HAVING A GREAT CONVERSATION WITH Y'ALL. 406 00:16:35,567 --> 00:16:37,697 - NO, BUT I MEAN, CAN'T YOU-- IS MY GRANDMOTHER HERE? 407 00:16:37,700 --> 00:16:39,770 I MEAN, TO ME IT'S LIKE A DOCTOR 408 00:16:39,767 --> 00:16:41,027 AT A DINNER PARTY. 409 00:16:41,033 --> 00:16:42,803 YOU'RE ALWAYS LIKE "OH, CAN YOU TELL ME 410 00:16:42,800 --> 00:16:43,970 WHAT'S WRONG WITH ME HERE?" 411 00:16:43,967 --> 00:16:45,997 SO NATURALLY I'M GOING TO ASK HER 412 00:16:46,000 --> 00:16:47,670 ABOUT HER CHOSEN PROFESSION. 413 00:16:47,667 --> 00:16:50,467 - THE FACT THAT YOU WOULD EVEN ASK THAT WOULD OFFEND HER. 414 00:16:50,467 --> 00:16:52,497 - OFFEND WHO? - YOUR GRANDMOTHER. 415 00:16:52,500 --> 00:16:54,670 - NO, SHE'S VERY LIBERAL, VERY OPEN-MINDED. 416 00:16:54,667 --> 00:16:57,097 - IT'S NOT ABOUT POLITICS. 417 00:16:57,100 --> 00:16:59,630 IT'S ABOUT YOU KNOWING INSIDE THAT SHE'D BE WITH YOU. 418 00:16:59,633 --> 00:17:01,633 THAT'S WHY SHE'D BE OFFENDED. 419 00:17:01,633 --> 00:17:03,303 - DOESN'T EVEN MAKE ANY SENSE. 420 00:17:03,300 --> 00:17:06,030 LIKE, LISA CANNOT SEE AND COMMUNICATE WITH DEAD PEOPLE. 421 00:17:06,033 --> 00:17:08,273 SO WOULDN'T HER GRANDMOTHER KNOW THAT 422 00:17:08,266 --> 00:17:10,526 AND BE LIKE, "I TOTALLY GET WHY YOU'RE ASKING?" 423 00:17:10,533 --> 00:17:12,503 - YEAH, BUT I DON'T KNOW SHE IS WITH ME. 424 00:17:12,500 --> 00:17:13,930 - I HEAR WHAT YOU'RE SAYING. 425 00:17:13,934 --> 00:17:15,774 YOU'RE THINKING, I'M FEELING. 426 00:17:15,767 --> 00:17:18,197 THAT'S HOW WE'RE DIFFERENT. YOU OVERTHINK EVERYTHING. 427 00:17:18,200 --> 00:17:20,070 BECAUSE IT'S TOO HARD TO FEEL IT. 428 00:17:20,066 --> 00:17:21,466 - [bleep]. 429 00:17:21,467 --> 00:17:24,567 ANYBODY THAT KNOWS ME KNOWS THAT'S NOT TRUE. 430 00:17:24,567 --> 00:17:26,697 YEAH, BUT I'VE LOOKED FOR HER SINCE SHE'S DIED. 431 00:17:26,700 --> 00:17:28,770 - I UNDERSTAND. - EVERY DAY I LOOK FOR HER. 432 00:17:28,767 --> 00:17:30,697 - BUT SHE'S THE MOTHER THAT RAISED YOU-- 433 00:17:30,700 --> 00:17:34,070 OR WAS THE MOTHER THAT YOU NEEDED, AND SO DO YOU. 434 00:17:34,066 --> 00:17:36,466 YOU'RE BLOCKED BY PAIN BECAUSE YOU NEED HER. 435 00:17:36,467 --> 00:17:37,827 - AS SOON AS SHE SAID SHE RAISED ME, 436 00:17:37,834 --> 00:17:40,504 I KIND OF LOST INTEREST BECAUSE MY GRANDMOTHER DIDN'T. 437 00:17:40,500 --> 00:17:42,370 - I BELIEVE YOU ARE VERY GENEROUS, 438 00:17:42,367 --> 00:17:44,297 BUT AT THE SAME TIME YOU'RE GENEROUS 439 00:17:44,300 --> 00:17:47,330 WITH PHYSICAL, LIVING... PROPERTIES. 440 00:17:48,633 --> 00:17:50,773 - I COULD'VE LOVED MY-- - I THINK YOU DOLE 441 00:17:50,767 --> 00:17:53,097 YOUR EMOTIONS OUT CAREFULLY. - NO. 442 00:17:53,100 --> 00:17:54,870 - WELL... [giggles] 443 00:17:54,867 --> 00:17:58,767 - LISA'S READING SOUNDED LIKE A CANNED STATEMENT. 444 00:17:58,767 --> 00:18:01,297 I THINK LISA WAS A LITTLE OFFENDED BY THAT. 445 00:18:01,300 --> 00:18:02,770 AND RIGHTFULLY SO. 446 00:18:02,767 --> 00:18:06,567 - ANYBODY THAT KNOWS ME KNOWS EVEN THOUGH I'M ENGLISH, 447 00:18:06,567 --> 00:18:09,227 I REALLY AM VERY IN TOUCH WITH MY EMOTIONS. 448 00:18:09,233 --> 00:18:11,773 I LAUGH, I CRY, I... AND SO, TO ME, 449 00:18:11,767 --> 00:18:14,727 I FELT THAT I WAS KIND OF TAKING A BIT OF A LOW BLOW. 450 00:18:16,433 --> 00:18:19,633 - I WAS STUDIED BY A SCIENTIST FOR SEVERAL YEARS 451 00:18:19,633 --> 00:18:21,373 AND ON OPRAH IN FRONT OF 70 MILLION PEOPLE. 452 00:18:21,367 --> 00:18:22,627 I'M KIND OF LIKE A DRUG. 453 00:18:22,633 --> 00:18:24,373 ONCE YOU GET ONE, YOU WANT IT AGAIN. 454 00:18:24,367 --> 00:18:26,297 - OOH. - OOH. 455 00:18:26,300 --> 00:18:28,770 - I'M JUST--I'M JUST PUTTING IT OUT THERE. 456 00:18:28,767 --> 00:18:31,127 I'M JUST BEING HONEST. 457 00:18:31,133 --> 00:18:33,633 - YOU KNOW, I DON'T KNOW IF ALLISON WAS 458 00:18:33,633 --> 00:18:35,533 THERE FOR ENTERTAINMENT, 459 00:18:35,533 --> 00:18:39,103 TO--YOU KNOW, SHE DOES HAVE THAT PERSONALITY 460 00:18:39,100 --> 00:18:41,300 THAT CAN JUST... [inhales] 461 00:18:41,300 --> 00:18:43,700 STIR THINGS UP. 462 00:18:43,700 --> 00:18:45,470 - YOU KNOW WHAT, I HATE TO SAY IT, 463 00:18:45,467 --> 00:18:47,127 BUT IF WE'RE HAVING A GIRLS' NIGHT, 464 00:18:47,133 --> 00:18:48,273 I'M OFF THE CLOCK. 465 00:18:48,266 --> 00:18:51,396 - WE'RE JUST CURIOUS. 466 00:18:51,400 --> 00:18:52,670 IT'S NOT ANY FUN TO ME 467 00:18:52,667 --> 00:18:54,797 UNLESS YOU SHOW ME WHAT YOU CAN DO. 468 00:18:54,800 --> 00:18:56,130 SHE'S OFF THE CLOCK. 469 00:18:56,133 --> 00:18:57,833 MAYBE I SHOULD WHIP OUT MY CREDIT CARD. 470 00:18:57,834 --> 00:18:59,304 - [giggles] 471 00:18:59,300 --> 00:19:01,500 - SHOULD I DO THAT, AND SAY, "HOW ABOUT NOW? 472 00:19:01,500 --> 00:19:03,300 CAN I ASK YOU A QUESTION NOW?" 473 00:19:03,300 --> 00:19:05,300 - FUNNY. - I FELT THAT THE GIRLS KEPT 474 00:19:05,300 --> 00:19:07,930 TAUNTING HER AND PUSHING HER TO READ, 475 00:19:07,934 --> 00:19:10,174 AND I THINK THAT'S DISRESPECTFUL TO MY GUEST. 476 00:19:10,166 --> 00:19:12,266 - DON'T TEMPT ME. REALLY. 477 00:19:12,266 --> 00:19:13,866 - OOH! 478 00:19:13,867 --> 00:19:15,767 - WHO WERE YOU LOOKING AT WHEN YOU SAID THAT? 479 00:19:15,767 --> 00:19:20,127 - YOU KNOW WHAT? - TOUCHE, BABY. 480 00:19:20,133 --> 00:19:21,333 - COMING UP... 481 00:19:21,333 --> 00:19:23,073 - WHAT DOES THAT MEAN? "DON'T TEMPT ME." 482 00:19:23,066 --> 00:19:24,926 - WHEN SOMEBODY'S HUSBAND'S CHEATING ON THEM 483 00:19:24,934 --> 00:19:26,934 OR SOMETHING, SHE'LL KNOW. 484 00:19:32,200 --> 00:19:34,430 - ALLISON, ARE THERE ANY DEAD PEOPLE HERE TONIGHT? 485 00:19:34,433 --> 00:19:36,733 - DON'T TEMPT ME. REALLY. 486 00:19:36,734 --> 00:19:38,304 - OOH. 487 00:19:38,300 --> 00:19:40,600 - WHO ARE YOU LOOKING AT WHEN YOU SAY THAT? 488 00:19:40,600 --> 00:19:42,800 - TOUCHE, BABY. 489 00:19:42,800 --> 00:19:44,430 - WHAT DOES THAT MEAN? "DON'T TEMPT ME." 490 00:19:44,433 --> 00:19:50,003 - I THOUGHT, "OH, NO. NO, DON'T, KYLE. SAVE YOURSELF. 491 00:19:50,000 --> 00:19:52,300 I'M TELLING YOU. I FEEL THIS IS NOT A GOOD SITUATION." 492 00:19:53,734 --> 00:19:56,874 - DON'T GET ME STARTED. 493 00:19:56,867 --> 00:19:59,967 - BE HONEST. DO YOU REALLY WANT TO GO THERE? 494 00:19:59,967 --> 00:20:01,127 'CAUSE SHE MIGHT PULL STUFF 495 00:20:01,133 --> 00:20:04,173 THAT SOME PEOPLE WANT NOT WANT TO HEAR. 496 00:20:04,166 --> 00:20:06,366 - YOU KNOW, IT'S BEST FOR HER TO PERFORM A READING 497 00:20:06,367 --> 00:20:08,897 ONE-ON-ONE BECAUSE A LOT OF PERSONAL STUFF COMES UP. 498 00:20:08,900 --> 00:20:11,530 SO IF SOMEBODY'S HUSBAND'S CHEATING ON THEM OR SOMETHING, 499 00:20:11,533 --> 00:20:12,973 SHE'LL KNOW IT. 500 00:20:12,967 --> 00:20:15,097 - IF SHE WAS SO PSYCHIC, HOW COME SHE DIDN'T SEE THAT-- 501 00:20:15,100 --> 00:20:18,570 WHAT KELSEY WAS DOING TO CAMILLE AS WE SAT THERE? 502 00:20:18,567 --> 00:20:20,127 - WELL, COULDN'T YOU JUST TELL US STUFF 503 00:20:20,133 --> 00:20:23,273 WITHOUT TELLING US ANYTHING SCARY? 504 00:20:23,266 --> 00:20:26,296 - SOMETHING THAT'S NOT SCARY? OH, MY GOD. 505 00:20:26,300 --> 00:20:29,170 BUT WHAT I WANT TO TELL YOU MIGHT BE IRRITATING TO YOU. 506 00:20:29,166 --> 00:20:30,566 - TELL ME. I DON'T CARE. 507 00:20:30,567 --> 00:20:32,567 - JUST SAY IT. JUST SAY IT. - I DON'T CARE. 508 00:20:32,567 --> 00:20:35,067 - SHE'S FINE. - OKAY. OKAY. 509 00:20:35,066 --> 00:20:36,896 HAVE YOU BEEN MARRIED TWICE? 510 00:20:36,900 --> 00:20:38,730 - UH-HUH. - OH. 511 00:20:38,734 --> 00:20:40,374 - WELL, THEN THAT'S THE LAST ONE YOU HAVE. 512 00:20:40,367 --> 00:20:42,897 I GUESS THAT'S GOOD NEWS. [laughs] 513 00:20:42,900 --> 00:20:45,330 I WAS THINKING SHE WAS GOING TO HAVE TO GET MARRIED AGAIN. 514 00:20:45,333 --> 00:20:47,303 WHICH MEANING YOU'D HAVE A DIVORCE. 515 00:20:49,600 --> 00:20:51,700 - IF MY HUSBAND EVER LEAVES ME, I'M GOING WITH HIM. 516 00:20:51,700 --> 00:20:53,930 - HE WILL NEVER EMOTIONALLY FULFILL YOU. 517 00:20:53,934 --> 00:20:56,904 EVER. KNOW THAT. 518 00:21:02,033 --> 00:21:03,303 - OH, MY GOSH. 519 00:21:03,300 --> 00:21:05,100 HERE WE GO. 520 00:21:05,100 --> 00:21:07,970 I WAS WAITING FOR KYLE TO FLY ACROSS THE TABLE. 521 00:21:07,967 --> 00:21:09,967 - I DISAGREE, I DISAGREE. - WOW. 522 00:21:09,967 --> 00:21:11,567 - WHO IS SHE TALKING TO ABOUT THIS? 523 00:21:11,567 --> 00:21:14,027 LIKE, WHO IS THE PERSON ON THE OTHER SIDE? 524 00:21:14,033 --> 00:21:16,133 THE DEAD PERSON WHO HAS SO MUCH INFORMATION 525 00:21:16,133 --> 00:21:19,133 ABOUT THEIR EMOTIONAL FULFILLMENT? 526 00:21:19,133 --> 00:21:21,733 - THAT ONE SENTENCE PISSED ME OFF 527 00:21:21,734 --> 00:21:23,204 MORE THAN ALMOST ANYTHING. 528 00:21:23,200 --> 00:21:25,600 - HE WILL NEVER EMOTIONALLY FULFILL YOU. 529 00:21:25,600 --> 00:21:27,730 EVER. KNOW THAT. 530 00:21:27,734 --> 00:21:30,574 - KNOW THAT. 531 00:21:30,567 --> 00:21:32,367 - KNOW, THIS ONE. 532 00:21:32,367 --> 00:21:34,097 HE WILL NEVER EMOTIONALLY FULFILL YOU, 533 00:21:34,100 --> 00:21:35,970 BUT YOU WILL STAY WITH HIM 534 00:21:35,967 --> 00:21:37,497 AND HE WILL TAKE CARE OF YOU. 535 00:21:37,500 --> 00:21:39,130 AS SOON AS THE KIDS ARE BIGGER, 536 00:21:39,133 --> 00:21:40,503 YOU'LL HAVE NOTHING IN COMMON. 537 00:21:40,500 --> 00:21:42,000 - WHAT ARE YOU TALKING ABOUT? 538 00:21:42,000 --> 00:21:43,630 HAVE YOU SEEN MY HUSBAND? 539 00:21:43,633 --> 00:21:46,773 I MEAN, HELLO. 540 00:21:46,767 --> 00:21:47,897 PLEASE. 541 00:21:47,900 --> 00:21:50,200 - I DISAGREE. - I DON'T KNOW. 542 00:21:50,200 --> 00:21:51,900 I DON'T KNOW ABOUT THAT. 543 00:21:51,900 --> 00:21:53,870 I DON'T THINK ANYBODY DESERVES TO HEAR THAT. 544 00:21:53,867 --> 00:21:55,827 BUT SHE PUSHED FOR IT. 545 00:21:55,834 --> 00:21:57,334 - WAIT A SECOND. - NO, NO, IT'S OKAY. 546 00:21:57,333 --> 00:21:59,233 - BUT WHAT I DO, PEOPLE DON'T SEE. 547 00:21:59,233 --> 00:22:00,973 - NO, I KNOW, I KNOW THAT. - THEY DON'T SEE IT. 548 00:22:00,967 --> 00:22:02,867 AND THEN IT HAPPENS, AND THEY'RE LIKE "OH, MY GOD." 549 00:22:02,867 --> 00:22:04,727 - NO, I UNDERSTAND THAT. - I DON'T KNOW IF IT WAS 550 00:22:04,734 --> 00:22:06,204 BECAUSE SHE'D HAD A COUPLE OF DRINKS, 551 00:22:06,200 --> 00:22:07,630 BUT WHEN YOU'RE PREDICTING 552 00:22:07,633 --> 00:22:11,303 THAT SOMEBODY'S HUSBAND IS FOOLING AROUND ON THEM 553 00:22:11,300 --> 00:22:13,930 AND YOU'RE SITTING RIGHT NEXT TO 554 00:22:13,934 --> 00:22:15,804 THE PERSON WHO'S HUSBAND'S FOOLING AROUND 555 00:22:15,800 --> 00:22:16,900 IS LIKE, UGH, COME ON. 556 00:22:16,900 --> 00:22:18,670 - I DON'T SEE THAT, THOUGH. 557 00:22:18,667 --> 00:22:21,067 I THINK THAT MAYBE ALLISON WAS GETTING A READ 558 00:22:21,066 --> 00:22:24,066 ON KELSEY AND I'S MARRIAGE COMING TO A CLOSE. 559 00:22:24,066 --> 00:22:25,966 BECAUSE I'M SITTING RIGHT NEXT TO HER. 560 00:22:25,967 --> 00:22:28,167 - THERE'S GONNA BE A DIVISION THAT OCCURS. 561 00:22:28,166 --> 00:22:31,596 I WISH ALLISON, IF SHE DID FEEL SOMETHING, 562 00:22:31,600 --> 00:22:33,270 SHE WOULD'VE TOLD ME. 563 00:22:33,266 --> 00:22:34,666 - ANYTHING ELSE? 564 00:22:34,667 --> 00:22:36,367 - MAKE SURE THAT YOU PUT THE WALLS DOWN 565 00:22:36,367 --> 00:22:38,027 FOR OTHER FEMALES COMING INTO THE LIFE. 566 00:22:38,033 --> 00:22:40,873 I FEEL LIKE YOU TALK TO MALES MORE EASILY THAN FEMALES. 567 00:22:40,867 --> 00:22:42,097 - THAT'S ME. 568 00:22:42,100 --> 00:22:43,700 - I THINK YOU'RE MIXING HER UP WITH KYLE. 569 00:22:43,700 --> 00:22:44,800 - THAT'S ME. 570 00:22:44,800 --> 00:22:46,100 - THAT'S-- YEAH, MAYBE--I AM-- 571 00:22:46,100 --> 00:22:48,370 I AM MUCH MORE A GIRL'S GIRL. 572 00:22:48,367 --> 00:22:51,727 - I AM DEFINITELY MORE COMFORTABLE AROUND MEN. 573 00:22:51,734 --> 00:22:53,734 - I AM TOO. - I JUST DON'T. 574 00:22:53,734 --> 00:22:55,834 - I FEEL ALSO WOMEN ARE VERY CATTY TO ME. 575 00:22:55,834 --> 00:22:57,674 WOMEN HAVE ALWAYS BEEN REALLY CATTY. 576 00:22:57,667 --> 00:22:59,367 - THEY ALWAYS WILL BE. THEY ALWAYS WILL BE. 577 00:22:59,367 --> 00:23:01,327 - I KNOW THAT. SO I'VE ALWAYS BEEN GUARDED. 578 00:23:01,333 --> 00:23:03,103 - WELL, OF COURSE PEOPLE ARE CATTY WITH CAMILLE, 579 00:23:03,100 --> 00:23:05,530 OTHERWISE YOU CANNOT BE AROUND HER. 580 00:23:05,533 --> 00:23:08,003 - GIRLS ARE VERY CATTY WITH HER. 581 00:23:08,000 --> 00:23:11,200 AND INSECURE. 582 00:23:11,200 --> 00:23:14,070 - IN NEW YORK. - THAT'S WHY WE HAD AN ISSUE. 583 00:23:14,066 --> 00:23:15,796 - OH, NO. NOT NEW YORK. 584 00:23:15,800 --> 00:23:18,170 - MAYBE YOU WERE MORE DEFENSIVE AND I WAS... 585 00:23:18,166 --> 00:23:19,966 - YEAH, THAT COULD BE IT. - KNOW WHAT I MEAN? 586 00:23:19,967 --> 00:23:22,627 - MAYBE I FELT I HAD TO BE DEFENSIVE. 587 00:23:22,633 --> 00:23:25,673 - YOU'RE OFFENSIVE. 588 00:23:27,500 --> 00:23:29,500 - ANY ISSUES THAT CAME ABOUT IN NEW YORK 589 00:23:29,500 --> 00:23:31,770 WAS NO ILL--NO. 590 00:23:31,767 --> 00:23:33,667 NO--I HAD NO ILL INTENTIONS. 591 00:23:33,667 --> 00:23:35,567 - I THINK--I GUESS IT WAS A MISUNDERSTANDING. 592 00:23:35,567 --> 00:23:37,027 SHE KNOWS NOTHING. 593 00:23:37,033 --> 00:23:38,503 I DIDN'T TELL YOU ANYTHING ABOUT IT, DID I? 594 00:23:38,500 --> 00:23:39,900 - NO, YOU HESITATED. - I JUST SAID 595 00:23:39,900 --> 00:23:41,130 "I'M NOT GOING TO SAY ANYTHING. 596 00:23:41,133 --> 00:23:43,003 BEFORE SHE GOT HERE, I SAID "I DON'T-- 597 00:23:43,000 --> 00:23:44,600 I'M NOT GOING TO SAY ANYTHING" 598 00:23:44,600 --> 00:23:46,300 'CAUSE I DON'T WANT IT TO FEEL-- 599 00:23:46,300 --> 00:23:49,400 - THAT'S HARD FOR ME TO BELIEVE, HONESTLY. 600 00:23:49,400 --> 00:23:52,570 THE REALITY-- THE REALITY OF IT-- 601 00:23:52,567 --> 00:23:55,227 AND I AM LIKE, HONEST GIRL BEYOND BELIEF. 602 00:23:55,233 --> 00:23:57,803 - THAT'S DISMISSING WHAT I'M SAYING. 603 00:23:57,800 --> 00:23:59,230 - I THOUGHT, "HERE WE GO." 604 00:23:59,233 --> 00:24:02,333 [chatter overlapping] 605 00:24:02,333 --> 00:24:04,433 - OH, OKAY, NOW I KNOW WHY FAYE'S HERE. 606 00:24:04,433 --> 00:24:05,903 GOT IT. 607 00:24:05,900 --> 00:24:08,630 I DON'T THINK ANYBODY SHOULD COME INTO ANYBODY'S HOME 608 00:24:08,633 --> 00:24:11,633 AND ACCUSE THEM OF LYING. FAYE HIT WAY BELOW THE BELT. 609 00:24:12,900 --> 00:24:15,230 - I HAD TO CALL BULL[bleep], HONESTLY. 610 00:24:15,233 --> 00:24:16,733 IT JUST DID NOT MAKE SENSE TO ME. 611 00:24:16,734 --> 00:24:19,674 - BY YOU SAYING THAT IS SAYING THAT I'M NOT TELLING THE TRUTH. 612 00:24:19,667 --> 00:24:22,597 - GIRLFRIENDS TELL EACH OTHER WHAT'S REALLY GOING ON. 613 00:24:22,600 --> 00:24:24,930 KYLE TELLS ME WHAT'S HAPPENING IN HER LIFE. 614 00:24:24,934 --> 00:24:26,634 AND IF YOU WERE HER GOOD GIRLFRIEND, 615 00:24:26,633 --> 00:24:28,203 YOU WOULD KNOW WHAT'S HAPPENING IN HER LIFE. 616 00:24:28,200 --> 00:24:30,030 - SO YOU'RE SAYING WE'RE NOT GOOD GIRLFRIENDS 617 00:24:30,033 --> 00:24:31,473 BECAUSE SHE DIDN'T TELL ME WHAT WAS 618 00:24:31,467 --> 00:24:33,297 HAPPENING IN NEW YORK? - MY PSYCHIC ABILITIES 619 00:24:33,300 --> 00:24:35,230 TELLS ME NO. 620 00:24:35,233 --> 00:24:37,703 - I KNOW MY GIRLFRIEND, ALLISON'S PERSONALITY. 621 00:24:37,700 --> 00:24:39,630 AND I FELT LIKE SHE WAS GETTING PUSHED. 622 00:24:39,633 --> 00:24:43,833 AND FAYE RESNICK QUESTIONED THE VALIDITY 623 00:24:43,834 --> 00:24:46,534 OF HER GIFTS AND TALENT. 624 00:24:46,533 --> 00:24:48,403 THAT WOULD UPSET ANYBODY. 625 00:24:48,400 --> 00:24:50,930 - I KNOW MORE THAN YOU THINK I KNOW. 626 00:24:50,934 --> 00:24:53,504 - IF SHE NEEDS MY HELP SHE WILL TELL ME. 627 00:24:53,500 --> 00:24:56,300 SHE DOESN'T RELY ON ME, SHE CAN FIGHT HER OWN BATTLES. 628 00:24:56,300 --> 00:24:58,070 IF SHE CAN'T FIGHT HER OWN BATTLES 629 00:24:58,066 --> 00:24:59,966 AND YOU HAVE TO BE THERE, SO BE IT. 630 00:24:59,967 --> 00:25:01,997 BUT DON'T SAY I'M NOT THERE FOR CAMILLE. 631 00:25:02,000 --> 00:25:04,130 - DID YOU COME HERE TO DEFEND KYLE? 632 00:25:04,133 --> 00:25:05,573 IS THAT WHY YOU CAME HERE, FAYE? 633 00:25:05,567 --> 00:25:06,827 - NO, I CAME HERE TO BE WITH MY GIRLFRIEND. 634 00:25:06,834 --> 00:25:08,104 - DID YOU COME HERE-- 635 00:25:08,100 --> 00:25:09,770 NO, I DON'T THINK SO AT THIS POINT. 636 00:25:09,767 --> 00:25:11,227 I THINK-- - WHY? WHY? 637 00:25:11,233 --> 00:25:13,703 - WHY? BECAUSE THE WAY YOU'RE TALKING 638 00:25:13,700 --> 00:25:17,300 SOUNDS LIKE SHE'S CUED YOU IN, AND YOU CAME TO DEFEND HER. 639 00:25:17,300 --> 00:25:19,170 - NO, NO, NO. WE ALL HAVE-- 640 00:25:19,166 --> 00:25:20,926 LET'S JUST GET HONEST. 641 00:25:20,934 --> 00:25:22,404 - YEAH, THAT'S WHAT I'M ASKING YOU. 642 00:25:22,400 --> 00:25:23,700 - YOU REMIND ME OF A CHEERLEADER. 643 00:25:23,700 --> 00:25:25,530 - OOH, THAT WAS SO-- - I JUST THINK IT'S TIME-- 644 00:25:25,533 --> 00:25:27,573 - THIS IS SUCH A HYPOCRITICAL STATEMENT. 645 00:25:27,567 --> 00:25:29,827 - THAT IS SO RICH. 646 00:25:29,834 --> 00:25:32,234 - OH, MY GOD, THAT'S BAD NEWS. - THAT'S NOT TRUE. 647 00:25:32,233 --> 00:25:34,003 - I FELT LIKE WE WERE BEING AMBUSHED. 648 00:25:34,000 --> 00:25:36,130 AND FAYE CERTAINLY FELT LIKE WE WERE BEING AMBUSHED, 649 00:25:36,133 --> 00:25:38,573 SO SHE ALSO GOT VERY DEFENSIVE. 650 00:25:38,567 --> 00:25:40,767 - OKAY, I... - YOU'RE USED TO THAT. 651 00:25:40,767 --> 00:25:43,897 - ALL I KNOW IS THERE WAS AN ATTACK MADE ON MY FRIEND. 652 00:25:43,900 --> 00:25:45,800 - WAIT A SECOND. ATTACK? 653 00:25:45,800 --> 00:25:47,530 WAIT A SECOND. WAIT A SECOND. WAIT A SECOND. 654 00:25:47,533 --> 00:25:48,933 - LET'S NOT GO BACKWARDS. 655 00:25:48,934 --> 00:25:50,704 - DID I THINK IT WAS A SETUP? ABSOLUTELY. 656 00:25:50,700 --> 00:25:55,830 YEAH. I THOUGHT FAYE WAS THERE TO BE KYLE'S WINGMAN. 657 00:25:55,834 --> 00:25:57,674 - IF SHE CHOOSES TO SPEAK UP AND SAY SOMETHING, 658 00:25:57,667 --> 00:25:59,467 SHE CAN. - WOW. 659 00:25:59,467 --> 00:26:03,067 FOR HER TO BRING IN FAYE RESNICK TO COME 660 00:26:03,066 --> 00:26:04,496 AS HER MOUTHPIECE... 661 00:26:04,500 --> 00:26:06,370 I MEAN, KYLE DOESN'T EVEN NEED A MOUTHPIECE, 662 00:26:06,367 --> 00:26:07,497 SHE'S A MOUTH ALL ON HER OWN. 663 00:26:07,500 --> 00:26:09,300 BUT TO BRING HER, 664 00:26:09,300 --> 00:26:11,530 I MUST BE ONE HELL OF A POWERFUL PERSON. 665 00:26:11,533 --> 00:26:14,333 [giggles] - LET'S NOT GO BACKWARDS. 666 00:26:14,333 --> 00:26:15,873 - CAMILLE, THAT'S THE WAY SHE SEES IT. 667 00:26:15,867 --> 00:26:17,097 PLEASE, WE DON'T HAVE TO GO-- 668 00:26:17,100 --> 00:26:18,230 - HOW DID I ATTACK YOU? 669 00:26:18,233 --> 00:26:19,833 I WAS AT THE TABLE-- 670 00:26:19,834 --> 00:26:21,334 - LET'S NOT HEAD BACKWARDS, PLEASE. 671 00:26:21,333 --> 00:26:23,103 - FAYE, YOU WEREN'T THERE. 672 00:26:23,100 --> 00:26:25,700 D.D. WAS IN NEW YORK, SO SHE KNOWS WHAT HAPPENED. 673 00:26:25,700 --> 00:26:28,670 - BUT SHE DOESN'T KNOW THE BACK-STORY, CAMILLE. 674 00:26:28,667 --> 00:26:31,327 - DID I ATTACK KYLE? - NO. 675 00:26:31,333 --> 00:26:32,933 HONESTLY, I WALKED IN AND ALL I SAW WAS-- 676 00:26:32,934 --> 00:26:34,534 - OF COURSE, BECAUSE, CAMILLE, 677 00:26:34,533 --> 00:26:36,933 YOU SAT THERE THE ENTIRE NIGHT LIKE THIS, 678 00:26:36,934 --> 00:26:38,834 YOU KNOW, WITH YOUR HAND THERE LIKE THAT. 679 00:26:38,834 --> 00:26:40,634 - BUT THAT'S WHO I AM, KYLE. 680 00:26:40,633 --> 00:26:42,173 - NO, THAT'S NOT WHO YOU ARE, CAMILLE. 681 00:26:42,166 --> 00:26:45,996 THAT'S WHO YOU ARE PRETENDING TO BE. 682 00:26:46,000 --> 00:26:47,330 - COMING UP... 683 00:26:47,333 --> 00:26:50,903 - ONE OF THEM WILL KILL THE OTHER TO FEED THEIR YOUNG, 684 00:26:50,900 --> 00:26:53,800 IF THEY DON'T EAT THEIR YOUNG. THAT'S THOSE WOMEN. 685 00:26:58,333 --> 00:26:59,533 - SHE'S NOT PRETENDING TO BE THAT, THAT'S WHO SHE IS. 686 00:26:59,533 --> 00:27:01,073 - OH, ALLISON, 687 00:27:01,066 --> 00:27:02,826 I'M NOT TALKING TO YOU. - OH, BUT I'M TALKING TO YOU. 688 00:27:02,834 --> 00:27:04,604 - I'M NOT TALKING TO YOU. - BUT I'M TALKING TO YOU. 689 00:27:04,600 --> 00:27:07,000 - EXCUSE ME, YOU'RE BORING ME. 690 00:27:07,000 --> 00:27:08,770 - ALLISON WAS STANDING UP FOR ME. 691 00:27:08,767 --> 00:27:12,697 AND I--LISTEN, I'M GLAD BECAUSE SHE'S-- 692 00:27:12,700 --> 00:27:14,570 OUT OF ALL THE GIRLS THAT ARE THERE, 693 00:27:14,567 --> 00:27:16,167 SHE'S THE ONLY ONE THAT STOOD UP FOR ME. 694 00:27:16,166 --> 00:27:18,196 - CAMILLE, I WAS HAVING A CONVERSATION WITH YOU. 695 00:27:18,200 --> 00:27:21,030 - YOU ARE ENTIRELY WASHED UP. ENJOY YOUR LIFE. 696 00:27:21,033 --> 00:27:23,073 - I CAME HERE BRINGING ALLISON 697 00:27:23,066 --> 00:27:25,366 'CAUSE ALLISON'S FOR INTERESTING CONVERSATION. 698 00:27:25,367 --> 00:27:26,897 IT WAS FOR INTERESTING CONVERSATION-- 699 00:27:26,900 --> 00:27:28,400 - WE'RE NOT ALLOWED TO TALK TO HER ABOUT IT 700 00:27:28,400 --> 00:27:29,630 'CAUSE SHE'S NOW "OFF THE CLOCK." 701 00:27:29,633 --> 00:27:32,273 - YOU'RE NOT HIRING ME. I'M A DINNER GUEST. 702 00:27:32,266 --> 00:27:33,866 I WAS BEING POLITE. 703 00:27:33,867 --> 00:27:37,767 WHEN Y'ALL WERE IRRITATING ME, I APPEASED YOU. 704 00:27:37,767 --> 00:27:39,897 BE CLEAR ON THAT. 705 00:27:39,900 --> 00:27:42,370 I HAVE BOOKS WRITTEN ON ME AND BY ME, 706 00:27:42,367 --> 00:27:44,127 AND A TELEVISION SHOW IS BASED ON MY LIFE. 707 00:27:44,133 --> 00:27:45,473 - DARLING-- - SO IF YOU CAN JUST, 708 00:27:45,467 --> 00:27:47,067 LIKE, TAKE A FLYING LEAP. 709 00:27:47,066 --> 00:27:50,796 - COULD YOU BELIEVE THAT WAS HAPPENING IN BEVERLY HILLS? 710 00:27:50,800 --> 00:27:53,400 WE DON'T DO THINGS LIKE THAT AT DINNER PARTIES. 711 00:27:53,400 --> 00:27:55,270 - YOU ARE. YOU ARE. 712 00:27:55,266 --> 00:27:56,896 - I'M SO BORED WITH THIS CONVERSATION. 713 00:27:56,900 --> 00:27:58,800 - THEN LEAVE. - I'M TOTALLY OVER IT. 714 00:27:58,800 --> 00:28:01,400 - THEN LEAVE. IF YOU'RE OVER IT, THEN LEAVE. 715 00:28:01,400 --> 00:28:02,870 - ALLISON, YOU LEAVE. - WALK. 716 00:28:02,867 --> 00:28:05,527 YOU'VE GOT TWO LEGS THE LAST TIME WE CHECKED. 717 00:28:05,533 --> 00:28:06,733 - OOH. - [gasps] 718 00:28:06,734 --> 00:28:08,504 - WHAT IS THAT SUPPOSED TO MEAN? 719 00:28:08,500 --> 00:28:10,700 NOW DOES SHE HAVE THESE, LIKE, DEAD PEOPLE 720 00:28:10,700 --> 00:28:12,830 WHO CAN CHOP YOUR LEGS OFF UNDERNEATH THE DINNER TABLE 721 00:28:12,834 --> 00:28:14,274 WITHOUT YOU KNOWING IT? 722 00:28:14,266 --> 00:28:16,096 - IS SHE ABOUT TO TAKE ONE OFF? 723 00:28:16,100 --> 00:28:18,200 IS THAT WHAT YOU DO IS JUST ATTACK PEOPLE? 724 00:28:18,200 --> 00:28:21,970 AND THEN WHEN THEY GET REAL, YOU JUST, LIKE, BECOME EVEN-- 725 00:28:21,967 --> 00:28:23,997 - THAT IS SO RICH COMING FROM SOMEBODY 726 00:28:24,000 --> 00:28:25,700 THAT CAME HERE TO STIR UP [bleep]. 727 00:28:25,700 --> 00:28:27,130 - ALLISON, YOU'VE BEEN SITTING HERE 728 00:28:27,133 --> 00:28:28,903 WITH A WEIRD ATTITUDE ALL NIGHT. 729 00:28:28,900 --> 00:28:32,070 - A WEIRD ATTITUDE ALL NIGHT? WOW. 730 00:28:32,066 --> 00:28:33,966 THEN WHY WERE YOU TALKING TO ME SO MUCH? 731 00:28:33,967 --> 00:28:35,497 - I WAS CURIOUS ABOUT YOU. 732 00:28:35,500 --> 00:28:36,870 - WELL, YOU KNOW WHAT, 733 00:28:36,867 --> 00:28:38,167 YOU ARE NOT INTERESTING TO ME AT ALL. 734 00:28:38,166 --> 00:28:39,496 - WELL, YOU'RE NOT TO ME EITHER. 735 00:28:39,500 --> 00:28:41,170 - SO YOU CONTINUE BEING INTERESTED BY ME. 736 00:28:41,166 --> 00:28:44,366 THAT'S AWESOME. YOU HAVE TWO LEGS TOO. 737 00:28:44,367 --> 00:28:46,797 THEY CAN WALK. - EEW. 738 00:28:46,800 --> 00:28:49,100 WHAT IS THIS? THIS WHAT SHE DOES? 739 00:28:49,100 --> 00:28:51,170 IS THIS WHAT YOU DO? 740 00:28:51,166 --> 00:28:53,396 - I FELT THAT IT STARTED OUT POSITIVE 741 00:28:53,400 --> 00:28:54,700 AND IT WENT DOWN IN FLAMES. 742 00:28:54,700 --> 00:28:57,000 - OH, THIS IS RIDICULOUS. 743 00:28:57,000 --> 00:28:59,870 - I JUST FELT LIKE IT WASN'T REALLY WORTH MY TIME 744 00:28:59,867 --> 00:29:02,467 TO GET INVOLVED WITH THIS PETTY NONSENSE. 745 00:29:02,467 --> 00:29:05,167 [overlapping chatter] 746 00:29:05,166 --> 00:29:07,126 - EW! WHO ARE YOU? 747 00:29:07,133 --> 00:29:10,033 - ALLISON, ALL I CARE-- 748 00:29:10,033 --> 00:29:11,873 LET ME TELL YOU SOMETHING RIGHT NOW. 749 00:29:11,867 --> 00:29:13,727 ALL OF THIS IS UNIMPORTANT TO ME. 750 00:29:13,734 --> 00:29:15,274 I HAVE FOUR BEAUTIFUL CHILDREN. 751 00:29:15,266 --> 00:29:17,066 LOOK HOW SHE TURNS HER HEAD LIKE THIS. 752 00:29:17,066 --> 00:29:19,996 WHAT, ARE WE IN ELEMENTARY SCHOOL? 753 00:29:20,000 --> 00:29:23,000 - ALLISON WAS... [inhales] 754 00:29:23,000 --> 00:29:24,470 [whispers] PUFFING AWAY. 755 00:29:24,467 --> 00:29:25,697 - I HAD ALSO HEARD 756 00:29:25,700 --> 00:29:27,770 THAT THINGS WERE SAID AT THE AIRPORT. 757 00:29:27,767 --> 00:29:29,327 - AND THAT'S WHEN I CAME TO YOU AND I SAID 758 00:29:29,333 --> 00:29:31,403 TO YOU, "WHERE DID THIS ALL COME FROM?" 759 00:29:31,400 --> 00:29:34,370 AND YOU SAID, "TAYLOR, YOU WERE TELLING ME--" 760 00:29:34,367 --> 00:29:37,467 - I WASN'T TELLING YOU ANYTHING. YOU WERE BAITING ME. 761 00:29:37,467 --> 00:29:40,267 - I WASN'T BAITING. - YOU WERE 100% BAITING ME. 762 00:29:40,266 --> 00:29:42,196 I WASN'T THERE. - ALL OF THE SUDDEN, 763 00:29:42,200 --> 00:29:44,230 I HEAR KIM AND TAYLOR FIGHTING AGAIN. 764 00:29:44,233 --> 00:29:45,903 WHAT IS THIS, CONTAGIOUS? 765 00:29:45,900 --> 00:29:47,770 I SAW YOU-- - PLEASE. 766 00:29:47,767 --> 00:29:49,827 DO ME A FAVOR AND DON'T. - DO ME A FAVOR. 767 00:29:49,834 --> 00:29:51,634 [overlapping arguments] 768 00:29:51,633 --> 00:29:54,833 - THIS IS ALL [bleep] TO ME, OKAY? 769 00:29:54,834 --> 00:29:56,804 - I FEEL LIKE THE DINNER TABLE WAS 770 00:29:56,800 --> 00:29:59,570 JUST A SWIRLING TORNADO. 771 00:29:59,567 --> 00:30:03,267 YOU NEED TO STAND UP AND SAY, "STOP." 772 00:30:03,266 --> 00:30:04,826 - WHY DON'T YOU STAND UP AND SAY "STOP"? 773 00:30:04,834 --> 00:30:06,104 - I CAN'T STOP YOU, 774 00:30:06,100 --> 00:30:07,430 BECAUSE YOU'RE OFF YOUR [bleep] ROCKER. 775 00:30:07,433 --> 00:30:09,203 - OH, REALLY? - THAT'S THE PROBLEM WITH YOU. 776 00:30:09,200 --> 00:30:10,430 - OH, THAT'S WHAT I THINK ABOUT YOU. 777 00:30:10,433 --> 00:30:11,733 - OKAY, ENOUGH. GIRLS, ENOUGH. ENOUGH. 778 00:30:11,734 --> 00:30:13,204 - WHY DON'T YOU GO BLOW UP YOUR LIPS SOME MORE? 779 00:30:13,200 --> 00:30:15,870 - ENOUGH! ENOUGH! ENOUGH. ENOUGH. 780 00:30:15,867 --> 00:30:17,027 WE'RE NOT DOING THIS ANYMORE. 781 00:30:17,033 --> 00:30:19,173 I'M NOT HAVING THIS ANYMORE. ENOUGH. 782 00:30:19,166 --> 00:30:21,226 GET UP. 783 00:30:21,233 --> 00:30:23,503 - I WAS SURPRISED THAT TAYLOR STEPPED UP. 784 00:30:23,500 --> 00:30:24,630 I WISH SHE COULD DO THAT 785 00:30:24,633 --> 00:30:26,073 A LITTLE BIT MORE WITH HER HUSBAND. 786 00:30:26,066 --> 00:30:27,666 YOU KNOW, THAT KIND OF CONVICTION 787 00:30:27,667 --> 00:30:28,927 WOULD BE GREAT IN HER MARRIAGE. 788 00:30:28,934 --> 00:30:30,574 - THESE ARE NOT THE LADIES THAT WE ARE. 789 00:30:30,567 --> 00:30:33,627 ENOUGH. 790 00:30:36,533 --> 00:30:37,873 - I DON'T GET IT. 791 00:30:37,867 --> 00:30:39,067 I'VE NEVER HAD A PROBLEM LIKE THIS 792 00:30:39,066 --> 00:30:40,966 WITH A WOMAN IN MY LIFE. I DON'T GET IT. 793 00:30:40,967 --> 00:30:43,967 - I DON'T HAVE A PROBLEM WITH YOU, KYLE. 794 00:30:43,967 --> 00:30:47,527 THAT'S THE WHOLE THING. I--I JUST... 795 00:30:47,533 --> 00:30:50,373 WELL, AFTER NEW YORK, I KIND OF FELT BAD. 796 00:30:50,367 --> 00:30:52,597 YOU DID CALL ME A DELUSIONAL BITCH. 797 00:30:55,800 --> 00:30:59,130 THERE'S GOT TO BE SOMETHING ELSE GOING ON WITH HER 798 00:30:59,133 --> 00:31:03,333 THAT MAYBE SHE DOESN'T EVEN KNOW OR REALIZE. 799 00:31:03,333 --> 00:31:04,903 I HONESTLY THINK IT'S JEALOUSY. 800 00:31:04,900 --> 00:31:06,970 I THINK THERE'S SOME KIND OF JEALOUSY THERE. 801 00:31:06,967 --> 00:31:09,127 I MEAN, I HATE TO SAY THAT. I HATE SAYING THAT. 802 00:31:09,133 --> 00:31:12,103 BUT I THINK THAT IT'S A BIG PART OF THIS. 803 00:31:14,500 --> 00:31:16,300 - I WOULD NOT WANNA TRADE PLACES WITH CAMILLE 804 00:31:16,300 --> 00:31:17,730 FOR ANYTHING. I REALLY WOULDN'T. 805 00:31:17,734 --> 00:31:20,974 I LOVE MY HUSBAND, I HAVE AMAZING CHILDREN, 806 00:31:20,967 --> 00:31:23,527 I'M NOT JEALOUS OF CAMILLE, LET ME JUST SAY. 807 00:31:23,533 --> 00:31:26,133 CAMILLE, IF SOMEONE SAYS TO YOU 808 00:31:26,133 --> 00:31:27,903 "IS KELSEY GOING WITH YOU TO HAWAII?" 809 00:31:27,900 --> 00:31:29,300 AND YOU SAY "NO" AND THEN YOU HEAR 810 00:31:29,300 --> 00:31:32,730 "WHO WANTS YOU WITHOUT KELSEY?" THEN THAT'S DELUSIONAL. 811 00:31:32,734 --> 00:31:34,734 - THAT IS A [bleep] UP THING TO SAY. 812 00:31:34,734 --> 00:31:36,904 THAT'S A [bleep] UP THING TO SAY. 813 00:31:36,900 --> 00:31:38,600 - WE CAN'T GO DOWN THAT ROAD AGAIN. 814 00:31:38,600 --> 00:31:41,130 - SHE'S CAN'T SAY WHAT CAMILLE THOUGHT. 815 00:31:41,133 --> 00:31:43,073 SHE DOESN'T KNOW THAT. SHE'S NOT CAMILLE. 816 00:31:43,066 --> 00:31:44,726 - I'M NOT TALKING TO YOU, ALLISON. 817 00:31:44,734 --> 00:31:46,374 - OH, YOU ARE 'CAUSE YOU'RE LOOKING AT ME. 818 00:31:46,367 --> 00:31:47,797 - GET OVER IT. GO. WHATEVER. 819 00:31:47,800 --> 00:31:49,570 SMOKE YOUR ELECTRONIC CIGARETTE AND DRINK YOUR MARTINI. 820 00:31:49,567 --> 00:31:51,097 I'M TALKING TO CAMILLE. 821 00:31:51,100 --> 00:31:54,000 THERE WERE SO MANY COMMENTS FLYING OUT OF ALLISON'S MOUTH, 822 00:31:54,000 --> 00:31:56,600 THEY WERE LIKE DAGGERS. AND I WAS JUST LIKE... 823 00:31:56,600 --> 00:31:58,530 LIKE, TRYING TO DODGE EACH LITTLE THING. 824 00:31:58,533 --> 00:32:01,503 - YOU SAID THAT. - NO. NO, YOU HEARD THAT. 825 00:32:01,500 --> 00:32:04,730 YOU HEARD THAT. - YOU SAID THAT. 826 00:32:04,734 --> 00:32:07,274 IF SHE SAYS YOU SAID THAT, YOU SAID THAT. 827 00:32:07,266 --> 00:32:08,666 - OH, REALLY? 828 00:32:08,667 --> 00:32:10,597 - YOU SAVE YOUR STORIES AND YOU TWEAK THEM. 829 00:32:10,600 --> 00:32:12,130 - NO YOU JUST LOST ALL CREDIBILITY. 830 00:32:12,133 --> 00:32:13,633 - ALL RIGHT. - ALL CREDIBILITY. 831 00:32:13,633 --> 00:32:15,833 - I COULD GIVE A [bleep] WITH YOU, REALLY. 832 00:32:15,834 --> 00:32:17,434 - IT'S ONE THING FOR US IF WE'RE DEALING 833 00:32:17,433 --> 00:32:19,133 WITH A SITUATION. - I COULD GIVE A [bleep]. 834 00:32:19,133 --> 00:32:20,833 - YOU AS A PSYCHIC SAYS "OH, YOU SAID THAT 835 00:32:20,834 --> 00:32:22,574 BECAUSE CAMILLE SAID SO." 836 00:32:22,567 --> 00:32:24,527 OH, THAT'S VERY PROFOUND. 837 00:32:24,533 --> 00:32:25,903 - YOU'RE NOTHING. - YOU'RE DONE. 838 00:32:25,900 --> 00:32:27,970 - YOU'VE DONE NOTHING. YOU'RE NOTHING. 839 00:32:27,967 --> 00:32:29,867 - ALLISON, THAT'S OKAY. - YOU'VE DONE NOTHING. 840 00:32:29,867 --> 00:32:31,197 THERE'S CERTAIN THINGS 841 00:32:31,200 --> 00:32:32,870 THAT I'M NOT GONNA SAY TO THESE WOMEN. 842 00:32:32,867 --> 00:32:35,267 I DIDN'T WANT TO ENGAGE IN AN ARGUMENT. 843 00:32:35,266 --> 00:32:37,796 I DON'T WANNA COME ACROSS AS THAT KIND OF PERSON. 844 00:32:37,800 --> 00:32:40,930 AND THANK GOD FOR ALLISON TO BE THERE 845 00:32:40,934 --> 00:32:43,434 AND SAY, "NO, YOU'RE WRONG." 846 00:32:43,433 --> 00:32:45,303 YOU KNOW, I'M GONNA STAND UP FOR MY FRIEND 847 00:32:45,300 --> 00:32:47,700 AND YOU CAN'T SAY THAT. - ALLISON, THAT'S OKAY. 848 00:32:47,700 --> 00:32:49,630 - YOU'VE DONE NOTHING. - ALLISON, SHH. 849 00:32:51,300 --> 00:32:53,600 - SHE'S SUCH A BITCH. - LET'S GO, GUYS. 850 00:32:53,600 --> 00:32:55,330 COME ON. COME ON. 851 00:32:55,333 --> 00:32:59,703 - THE HAND GESTURES. WHAT WAS THAT? 852 00:32:59,700 --> 00:33:01,100 I MEAN, TO ME, THAT WAS LIKE 853 00:33:01,100 --> 00:33:02,970 SOMETHING YOU WOULD SEE A TRUCK DRIVER DO. 854 00:33:02,967 --> 00:33:05,797 THAT WAS TRAILER PARK STUFF. 855 00:33:05,800 --> 00:33:07,000 WHO RAISED YOU? 856 00:33:07,000 --> 00:33:08,830 - MY DAD SAID, "LIVE LIFE LARGE 857 00:33:08,834 --> 00:33:10,704 AND MAKE NO APOLOGIES FOR WHO YOU ARE." 858 00:33:10,700 --> 00:33:12,430 [bleep] THEM. - ALLISON-- 859 00:33:12,433 --> 00:33:14,173 - I DON'T GIVE A [bleep] WHAT SHE THINKS ABOUT ME. 860 00:33:14,166 --> 00:33:15,496 SHE CAN [bleep] OFF. 861 00:33:15,500 --> 00:33:19,070 I CAN--I CAN TELL YOU WHEN SHE WILL DIE 862 00:33:19,066 --> 00:33:20,526 AND WHAT WILL HAPPEN TO HER FAMILY. 863 00:33:20,533 --> 00:33:23,903 I LOVE THAT ABOUT ME. - [awkward giggles] 864 00:33:23,900 --> 00:33:25,500 - I--I'M REALLY UPSET WITH THE WAY YOU-- 865 00:33:25,500 --> 00:33:26,670 - NO, I'M UPSET WITH YOU. 866 00:33:26,667 --> 00:33:27,967 - I'M UPSET WITH YOU. 867 00:33:27,967 --> 00:33:29,027 TAYLOR AND I JUST-- 868 00:33:29,033 --> 00:33:30,273 WHEN THERE'S CONFLICT, 869 00:33:30,266 --> 00:33:31,996 JUST SEEM TO, LIKE, LOOK AT EACH OTHER 870 00:33:32,000 --> 00:33:34,030 AND IT'S, LIKE, "MEOW." 871 00:33:34,033 --> 00:33:35,873 - SHE STRESSED ME OUT SO BADLY. 872 00:33:35,867 --> 00:33:37,497 - ME TOO. THAT'S HOW IT STARTED TONIGHT. 873 00:33:37,500 --> 00:33:40,100 - UGH. 874 00:33:40,100 --> 00:33:43,030 - THANK YOU FOR HAVING US. UM--OH, GOD. 875 00:33:43,033 --> 00:33:44,233 - WATCH--WATCH YOUR STEP. 876 00:33:44,233 --> 00:33:45,903 - OH. 877 00:33:45,900 --> 00:33:47,700 - KIM, SHE'S GOTTA FIGHT WITH SOMEBODY. 878 00:33:47,700 --> 00:33:49,770 SO IT'S GONNA BE ME, I GUESS. 879 00:33:49,767 --> 00:33:51,827 - WE ALREADY HAVE SOMETHING GOING ON WITH CAMILLE. 880 00:33:51,834 --> 00:33:53,934 AND THEN YOU GUYS START-- I DON'T UNDERSTAND THIS. 881 00:33:53,934 --> 00:33:56,004 - SHE BROUGHT UP THE WORD "INSECURE," AND SHE SAID-- 882 00:33:56,000 --> 00:33:57,830 AND YOU SAID YOU BROUGHT IT UP IN THE AIRPORT. 883 00:33:57,834 --> 00:33:59,704 - IF I'M ALREADY HAVING A PROBLEM WITH CAMILLE, 884 00:33:59,700 --> 00:34:01,100 AND THERE'S ALREADY PROBLEMS AND FIGHTING, 885 00:34:01,100 --> 00:34:02,900 WHY DO YOU BRING THAT UP? 886 00:34:02,900 --> 00:34:04,400 - I DIDN'T BRING IT UP. - IN NEW YORK, YOU DID. 887 00:34:04,400 --> 00:34:06,200 - OH, MY GOD! - WE'RE HAVING A HORRIBLE NIGHT, 888 00:34:06,200 --> 00:34:07,570 WE'RE HAVING ALL THIS FIGHTING. 889 00:34:07,567 --> 00:34:08,927 ALL OF THE SUDDEN, YOU DECIDE TO ATTACK TAYLOR 890 00:34:08,934 --> 00:34:10,304 OUT OF THE BLUE? 891 00:34:10,300 --> 00:34:11,630 THIS IS JUST ADDING FUEL TO THE FIRE. 892 00:34:11,633 --> 00:34:13,533 PUT YOUR GASOLINE AND MATCHES AWAY. 893 00:34:13,533 --> 00:34:15,303 FLIPPIN' HAUNTED HOUSE AT DISNEYLAND. 894 00:34:15,300 --> 00:34:16,530 I JUST WANT TO GET OUT OF HERE. 895 00:34:16,533 --> 00:34:18,003 I CANNOT DEAL WITH THIS CRAP. 896 00:34:18,000 --> 00:34:20,470 - I MEAN, IT WAS A FEW CLOWNS SHORT OF A CIRCUS. 897 00:34:22,900 --> 00:34:24,930 - I WAS HOPING THAT TAYLOR WOULD COME TO MY DEFENSE. 898 00:34:24,934 --> 00:34:26,704 TAYLOR HAD BEFRIENDED ME 899 00:34:26,700 --> 00:34:28,470 OVER THE COURSE OF THE LAST SEVERAL WEEKS. 900 00:34:28,467 --> 00:34:30,927 AND SHE'S BEEN A GOOD SOURCE OF INFORMATION FOR ME. 901 00:34:30,934 --> 00:34:32,904 - YOU WANNA JUST HANG OUT WITH ME, HONEY? 902 00:34:32,900 --> 00:34:34,170 - YEAH. I'M HERE WITH YOU. 903 00:34:34,166 --> 00:34:36,666 HOW WAS IT-- HOW WAS THE FLIGHT OVER? 904 00:34:36,667 --> 00:34:39,127 - WHAT DID YOU SAY TO CAMILLE 905 00:34:39,133 --> 00:34:41,203 UP IN THAT PENTHOUSE IN NEW YORK? 906 00:34:41,200 --> 00:34:42,970 - [laughing] - DON'T LAUGH, I WANT TO KNOW. 907 00:34:42,967 --> 00:34:44,427 CAMILLE ASKED ME IN THE BATHROOM, 908 00:34:44,433 --> 00:34:46,173 "HOW WAS YOUR TRIP IN WITH THE OTHER GIRLS?" 909 00:34:46,166 --> 00:34:48,026 - DID ANYBODY AT THIS TABLE 910 00:34:48,033 --> 00:34:50,573 TALK AFTER WE ALL LEFT HER? 911 00:34:50,567 --> 00:34:52,627 - SHE WARNED ME ABOUT WHAT WAS GOING DOWN IN NEW YORK 912 00:34:52,633 --> 00:34:54,173 BEFORE IT HAPPENED. 913 00:34:54,166 --> 00:34:55,926 SHE SAID THEY'RE GONNA TEAM UP, BASICALLY. 914 00:34:55,934 --> 00:34:57,704 SHE SAID, "THEY'RE GANGING UP ON YOU." 915 00:34:57,700 --> 00:35:01,270 - IN BIOLOGY, LIKE, CARNIVORES TURN ON EACH OTHER. 916 00:35:01,266 --> 00:35:04,026 CAN'T WE, LIKE, SAY YOU'RE SICK, AND PULL YOU OUT OF THE MIX, 917 00:35:04,033 --> 00:35:06,373 AND LET THEM TURN ON EACH OTHER, AND SEE WHO DIES? 918 00:35:06,367 --> 00:35:08,397 'CAUSE ONE OF THEM WILL KILL THE OTHER 919 00:35:08,400 --> 00:35:11,800 TO FEED THEIR YOUNG-- IF THEY DON'T EAT THEIR YOUNG. 920 00:35:11,800 --> 00:35:14,430 THAT'S THOSE WOMEN. CRAZY SCARY. 921 00:35:14,433 --> 00:35:16,803 - OH. - CAMILLE... 922 00:35:16,800 --> 00:35:18,930 - SHE'S BALLSY, THIS ONE. - DON'T APOLOGIZE. 923 00:35:18,934 --> 00:35:20,504 - KYLE'S A LITTLE BITCH. 924 00:35:20,500 --> 00:35:21,900 SHE'S A LITTLE BITCH. SHE IS. 925 00:35:21,900 --> 00:35:23,070 SHE'S THE RINGLEADER. 926 00:35:23,066 --> 00:35:24,926 SHE'S ALL, "YAP, YAP, YAP, YAP, YAP." 927 00:35:24,934 --> 00:35:27,074 KYLE WAS EVERY GIRL AT A HIGH SCHOOL 928 00:35:27,066 --> 00:35:28,926 THAT MADE SOMEBODY KILL THEMSELVES. 929 00:35:28,934 --> 00:35:30,534 SHE'S THAT CHICK. 930 00:35:30,533 --> 00:35:31,903 SHE'S THAT-- NO, SHE'S THAT GIRL 931 00:35:31,900 --> 00:35:35,830 THAT'S SO MEAN AND PROFOUNDLY BANKRUPT-- 932 00:35:35,834 --> 00:35:38,104 - YEAH, NO, I THINK SHE'S MORALLY BANKRUPT. 933 00:35:38,100 --> 00:35:40,200 - I ALMOST SHOVED THIS UP HER [bleep] ASS 934 00:35:40,200 --> 00:35:42,230 JUST TO PROVE A POINT. 935 00:35:42,233 --> 00:35:44,903 EXCEPT I THINK SHE'D NEED A BIGGER ONE THAN THIS 936 00:35:44,900 --> 00:35:46,500 TO EVEN FEEL IT. 937 00:35:46,500 --> 00:35:47,770 - OH! [giggles] 938 00:35:47,767 --> 00:35:49,127 - OH, YEAH, I WENT THERE. 939 00:35:49,133 --> 00:35:51,003 - [laughs] 940 00:35:51,000 --> 00:35:53,570 YOU DON'T WANT TO GO THERE ANYMORE. 941 00:35:53,567 --> 00:35:56,367 - GIRL, BITCH IS A ONE-SYLLABLE WORD FOR A REASON. 942 00:35:56,367 --> 00:35:57,897 IT'S ALL THEY UNDERSTAND. 943 00:35:57,900 --> 00:36:00,670 - THE ONLY MEAN GIRL THAT WAS THERE 944 00:36:00,667 --> 00:36:02,027 WAS ALLISON. 945 00:36:02,033 --> 00:36:03,673 HOW OBNOXIOUS, AND HOW HORRIBLE, 946 00:36:03,667 --> 00:36:06,467 AND HOW ABSOLUTELY DISTASTEFUL. 947 00:36:06,467 --> 00:36:08,797 - YOU STARTED THIS! - WHAT? 948 00:36:08,800 --> 00:36:10,170 - WAIT! NOW SHE'S-- 949 00:36:10,166 --> 00:36:11,326 - NEW YORK WAS WORSE. 950 00:36:11,333 --> 00:36:12,303 - LET ME JUST SAY THIS, OKAY? 951 00:36:12,300 --> 00:36:13,730 - YEAH. - IT MAY SEEM LIKE A-- 952 00:36:13,734 --> 00:36:15,704 - THE SPRINKLER'S COMING ON. [overlapping exclamations] 953 00:36:15,700 --> 00:36:17,800 - DID SHE TURN THEM ON? DID SHE TURN THEM ON? 954 00:36:17,800 --> 00:36:19,230 - THE PSYCHIC TURNED THEM ON. 955 00:36:19,233 --> 00:36:22,233 [laughter] 956 00:36:24,834 --> 00:36:27,234 - SO WEIRD. THE WHOLE SITUATION. 957 00:36:27,233 --> 00:36:30,033 - SHE CAME INTO MY HOME AND VERBALLY ASSAULTED ME. 958 00:36:30,033 --> 00:36:31,773 - FORGET HER. - UM, YOU KNOW, 959 00:36:31,767 --> 00:36:34,927 FOOL ME ONCE, SHAME ON-- YOU KNOW, WHAT IS IT? 960 00:36:34,934 --> 00:36:36,704 - WE'RE THE ONLY SANE PEOPLE IN HERE. 961 00:36:36,700 --> 00:36:38,230 YOU AND I NEED TO STICK TOGETHER, OKAY? 962 00:36:38,233 --> 00:36:39,803 - WE'RE GONNA RIDE IN ONE CAR 963 00:36:39,800 --> 00:36:41,600 AND YOU CAN TAKE THIS CAR BECAUSE I CAN'T-- 964 00:36:41,600 --> 00:36:43,370 I DON'T WANT TO GO OUT OF THE WAY, AND THIS AND THAT. 965 00:36:43,367 --> 00:36:44,997 I JUST WANT TO GET HOME NOW. - OH, THAT'S GOOD, 966 00:36:45,000 --> 00:36:46,330 ALL YOU RIDE TOGETHER, AND TALK ABOUT-- 967 00:36:46,333 --> 00:36:48,073 - I'M SORRY, BUT YOU'RE NEIGHBORS WITH CAMILLE. 968 00:36:48,066 --> 00:36:50,026 - DO I HAVE ANY INTENTIONS OF BEING THEIR FRIENDS? 969 00:36:50,033 --> 00:36:52,073 NO. - THEIR FRIENDS? 970 00:36:52,066 --> 00:36:53,666 THEY CAN'T EVEN SPELL "FRIENDS." 971 00:36:53,667 --> 00:36:57,697 - F-R-I-E-N-D-S. DID I GET IT? 972 00:36:57,700 --> 00:37:00,500 - HOW ABOUT "CRAZY?" C-R-A-Z-Y. 973 00:37:00,500 --> 00:37:02,300 - CAN I JUST SAY THIS? 974 00:37:02,300 --> 00:37:04,130 IF ANY OF THEIR CHILDREN DISAPPEARED, 975 00:37:04,133 --> 00:37:06,003 THEY WOULDN'T BE, LIKE, "YOU WERE WRONG." 976 00:37:06,000 --> 00:37:07,530 THEY'D BE, LIKE, "CAN YOU HELP--" 977 00:37:07,533 --> 00:37:09,203 [bleep] THEM. 978 00:37:09,200 --> 00:37:12,430 - THE BOTTOM LINE IS THEY WERE JUST THROWING 979 00:37:12,433 --> 00:37:13,903 WHATEVER THEY COULD UP TO A WALL-- 980 00:37:13,900 --> 00:37:16,370 - GARBAGE OF RUBIES AND DIAMONDS. 981 00:37:16,367 --> 00:37:20,227 THEY ARE A GARBAGE BIN OF JEWELS. 982 00:37:20,233 --> 00:37:22,873 LUCIFER HAS MANY FACES. 983 00:37:22,867 --> 00:37:24,527 - [giggles] 984 00:37:24,533 --> 00:37:26,503 - YOU DON'T TALK TO SOMEBODY LIKE THAT IN THEIR OWN HOME. 985 00:37:26,500 --> 00:37:28,300 I'M FROM ARIZONA, I MEAN, IT'S TOTALLY DIFFERENT. 986 00:37:28,300 --> 00:37:31,000 BUT EVEN HERE, LADIES AND THE CODES 987 00:37:31,000 --> 00:37:33,300 OF WHAT THEY CLAIM TO BE, LADIES... 988 00:37:33,300 --> 00:37:35,030 - WELL, I DON'T THINK THEY ARE WHAT THEY... 989 00:37:35,033 --> 00:37:36,733 - THEY'RE NOT LADIES. - NO. 990 00:37:36,734 --> 00:37:39,174 - THEY'RE SHADY LADIES. 991 00:37:39,166 --> 00:37:41,226 BUT ASIDE FROM THAT... - HONESTLY, 992 00:37:41,233 --> 00:37:43,473 I WOULD'VE THOUGHT THEY WOULD'VE BEEN A LOT CLASSIER. 993 00:37:43,467 --> 00:37:45,767 - THEM? YOU THOUGHT THEY'D BE CLASSIER? 994 00:37:45,767 --> 00:37:47,567 - NO, I AGREE. - NO, IT IS A SLIGHT AGAINST ME. 995 00:37:47,567 --> 00:37:49,097 - I THOUGHT TAYLOR WAS YOUR FRIEND. 996 00:37:49,100 --> 00:37:51,230 BUT SHE'S NOT YOUR FRIEND. - SHE'S A SACRIFICIAL LAMB. 997 00:37:51,233 --> 00:37:53,103 THAT'S NOT OKAY. - NO, SHE'S NOT YOUR FRIEND. 998 00:37:53,100 --> 00:37:54,600 - KYLE'S AN ANGRY BITCH. 999 00:37:54,600 --> 00:37:56,270 SHE JUST IS. 1000 00:37:56,266 --> 00:37:58,466 THAT'S ALL SHE WILL BE. KNOW THAT. 1001 00:37:58,467 --> 00:38:00,227 I CAN'T EVEN CALL HER AN ALPHA-BITCH 1002 00:38:00,233 --> 00:38:02,233 'CAUSE I DON'T RESPECT HER ENOUGH. 1003 00:38:02,233 --> 00:38:03,633 SHE WAS JUST A BITCH, YOU KNOW? 1004 00:38:03,633 --> 00:38:05,033 - SHE DOES CALL ME A LIAR. 1005 00:38:05,033 --> 00:38:07,103 WHAT'S WITH THIS "OH, YOU PRETEND TO BE ALL NICE"? 1006 00:38:07,100 --> 00:38:08,930 - BUT THAT'S WHO I AM, KYLE. 1007 00:38:08,934 --> 00:38:10,474 - NO, THAT'S NOT WHO YOU ARE, CAMILLE. 1008 00:38:10,467 --> 00:38:12,797 THAT'S WHO YOU ARE PRETENDING TO BE. 1009 00:38:12,800 --> 00:38:14,970 - SHE BACKTRACKS. SHE SHOULD'VE BEEN A LAWYER. 1010 00:38:14,967 --> 00:38:16,527 LIKE, SHE, LIKE, MAKES AN ARGUMENT 1011 00:38:16,533 --> 00:38:18,503 AND THEN, LIKE, GOES AGAINST IT, AND THEN, LIKE, 1012 00:38:18,500 --> 00:38:20,630 GOES AGAINST HER OWN ARGUMENT. IT'S LIKE, THAT'S INTERESTING, 1013 00:38:20,633 --> 00:38:23,203 BUT I PROFILE SERIAL KILLERS-- YOU'RE VERY WEAK. 1014 00:38:23,200 --> 00:38:26,130 I MEAN, SHE'S VERY WEAK. 1015 00:38:26,133 --> 00:38:27,803 LIKE, WHEN SHE GETS TO THE END OF HER LIFE, 1016 00:38:27,800 --> 00:38:29,800 SHE'S NOT GONNA LOOK AT IT AND SAY, 1017 00:38:29,800 --> 00:38:33,100 "OH, I DID A GOOD JOB, LIKE, DEFILING AND IRRITATING 1018 00:38:33,100 --> 00:38:35,430 EVERYBODY I KNEW." SHE'LL BE LIKE, 1019 00:38:35,433 --> 00:38:38,373 "WOW, NOBODY CARES WHERE I AM NOW. THAT SUCKS." 1020 00:38:38,367 --> 00:38:39,797 - WELL... 1021 00:38:39,800 --> 00:38:42,130 - I THINK YOU'RE MORE ON TO HER PERSONAL LIFE 1022 00:38:42,133 --> 00:38:44,503 WITH HER HUSBAND THAN SHE WANTS TO ACCEPT 1023 00:38:44,500 --> 00:38:46,000 AND SHE WAS EVEN WILLING TO ACCEPT IT. 1024 00:38:46,000 --> 00:38:47,700 - HE LOVES HIS NANNIES. YOU CAN'T FAULT HIM. 1025 00:38:47,700 --> 00:38:49,200 SHE'S AN ICY BITCH. 1026 00:38:49,200 --> 00:38:50,430 - [giggles] 1027 00:38:50,433 --> 00:38:53,933 HE LOVES MORE THAN HIS NANNIES. 1028 00:38:53,934 --> 00:38:55,704 - OH, YOU GUYS. 1029 00:38:55,700 --> 00:38:58,500 - I JUST--BUT-- [laughter] 1030 00:38:58,500 --> 00:39:00,900 HE LOVES WOMEN IN GENERAL. LET'S JUST SAY THAT. 1031 00:39:00,900 --> 00:39:02,200 - LET'S BE NICE. 1032 00:39:02,200 --> 00:39:03,970 - I'M NOT SAYING HE'S CHEATING ON HER. 1033 00:39:03,967 --> 00:39:06,497 - GIRL, I DIDN'T SAY YOU SAID THAT AT ALL. 1034 00:39:06,500 --> 00:39:08,270 - THE THING THAT UPSET ME THE MOST 1035 00:39:08,266 --> 00:39:11,166 WAS KNOWING THAT THEY WERE TRYING TO INSINUATE 1036 00:39:11,166 --> 00:39:12,896 IT WAS SOMETHING WITH MY HUSBAND. 1037 00:39:12,900 --> 00:39:14,630 SAYING THAT HE LIKED THE NANNIES. 1038 00:39:14,633 --> 00:39:15,933 WE DON'T EVEN HAVE ANY NANNIES. 1039 00:39:15,934 --> 00:39:17,434 - ISN'T THIS DELICIOUS? 1040 00:39:17,433 --> 00:39:21,073 - THAT WAS DEFINITELY PLANNED AND SET-UP 1041 00:39:21,066 --> 00:39:23,396 TO MAKE MY HUSBAND LOOK BAD. 1042 00:39:23,400 --> 00:39:24,800 HE WAS UPSET, I WAS UPSET. 1043 00:39:24,800 --> 00:39:28,200 - I JUST KNOW THAT HE REALLY LOVES WOMEN. 1044 00:39:28,200 --> 00:39:30,500 - IT WAS TERRIBLE. 1045 00:39:30,500 --> 00:39:32,200 - COMING UP... 1046 00:39:32,200 --> 00:39:35,230 - I SAW INTERNET PICTURES OF HER WITH HER LEGS SPREAD. 1047 00:39:35,233 --> 00:39:36,833 - WHO? - WHO? 1048 00:39:41,900 --> 00:39:43,870 - THEY ALL LEFT AND WENT IN ONE CAR, 1049 00:39:43,867 --> 00:39:47,297 AND LEFT ME TO GO HOME BY MYSELF. 1050 00:39:47,300 --> 00:39:50,830 [phone ringing] 1051 00:39:50,834 --> 00:39:53,904 - I MISSED THE PART OF... - IT'S KIM. 1052 00:39:53,900 --> 00:39:55,270 - WHAT SHE SAID ABOUT YOU AND LISA. 1053 00:39:55,266 --> 00:40:01,296 [phone ringing] 1054 00:40:01,300 --> 00:40:04,070 - WELL, THAT GIRL-- THAT WOMAN WAS VERY STRANGE. 1055 00:40:04,066 --> 00:40:05,996 SHE WAS REALLY STRANGE. 1056 00:40:06,000 --> 00:40:08,230 - I FELT LIKE I WAS IN THE HOUSE OF HORRORS. 1057 00:40:08,233 --> 00:40:10,273 - [sigh] [phone ringing] 1058 00:40:10,266 --> 00:40:11,766 - I WAS REALLY FRUSTRATED WITH KIM 1059 00:40:11,767 --> 00:40:13,867 BECAUSE SHE DID NOT HAVE MY BACK AND SHE KNEW THAT. 1060 00:40:13,867 --> 00:40:15,727 - SO WHO WANTS TO GO TO THE BEVERLY HILLS HOTEL 1061 00:40:15,734 --> 00:40:17,534 POLO LOUNGE-- - WHOO-HOO! 1062 00:40:17,533 --> 00:40:19,603 - POLO LOUNGE? - POLO LOUNGE. 1063 00:40:19,600 --> 00:40:21,470 - YES. [phone ringing] 1064 00:40:31,300 --> 00:40:33,800 - I SAW INTERNET PICTURES OF HER WITH HER LEGS SPREAD. 1065 00:40:33,800 --> 00:40:36,200 - WHO? - WHO? 1066 00:40:36,200 --> 00:40:37,570 - CAMILLE. 1067 00:40:37,567 --> 00:40:40,027 I WAS JUST PULLING UP ALL OF THESE CRAZY THINGS, 1068 00:40:40,033 --> 00:40:44,133 AND THIS PHOTOGRAPH THAT I SAW WAS SO OBNOXIOUS. 1069 00:40:44,133 --> 00:40:45,673 ABOUT SHE WAS SAYING SHE WAS A LINGERIE MODEL. 1070 00:40:45,667 --> 00:40:47,497 - SHE WAS IN PLAYBOY. - YEAH, SHE WAS IN PLAYBOY. 1071 00:40:47,500 --> 00:40:48,930 - REALLY? OH, GOOD. - YEAH. 1072 00:40:48,934 --> 00:40:50,604 - NO, I DON'T KNOW, I'M SAYING WASN'T SHE? 1073 00:40:50,600 --> 00:40:52,500 - HOW DO YOU ZOOM OUT-- - [gasp] 1074 00:40:52,500 --> 00:40:53,970 - SO YOU CAN SEE THE FACE? 1075 00:40:53,967 --> 00:40:55,997 - CAN I ASK A QUESTION? - WHAT IS THAT? 1076 00:40:56,000 --> 00:40:57,570 WHAT IS THAT? I CAN'T SEE THAT. 1077 00:40:57,567 --> 00:40:59,267 WHAT IS THAT? 1078 00:40:59,266 --> 00:41:01,666 - THAT'S HER--THAT'S-- - LISA, STOP. 1079 00:41:01,667 --> 00:41:03,227 - LET ME HAVE A LOOK. - LISA, STOP. 1080 00:41:03,233 --> 00:41:05,873 - LET ME HAVE A LOOK. - HOLD ON, HOLD ON. 1081 00:41:05,867 --> 00:41:10,567 - AFTER I LEFT HER HOUSE, SHE WAS FAIR GAME. 1082 00:41:10,567 --> 00:41:12,397 AND I MEAN FAIR GAME. 1083 00:41:12,400 --> 00:41:14,770 - [giggles] - LET'S HAVE A LOOK AGAIN. 1084 00:41:14,767 --> 00:41:16,167 - NO, HOLD ON. - [giggles] 1085 00:41:16,166 --> 00:41:18,196 - FAYE, WHEN WAS THAT TAKEN? 1086 00:41:18,200 --> 00:41:21,500 - WELL, SHE SAID '93, DIDN'T SHE--OR '94? 1087 00:41:21,500 --> 00:41:23,430 - WHAT--YOU THINK SHE TALKED ABOUT THIS? 1088 00:41:23,433 --> 00:41:26,403 - SHE DID! SHE SAID SHE WAS A MODEL FOR-- 1089 00:41:26,400 --> 00:41:31,670 NO, WELL, I--IT LOOKS LIKE THE PORN ADULT BUSINESS. 1090 00:41:31,667 --> 00:41:33,727 - WHY WOULD YOU KEEP NAKED PICTURES 1091 00:41:33,734 --> 00:41:35,804 OF SOMEBODY YOU KNEW IN AN EMAIL? 1092 00:41:35,800 --> 00:41:37,070 LIKE, THAT'S KINDA CREEPY. 1093 00:41:37,066 --> 00:41:38,426 I FELT LIKE IT WAS A SET-UP. 1094 00:41:38,433 --> 00:41:40,703 IT HAPPENED RIGHT AFTER MY DINNER PARTY, 1095 00:41:40,700 --> 00:41:43,230 AND THE PICTURES JUST APPEARED ON KYLE'S CELL PHONE 1096 00:41:43,233 --> 00:41:45,733 OR FAYE'S CELL PHONE? COME ON, GIRLS. 1097 00:41:45,734 --> 00:41:47,534 YOU'RE BETTER THAN THAT. 1098 00:41:47,533 --> 00:41:49,403 - KELSEY WOULD'VE KICKED THEM OUT OF THE HOUSE. 1099 00:41:49,400 --> 00:41:51,070 HE WOULD'VE KICKED THEM OUT-- - NO, HE WOULDN'T. 1100 00:41:51,066 --> 00:41:52,366 - KELSEY WOULDN'T HAVE TAKEN THAT, 1101 00:41:52,367 --> 00:41:53,627 ESPECIALLY WITH YOU. - MM-MMM. 1102 00:41:53,633 --> 00:41:55,173 HE WOULD'VE SAID, "GET OUT NOW." 1103 00:41:55,166 --> 00:41:56,526 I TRIED TO KICK THEM OUT IN A SUBTLE TONE 1104 00:41:56,533 --> 00:41:57,773 AND THEY DIDN'T LEAVE. 1105 00:41:57,767 --> 00:41:59,127 AND I'M LIKE, "THEN [bleep] LEAVE." 1106 00:41:59,133 --> 00:42:00,503 - THANK YOU. - HE'S NOT HERE. 1107 00:42:00,500 --> 00:42:01,930 - MM-HMM. - I KNOW IT WASN'T POPULAR 1108 00:42:01,934 --> 00:42:03,634 THAT I SAID IT, BUT... - MM-HMM. 1109 00:42:03,633 --> 00:42:05,773 - I DON'T MEAN ME, BUT YOU GOTTA HAVE SOMEBODY ELSE 1110 00:42:05,767 --> 00:42:09,567 TO HAVE THE OTHER SIDE, BECAUSE IT'S ALWAYS GONNA BE THIS. 1111 00:42:09,567 --> 00:42:11,567 - NO, I AGREE WITH YOU. 1112 00:42:11,567 --> 00:42:13,797 I HAVE BEEN FRIENDS WITH HER FOR 20 YEARS. 1113 00:42:13,800 --> 00:42:15,030 CAMILLE CAN HANDLE HERSELF. 1114 00:42:15,033 --> 00:42:17,533 - I CAN HANDLE MYSELF. THE ONLY THING IS... 1115 00:42:17,533 --> 00:42:19,703 - NO, CAMILLE CAN'T FIGHT HER OWN BATTLES. 1116 00:42:19,700 --> 00:42:22,700 KELSEY COULD KICK THEIR TEETH OUT, AND WOULD. 1117 00:42:22,700 --> 00:42:24,200 - YEAH, BUT CAMILLE IS FINE. 1118 00:42:24,200 --> 00:42:26,270 - BUT CAMILLE-- BUT CAMILLE'S A SWEETIE. 1119 00:42:26,266 --> 00:42:28,196 SHE'S AN ANGEL. - SHE IS, SHE IS A SWEETIE. 1120 00:42:28,200 --> 00:42:30,630 - ANGELS DON'T FIGHT BATTLES. NOT ANGELS LIKE YOU. 1121 00:42:30,633 --> 00:42:33,803 - AW, THANK YOU. - BUT DON'T APOLOGIZE TO HER. 1122 00:42:33,800 --> 00:42:35,770 - HERE'S THE THING, I'M TRYING TO MAKE PEACE-- 1123 00:42:35,767 --> 00:42:37,967 - YOU REDEFINE BOUNDARIES. 1124 00:42:37,967 --> 00:42:39,997 YOU TELL THEM THEY'RE FULL OF [bleep]. 1125 00:42:40,000 --> 00:42:42,200 - I AGREE. - IF YOU HAD A GUN ON YOUR HIP, 1126 00:42:42,200 --> 00:42:45,200 AND THEY ALL DID, IT WOULD'VE BEEN A DIFFERENT PLAY. 1127 00:42:48,200 --> 00:42:49,530 - ALL I KNOW IS THIS, 1128 00:42:49,533 --> 00:42:52,173 I FEEL LIKE I WAS SO SET-UP TONIGHT. 1129 00:42:52,166 --> 00:42:54,266 - KYLE SET THAT UP. - SHE SET IT UP. 1130 00:42:54,266 --> 00:42:56,096 - TOTALLY. - BECAUSE KYLE BROUGHT FAYE. 1131 00:42:56,100 --> 00:42:58,830 - KYLE IS A CONSPIRATOR. - YEAH, I NOTICED THAT. 1132 00:42:58,834 --> 00:43:00,704 - KNOW THAT. 1133 00:43:00,700 --> 00:43:02,830 - THANK GOD, OH, MY GOD, OH, MY GOD. 1134 00:43:02,834 --> 00:43:04,304 DEAR GOD, THIS IS NOT GOOD. 1135 00:43:04,300 --> 00:43:05,570 - WHERE DID IT COME FROM? 1136 00:43:05,567 --> 00:43:07,397 - I MEAN, THAT'S NOT LINGERIE. 1137 00:43:07,400 --> 00:43:08,800 THERE'S NO LINGERIE THERE. 1138 00:43:08,800 --> 00:43:10,700 - I DON'T--I CAN'T TELL. 1139 00:43:10,700 --> 00:43:12,770 - SERIOUSLY? - ARE YOU KIDDING ME? 1140 00:43:12,767 --> 00:43:14,327 THAT DOESN'T LOOK LIKE HER FACE? 1141 00:43:14,333 --> 00:43:15,873 - WELL, I'VE NEVER SEEN HER FROM THAT ANGLE. 1142 00:43:15,867 --> 00:43:17,997 [laughter] 1143 00:43:18,000 --> 00:43:20,870 - I LIKE--THERE'S NO FACE THERE, EXCEPT-- 1144 00:43:20,867 --> 00:43:22,727 - OH, MY GOD. - SUNGLASSES, FRIENDS. 1145 00:43:22,734 --> 00:43:24,734 - SHE WAS IN PLAYBOY. 'CAUSE SHE SAID. 1146 00:43:24,734 --> 00:43:26,304 - WELL, WHAT'S WRONG WITH PLAYBOY? 1147 00:43:26,300 --> 00:43:28,000 BUT THAT'S A LITTLE BIT STRONGER THAN... 1148 00:43:28,000 --> 00:43:30,070 - THAT'S NOT PLAYBOY. THAT'S NOT PLAYBOY, I AGREE. 1149 00:43:30,066 --> 00:43:34,296 - SHE CAN SPIN HER WEB OF THAT SHE'S RIGHT TONIGHT, 1150 00:43:34,300 --> 00:43:36,630 BUT SHE'S GONNA HAVE TO LIVE THE REST OF HER LIFE OUT, 1151 00:43:36,633 --> 00:43:39,633 AND I KNOW WHAT IT IS. 1152 00:43:42,867 --> 00:43:44,397 - SHE LOVES THAT CIGARETTE. 1153 00:43:44,400 --> 00:43:47,400 SHE REALLY LIKES THAT. 1154 00:43:54,934 --> 00:43:57,934 - OOOH. 1155 00:44:03,000 --> 00:44:04,530 - TO LEARN MORE ABOUT THE HOUSEWIVES 1156 00:44:04,533 --> 00:44:06,003 GO TO BRAVOTV.COM. 1157 00:44:06,000 --> 00:44:09,000 Captioning by CaptionMax www.captionmax.com 82768