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Welsh
Wolof
Xhosa
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.
trouble is contest, conducting contest and they get corrupted.
I love to live in Iceland or in Greenland and to sell the penguins my records if possible.
Well I know I have an intellect.
I don't think I'm governed by it very much.
There are five people together who are all interesting and all quite remarkable in their own right.
And I think it's new.
Why can't?
Because maybe it has something to do with it.
No, I think actually I don't know why can't.
Just the same and each one of them is amazing.
So I want you to do what you do because you've spent a lot of lives on this guitar and it's too hard.
Have you never changed your own body?
The moment that I was born in the South Pole,
I was born in the moment where I was born.
I was born in the North Pole, and I was born in the North Pole.
I was born in the North Pole, and I was born in the North Pole.
And then I was become the light to do it with black.
Because I Austin the H Gutwe Pol excel in heart,
and never hurt anyone.
In Challenges user that begins the song in German.
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floor like many people whenever they getholished.
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when we cook stuffing.
Please, write to the crowd that don't likecircle music.
Please, if it's your strong Doc, please hire me in this song.
Always once.
total...
lonely...
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I'm going to show you how to play the music.
I'm going to show you how to play the music.
I'm going to show you how to play the music.
These fields have a very different kind of music.
So what I ordered was Te
Just to show you how to play music.
emergency capacity of electric wires adjustments.
Jack, I am thestrip driver.
Thanks to his trip ahead of us.
How are you?
Good, calm down.
Let's go back to Belgium alone.
up
It's the visit.
You heard all this here.
It was not.
I ain't sorry.
I ain't sorry.
I'm glad that you're here.
I'm glad that you're here.
I'm glad that you're here.
Don't let yourself tell an element
now!
Thank you for your down,
I willate!
It's like this...
This Music.
Thisgrades During candy
Conperse.
He's aulonex Francesco
Everywhere, everywhere, where's your mind?
The subject of life is too hard to live
Too many inside the suns, reach out for the sound
Forget it, everything you do
Pay your mind to cry, play my voice
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rescindation
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No!
No!
No!
No!
No!
No!
No!
No!
No!
No! No!
No!
No!
Somebody live...
Somebody live.
Mistake, mistake, mistake.
Somebody come!
Somebody come!
Nobody else.
Nobody ask you.
Somebody talk.
Nobody love.
Somebody love.
Somebody love.
Somebody love.
Somebody love.
I'm glad we're here.
Just like a kid.
I wish.
You wish.
Somebody talk.
Somebody ask you.
Nobody talk.
Nobody talk.
Nobody care.
Nobody come to you.
Nobody love.
Nobody love.
Nobody love.
Nobody love.
No, we love you.
We love you.
There aren't straight- those days in New Zealand are blessed with air.
We will fly to buddies immediately.
So, do they start by sharing something?
anting sounds like guitar
in average with handcuffs.
You can say it's in the day and the night.
The coronavirus is absolutely not very happy.
We'll see them in the matter's only because of their adventures and our coordinate.
Electronic football has been the biggest event on air.
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and drugs such as faced fires,
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So, it's not only for fans and I thought you were such a good one.
In fans and is a claire, does ambition, do they pay any kind of audience,
and about ambition, for their efforts, the only way of oil,
and the music and tiredness.
When can't that be seen, how about the show,
and how about the music and the other, the music and the music,
and the music and the music, the music and the music.
It's a good one to achieve.
It's a good one.
I hope to see you there.
There are fans in, at the right place as well.
The music is a very good one.
It's a pleasure.
The music is a great one.
The music is a great one.
The music is a great one.
The music is a great one.
So, it's a great one.
It's a great one.
It's a great one.
It's a great one.
There are fans in the room and the rock bands.
It's a great one.
I see rock bands that are very good.
I see them as well as the band.
They are very good.
They are very good.
The music is a great one.
They are very good.
They are very good.
There are fans in the room and the music is a great one.
There are fans in the room and the rock band are very good.
Don't you do it again.
I don't talk with the anxious, I know.
Don't throw extra zendly
Don't throw extra zendly
Don't throw extra zendly
Don't throw extra zendly
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can understand exactly what we have done since the Family members'ited song
in 2020.
When the dealelectates from the youth at the age of an young person
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while the youth are again started to engage the youth on campus.
I'm not sure if I'm going to do it.
I'm not going to do it.
I'm not going to do it.
I'm not going to do it.
I can't identify myself with their names.
I was given you an achievement.
I grew up with a few events where people
came up.
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And when you can't walk the way your mind is better your mind
It's better your game, better your mind
It's better
It's better
It's better
It's better
My mind is better
My mind is better
It's better
It's better
My mind
My mind
My mind
My mind
My mind
My mind
These challenges are very different.
And that is why we're not going to fight against our subsystem.
But across the base, we've continued to get back again.
How are we going to play together.
People have hit videos.
We think God wants to stay without any confidence.
We are really excited about the lives itself.
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Every day
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Every day
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The global, the club can't do this,
but the music can't do this.
It's a great thing to interpret.
I think it's a great thing to do with the club.
I think it's a great thing to do with the club.
I think it's a great thing to do with the club.
I think it's a great thing to do with the club.
In helicopters, they often play it,
and there are people that aren't in the sheriff's office
who couldn't hear why you were here.
They have a strong friend,
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Thank you all.
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Hello!
Hello!
Hello!
Hello!
Hello!
Hello, I'm very glad to have you.
I'm very glad to be here.
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And actually I do feel very special to communities.
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Ooh, that love, ooh, that love, ooh, that love
Ooh, that love, ooh, that love, ooh, that love
Ooh, that love, that love, that love, that love
Ooh, that love, that love, that love, that love
Ooh, that love, that love, that love, that love
Ooh, that love, that love, that love, that love
Ooh, that love, that love, that love, ooh, that love
Got some buzz, got some buzz, got some buzz
When did you go to New York?
That was in 66.
And what happened to you there?
Well, actually, well, there was this contest and I started all my things conducting stuff and everything.
But then I also met a lot of these fluxus people like Dick Higgins and I met Terry Riley and Steve Reich.
And I got into this warhol scene in the Chelsea Hotel.
I spent most of the time, and I started to forget about the contest.
It wasn't very interesting anymore.
The Chelsea Hotel was much more interesting.
What happened there?
I get corrupted.
The most important thing was the fact that you don't have to think beforehand.
The power of the spontaneity, the result on the media, and the way of listening and making conclusions and decisions.
This was really something that was completely new to me after having studied for a long time.
He's really quite very reclusive in fact.
In fact, he has to really be in his foil on-term eyes, as we say in German.
He's been this fire under the bum, I mean, to get to him.
He's been here for a long time and I was able to stay and make his music and not do anything else.
Nobody in his right mind would like me to become a dentist or a minister of defense or anything.
Because I know you.
Yes, yes.
I mean, I don't think I would have more success as a brain surgeon.
There is none below this level.
We entered into where no one wants to be.
In fact, it's better if you don't come with me.
Listen to yourself in the Tell Your Story 2,
Sayhi Adri, Must I Do.
In all this level, there is none.
This time, the experiment you're made has turned to some type of lemonade.
But below this level, there is none.
Below this level, there is none.
Below this level, there is none.
How did you join Ken?
I mean, everybody knows this story when you...
I don't know the story.
Actually, I didn't join Ken.
No, I met some people.
Then these people were ever in Holy God Michel.
And my opponent.
We'll come.
We're going to go!
We've run out of spots from government.
kind of both give to some bass player.
Yeah, that's what some music is like.
Want to angle here. That's his man, additional.
But I've been waiting to meet you for the last 20 years.
I really have.
I didn't know.
When they told me that the Jew, they found you in Munich,
I said, boy, he has a lot of heart.
Because working with cans sometimes can be like...
Incredence.
I mean, this is a real motor who drives the group.
And that's a thing.
Where this is a screamer.
No, no, no.
That was not much of a screamer.
He was a diamond. He was a screamer too.
A diamond was found more interested in songs.
Like normal real songs.
Probably successful songs.
Then, do you see his natural singing?
Natural singing.
Well, I tend to sort of agree with that.
Oh, my God.
Yeah.
Oh, my God.
So this is anyway, the normal daily work somehow.
Making music, composing.
Okay.
Okay, okay, okay, okay.
Gotta get it away.
Oh, right.
Okay.
Okay, okay, okay, okay, okay.
Gotta get it away.
Gotta get it away.
Gotta get it away.
Can.
To be able, physically, mentally, morally, legally or the like,
to possess the qualities, qualifications or resources necessary
for the attainment of any end or the accomplishment of any purpose.
Specific end or purpose being indicated by the verb, which can be joined.
I would describe Cairns' music as being an ultra futuristic and very classic.
I think the essence of Can is that, you know, you can do anything.
Oh, very good.
I think you don't have to know Kane.
You don't listen to his remixes.
They sound in for people who don't know Kane.
It might be interesting.
You don't have to know anything.
It looks good.
And it's stretched boundaries and stretched limits.
Oh, girl, we're sitting on stage, but you know, he had a short wave radio,
and he was picking up the fishing forecast, you know, and broadcasting it over, you know,
this sort of funk backing.
One of the facets of Cairns' music was that he once played a minimally.
As if every musician almost played a bare minimally that could get away with,
and repeatedly.
So he created this kind of like, well, in that sense, the petition.
And within the kind of a petition, you have slight differences, but he was very minimal.
He was very, very exciting.
Very actually doing like techno, sort of 76, 77, a real electronic dance music.
The moment a sport could do or whatever, or a cool story, other stuff on the radio,
it would be a very difficult one.
But it was a very difficult one.
It was a very difficult one.
It's a really good reference point now because of the way music is,
where you've got so many different influences being put into one part.
And I think that's what Can Always did.
They took influences from rock records and dance.
The kind of dance music you had around at the time,
the electronic equipment that you had at the time,
also the traditional equipment, a mixed it all up and the vocals.
A kind of mad mishamash of lyrics and stuff.
It's always been about experimentation, but they always took experimentation to,
in a way that Eno did where it was still melodic and it was to accept,
but it wasn't too chaotic or mental.
The russet was to try and do it in more of an alternative left field.
Kind of the hip hop beats track, but try and keep the flavour sort of,
that progressive sound and can.
And that's the challenge.
To keep it as true to the original as you can, so you're not,
you know, you're not ripping it apart and totally raping the track,
but to also re-interpreate it because that's what you've been asked to do.
You'd be certainly very, very wild.
I'm calculated with you.
Unacoustic.
Not necessarily in any commercial.
I read anything about the sex piece that was dark in them.
It was the first time I actually heard the word can.
Is the editing I remember as the fact that someone had done a 20 minute song?
Yeah, it's that as well.
Which is what we actually released, wasn't it?
We did.
And then we were.
And then we were.
It influences other musicians and doesn't actually influence the mass.
Same thing we can. You can hear so many other influences in there.
It's so obvious, but yeah.
It's so bleak. This is so good.
I'm having a track that was 20 minutes long and changed, continuing away through it.
The fact that it was all live.
We had this game by playing a knife that I played a chord.
He played a bass to it.
I mean, it was all spent time. He played a bass to it, which was difficult.
It changed the harmonical context.
It wasn't the harmony I played then all of a sudden.
And I re-inpertent it to interpret it as his own arm, his bass, new chord.
So he had to change. And that was a very interesting harmonic.
It gave him a lot of really old ideas.
It was difficult to do because there was no motor track available.
Everything that can always be exactly for the first few years was all mixed through it.
So there wasn't a motor track available at all.
So we ended up isolating all the bits of vocals.
All the tracks we wanted to use and most of those included the backing tracks.
So we kind of accelerated it, turned it into little bits.
And kept all the vocals, which was quite a departure from all the other women from the parallel.
And they did the same thing with the harmonics of the musical line.
They just turned them around and they became totally different.
It made it very, very beautiful.
It changes the whole mood of something and still keeps the essence.
It's very, very tricky.
I don't think my mix of lyrics is to kind of sound very much.
The only thing that I'd get people like to do in there sounds is to find out we'd use some of the samples.
And then we thought, okay, we've got the strength and we've got the basic arrangement.
We'd pop to all the vocals and we'd write any kind of prose bit.
And when came to the verse, I was still pleased about that.
It was something that was actually a bridge section that had repeatedly all the tracks.
My idea of it was because the original was such a kind of minimal, relentless 20 minutes piece
to turn this piece into a 3.5 minutes more single oriented track.
I tried to take Canon into the 21st century.
But I used from the original it's pretty much the voice and the back ends,
which I thought was the most futuristic.
I played that through some big work and events in the 70s.
And they removed the seems to bring a lot of feeling expected for memories.
I was trying to have motion and my mix is rather a little bit too impressive.
So, like you said, this is a group I really thought they have a lot of similarities with their life.
They're very kind. They have a kind of attitude.
They have a kind of doing something that nobody would do.
You know, just see how it sounds.
I mean, slowing down, slowing down the school.
It's a really weird idea.
There was like an organic parent going through the group, which connected the individuals.
It was like a bunch of lunatics that loose on instruments.
And they weren't conventional instruments, you know, like the Herman's keyboard sounded like a flying saucer going off after time.
You know, all the play base with his gloves.
The singers just used to make it up on them as they went along.
The guitarist just sounded like he was playing on the moon.
You know, it was just alien funk, really.
But like nothing you'd ever heard.
And you didn't know where it was going to end up, which was the other exciting thing.
They could go anywhere. And they often did.
When they did the tracks on the albums, they weren't arranged songs.
You know, they'd go in and play for like 50 hours and whittle it down into, you know, a 10 minute track.
They had the remix principle on the go and the word go.
What is the good remix? The remix is a piece I would say.
You don't even recognize sometimes the origin and the source being came from.
And it's a very good remix, but you can see these people put in a lot of, oh, investment.
I know.
The thing is that is that I think the grossing can be power.
The difference between the singers and the singers is that they are not the best.
They are not the best.
They are the best singers in the world.
They are the best singers in the world.
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It's a very interesting thing.
It's a very interesting thing.
It's a very unique thing.
It's a very unique thing.
It's a very unique thing.
It's a very unique thing.
It's a very unique thing.
It's a very unique thing.
It's a very unique thing.
It's a very unique thing.
It's a very unique thing.
It's a very unique thing.
We push a little bit closer to our channel.
And we can see what is going on in Braveheart.
Thank you very much.
It costs increasingly high wages to our child.
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and I think that's why I'm here today.
I think that we are going to be able to get
to be able to get a better, better, better, better.
I think that we are going to be able to get a better, better, better, better.
I have to say that you could get a better business today.
But I thought it silver edition on, on this ring Chi Dog show of multiplayer game.
A bullet Bloom on this climbed front.
It was an hour and hour in a half.
All of us didn't want to seeIGUA on Sanctuary Group.
They had an hour and it happened now.
The downloaded eight individual players on top of the gate came in when they arrived in the game.
But we wereO
in the material built in the electron that was involved in the music of the media
and of the reports of the media.
And it was a very important thing to do with the environment.
And I think that the material built in the material built in the material built
is very important.
At the last few years I know that we have to be compliments,
I will be to be the generation in our offices together over here showing how they were
who were interested in the music of their circadian system.
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and offers opportunities
in cooperation.
Thank you very much.
I brought in for you today's video about Johnny18 Kerry.
Thank you so much.
I took a demo from General Eisenhower coming more or less salient
and traveled I believe particularly.
We are a young man who is external and a happy question.
The ambient light is because of coveted numbers.
There areankers, more enterprises and motorcycles.
to observe why".
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which they are going to plan,
It is the way
that all of us only live there.
Around the ages of half.
and the balance of life.
I think that we are all going to be able to do this.
We are going to be able to do this.
We are going to be able to do this.
We are going to be able to do this.
We are going to be able to do this.
We are going to be able to do this.
We are going to be able to do this.
The honourable and knowledge about problems
in public agency Defensively I think
the first thing we need to do is to go through humour.
We're going to die in our own door and
We are going to think of talking seats
We are learning through our own
enquiry moment
I think that the
international world is a
very important thing.
I think that the
world is a very
important thing.
I think that
the production of the
production of the
production of the
production of the
production of the
production of the
production of the
production of the
production of the
production of the production
of the production of the
production.
So if you're
in the
group,
if you're in the
group,
if you're in the
series,
it's one of the
They had quite limited equipment but used it to its absolute maximum.
So the way they worked on this particular track was, of course, I have to point out
that at this point in 73 they only really just got into using multi-tracks.
Previously everything they'd done was played live onto just two track stereo and then that
was edited.
And with the multi-track process, how they did it was recording the basic members of the
band, bass, guitar, a guide vocal and some keyboards as a basic sort of foundation.
And then series upon series of improvised solos over the top.
So say six of the tracks of the 16 track is this original jam and then layer upon layer
upon layer of improvised overdubs over that.
And then the process was selecting small moments from these improvisations.
So they were still improvised and kept in the same place where they originally played but
just a selected moment from that to make the dramatic structure of the piece.
The wisest decision that the band made was to get their own studio and work with the
technology themselves which meant that there was a natural move away from the conventions
which means that the music is freer of the fashion of the time.
Consequently it still works today, it will always work.
It will always have its own voice and its own sound whereas lots of other bands would
go through the full conventions of how music worked in the period which was rehearsing
a rehearsal room, drums, bass, guitar solo, two verses chorus, etc.
You go and play a load of gigs, get depressed and a little white van driving around Europe
for a couple of years and then you go into a studio with an engineer and a producer,
it will tell you how to play and what to play to fit in with the conventions of the period
to keep the record company happy.
And that means that thousands of records from any period, I mean that's how the music business
still operates to a large degree, 99% of them are so fixed with the conventions and fashion
of the period that when that fashion is gone when the fashion is over, well so white you
can just chuck it.
And consequently can we're able to avoid too much of that fashion pressure because through
their working method unfortunately just about stay alive as well in the process which means
that the music still has an appeal, has a value however many years later.
.
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I think it's a very good experience.
I think it's a very good experience.
I think it's a very good experience.
I think it's a very good experience.
I think it's a very good experience.
I think it's a very good experience.
I think it's a very good experience.
We came here all.....
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of the
the realm is this way we can subsequent
sudden
And the way that we have been doing this is that we have been able to do this.
And we have been able to do this in a very long time.
And we have been able to do this in a very long time.
And we have been able to do this in a very long time.
And we have been able to do this in a very long time.
So I'm really genuinely interested in seeing one in other world.
In this spot there had been horrible SHHAND many years ago.
Strangely, I am very grateful that every day
subscribed.
Thank you very much to you for having me.
buoy
Thank you.
I was really sorry for my hours.
As an honor.
Thank you.
Period.
into production only.
here,
and as we're innovating with our own best
we're also looking at the
concentration in our working life
construction videos
encouraged us to see it
it's the nursery
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and we feel very inclusive
It's not a champion, but we don't have to fail this.
You will be the Lars WAllenpatch one,
and feel free to be arrived in
thank youuuüU'test mentions
I listen very often until I do it
to one moment.
I am not welcome here.
I am former Vice-General for the
Government of the United States
There are fndring moments here
In english, my father didn't
to say, that in international management organizations we
firms made services straight up around ready in terms
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It is so exciting to have Each letter of human persistence content and Its
self.
and the
world of the world of the world of the world of the world.
We are now convinced that the music is a
conventionally-instrumental instrument.
We are now convinced that the music is a
conventionally-instrumental instrument.
We are now convinced that the music is a
conventionally-instrumental instrument.
We are now convinced that the music is a
conventionally-instrumental instrument.
We are now convinced that the music is a
conventionally-instrumental instrument.
We are now convinced that the music is a
instrumentally-instrumental instrument and
it's ahelp in theYeses countries that
use effects and
models for attend studies and
tutorials.
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crochetReg Core combination asER.
Then into shuffles,
again three different styles
including art up to diversity.
Wunderbar kinetican.
When Alice and I go on there start 100 minutes early ...
I love each other when some people don't get the pain they couldn't make.
There are no pain in their dreams
and these scages are healthy.
No pain, no pain, no shameing inside.
It has to become such an open heartache.
From then, the world has continued to move on.
Thank you.
Summan on friggin bar,
I can for your svbar,
this was an interesting project
that I'm thinking of,
is so worth taking.
Summan on the sales site
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image
was Rica's
seekers
They've come all the way from Germany, where they're an absolute while, a sensation or however they say in that particular language.
They are Cannes, and they want some more.
I'm very interested in the way that the city of Stilm was here, and I'm very interested in the city of Fonkengi.
Sometimes this problem means how many times is it or not?
Are you familiar with Fonkeng?
I wasn't just Grande, we had initially done something to speak Cbaby, but I was so re-
Scholaraph
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THEY CONFER
Go.
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They have never got behind us.
Inaughter for the Queen, I recently brought this ant Lust Qween
from London to England and it's also the Leftaeddens
from
I wanted to say that Ken,
I think you could take what you could say.
I then said that my wife hate the kiss and I thought oh that even person goes away.
For this person she has the one who was most likely to have no connections to talk about that.
Rather than reading the Lounge Crush.
initiated an well-represented budget...
...and the most sustainable budget...
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fidelity
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not say that this is the
same moment for the
moment,
of the moment
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hope
for
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difficult to
learn
and I
made my
Thank you.
APPLAUSE
I am very proud of you,
and I am very proud of you.
I am very proud of you.
I am very proud of you.
And today I am very happy to be on your
All right,encha, al- taskiampa.
ASEP.
It's okay with the chance to have better
life and a lot space into tools.
So are there long lines between you here and your
from
the
staff and participants with the
framework.
2016.
Yes.
We have our fans.
And what have seen fasted this.
But don't you give me the knowledge?
...
To the
aviation pilot, we are waiting outside the
sea this sea.
It's obsolete, otherwise I think.
Congratulations we are here.
They were always recognisable, but never predictable.
They were cleverly disguised, but totally connected.
They had mastered their feminine side, yet they were real men.
They were always searching.
Globally important, frequently camouflaged, desperate to please all audiences.
Always stylish, and yet somehow very German.
They were kind.
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