All language subtitles for 09. Our town - Cityscape eng

[music]

Yes, let's start oral. The oral cavity used to live in front, but unlike the indoor story in front, now there are many things to do during summer vacation in the scenery of the neighborhood.

For example, I will try to draw scenes of summer vacation in a city, river, or rural area, or scenes of playing indoors, using these things indoors.

Now, let’s start with the downtown area first. Or, let's start with the downtown area.

Let's draw a person first.

These days, during summer vacation, people go on trips abroad and things like that. Right? But at that time, something like that was something I couldn’t even dream of.

At best, you can just go to a relative's house, right? It used to be like this at my grandparents' house, but these days, I go on a lot of overseas trips.

Also, we often go out and have fun with our families. These days. But I also remember going on trips with my family, especially when I was older, except when I was young.

I don't think there was much of it when I was young. So I don’t have that many memories. More than you think.

I think it was all about going to my grandparents’ house. She went to play when she was young, and went to play during science school.

As I said before, the most important thing when drawing people, and I think the most important thing, is that they are soft. soft and

They said they pay a lot of attention to things like angle bending and joint bending.

What I paid most attention to was that I was soft. So, I try to draw gently and as naturally as possible.

I don't think I drew that many pretty and cool things since I was young. Just look at the atmosphere I had when I was young.

So, when you were young, you had a cheeky thought. What were your thoughts? Oh, well, at least I'm a bit ugly.

I thought it would be okay to draw characters like this even if I'm not particularly interested in them. When I was young. It was a very strange idea.

There were a lot of kids in my class who drew pretty things. There is a girl in our class who draws beautifully.

If you really think about it, you could draw really well if there was just one female student. What does he want to do now?

So, oh, I’m not good at drawing pretty things. I figured it out then.

There are so many animals that can be seen even in cities.

What I immediately like are our stray cats. As a cat lover, I also raised cats.

I raised him for 13 years and he went to heaven. So, after sending something like that once, it's really hard to start over. More than you think.

There will be a class on drawing animals later, so I'll explain it then. For now, I'll just show up.

You may not be able to see it, but it looks like a wall over there.

I was thinking about drawing a wall in my head.

The way you look at it, right? It gives the feeling that one is already seeing something through the child's gaze and the cat's gaze.

In pose. Also, in the pose, I spread my hands slightly and gave the impression that I was walking down a very narrow path.

Boran Boran Boran La

And then there are other friends acting as extras.

I'm walking looking down because I'm anxious

And then the pictures I draw with other friends. And then the pictures I draw with other friends.

And then the pictures I draw with other friends. And then the pictures I draw with other friends.

And then the pictures I draw with other friends. And then the pictures I draw with other friends.

And then the pictures I draw with other friends. And then the pictures I draw with other friends.

Now, the hands you hate.

Once you can actually draw hands to a certain degree, the variety of poses really increases.

It suddenly increases dramatically. So, if I say my hands are difficult, I don't want to draw more and more.

However, if you have fun with your hands, they also have a taste of their own.

So I hope you guys will find those things fun too.

The hand has no other secrets. Just look at your own hands and draw

Or in movies or places like this, pose-like photos, poses, etc.

Remember the good hand movements or try to draw them.

It's great to have. It's good to use too.

So pose movements.

You have to think about it in your head and think of yourself as being in this situation. I'm always in this situation, exploring the neighborhood with these guys.

Just like this feeling. And if I've ever had a similar experience,

I have to go back in my mind to that era.

As I mentioned earlier, not only do interiors have accessories, but people also have accessories.

If you look now, you can see bags, sneakers, and the girl behind her is also wearing glasses.

I'm also carrying a water bottle. Props and atmosphere can also appear from ancient times or are seasonal.

Things like water bottles, shorts and things like that.

Clothes and costumes that fit the situation I'm trying to draw, then other accessories, buildings, shapes, and era scenes.

If it's the 1980s, thin panels like LCD monitors shouldn't be released. It's the 90's.

Back then, computer monitors were thick.

Something like that has to appear. It's an error.

We watch the clock once in a while. If you look at the picture, you look like a time traveler

It's an old photo, but it's like taking a photo of a woman holding something like a cell phone.

It has to fit the times.

Before I draw, the movement is already in my head. For the rest, the hands just follow.

So that you too can reach that level.

When you want to draw a pose, don't just draw it, but think about the pose in advance.

I usually do that when I see it somewhere.

Where did I see this? I'm just looking for the image I saw in the fragments of my memory.

And because the human body is drawn and observed so many times, we can make a rough combination.

If you bend this much and raise your leg, you will be able to see some of the leg on the other side.

If it is bent to some extent, the back will be pushed out to some extent.

These things have become common law to some extent.

You have no choice but to observe and draw a lot so that you too can become like that.

There's nothing else. It's repetition mastery. Repetition mastery.

Don't many teachers teach this in class here?

Well, the proportions are like this and that. I think there is a class for that.

I also took the class, so if you want to succeed, try it after the class is over.

If you experienced it yourself, you could go much longer.

And if you trace what you experienced with your hand, it lasted much longer.

So you guys are like that too. There's nothing else.

Observe and then draw accordingly. This is it.

(video explanation)

This color is gray. gray. Gray, not black.

(video explanation)

(video explanation)

It would be fun to go out and visit redeveloped areas or other places where city dwellers have left.

People who do survival often do it in places like that.

After redevelopment, everyone left and the building changed.

They seem to be fighting among themselves. battle.

It feels like that.

(video explanation)

This also seems to be a continuous, winding line at a given eye level.

My eyes continue to look at the set eye level. continue.

So it seems like I'm just using a straight, squiggly line.

We continue to maintain the basic trends and major trends. At eye level.

That's very important.

As I said in the previous class, students always have multiple perspectives on fire.

Don't draw like that, but have one eye level, a unified eye level.

You can just keep drawing accordingly and keep it that way.

Then there is no big mistake.

There's no need to go into detail. There are things like this in the picture.

This is true for all sports, but you can't draw with 100% effort from start to finish.

It's the same with athletes. When we see Messi playing

If you run around softly and land in front of the goal,

You just jump in and do it like that. The same goes for paintings.

Sometimes you just need to apply force. The main characters appear or are in front of you.

Things like having important elements in an event give it strength.

The other thing is that I give other guys a little more in order to stand out.

For example, imagine that there are people like Jang Dong-gun around you all the time.

One of the 10 people is Jang Dong-gun. I don't know if they're all handsome because they all look like Jang Dong-gun.

However, if there are 10 people like me and 1 person like Jang Dong-gun, it will stand out.

It's just like that. It's not that everyone thinks I'm great.

To show off that talented person, the people next to him act as extras.

There's a line from the movie 'Friends'.

They say that while we live in the shadows, we play a role in making people in the sunny areas stand out.

That's it.

Always thickness expressions, thickness expressions

In order to show the thickness expressions once again,

Broken power lines, broken doors, things like that.

Those elements and the sophisticated image have the opposite feeling.

Feeling organized, neat, etc.

You have to keep those feelings in your head and create these things.

(video description)

If you say Sandongnae, is it correct to say Daldongne rather than Sandongnae?

It's a similar thing; it's an urban demolition village.

Hills in the distance, that is, things above eye level

Slopes and tops are starting to appear. What kind of thoughts do you start with?

When I went to Busan a long time ago, what was the most interesting sight?

There are a lot of small villages in Busan. There are many houses like this in Gobai.

If you look at it from high up, what is that on top? Everyone says it’s waterproof on the rooftop.

It was painted over with green paint. And the water bottle is blue, yellow, etc.

So that feeling was really fun.

It looked like it had been covered with grass.

Be sure to distinguish between things that are above or below eye level.

Things that are far away are larger rather than detailed, and people that are far away are

You can't tell them apart. It's just like that. For things that are far away, just look at the large shapes, light and shade, and bends.

Things close by, below eye level

If you use these broken and broken images well,

The atmosphere here is such that I can convey these things.

Surprisingly, there are also many tree-like things in this Daldongne, and there are many tree-like things in the house.

It mixes well with artificial things and natural things.

So, if there is something hard, it is good if something soft is mixed together.

So it’s good to drop it texturally. It's like this.

If there is black, there is contrast if there is white.

And if there's something spiky, there's a contrast if there's a simple shape next to it.

Because it can play such a contrasting role.

If you use this sense, you can separate things together without having to use a lot of hands, and the space becomes pretty.

Rather than having someone teach you these things, you will learn calligraphy automatically if you draw a lot.

And there are people who are good at something. Books by authors who are good at this kind of thing

Looking at the pictures, it looks good when you express that part like that.

It looks really good, it looks good, then

I have to try it again. You can just try it out then.

These days, there are so many things like Instagram and YouTube.

There is so much information available visually.

That’s why it’s such a good time. Everyone.

So, in the past, it was really difficult for me to find such information.

It's so hard to find good materials and good photos.

Whenever I found a really good book, I read it until it fell apart.

I was kind of thirsty for data.

Because I live in Pohang, it was very difficult to find such books.

I thought the big city of Busan was a little better.

There was a place in Seoul that sold foreign books and stuff like this.

There wasn't much of Pohang. Local cities.

So it was very difficult to get even one of those things.

One of my friends had a father who rode an outbound boat.

I lived well. Their house.

Every time my father came back from a visit, he brought Japanese books and books with original art.

Gundam and other strange things we have never even heard of.

If you bring something like a strange Japanese animation booklet,

I was so jealous that I asked to borrow it.

I rented it and watched it all night long.

Wow what is this? Like this.

Look at the car too.

Things like cars like that also appear here.

Let's try the things that became popular once.

The car is old and the glass is broken.

This hand-biting technique is a technique that was often used when drawing.

However, since this is Mercury, when only the field comes, it is like a hand or something.

When I rub it with other tools, I get a natural mid-tone like this.

It's great when it comes to contrast.

The downside is that your hands get dirty.

Furniture and other things that have just been put outside for demolition.

But I don’t know if you’ll ever go there.

Currently, I do not join any clubs or clubs for external activities.

There was a club that I was the only member of.

There was a painting club called Moon Rabbit.

What is Moon Rabbit? Then, we gather on the last Saturday of every month and do croquis. So, it was Moon Rabbit.

There were many writers there who were very famous as you may know.

There were teachers like Park Jeong-woo, Lee Jae-su, and Kim Gwang-seon who were all in their 70s or older.

Also, people a little lower than that, such as writer Yang Kyung-soon and Kang Full, also came once.

Those people, and then those around that age, are young writers like Buddha, Seok Jeong-yeon, and other writers.

Writers who have just entered the gaming industry or webtoons.

So, it was a very fun meeting where you could see writers from different fields and different ages if you went to several different places.

That's why the group was created in the first place. Now, if you had a class here, author Seokga published a book.

That's right. What was our original goal in publishing the book Anatomy of a Buddha? Then, Korean cartoonists at Moon Rabbit

The original intention was to create an anatomy book for world-class cartoonists.

It started that way, but now writers Kyung-soon Yang and Jeong-yeon Seok have taken the baton and handled it very well.

You are amazing. I think it's a really good book.

We continue to maintain our eye level.

Continuing to make it one by one

At that meeting, this kind of moon rabbit, I mean, this mountain was a certain neighborhood at the time, but it was a neighborhood that was being redeveloped when it was demolished in Seoul.

I forgot the name, but I went to that neighborhood and it was so much fun.

That's what makes it such a strange supermarket, with the three-way intersection being narrowed down just like this.

In the middle of this, there was just one thing that looked similar to a sandwich or a triangular sandwich.

But it later appeared in the movie, and I thought it was cool even then, but it did appear in the movie. I think Ha Ji-won appeared in that movie anyway.

Metallurgy, metallurgy, but without eye level

That's important. Don't forget your eye level.

I keep doing it and find fun and freedom in it.

And there is also something called direction.

If you go to places like the U.S. or Cinder City these days, the roads and buildings are all standardized like a checkerboard.

In particular, if you look at American dramas, you can see that middle-class neighborhoods are so standardized, with identical houses and gardens of the same shape and color.

It's not bad to draw with that feeling, but in cases like Sandongnae or Daldongne, there are a lot of heavy buildings and there's less planning.

The heights are different, and you have to capture those free-spirited feelings.

So, in a way, this is a material that can be drawn by taking countless vanishing points at eye level.

Because the directionality is in multiple directions.

(The subtitles in the video used subtitles from ‘various countries’.)

(The subtitles in the video used subtitles from ‘various countries’.)

There are things like water containers on rooftops that can be a characteristic of our country in other countries, but I think things like colors and things like that are a bit unique in our country.

Because I went to another country.

Before the coronavirus outbreak, there were a lot of overseas activities. I think I started going abroad for the first time in 2011, either for a honeymoon or a family trip.

In 2011, we started expanding from China to France.

Every time I go, it's really fun to see the actual building style, lifestyle patterns, food, and people.

Seeing it in a book, in a photo, or in a video is really different.

When you actually go there, you get that feeling. Things like volume, smell, and texture cannot be expressed through photos.

Although it is expressed, it is indirect. After seeing and touching it, I was thinking, ‘Ah, why do they use this color for the sky? It’s such a pretty color.’

When I look at old masterpieces or modern figurative works, I think, ‘Oh, how can they use this color for a wall? Wow, this is amazing. I was like, ‘The color is killer.’

When I actually went there, it was a real wall. It was just the color of the sky and the color of the walls in that neighborhood.

So, ‘Oh, I just used it as is.’ So, I think artists who were born in a really good environment or who grew up seeing a lot of such things are naturally able to use those colors boldly.

If you look at the colors, if you look at the colors in the city, they are grey. Especially when you go to the countryside, it's a bit unusual.

When you look at something like a roof from above, there are orange colors, fluorescent colors, and sometimes roof colors that don't seem to go well with nature.

So, even from a national policy perspective, I thought, 'Ah, it would be much better if something like that had a unified feel overall or if it was decorated in pretty colors that fit in well with nature.'

If you go to Japan or somewhere like that, things like that are done really well. Right? There are a lot of them in places like Europe and America.

So, I thought it would be good to use those things for urban aesthetics and city planning, and I did.

Now, from now on, I'll draw something simple.

I draw it with a stick. Mongdaengi. Mainly lumpy.

Even if the focus is on mass, the gaze and angle are always aimed at eye level.

And let me draw this again.

Mainly lumpy.

The stairs go up again and again.

Now, doing it like this

Rumbling~

I don’t know if he is a professor at Sangneung University now.

My name is Professor Woocheol Choi.

I also draw comics and illustrate fairy tales.

You are also good at commercial illustrations.

Some of you probably know.

Are you currently at Sangneung University or Heongheung University?

I'm not sure. They say they feel relieved.

This is a writer I really like.

Among Korean writers.

The author is really good at drawing things like this.

Pictures in this style.

Really wow~

Once recently

We can exhibit together

I had a chance to do it together.

The works submitted at that time were also

It was so cool.

So promote Korea

In a booklet or something like that

Wow, if those artists’ pictures are published,

I think it would be great, but I always take pictures

Just things like that all the time

Cityscapes that are more like those than written

And the author sees

Decorated with views of the city

Such a promotional brochure, a Korean promotional brochure

I thought it would be really pretty if I made it.

If you get a chance

Professor Choi Woo-cheol's probably.

Books, paintings, works of art

I recommend you watch it.

That building is really cool.

I really liked it for a long time.

You are really good at drawing these types of works.

far away

I can see the apartment too

here now

Apartments

It's starting to show.

Lotte Tower

Isauron

Han River Bridges

I see it

The Han River is so bad

flowing out

next to the apartments

buildings

Here

Han River

I see it

You can also see Hangang Park.

This must be Gangbuk.

You can also see Namsan Tower

You can also see Bukhansan Mountain

far

Will you also see the Paju Publishing Company?

There will be no place to draw

Now, it goes like this.

No need to draw everything due to time constraints.

It feels like this.

But the eye level is

It's decided.

Everyone adjusted accordingly.

It doesn't all go away.

Right? like this

Well today

It's an exploration

I'm just doing some city exploration.

Let’s take a look at some different scenery.

(What?)

I think it's a fishing village.

I am the fishing village

He said he was in Pohang.

Pohang is a fishing village.

It stands out because it is Pohang Steel.

Pohang is

There is also a very famous fish market.

There is also a fish market called Jukdo Market.

Squid nearby too

Yeongdeok snow crab or something

And these things are very famous

Dega famous for seafood

I am

When I was young, I always played at the beach.

When I was young and in elementary school, what I always did was

After class, we play at school

What do you do with the kids again?

I always played in a tent near the beach.

With a lid

Light a fire and catch a dog

It was like that all the time. Fishing wasn't good.

Anyway, there are things like that.

so

Fishing village scenes

Let's see. then

Look here too.

Ta-da~

Ddan dan dan~

Now, look at these eye levels.

Right?

Eye levels

(Rearranging the eye level)

Eye levels

All the things that have been decided

As you look at it, everything is drawn accordingly.

Everyone is like that

Now, let’s take a look at the fishing village.

This is

city

When it comes to fishing villages

ruler

Some people were born in fishing villages.

There may be some people living now.

playing in a fishing village

children. Then

Because it is a summer scene, the kids come first.

The state should come out. I think some kids need to show up.

Right?

A horizon line will appear. This time at eye level

Right? Because it's towards the sea

I think there will be a horizon.

(Rearranging the eye level)

Now here first

People first

I'll put it in.

we

Something like this pose

When people do

If you look at it

over there

In the case like now

Especially in the case of the kid in front of me

In the case of the protagonist, his body movements are dynamic.

My face turned back

shoulder line

pelvic line and completely

It's very wrong. That's why

It's dynamic. More than you think.

So if you look at this

shoulder line and

bottom of shoulder

(Rearranging the eye level)

The pelvic line

It's completely wrong.

The direction is completely different. This is

I'm looking this way and he

I see it as work.

Right? What are these things?

What is that, exercising

A pose or something like this

Hero dance from Marvel or DC

One of the poses I use a lot when drawing

It's one of them.

Legs are held in front

This is

It's in the back

And this is back

And the head

(head back)

He's looking over there.

Make the center lines

It's dynamically twisted.

Oh, the story is still there

But I also look at the center lines.

This is a very important part when drawing the human body.

What is the center line like?

So when I go back, how do I keep going?

Seeing things like this going back and forth

So, finding the center of gravity

It's the same. Where is the core cut?

If you hold on to your other leg, where is your leg?

Center of gravity on both sides

Same story with these things

Posing like this

(pose)

Things like hats etc.

Things like helmets and hats

Surprisingly easy though

It's difficult. So this too later

Next, behind there

Maybe it's at the class level. In doubles

We'll talk about it later when we talk about it.

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Basically, if you go to the seaside village,

I can already smell the sea.

With the fishy smell of the sea

what next

Sometimes it feels like something is rotting

I feel a little bit

And it smells

That's the mayor I mentioned earlier.

When I was in middle school

I used to ride a bike all the time.

So when I ride my bike

I always have to pass by the Chukdo Market.

It was a quick course.

So I'm passing by there.

What is famous about the Beokdo Market there?

It's probably still famous, but it's called Dog Welfare.

Do you know my name? Dog welfare?

Do you know meat that looks like this? like this

There's one guy who looks like an idiot. It looks like this

Because he's a purebred

Even if he is surprised in his stomach

I heard you're going to die

There's a guy that looks like this. It's so big

This guy

If you spread it out and catch something big,

Two tables the size of a body

It's as big as the combined area.

Now if you're lucky

If you go, if you go early in the morning

I can see it dismantling

I'm just cutting it.

wow

Real flesh color, everyone.

You'll be really surprised by the color of the flesh.

It's a bit transparent

What is this?

What do women eat a lot? I'm on a diet

Something similar to Umuka's flesh

It feels like that. texture

It's tasteless. Just eat it with the taste of chojang.

Chojang taste

But the texture is very unique.

Feels like eating a bit of sticky jelly

This sprite pattern

In the same case, it also appeared here

This sprite pattern is

It's just a three-dimensional line.

So what object

Even if you don't add light and dark

That line alone can express the mass.

That's why I use it well.

I am using this sprite pattern well.

Without much effort

A pattern that is good for creating a three-dimensional effect

So when I look at clothes for entrance exams

When students see

I draw the same clothes every day.

So why do you always draw the same clothes?

Draw your friend’s clothes next to you.

friend's clothes next to me

I just did that

For example, among them, smart students

He always draws

They said there was that

Checked Burberry Checked Pattern

Wow, you drew the Burberry check pattern really well.

Something like Burberry check pattern

Just decide on one thing

I remember a child who drew only checkered patterns.

If you sit like this, you should be able to see your butt.

That's cool

So the characters here are

Just show up as is.

I'm trying to reset my character

Because my head hurts so much

Let’s keep using the kids we used.

(head)

[Viewer's Song]

So why do you set the person size like this? You might ask: Right?

How do I set it up like that? Then always look at the bottom. Bottom surface.

Look at the floor. Now, if this character is similar to this one,

Well, if you're a woman, you always look at the size when you say you're a little short.

How big is it when it stands up? So, let's take a picture of two points and expand them together. In your head.

[Viewer's Song]

Or, draw in contrast to objects around you.

[Viewer's Song]

[Viewer's Song]

What's good about this brush pen is this. Right?

Starting with such a thin line, this brush pen is a bit thin at the moment.

The pen I'm picking up, like this one from a certain company, allows you to press firmly on a larger area at once.

So I ended up using this brush pen often for live drawing because it covers everything from very thin lines to large areas.

Before that, I didn't use it much. And especially before that, Korean brush pens were

It's in the form of a sponge, so it makes a beeping sound every time I use it, and I really didn't like the artificial feel.

Yes, I didn't use it well, but I had no choice but to work.

Ah, what is it like to be able to cover a large area in a relatively short period of time and create somewhat natural lines?

As I searched and searched, I found it by chance.

Where did you first see a brush pen? It was during your honeymoon in Japan.

My wife and I first saw this at a Japanese art shop when we were on our honeymoon after getting married.

So, wow, there's this cool thing, and I bought a few at the time.

At that time, I bought it, used it a few times, and then put it away somewhere.

Then, later on, I found out about Simsel.

However, the developer here said that it was not originally developed for drawing purposes, but was just developed for practicing Chinese characters.

They said they didn't know it would be used as a picture and were surprised.

These things overlap. In that case, you use the sensor and press it.

This happens when you're doing live dressing.

If you make a mistake in your calculations or do something like this, there is no benefit. Just press it like this.

(live dressing)

(live dressing)

So, that pose or something, right? The idea is to make the poses and the subsequent situations work well together.

So, as I said before, the easiest way is to just make eye contact.

Make eye contact. The movements that are likely to be used next, natural movements, people who are playing say that these hand expressions are very difficult.

He said he wished he didn't have hands. I'm really worried about what to do with my hands when I say my lines.

However, in paintings as well, hand movements, poses, gaze, etc. are used to guide the entire story.

With things like that. And the rest of the background and things like that serve as extras.

(live dressing)

(live dressing)

So, in the case of Cheeses, you can draw patterns or patterns, which is great. Right?

(live dressing)

(live dressing)

Now, the red lighthouse is the zodiac sign.

(live dressing)

There are also things like this that are used when docking or tying up a boat. Right? Think about it when you go out to play. When I went to the beach.

And when things like boats are parked or something like that, they put a lot of things like shock roof rubber tires on them. Right? You can do those things too.

(live dressing)

Now, let's draw something like a ship. If you want to draw the horizon line at eye level, just draw it on the horizon line like this.

Then, you can just get off here while looking at the boats that are at anchor.

(live dressing)

Are you seasick? I also get a little seasick. Last year or so, I went to Dokdo to play and wow, I got seasick. It was difficult. Really seasick. Rumbling.

In the case of the stomach, it feels straight, but it is usually said to have a slightly almond line. Just like the almond circle looks like this. You can draw with that feeling.

So, because it is below eye level, almost all of the upper surfaces stand out.

Now, since this is above eye level, you start to see the bottom side rather than the top side. Since this is below eye level, you can see the top here.

So, if you think of it as an almond line, you can draw it by thinking of it going like this and going like this and drawing a natural turn.

When I was young, I played a lot on boats. If you have a boat, you put things like waste rubber tires on it to absorb shock when you park next to it.

Then, if you have this boat, like a squid boat, there will be a lot of light bulbs hanging all over it. Squid belly.

Because it's on the East Sea and in Pohang, I saw a lot of squid boats. He gets really angry when I see him at night.

Then, the boat anchored next to the other boat is a smaller boat.

Same thing. You can draw while looking at this line.

Here too, I have seen many cases where they are made of a strange plastic sponge material or something like this, rather than a tire, to absorb shock.

It doesn't matter if there's a small boat next to me or a boat that's a little bigger than the small boat here.

These days, many ships have GPS or radar receivers on top.

I saw on the news that there was a kid who was stealing this, and then there was someone who was caught stealing it.

So, this is what I am saying from a news story. Students ask. How do I become good at drawing?

I used to say this. I used to tell you to watch, listen, read and collect a lot, but how can I tell you these days? They tell me to watch a lot of news.

It's all on the news. If you look at the video, you can see the Ukraine situation, the images of war, the harmful effects of war, the images of refugees, their facial expressions, etc.

Things about crime, culture, and natural sin are all covered, so while watching what appears on the news screen,

Ah, that part is like that. These days, when I look at factories and other stock markets where stocks are falling, I think that's what the stock market looks like.

So, while looking at those things, the next time I have to draw the stock market, I use the things I saw at that time.

So, I don't just watch things like the news in vain. I just try to catch the general information that appears on the screen, even if I don't know the content.

(Video resumes)

Now, as I said before, there are waste shock-absorbing tires all around here.

Here are wrenches for lifting and lifting heavy things.

Heavy equipment like this is the same as my fuselage. If you're not interested. I really don’t know how it comes about or how it moves.

This has the same structure as a human arm. With muscle shape. I think it might have been made using something like that. Really.

So, later on, the heavy equipment was shaped just like I said before, just according to need.

So you can immediately tell that it is being used for a certain need. And especially when you see it moving, you can immediately tell that it's good that way.

So, you should be interested in this too. Pay attention, watch the movements, and don’t just think, “Oh, that’s noisy” when construction is going on.

The excavator is here. If the excavator came, I would have done it. I took pictures and looked at it.

Ah, the excavator moves like that. Jeo Dong-seop is over there. I remember seeing it like this.

So it's always observation. observation. Painting begins with observation and interest. It's like that in all fields.

Painting also begins with interest and observation. Right?

No matter how good something is next to you, if you are not interested in it, who will be next to you? Even if Kim Tae-hee is next to you, if you are not interested,

It's like I don't know if Kim Tae-hee is sitting next to me or who is sitting next to me.

I think the picture will improve a lot if we work hard and pay attention to it.

The rest. It's just repetition mastery. It's about who sits longer. Do you sit for a long time and draw a lot?

Also, there's this saying: I don't think drawing a lot makes you feel better.

I think it's more important to understand than to draw. I think it's more important to understand things and draw while understanding them. Rather than drawing a lot.

It's no fun if it keeps going in the same direction, so since it's a boat, it doesn't matter if it's a little off.

It doesn’t matter if you look at it in one direction. It just needs to be small.

Here too, there is a breakwater far away, and the breakwater on the other side. You can see something similar to a lighthouse here too.

Then, add another boat and place it between the smaller boats.

So size control is strength control. If there is a large one, go for the small one, and if there is a small one, go for the medium one.

It's similar when folding clothes. When you add pleats to your clothes, if you keep adding similar pleats of similar thickness,

I don't know if I like it, but people who see it find it very disgusting. Strangely, it's not some kind of armadillo.

If there are thick wrinkles, there are small wrinkles. You have to change the direction slightly and keep making changes.

The same goes for things. Rather than continuing to draw the same shape, the same shape, and the same direction,

Change the direction slightly and make it look more natural.

This is good sense. What you can do yourself, rather than what someone can teach you. It's a sense. Sense.

When you draw, you learn technical things automatically as you draw a lot.

There is no need to be this thirsty for this. If you draw a lot, you will learn it automatically.

The same goes for speed. If you draw a lot of speed, you will get the hang of it.

Face: At first, a face is drawn using about 100 lines.

Once you master it, you can draw a whole face with just 10 or 3 drawings.

This means that unnecessary lines fall away and you become skilled.

However, in order to achieve that, what needs to be continued without changing at all is the basics. Basic skills.

The basic thing is to keep doing it until you die.

I did the basics once and thought, ‘Ah, I learned all the basics. 'It's over.' This is not it.

The basic thing is to keep doing it until you die and think, ‘Do I want to stop drawing?’

And you have to keep updating it. Things about the basics.

I think I have to keep studying consistently to be able to continue drawing good pictures.

There are a lot of boats dotted here.

You don't have to draw everything. It's just like that.

Also, draw a ship facing forward and change its direction slightly.

It's not even enough. Right? What do I need?

Shouldn’t there be at least one seagull? One seagull at a time.

like this.

This is 50 million.

Heights that rotate all the way.

This is all taking its toll.

Song song song.

The same goes for people. It happened like this.

It may seem like the drawing is very grandiose, but

The inside of a seagull is surprisingly simple.

Set your eye level and match it.

If you guys set your sights,

Draw the auxiliary lines one by one with a pencil.

Just draw it out.

Draw it here and then take a picture by aligning only the vanishing point here.

Keep changing the buildings and changing their size.

And if you pay attention, you can add building shapes, poses, people, etc. that fit the atmosphere.

By putting in all kinds of accessories like this,

I think we just need to make it so that it can really fit in and blend in with this environment.

So, we will end the ninth lesson like this.

(thank you)

[thank you]