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1
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Helga:
ARNOLD!
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00:00:02,871 --> 00:00:04,373
( barking )
3
00:00:05,416 --> 00:00:06,750
HEY, ARNOLD!
4
00:00:12,047 --> 00:00:13,132
( glass shatters )
5
00:00:16,593 --> 00:00:17,636
( girl shrieks )
6
00:00:17,720 --> 00:00:20,514
Helga:
HEY, ARNOLD!
7
00:00:21,348 --> 00:00:23,642
ARNOLD!
8
00:00:24,393 --> 00:00:26,520
ARNOLD!
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00:00:26,812 --> 00:00:29,606
ARNOLD!
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00:00:29,690 --> 00:00:32,317
[Captioning sponsored by THE
U.S. DEPARTMENT OF EDUCATION
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00:00:32,401 --> 00:00:35,988
and NICKELODEON]
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00:00:37,406 --> 00:00:39,116
AR-NOLD!
13
00:00:39,742 --> 00:00:41,660
MOVE IT,
FOOTBALL HEAD!
14
00:00:41,744 --> 00:00:43,871
Kids:
HEY, ARNOLD!
15
00:00:49,585 --> 00:00:50,753
ALL RIGHT, CLASS.
16
00:00:50,836 --> 00:00:53,380
I'LL COLLECT YOUR FLOAT DESIGNS
17
00:00:53,464 --> 00:00:55,299
FOR THE CITY DAY PARADE.
18
00:00:55,382 --> 00:00:57,384
HAROLD,
WHAT'S YOUR DESIGN?
19
00:00:57,468 --> 00:00:59,219
IT'S A, A GIANT BROWNIE.
20
00:00:59,303 --> 00:01:01,305
WELL, THAT'S VERY...
CLEVER.
21
00:01:01,388 --> 00:01:01,764
ARNOLD?
22
00:01:01,847 --> 00:01:04,475
ARNOLD, WHAT IS IT?
23
00:01:04,558 --> 00:01:05,642
I SEE A CARNIVAL MOTIF
REPRESENTING
24
00:01:05,726 --> 00:01:08,520
THE DIVERSITY OF OUR CITY.
25
00:01:08,604 --> 00:01:10,647
EACH RIDE IS
A DIFFERENT NEIGHBORHOOD.
26
00:01:10,731 --> 00:01:13,817
DOWNTOWN'S A ROLLER COASTER,
EXCITING AND UNPREDICTABLE.
27
00:01:13,901 --> 00:01:14,818
THE SOUTH SIDE
IS A SOUVLAKI STAND
28
00:01:14,902 --> 00:01:17,488
BECAUSE OF ALL
THE PLACES TO EAT.
29
00:01:17,571 --> 00:01:19,323
THE RIVERFRONT
IS A BIG WATER SLIDE
30
00:01:19,406 --> 00:01:20,991
SINCE THERE'S LOTS OF WATER.
31
00:01:21,074 --> 00:01:23,827
CITY HALL'S A TILT-A-WHIRL,
SINCE IT'S SORT OF CROOKED.
32
00:01:23,911 --> 00:01:26,163
( oohing and ahhing )
33
00:01:26,246 --> 00:01:29,249
IT WOULD BE REALLY COLORFUL,
JUST LIKE THE CITY.
34
00:01:29,333 --> 00:01:31,835
YOUR DESIGN WOULD MAKE
A WONDERFUL FLOAT.
35
00:01:31,919 --> 00:01:34,546
WOW, COULD WE DO IT,
MISS SLOVAK?
36
00:01:34,630 --> 00:01:36,423
OH, IF ONLY IT WERE SO, ARNOLD.
37
00:01:36,507 --> 00:01:40,302
BUT THAT WOULD CONSUME THREE
TIMES THE ANNUAL SCHOOL BUDGET.
38
00:01:40,385 --> 00:01:42,721
AT LEAST IT GOES
ON THE BULLETIN BOARD.
39
00:01:42,805 --> 00:01:44,681
( disappointed groans )
40
00:01:44,765 --> 00:01:47,392
WOULDN'T IT BE GREAT
IF IT WAS A REAL FLOAT?
41
00:01:47,476 --> 00:01:49,144
WE COULD ALL RIDE ON IT, TOO.
42
00:01:49,228 --> 00:01:53,607
YES, WE'D RIDE THROUGH
THE STREETS LIKE ROYALTY.
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00:01:57,945 --> 00:01:59,947
A BEAUTIFUL FLOAT,
ARNOLD.
44
00:02:00,030 --> 00:02:01,657
YOU'RE SUCH
AN ARTISTIC SPIRIT.
45
00:02:01,740 --> 00:02:03,867
I'M NOTHING WITHOUT YOU
46
00:02:03,951 --> 00:02:04,243
MY QUEEN.
47
00:02:06,286 --> 00:02:09,623
I THINK I KNOW
WHERE WE CAN GET THE MONEY.
48
00:02:11,667 --> 00:02:15,212
HELLO, DAD,
HOW ARE YOU THIS EVENING?
49
00:02:15,295 --> 00:02:17,506
COMFY?
ENJOYING YOUR PAPER?
50
00:02:17,589 --> 00:02:20,050
WHAT DO YOU WANT?
I GAVE YOU YOUR ALLOWANCE.
51
00:02:20,133 --> 00:02:21,218
I'VE BEEN THINKING.
52
00:02:21,301 --> 00:02:24,179
HOW WOULD YOU LIKE
EVERYONE IN THE WHOLE TOWN
53
00:02:24,263 --> 00:02:26,557
TO SEE THE WORDS
"BIG BOB'S BEEPERS"
54
00:02:26,640 --> 00:02:28,642
ON A FLOAT
IN THE CITY DAY PARADE?
55
00:02:28,725 --> 00:02:29,852
KEEP TALKING.
56
00:02:29,935 --> 00:02:30,811
THIS THING
WILL PAY FOR ITSELF.
57
00:02:30,894 --> 00:02:33,939
WE JUST NEED
A LITTLE START-UP CAPITAL.
58
00:02:34,022 --> 00:02:35,691
LIKE HOW MUCH START-UP CAPITAL?
59
00:02:35,774 --> 00:02:38,819
OH, HOW'S 300 SOUND?
60
00:02:38,902 --> 00:02:40,654
$300?!
61
00:02:40,737 --> 00:02:41,864
IT'S A BARGAIN.
62
00:02:41,947 --> 00:02:43,073
LABOR'S FREE.
63
00:02:43,156 --> 00:02:44,867
MY CLASS
WILL BUILD IT.
64
00:02:44,950 --> 00:02:46,785
HMM... KIDS DO THE WORK
65
00:02:46,869 --> 00:02:47,953
LABOR COSTS ARE GOOD,
WE CAN GET
66
00:02:48,036 --> 00:02:51,081
USED FLOWERS FROM THE MORTUARY.
67
00:02:51,164 --> 00:02:53,375
YEAH... IT SHOULDN'T BE TOO BAD.
68
00:02:53,458 --> 00:02:56,336
OKAY, HELGA, YOU
GOT YOURSELF A DEAL.
69
00:02:56,420 --> 00:02:58,213
I'LL GIVE YOU
THE 300 BUCKS
70
00:02:58,297 --> 00:03:00,549
AND YOU GET ME
THE GREATEST FLOAT
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00:03:00,632 --> 00:03:02,593
THE BEEPER WORLD
HAS EVER SEEN.
72
00:03:02,676 --> 00:03:04,344
DEAL.
73
00:03:04,428 --> 00:03:06,096
HEY, ARNOLD, I DID IT.
74
00:03:06,179 --> 00:03:09,141
YOU PUT THE SUPER GLUE
IN EUGENE'S LUNCH BOX?
75
00:03:09,224 --> 00:03:10,392
NO, YOU MORONS. DOY.
76
00:03:10,475 --> 00:03:11,101
I DID SOME FAST TALKING
77
00:03:11,184 --> 00:03:12,769
AND GOT THE MONEY
FOR THE FLOAT.
78
00:03:12,853 --> 00:03:14,605
MY DAD'S GOING TO PAY FOR IT.
79
00:03:14,688 --> 00:03:16,523
WOW, THAT'S GREAT!
80
00:03:16,607 --> 00:03:18,442
DID YOU HEAR THAT?
81
00:03:18,525 --> 00:03:20,277
REALLY? YOU MEAN IT, HELGA?
82
00:03:20,360 --> 00:03:21,445
THAT'S FANTASTIC!
83
00:03:23,238 --> 00:03:25,115
HEY, DON'T GET
SO COZY, BUSTER!
84
00:03:25,198 --> 00:03:27,451
THERE'S A COUPLE OF DETAILS
WE HAVE TO WORK OUT.
85
00:03:27,534 --> 00:03:29,286
DETAILS?
86
00:03:29,369 --> 00:03:31,121
I GET TO RIDE ON THE FLOAT
87
00:03:31,204 --> 00:03:34,333
WHERE EVERYONE CAN SEE ME,
ON THE VERY TOP.
88
00:03:36,877 --> 00:03:37,210
DEAL.
89
00:03:54,519 --> 00:03:57,439
( yelling )
90
00:03:59,858 --> 00:04:00,943
HEY, WHAT'S WRONG?
91
00:04:01,026 --> 00:04:03,070
WHY DID YOU
STOP WORKING?
92
00:04:03,153 --> 00:04:04,863
WE'RE OUT OF FLOWERS,
ARNOLD.
93
00:04:04,947 --> 00:04:06,490
YEAH, AND CHICKEN WIRE.
94
00:04:09,952 --> 00:04:10,535
WE'RE OUT OF PAINT, TOO.
95
00:04:10,619 --> 00:04:13,163
NOW WHAT?
96
00:04:13,246 --> 00:04:13,789
UH... DAD?
97
00:04:13,872 --> 00:04:16,166
WHAT? MORE MONEY, RIGHT?
98
00:04:16,249 --> 00:04:17,251
HEY, WHEN DO I GET
99
00:04:17,334 --> 00:04:18,418
A LOOK AT THIS THING?
100
00:04:18,502 --> 00:04:19,503
ARNOLD DOESN'T WANT
TO SHOW IT YET.
101
00:04:19,586 --> 00:04:20,712
IT'S NOT READY.
102
00:04:20,796 --> 00:04:22,839
YOU'VE HAD
THREE DAYS!
103
00:04:22,923 --> 00:04:23,548
DAD!
104
00:04:23,632 --> 00:04:25,926
OKAY, BUT THIS IS THE LAST DIME
105
00:04:26,009 --> 00:04:27,761
YOU'RE GETTING OUT OF ME.
106
00:04:41,942 --> 00:04:44,945
( all exclaiming )
107
00:04:47,364 --> 00:04:48,699
HEY, MAN, THIS IS COOL.
108
00:04:50,742 --> 00:04:52,244
IT'S SO WICKED AWESOME.
109
00:04:52,327 --> 00:04:54,705
I NEVER THOUGHT THIS
WOULD HAPPEN. THANKS.
110
00:04:54,788 --> 00:04:56,039
OH, WELL, I, I...
111
00:04:56,123 --> 00:04:57,416
Big Bob:
I HATE IT!
112
00:04:58,959 --> 00:05:00,585
Both:
YOU HATE IT?
113
00:05:00,669 --> 00:05:01,086
LOOK AT THIS THING.
114
00:05:01,169 --> 00:05:03,213
I RUN A BEEPER COMPANY
115
00:05:03,296 --> 00:05:04,006
NOT A TRAVELING CIRCUS.
116
00:05:04,089 --> 00:05:06,717
WELL, YOUR COMPANY'S NAME
IS ON IT.
117
00:05:06,800 --> 00:05:07,843
RIGHT OVER THE ARCH.
118
00:05:07,926 --> 00:05:12,055
YEAH, WELL, I BROUGHT MY
ASSOCIATE NICK VERMICELLI HERE.
119
00:05:12,139 --> 00:05:13,056
HE KNOWS FLOATS.
120
00:05:13,140 --> 00:05:13,473
HE'LL FIX THIS MESS.
121
00:05:16,435 --> 00:05:20,355
YOU'RE RIGHT, BOB, IT'S A MESS.
IT'S A TOTAL MESS.
122
00:05:20,439 --> 00:05:24,067
IT IS NOT. WE SPENT DAYS WORKING
ON THIS. IT'S A GREAT FLOAT.
123
00:05:24,151 --> 00:05:25,902
ARE YOU
LISTENING TO ME?
124
00:05:25,986 --> 00:05:29,114
I'VE DONE FLOATS. IT'S A MESS.
WHEN'S THIS PARADE?
125
00:05:29,197 --> 00:05:29,740
TOMORROW.
126
00:05:29,823 --> 00:05:30,907
ALL RIGHT, WE MAKE
127
00:05:30,991 --> 00:05:32,576
A GIANT PAPIER-MACHE BEEPER
128
00:05:32,659 --> 00:05:35,245
THAT GOES OVER THE TOP
OF THIS WHOLE THING.
129
00:05:35,328 --> 00:05:36,705
WE GET A REMOTE CONTROL
130
00:05:36,788 --> 00:05:38,665
SO BOB CAN STEER IT
FROM THE PLATFORM.
131
00:05:38,749 --> 00:05:41,877
THEN WE DRESS UP THESE KIDS
AS CELL PHONES AND BEEPERS.
132
00:05:41,960 --> 00:05:44,379
THEY STAND ON THE FLOAT
AND WAVE TO THE CROWD.
133
00:05:44,463 --> 00:05:46,882
ALL RIGHT,
THIS HAS GOT TO GO...
134
00:05:46,965 --> 00:05:48,800
THAT GOES... 86 THAT.
135
00:05:48,884 --> 00:05:50,927
WHO WANTS TO RIDE ON THE FLOAT?
136
00:05:51,011 --> 00:05:52,179
COME ON, YOU GUYS.
137
00:05:52,262 --> 00:05:53,013
WE ALL WORKED
ON THIS THING.
138
00:05:53,096 --> 00:05:55,974
IT'S GREAT THE WAY IT IS.
139
00:05:56,058 --> 00:05:58,852
YOU DON'T WANT TO SEE IT TURN
INTO A GIANT BEEPER, DO YOU?
140
00:05:58,935 --> 00:06:01,438
All:
I... ME... ME... ME!
141
00:06:01,521 --> 00:06:04,399
Kid:
I WANT TO BE A CELLULAR PHONE.
142
00:06:04,483 --> 00:06:05,609
SORRY, ARNOLD.
143
00:06:05,692 --> 00:06:06,276
IT'S JUST THAT...
144
00:06:06,359 --> 00:06:08,612
HOW OFTEN DO WE
GET THE CHANCE
145
00:06:08,695 --> 00:06:09,988
TO RIDE
IN THE BIG PARADE?
146
00:06:10,072 --> 00:06:11,281
THAT'S RIGHT, KIDS,
147
00:06:11,364 --> 00:06:13,283
LET'S GET
YOUR BEEPER COSTUMES.
148
00:06:13,366 --> 00:06:14,493
HELGA, COME ON.
149
00:06:14,576 --> 00:06:15,952
THERE'S
A SPOT ON TOP
150
00:06:16,036 --> 00:06:17,287
WITH YOUR NAME ON IT.
151
00:06:17,370 --> 00:06:19,915
HELGA, WE MADE
THIS FLOAT TOGETHER.
152
00:06:19,998 --> 00:06:21,124
WE HAD A DEAL.
153
00:06:21,208 --> 00:06:22,042
HEY, HEY, HEY!
154
00:06:22,125 --> 00:06:23,668
WE MADE A DEAL, REMEMBER?
155
00:06:23,752 --> 00:06:25,629
THE ONLY REASON I'M PAYING
FOR THIS
156
00:06:25,712 --> 00:06:26,379
IS TO SELL MORE BEEPERS.
157
00:06:26,463 --> 00:06:29,007
THIS FLOAT HAS TO
SCREAM "BEEPER"
158
00:06:29,091 --> 00:06:31,343
AT THE TOP OF ITS LUNGS.
159
00:06:39,184 --> 00:06:41,144
HEY, ARNOLD, WAIT UP.
160
00:06:43,939 --> 00:06:46,233
OH, CRUEL FORTUNE.
161
00:06:46,316 --> 00:06:48,819
I'M TORN BETWEEN MY POOR LOVE
162
00:06:48,902 --> 00:06:51,905
HIS HOPES DASHED,
HIS DREAMS SLASHED
163
00:06:51,988 --> 00:06:53,782
AND ON THE OTHER SIDE, THE OGRE
164
00:06:53,865 --> 00:06:55,575
UNTHINKING AND UNCARING
165
00:06:55,659 --> 00:06:58,954
AS HE SQUASHES
ARNOLD'S ARTISTIC VISION.
166
00:06:59,037 --> 00:07:02,124
OH, WELL, AT LEAST
I'M QUEEN OF THE BEEPERS.
167
00:07:06,878 --> 00:07:10,966
WELL, I'M SURPRISED TO SEE YOU
OUT FOR THE PARADE, OSKAR.
168
00:07:11,049 --> 00:07:12,134
ARE YOU KIDDING?
169
00:07:12,217 --> 00:07:13,510
IT'S A GREAT PLACE
170
00:07:13,593 --> 00:07:14,469
TO PICK UP
LOOSE CHANGE.
171
00:07:14,553 --> 00:07:17,848
YEAH, AND A FEW LOOSE SCREWS,
I'LL WAGER.
172
00:07:17,931 --> 00:07:19,850
THANKS FOR COMING OUT
TO THE PARADE, MAN.
173
00:07:19,933 --> 00:07:21,643
( sighs )
YEAH.
174
00:07:21,726 --> 00:07:22,394
IT WAS A GREAT FLOAT.
175
00:07:22,477 --> 00:07:24,896
TOO BAD THEY TURNED IT
INTO A BEEPER.
176
00:07:24,980 --> 00:07:27,357
IT'S ART VERSUS COMMERCE
177
00:07:27,440 --> 00:07:29,276
AND COMMERCE ALWAYS WINS.
178
00:07:29,359 --> 00:07:31,987
I SAW IT
ON A WALL STREET SHOW.
179
00:07:32,070 --> 00:07:35,198
HEY, LOOK,
HERE COMES THE PARADE!
180
00:07:35,282 --> 00:07:38,326
( band playing,
crowd cheering )
181
00:07:45,917 --> 00:07:48,253
MAN, OUR FLOAT
WAS BETTER THAN THAT.
182
00:07:48,336 --> 00:07:50,380
( crowd oohing )
183
00:07:58,430 --> 00:07:59,514
HEY, DAD...
184
00:07:59,598 --> 00:08:00,891
CAN I STEER
FOR A WHILE?
185
00:08:00,974 --> 00:08:03,018
YOU JUST KEEP QUIET
AND WAVE.
186
00:08:03,101 --> 00:08:04,519
THIS IS A JOB
FOR A PROFESSIONAL.
187
00:08:07,272 --> 00:08:09,524
HOW CAN
THEY CONTROL THAT?
188
00:08:09,608 --> 00:08:12,652
IT'S NOT AERODYNAMIC
ENOUGH TO STEER.
189
00:08:12,736 --> 00:08:15,280
( wind blowing )
190
00:08:15,363 --> 00:08:17,407
Grandpa:
DAG NAB IT!
191
00:08:32,214 --> 00:08:34,132
BOB, SLOW DOWN A LITTLE.
192
00:08:34,216 --> 00:08:35,467
IT WON'T SLOW DOWN.
193
00:08:35,550 --> 00:08:36,718
THIS CHEAP REMOTE DOESN'T WORK.
194
00:08:36,801 --> 00:08:38,929
LET ME TRY.
195
00:08:39,012 --> 00:08:40,764
GIVE IT BACK HERE.
196
00:08:40,847 --> 00:08:41,306
I'M NOT GOING TO...
197
00:08:41,389 --> 00:08:44,059
LET ME JUST SHOW YOU...
198
00:08:45,227 --> 00:08:49,356
( kids screaming )
199
00:08:49,439 --> 00:08:51,441
RUNAWAY FLOAT!
200
00:08:56,196 --> 00:09:00,116
( screaming )
201
00:09:06,081 --> 00:09:08,959
LET ME BORROW YOUR BIKE.
202
00:09:09,042 --> 00:09:11,461
HEY, ARNOLD, THERE'S
AN EMERGENCY BRAKE
203
00:09:11,544 --> 00:09:12,712
UNDERNEATH CITY HALL.
204
00:09:16,091 --> 00:09:18,301
( screaming )
205
00:09:18,385 --> 00:09:19,803
STOP THE FLOAT, DAD!
206
00:09:19,886 --> 00:09:23,056
I'M TRYING,
I'M TRYING!
207
00:09:34,067 --> 00:09:37,404
( yelling )
208
00:09:50,583 --> 00:09:52,669
( screaming and yelling... )
209
00:10:05,932 --> 00:10:08,935
ARNOLD!
210
00:10:10,812 --> 00:10:13,898
WHERE DID HE GO?
WHAT'S HE DOING?
211
00:10:25,952 --> 00:10:27,787
( tires squealing )
212
00:10:28,204 --> 00:10:29,789
Kids:
YEAH!
213
00:10:31,916 --> 00:10:35,420
( creaking and ripping )
214
00:10:35,503 --> 00:10:37,797
( crowd gasping and oohing )
215
00:10:45,680 --> 00:10:49,351
LADIES AND GENTLEMEN,
THE AWARD FOR BEST FLOAT
216
00:10:49,434 --> 00:10:52,145
GOES TO BIG BOB'S BEEPERS!
217
00:10:53,480 --> 00:10:56,316
( cheering )
218
00:10:59,444 --> 00:11:00,362
THANKS A LOT.
219
00:11:00,445 --> 00:11:02,405
IT'S A GREAT HONOR
TO WIN...
220
00:11:02,489 --> 00:11:04,074
AH, GET OUT OF HERE, YOU...
221
00:11:04,157 --> 00:11:05,325
( clears throat )
222
00:11:05,408 --> 00:11:07,744
AS PRESIDENT
OF BIG BOB'S BEEPERS
223
00:11:07,827 --> 00:11:11,831
AND THE SPONSOR OF THIS FLOAT,
I ACCEPT THIS AWARD...
224
00:11:11,915 --> 00:11:13,166
DAD!
225
00:11:15,627 --> 00:11:17,754
OH, ALL RIGHT,
I'LL LEVEL WITH YOU.
226
00:11:17,837 --> 00:11:20,715
I DIDN'T COME UP
WITH THE IDEA FOR THIS FLOAT.
227
00:11:20,799 --> 00:11:22,759
I ONLY PUT UP THE MONEY FOR IT.
228
00:11:22,842 --> 00:11:24,511
THIS WHOLE THING WAS THE IDEA
229
00:11:24,594 --> 00:11:27,430
OF MY DAUGHTER HELGA'S
LITTLE FRIEND ALFRED.
230
00:11:27,514 --> 00:11:28,431
ARNOLD.
231
00:11:28,515 --> 00:11:29,766
GET ON UP HERE, KIDS
232
00:11:29,849 --> 00:11:31,101
AND TAKE A BOW.
233
00:11:31,184 --> 00:11:34,145
WELL, COME ON, PEOPLE,
GIVE IT UP ALREADY.
234
00:11:34,229 --> 00:11:38,274
( cheering and applause )
235
00:11:38,358 --> 00:11:39,609
NICE FLOAT, MAN.
236
00:11:39,692 --> 00:11:40,777
THANKS.
237
00:11:40,860 --> 00:11:42,070
HMPH. IT'S JUST A FLOAT.
238
00:11:42,153 --> 00:11:45,073
( sighs )
239
00:11:49,244 --> 00:11:51,746
( bell rings )
240
00:11:51,830 --> 00:11:52,288
Gerald:
A TALENT SHOW?
241
00:11:52,372 --> 00:11:54,666
WHAT TALENT
DO WE HAVE?
242
00:11:54,749 --> 00:11:55,917
YOU CAN PLAY PIANO.
243
00:11:56,000 --> 00:11:58,628
EVERYONE PLAYS PIANO
FOR THE TALENT SHOW!
244
00:11:58,711 --> 00:11:59,796
COME OVER TONIGHT
245
00:11:59,879 --> 00:12:01,673
AND WE'LL THINK
OF SOMETHING.
246
00:12:01,756 --> 00:12:02,298
( crickets chirping )
247
00:12:02,382 --> 00:12:04,968
HEY, HOW ABOUT
IMPRESSIONS?
248
00:12:05,051 --> 00:12:08,138
MAYBE YOU CAN FLY AROUND
THE AUDITORIUM LIKE A BIRD.
249
00:12:08,221 --> 00:12:09,305
THANKS, GRANDMA.
250
00:12:09,389 --> 00:12:11,099
TV announcer:
In show business
251
00:12:11,182 --> 00:12:12,600
living legend Dino Spumoni
252
00:12:12,684 --> 00:12:14,310
one of America's
greatest popular singers
253
00:12:14,394 --> 00:12:17,063
has announced he has split up
254
00:12:17,147 --> 00:12:20,275
with his longtime partner,
lyricist Don Reynolds.
255
00:12:20,358 --> 00:12:22,318
SHH, SHH, SHH!
THIS IS BIG NEWS!
256
00:12:22,402 --> 00:12:25,655
I'VE BEEN LISTENING TO
DINO SPUMONI SINCE THE '40s.
257
00:12:25,738 --> 00:12:29,159
The team is responsible
for scores of Top 40 hits
258
00:12:29,242 --> 00:12:31,327
including such favorites as:
"Magic Fingers"
259
00:12:31,411 --> 00:12:33,538
"The Doll Can Swing"
260
00:12:33,621 --> 00:12:35,957
And "You Better Not
Touch My Gal."
261
00:12:36,040 --> 00:12:38,418
♪ YOU BETTER NOT
TOUCH MY GAL ♪
262
00:12:38,501 --> 00:12:40,462
♪ OR I'LL POP YOU
IN THE KISSER, PAL. ♪
263
00:12:40,545 --> 00:12:44,382
♪ YOU BETTER NOT EVEN TRY ♪
264
00:12:44,466 --> 00:12:47,635
♪ OR YOU'LL BE LOOKING
AT A BIG, BLACK EYE ♪
265
00:12:47,719 --> 00:12:49,387
Both:
♪ SO LISTEN GOOD ♪
266
00:12:49,471 --> 00:12:51,097
♪ YOU TWO-BIT HOOD ♪
267
00:12:51,181 --> 00:12:52,807
♪ I'LL GIVE YOU
TO THE COUNT OF TEN ♪
268
00:12:52,891 --> 00:12:57,061
♪ AND IF YOU'RE NOT GONE
BY THE CRACK OF DAWN ♪
269
00:12:57,145 --> 00:12:57,979
♪ YOU'LL NEVER... ♪
270
00:12:58,062 --> 00:12:58,813
♪ EAT... ♪
271
00:12:58,897 --> 00:13:02,817
♪ SOLID FOOD AGAIN. ♪
272
00:13:02,901 --> 00:13:04,110
( laughing )
273
00:13:04,194 --> 00:13:05,987
OH, GRANDMA,
YOU STILL GOT IT.
274
00:13:06,070 --> 00:13:08,406
YEAH, I REMEMBER
WHEN I FIRST SANG THAT:
275
00:13:08,490 --> 00:13:09,908
PALACE BALLROOM, '54.
276
00:13:09,991 --> 00:13:11,159
DINO SPUMONI!
277
00:13:11,242 --> 00:13:12,327
OH...
278
00:13:12,410 --> 00:13:13,786
YOU LEFT THE DOOR OPEN.
279
00:13:13,870 --> 00:13:16,372
SO, IS THERE A SPARE ROOM
IN THIS RATTRAP?
280
00:13:16,456 --> 00:13:18,416
OH, YES, OF COURSE, OF COURSE...
281
00:13:18,500 --> 00:13:20,585
BUT WHY WOULD I
WANT TO STAY HERE
282
00:13:20,668 --> 00:13:23,129
WHEN I COULD BE
IN A DOWNTOWN HOTEL?
283
00:13:23,213 --> 00:13:24,881
YEARS AGO
WHEN I STARTED OUT
284
00:13:24,964 --> 00:13:26,341
I STAYED IN THIS JOINT
285
00:13:26,424 --> 00:13:29,677
WITH THAT TWO-BIT CHISELER
I USED TO CALL MY PARTNER.
286
00:13:29,761 --> 00:13:32,222
SO I THOUGHT I'D
GET BACK TO MY ROOTS
287
00:13:32,305 --> 00:13:33,723
FOR A LITTLE INSPIRATION.
288
00:13:33,806 --> 00:13:36,226
SO, CAN A FELLA GET
A ROOM AROUND HERE?
289
00:13:36,309 --> 00:13:37,227
THIS IS PERFECT.
290
00:13:37,310 --> 00:13:38,561
I GOT MY KEYBOARD
291
00:13:38,645 --> 00:13:40,230
AND CAN START RIGHT IN
292
00:13:40,313 --> 00:13:42,232
ON MY NEW ALBUM, SIMPLY DINO.
293
00:13:42,315 --> 00:13:43,733
DINO, IF IT'S
OKAY TO ASK
294
00:13:43,816 --> 00:13:45,693
WHY DID YOU
SPLIT UP WITH DON?
295
00:13:45,777 --> 00:13:47,779
I MADE THAT BUM
EVERYTHING HE IS.
296
00:13:47,862 --> 00:13:51,032
IT AIN'T MY FAULT IF HE
CAN'T SHOW SOME RESPECT
297
00:13:51,115 --> 00:13:53,117
FOR THE GUY WHO MADE HIM FAMOUS.
298
00:13:53,201 --> 00:13:55,203
IF I NEVER SEE HIM AGAIN,
IT'LL BE TOO SOON.
299
00:13:55,286 --> 00:13:57,288
YUP, THIS IS IT
300
00:13:57,372 --> 00:14:00,083
SAME PLACE WHERE
I STARTED WAY BACK WHEN
301
00:14:00,166 --> 00:14:02,418
BEFORE THAT SLICK
SHOW BIZ OPERATOR
302
00:14:02,502 --> 00:14:04,587
STARTED GETTING RICH
OFF MY MUSIC.
303
00:14:04,671 --> 00:14:09,676
NOW BACK TO MY ROOTS TO WRITE
MY OWN SOLO ALBUM, SIMPLY DON.
304
00:14:09,759 --> 00:14:12,095
( doorbell rings )
305
00:14:13,346 --> 00:14:14,264
HEY, YOU'RE...!
306
00:14:14,347 --> 00:14:15,557
YEAH, DON REYNOLDS.
307
00:14:15,640 --> 00:14:16,391
SAVE THE CHIT-CHAT, OKAY?
308
00:14:16,474 --> 00:14:18,726
I JUST WANT TO GET AWAY
309
00:14:18,810 --> 00:14:20,395
FROM THAT ARROGANT SUIT
I WORKED WITH.
310
00:14:20,478 --> 00:14:22,689
NOW, HOW ABOUT A ROOM?
311
00:14:22,772 --> 00:14:24,440
Arnold:
WHAT ABOUT COMEDY?
312
00:14:24,524 --> 00:14:26,317
MAYBE WE COULD
DO A SKETCH.
313
00:14:26,401 --> 00:14:28,111
MAYBE WE SHOULD
JUST FORGET IT.
314
00:14:28,194 --> 00:14:30,363
DON'T WORRY, WE'LL
THINK OF SOMETHING.
315
00:14:30,446 --> 00:14:32,282
Spumoni:
GET OUT OF MY SIGHT
316
00:14:32,365 --> 00:14:34,242
YOU GOOD-FOR-NOTHING
BACKSTABBER!
317
00:14:34,325 --> 00:14:35,159
I GOT HERE FIRST.
318
00:14:35,243 --> 00:14:37,370
YEAH? WELL, I THOUGHT
OF COMING HERE FIRST.
319
00:14:37,453 --> 00:14:39,581
HOW DO YOU KNOW THAT?
320
00:14:39,664 --> 00:14:41,124
LOOK AT THEM
GOING AT IT.
321
00:14:41,207 --> 00:14:43,251
HOW CAN TWO GUYS,
FRIENDS SO LONG
322
00:14:43,334 --> 00:14:44,335
GET SO MAD AT EACH OTHER?
323
00:14:44,419 --> 00:14:48,089
I DON'T KNOW-- WE'VE STILL
GOT TO FIGURE OUT OUR ACT.
324
00:14:48,172 --> 00:14:50,049
Reynolds:
IT DOESN'T MAKE SENSE!
325
00:14:50,133 --> 00:14:51,301
WELL, I'M NOT
LEAVING THIS JOINT.
326
00:14:51,384 --> 00:14:54,053
AND NEITHER AM I.
327
00:14:54,137 --> 00:14:55,597
( both doors slam )
328
00:14:58,850 --> 00:14:59,851
( rip )
329
00:15:24,834 --> 00:15:24,917
( grunts )
330
00:15:26,628 --> 00:15:29,339
MAYBE WE NEED
TO SLEEP ON IT.
331
00:15:29,422 --> 00:15:30,506
THE TALENT SHOW
IS IN FOUR DAYS.
332
00:15:30,590 --> 00:15:33,134
WE'RE RUNNING
OUT OF TIME.
333
00:15:33,217 --> 00:15:34,093
I NEED A BREAK
334
00:15:34,177 --> 00:15:35,303
AND A NEW T-SHIRT.
335
00:15:35,386 --> 00:15:36,763
ALL RIGHT...
336
00:15:36,846 --> 00:15:37,221
WE'LL DO IT TOMORROW.
337
00:15:37,305 --> 00:15:38,264
SEE YOU LATER.
338
00:15:38,348 --> 00:15:40,141
LATER.
339
00:15:40,516 --> 00:15:44,520
( typing )
340
00:15:44,604 --> 00:15:46,147
HEY, KID. LISTEN TO
MY NEW TUNE, WILL YOU?
341
00:15:46,230 --> 00:15:47,815
OKAY.
342
00:15:47,899 --> 00:15:49,150
IT'S GOING TO BE ON
343
00:15:49,233 --> 00:15:50,360
MY ALBUM, SIMPLY DON.
344
00:15:50,443 --> 00:15:52,278
( lifeless melody )
345
00:15:52,362 --> 00:15:54,614
♪ WITHOUT OLIVER HARDY ♪
346
00:15:54,697 --> 00:15:58,201
♪ STAN LAUREL WOULDN'T SHOW ♪
347
00:15:58,284 --> 00:16:01,204
♪ AND THERE AIN'T NO ROMANCE ♪
348
00:16:01,287 --> 00:16:04,165
♪ IN A SOLO ROMEO ♪
349
00:16:04,248 --> 00:16:07,043
♪ WITHOUT SACAJAWEA ♪
350
00:16:07,126 --> 00:16:09,671
♪ CLARK WOULD STILL
BE IN DULUTH ♪
351
00:16:09,754 --> 00:16:11,964
♪ WITHOUT YOU
WITH ME, BABY ♪
352
00:16:12,048 --> 00:16:17,053
♪ I'M NOTHIN', NOTHIN'--
THAT'S THE TRUTH. ♪
353
00:16:17,136 --> 00:16:19,347
WHAT DO YOU THINK? HOT, HUH?
354
00:16:19,430 --> 00:16:20,723
IT'S, UH, IT'S GOOD.
355
00:16:20,807 --> 00:16:23,059
I MEAN, THE WORDS
ARE REALLY GOOD
356
00:16:23,142 --> 00:16:24,852
AND THE MUSIC IS, EH, OKAY.
357
00:16:24,936 --> 00:16:27,563
MAYBE IF YOU JUST FIX
THE MELODY A LITTLE
358
00:16:27,647 --> 00:16:29,399
YOU KNOW,
LIKE THOSE SONGS
359
00:16:29,482 --> 00:16:30,525
DINO SPUMONI
USED TO SING?
360
00:16:30,608 --> 00:16:34,404
LISTEN, I CAN WRITE MUSIC
WITHOUT THAT CHUMP SPUMONI.
361
00:16:34,487 --> 00:16:36,406
WHO ASKED YOU, ANYWAY?
362
00:16:37,323 --> 00:16:38,658
LATER.
363
00:16:40,660 --> 00:16:44,163
( playing lively tune )
364
00:16:44,247 --> 00:16:46,499
HEY, KID, COME HERE
FOR A MINUTE.
365
00:16:46,582 --> 00:16:49,460
I WANT YOU TO HEAR
THIS SONG I'M WRITING.
366
00:16:49,544 --> 00:16:52,630
♪ DOO-DOO-DOO-DOO-DO-DO ♪
367
00:16:52,714 --> 00:16:55,591
♪ AND YOU NEED A BIG TATTOO ♪
368
00:16:55,675 --> 00:16:59,679
♪ DA-DA-DA-DOO-DA-DA-DA-DOO-DA,
DA-DA, CRUMMY LEATHER SHOE. ♪
369
00:16:59,762 --> 00:17:01,264
OR SOMETHING LIKE THAT.
370
00:17:01,347 --> 00:17:04,434
IT'S JUST THE OPENING,
BUT WHAT DO YOU THINK?
371
00:17:04,517 --> 00:17:06,144
WELL, IT'S A NICE TUNE...
372
00:17:06,227 --> 00:17:06,894
THANK YOU.
373
00:17:06,978 --> 00:17:08,271
...BUT THE WORDS...
374
00:17:08,354 --> 00:17:09,856
I'VE BEEN AROUND
A LONG TIME.
375
00:17:09,939 --> 00:17:11,441
IF I WANTED YOUR OPINION
I'D ASK FOR IT.
376
00:17:11,524 --> 00:17:13,109
NOW, MY LYRICS ARE GOOD--
377
00:17:13,192 --> 00:17:16,904
WAY BETTER THAN
THAT HACK REYNOLDS COULD WRITE.
378
00:17:16,988 --> 00:17:17,447
NOW GET OFF TO SCHOOL!
379
00:17:17,530 --> 00:17:18,531
SCRAM, WILL YOU!
380
00:17:18,614 --> 00:17:21,451
WELL, GOOD LUCK.
381
00:17:23,286 --> 00:17:24,829
( school bell ringing )
382
00:17:24,912 --> 00:17:26,581
I KNOW!
383
00:17:26,664 --> 00:17:27,498
HOW ABOUT
POETRY READING?
384
00:17:27,582 --> 00:17:29,083
THAT'S A GREAT IDEA.
385
00:17:29,167 --> 00:17:32,128
WILL THEY WAIT
TILL AFTER THE SHOW
TO BEAT US UP
386
00:17:32,211 --> 00:17:36,299
OR WILL THEY STORM THE STAGE
RIGHT DURING OUR ACT?
387
00:17:36,382 --> 00:17:38,468
MAYBE YOU CAN COME UP
WITH AN IDEA
388
00:17:38,551 --> 00:17:40,636
INSTEAD OF JUST
TRASHING ALL MINE!
389
00:17:40,720 --> 00:17:42,638
HEY, I'M NOT THE ONE
WHO SIGNED UP
390
00:17:42,722 --> 00:17:44,265
WITHOUT HAVING AN IDEA.
391
00:17:44,348 --> 00:17:46,142
AND AS FOR HAVING
ALL THE IDEAS
392
00:17:46,225 --> 00:17:48,352
THAT'S ONLY BECAUSE
YOU ALWAYS SAY
393
00:17:48,436 --> 00:17:50,897
WHATEVER CRAZY IDEA
POPS INTO YOUR HEAD.
394
00:17:50,980 --> 00:17:52,315
I, ON THE OTHER HAND
395
00:17:52,398 --> 00:17:54,776
WAIT UNTIL I THINK OF
A REALLY GOOD IDEA
396
00:17:54,859 --> 00:17:56,486
BEFORE I JUST BLAB IT OUT.
397
00:17:56,569 --> 00:17:59,322
RIGHT, GERALD.
WHY DON'T YOU FACE THE TRUTH?
398
00:17:59,405 --> 00:18:01,532
YOU EXPECT ME
TO DO ALL THE WORK.
399
00:18:01,616 --> 00:18:03,326
WELL, HERE'S
AN IDEA FOR YOU:
400
00:18:03,409 --> 00:18:05,661
WE SHOULD JUST FORGET
THE WHOLE THING.
401
00:18:05,745 --> 00:18:08,039
YEAH, MAYBE YOU'RE
RIGHT FOR ONCE.
402
00:18:08,122 --> 00:18:09,165
ANOTHER IDEA--
403
00:18:09,248 --> 00:18:11,417
MAYBE WE SPEND TOO MUCH
TIME TOGETHER.
404
00:18:11,501 --> 00:18:12,084
YOU'RE TELLING ME.
405
00:18:12,168 --> 00:18:13,669
THAT'S TWO THINGS
WE AGREE ON.
406
00:18:13,753 --> 00:18:16,380
SEE YOU AROUND...
OR NOT.
407
00:18:16,464 --> 00:18:18,424
"NOT" IS JUST FINE WITH ME!
408
00:18:21,427 --> 00:18:24,680
Spumoni singing:
♪ DA-DA-DA-DOO-DA-DA-DA-DOO-DA ♪
409
00:18:24,764 --> 00:18:27,016
♪ DA-DA, CRUMMY LEATHER SHOE ♪
410
00:18:27,099 --> 00:18:29,519
♪ DEE-DA-DEE-DA-DO-DOO-DUM ♪
411
00:18:29,602 --> 00:18:32,188
♪ DA, YOU NEED
SOME FOOD TO CHEW. ♪
412
00:18:32,271 --> 00:18:33,856
( smashes piano keys )
413
00:18:33,940 --> 00:18:36,484
( starts crying )
414
00:18:36,567 --> 00:18:38,778
AW... WHO AM I KIDDING?
415
00:18:38,861 --> 00:18:41,197
I STINK WITHOUT
DON'S CRAZY WORDS.
416
00:18:41,280 --> 00:18:42,949
THE GUY'S GOT POETRY IN HIM
417
00:18:43,032 --> 00:18:45,618
AND ALL I GOT
IS "CRUMMY LEATHER SHOE!"
418
00:18:45,701 --> 00:18:47,036
( resumes weeping )
419
00:18:47,119 --> 00:18:48,621
ARE YOU ALL RIGHT,
DINO?
420
00:18:48,704 --> 00:18:50,456
YEAH, I'M FINE,
I'M NOT CRYING
421
00:18:50,540 --> 00:18:52,291
I JUST GOT SOMETHING
IN MY EYE.
422
00:18:52,375 --> 00:18:56,045
AND IF YOU TELL ANYBODY
DIFFERENT, I'LL HAVE YOU CAPPED.
423
00:18:56,128 --> 00:18:57,213
NOTHING PERSONAL.
424
00:18:57,296 --> 00:18:58,673
I WON'T TELL ANYONE.
425
00:18:58,756 --> 00:19:00,633
KID, THERE'S NOTHING
IN THIS WORLD
426
00:19:00,716 --> 00:19:02,260
LIKE A GOOD PARTNERSHIP.
427
00:19:02,343 --> 00:19:04,428
YOUR PARTNER'S MORE
THAN A PARTNER.
428
00:19:04,512 --> 00:19:04,971
HE'S A FRIEND.
429
00:19:05,054 --> 00:19:06,681
SOMEWHERE ALONG THE LINE
430
00:19:06,764 --> 00:19:09,225
ME AND DON FORGOT THAT.
431
00:19:09,308 --> 00:19:10,309
WHY NOT TELL HIM?
432
00:19:10,393 --> 00:19:13,145
I CAN'T, I'M TOO PROUD
AND FULL OF MYSELF
433
00:19:13,229 --> 00:19:14,564
TO ADMIT I WAS WRONG.
434
00:19:14,647 --> 00:19:15,273
WITHOUT DON
435
00:19:15,356 --> 00:19:17,608
I'LL PROBABLY
DESTROY MY CAREER
436
00:19:17,692 --> 00:19:20,069
AND WIND UP A BROKEN,
LONELY, PENNILESS
437
00:19:20,152 --> 00:19:21,070
SHELL OF A MAN.
438
00:19:21,153 --> 00:19:23,072
BUT AT LEAST
I'LL HAVE MY PRIDE.
439
00:19:23,155 --> 00:19:25,366
PARTNERS ARE
A SPECIAL THING, KID.
440
00:19:25,449 --> 00:19:26,701
DON'T FORGET THAT.
441
00:19:26,784 --> 00:19:28,870
Reynolds:
♪ WITHOUT SACAJAWEA... ♪
442
00:19:28,953 --> 00:19:30,246
( cats screeching )
443
00:19:30,329 --> 00:19:33,082
♪ CLARK WOULD STILL
BE IN DULUTH ♪
444
00:19:33,166 --> 00:19:35,293
♪ WITHOUT YOU
WITH ME, BABY ♪
445
00:19:35,376 --> 00:19:37,044
♪ I'M NOTHIN', NOTHIN' ♪
446
00:19:37,128 --> 00:19:40,047
♪ THAT'S THE TRUTH. ♪
447
00:19:40,131 --> 00:19:42,091
( starts sniveling )
448
00:19:42,174 --> 00:19:42,758
WHAT AM I, NUTS?
449
00:19:42,842 --> 00:19:45,761
I CAN'T WRITE MUSIC LIKE DINO.
450
00:19:45,845 --> 00:19:47,179
THE MAN'S A GENIUS
451
00:19:47,263 --> 00:19:48,306
AND I'M NOTHING.
452
00:19:48,389 --> 00:19:50,266
HEY, YOUR SONG
WASN'T THAT BAD.
453
00:19:50,349 --> 00:19:52,602
OH, COME ON. DID YOU HEAR
THOSE CATS SCREAMING?
454
00:19:52,685 --> 00:19:53,811
FACE IT. I STINK!
455
00:19:53,895 --> 00:19:56,480
WE HAD THE BEST
THING GOING
456
00:19:56,564 --> 00:19:59,233
UNTIL WE BLEW IT
OVER A STUPID ARGUMENT.
457
00:19:59,317 --> 00:19:59,692
WORST PART IS, KID
458
00:19:59,775 --> 00:20:01,944
I DIDN'T JUST LOSE
459
00:20:02,028 --> 00:20:04,238
A PARTNER,
I LOST MY BEST FRIEND.
460
00:20:04,322 --> 00:20:06,115
I JUST WISH
I WAS BIG ENOUGH
461
00:20:06,198 --> 00:20:07,450
TO ADMIT IT TO HIM.
462
00:20:14,665 --> 00:20:15,791
SORRY, GERALD.
463
00:20:15,875 --> 00:20:16,834
I'M SORRY, TOO.
464
00:20:16,918 --> 00:20:19,670
LISTEN, I'VE BEEN THINKING...
465
00:20:19,754 --> 00:20:21,380
YEAH, ME, TOO.
466
00:20:21,464 --> 00:20:22,131
IT WAS PRETTY DUMB OF US
467
00:20:22,215 --> 00:20:25,092
TO BE FIGHTING OVER
A TALENT SHOW.
468
00:20:25,176 --> 00:20:26,677
YEAH, IT WAS DUMB.
469
00:20:26,761 --> 00:20:27,720
YEAH.
470
00:20:27,803 --> 00:20:28,804
PARTNERS?
471
00:20:28,888 --> 00:20:31,015
PARTNERS.
472
00:20:31,098 --> 00:20:32,308
WE'RE FRIENDS AGAIN
473
00:20:32,391 --> 00:20:33,809
BUT WE STILL HAVE NO ACT
474
00:20:33,893 --> 00:20:35,770
FOR THE TALENT SHOW
TONIGHT.
475
00:20:35,853 --> 00:20:38,147
Spumoni:
♪ DA-DEE-DA-DA-DEE-DA ♪
476
00:20:38,230 --> 00:20:40,900
♪ AND YOU NEED
A BIG TATTOO... ♪
477
00:20:40,983 --> 00:20:42,026
( both groan )
478
00:20:42,109 --> 00:20:46,322
BOY, DINO SURE CAN WRITE
SOME LOUSY LYRICS.
479
00:20:46,405 --> 00:20:48,783
Reynolds:
♪ ...WITHOUT
OLIVER HARDY ♪
480
00:20:48,866 --> 00:20:51,327
♪ STAN LAUREL
WOULDN'T SHOW... ♪
481
00:20:51,410 --> 00:20:53,913
AND DON MUST BE THE WORST
MELODY WRITER ON THE PLANET.
482
00:20:53,996 --> 00:20:57,375
YOU PUT THEM TOGETHER,
THEY'D BE GREAT.
483
00:20:57,458 --> 00:20:59,835
BUT SEPARATELY...
AW, MAN.
484
00:20:59,919 --> 00:21:01,963
( both singing and playing,
cats screeching )
485
00:21:02,046 --> 00:21:04,715
ARNOLD, ARE
YOU THINKING
486
00:21:04,799 --> 00:21:06,133
WHAT I'M THINKING?
487
00:21:06,217 --> 00:21:07,551
COME ON, WE ONLY HAVE
488
00:21:07,635 --> 00:21:09,303
A FEW HOURS TO REHEARSE.
489
00:21:12,807 --> 00:21:15,726
( general conversation )
490
00:21:18,020 --> 00:21:19,647
HEY, YOU LOUSY INGRATE
491
00:21:19,730 --> 00:21:21,273
WHAT ARE YOU DOING HERE?
492
00:21:21,357 --> 00:21:23,859
KID INVITED ME, BUM,
WHAT'S YOUR EXCUSE?
493
00:21:23,943 --> 00:21:25,277
KID INVITED ME, TOO.
494
00:21:25,361 --> 00:21:26,570
LAST TIME I CHECKED
495
00:21:26,654 --> 00:21:27,530
THIS WAS STILL
A FREE COUNTRY.
496
00:21:27,613 --> 00:21:29,532
ANY OBJECTIONS?
497
00:21:30,616 --> 00:21:32,118
Woman:
LADIES AND GENTLEMEN
498
00:21:32,201 --> 00:21:34,078
THANK YOU ALL FOR COMING!
499
00:21:34,161 --> 00:21:35,705
FOR OUR OPENING ACT
500
00:21:35,788 --> 00:21:37,415
ARNOLD WILL SING A SONG
501
00:21:37,498 --> 00:21:39,709
ACCOMPANIED
BY GERALD ON PIANO.
502
00:21:39,792 --> 00:21:41,502
( applause )
503
00:21:41,585 --> 00:21:44,005
FIRST, WE'D LIKE TO THANK
THE WRITERS OF THIS SONG:
504
00:21:44,088 --> 00:21:45,715
DINO SPUMONI
AND DON REYNOLDS.
505
00:21:45,798 --> 00:21:48,509
( applause )
506
00:21:48,592 --> 00:21:50,803
( plays intro )
507
00:21:50,886 --> 00:21:53,931
♪ WITHOUT OLIVER HARDY ♪
508
00:21:54,015 --> 00:21:55,766
♪ STAN LAUREL WOULDN'T SHOW... ♪
509
00:21:55,850 --> 00:21:58,102
HEY, THAT'S MY MELODY!
510
00:21:58,185 --> 00:21:59,478
THOSE ARE MY LYRICS!
511
00:21:59,562 --> 00:22:00,479
WHAT'S THE IDEA?
512
00:22:00,563 --> 00:22:01,480
WHAT'S GOING ON?
513
00:22:01,564 --> 00:22:02,732
♪ ...A SOLO ROMEO ♪
514
00:22:02,815 --> 00:22:06,569
♪ WITHOUT SACAJAWEA ♪
515
00:22:06,652 --> 00:22:09,113
♪ CLARK WOULD STILL
BE IN DULUTH ♪
516
00:22:09,196 --> 00:22:12,324
♪ WITHOUT YOU WITH ME, BABY ♪
517
00:22:12,408 --> 00:22:13,534
♪ I'M NUTTIN' ♪
518
00:22:13,617 --> 00:22:15,327
♪ THAT'S THE TRUTH... ♪
519
00:22:15,411 --> 00:22:17,580
( crying )
520
00:22:17,663 --> 00:22:20,583
I'M SORRY, BUDDY,
IT WAS ALL MY FAULT.
521
00:22:20,666 --> 00:22:22,710
NO, NO, NO,
IT WAS MY FAULT, DINO
522
00:22:22,793 --> 00:22:23,919
I'M A LOUSE.
523
00:22:24,003 --> 00:22:24,920
I'M THE LOUSE, PAL.
524
00:22:25,004 --> 00:22:27,631
WELL, OKAY.
BUT, LET'S NEVER
525
00:22:27,715 --> 00:22:29,425
BUST UP THE ACT
AGAIN, OKAY?
526
00:22:29,508 --> 00:22:31,010
♪ ...WITHOUT DR. WATSON ♪
527
00:22:31,093 --> 00:22:33,054
♪ SHERLOCK WOULDN'T
HAVE A CLUE ♪
528
00:22:33,137 --> 00:22:36,265
♪ WITHOUT YOU WITH ME, BABY ♪
529
00:22:36,348 --> 00:22:38,100
♪ I'M NUTTIN' ♪
530
00:22:38,184 --> 00:22:39,602
♪ NO, NUTTIN' ♪
531
00:22:39,685 --> 00:22:41,353
♪ I'M NUTTIN'... ♪
532
00:22:41,437 --> 00:22:44,732
♪ WITHOUT YOU. ♪
533
00:22:44,815 --> 00:22:47,276
♪ YEAH! ♪
534
00:22:51,363 --> 00:22:53,783
and NICKELODEON
535
00:22:53,866 --> 00:22:57,703
Captioned by
The Caption Center
WGBH Educational Foundation]
536
00:22:57,787 --> 00:22:59,288
Spumoni:
♪ YOU BETTER NOT TOUCH MY GAL ♪
537
00:22:59,371 --> 00:23:02,124
♪ OR I'LL POP YOU
IN THE KISSER, PAL. ♪
538
00:23:02,208 --> 00:23:04,627
♪ YOU BETTER NOT EVEN TRY ♪
539
00:23:04,710 --> 00:23:08,089
♪ OR YOU'LL BE LOOKING
AT A BIG, BLACK EYE ♪
540
00:23:08,172 --> 00:23:09,298
♪ SO LISTEN GOOD ♪
541
00:23:09,381 --> 00:23:10,633
♪ YOU STUPID HOOD ♪
542
00:23:10,716 --> 00:23:13,135
♪ I'LL GIVE YOU
TO A COUNT OF TEN ♪
543
00:23:13,219 --> 00:23:14,804
♪ AND IF YOU'RE NOT GONE ♪
544
00:23:14,887 --> 00:23:16,597
♪ BY THE CRACK OF DAWN ♪
545
00:23:16,680 --> 00:23:18,182
♪ YOU'LL NEVER, EVER EAT ♪
546
00:23:18,265 --> 00:23:21,936
♪ NO, YOU BETTER BE DISCREET ♪
547
00:23:22,019 --> 00:23:22,978
♪ OR YOU'LL NEVER, EVER ♪
548
00:23:23,062 --> 00:23:25,773
♪ EAT SOLID FOOD... ♪
549
00:23:25,856 --> 00:23:28,984
♪ AGAIN. ♪
550
00:23:29,068 --> 00:23:31,987
( piano flourish )
37465
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