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I'm Zach Wilden.
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Chanel Cameron.
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Gal Ritchie.
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00:00:05,330 --> 00:00:07,530
Hi guys, welcome back. It's good to have
you.
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Yeah, it's good to be back. It's lovely
to be here.
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So today we're working with Gal Ritchie.
Yeah. And Chanel Cameron. Yeah.
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I mean, what a horrible day. I'm so
sorry. Oh my god, I love them both.
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It's going to be horrible. He's amazing.
Yeah, he's a fantastic performer. He's
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really energetic as well. And he always
makes you look good. You've got to love
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a male talent that knows how to make you
look good. Yeah, yeah. He's got like
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fantastic, passionate, slightly, I don't
say aggressive, but like the
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animalistic energy.
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And you know, his dick is nice too.
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He's got a great pain, which is never a
problem.
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How does a guy make two beautiful women
look good then? I don't really
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understand. I think it's like, I don't
know, the positioning. Yeah, it's all in
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the positioning. It's, like, making sure
your hair isn't in your face. Yeah,
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yeah. Making sure he puts you in the
right light.
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Like, making sure he knows where the
camera is so you can just perform and
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don't have to, like, think.
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Yeah. Okay, but there's some guys that
do that and maybe they wouldn't be on
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your yes list. What makes him different?
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The energy he brings to set.
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Yeah. I've told you this before, you're
on a lot of yes lists.
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And I was like, you know, there are
other guys that make girls look good, so
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what makes you different? And they said
it's the way you make them feel, just as
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like a person and your personality.
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That's awesome.
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Yeah. I love that.
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Like, it's like a spark goes off in his
eyes.
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And the way he like moves around the
bed, like he's always kind of a bit
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which is like the best way possible. You
can tell he really loves what he does.
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Yeah, yeah. It comes out in his work. He
likes sex.
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Yeah. And so do we.
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Coming into the industry, there's a
whole lot of, like, you know, stories
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this person and that person, stuff like
that. So you learn a lot. And you're
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like, well, I should conduct myself in a
certain way and carry myself with a
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certain, you know, mannerisms about me
and treat my female co -stars the way
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that they should be treated, which is
like a dignified human being.
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You all three have been awarded.
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You were best.
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Female newcomer. What was it? 2023?
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And then you were the next year. Mm
-hmm.
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Did you hand her the award? I did. I
did.
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What was that like? And do you feel like
she's a worthy successor? Oh, of
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course. I knew it was going to be her.
And when I saw her name on the thing, I
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literally screamed. She told me. Yeah.
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She was actually double awarded Best New
Star list.
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Oh, wait. And X -Biz as well. X -Biz and
Avian. Wonderful. Okay.
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And then Zach was, I think... Male
Performer of the Year, my year. Your
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Okay, right.
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Yeah. Okay, so we got three award
-winning performers, so I'm expecting an
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-winning type scene today. It better be.
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I wasn't going to blame Zach.
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I mean, every single time I work with
these girls, we're always just one
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every single scene that we do, I swear
to God.
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Have you worked with them together
before?
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Nope.
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Yeah, this is a first.
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This is going to be nuts.
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i don't know how long it took you to
process it yeah so maybe it's still in
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stage of like ah i feel like i'm lying i
don't think i processed it until i
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handed you your yeah maybe i need to my
favorite part of you accepting your
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award is how in my speech i was like
don't trip on the stage but they don't
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any fucking handrails
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You're in these fucking huge shoes
trying to get up, trying to hold your
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trying also not to cry and fall over.
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It's okay. It makes it a more genuine
acceptance.
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When you're doing a threesome with two
women, is the dynamic different in the
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sense of like when it's just you and one
partner, you're carrying the thing,
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you're kind of dictating what's going
on, but are you still dictating it when
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there's two women?
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Yeah, I believe so. The responsibility
is still on my shoulders. I can take the
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accountability of being the male talent
and doing what is needed for it. And
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moving them around as opposed to them.
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Yeah, exactly.
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Why is the onus or responsibility on the
guy? Or why do you think it is?
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Because that's what I would have
thought.
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Okay. When I came into the industry, it
was like, well, if you want to be like
80
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these guys and Manuel Ferreira or Ramon
and so on and so forth, you kind of have
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to emulate or...
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you know do what they do interesting
okay yeah and those guys are the best
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that's why they lasted for like 15 20 25
years now what comes next for both of
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you guys having one lots of work Yeah,
yeah. Lots of work. Okay, so it doesn't
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end. No, no. I'm still working.
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I know she's working a ton because once
I won, I worked a ton that year. And so
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you get, you know, a lot more
opportunities and big projects with big
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doing amazing things and the respect
that comes with it. But then also the
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pressure to uphold that standard is
another thing that comes along with it.
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Yeah, 100%. Yeah, a lot of work for
sure.
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But then also you have to like deal with
the like, Like, okay, now I want to go
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the next jump. I'm, like, figuring out
where that is. Which is what?
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Female performer of the year. I was
curious if that is your aspiration.
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00:05:02,290 --> 00:05:05,970
Yeah. Or, like, a showcase if you want
to go down that route, which usually
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00:05:05,970 --> 00:05:10,390
you to female performer of the year. But
then, like, for me, I haven't done anal
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yet. So, like, I'm currently, like, in
the process of, like, me and my butthole
97
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are becoming friends.
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I'm dating my butthole right now. But I
feel like also, like, you being able to
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win that award without doing anal.
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That says so much to who you are as a
performer.
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Thank you. That's really, really
important.
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Sometimes I feel like I'm so focused
that the only thing that matters is like
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presenting this person.
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And when I do lose myself in a scene,
you wake up and it's like time for
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And you're like, oh my God, 25 minutes
just went by in a blink of an eye. Being
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able to lose myself usually constitutes
having a female talent that I've worked
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with before. And I just feel completely
comfortable with.
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Like today.
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Like today.
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And I get two at the same time.
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Two my faves.
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Are you guys looking forward to seeing
Zach? And is he in trouble today because
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you've got the two broads? Yeah. That's
a good question.
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I'm one, definitely looking forward to
seeing him. Two.
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Yeah. Is he in trouble or are you guys
in trouble? He's in trouble.
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When you're with two women that
absolutely love what they do, you know
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you're going to get the best out of
them. So maybe I'm in a lot of trouble
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today. Who knows?
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I think so.
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I wonder if he's not.
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I think you said he always gets nervous,
but I don't know. I feel like Zach is
122
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never nervous, or he never makes it look
like he's nervous. No, he doesn't. He
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doesn't. He puts on his sunglasses.
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And then he's like, mmm.
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How does he do it again?
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Mmm.
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We are going to go get them.
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Cool. The next time this door opens,
they will be walking in to meet you.
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Awesome.
130
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I'm fucking stoked.
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There was no introduction
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Maybe we should take this off until we
get a positive makeup.
133
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Oh my god.
134
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He's getting rid of it.
135
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He's so excited.
136
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Oh my fucking god.
137
00:07:56,700 --> 00:07:57,960
Oh my god.
138
00:08:00,660 --> 00:08:02,680
Come up so I can kiss you.
139
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Oh my god, yes.
140
00:08:13,220 --> 00:08:17,060
Oh my god.
141
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Oh my god.
142
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Oh my god.
143
00:08:21,900 --> 00:08:22,719
Oh my god.
144
00:08:22,720 --> 00:08:25,060
Oh my god.
145
00:08:28,280 --> 00:08:29,620
Oh my god.
146
00:08:30,900 --> 00:08:32,360
Oh my god.
147
00:08:34,760 --> 00:08:36,400
Fuck, yes.
148
00:09:08,949 --> 00:09:11,810
Oh, my God.
149
00:09:16,170 --> 00:09:19,750
Oh, my God. This is too much fucking
pain.
150
00:09:21,280 --> 00:09:22,880
I know, I love how we went straight for
the dick.
151
00:09:23,860 --> 00:09:25,140
He knows what we want.
152
00:09:28,080 --> 00:09:29,780
I'm so fucking good.
153
00:09:30,060 --> 00:09:33,580
I'm so fucking good. Yes, I'm so fucking
gorgeous.
154
00:09:33,920 --> 00:09:35,100
Oh my god.
155
00:09:36,760 --> 00:09:37,760
Yes.
156
00:09:40,280 --> 00:09:41,880
Oh my god.
157
00:09:43,200 --> 00:09:44,900
Oh, who's going to sit on my face first?
158
00:09:45,360 --> 00:09:46,360
I'll do it.
159
00:09:46,980 --> 00:09:49,100
She's like going to the gym. Oh my god.
160
00:09:50,160 --> 00:09:52,060
Does that mean I get to close? Yes.
161
00:09:52,820 --> 00:09:54,860
Oh, my God.
162
00:09:56,660 --> 00:09:59,440
Oh, shit.
163
00:10:00,240 --> 00:10:01,240
Oh, shit.
164
00:10:02,220 --> 00:10:03,220
Oh,
165
00:10:07,900 --> 00:10:12,540
shit.
166
00:10:35,270 --> 00:10:36,270
Fuck,
167
00:10:36,610 --> 00:10:38,010
you didn't even give me $10 ,000.
168
00:11:05,270 --> 00:11:06,670
Wow,
169
00:11:08,630 --> 00:11:10,310
yes! Yes!
170
00:11:40,090 --> 00:11:43,310
Oh my god,
171
00:11:43,470 --> 00:11:59,050
yes.
172
00:12:03,690 --> 00:12:04,810
How wet your face is.
173
00:12:07,570 --> 00:12:08,830
Fuck yes!
174
00:12:09,310 --> 00:12:10,670
I can't take
175
00:12:10,670 --> 00:12:16,910
that.
176
00:12:19,950 --> 00:12:21,650
Oh my god, it's so slippery.
177
00:13:35,850 --> 00:13:37,910
Shit, we're all tangled up.
178
00:13:38,690 --> 00:13:40,710
Oh, shit.
179
00:13:42,110 --> 00:13:43,150
Oh,
180
00:13:47,070 --> 00:13:51,310
fuck.
181
00:13:52,690 --> 00:13:53,730
Oh,
182
00:13:54,770 --> 00:13:55,770
shit.
183
00:13:57,230 --> 00:13:58,270
Whoa.
184
00:14:00,130 --> 00:14:03,050
I'm going to take your pussy for a
fucking bath.
185
00:14:10,670 --> 00:14:11,670
Oh my god, yes!
186
00:14:16,850 --> 00:14:17,710
Oh
187
00:14:17,710 --> 00:14:26,350
yes!
188
00:14:28,530 --> 00:14:30,090
Oh my god!
189
00:14:41,810 --> 00:14:44,310
Oh, my God.
190
00:15:58,900 --> 00:15:59,900
Yes.
191
00:16:05,720 --> 00:16:06,720
Fuck!
192
00:16:07,060 --> 00:16:12,580
Oh my God, just like that, just like
that.
193
00:16:51,470 --> 00:16:52,470
Oh, ah.
194
00:18:17,650 --> 00:18:19,390
Like that, like that, like that, like
that.
195
00:21:28,460 --> 00:21:29,460
fucking guilty.
196
00:22:04,209 --> 00:22:05,209
Thank you.
197
00:22:43,770 --> 00:22:46,450
oh my god that feels so good
198
00:23:59,399 --> 00:24:01,400
Whoa. Oh, that's wonderful.
199
00:25:31,920 --> 00:25:32,920
Oh, yes.
200
00:25:38,300 --> 00:25:39,300
Yes.
201
00:25:42,880 --> 00:25:43,880
Fuck.
202
00:27:13,230 --> 00:27:14,230
Fuck.
203
00:28:01,660 --> 00:28:03,620
Oh my god.
204
00:28:05,140 --> 00:28:08,080
Oh my god. Oh
205
00:28:08,080 --> 00:28:13,340
my god. Oh
206
00:28:13,340 --> 00:28:15,780
my god.
207
00:28:16,020 --> 00:28:19,140
Oh my god.
208
00:30:56,810 --> 00:30:57,810
Fuck.
209
00:31:34,899 --> 00:31:36,700
We lined them up so well.
210
00:32:56,090 --> 00:32:58,830
I want to taste it. It's one of my
fucking favorites.
211
00:33:00,230 --> 00:33:01,290
Look at you both.
212
00:33:04,810 --> 00:33:05,810
Oh,
213
00:33:06,190 --> 00:33:07,190
I was going to do that.
15692
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