All language subtitles for 04. Home road - Scenery outside eng

[music]

Then, let’s start the 4th lesson. For the 4th lecture, first of all, the school vacation is over.

Wow, I'm so happy that I'm running out of the school. Wow~

So how are you going to spend your time now?

Right? As I was thinking about that, wow, my friends just came running outside.

Now~

Even when I was young, summer vacation was more enjoyable than summer vacation or winter vacation.

I have that memory. Much more.

When I was our age, we didn't often go out to play with our families or anything like that, but when I was young, I always went on vacation during vacation.

I would have been in Pohang. I was born in Gyeonggi-do, but moved to Pohang when I was a few years old for my father’s company.

So, despite that, my other relatives and people like this were all in Gyeonggi-do or the Seoul area. So, whether it is summer vacation or winter vacation, during that period

Always sent from above. So, when the vacation starts, my grandfather comes a day before the vacation starts and comes right after it ends.

You got off and came up to Gyeonggi-do, but now the vacation closing time is over and the vacation ceremony is over.

We are about to leave school, go outside, go outside the playground, and go home.

Now I'm drawing the outside scenery, so count the outside scenery.

Let’s take a look and take a look.

Let me draw a typical landscape. I think

I think I'm just drawing now. I have already decided on the eye level in my mind.

I set my eye level. Now, everyone, adjust to that level.

I'm drawing it.

I'll take a look at it very quickly.

(video)

If it's a neighborhood scene, it's an outdoor scene. Where do I live? Do you live in a rural area?

Or do you live in a fishing village? Do you live in a mountain village? Or, depending on whether you live in the city, the scenery on returning to school is very different.

Now that I think about it, I was also a city, so it wasn't a bustling city like Seoul, but it was still a city.

So I had to stop by a lot of stationery stores and other miscellaneous places on the way.

If it is a rural area, then

There might be a case like a rice field. Rice fields.

Rice field road

The time to go on summer vacation is when rice planting is over and the rice has grown to a certain extent.

It's the season. The house I live in now is an apartment, but there are a lot of rice fields nearby.

So, I really like listening to frog sounds and things like that right now. I really like this season.

The rice plants must have grown about 20 to 30 cm now. I'm planting rice. It grows really fast. I can see you growing differently every day.

And the electric pole is so bad

There are people who haven't seen rice fields these days, but there are people who haven't seen them if they live in the city.

Unless you decide to go outdoors,

There are probably some people who have not seen a rice paddy field.

In places like this, the old rice field roads are now

What is it? The farmland is square-shaped and crackles like a checkerboard.

But that wasn't the case now.

It looked like this.

Here too, a telephone pole

Well then, come and meet the village man.

Say hello and hello

I greet you with a happy heart and say, “It was nice to meet you today.”

Now, if you are in the same class as Yeonghee, then Yeonghee too

say hello

And the same fat friend from before

say hello

sleep

A boy with another boy

Now, let's tune in here and see in the distance

The chief's truck is parked on the side of the road.

It's slanted and because it's a farmland road, it's bumpy so it's a little slanted.

Now, there is a telephone pole on the other side as well.

It's rice fields all along. Rice fields on both sides.

In the distance, there is a tree growing tall.

If you look far away, you can see some other farmers.

And at the top of the hill

When you can see the school

You can also see some houses

There are some trees and then the hills

And because it's summer, there are puffy clouds one by one

And two telephone poles

Now this

I'm on my way home from school now.

I just drew it simply.

Now then, what should I explain to you in the process of drawing this?

Let’s take a look at how to set eye level for things like perspective that we learned earlier.

Now, in a place like this, it would be much better especially if there was a building.

For example, there is a building like this

This is like a window frame. Windows Of course, if there is a building, there are windows, right?

It's great to have windows at eye level.

If you want to know how to hold it, just draw this extension line and the extension line of the window frame.

If you look at the lines on the top of the building and things like that,

If you draw it straight, the point where it meets becomes the vanishing point.

If you draw that vanishing point vertically, that is eye level.

It's good to find eye level.

But it's difficult to find eye level, especially in things like this that are so free and clear.

When I drew it, I thought it was here and it was a fairy island.

So if you look at it structurally,

First of all, I drew the person first. I drew the man in front first.

Number 1, when I draw for the first time, my eye level is already determined in the shape.

Because it is decided

This guy is above eye level.

Then, if you look at it three-dimensionally,

It's below eye level. This means that the crown line is like this.

And then the neck, then the chest, then the stomach, then the pelvis.

Then the thighs are locked

How are the legs spread? Are they gathered together like I said before? Are they spread on both sides? It feels like they are a bit wide open on both sides.

Then, it spreads out here as if you can't see it, and it looks like this here.

And because it's submerged in water, it's only a fairy island.

At the back, the heel is pulled back and cannot be seen forward, but it is like this.

And here, there are things like seedbeds. Of course, seedbeds are not just drawn.

Now, if you look at it from here, it's all at eye level.

Even if it floats on a pure surface, if you think of it as just sticking to the bottom,

If this thing is a bit heavy on one side or something like that, the location of the vanishing point may change slightly depending on that.

Almost everything I'm thinking about right now is the same here as well.

The seedbed is like this.

And if you look at the road here, the road is the same.

Let's go one way, right, the way to the side, look at the vanishing point like this here too.

And if you draw the Seosil branch here from the side, boom boom boom boom boom. And then on the main road, we think that Seosil branch is coming from far away on the other side.

I'm going back on the corner road like this. It's a good way to get around while looking at the Seosil branch here and there.

I'm thinking this, and there's some kind of agricultural machinery leaning next to me.

Since this is a country road, it is not standardized and small like the asphalt in the city, but is thick in some places, narrow in others, and then bumpy.

So, if you can bring out those feelings, rather than trying to line it up and draw it at exactly the right angle, you can give it a little more natural beauty, like gluing it.

Some places have collapsed, some places have collapsed, and some have spilled out. You can draw while thinking about these things.

As people walk by, as people living in rural areas probably know, they step on the grass and when they pass by, the grass is dead.

If you don't step on the dark chasm, there's a lot of grass on the side, so the grass grows on both sides of the road where you usually go.

It's the same when drawing flowers, like ours. The people who draw the most boring ones are looking straight at the flowers.

I'm pretty, I'm pretty. It's not all straight on, but if I look at something straight on, I look at it slightly from the side, and sometimes I look at it from the other side.

The back of the flower may be visible, or the back is like this. So, if you give it different directions, it will have a more natural beauty. It will have a more natural feel.

And for people who can't even draw leaves, all they see are leaves. The leaves are all ripe.

In some places, there are thin ones and in some places, there are just split ones like this. So don't just look at them as you walk down the street.

Decorate it. We used to make acacia petals a lot in the past when we were in school, but today our mom made us eat this.

In that way, there are some that have just been created, and so there are various natural forms and observed images, etc.

In particular, it would be nice to have this kind of detail in the areas closer to the front, but the ones further away are just lumpy like this.

You can just draw your feelings

But the kids nearby pay more attention to this.

For those of you who are interested in grass or something like this, what kind of grass is this? Oh, this guy drew a dog's grass. What kind of grass did this guy draw?

Oh, he also drew bitter gourd. Wow, this guy has a lot of interest. There are people who draw it in such detail that you can tell, but I

I don't think it's to that extent. I don't know. Grass, but roughly speaking, you can just draw the grass that you saw while walking.

These things give this painting a bit more differentiation, more detail, and a more natural feel.

There are things like seedbeds here, there are used up seedbeds next to them, and things like seedbeds here too.

In places like this, the ground is a bit rough and uneven, so you can draw it naturally. This too.

If you look at it a little, you can draw it according to the eye level line here, but you don't have to do this when you draw it that much.

Now, the person who kicks in the back of the car has his/her eye level higher than this. Then, if you look at it, it is slightly tilted, so it is tilted to the side.

And the electric pole is slightly tilted, and the electric pole here is also

It goes in like this, so there should be a difference in thickness. It would be good if there was a difference in thickness between the one closest and then the one further away.

So, any billboard is above eye level, so it turns like this.

That's right, if there's a box or something hanging here, you can definitely see the bottom.

The one in the distance is different, and the one in the distance is different again. I hope there is a difference in thickness.

And these kids here, they have their heads down and their eyelids are high, right?

These are the feelings an adult feels when he or she stands up. Take a look and you will see that your height has increased.

When this saint went to this side and compared it with the way he felt when he was standing, the top of his head was visible when he bowed down.

It's visible from the front, then the neck, then the upper part of the body and shoulders.

then the abdomen

leg

If you spread your arms out to both sides and then carry the bag behind you, you can feel the depth of the bag.

It's okay to do this. Then, the girl doesn't lower her head completely, but slightly.

Since you've raised your head, you can see a little bit of the bottom of your chin. It's slightly above eye level.

Since it's above eye level, it doesn't matter if you can see a little of the bottom of your chin, or if you're bent down, it can't be seen.

Well, then the top of the chest won't be visible. Now, you can show the bottom of the chin or not.

The upper part of the shoulder is just above eye level so you can't see it, right? It's true that you can't see it, but it's slightly bent.

Then it will change again. If you bend down a little, you can show it. Now, and the back pelvis.

thigh leg thigh leg and hand in front holding shoe pocket

Here he is raising his hand to say hello. The student behind him writes it down and you can see how he feels when he writes it.

When you feel like you're standing and think of people being of similar height, the equal size is big. Also, here, you can see a little bit of the bottom of the chin when you raise your head.

Now, if you do this, you can see the bottom. If it's above eye level, you can see the stomach and pelvis.

From here on my thighs, everything is below eye level, so I turn around like this.

Now, even if you're far away, you can see a little bit of the bottom of the chin if you're above eye level.

And here on the upper body, slightly below the stomach and pelvis

legs straight

Now, and the spaces, this is an uphill road, so even if it's uphill, even if it's a little hilly.

You can see the feeling of going up from the ground. Later, I will teach you how to draw a hill, uphill, and downhill.

And the things that are visible in the distance in the background, the eyelids here, you can draw them at eye level. The lines.

And behind that there is a birch tree, and then behind that is a hill.

This is the way

I'm drawing these complex things while thinking about them all at once. This is a lot, so of course it ended up like this. So, you can do it.

It may seem like I'm just explaining a lot of things, but if I think about all of these things at once and draw them, they come out like this.

Now, let's take a look at the uphill and downhill roads I talked about next. You can see a lot of things in our cityscape, but you can see them here too, but it will be more convenient if I explain the cityscape.

The road from school is urban. Now, let's look at this too. Now, the eye level is here.

Ding

Then, it is above eye level. If you are above, you can always think of the lower side. That’s right, you can see the lower side.

Now, even if you think of it as a pillar, it goes like this and this goes here, right?

Sleep like this and here too

ruler

Now, let's take a look at this delayed line and the extension line.

If you do this too, doo doo doo doo doo doo

This is a building made from this vanishing point. This is this vanishing point.

ruler

Now, it may seem like I just circled it here, but if you look at it, it turns out that this is also

That's right, it's a vanishing point that doesn't deviate from the eye level line. It's made of vanishing points that deviate from the eye level line.

Now it goes like this

If it's lower than this

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[thank you]