Original subtitles

Below this level there is none, Below this level the operator said, Below this level there is none, Below this level

Below this level there is none, We entered into where no one wants to be, In fact it's better if you don't come with me.

To listen to yourself and to tell your story to, Sidekey Atric must I do.

Below this level there is none

this level there is none, This time the experiment you have made has term to some type of lemonade but below this level there is none, Below this level there is none,

There is none

Below this level, there is none

Oh

I

Got to hear your way

Got to hear your way

Got to hear your road

And I love your hair too

Take it you

All right

All right

All right

All right

All right

I'm a man, I'm an angel, put another right, we're just here to push it off, cause it's

where the sky is gonna be your way.

Got a right of your own, I'm a man,

man, I'm a man,

man, who's Z

Let's spend your heart and your head in the sun.

All right.

All right.

All right.

All right.

All in the moon.

Get into the sun.

Bang again.

Bow to the swine.

All right.

You're all right here.

I know where they are.

Let us come together.

Don't know where.

All right.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

Get the eyes of you.

RYYO betts the Creative

explosive hands,

our support of the

Inner Task Force,

our Captain Willon,

ouright is where our

insight after the

overlooking,

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

And

singing

song

fl US

song

song

one

song

So

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

I'm trying to feel like this

I'm trying to feel like this

I'm trying to feel like this

I'm trying to feel like this

I'm trying to feel like this

I'm trying to feel like this

I'm trying to feel like this

I'm trying to feel like this

I'm trying to feel like this

I'm trying to feel like this

I'm trying to feel like this

I'm trying to feel like this

I'm trying to feel like this

I'm trying to feel like this

I'm trying to feel like this

I'm firing in bullets

I'm trying to feel like this

I'm trying to feel like this

I'm trying to feel like this

I'm trying to feel like this

I'm trying to feel like this

I'm trying to feel like this

I'm trying to feel like this

I'm trying to feel like this

I'm gonna be a little bit more

I'm gonna be a little bit more

I'm gonna be a little bit more

I'm gonna be a little bit more

I'm gonna be a little bit more

I'm gonna be a little bit more

I'm gonna be a little bit more

I'm gonna be a little bit more

I'm gonna be a little bit more

I'm gonna be a little bit more

I'm gonna be a little bit more

I'm gonna be a little bit more

Just be a little bit faster

I'm gonna be a little bit more

Yeah, I'm gonna be a little bit more

Yeah

I'm gonna be a little bit more faster

Yeah I'm gonna be a little bit more

But vegeta cannot be Created by the word

It is the word they would go

I'm gonna go ahead and try to man

the

the

the

I'm going to make a little bit of

little bit of a

little bit

This work is screwed up almost.

S

we just

we have

I'm just gonna do it.

I'm just gonna do it.

I'm just gonna do it.

I'm just gonna do it.

I'm just gonna do it.

I'm just gonna do it.

I'm just gonna do it.

I'm just gonna do it.

I'm just gonna do it.

I'm just gonna do it.

I'm just gonna do it.

I'm just gonna do it.

I'm just gonna do it.

I'm just gonna do it.

I'm gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

I'm just gonna do it in this field.

grace

was

great,

while my

game.

ummm

So

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You just

this one at me

The key to

kiss on my knee

I may make a

fill of

things

and kill me

from everything

You

just be free

and you

want to step my path down the ground

and drop me out of all my fear

and ask me are you there

I am

I am

I am

in the key to

you

I am

in the key

you

you

I am

in the key

you

I am

in the key

you

So, I'm going to make a little bit of

a little bit of

of a little bit

My father and I

Told me out there on my bed

I asked me how you'd care

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

You

51

We were talking in thelyn and we heavily married

Some body only decided to wear IV and vid

cabinet

I think there was a cold

Get done

We gave him one of the tools called four bracelets.

And we gave two Alpha One silver merch.

And he said hello to himself.

I thought some amazing things Gems inimagar would be like this.

were to be surprised and we were.

Because you're doing good surprise.

I'm going to be a little bit nervous.

I'm going to be a little bit nervous.

I'm going to be a little bit nervous.

I'm going to be a little bit nervous.

I'm going to be a little bit nervous.

I'm going to be a little bit nervous.

I'm going to be a little bit nervous.

I'm going to be a little bit nervous.

I'm going to be a little bit nervous.

I'm going to be a little bit nervous.

I'm going to be a little bit nervous.

I'm going to be a little bit nervous.

I'm going to be a little bit nervous.

I'm going to be a little bit nervous.

I'm going to be a little bit nervous.

I don't have a step.

Hello.

laughter

So everybody has to play.

I went recently.

Alright, Monitoring ground.

So let's grow more.

if

it

if

safe

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I'm going to be here.

I'm going to be here.

I'm going to be there.

I'm going to be there.

I'll be there.

I'm going to be there.

I'm going to be there.

I'm going to be there.

I just come in and I just don't know where we are, but I love you.

You know, fruit.

Come through to light the room.

Whoa!

Hey, teaching.

Teaching.

This is Becky and Daniel.

Very, very important for this project.

Epic shows, all the remixes.

So it's all her fault.

She gets all the credits pending.

Now I get the play, we don't know what she gets the credit if it goes wrong.

I haven't seen her.

I mean, I found all the other.

I said hello to Jackie.

It turned out to be some journalist.

Um...

I don't mean presumably looks like...

I don't know, the winner of the Chelsea Flash show.

How do you see that?

Yeah.

We're good.

I can see my eyes.

I can see my eyes.

That's all right.

It's too good to see that.

Yeah.

It's too good to see.

I can see.

Okay.

Oh yeah, you did a lot for this album.

You're here?

Come on.

Wait.

Come on.

We're going to...

Oh.

Interesting music on saccharin, which is like a crack of this thing.

People who created actually all this drum and bass or trip up or yes, and since can actually

always creating these kind of rhythms which make you move, this was the basis.

So we get mail from people, especially from musicians, young musicians.

Can you repeat the question?

You mean of our work?

Yeah, we're working out the dynamics.

We're used to solving problems, so we'll get this one sorted out in the end.

Yeah, yeah, yeah.

We have now decided that first one talks and then the other one so that we don't constantly

contradict each other.

You know, because everyone has different things to say.

Oh, wonderful, isn't it?

I mean, when you're inside, it's a very nice feeling.

You see all those poor people outside.

It was very loud there, so we were still a bit damaged, don't we?

Well, possibly old age or a...

Yeah, and pure physical age.

Well, it's a matter of age, really.

How do you mean it's a matter of age?

At 20, at 20, making place in a separate world.

I mean, I mean, I was already married.

Well, down there...

Everybody gets very harsh.

Done quickly.

I've come to conclusions, but...

I'm not going to be wearing any of those.

Organising all the promotion pockets.

And nearly done.

You play them.

So close, they're good.

So, I was going well?

Yes.

You happy?

Yes.

This is the other one, Ermin and Mickey.

And you're there.

And you're there in 14th floor.

It's Parker and Jackie.

OK, so what's wrong with you?

No one?

Yes, sir.

Oh, I didn't know that.

Oh, whiskey with the high.

I do.

Yes, I'm sorry.

It's very bad to have it, but that's the way.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Aren't Kathy alive?

She's not Farmer.

Oh.

I mean, it doesn't matter so much.

I'm going to take four pictures.

One of these old floors, so I'll check it.

Sometimes it doesn't get short.

Good.

I'll come for it a little bit.

All right, perfect.

Hold still.

Nice.

No smiles.

Are you sure?

Yeah.

You make it close?

Yeah, it's pretty close.

I'll make it for you as you like.

That's perfect.

Yeah, and just hold that position.

Stay very still.

Excellent.

These are good?

It'll be all good.

A little?

Good.

This is the normality.

These are leather men.

I like, which ones did you wear outside?

I forget.

This one.

I like that.

Sorry.

We can do both.

We can do both.

Two for each.

That's four.

That's good.

Wow.

It's a gender and a thank you.

Thank you.

Yeah, yeah.

Yeah, yeah.

That's the only one that's in the pattern.

By the way, we are listening to the sacrilege of cat.

And what do you know?

Can this be the year you go for the first time you did life there in the early 60 years

ago?

There's something to do.

And next time for me is Mickey.

Mickey say hello.

Hello, hello, hello.

And Jeremy, as well.

Hello!

That's good.

Did you hear that?

This time, other artists involved, you know, to extend the can, the can, tim and the brain.

And here we have crowd Craig.

Is he from the United States?

Yes.

He is.

He is from Detroit.

He is.

Okay, let's go.

Please run on me so far, Craig.

Thank you all.

Thank you.

In the past, we've been here.

In the past, we've been here for the first time.

In fact, he has been here.

I'm here.

We can all together.

All together first time.

Yeah.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm here.

I'm everywhere now.

How you doing?

Aw, Graly?

achey.

Thank you!

Hey, how's the kitchen?

So for the best in ambient electronic, dub and trance,

plug into DigitalOcean Wednesday, then 9, only on WNYU, New York.

T

and improvisation sometimes is absolutely formless,

except if you have already a preformed scheme,

like at June, but we didn't have it.

So what we create from the public,

we came on stage not knowing what we're going to do,

and from that we focused the atmosphere

and the sounds around it, had a dramaturg, had a form.

It's hard to judge for us,

because we anyway were the only group in the world

who did that.

Everybody, I know, you know,

if you look into some stories,

they have sections called Crop Rod.

We didn't feel ourselves being in a certain,

say, style of German, or, I mean,

Crop Rod doesn't mean much to me,

and the crowd is okay,

and you can skip the rock.

Like what did anyone say on this?

On this stage, I mean.

Working process, yes.

Yeah, I mean, can't work, it's working process,

and we anyway, as long as we live,

we are a kind of working process,

and it's never finished.

Yeah, it's been my last time.

Nice to meet you.

Nice to meet you.

Anybody else?

It was your say, today,

yesterday in terms of this generation.

Yes, maybe you are right.

Okay, Madi Bhadhyayan for this occasion.

Mr. Serenade, I'm not going to be a bargain.

I'm going to be a conversation.

I'm going to talk to you.

I'm going to talk to you.

Thank you.

Outside, down.

Yeah, I'm not going Roy P

to do that in a different way.

Here comes she brings the ring from the seventh as the same.

Yes, I care if she brings me spring,

but don't care about nothing.

She brings the ring.

Oh, yeah, she brings the ring.

In the dawn of the silvery day,

clouds seem to melt away.

She brings the ring.

Oh, yeah, she brings the ring.

She brings the ring.

She brings the ring that feels like spring.

Magic mushrooms, light of dreams.

She brings the ring.

Oh, yeah, she brings the ring.

So men who yellows, grey disappears.

Flying on the raven's wings.

She brings the ring.

Oh, yeah, she brings the ring.

Yes, I care.

She brings me spring.

But don't care about nothing.

She brings the ring.

Oh, yeah, she brings the ring.

She brings the ring.

It feels like spring.

Oh, dear, devoted nation.

Magic mushrooms.

She's played pure color.

She brings the ring.

She brings the ring.

It feels like spring.

Do not believe me music.

I'm so sorry.

I'm so sorry.

I'm so sorry.

I'm so sorry.

I'm so sorry.

I'm so sorry.

I'm so sorry.

I'm so sorry.

I'm so sorry.

I'm so sorry.

I'm so sorry.

I'm so sorry.

I'm so sorry.

I'm so sorry.

She's fucking dead.

I'm so sorry.

I'm so sorry.

I'm in kinda school.

Hi welcome here.

I'm Bachelor's Science,

Bachelor's Science.

Actually, this is 1990's.

You can call your kids

Outside the game.

AVO3th led Germany to have backup.

Basically, twentyonomies were books

Coloradolevagan's house was manufactured

I'm going to go for the football night.

Time to play football night.

I'm going to go for the football night.

I'm going to go for the football night.

I'm going to go for the football night.

It's a very nice game.

It's a very nice game.

It's a very nice game.

It's a very nice game.

The world is a very nice game.

It's a very nice game.

It's a very nice game.

It's a very nice game.

It's a very nice game.

It's a very nice game.

Time to play football night.

It's a very nice game.

It's a very nice game.

It's a very nice game.

It's a very nice game.

It's a very nice game.

It's a very nice game.

It's a very nice game.

It's a very nice game.

It's a very nice game.

It's a very nice game.

It's a very nice game.

It's a very nice game.

It's a very nice game.

It's not a good game.

The teachers were telling them all these issues.

They would see a doctor.

It's a very nice game.

It's a very nice game.

It's a very nice game.

It's a very nice game.

It's a very nice game.

It's a very nice game.

We get free food.

We get free drinks.

We get free food.

We get free food.

We get free food.

We get free food.

We get free food.

It's a very nice game.

It's a very nice game.

It's a very nice game.

It's a very nice game.

It's a very nice game.

How did you make that?

It's a very nice game.

It's a very nice game.

There's another thing I'm doing.

I work together with electronic musicians.

At the moment I work with a man from Cologne.

His name is Bernd Friedman.

He's quite well known in the electronics scene.

I couldn't continue with the guys.

I had to finish it.

What in your post-can career are you most proud of in terms of your musical work?

Proud of.

The thing you're most proud of doing, maybe maintaining a band that's played life for 20 years without making a record.

I don't know.

Is there anybody you haven't worked with who you would like to collaborate with?

I don't know.

I can't collaborate with everybody.

How do you feel about the state of non-commercial music at the moment?

I'm always doing it.

Do you think there was an underground light that was in the late 60s?

Yes, yes, I think so.

Especially in Cologne, but in many other places in Germany.

It's this electronic scene.

They produce music they like and they don't think of having commercial success.

Did you, when you were making music with Cannes, did you have any idea that the music would be so influential and so enduring?

Of course, I couldn't predict that at that time.

Because it was clear that you were very much doing your own thing as a group and completely outside of the norm,

creating your own reality, which is for me one of the reasons why the music is so timeless.

I think an important thing was to have an own studio.

So we had our own studio because we had not written the music before.

We got to a studio without knowing anything.

We don't know what to do. So we got to the studio and start something, get an initial ignition and start something

and other musicians join and find their own ideas.

And so something grows.

Tell me a little bit about Hildegard's role in the band because I know that before she came along you had a fairly disastrous manager.

In the beginning.

Hildegard's role is of course very important for the group.

I think we would probably wouldn't be here now today.

We would probably make a lot of music but wouldn't sell anything.

Hildegard was like a mother to us in a way, taking care of us, stupid musicians who have no idea of business.

We only knew a little bit about music.

Do you have a favorite story of something that happened in the studio?

My favorite story is when I tried to kill Hildegard with an X.

I'm very happy today that I didn't do. So I still can enjoy Hildegard.

This was musical tension of course.

It was music attention. It was a lot of tension.

I think we were able to convert this tension into music.

I still believe that it's necessary to have tension.

Because if there's no tension you cannot make music. I think it's an important element.

There has to be some tension. Actually I didn't want to kill Hildegard but I just wanted to frighten him a little bit.

I'm sure he'd see.

This is the story of... I remember this story.

What is your favorite word?

My favorite word.

I don't know. I don't think I have a favorite word. It's not shit.

In this... No, any other for a little word.

What about your least favorite word?

Least favorite.

I hate words like bass drum, snare drum, and all kinds of words like this I hate.

Why so?

Because these words limit my imagination.

What inspires you artistically?

You mean music wise?

Most inspiration I get I think from ethnological music.

There's not much left but I still find some ethnological music from everywhere from the world.

Is that because of its purity?

I think because of the motivation of the music.

Why it is made. Today music most of the music is motivated by commercial ideas.

People make music because they hope to sell a lot of records and make a lot of money.

But in ethnological music I think there's no motivation like that behind.

They play this music because they have inherited it from their fathers, uncles and so on.

And they continue in that tradition.

The opposite of inspiration. What turns you off?

I would stay away from things like that. Not to be turned off.

What's your favorite noise?

Oh, favorite noise.

I don't think I have a favorite noise.

Any noise can be nice or not nice.

Your least favorite noise?

This, I don't know. Any noise can be nice.

Do you have a favorite saying?

They were saying don't very be happy.

Finally, assuming that there is such a thing as a god.

What would you like God to say to you when you arrive at the gates of heaven?

I have no idea. I don't think of things like that.

I'm not prepared to this question at all.

Thanks.

Yes.

Tell us a little bit about what you're working on at the moment.

First off, I'm working on still astonishing enough on my opera, which is actually finished.

But I hope it will be restaged very soon, so I have to help preparing that.

Then I'm probably very soon doing a new album with Kumo.

I did just that finished yesterday, another film music, and I'm composing.

But I won't talk about until it's finished.

Of course.

And in a very old fashioned way of writing.

And what else do I do?

Tell us a little bit about the opera.

How long did it take you to actually do all the work?

Well, there was a lot of preparation work leaving that away.

It was about four years, nearly five years, writing the score, and then going to studio

and inventing on the computer together with Kumo.

And then recording the orchestra and melting to the electronics.

So that was a very complex procedure which altogether, from the first moment of writing,

when the libretta was finished until it came on stage, was about four and a half years.

Is there one thing that you would point to in your more recent work that you particularly proud perhaps?

Well, normally I'm always proud of that, which is what I just finished.

If I succeeded to do what I wanted.

Of course, the opera is the biggest thing of the last years I've done with Monster.

And I wasn't sure I would succeed.

And I think somehow I did.

I mean, there's always a rest here.

Well, of the record I did and the concerts I do with Kumo.

That's very satisfying.

So I can say I've actually always the last thing you did.

What about people, musical collaborators?

Are there any people that you would particularly like to work with?

In the moment with Kumo.

The music is amazing.

Where does, because it's obviously a lot of cans and music was born out of tension

and that white heat of creativity. How do you get that back these days?

In a way, I nearly suffered after some time sitting there and writing the score for the orchestra.

And I always can, I love that going back to what I learned and writing for orchestra,

because I love these instruments and for me to orchestra.

And I think it should not be forgotten.

And, but on the other hand, what I'm doing is always that I'm writing something and being all alone.

And then doing something with others, so I try to keep the balance.

I wouldn't stay alone for sure.

It's a very long time.

Sure.

What do you think of the current state of non-mainstream music? Does it inspire you or you?

Well, you know, I don't really, all these terms don't mean much to me.

I don't know what that means. There's a lot of mainstream music sometimes.

Which is wonderful. And there's a lot of so-called underground, which is awful.

Maybe Canada has always been underground and still is.

But in the beginning, it was far away from mainstream and now lots of people refer to it.

So what's mainstream, what's underground? Mainstream can be interesting.

I mean, there are pieces of Madonnais like.

No. It's a phrase that was apparently said by Elvis Presley, which is that there are only two kinds of music, good and bad.

I think that's...

It's a very banal to say that.

What do you think about the technological advances in music which have opened it up to make it so easy for people to make their own music?

Is this something that you think is...

And it's not a progress because the very first drum...

50,000 years ago somebody played on was as well a good music instrument as the Haltz Studio here.

So, I mean, if we forget about that, there is a progress that it's only getting more diverse and that's one thing.

That's interesting and should never be thought that the new one is replacing the old one.

Sure.

I mean, never electronics can replace the wonderful richness of what we have in the world on old instruments, even here, standing the grand, in the wonderful instrument.

If we use that with the new ones, the whole electronic is a new instrument and when the grand was born, another music was played on it,

but you didn't forget Bach, she didn't have the grand.

So, there's no progress.

On the other hand, I like it that everybody can make music and that it is easy.

This spontaneity, young people can just go, has a good side. It has another side, but I mean, that's very complicated.

Has it changed your own approach to recording?

Not really.

I mean, of course, using Pro Tools or E-Magic is different than using 30 years ago a two track machine and overdubbing it three times.

I mean, it's another approach and again, it doesn't mean anything aesthetically better or worse.

It's no progress in aesthetics. It might be faster.

But even that is not true. It's just only different.

And if you accept that every technical change creates a new aesthetics with which you have to be creative, then it's okay.

If you try to reproduce the old aesthetics with new techniques, it's mostly quite boring.

When you were making Cairns music, did you ever worry about what you were doing as a band was palatable or would sell or not?

It was not a consideration.

It was not the main point of that it was sell. But of course, as a musician, you want to reach a public.

I mean, you don't want to close yourself in their studio up and then nobody... You do it for others, the music.

Even if the most important thing is that you are satisfied with what you're doing, you hope that others like it.

And back to the question, I had quite a strong belief in it. I mean, I think everybody of us said, we wouldn't have undergone so much trouble we caused to each other.

Sure.

If we wouldn't have believed that the work we did and the intense work we did and even the trouble we caused to each other would be worth...

If it wouldn't be worth for something which endures.

Sure.

I think we all were quite convinced.

Tell us a little bit about Michael Carelli's role in the band.

Well, to point out something about the role of single always starts using cliches because the role of everybody was constantly changing according to momentary moods.

And he was very much like a glue in who kept the relation which was sometimes difficult between, let's say, Horgenme.

Then he was the one between us. I mean, just to use an example, he was the one who just glued us again together, if they were... or Jackie and me or whatever.

He was very much the one who kept his tentacles over everybody.

And then he was, of course, the youngest of us four.

And that means he was already... I mean, ten, eleven years made quite a difference between me being at the beginning, thirty and twenty.

So his role was also to bring into something I've never thought of.

So totally new musical.

He bought in something quite contemporary, didn't he?

Yeah, in terms of rock music, of course, for me.

And that's what exactly I was looking for.

And since he became one of my closest friends anyway, so his role for me is a very personal one, or has me.

Do you have a favourite memory of the studio, a particular moment, which was magical, or has burned itself into your consciousness?

Not really a special moment, but a special situation when music sort of was created out of these daily noises, coming in, tuning and opening the window and sounds from outside.

And even people, all these things which in another studio normally disturb were reason for us to turn them into music.

And sometimes this process was so magic and happened quite often.

And these magic moments are the most wonderful memory of it.

I don't suppose that you deliberately set out to be different, but you certainly ended up sort of remaking the rules.

What I have had in mind was I was not accepting the way the contemporary classical music was defining itself as the only representing in art's contemporary music.

For me, the same status could be on sliced down on Jimin Hendrix and Mothers of Invention.

So for me, this music had the same status of contemporary music, and sometimes was art, and sometimes was mainstream, let's call it like, whatever it was.

And for me, it was important to bring this together and define this role with all these techniques, means and stylistics, styles and whatever you call it.

What is your favourite word? Your favourite word, yeah.

The word, favourite word, I wouldn't tell you, I only tell you to hear the good.

Your least favourite word.

Important.

Very good.

There are so many people who tell me what is important, I hate it.

What thing or things inspire you?

Silence.

What turns you off?

Music in the morning.

Your favourite noise?

Well, I should say again silence, because when you listen into silence, it starts being full of interesting noises.

Do you have a favourite say?

No.

Well, there's one in the e-gink I only know in German, Ferland is Baharlicke.

Um, assuming there is a god, what would you like God to say as you arrive at the Pearly Gates?

Hi, I'm in tomorrow, it all starts again.

Really?

Wonderful.

Thank you.

lo,actually,

I'm going to be working on the moment.

I have just finished a new album.

I'm working on the new one.

I can't say it as the new one is already finished.

Okay.

Is that a cello album or are you working with other people?

Yeah, I'm always at the moment concentrating myself, working on a lady.

She's called Yoshi.

She's actually a world-class designer and painter,

but she has such a secret in the voice.

One day she was singing only for one second.

I said, forget about earning money and learn a little bit more.

And I'm concentrating on her.

I'm a little bit older than you did.

You can see it's a fifth product I'm working with,

but first of course I started to give it to the record industry,

so it was completely...

They didn't want it.

Nobody wanted it.

Actually, nobody.

And then I decided to give this product to her.

No.

I decided to stop working with the record industries,

and I made my own label,

but I never will come to them.

And then suddenly a situation was that my manager, we played life

and went on tour in Japan and in Gdansk where I was born.

That's one of the most magical places.

And he said in the aeroplane,

I think you should actually give it to the record industries.

And I said, no, I don't see any reason.

And then he said, okay.

But then said to me privately, can you do that?

This was for me so absurd,

but I understood that he wanted to say,

you don't believe in what you do, but I believe more in that what you do.

Therefore, give it to me, and I don't care anymore about the things.

And I pay what you want to have.

It's no problem.

And that was for me where I said, okay,

this is the absolute last attempt.

And there we are.

What is the album called?

The New Millennium.

Share with us a little bit of your memories of the studio.

You've spent a lot of time here.

I have very good memories here.

When we started to build up the studio,

we decided from the very first moment to make all recordings in our own studio.

We didn't want to go into another studio.

I love this idea because it was somehow so far away from the achievement at that time

what proper studios were trying to set up, for example, dampening to avoid crossovers.

But we couldn't avoid it completely.

Actually, in our studios, the walls were speaking.

This was something which was every other studio tried to avoid.

But with us, it was not that way.

And easy communication.

That wasn't.

Sure.

And for this, I left this with leaving my place,

always for example here, establishing something.

I said, oh, I have to set up something.

And the others were a little bit boring and tried to make music.

It actually happened.

And they didn't know that I was recording this all secretly just doing only that I am doing something

but it was only to fool them.

How many times did recording in a secret like that,

how many times did that actually produce something which became a finished track that went on and out?

For example, the whole unlimited, and can unlimited edition was exactly these kinds of situations

which came up, always somehow waiting for something and not really intending or pretend to record a tune.

How do you, in your post-Can career, how do you replace the tension and the white heat that caused great things to happen?

You see, the heritage of Can is still existing.

And his Can was starting very, very spontaneous but professional spontaneous.

And this kind of surprising, recording something and getting surprised but what happens, I am still always in this situation.

Do you believe that in some way music is kind of always there around us in the air, flirting around in a slightly abstract existential life?

It is in the air, it is always all the time around you.

Of course you can, you see, I was very often thinking about what to do and having great ideas.

That is what I thought, having a genius idea.

And then you make a mistake and that mistake was a more genius than all your ideas.

Tell us a little bit about your relationship with Michael in the band.

Michael had a special function in Can, I must say.

He was in kind of, I think first of all he was the most intelligent guy of us.

And secondly, he did not push out this kind of intelligence.

Actually he was a very interrogating figure.

There is very diplomatic.

He has nothing to do with diplomatic, he has something to do with wisdom.

I mean he has a kind of, he had a very right sense of what is going to happen.

He did not want, it was not his achievement to be only a great guitarist.

This just happened to be, that he became a great guitarist.

You see when I finished studying with Stockhausen, I was thinking how do I make money?

And I was thinking the same as he did, I mean looking for a rich wife.

So I went to the public schools in Switzerland, in the girls schools,

and I tried to become a teacher there.

And one day I got offered a job, and I came up into a class where Michael Karoly was sitting as a pupil.

And this is how I came across with Michael Karoly.

It means that me and Karoly left the school and I was fired.

So we were most together.

Did you think when you were making that music that it would be so important?

I'm sorry to use that word, Ermin.

That it would be so enduring and so appreciated by such a broad spread of people.

Yes, we all were conscious about this.

And we felt a little bit lonely sometimes, if you go to the city in Cologne and have a look,

we'll just around you because we got very strongly criticized for our kind of monotony we created.

But on the other hand, the monotony was the most important thing we had to achieve.

It was the bravest thing we did perhaps.

Yeah, you must imagine.

Four people coming from very different edges.

And they are talking, everyone is talking like in a talk show, you know, everyone...

And you don't achieve a real sound.

This is why Jackie always said he was the most important figure at that moment.

He said to me, you name a Shukai.

And Shukai means search.

I think you should better not search anymore.

You should better find the one tone you want to play.

And that is why he really insisted on it.

I had so many complex.

You know, I didn't want to record, for example, in the group.

When we started, everyone had to get out because I was so shy.

I didn't have any conscious about that.

But I did was really good.

And the group has helped me about this.

And especially Jackie, he was obviously saying, I don't demand from you too much.

I just demand from you less.

You know, when the first can piece that was officially...

Let's say an official can piece.

Father cannot hear.

This recording was finished.

I had the tape in my hands.

And I said, and you are the one who played that bass there?

I didn't believe it.

How do you feel about it?

The access it gives people, the ease of recording, etc.

First of all, it is a good thing.

For example, can came up and said, we forget about everything that we have learned.

That means we are absolute beginners.

And therefore, the only achievement or the only attitude we could give to the public was being punked.

Not social wise.

But in the approach to establish something...

Well, you certainly weren't hippies.

Maybe we are actually disguised as a young woman.

If you were punked disguised as hippies, you had to look at the time.

But the attitude was absolutely not.

It was merciless.

I can tell you about concepts which we made.

I can say, not even a mouse has survived it.

It's just not to speak of a human being.

What's your favourite word?

Word.

I don't have a favourite word, but I can imagine that the most often word I use is end.

Okay.

Do you have a least favourite word?

No.

It would have to be butt really, wouldn't it if that was handled?

Actually, I tell you, I hate these questions.

I hate them as much as I hate music.

You wrote it, I hate music.

Do you listen to music for pleasure?

No.

Never, never.

Never.

It's work.

So we won't do the rest of the questions.

No?

Go ahead.

If you want to make me angry, go ahead.

Okay.

What inspires you?

What inspires me?

Yeah.

Women.

For example, like animals.

Technique.

Very much.

If the internet wouldn't have been invented for anyone,

it would have been invented only for me privately.

This is fantastic.

For me, it was kind of the SOS call,

and I was recognized, I was heard.

True.

You used the internet a lot now.

I'm more or less 24 hours available for the fans all the time.

How do you feel about downloading music?

They can download as much.

I was talking to my lawyer the other way.

She said, oh God, don't worry.

Let's copy.

It only gives you a better name.

It's no problem.

And I never had a kind of disadvantage.

Not me.

And finally, assuming that there was a God,

and you arrived at the perlogue dates,

what would you like God to say to you?

God was saying something to me.

It was one of my dreams where Mickey is a corollary.

He said, you are strange.

How you dream?

He said, you have a sort of a shaman dream.

I said, I was dead, and I was coming to God,

and God said to me, you know, all the angels, yeah,

like the foot on the throne of Allah.

So I was sitting there too.

And then God told me and said, you are not really dead,

but I will kill you now.

And he took a needle and he made me,

I just was nothing anymore.

And sent me to a journey you can say through the space,

somewhere, just as spirit.

And this was for me such a wonderful dream.

Actually, this is an ivory portrait

that to Misha Coriolini.

And he told me about that.

I never think about my dreams, actually.

I forget about them.

Yeah.

Or even if I don't forget,

I don't regard them as being important.

No.

I was complex enough already.

Yeah.

Brilliant.

Thank you, Hologa.

Michael couldn't be physically present,

but he sends you his love.

Michael couldn't be physically present,

but he sends you his love.

Oh yeah.

Hey Jason.

I mean, it's kind of a stanut

It's sort of a stan

Ha haalo ha hahaha finally

Bangladesh

that's kind of the idea

a cross in the other ones

the cat

race

ten

not

remembering

leading

I was in front of the sea.

I was in front of the sea.

That's good.

Let's leave him out.

So, absolutely.

It's the place we're going to cross.

This means you've got a moon.

I'm going to cross.

I'm going to cross.

Yeah!

I'm going to cross.

I'm going to cross.

The mothership is about to land.

This is a picture of white and white.

You can see the view of the Victorian and Georgian buildings in Regina was destroyed during the 1916 landing.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white and white.

This is a picture of white.

This is a picture of white.

This is a picture of white.

This is a picture of white.

This is a picture of white.

This is a picture of white.

This is a picture of white.

This is a picture of white.

This is a picture of white.

This is a picture of white.

This is a picture of white.

This is a picture of white.

This is a picture of white.

This is a picture of white.

This is a picture of white.

This is a picture of white.

This is a picture of white.

This is a picture of white.

This is a picture of white.

This is a picture of white.

This is a picture of white.

This is a picture of black.

This is the picture of white.

This is a picture of white.

This is a picture of white.

This is a one of good eyes.

This is a picture of white.

This is a picture of brown.

This is a picture of black.

This is a picture of white.

This is a picture of a white.

The picture of white.

Thoughcard grade grade in painted tones is very different.

This is a bit of a finish.

The Hollander Jail is behind and on text.

This is a picture of it.

This is a few more, two more.

This is a picture of white.

This is a picture of a white.

This is a picture of white.

The picture shows that it comes up like this.

It doesn't look like this.

This is a picture of white.

slowly, this is a picture of a white.

Whaaaat?

www.unarnalling.com

Don't you do it, I know I don't talk with the angels I know

Don't you know, H.T.S. and me

Don't you do it, I know I don't talk with the angels I know

Don't you do it, I know I don't talk with the angels I know

Don't you do it, I know I don't talk with the angels

Don't you do it, I know I don't talk with the angels I know I don't talk with the angels

I know I don't talk with the angels I know I don't talk with the angels

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm going to do it.

I'm a little bit older than you.

I'm a little bit older than you.

I'm a little bit older than you.

I'm a little bit older than you.

I'm a little bit older than you.

I'm a little bit older than you.

I'm a little bit older than you.

I'm a little bit older than you.

I'm a little bit older than you.

I'm a little bit older than you.

I'm a little bit older than you.

I'm a little bit older than you.

I'm a little bit older than you.

I'm a little bit older than you.

I'm a little bit older than you.

I'm a little bit older than you.

I'm a little bit older than you.

I'm a little bit older than you.

I'm a little bit older than you.

I'm a little bit older than you.

I'm a little bit older than you.

If it's a bit easier,

just addAGE Falco Friso,

archy fuel.

There is NBC series and know the

or basedavis songs our ship is called on everything for us.

There are Slash,

all our new merriminatory anthrachemie with cool ain't there?

dear.

the darkness of the universe and the universe.

It's basically that high organ, the main organ

that's running all the way through.

The electric piano, the ring mod electric piano,

does that dudududududu stuff.

And then there's another organ.

So we just listen to those.

They all could go on and from here.

Yeah, I think they should just go on to the very end.

The movement around the component.

And then there's a lot of people who are in the world

who are in the world, who are in the world.

And they are in the world, and they are in the world.

Maybe Mickey's ring mod guitar.

The ring mod guitar is a bit more evil.

Evil.

Less civilised.

ldurey.

The first one was the appearing of Charles

Philipp l

as society.

What we've tried to do here is place things centrally so that the drum kit and the bass

are actually right in the middle with the listener and the other instruments moving around them

consistently.

Having fun with the joystick is an essential part of the operation.

Have a listen to that.

Okay.

Good?

No more ideas.

Did I have clowns with the bass?

No one was able to hear them from a young drummer one in the second half.

Brass.

There was a lactose.

They would Azerbaijan based on the Nations piece,

They are invited to the N

And it's a bit of a sad message.

I'm not going to do it.

See, this happened when I just was learning Japanese

of the toilet.

I don't know.

Three years I was a toilet learning Japanese.

He's not a first-time soldier.

No Japanese will understand it, but that's the end of it.

I'm not going to do it.

I'm not going to do it.

Japanese might have a kind of noise

in which my job is not on you,

but I just want to make an essence

of the launch of the launch.

I don't know if I'm going to do it,

but I don't know if I'm going to do it.

I'm not going to do it.

That's a kind of polyetamul, a zanglan,

mule-blind mule.

The third one could become the main important.

OK.

Yeah.

The major part of the process really

was done before we came into the studio,

which was restoring the old tape,

finding the old tape, the old multi-track tape,

and restoring it.

And you hear the sound of the roar.

That must be one of the singers which we had,

which we tested.

It's interesting.

You know, we have sometimes singers we tried out

how they worked.

Maybe they forgot to erase them.

LAUGHTER

Because the band, at the time that these tracks were recorded,

it was quite poor.

So they were reusing the tapes over and over again.

So there would be one song,

bang in the middle of a tape,

that had five other tracks on there,

from different periods,

with different stickers and different hieroglyphs all over.

So after they've oxidation crescendo,

a lot of different RAF OK spaces

is down in theenanium.

Then together,

you have theTS

look from an RV

and then you have the detection of utilizeInteg JordanSS Love.

If you're missing the opportunity,

you don't have the opportunity

to see calling the Bravo cord.

All these guys are invited to deliver

I feel like I'm knocking, Yala.

Get in the sphere.

Enough. Mm-hmm.

Okay. Nice.

Thank you very much for your help.

They care.

This tape, this was the Ampex tape.

It was baked, yeah.

No, well, he didn't bake it, but he said it was in the worst condition.

He said he had to clean like every 30 seconds in a tape and what have you.

He said this was the most difficult one, but the quality is still really good.

There's no tape noise around it.

It's pretty impressive.

No distortion either.

Jackie's chosen a track from right time, which was again another step forward in the history of the band,

and that is recorded on 24-track, two-inch tape.

So that's another technological level to deal with.

As of in some below this level, there's none.

I'll ask you a little bit about the music.

I know the best song is, it's written in the show.

It's written in the best.

I was written from Texas, Oregon, Elson, Dinky.

So, Mr. Mooney, where are you?

Below this level, there is none.

Below this level, oh.

Take some of those songs.

It's a very interesting song.

I'm not sure that the song is really good.

I'll just blow the horn.

Oh, wait!

Most stylishly, though, I have to say, is very professionally played.

It's a car horn.

Well, you're still playing the bass drum with your foot at this point.

Yeah, yeah.

Okay.

Because I saw it was running because the sound of it is very much like a kick.

I was sure, when I was again, I got Elson Monro.

I was like, I'm not sure.

I was like, I'm not sure.

I was like, I'm not sure.

I was like, I'm not sure.

I was like, I'm not sure.

I was like, I'm not sure.

I was like, I'm not sure.

I was like, I'm not sure.

You were still mixing violinist or in niece?

I have no idea where it was mixed because I didn't participate.

Oh, thanks.

Okay.

I don't know where it was mixed.

Maybe not in niece.

Maybe in the can store, do you?

Yeah, yeah.

But don't remember.

You left them to get up with the mix.

You weren't...

No, no.

Usually I did not participate in mixes.

Because many cooks...

Exactly.

...spoil, la brat.

Please, my drum's louder.

Oh!

My guitar has to be louder.

Yeah, yeah, yeah.

And so on.

So it's...

You get everything, it's getting louder.

Yeah, it's getting louder.

Yeah, yeah.

Until you run out of room on the desk to push the mobile.

Yeah, yeah.

As the taste is finished, I think so...

...so fit this...

...march drum, no, la, la.

On just a few minutes of the day...

...I said, having a car off the apparatus of the Good Day has to be movement-based.

You're really focused on the flour and time.

But another thing that you do is to be productive.

and done all most of the guided DNA cancer patients on Florida.