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These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:19,000 . 12 00:02:32,000 --> 00:02:38,000 trouble is contest, conducting contest and they get corrupted. 13 00:02:38,000 --> 00:02:45,000 I love to live in Iceland or in Greenland and to sell the penguins my records if possible. 14 00:02:45,000 --> 00:02:54,000 Well I know I have an intellect. 15 00:02:54,000 --> 00:02:57,000 I don't think I'm governed by it very much. 16 00:02:57,000 --> 00:03:05,000 There are five people together who are all interesting and all quite remarkable in their own right. 17 00:03:05,000 --> 00:03:08,000 And I think it's new. 18 00:03:08,000 --> 00:03:09,000 Why can't? 19 00:03:09,000 --> 00:03:14,000 Because maybe it has something to do with it. 20 00:03:14,000 --> 00:03:19,000 No, I think actually I don't know why can't. 21 00:03:27,000 --> 00:03:31,000 Just the same and each one of them is amazing. 22 00:03:31,000 --> 00:03:53,000 So I want you to do what you do because you've spent a lot of lives on this guitar and it's too hard. 23 00:03:53,000 --> 00:03:56,000 Have you never changed your own body? 24 00:03:56,000 --> 00:04:01,000 The moment that I was born in the South Pole, 25 00:04:01,000 --> 00:04:06,000 I was born in the moment where I was born. 26 00:04:06,000 --> 00:04:10,000 I was born in the North Pole, and I was born in the North Pole. 27 00:04:10,000 --> 00:04:17,000 I was born in the North Pole, and I was born in the North Pole. 28 00:04:17,000 --> 00:04:22,000 And then I was become the light to do it with black. 29 00:04:22,000 --> 00:04:27,000 Because I Austin the H Gutwe Pol excel in heart, 30 00:04:27,000 --> 00:04:32,000 and never hurt anyone. 31 00:04:32,000 --> 00:04:38,000 In Challenges user that begins the song in German. 32 00:04:38,000 --> 00:04:41,000 And is still a Bhutan dance Sioux qu Dan Ivan L Stick 33 00:04:41,000 --> 00:04:44,000 in kg99, which is straight out the live part of Curtin. 34 00:04:44,000 --> 00:04:50,000 Kenneth, Kenneth, Langstein group, a teacher from the Big Man dissolve from Bad climbing 35 00:04:50,000 --> 00:04:55,000 floor like many people whenever they getholished. 36 00:04:57,000 --> 00:04:58,000 We are by P ==C 37 00:04:58,000 --> 00:05:00,000 when we cook stuffing. 38 00:05:00,000 --> 00:05:07,000 Please, write to the crowd that don't likecircle music. 39 00:05:07,000 --> 00:05:11,000 Please, if it's your strong Doc, please hire me in this song. 40 00:05:11,000 --> 00:05:15,000 Always once. 41 00:05:15,000 --> 00:05:17,000 total... 42 00:05:17,000 --> 00:05:19,000 lonely... 43 00:05:31,000 --> 00:05:35,000 sing... 44 00:05:35,000 --> 00:05:39,000 I'm going to show you how to play the music. 45 00:05:39,000 --> 00:05:42,000 I'm going to show you how to play the music. 46 00:05:42,000 --> 00:05:45,000 I'm going to show you how to play the music. 47 00:05:45,000 --> 00:05:50,000 These fields have a very different kind of music. 48 00:05:50,000 --> 00:06:09,000 So what I ordered was Te 49 00:06:11,000 --> 00:06:13,000 Just to show you how to play music. 50 00:06:13,000 --> 00:06:16,000 emergency capacity of electric wires adjustments. 51 00:06:19,000 --> 00:06:21,000 Jack, I am thestrip driver. 52 00:06:26,000 --> 00:06:28,000 Thanks to his trip ahead of us. 53 00:06:28,000 --> 00:06:29,000 How are you? 54 00:06:29,000 --> 00:06:32,000 Good, calm down. 55 00:06:32,000 --> 00:06:34,000 Let's go back to Belgium alone. 56 00:06:34,000 --> 00:06:46,000 up 57 00:06:46,000 --> 00:06:48,000 It's the visit. 58 00:06:48,000 --> 00:06:50,000 You heard all this here. 59 00:06:50,000 --> 00:06:51,000 It was not. 60 00:06:51,000 --> 00:06:53,000 I ain't sorry. 61 00:06:53,000 --> 00:06:54,000 I ain't sorry. 62 00:07:07,000 --> 00:07:09,000 I'm glad that you're here. 63 00:07:09,000 --> 00:07:11,000 I'm glad that you're here. 64 00:07:11,000 --> 00:07:13,000 I'm glad that you're here. 65 00:07:13,000 --> 00:07:15,000 Don't let yourself tell an element 66 00:07:15,000 --> 00:07:16,000 now! 67 00:07:16,000 --> 00:07:18,000 Thank you for your down, 68 00:07:18,000 --> 00:07:19,000 I willate! 69 00:07:19,000 --> 00:07:20,000 It's like this... 70 00:07:20,000 --> 00:07:20,000 This Music. 71 00:07:20,000 --> 00:07:35,000 Thisgrades During candy 72 00:07:42,000 --> 00:07:43,000 Conperse. 73 00:07:43,000 --> 00:08:09,000 He's aulonex Francesco 74 00:08:39,000 --> 00:08:44,000 Everywhere, everywhere, where's your mind? 75 00:08:44,000 --> 00:09:05,000 The subject of life is too hard to live 76 00:09:05,000 --> 00:09:12,000 Too many inside the suns, reach out for the sound 77 00:09:12,000 --> 00:09:17,000 Forget it, everything you do 78 00:09:17,000 --> 00:09:23,000 Pay your mind to cry, play my voice 79 00:09:23,000 --> 00:09:27,000 In the nature of the sun 80 00:09:42,000 --> 00:10:09,000 PLAYING 81 00:10:09,000 --> 00:10:11,000 So 82 00:10:39,000 --> 00:10:41,000 So 83 00:11:05,000 --> 00:11:07,000 Fuck 84 00:11:07,000 --> 00:11:08,000 I don't know it. 85 00:11:37,000 --> 00:11:44,000 Her hair is goyose me. 86 00:11:44,000 --> 00:11:49,000 You are heartsy 87 00:11:49,000 --> 00:12:00,000 He can't get into her Shock and it's hard for anyone 88 00:12:00,000 --> 00:12:02,000 They weren't gestured they were on the wall. 89 00:12:02,000 --> 00:12:05,000 ni El grayar 90 00:12:09,000 --> 00:12:16,000 Why will I see the Florianist in his car and he felt concern on the 91 00:12:16,000 --> 00:12:16,000 rescindation 92 00:12:17,000 --> 00:12:21,000 This festival is formed for a certain time. 93 00:12:21,000 --> 00:12:25,000 Evidence tombs will save its service, 94 00:12:26,000 --> 00:12:29,000 WIthi has taken the entrance of the small Australian210 95 00:12:29,000 --> 00:12:34,000 And will you see 96 00:12:59,000 --> 00:13:13,000 Her 97 00:13:13,000 --> 00:13:14,000 No! 98 00:13:24,000 --> 00:13:25,000 No! 99 00:13:31,000 --> 00:13:35,000 No! 100 00:13:36,000 --> 00:13:37,000 No! 101 00:13:38,000 --> 00:13:39,000 No! 102 00:13:39,000 --> 00:13:40,000 No! 103 00:13:40,000 --> 00:13:45,000 No! 104 00:14:11,000 --> 00:14:14,000 No! 105 00:14:15,000 --> 00:14:17,000 No! 106 00:14:17,000 --> 00:14:19,000 No! No! 107 00:14:41,000 --> 00:14:43,000 No! 108 00:14:43,000 --> 00:14:46,000 No! 109 00:14:50,000 --> 00:14:53,000 Somebody live... 110 00:14:55,000 --> 00:14:57,000 Somebody live. 111 00:14:57,000 --> 00:14:59,000 Mistake, mistake, mistake. 112 00:15:03,000 --> 00:15:05,000 Somebody come! 113 00:15:06,000 --> 00:15:08,000 Somebody come! 114 00:15:08,000 --> 00:15:10,000 Nobody else. 115 00:15:10,000 --> 00:15:12,000 Nobody ask you. 116 00:15:12,000 --> 00:15:14,000 Somebody talk. 117 00:15:14,000 --> 00:15:16,000 Nobody love. 118 00:15:16,000 --> 00:15:18,000 Somebody love. 119 00:15:18,000 --> 00:15:20,000 Somebody love. 120 00:15:20,000 --> 00:15:22,000 Somebody love. 121 00:15:38,000 --> 00:15:40,000 Somebody love. 122 00:15:40,000 --> 00:15:42,000 I'm glad we're here. 123 00:15:42,000 --> 00:15:44,000 Just like a kid. 124 00:15:44,000 --> 00:15:46,000 I wish. 125 00:15:46,000 --> 00:15:48,000 You wish. 126 00:15:48,000 --> 00:15:50,000 Somebody talk. 127 00:15:50,000 --> 00:15:52,000 Somebody ask you. 128 00:15:52,000 --> 00:15:54,000 Nobody talk. 129 00:15:54,000 --> 00:15:56,000 Nobody talk. 130 00:15:56,000 --> 00:15:58,000 Nobody care. 131 00:15:58,000 --> 00:16:00,000 Nobody come to you. 132 00:16:00,000 --> 00:16:02,000 Nobody love. 133 00:16:02,000 --> 00:16:04,000 Nobody love. 134 00:16:04,000 --> 00:16:06,000 Nobody love. 135 00:16:06,000 --> 00:16:08,000 Nobody love. 136 00:16:08,000 --> 00:16:10,000 No, we love you. 137 00:16:10,000 --> 00:16:12,000 We love you. 138 00:16:33,000 --> 00:16:37,000 There aren't straight- those days in New Zealand are blessed with air. 139 00:16:37,000 --> 00:16:40,000 We will fly to buddies immediately. 140 00:16:40,000 --> 00:16:44,000 So, do they start by sharing something? 141 00:16:44,000 --> 00:16:47,000 anting sounds like guitar 142 00:16:47,000 --> 00:16:49,000 in average with handcuffs. 143 00:16:49,000 --> 00:16:53,000 You can say it's in the day and the night. 144 00:16:53,000 --> 00:16:57,000 The coronavirus is absolutely not very happy. 145 00:16:57,000 --> 00:17:00,000 We'll see them in the matter's only because of their adventures and our coordinate. 146 00:17:00,000 --> 00:17:06,000 Electronic football has been the biggest event on air. 147 00:17:06,000 --> 00:17:07,000 But his father knew that he had 148 00:17:09,000 --> 00:17:10,000 and drugs such as faced fires, 149 00:17:10,000 --> 00:17:12,000 who have Cursed Vedged upon them. 150 00:17:12,000 --> 00:17:14,000 Many names are called 151 00:17:14,000 --> 00:17:16,000 in coming into higher playing. 152 00:17:16,000 --> 00:17:19,000 My Kaqun can compare these videos with me 153 00:17:19,000 --> 00:17:22,000 if I feel that matters. 154 00:17:23,000 --> 00:17:25,000 How much damage? 155 00:17:25,000 --> 00:17:31,000 And did not make studies on Democrats laws. 156 00:17:31,000 --> 00:17:48,000 It's finally later in speak in verse 1. 157 00:17:48,000 --> 00:17:52,000 So, it's not only for fans and I thought you were such a good one. 158 00:17:58,000 --> 00:18:04,000 In fans and is a claire, does ambition, do they pay any kind of audience, 159 00:18:04,000 --> 00:18:08,000 and about ambition, for their efforts, the only way of oil, 160 00:18:08,000 --> 00:18:11,000 and the music and tiredness. 161 00:18:11,000 --> 00:18:14,000 When can't that be seen, how about the show, 162 00:18:14,000 --> 00:18:18,000 and how about the music and the other, the music and the music, 163 00:18:18,000 --> 00:18:22,000 and the music and the music, the music and the music. 164 00:18:22,000 --> 00:18:24,000 It's a good one to achieve. 165 00:18:24,000 --> 00:18:26,000 It's a good one. 166 00:18:26,000 --> 00:18:28,000 I hope to see you there. 167 00:18:28,000 --> 00:18:33,000 There are fans in, at the right place as well. 168 00:18:44,000 --> 00:18:52,000 The music is a very good one. 169 00:18:52,000 --> 00:18:56,000 It's a pleasure. 170 00:18:57,000 --> 00:18:59,000 The music is a great one. 171 00:18:59,000 --> 00:19:03,000 The music is a great one. 172 00:19:05,000 --> 00:19:07,000 The music is a great one. 173 00:19:07,000 --> 00:19:11,000 The music is a great one. 174 00:19:11,000 --> 00:19:14,000 So, it's a great one. 175 00:19:14,000 --> 00:19:17,000 It's a great one. 176 00:19:27,000 --> 00:19:30,000 It's a great one. 177 00:19:30,000 --> 00:19:33,000 It's a great one. 178 00:19:33,000 --> 00:19:37,000 There are fans in the room and the rock bands. 179 00:19:37,000 --> 00:19:39,000 It's a great one. 180 00:19:39,000 --> 00:19:43,000 I see rock bands that are very good. 181 00:19:43,000 --> 00:19:47,000 I see them as well as the band. 182 00:19:47,000 --> 00:19:50,000 They are very good. 183 00:19:50,000 --> 00:19:52,000 They are very good. 184 00:19:52,000 --> 00:19:55,000 The music is a great one. 185 00:20:07,000 --> 00:20:10,000 They are very good. 186 00:20:10,000 --> 00:20:13,000 They are very good. 187 00:20:13,000 --> 00:20:17,000 There are fans in the room and the music is a great one. 188 00:20:17,000 --> 00:20:22,000 There are fans in the room and the rock band are very good. 189 00:20:30,000 --> 00:20:32,000 Don't you do it again. 190 00:20:32,000 --> 00:20:36,000 I don't talk with the anxious, I know. 191 00:20:37,000 --> 00:20:44,000 Don't throw extra zendly 192 00:20:44,000 --> 00:20:50,000 Don't throw extra zendly 193 00:20:50,000 --> 00:20:57,000 Don't throw extra zendly 194 00:20:57,000 --> 00:21:02,000 Don't throw extra zendly 195 00:21:02,000 --> 00:21:05,000 Don't throw extra zendly 196 00:21:05,000 --> 00:21:11,000 Don't throw extra zendly 197 00:21:11,000 --> 00:21:18,000 Don't throw extra zendly 198 00:21:29,000 --> 00:21:32,000 Don't throw extra zendly 199 00:21:32,000 --> 00:21:38,000 Don't throw extra zendly 200 00:21:38,000 --> 00:21:45,000 Don't throw extra zendly 201 00:21:45,000 --> 00:21:51,000 Don't throw extra zendly 202 00:22:02,000 --> 00:22:08,000 Don't throw extra zendly 203 00:22:32,000 --> 00:22:42,000 Don't throw extra zendly 204 00:22:42,000 --> 00:22:52,000 Don't throw extra zendly 205 00:22:52,000 --> 00:22:55,000 Don't throw extra zendly 206 00:23:55,000 --> 00:24:00,000 can understand exactly what we have done since the Family members'ited song 207 00:24:00,000 --> 00:24:01,000 in 2020. 208 00:24:02,000 --> 00:24:06,000 When the dealelectates from the youth at the age of an young person 209 00:24:06,000 --> 00:24:07,000 sometimes... 210 00:24:07,000 --> 00:24:09,000 ...the story changes before... 211 00:24:09,000 --> 00:24:11,000 ...with the role that they need, 212 00:24:11,000 --> 00:24:14,000 while the youth are again started to engage the youth on campus. 213 00:24:14,000 --> 00:24:16,000 I'm not sure if I'm going to do it. 214 00:24:16,000 --> 00:24:18,000 I'm not going to do it. 215 00:24:18,000 --> 00:24:20,000 I'm not going to do it. 216 00:24:20,000 --> 00:24:22,000 I'm not going to do it. 217 00:24:44,000 --> 00:24:48,000 I can't identify myself with their names. 218 00:24:49,000 --> 00:24:52,000 I was given you an achievement. 219 00:24:52,000 --> 00:25:02,000 I grew up with a few events where people 220 00:25:02,000 --> 00:25:04,000 came up. 221 00:25:04,000 --> 00:25:09,000 Today I'm only going to say that I started training exercises, 222 00:25:09,000 --> 00:25:11,000 and holding it at these short cartoons. 223 00:25:11,000 --> 00:25:12,000 soldiers, who adhered the 224 00:25:12,000 --> 00:25:14,000 intrigue and 225 00:25:14,000 --> 00:25:18,000 Canal of the 226 00:25:18,000 --> 00:25:23,000 into the 227 00:25:23,000 --> 00:25:23,000 By getting 228 00:25:23,000 --> 00:25:25,000 hired 229 00:25:25,000 --> 00:25:26,000 Jesuit 230 00:25:26,000 --> 00:25:28,000 training 231 00:25:28,000 --> 00:25:31,000 from sound 232 00:25:31,000 --> 00:25:32,000 1 233 00:25:32,000 --> 00:25:34,000 IC 234 00:25:34,000 --> 00:25:35,000 followed by 235 00:25:35,000 --> 00:25:41,000 • 236 00:25:41,000 --> 00:26:08,000 It is pretty slow. 237 00:26:08,000 --> 00:26:11,000 all this focused heavily since we all want 238 00:26:11,000 --> 00:26:12,000 to create a move 239 00:26:12,000 --> 00:26:15,000 we could haveglas 240 00:26:15,000 --> 00:26:17,000 to go through a song 241 00:26:17,000 --> 00:26:18,000 and of course 242 00:26:18,000 --> 00:26:19,000 they tended them 243 00:26:19,000 --> 00:26:20,000 to just act 244 00:26:20,000 --> 00:26:21,000 to push their needs 245 00:26:21,000 --> 00:26:23,000 we weren't soneeds 246 00:26:23,000 --> 00:26:25,000 i think they will commit 247 00:26:25,000 --> 00:26:26,000 this world 248 00:26:27,000 --> 00:26:30,000 is assumed by respect 249 00:26:30,000 --> 00:26:32,000 just their jackpot 250 00:26:32,000 --> 00:26:33,000 I don't have any meaning 251 00:26:34,000 --> 00:26:36,000 from what i could have said 252 00:26:36,000 --> 00:27:04,000 And the enjoying of linear 253 00:27:36,000 --> 00:27:41,000 I'm the way your phone is better your mind 254 00:27:41,000 --> 00:27:45,000 And when you can't walk the way your mind is better your mind 255 00:27:45,000 --> 00:27:51,000 It's better your game, better your mind 256 00:27:51,000 --> 00:27:55,000 It's better 257 00:27:55,000 --> 00:27:59,000 It's better 258 00:27:59,000 --> 00:28:03,000 It's better 259 00:28:04,000 --> 00:28:06,000 It's better 260 00:28:06,000 --> 00:28:10,000 My mind is better 261 00:28:10,000 --> 00:28:14,000 My mind is better 262 00:28:14,000 --> 00:28:16,000 It's better 263 00:28:16,000 --> 00:28:18,000 It's better 264 00:28:18,000 --> 00:28:20,000 My mind 265 00:28:22,000 --> 00:28:24,000 My mind 266 00:28:33,000 --> 00:28:41,000 My mind 267 00:28:41,000 --> 00:28:47,000 My mind 268 00:28:47,000 --> 00:28:51,000 My mind 269 00:28:51,000 --> 00:29:01,000 My mind 270 00:30:01,000 --> 00:30:05,000 These challenges are very different. 271 00:30:05,000 --> 00:30:08,000 And that is why we're not going to fight against our subsystem. 272 00:30:09,000 --> 00:30:12,000 But across the base, we've continued to get back again. 273 00:30:13,000 --> 00:30:17,000 How are we going to play together. 274 00:30:18,000 --> 00:30:21,000 People have hit videos. 275 00:30:21,000 --> 00:30:24,000 We think God wants to stay without any confidence. 276 00:30:24,000 --> 00:30:29,000 We are really excited about the lives itself. 277 00:30:29,000 --> 00:30:33,000 But during that time, Melio and Cub will help to heal this relaxed pleasure 278 00:30:33,000 --> 00:30:35,000 on reaching its meticulous understanding, 279 00:30:35,000 --> 00:30:39,000 these are the experiences of the artist and his own create. 280 00:30:51,000 --> 00:30:52,000 ongoingcamp 281 00:30:53,000 --> 00:30:53,000 We call the steering tour 282 00:30:53,000 --> 00:30:55,000 00 subway 283 00:30:55,000 --> 00:30:56,000 and of course of music 284 00:30:56,000 --> 00:30:58,000 the cam 285 00:30:58,000 --> 00:30:58,000 and of those commercial 286 00:30:58,000 --> 00:30:58,000 of music 287 00:30:58,000 --> 00:31:00,000 order a million 288 00:31:00,000 --> 00:31:02,000 whichJoan represents the coefficient ofEA hab Webb 289 00:31:02,000 --> 00:31:05,000 and crockett 290 00:31:28,000 --> 00:31:43,000 Zelenteeee 291 00:31:45,000 --> 00:31:48,000 ten from Auslan usurp 292 00:31:53,000 --> 00:31:55,000 once he has extremeements 293 00:31:55,000 --> 00:32:01,000 In 2015, the biggest Nobel Prize in the United States professor was honorary wines 294 00:32:01,000 --> 00:32:11,000 and support thanks tobrand laughs in the late- douches at Lincolnshire 295 00:32:11,000 --> 00:32:18,000 which talked several early educationas, where VM5 was held in the Juan Pass tons. 296 00:32:18,000 --> 00:32:23,000 It really means there's a lot of things to do. 297 00:32:23,000 --> 00:32:23,000 oads are the best ones. 298 00:32:23,000 --> 00:32:29,000 Those who turn different effects of music are 31% 299 00:32:29,000 --> 00:32:31,000 more than I anticipated. 300 00:32:31,000 --> 00:32:37,000 But obviously we never bring electricity from all over India. 301 00:32:37,000 --> 00:32:41,000 We create'tic AND 302 00:32:41,000 --> 00:32:43,000 governments. 303 00:32:43,000 --> 00:32:45,000 But it can cause us that practice, 304 00:32:45,000 --> 00:32:50,000 is being invited to talk when eras is flavored 305 00:32:52,000 --> 00:32:53,000 Stream alcohol pressure 306 00:32:54,000 --> 00:32:56,000 The first was cooled and wet 307 00:33:15,000 --> 00:33:22,000 Here's a number from Cannes and this is Vernal Equinox. 308 00:40:45,000 --> 00:41:12,000 Jon's 309 00:41:12,000 --> 00:41:12,000 YOU HAVE JUST SAD A 310 00:41:13,000 --> 00:41:14,000 aught 311 00:41:14,000 --> 00:41:15,000 YOU HAVE BEEN ONLY 312 00:41:16,000 --> 00:41:17,000 A 313 00:41:17,000 --> 00:41:18,000 YOU HAVE THEY 314 00:41:18,000 --> 00:41:35,000 S 315 00:41:35,000 --> 00:41:37,000 CAR Tau 316 00:41:37,000 --> 00:41:38,000 AS 317 00:41:38,000 --> 00:41:39,000 THEY B affairs 318 00:41:39,000 --> 00:41:40,000 WHERE THE 319 00:41:40,000 --> 00:41:44,000 an absolute while sensation or however they say it in that particular language 320 00:41:44,000 --> 00:41:47,000 they are can and they want some more 321 00:41:47,000 --> 00:41:53,000 i wonder if can we'll get into the top 322 00:42:10,000 --> 00:42:14,000 i don't have to say no more 323 00:42:14,000 --> 00:42:18,000 do not want to be meaningful 324 00:42:18,000 --> 00:42:22,000 don't care if they get more 325 00:42:22,000 --> 00:42:26,000 i don't want to be more than enough 326 00:43:10,000 --> 00:43:14,000 there are other options 327 00:43:14,000 --> 00:43:19,000 which I mean 328 00:43:19,000 --> 00:43:24,000 only for countries 329 00:43:24,000 --> 00:43:26,000 and others 330 00:43:40,000 --> 00:43:42,000 I'm gonna die 331 00:43:42,000 --> 00:43:44,000 I'm gonna die 332 00:44:00,000 --> 00:44:02,000 Every day 333 00:44:02,000 --> 00:44:04,000 Every day 334 00:44:04,000 --> 00:44:06,000 Every day 335 00:44:06,000 --> 00:44:08,000 Every day 336 00:44:08,000 --> 00:44:09,000 Every day 337 00:44:09,000 --> 00:44:11,000 Every day 338 00:44:39,000 --> 00:44:46,000 C Creep 339 00:44:49,000 --> 00:45:01,000 and st 340 00:45:04,000 --> 00:45:06,000 Music 341 00:45:06,000 --> 00:45:07,000 Community 342 00:45:07,000 --> 00:45:08,000 Music 343 00:45:08,000 --> 00:45:09,000 awareness 344 00:45:09,000 --> 00:45:14,000 and they are very classic, very classic. 345 00:45:14,000 --> 00:45:17,000 The global, the club can't do this, 346 00:45:17,000 --> 00:45:19,000 but the music can't do this. 347 00:45:19,000 --> 00:45:22,000 It's a great thing to interpret. 348 00:45:22,000 --> 00:45:25,000 I think it's a great thing to do with the club. 349 00:45:25,000 --> 00:45:28,000 I think it's a great thing to do with the club. 350 00:45:28,000 --> 00:45:31,000 I think it's a great thing to do with the club. 351 00:45:31,000 --> 00:45:36,000 I think it's a great thing to do with the club. 352 00:45:37,000 --> 00:45:39,000 In helicopters, they often play it, 353 00:45:39,000 --> 00:45:42,000 and there are people that aren't in the sheriff's office 354 00:45:42,000 --> 00:45:44,000 who couldn't hear why you were here. 355 00:45:44,000 --> 00:45:46,000 They have a strong friend, 356 00:45:46,000 --> 00:45:57,000 all thatisticEStreamFrame 357 00:45:57,000 --> 00:46:00,000 who died at his home At members. 358 00:46:01,000 --> 00:46:03,000 Wanted lots of good news for him. 359 00:46:03,000 --> 00:46:05,000 encies women helpedfamily us each other forward. 360 00:46:07,000 --> 00:46:09,000 Thank you all. 361 00:46:33,000 --> 00:46:35,000 So 362 00:47:03,000 --> 00:47:05,000 So 363 00:47:33,000 --> 00:47:35,000 So 364 00:48:03,000 --> 00:48:05,000 So 365 00:48:33,000 --> 00:48:35,000 So 366 00:49:03,000 --> 00:49:05,000 So 367 00:49:33,000 --> 00:49:35,000 So 368 00:50:03,000 --> 00:50:05,000 So 369 00:50:33,000 --> 00:50:35,000 So 370 00:50:35,000 --> 00:50:37,000 So 371 00:50:37,000 --> 00:50:39,000 Hello! 372 00:50:39,000 --> 00:50:40,000 Hello! 373 00:50:40,000 --> 00:50:47,000 Hello! 374 00:50:47,000 --> 00:50:49,000 Hello! 375 00:50:49,000 --> 00:50:52,000 Hello! 376 00:50:52,000 --> 00:50:53,000 Hello! 377 00:50:53,000 --> 00:50:58,000 Hello, I'm very glad to have you. 378 00:50:58,000 --> 00:51:01,000 I'm very glad to be here. 379 00:51:01,000 --> 00:51:03,000 But I have a good field of tell 380 00:51:03,000 --> 00:51:03,000 of wonderful all best ranked 381 00:51:03,000 --> 00:51:05,000 in Detroit. 382 00:51:06,000 --> 00:51:08,000 What to politically 383 00:51:08,000 --> 00:51:10,000 pterwave how to 384 00:51:11,000 --> 00:51:12,000 collaborate and 385 00:51:12,000 --> 00:51:14,000 for that of all time. 386 00:51:16,000 --> 00:51:18,000 It's really beautiful. 387 00:51:19,000 --> 00:51:21,000 So this is what you can have you 388 00:51:22,000 --> 00:51:24,000 play in other commercial 389 00:51:26,000 --> 00:51:28,000 That's not rude 390 00:51:29,000 --> 00:51:30,000 And 391 00:51:30,000 --> 00:51:32,000 And actually I do feel very special to communities. 392 00:51:32,000 --> 00:51:36,000 I have the needs of music and music that I have to work with. 393 00:51:36,000 --> 00:51:39,000 On the front of the bike, that's behind my ceiling. 394 00:51:39,000 --> 00:51:41,000 mechanics and road PSN 395 00:51:41,000 --> 00:51:44,000 The instruments have so manyCTs that 396 00:51:44,000 --> 00:51:47,000 in which it is something important, 397 00:51:47,000 --> 00:51:48,000 exactly. 398 00:51:48,000 --> 00:51:50,000 ghosting Authors 399 00:51:50,000 --> 00:51:51,000 Continue to feel very64 400 00:51:51,000 --> 00:51:54,000 But that will be 401 00:51:54,000 --> 00:51:57,000 nothing about users 402 00:51:57,000 --> 00:51:58,000 suh 403 00:51:58,000 --> 00:52:03,000 hypnosis and 404 00:52:28,000 --> 00:52:30,000 So 405 00:52:58,000 --> 00:53:00,000 You 406 00:53:28,000 --> 00:53:30,000 You 407 00:53:58,000 --> 00:54:00,000 You 408 00:54:28,000 --> 00:54:30,000 You 409 00:54:58,000 --> 00:55:00,000 You 410 00:55:28,000 --> 00:55:30,000 You 411 00:55:58,000 --> 00:56:00,000 You 412 00:56:28,000 --> 00:56:30,000 You 413 00:56:58,000 --> 00:57:00,000 You 414 00:57:28,000 --> 00:57:30,000 You 415 00:57:58,000 --> 00:58:00,000 You 416 00:58:28,000 --> 00:58:30,000 You 417 00:58:58,000 --> 00:59:00,000 You 418 00:59:28,000 --> 00:59:30,000 You 419 00:59:58,000 --> 01:00:00,000 You 420 01:00:00,000 --> 01:00:02,000 You 421 01:00:02,000 --> 01:00:06,000 You 422 01:00:06,000 --> 01:00:08,000 You 423 01:00:08,000 --> 01:00:10,000 You 424 01:00:10,000 --> 01:00:13,000 You 425 01:00:13,000 --> 01:00:37,000 Ch CardTurns 426 01:00:37,000 --> 01:00:39,000 a complete more spontaneous 427 01:00:39,000 --> 01:00:41,000 and 428 01:00:41,000 --> 01:00:43,000 on a 429 01:00:43,000 --> 01:00:45,000 guard 430 01:00:45,000 --> 01:00:48,000 on a 431 01:00:48,000 --> 01:00:50,000 joint 432 01:00:50,000 --> 01:00:51,000 and 433 01:00:51,000 --> 01:00:53,000 a 434 01:00:53,000 --> 01:00:54,000 certain 435 01:00:54,000 --> 01:00:55,000 moment 436 01:00:55,000 --> 01:00:57,000 on a 437 01:00:57,000 --> 01:00:58,000 joint 438 01:00:58,000 --> 01:00:59,000 on a 439 01:00:59,000 --> 01:01:00,000 joint 440 01:01:00,000 --> 01:01:01,000 on a 441 01:01:01,000 --> 01:01:02,000 joint 442 01:01:02,000 --> 01:01:03,000 on a 443 01:01:03,000 --> 01:01:04,000 joint 444 01:01:04,000 --> 01:01:06,000 on a 445 01:01:06,000 --> 01:01:08,000 joint 446 01:01:08,000 --> 01:01:10,000 on a 447 01:01:10,000 --> 01:01:12,000 joint 448 01:01:12,000 --> 01:01:14,000 on a 449 01:01:14,000 --> 01:01:16,000 joint 450 01:01:16,000 --> 01:01:18,000 on 451 01:01:18,000 --> 01:01:20,000 on 452 01:01:20,000 --> 01:01:22,000 on 453 01:01:22,000 --> 01:01:24,000 on 454 01:01:24,000 --> 01:01:26,000 on 455 01:01:26,000 --> 01:01:28,000 on 456 01:01:28,000 --> 01:01:30,000 on 457 01:01:30,000 --> 01:01:32,000 on 458 01:01:32,000 --> 01:01:34,000 on 459 01:01:34,000 --> 01:01:36,000 on 460 01:01:36,000 --> 01:01:38,000 on 461 01:01:38,000 --> 01:01:40,000 on 462 01:01:40,000 --> 01:01:42,000 on 463 01:01:42,000 --> 01:01:44,000 on 464 01:01:44,000 --> 01:01:46,000 on 465 01:01:46,000 --> 01:01:48,000 on 466 01:01:48,000 --> 01:01:50,000 on 467 01:01:50,000 --> 01:01:52,000 on 468 01:01:52,000 --> 01:01:54,000 on 469 01:01:54,000 --> 01:01:56,000 on 470 01:01:56,000 --> 01:01:58,000 on 471 01:01:58,000 --> 01:02:00,000 on 472 01:02:00,000 --> 01:02:01,000 on a 473 01:02:01,000 --> 01:02:02,000 joint 474 01:02:02,000 --> 01:02:04,000 on 475 01:02:04,000 --> 01:02:06,000 on 476 01:02:06,000 --> 01:02:08,000 on 477 01:02:08,000 --> 01:02:10,000 on 478 01:02:10,000 --> 01:02:14,000 on 479 01:02:14,000 --> 01:02:18,000 on 480 01:02:18,000 --> 01:02:20,000 on 481 01:02:20,000 --> 01:02:22,000 on 482 01:02:22,000 --> 01:02:24,000 on 483 01:02:24,000 --> 01:02:26,000 on 484 01:02:26,000 --> 01:02:28,000 on 485 01:02:28,000 --> 01:02:29,000 on a 486 01:02:29,000 --> 01:02:31,000 joint 487 01:02:31,000 --> 01:02:33,000 on 488 01:02:33,000 --> 01:02:35,000 on 489 01:02:35,000 --> 01:02:37,000 on 490 01:02:37,000 --> 01:02:38,000 on 491 01:02:38,000 --> 01:02:39,000 on 492 01:02:39,000 --> 01:02:41,000 on 493 01:02:41,000 --> 01:02:44,000 on 494 01:02:44,000 --> 01:02:46,000 on 495 01:02:46,000 --> 01:02:49,000 on 496 01:03:31,000 --> 01:03:36,000 Ooh, that love, ooh, that love, ooh, that love 497 01:03:36,000 --> 01:03:41,000 Ooh, that love, ooh, that love, ooh, that love 498 01:03:41,000 --> 01:03:45,000 Ooh, that love, that love, that love, that love 499 01:03:45,000 --> 01:03:50,000 Ooh, that love, that love, that love, that love 500 01:03:50,000 --> 01:03:53,000 Ooh, that love, that love, that love, that love 501 01:03:53,000 --> 01:03:57,000 Ooh, that love, that love, that love, that love 502 01:03:58,000 --> 01:04:03,000 Ooh, that love, that love, that love, ooh, that love 503 01:04:03,000 --> 01:04:22,000 Got some buzz, got some buzz, got some buzz 504 01:04:22,000 --> 01:04:35,000 When did you go to New York? 505 01:04:35,000 --> 01:04:38,000 That was in 66. 506 01:04:38,000 --> 01:04:40,000 And what happened to you there? 507 01:04:40,000 --> 01:04:50,000 Well, actually, well, there was this contest and I started all my things conducting stuff and everything. 508 01:04:50,000 --> 01:05:00,000 But then I also met a lot of these fluxus people like Dick Higgins and I met Terry Riley and Steve Reich. 509 01:05:00,000 --> 01:05:05,000 And I got into this warhol scene in the Chelsea Hotel. 510 01:05:05,000 --> 01:05:09,000 I spent most of the time, and I started to forget about the contest. 511 01:05:09,000 --> 01:05:13,000 It wasn't very interesting anymore. 512 01:05:13,000 --> 01:05:16,000 The Chelsea Hotel was much more interesting. 513 01:05:16,000 --> 01:05:18,000 What happened there? 514 01:05:18,000 --> 01:05:40,000 I get corrupted. 515 01:05:40,000 --> 01:05:49,000 The most important thing was the fact that you don't have to think beforehand. 516 01:05:49,000 --> 01:06:03,000 The power of the spontaneity, the result on the media, and the way of listening and making conclusions and decisions. 517 01:06:04,000 --> 01:06:11,000 This was really something that was completely new to me after having studied for a long time. 518 01:06:18,000 --> 01:06:21,000 He's really quite very reclusive in fact. 519 01:06:21,000 --> 01:06:26,000 In fact, he has to really be in his foil on-term eyes, as we say in German. 520 01:06:26,000 --> 01:06:29,000 He's been this fire under the bum, I mean, to get to him. 521 01:06:29,000 --> 01:06:34,000 He's been here for a long time and I was able to stay and make his music and not do anything else. 522 01:06:34,000 --> 01:06:43,000 Nobody in his right mind would like me to become a dentist or a minister of defense or anything. 523 01:06:43,000 --> 01:06:46,000 Because I know you. 524 01:06:46,000 --> 01:06:48,000 Yes, yes. 525 01:06:48,000 --> 01:06:53,000 I mean, I don't think I would have more success as a brain surgeon. 526 01:06:59,000 --> 01:07:03,000 There is none below this level. 527 01:07:21,000 --> 01:07:23,000 We entered into where no one wants to be. 528 01:07:23,000 --> 01:07:27,000 In fact, it's better if you don't come with me. 529 01:07:27,000 --> 01:07:30,000 Listen to yourself in the Tell Your Story 2, 530 01:07:30,000 --> 01:07:34,000 Sayhi Adri, Must I Do. 531 01:07:58,000 --> 01:08:03,000 In all this level, there is none. 532 01:08:03,000 --> 01:08:10,000 This time, the experiment you're made has turned to some type of lemonade. 533 01:08:10,000 --> 01:08:14,000 But below this level, there is none. 534 01:08:14,000 --> 01:08:18,000 Below this level, there is none. 535 01:08:28,000 --> 01:08:33,000 Below this level, there is none. 536 01:08:47,000 --> 01:08:49,000 How did you join Ken? 537 01:08:49,000 --> 01:08:52,000 I mean, everybody knows this story when you... 538 01:08:52,000 --> 01:08:54,000 I don't know the story. 539 01:08:54,000 --> 01:08:56,000 Actually, I didn't join Ken. 540 01:08:56,000 --> 01:08:59,000 No, I met some people. 541 01:08:59,000 --> 01:09:04,000 Then these people were ever in Holy God Michel. 542 01:09:05,000 --> 01:09:07,000 And my opponent. 543 01:09:07,000 --> 01:09:10,000 We'll come. 544 01:09:13,000 --> 01:09:16,000 We're going to go! 545 01:09:24,000 --> 01:09:32,000 We've run out of spots from government. 546 01:09:32,000 --> 01:09:34,000 kind of both give to some bass player. 547 01:09:35,000 --> 01:09:37,000 Yeah, that's what some music is like. 548 01:09:37,000 --> 01:09:40,000 Want to angle here. That's his man, additional. 549 01:09:51,000 --> 01:09:55,000 But I've been waiting to meet you for the last 20 years. 550 01:09:57,000 --> 01:09:58,000 I really have. 551 01:09:59,000 --> 01:10:00,000 I didn't know. 552 01:10:00,000 --> 01:10:06,000 When they told me that the Jew, they found you in Munich, 553 01:10:06,000 --> 01:10:10,000 I said, boy, he has a lot of heart. 554 01:10:10,000 --> 01:10:13,000 Because working with cans sometimes can be like... 555 01:10:13,000 --> 01:10:15,000 Incredence. 556 01:10:15,000 --> 01:10:20,000 I mean, this is a real motor who drives the group. 557 01:10:20,000 --> 01:10:21,000 And that's a thing. 558 01:10:21,000 --> 01:10:23,000 Where this is a screamer. 559 01:10:23,000 --> 01:10:24,000 No, no, no. 560 01:10:24,000 --> 01:10:26,000 That was not much of a screamer. 561 01:10:26,000 --> 01:10:28,000 He was a diamond. He was a screamer too. 562 01:10:28,000 --> 01:10:34,000 A diamond was found more interested in songs. 563 01:10:35,000 --> 01:10:37,000 Like normal real songs. 564 01:10:37,000 --> 01:10:39,000 Probably successful songs. 565 01:10:39,000 --> 01:10:43,000 Then, do you see his natural singing? 566 01:10:43,000 --> 01:10:45,000 Natural singing. 567 01:11:13,000 --> 01:11:17,000 Well, I tend to sort of agree with that. 568 01:11:44,000 --> 01:11:46,000 Oh, my God. 569 01:11:46,000 --> 01:11:47,000 Yeah. 570 01:11:47,000 --> 01:11:48,000 Oh, my God. 571 01:12:03,000 --> 01:12:08,000 So this is anyway, the normal daily work somehow. 572 01:12:08,000 --> 01:12:10,000 Making music, composing. 573 01:12:13,000 --> 01:12:14,000 Okay. 574 01:12:15,000 --> 01:12:16,000 Okay, okay, okay, okay. 575 01:12:16,000 --> 01:12:18,000 Gotta get it away. 576 01:12:18,000 --> 01:12:20,000 Oh, right. 577 01:12:20,000 --> 01:12:21,000 Okay. 578 01:12:21,000 --> 01:12:23,000 Okay, okay, okay, okay, okay. 579 01:12:23,000 --> 01:12:25,000 Gotta get it away. 580 01:12:25,000 --> 01:12:27,000 Gotta get it away. 581 01:12:27,000 --> 01:12:29,000 Gotta get it away. 582 01:12:40,000 --> 01:12:41,000 Can. 583 01:12:41,000 --> 01:12:45,000 To be able, physically, mentally, morally, legally or the like, 584 01:12:45,000 --> 01:12:49,000 to possess the qualities, qualifications or resources necessary 585 01:12:49,000 --> 01:12:53,000 for the attainment of any end or the accomplishment of any purpose. 586 01:12:53,000 --> 01:12:58,000 Specific end or purpose being indicated by the verb, which can be joined. 587 01:13:09,000 --> 01:13:16,000 I would describe Cairns' music as being an ultra futuristic and very classic. 588 01:13:17,000 --> 01:13:22,000 I think the essence of Can is that, you know, you can do anything. 589 01:13:22,000 --> 01:13:24,000 Oh, very good. 590 01:13:29,000 --> 01:13:31,000 I think you don't have to know Kane. 591 01:13:31,000 --> 01:13:33,000 You don't listen to his remixes. 592 01:13:33,000 --> 01:13:36,000 They sound in for people who don't know Kane. 593 01:13:36,000 --> 01:13:38,000 It might be interesting. 594 01:13:38,000 --> 01:13:40,000 You don't have to know anything. 595 01:13:40,000 --> 01:13:41,000 It looks good. 596 01:13:42,000 --> 01:13:45,000 And it's stretched boundaries and stretched limits. 597 01:13:47,000 --> 01:13:50,000 Oh, girl, we're sitting on stage, but you know, he had a short wave radio, 598 01:13:50,000 --> 01:13:56,000 and he was picking up the fishing forecast, you know, and broadcasting it over, you know, 599 01:13:56,000 --> 01:13:58,000 this sort of funk backing. 600 01:13:59,000 --> 01:14:02,000 One of the facets of Cairns' music was that he once played a minimally. 601 01:14:05,000 --> 01:14:10,000 As if every musician almost played a bare minimally that could get away with, 602 01:14:10,000 --> 01:14:11,000 and repeatedly. 603 01:14:11,000 --> 01:14:14,000 So he created this kind of like, well, in that sense, the petition. 604 01:14:15,000 --> 01:14:19,000 And within the kind of a petition, you have slight differences, but he was very minimal. 605 01:14:19,000 --> 01:14:20,000 He was very, very exciting. 606 01:14:23,000 --> 01:14:29,000 Very actually doing like techno, sort of 76, 77, a real electronic dance music. 607 01:14:32,000 --> 01:14:36,000 The moment a sport could do or whatever, or a cool story, other stuff on the radio, 608 01:14:36,000 --> 01:14:38,000 it would be a very difficult one. 609 01:14:38,000 --> 01:14:40,000 But it was a very difficult one. 610 01:14:42,000 --> 01:14:44,000 It was a very difficult one. 611 01:14:47,000 --> 01:14:50,000 It's a really good reference point now because of the way music is, 612 01:14:50,000 --> 01:14:53,000 where you've got so many different influences being put into one part. 613 01:14:53,000 --> 01:14:55,000 And I think that's what Can Always did. 614 01:14:55,000 --> 01:14:58,000 They took influences from rock records and dance. 615 01:14:58,000 --> 01:15:01,000 The kind of dance music you had around at the time, 616 01:15:01,000 --> 01:15:04,000 the electronic equipment that you had at the time, 617 01:15:04,000 --> 01:15:08,000 also the traditional equipment, a mixed it all up and the vocals. 618 01:15:09,000 --> 01:15:13,000 A kind of mad mishamash of lyrics and stuff. 619 01:15:15,000 --> 01:15:19,000 It's always been about experimentation, but they always took experimentation to, 620 01:15:19,000 --> 01:15:23,000 in a way that Eno did where it was still melodic and it was to accept, 621 01:15:23,000 --> 01:15:26,000 but it wasn't too chaotic or mental. 622 01:15:27,000 --> 01:15:32,000 The russet was to try and do it in more of an alternative left field. 623 01:15:33,000 --> 01:15:38,000 Kind of the hip hop beats track, but try and keep the flavour sort of, 624 01:15:38,000 --> 01:15:41,000 that progressive sound and can. 625 01:15:42,000 --> 01:15:44,000 And that's the challenge. 626 01:15:44,000 --> 01:15:48,000 To keep it as true to the original as you can, so you're not, 627 01:15:48,000 --> 01:15:51,000 you know, you're not ripping it apart and totally raping the track, 628 01:15:51,000 --> 01:15:55,000 but to also re-interpreate it because that's what you've been asked to do. 629 01:15:55,000 --> 01:15:58,000 You'd be certainly very, very wild. 630 01:15:59,000 --> 01:16:01,000 I'm calculated with you. 631 01:16:01,000 --> 01:16:02,000 Unacoustic. 632 01:16:03,000 --> 01:16:06,000 Not necessarily in any commercial. 633 01:16:07,000 --> 01:16:09,000 I read anything about the sex piece that was dark in them. 634 01:16:10,000 --> 01:16:13,000 It was the first time I actually heard the word can. 635 01:16:16,000 --> 01:16:20,000 Is the editing I remember as the fact that someone had done a 20 minute song? 636 01:16:21,000 --> 01:16:22,000 Yeah, it's that as well. 637 01:16:23,000 --> 01:16:25,000 Which is what we actually released, wasn't it? 638 01:16:25,000 --> 01:16:26,000 We did. 639 01:16:26,000 --> 01:16:27,000 And then we were. 640 01:16:27,000 --> 01:16:28,000 And then we were. 641 01:16:30,000 --> 01:16:33,000 It influences other musicians and doesn't actually influence the mass. 642 01:16:36,000 --> 01:16:39,000 Same thing we can. You can hear so many other influences in there. 643 01:16:40,000 --> 01:16:42,000 It's so obvious, but yeah. 644 01:16:43,000 --> 01:16:45,000 It's so bleak. This is so good. 645 01:16:46,000 --> 01:16:53,000 I'm having a track that was 20 minutes long and changed, continuing away through it. 646 01:16:54,000 --> 01:16:55,000 The fact that it was all live. 647 01:16:58,000 --> 01:17:02,000 We had this game by playing a knife that I played a chord. 648 01:17:03,000 --> 01:17:05,000 He played a bass to it. 649 01:17:06,000 --> 01:17:09,000 I mean, it was all spent time. He played a bass to it, which was difficult. 650 01:17:10,000 --> 01:17:13,000 It changed the harmonical context. 651 01:17:14,000 --> 01:17:17,000 It wasn't the harmony I played then all of a sudden. 652 01:17:18,000 --> 01:17:25,000 And I re-inpertent it to interpret it as his own arm, his bass, new chord. 653 01:17:26,000 --> 01:17:29,000 So he had to change. And that was a very interesting harmonic. 654 01:17:30,000 --> 01:17:34,000 It gave him a lot of really old ideas. 655 01:17:37,000 --> 01:17:39,000 It was difficult to do because there was no motor track available. 656 01:17:40,000 --> 01:17:43,000 Everything that can always be exactly for the first few years was all mixed through it. 657 01:17:44,000 --> 01:17:46,000 So there wasn't a motor track available at all. 658 01:17:47,000 --> 01:17:48,000 So we ended up isolating all the bits of vocals. 659 01:17:49,000 --> 01:17:52,000 All the tracks we wanted to use and most of those included the backing tracks. 660 01:17:53,000 --> 01:17:55,000 So we kind of accelerated it, turned it into little bits. 661 01:17:56,000 --> 01:18:00,000 And kept all the vocals, which was quite a departure from all the other women from the parallel. 662 01:18:01,000 --> 01:18:05,000 And they did the same thing with the harmonics of the musical line. 663 01:18:06,000 --> 01:18:09,000 They just turned them around and they became totally different. 664 01:18:10,000 --> 01:18:12,000 It made it very, very beautiful. 665 01:18:13,000 --> 01:18:17,000 It changes the whole mood of something and still keeps the essence. 666 01:18:18,000 --> 01:18:20,000 It's very, very tricky. 667 01:18:21,000 --> 01:18:24,000 I don't think my mix of lyrics is to kind of sound very much. 668 01:18:25,000 --> 01:18:28,000 The only thing that I'd get people like to do in there sounds is to find out we'd use some of the samples. 669 01:18:28,000 --> 01:18:37,000 And then we thought, okay, we've got the strength and we've got the basic arrangement. 670 01:18:38,000 --> 01:18:40,000 We'd pop to all the vocals and we'd write any kind of prose bit. 671 01:18:41,000 --> 01:18:43,000 And when came to the verse, I was still pleased about that. 672 01:18:44,000 --> 01:18:48,000 It was something that was actually a bridge section that had repeatedly all the tracks. 673 01:18:50,000 --> 01:18:55,000 My idea of it was because the original was such a kind of minimal, relentless 20 minutes piece 674 01:18:55,000 --> 01:18:59,000 to turn this piece into a 3.5 minutes more single oriented track. 675 01:19:07,000 --> 01:19:10,000 I tried to take Canon into the 21st century. 676 01:19:12,000 --> 01:19:18,000 But I used from the original it's pretty much the voice and the back ends, 677 01:19:19,000 --> 01:19:21,000 which I thought was the most futuristic. 678 01:19:21,000 --> 01:19:29,000 I played that through some big work and events in the 70s. 679 01:19:30,000 --> 01:19:39,000 And they removed the seems to bring a lot of feeling expected for memories. 680 01:19:40,000 --> 01:19:48,000 I was trying to have motion and my mix is rather a little bit too impressive. 681 01:19:52,000 --> 01:20:00,000 So, like you said, this is a group I really thought they have a lot of similarities with their life. 682 01:20:01,000 --> 01:20:04,000 They're very kind. They have a kind of attitude. 683 01:20:05,000 --> 01:20:07,000 They have a kind of doing something that nobody would do. 684 01:20:08,000 --> 01:20:10,000 You know, just see how it sounds. 685 01:20:11,000 --> 01:20:14,000 I mean, slowing down, slowing down the school. 686 01:20:15,000 --> 01:20:17,000 It's a really weird idea. 687 01:20:21,000 --> 01:20:27,000 There was like an organic parent going through the group, which connected the individuals. 688 01:20:28,000 --> 01:20:32,000 It was like a bunch of lunatics that loose on instruments. 689 01:20:33,000 --> 01:20:38,000 And they weren't conventional instruments, you know, like the Herman's keyboard sounded like a flying saucer going off after time. 690 01:20:39,000 --> 01:20:41,000 You know, all the play base with his gloves. 691 01:20:42,000 --> 01:20:44,000 The singers just used to make it up on them as they went along. 692 01:20:45,000 --> 01:20:47,000 The guitarist just sounded like he was playing on the moon. 693 01:20:47,000 --> 01:20:51,000 You know, it was just alien funk, really. 694 01:20:52,000 --> 01:20:54,000 But like nothing you'd ever heard. 695 01:20:55,000 --> 01:20:57,000 And you didn't know where it was going to end up, which was the other exciting thing. 696 01:20:58,000 --> 01:21:00,000 They could go anywhere. And they often did. 697 01:21:02,000 --> 01:21:05,000 When they did the tracks on the albums, they weren't arranged songs. 698 01:21:06,000 --> 01:21:12,000 You know, they'd go in and play for like 50 hours and whittle it down into, you know, a 10 minute track. 699 01:21:13,000 --> 01:21:16,000 They had the remix principle on the go and the word go. 700 01:21:18,000 --> 01:21:22,000 What is the good remix? The remix is a piece I would say. 701 01:21:23,000 --> 01:21:28,000 You don't even recognize sometimes the origin and the source being came from. 702 01:21:29,000 --> 01:21:35,000 And it's a very good remix, but you can see these people put in a lot of, oh, investment. 703 01:21:36,000 --> 01:21:37,000 I know. 704 01:21:38,000 --> 01:21:42,000 The thing is that is that I think the grossing can be power. 705 01:21:43,000 --> 01:21:47,000 The difference between the singers and the singers is that they are not the best. 706 01:21:48,000 --> 01:21:49,000 They are not the best. 707 01:21:51,000 --> 01:21:53,000 They are the best singers in the world. 708 01:21:54,000 --> 01:21:56,000 They are the best singers in the world. 709 01:21:57,000 --> 01:22:01,000 A rather indefinite term applied to various vessels of low grade size. 710 01:22:01,000 --> 01:22:06,000 Our more auspiciously two vessels made of sheet metal for containing liquids, preserves, etc. 711 01:27:01,000 --> 01:27:02,000 Make this feel a little more 712 01:27:12,000 --> 01:27:18,000 to circles where the idea is that, you know, after aanoPop, 713 01:27:19,000 --> 01:27:23,000 nothink softly 714 01:27:24,000 --> 01:27:27,000 is the definingiggs key 715 01:27:27,000 --> 01:27:44,000 the whole body 716 01:27:44,000 --> 01:27:46,000 Jeff 717 01:27:46,000 --> 01:27:49,000 John 718 01:27:49,000 --> 01:27:52,000 And then you can go into truths we base in this country. 719 01:27:53,000 --> 01:27:55,000 We put on a!! 720 01:28:03,000 --> 01:28:06,000 Here is how French voices call colder than dayann ilved. 721 01:28:06,000 --> 01:28:10,000 In Joce that, the English voices are the darker ones, 722 01:28:10,000 --> 01:28:15,000 and the deal the most on Korean parts and Middle East nations 723 01:28:15,000 --> 01:28:45,000 and I was very happy that 724 01:28:45,000 --> 01:28:59,000 happy that I was very happy that I was happy that I was happy that I wasäz, but I could only resist it. I could do like more or less Finish it. I could only resist the 725 01:28:59,000 --> 01:29:09,000 version this version this version a lotier and a lotier Listen,why no make 726 01:29:09,000 --> 01:29:12,000 only make the version 727 01:29:12,000 --> 01:29:14,000 actually don't know 728 01:29:14,000 --> 01:29:16,000 That's the way it comes to that, 729 01:29:16,000 --> 01:29:19,000 the right distance comes to consciousness. 730 01:29:26,000 --> 01:29:29,000 A national school in orchestral countries 731 01:29:29,000 --> 01:29:33,000 criminalization and responsibility in terms of delivery. 732 01:29:33,000 --> 01:29:38,000 Guys, you can learn through Australian urbanities 733 01:29:38,000 --> 01:29:40,000 and interviews using foreign foundations 734 01:29:40,000 --> 01:29:42,000 or researching audit00012. 735 01:29:42,000 --> 01:29:48,000 Well we did papers and various papers offer automation in people's records. 736 01:29:48,000 --> 01:29:57,000 It should cost businesses 737 01:29:58,000 --> 01:30:02,000 and not they'll make an area on their Bergeron. 738 01:30:02,000 --> 01:30:11,000 A 739 01:30:13,000 --> 01:30:16,000 y 740 01:30:16,000 --> 01:30:17,000 I 741 01:30:19,000 --> 01:30:21,000 winter 742 01:30:21,000 --> 01:30:22,000 and produce a firm 743 01:30:22,000 --> 01:30:25,000 fantasy 744 01:30:25,000 --> 01:30:26,000 Yeah something things your best Wheelz 745 01:30:26,000 --> 01:30:30,000 something that is a very big thing. 746 01:30:30,000 --> 01:30:32,000 It's a very interesting thing. 747 01:30:32,000 --> 01:30:34,000 It's a very interesting thing. 748 01:30:34,000 --> 01:30:36,000 It's a very unique thing. 749 01:30:36,000 --> 01:30:38,000 It's a very unique thing. 750 01:30:38,000 --> 01:30:40,000 It's a very unique thing. 751 01:30:40,000 --> 01:30:42,000 It's a very unique thing. 752 01:30:42,000 --> 01:30:44,000 It's a very unique thing. 753 01:30:44,000 --> 01:30:46,000 It's a very unique thing. 754 01:30:46,000 --> 01:30:48,000 It's a very unique thing. 755 01:30:48,000 --> 01:30:50,000 It's a very unique thing. 756 01:30:50,000 --> 01:30:52,000 It's a very unique thing. 757 01:30:52,000 --> 01:30:54,000 It's a very unique thing. 758 01:30:54,000 --> 01:30:57,000 We push a little bit closer to our channel. 759 01:30:57,000 --> 01:31:01,000 And we can see what is going on in Braveheart. 760 01:31:02,000 --> 01:31:03,000 Thank you very much. 761 01:31:09,000 --> 01:31:12,000 It costs increasingly high wages to our child. 762 01:31:12,000 --> 01:31:15,000 We can see if – and we can see if you want really fatty acids. 763 01:31:15,000 --> 01:31:23,000 We unfortunately need to finish insureion levels to fit about our 764 01:31:23,000 --> 01:31:28,000 Strong and durable a new example of 765 01:31:28,000 --> 01:31:30,000 a new 766 01:31:30,000 --> 01:31:38,000 Lovely but not as Harrison Bart There are decades of 767 01:31:38,000 --> 01:31:41,000 most Bush browsers 768 01:31:41,000 --> 01:31:47,000 We don't get too much for these new 769 01:31:47,000 --> 01:31:51,000 Men are a little that price was 770 01:31:51,000 --> 01:31:55,000 and I think that's why I'm here today. 771 01:31:55,000 --> 01:31:58,000 I think that we are going to be able to get 772 01:31:58,000 --> 01:32:02,000 to be able to get a better, better, better, better. 773 01:32:02,000 --> 01:32:06,000 I think that we are going to be able to get a better, better, better, better. 774 01:32:29,000 --> 01:32:30,000 I have to say that you could get a better business today. 775 01:32:32,000 --> 01:32:37,000 But I thought it silver edition on, on this ring Chi Dog show of multiplayer game. 776 01:32:37,000 --> 01:32:39,000 A bullet Bloom on this climbed front. 777 01:32:39,000 --> 01:32:41,000 It was an hour and hour in a half. 778 01:32:41,000 --> 01:32:44,000 All of us didn't want to seeIGUA on Sanctuary Group. 779 01:32:44,000 --> 01:32:46,000 They had an hour and it happened now. 780 01:32:46,000 --> 01:32:49,000 The downloaded eight individual players on top of the gate came in when they arrived in the game. 781 01:32:49,000 --> 01:32:58,000 But we wereO 782 01:32:58,000 --> 01:33:05,000 in the material built in the electron that was involved in the music of the media 783 01:33:05,000 --> 01:33:08,000 and of the reports of the media. 784 01:33:08,000 --> 01:33:10,000 And it was a very important thing to do with the environment. 785 01:33:10,000 --> 01:33:14,000 And I think that the material built in the material built in the material built 786 01:33:14,000 --> 01:33:16,000 is very important. 787 01:33:16,000 --> 01:33:24,000 At the last few years I know that we have to be compliments, 788 01:33:24,000 --> 01:33:30,000 I will be to be the generation in our offices together over here showing how they were 789 01:33:30,000 --> 01:33:36,000 who were interested in the music of their circadian system. 790 01:33:36,000 --> 01:33:39,000 with 10 of a million people 791 01:33:39,000 --> 01:33:45,000 and Jester's 792 01:33:45,000 --> 01:33:46,000 career in geek 793 01:33:46,000 --> 01:33:54,000 and Fan Lane 794 01:33:54,000 --> 01:34:00,000 and offers opportunities 795 01:34:00,000 --> 01:34:04,000 in cooperation. 796 01:34:06,000 --> 01:34:28,000 Thank you very much. 797 01:34:37,000 --> 01:34:43,000 I brought in for you today's video about Johnny18 Kerry. 798 01:34:43,000 --> 01:34:45,000 Thank you so much. 799 01:34:47,000 --> 01:34:48,000 I took a demo from General Eisenhower coming more or less salient 800 01:34:48,000 --> 01:34:51,000 and traveled I believe particularly. 801 01:34:52,000 --> 01:34:55,000 We are a young man who is external and a happy question. 802 01:34:56,000 --> 01:34:59,000 The ambient light is because of coveted numbers. 803 01:35:00,000 --> 01:35:05,000 There areankers, more enterprises and motorcycles. 804 01:35:05,000 --> 01:35:06,000 to observe why". 805 01:35:06,000 --> 01:35:09,000 Discussion scales properly, 806 01:35:09,000 --> 01:35:11,000 which they are going to plan, 807 01:35:26,000 --> 01:35:28,000 It is the way 808 01:35:28,000 --> 01:35:30,000 that all of us only live there. 809 01:35:31,000 --> 01:35:34,000 Around the ages of half. 810 01:36:04,000 --> 01:36:07,000 and the balance of life. 811 01:36:07,000 --> 01:36:12,000 I think that we are all going to be able to do this. 812 01:36:12,000 --> 01:36:15,000 We are going to be able to do this. 813 01:36:15,000 --> 01:36:18,000 We are going to be able to do this. 814 01:36:18,000 --> 01:36:21,000 We are going to be able to do this. 815 01:36:21,000 --> 01:36:24,000 We are going to be able to do this. 816 01:36:24,000 --> 01:36:27,000 We are going to be able to do this. 817 01:36:27,000 --> 01:36:30,000 We are going to be able to do this. 818 01:36:30,000 --> 01:36:31,000 The honourable and knowledge about problems 819 01:36:31,000 --> 01:36:36,000 in public agency Defensively I think 820 01:36:36,000 --> 01:36:42,000 the first thing we need to do is to go through humour. 821 01:36:45,000 --> 01:36:46,000 We're going to die in our own door and 822 01:36:46,000 --> 01:36:51,000 We are going to think of talking seats 823 01:36:51,000 --> 01:36:56,000 We are learning through our own 824 01:36:56,000 --> 01:36:58,000 enquiry moment 825 01:36:58,000 --> 01:37:00,000 I think that the 826 01:37:00,000 --> 01:37:02,000 international world is a 827 01:37:02,000 --> 01:37:04,000 very important thing. 828 01:37:04,000 --> 01:37:06,000 I think that the 829 01:37:06,000 --> 01:37:08,000 world is a very 830 01:37:08,000 --> 01:37:10,000 important thing. 831 01:37:10,000 --> 01:37:12,000 I think that 832 01:37:12,000 --> 01:37:14,000 the production of the 833 01:37:14,000 --> 01:37:16,000 production of the 834 01:37:16,000 --> 01:37:18,000 production of the 835 01:37:18,000 --> 01:37:20,000 production of the 836 01:37:20,000 --> 01:37:22,000 production of the 837 01:37:22,000 --> 01:37:24,000 production of the 838 01:37:24,000 --> 01:37:26,000 production of the 839 01:37:26,000 --> 01:37:27,000 production of the 840 01:37:27,000 --> 01:37:29,000 production of the 841 01:37:29,000 --> 01:37:31,000 production of the production 842 01:37:31,000 --> 01:37:33,000 of the production of the 843 01:37:33,000 --> 01:37:35,000 production. 844 01:37:35,000 --> 01:37:37,000 So if you're 845 01:37:37,000 --> 01:37:41,000 in the 846 01:37:41,000 --> 01:37:43,000 group, 847 01:37:43,000 --> 01:37:45,000 if you're in the 848 01:37:45,000 --> 01:37:47,000 group, 849 01:37:47,000 --> 01:37:49,000 if you're in the 850 01:37:49,000 --> 01:37:51,000 series, 851 01:37:51,000 --> 01:37:54,000 it's one of the 852 01:37:54,000 --> 01:38:16,000 They had quite limited equipment but used it to its absolute maximum. 853 01:38:16,000 --> 01:38:24,000 So the way they worked on this particular track was, of course, I have to point out 854 01:38:24,000 --> 01:38:28,000 that at this point in 73 they only really just got into using multi-tracks. 855 01:38:28,000 --> 01:38:33,000 Previously everything they'd done was played live onto just two track stereo and then that 856 01:38:33,000 --> 01:38:35,000 was edited. 857 01:38:35,000 --> 01:38:40,000 And with the multi-track process, how they did it was recording the basic members of the 858 01:38:40,000 --> 01:38:53,000 band, bass, guitar, a guide vocal and some keyboards as a basic sort of foundation. 859 01:38:53,000 --> 01:38:57,000 And then series upon series of improvised solos over the top. 860 01:38:57,000 --> 01:39:04,000 So say six of the tracks of the 16 track is this original jam and then layer upon layer 861 01:39:04,000 --> 01:39:09,000 upon layer of improvised overdubs over that. 862 01:39:09,000 --> 01:39:17,000 And then the process was selecting small moments from these improvisations. 863 01:39:17,000 --> 01:39:21,000 So they were still improvised and kept in the same place where they originally played but 864 01:39:21,000 --> 01:39:35,000 just a selected moment from that to make the dramatic structure of the piece. 865 01:39:35,000 --> 01:39:45,000 The wisest decision that the band made was to get their own studio and work with the 866 01:39:45,000 --> 01:39:54,000 technology themselves which meant that there was a natural move away from the conventions 867 01:39:54,000 --> 01:40:02,000 which means that the music is freer of the fashion of the time. 868 01:40:02,000 --> 01:40:04,000 Consequently it still works today, it will always work. 869 01:40:04,000 --> 01:40:13,000 It will always have its own voice and its own sound whereas lots of other bands would 870 01:40:13,000 --> 01:40:19,000 go through the full conventions of how music worked in the period which was rehearsing 871 01:40:19,000 --> 01:40:25,000 a rehearsal room, drums, bass, guitar solo, two verses chorus, etc. 872 01:40:25,000 --> 01:40:30,000 You go and play a load of gigs, get depressed and a little white van driving around Europe 873 01:40:30,000 --> 01:40:35,000 for a couple of years and then you go into a studio with an engineer and a producer, 874 01:40:35,000 --> 01:40:40,000 it will tell you how to play and what to play to fit in with the conventions of the period 875 01:40:40,000 --> 01:40:42,000 to keep the record company happy. 876 01:40:42,000 --> 01:40:49,000 And that means that thousands of records from any period, I mean that's how the music business 877 01:40:49,000 --> 01:40:56,000 still operates to a large degree, 99% of them are so fixed with the conventions and fashion 878 01:40:56,000 --> 01:41:04,000 of the period that when that fashion is gone when the fashion is over, well so white you 879 01:41:04,000 --> 01:41:05,000 can just chuck it. 880 01:41:05,000 --> 01:41:14,000 And consequently can we're able to avoid too much of that fashion pressure because through 881 01:41:14,000 --> 01:41:19,000 their working method unfortunately just about stay alive as well in the process which means 882 01:41:19,000 --> 01:41:25,000 that the music still has an appeal, has a value however many years later. 883 01:41:26,000 --> 01:41:31,000 . 884 01:41:32,000 --> 01:41:34,000 The Honor Duo === 885 01:41:34,000 --> 01:41:38,000 Do instruments are ofebrieveration? 886 01:41:38,000 --> 01:41:39,000 atta? 887 01:41:39,000 --> 01:41:44,000 How often is the project changed or would you enjoy the rest of the Festival by influencing 888 01:41:44,000 --> 01:41:46,000 and challenging your interests? 889 01:41:46,000 --> 01:41:52,000 That's why you may sometimes Missile occurs later that's what makes us happy in the past 890 01:41:52,000 --> 01:41:57,000 Portuguese Music Ferοgans mode 891 01:41:57,000 --> 01:42:00,000 ITE 892 01:42:00,000 --> 01:42:02,000 modify everything 893 01:42:03,000 --> 01:42:04,000 Ok 894 01:42:09,000 --> 01:42:12,000 Kids will work websites 895 01:42:12,000 --> 01:42:14,000 for young people 896 01:42:14,000 --> 01:42:17,000 itching from Oregon 897 01:42:17,000 --> 01:42:18,000 to Mi … 898 01:42:18,000 --> 01:42:19,000 chose to watch 899 01:42:19,000 --> 01:42:22,000 I think it's a very good experience. 900 01:42:22,000 --> 01:42:26,000 I think it's a very good experience. 901 01:42:26,000 --> 01:42:30,000 I think it's a very good experience. 902 01:42:30,000 --> 01:42:34,000 I think it's a very good experience. 903 01:42:34,000 --> 01:42:39,000 I think it's a very good experience. 904 01:42:39,000 --> 01:42:42,000 I think it's a very good experience. 905 01:42:42,000 --> 01:42:45,000 I think it's a very good experience. 906 01:42:45,000 --> 01:42:52,000 We came here all..... 907 01:42:52,000 --> 01:42:57,000 ... cmnykNumbers.... 908 01:43:06,000 --> 01:43:11,000 Moritz latitude.... 909 01:43:11,000 --> 01:43:31,000 of the 910 01:43:33,000 --> 01:43:36,000 the realm is this way we can subsequent 911 01:43:36,000 --> 01:43:39,000 sudden 912 01:43:39,000 --> 01:43:46,000 And the way that we have been doing this is that we have been able to do this. 913 01:43:46,000 --> 01:43:50,000 And we have been able to do this in a very long time. 914 01:43:50,000 --> 01:43:54,000 And we have been able to do this in a very long time. 915 01:43:54,000 --> 01:43:59,000 And we have been able to do this in a very long time. 916 01:43:59,000 --> 01:44:04,000 And we have been able to do this in a very long time. 917 01:44:04,000 --> 01:44:10,000 So I'm really genuinely interested in seeing one in other world. 918 01:44:18,000 --> 01:44:27,000 In this spot there had been horrible SHHAND many years ago. 919 01:44:30,000 --> 01:44:32,000 Strangely, I am very grateful that every day 920 01:44:32,000 --> 01:44:36,000 subscribed. 921 01:44:36,000 --> 01:44:41,000 Thank you very much to you for having me. 922 01:44:41,000 --> 01:44:44,000 buoy 923 01:44:44,000 --> 01:44:46,000 Thank you. 924 01:44:46,000 --> 01:44:51,000 I was really sorry for my hours. 925 01:44:51,000 --> 01:44:54,000 As an honor. 926 01:44:54,000 --> 01:44:56,000 Thank you. 927 01:44:56,000 --> 01:45:00,000 Period. 928 01:45:00,000 --> 01:45:23,000 into production only. 929 01:45:23,000 --> 01:45:26,000 here, 930 01:45:26,000 --> 01:45:28,000 and as we're innovating with our own best 931 01:45:28,000 --> 01:45:30,000 we're also looking at the 932 01:45:30,000 --> 01:45:34,000 concentration in our working life 933 01:45:34,000 --> 01:45:38,000 construction videos 934 01:45:38,000 --> 01:45:41,000 encouraged us to see it 935 01:45:41,000 --> 01:45:44,000 it's the nursery 936 01:45:44,000 --> 01:45:46,000 OUT Medicines 937 01:45:46,000 --> 01:45:51,000 and we feel very inclusive 938 01:45:51,000 --> 01:45:56,000 It's not a champion, but we don't have to fail this. 939 01:45:56,000 --> 01:45:57,000 You will be the Lars WAllenpatch one, 940 01:45:57,000 --> 01:46:16,000 and feel free to be arrived in 941 01:46:21,000 --> 01:46:23,000 thank youuuüU'test mentions 942 01:46:26,000 --> 01:46:31,000 I listen very often until I do it 943 01:46:31,000 --> 01:46:33,000 to one moment. 944 01:46:35,000 --> 01:46:37,000 I am not welcome here. 945 01:46:39,000 --> 01:46:41,000 I am former Vice-General for the 946 01:46:41,000 --> 01:46:44,000 Government of the United States 947 01:46:44,000 --> 01:46:45,000 There are fndring moments here 948 01:46:45,000 --> 01:46:48,000 In english, my father didn't 949 01:46:48,000 --> 01:46:52,000 to say, that in international management organizations we 950 01:46:53,000 --> 01:46:57,000 firms made services straight up around ready in terms 951 01:46:57,000 --> 01:46:59,000 of capital Of 2017 industrial revolutionary 952 01:47:00,000 --> 01:47:00,000 media standards 953 01:47:00,000 --> 01:47:02,000 populations 954 01:47:02,000 --> 01:47:03,000 of12 955 01:47:03,000 --> 01:47:05,000 produced 956 01:47:05,000 --> 01:47:07,000 , 957 01:47:07,000 --> 01:47:09,000 for today 958 01:47:09,000 --> 01:47:11,000 with 959 01:47:11,000 --> 01:47:12,000 an 960 01:47:12,000 --> 01:47:13,000 issue 961 01:47:13,000 --> 01:47:14,000 of 962 01:47:14,000 --> 01:47:15,000 international 963 01:47:15,000 --> 01:47:17,000 historical 964 01:47:17,000 --> 01:47:41,000 It is so exciting to have Each letter of human persistence content and Its 965 01:47:41,000 --> 01:47:41,000 self. 966 01:47:41,000 --> 01:47:43,000 and the 967 01:47:43,000 --> 01:47:45,000 world of the world of the world of the world of the world. 968 01:47:45,000 --> 01:47:48,000 We are now convinced that the music is a 969 01:47:48,000 --> 01:47:50,000 conventionally-instrumental instrument. 970 01:47:50,000 --> 01:47:53,000 We are now convinced that the music is a 971 01:47:53,000 --> 01:47:55,000 conventionally-instrumental instrument. 972 01:47:55,000 --> 01:47:57,000 We are now convinced that the music is a 973 01:47:57,000 --> 01:47:59,000 conventionally-instrumental instrument. 974 01:47:59,000 --> 01:48:01,000 We are now convinced that the music is a 975 01:48:01,000 --> 01:48:03,000 conventionally-instrumental instrument. 976 01:48:03,000 --> 01:48:05,000 We are now convinced that the music is a 977 01:48:05,000 --> 01:48:07,000 conventionally-instrumental instrument. 978 01:48:07,000 --> 01:48:09,000 We are now convinced that the music is a 979 01:48:09,000 --> 01:48:11,000 instrumentally-instrumental instrument and 980 01:48:11,000 --> 01:48:12,000 it's ahelp in theYeses countries that 981 01:48:12,000 --> 01:48:21,000 use effects and 982 01:48:21,000 --> 01:48:21,000 models for attend studies and 983 01:48:21,000 --> 01:48:21,000 tutorials. 984 01:48:21,000 --> 01:48:25,000 Another finding the effective 985 01:48:25,000 --> 01:48:31,000 crochetReg Core combination asER. 986 01:48:31,000 --> 01:48:33,000 Then into shuffles, 987 01:48:33,000 --> 01:48:34,000 again three different styles 988 01:48:34,000 --> 01:48:39,000 including art up to diversity. 989 01:49:09,000 --> 01:49:11,000 Wunderbar kinetican. 990 01:49:30,000 --> 01:49:36,000 When Alice and I go on there start 100 minutes early ... 991 01:49:36,000 --> 01:49:42,000 I love each other when some people don't get the pain they couldn't make. 992 01:49:42,000 --> 01:49:45,000 There are no pain in their dreams 993 01:49:45,000 --> 01:49:47,000 and these scages are healthy. 994 01:49:48,000 --> 01:49:51,000 No pain, no pain, no shameing inside. 995 01:49:51,000 --> 01:49:54,000 It has to become such an open heartache. 996 01:49:54,000 --> 01:49:58,000 From then, the world has continued to move on. 997 01:49:58,000 --> 01:50:00,000 Thank you. 998 01:50:06,000 --> 01:50:07,000 Summan on friggin bar, 999 01:50:08,000 --> 01:50:09,000 I can for your svbar, 1000 01:50:10,000 --> 01:50:13,000 this was an interesting project 1001 01:50:13,000 --> 01:50:14,000 that I'm thinking of, 1002 01:50:14,000 --> 01:50:16,000 is so worth taking. 1003 01:50:20,000 --> 01:50:22,000 Summan on the sales site 1004 01:50:22,000 --> 01:50:23,000 If we talk… 1005 01:50:24,000 --> 01:50:40,000 …of aoc 1006 01:50:40,000 --> 01:50:43,000 Up outside the Destin 1007 01:50:43,000 --> 01:50:43,000 against toddlers 1008 01:50:44,000 --> 01:51:04,000 collecting natural 1009 01:51:04,000 --> 01:51:06,000 image 1010 01:51:06,000 --> 01:51:07,000 was Rica's 1011 01:51:07,000 --> 01:51:09,000 seekers 1012 01:51:09,000 --> 01:51:15,000 They've come all the way from Germany, where they're an absolute while, a sensation or however they say in that particular language. 1013 01:51:15,000 --> 01:51:18,000 They are Cannes, and they want some more. 1014 01:51:26,000 --> 01:51:31,000 I'm very interested in the way that the city of Stilm was here, and I'm very interested in the city of Fonkengi. 1015 01:51:39,000 --> 01:51:43,000 Sometimes this problem means how many times is it or not? 1016 01:51:43,000 --> 01:51:44,000 Are you familiar with Fonkeng? 1017 01:51:44,000 --> 01:52:00,000 I wasn't just Grande, we had initially done something to speak Cbaby, but I was so re- 1018 01:52:00,000 --> 01:52:29,000 Scholaraph 1019 01:52:30,000 --> 01:52:31,000 thoseass who are there in the audience. 1020 01:52:31,000 --> 01:52:34,000 THEY CONFER 1021 01:52:34,000 --> 01:52:47,000 Go. 1022 01:52:47,000 --> 01:52:49,000 D controls. 1023 01:52:49,000 --> 01:52:53,000 They have never got behind us. 1024 01:52:53,000 --> 01:52:57,000 Inaughter for the Queen, I recently brought this ant Lust Qween 1025 01:52:57,000 --> 01:52:59,000 from London to England and it's also the Leftaeddens 1026 01:52:59,000 --> 01:53:23,000 from 1027 01:53:23,000 --> 01:53:46,000 I wanted to say that Ken, 1028 01:53:46,000 --> 01:53:55,000 I think you could take what you could say. 1029 01:53:55,000 --> 01:53:58,000 I then said that my wife hate the kiss and I thought oh that even person goes away. 1030 01:53:58,000 --> 01:54:05,000 For this person she has the one who was most likely to have no connections to talk about that. 1031 01:54:05,000 --> 01:54:08,000 Rather than reading the Lounge Crush. 1032 01:54:08,000 --> 01:54:11,000 initiated an well-represented budget... 1033 01:54:11,000 --> 01:54:13,000 ...and the most sustainable budget... 1034 01:54:13,000 --> 01:54:16,000 ...actually will be around sixteen-year-olds. 1035 01:54:16,000 --> 01:54:19,000 Fromila Darranned have been given some work in New Zealand... 1036 01:54:19,000 --> 01:54:23,000 ...who made it well about the starter and family flip. 1037 01:54:35,000 --> 01:54:36,000 fidelity 1038 01:54:38,000 --> 01:54:41,000 to 1039 01:54:42,000 --> 01:54:42,000 not say that this is the 1040 01:54:42,000 --> 01:54:44,000 same moment for the 1041 01:54:44,000 --> 01:54:44,000 moment, 1042 01:54:45,000 --> 01:54:47,000 of the moment 1043 01:54:47,000 --> 01:54:49,000 that is what we 1044 01:54:49,000 --> 01:54:51,000 hope 1045 01:54:51,000 --> 01:54:54,000 for 1046 01:54:55,000 --> 01:54:56,000 Together 1047 01:54:56,000 --> 01:54:57,000 It's been 1048 01:54:57,000 --> 01:54:59,000 difficult to 1049 01:54:59,000 --> 01:55:02,000 learn 1050 01:55:02,000 --> 01:55:04,000 and I 1051 01:55:04,000 --> 01:55:06,000 made my 1052 01:55:06,000 --> 01:55:08,000 Thank you. 1053 01:55:08,000 --> 01:55:12,000 APPLAUSE 1054 01:55:17,000 --> 01:55:21,000 I am very proud of you, 1055 01:55:21,000 --> 01:55:25,000 and I am very proud of you. 1056 01:55:25,000 --> 01:55:28,000 I am very proud of you. 1057 01:55:28,000 --> 01:55:31,000 I am very proud of you. 1058 01:55:31,000 --> 01:56:00,000 And today I am very happy to be on your 1059 01:56:01,000 --> 01:56:18,000 All right,encha, al- taskiampa. 1060 01:56:18,000 --> 01:56:19,000 ASEP. 1061 01:56:21,000 --> 01:56:24,000 It's okay with the chance to have better 1062 01:56:25,000 --> 01:56:27,000 life and a lot space into tools. 1063 01:56:27,000 --> 01:56:30,000 So are there long lines between you here and your 1064 01:56:30,000 --> 01:56:36,000 from 1065 01:56:36,000 --> 01:56:58,000 the 1066 01:56:58,000 --> 01:57:09,000 staff and participants with the 1067 01:57:13,000 --> 01:57:17,000 framework. 1068 01:57:17,000 --> 01:57:19,000 2016. 1069 01:57:21,000 --> 01:57:23,000 Yes. 1070 01:57:25,000 --> 01:57:27,000 We have our fans. 1071 01:57:29,000 --> 01:57:31,000 And what have seen fasted this. 1072 01:57:33,000 --> 01:57:35,000 But don't you give me the knowledge? 1073 01:57:38,000 --> 01:57:40,000 ... 1074 01:57:47,000 --> 01:57:53,000 To the 1075 01:57:53,000 --> 01:57:55,000 aviation pilot, we are waiting outside the 1076 01:57:55,000 --> 01:57:58,000 sea this sea. 1077 01:57:58,000 --> 01:58:05,000 It's obsolete, otherwise I think. 1078 01:58:05,000 --> 01:58:11,000 Congratulations we are here. 1079 01:58:11,000 --> 01:58:25,000 They were always recognisable, but never predictable. 1080 01:58:25,000 --> 01:58:31,000 They were cleverly disguised, but totally connected. 1081 01:58:31,000 --> 01:58:39,000 They had mastered their feminine side, yet they were real men. 1082 01:58:39,000 --> 01:58:46,000 They were always searching. 1083 01:58:46,000 --> 01:58:57,000 Globally important, frequently camouflaged, desperate to please all audiences. 1084 01:58:57,000 --> 01:59:07,000 Always stylish, and yet somehow very German. 1085 01:59:07,000 --> 01:59:11,000 They were kind. 72236

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