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All language subtitles for The 83rd Annual Golden Globe Awards 2026 [1080p]_track3_[eng]

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These are the user uploaded subtitles that are being translated: 1 00:00:05,000 --> 00:00:05,900 >> Y'ALL KNOW WHAT TIME IT IS! 2 00:00:09,000 --> 00:00:10,900 * >> WE ARE REALLY HAVING A PARTY HERE. 3 00:00:11,000 --> 00:00:12,400 WHO NEEDS CHAMPAGNE? 4 00:00:12,500 --> 00:00:13,300 >> YOU ARE HERE! 5 00:00:13,400 --> 00:00:15,667 YOU'RE IN HOLLYWOOD! 6 00:00:15,767 --> 00:00:16,467 >> READY? 7 00:00:16,567 --> 00:00:17,567 >> YEAH. 8 00:00:17,667 --> 00:00:21,800 * >> THIS IS -- WOW! 9 00:00:21,900 --> 00:00:23,167 >> MY PULSE IS RACING RIGHT NOW. 10 00:00:23,267 --> 00:00:25,867 * >> COME ON, THEN. 11 00:00:25,967 --> 00:00:28,067 COME, COME. 12 00:00:30,000 --> 00:00:31,400 >> THIS AIN'T NO HOUSE PARTY. 13 00:00:31,500 --> 00:00:33,900 * >> YOU KNOW, I'M SOMETHING OF A PERFORMER, 14 00:00:34,000 --> 00:00:36,767 >> ONCE A PERFORMER IS ALWAYS A PERFORMER. 15 00:00:36,867 --> 00:00:37,867 >> THAT'S OUR JOB. 16 00:00:37,967 --> 00:00:45,967 * >> I AM ABSOLUTELY KILLING IT RIGHT NOW. 17 00:00:46,067 --> 00:00:48,567 >> I'D ACTUALLY LIKE TO TALK TO YOU ABOUT AWARDS SEASON. 18 00:00:48,667 --> 00:00:50,367 JUST MAKE SURE YOU KEEP YOUR WINTER CLEAR. 19 00:00:50,467 --> 00:00:52,467 >> CONGRATULATIONS, YOU LOOK BEAUTIFUL! 20 00:00:52,567 --> 00:00:54,233 WE ARE SO EXCITED TO BE HERE! 21 00:00:54,333 --> 00:00:55,367 >> YOU ARE TOTALLY WINNING LIFE. 22 00:00:55,467 --> 00:00:56,567 >> BIG SMILE! 23 00:00:56,667 --> 00:00:57,733 >> I WANT TEN COPIES OF THAT. 24 00:00:57,833 --> 00:01:03,833 * * >> I'M OBSESSULATED. 25 00:01:03,933 --> 00:01:06,533 * >> OH, YOU TRYNA HAVE A NIGHT! 26 00:01:06,633 --> 00:01:07,800 >> YEAH, I AM! 27 00:01:07,900 --> 00:01:17,933 * * >> IT'S TIME. 28 00:01:18,867 --> 00:01:22,433 * >> Announcer: FROM THE BEVERLY HILTON, IT'S THE 29 00:01:22,533 --> 00:01:24,433 83RD GOLDEN GLOBES! 30 00:01:24,533 --> 00:01:28,667 HERE'S YOUR HOST, NIKKI GLASER. 31 00:01:28,767 --> 00:01:38,767 [APPLAUSE] * 32 00:01:40,533 --> 00:01:48,500 * >> Nikki: GOOD EVENING, AND WELCOME TO THE 83RD 33 00:01:48,600 --> 00:01:53,900 GOLDEN GLOBES. 34 00:01:54,067 --> 00:01:56,500 [APPLAUSE] YES, THE GOLDEN GLOBES, WITHOUT A DOUBT THE 35 00:01:56,600 --> 00:01:58,500 MOST IMPORTANT THING THAT'S HAPPENING IN THE WORLD RIGHT 36 00:01:58,600 --> 00:01:59,267 NOW. 37 00:01:59,900 --> 00:02:03,667 [LAUGHTER] SO LET'S GET DOWN TO BUSINESS: WE'LL START THE 38 00:02:03,767 --> 00:02:06,600 BIDDING FOR WARNER BROS. 39 00:02:06,700 --> 00:02:09,567 AT FIVE DOLLARS. 40 00:02:09,667 --> 00:02:11,100 DO I HEAR FIVE DOLLARS? 41 00:02:11,200 --> 00:02:13,233 [LAUGHTER] TONIGHT WE ARE CELEBRATING THE BEST OF BOTH 42 00:02:13,333 --> 00:02:15,233 TV AND FILM RIGHT HERE, IN THE HEART OF LOS ANGELES, 43 00:02:15,333 --> 00:02:19,267 WHERE NO TV OR FILM HAS BEEN MADE FOR THE PAST SIX YEARS. 44 00:02:19,367 --> 00:02:22,900 [LAUGHTER] I'M NIKKI GLASER, AND JUST LIKE "WICKED," I'M 45 00:02:23,067 --> 00:02:24,100 BACK FOR A SEQUEL. 46 00:02:24,200 --> 00:02:26,367 JUST LIKE "FRANKENSTEIN," I'VE BEEN PIECED TOGETHER BY 47 00:02:26,466 --> 00:02:31,567 AN UNLICENSED EUROPEAN SURGEON. 48 00:02:31,667 --> 00:02:35,300 [LAUGHTER] IT'S GOOD WORK. 49 00:02:35,400 --> 00:02:37,300 AND JUST LIKE THE PODCASTERS NOMINATED TONIGHT, I SHOULD 50 00:02:37,400 --> 00:02:42,067 NOT BE ALLOWED TO BE THIS CLOSE TO JULIA ROBERTS. 51 00:02:42,100 --> 00:02:43,867 [LAUGHTER] IT IS NOT RIGHT. 52 00:02:43,966 --> 00:02:45,466 I CANNOT BELIEVE THE AMOUNT OF STAR POWER WE HAVE IN 53 00:02:45,567 --> 00:02:49,333 THIS ROOM TONIGHT. 54 00:02:49,433 --> 00:02:50,200 IT IS INSANE. 55 00:02:50,733 --> 00:02:51,667 SO MANY A-LISTERS -- AND BY A-LISTERS, I MEAN PEOPLE WHO 56 00:02:51,767 --> 00:02:55,466 ARE ON "A LIST" THAT HAS BEEN HEAVILY REDACTED. 57 00:02:55,567 --> 00:03:00,200 [LAUGHTER] YES. 58 00:03:00,300 --> 00:03:02,333 AND THE GOLDEN GLOBE FOR BEST EDITING GOES TO... 59 00:03:02,433 --> 00:03:06,267 THE JUSTICE DEPARTMENT! 60 00:03:06,367 --> 00:03:12,067 [LAUGHTER AND APPLAUSE] YES, CONGRATULATIONS. 61 00:03:12,167 --> 00:03:19,167 AND THE AWARD FOR MOST EDITING GOES TO CBS NEWS. 62 00:03:19,267 --> 00:03:20,167 YES. 63 00:03:20,367 --> 00:03:24,067 CBS NEWS: AMERICA'S NEWEST PLACE TO "SEE B.S. 64 00:03:24,100 --> 00:03:25,200 NEWS." 65 00:03:25,300 --> 00:03:32,867 [LAUGHTER] WE NEEDED ANOTHER! 66 00:03:32,966 --> 00:03:34,900 [APPLAUSE] THERE ARE SO MANY HOLLYWOOD LEGENDS IN THIS 67 00:03:35,067 --> 00:03:39,900 ROOM -- KATHY BATES, STEVEN SPIELBERG, YES, GEORGE 68 00:03:40,067 --> 00:03:40,833 CLOONEY. 69 00:03:41,300 --> 00:03:44,900 OF COURSE, GEORGE CLOONEY IS NOMINATED FOR THE MOVIE "JAY 70 00:03:45,067 --> 00:03:50,167 KELLY," YES, WHERE HE PLAYS GEORGE CLOONEY. 71 00:03:50,267 --> 00:03:51,533 YOU ARE SO GOOD. 72 00:03:51,633 --> 00:03:52,667 [LAUGHTER] RIGHT? 73 00:03:52,767 --> 00:03:53,700 GEORGE, YOU'RE SO AMAZING. 74 00:03:53,800 --> 00:03:55,833 I'M SUCH A FAN. 75 00:03:55,933 --> 00:03:58,300 I SHOULDN'T BE ALLOWED TO TALK TO YOU RIGHT NOW. 76 00:03:58,400 --> 00:04:00,067 I'VE ALWAYS WANTED TO ASK YOU SOMETHING, AND I KNOW 77 00:04:00,100 --> 00:04:01,900 THIS IS UNPROFESSIONAL, BUT I MAY NEVER GET THE CHANCE 78 00:04:02,067 --> 00:04:04,667 AGAIN, SO HERE GOES: MY NESPRESSOS KEEP COMING OUT 79 00:04:04,767 --> 00:04:07,267 WATERY. 80 00:04:07,367 --> 00:04:09,800 IS IT A POT IF YOU CANNOT DO YOU THINK IT MIGHT BE THE 81 00:04:09,900 --> 00:04:10,667 FILTER? 82 00:04:10,900 --> 00:04:12,400 COULD YOU TROUBLESHOOT THE FORMULATOR? 83 00:04:12,500 --> 00:04:14,100 THANK YOU VERY MUCH. 84 00:04:14,200 --> 00:04:15,467 GRAZIE, SIGNORE! 85 00:04:15,567 --> 00:04:21,067 THE ROCK IS HERE, FOR "THE SMASHING MACHINE." 86 00:04:21,167 --> 00:04:23,167 YES. 87 00:04:23,267 --> 00:04:25,467 [APPLAUSE] THERE HE IS. 88 00:04:25,567 --> 00:04:26,500 YES. 89 00:04:26,600 --> 00:04:29,067 THE ROCK IS NOMINATED TONIGHT, AND LUCKILY FOR 90 00:04:29,100 --> 00:04:34,200 HIM, THE TV SHOW "THE PAPER" IS NOT, SO HE MIGHT WIN. 91 00:04:34,300 --> 00:04:35,300 HE MIGHT WIN. 92 00:04:35,400 --> 00:04:40,567 [LAUGHTER] THAT'S A FUN ONE. 93 00:04:40,667 --> 00:04:43,300 AND KEVIN HART IS HERE, YES! 94 00:04:43,400 --> 00:04:46,832 THE ROCK'S PLUS ONE-HALF. 95 00:04:46,933 --> 00:04:48,600 I LOVE YOU, KEVIN. 96 00:04:48,700 --> 00:04:51,200 KEVIN IS NOMINATED FOR HIS HILARIOUS STAND-UP SPECIAL 97 00:04:51,300 --> 00:04:52,133 TONIGHT. 98 00:04:52,233 --> 00:04:54,667 I LOVE YOU SO MUCH, YOU ARE SO FUNNY. 99 00:04:54,767 --> 00:04:58,167 YOU AND THE ROCK TOGETHER ARE MY FAVORITE COMEDY DUO. 100 00:04:58,267 --> 00:04:59,900 SUCH A CLASSIC COMEDY DUO. 101 00:05:00,067 --> 00:05:01,867 YOU GUYS ARE LIKE STEVEN MARTIN AND MARTIN SHORT FOR 102 00:05:01,967 --> 00:05:05,233 PEOPLE UNDER 50 IQ. 103 00:05:05,333 --> 00:05:07,133 WE NEED MOVIES, TOO. 104 00:05:07,233 --> 00:05:11,233 "JUMANJI: NEXT LEVEL," WAS IT? 105 00:05:11,333 --> 00:05:11,933 I'M JUST SAYING. 106 00:05:12,067 --> 00:05:14,200 [LAUGHTER] I LOVE YOU GUYS. 107 00:05:14,300 --> 00:05:18,533 JENNIFER LAWRENCE IS HERE. 108 00:05:18,633 --> 00:05:19,733 [APPLAUSE] WHERE IS SHE? 109 00:05:19,832 --> 00:05:23,267 HI, JEN! 110 00:05:23,367 --> 00:05:23,700 WHEREVER YOU ARE. 111 00:05:23,800 --> 00:05:24,900 OH, MY GOSH. 112 00:05:25,067 --> 00:05:26,433 YOU GAVE SUCH A STUNNINGLY VISCERAL PERFORMANCE IN "DIE 113 00:05:28,067 --> 00:05:28,700 MY OVE." 114 00:05:28,800 --> 00:05:30,933 AND YOU LOOK GORGEOUS TONIGHT. 115 00:05:31,067 --> 00:05:32,200 OH, MY GOD. 116 00:05:32,300 --> 00:05:34,067 TRUE STORY, I ONCE TOLD A MAKEUP ARTIST, "CAN YOU MAKE 117 00:05:34,167 --> 00:05:35,332 ME LOOK LIKE J-LAW?" 118 00:05:35,433 --> 00:05:38,567 HE SAID, "HONEY, I CAN'T EVEN MAKE YOU LOOK LIKE JUDE 119 00:05:38,667 --> 00:05:39,167 LAW." 120 00:05:39,267 --> 00:05:43,433 [LAUGHTER] WE LAUGHED. 121 00:05:43,533 --> 00:05:48,300 THE CAST OF "THE WHITE LOTUS" SEASON 3 IS HERE. 122 00:05:48,400 --> 00:05:50,967 [APPLAUSE] PARKER POSEY, WALTON GOGGINS, AIMEE LOU 123 00:05:51,067 --> 00:05:51,600 WOOD. 124 00:05:52,067 --> 00:05:54,133 ONE OF MY FAVORITE SHOWS OF ALL TIME. 125 00:05:54,233 --> 00:05:56,067 I LOVE YOU GUYS SO MUCH. 126 00:05:56,100 --> 00:05:57,400 DID YOU KNOW "THE WHITE LOTUS" SEASON 3 WAS THE 127 00:05:57,500 --> 00:05:59,500 FIRST HIT SHOW TO FEATURE INCEST SINCE "THE PROPERTY 128 00:05:59,600 --> 00:06:03,800 BROTHERS," SEASON ALL-OF-THEM? 129 00:06:03,900 --> 00:06:05,100 THAT'S SO INTERESTING, RIGHT? 130 00:06:05,200 --> 00:06:10,400 [LAUGHTER] LEONARDO DiCAPRIO IS HERE FOR "ONE MAN-BUN 131 00:06:10,500 --> 00:06:13,367 AFTER ANOTHER." 132 00:06:13,467 --> 00:06:15,200 [APPLAUSE] HI, LEO. 133 00:06:15,300 --> 00:06:22,233 HOW GOOD WAS LEO IN "ONE BATTLE?" 134 00:06:22,332 --> 00:06:23,433 IT IS INSANE. 135 00:06:23,533 --> 00:06:24,200 SO GOOD. 136 00:06:24,300 --> 00:06:25,832 WHAT A CAREER YOU HAVE HAD. 137 00:06:25,933 --> 00:06:27,200 COUNTLESS ICONIC PERFORMANCES. 138 00:06:27,300 --> 00:06:28,633 YOU'VE WORKED WITH EVERY GREAT DIRECTOR, YOU'VE WON 139 00:06:28,733 --> 00:06:31,933 THREE GOLDEN GLOBES, AND AN OSCAR. 140 00:06:32,067 --> 00:06:34,733 THE MOST IMPRESSIVE THING IS THAT YOU WERE ABLE TO 141 00:06:34,832 --> 00:06:38,400 ACCOMPLISH THAT ALL BEFORE YOUR GIRLFRIEND TURNED 30. 142 00:06:38,500 --> 00:06:39,400 IT IS JUST INSANE. 143 00:06:39,500 --> 00:06:44,332 [LAUGHTER] LEO, I'M SORRY I MADE THAT JOKE. 144 00:06:44,433 --> 00:06:45,533 IT IS CHEAP. 145 00:06:45,633 --> 00:06:49,133 I TRIED NOT TO, BUT, LIKE, WE DON'T KNOW ANYTHING ELSE 146 00:06:49,233 --> 00:06:50,133 ABOUT YOU, MAN. 147 00:06:50,233 --> 00:06:52,467 THERE'S NOTHING ELSE. 148 00:06:52,567 --> 00:06:53,800 OPEN UP! 149 00:06:53,900 --> 00:06:54,367 I'M SERIOUS! 150 00:06:54,467 --> 00:06:55,433 [APPLAUSE] I LOOKED! 151 00:06:55,533 --> 00:06:56,600 I SEARCHED! 152 00:06:56,800 --> 00:06:58,233 THE MOST IN-DEPTH INTERVIEW YOU'VE EVER GIVEN WAS FOR 153 00:06:58,332 --> 00:06:59,367 "TEEN BEAT" MAGAZINE IN 1991. 154 00:06:59,467 --> 00:07:03,433 IS YOUR FAVORITE FOOD STILL "PASTA, PASTA, AND MORE 155 00:07:03,533 --> 00:07:04,233 PASTA?" 156 00:07:04,333 --> 00:07:07,633 [LAUGHTER] LOOK IT UP! 157 00:07:07,733 --> 00:07:09,900 THAT'S REAL. 158 00:07:10,067 --> 00:07:11,767 LEO'S "ONE BATTLE" COSTARS ARE HERE! 159 00:07:11,867 --> 00:07:12,967 BENICIO DEL TORO! 160 00:07:13,067 --> 00:07:18,367 TEYANA TAYLOR! 161 00:07:18,467 --> 00:07:21,433 [APPLAUSE] SO GOOD. 162 00:07:21,533 --> 00:07:22,633 AND MAKING HER FILM DEBUT WITH A POWERHOUSE 163 00:07:22,733 --> 00:07:27,200 PERFORMANCE, CHASE INFINITI! 164 00:07:27,300 --> 00:07:29,800 HOW GOOD WAS SHE A QUESTION MAR HOW GOOD WAS SHE A 165 00:07:29,900 --> 00:07:30,633 QUESTION MA MARK. 166 00:07:30,832 --> 00:07:31,332 [APPLAUSE] SEAN PENN IS ALSO HERE. 167 00:07:31,433 --> 00:07:34,600 COLONEL LOCKJAW HIMSELF. 168 00:07:34,700 --> 00:07:35,332 HI, SEAN. 169 00:07:35,433 --> 00:07:36,300 YOU ARE THE BEST. 170 00:07:36,400 --> 00:07:38,733 ONE OF MY FAVORITE CHARACTERS OF ALL TIME. 171 00:07:38,832 --> 00:07:39,967 I LOVE YOU. 172 00:07:40,067 --> 00:07:41,400 YOU ARE SUCH AN ORIGINAL. 173 00:07:41,500 --> 00:07:43,767 EVERYONE IN THIS TOWN IS OBSESSED WITH LOOKING 174 00:07:43,867 --> 00:07:44,433 YOUNGER. 175 00:07:45,067 --> 00:07:46,067 BUT SEAN PENN IS LIKE, "WHAT IF I SLOWLY MORPH INTO A 176 00:07:46,133 --> 00:07:49,832 SEXY LEATHER HANDBAG?" 177 00:07:49,933 --> 00:07:50,267 IT IS HOT! 178 00:07:50,367 --> 00:07:53,933 IT IS GOOD. 179 00:07:54,067 --> 00:08:01,267 [LAUGHTER] SEAN, I LOVE YOU. 180 00:08:01,367 --> 00:08:04,433 NOT ONLY SUCH AN AMAZING ACTOR, THAT YOU ARE SUCH A 181 00:08:04,533 --> 00:08:05,900 DEVOTED HUMANITARIAN. 182 00:08:06,067 --> 00:08:08,367 I FEEL LIKE A LOT OF ACTORS TALK THE TALK, BUT SEAN PENN 183 00:08:08,467 --> 00:08:10,433 WILL ACTUALLY GO TO THE PLACES IN THE WORLD THAT 184 00:08:10,533 --> 00:08:16,167 NEED HELP THE MOST, AND HE WILL DO COCAINE THERE. 185 00:08:16,267 --> 00:08:18,500 AND I FEEL LIKE WE DON'T CELEBRATE THAT ENOUGH. 186 00:08:18,600 --> 00:08:20,533 [LAUGHTER] AND, SEAN, I DID GET PERMISSION TO DO THAT 187 00:08:20,633 --> 00:08:21,667 JOKE FROM YOUR TWO BEST FRIENDS, CHARLIE SHEEN AND 188 00:08:21,767 --> 00:08:25,400 EL CHAPO. 189 00:08:25,500 --> 00:08:25,933 THEY SAY HI. 190 00:08:26,067 --> 00:08:27,267 BLAME IT ON THEM. 191 00:08:27,367 --> 00:08:31,067 AND OF COURSE "HAMNET" IS NOMINATED TONIGHT. 192 00:08:31,167 --> 00:08:38,267 [APPLAUSE] "HAMNET" WAS SUCH A MASTERFUL PORTRAYAL OF 193 00:08:38,366 --> 00:08:41,900 LOSS AND GRIEF. 194 00:08:42,067 --> 00:08:46,900 AND, FUN FACT: "HAMNET" WAS THE ORIGINAL NAME FOR SPANX. 195 00:08:47,067 --> 00:08:47,867 YEAH. 196 00:08:47,967 --> 00:08:49,700 I'M WEARING THREE HAMNETS RIGHT NOW. 197 00:08:49,800 --> 00:08:53,633 [LAUGHTER] THANK YOU. 198 00:08:53,733 --> 00:08:55,667 WE CAN'T TALK ABOUT MOVIES THIS YEAR WITHOUT TALKING 199 00:08:55,767 --> 00:08:59,500 ABOUT "SINNERS." 200 00:08:59,600 --> 00:09:02,100 YES. 201 00:09:02,200 --> 00:09:10,933 [APPLAUSE] I MEAN, "SINNERS" SINGLE-HANDEDLY SAVED WARNER 202 00:09:11,067 --> 00:09:12,733 BROS., FOR ABOUT A MONTH, BUT STILL. 203 00:09:12,833 --> 00:09:13,600 MICHAEL B. 204 00:09:13,900 --> 00:09:17,533 JORDAN IS NOMINATED FOR BEST ACTOR TONIGHT. 205 00:09:17,633 --> 00:09:18,767 SO GOOD. 206 00:09:18,867 --> 00:09:21,067 IN "SINNERS," MICHAEL PLAYED TWO BROTHERS. 207 00:09:21,133 --> 00:09:24,433 WAIT, AM I ALLOWED TO SAY THAT? 208 00:09:24,533 --> 00:09:27,867 [LAUGHTER] IT DOESN'T SOUND RIGHT. 209 00:09:27,967 --> 00:09:29,967 HE PLAYED TWINS. 210 00:09:30,067 --> 00:09:31,800 HE PLAYED TWINS. 211 00:09:31,900 --> 00:09:33,467 I CAN'T BELIEVE IT, WE GOT TWO MICHAEL B. 212 00:09:33,567 --> 00:09:34,333 JORDANS. 213 00:09:34,433 --> 00:09:36,133 WHEN I SAW THAT, I WAS LIKE, NIKKI B. 214 00:09:36,233 --> 00:09:37,067 JERKIN'. 215 00:09:37,133 --> 00:09:42,833 [LAUGHTER] BECAUSE THAT WAS AWESOME. 216 00:09:42,933 --> 00:09:47,133 I'M SORRY, MICHAEL. 217 00:09:47,233 --> 00:09:49,767 WHY DID I MAKE THAT JOKE? 218 00:09:49,867 --> 00:09:50,567 I KNOW YOUR MOM. 219 00:09:50,667 --> 00:09:51,533 I'M SO SORRY. 220 00:09:51,633 --> 00:09:52,767 I SHOULD NOT HAVE SAID THAT TO YOU. 221 00:09:52,867 --> 00:09:56,200 THAT SHOULD'VE BEEN A DM. 222 00:09:56,300 --> 00:09:57,333 MY MISTAKE. 223 00:09:57,433 --> 00:09:57,800 I LOVE YOU. 224 00:09:57,900 --> 00:09:58,800 YOUR AMAZING. 225 00:09:58,900 --> 00:10:03,767 "WICKED" WAS BACK WITH "WICKED: FOR MONEY." 226 00:10:03,867 --> 00:10:04,333 OH, MY GOD. 227 00:10:04,433 --> 00:10:06,300 [LAUGHTER] SO GOOD. 228 00:10:06,400 --> 00:10:08,800 ONCE AGAIN, CYNTHIA ERIVO AND ARIANA GRANDE GAVE US 229 00:10:08,900 --> 00:10:12,133 TWO CAREER-DEFINING PERFORMANCES. 230 00:10:12,233 --> 00:10:13,200 I MEAN, IT WAS SO EMOTIONAL. 231 00:10:13,300 --> 00:10:20,167 TWO HOURS IN, I WAS IN TEARS, LIKE, "I CAN'T 232 00:10:20,267 --> 00:10:23,800 BELIEVE THERE'S 45 MINUTES LEFT!" 233 00:10:23,900 --> 00:10:24,567 "IT'S TOO MUCH!" 234 00:10:24,667 --> 00:10:25,367 I'M KIDDING. 235 00:10:25,467 --> 00:10:26,433 A LITTLE LONG, BUT I LOVED IT. 236 00:10:26,533 --> 00:10:27,367 ARIANA, I'D LISTEN TO YOU SING THE PHONE BOOK. 237 00:10:27,467 --> 00:10:28,333 GRAB THE ONE KEVIN HART IS SITTING ON. 238 00:10:28,433 --> 00:10:30,900 [LAUGHTER] I'M SORRY, KEVIN. 239 00:10:31,000 --> 00:10:32,767 I CAN'T STOP, IT'S A PROBLEM. 240 00:10:32,867 --> 00:10:33,900 YOU ARE THE BEST. 241 00:10:36,000 --> 00:10:41,067 AND TIMOTHEE CHALAMET IS HERE FOR "MARTY SUPREME." 242 00:10:41,167 --> 00:10:45,400 [APPLAUSE] OH, MY GOD, MAN. 243 00:10:45,500 --> 00:10:47,033 WHAT A DEDICATED PERFORMANCE YOU GAVE. 244 00:10:47,133 --> 00:10:51,367 AND THIS IS INTERESTING, NOT A LOT OF PEOPE KNOW THIS, 245 00:10:51,467 --> 00:10:53,033 TIMOTHEE CHALAMET IS THE FIRST ACTOR IN HISTORY WHO 246 00:10:53,133 --> 00:10:54,800 HAD TO PUT ON MUSCLE FOR A MOVIE ABOUT PING-PONG. 247 00:10:54,900 --> 00:10:55,600 YES, IT'S TRUE. 248 00:10:55,700 --> 00:10:58,567 HE GAINED OVER 60 OUNCES. 249 00:10:58,667 --> 00:11:00,500 IT IS INSANE. 250 00:11:00,600 --> 00:11:05,600 CHALAMET, PROTEIN WHEY. 251 00:11:05,700 --> 00:11:08,067 WELL, BEFORE OUR FIRST AWARD TONIGHT, I JUST WANT TO TELL 252 00:11:08,167 --> 00:11:10,500 YOU I'M MAKING JOKES AT HERE BUT IT IS AN ABSOLUTE 253 00:11:10,600 --> 00:11:15,067 PRIVILEGE TO BE IN THIS ROOM WITH YOU ALL. 254 00:11:15,100 --> 00:11:17,667 YES, I AM YOUR HOST, BUT I AM HONESTLY SUCH A MASSIVE 255 00:11:17,767 --> 00:11:18,167 FAN. 256 00:11:18,867 --> 00:11:19,933 YOUR WORK THIS YEAR WAS INNOVATIVE, FEARLESS, 257 00:11:20,067 --> 00:11:22,167 INSPIRING, AND IN SOME CASES DOWNRIGHT ZOOTOPIAN. 258 00:11:22,267 --> 00:11:25,567 SO PLEASE, KEEP DOING WHAT YOU'RE DOING. 259 00:11:25,667 --> 00:11:26,733 OKAY? 260 00:11:26,833 --> 00:11:30,433 LIKE, GUILLERMO DEL TORO, KEEP MAKING WEIRD MONSTER 261 00:11:30,533 --> 00:11:31,933 SEX MOVIES. 262 00:11:32,067 --> 00:11:33,567 [APPLAUSE] AND JAMES CAMERON, KEEP MAKING WEIRD 263 00:11:33,667 --> 00:11:34,667 MONSTER SEX MOVIES. 264 00:11:34,767 --> 00:11:39,767 [LAUGHTER] EMMA STONE AND YORGOS LANTHIMOS, KEEP 265 00:11:39,867 --> 00:11:45,100 MAKING WONDERFULLY BIZARRE MOVIES TOGETHER, AND GO 266 00:11:45,200 --> 00:11:46,200 HARDER. 267 00:11:46,300 --> 00:11:48,600 I WANT EMMA STONE PLAYING A PIECE OF TOAST WITH 268 00:11:48,700 --> 00:11:49,533 EPILEPSY. 269 00:11:49,633 --> 00:11:51,067 YOU WOULD NAIL IT, YES. 270 00:11:51,133 --> 00:11:53,067 NOAH WYLE, KEEP BEING THE ONLY DOCTOR I'VE SEEN 271 00:11:53,100 --> 00:11:55,967 REGULARLY FOR THE PAST 35 YEARS. 272 00:11:56,067 --> 00:11:58,567 [LAUGHTER AND APPLAUSE] PAUL MESCAL AND JACOB ELORDI, 273 00:11:58,667 --> 00:12:02,300 KEEP BEING THE SAME PERSON TO MY MOM. 274 00:12:02,400 --> 00:12:07,167 OKAY? 275 00:12:07,267 --> 00:12:09,900 HANS ZIMMER, KEEP COMPOSING FILM SCORES THAT SOUND LIKE 276 00:12:10,067 --> 00:12:14,833 "BWWWWWAAAAAMP." 277 00:12:14,933 --> 00:12:18,267 WHAT A BOP. 278 00:12:18,367 --> 00:12:19,833 AND CLAIRE DANES, KEEP MAKING NOISES THAT SOUND 279 00:12:19,933 --> 00:12:24,900 LIKE -- [WAILING] TOO MUCH BOTOX. 280 00:12:25,067 --> 00:12:27,233 AND LASTLY, STEVE MARTIN AND MARTIN SHORT, KEEP PROVING 281 00:12:27,333 --> 00:12:29,833 THAT IN THIS INDUSTRY YOU ARE NEVER TOO OLD TO STILL 282 00:12:29,933 --> 00:12:30,533 NEED MONEY! 283 00:12:30,633 --> 00:12:34,633 I LOVE YOU! 284 00:12:34,733 --> 00:12:35,700 THANK YOU SO MUCH. 285 00:12:35,800 --> 00:12:37,400 WE HAVE A GREAT SHOW FOR YOU TONIGHT. 286 00:12:37,500 --> 00:12:38,567 "HAMNET" IS HERE! 287 00:12:38,667 --> 00:12:40,067 LET'S KICK THIS THING OFF WITH YOUR FIRST PRESENTERS 288 00:12:40,100 --> 00:12:41,367 OF THE NIGHT! 289 00:12:41,467 --> 00:12:44,100 PLEASE WELCOME THE STAR OF "THE LAST THING HE TOLD ME," 290 00:12:44,200 --> 00:12:49,900 GOLDEN GLOBE WINNER JENNIFER GARNER, AND FROM "THE 291 00:12:50,067 --> 00:12:52,367 TESTAMENT OF ANN LEE," A DOUBLE NOMINEE, AMANDA 292 00:12:52,467 --> 00:12:53,067 SEYFRIED. 293 00:12:53,167 --> 00:13:03,233 [APPLAUSE] * 294 00:13:08,267 --> 00:13:17,300 * >> Amanda: WE ARE WOMEN WHO LOVE TO SUPPORT AND 295 00:13:17,400 --> 00:13:19,733 HONOR OUR FELLOW WOMEN, SO WE'RE THRILLED TO BE HERE TO 296 00:13:19,833 --> 00:13:21,700 PRESENT THE AWARD FOR BEST SUPPORTING ACTRESS IN A 297 00:13:21,800 --> 00:13:23,733 MOTION PICTURE. 298 00:13:23,833 --> 00:13:26,200 >> Jennifer: IT'S THE FIRST AWARD OF THE NIGHT, AND 299 00:13:26,300 --> 00:13:30,067 HONESTLY, YOU ARE ALL ALREADY WINNERS, LADIES. 300 00:13:30,100 --> 00:13:31,067 >> Amanda: BECAUSE YOU ALL DELIVERED COMPLEX, 301 00:13:31,100 --> 00:13:32,567 HEARTBREAKINGLY GOOD PERFORMANCES THIS YEAR. 302 00:13:32,667 --> 00:13:35,900 >> Jennifer: AND ALSO BECAUSE, WIN OR LOSE, YOUR 303 00:13:36,067 --> 00:13:37,067 CATEGORY IS DONE. 304 00:13:37,167 --> 00:13:39,067 YOU ALL GET TO RELAX THE REST OF THE EVENING! 305 00:13:39,100 --> 00:13:40,300 >> Amanda: AND WE'LL JOIN YOU! 306 00:13:40,400 --> 00:13:43,900 AS SOON AS WE HAND OUT THE AWARD FOR BEST FEMALE 307 00:13:44,067 --> 00:13:50,967 SUPPORTING ACTOR IN A MOTION PICTURE. 308 00:13:51,067 --> 00:13:55,967 * >> EMILY BLUNT, "THE SMASHING MACHINE." 309 00:13:56,067 --> 00:14:00,767 ELLE FANNING, "SENTIMENTAL VALUE." 310 00:14:00,867 --> 00:14:05,567 ARIANA GRANDE, "WICKED: FOR GOOD." 311 00:14:05,667 --> 00:14:10,167 INGA IBSDOTTER LILLEAAS, "SENTIMENTAL VALUE." 312 00:14:10,267 --> 00:14:15,100 AMY MADIGAN, "WEAPONS." 313 00:14:15,200 --> 00:14:21,300 TEYANA TAYLOR, "ONE BATTLE AFTER ANOTHER." 314 00:14:21,400 --> 00:14:31,400 [APPLAUSE] >> Jennifer: AND THE GOLDEN GLOBE, THE FIRST 315 00:14:33,900 --> 00:14:34,900 GOLDEN GLOBE OF THE NIGHT, GOES TO... 316 00:14:35,067 --> 00:14:39,667 TEYANA TAYLOR, "ONE BATTLE AFTER ANOTHER." 317 00:14:39,767 --> 00:14:46,067 [CHEERS AND APPLAUSE] * >> WHAT A YEAR FOR TEYANA 318 00:14:46,100 --> 00:14:46,633 TAYLOR! 319 00:14:46,933 --> 00:14:49,067 WINNING HER FIRST GOLDEN GLOBE. 320 00:14:49,133 --> 00:14:52,333 BECAUSE SHE SAID SHE HOPES TO MEET JULIA ROBERTS 321 00:14:52,433 --> 00:14:55,467 TONIGHT, AND SHE ALSO CALLS LEONARDO DiCAPRIO "POPS" 322 00:14:55,567 --> 00:14:56,867 BECAUSE HE IS THE PAPA BEAR. 323 00:14:56,967 --> 00:15:01,433 BUT TONIGHT SHE IS THE QUEEN WITH HER FIRST GOLDEN GLOBE 324 00:15:01,533 --> 00:15:02,867 AFTER HER FIRST NOMINATION. 325 00:15:02,967 --> 00:15:08,433 >> AND THEN SHE HAS THE SECOND SEASON WITH ONE OF 326 00:15:08,533 --> 00:15:09,333 HER BEST FRIENDS, KIM KARDASHIAN. 327 00:15:09,433 --> 00:15:13,900 AND THERE SHE IS HUGGING JULIA ROBERTS! 328 00:15:14,067 --> 00:15:24,067 BECAUSE SHE DID IT [APPLAUSE] * 329 00:15:34,700 --> 00:15:38,067 >> OH, MY GOD, >> OH, MY GOD! 330 00:15:38,133 --> 00:15:38,633 >> OH, MY GOD! 331 00:15:39,167 --> 00:15:41,333 WAIT UNTIL YOU SEE MY PARTY IN THE BACK. 332 00:15:41,433 --> 00:15:45,233 [LAUGHTER] OH, MY GOD, I ALMOST DIDN'T EVEN WRITE A 333 00:15:45,333 --> 00:15:47,167 SPEECH. 334 00:15:47,267 --> 00:15:50,867 MY BABIES! 335 00:15:50,967 --> 00:15:53,333 MY BABIES ARE UPSTAIRS WATCHING. 336 00:15:53,433 --> 00:15:58,733 Y'ALL TO BE OFF THEN DAMN PHONES AND WATCHING ME RIGHT 337 00:15:58,833 --> 00:15:59,667 NOW! 338 00:16:00,200 --> 00:16:05,467 CRYSTAL IN THE NAME OF JESUS AND THANK YOU FOR EVERY PART 339 00:16:05,567 --> 00:16:08,133 OF THIS, EVERY LESSON, EVERY TEST, EVERY BLESSING. 340 00:16:08,233 --> 00:16:10,833 THANK YOU TO THE GOLDEN GLOBE VOTERS SEEING ME AND 341 00:16:10,933 --> 00:16:14,933 REMINDING ME THAT PURPOSE ALWAYS FINDS ITS MOMENT. 342 00:16:15,067 --> 00:16:18,233 MY MOMMY AND MY DADDY, IT IS UP FOR Y'ALL ANY TIME. 343 00:16:18,333 --> 00:16:19,200 I LOVE YOU SO MUCH. 344 00:16:19,300 --> 00:16:21,733 THANK YOU FOR BEING HERE TONIGHT. 345 00:16:21,833 --> 00:16:25,367 TO MY TRIBE, MY GROUNDING FORCE, MY JOY, MY DAILY 346 00:16:25,467 --> 00:16:28,167 REMINDER THAT LOVE IS AN ACTION, NOT JUST THE WORD, 347 00:16:28,267 --> 00:16:32,633 AND EVERY THING I DO IS ROOTED IN THAT TRUTH. 348 00:16:32,733 --> 00:16:36,933 TO PAUL "LET HIM COOK" THOMAS ANDERSON! 349 00:16:37,067 --> 00:16:40,133 [APPLAUSE] THANK YOU FOR YOUR VISION, YOUR TRUST, AND 350 00:16:40,233 --> 00:16:41,100 YOUR BRILLIANCE. 351 00:16:41,200 --> 00:16:42,233 MY GRATITUDE IS ENDLESS. 352 00:16:42,333 --> 00:16:45,200 I LOVE YOU, WE LOVE YOU, AND THANK YOU SO MUCH FOR 353 00:16:45,300 --> 00:16:48,500 HOLDING SPACE FOR ME AND OUR ENTIRE CAS SPACE FOR ME AND 354 00:16:48,600 --> 00:16:50,267 OUR ENTIRE CA CAST. 355 00:16:50,367 --> 00:16:51,567 [LISTING NAMES] EVERYBODY. 356 00:16:51,667 --> 00:16:54,500 THE CREW, EVERYTHING A PERSON WHO HAS TOUCHED THIS 357 00:16:54,600 --> 00:16:55,300 PROJECT. 358 00:16:55,400 --> 00:17:01,600 NONE OF THIS IS TAKEN LIGHTLY. 359 00:17:01,700 --> 00:17:03,233 THIS IS HEAVY. 360 00:17:03,333 --> 00:17:06,800 [LISTING NAMES] THIS WHOLE JOURNEY WOULD NOT EXIST 361 00:17:06,900 --> 00:17:09,133 WITHOUT YOU AND YOUR SUPPORT. 362 00:17:09,233 --> 00:17:12,067 I LOVE YOU AND I THANK YOU SO MUCH. 363 00:17:12,133 --> 00:17:15,532 LAST BUT MOST IMPORTANTLY, TO MY BROWN SISTERS AND 364 00:17:15,633 --> 00:17:17,666 LITTLE BROWN GIRLS WATCHING TONIGHT. 365 00:17:17,767 --> 00:17:20,333 OUR SOFTNESS IS NOT A LIABILITY. 366 00:17:20,433 --> 00:17:23,400 OUR DEPTH IS NOT TOO MUCH. 367 00:17:23,500 --> 00:17:25,633 OUR LIGHT DOES NOT NEED PERMISSION TO SHINE. 368 00:17:25,733 --> 00:17:28,233 WE BELONG IN EVERY ROOM WE WALK INTO. 369 00:17:28,333 --> 00:17:31,100 OUR VOICES MATTER AND OUR DREAMS DESERVE SPACE. 370 00:17:31,200 --> 00:17:32,667 THANK YOU SO MUCH, EVERYBODY. 371 00:17:32,767 --> 00:17:34,367 THANK YOU. 372 00:17:34,467 --> 00:17:43,333 [CHEERS AND APPLAUSE] * * * >> Announcer: PLEASE 373 00:17:43,433 --> 00:17:45,067 WELCOME THE DIRECTORS AND STARS OF THE UPCOMING FILM 374 00:17:45,100 --> 00:17:46,900 "FAMILY MOVIE," KEVIN BACON AND KYRA SEDGWICK. 375 00:17:47,067 --> 00:17:57,067 [APPLAUSE] * 376 00:17:58,433 --> 00:18:03,467 >> Kyra: WE ARE HERE TO PRESENT THE AWARD FOR BEST 377 00:18:03,567 --> 00:18:08,700 MALE SUPPORTING ACTOR IN A MOTION PICTURE. 378 00:18:08,800 --> 00:18:10,800 >> Kevin: QUICK QUESTION, WHAT DO YOU THINK MAKES A 379 00:18:10,900 --> 00:18:12,067 GOOD MALE SUPPORTING ACTOR? 380 00:18:12,133 --> 00:18:14,067 >> Kyra: I THINK LISTENING, BEING PRESENT, SHARING YOUR 381 00:18:14,100 --> 00:18:15,900 FEELINGS, COMPLIMENTING MY OUTFITS... 382 00:18:16,067 --> 00:18:17,533 >> Kevin: HANG ON -- ARE YOU TALKING ABOUT THE BEST MALE 383 00:18:17,633 --> 00:18:19,100 SUPPORTING ACTOR, OR ARE YOU TALKING ABOUT ME? 384 00:18:19,200 --> 00:18:21,900 >> Kyra: BEST SUPPORTING ACTOR! 385 00:18:22,067 --> 00:18:24,267 >> Kevin: OH, OKAY, BECAUSE IT SOUNDED LIKE -- >> Kyra: 386 00:18:24,367 --> 00:18:28,667 NOT LEAVING THE TOILET SEAT UP... 387 00:18:28,767 --> 00:18:30,433 >> Kevin: OKAY. 388 00:18:30,533 --> 00:18:32,400 THE NOMINEES ARE... 389 00:18:32,500 --> 00:18:36,700 >> BENICIO DEL TORO, "ONE BATTLE AFTER ANOTHER." 390 00:18:36,800 --> 00:18:41,267 JACOB ELORDI, "FRANKENSTEIN." 391 00:18:41,367 --> 00:18:46,133 PAUL MESCAL, "HAMNET." 392 00:18:46,233 --> 00:18:51,233 SEAN PENN, "ONE BATTLE AFTER ANOTHER." 393 00:18:51,333 --> 00:18:56,133 ADAM SANDLER, "JAY KELLY." 394 00:18:56,233 --> 00:19:04,333 STELLAN SKARSGARD, "SENTIMENTAL VALUE." 395 00:19:04,433 --> 00:19:09,467 [APPLAUSE] * >> Kyra: AND THE GOLDEN GLOBE GOES TO... 396 00:19:09,567 --> 00:19:17,700 STELLAN SKARSGARD, "SENTIMENTAL VALUE." 397 00:19:17,800 --> 00:19:20,200 [CHEERS AND APPLAUSE] * >> Marc: THIS IS HIS SECOND 398 00:19:20,300 --> 00:19:21,333 GOLDEN GLOBE. 399 00:19:21,433 --> 00:19:24,767 HE WON HIS FIRST GOLDEN GLOBE, HIS FIRST NOMINATION, 400 00:19:24,867 --> 00:19:25,933 FOR "CHORNOBYL." 401 00:19:26,067 --> 00:19:29,667 HE TOLD ME RECENTLY THAT HE DOES NOT GET A LOT OF 402 00:19:29,767 --> 00:19:30,867 SCRIPTS. 403 00:19:30,967 --> 00:19:35,733 FOR HIM AND ALL HIS ACTOR SONS, INCLUDING ALEXANDER 404 00:19:35,833 --> 00:19:37,067 SKARSGARD. 405 00:19:37,100 --> 00:19:41,500 >> Kevin: HE ALSO TOLD ME TONIGHT ON THE CARPET THAT 406 00:19:41,600 --> 00:19:45,067 "MAMMA MIA 3" IS HAPPENING, SO ALL YOU FANS OUT THERE, 407 00:19:45,100 --> 00:19:46,067 ABBA FANS, IT'S HAPPENING. 408 00:19:46,167 --> 00:19:48,633 HE PROMISES IT'LL BE SOON. 409 00:19:48,733 --> 00:19:52,067 >> Marc: I CANNOT WAIT FOR "MAMMA MIA." 410 00:19:52,100 --> 00:19:54,433 I'VE BEEN ASKING AMANDA SEYFRIED ABOUT THAT MOVIE 411 00:19:54,533 --> 00:19:57,267 FOR SO LONG, AND SHE IS SAYING IT'S GOING TO HAPPEN. 412 00:19:57,367 --> 00:20:04,067 THEY HAVE ALL WANTED IT TO HAPPEN, BUT NO MERYL STREEP, 413 00:20:04,167 --> 00:20:10,567 UNFORTUNATELY, UNLESS THEY DO SOME TRICKY STORYTELLING. 414 00:20:10,667 --> 00:20:20,667 * [APPLAUSE] >> EYE OF COURSE WAS NOT PREPARED FOR 415 00:20:29,567 --> 00:20:32,700 THIS, BECAUSE I THOUGHT THAT I WAS TOO OLD. 416 00:20:32,800 --> 00:20:38,900 [LAUGHTER] BUT IT IS -- I'M NOT GOING TO SPEND THE NEXT 417 00:20:39,000 --> 00:20:44,700 6 MINUTES TO THANK EVERYBODY IN THE CREDITS OF THE FILM. 418 00:20:44,800 --> 00:20:47,700 EVEN IF THEY -- AND THEY KNOW I LOVE THEM. 419 00:20:47,800 --> 00:20:57,800 BUT I'VE GOT TO THANK MY WIFE, 420 00:20:59,900 --> 00:21:03,133 MEGAN EVERETT-SKARSGARD. 421 00:21:03,233 --> 00:21:06,900 SHE'S BEEN A BRUTAL SUPPORT, TOUGH LOVER, AND VERY 422 00:21:07,067 --> 00:21:08,100 EDUCATIONAL. 423 00:21:08,200 --> 00:21:10,367 [LAUGHTER] AND MY CHILDREN HAVE BEEN VERY EDUCATIONAL. 424 00:21:10,467 --> 00:21:13,733 I AM PLAYING A FATHER THAT IS A BAD FATHER, AND MY 425 00:21:13,833 --> 00:21:19,400 CHILDREN HAVE REALLY TOLD ME WHAT A BAD FATHER IS. 426 00:21:19,500 --> 00:21:23,600 [LAUGHTER] BUT MOST OF ALL, I AM VERY HAPPY FOR THIS, 427 00:21:23,700 --> 00:21:27,167 BECAUSE IT IS A SMALL NORWEGIAN FILM WITH NO MONEY 428 00:21:27,267 --> 00:21:32,267 FOR ADVERTISING OR ANYTHING THAT GETS TO SEE THE WORLD 429 00:21:32,367 --> 00:21:33,433 IN THIS WAY. 430 00:21:33,533 --> 00:21:38,600 AND HOPEFULLY YOU WILL SEE IT IN THE CINEMA, BECAUSE 431 00:21:38,700 --> 00:21:42,633 THEY ARE AN EXTINGUISHED SPECIE NOW. 432 00:21:42,733 --> 00:21:48,633 [APPLAUSE] IN A CINEMA, WHERE THE LIGHTS GO DOWN AND 433 00:21:48,733 --> 00:21:53,867 EVENTUALLY YOUR CHAIR WILL PULSE WITH SOME OTHER 434 00:21:53,967 --> 00:21:54,500 PEOPLE. 435 00:21:54,600 --> 00:21:56,067 THAT IS MAGIC. 436 00:21:56,167 --> 00:21:59,533 CINEMA SHOULD BE SEEN IN CINEMAS. 437 00:21:59,633 --> 00:22:07,300 [APPLAUSE] * * >> Kevin: I'M KEVIN FRAZIER. 438 00:22:11,067 --> 00:22:12,067 >> Marc: AND I'M MARC MALKIN. 439 00:22:12,167 --> 00:22:14,100 AND WE'LL BE GIVING YOU A VERY GLAMOROUS VERSION OF 440 00:22:14,200 --> 00:22:16,900 THE PLAY-BY-PLAY ALL NIGHT. 441 00:22:17,067 --> 00:22:18,900 >> Kevin: COMING UP, THREE GUYS WHO ARE ABSOLUTELY WILD 442 00:22:19,067 --> 00:22:20,633 ON THE CARPET. 443 00:22:20,733 --> 00:22:22,900 WILL ARNETT, JASON BATEMAN, AND SEAN HAYES. 444 00:22:23,067 --> 00:22:25,700 >> Marc: AND OF COURSE PRIYANKA CHOPRA JONAS 445 00:22:25,800 --> 00:22:27,400 LOOKING GORGEOUS. 446 00:22:27,500 --> 00:22:29,500 LET LISA MANNA BALL LALISA MANOBAL! 447 00:22:48,067 --> 00:22:51,167 >> Nikki: WELCOME BACK TO THE GOLDEN GLOBES, THE ONLY 448 00:22:51,267 --> 00:22:53,400 AWARD SHOW WHERE "ONE BATTLE AFTER ANOTHER" AND "WICKED: 449 00:22:53,500 --> 00:22:58,367 FOR GOOD" ARE CONSIDERED THE SAME TYPE OF MOVIE. 450 00:22:58,467 --> 00:23:01,133 AND THIS IS EXCITING: WE'VE GOT THE STARS OF "HEATED 451 00:23:01,233 --> 00:23:11,267 RIVALRY," CONNOR STORRIE AND HUDSON WILLIAMS! 452 00:23:12,367 --> 00:23:14,233 LISTEN, I DON'T WANT TO GET TOO SERIOUS, BUT STORIES 453 00:23:14,333 --> 00:23:15,433 LIKE THAT DON'T ALWAYS GET TOLD. 454 00:23:15,533 --> 00:23:25,600 AND I HOPE THE SUCCESS OF "HEATED RIVALRY" IS PROOF IN 455 00:23:25,700 --> 00:23:27,133 THIS INDUSTRY THAT AMERICAN AUDIENCES ARE READY FOR MORE 456 00:23:27,233 --> 00:23:28,267 SHOWS ABOUT HOCKEY. 457 00:23:28,500 --> 00:23:30,067 [LAUGHTER] OF COURSE, THE CATEGORIES TONIGHT ARE THEIR 458 00:23:30,167 --> 00:23:32,067 OWN HEATED RIVALRIES, SO LET'S GET BACK TO A BUNCH OF 459 00:23:32,100 --> 00:23:33,433 FAMOUS PEOPLE THANKING EACH OTHER OFF. 460 00:23:33,533 --> 00:23:36,833 ONE WAS IN "WHITE LOTUS," AND THE OTHER WED A WHITE 461 00:23:36,933 --> 00:23:37,867 JONAS. 462 00:23:38,133 --> 00:23:39,233 PLEASE WELCOME LALISA MANOBAL AND PRIYANKA CHOPRA 463 00:23:39,333 --> 00:23:39,767 JONAS! 464 00:23:39,867 --> 00:23:49,867 [APPLAUSE] * 465 00:23:52,433 --> 00:23:54,367 >> Priyanka: WE'RE HONORED TO PRESENT THE AWARD FOR 466 00:23:54,467 --> 00:23:58,400 BEST PERFORMANCE BY A MALE ACTOR IN A TV SERIES, DRAMA. 467 00:23:58,500 --> 00:24:01,333 >> Lalisa: THE NOMINEES IN THIS CATEGORY HAVE TAKEN US 468 00:24:01,433 --> 00:24:03,900 ON A JOURNEY WITH THEIR PERFORMANCES THIS YEAR. 469 00:24:04,067 --> 00:24:05,667 >> Priyanka: SOME HAD US FLYING THROUGH THE SOLAR 470 00:24:05,767 --> 00:24:09,300 SYSTEM WITH REBELS -- >> Lalisa: AND OTHERS TOOK US 471 00:24:09,400 --> 00:24:10,400 TO MAGICAL, FARAWAY LANDS... 472 00:24:10,500 --> 00:24:16,133 LIKE PITTSBURGH. 473 00:24:16,233 --> 00:24:18,467 >> Priyanka: THAT MIGHT NOT BE A MAGICAL LAND, BUT GO 474 00:24:18,567 --> 00:24:20,900 STEELERS! 475 00:24:21,067 --> 00:24:24,867 HERE ARE TONIGHT'S NOMINEES. 476 00:24:24,967 --> 00:24:25,433 >> STERLING K. 477 00:24:25,533 --> 00:24:29,100 BROWN, "PARADISE." 478 00:24:29,200 --> 00:24:33,433 DIEGO LUNA, "ANDOR." 479 00:24:33,533 --> 00:24:38,500 GARY OLDMAN, "SLOW HORSES." 480 00:24:38,600 --> 00:24:44,200 MARK RUFFALO, "TASK." 481 00:24:44,300 --> 00:24:49,500 ADAM SCOTT, "SEVERANCE." 482 00:24:49,600 --> 00:24:59,300 NOAH WYLE, "THE PITT." 483 00:24:59,400 --> 00:25:06,567 [APPLAUSE] >> Lalisa: AND THE GOLDEN GLOBE GOES TO... 484 00:25:06,667 --> 00:25:10,433 NOAH WYLE! 485 00:25:10,533 --> 00:25:16,500 [CHEERS AND APPLAUSE] * >> Kevin: NOAH RECENTLY 486 00:25:16,600 --> 00:25:20,633 REUNITED WITH GEORGE CLOONEY, HIS OLD "E.R." 487 00:25:20,733 --> 00:25:21,900 BUDDY, AT AN AARP EVENT. 488 00:25:22,067 --> 00:25:26,500 >> Marc: THAT MAKES SENSE. 489 00:25:26,600 --> 00:25:29,133 I ASKED HIM RECENTLY WHAT HE WOULD TELL HIS YOUNG SELF 490 00:25:29,233 --> 00:25:33,667 AND HE SAID, DON'T WORRY SO MUCH AND DON'T SELL YOUR 491 00:25:33,767 --> 00:25:38,100 BASEBALL CARD COLLECTION. 492 00:25:38,200 --> 00:25:41,067 >> WHAT A TRULY HUMBLING MOMENT THIS IS. 493 00:25:41,133 --> 00:25:42,267 OH, MY GOODNESS. 494 00:25:42,367 --> 00:25:45,600 I AM SO INCREDIBLY GRATEFUL, AND I DON'T KNOW HOW TO SAIL 495 00:25:45,700 --> 00:25:48,133 MY GRATITUDE FOR 54 YEARS IN 60 SECONDS. 496 00:25:48,233 --> 00:25:49,900 I AM INDEBTED TO SO MANY PEOPLE. 497 00:25:50,067 --> 00:25:52,867 I HAVE BEEN INSPIRED BY SO MANY PEOPLE. 498 00:25:52,967 --> 00:25:55,567 MANY OF WHOM I'VE HAD THE GREAT HONOR TO BE NOMINATED 499 00:25:55,667 --> 00:25:58,800 WITH THIS EVENING, SO A SHOUT OUT TO MY FELLOW 500 00:25:58,900 --> 00:25:59,633 NOMINEES. 501 00:25:59,733 --> 00:26:00,733 THANK YOU FOR YOUR INCREDIBLE WORK. 502 00:26:00,833 --> 00:26:02,600 I HAVE BEEN VERY BLESSED IN MY LIFE. 503 00:26:02,700 --> 00:26:07,433 I WAS RAISED IN A FAMILY THAT PUT A HIGH PRIORITY ON 504 00:26:07,533 --> 00:26:11,067 ART, AND ON CURIOSITY, AND ON SERVICE. 505 00:26:11,167 --> 00:26:13,100 I HAVE BENEFITED FROM INCREDIBLE TEACHERS AND I 506 00:26:13,200 --> 00:26:14,933 HAVE RECEIVED SOME INCREDIBLE ADVICE FROM SOME 507 00:26:15,067 --> 00:26:18,200 VERY GOOD FRIENDS, AND I HAVE BEEN SUPPORTED BY AN 508 00:26:18,300 --> 00:26:20,533 INCREDIBLE WIFE AND THREE GREAT CHILDREN% ALL ALONG 509 00:26:20,633 --> 00:26:21,467 THE WAY. 510 00:26:21,567 --> 00:26:23,100 I'M SO GRATEFUL FOR THIS. 511 00:26:23,200 --> 00:26:25,300 THANK YOU TO THE VOTING MEMBERS OF THE GOLDEN 512 00:26:25,400 --> 00:26:26,133 GLOBES. 513 00:26:26,500 --> 00:26:30,333 THANK YOU TO HBO MAX, IN PARTICULAR -- [LISTING 514 00:26:30,433 --> 00:26:31,833 NAMES] THANK YOU TO WARNER BROS. 515 00:26:31,933 --> 00:26:32,700 TELEVISION. 516 00:26:32,800 --> 00:26:34,333 MAY OUR LOVE AFFAIR GO ON FOREVER. 517 00:26:34,433 --> 00:26:37,200 THANK YOU TO JOHN WELLS PRODUCTIONS AND JOHN AND 518 00:26:37,300 --> 00:26:37,900 SCOTT FOR YOUR FRIENDSHIP AND PARTNERSHIP, AND 519 00:26:38,067 --> 00:26:40,833 CHANGING MY LIFE NOW TWICE. 520 00:26:40,933 --> 00:26:44,667 AND TO OTHER HEALTH CARE WORKERS IN THE WORLD, THANK 521 00:26:44,767 --> 00:26:45,600 YOU. 522 00:26:45,967 --> 00:26:48,300 LASTLY, TO MY BEAUTIFUL WIFE, SARAH, HAPPY BIRTHDAY. 523 00:26:48,400 --> 00:26:52,867 HOPE YOU'RE ENJOYING YOUR PARTY! 524 00:26:52,967 --> 00:26:57,933 [APPLAUSE] * >> Announcer: PLEASE WELCOME THE HOSTS OF 525 00:26:58,067 --> 00:27:00,067 "SMARTLESS" -- SEAN HAYES, WILL ARNETT, AND A GUY WHO'S 526 00:27:00,167 --> 00:27:04,667 NEVER REALLY BEEN MY THING, JASON BATEMAN. 527 00:27:04,767 --> 00:27:12,767 * >> Sean: THIS YEAR'S NOMINEES FOR BEST 528 00:27:12,867 --> 00:27:15,200 PERFORMANCE BY A FEMALE ACTOR IN A TELEVISION SERIES 529 00:27:15,300 --> 00:27:17,800 MUSICAL OR COMEDY TRULY RAISED THE BAR BY DELIVERING 530 00:27:17,900 --> 00:27:19,067 NUANCED, UNPARALLELED PERFORMANCES. 531 00:27:19,100 --> 00:27:23,367 >> Jason: SO WE'RE JUST GONNA PRETEND THAT DIDN'T 532 00:27:23,467 --> 00:27:23,833 JUST HAPPEN? 533 00:27:23,933 --> 00:27:24,567 >> Sean: WHAT? 534 00:27:26,067 --> 00:27:26,833 >> Jason: THE ANNOUNCER? 535 00:27:26,933 --> 00:27:28,233 "JASON BATEMAN'S NOT REALLY MY THING?" 536 00:27:28,333 --> 00:27:30,633 WHO SAYS THAT? 537 00:27:30,733 --> 00:27:36,500 [LAUGHTER] >> Will: HONESTLY, A LOT OF PEOPLE 538 00:27:36,600 --> 00:27:39,167 KINDA SAY THAT. 539 00:27:39,267 --> 00:27:41,800 >> Jason: IS THAT RIGHT? 540 00:27:41,900 --> 00:27:42,667 REALLY? 541 00:27:42,767 --> 00:27:44,267 >> Will: YOU ARE NOT ANYBODY'S THING. 542 00:27:44,367 --> 00:27:45,167 THAT'S OKAY. 543 00:27:45,267 --> 00:27:47,067 >> Sean: WELL, I THINK YOU'RE GREAT. 544 00:27:47,133 --> 00:27:47,933 I LOVED "OZARK." 545 00:27:48,067 --> 00:27:48,800 >> Jason: REALLY? 546 00:27:48,900 --> 00:27:50,567 WHAT'S IT ABOUT? 547 00:27:50,667 --> 00:27:56,467 >> Sean: IT'S ABOUT THREE SEASONS TOO LONG. 548 00:27:56,567 --> 00:28:03,067 [LAUGHTER] >> Jason: LOOK -- >> Will: SOMEHOW YOU MANAGE 549 00:28:03,167 --> 00:28:05,400 TO MAKE A BEST PERFORMANCE BY A FEMALE ACTOR IN A 550 00:28:05,500 --> 00:28:07,200 MUSICAL OR COMEDY CATEGORY ABOUT YOU. 551 00:28:07,300 --> 00:28:08,467 THAT'S JUST -- WOW. 552 00:28:08,567 --> 00:28:09,300 >> Announcer: DO YOU GET IT NOW? 553 00:28:09,400 --> 00:28:11,700 >> Will: YES! 554 00:28:11,800 --> 00:28:13,267 WE GET IT. 555 00:28:13,367 --> 00:28:16,133 >> Sean: THE NOMINEES ARE... 556 00:28:16,233 --> 00:28:19,167 >> KRISTEN BELL, "NOBODY WANTS THIS." 557 00:28:19,267 --> 00:28:29,267 AYO EDEBIRI, "THE BEAR." 558 00:28:30,467 --> 00:28:32,167 SELENA GOMEZ, "ONLY MURDERS IN THE BUILDING." 559 00:28:32,267 --> 00:28:33,933 NATASHA LYONNE, "POKER FACE." 560 00:28:34,067 --> 00:28:38,567 JENNA ORTEGA, "WEDNESDAY." 561 00:28:38,667 --> 00:28:48,700 JEAN SMART, "HACKS." 562 00:28:49,333 --> 00:28:53,967 >> Jason: ALL RIGHT, BEST PERFORMANCE BY A FEMALE 563 00:28:54,067 --> 00:28:57,600 ACTOR AND MUSICAL COMEDY -- THIS PERSON IS ABOUT TO LIKE 564 00:28:57,700 --> 00:28:58,900 ME, CHECK THIS OUT. 565 00:28:59,067 --> 00:28:59,700 JEAN SMART! 566 00:29:00,433 --> 00:29:03,833 [CHEERS AND APPLAUSE] * >> Kevin: THIS IS JEAN SMART'S 567 00:29:11,067 --> 00:29:12,067 >> Marc: JULIA ROBERTS SAW JEAN SMART ACROSS THE CARPET 568 00:29:12,133 --> 00:29:13,067 AND STOP THE INTERVIEW AND WAS LIKE, LOOK AT THAT 569 00:29:13,133 --> 00:29:13,600 GODDESS. 570 00:29:14,233 --> 00:29:14,600 JEAN SMART WAS LIGHT, NO, YOU ARE A GODDESS! 571 00:29:14,700 --> 00:29:15,200 TWO GODDESSES. 572 00:29:15,300 --> 00:29:15,333 IT WAS A GODDESS-OFF. 573 00:29:23,067 --> 00:29:24,933 >> Kevin: SHE TOLD ME SHE IS HAVING A BALL IN WHAT IS 574 00:29:25,067 --> 00:29:29,200 SUPPOSED TO BE THE LAST SEASON OF "HACKS." 575 00:29:29,300 --> 00:29:33,200 >> Kevin: >> Kev >> Marc: THE QUESTION IS IF SHE WILL 576 00:29:33,300 --> 00:29:38,400 DO MORE "MARE OF EASTTOWN" BECAUSE KATE WINSLET SAID IT 577 00:29:38,500 --> 00:29:39,367 COULD HAPPEN. 578 00:29:39,467 --> 00:29:41,967 I WANT TO SEE THAT HAPPEN. 579 00:29:42,067 --> 00:29:45,100 >> OH, MY GOD, >> OH, MY GOD. 580 00:29:45,200 --> 00:29:45,567 >> OH, MY GOD. 581 00:29:45,667 --> 00:29:46,467 WHAT CAN I SAY? 582 00:29:46,867 --> 00:29:53,067 ON A GREEDY I AM A GREEDY -- THANK YOU TO THE GOLDEN 583 00:29:53,133 --> 00:29:53,733 GLOBES. 584 00:29:54,067 --> 00:29:56,267 I'M ABSOLUTELY THRILLED TO BE HERE. 585 00:29:56,367 --> 00:30:00,667 I'M ONE OF THE LUCKIEST PEOPLE IN THIS -- NOT THIS 586 00:30:00,767 --> 00:30:04,067 ROOM, THIS ENTIRE BUSINESS, AND IT DOES NOT GO 587 00:30:04,167 --> 00:30:05,267 UNAPPRECIATED. 588 00:30:05,367 --> 00:30:10,400 I HAD THE BEST BOSSES, THE BEST SHOW RUNNERS, THE BEST 589 00:30:10,500 --> 00:30:13,967 CAST LEAD BY THE BRILLIANT HANNAH EINBINDER. 590 00:30:14,067 --> 00:30:16,733 [APPLAUSE] MY KIDS. 591 00:30:20,000 --> 00:30:23,900 I'M JUST SURROUNDED BY SO MUCH SUPPORT. 592 00:30:24,000 --> 00:30:26,567 THIS SHOW HAS BEEN SUCH AN INCREDIBLE JOURNEY. 593 00:30:26,667 --> 00:30:28,433 OUR WRITER'S ROOM, GOD BLESS YOU ALL. 594 00:30:28,533 --> 00:30:32,167 THANK YOU SO MUCH. 595 00:30:32,267 --> 00:30:36,100 THERE IS JUST A LOT THAT COULD BE SAID TONIGHT. 596 00:30:36,200 --> 00:30:39,500 I SAID MY RANT ON THE RED CARPET, SO I WON'T DO IT 597 00:30:39,600 --> 00:30:40,667 HERE, BUT THANK YOU. 598 00:30:40,767 --> 00:30:42,333 LET'S ALL DO THE RIGHT THING. 599 00:30:42,433 --> 00:30:45,800 I THINK EVERYBODY IN THEIR HEART KNOWS WHAT THE RIGHT 600 00:30:45,900 --> 00:30:50,600 THING IS TO DO, SO LET'S DO THE RIGHT THING. 601 00:30:58,000 --> 00:30:58,967 [APPLAUSE] >> Marc: WHO DO YOU THINK IS GOING TO WIN 602 00:30:59,067 --> 00:31:02,267 THE FIRST EVER GOLDEN GLOBE FOR BEST PODCAST? 603 00:31:02,367 --> 00:31:06,967 LET'S CHECK OUT THE TOP THREE PREDICTIONS ON 604 00:31:07,067 --> 00:31:08,067 POLYMARKET. 605 00:31:08,167 --> 00:31:11,233 AMY POEHLER'S RUNNY THINGS TELL MIKE TO MAKE RUNNY 606 00:31:11,333 --> 00:31:13,900 THINGS ARE NOW WITH "GOOD HANG" AT THE TOP OF THE 607 00:31:14,067 --> 00:31:16,933 >> Marc: YOU ARE ALWAYS A A GREAT HANG. 608 00:31:17,067 --> 00:31:18,067 >> Kevin: THANKS, MAN. 609 00:31:32,067 --> 00:31:33,900 >> Announcer: WE SAW A LOT OF 610 00:31:34,067 --> 00:31:35,767 GREAT FASHION ON THE RED CARPET TONIGHT, BUT THE MOST 611 00:31:35,867 --> 00:31:36,900 IMPORTANT ACCESSORIES WERE THE SILVER BRIEFCASES 612 00:31:37,067 --> 00:31:39,067 CARRIED BY THESE VIPs. 613 00:31:39,100 --> 00:31:41,133 THE FINAL TABULATION FOR ALL OF TONIGHT'S BALLOTS IS 614 00:31:41,233 --> 00:31:43,867 COURTESY OF AUDIT, TAX, AND ADVISORY FIRM KPMG, THE 615 00:31:43,967 --> 00:31:49,267 OFFICIAL VOTE TABULATOR OF THE GOLDEN GLOBES. 616 00:31:49,367 --> 00:31:54,300 * >> Announcer: PLEASE WELCOME, FROM "MARSHALS," 617 00:31:54,400 --> 00:32:04,467 LUKE GRIMES, AND FROM "TRACKER," JUSTIN HARTLEY. 618 00:32:06,400 --> 00:32:08,500 >> Justin: WE ARE SO EXCITED TO BE HERE TONIGHT, NOT JUST 619 00:32:08,600 --> 00:32:14,500 BECAUSE IT'S A GREAT PARTY, BUT BECAUSE THEY ARE BOTH 620 00:32:14,600 --> 00:32:16,067 VERY BIG FANS OF TELEVISION, AS WELL. 621 00:32:16,133 --> 00:32:18,067 >> Luke: AND THE ACTORS IN THIS CATEGORY ARE A BIG 622 00:32:18,100 --> 00:32:19,067 REASON WHY. 623 00:32:19,367 --> 00:32:20,067 >> Justin: THEY STEAL SCENES AND INSPIRE US EVERY TIME 624 00:32:20,167 --> 00:32:21,233 THEY'RE ON SCREEN. 625 00:32:21,333 --> 00:32:22,367 >> Luke: HERE ARE THE NOMINEES FOR BEST 626 00:32:22,467 --> 00:32:23,533 PERFORMANCE BY A MALE ACTOR IN A TELEVISION SERIES, 627 00:32:23,633 --> 00:32:25,633 DRAMA. 628 00:32:25,733 --> 00:32:30,233 >> OWEN COOPER, "ADOLESCENCE." 629 00:32:30,333 --> 00:32:34,833 BILLY CRUDUP, "THE MORNING SHOW." 630 00:32:34,933 --> 00:32:40,067 WALTON GOGGINS, "THE WHITE LOTUS." 631 00:32:40,167 --> 00:32:44,900 JASON ISAACS, "THE WHITE LOTUS." 632 00:32:45,067 --> 00:32:50,633 TRAMELL TILLMAN, "SEVERANCE." 633 00:32:50,733 --> 00:32:56,867 ASHLEY WALTERS, "ADOLESCENCE." 634 00:32:56,967 --> 00:33:07,067 [APPLAUSE] >> Justin: AND THE GOLDEN GLOBE GOES TO... 635 00:33:09,133 --> 00:33:10,100 OWEN COOPER. 636 00:33:10,200 --> 00:33:12,267 [CHEERS AND APPLAUSE] * >> Kevin: BIG WIN. 637 00:33:12,367 --> 00:33:14,467 STEPHEN GRAHAM SAID IT WILL BE TOO HIGH FOR THREE YEARS 638 00:33:14,567 --> 00:33:18,467 BEFORE WE GET OUR NEXT "ADOLESCENCE," SO OWEN WILL 639 00:33:18,567 --> 00:33:21,633 BE A LOT OLDER AND HIS CHARACTER WILL BE IN PRISON. 640 00:33:21,733 --> 00:33:25,100 WE DON'T KNOW TO BE PART OF SEASON 2 OR 3. 641 00:33:25,200 --> 00:33:29,100 >> Marc: HE TOLD ME HE KEEPS HIS AWARDS HIS BEDROOM. 642 00:33:29,200 --> 00:33:32,067 I ASKED IF HIS FRIENDS WANT TO SEE AND HE SAID THEY ARE 643 00:33:32,100 --> 00:33:42,100 NOT IMPRESSED. 644 00:33:43,800 --> 00:33:44,867 >> OH, WOW. 645 00:33:44,967 --> 00:33:49,433 STANDING HERE AT THE GOLDEN GLOBES, IT DOES NOT FEEL 646 00:33:49,533 --> 00:33:52,067 REAL WHATSOEVER. 647 00:33:52,133 --> 00:33:54,900 WHAT AN INCREDIBLE JOURNEY ME AND MY FAMILY HAVE BEEN 648 00:33:55,067 --> 00:33:57,733 PUT THROUGH. 649 00:33:57,833 --> 00:34:01,433 [LAUGHTER] WE ARE FOREVER GRATEFUL FOR WHAT THESE 650 00:34:01,533 --> 00:34:04,800 PEOPLE HAVE DONE FOR ME AND MY FAMILY, BUT WHAT STARTED 651 00:34:04,900 --> 00:34:09,132 OFF AS WHAT I THOUGHT, I MIGHT BE OKAY AT IT, I MIGHT 652 00:34:09,233 --> 00:34:12,333 BE AWFUL, I NEVER KNOW, SO I TOOK A RISK AND THEY WENT TO 653 00:34:12,433 --> 00:34:13,067 DRAMA CLASSES. 654 00:34:13,167 --> 00:34:14,867 I WAS THE ONLY BOY THERE. 655 00:34:14,967 --> 00:34:18,300 IT WAS EMBARRASSING, BUT YOU KNOW, I GOT THROUGH IT. 656 00:34:18,400 --> 00:34:26,600 [LAUGHTER AND APPLAUSE] THANK YOU, THANK YOU. 657 00:34:26,699 --> 00:34:29,467 I'M STILL VERY MUCH AN APPRENTICE, I'M STILL 658 00:34:29,567 --> 00:34:31,533 LEARNING EVERY DAY, I'M STILL LEARNING FROM THE 659 00:34:31,632 --> 00:34:36,233 PEOPLE STANDING IN FRONT OF ME WHO HAS INSPIRED ME. 660 00:34:36,333 --> 00:34:43,667 I WOULDN'T BE HERE WITHOUT YOU GUYS, SO, I MEAN -- WHAT 661 00:34:43,766 --> 00:34:44,699 IS GOING ON? 662 00:34:44,800 --> 00:34:51,766 [LAUGHS] THANK YOU -- [LISTING NAMES] NETFLIX, 663 00:34:51,867 --> 00:34:52,333 PLAN B. 664 00:34:52,699 --> 00:34:53,500 I DON'T WANT TO FORGET ANYONE. 665 00:34:53,600 --> 00:34:55,900 THEY KNOW THEY ARE. 666 00:34:56,067 --> 00:35:03,067 ASHLEY, CHRISTINE, ERIN, THEY KNOW WHO THEY ARE. 667 00:35:03,167 --> 00:35:03,833 BRING ON 2026. 668 00:35:03,933 --> 00:35:07,167 YOU WILL NEVER WALK ALONE. 669 00:35:07,267 --> 00:35:07,967 GOOD NIGHT. 670 00:35:08,633 --> 00:35:13,700 [APPLAUSE] * >> Announcer: AND NOW, ACTOR/DIRECTOR ZOE 671 00:35:13,800 --> 00:35:15,633 KRAVITZ, AND FROM THE UPCOMING FILM "HOPPERS," 672 00:35:15,733 --> 00:35:16,633 DAVE FRANCO. 673 00:35:16,900 --> 00:35:26,900 [APPLAUSE] * >> Zoe: SOMETIMES A ROLE COMES 674 00:35:27,933 --> 00:35:30,867 ALONG, AND EVEN THOUGH THE CHARACTER LIVES A COMPLETELY 675 00:35:30,967 --> 00:35:33,067 DIFFERENT LIFE, OR HAS A DIFFERENT POINT OF VIEW, YOU 676 00:35:33,100 --> 00:35:35,500 RECOGNIZE A PIECE OF YOURSELF IN IT. 677 00:35:35,600 --> 00:35:38,200 >> Dave: AND SOMETIMES SETH ROGEN JUST ASKS YOU TO PLAY 678 00:35:38,300 --> 00:35:42,900 A VERSION OF YOURSELF THAT MAKES EVERYONE THINK YOU 679 00:35:43,067 --> 00:35:45,833 HAVE A SERIOUS DRUG PROBLEM. 680 00:35:45,933 --> 00:35:47,233 [LAUGHTER] >> Zoe: YES. 681 00:35:47,333 --> 00:35:48,367 THAT, TOO. 682 00:35:48,467 --> 00:35:49,633 AND, FOR THE RECORD, YOU GUYS CAN STOP OFFERING US 683 00:35:49,733 --> 00:35:51,100 SHROOMS EVERYWHERE WE GO. 684 00:35:51,200 --> 00:35:53,067 I'M ZOE KRAVITZ -- I HAVE MY OWN SHROOMS. 685 00:35:53,100 --> 00:35:54,767 >> Dave: AND I'M NOT ZOE KRAVITZ. 686 00:35:54,867 --> 00:35:58,067 I WILL ABSOLUTELY TAKE YOUR SHROOMS. 687 00:35:58,167 --> 00:36:00,667 [LAUGHTER] >> Zoe: THE POINT IS, A GREAT PERFORMANCE 688 00:36:00,767 --> 00:36:02,300 MAKES A CHARACTER JUST AS REAL AS ANYONE WE KNOW. 689 00:36:02,400 --> 00:36:03,967 >> Dave: LIKE THE CHARACTERS BROUGHT TO LIFE BY THE 690 00:36:04,067 --> 00:36:05,833 AMAZING ACTORS NOMINATED TONIGHT FOR BEST PERFORMANCE 691 00:36:05,933 --> 00:36:11,600 BY A MALE ACTOR IN A TV SERIES, MUSICAL OR COMEDY. 692 00:36:11,700 --> 00:36:15,800 * >> ADAM BRODY, "NOBODY WANTS THIS." 693 00:36:15,900 --> 00:36:20,733 STEVE MARTIN, "ONLY MURDERS IN THE BUILDING." 694 00:36:20,833 --> 00:36:24,800 GLEN POWELL, "CHAD POWERS." 695 00:36:24,900 --> 00:36:29,267 SETH ROGEN, "THE STUDIO." 696 00:36:29,367 --> 00:36:35,767 MARTIN SHORT, "ONLY MURDERS IN THE BUILDING." 697 00:36:35,867 --> 00:36:40,867 JEREMY ALLEN WHITE, "THE BEAR." 698 00:36:40,967 --> 00:36:50,967 [APPLAUSE] >> Zoe: AND THE GOLDEN GLOBE GOES TO... 699 00:36:53,133 --> 00:36:57,767 SETH ROGEN! 700 00:36:57,867 --> 00:37:00,200 [CHEERS AND APPLAUSE] * >> Marc: THIS IS AMAZING. 701 00:37:00,300 --> 00:37:04,533 SETH ROGEN FOR "THE STUDIO," A SHOW THAT PARODIES EXACTLY 702 00:37:04,633 --> 00:37:09,733 WHAT WE ARE DOING RIGHT NOW, IS SHOW THAT FEATURED THE 703 00:37:09,833 --> 00:37:10,767 GOLDEN GLOBES. 704 00:37:10,867 --> 00:37:15,100 >> Kevin: I WONDER IF THERE'S ANYTHING FOR THE 705 00:37:15,200 --> 00:37:16,133 SCRIPT TONIGHT. 706 00:37:16,233 --> 00:37:18,267 >> Marc: HE WANTS DANIEL DAY-LEWIS NEXT SEASON. 707 00:37:18,367 --> 00:37:20,433 >> THIS IS SO WEIRD! 708 00:37:20,533 --> 00:37:22,367 WE JUST PRETENDED TO DO THIS. 709 00:37:22,467 --> 00:37:26,400 [LAUGHS] AND NOW IT IS HAPPENING! 710 00:37:26,500 --> 00:37:29,767 I THOUGHT THE ONLY WAY I WOULD GET TO HOLD ONE IS TO 711 00:37:29,867 --> 00:37:32,600 CREATE A SHOW TO GIVE MYSELF A FAKE ONE. 712 00:37:32,700 --> 00:37:34,433 CONGRATULATIONS TO EVERYONE HERE, ESPECIALLY THOSE 713 00:37:34,533 --> 00:37:35,700 SEATED IN HIS LOWER LEVEL HERE. 714 00:37:35,800 --> 00:37:40,133 THAT IS A REAL HONOR. 715 00:37:40,233 --> 00:37:44,067 [LAUGHTER] IF YOU WIN, YOU SHOULD GET TO COME DOWN, I 716 00:37:44,133 --> 00:37:44,967 THINK. 717 00:37:45,067 --> 00:37:48,067 THE OTHER NOMINEES, IT IS INCREDIBLE. 718 00:37:48,100 --> 00:37:50,367 STEVE MARTIN, MARTIN SHORT ESPECIALLY. 719 00:37:50,467 --> 00:37:51,567 I REMEMBER GROWING UP WATCHING YOU GUYS MY WHOLE 720 00:37:51,667 --> 00:37:54,900 LIFE THINKING ONE DAY I'M GOING TO BEAT THEM. 721 00:37:55,067 --> 00:37:56,100 [LAUGHTER] I DID NOT THINK THAT. 722 00:37:56,200 --> 00:37:58,433 AN ACTOR REALLY IS ONLY AS GOOD AS THE PEOPLE TO GET TO 723 00:38:01,067 --> 00:38:03,133 PERFORM WITH, AND I'M VERY LUCKY IN THAT I GET TO 724 00:38:03,233 --> 00:38:06,067 CHOOSE THOSE PEOPLE, SO I REALLY WANT TO THANK THE 725 00:38:06,133 --> 00:38:11,467 OTHER PERFORMERS ON THE SHOW. 726 00:38:11,567 --> 00:38:14,800 [LISTING NAMES] CATHERINE O'HARA, DAVE AND ZOE, TED 727 00:38:14,900 --> 00:38:21,333 SORRENTO , JEAN SMART, EVERYONE ELSEHE WT OF THE 728 00:38:21,433 --> 00:38:22,067 SHOW. 729 00:38:22,100 --> 00:38:22,700 I CAN'T THANK YOU ENOUGH. 730 00:38:22,800 --> 00:38:24,500 I WILL GET OUT OF HERE NOW. 731 00:38:24,600 --> 00:38:26,500 THANK YOU. 732 00:38:26,600 --> 00:38:28,300 HAVE A GOOD NIGHT, EVERYBODY. 733 00:38:34,067 --> 00:38:35,100 [APPLAUSE] * >> Kevin: WHO DO YOU THINK IS GOING TO 734 00:38:35,200 --> 00:38:37,333 GRAB THE GOLDEN GLOBE FOR BEST ORIGINAL SONG TONIGHT? 735 00:38:37,433 --> 00:38:39,900 >> Marc: WELL, IT'S NOT GOING TO BE ME FOR MY CAR 736 00:38:40,067 --> 00:38:42,933 RENDITIONS OF ANY OF THEM, I CAN TELL YOU THAT MUCH. 737 00:38:43,067 --> 00:38:45,900 IT LOOKS LIKE "GOLDEN" FROM "KPOP DEMON HUNTERS" HAS A 738 00:38:46,067 --> 00:38:50,400 BIG LEAD, LEADING THE TOP PREDICTIONS ON POLYMARKET 739 00:38:50,500 --> 00:38:51,833 WITH 87%. 740 00:38:51,933 --> 00:38:53,967 >> Kevin: WELL, WE DON'T HAVE TO WAIT LONG TO FIND 741 00:38:54,067 --> 00:38:55,067 OUT WHO WILL HAVE THEIR GOLDEN MOMENT. 742 00:38:55,133 --> 00:38:56,133 IT'S COMING UP NEXT. 743 00:39:10,067 --> 00:39:13,900 * >> WE COME TO THIS PLACE FOR MAGIC. 744 00:39:14,067 --> 00:39:16,300 WE COME HERE TO LAUGH, TO CRY... 745 00:39:16,400 --> 00:39:18,067 WAIT, WHAT? 746 00:39:18,167 --> 00:39:28,200 * WE COME TO OUR CARS FOR PODCASTS. 747 00:39:28,400 --> 00:39:32,067 BECAUSE WE NEED THAT, ALL OF US. 748 00:39:32,167 --> 00:39:35,400 THAT INDESCRIBABLE FEELING WHEN THE EPISODE STARTS TO 749 00:39:35,500 --> 00:39:36,233 PLAY. 750 00:39:36,667 --> 00:39:38,167 >> TODAY'S PODCAST IS BROUGHT TO YOU BY BOMBAS. 751 00:39:38,267 --> 00:39:39,800 BOMBAS SOCKS ARE MADE FROM HIGH-QUALITY -- 752 00:39:39,900 --> 00:39:42,500 [FAST-FORWARDING] GO TO BOMBAS.COM -- >> GO! 753 00:39:42,600 --> 00:39:45,767 >> THAT'S B-O-M-- [FAST-FORWARDING] 10% -- >> 754 00:39:45,867 --> 00:39:46,867 GOD! 755 00:39:46,967 --> 00:39:50,200 [SIGH] AND WE GO SOMEPLACE WE'VE NEVER BEEN BEFORE. 756 00:39:50,300 --> 00:39:52,167 >> WHAT'S YOUR CURRENT FAVORITE COOKIE, WILLIE? 757 00:39:52,267 --> 00:39:54,067 >> CURRENT AND ALWAYS, CHOCOLATE CHIP COOKIE. 758 00:39:54,100 --> 00:39:54,867 >> YOU KNOW WHAT I LIKE? 759 00:39:54,967 --> 00:39:56,600 I LIKE A NICE PEANUT BUTTER COOKIE. 760 00:39:56,700 --> 00:39:59,200 >> THEY ARE OFTEN TOO DRY FOR M. 761 00:39:59,300 --> 00:39:59,733 M. 762 00:40:00,433 --> 00:40:04,200 >> NOT JUST ENTERTAINED, BUT REBORN, TOGETHER. 763 00:40:04,300 --> 00:40:06,367 >> WHAT TIME DO YOU LIKE TO EAT DINNER? 764 00:40:06,467 --> 00:40:08,033 I LIKE IT AT 6:00. 765 00:40:08,133 --> 00:40:09,500 >> I DID 5:45 LAST NIGHT. 766 00:40:09,600 --> 00:40:10,400 >> INCREDIBLE. 767 00:40:10,500 --> 00:40:12,733 >> I KNOW. 768 00:40:12,833 --> 00:40:15,067 >> DAZZLING SOUNDS, RIVETING CONVERSATIONS, VULNERABLE 769 00:40:15,167 --> 00:40:18,000 MOMENTS HIJACKED BY INAPPROPRIATE AD COPY. 770 00:40:18,100 --> 00:40:20,433 >> I DEFINITELY WISH WE COULD HAVE CARRIED ON WITH 771 00:40:20,533 --> 00:40:24,167 THAT MARRIAGE, BECAUSE IT WAS A GOOD ONE. 772 00:40:24,267 --> 00:40:28,900 >> "CALL HER DADDY" IS BROUGHT TO YOU BY TINDER. 773 00:40:29,000 --> 00:40:30,100 >> SOMEHOW DISCOURSE FEELS GOOD IN A PLACE LIKE THIS. 774 00:40:30,200 --> 00:40:30,667 >> NIKKI. 775 00:40:30,767 --> 00:40:31,533 >> MARC MARON? 776 00:40:31,633 --> 00:40:32,000 >> HEY. 777 00:40:33,000 --> 00:40:33,800 DO YOU KNOW ABOUT SQUARESPACE? 778 00:40:33,900 --> 00:40:34,567 >> OH, GOD! 779 00:40:34,667 --> 00:40:35,900 >> HEY, LOCK THE GATES! 780 00:40:42,000 --> 00:40:46,333 >> PODCASTS: THEY'RE JUST WHAT WE HAVE NOW. 781 00:40:46,433 --> 00:40:56,433 [APPLAUSE] * ["DROP IT LIKE IT'S HOT" PLAYING] * 782 00:41:13,067 --> 00:41:15,067 >> Snoop: STOP THE MUSIC! 783 00:41:15,100 --> 00:41:19,267 [LAUGHTER] I NEED Y'ALL TO LOOSEN UP A LITTLE BIT. 784 00:41:19,367 --> 00:41:26,533 THIS IS THE DOUBLE G, THE GOLDEN GLOBES, AND YOU'RE 785 00:41:26,633 --> 00:41:27,533 WITH THE D-O-DOUBLE-G. 786 00:41:27,633 --> 00:41:29,567 SO DON'T BE STIFF, MOVE AROUND A LITTLE BIT. 787 00:41:29,667 --> 00:41:31,900 BEST PODCAST IS A VERY IMPORTANT CATEGORY FOR ME, 788 00:41:32,067 --> 00:41:35,067 BECAUSE BEFORE PODCASTS, I WAS WHAT YOU ALL LISTENED TO 789 00:41:35,133 --> 00:41:38,300 DRIVING AROUND IN YOUR CARS. 790 00:41:38,400 --> 00:41:47,900 [LAUGHTER] YOU PODCASTERS, Y'ALL BETTER HOPE I NEVER 791 00:41:48,067 --> 00:41:51,100 GET IN THE GAME. 792 00:41:51,200 --> 00:41:51,900 ACTUALLY I'M IN A GAME. 793 00:41:52,067 --> 00:41:52,700 REPRESENTING PODCASTS. 794 00:41:52,800 --> 00:41:54,067 IT IS POPPING RIGHT ABOUT NOW. 795 00:41:54,167 --> 00:41:56,533 BELIEVE ME WHEN I TELL YOU. 796 00:41:56,633 --> 00:42:00,133 BUT HERE ARE THE NOMINEES FOR BEST PODCAST. 797 00:42:00,233 --> 00:42:01,067 ROLL THE TAPE. 798 00:42:01,167 --> 00:42:02,567 >> "ARMCHAIR EXPERT WITH DAX SHEPARD." 799 00:42:02,667 --> 00:42:04,067 >> DO YOU CONNECT TO THE SEX SYMBOL ASPECT OF YOU? 800 00:42:04,100 --> 00:42:08,067 >> OH, 100% >> I KNEW YOU CAN'T TECHNICALLY SAY YES. 801 00:42:08,167 --> 00:42:09,367 >> "CALL HER DADDY." 802 00:42:09,467 --> 00:42:10,933 >> WHAT IS UP, DADDY GANG? 803 00:42:11,067 --> 00:42:12,567 WELCOME BACK TO ANOTHER EPISODE. 804 00:42:12,667 --> 00:42:14,900 >> THIS SHOW IS MEANT TO BRING PEOPLE TOGETHER. 805 00:42:15,067 --> 00:42:15,700 >> EXACTLY. 806 00:42:15,800 --> 00:42:16,533 >> GIRL... 807 00:42:16,633 --> 00:42:17,367 >> OH, MY GOD. 808 00:42:17,467 --> 00:42:19,233 >> GIRL. 809 00:42:19,333 --> 00:42:20,600 >> "GOOD HANG WITH AMY POEHLER." 810 00:42:20,700 --> 00:42:22,500 >> ONE OF THE REASONS WHY I WANTED TO DO THIS PODCAST IS 811 00:42:25,067 --> 00:42:26,867 BECAUSE I'VE WATCHED SO MANY MEN DO THE BARE MINIMUM. 812 00:42:26,967 --> 00:42:33,900 >> [LAUGHS] IS THIS -- IS THIS YOUR BARE MINIMUM? 813 00:42:34,067 --> 00:42:34,933 >> I'M TRULY GIVING 25%. 814 00:42:35,067 --> 00:42:36,067 >> "THE MEL ROBBINS PODCAST." 815 00:42:36,133 --> 00:42:38,533 >> NO MATTER WHAT HAPPENS TODAY, I CAN HANDLE IT. 816 00:42:38,633 --> 00:42:40,700 >> YOU ARE A REAL LIGHT TO PEOPLE, MAN, SO PLEASE JUST 817 00:42:40,800 --> 00:42:41,867 KEEP DOING WHAT YOU'RE DOING. 818 00:42:41,967 --> 00:42:44,900 BECAUSE WE NEED PEOPLE LIKE YOU IN THE WORLD. 819 00:42:45,067 --> 00:42:46,533 >> "SMARTLESS." 820 00:42:46,633 --> 00:42:50,600 >> WELCOME TO "SMARTLESS!" 821 00:42:50,700 --> 00:42:52,733 >> IT STARTED WITH JUST THE THREE OF US TALKING TO ONE 822 00:42:52,833 --> 00:42:53,900 ANOTHER. 823 00:42:54,067 --> 00:42:56,767 >> IT'S SHOCKING HOW LITTLE BOTH OF YOU KNEW ABOUT 824 00:42:56,867 --> 00:42:57,500 ANYTHING. 825 00:42:57,600 --> 00:42:58,633 >> "UP FIRST." 826 00:42:58,733 --> 00:43:01,467 >> THIS IS "UP FIRST," FROM NPR NEWS. 827 00:43:01,567 --> 00:43:03,200 >> LET'S TALK ABOUT THE BIG PICTURE HERE. 828 00:43:03,300 --> 00:43:04,467 >> STAY WITH US. 829 00:43:04,567 --> 00:43:09,067 WE'VE GOT THE NEWS YOU NEED TO START YOUR DAY. 830 00:43:09,100 --> 00:43:18,700 [APPLAUSE] >> Snoop: SHOUT OUT TO THE GOLDEN GLOBES FOR 831 00:43:18,800 --> 00:43:21,867 PUTTING THE PODCAST CATEGORY IN THIS AWARDS SHOW. 832 00:43:21,967 --> 00:43:24,900 AND SHOUT OUT TO ALL THE PODCASTERS. 833 00:43:25,067 --> 00:43:27,100 YOU ALL ARE WINNERS. 834 00:43:27,200 --> 00:43:29,633 BUT THE REAL WINNER... 835 00:43:29,733 --> 00:43:39,733 [LAUGHTER] Y'ALL HAD ME HERE TOO DAMN LONG. 836 00:43:43,233 --> 00:43:47,833 THE WINNER IS "GOOD HANG WITH AMY POEHLER!" 837 00:43:47,933 --> 00:43:49,067 [APPLAUSE] >> Kevin: HER EX, WILL ARNETT, ALSO IN THIS 838 00:43:49,133 --> 00:43:53,900 CATEGORY, TOLD ME IF HE WENT IN A TIME MACHINE HE WOULD 839 00:43:54,067 --> 00:43:55,533 SAY AMY IS GOING TO WIN. 840 00:43:55,633 --> 00:43:58,067 AND JASON BATEMAN SAID HE AND JOHN KRASINSKI ALSO HAD 841 00:43:58,167 --> 00:43:59,400 THEIR MONEY ON ANY. 842 00:43:59,500 --> 00:44:02,100 >> Marc: THE QUESTION IS, WILL HE MAYBE ON THEIR 843 00:44:02,200 --> 00:44:02,800 PODCAST? 844 00:44:02,900 --> 00:44:05,100 WHICH I THINK SHE HAS BEEN. 845 00:44:05,200 --> 00:44:15,100 IT WILL WILL BE ON HER PODCAST? 846 00:44:15,200 --> 00:44:15,733 >> WOW. 847 00:44:16,400 --> 00:44:19,833 THIS IS EXACTLY HOW I PICTURED IT, SNOOP GIVING ME 848 00:44:19,933 --> 00:44:20,833 THE AWARD. 849 00:44:20,933 --> 00:44:22,900 THANK YOU SO MUCH. 850 00:44:23,067 --> 00:44:24,100 WOW. 851 00:44:24,200 --> 00:44:27,667 I DON'T KNOW ABOUT AWARDS SHOWS, BUT WHEN THEY GET IT 852 00:44:27,767 --> 00:44:29,067 RIGHT, IT MAKES SENSE. 853 00:44:29,167 --> 00:44:32,567 [LAUGHTER] THANK YOU SO MUCH FOR THIS. 854 00:44:32,667 --> 00:44:37,733 FIRST OF ALL, THANK YOU TO JENNA WEISS BERMAN, THE BEST 855 00:44:37,833 --> 00:44:39,200 PODCAST PRODUCER IN THE BIZ. 856 00:44:39,300 --> 00:44:40,800 I SHARE THIS WITH YOU. 857 00:44:40,900 --> 00:44:42,200 THANK YOU TO JOE, I LOVE YOU. 858 00:44:42,300 --> 00:44:45,067 THANK YOU FOR EVERYTHING. 859 00:44:45,100 --> 00:44:47,800 THANK YOU TO SPOT A SIGH AND TO BILL SIMMONS, ESPECIALLY, 860 00:44:47,900 --> 00:44:49,600 WHO GOT THIS FROM THE BEGINNING. 861 00:44:49,700 --> 00:44:54,067 THANK YOU TO EVERYONE WHO MAKE THE SHOW WITH ME. 862 00:44:54,167 --> 00:44:55,067 OH, MY GOD, WHAT ELSE? 863 00:44:55,167 --> 00:44:59,533 I WAS GOING TO SAY SO MANY COOL THINGS. 864 00:44:59,633 --> 00:45:04,600 OH, THANK YOU TO BEN DAVIS, BRAD SLATER, SHARON JACKSON, 865 00:45:04,700 --> 00:45:08,067 DAVE -- [LISTING NAMES] FOR ALWAYS HAVING MY BACK. 866 00:45:08,100 --> 00:45:11,933 I JUST WANT TO SAY THAT I KNOW I'M NEW TO THIS GAME, I 867 00:45:12,067 --> 00:45:14,067 HAVE GREAT RESPECT FOR THIS FORM. 868 00:45:14,100 --> 00:45:16,767 I HAVE GREAT RESPECT FOR ALL THE PEOPLE THAT I AM 869 00:45:16,867 --> 00:45:17,767 NOMINATED WITH. 870 00:45:17,867 --> 00:45:23,067 I AM BIG FANS OF ALL OF YOU, EXCEPT FOR NPR. 871 00:45:23,167 --> 00:45:27,233 [LAUGHTER] JUST A BUNCH OF CELEBS PHONING IT IN. 872 00:45:27,333 --> 00:45:29,833 TRY HARDER. 873 00:45:29,933 --> 00:45:34,100 [LAUGHTER] THIS IS AN ATTEMPT TO TRY TO MAKE A 874 00:45:34,200 --> 00:45:37,067 VERY ROUGH AND UNKIND WORLD FILLED WITH A LITTLE BIT 875 00:45:37,100 --> 00:45:41,533 MORE LOVE AND LAUGHTER, AND LAUGHING WITH PEOPLE, NOT AT 876 00:45:41,633 --> 00:45:43,700 THEM, AND WE JUST HAVE SUCH A GOOD TIME MAKING IT. 877 00:45:43,800 --> 00:45:46,167 THANK YOU SO MUCH FOR LETTING US MAKE MORE. 878 00:45:46,267 --> 00:45:50,133 ARCHIE AND ABEL, I LOVE YOU. 879 00:45:50,233 --> 00:45:54,067 MOM AND DAD, YOU CAN WATCH THE PATRIOTS NOW. 880 00:45:54,100 --> 00:45:55,067 GOOD NIGHT. 881 00:45:55,367 --> 00:46:02,233 [APPLAUSE] * >> Announcer: COMING TO THE STAGE, YOU 882 00:46:02,333 --> 00:46:03,867 KNOW HIM FROM "STRANGER THINGS," AND SHE'S THE STAR 883 00:46:03,967 --> 00:46:06,133 OF THE NEW FILM, "THE MOMENT." 884 00:46:06,233 --> 00:46:07,800 IT'S JOE KEERY AND CHARLI XCX. 885 00:46:07,900 --> 00:46:17,900 [APPLAUSE] * >> Charli: SHOWTUNES, K-POP, BLUES 886 00:46:20,067 --> 00:46:23,933 ROCK, POP, AMERICANA -- THIS YEAR'S NOMINEES FOR BEST 887 00:46:24,067 --> 00:46:26,767 ORIGINAL SONG ARE TRULY ALL OVER THE PLACE. 888 00:46:26,867 --> 00:46:28,167 >> Joe: SERIOUSLY. 889 00:46:28,267 --> 00:46:30,233 IF YOU SHOWED UP TO A PARTY AND THEY PLAYED ALL SIX OF 890 00:46:30,333 --> 00:46:32,800 OUR NOMINEES IN A ROW, YOU'D BE PSYCHED, BECAUSE THEY'RE 891 00:46:32,900 --> 00:46:35,800 ALL INCREDIBLE, BUT YOU'D ALSO HAVE A FEW QUESTIONS 892 00:46:35,900 --> 00:46:36,733 FOR THE DJ. 893 00:46:36,833 --> 00:46:38,600 >> Charli: LIKE, WHAT ARE YOU ON? 894 00:46:38,700 --> 00:46:43,967 >> Joe: AND HOW MUCH OF IT ARE YOU ON? 895 00:46:44,067 --> 00:46:45,433 >> Charli: AND PLEASE CAN I HAVE SOME? 896 00:46:47,067 --> 00:46:48,067 >> Joe: ALL GREAT QUESTIONS. 897 00:46:48,100 --> 00:46:49,067 NOW, HERE'S ONE MORE QUESTION: WHO'S TAKING HOME 898 00:46:49,167 --> 00:46:50,567 THE GOLDEN GLOBE TONIGHT? 899 00:46:50,667 --> 00:46:55,333 >> Charli: THE NOMINEES ARE... 900 00:46:55,433 --> 00:47:00,900 >> FROM "AVATAR: FIRE AND ASH," "DREAM AS ONE." 901 00:47:01,067 --> 00:47:07,067 >> * BABY, WHEN WE DREAM, WE DREAM AS ONE * >> FROM "KPOP 902 00:47:07,167 --> 00:47:15,900 DEMON HUNTERS," "GOLDEN." 903 00:47:16,067 --> 00:47:18,067 >> * I'LL BE SHINING * LIKE I'M BORN TO BE * >> 904 00:47:18,100 --> 00:47:20,567 FROM "SINNERS," "I LIED TO YOU." 905 00:47:20,667 --> 00:47:23,533 >> * SOMEBODY TAKE ME IN YOUR ARMS TONIGHT * WELL, 906 00:47:23,633 --> 00:47:26,167 ALL RIGHT * >> FROM "WICKED: FOR GOOD," "NO PLACE LIKE 907 00:47:26,267 --> 00:47:27,067 HOME." 908 00:47:27,600 --> 00:47:31,667 >> * BUT THERE'S NO PLACE LIKE HOME * >> FROM "WICKED: 909 00:47:31,767 --> 00:47:34,233 FOR GOOD," "THE GIRL IN THE BUBBLE." 910 00:47:34,333 --> 00:47:43,500 >> * BLISSFULLY FLOATING ABOVE * >> FROM "TRAIN 911 00:47:43,600 --> 00:47:45,267 DREAMS," "TRAIN DREAMS." 912 00:47:45,367 --> 00:47:48,300 >> * SCREAMING, "DREAM OF A MIDNIGHT TRAIN" * THIS HAS 913 00:47:48,400 --> 00:47:51,967 BEEN GOING ON FOR YEARS * YEARS AND YEARS AND YEARS 914 00:47:52,067 --> 00:48:02,133 AND YEARS * >> Joe: AND THE GOLDEN GLOBE GOES TO... 915 00:48:07,533 --> 00:48:14,333 "GOLDEN" FROM "KPOP DEMON HUNTERS." 916 00:48:14,433 --> 00:48:19,900 * >> Kevin: "GOLDEN" IS A FIRST TO HIT NUMBER ONE ON 917 00:48:20,067 --> 00:48:21,767 THE BILLBOARD HOT 100. 918 00:48:21,867 --> 00:48:24,533 >> Marc: I TALKED TO HER ON THE CARPET AND SHE SAID 919 00:48:24,633 --> 00:48:27,533 THERE ARE TWO SINGERS SHE REALLY WANTS TO WRITE SOME 920 00:48:27,633 --> 00:48:28,533 MUSIC FOR HER. 921 00:48:28,633 --> 00:48:32,133 SABRINA CARPENTER AND DO A LEAP. 922 00:48:32,233 --> 00:48:35,667 AS FOR THE "KPOP DEMON HUNTERS" EQUAL, THEY INSIST 923 00:48:35,767 --> 00:48:37,100 THEY KNOW NOTHING. 924 00:48:37,200 --> 00:48:39,733 >> Kevin: BUT IF WE SEE A SEQUEL, YOU DON'T SEE IT 925 00:48:39,833 --> 00:48:42,633 UNTIL AT LEAST 2029. 926 00:48:42,733 --> 00:48:44,167 IT TAKES THAT LONG TO MAKE THESE. 927 00:48:44,267 --> 00:48:54,267 >> Marc: IT'S GOING TO BE WORTH THE WAIT. 928 00:48:59,700 --> 00:49:04,167 >> OH, MY GOD, THIS IS HEAVY! 929 00:49:04,267 --> 00:49:06,433 OH, MY GOD. 930 00:49:06,533 --> 00:49:08,667 DEEP BREATHS. 931 00:49:08,767 --> 00:49:12,133 THANK YOU SO MUCH TO GOLDEN GLOBES FOR THIS INCREDIBLE 932 00:49:12,233 --> 00:49:12,867 HONOR. 933 00:49:13,300 --> 00:49:15,233 I AM SO HONORED TO BE ALONGSIDE THE OTHER 934 00:49:15,333 --> 00:49:15,833 NOMINEES. 935 00:49:15,933 --> 00:49:17,633 YOU GUYS ARE INCREDIBLE. 936 00:49:17,733 --> 00:49:21,900 OH, MY GOD, OH, MY GOD. 937 00:49:22,067 --> 00:49:22,700 OH, MY GOD. 938 00:49:23,200 --> 00:49:27,700 WHO KNOWS -- AS A LITTLE GIRL I WORKED TIRELESSLY FOR 939 00:49:27,800 --> 00:49:31,133 TEN YEARS TO FULFILL IN DREAM, TO BECOME A K-POP 940 00:49:31,233 --> 00:49:34,900 IDLE, AND I WAS REJECTED AND DISAPPOINTED THAT MY VOICE 941 00:49:35,067 --> 00:49:36,400 WASN'T GOOD ENOUGH. 942 00:49:36,500 --> 00:49:41,633 SO I LEANED ON SONGS AND MUSIC TO GET THROUGH IT, SO 943 00:49:41,733 --> 00:49:47,233 NOW I AM HERE AS A SINGER AND SONGWRITER. 944 00:49:47,333 --> 00:49:53,200 [CHEERS AND APPLAUSE] AND IT IS A DREAM COME TRUE TO BE 945 00:49:53,300 --> 00:49:59,300 PART OF A SONG THAT IS HELPING OTHER GIRLS, OTHER 946 00:49:59,400 --> 00:50:02,433 BOYS, AND EVERYONE OF ALL AGES TO GET THROUGH THEIR 947 00:50:02,533 --> 00:50:05,400 HARDSHIPS AND TO ACCEPT THEMSELVES. 948 00:50:05,500 --> 00:50:09,200 SO THANK YOU FOR ACCEPTING MY VOICE AND OUR VOICE. 949 00:50:09,300 --> 00:50:13,933 I JUST WANT TO SAY THANK YOU TO MY FAMILY, MY FIANCEE, I 950 00:50:14,033 --> 00:50:15,600 LOVE YOU. 951 00:50:15,700 --> 00:50:16,800 MY MOM. 952 00:50:16,900 --> 00:50:26,767 [SPEAKING KOREAN] FRIENDS, THE AMAZING COWRITERS HERE, 953 00:50:26,867 --> 00:50:31,167 ALSO TEDDY WHO IS IN KOREA, THANK YOU. 954 00:50:31,267 --> 00:50:33,900 >> THANK YOU TO EVERYBODY AT NETFLIX AND SONY WHO 955 00:50:34,000 --> 00:50:37,100 BELIEVED IN AND ASSURED THIS MOVIE, AND THANK YOU TO OUR 956 00:50:37,200 --> 00:50:39,333 TEAMS, OUR FAMILIES AND FRIENDS FOR GOING ON THIS 957 00:50:39,433 --> 00:50:40,233 JOURNEY. 958 00:50:40,700 --> 00:50:43,100 IT'S BEEN AN AMAZING YEAR FOR MUSICAL STORYTELLING IN 959 00:50:43,200 --> 00:50:43,867 MOVIES. 960 00:50:44,367 --> 00:50:46,133 WE ARE HONORED TO BE HERE AMONGST ALL THESE OTHER 961 00:50:46,233 --> 00:50:47,033 MOVIES AND SONGS. 962 00:50:47,133 --> 00:50:49,200 THANK YOU SO MUCH. 963 00:50:49,300 --> 00:50:50,233 >> THANK YOU. 964 00:50:50,333 --> 00:50:52,567 I JUST WANT TO SAY THIS AWARD GOES TO PEOPLE WHO 965 00:50:52,667 --> 00:50:59,033 HAVE HAD DOORS CLOSED ON THEM, AND I CAN CONFIDENTLY 966 00:50:59,133 --> 00:50:59,700 SAY REJECTION IS REDIRECTION. 967 00:50:59,800 --> 00:51:02,067 SO NEVER GIVE UP. 968 00:51:02,167 --> 00:51:07,233 IT IS NEVER TOO LATE TO SHINE LIKE YOU WERE BORN TO 969 00:51:07,333 --> 00:51:08,133 BE. 970 00:51:08,767 --> 00:51:18,733 [APPLAUSE] * * >> Kevin: STILL AHEAD, MACAULAY CULKIN 971 00:51:23,167 --> 00:51:24,100 AND MILEY CYRUS. 972 00:51:24,367 --> 00:51:26,933 >> Marc: AND THE WOMAN I SAW DANCING AT A PARTY LAST 973 00:51:27,067 --> 00:51:30,133 NIGHT, JENNIFER LOPEZ GIVES OUT THE AWARD FOR MALE 974 00:51:30,233 --> 00:51:31,233 ACTOR, MUSICAL OR COMEDY! 975 00:51:46,067 --> 00:51:47,900 >> Nikki: WELCOME BACK TO THE GOLDEN GLOBES. 976 00:51:48,067 --> 00:51:51,600 YOU KNOW, THERE WERE SO MANY GREAT MOVIES THIS YEAR, FROM 977 00:51:51,700 --> 00:51:59,367 "MARTY SUPREME" TO "KPONG DEMON HUNTERS." 978 00:51:59,467 --> 00:52:03,500 WAIT A SECOND, THAT JUST GAVE ME AN IDEA. 979 00:52:03,600 --> 00:52:05,600 OH, THIS IS GOING TO GO SO VIRAL. 980 00:52:17,600 --> 00:52:19,833 * * THEY ASKED ME TO HOST * THE GOLDEN GLOBES * >> 981 00:53:00,467 --> 00:53:08,367 Fran: STOP! 982 00:53:08,467 --> 00:53:11,467 >> Fran: FOR THE LOVE OF GOD, STOP! 983 00:53:11,567 --> 00:53:14,067 >> Nikki: FRAN DRESCHER, WHAT ARE YOU DOING HERE? 984 00:53:14,167 --> 00:53:17,667 ONE OF THE STARS OF "MARTY SUPREME!" 985 00:53:17,767 --> 00:53:18,767 WHAT'S GOING ON, FRAN? 986 00:53:18,867 --> 00:53:19,333 AT. 987 00:53:20,067 --> 00:53:22,333 >> Fran: YOU KNOW I LOVE YOU, BUT YOU HAVE TO STOP 988 00:53:22,433 --> 00:53:23,067 SINGIN. 989 00:53:23,100 --> 00:53:24,900 YOUR VOICE IS SO ANNOYING! 990 00:53:25,067 --> 00:53:27,433 [LAUGHTER] >> Nikki: THAT MEANS SO MUCH COMING FROM 991 00:53:27,533 --> 00:53:28,333 YOU. 992 00:53:28,700 --> 00:53:31,533 >> Fran: DON'T TELL ME YOU WERE GOING TO SING IN 993 00:53:31,633 --> 00:53:32,300 KOREAN, TOO? 994 00:53:32,400 --> 00:53:33,633 >> Nikki: NO! 995 00:53:33,733 --> 00:53:37,067 I WAS GOING TO RAP IN KOREAN. 996 00:53:37,133 --> 00:53:39,700 >> Fran: LOOK, I'M SORRY, BUT IF YOU DON'T STOP 997 00:53:39,800 --> 00:53:43,300 SINGING RIGHT NOW, I'M GOING TO REMOVE YOU FROM THE 998 00:53:43,400 --> 00:53:44,067 UNION. 999 00:53:44,567 --> 00:53:46,833 >> Nikki: BUT YOU'RE NOT THE PRESIDENT OF S.A.G. 1000 00:53:46,933 --> 00:53:47,800 ANYMORE! 1001 00:53:47,900 --> 00:53:49,800 >> Fran: I GET ONE FREE KILL, HONEY.. 1002 00:53:49,900 --> 00:53:50,867 >> Nikki: FINE. 1003 00:53:50,967 --> 00:53:52,267 I REALLY ONLY DID THIS FOR THE JACKET, ANYWAY. 1004 00:53:52,367 --> 00:53:56,100 TAKE IT AWAY, FRAN. 1005 00:53:56,200 --> 00:53:59,833 >> Fran: OKAY, DON'T MIND IF I DO. 1006 00:54:00,067 --> 00:54:06,367 [APPLAUSE] FOR OUR NEXT AWARD, PLEASE WELCOME A BOY 1007 00:54:06,467 --> 00:54:12,200 WHO FAMOUSLY HAD NO NANNY. 1008 00:54:12,300 --> 00:54:12,767 MACAULAY CULKIN! 1009 00:54:12,867 --> 00:54:13,467 CHAIR * * 1010 00:54:30,633 --> 00:54:31,700 >> Macaulay: WOW! 1011 00:54:31,800 --> 00:54:32,567 THANKS, GUYS. 1012 00:54:32,900 --> 00:54:35,233 IT'S BEEN 35 YEARS SINCE I'VE BEEN TO THE GLOBS. 1013 00:54:35,333 --> 00:54:37,300 THANKS FOR WELCOMING ME BACK. 1014 00:54:37,400 --> 00:54:40,367 THAT'S REALLY NICE OF YOU GUYS. 1015 00:54:40,467 --> 00:54:44,900 [APPLAUSE] ALL RIGHT, ON TO THE SCRIPT. 1016 00:54:45,067 --> 00:54:47,067 I KNOW -- IT'S WEIRD SEEING ME AFTER THE HOLIDAY SEASON. 1017 00:54:47,133 --> 00:54:52,467 BUT, SHOCKINGLY, I DO EXIST ALL YEAR-ROUND. 1018 00:54:52,567 --> 00:54:53,533 I PROMISE YOU. 1019 00:54:53,633 --> 00:54:54,400 TONIGHT I'M HERE TO PRESENT THE AWARD FOR BEST 1020 00:54:54,500 --> 00:54:57,433 SCREENPLAY, MOTION PICTURE. 1021 00:54:57,533 --> 00:54:58,500 WHICH MAKES A LOT OF SENSE. 1022 00:54:58,600 --> 00:54:59,433 I'VE BEEN READING SCREENPLAYS BASICALLY SINCE 1023 00:54:59,533 --> 00:55:00,633 I LEARNED TO READ. 1024 00:55:00,733 --> 00:55:02,400 A GOOD SCRIPT IS THE BASIS OF IT ALL. 1025 00:55:02,500 --> 00:55:03,733 NONE OF US WOULD BE HERE TONIGHT WITHOUT THE IDEAS 1026 00:55:03,833 --> 00:55:04,933 WRITERS CRAFT ON THE PAGE. 1027 00:55:05,067 --> 00:55:08,333 HERE ARE THE NOMINEES FOR BEST SCREENPLAY, MOTION 1028 00:55:08,433 --> 00:55:09,500 PICTURE. 1029 00:55:09,600 --> 00:55:12,567 >> PAUL THOMAS ANDERSON, "ONE BATTLE AFTER ANOTHER." 1030 00:55:12,667 --> 00:55:14,467 >> I DON'T REMEMBER ANY MORE OF THIS CODESPEAK, ALL 1031 00:55:14,567 --> 00:55:15,100 RIGHT? 1032 00:55:15,767 --> 00:55:17,433 LET'S JUST GET ON WITH: WHAT IS THE RENDEZVOUS POINT? 1033 00:55:17,533 --> 00:55:20,767 >> RONALD BRONSTEIN, JOSH SAFDIE, "MARTY SUPREME." 1034 00:55:20,867 --> 00:55:22,367 >> I HAVE A PURPOSE. 1035 00:55:22,467 --> 00:55:24,333 IT MEANS I HAVE AN OBLIGATION TO SEE A VERY 1036 00:55:24,433 --> 00:55:28,067 SPECIFIC THING THROUGH, AND WITH THAT OBLIGATION COMES 1037 00:55:28,100 --> 00:55:28,900 SACRIFICE. 1038 00:55:29,067 --> 00:55:30,967 >> RYAN COOGLER, "SINNERS." 1039 00:55:31,067 --> 00:55:33,067 >> I AIN'T NEVER SAW NO ROOTS. 1040 00:55:33,167 --> 00:55:36,667 NO DEMONS, NO GHOSTS, NO MAGIC. 1041 00:55:36,767 --> 00:55:41,433 JUST POWER. 1042 00:55:41,533 --> 00:55:45,500 >> JAFAR PANAHI, "IT WAS JUST AN ACCIDENT." 1043 00:55:45,767 --> 00:55:55,733 >> ESKIL VOGT, JOACHIM TRIER, "SENTIMENTAL VALUE." 1044 00:55:56,867 --> 00:55:58,833 >> WHY DIDN'T YOU WANT TO DO THE ROLE? 1045 00:55:58,933 --> 00:56:00,433 >> I CAN'T WORK WITH HIM. 1046 00:56:05,467 --> 00:56:10,233 MY FATHER IS A VERY DIFFICULT PERSON. 1047 00:56:10,333 --> 00:56:14,400 >> CHLOE ZHAO, MAGGIE O'FARRELL, "HAMNET." 1048 00:56:14,500 --> 00:56:17,533 >> HE'S GOT MORE INSIDE OF HIM THAN ANY MAN I'VE EVER 1049 00:56:17,633 --> 00:56:18,233 MET. 1050 00:56:18,333 --> 00:56:19,100 >> WHO ARE YOU LOOKING FOR? 1051 00:56:19,200 --> 00:56:25,600 >> WILLIAM SHAKESPEARE. 1052 00:56:25,700 --> 00:56:28,300 [APPLAUSE] >> Macaulay: ALL RIGT, YEAH. 1053 00:56:28,400 --> 00:56:34,100 THE GOLDEN GLOBE GOES TO... 1054 00:56:34,200 --> 00:56:35,233 PAUL THOMAS ANDERSON. 1055 00:56:35,567 --> 00:56:45,067 [CHEERS AND APPLAUSE] * >> Kevin: PAUL THOMAS ANDERSON 1056 00:56:45,133 --> 00:56:48,733 HAS TWO NOMINATIONS TONIGHT, FOR BEST DIRECTOR AND ALSO 1057 00:56:48,833 --> 00:56:57,233 THIS ONE FOR BEST SCREENPLAY. 1058 00:56:57,333 --> 00:57:04,500 >> THANK YOU, GUYS. 1059 00:57:07,467 --> 00:57:09,367 I'VE WRITTEN FOR A LOT OF PEOPLE IN THIS ROOM. 1060 00:57:09,467 --> 00:57:10,067 SANDLER. 1061 00:57:10,700 --> 00:57:12,133 THE MOMENT WHEN IT GETS OUT OF YOUR ROOM AND OFF THE 1062 00:57:14,467 --> 00:57:17,067 PAGE AND AN ACTOR START SAYING IT, THAT'S WHEN IT 1063 00:57:17,100 --> 00:57:17,767 GOES GREAT. 1064 00:57:17,867 --> 00:57:19,367 AND I'VE HAD SOME GREAT ONES. 1065 00:57:19,467 --> 00:57:22,733 LEO, SEAN, TEYANA, BENICIA, CHASE, AND REGINA CAN'T BE 1066 00:57:25,467 --> 00:57:26,767 WITH US TONIGHT, SHE'S NOT FEELING WELL. 1067 00:57:26,867 --> 00:57:29,333 SHE WAS ONE OF THE FIRST PEOPLE I GAVE THE SCRIPT 1068 00:57:29,433 --> 00:57:29,900 TOO. 1069 00:57:30,433 --> 00:57:31,933 SHE HAS BEEN WITH IT FROM THE BEGINNING. 1070 00:57:32,067 --> 00:57:34,567 A GREAT COLLABORATOR. 1071 00:57:34,667 --> 00:57:37,567 ALL OF YOU, GREAT COLLABORATORS. 1072 00:57:37,667 --> 00:57:38,733 AND WRITERS, WE ARE MAGPIES. 1073 00:57:38,833 --> 00:57:43,167 WE STEAL ALL THE BITS AND PIECES THAT EVERYBODY SAYS 1074 00:57:43,267 --> 00:57:46,833 AS BEST WE CAN. 1075 00:57:46,933 --> 00:57:50,600 SHAYNA MICHAELA IS A GREAT WRITER, SHE WAS IN THIS 1076 00:57:50,700 --> 00:57:53,900 MOVIE, I STILL A LINE FOR HER. 1077 00:57:54,067 --> 00:57:57,333 I OWE HER FOR THAT ONE. 1078 00:57:57,433 --> 00:57:59,067 I STILL A LOT OF WORDS. 1079 00:57:59,167 --> 00:58:00,800 THOMAS WROTE A GREAT BOOK THAT WE ADAPTED. 1080 00:58:00,900 --> 00:58:03,200 I STILL SOME WORDS FROM NINA SIMONE. 1081 00:58:03,300 --> 00:58:06,600 SOMEBODY ASKED HER WHAT FREEDOM WAS AND SHE SAID "NO 1082 00:58:06,700 --> 00:58:07,133 FEAR." 1083 00:58:07,233 --> 00:58:08,367 PRETTY GOOD LINE. 1084 00:58:08,467 --> 00:58:12,400 SO I SHARE THIS WITH EVERYBODY I MAGPIED OFF OF. 1085 00:58:12,500 --> 00:58:15,067 I APPRECIATE YOU. 1086 00:58:15,100 --> 00:58:16,100 THANK YOU VERY MUCH. 1087 00:58:16,467 --> 00:58:26,467 [APPLAUSE] * >> Announcer: PLEASE WELCOME GOLDEN GLOBE 1088 00:58:27,167 --> 00:58:37,133 NOMINEE, PAMELA ANDERSON, AND A NOMINEE, MILEY CYRUS. 1089 00:58:42,900 --> 00:58:43,667 >> Miley: YOUR FAVORITE SON. 1090 00:58:43,767 --> 00:58:44,767 >> Pamela: YES! 1091 00:58:44,867 --> 00:58:46,067 A THERAPIST, A WITCH, A SINGER, A REVOLUTIONARY, A 1092 00:58:46,167 --> 00:58:48,200 RELIGIOUS LEADER, AND A GIRL BOSS. 1093 00:58:48,300 --> 00:58:49,667 EACH OF THESE CHARACTERS LEFT AN INDELIBLE IMAGE ON 1094 00:58:49,767 --> 00:58:52,167 THE BIG SCREEN THIS YEAR. 1095 00:58:52,267 --> 00:58:55,133 >> Miley: THEY ALSO LEFT A LASTING IMAGE ON ME. 1096 00:58:55,233 --> 00:58:56,933 IN HONOR OF TONIGHT, I ALREADY GOT THE WINNER 1097 00:59:01,467 --> 00:59:02,467 TATTOOED ON MY BODY. 1098 00:59:02,567 --> 00:59:07,233 >> Pamela: WE HAVEN'T ANNOUNCED THE WINNER YET. 1099 00:59:07,333 --> 00:59:08,367 >> Miley: YEAH, I HAD TO GET THEM ALL JUST TO BE SAFE. 1100 00:59:08,467 --> 00:59:10,133 WANT TO GUESS WHERE MY "BUGONIA" TATTOO IS? 1101 00:59:10,233 --> 00:59:11,167 >> Pamela: I DO NOT. 1102 00:59:11,267 --> 00:59:12,833 THE NOMINEES FOR BEST PERFORMANCE BY A FEMALE 1103 00:59:15,467 --> 00:59:21,067 ACTOR IN A MOTION PICTURE, MUSICAL OR COMEDY, ARE... 1104 00:59:21,133 --> 00:59:27,367 >> ROSE BYRNE, "IF I HAD LEGS I'D KICK YOU." 1105 00:59:27,467 --> 00:59:29,067 CYNTHIA ERIVO, "WICKED: FOR GOOD." 1106 00:59:32,467 --> 00:59:34,767 KATE HUDSON, "SONG SUNG BLUE." 1107 00:59:34,867 --> 00:59:40,533 CHASE INFINITI, "ONE BATTLE AFTER ANOTHER." 1108 00:59:40,633 --> 00:59:45,533 AMANDA SEYFRIED, "THE TESTAMENT OF ANN LEE." 1109 00:59:45,633 --> 00:59:52,700 EMMA STONE, "BUGONIA." 1110 00:59:52,800 --> 01:00:02,800 [APPLAUSE] >> Miley: AND THE GOLDEN GLOBE GOES TO... 1111 01:00:07,433 --> 01:00:07,767 PAUSE. 1112 01:00:07,867 --> 01:00:08,700 I LOVE HER! 1113 01:00:08,800 --> 01:00:13,167 I LOVE THEM ALL, BUT ROSE BYRNE! 1114 01:00:13,267 --> 01:00:23,267 [CHEERS AND APPLAUSE] * >> Kevin: ROSE WINS BUT THIS IS 1115 01:00:25,400 --> 01:00:29,167 THE 50TH ANNIVERSARY OF "BRIDESMAIDS," AND MELISSA 1116 01:00:29,267 --> 01:00:30,500 McCARTHY IS ALSO HERE PRESENTING. 1117 01:00:30,600 --> 01:00:33,833 >> Marc: TALK ABOUT DIVERSITY OF ROLES, SHE HAS 1118 01:00:33,933 --> 01:00:40,800 ALSO HAD A GREAT YEAR, WITH SETH ROGEN, AND NOW THIS 1119 01:00:40,900 --> 01:00:46,300 COULD BE OSCAR GOLD. 1120 01:00:46,400 --> 01:00:56,400 [APPLAUSE] >> OF COURSE I DIDN'T PREPARE ANYTHING. 1121 01:00:57,767 --> 01:01:01,100 I DIDN'T SING IN THIS MOVIE. 1122 01:01:01,200 --> 01:01:04,233 THANK YOU SO MUCH. 1123 01:01:04,333 --> 01:01:06,133 THIS IS SUCH A SHOCK! 1124 01:01:06,233 --> 01:01:07,867 THANK YOU SO MUCH. 1125 01:01:07,967 --> 01:01:12,567 I SHARE THIS WITH MARY BRONSTEI I SHARE THIS WITH 1126 01:01:12,667 --> 01:01:13,767 MARY BRONST BRONSTEIN, MY RIGHT EAR-DIRECTOR. 1127 01:01:13,867 --> 01:01:19,833 [APPLAUSE] SHE WROTE THIS UNBELIEVABLE SCREENPLAY AND 1128 01:01:19,933 --> 01:01:22,567 SHE WANTED ME TO DO IT, AND I CAN'T BELIEVE YOU WANTED 1129 01:01:22,667 --> 01:01:23,167 ME TO DO IT. 1130 01:01:23,267 --> 01:01:26,600 YOU ARE JUST THE BEST. 1131 01:01:26,700 --> 01:01:28,233 I LOVE YOU. 1132 01:01:28,333 --> 01:01:30,200 THANK YOU SO MUCH. 1133 01:01:30,300 --> 01:01:33,600 MY FELLOW NOMINEES, I JUST CAN'T BELIEVE I AM HERE. 1134 01:01:33,700 --> 01:01:35,400 THANK YOU SO MUCH. 1135 01:01:35,500 --> 01:01:38,933 THANK YOU TO A 24, TO THE PRODUCERS, JOSH SAFDIE , AI 1136 01:01:39,267 --> 01:01:42,767 BILL THANK YOU SO MUCH. 1137 01:01:42,867 --> 01:01:45,933 THANK YOU FOR BELIEVING IN ME AND GIVING ME THIS 1138 01:01:46,067 --> 01:01:46,733 OPPORTUNITY. 1139 01:01:47,100 --> 01:01:50,433 HE SHUT HIS MOVIE AND 25 DAYS FOR LIKE $8.50. 1140 01:01:50,533 --> 01:01:51,600 THANK YOU SO MUCH. 1141 01:01:51,700 --> 01:01:55,067 THIS IS A TINY FILM SO THIS IS A HUGE THING TO BE UP 1142 01:01:55,133 --> 01:01:55,633 HERE. 1143 01:01:55,733 --> 01:01:57,400 MY BROTHER IS MY DATE. 1144 01:01:57,500 --> 01:02:02,300 THANKS, GEORGE! 1145 01:02:02,400 --> 01:02:05,367 [APPLAUSE] AND THANKS TO MY MOM AND DAD WHO BOUGHT 1146 01:02:05,467 --> 01:02:08,533 PARAMOUNT+ SO THEY COULD WATCH THE GOLDEN GLOBES TO 1147 01:02:08,633 --> 01:02:09,767 SEE ME! 1148 01:02:09,867 --> 01:02:15,067 AND I WANT TO THANK MY HUSBAND, BOBBY CANNAVALE, 1149 01:02:15,133 --> 01:02:18,067 WHO COULDN'T BE HERE BECAUSE WE ARE GETTING A BEARDED 1150 01:02:18,133 --> 01:02:22,433 DRAGON AND HE WENT TO A REPTILE EXPO IN NEW JERSEY. 1151 01:02:22,533 --> 01:02:26,400 THANK YOU, BABY! 1152 01:02:26,500 --> 01:02:34,467 [APPLAUSE] * >> Announcer: PLEASE WELCOME THE STAR OF 1153 01:02:34,567 --> 01:02:39,900 THE UPCOMING FILM, "OFFICE ROMANCE," THE ONE AND ONLY 1154 01:02:40,067 --> 01:02:40,867 JENNIFER LOPEZ. 1155 01:02:41,333 --> 01:02:51,300 [APPLAUSE] * >> Jennifer: AN AMBITIOUS ALBEIT PUSHY 1156 01:02:53,500 --> 01:02:54,500 PING-PONG PLAYER. 1157 01:02:54,600 --> 01:02:56,300 AN ACTOR IN THE MIDST OF AN EXISTENTIAL CRISIS. 1158 01:02:56,400 --> 01:02:59,333 A DIVORCED, EX-REVOLUTIONARY SINGLE DAD. 1159 01:02:59,433 --> 01:03:01,200 A DOWN-ON-HIS-LUCK LYRICIST. 1160 01:03:05,467 --> 01:03:07,667 A CONSPIRACY THEORIST. 1161 01:03:07,767 --> 01:03:11,300 A HOMICIDAL PAPER COMPANY EMPLOYEE. 1162 01:03:11,400 --> 01:03:13,133 THESE ARE THE NOMINEES FOR BEST MALE ACTOR IN A MOTION 1163 01:03:13,233 --> 01:03:17,233 PICTURE, COMEDY OR MUSICAL. 1164 01:03:17,333 --> 01:03:21,400 SO LET'S SEE WHO WAS THE FUNNIEST -- OR THE MOST 1165 01:03:21,500 --> 01:03:22,533 MUSICAL. 1166 01:03:22,633 --> 01:03:26,067 HONESTLY, THESE WERE THE MOST AMAZING PERFORMANCES OF 1167 01:03:26,167 --> 01:03:28,700 THE YEAR, AND I DON'T KNOW HOW THEY CHOOSE JUST ONE. 1168 01:03:28,800 --> 01:03:30,867 GOOD LUCK TO ALL OF YOU. 1169 01:03:30,967 --> 01:03:35,500 THE NOMINEES ARE... 1170 01:03:35,600 --> 01:03:41,400 >> TIMOTHEE CHALAMET, "MARTY SUPREME." 1171 01:03:41,500 --> 01:03:45,233 GEORGE CLOONEY, "JAY KELLY." 1172 01:03:45,333 --> 01:03:50,767 LEONARDO DiCAPRIO, "ONE BATTLE AFTER ANOTHER." 1173 01:03:50,867 --> 01:03:55,200 ETHAN HAWKE, "BLUE MOON." 1174 01:03:55,300 --> 01:04:00,467 LEE BYUNG-HUN, "NO OTHER CHOICE." 1175 01:04:00,567 --> 01:04:07,533 JESSE PLEMONS, "BUGONIA." 1176 01:04:07,633 --> 01:04:14,367 [APPLAUSE] >> Jennifer: AND THE GOLDEN GLOBE GOES TO... 1177 01:04:14,467 --> 01:04:17,900 TIMOTHEE CHALAMET. 1178 01:04:18,067 --> 01:04:26,667 [CHEERS AND APPLAUSE] * >> Kevin: "MARTY SUPREME" ALSO 1179 01:04:26,767 --> 01:04:29,533 NOMINATED FOR BEST MOTION PICTURE, MUSICAL OR COMEDY, 1180 01:04:29,633 --> 01:04:32,900 AND HERE'S AN INTERESTING THING. 1181 01:04:33,067 --> 01:04:36,100 TIMOTHEE IS ALSO NOMINATED FOR A GRAMMY FOR HIS WORK ON 1182 01:04:36,200 --> 01:04:37,200 "A COMPLETE UNKNOWN." 1183 01:04:37,300 --> 01:04:38,867 >> Marc: THERE IS HIS GIRLFRIEND, KYLIE JENNER. 1184 01:04:38,967 --> 01:04:42,633 HE THANKED HER AT THE CRITICS' CHOICE AWARDS. 1185 01:04:42,733 --> 01:04:44,433 WILL HE THANK KYLIE JENNER AGAIN TONIGHT? 1186 01:04:44,533 --> 01:04:53,200 WE ARE ABOUT TO FIND OUT! 1187 01:04:53,300 --> 01:04:54,433 [APPLAUSE] >> WOW. 1188 01:04:54,533 --> 01:04:57,433 THANK YOU SO MUCH, FROM THE BOTTOM OF MY HEART. 1189 01:04:57,533 --> 01:05:00,733 I AM IN A CATEGORY WITH MANY GREATS. 1190 01:05:00,833 --> 01:05:04,067 I LOOK UP TO ALL OF YOU, THIS CATEGORY IS STACKED. 1191 01:05:04,167 --> 01:05:04,800 THANK YOU. 1192 01:05:05,433 --> 01:05:07,067 YOU JOSH SAFDIE, THANK YOU FROM THE BOTTOM OF MY HEART. 1193 01:05:07,133 --> 01:05:08,467 THANK YOU FOR THIS ROLE. 1194 01:05:08,567 --> 01:05:09,833 THANK YOU FOR BELIEVING IN ME. 1195 01:05:09,933 --> 01:05:15,767 THANK YOU FOR THIS PORTRAIT, FOR YOUR MIND, FOR YOUR 1196 01:05:15,867 --> 01:05:17,200 WORLDVIEW. 1197 01:05:17,300 --> 01:05:20,100 TO A24 AND RONNIE BRONSTEIN WHO COWROTE THIS WITH JOSH, 1198 01:05:20,200 --> 01:05:22,067 THE AMAZING CAST OF THIS FILM. 1199 01:05:22,133 --> 01:05:29,200 ODESA IS [LISTING NAMES] IF YOU WOULD HAVE TOLD ME WHEN 1200 01:05:29,300 --> 01:05:32,433 I WAS 19 YEARS OLD I WOULD BE MAKING MR. 1201 01:05:32,533 --> 01:05:36,800 WONDERFUL FROM SHARK, SO I GOT AWAY WITH THAT. 1202 01:05:36,900 --> 01:05:37,867 THANK YOU, KEVIN. 1203 01:05:38,133 --> 01:05:39,633 I WOULD HAVE BEEN STUNNED BUT I WOULD HAVE BEEN VERY 1204 01:05:39,733 --> 01:05:40,600 GRATEFUL. 1205 01:05:40,967 --> 01:05:43,933 MY DAD INSTILLED IN ME A SPIRIT OF GRATITUDE GROWING 1206 01:05:44,067 --> 01:05:44,633 UP. 1207 01:05:45,067 --> 01:05:47,067 I ALWAYS BE GRATEFUL FOR WHAT YOU HAVE. 1208 01:05:47,100 --> 01:05:48,800 IT'S ALLOWED ME TO LEAVE THE CEREMONY IN THE PAST AND 1209 01:05:48,900 --> 01:05:53,800 HANDED WITH MY HELD WITH MY HE HEAD HELD HIGH. 1210 01:05:53,900 --> 01:05:57,533 TO MY PARENTS AND MY PARTNER, I LOVE YOU, THANK 1211 01:05:57,633 --> 01:05:58,767 YOU SO MUCH. 1212 01:06:11,467 --> 01:06:12,233 [APPLAUSE] * >> Kevin: UP NEXT, THE AWARD FOR 1213 01:06:12,333 --> 01:06:14,367 CINEMATIC AND BOX OFFICE ACHIEVEMENT. 1214 01:06:14,467 --> 01:06:16,067 THIS IS THE ONE FOR THE MOVIES YOU JUST HAD TO SEE 1215 01:06:16,133 --> 01:06:18,367 IN THE THEATER. 1216 01:06:18,467 --> 01:06:20,867 >> Marc: AND LOOKING AT THE TOP THREE PREDICTIONS ON 1217 01:06:20,967 --> 01:06:23,067 POLYMARKET, IT LOOKS LIKE WE HAVE A FRONTRUNNER. 1218 01:06:23,133 --> 01:06:24,600 BUT IT'S NOT OVER YET! 1219 01:06:24,700 --> 01:06:26,367 >> Kevin: WE'RE GOING TO FIND OUT WHO ADDS A GOLDEN 1220 01:06:26,467 --> 01:06:28,467 GLOBE TO THEIR TROPHY CASE RIGHT AFTER THIS. 1221 01:06:40,400 --> 01:06:42,200 >> Announcer: WELCOME BACK TO THE GOLDEN GLOBES, LIVE 1222 01:06:42,300 --> 01:06:43,300 FROM THE BEVERLY HILTON. 1223 01:06:43,400 --> 01:06:47,067 AND NOW, TWO-TIME GOLDEN GLOBE NOMINEE MELISSA 1224 01:06:47,100 --> 01:06:50,300 McCARTHY, AND FROM "THE STUDIO," KATHRYN HAHN! 1225 01:06:50,400 --> 01:07:00,467 [APPLAUSE] * 1226 01:07:05,367 --> 01:07:06,467 >> Melissa: I PLAN THAT! 1227 01:07:06,567 --> 01:07:07,633 >> Kathryn: WE'RE HERE TO PRESENT TWO AWARDS TONIGHT. 1228 01:07:07,733 --> 01:07:09,367 >> Melissa: NOT TO FANGIRL, BUT MY PERSONAL FAVORITE 1229 01:07:09,467 --> 01:07:11,667 CATEGORY IS BEST PERFORMANCE BY A FEMALE ACTOR IN A 1230 01:07:11,767 --> 01:07:12,833 LIMITED SERIES. 1231 01:07:12,933 --> 01:07:16,233 >> Kathryn: YES, BUT FIRST -- THIS IS BIG NEWS -- FOR 1232 01:07:16,333 --> 01:07:20,933 THE FIRST TIME EVER, MEN WILL HAVE THEIR ACTING 1233 01:07:21,067 --> 01:07:24,333 AWARDED, AS WELL. 1234 01:07:24,433 --> 01:07:28,233 >> Melissa: WOW. 1235 01:07:28,333 --> 01:07:29,533 IT'S ABOUT TIME. 1236 01:07:29,633 --> 01:07:30,633 >> Kathryn: YES. 1237 01:07:30,733 --> 01:07:33,867 >> Melissa: FINALLY MEN GET A SEAT AT THE TABLE. 1238 01:07:33,967 --> 01:07:35,433 >> Kathryn: 2026, Y'ALL! 1239 01:07:35,533 --> 01:07:38,467 SINCE MEN FIRST STARTED ACTING IN 2015, THEY HAVE 1240 01:07:38,567 --> 01:07:43,833 GRACED OUR SCREENS WITH POWER AND BEAUTY. 1241 01:07:43,933 --> 01:07:44,867 >> Melissa: YES. 1242 01:07:44,967 --> 01:07:46,633 MEN CAN PLAY SO MANY ROLES. 1243 01:07:46,733 --> 01:07:48,933 HUSBAND, EX-HUSBAND, SECRETARY, AND EVERBODY'S 1244 01:07:49,067 --> 01:07:53,100 FAVORITE, THE NOSY NEGHBOR. 1245 01:07:53,200 --> 01:07:57,700 [LAUGHTER] >> Kathryn: GOOD FOR THEM. 1246 01:07:57,800 --> 01:07:59,100 HERE ARE THE INCREDIBLE NOMINEES FOR BEST 1247 01:07:59,200 --> 01:08:00,733 PERFORMANCE BY A MALE ACTOR IN A LIMITED SERIES, 1248 01:08:00,833 --> 01:08:04,367 ANTHOLOGY SERIES, OR A MOTION PICTURE MADE FOR 1249 01:08:04,467 --> 01:08:06,233 TELEVISION. 1250 01:08:06,333 --> 01:08:11,133 >> JACOB ELORDI, "THE NARROW ROAD TO THE DEEP NORTH." 1251 01:08:11,233 --> 01:08:15,067 PAUL GIAMATTI, "BLACK MIRROR." 1252 01:08:15,100 --> 01:08:19,966 STEPHEN GRAHAM, "ADOLESCENCE." 1253 01:08:20,067 --> 01:08:25,200 CHARLIE HUNNAM, "MONSTER: THE ED GEIN STORY." 1254 01:08:25,300 --> 01:08:30,133 JUDE LAW, "BLACK RABBIT." 1255 01:08:30,233 --> 01:08:38,367 MATTHEW RHYS, "THE BEAST IN ME." 1256 01:08:38,466 --> 01:08:48,466 [APPLAUSE] >> Melissa: AND THE GOLDEN GLOBE GOES TO... 1257 01:08:51,133 --> 01:08:55,067 STEPHEN GRAHAM! 1258 01:08:55,100 --> 01:08:57,567 >> Kevin: THIS IS STEVEN'S FIRST NOMINATION, BUT HE IS 1259 01:08:57,667 --> 01:08:59,399 DOING SO MUCH RIGHT NOW. 1260 01:08:59,500 --> 01:09:02,933 ACTING, WRITING, EVERYTHING. 1261 01:09:03,067 --> 01:09:06,167 >> Marc: ANOTHER RUMOR IS HE IS PLAYING ROBERT DE NIRO'S 1262 01:09:06,267 --> 01:09:10,966 CHARACTER IN A PREQUEL OF THE CLASSIC "HEAT." 1263 01:09:11,067 --> 01:09:13,167 DOES HE LOOK LIKE ROBERT DE NIRO? 1264 01:09:13,267 --> 01:09:18,966 I CAN KIND OF SEE IT! 1265 01:09:19,067 --> 01:09:28,600 * AND LOOK AT EVERYONE LOVING ON STEPHEN. 1266 01:09:28,700 --> 01:09:38,567 HE IS THE MAN. 1267 01:09:38,667 --> 01:09:46,600 [APPLAUSE] >> THANK YOU SO MUCH. 1268 01:09:46,700 --> 01:09:47,200 SORRY. 1269 01:09:47,466 --> 01:09:51,567 LET ME GET MESELF TOGETHER. 1270 01:09:51,667 --> 01:09:53,800 FIRST I'D LIKE TO SEE A MASSIVE CONGRATULATIONS TO 1271 01:09:53,899 --> 01:09:56,433 ALL THE NOMINEES IN THE CATEGORY. 1272 01:09:56,533 --> 01:09:59,600 OUTSTANDING PERFORMANCES ALL ACROSS THE BOARD CAN EACH 1273 01:09:59,700 --> 01:10:00,767 AND EVERY ONE OF YOU. 1274 01:10:00,867 --> 01:10:02,300 IT'S BEEN AN HONOR JUST TO SHARE THIS SPACE WITH YOU. 1275 01:10:02,400 --> 01:10:04,767 THIS IS FOR ALL OF OUR CAST AND CREW, EVERY SINGLE 1276 01:10:04,867 --> 01:10:06,667 MEMBER OF THIS PRODUCTION. 1277 01:10:06,767 --> 01:10:10,233 YOU HAVE A PIECE OF THIS, BECAUSE WITHOUT YOU, THIS IS 1278 01:10:10,333 --> 01:10:13,400 NOT IN MY HANDS, SO FROM THE BOTTOM OF MY HEART, THANK 1279 01:10:13,500 --> 01:10:19,467 YOU ALL VERY MUCH, ESPECIALLY CHRISTINE 1280 01:10:19,567 --> 01:10:21,033 TREMARCO WHO PLAYED MY WIFE. 1281 01:10:21,133 --> 01:10:22,767 THE MOST BEAUTIFUL DANCE PARTNER. 1282 01:10:22,867 --> 01:10:26,000 THIS IS HALF YOURS, KID, SO I'LL CUT IT AND YOU CAN HAVE 1283 01:10:26,100 --> 01:10:26,833 THE TOP. 1284 01:10:26,933 --> 01:10:29,233 I WOULD JUST LIKE TO THANK MY TEAM. 1285 01:10:29,333 --> 01:10:32,133 JANE, THANK YOU FOR YOUR LOVE AND GUIDANCE AND YOUR 1286 01:10:32,233 --> 01:10:32,867 SUPPORT. 1287 01:10:32,967 --> 01:10:35,367 25 YEARS, I'VE BEEN WITH HER. 1288 01:10:35,467 --> 01:10:40,133 ALMOST AS LONG AS ME MISSUS, SO THAT'S AMAZING. 1289 01:10:40,233 --> 01:10:43,133 AND TO MY MANAGER, BEN, THANKS FOR SHARING THIS 1290 01:10:43,233 --> 01:10:46,867 JOURNEY WITH ME. 1291 01:10:46,967 --> 01:10:48,400 WHEW, OKAY. 1292 01:10:48,500 --> 01:10:55,233 TO JACK AND PHIL AND MARK, LOVE YOU LOADS, LADS. 1293 01:10:55,333 --> 01:10:57,300 ESPECIALLY ONE OF THE MOST BEST PRODUCERS EVER, A WOMAN 1294 01:10:57,400 --> 01:11:03,533 I'M VERY LUCKY TO BE MARRIED TO, MY WIFE, HANNAH WALTERS. 1295 01:11:03,633 --> 01:11:06,867 [APPLAUSE] I'VE SAID IT BEFORE, BUT YOU SAVED MY 1296 01:11:06,967 --> 01:11:07,467 LIFE. 1297 01:11:07,567 --> 01:11:08,567 YOU'VE SAVED MY LIFE. 1298 01:11:08,667 --> 01:11:11,467 AND TO MY BEAUTIFUL CHILDREN, GRACE AND ELSIE, I 1299 01:11:11,567 --> 01:11:14,367 LOVE YOU TO THE MOON AND BACK FOREVER. 1300 01:11:14,467 --> 01:11:19,333 MY DAD, MY POPS, MY HERO, AND I WOULD JUST LIKE TO 1301 01:11:19,433 --> 01:11:23,867 DEDICATE THIS PARTICULAR AWARD TO MY MUM AND ALL MY 1302 01:11:23,967 --> 01:11:25,067 FRIENDS AND FAMILY. 1303 01:11:25,167 --> 01:11:26,967 YOU ALL KNOW EXACTLY WHO YOU ARE, AND WITHOUT YOU, NONE 1304 01:11:27,067 --> 01:11:29,900 OF THIS IS POSSIBLE. 1305 01:11:30,067 --> 01:11:33,067 QUEEN LATIFAH, WOW, CAN'T BELIEVE IT. 1306 01:11:33,167 --> 01:11:38,067 [LAUGHTER] GOOD NIGHT, GOD BLESS, AND IN THE WORDS OF 1307 01:11:38,100 --> 01:11:39,300 BOB MARLEY, ONE LOVE. 1308 01:11:39,400 --> 01:11:49,400 [APPLAUSE] * * >> Melissa: AND NOW TO 1309 01:11:50,500 --> 01:11:52,300 COMPLEMENT OUR AMAZING MEN -- >> Kathryn: ARE THESE 1310 01:11:52,400 --> 01:11:54,067 REMARKABLE WOMEN. 1311 01:11:54,100 --> 01:11:55,833 >> Melissa: HERE ARE THE NOMINEES FOR BEST 1312 01:11:55,933 --> 01:11:58,767 PERFORMANCE BY A FEMALE ACTOR IN A LIMITED SERIES, 1313 01:12:02,467 --> 01:12:04,100 ANTHOLOGY SERIES, OR A MOTION PICTURE MADE FOR 1314 01:12:04,200 --> 01:12:07,200 TELEVISION. 1315 01:12:07,300 --> 01:12:11,933 >> CLAIRE DANES, "THE BEAST IN ME." 1316 01:12:12,067 --> 01:12:17,633 RASHIDA JONES, "BLACK MIRROR." 1317 01:12:17,733 --> 01:12:22,567 AMANDA SEYFRIED, "LONG BRIGHT RIVER." 1318 01:12:22,667 --> 01:12:26,467 SARAH SNOOK, "ALL HER FAULT." 1319 01:12:26,567 --> 01:12:31,400 MICHELLE WILLIAMS, "DYING FOR SEX." 1320 01:12:31,500 --> 01:12:36,833 ROBIN WRIGHT, "THE GIRLFRIEND." 1321 01:12:36,933 --> 01:12:46,933 [APPLAUSE] >> Kathryn: AND THE GOLDEN GLOBE GOES TO... 1322 01:12:48,100 --> 01:12:53,067 SORRY. 1323 01:12:53,133 --> 01:12:59,867 MICHELLE WILLIAMS! 1324 01:13:00,067 --> 01:13:01,733 [APPLAUSE] >> Melissa: MICHELLE WILLIAMS COULD NOT 1325 01:13:01,833 --> 01:13:02,600 BE HERE THIS EVENING. 1326 01:13:02,700 --> 01:13:04,667 WE ACCEPT THIS AWARD ON HER BEHALF. 1327 01:13:08,200 --> 01:13:12,367 [APPLAUSE] * >> Announcer: NOMINATED TONIGHT FOR HIS 1328 01:13:12,467 --> 01:13:17,833 SPECIAL, "ACTING MY AGE," PLEASE WELCOME KEVIN HART. 1329 01:13:17,933 --> 01:13:19,933 A MAN WHO HAS NEVER ACTED HIS AGE, AND DON'T START. 1330 01:13:24,200 --> 01:13:30,367 [APPLAUSE] * >> Kevin: I AM HERE TO PRESENT THE AWARD 1331 01:13:30,467 --> 01:13:32,467 FOR BOX OFFICE AND CINEMATIC ACHIEVEMENT. 1332 01:13:32,567 --> 01:13:34,200 AS ARTISTS, EVERY TIME WE MAKE A MOVIE IT'S A LITTLE 1333 01:13:34,300 --> 01:13:36,067 LIKE HAVING A CHILD -- WE LOVE EACH ONE OF THEM 1334 01:13:36,100 --> 01:13:39,233 EQUALLY, BUT SOME OF THEM GO AHEAD AND HIT A BILLION AT 1335 01:13:39,333 --> 01:13:42,167 THE BOX OFFICE AND END UP BUYING US A REALLY NICE 1336 01:13:42,267 --> 01:13:43,067 WATCH. 1337 01:13:43,533 --> 01:13:46,067 IT'S NOT THAT THEY'RE BETTER THAN THE OTHER KIDS, IT'S 1338 01:13:46,167 --> 01:13:48,400 JUST THAT THEY'RE THE ONES WE'RE BRAGGING ABOUT ON THE 1339 01:13:48,500 --> 01:13:52,067 GOLF COURSE. 1340 01:13:52,167 --> 01:13:53,500 BECAUSE YOU LOVE THEM MORE. 1341 01:13:53,600 --> 01:13:57,533 [LAUGHTER] WITH THAT BEING SAID, HERE ARE THE NOMINEES. 1342 01:13:57,633 --> 01:14:03,767 >> "AVATAR: FIRE AND ASH." 1343 01:14:03,867 --> 01:14:06,767 "F1." 1344 01:14:06,867 --> 01:14:11,433 "KPOP DEMON HUNTERS." 1345 01:14:11,533 --> 01:14:13,267 "MISSION: IMPOSSIBLE - 1346 01:14:15,933 --> 01:14:21,500 "SINNERS." 1347 01:14:21,600 --> 01:14:27,400 "WEAPONS." 1348 01:14:27,500 --> 01:14:32,133 "WICKED: FOR GOOD." 1349 01:14:32,233 --> 01:14:42,133 "ZOOTOPIA 2." 1350 01:14:42,233 --> 01:14:49,967 [APPLAUSE] >> Kevin: AND THE GOLDEN GLOBE GOES TO... 1351 01:14:50,067 --> 01:14:54,367 "SINNERS." 1352 01:14:54,467 --> 01:15:01,400 [CHEERS AND APPLAUSE] * >> Kevin: MICHAEL B. 1353 01:15:01,500 --> 01:15:04,133 JORDAN AND RYAN COOGLER ARE MAGIC TOGETHER, GOING ALL 1354 01:15:04,233 --> 01:15:08,700 THE WAY BACK TO "FRUITVALE STATION," WHICH IS A FANTASY 1355 01:15:08,800 --> 01:15:10,733 MOVIE AND THEY DON'T SEEM TO MISS. 1356 01:15:10,833 --> 01:15:14,167 >> Marc: I WAS AT THE ASI WERE AT THE OTHER DAY AND 1357 01:15:14,267 --> 01:15:15,600 RYAN COOGLER WAS A POPULAR MAN. 1358 01:15:15,700 --> 01:15:18,233 STEVEN SPIELBERG CAME UP AND INTRODUCED HIMSELF. 1359 01:15:18,333 --> 01:15:21,967 NEXT UP FOR RYAN COOGLER, THE REBOOT OF "EXILES." 1360 01:15:22,067 --> 01:15:22,933 WHY? 1361 01:15:23,067 --> 01:15:27,300 BECAUSE IT WAS HIS MOM'S FAVORITE TV SHOW. 1362 01:15:27,400 --> 01:15:37,367 * 1363 01:15:39,800 --> 01:15:49,800 [APPLAUSE] 1364 01:15:56,400 --> 01:16:00,200 >> WE REALLY CHERISHED THE MOVIEGOING EXPERIENCE. 1365 01:16:00,300 --> 01:16:03,067 I LITERALLY PROPOSED TO MY WIFE AND A MOVIE THEATER. 1366 01:16:03,167 --> 01:16:06,567 SO THIS ONE MEANS A LOT TO US. 1367 01:16:06,667 --> 01:16:08,533 EVERYBODY AT WARNER BROS., THANK YOU FOR YOUR TRUST IN 1368 01:16:08,633 --> 01:16:10,933 THIS TEAM FROM THE VERY BEGINNING, FOR GIVING US ALL 1369 01:16:11,067 --> 01:16:13,433 THE FREEDOM YOU DID, AND FOR PUTTING THIS MOVIE OUT IN 1370 01:16:13,533 --> 01:16:14,367 SUCH A MAJOR WAY. 1371 01:16:14,467 --> 01:16:17,833 WE REALLY APPRECIATE YOU. 1372 01:16:17,933 --> 01:16:21,400 >> THANK YOU TO OUR CAST, OUR CREW, AGENTS AND REPS. 1373 01:16:21,500 --> 01:16:24,933 WE CREATED A VERY SPECIAL COMMUNITY AND FAMILY MAKING 1374 01:16:25,067 --> 01:16:26,067 THIS FILM. 1375 01:16:26,100 --> 01:16:27,167 GRANTING EVERY DAY. 1376 01:16:27,267 --> 01:16:30,200 WHILE MANY OF US WERE AWAY FROM OUR OWN FAMILIES, AT 1377 01:16:30,300 --> 01:16:32,900 HOME, THANK YOU FOR POURING INTO THIS STORY. 1378 01:16:33,067 --> 01:16:35,100 YOU ARE ALL MASTERS OF YOUR CRAFT AT THE MOST ELITE 1379 01:16:35,200 --> 01:16:37,967 LEVEL AND IT WAS AN HONOR TO SHARE THIS SPACE WITH YOU. 1380 01:16:38,067 --> 01:16:44,700 THIS ALL BELONGS TO EACH OF YOU, AS WELL. 1381 01:16:44,800 --> 01:16:50,133 [APPLAUSE] >> I JUST WANT TO THANK THE AUDIENCE WERE 1382 01:16:50,233 --> 01:16:51,933 SHOWING UP. 1383 01:16:52,067 --> 01:16:52,800 AMAZING. 1384 01:16:53,100 --> 01:17:00,067 THIS MOVIE WAS MADE BY HUNDREDS OF PEOPLE. 1385 01:17:00,100 --> 01:17:02,633 IT'S USUALLY A GRIND, WEARING PERFORMANCE FISHING 1386 01:17:02,733 --> 01:17:06,433 GEAR, WE HAD TO BE IN THE SWAMPS, AND IT WAS AN HONOR 1387 01:17:06,533 --> 01:17:09,067 ON THIS MOVIE TO KNOW THAT IT WAS GETTING A THEATRICAL 1388 01:17:09,100 --> 01:17:10,200 RELEASE. 1389 01:17:10,300 --> 01:17:13,200 WE REMIND PEOPLE EVERY DAY, IN THE DOG DAYS OF SUMMER, 1390 01:17:13,300 --> 01:17:15,233 HEY, BIG MOVIE, PEOPLE ARE GOING TO SEE THIS. 1391 01:17:15,333 --> 01:17:16,400 BIG THEATER. 1392 01:17:16,500 --> 01:17:18,233 WE DIDN'T KNOW THEY WOULD SHOW UP, SO WE WANT TO SAY 1393 01:17:18,333 --> 01:17:19,733 THANK YOU THAT THEY DID. 1394 01:17:19,833 --> 01:17:23,300 IT MEANT THE WORLD TO US. 1395 01:17:23,400 --> 01:17:30,367 [APPLAUSE] * >> Kevin: SO MUCH MORE ON THE WAY FROM 1396 01:17:30,467 --> 01:17:31,733 THE GOLDEN GLOBES. 1397 01:17:31,833 --> 01:17:33,067 JUDD APATOW PRESENTS BEST DIRECTOR. 1398 01:17:33,167 --> 01:17:37,367 >> Marc: AND WE HAVE GOT THE AWARD FOR ANIMATED MOTION 1399 01:17:37,467 --> 01:17:40,633 PICTURE ALSO COMING UP AFTER THIS. 1400 01:17:46,600 --> 01:17:50,867 >> CBS 'A TELECAST OF THE 83RD GOLDEN GLOBE AWARDS IS 1401 01:17:50,967 --> 01:17:52,067 SPONSORED BY ChronicMigraineTreatment.com 1402 01:17:52,133 --> 01:17:52,400 . 1403 01:17:53,167 --> 01:17:54,167 LET US HELP FIND THE RIGHT DOCTOR FOR YOU. 1404 01:18:09,467 --> 01:18:10,500 * [APPLAUSE] >> Nikki: WELCOME BACK. 1405 01:18:10,600 --> 01:18:12,600 I'M HERE LIVE FROM THE FLOOR OF THE BEVERLY HILTON 1406 01:18:12,700 --> 01:18:15,267 BALLROOM, WHERE IT BRINGS ME NO JOY TO REPORT THAT THE 1407 01:18:15,367 --> 01:18:20,100 CELEBRITIES LOOK EVEN BETTER UP CLOSE. 1408 01:18:20,200 --> 01:18:21,267 IT'S DISGUSTING. 1409 01:18:21,367 --> 01:18:23,233 JUST BEHIND ME IS THE HBO TABLE, OR WHATEVER THEY'LL 1410 01:18:23,333 --> 01:18:25,167 BE CALLED BY THE TIME THIS SHOW ENDS. 1411 01:18:25,267 --> 01:18:27,700 TO MY RIGHT ARE THE TABLES FOR "HAMNET," "ALL HER 1412 01:18:27,800 --> 01:18:29,867 FAULT," AND "BUGONIA," AN AREA WE'RE CALLING 1413 01:18:29,967 --> 01:18:33,533 "TRAUMATIZED WOMAN ALLEY." 1414 01:18:33,633 --> 01:18:39,233 [LAUGHTER] WE WILL NEVER FIND OUT WHERE "TRAUMATIZED 1415 01:18:39,333 --> 01:18:41,200 MEN ALLEY" IS BECAUSE THEY ARE NOT ALLOWED TO TELL US. 1416 01:18:41,300 --> 01:18:45,200 THEY KEEP STUFFING IT DOWN AND MAKE MORE "FAST & 1417 01:18:45,300 --> 01:18:46,700 FURIOUS" EQUALS. 1418 01:18:46,800 --> 01:18:48,400 WE ARE AT THE HALFWAY POINT OF THE SHOW, AND WHAT A 1419 01:18:48,500 --> 01:18:49,567 FIRST HALF IT HAS BEEN. 1420 01:18:49,667 --> 01:18:51,067 THE CBS AUDIENCE IS FOLLOWING ALONG WITH 1421 01:18:51,133 --> 01:18:52,067 TONIGHT'S PROGRAM. 1422 01:18:52,333 --> 01:18:52,933 LET'S TAKE A LOOK AT SOME OF THEIR TRENDING INTERNET 1423 01:18:53,067 --> 01:18:54,967 SEARCHES. 1424 01:18:55,067 --> 01:19:02,467 THE MOST SEARCHED TERM WAS "ISN'T IT SPELLED 'HAMLET?'" 1425 01:19:02,567 --> 01:19:05,500 LISTEN, I ALSO HAD THAT QUESTION AND IT TURNS OUT WE 1426 01:19:05,600 --> 01:19:06,600 ARE DONE. 1427 01:19:06,800 --> 01:19:10,900 THE NEXT MOST POPULAR SEARCH WAS "PASSED OUT PAST THE 1428 01:19:11,067 --> 01:19:11,800 REAL?" 1429 01:19:12,267 --> 01:19:14,933 YES, IT IS REAL, AND IF YOU FIND THAT ARTICLE, YOU'LL 1430 01:19:15,067 --> 01:19:21,400 SEE THAT LEO'S FAVORITE MUSIC WAS REGGAE, OR AS HE 1431 01:19:21,500 --> 01:19:26,100 SPELLED IT WHEN HE WAS 17, "REGIA." 1432 01:19:26,200 --> 01:19:30,667 AND THEN WE HAVE "NIKKI GLASER PICS NO HEAD." 1433 01:19:30,767 --> 01:19:31,467 THAT'S WEIRD. 1434 01:19:31,567 --> 01:19:32,667 JUST GO TO MY WEBSITE. 1435 01:19:32,767 --> 01:19:33,900 THEY ARE FREE. 1436 01:19:34,067 --> 01:19:37,633 THEN WE HAVE, WHAT DID SNOOP DOGG SAY? 1437 01:19:37,733 --> 01:19:40,633 THAT MAKE SENSE, WE ARE ON LIVE TV, THEY MUST HAVE 1438 01:19:40,733 --> 01:19:43,733 BLEEPED AT HOME FOR YEARS I'VE GOT YOUR BACK. 1439 01:19:43,833 --> 01:19:48,833 SNOOP DOGG SAID "I AM HIGH... 1440 01:19:48,933 --> 01:19:55,233 LY AROUSED BY FRIEND OR HIS VOICE." 1441 01:19:55,333 --> 01:19:56,567 HERE TO PRESENT THE AWARD FOR BEST DIRECTOR OF A 1442 01:19:56,667 --> 01:19:57,900 MOTION PICTURE, THE CO-DIRECTOR OF THE UPCOMING 1443 01:19:58,067 --> 01:19:59,800 DOCUMENTARY, "MEL BROOKS: THE 99-YEAR-OLD MAN," AND MY 1444 01:19:59,900 --> 01:20:00,500 PILATES INSTRUCTOR. 1445 01:20:00,600 --> 01:20:01,633 PLEASE WELCOME JUDD APATOW. 1446 01:20:07,400 --> 01:20:13,300 [APPLAUSE] * >> Judd: THANK YOU. 1447 01:20:13,400 --> 01:20:16,200 YOU KNOW, NIKKI GLASER USED TO BE OUR BABYSITTER. 1448 01:20:16,300 --> 01:20:16,900 THAT IS TRUE. 1449 01:20:17,000 --> 01:20:18,867 SHE WAS OUR BABYSITTER. 1450 01:20:18,967 --> 01:20:22,133 SHE WAS LIKE, I DO STAND-UP COMEDY, I WATCHED HER RESET 1451 01:20:22,233 --> 01:20:27,833 AND IT WAS ALL ABOUT SMOKING REEFER AND HAVING WEIRD SEX 1452 01:20:27,933 --> 01:20:29,700 AND THAT SHE STOPPED BEING OUR BABYSITTER. 1453 01:20:29,800 --> 01:20:32,600 [LAUGHTER] IT WAS A VERY EMOTIONAL NIGHT FOR ME. 1454 01:20:32,700 --> 01:20:34,600 SOME A FRIEND HERE. 1455 01:20:34,700 --> 01:20:40,167 ROSE BYRNE, SANDLER, MELISSA, AND SETH LEFT, BUT 1456 01:20:40,267 --> 01:20:42,200 EVAN IS HERE. 1457 01:20:42,300 --> 01:20:44,600 [LAUGHTER] IT'S VERY EXCITING TO BE HERE. 1458 01:20:44,700 --> 01:20:47,200 I REMEMBER WHEN SETH -- I MET HIM WHEN HE WAS 16 YEARS 1459 01:20:47,300 --> 01:20:51,500 OLD, AND HE SAID TO ME, "ONE DAY I WILL WIN A GOLDEN 1460 01:20:51,600 --> 01:20:59,233 GLOBE AND CRUSH MARTIN SHORT AND RUN CANADA ALONE!" 1461 01:20:59,333 --> 01:21:02,967 [LAUGHTER] I'M VERY HONORED TO BE ASKED TO PRESENT THE 1462 01:21:03,067 --> 01:21:05,967 AWARD FOR BEST DIRECTOR, BECAUSE I'M PRETTY SURE THAT 1463 01:21:06,067 --> 01:21:09,767 MEANS THE GLOBES PEOPLE THINK I AM ALSO ONE OF THE 1464 01:21:09,867 --> 01:21:11,600 BEST DIRECTORS. 1465 01:21:11,700 --> 01:21:14,900 [LAUGHTER] YEAH, YOU CAN APPLAUD THAT. 1466 01:21:15,067 --> 01:21:16,100 [APPLAUSE] I MEAN, THEY WOULDN'T ASK SOMEONE TO 1467 01:21:16,200 --> 01:21:17,900 PRESENT THIS WHO WAS WORSE THAN THE NOMINEES. 1468 01:21:18,067 --> 01:21:19,567 THEY PROBABLY WOULD WANT SOMEONE WHO WAS -- NOT 1469 01:21:19,667 --> 01:21:21,233 BETTER, BUT AT LEAST AS GOOD AS THEM. 1470 01:21:21,333 --> 01:21:25,933 AS A SIGN OF RESPECT. 1471 01:21:26,067 --> 01:21:28,867 [LAUGHTER] SO THANK YOU FOR THIS. 1472 01:21:28,967 --> 01:21:39,067 I MEAN, THIS IS BASICALLY THE EQUIVALENT OF GETTING A 1473 01:21:39,567 --> 01:21:42,067 LIFETIME ACHIEVEMENT AWARD. 1474 01:21:42,100 --> 01:21:45,467 I LIKE TO THANK LESLIE, MY MUSE, WHO IS HERE. 1475 01:21:45,567 --> 01:21:46,933 AND THIS IS NICE, BECAUSE SOMETIMES I GET INSECURE 1476 01:21:47,067 --> 01:21:48,500 THAT I'M NOT AS GOOD AS EVERYONE ELSE, BECAUSE I 1477 01:21:48,600 --> 01:21:50,067 DON'T KNOW HOW TO MOVE THE CAMERA, OR KNOW WHAT THE 1478 01:21:50,100 --> 01:21:56,300 LENSES DO, OR WHAT A BEST BOY IS. 1479 01:21:56,400 --> 01:22:02,200 BUT THIS IS VERY SURPRISING, THAT I AM HERE, BECAUSE I'VE 1480 01:22:02,300 --> 01:22:06,500 BEEN BOYCOTTING THE CEREMONY FOR ABOUT TEN YEARS. 1481 01:22:06,600 --> 01:22:09,433 A VERY QUIET BOYCOTT, NO ONE SEEMS TO HAVE NOTICED. 1482 01:22:09,533 --> 01:22:11,900 WE'VE HAD BEEF EVER SINCE MY FILM "TRAINWRECK" LOST BEST 1483 01:22:12,067 --> 01:22:15,367 COMEDY TO RIDLEY SCOTT'S "THE MARTIAN." 1484 01:22:15,467 --> 01:22:19,200 [LAUGHTER] YOU KNOW, RIDLEY SCOTT, AMERICA'S FAVORITE 1485 01:22:19,300 --> 01:22:25,800 COMEDY DIRECTOR. 1486 01:22:25,900 --> 01:22:29,633 DIRECTOR OF SUCH HILARIOUS COMEDIES AS "GLADIATOR," 1487 01:22:29,733 --> 01:22:33,067 "BLADE RUNNER," AND "ALIEN." 1488 01:22:33,100 --> 01:22:34,833 I CAN'T WAIT UNTIL LATER TONIGHT WHEN BEST COMEDY IS 1489 01:22:34,933 --> 01:22:37,900 WON BY "HAMNET." 1490 01:22:38,067 --> 01:22:43,767 [LAUGHTER] BUT THAT'S WATER UNDER THE BRIDGE. 1491 01:22:43,867 --> 01:22:45,200 A LOT HAS HAPPENED SINCE THEN. 1492 01:22:45,300 --> 01:22:46,833 THAT WAS TEN YEARS AGO. 1493 01:22:46,933 --> 01:22:48,067 SINCE THEN WE'VE HAD COVID. 1494 01:22:48,133 --> 01:22:51,200 I BELIEVE WE ARE A DICTATORSHIP NOW. 1495 01:22:51,300 --> 01:22:55,133 I'M STILL PRETTY FOCUSED ON THIS "THE MARTIAN" THING, 1496 01:22:55,233 --> 01:22:57,267 I'VE GOT TO BE HONEST WITH YOU. 1497 01:22:57,367 --> 01:23:00,467 [LAUGHTER] AS AN EXAMPLE TO INSPIRE AMERICA, I'M GOING 1498 01:23:00,567 --> 01:23:03,300 TO SQUASH THAT BEEF AND START THE HEALING RIGHT NOW. 1499 01:23:03,400 --> 01:23:06,600 THE NOMINEES FOR BEST DIRECTOR ARE... 1500 01:23:06,700 --> 01:23:13,167 >> PAUL THOMAS ANDERSON, "ONE BATTLE AFTER ANOTHER." 1501 01:23:13,267 --> 01:23:19,133 RYAN COOGLER, "SINNERS." 1502 01:23:19,233 --> 01:23:26,833 GUILLERMO DEL TORO, "FRANKENSTEIN." 1503 01:23:26,933 --> 01:23:29,067 JAFAR PANAHI, "IT WAS JUST AN ACCIDENT." 1504 01:23:29,133 --> 01:23:34,567 JOACHIM TRIER, "SENTIMENTAL VALUE." 1505 01:23:34,667 --> 01:23:39,500 CHLOE ZHAO, "HAMNET." 1506 01:23:39,600 --> 01:23:48,533 [APPLAUSE] >> Judd: ALL RIGHT, AND THE GOLDEN GLOBE 1507 01:23:48,633 --> 01:23:50,067 GOES TO... 1508 01:23:50,167 --> 01:23:54,233 I'M NOT SURE HOW TO PRONOUNCE THIS. 1509 01:23:54,333 --> 01:23:57,067 PAUL THOMAS ANDERSON. 1510 01:23:57,167 --> 01:24:03,100 [CHEERS AND APPLAUSE] * >> Kevin: "ONE BATTLE AFTER 1511 01:24:03,200 --> 01:24:07,067 ANOTHER" OF COURSE HAS THE MOST NOMINATIONS WITH NINE, 1512 01:24:07,167 --> 01:24:10,067 AND PAUL THOMAS ANDERSON CLEANING UP TONIGHT. 1513 01:24:10,100 --> 01:24:11,367 HIS FILM OUT IN FRONT. 1514 01:24:11,467 --> 01:24:13,400 >> Marc: LEONARDO DiCAPRIO TURN DOWN "BOOGIE NIGHTS" 1515 01:24:13,500 --> 01:24:15,667 FOR "TITANIC," BUT HERE WE ARE. 1516 01:24:15,767 --> 01:24:18,667 >> THANK YOU. 1517 01:24:18,767 --> 01:24:24,067 GUILLERMO, THANK YOU. 1518 01:24:24,133 --> 01:24:27,167 OKAY, YOU GUYS ARE BEING SO GENEROUS WITH THIS AFFECTION 1519 01:24:27,267 --> 01:24:29,267 FOR ME AND THIS FILM. 1520 01:24:29,367 --> 01:24:31,067 I WILL TAKE IT. 1521 01:24:31,133 --> 01:24:35,267 I WILL TAKE IT WITH THE LOVE THAT IT IS GIVEN AND THE 1522 01:24:35,367 --> 01:24:36,867 APPRECIATION. 1523 01:24:36,967 --> 01:24:41,333 I LOVE DOING WHAT I DO, SO THIS IS JUST FUN. 1524 01:24:41,433 --> 01:24:46,500 I HAVE SOMEBODY WHOSE NAME I WANT YOU TO HEAR OVER AND 1525 01:24:46,600 --> 01:24:48,267 OVER TONIGHT, MIKE DeLUCA. 1526 01:24:48,367 --> 01:24:52,900 THE REASON WHY IS BECAUSE HE IS BEHIND A LOT OF THESE 1527 01:24:53,067 --> 01:24:54,133 MOVIES. 1528 01:24:54,233 --> 01:24:59,067 25-30 YEARS AGO HE CAME INTO MY LIFE, AND HE WANTED TO BE 1529 01:24:59,100 --> 01:25:00,567 MY CHAMPION, AND HE SINGLE-HANDEDLY HAS 1530 01:25:00,667 --> 01:25:02,467 SUPPORTED ME AND THE MOVIES I WANTED TO MAKE. 1531 01:25:02,567 --> 01:25:05,467 HE SAID HE HAD A DREAM OF RUNNING A STUDIO ONE DAY, 1532 01:25:10,467 --> 01:25:12,367 AND HE WAS GOING TO LET DIRECTOR SEE WHATEVER THE 1533 01:25:12,467 --> 01:25:14,533 HELL THEY WANTED. 1534 01:25:14,633 --> 01:25:16,367 THAT'S HOW YOU GET "SINNERS," THAT'S HOW YOU 1535 01:25:16,467 --> 01:25:19,367 GET "WEAPONS," "ONE BATTLE AFTER ANOTHER." 1536 01:25:19,467 --> 01:25:21,900 THANK YOU TO HIM FOR THAT. 1537 01:25:22,067 --> 01:25:26,833 I LOVE YOU, TOO. 1538 01:25:26,933 --> 01:25:29,633 THERE IS AN UNFORTUNATE TITLE TO THE PEOPLE WE WORK 1539 01:25:29,733 --> 01:25:31,067 WITH, "ASSISTANT DIRECTOR." 1540 01:25:31,133 --> 01:25:32,167 THAT IS INACCURATE. 1541 01:25:32,267 --> 01:25:36,167 IF YOU GET A GOOD ONE LIKE I HAD, I HAD THE BEST ONE. 1542 01:25:36,267 --> 01:25:37,300 HIS NAME IS ADAM SUMNER. 1543 01:25:37,400 --> 01:25:40,467 A LOT OF YOU IN THIS ROOM MIGHT KNOW HIM. 1544 01:25:40,567 --> 01:25:46,933 [APPLAUSE] STEPHEN KNOWS HIM. 1545 01:25:47,067 --> 01:25:50,733 IT IS UNDER-SELLING IT, WHAT HE DID FOR ME, FOR US, AND 1546 01:25:50,833 --> 01:25:51,733 FOR THIS FILM. 1547 01:25:51,833 --> 01:25:54,133 HE IS WHY I'M STANDING HERE. 1548 01:25:54,233 --> 01:25:56,633 HE IS WHAT MADE MAKING THIS SO MUCH FUN. 1549 01:25:56,733 --> 01:26:00,067 I THINK IT HELPED MAKE YOU ALL SEEM TO ENJOY IT THE WAY 1550 01:26:00,133 --> 01:26:05,067 YOU HAVE, AND THANK YOU VERY MUCH FOR THIS AFFECTIONATE 1551 01:26:05,167 --> 01:26:05,633 AWARD. 1552 01:26:05,733 --> 01:26:06,233 APPRECIATE IT. 1553 01:26:06,333 --> 01:26:06,600 THANK YOU. 1554 01:26:20,467 --> 01:26:23,467 "WAKE UP DEAD MAN," MILA KUNIS, AND FROM THE UPCOMING 1555 01:26:23,567 --> 01:26:33,567 "SUPER MARIO GALAXY MOVIE," KEEGAN-MICHAEL KEY. 1556 01:26:35,833 --> 01:26:37,967 [APPLAUSE] >> Mila: FROM MUSICALS TO COMEDIES TO DARK 1557 01:26:38,067 --> 01:26:40,400 FANTASY ACTION, THIS YEAR'S NOMINEES PUSH THE BOUNDARIES 1558 01:26:40,500 --> 01:26:43,833 OF WHAT IS POSSIBLE IN ANIMATION. 1559 01:26:43,933 --> 01:26:46,533 >> Keegan: [IN TOAD VOICE] THAT'S RIGHT. 1560 01:26:46,633 --> 01:26:48,633 THEY WARMED OUR HEARTS AND CHALLENGED US IN WAYS THAT 1561 01:26:48,733 --> 01:26:53,300 ONLY ANIMATED FILMS CAN. 1562 01:26:53,400 --> 01:26:58,833 [LAUGHTER] >> Mila: KEEGAN? 1563 01:26:58,933 --> 01:27:02,333 WHAT ARE YOU DOING? 1564 01:27:02,433 --> 01:27:06,067 >> Keegan: I'M GIVING THE INFORMATION ABOUT THE 1565 01:27:06,100 --> 01:27:07,167 NOMINEES. 1566 01:27:07,267 --> 01:27:09,567 >> Mila: YEAH, BUT ARE YOU DOING IT IN THE TOAD VOICE 1567 01:27:09,667 --> 01:27:11,100 FROM "SUPER MARIO?" 1568 01:27:11,200 --> 01:27:13,567 >> Keegan: OH -- I THOUGHT, WELL, SINCE IT'S THE 1569 01:27:13,667 --> 01:27:17,767 ANIMATED CATEGORY, WE WERE USING OUR ANIMATED VOICES. 1570 01:27:17,867 --> 01:27:21,933 WAIT, THAT'S NOT YOUR "FAMILY GUY" VOICE? 1571 01:27:22,067 --> 01:27:29,433 [LAUGHTER] >> Mila: NO, THIS IS MY NORMAL VOICE. 1572 01:27:29,533 --> 01:27:31,067 SEE, THIS IS ME NORMALLY. 1573 01:27:31,133 --> 01:27:33,467 AND THIS IS ME AS MEG. 1574 01:27:33,567 --> 01:27:37,900 [LAUGHTER] >> Keegan: OH, YEAH, I HEAR IT. 1575 01:27:38,067 --> 01:27:38,833 THAT IS CHILLING. 1576 01:27:38,933 --> 01:27:42,600 IT'S LIKE MEG IS IN THE ROOM. 1577 01:27:42,700 --> 01:27:43,233 YOU ARE TALENTED. 1578 01:27:43,333 --> 01:27:44,867 >> Mila: THANK YOU. 1579 01:27:44,967 --> 01:27:50,467 AND THE NOMINEES FOR BEST MOTION PICTURE, ANIMATED, 1580 01:27:50,567 --> 01:27:51,467 ARE... 1581 01:27:51,567 --> 01:27:52,900 >> "ARCO." 1582 01:27:53,067 --> 01:28:00,500 * "DEMON SLAYER: KIMETSU NO YAIBA INFINITY CASTLE." 1583 01:28:00,600 --> 01:28:03,933 * "ELIO." 1584 01:28:04,067 --> 01:28:09,433 * "KPOP DEMON HUNTERS." 1585 01:28:09,533 --> 01:28:18,633 * "LITTLE AMELIE, OR THE CHARACTER OF RAIN." 1586 01:28:22,467 --> 01:28:26,500 * "ZOOTOPIA 2." 1587 01:28:26,600 --> 01:28:31,367 * [APPLAUSE] >> Keegan: ALL RIGHT. 1588 01:28:31,467 --> 01:28:33,567 AND THE GOLDEN GLOBE GOES TO... 1589 01:28:33,667 --> 01:28:37,400 "KPOP DEMON HUNTERS." 1590 01:28:37,500 --> 01:28:46,100 [CHEERS AND APPLAUSE] * >> Kevin: "KPOP DEMON HUNTERS" 1591 01:28:46,200 --> 01:28:47,600 WAS THE MOST-WATCHED ORIGINAL FILM EVER ON 1592 01:28:47,700 --> 01:28:52,567 NETFLIX PAY LISTEN TO THESE NUMBERS, OVER 500 MILLION 1593 01:28:52,667 --> 01:28:54,133 TOTAL VIEWS. 1594 01:28:54,233 --> 01:28:57,567 236 MILLION VIEWS IN THE FIRST TEN WEEKS. 1595 01:28:57,667 --> 01:29:01,167 >> Marc: YOU ASK THEM, WHAT HAS BEEN THE MOST SURREAL 1596 01:29:01,267 --> 01:29:02,333 PART OF THIS? 1597 01:29:02,433 --> 01:29:05,700 IT IS JAMES CAMERON WHO HAS GIVEN A BIG SHOUT OUT TO 1598 01:29:05,800 --> 01:29:08,067 THIS MOVIE. 1599 01:29:08,100 --> 01:29:12,967 HE'S ONE OF THOSE GAZILLION VIEWERS. 1600 01:29:13,067 --> 01:29:15,600 >> Kevin: THE TOP FIVE HIGHEST GROSSING FILMS 1601 01:29:15,700 --> 01:29:18,533 WORLDWIDE THIS YEAR WERE ALL ANIMATED. 1602 01:29:18,633 --> 01:29:22,067 2025 WAS A GREAT YEAR FOR ANIMATED FILMS. 1603 01:29:22,133 --> 01:29:25,167 >> Marc: YOU KNOW WHAT THAT MEANS IN HOLLYWOOD. 1604 01:29:25,267 --> 01:29:32,167 MORE ANIMATED, MORE ANIMATED, MORE ANIMATED. 1605 01:29:32,267 --> 01:29:42,267 [APPLAUSE] >> THEY WEREN'T KIDDING, THIS IS HEAVY. 1606 01:29:44,700 --> 01:29:49,433 THANK YOU TO THE GOLDEN GLOBES AND FOR EVERYONE WHO 1607 01:29:49,533 --> 01:29:53,167 BELIEVED THAT A MOVIE SO DEEPLY ROOTED IN KOREAN 1608 01:29:53,267 --> 01:29:57,233 CULTURE COULD RESONATE WITH A GLOBAL AUDIENCE. 1609 01:29:57,333 --> 01:30:03,500 [APPLAUSE] FOR THIS FILM WE REALLY WANTED TO DEPICT 1610 01:30:03,600 --> 01:30:08,033 FEMALE CHARACTERS THE WAY WE KNOW WOMEN, WHICH IS REALLY 1611 01:30:08,133 --> 01:30:11,300 STRONG AND BOLD, REALLY SILLY AND WEIRD, AND REALLY 1612 01:30:11,400 --> 01:30:13,033 HUNGRY FOR FOOD. 1613 01:30:13,133 --> 01:30:18,667 SOMETIMES A LITTLE FEISTY THIRSTY. 1614 01:30:18,767 --> 01:30:23,933 >> THE FILM IS A LOVE LETTER TO MUSIC, THE POWER IT HAS 1615 01:30:24,033 --> 01:30:27,000 TO CONNECT US, TO MAKE US SEE SOME KIND OF SHARED 1616 01:30:27,100 --> 01:30:31,400 HUMANITY, WHICH WE COULD USE IN THE WORLD THESE DAYS. 1617 01:30:31,500 --> 01:30:33,600 SO WE JUST HAVE TO THANK THE FANS WERE EMBRACING THE 1618 01:30:33,700 --> 01:30:34,167 FILM. 1619 01:30:34,633 --> 01:30:38,233 IT MEANT EVERYTHING, KEEPING STRONG. 1620 01:30:38,333 --> 01:30:40,233 THANK YOU TO NETFLIX, SONY PICTURES ANIMATION, FOR 1621 01:30:40,333 --> 01:30:43,467 BELIEVING IN THIS CRAZY DREAM. 1622 01:30:43,567 --> 01:30:46,067 TO ALL OF OUR INCREDIBLE CREW, YOU GUYS KNOW WHO YOU 1623 01:30:46,167 --> 01:30:47,633 ARE, ACROSS ALL DEPARTMENTS. 1624 01:30:47,733 --> 01:30:50,567 YOU KNOW HOW MUCH YOU GAVE. 1625 01:30:50,667 --> 01:30:53,667 TO IMAGEWORKS, OF COURSE COME INTO OUR FAMILIES WHO 1626 01:30:53,767 --> 01:30:58,300 STUCK WITH US THROUGH SIX YEARS OF NIGHTS AND 1627 01:30:58,400 --> 01:31:01,767 WEEKENDS. 1628 01:31:01,867 --> 01:31:02,767 THANK YOU SO MUCH. 1629 01:31:03,067 --> 01:31:12,800 [APPLAUSE] * >> Marc: KEVIN, WE'VE GOT TO TALK 1630 01:31:12,900 --> 01:31:15,067 ABOUT THE AWARD FOR BEST STAND-UP SPECIAL. 1631 01:31:15,133 --> 01:31:17,067 DO YOU THINK YOU KNOW WHO'S GOING TO WIN? 1632 01:31:17,167 --> 01:31:18,367 >> Kevin: ALL OF THE NOMINEES TONIGHT ARE SO 1633 01:31:18,467 --> 01:31:19,833 FUNNY, BUT IT LOOKS LIKE THERE'S A FAMILIAR FAVORITE 1634 01:31:19,933 --> 01:31:24,067 PULLING AHEAD ON THE POLYMARKET PREDICTIONS. 1635 01:31:24,100 --> 01:31:26,367 >> Marc: IN OTHER WORDS, SOMEONE IS GOING TO HAVE THE 1636 01:31:26,467 --> 01:31:27,267 LAST LAUGH TONIGHT. 1637 01:31:27,367 --> 01:31:28,900 THE AWARD FOR STAND-UP IS COMING UP. 1638 01:31:50,067 --> 01:31:52,900 >> Marc: EARLIER TONIGHT, LUDWIG GORANSSON WON FOR 1639 01:31:53,067 --> 01:31:55,333 BEST SCORE FOR "SINNERS." 1640 01:31:55,433 --> 01:31:57,733 CONGRATULATIONS. 1641 01:31:57,833 --> 01:31:59,633 >> Kevin: AND NOW, HE'S THE STAR OF "THE CUT," AND SHE'S 1642 01:31:59,733 --> 01:32:01,933 THE STAR OF THE UPCOMING SERIES, "THE FAITHFUL." 1643 01:32:02,067 --> 01:32:03,167 IT'S ORLANDO BLOOM AND MINNIE DRIVER! 1644 01:32:03,267 --> 01:32:12,633 [APPLAUSE] * >> Minnie: THIS YEAR'S NOMINEES ARE A 1645 01:32:12,733 --> 01:32:16,433 COLLECTION OF MASTERFUL FILMMAKERS. 1646 01:32:16,533 --> 01:32:17,733 THE FILMS IN THIS CATEGORY PROVE THAT A GOOD STORY WELL 1647 01:32:17,833 --> 01:32:19,233 TOLD WILL ALWAYS BRING US TOGETHER. 1648 01:32:19,333 --> 01:32:26,600 >> Orlando: THESE FILMS HELP MAKE A SMALL WORLD FEEL A 1649 01:32:26,700 --> 01:32:28,233 LITTLE BIGGER. 1650 01:32:28,333 --> 01:32:29,700 SIX STORIES FROM SIX DIFFERENT COUNTRIES, 1651 01:32:29,800 --> 01:32:31,067 SPANNING FOUR CONTINENTS. 1652 01:32:31,100 --> 01:32:33,333 THEY HAVE OPENED OUR EYES AND HEARTS >> Minnie: IT'S 1653 01:32:33,433 --> 01:32:35,067 GOOD TO BE REMINDED NOW MORE THAN EVER THAT WE ARE ALL 1654 01:32:35,167 --> 01:32:36,967 GENUINELY CONNECTED, NO MATTER OUR COUNTRY OF 1655 01:32:37,067 --> 01:32:37,633 ORIGIN. 1656 01:32:38,167 --> 01:32:39,400 >> Orlando: HERE ARE THE NOMINEES FOR BEST MOTION 1657 01:32:39,500 --> 01:32:43,067 PICTURE, NON-ENGLISH LANGUAGE. 1658 01:32:43,100 --> 01:32:43,733 >> "IT WAS JUST AN ACCIDENT." 1659 01:32:43,833 --> 01:32:45,133 FRANCE. 1660 01:32:45,367 --> 01:32:49,533 >> "NO OTHER CHOICE." 1661 01:32:49,633 --> 01:32:52,333 SOUTH KOREA. 1662 01:32:52,433 --> 01:32:53,367 >> "THE SECRET AGENT." 1663 01:32:53,467 --> 01:32:55,900 BRAZIL. 1664 01:33:04,067 --> 01:33:04,767 "SENTIMENTAL VALUE." 1665 01:33:04,867 --> 01:33:05,933 NORWAY. 1666 01:33:06,067 --> 01:33:06,700 "SIRAT." 1667 01:33:06,800 --> 01:33:07,067 SPAIN. 1668 01:33:10,067 --> 01:33:11,100 "THE VOICE OF HIND RAJAB." 1669 01:33:11,200 --> 01:33:17,933 TUNISIA. 1670 01:33:18,067 --> 01:33:22,933 [APPLAUSE] >> Minnie: AND THE GOLDEN GLOBE GOES TO... 1671 01:33:23,067 --> 01:33:29,967 "THE SECRET AGENT." 1672 01:33:30,067 --> 01:33:31,067 [APPLAUSE] * >> Kevin: "THE SECRET AGENT" IS A 1673 01:33:31,100 --> 01:33:36,433 BRAZILIAN FILM AND DON'T FORGET, WHY WAGNER MOURA 1674 01:33:37,067 --> 01:33:40,567 >> Marc: BRAZIL IS GOING TO BE CELEBRATING TONIGHT. 1675 01:33:40,667 --> 01:33:42,467 BRAZIL LOVES THESE HOLLYWOOD WIN PRAYERLESS. 1676 01:33:42,567 --> 01:33:46,933 JUST TAKE A LOOK. 1677 01:33:47,067 --> 01:33:53,300 THEY LITERALLY BUILT THIS STATUE FOR HER. 1678 01:33:53,400 --> 01:34:03,467 [APPLAUSE] * * 1679 01:34:27,067 --> 01:34:29,767 >> THANK YOU VERY, VERY MUCH. 1680 01:34:29,867 --> 01:34:35,333 I WOULD LOVE TO SAY HELLO TO EVERYBODY WATCHING IN 1681 01:34:35,433 --> 01:34:36,533 BRAZIL. 1682 01:34:36,633 --> 01:34:46,667 [APPLAUSE] THANK YOU, NEON. 1683 01:34:47,100 --> 01:34:48,267 THANK YOU, THE CANNES FILM FESTIVAL. 1684 01:34:48,367 --> 01:34:54,933 I WOULD LOVE TO SAY THANK YOU ALSO TO THOSE IN BRAZIL 1685 01:34:55,067 --> 01:35:00,167 WHO MADE THIS AN UNUSUAL BLOCKBUSTER BACK HOME. 1686 01:35:00,267 --> 01:35:04,467 I WOULD LIKE TO THANK OUR CREW AND THE GREAT CAST OF 1687 01:35:04,567 --> 01:35:05,767 "THE SECRET AGENT." 1688 01:35:05,867 --> 01:35:11,100 THIS IS A VERY SMALL PART OF THAT INCREDIBLE CAST AND 1689 01:35:11,200 --> 01:35:11,967 CREW. 1690 01:35:12,067 --> 01:35:18,200 [APPLAUSE] THANK YOU, WAGNER MOURA. 1691 01:35:18,300 --> 01:35:21,333 WHAT AN ACTOR. 1692 01:35:21,433 --> 01:35:28,800 [CHEERS AND APPLAUSE] AND THE BEST THING HAPPENS WITH 1693 01:35:28,900 --> 01:35:32,067 A GREAT ACTOR AND A GREA FRIEND. 1694 01:35:32,100 --> 01:35:35,067 THAT COMBINATION IS EXPLOSIVES. 1695 01:35:35,167 --> 01:35:43,800 THANK YOU, EMILIE, MY PRODUCER AND PARTNER IN 1696 01:35:43,900 --> 01:35:48,967 LIFE, AND I HOPE YOU'RE WATCHING IN THE PACIFIC 1697 01:35:49,067 --> 01:35:49,633 PALISADES. 1698 01:35:49,733 --> 01:35:50,833 WE WILL BE WITH YOU SOON. 1699 01:35:50,933 --> 01:35:53,167 I'M VERY HONORED TO BE IN THIS GROUP OF INTERNATIONAL 1700 01:35:53,267 --> 01:35:56,067 FILMS, AND ALSO WITH GREAT FILMS FROM THE UNITED 1701 01:35:56,100 --> 01:35:56,967 STATES. 1702 01:35:57,067 --> 01:35:59,333 I DEDICATE THIS FILM TO YOUNG FILMMAKERS. 1703 01:35:59,433 --> 01:36:02,900 THIS IS A VERY IMPORTANT MOMENT IN TIME IN HISTORY TO 1704 01:36:03,067 --> 01:36:09,567 BE MAKING FILMS HERE IN THE U.S., IN BRAZIL. 1705 01:36:09,667 --> 01:36:11,067 AMERICAN, YOUNG FILMMAKERS, MAKE FILMS. 1706 01:36:11,167 --> 01:36:13,333 THANK YOU VERY MUCH. 1707 01:36:13,433 --> 01:36:23,433 [APPLAUSE] * 1708 01:36:29,067 --> 01:36:31,233 >> Announcer: OUR NEXT PRESENTERS ARE SO HOT RIGHT 1709 01:36:31,333 --> 01:36:35,400 NOW, THEY GET MOBBED EVERYWHERE THEY GO. 1710 01:36:35,500 --> 01:36:40,267 SO WE HAD TO BRING IN SOME EXTRA SECURITY FROM THE UFC. 1711 01:36:40,367 --> 01:36:50,367 * * * FROM "HEATED RIVALRY," IT'S CONNOR 1712 01:37:06,467 --> 01:37:13,333 STORRIE AND HUDSON WILLIAMS! 1713 01:37:13,433 --> 01:37:23,433 [APPLAUSE] * ["PINK PONY CLUB" PLAYING] * >> 1714 01:37:32,067 --> 01:37:36,267 Connor: [SHUDDERING] SORRY. 1715 01:37:36,367 --> 01:37:38,067 IT'S A LITTLE NERVE-RACKING BEING HERE AT OUR VERY FIRST 1716 01:37:38,100 --> 01:37:39,400 GOLDEN GLOBES. 1717 01:37:39,500 --> 01:37:45,600 >> Hudson: JUST TAKE A DEEP BREATH AND PICTURE EVERYONE 1718 01:37:45,700 --> 01:37:47,067 IN THE AUDIENCE... 1719 01:37:47,167 --> 01:37:49,533 YOU KNOW. 1720 01:37:49,633 --> 01:37:51,600 [LAUGHTER] >> Connor: WHAT? 1721 01:37:51,700 --> 01:37:53,300 >> Hudson: YOU KNOW. 1722 01:37:53,400 --> 01:37:57,567 >> Connor: OH! 1723 01:37:57,667 --> 01:38:01,367 YEAH, I DON'T KNOW IF THAT WORKS, CONSIDERING EVERYONE 1724 01:38:01,467 --> 01:38:02,133 HAS SEEN US... 1725 01:38:02,233 --> 01:38:04,600 YOU KNOW. 1726 01:38:04,700 --> 01:38:08,200 [LAUGHTER] >> Hudson: YOU THINK EVERYONE HERE HAS SEEN 1727 01:38:08,300 --> 01:38:11,300 "HEATED RIVALRY?" 1728 01:38:11,400 --> 01:38:17,867 [CHEERS AND APPLAUSE] >> Connor: THAT IS A MAYBE. 1729 01:38:17,967 --> 01:38:21,400 BUT THEIR TRAINERS HAVE. 1730 01:38:21,500 --> 01:38:24,533 AND THEIR MOMS HAVE. 1731 01:38:24,633 --> 01:38:25,133 AND THEIR DAUGHTERS HAVE. 1732 01:38:25,233 --> 01:38:29,600 >> Hudson: HI, MOMS! 1733 01:38:29,700 --> 01:38:34,067 >> Connor: HI, DAUGHTERS. 1734 01:38:34,167 --> 01:38:35,233 >> udson: AND THE NOMINEES FOR BEST SUPPORTING FEMALE 1735 01:38:35,333 --> 01:38:37,333 ACTOR IN A TV SERIES ARE... 1736 01:38:37,433 --> 01:38:39,300 >> CARRIE COON, "THE WHITE LOTUS." 1737 01:38:39,400 --> 01:38:40,900 ERIN DOHERTY, "ADOLESCENCE." 1738 01:38:41,067 --> 01:38:44,900 HANNAH EINBINDER, "HACKS." 1739 01:38:45,067 --> 01:38:49,900 CATHERINE O'HARA, "THE STUDIO." 1740 01:38:50,067 --> 01:38:55,200 PARKER POSEY, "THE WHITE LOTUS." 1741 01:38:55,300 --> 01:39:02,867 AIMEE LOU WOOD, "THE WHITE LOTUS." 1742 01:39:02,967 --> 01:39:10,667 [APPLAUSE] >> Connor: OKAY. 1743 01:39:10,767 --> 01:39:14,367 JUST READ IT. 1744 01:39:14,467 --> 01:39:19,833 AND THE GOLDEN GLOBE GOES TO... 1745 01:39:19,933 --> 01:39:25,400 ERIN DOHERTY. 1746 01:39:25,500 --> 01:39:32,467 [APPLAUSE] * >> Kevin: A FIRST TIME NOMINEE. 1747 01:39:32,567 --> 01:39:35,133 >> Marc: LET ME TELL YOU, ERIN DOHERTY, THIS IS A 1748 01:39:35,233 --> 01:39:36,700 REALLY HARD ROLE. 1749 01:39:36,800 --> 01:39:38,467 OBVIOUSLY SOME REALLY HEAVY MATERIAL. 1750 01:39:38,567 --> 01:39:40,300 BUT HOW DID SHE RELAX? 1751 01:39:40,400 --> 01:39:45,133 AFTER FILMING EVERY DAY, WATCHING "GILMORE GIRLS" AND 1752 01:39:45,233 --> 01:39:46,200 ""KEEPING UP WITH THE KARDASHIANS"." 1753 01:39:46,300 --> 01:39:50,200 IS SHE GOING TO SEE KYLIE JENNER IN THE AUDIENCE 1754 01:39:50,300 --> 01:39:54,500 TONIGHT AND MEET A KARDASHIAN, KYLIE JENNER? 1755 01:39:54,600 --> 01:39:58,900 LET'S SEE! 1756 01:39:59,067 --> 01:40:08,900 >> I HAVE MADE A PROMISE TO MY MUM -- [LAUGHTER] SORRY, 1757 01:40:09,000 --> 01:40:10,867 THERE IS TWO GROUPS OF PEOPLE I WOULD REALLY JUST 1758 01:40:10,967 --> 01:40:15,100 LOVE TO TALK ABOUT VERY QUICKLY. 1759 01:40:15,200 --> 01:40:24,433 THE FIRST ARE STEPHEN GRAHAM, HANNAH WALTERS, JACK 1760 01:40:24,533 --> 01:40:27,067 THORNE, 1761 01:40:29,400 --> 01:40:33,167 PHIL BARANTINI, AND OWEN COOPER. 1762 01:40:33,267 --> 01:40:34,867 EACH OF YOU LIVES WITHIN EVERY BREATH OF THAT SCENE 1763 01:40:34,967 --> 01:40:37,367 AND IT WOULDN'T BE WHERE IT IS WITHOUT YOU, AND YOU ARE 1764 01:40:37,467 --> 01:40:40,533 AT THE CORE OF WHAT I'M SO DEEPLY AND UNSPEAKABLY PROUD 1765 01:40:40,633 --> 01:40:42,567 TO BE PART OF, THIS GORGEOUS WORK. 1766 01:40:42,667 --> 01:40:44,967 THE SECOND GROUP I WOULD LOVE TO DEDICATE THIS TO OUR 1767 01:40:45,067 --> 01:40:52,167 THERAPISTS OUR THERAPSTS. 1768 01:40:52,267 --> 01:40:56,433 I DIDN'T WANT TO SEE THEM, BUT I THINK WE ALL KNOW. 1769 01:40:56,533 --> 01:40:57,667 LIFE CAN BE TOUGH. 1770 01:40:57,767 --> 01:41:00,433 MENTAL HEALTH IS EVERYTHING. 1771 01:41:00,533 --> 01:41:02,800 SO THANK YOU TO THERAPISTS, AND IT WAS AN HONOR TO PLAY 1772 01:41:02,900 --> 01:41:03,333 ONE. 1773 01:41:03,433 --> 01:41:06,567 THANK YOU SO MUCH. 1774 01:41:06,667 --> 01:41:16,667 [APPLAUSE] * 7 >> Announcer: PLEASE WELCOME STAND-UP 1775 01:41:20,633 --> 01:41:24,067 COMEDIAN, WRITER, ACTRESS, AND PRODUCER, WANDA SYKES. 1776 01:41:24,133 --> 01:41:34,133 [APPLAUSE] * >> Wanda: THANK YOU, THANK YOU. 1777 01:41:36,067 --> 01:41:41,200 FIRST, LET'S GIVE IT UP FOR NIKKI GLASER RIGHT NOW, HUH? 1778 01:41:41,300 --> 01:41:42,633 COME ON. 1779 01:41:42,733 --> 01:41:43,967 GREAT JOB, NIKKI. 1780 01:41:44,067 --> 01:41:47,067 AND SHOUT OUT TO THE GOLDEN GLOBES FOR HAVING MADE. 1781 01:41:47,100 --> 01:41:48,867 BECAUSE YOU KNOW THERE ARE SOME PEOPLE PISSED OFF THAT 1782 01:41:48,967 --> 01:41:55,400 A QUEER BLACK WOMAN IS UP HERE DOING THE JOB OF TWO 1783 01:41:55,500 --> 01:41:56,933 MEDIOCRE WHITE GUYS. 1784 01:41:57,067 --> 01:41:59,067 [APPLAUSE] I'M PRESENTING THE AWARD FOR STAND-UP 1785 01:41:59,100 --> 01:42:03,300 COMEDY ON TELEVISION, BUT FIRST I WANT TO GIVE THEM 1786 01:42:03,400 --> 01:42:04,500 SOME LOVE. 1787 01:42:04,600 --> 01:42:08,133 BILL MAHER, YOU GIVE US SO MUCH, BUT I WOULD LOVE A 1788 01:42:08,233 --> 01:42:09,800 LITTLE LESS. 1789 01:42:09,900 --> 01:42:13,800 JUST -- [LAUGHTER] TRY LESS. 1790 01:42:13,900 --> 01:42:17,300 BRETT GOLDSTEIN, YOU ARE HANDSOME, YOU'VE GOT THAT 1791 01:42:17,400 --> 01:42:19,800 GREAT SUPER VILLAIN VOICE, AND YOU ARE CHARMING. 1792 01:42:19,900 --> 01:42:22,967 YOU WOULD'VE MADE A GREAT MENENDEZ BROTHER. 1793 01:42:23,067 --> 01:42:30,067 [LAUGHTER] KEVIN HART, WHERE IS KEVIN? 1794 01:42:30,133 --> 01:42:32,067 KEVIN, YOU KNOW I LOVE YOU. 1795 01:42:32,100 --> 01:42:36,067 THE THING IS, KEVIN IS THE RICHEST GUY IN THIS 1796 01:42:36,133 --> 01:42:39,700 CATEGORY, AND YET I KNOW HE WANTS IT THE MOST. 1797 01:42:39,800 --> 01:42:48,600 [LAUGHTER AND APPLAUSE] YOU A TRUE AMERICAN, KEVIN. 1798 01:42:48,700 --> 01:42:53,133 [LAUGHTER] KUMAIL, I LOVE THAT YOU PROVE THAT MALE 1799 01:42:53,233 --> 01:42:58,500 COMEDIANS CAN BE FUNNY WITHOUT BEING CHUBBY. 1800 01:42:58,600 --> 01:43:04,633 [LAUGHTER] HE'S JACKED. 1801 01:43:04,733 --> 01:43:08,233 RICKY GERVAIS', I LOVE YOU FOR NOT BEING HERE. 1802 01:43:08,333 --> 01:43:13,700 I LOVE YOU, RICKY, BUT IF YOU WIN, I GET TO ACCEPT THE 1803 01:43:13,800 --> 01:43:21,400 AWARD ON YOUR BEHALF, AND YOU ARE GOING TO THANK GOD. 1804 01:43:21,500 --> 01:43:23,333 [LAUGHTER] ANTI-TRANS COMMUNITY. 1805 01:43:23,433 --> 01:43:31,933 [CHEERS AND APPLAUSE] AND THE TRANS COMMUNITY. 1806 01:43:32,067 --> 01:43:33,733 SARAH SILVERMAN, WHERE IS SARAH? 1807 01:43:33,833 --> 01:43:34,533 OH, MY GOD. 1808 01:43:34,967 --> 01:43:38,067 SARAH, I LOVE THAT WE ARE SUCH CLOSE FRIENDS. 1809 01:43:38,133 --> 01:43:41,467 YOU KNOW, WE HAVEN'T TALKED IN FIVE YEARS, BUT WE ARE SO 1810 01:43:41,567 --> 01:43:42,133 CLOSE. 1811 01:43:42,233 --> 01:43:43,967 YOU KNOW WHAT I'M SAYING? 1812 01:43:44,067 --> 01:43:46,933 GOOD LUCK, GIRL. 1813 01:43:47,067 --> 01:43:48,600 I LOVE YOU. 1814 01:43:48,700 --> 01:43:49,067 I DO. 1815 01:43:49,133 --> 01:43:51,133 THERE WE GO. 1816 01:43:51,233 --> 01:44:01,300 THE GOLDEN GLOBES GOES TO... 1817 01:44:03,067 --> 01:44:05,500 TEYANA, CAN I BORROW YOUR SPEECH CAN AGGREGATE YOUR 1818 01:44:05,600 --> 01:44:06,067 BASE. 1819 01:44:06,767 --> 01:44:13,400 HE WOULD LIKE TO THANK GOD AND THE TRANS COMMUNITY. 1820 01:44:13,500 --> 01:44:18,267 HE COULD NOT BE HERE, SO WE'LL ACCEPT THIS ON HIS 1821 01:44:18,367 --> 01:44:19,367 BEHALF. 1822 01:44:19,700 --> 01:44:27,067 [APPLAUSE] * >> Marc: THE AWARD FOR TV SERIES DRAMA 1823 01:44:27,100 --> 01:44:27,667 COMING UP. 1824 01:44:27,767 --> 01:44:28,633 THIS IS AN EXCITING NIGHT. 1825 01:44:28,733 --> 01:44:31,500 CAN'T WAIT TO SEE WHO WINS THAT CATEGORY. 1826 01:44:31,600 --> 01:44:33,800 >> Kevin: ALSO GEORGE CLOONEY AND JULIA ROBERTS, 1827 01:44:33,900 --> 01:44:34,667 HOLLYWOOD ROYALTY. 1828 01:44:34,767 --> 01:44:36,900 THEY ARE ON THEY ARE O ON THE WAY. 1829 01:44:37,067 --> 01:44:38,067 >> Marc: ALWAYS AMERICA'S SWEETHEARTS. 1830 01:44:51,967 --> 01:44:54,867 * >> Nikki: WELCOME BACK, EVERYONE. 1831 01:44:54,967 --> 01:44:57,867 A LITTLE HOUSEKEEPING BEFORE WE CONTINUE THE SHOW -- I 1832 01:44:57,967 --> 01:45:00,100 ACTUALLY JUST GOT A TEXT FROM LAST YEAR'S NOMINEE FOR 1833 01:45:00,200 --> 01:45:01,800 BEST SUPPORTING ACTOR, JEREMY STRONG, SAYING HE 1834 01:45:04,067 --> 01:45:06,067 MIGHT HAVE LEFT HIS HAT AND GLASSES FROM LAST YEAR'S 1835 01:45:06,133 --> 01:45:07,433 GLOBES SOMEWHERE IN THE BALLROOM. 1836 01:45:07,533 --> 01:45:09,600 THIS IS A PHOTO OF WHAT THEY LOOK LIKE. 1837 01:45:09,700 --> 01:45:12,700 HAS ANYONE FOUND THEM? 1838 01:45:12,800 --> 01:45:19,733 NO A WHILE WALTON GOGGINS? 1839 01:45:19,833 --> 01:45:23,133 AMY POEHLER? 1840 01:45:23,233 --> 01:45:28,067 ARE THOSE JEREMY'S GLASSES AND HAT? 1841 01:45:28,167 --> 01:45:29,267 [LAUGHTER] REALLY? 1842 01:45:29,367 --> 01:45:33,500 YOU BEEN WEARING THAT THE WHOLE NIGHT? 1843 01:45:33,600 --> 01:45:37,433 [LAUGHTER] ALL RIGHT, WELL, CONGRATS ON YOUR WIN, AND I 1844 01:45:37,533 --> 01:45:39,167 GUESS YOUR NEW FUNKY STYLE. 1845 01:45:39,267 --> 01:45:41,700 NOW LET'S BRING OUT YOUR NEXT PRESENTERS. 1846 01:45:41,800 --> 01:45:44,667 ONE IS THE QUEEN OF HIP-HOP, AND THE OTHER IS QUEEN 1847 01:45:44,767 --> 01:45:45,833 LATIFAH. 1848 01:45:45,933 --> 01:45:53,167 PLEASE WELCOME, FROM "ALL HER FAULT," DAKOTA FANNING 1849 01:45:53,267 --> 01:45:54,200 AND QUEEN LATIFAH. 1850 01:45:54,533 --> 01:46:04,567 [APPLAUSE] * * >> Queen: DAKOTA GOT BUYERS! 1851 01:46:11,167 --> 01:46:12,967 MY FRIEND FROM "THE SECRET LIFE OF BEES" AND I ARE HERE 1852 01:46:13,067 --> 01:46:14,200 TO PRESENT THE AWARD FOR FEMALE ACTOR IN A TV SERIES 1853 01:46:14,300 --> 01:46:19,767 DRAMA. 1854 01:46:19,867 --> 01:46:22,733 >> Dakota: AND WITH THIS YEAR'S NOMINEES HAVE IN 1855 01:46:22,833 --> 01:46:25,833 COMMON IS THIS: EVERY MOMENT THEY ARE ON THE SCREEN, YOU 1856 01:46:25,933 --> 01:46:27,833 CAN'T TAKE YOUR EYES OFF THEM. 1857 01:46:27,933 --> 01:46:29,500 >> Queen: EACH OF THESE ACTORS ARE UNIQUE, AND HAVE 1858 01:46:29,600 --> 01:46:31,200 SOMETHING DIFFERENT TO SHARE WITH US EPISODE AFTER 1859 01:46:31,300 --> 01:46:32,067 EPISODE. 1860 01:46:32,433 --> 01:46:33,400 >> Dakota: AND THAT'S WHY THEY ARE ALL ICONS. 1861 01:46:33,500 --> 01:46:36,833 HERE ARE THE NOMINEES. 1862 01:46:36,933 --> 01:46:41,867 >> KATHY BATES, "MATLOCK." 1863 01:46:41,967 --> 01:46:48,200 BRITT LOWER, "SEVERANCE." 1864 01:46:48,300 --> 01:46:52,800 HELEN MIRREN, "MOBLAND." 1865 01:46:52,900 --> 01:46:57,233 BELLA RAMSEY, "THE LAST OF US." 1866 01:46:57,333 --> 01:47:02,133 KERI RUSSELL, "THE DIPLOMAT." 1867 01:47:02,233 --> 01:47:09,400 RHEA SEEHORN, "PLURIBUS." 1868 01:47:09,500 --> 01:47:19,500 [APPLAUSE] >> Queen: AND THE GOLDEN GLOBE GOES TO... 1869 01:47:22,067 --> 01:47:26,767 RHEA SEEHORN. 1870 01:47:26,867 --> 01:47:34,500 [CHEERS AND APPLAUSE] * >> Kevin: "PLURIBUS" IS THE 1871 01:47:34,600 --> 01:47:38,067 MOST WATCHED TV SERIES AND APPLE TV HISTORY, AND RHEA A 1872 01:47:38,167 --> 01:47:40,900 FIRST TIME NOMINEE. 1873 01:47:41,067 --> 01:47:42,167 >> Marc: VINCE GILLIGAN WROTE THE SHOW FOR HER AND 1874 01:47:42,267 --> 01:47:46,867 SHE SIGNED ON WITHOUT EVEN READING A SCRIP ON WITHOUT 1875 01:47:46,967 --> 01:47:47,600 EVEN READING A SCR SCRIPT. 1876 01:47:47,700 --> 01:47:50,833 >> TABLE 1! 1877 01:47:50,933 --> 01:47:52,233 WHOO! 1878 01:47:52,333 --> 01:47:53,433 OH, MY GOSH. 1879 01:47:53,533 --> 01:47:56,133 QUEEN LATIFAH, AND THAT YOU ABOUT 20 YEARS AGO BETWEEN 1880 01:47:56,233 --> 01:48:04,900 JOBS, AND YOU ARE SO NICE, SO THANKS. 1881 01:48:05,067 --> 01:48:05,600 SORRY. 1882 01:48:06,100 --> 01:48:08,333 MY SPEECH SAYS "GET A PRESCRIPTION FOR BETA 1883 01:48:08,433 --> 01:48:10,367 BLOCKERS," BUT I DID NOT, SORRY. 1884 01:48:10,467 --> 01:48:12,533 I'M GOING TO DO MY BEST. 1885 01:48:12,633 --> 01:48:16,267 I'M SORRY, I AM JUST A LITTLE SHOCKED. 1886 01:48:16,367 --> 01:48:25,633 I THINK MY STOMACH IS STILL OVER THERE GETTING YOUR NAME 1887 01:48:25,733 --> 01:48:29,367 READ LOWER AND HELEN MIRREN AND KATHY BATES AND KERI 1888 01:48:29,467 --> 01:48:30,067 RUSSELL. 1889 01:48:30,600 --> 01:48:31,700 I'M ASTONISHED WITH ALL YOUR PERFORMANCES AND I 1890 01:48:31,800 --> 01:48:33,367 APPRECIATE BEING LISTED WITH YOU. 1891 01:48:33,467 --> 01:48:34,733 ACTUALLY, TO ALL THE WOMEN IN THIS ROOM. 1892 01:48:34,833 --> 01:48:37,800 I'VE BEEN A LOT OF THESE PARTIES THAT GET PRETTY 1893 01:48:37,900 --> 01:48:40,300 SCARY FOR SOMEONE LIKE ME SOMETIMES, AND THE WOMEN IN 1894 01:48:40,400 --> 01:48:42,367 THIS ROOM HAVE BEEN INCREDIBLE IN THE LAST 1895 01:48:42,467 --> 01:48:43,433 COUPLE OF WEEKS. 1896 01:48:43,533 --> 01:48:48,300 THANK YOU FOR THAT. 1897 01:48:48,400 --> 01:48:51,467 [APPLAUSE] SPEAKING OF PINCH-ME MOMENTS, VINCE 1898 01:48:51,567 --> 01:48:53,133 GILLIGAN, I STILL CAN'T FIND YOU. 1899 01:48:53,233 --> 01:48:56,167 ARE YOU IN HERE? 1900 01:48:56,267 --> 01:48:56,700 HEY! 1901 01:48:57,333 --> 01:48:59,067 I TRIED TO GET THERE, AND NEVER GOT THERE. 1902 01:48:59,133 --> 01:49:00,167 SORRY. 1903 01:49:00,467 --> 01:49:02,500 VINCE GILLIGAN, THANK YOU FOR WRITING ME THE ROLE OF A 1904 01:49:02,600 --> 01:49:05,467 LIFETIME, AND EVEN MORE THAN THAT, THANK YOU FOR HAVING 1905 01:49:05,567 --> 01:49:07,433 BELIEF IN ME THAT IS BEYOND. 1906 01:49:07,533 --> 01:49:10,233 YOU MAKE ME WANT TO BE BETTER EVERY DAY. 1907 01:49:10,333 --> 01:49:11,800 I REALLY APPRECIATE IT. 1908 01:49:11,900 --> 01:49:14,833 THANK YOU TO ALL MY DIRECTORS, WRITERS, 1909 01:49:14,933 --> 01:49:15,367 PRODUCERS. 1910 01:49:15,467 --> 01:49:21,567 MY BEAUTIFUL CAST. 1911 01:49:21,667 --> 01:49:28,933 KAROLINA, CARLOS MANUEL, AUGUST EYES AND A CABLE. 1912 01:49:29,067 --> 01:49:31,233 MY ENTIRE CREW, THANK YOU. 1913 01:49:31,333 --> 01:49:33,200 THEY HAD MY BACK EVERYTHING ON NIGHT WHEN THE SUN WAS 1914 01:49:33,300 --> 01:49:33,900 COMING UP. 1915 01:49:34,067 --> 01:49:35,867 THANK YOU SO MUCH FOR THAT. 1916 01:49:35,967 --> 01:49:40,133 THANK YOU TO APPLE TV, THANK YOU TO SONY. 1917 01:49:40,233 --> 01:49:44,667 IT TAKES AN ENTIRE VILLAGE, SO THANK YOU TO MY BEAUTIFUL 1918 01:49:44,767 --> 01:49:46,100 VILLAGE. 1919 01:49:46,200 --> 01:49:52,700 [LISTING NAMES] MY AGENTS, KENDALL, RUTH BERNSTEIN, MY 1920 01:49:52,800 --> 01:49:53,633 BEAUTIFUL FAMILY. 1921 01:49:53,733 --> 01:49:58,267 MY SONS, MY PARTNER. 1922 01:49:58,367 --> 01:50:02,633 AND THANK YOU TO THE GOLDEN GLOBES VOTING BODY. 1923 01:50:02,733 --> 01:50:04,600 I AM STILL SO GRATEFUL THAT I GET TO DO THIS FOR A 1924 01:50:04,700 --> 01:50:10,233 LIVING, AND THIS IS INCREDIBLE ICING ON THAT 1925 01:50:10,333 --> 01:50:10,867 CAKE. 1926 01:50:10,967 --> 01:50:11,500 THANKS. 1927 01:50:12,200 --> 01:50:22,167 [APPLAUSE] * >> Dakota: CONGRATULATIONS TO RHEA 1928 01:50:24,533 --> 01:50:27,300 SEEHORN. 1929 01:50:27,400 --> 01:50:29,833 >> Queen: NOW IT'S TIME TO PRESENT THE AWARD FOR BEST 1930 01:50:29,933 --> 01:50:32,533 TELEVISION SERIES, DRAMA. 1931 01:50:32,633 --> 01:50:35,367 >> "THE DIPLOMAT." 1932 01:50:35,467 --> 01:50:37,567 "THE PITT." 1933 01:50:37,667 --> 01:50:40,500 "PLURIBUS." 1934 01:50:40,600 --> 01:50:44,133 "SEVERANCE." 1935 01:50:44,233 --> 01:50:47,333 "SLOW HORSES." 1936 01:50:47,433 --> 01:50:53,067 "THE WHITE LOTUS." 1937 01:50:53,167 --> 01:51:03,233 [APPLAUSE] >> Dakota: AND THE GOLDEN GLOBE GOES TO... 1938 01:51:04,467 --> 01:51:12,333 >> Queen: THE PITT! 1939 01:51:12,433 --> 01:51:14,400 >> Marc: THEY JUST PREMIERED THEIR SECOND SEASON. 1940 01:51:14,500 --> 01:51:16,467 THEY ARE JUST FINISHING UP THEIR SECOND SEASON. 1941 01:51:16,567 --> 01:51:20,667 I AM TOLD THEY HAD A WRAP PARTY JUST TWO NIGHTS AGO. 1942 01:51:20,767 --> 01:51:23,933 >> Kevin: THE FIRST EPISODE JUST HIT ON THURSDAY, SO 1943 01:51:24,067 --> 01:51:27,567 LOTS OF FOLKS JUST SINKING INTO THE SEASON. 1944 01:51:27,667 --> 01:51:30,833 OF COURSE NOAH WYLE ALREADY A WINNER TONIGHT BUT THIS 1945 01:51:30,933 --> 01:51:33,300 SHOW HAS BEEN A FRONT RUNNER FROM THE BEGINNING. 1946 01:51:33,400 --> 01:51:35,700 >> Marc: NOW THE QUESTION IS FOR SEASON 3 WHAT THEY'RE 1947 01:51:35,800 --> 01:51:36,900 GOING TO DO. 1948 01:51:37,067 --> 01:51:39,067 SEASON 2 TAKES PLACE DURING JUL. 1949 01:51:39,133 --> 01:51:44,167 SEASON 3, I SPOKE TO HIM ABOUT IT AND NOAH TOLD ME 1950 01:51:44,267 --> 01:51:50,400 PROBABLY NOT A HOLIDAY, BUT THE CREATOR TOLD ME THAT 1951 01:51:50,500 --> 01:51:54,200 MAYBE HALLOWEEN. 1952 01:51:54,300 --> 01:52:04,367 * 1953 01:52:09,067 --> 01:52:12,067 ANY TIME I TALKED TO A DOCTOR OR A NURSE AND YOU 1954 01:52:12,133 --> 01:52:16,533 ASK THEM IF YOU'VE WATCHED "THE PITT," THEY SAY IT'S 1955 01:52:16,633 --> 01:52:19,667 THE MOST REALISTIC MEDICAL DRAMA. 1956 01:52:19,767 --> 01:52:22,067 >> Kevin: YOU LOVE THAT EMBRACE WITH GEORGE. 1957 01:52:22,167 --> 01:52:26,067 EVERYBODY WANTS TO SEE GEORGE AND NOAH TOGETHER IN 1958 01:52:26,133 --> 01:52:26,900 THE E.R. 1959 01:52:27,167 --> 01:52:32,967 >> Marc: MAYBE GEORGE JUST BE A PATIENT. 1960 01:52:33,067 --> 01:52:33,500 >> THANK YOU SO MUCH. 1961 01:52:33,600 --> 01:52:36,767 THIS IS WONDERFUL. 1962 01:52:36,867 --> 01:52:37,967 THANK YOU TO THE GOLDEN GLOBE VOTERS. 1963 01:52:38,067 --> 01:52:40,200 I'M SURE YOU MADE A MISTAKE, BUT WE ARE NOT GIVING THIS 1964 01:52:40,300 --> 01:52:42,067 BACK, I TELL YOU RIGHT NOW. 1965 01:52:42,133 --> 01:52:45,367 NOT WITHOUT A FIGHT. 1966 01:52:45,467 --> 01:52:49,933 WE WOULDN'T BE UP HERE WITHOUT THE PEOPLE AT WARNER 1967 01:52:50,067 --> 01:52:54,533 BROS., CHANNING, CLANCY, AND THE PEOPLE AT HBO MAX. 1968 01:52:54,633 --> 01:52:59,433 [LISTING NAMES] THANK YOU FOR BELIEVING IN US. 1969 01:52:59,533 --> 01:53:02,900 IT TAKES A VILLAGE TO PUT ON A SHOW, AS YOU KNOW. 1970 01:53:03,067 --> 01:53:04,900 OR IN MY CASE, A VILLAGE IDIOT. 1971 01:53:05,067 --> 01:53:08,300 BUT I HAVE TWO OF THE BEST PARTNERS IN CRIME. 1972 01:53:08,400 --> 01:53:14,400 THE INCOMPARABLE JOHN WELLS. 1973 01:53:14,500 --> 01:53:18,700 THE GOLDEN GLOBE WINNING NOAH WYLE, CAN'T GO WRONG. 1974 01:53:18,800 --> 01:53:19,900 WE ARE SO LUCKY. 1975 01:53:20,100 --> 01:53:23,600 WE HAVE SUCH A GREAT VILLAGE THAT WE WORK WITH EVERY DAY. 1976 01:53:23,700 --> 01:53:29,267 WE HAVE THE BEST CREW. 1977 01:53:29,367 --> 01:53:30,833 TO HAVE THE BEST WRITERS. 1978 01:53:30,933 --> 01:53:34,533 WE HAVE THE BEST PRODUCERS AND DOCTORS, AND AN 1979 01:53:34,633 --> 01:53:36,067 INCREDIBLE CAST. 1980 01:53:36,133 --> 01:53:41,300 I ALSO WANT TO THANK THE FIRST RESPONDERS AND HEALTH 1981 01:53:41,400 --> 01:53:46,867 CARE WORKERS WHO ARE THE REAL HEROES WHO INSPIRE US. 1982 01:53:46,967 --> 01:53:52,567 [APPLAUSE] AND DEBORAH FROM "THE DIPLOMAT" REMINDED ME I 1983 01:53:52,667 --> 01:53:54,867 HAVE TO THANK THE CIVIL SERVANTS, AS WELL. 1984 01:53:54,967 --> 01:53:59,900 WE LIVE IN A VERY DIVIDED COUNTRY AND WORLD RIGHT NOW, 1985 01:54:00,067 --> 01:54:07,100 BUT I THINK CINEMA -- I CALLED TV CINEMA, TOO, SORRY 1986 01:54:07,200 --> 01:54:09,433 -- BRINGS US TOGETHER NOT ONLY AS AN AUDIENCE BUT AS A 1987 01:54:09,533 --> 01:54:10,467 COMMUNITY. 1988 01:54:10,567 --> 01:54:13,300 WE SHOW PEOPLE WHAT WE CAN DO WHEN A BUNCH OF 1989 01:54:13,400 --> 01:54:17,533 INDIVIDUALS, HUNDREDS OF US, HAVE A COMMON GOAL, AND WE 1990 01:54:17,633 --> 01:54:22,633 WERE TOGETHER WITH DECENCY AND HUMANITY AND JUST 1991 01:54:22,733 --> 01:54:24,800 ACCEPTANCE AND RESPECT FOR EACH OTHER. 1992 01:54:24,900 --> 01:54:28,100 WE CAN DO AMAZING THINGS, SO THANK YOU FOR THAT. 1993 01:54:28,200 --> 01:54:32,067 AND I WANT TO THANK EVERYONE IN THIS ROOM, BECAUSE WHAT 1994 01:54:32,167 --> 01:54:34,567 YOU DO, THE STORIES YOU TELL, THEY MAKE A 1995 01:54:34,667 --> 01:54:35,433 DIFFERENCE. 1996 01:54:35,533 --> 01:54:36,467 THEY TRULY DO. 1997 01:54:36,567 --> 01:54:40,767 SO THANK YOU SO MUCH. 1998 01:54:40,867 --> 01:54:41,400 CHEERS. 1999 01:54:42,100 --> 01:54:43,600 [APPLAUSE] * >> Kevin: UP NEXT, THE AWARD FOR 2000 01:54:43,700 --> 01:54:46,667 TELEVISION SERIES, MUSICAL OR COMEDY. 2001 01:54:46,767 --> 01:54:48,067 YOU KNOW, BASED ON THE TOP THREE POLYMARKET 2002 01:54:48,167 --> 01:54:52,200 PREDICTIONS, IT LOOKS LIKE WE HAVE A FRONTRUNNER. 2003 01:54:52,300 --> 01:54:55,200 >> Marc: "THE STUDIO" HAD SUCH A BREAKOUT YEAR. 2004 01:54:55,300 --> 01:54:58,467 I'M KEEPING MY PREDICTION A SECRET UNTIL I KNOW WHO 2005 01:54:58,567 --> 01:54:58,967 WINS. 2006 01:55:02,067 --> 01:55:03,133 >> Kevin: WE'LL SEE WHO TAKES HOME THE AWARD WHEN 2007 01:55:03,233 --> 01:55:05,233 THE 83RD GOLDEN GLOBES CONTINUE. 2008 01:55:17,067 --> 01:55:19,300 * >> Marc: THEY'VE BEEN TABULATING THE BALLOTS AND 2009 01:55:19,400 --> 01:55:21,367 SAFEGUARDING THE RESULTS FOR ALL OF OUR AWARDS TONIGHT, 2010 01:55:21,467 --> 01:55:23,433 FROM THE AUDIT, TAX, AND ADVISORY FIRM OF KPMG, THE 2011 01:55:23,533 --> 01:55:26,100 OFFICIAL AND VERY GLAMOROUS VOTE TABULATORS OF THE 2012 01:55:26,200 --> 01:55:32,133 GOLDEN GLOBES. 2013 01:55:32,233 --> 01:55:34,267 >> Kevin: PLEASE WELCOME ONE OF THE STARS OF "SINNERS," 2014 01:55:34,367 --> 01:55:44,367 HAILEE STEINFELD, AND CONGRATS ON THAT WIN, AND 2015 01:55:46,167 --> 01:55:49,900 AYO EDEBIRI. 2016 01:55:50,067 --> 01:55:51,367 [APPLAUSE] >> Hailee: WE'RE BOTH THRILLED TO PRESENT THE 2017 01:55:51,467 --> 01:55:52,600 AWARD FOR BEST LIMITED SERIES, ANTHOLOGY, OR TV 2018 01:55:52,700 --> 01:55:54,400 MOVIE. 2019 01:55:54,500 --> 01:55:58,600 >> Ayo: JUST TO MAKE SURE EVERYONE'S ON THE SAME PAGE, 2020 01:55:58,700 --> 01:56:00,800 TELEVISION IS THE STUFF YOU WATCH ON YOUR LAPTOP. 2021 01:56:00,900 --> 01:56:02,767 >> Hailee: WHICH IS NOT TO BE CONFUSED WITH MOVIES, 2022 01:56:02,867 --> 01:56:04,133 WHICH EVERYONE WATCHES ON TV. 2023 01:56:04,233 --> 01:56:06,267 >> Ayo: YOU KNOW, I WATCHED "SINNERS" IN EVERY FORMAT. 2024 01:56:06,367 --> 01:56:09,500 >> Hailee: DOLBY? 2025 01:56:09,600 --> 01:56:10,167 >> Ayo: YES. 2026 01:56:10,267 --> 01:56:11,367 IMAX 70mm. 2027 01:56:11,467 --> 01:56:12,333 >> Hailee: ON A PHONE ON A PLANE WHILE A KID IS KICKING 2028 01:56:12,433 --> 01:56:13,367 THE BACK OF YOUR SEAT? 2029 01:56:13,467 --> 01:56:14,267 >> Ayo: YUP! 2030 01:56:14,367 --> 01:56:18,533 AND ON TIKTOK IN 297 PARTS. 2031 01:56:18,633 --> 01:56:19,900 >> Hailee: GOD, YOU'RE SUCH A CINEPHILE. 2032 01:56:20,067 --> 01:56:21,233 >> Ayo: IT'S IMPORTANT TO WATCH THESE THINGS AS THE 2033 01:56:21,333 --> 01:56:26,067 DIRECTOR INTENDED. 2034 01:56:26,167 --> 01:56:26,667 >> Hailee: ABSOLUTELY. 2035 01:56:26,767 --> 01:56:27,833 AND THE NOMINEES ARE... 2036 01:56:27,933 --> 01:56:29,600 >> "ADOLESCENCE." 2037 01:56:29,700 --> 01:56:32,067 "ALL HER FAULT." 2038 01:56:32,133 --> 01:56:35,933 "THE BEAST IN ME." 2039 01:56:36,067 --> 01:56:40,167 "BLACK MIRROR." 2040 01:56:40,267 --> 01:56:45,833 "DYING FOR SEX." 2041 01:56:45,933 --> 01:56:52,400 "THE GIRLFRIEND." 2042 01:56:52,500 --> 01:57:02,567 >> Ayo: AND THE GOLDEN GLOBE GOES T... 2043 01:57:04,200 --> 01:57:07,467 "ADOLESCENCE." 2044 01:57:07,567 --> 01:57:09,567 >> Kevin: THEY ARE ON THE RUN. 2045 01:57:09,667 --> 01:57:11,800 THE THREE LEADS HAVE ALREADY WON AND NOW THE SHOW ENDS. 2046 01:57:11,900 --> 01:57:15,300 WILL YOU REALLY HAVE TO WAIT 2-3 IS TO GET ANOTHER ONE? 2047 01:57:15,400 --> 01:57:17,767 >> Marc: THE PRESSURE, I THINK, IS GOING TO BE ON 2048 01:57:17,867 --> 01:57:18,733 STEPHEN GRAHAM. 2049 01:57:18,833 --> 01:57:21,300 YOU CAN'T WAIT TO HAVE BEEN THREE YEARS! 2050 01:57:21,400 --> 01:57:23,900 THIS SHOW IS SWEEPING. 2051 01:57:24,067 --> 01:57:26,433 THEY ARE GOING TO BE SUBMITTING ALL NIGHT LONG. 2052 01:57:26,533 --> 01:57:30,800 >> Kevin: FUNNY YOU MENTION CELEBRATING, BECAUSE OWEN 2053 01:57:30,900 --> 01:57:34,433 SAID TONIGHT HE IS CELEBRATING WITH HIS FAMILY, 2054 01:57:34,533 --> 01:57:36,100 WITH HIS PARENTS. 2055 01:57:36,200 --> 01:57:46,200 * * 2056 01:58:11,167 --> 01:58:14,367 >> THIS IS EXTRAORDINARY. 2057 01:58:14,467 --> 01:58:16,867 I WROTE SOMETHING BECAUSE I'M A WRITER AND I CAN'T 2058 01:58:16,967 --> 01:58:17,700 IMPROVISE. 2059 01:58:18,233 --> 01:58:23,467 THANK YOU TO NETFLIX, TWO -- [LISTING NAMES] LARRY, WHO 2060 01:58:23,567 --> 01:58:25,733 FOUND US WHEN WE WERE LOST, AND HE KEPT GETTING LOST. 2061 01:58:25,833 --> 01:58:32,233 THANK YOU FOR THE BEST OF BRITISH, TO MARK "THE 2062 01:58:32,333 --> 01:58:33,367 HAMMER" HER BRITT. 2063 01:58:33,467 --> 01:58:39,067 [LISTING NAMES] AND THANK YOU TO OUR PRODUCER 2064 01:58:39,167 --> 01:58:41,733 EXTRAORDINAIRE THAT IS JOE JOHNSON. 2065 01:58:41,833 --> 01:58:45,467 THANK YOU TO HANNAH WALTERS, OUR MATRIARCH, WHO MADE 2066 01:58:45,567 --> 01:58:51,067 MAGIC HAPPE MATRIARCH, WHO MADE MAGIC HAP HAPPEN. 2067 01:58:51,100 --> 01:58:55,233 PHIL BARANTINI AND MATT LEWIS REINVENTED TELEVISIO, 2068 01:58:55,333 --> 01:58:56,367 YOUR BOTH GENIUSES. 2069 01:58:56,467 --> 01:59:01,567 STEPHEN, YOU ARE THE LARRY TO MY BARRY. 2070 01:59:01,667 --> 01:59:05,733 YOU SILLY HOLE IN MY SOUL, AND I LOVE YOU. 2071 01:59:05,833 --> 01:59:14,933 >> YOU BFLUSH YOU FILL A HOLE IN MY SOUL AND I LOVE 2072 01:59:15,067 --> 01:59:18,067 I'S ABOUT THE FILTH AND DEBRIS WE HAVE LAID IN THAT 2073 01:59:18,167 --> 01:59:19,067 PATH. 2074 01:59:19,367 --> 01:59:20,433 IT'S IMPOSSIBLE TO HIGHLIGHT ANYONE ELSE IN ERIC'S 2075 01:59:20,533 --> 01:59:23,900 ORDINARY CAST AND CREW BUT OUR YOUNG COMPANY. 2076 01:59:24,067 --> 01:59:29,967 [LISTING NAMES] YOU ARE PROOF THE WORLD CAN BE 2077 01:59:30,067 --> 01:59:32,067 BETTER. 2078 01:59:32,133 --> 01:59:35,567 REMOVING HATE IS OUR GENERATION'S RESPONSIBILITY. 2079 01:59:35,667 --> 01:59:37,767 IT REQUIRES THOUGHT FROM THE TOP DOWN. 2080 01:59:37,867 --> 01:59:41,067 THE POSSIBILITY SEEMS REMOTE RIGHT NOW, BUT HOPE IS A 2081 01:59:41,167 --> 01:59:42,200 BEAUTIFUL THING. 2082 01:59:42,300 --> 01:59:44,600 THANK YOU FOR THIS. 2083 01:59:44,700 --> 01:59:45,667 WE WILL TREASURE IT. 2084 01:59:46,067 --> 01:59:55,967 [APPLAUSE] * * >> Announcer: AND NOW PLEASE 2085 01:59:57,467 --> 01:59:59,200 WELCOME, FROM THE UPCOMING "SCARY MOVIE," MARLON 2086 01:59:59,300 --> 02:00:01,900 WAYANS, AND FROM "SEVERANCE," ADAM SCOTT! 2087 02:00:02,000 --> 02:00:12,000 [APPLAUSE] * >> Adam: THERE'S A LOT OF DEBATE 2088 02:00:15,700 --> 02:00:19,900 LATELY ABOUT WHICH SHOWS ARE AND ARE NOT COMEDIES. 2089 02:00:20,000 --> 02:00:26,067 >> Marlon: HERE'S MY TAKE -- WHO CARES? 2090 02:00:26,167 --> 02:00:27,767 >> Adam: YEAH, TOTALLY. 2091 02:00:27,867 --> 02:00:31,400 EVERYTHING DOESN'T HAVE TO TOTALLY MAKE SENSE ALL THE 2092 02:00:31,500 --> 02:00:31,967 TIME. 2093 02:00:32,067 --> 02:00:33,167 >> Marlon: EXACTLY. 2094 02:00:33,267 --> 02:00:36,467 FOR INSTANC, WHY ARE ADAM SCOTT AND MARLON WAYANS HERE 2095 02:00:36,567 --> 02:00:37,133 TOGETHER? 2096 02:00:37,233 --> 02:00:38,867 >> Adam: YEAH, WHO KNOWS? 2097 02:00:38,967 --> 02:00:40,500 MAYBE THEY THOUGHT I WAS YOUR BROTHER AND WE'RE 2098 02:00:40,600 --> 02:00:43,700 MAKING A SEQUEL TO "WHITE CHICKS," CALLED "WHITE 2099 02:00:43,800 --> 02:00:45,500 DUDES." 2100 02:00:45,600 --> 02:00:54,567 >> Marlon: WAIT, ARE YOU MY BROTHER? 2101 02:00:54,667 --> 02:00:58,133 >> Adam: OKAY, THE NOMINEES FOR BEST TELEVISION SERIES, 2102 02:00:58,233 --> 02:00:58,933 COMEDY, OR... 2103 02:00:59,033 --> 02:01:00,767 >> "ABBOTT ELEMENTARY." 2104 02:01:00,867 --> 02:01:02,500 "THE BEAR." 2105 02:01:02,600 --> 02:01:06,067 "HACKS." 2106 02:01:09,967 --> 02:01:13,967 "NOBODY WANTS THIS." 2107 02:01:14,067 --> 02:01:17,200 "ONLY MURDERS IN THE BUILDING." 2108 02:01:17,300 --> 02:01:22,633 "THE STUDIO." 2109 02:01:22,733 --> 02:01:32,733 [APPLAUSE] >> Marlon: AND THE GOLDEN GLOBE GOES TO... 2110 02:01:36,767 --> 02:01:37,533 "THE STUDIO." 2111 02:01:37,933 --> 02:01:43,233 [APPLAUSE] * >> Kevin: SETH TOLD US IN THE BACK 2112 02:01:43,333 --> 02:01:46,267 THAT HE IS EXCITED TO KEEP ALL OF HIS INDUSTRY FRIENDS 2113 02:01:46,367 --> 02:01:48,900 GUESSING ABOUT IF ONE OF THEIR PERSONAL STORIES WILL 2114 02:01:49,067 --> 02:01:52,833 MAKE IT INTO THE SHOW, AND I'M SURE LOTS OF FOLKS WILL 2115 02:01:52,933 --> 02:01:55,733 WANT TO BE ON IT NOW. 2116 02:01:55,833 --> 02:01:57,767 >> Marc: MARTIN SCORSESE, RON HOWARD. 2117 02:01:57,867 --> 02:02:03,800 COME ON, EVERYONE WANTS TO BE ON THIS SHOW NOW. 2118 02:02:03,900 --> 02:02:04,967 >> THANK YOU AGAIN! 2119 02:02:05,067 --> 02:02:05,733 SO WEIRD. 2120 02:02:05,833 --> 02:02:06,900 ADAM WAS IN THE SHOW! 2121 02:02:07,067 --> 02:02:10,467 TABLE 228, BUT THEY MADE IT! 2122 02:02:10,567 --> 02:02:12,867 WE SHOOT OUR SHOW AND LUNG CONTINUES TAKES, AND PART OF 2123 02:02:12,967 --> 02:02:15,167 THE REASON I WANTED TO DO THAT IS IT DOESN'T WORK 2124 02:02:15,267 --> 02:02:18,067 UNLESS THE WHOLE CREW REALLY COMES TOGETHER TO MAKE IT 2125 02:02:18,133 --> 02:02:18,867 WORK. 2126 02:02:19,400 --> 02:02:21,467 SO I REALLY WANT TO THANK OUR CREW, MOST OF WHOM DON'T 2127 02:02:21,567 --> 02:02:27,067 GET INVITED TO THIS, BUT THEY SHOULD! 2128 02:02:27,133 --> 02:02:37,167 OUR FIRST A.D., MURPH, OR CINEMATOGRAPHER, OUR PROPS 2129 02:02:37,467 --> 02:02:41,367 GUY, OUR LINE PRODUCER, OUR CRAFT SERVICE GUY OUR 2130 02:02:41,467 --> 02:02:47,900 CATERER, OUR EDITOR, OUR HAIR AND MAKEUP PEOPLE. 2131 02:02:48,067 --> 02:02:51,467 TRULY, WITHOUT ALL OF YOU, THIS SHOW WOULD NOT BE 2132 02:02:51,567 --> 02:02:54,900 MAKEABLE, SO THANK YOU VERY MUCH, AND WE COULDN'T 2133 02:02:55,067 --> 02:02:56,067 APPRECIATE IT MORE. 2134 02:02:56,133 --> 02:02:58,633 WE ARE SO EXCITED TO GET STARTED SHOOTING THE NEXT 2135 02:02:58,733 --> 02:03:00,833 SEASON ONE WEEK FROM TODAY. 2136 02:03:00,933 --> 02:03:02,967 THANK YOU VERY MUCH. 2137 02:03:03,067 --> 02:03:05,700 GOODBYE! 2138 02:03:05,800 --> 02:03:06,300 PEACE! 2139 02:03:07,067 --> 02:03:11,500 [APPLAUSE] * >> Kevin: COMING UP, WE GIVE OUT THE 2140 02:03:11,600 --> 02:03:15,300 AWARDS FOR MALE AND FEMALE ACTOR MOTION PICTURE DRAMA. 2141 02:03:15,400 --> 02:03:19,067 >> Marc: AND DIANE LANE, WHO GIVES ME FAITH IN LOVE IN 2142 02:03:19,133 --> 02:03:21,133 "UNDER THE TUSCAN SUN," AND OF COURSE COLMAN DOMINGO 2143 02:03:45,067 --> 02:03:47,900 * >> Nikki: WELCOME BACK TO THE GOLDEN GLOBES. 2144 02:03:48,067 --> 02:03:49,767 YOUR NEXT PRESENTERS FAMOUSLY LED THE 1977 2145 02:03:52,067 --> 02:03:53,633 PORTLAND TRAIL BLAZERS TO AN NBA CHAMPIONSHIP. 2146 02:03:53,733 --> 02:04:02,600 PLEASE WELCOME CHRIS PINE AND ANA DE ARMAS. 2147 02:04:02,700 --> 02:04:05,767 [APPLAUSE] * * >> Chris: AS ACTORS, WE ARE INSPIRED 2148 02:04:12,400 --> 02:04:15,067 BY REVELATORY, HEART-WRENCHING, AND 2149 02:04:15,100 --> 02:04:16,633 SPELLBINDING PERFORMANCES. 2150 02:04:16,733 --> 02:04:20,233 >> Ana: AND AS CINEMA FANS, WE CAN'T BELIEVE OUR LUCK 2151 02:04:20,333 --> 02:04:22,967 WHEN WE GET TO WATCH THESE PERFORMANCES ON SCREEN. 2152 02:04:23,067 --> 02:04:24,500 >> Chris: HERE ARE THE NOMINEES FOR BEST 2153 02:04:24,600 --> 02:04:26,067 PERFORMANCE BY A FEMALE ACTOR IN A MOTION PICTURE, 2154 02:04:26,167 --> 02:04:29,633 DRAMA. 2155 02:04:29,733 --> 02:04:33,533 >> JESSIE BUCKLEY, "HAMNET." 2156 02:04:33,633 --> 02:04:38,733 JENNIFER LAWRENCE, "DIE MY LOVE." 2157 02:04:38,833 --> 02:04:43,467 RENATE REINSVE, "SENTIMENTAL VALUE." 2158 02:04:43,567 --> 02:04:48,200 JULIA ROBERTS, "AFTER THE HUNT." 2159 02:04:48,300 --> 02:04:53,567 TESSA THOMPSON, "HEDDA." 2160 02:04:53,667 --> 02:05:01,467 EVA VICTOR, "SORRY, BABY." 2161 02:05:01,567 --> 02:05:11,600 [APPLAUSE] >> Ana: AND THE GOLDEN GLOBE GOES TO... 2162 02:05:11,700 --> 02:05:13,633 JESSIE BUCKLEY. 2163 02:05:13,733 --> 02:05:18,500 [CHEERS AND APPLAUSE] * >> Kevin: JESSIE BUCKLEY IS A 2164 02:05:18,600 --> 02:05:20,533 NEW MOM, AND SHE SAID THIS WAS A GREAT NIGHT OUT FOR 2165 02:05:20,633 --> 02:05:21,133 HER. 2166 02:05:21,833 --> 02:05:23,667 IT'S AN EVEN BETTER NIGHT THAT SHE CAN TAKE HOME A 2167 02:05:23,767 --> 02:05:24,867 GOLDEN GLOBE AWARD. 2168 02:05:24,967 --> 02:05:27,767 >> Marc: AND THE BEST PART OF THE STORY, I BELIEVE, ON 2169 02:05:27,867 --> 02:05:29,900 THE SET OF "HAMNET," THIS IS TOUGH MATERIAL. 2170 02:05:30,067 --> 02:05:32,633 IT'S A MOVIE ABOUT GREECE. 2171 02:05:32,733 --> 02:05:35,933 THEY HAD DANCE PARTIES TO RIHANNA, AND IN THE MAKEUP 2172 02:05:36,067 --> 02:05:41,133 AND HAIR TRAILER, SHE AND HER COSTAR, PAUL MESCAL, 2173 02:05:41,233 --> 02:05:49,167 WOULD SING SONGS FROM "THE NATIONAL." 2174 02:05:49,267 --> 02:05:59,267 * 2175 02:06:02,200 --> 02:06:09,200 [APPLAUSE] >> THIS IS NOT A NORMAL FEELING OR SITUATION 2176 02:06:09,300 --> 02:06:10,067 TO BE IN. 2177 02:06:10,167 --> 02:06:14,967 [LAUGHS] BUT THANK YOU, GOLDEN GLOBES. 2178 02:06:15,067 --> 02:06:20,333 THANK YOU, FOCUS, AND EVERYONE WHO SUPPORTED THIS 2179 02:06:20,433 --> 02:06:21,533 FILM. 2180 02:06:21,633 --> 02:06:30,233 CHLOE, PAUL, MAGGIE, MAX, EMILY, JACOBI, JOE, THE 400 2181 02:06:30,333 --> 02:06:33,933 EXTRAS, I WOULD RAVE FOR THE REST OF MY LIFE IN THAT 2182 02:06:34,067 --> 02:06:35,133 GLOBE WITH YOU. 2183 02:06:35,233 --> 02:06:39,833 IT WAS SUCH AN EXTRAORDINARY SET TO BE PART OF, BECAUSE 2184 02:06:39,933 --> 02:06:43,167 IT'S THE STORY OF PROBABLY THE MOST FAMOUS BRIT THAT 2185 02:06:43,267 --> 02:06:47,600 EVER LIVED, AND WE HAD A CHINESE DIRECTOR, A LOT OF 2186 02:06:47,700 --> 02:06:52,867 IRISH, A MOSTLY POLISH CREW, AND BESIDE OUR BRITISH 2187 02:06:52,967 --> 02:06:53,700 FAMILY. 2188 02:06:54,233 --> 02:07:00,967 ACTUALLY I WOULD REALLY LIKE TO THANK OUR GRIP, BECAUSE 2189 02:07:01,067 --> 02:07:04,567 DURING SHOOTING, HE STARTED TO DISAPPEAR A LITTLE BIT 2190 02:07:04,667 --> 02:07:07,233 DURING THE SHOOT, AND I FOUND HIM ONE DAY AT THE 2191 02:07:07,333 --> 02:07:10,267 BACK OF HIS TRUCK AND HE WAS CHOPPING UP POTATOES AND 2192 02:07:10,367 --> 02:07:18,067 ONIONS AND MEET DOMINIC ONIONS AND MEET DOM MEAT, 2193 02:07:18,100 --> 02:07:19,167 AND HT HIS GINORMOUS CAST IRON POT FROM POLAND, AND HE 2194 02:07:19,267 --> 02:07:22,900 STARTED MAKING SOUP AND IT STARTED TURNING UP ON SET. 2195 02:07:23,067 --> 02:07:24,067 DELICIOUS. 2196 02:07:24,100 --> 02:07:29,667 SO THANK YOU FOR BRINGING YOUR POT TO SET. 2197 02:07:29,767 --> 02:07:31,633 [LAUGHTER] [LISTING NAMES] I LOVE YOU. 2198 02:07:31,733 --> 02:07:35,167 I AM NEVER LEAVING YOU. 2199 02:07:35,267 --> 02:07:35,933 OH, MY GOD. 2200 02:07:36,500 --> 02:07:40,500 THE INCREDIBLE WOMEN I AM HONORED TO STAND BESIDE IN 2201 02:07:40,600 --> 02:07:41,600 THIS CATEGORY. 2202 02:07:41,867 --> 02:07:48,333 I MEAN, JULIA ROBERTS, YOU ARE, LIKE, A HERO TO US ALL. 2203 02:07:48,433 --> 02:07:54,167 [APPLAUSE] THANK YOU. 2204 02:07:54,267 --> 02:08:04,333 JENNIFER, RENATE, EVA, TESSA. 2205 02:08:07,467 --> 02:08:11,767 MY HUSBAND HAS BEEN ENJOYING THE FEE CANAPES AND 2206 02:08:11,867 --> 02:08:15,733 COCKTAILS WITH THANK YOU FOR HAVING US ALONG. 2207 02:08:15,833 --> 02:08:16,267 THANK YOU. 2208 02:08:16,367 --> 02:08:26,367 [APPLAUSE] * 2209 02:08:28,067 --> 02:08:29,233 >> Announcer: PLEASE WELCOME THE STAR OF "THE 2210 02:08:29,333 --> 02:08:30,567 ANNIVERSARY," DIANE LANE, AND FROM THE NEW FILM, 2211 02:08:30,667 --> 02:08:31,700 "MICHAEL," COLMAN DOMINGO. 2212 02:08:31,800 --> 02:08:41,833 [APPLAUSE] * >> Colman: WONDROUS, DEVASTATING, 2213 02:08:41,933 --> 02:08:43,200 CAPTIVATING, CONFIDENT. 2214 02:08:43,300 --> 02:08:44,800 >> Diane: AND WE'RE NOT JUST DESCRIBING COLMAN'S ALWAYS 2215 02:08:44,900 --> 02:08:46,300 EXQUISITE WARDROBE. 2216 02:08:46,400 --> 02:08:50,267 >> Colman: BUT I DON'T MIND IF THAT'S WHERE YOUR MIND 2217 02:08:50,367 --> 02:08:50,933 WENT. 2218 02:08:51,067 --> 02:08:51,967 I DON'T MIND. 2219 02:08:52,067 --> 02:08:53,400 >> Diane: THE MEN IN THIS CATEGORY DELIVERED 2220 02:08:53,500 --> 02:08:55,933 PERFORMANCES FILLED WITH VULNERABILITY, PATHOS, AND A 2221 02:08:56,067 --> 02:08:58,267 STYLE ALL THEIR OWN. 2222 02:09:06,067 --> 02:09:09,100 >> Colman: FROM LITERARY LEGENDS, TO MUSIC ICONS, TO 2223 02:09:09,200 --> 02:09:10,967 LEADING MEN FIGHTING THEIR WAY THROUGH THE WORLD, EVERY 2224 02:09:11,067 --> 02:09:16,400 SUBTLE CHOICE OR BOLD GESTURE HAD US SPELLBOUND. 2225 02:09:16,500 --> 02:09:17,933 >> Diane: HERE ARE THE NOMINEES FOR BEST 2226 02:09:18,067 --> 02:09:24,067 PERFORMANCE BY A MALE ACTOR IN A MOTION PICTURE, DRAMA. 2227 02:09:24,133 --> 02:09:26,467 >> JOEL EDGERTON, "TRAIN DREAMS." 2228 02:09:26,567 --> 02:09:29,533 OSCAR ISAAC, "FRANKENSTEIN." 2229 02:09:29,633 --> 02:09:36,667 DWAYNE JOHNSON, "THE SMASHING MACHINE." 2230 02:09:36,767 --> 02:09:38,133 MICHAEL B. 2231 02:09:38,233 --> 02:09:40,533 JORDAN, "SINNERS." 2232 02:09:40,633 --> 02:09:46,700 WAGNER MOURA, "THE SECRET AGENT." 2233 02:09:46,800 --> 02:09:48,500 JEREMY ALLEN WHITE, "SPRINGSTEEN: DELIVER ME 2234 02:09:48,600 --> 02:09:53,333 FROM NOWHERE." 2235 02:09:53,433 --> 02:10:01,833 [APPLAUSE] * >> Colman: AND THE GOLDEN GLOBE GOES 2236 02:10:01,933 --> 02:10:07,067 TO... 2237 02:10:07,333 --> 02:10:11,200 >> Diane: WAGNER MOURA! 2238 02:10:11,300 --> 02:10:14,933 [CHEERS AND APPLAUSE] * >> Marc: THIS IS HIS SECOND 2239 02:10:15,033 --> 02:10:20,133 HE HAD A PREVIOUS NOMINATION FOR "NARCOS" IN 2016. 2240 02:10:20,233 --> 02:10:23,567 THAT PERFORMANCE WAS ABSOLUTELY INCREDIBLE. 2241 02:10:23,667 --> 02:10:27,933 "THE SECRET AGENT" ALSO INCREDIBLE. 2242 02:10:28,033 --> 02:10:31,367 >> Kevin: THE FIRST BRAZILIAN NAME TO WIN THIS 2243 02:10:31,467 --> 02:10:32,133 AWARD. 2244 02:10:32,533 --> 02:10:35,400 >> Marc: WE KNOW BRAZIL WILL BE CELEBRATING! 2245 02:10:35,500 --> 02:10:39,067 WOULD NOT BE SURPRISED IF AGAIN WE SEE A STATUE OF 2246 02:10:39,167 --> 02:10:49,167 WAGONER MORA GETTING BUILT IN BRAZIL. 2247 02:10:51,167 --> 02:10:54,100 >> THANK YOU VERY MUCH. 2248 02:10:54,200 --> 02:10:55,767 WHOA! 2249 02:10:55,867 --> 02:10:56,367 OKAY. 2250 02:10:56,600 --> 02:10:58,467 THANK YOU, GOLDEN GLOBES. 2251 02:10:58,567 --> 02:11:04,967 MY FELLOW NOMINEES, YOU ARE EXTRAORDINARY ACTORS. 2252 02:11:05,067 --> 02:11:06,567 I SHARE THIS WITH YOU. 2253 02:11:06,667 --> 02:11:09,400 THANK YOU VERY MUCH. 2254 02:11:09,500 --> 02:11:15,900 THANK YOU, NEON, MY TEAM AND, YOU FOR YOUR 2255 02:11:16,067 --> 02:11:19,733 FRIENDSHIP. 2256 02:11:19,833 --> 02:11:24,067 YOU ARE A GENIUS AND YOU'RE MY BROTHER AND I THANK YOU 2257 02:11:24,100 --> 02:11:27,467 FOR THIS, AND FOR MANY OTHER THINGS. 2258 02:11:27,567 --> 02:11:29,567 THANK YOU VERY MUCH. 2259 02:11:29,667 --> 02:11:37,867 "THE SECRET AGENT" IS A FILM ABOUT MEMORY, OR THE LACK OF 2260 02:11:37,967 --> 02:11:40,400 MEMORY, AND GENERATIONAL TRAUMA. 2261 02:11:40,500 --> 02:11:46,933 I THINK, IF TRAUMA CAN BE PASSED ALONG GENERATIONS, 2262 02:11:47,067 --> 02:11:50,600 VALUES CAN, TOO. 2263 02:11:50,700 --> 02:11:55,767 [APPLAUSE] SO THIS IS TO THE ONES THAT ARE STICKING WITH 2264 02:11:55,867 --> 02:11:58,433 THEIR VALUES IN DIFFICULT MOMENTS. 2265 02:11:58,533 --> 02:12:05,700 TO OUR SON, OUR KIDS, OUR LIFE TOGETHER, I LOVE YOU 2266 02:12:05,800 --> 02:12:06,767 VERY MUCH. 2267 02:12:06,867 --> 02:12:12,200 [SPEAKING BRAZILIAN PORTUGUESE] THANK YOU VERY 2268 02:12:12,300 --> 02:12:13,133 MUCH. 2269 02:12:13,600 --> 02:12:23,067 [APPLAUSE] * >> Kevin: STILL AHEAD, GEORGE CLOONEY 2270 02:12:23,100 --> 02:12:24,067 AND JULIA ROBERTS. 2271 02:12:24,367 --> 02:12:26,833 >> Marc: THEY ARE GIVING UP MOTION PICTURE, DRAMA, AND 2272 02:12:26,933 --> 02:12:29,500 MOTION PICTURE, COMEDY OR MUSICAL. 2273 02:12:29,600 --> 02:12:31,600 CAN'T WAIT FOR GEORGE AND JULIA! 2274 02:12:42,067 --> 02:12:50,400 * >> Announcer: WELCOME TO THE STAGE JULIA ROBERTS! 2275 02:12:50,500 --> 02:13:00,567 [APPLAUSE] * * [CHEERS AND APPLAUSE] >> Julia: 2276 02:13:06,567 --> 02:13:09,400 THANK YOU, THANK YOU. 2277 02:13:09,500 --> 02:13:14,333 [LAUGHS] EVERYBODY! 2278 02:13:14,433 --> 02:13:21,633 LET'S GO, IN THE BACK, COME ON! 2279 02:13:21,733 --> 02:13:24,267 THANK YOU, THANK YOU. 2280 02:13:24,367 --> 02:13:29,600 [LAUGHS] EMMA STONE, SHE IS LIKE, WHAT THE HELL IS GOING 2281 02:13:29,700 --> 02:13:31,633 ON RIGHT NOW? 2282 02:13:31,733 --> 02:13:32,867 YEAH. 2283 02:13:32,967 --> 02:13:33,833 WOW, THANK YOU. 2284 02:13:34,100 --> 02:13:36,500 I'M GOING TO BE IMPOSSIBLE FOR AT LEAST A WEEK. 2285 02:13:36,600 --> 02:13:38,267 I APPRECIATE THAT. 2286 02:13:38,367 --> 02:13:40,933 [SIGH] WHAT A GREAT NIGHT! 2287 02:13:41,067 --> 02:13:45,100 WHAT A BEAUTIFUL NIGHT TO BE AN ARTIST. 2288 02:13:45,200 --> 02:13:46,067 THIS IS 2026. 2289 02:13:46,167 --> 02:13:48,667 WE ARE GOING STRAIGHT TO THE TOP ON THIS. 2290 02:13:48,767 --> 02:13:53,200 I AM HERE TO PRESENT BEST MOTION PICTURE, MUSICAL OR 2291 02:13:53,300 --> 02:13:54,133 COMEDY. 2292 02:13:54,233 --> 02:13:57,967 AND THE NOMINEES IN THIS CATEGORY ARE... 2293 02:13:58,067 --> 02:14:02,133 >> "BLUE MOON." 2294 02:14:02,233 --> 02:14:06,200 "BUGONIA." 2295 02:14:06,300 --> 02:14:10,267 "MARTY SUPREME." 2296 02:14:10,367 --> 02:14:14,567 "NO OTHER CHOICE." 2297 02:14:14,667 --> 02:14:18,500 "NOUVELLE VAGUE." 2298 02:14:18,600 --> 02:14:25,867 "ONE BATTLE AFTER ANOTHER." 2299 02:14:25,967 --> 02:14:32,500 [APPLAUSE] >> Julia: GEE WHIZ. 2300 02:14:32,600 --> 02:14:35,167 THIS IS A TEST CATEGORY! 2301 02:14:35,267 --> 02:14:36,133 ALL RIGHT. 2302 02:14:36,233 --> 02:14:39,267 [LAUGHS] KEVIN HART, THANK YOU FOR STAYING. 2303 02:14:39,367 --> 02:14:42,633 [LAUGHTER] BECAUSE HE WAS GOING TO LEAVE, AND I SAID, 2304 02:14:42,733 --> 02:14:43,333 CAN YOU STAY? 2305 02:14:43,433 --> 02:14:45,967 BECAUSE I LOST A MINUTE AGO. 2306 02:14:46,067 --> 02:14:51,933 ME AND EVA VICTOR, WHO IS MY HERO. 2307 02:14:52,067 --> 02:14:54,567 SORRY, BABY. 2308 02:14:54,667 --> 02:14:59,633 IF YOU HAVE NOT SEEN IT, SEE IT. 2309 02:14:59,733 --> 02:15:04,333 [APPLAUSE] ANYWAY, SO HE CAME TO MAKE ME FEEL BETTER 2310 02:15:04,433 --> 02:15:05,667 ABOUT MYSELF. 2311 02:15:05,767 --> 02:15:08,300 AND THE WINNER IS... 2312 02:15:08,400 --> 02:15:09,500 "ONE BATTLE AFTER ANOTHER." 2313 02:15:09,600 --> 02:15:15,067 [APPLAUSE] * >> Marc: "ONE BATTLE AFTER ANOTHER" IS 2314 02:15:15,133 --> 02:15:16,467 HAVING QUITE A NIGHT. 2315 02:15:16,567 --> 02:15:18,467 MULTIPLE WINS, KEVIN. 2316 02:15:18,567 --> 02:15:21,233 >> Kevin: SCREENPLAY, DIRECTOR, TEYANA TAYLOR ALSO 2317 02:15:21,333 --> 02:15:21,800 WIN. 2318 02:15:22,600 --> 02:15:25,833 >> Marc: ONE OF MY FAVORITE STORIES, I ASKED LEONARDO 2319 02:15:25,933 --> 02:15:28,933 DiCAPRIO AT THE PREMIERE IF HE WENT METHOD TO PLAY A 2320 02:15:29,067 --> 02:15:35,567 POTHEAD, AND HE INSISTED HE DID NOT. 2321 02:15:35,667 --> 02:15:45,667 [APPLAUSE] * AND THAT IS PAUL THOMAS ANDERSON'S WIFE, 2322 02:15:48,833 --> 02:15:53,367 MAYA RUDOLPH. 2323 02:16:03,933 --> 02:16:06,600 >> THANK YOU GUYS. 2324 02:16:06,700 --> 02:16:10,067 THIS IS INCREDIBLE, AND INCREDIBLE HONOR. 2325 02:16:10,167 --> 02:16:14,233 ALSO TO BE HERE AMONGST SO MANY FRIENDS AND AMAZING 2326 02:16:14,333 --> 02:16:15,600 FILMS THIS YEAR. 2327 02:16:15,700 --> 02:16:19,233 I WANT TO AGREE WITH PAUL THAT THIS HAS BEEN ONE OF 2328 02:16:19,333 --> 02:16:21,367 THE MOST INCREDIBLE FILMING EXPERIENCES, 2329 02:16:21,467 --> 02:16:24,367 ONCE-IN-A-LIFETIME. 2330 02:16:24,467 --> 02:16:34,267 DUE LARGELY IN PART TO THE PERSON WE SHARE THIS AWARD 2331 02:16:34,367 --> 02:16:40,600 WITH, THE LATE ADAM SOMNER WE MISSED EVERY DAY. 2332 02:16:40,700 --> 02:16:44,299 SO MANY ORIGINAL FILMS THIS YEAR, WHAT A FEAST FOR US 2333 02:16:44,400 --> 02:16:45,066 ALL. 2334 02:16:45,666 --> 02:16:48,133 THANK YOU TO THIS CAST, WHAT AN EMBARRASSMENT OF RICHES 2335 02:16:48,233 --> 02:16:48,967 AND TALENT. 2336 02:16:49,532 --> 02:16:55,799 I WANT TO SAY I LOVE YOU TO MY FAMILY, AND THANK YOU TO 2337 02:16:55,900 --> 02:16:56,900 PAUL ANDERSON. 2338 02:16:57,066 --> 02:17:00,833 IT IS A PRIVILEGE AND A PLEASURE TO WORK WITH YOU. 2339 02:17:00,933 --> 02:17:03,433 I AM SO GRATEFUL. 2340 02:17:03,532 --> 02:17:13,532 [APPLAUSE] * * >> Announcer: PLEASE WELCOME 2341 02:17:24,267 --> 02:17:27,267 FOUR-TIME GOLDEN GLOBE WINNER GEORGE CLOONEY. 2342 02:17:27,367 --> 02:17:37,367 [APPLAUSE] >> George: BONSOIR, MES AMIS. 2343 02:17:41,066 --> 02:17:44,700 C'EST UN HONNEUR D'ÊTRE ICI. 2344 02:17:44,799 --> 02:17:49,933 YOU SEE? 2345 02:17:50,066 --> 02:17:57,600 [LAUGHTER] THE FINAL AWARD OF THE NIGHT IS FOR -- 2346 02:17:57,700 --> 02:18:07,767 [APPLAUSE] >> Don: WHAT ARE YOU DOING? 2347 02:18:14,166 --> 02:18:18,100 >> JUST HERE TO SUPPORT YOU, BUDDY. 2348 02:18:18,200 --> 02:18:25,400 I SAW JULIA BACKSTAGE. 2349 02:18:25,500 --> 02:18:28,066 THEY DIDN'T STAND UP. 2350 02:18:28,133 --> 02:18:30,400 [LAUGHTER] >> George: SIT DOWN, IT'S NOT NICE LIKE 2351 02:18:30,500 --> 02:18:31,066 THAT. 2352 02:18:31,100 --> 02:18:34,066 I DON'T TAKE YOUR PITY. 2353 02:18:34,166 --> 02:18:35,933 >> Don: STILL HAS EVERY THING GOING? 2354 02:18:36,066 --> 02:18:38,066 >> George: IT'S BEEN GOING GOOD. 2355 02:18:38,166 --> 02:18:39,566 SAW A LOT OF OLD FRIENDS. 2356 02:18:39,666 --> 02:18:45,867 >> Don: DID YOU WIN? 2357 02:18:45,967 --> 02:18:50,799 DID YOU WIN -- >> George: WE ARE ALL WINNERS HERE, I 2358 02:18:50,900 --> 02:18:53,367 MEAN... 2359 02:18:53,467 --> 02:18:57,666 [LAUGHTER] >> Don: I MEAN, NOT REALLY. 2360 02:18:57,767 --> 02:19:00,299 >> George: I HAVE WON, A FEW TIMES. 2361 02:19:00,400 --> 02:19:01,133 >> Don: YOU HAVE. 2362 02:19:01,233 --> 02:19:02,867 IT WAS A LONG TIME AGO. 2363 02:19:02,967 --> 02:19:05,833 >> George: NOT THAT LONG AGO. 2364 02:19:05,933 --> 02:19:06,633 >> Don: WELL... 2365 02:19:06,733 --> 02:19:10,666 COME ON. 2366 02:19:10,767 --> 02:19:13,833 TIMOTHEE, WHAT ARE YOU, 29 NOW? 2367 02:19:13,933 --> 02:19:16,133 30 YEARS OLD. 2368 02:19:16,233 --> 02:19:18,867 HE WAS 3 THE LAST TIME YOU WON. 2369 02:19:18,967 --> 02:19:20,532 IT'S A LONG TIME. 2370 02:19:20,633 --> 02:19:24,933 >> George: IT WASN'T THAT LONG AGO. 2371 02:19:25,066 --> 02:19:27,767 >> Don: "SYRIANA." 2372 02:19:27,867 --> 02:19:30,933 >> George: I'M GOING TO DO THE NOMINATIONS. 2373 02:19:31,066 --> 02:19:33,467 >> Don: HAVE AT IT. 2374 02:19:33,566 --> 02:19:37,833 KNOCK 'EM DEAD, BATMAN.% >> George: THE NOMINEES FOR 2375 02:19:37,933 --> 02:19:41,066 BEST PICTURE, DRAMA, R... 2376 02:19:41,100 --> 02:19:43,833 >> "FRANKENSTEIN." 2377 02:19:43,933 --> 02:19:46,733 "HAMNET." 2378 02:19:46,833 --> 02:19:54,200 "IT WAS JUST AN ACCIDENT." 2379 02:19:54,300 --> 02:19:55,967 "THE SECRET AGENT." 2380 02:20:00,000 --> 02:20:03,100 "SENTIMENTAL VALUE." 2381 02:20:03,200 --> 02:20:10,567 "SINNERS." 2382 02:20:10,667 --> 02:20:16,633 [APPLAUSE] >> George: AND THE GOLDEN GLOBE GOES TO... 2383 02:20:16,733 --> 02:20:19,033 YOU WANT TO HELP ME OUT? 2384 02:20:19,133 --> 02:20:22,367 >> Don: YEAH, YEAH. 2385 02:20:22,467 --> 02:20:23,100 "HAMNET." 2386 02:20:23,800 --> 02:20:33,767 [CHEERS AND APPLAUSE] * >> Kevin: CHLOE ZHAO ABSENTLY 2387 02:20:36,933 --> 02:20:37,933 STUNNED BY THIS WIN. 2388 02:20:38,033 --> 02:20:39,433 I SPOKE TO HER THE OTHER DAY. 2389 02:20:39,533 --> 02:20:46,600 SHE SAID THAT SHE DOESN'T THINK SHE COULD DIRECT AN 2390 02:20:46,700 --> 02:20:47,867 EPISODE OF "ABBOTT ELEMENTARY." 2391 02:20:47,967 --> 02:20:50,033 >> Kevin: SHE ALSO SAID THEY HAD TO WORK OUT PARTS OF THE 2392 02:20:50,133 --> 02:20:53,867 ENDING OF THE MOVIE, AND IN THE END IT WAS SIMPLY 2393 02:20:53,967 --> 02:20:57,567 BREATHTAKING WHAT THEY CAME UP WITH. 2394 02:20:57,667 --> 02:21:03,933 >> Marc: ANOTHER IN THE FILM, YOU KNOW THAT HAWK SHE 2395 02:21:04,067 --> 02:21:04,833 HAD? 2396 02:21:05,333 --> 02:21:10,467 THE WRITER OF THE NOVEL SAID THAT DIDN'T EXIST, AND CHLOE 2397 02:21:10,567 --> 02:21:17,933 ZHAO SAID, WELCOME TO ADAPTATIO. 2398 02:21:18,067 --> 02:21:23,933 [APPLAUSE] >> THANK YOU SO MUCH. 2399 02:21:24,067 --> 02:21:31,067 THANK YOU TO THE GOLDEN GLOBE VOTERS AND TO OUR 2400 02:21:31,167 --> 02:21:39,233 COPRODUCERS, LIZA, SAM, PIPPA, NIC, AND ESPECIALLY 2401 02:21:39,333 --> 02:21:44,400 SAM MENDES WHO SENT ME THE BOOK. 2402 02:21:44,500 --> 02:21:48,733 I LOVED THE BOOK BUT I FELT THERE WAS REALLY ONLY ONE 2403 02:21:48,833 --> 02:21:54,900 FILMMAKER ON THE FACE OF THE PLANET WHO COULD TELL THIS 2404 02:21:55,067 --> 02:21:58,167 STORY OF AGNES AND WILL AND THE SPIRITS OF THE EARTH AND 2405 02:21:58,267 --> 02:21:59,067 THE FOREST. 2406 02:21:59,300 --> 02:22:06,167 AND THAT WAS THE EXCEPTIONAL CHLOE ZHAO. 2407 02:22:06,267 --> 02:22:15,733 [APPLAUSE] >> YOU THANKED EVERYBODY, RIGHT? 2408 02:22:15,833 --> 02:22:16,333 OKAY. 2409 02:22:16,933 --> 02:22:21,700 I JUST WANT TO SAY THE VILLAGE OF "HAMNET" THAT 2410 02:22:21,800 --> 02:22:26,633 MADE THIS FILM TOGETHER, SOME OF THEM LOST THEIR 2411 02:22:26,733 --> 02:22:29,767 LOVED ONES WHILE WE WERE MAKING THIS FILM, AND SOME 2412 02:22:29,867 --> 02:22:32,733 OF THEM ARE STILL STRUGGLING, SO WE JUST WANT 2413 02:22:32,833 --> 02:22:34,500 TO SAY THAT WE ARE THINKING OF YOU. 2414 02:22:34,600 --> 02:22:41,533 WE ARE HERE BECAUSE OF YOU, AND WE LOVE YOU AND MISS 2415 02:22:41,633 --> 02:22:42,433 YOU. 2416 02:22:42,867 --> 02:22:45,833 PAUL SAID SOMETHING TO ME THIS MORNING -- IS IT OKAY 2417 02:22:45,933 --> 02:22:48,133 IF I SHARE? 2418 02:22:48,233 --> 02:22:49,800 >> SURE. 2419 02:22:49,900 --> 02:22:52,433 >> HE SAID THAT MAKING "HAMNET" MADE HIM REALIZE 2420 02:22:52,533 --> 02:22:55,900 THAT THE MOST IMPORTANT THING ABOUT BEING AN ARTIST 2421 02:22:56,067 --> 02:22:58,900 IS LEARNING TO BE VULNERABLE ENOUGH TO ALLOW OURSELVES TO 2422 02:22:59,067 --> 02:23:04,133 BE SEEN FOR WHO THEY ARE, NOT WHO WE OUGHT TO BE. 2423 02:23:04,233 --> 02:23:09,467 AND TO GIVE OURSELVES FULLY TO THE WORLD, EVEN THE PARTS 2424 02:23:09,567 --> 02:23:13,133 OF OURSELVES THAT WE ARE ASHAMED OF, THAT WE ARE 2425 02:23:13,233 --> 02:23:16,600 AFRAID OF, THAT ARE IN PERFECT. 2426 02:23:16,700 --> 02:23:21,267 SO THE PEOPLE WE SPEAK TO, THEY CAN ALSO LEARN TO SEE 2427 02:23:21,367 --> 02:23:23,467 THEMSELVES AND FULLY ACCEPT THEMSELVES. 2428 02:23:23,567 --> 02:23:27,067 I LOOK AROUND THIS ROOM, THERE ARE SO MANY OF YOU 2429 02:23:27,167 --> 02:23:29,067 THAT I HAVE KNOWN FOR MANY YEARS. 2430 02:23:29,133 --> 02:23:34,367 MY INCREDIBLE NOMINEES, AND I'M LOOKING AT YOU, RYAN 2431 02:23:34,467 --> 02:23:34,933 COOGLER. 2432 02:23:35,067 --> 02:23:41,800 I'M LOOKING AT YOU. 2433 02:23:41,900 --> 02:23:44,833 I TELL YOU HOW TO MAKE A FIRE, BECAUSE IT WAS COLD IN 2434 02:23:44,933 --> 02:23:45,733 YOUR ROOM. 2435 02:23:46,200 --> 02:23:50,833 I'M LOOKING AT YOU AND I SEE SO MANY OF YOU HAVE BECOME 2436 02:23:50,933 --> 02:23:58,533 SO STRONG AND TENDER AT THE SAME TIME. 2437 02:23:58,633 --> 02:24:00,233 IN YOUR WORK TO THE WORLD. 2438 02:24:00,333 --> 02:24:05,367 SO I SALUTE YOUR BRAVERY AND ISOLATE YOUR DEDICATION, AND 2439 02:24:05,467 --> 02:24:10,800 AS STUDENTS TOGETHER, AND LET'S KEEP SEEING EACH 2440 02:24:10,900 --> 02:24:14,467 OTHER, AND LET'S KEEP ALLOWING OURSELVES TO BE 2441 02:24:14,567 --> 02:24:15,800 SEEN. 2442 02:24:15,900 --> 02:24:18,933 THANK YOU. 2443 02:24:29,067 --> 02:24:29,733 >> Nikki: THAT'S OUR SHOW! 2444 02:24:29,833 --> 02:24:30,567 THIS ONE WENT TO 11. 2445 02:24:32,067 --> 02:24:33,067 THANK YOU FOR AN AMAZING NIGHT. 2446 02:24:33,133 --> 02:24:34,267 AND I HOPE WE FOUND THE FINE LINE BETWEEN CLEVER AND 2447 02:24:37,067 --> 02:24:37,500 STUPID. 2448 02:24:37,767 --> 02:24:39,200 A GOOD CHALAMET TO YOU ALL! 185658