Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,000 --> 00:00:20,000
Dr.
2
00:01:00,000 --> 00:01:02,000
Moon Vegas.
3
00:01:10,000 --> 00:01:11,000
Moon Stinks.
4
00:01:24,000 --> 00:01:26,000
What's in her new diet?
5
00:01:26,000 --> 00:01:29,000
Man paid.
6
00:01:29,000 --> 00:01:30,000
It's no good tickling that now.
7
00:01:30,000 --> 00:01:31,000
It won't laugh.
8
00:01:31,000 --> 00:01:33,000
It hit.
9
00:01:33,000 --> 00:01:34,000
What's the matter?
10
00:01:34,000 --> 00:01:35,000
You got crap or something.
11
00:01:35,000 --> 00:01:37,000
Somebody died in whose memory you're
12
00:01:37,000 --> 00:01:38,000
working at funeral base.
13
00:01:42,000 --> 00:01:42,000
You're experienced.
14
00:01:42,000 --> 00:01:43,000
Are you ready?
15
00:01:43,000 --> 00:01:45,000
Yes.
16
00:01:45,000 --> 00:01:48,000
You haven't had me complain.
17
00:01:48,000 --> 00:01:50,000
You know something about your kind.
18
00:01:50,000 --> 00:01:52,000
I'm your kind now.
19
00:01:52,000 --> 00:01:54,000
I've got your wedding ring to prove it.
20
00:01:54,000 --> 00:01:56,000
It's not a very big wedding ring, not even a new wedding
21
00:01:57,000 --> 00:01:58,000
ring.
22
00:01:58,000 --> 00:01:59,000
What do you want me to buy a new jewelry?
23
00:01:59,000 --> 00:02:01,000
What sort of video buys new jewelry?
24
00:02:01,000 --> 00:02:04,000
Now let's face it, I've heard you not complaining.
25
00:02:04,000 --> 00:02:08,000
What, the only a plane up again, is it, Vi?
26
00:02:08,000 --> 00:02:10,000
You can complain louder than anybody I know.
27
00:02:10,000 --> 00:02:12,000
When you get that stiff up, a lip on,
28
00:02:12,000 --> 00:02:15,000
you definitely, everybody, we are not complaining.
29
00:02:15,000 --> 00:02:16,000
Tender conscience.
30
00:02:16,000 --> 00:02:18,000
What do you feel guilty?
31
00:02:18,000 --> 00:02:20,000
What have I got to feel guilty about?
32
00:02:20,000 --> 00:02:23,000
Because you're driving everybody into the ground.
33
00:02:23,000 --> 00:02:24,000
Well, somebody's got who?
34
00:02:24,000 --> 00:02:28,000
We knock up to the eyeballs.
35
00:02:28,000 --> 00:02:29,000
They didn't build room in a day.
36
00:02:29,000 --> 00:02:32,000
Italians, don't tell me about Italians.
37
00:02:32,000 --> 00:02:34,000
They just told me how to put a fire under the arses
38
00:02:34,000 --> 00:02:35,000
and that moment.
39
00:02:35,000 --> 00:02:36,000
Look.
40
00:02:36,000 --> 00:02:38,000
Do it again.
41
00:02:38,000 --> 00:02:40,000
You can't do better than that.
42
00:02:40,000 --> 00:02:42,000
Why don't you get between the shafts
43
00:02:42,000 --> 00:02:43,000
and put the holes on the seat?
44
00:02:50,000 --> 00:02:52,000
All right.
45
00:02:52,000 --> 00:02:54,000
You think I pay you two, five bob a date
46
00:02:54,000 --> 00:02:55,000
to get signs up crooked?
47
00:02:55,000 --> 00:02:58,000
For two bob a day up, get signs up crooked?
48
00:02:58,000 --> 00:02:59,000
Only two, my Mr. Arnold Cole.
49
00:03:03,000 --> 00:03:05,000
How are you going to break, will you?
50
00:03:05,000 --> 00:03:07,000
I've got to see the cash.
51
00:03:07,000 --> 00:03:08,000
No, I see.
52
00:03:08,000 --> 00:03:10,000
It's going to be one of them dates, is it?
53
00:03:10,000 --> 00:03:12,000
MUSIC
54
00:03:12,000 --> 00:03:13,000
My instructions are cash on delivery.
55
00:03:13,000 --> 00:03:15,000
No unloading until I see the cash.
56
00:03:15,000 --> 00:03:16,000
Well, what we got here?
57
00:03:16,000 --> 00:03:17,000
Little rough Charles or something.
58
00:03:17,000 --> 00:03:20,000
Can't go anywhere without his pockets bulging with redis.
59
00:03:20,000 --> 00:03:21,000
I've got to see the money, Guff.
60
00:03:21,000 --> 00:03:23,000
And so you shall, my son.
61
00:03:23,000 --> 00:03:24,000
So you shall.
62
00:03:24,000 --> 00:03:26,000
All right, you two, come here.
63
00:03:26,000 --> 00:03:28,000
Hold this man's horse for him.
64
00:03:28,000 --> 00:03:29,000
Don't guarantee they're old.
65
00:03:29,000 --> 00:03:31,000
It's straight, but it'll be safer, huh?
66
00:03:31,000 --> 00:03:32,000
Right, go.
67
00:03:34,000 --> 00:03:35,000
What cash?
68
00:03:35,000 --> 00:03:36,000
We have no more cash.
69
00:03:36,000 --> 00:03:37,000
Well, that's all right.
70
00:03:37,000 --> 00:03:39,000
There's no office here either.
71
00:03:39,000 --> 00:03:40,000
Yeah, won't we cut your bow room for a few?
72
00:03:40,000 --> 00:03:42,000
No, we're not asking Clive anymore.
73
00:03:42,000 --> 00:03:44,000
He's helped us more than enough.
74
00:03:44,000 --> 00:03:45,000
Please yourself there.
75
00:03:45,000 --> 00:03:46,000
Follow me, old son.
76
00:03:46,000 --> 00:03:47,000
Into the office.
77
00:03:51,000 --> 00:03:53,000
MUSIC
78
00:04:01,000 --> 00:04:02,000
Well, it's...
79
00:04:02,000 --> 00:04:03,000
No, please.
80
00:04:03,000 --> 00:04:04,000
Yes, sir.
81
00:04:04,000 --> 00:04:05,000
Yes, sir.
82
00:04:07,000 --> 00:04:08,000
You have to settle people.
83
00:04:08,000 --> 00:04:09,000
I'm in the middle of things.
84
00:04:09,000 --> 00:04:11,000
Electrical, leave it.
85
00:04:11,000 --> 00:04:13,000
Yeah, so I just want a horse or two idiots on one end.
86
00:04:13,000 --> 00:04:15,000
Get my tanky browner back and I'll loan the timber, right?
87
00:04:15,000 --> 00:04:16,000
No!
88
00:04:16,000 --> 00:04:17,000
Yes, right.
89
00:04:17,000 --> 00:04:18,000
Now your boat's pumping now.
90
00:04:18,000 --> 00:04:20,000
MUSIC
91
00:04:20,000 --> 00:04:21,000
What's happening?
92
00:04:21,000 --> 00:04:22,000
MUSIC
93
00:04:27,000 --> 00:04:28,000
Come on, let's do it.
94
00:04:28,000 --> 00:04:29,000
Have a fight.
95
00:04:29,000 --> 00:04:30,000
Just...
96
00:04:30,000 --> 00:04:31,000
What's going on with that?
97
00:04:31,000 --> 00:04:33,000
Now look, look as if you're pointing at something in the plane.
98
00:04:33,000 --> 00:04:34,000
Well, show me something on the plane.
99
00:04:34,000 --> 00:04:35,000
Got a problem.
100
00:04:35,000 --> 00:04:37,000
What problem is that, Mr. Cole?
101
00:04:37,000 --> 00:04:39,000
Well, I don't know what problem.
102
00:04:39,000 --> 00:04:40,000
Any blatant problem.
103
00:04:40,000 --> 00:04:42,000
Just pointed at the plane.
104
00:04:42,000 --> 00:04:44,000
We'll move you in a minute, mate.
105
00:04:44,000 --> 00:04:45,000
Let me see.
106
00:04:45,000 --> 00:04:48,000
Well, what is it you want to see, Mr. Cole?
107
00:04:48,000 --> 00:04:53,000
Do you mean to say that there's not one single problem on this plane?
108
00:04:53,000 --> 00:04:55,000
Then why ain't the work finished?
109
00:04:55,000 --> 00:04:58,000
Why am I having the same people outdoors to make film in this weather?
110
00:04:58,000 --> 00:05:02,000
One day a bad weather and we're ruined, right?
111
00:05:02,000 --> 00:05:04,000
We're all religious, man.
112
00:05:04,000 --> 00:05:08,000
I'd say yes, to be in religious, Mr. Cole.
113
00:05:08,000 --> 00:05:09,000
Right.
114
00:05:09,000 --> 00:05:11,000
Let's have a short prayer for good weather.
115
00:05:11,000 --> 00:05:12,000
Come on.
116
00:05:15,000 --> 00:05:16,000
What's the matter with you?
117
00:05:16,000 --> 00:05:17,000
You're an atheist or something?
118
00:05:17,000 --> 00:05:19,000
You can't raise a whisper for good weather?
119
00:05:19,000 --> 00:05:20,000
Come on.
120
00:05:20,000 --> 00:05:22,000
I'm prying, I'm prying.
121
00:05:22,000 --> 00:05:23,000
Right.
122
00:05:23,000 --> 00:05:24,000
All of you!
123
00:05:24,000 --> 00:05:25,000
Hands together!
124
00:05:25,000 --> 00:05:26,000
Short prayer to the governor.
125
00:05:36,000 --> 00:05:37,000
I'm cold.
126
00:05:38,000 --> 00:05:40,000
When you're not working, it's cold.
127
00:05:40,000 --> 00:05:42,000
When you're working, it's always warmer.
128
00:05:42,000 --> 00:05:44,000
We should have bought a blanket.
129
00:05:44,000 --> 00:05:46,000
He's wrapped up like an esky one hour.
130
00:05:46,000 --> 00:05:47,000
The way he's padded.
131
00:05:47,000 --> 00:05:48,000
I want a blanket.
132
00:05:48,000 --> 00:05:50,000
She doesn't put more clothes on her.
133
00:05:50,000 --> 00:05:52,000
She's supposed to be pretty little Dotty Brewer.
134
00:05:52,000 --> 00:05:55,000
I'm getting pretty old, little Dotty Brewer.
135
00:05:55,000 --> 00:05:57,000
How long am I supposed to play these kids?
136
00:05:57,000 --> 00:05:59,000
She's going to look like fat little Dotty Brewer.
137
00:05:59,000 --> 00:06:02,000
Do you have to be a swine to your own child?
138
00:06:02,000 --> 00:06:04,000
I keep on telling her she's getting fat.
139
00:06:04,000 --> 00:06:06,000
I saw those down sweet sheets.
140
00:06:06,000 --> 00:06:07,000
Oh, your eyes sweetie.
141
00:06:07,000 --> 00:06:08,000
Come on.
142
00:06:08,000 --> 00:06:11,000
They're going to look terrible on camera.
143
00:06:11,000 --> 00:06:13,000
Now, did you bring a blanket?
144
00:06:13,000 --> 00:06:15,000
Nobody mentioned blankets, mother.
145
00:06:15,000 --> 00:06:17,000
Just about everything else, but nobody said bang.
146
00:06:17,000 --> 00:06:19,000
I supposed to think of everything.
147
00:06:19,000 --> 00:06:22,000
Will you go back to the van and see if there's a blanket there for your sister?
148
00:06:22,000 --> 00:06:23,000
You know my hair, mother.
149
00:06:23,000 --> 00:06:24,000
I'm going to freeze out here.
150
00:06:24,000 --> 00:06:25,000
Are you asking?
151
00:06:25,000 --> 00:06:26,000
Are you really asking?
152
00:06:26,000 --> 00:06:27,000
You heard that.
153
00:06:27,000 --> 00:06:29,000
Are you just going to stand there?
154
00:06:29,000 --> 00:06:31,000
Do we have to fight all day and every day?
155
00:06:31,000 --> 00:06:33,000
She started. It was Clara.
156
00:06:33,000 --> 00:06:34,000
Keep quiet.
157
00:06:34,000 --> 00:06:36,000
But there's still places I can whoop you that don't show on camera.
158
00:06:36,000 --> 00:06:37,000
You've swine!
159
00:06:37,000 --> 00:06:40,000
Well, I'm famous. We'll leave him.
160
00:06:41,000 --> 00:06:43,000
Can I have that in writing?
161
00:06:43,000 --> 00:06:46,000
You'll feel better once we start the picture.
162
00:06:46,000 --> 00:06:49,000
You're always the same before we start.
163
00:06:49,000 --> 00:06:50,000
Do you think we'll ever start?
164
00:06:50,000 --> 00:06:52,000
Where the hell is Max?
165
00:06:52,000 --> 00:06:53,000
You know Max.
166
00:06:53,000 --> 00:06:55,000
He likes a big entrance.
167
00:06:55,000 --> 00:06:57,000
But the nose light that he needs a big entrance.
168
00:06:57,000 --> 00:06:59,000
He's wrong for me, Cora.
169
00:06:59,000 --> 00:07:01,000
I'll give him a chance.
170
00:07:01,000 --> 00:07:03,000
He's managed you for years.
171
00:07:03,000 --> 00:07:05,000
But manage you me is right.
172
00:07:05,000 --> 00:07:07,000
The director me is two.
173
00:07:07,000 --> 00:07:09,000
Max.
174
00:07:09,000 --> 00:07:11,000
Give it a try.
175
00:07:11,000 --> 00:07:14,000
If you don't like what he's doing, make him listen to you.
176
00:07:14,000 --> 00:07:17,000
He's a great talker, our Max.
177
00:07:17,000 --> 00:07:18,000
But a listener.
178
00:07:18,000 --> 00:07:20,000
Anyway, suddenly I'm working for him.
179
00:07:20,000 --> 00:07:24,000
You've seen the signs, the genre and coal, moving pictures.
180
00:07:24,000 --> 00:07:26,000
Max is nobody's fault.
181
00:07:26,000 --> 00:07:28,000
And I'm everybody's fault.
182
00:07:28,000 --> 00:07:30,000
You think that's a great combination?
183
00:07:34,000 --> 00:07:36,000
This looks like Max's entrance now.
184
00:07:40,000 --> 00:07:43,000
Mark, the card he looks like a buffalo.
185
00:07:43,000 --> 00:07:47,000
This is going to be the first time I've been directed by a buffalo.
186
00:07:47,000 --> 00:07:49,000
We do want this Miss LeGenda.
187
00:07:49,000 --> 00:07:51,000
Just carry things, Hector.
188
00:07:51,000 --> 00:07:53,000
You're not here to chat all day.
189
00:07:53,000 --> 00:07:55,000
I do hope the boy doesn't prove to me.
190
00:07:55,000 --> 00:07:57,000
I'm not going to be a good guy.
191
00:07:57,000 --> 00:07:59,000
I'm not going to be a good guy.
192
00:07:59,000 --> 00:08:01,000
I'm not going to be a good guy.
193
00:08:01,000 --> 00:08:03,000
I'm not going to be a good guy.
194
00:08:03,000 --> 00:08:05,000
I'm not going to be a good guy.
195
00:08:05,000 --> 00:08:07,000
I'm not going to be a good guy.
196
00:08:07,000 --> 00:08:10,000
I do hope the boy doesn't prove to be a gossip.
197
00:08:10,000 --> 00:08:12,000
Smile for Miss LeGenda.
198
00:08:12,000 --> 00:08:14,000
I don't like him.
199
00:08:14,000 --> 00:08:16,000
You damn well better like him.
200
00:08:16,000 --> 00:08:21,000
Oi! Oi! Oi! Oi!
201
00:08:21,000 --> 00:08:23,000
You can't bring that in here.
202
00:08:23,000 --> 00:08:25,000
Didn't you hear me calling?
203
00:08:25,000 --> 00:08:26,000
Oi, I was calling!
204
00:08:26,000 --> 00:08:28,000
Oi! And you were taking off that blind bit of notice.
205
00:08:28,000 --> 00:08:31,000
Why do you think I was calling? Oi!
206
00:08:31,000 --> 00:08:35,000
Vehicle's is prohibited on these municipal pathways.
207
00:08:35,000 --> 00:08:37,000
Get rid of this idiot somebody.
208
00:08:37,000 --> 00:08:40,000
Take his name in case we did a comic parkkeeper.
209
00:08:40,000 --> 00:08:43,000
In my view, he's strenuously overacting.
210
00:08:43,000 --> 00:08:45,000
Oh, so that's a waste of it.
211
00:08:45,000 --> 00:08:46,000
Alright.
212
00:08:46,000 --> 00:08:48,000
Hands off. I'm not having any.
213
00:08:48,000 --> 00:08:50,000
Let me go. There'll be consequences here.
214
00:08:50,000 --> 00:08:52,000
I wouldn't be in your shoes.
215
00:08:52,000 --> 00:08:53,000
Not now I wouldn't.
216
00:08:53,000 --> 00:08:56,000
My un-andling parkkeeper's what I'll do in their duty.
217
00:08:56,000 --> 00:08:59,000
I don't care how many fur coats it's got.
218
00:09:02,000 --> 00:09:03,000
Hello, Percy.
219
00:09:03,000 --> 00:09:04,000
Miss Brewer.
220
00:09:06,000 --> 00:09:07,000
Miss Brewer.
221
00:09:07,000 --> 00:09:09,000
What's wrong with Clara?
222
00:09:09,000 --> 00:09:10,000
What's wrong with Clara?
223
00:09:10,000 --> 00:09:13,000
Is the last time I called you Clara, you nearly hit the roof.
224
00:09:13,000 --> 00:09:15,000
I was in a funny mood.
225
00:09:15,000 --> 00:09:18,000
Well, I was I supposed to know.
226
00:09:18,000 --> 00:09:21,000
Well, girls do get moods, you know.
227
00:09:21,000 --> 00:09:23,000
They do round me.
228
00:09:23,000 --> 00:09:25,000
I don't know why.
229
00:09:25,000 --> 00:09:27,000
It's not as if I've not got any personality.
230
00:09:27,000 --> 00:09:30,000
I mean, I wear me cat back to front and these horrible glasses.
231
00:09:30,000 --> 00:09:32,000
Plus, I used to have a lot of fun.
232
00:09:32,000 --> 00:09:34,000
And these horrible glasses.
233
00:09:34,000 --> 00:09:37,000
Plus, I used to have all sorts of captivating spots on my face.
234
00:09:37,000 --> 00:09:39,000
They seem to be getting better.
235
00:09:39,000 --> 00:09:41,000
They'll ask me why.
236
00:09:41,000 --> 00:09:44,000
It's not as if I've not stopped thinking about girls all the time.
237
00:09:44,000 --> 00:09:46,000
Any old girls?
238
00:09:46,000 --> 00:09:47,000
Just the pretty ones.
239
00:09:47,000 --> 00:09:51,000
Oh, not the ordinary ones, like me.
240
00:09:51,000 --> 00:09:53,000
Why should I think about you?
241
00:09:53,000 --> 00:09:56,000
Just because I keep writing your name on bits of paper all the time.
242
00:09:56,000 --> 00:09:58,000
You do.
243
00:09:58,000 --> 00:10:00,000
To give you some idea.
244
00:10:00,000 --> 00:10:04,000
Who's photographed do you think I'll carry on the inside of Miss Sandwich, tinn' lead?
245
00:10:04,000 --> 00:10:06,000
You took this.
246
00:10:06,000 --> 00:10:10,000
It's part of my job to take the stills around, do you?
247
00:10:10,000 --> 00:10:12,000
What of a nobody like me?
248
00:10:12,000 --> 00:10:17,000
Do you think I'd put a nobody on the inside of Miss Sandwich, tinn' lead?
249
00:10:17,000 --> 00:10:19,000
It's got jam on it.
250
00:10:19,000 --> 00:10:21,000
Yeah.
251
00:10:21,000 --> 00:10:24,000
Homemade strawberry.
252
00:10:26,000 --> 00:10:28,000
You take a good photograph, Percy.
253
00:10:28,000 --> 00:10:31,000
Makes even me look like I ought to be on the screen.
254
00:10:31,000 --> 00:10:33,000
You ought to be clearer.
255
00:10:33,000 --> 00:10:35,000
No kidding.
256
00:10:35,000 --> 00:10:37,000
Well, no one's going to think so.
257
00:10:37,000 --> 00:10:40,000
Of all you do is put me on the inside of your sandwich tinn' lead, are they?
258
00:10:40,000 --> 00:10:42,000
Forget it. It's just a silly idea.
259
00:10:42,000 --> 00:10:44,000
Hey, congratulations.
260
00:10:44,000 --> 00:10:46,000
I heard about you being promoted to camera man.
261
00:10:46,000 --> 00:10:47,000
Thanks.
262
00:10:47,000 --> 00:10:50,000
Well, I've never looked through one of these things.
263
00:10:50,000 --> 00:10:51,000
Is this where you look through?
264
00:10:51,000 --> 00:10:53,000
No, you bend your head down here. Look.
265
00:10:53,000 --> 00:10:54,000
Oh!
266
00:10:54,000 --> 00:10:55,000
God, I'm sorry.
267
00:10:55,000 --> 00:10:57,000
I'm always doing things like that.
268
00:10:57,000 --> 00:10:58,000
You're all right?
269
00:10:58,000 --> 00:10:59,000
It's not all right.
270
00:10:59,000 --> 00:11:00,000
Machinery, I can handle.
271
00:11:00,000 --> 00:11:02,000
I'm all thumbs with.
272
00:11:02,000 --> 00:11:03,000
Both.
273
00:11:03,000 --> 00:11:05,000
It's the pretty ones.
274
00:11:05,000 --> 00:11:07,000
With the ugly ones, I never put a foot wrong.
275
00:11:07,000 --> 00:11:10,000
I've got a real talent for the ugly ones.
276
00:11:16,000 --> 00:11:18,000
You think I'm pretty, do you, Percy?
277
00:11:22,000 --> 00:11:25,000
What do you think I'm standing on the cap?
278
00:11:26,000 --> 00:11:34,000
You don't belong on my side of this thing, Clara.
279
00:11:34,000 --> 00:11:37,000
My face like yours ought to be out there in front.
280
00:11:41,000 --> 00:11:42,000
Me?
281
00:11:42,000 --> 00:11:45,000
Of course, yes. I think so.
282
00:11:49,000 --> 00:11:51,000
It's no good, though, is it?
283
00:11:51,000 --> 00:11:53,000
Just thinking, so...
284
00:11:54,000 --> 00:11:56,000
I'm really happy for you, Percy.
285
00:12:16,000 --> 00:12:17,000
Hello.
286
00:12:17,000 --> 00:12:18,000
Ireland's 4.5.8, please.
287
00:12:18,000 --> 00:12:20,000
Bless you, Lou Ellen.
288
00:12:20,000 --> 00:12:21,000
What form, aren't?
289
00:12:21,000 --> 00:12:23,000
For being alert to all the little courteuses,
290
00:12:23,000 --> 00:12:25,000
my husband remains oblivious to.
291
00:12:25,000 --> 00:12:27,000
I've got the timber, don't you, Noy?
292
00:12:27,000 --> 00:12:29,000
You'll get straight in a bath, Mrs. Cole.
293
00:12:29,000 --> 00:12:30,000
Do you got it, Will?
294
00:12:30,000 --> 00:12:32,000
I'm going to soak until I'm wrinkled.
295
00:12:36,000 --> 00:12:38,000
His name's Applebee.
296
00:12:38,000 --> 00:12:40,000
Let's hope he brings us some luck.
297
00:12:40,000 --> 00:12:41,000
Nanny.
298
00:12:41,000 --> 00:12:44,000
My goodness, look at the steed on here.
299
00:12:44,000 --> 00:12:45,000
I'm all right, Nanny.
300
00:12:45,000 --> 00:12:47,000
I just need a bath and three weeks rest.
301
00:12:47,000 --> 00:12:48,000
No, you're not all right.
302
00:12:48,000 --> 00:12:49,000
And you haven't been all right.
303
00:12:49,000 --> 00:12:52,000
It wasn't you took up with him and he's filthy or lorry.
304
00:12:52,000 --> 00:12:55,000
I think of the carriages you used to drive.
305
00:12:55,000 --> 00:12:57,000
How do you visit your snob, Nanny?
306
00:12:57,000 --> 00:13:00,000
Well, you pack in this Welsh water rally, look.
307
00:13:00,000 --> 00:13:01,000
Have you seen her look, Sam, getting?
308
00:13:01,000 --> 00:13:03,000
She's pulling a whack, honey. I like her.
309
00:13:03,000 --> 00:13:05,000
So you can't wipe the spoiler?
310
00:13:05,000 --> 00:13:07,000
So is that bleating ginger Tom you brought in here?
311
00:13:07,000 --> 00:13:09,000
It's pissed all over the premises.
312
00:13:09,000 --> 00:13:10,000
Marking its territory, that's all.
313
00:13:10,000 --> 00:13:11,000
Tom cuts do that.
314
00:13:11,000 --> 00:13:13,000
He couldn't use a bit of chalk.
315
00:13:13,000 --> 00:13:16,000
Can't you stop bettering down there?
316
00:13:16,000 --> 00:13:18,000
She's going to have to go.
317
00:13:18,000 --> 00:13:21,000
But we daft down and she cooks like an angel.
318
00:13:22,000 --> 00:13:24,000
Yeah.
319
00:13:24,000 --> 00:13:29,000
I must you reckon this place would fetch, all right?
320
00:13:40,000 --> 00:13:41,000
I'm here, Maundy.
321
00:13:41,000 --> 00:13:44,000
There is one way we claim I'm a bit of capital.
322
00:13:44,000 --> 00:13:45,000
I've had a vision.
323
00:13:45,000 --> 00:13:47,000
Will you get out of here, please?
324
00:13:47,000 --> 00:13:49,000
What's the matter with you?
325
00:13:49,000 --> 00:13:50,000
You don't come barging in here.
326
00:13:50,000 --> 00:13:52,000
You knock on my door first.
327
00:13:52,000 --> 00:13:55,000
Oi, I'm not the bloke from up the road.
328
00:13:55,000 --> 00:13:57,000
We are married, you know.
329
00:13:57,000 --> 00:13:59,000
Take that stupid hat off in the house.
330
00:13:59,000 --> 00:14:01,000
Well, stupid about it. It's just a hat.
331
00:14:01,000 --> 00:14:03,000
You don't wear it indoors.
332
00:14:03,000 --> 00:14:05,000
Well, wear me eddy doors, don't I?
333
00:14:05,000 --> 00:14:07,000
Not necessarily for long if you keep barging in here.
334
00:14:07,000 --> 00:14:09,000
Cool. I'll make some weird women anymore at all.
335
00:14:09,000 --> 00:14:10,000
Yes, I can believe it.
336
00:14:10,000 --> 00:14:13,000
Yeah, but some of them knew how to be a comfort tour, I mean.
337
00:14:13,000 --> 00:14:14,000
I can believe that too.
338
00:14:14,000 --> 00:14:15,000
Don't I'm a rest of my?
339
00:14:15,000 --> 00:14:16,000
I don't.
340
00:14:16,000 --> 00:14:17,000
I don't.
341
00:14:17,000 --> 00:14:18,000
Come here, don't do your own.
342
00:14:18,000 --> 00:14:19,000
Oh.
343
00:14:19,000 --> 00:14:24,000
You know, my old woman had a strong head of her.
344
00:14:24,000 --> 00:14:26,000
My old baby, right-hand, either.
345
00:14:26,000 --> 00:14:27,000
Your mother?
346
00:14:27,000 --> 00:14:28,000
Yeah.
347
00:14:28,000 --> 00:14:30,000
You never talk about your people?
348
00:14:30,000 --> 00:14:31,000
No, the neighbours did.
349
00:14:31,000 --> 00:14:34,000
I know nothing about you, do I?
350
00:14:34,000 --> 00:14:36,000
I have the stranger in my bed.
351
00:14:36,000 --> 00:14:39,000
From my room, it's a long walk to get there.
352
00:14:39,000 --> 00:14:42,000
I don't make the effort on my behalf.
353
00:14:42,000 --> 00:14:44,000
What you getting all stiff-necks about?
354
00:14:44,000 --> 00:14:46,000
Don't do me any favours, will you?
355
00:14:46,000 --> 00:14:48,000
I didn't say it wasn't worth it.
356
00:14:48,000 --> 00:14:49,000
Did I say it wasn't worth it?
357
00:14:49,000 --> 00:14:53,000
Well, don't rate me on some scale of comparison with your...
358
00:14:53,000 --> 00:14:54,000
...tarts.
359
00:14:54,000 --> 00:14:56,000
Well, you want a school report?
360
00:14:56,000 --> 00:14:58,000
Should do better next to it.
361
00:14:58,000 --> 00:15:00,000
And do my own hair, thank you.
362
00:15:00,000 --> 00:15:04,000
For a plain woman with a Krabby temper,
363
00:15:04,000 --> 00:15:09,000
it's surprisingly capable of moments of genuine tenderness.
364
00:15:09,000 --> 00:15:11,000
How plain.
365
00:15:12,000 --> 00:15:14,000
Yeah, but a family gets right up mine.
366
00:15:14,000 --> 00:15:17,000
I was just, why do we always have to have a row?
367
00:15:17,000 --> 00:15:20,000
Perhaps because you're such a fondant of tact, my husband.
368
00:15:20,000 --> 00:15:22,000
Yeah, but I make that bleat night to your bedroom,
369
00:15:22,000 --> 00:15:24,000
and it's fantastic.
370
00:15:24,000 --> 00:15:28,000
You go to our row snake, and then we always have a row.
371
00:15:28,000 --> 00:15:30,000
I've had more intimate bollockies.
372
00:15:30,000 --> 00:15:33,000
It's going to be a long uphill grind, Arnold.
373
00:15:33,000 --> 00:15:35,000
Here, give us that, brass.
374
00:15:35,000 --> 00:15:36,000
Let me do you, red.
375
00:15:36,000 --> 00:15:37,000
Come here.
376
00:15:37,000 --> 00:15:40,000
You know, for our woman, you got surprisingly soft hair.
377
00:15:40,000 --> 00:15:41,000
Not plain.
378
00:15:41,000 --> 00:15:43,000
Not so plain, it's beautiful.
379
00:15:43,000 --> 00:15:47,000
But a woman's crown in glory is her ability
380
00:15:47,000 --> 00:15:50,000
to economise on the domestic budget.
381
00:15:50,000 --> 00:15:52,000
I take that old party downstairs.
382
00:15:52,000 --> 00:15:54,000
How much does she get through in wages?
383
00:15:54,000 --> 00:15:57,000
Nanny stares as long as I stay, aren't he?
384
00:15:57,000 --> 00:15:58,000
Oh, it's nice.
385
00:15:58,000 --> 00:16:01,000
Here I am, getting married, thinking of myself,
386
00:16:01,000 --> 00:16:02,000
aren't he?
387
00:16:02,000 --> 00:16:04,000
There's one thing in your favour, my husband.
388
00:16:04,000 --> 00:16:07,000
And then wallet, this vicious old party turns up.
389
00:16:07,000 --> 00:16:09,000
You're afraid of her.
390
00:16:09,000 --> 00:16:11,000
Well, could we ever put down her, son?
391
00:16:11,000 --> 00:16:12,000
Be kind, don't we?
392
00:16:12,000 --> 00:16:14,000
Have you tried getting on with her?
393
00:16:14,000 --> 00:16:15,000
Well, she never listens.
394
00:16:15,000 --> 00:16:16,000
She'd never listened.
395
00:16:16,000 --> 00:16:19,000
She never listens to anything anybody else has to say.
396
00:16:19,000 --> 00:16:21,000
How do you two communicate?
397
00:16:21,000 --> 00:16:23,000
By signs of affection.
398
00:16:23,000 --> 00:16:25,000
I sit down for two minutes.
399
00:16:25,000 --> 00:16:27,000
She's going around me with a couple of minutes.
400
00:16:27,000 --> 00:16:28,000
I'm not sure.
401
00:16:28,000 --> 00:16:29,000
I'm not sure.
402
00:16:29,000 --> 00:16:30,000
I'm not sure.
403
00:16:30,000 --> 00:16:31,000
I'm not sure.
404
00:16:31,000 --> 00:16:33,000
I sit down for two minutes.
405
00:16:33,000 --> 00:16:35,000
She's going around me with a carpet swaver.
406
00:16:35,000 --> 00:16:36,000
Singing hymns.
407
00:16:36,000 --> 00:16:38,000
That's what I come out to, bleeding hymns.
408
00:16:38,000 --> 00:16:40,000
And separate bedrooms.
409
00:16:40,000 --> 00:16:43,000
I'm glad that somebody can put some fear into you.
410
00:16:43,000 --> 00:16:44,000
No.
411
00:16:47,000 --> 00:16:50,000
What's this vision you say you had about raising capital?
412
00:16:50,000 --> 00:16:51,000
Oh.
413
00:16:51,000 --> 00:16:52,000
Well, I've been thinking.
414
00:16:52,000 --> 00:16:53,000
Yes?
415
00:16:53,000 --> 00:16:57,000
Well, I don't see why we need this bleeding grey barn at the place.
416
00:16:57,000 --> 00:16:59,000
I see.
417
00:16:59,000 --> 00:17:02,000
Yeah, but we could have a nice little flat built down at the studio.
418
00:17:02,000 --> 00:17:03,000
Live on the premises.
419
00:17:03,000 --> 00:17:05,000
I will not give up this house, Arnie.
420
00:17:05,000 --> 00:17:07,000
Yeah, but I could be there all the time.
421
00:17:07,000 --> 00:17:10,000
Getting films made, pushing pictures thrown.
422
00:17:10,000 --> 00:17:11,000
The answer is no.
423
00:17:11,000 --> 00:17:13,000
You live there if you wish.
424
00:17:13,000 --> 00:17:14,000
You practically do anyway.
425
00:17:14,000 --> 00:17:17,000
But I will not relinquish this house.
426
00:17:17,000 --> 00:17:18,000
You've had everything else.
427
00:17:18,000 --> 00:17:19,000
I've got nothing left.
428
00:17:19,000 --> 00:17:20,000
I'm old.
429
00:17:20,000 --> 00:17:24,000
As soon as we get a couple of pictures, mate, I'll buy you a castle.
430
00:17:24,000 --> 00:17:26,000
What, before my child comes?
431
00:17:26,000 --> 00:17:28,000
And where am I supposed to have my child, eh?
432
00:17:28,000 --> 00:17:30,000
On a prop table?
433
00:17:30,000 --> 00:17:33,000
Between custard pies on a comedy set?
434
00:17:33,000 --> 00:17:39,000
If we need the money mold, it would be I'm at a picture.
435
00:17:39,000 --> 00:17:41,000
Oh, damn the picture.
436
00:17:41,000 --> 00:17:43,000
Oh, that's a great attitude, innit?
437
00:17:43,000 --> 00:17:44,000
Damn the picture.
438
00:17:44,000 --> 00:17:47,000
Listen, if that film falls flat and it's ours,
439
00:17:47,000 --> 00:17:50,000
the bailiffs are going to be taken to this bleeding place anyway.
440
00:17:54,000 --> 00:17:56,000
Yeah, what do we ask your brother for a few quits?
441
00:17:56,000 --> 00:17:58,000
Will you get out of here?
442
00:18:06,000 --> 00:18:07,000
Arnie!
443
00:18:07,000 --> 00:18:08,000
What?
444
00:18:08,000 --> 00:18:09,000
Max on the phone.
445
00:18:09,000 --> 00:18:10,000
He's packed in the location.
446
00:18:10,000 --> 00:18:11,000
Well, he finished.
447
00:18:11,000 --> 00:18:12,000
They haven't started yet.
448
00:18:12,000 --> 00:18:13,000
Some trouble with the council.
449
00:18:13,000 --> 00:18:14,000
They've been toughed out of the park.
450
00:18:14,000 --> 00:18:17,000
That's Max's diplomat, eight such.
451
00:18:17,000 --> 00:18:20,000
All right, tell them all to come back to the warehouse right now, okay?
452
00:18:20,000 --> 00:18:21,000
Great.
453
00:18:22,000 --> 00:18:24,000
All right.
454
00:18:24,000 --> 00:18:26,000
I want that idiot where I can see him.
455
00:18:26,000 --> 00:18:27,000
All right?
456
00:18:27,000 --> 00:18:29,000
Even if we have to shoot the old filming doors.
457
00:18:29,000 --> 00:18:31,000
Now, we've got to get that warehouse finished.
458
00:18:31,000 --> 00:18:33,000
Now, right now!
459
00:18:52,000 --> 00:18:53,000
Keep walking.
460
00:18:53,000 --> 00:18:54,000
Good.
461
00:18:54,000 --> 00:18:55,000
Thanks.
462
00:19:12,000 --> 00:19:13,000
Hello, Normans!
463
00:19:13,000 --> 00:19:14,000
No, wait!
464
00:19:14,000 --> 00:19:15,000
Cut!
465
00:19:17,000 --> 00:19:18,000
Stop living, huh?
466
00:19:18,000 --> 00:19:20,000
Stop living about you, people!
467
00:19:21,000 --> 00:19:22,000
Pull it down, sir.
468
00:19:24,000 --> 00:19:26,000
Why can't we have this animation on the camera's turn?
469
00:19:26,000 --> 00:19:29,000
The instant we crack the handle, you crowd people turn the cardboard!
470
00:19:29,000 --> 00:19:31,000
Now, there's somebody happening to me!
471
00:19:31,000 --> 00:19:32,000
We'll have all the time!
472
00:19:32,000 --> 00:19:34,000
Roger, I miss all the genders.
473
00:19:37,000 --> 00:19:40,000
You crowd people are being paid to provide animation.
474
00:19:41,000 --> 00:19:42,000
Live in us!
475
00:19:43,000 --> 00:19:46,000
Why do I get sleep walkers?
476
00:19:47,000 --> 00:19:49,000
We have this little disparity here.
477
00:19:49,000 --> 00:19:51,000
Here, I am trying to make a film about people being people,
478
00:19:51,000 --> 00:19:54,000
and you're all trying to make a film about people being women!
479
00:19:56,000 --> 00:19:57,000
You?
480
00:19:57,000 --> 00:19:58,000
Yes, you.
481
00:19:58,000 --> 00:20:00,000
Twitching person.
482
00:20:03,000 --> 00:20:05,000
Have you any acting experience?
483
00:20:05,000 --> 00:20:08,000
A lifetime, Miss Yolo Jorn.
484
00:20:08,000 --> 00:20:10,000
It doesn't show.
485
00:20:12,000 --> 00:20:13,000
Do you know what talent is?
486
00:20:13,000 --> 00:20:16,000
I know what talent is, Miss LeGendry.
487
00:20:16,000 --> 00:20:17,000
Any of you?
488
00:20:17,000 --> 00:20:18,000
Mr. LeGenders.
489
00:20:18,000 --> 00:20:20,000
I'll tell you what it is around here.
490
00:20:21,000 --> 00:20:23,000
It's invisible!
491
00:20:24,000 --> 00:20:27,000
Meanwhile, until a wooden film turns up for you to do, can we do it my way?
492
00:20:28,000 --> 00:20:29,000
Where's my roster?
493
00:20:29,000 --> 00:20:30,000
Why isn't it here?
494
00:20:30,000 --> 00:20:31,000
Damn it!
495
00:20:31,000 --> 00:20:32,000
Why do I have to wait for everything?
496
00:20:32,000 --> 00:20:33,000
It's coming, Miss LeGenders.
497
00:20:44,000 --> 00:20:46,000
I'm very sorry, Miss LeGendry.
498
00:20:49,000 --> 00:20:50,000
Position.
499
00:20:50,000 --> 00:20:52,000
Will you stop that, Emily!
500
00:20:53,000 --> 00:20:57,000
Max, if this is going to take long, I'll be in my dressing room.
501
00:20:57,000 --> 00:21:01,000
And when I say dressing room, I mean that I'm heated corner of...
502
00:21:01,000 --> 00:21:02,000
You know what I mean.
503
00:21:02,000 --> 00:21:03,000
We'll take long, Cora.
504
00:21:03,000 --> 00:21:05,000
It's taken all morning.
505
00:21:05,000 --> 00:21:07,000
We none of us have had any break.
506
00:21:08,000 --> 00:21:09,000
Neither of you.
507
00:21:09,000 --> 00:21:11,000
I don't realize that.
508
00:21:11,000 --> 00:21:14,000
And of course, we shall all continue happily,
509
00:21:14,000 --> 00:21:19,000
until you decide to call a break and put an end to all these bellies rumbling around hits, beginning to sound like a train.
510
00:21:19,000 --> 00:21:20,000
I want the right, Cora.
511
00:21:20,000 --> 00:21:23,000
There's no just stand up here, doesn't agree with you.
512
00:21:24,000 --> 00:21:25,000
Promise up!
513
00:21:28,000 --> 00:21:29,000
You're full.
514
00:21:29,000 --> 00:21:31,000
My father's very worth.
515
00:21:31,000 --> 00:21:32,000
Tell the camera.
516
00:21:37,000 --> 00:21:38,000
Cut!
517
00:21:39,000 --> 00:21:40,000
What do you want?
518
00:21:41,000 --> 00:21:43,000
You sent for me, Mr. LeGendry.
519
00:21:43,000 --> 00:21:44,000
Oh, listen.
520
00:21:44,000 --> 00:21:46,000
Who is this person? What does he want? Does he nothing to do?
521
00:21:46,000 --> 00:21:48,000
You wanted to see him, Mr. LeGendry.
522
00:21:48,000 --> 00:21:49,000
I did?
523
00:21:49,000 --> 00:21:50,000
They told me.
524
00:21:50,000 --> 00:21:51,000
Speak up, man.
525
00:21:51,000 --> 00:21:53,000
Got him at all the incomprehensible duties of the working classes.
526
00:21:53,000 --> 00:21:55,000
They told me you wanted to see me.
527
00:21:55,000 --> 00:21:56,000
Who did?
528
00:21:56,000 --> 00:21:58,000
He was doing the hammering, Mr. LeGendry.
529
00:22:01,000 --> 00:22:03,000
I'm pleased to hear it.
530
00:22:03,000 --> 00:22:07,000
I'm delighted the oak doesn't spend all this time idling under my feet. Get him out of here!
531
00:22:07,000 --> 00:22:08,000
You wanted it stopped.
532
00:22:08,000 --> 00:22:10,000
You started my train as well.
533
00:22:10,000 --> 00:22:12,000
I'll get rid of a Mr. LeGendry.
534
00:22:12,000 --> 00:22:13,000
Can we come out of here?
535
00:22:13,000 --> 00:22:14,000
Please, this way.
536
00:22:15,000 --> 00:22:17,000
We've got a fountain to take here!
537
00:22:25,000 --> 00:22:26,000
Position everybody.
538
00:22:29,000 --> 00:22:31,000
Mood please, maestro.
539
00:22:31,000 --> 00:22:33,000
Turn the camera.
540
00:22:33,000 --> 00:22:35,000
Animation.
541
00:22:35,000 --> 00:22:39,000
That's it. Slower in front of the camera, darling.
542
00:22:39,000 --> 00:22:43,000
Gilbert, you shall last penny to buy an apple.
543
00:22:43,000 --> 00:22:45,000
You shall last penny to buy an apple.
544
00:22:45,000 --> 00:22:48,000
You shall last penny or in love. A preaching person.
545
00:22:48,000 --> 00:22:50,000
Taking Gilbert and Cora. That's it.
546
00:22:50,000 --> 00:22:51,000
It shall last you.
547
00:22:51,000 --> 00:22:53,000
More animation behind the band.
548
00:22:53,000 --> 00:22:55,000
Split, it's spinning.
549
00:22:55,000 --> 00:22:57,000
And ready when you are, Corke.
550
00:22:58,000 --> 00:23:00,000
And ready when you are, Corke.
551
00:23:00,000 --> 00:23:02,000
This balcony's too high.
552
00:23:02,000 --> 00:23:03,000
Catch!
553
00:23:04,000 --> 00:23:07,000
I'll never take a fall off here under that batter.
554
00:23:07,000 --> 00:23:08,000
You set it up.
555
00:23:08,000 --> 00:23:10,000
I've changed my mind.
556
00:23:10,000 --> 00:23:12,000
What are we going to get a double at this stage?
557
00:23:12,000 --> 00:23:13,000
That's your problem.
558
00:23:13,000 --> 00:23:14,000
I'll do it.
559
00:23:17,000 --> 00:23:18,000
You know how to fall, son.
560
00:23:18,000 --> 00:23:19,000
I can learn.
561
00:23:19,000 --> 00:23:20,000
The hard way.
562
00:23:20,000 --> 00:23:21,000
Listen.
563
00:23:21,000 --> 00:23:23,000
The kid wants to take the fall, let him take the fall.
564
00:23:23,000 --> 00:23:24,000
Come on, Moon.
565
00:23:24,000 --> 00:23:25,000
That's my decision.
566
00:23:25,000 --> 00:23:26,000
And make it.
567
00:23:26,000 --> 00:23:27,000
You'll be alright, kid.
568
00:23:27,000 --> 00:23:28,000
Just roll when you hit the ground.
569
00:23:28,000 --> 00:23:29,000
Alright.
570
00:23:29,000 --> 00:23:30,000
Be a hagony, of course.
571
00:23:30,000 --> 00:23:32,000
Oh, well, that's the magic of filming, isn't it?
572
00:23:32,000 --> 00:23:33,000
You get it wrong a few times.
573
00:23:33,000 --> 00:23:35,000
We'll let you keep doing it till you get it right.
574
00:23:35,000 --> 00:23:37,000
Mr. Cole, you leave my floor.
575
00:23:37,000 --> 00:23:38,000
Your floor?
576
00:23:38,000 --> 00:23:40,000
Hey, screams for a bleating trumpet at me,
577
00:23:40,000 --> 00:23:42,000
and I'm supposed to leave the floor.
578
00:23:42,000 --> 00:23:44,000
Oh, God, here they go again.
579
00:23:44,000 --> 00:23:46,000
Can you stop interfering with my direct audio function?
580
00:23:46,000 --> 00:23:47,000
Is that what you call it?
581
00:23:47,000 --> 00:23:48,000
A direct audio function?
582
00:23:48,000 --> 00:23:50,000
I'm going to get all these people.
583
00:23:50,000 --> 00:23:52,000
They're in a round scratching their arse.
584
00:23:52,000 --> 00:23:53,000
It's disgusting to my wife, Bill.
585
00:23:53,000 --> 00:23:56,000
You're going to get a boot out of your direct audio function, Bill.
586
00:23:56,000 --> 00:23:57,000
And shut the door.
587
00:23:57,000 --> 00:23:58,000
I should leave my floor.
588
00:23:58,000 --> 00:23:59,000
My floor?
589
00:23:59,000 --> 00:24:01,000
There's some parrot of screams through a trumpet.
590
00:24:01,000 --> 00:24:02,000
Stick to your arcing.
591
00:24:02,000 --> 00:24:04,000
Disaboos yourself of any notion of creative control.
592
00:24:04,000 --> 00:24:06,000
But you have to bellow at each other like two animals,
593
00:24:06,000 --> 00:24:08,000
who do kindly do it in here and keep your voices down.
594
00:24:08,000 --> 00:24:10,000
Mr. Stick listen, your trumpet is my film.
595
00:24:10,000 --> 00:24:11,000
Well, no one I'm directing.
596
00:24:11,000 --> 00:24:12,000
Directing the floor is mine.
597
00:24:12,000 --> 00:24:13,000
Directing what?
598
00:24:13,000 --> 00:24:14,000
Just a minute.
599
00:24:14,000 --> 00:24:15,000
I'm directing the floor.
600
00:24:15,000 --> 00:24:16,000
I'm directing the floor.
601
00:24:16,000 --> 00:24:17,000
I'm directing the floor.
602
00:24:17,000 --> 00:24:18,000
I'm directing the floor.
603
00:24:18,000 --> 00:24:19,000
I'm directing the floor.
604
00:24:19,000 --> 00:24:20,000
I'm directing the floor.
605
00:24:20,000 --> 00:24:21,000
I'm directing the floor.
606
00:24:21,000 --> 00:24:22,000
Directing what?
607
00:24:22,000 --> 00:24:23,000
Show me the film.
608
00:24:23,000 --> 00:24:24,000
Where is all this direction?
609
00:24:24,000 --> 00:24:25,000
You get my film when they get it right.
610
00:24:25,000 --> 00:24:26,000
There's some more.
611
00:24:26,000 --> 00:24:27,000
That song would be bust.
612
00:24:27,000 --> 00:24:28,000
What am I saying?
613
00:24:28,000 --> 00:24:29,000
We are busting.
614
00:24:29,000 --> 00:24:30,000
Then I'll tell them all money.
615
00:24:30,000 --> 00:24:31,000
That's what you do, isn't it?
616
00:24:31,000 --> 00:24:32,000
Not for you to punch away.
617
00:24:32,000 --> 00:24:33,000
You want me to make rubbish?
618
00:24:33,000 --> 00:24:34,000
I want you to make some.
619
00:24:34,000 --> 00:24:35,000
It is what I'm trying to do.
620
00:24:35,000 --> 00:24:36,000
You're stopping the ferry out of the floor.
621
00:24:36,000 --> 00:24:37,000
It's a ferry.
622
00:24:37,000 --> 00:24:39,000
You're going to see some interference.
623
00:24:39,000 --> 00:24:41,000
You get involved with business with me.
624
00:24:41,000 --> 00:24:43,000
My son, you're going to see some interference.
625
00:24:43,000 --> 00:24:45,000
Do you have artistic qualifications, of course?
626
00:24:45,000 --> 00:24:47,000
Artists don't look too stunk.
627
00:24:47,000 --> 00:24:48,000
Give me artistic.
628
00:24:48,000 --> 00:24:49,000
Give me footage.
629
00:24:49,000 --> 00:24:50,000
I will.
630
00:24:50,000 --> 00:24:51,000
That will be good.
631
00:24:51,000 --> 00:24:52,000
You don't deserve it.
632
00:24:52,000 --> 00:24:53,000
It will be very good.
633
00:24:53,000 --> 00:24:54,000
It's no damn good of it.
634
00:24:54,000 --> 00:24:56,000
It's too late to bail us out of the cluke.
635
00:24:56,000 --> 00:24:57,000
We're in sacrifice performance.
636
00:24:57,000 --> 00:24:58,000
Performance.
637
00:24:58,000 --> 00:25:00,000
You need to be in performance either.
638
00:25:00,000 --> 00:25:01,000
She's yours.
639
00:25:01,000 --> 00:25:02,000
I don't want you to do that.
640
00:25:02,000 --> 00:25:03,000
You're not going to get it.
641
00:25:03,000 --> 00:25:04,000
You're not going to get it right.
642
00:25:04,000 --> 00:25:05,000
Leave it near each other.
643
00:25:05,000 --> 00:25:06,000
Both of you are bothering me.
644
00:25:06,000 --> 00:25:07,000
Stop it.
645
00:25:07,000 --> 00:25:08,000
You're back.
646
00:25:08,000 --> 00:25:09,000
You're back.
647
00:25:09,000 --> 00:25:10,000
You're back.
648
00:25:10,000 --> 00:25:11,000
You're back.
649
00:25:11,000 --> 00:25:12,000
You're back.
650
00:25:12,000 --> 00:25:13,000
You're back.
651
00:25:13,000 --> 00:25:14,000
You're back.
652
00:25:14,000 --> 00:25:15,000
You're back.
653
00:25:15,000 --> 00:25:16,000
You're back.
654
00:25:16,000 --> 00:25:17,000
You're back.
655
00:25:17,000 --> 00:25:18,000
You're back.
656
00:25:18,000 --> 00:25:19,000
You're back.
657
00:25:20,000 --> 00:25:21,000
Yeah.
658
00:25:21,000 --> 00:25:23,000
Now that we're shooting down.
659
00:25:23,000 --> 00:25:24,000
But look at you.
660
00:25:24,000 --> 00:25:26,000
What's this caravas in a jungle outfit?
661
00:25:26,000 --> 00:25:27,000
Those lights are hot.
662
00:25:27,000 --> 00:25:28,000
They're not you.
663
00:25:28,000 --> 00:25:29,000
Keep your voice down.
664
00:25:29,000 --> 00:25:30,000
Remember, I had that.
665
00:25:30,000 --> 00:25:38,000
I suggest you never give me your fashion route.
666
00:25:38,000 --> 00:25:40,000
What's wrong with this hat?
667
00:25:40,000 --> 00:25:42,000
Will you tell him Mrs. Curle Orchelard?
668
00:25:42,000 --> 00:25:44,000
Listen, there's no camera turning out here.
669
00:25:44,000 --> 00:25:45,000
And you worry about me in it.
670
00:25:45,000 --> 00:25:48,000
You're wasting your time, both of you, with this perpetual performance.
671
00:25:48,000 --> 00:25:50,000
You're going to have to work together.
672
00:25:50,000 --> 00:25:53,000
Incompatible or not, you've tied yourselves together contractually.
673
00:25:53,000 --> 00:25:54,000
Listen, all right.
674
00:25:54,000 --> 00:25:56,000
I take this place to get cokeyed.
675
00:25:56,000 --> 00:25:57,000
I didn't live with him.
676
00:25:57,000 --> 00:25:58,000
Don't you forget it.
677
00:25:58,000 --> 00:26:00,000
I know you can't handle it.
678
00:26:00,000 --> 00:26:01,000
Oh, oh, oh.
679
00:26:01,000 --> 00:26:02,000
Comic, and you can't handle it.
680
00:26:02,000 --> 00:26:03,000
I can handle it.
681
00:26:03,000 --> 00:26:04,000
Don't get out on it, floor.
682
00:26:04,000 --> 00:26:05,000
And show me.
683
00:26:05,000 --> 00:26:06,000
Right.
684
00:26:06,000 --> 00:26:07,000
Right.
685
00:26:07,000 --> 00:26:08,000
Right.
686
00:26:08,000 --> 00:26:09,000
I'm going to go.
687
00:26:09,000 --> 00:26:10,000
I'm going to go.
688
00:26:10,000 --> 00:26:11,000
I'm going to go.
689
00:26:11,000 --> 00:26:12,000
I'm going to go.
690
00:26:12,000 --> 00:26:13,000
I'm going to go.
691
00:26:13,000 --> 00:26:14,000
I'm going to go.
692
00:26:14,000 --> 00:26:15,000
I'm going to go.
693
00:26:15,000 --> 00:26:16,000
I'm going to go.
694
00:26:17,000 --> 00:26:24,000
Thank you, Brett.
695
00:26:24,000 --> 00:26:25,000
Arnie.
696
00:26:25,000 --> 00:26:26,000
You were on up to shore.
697
00:26:26,000 --> 00:26:27,000
Max is right.
698
00:26:27,000 --> 00:26:28,000
I know.
699
00:26:28,000 --> 00:26:31,000
We are going to have to do something about your appearance.
700
00:26:31,000 --> 00:26:32,000
Hey.
701
00:26:32,000 --> 00:26:37,000
It's not yet accustomed to the colour.
702
00:26:37,000 --> 00:26:38,000
What colour?
703
00:26:38,000 --> 00:26:39,000
You call this a colour?
704
00:26:39,000 --> 00:26:41,000
Mademois for something of a subdued niche.
705
00:26:41,000 --> 00:26:43,000
You know she ain't got a way to play.
706
00:26:43,000 --> 00:26:46,000
Oh, it complements the gentleman's face.
707
00:26:46,000 --> 00:26:48,000
Well, you can throw this thing away.
708
00:26:48,000 --> 00:26:50,000
There's something you can do to make.
709
00:26:50,000 --> 00:26:51,000
Oh, she ain't got a way to play.
710
00:26:51,000 --> 00:26:52,000
Oh, she ain't got a way to play.
711
00:26:52,000 --> 00:26:55,000
Oh, it complements the gentleman's face.
712
00:26:55,000 --> 00:26:57,000
Well, you can throw this thing away.
713
00:26:57,000 --> 00:26:59,000
There's something you can do to make money on that.
714
00:26:59,000 --> 00:27:02,000
Oh, that's for playing a fiddle in the street.
715
00:27:02,000 --> 00:27:03,000
Ha ha ha.
716
00:27:13,000 --> 00:27:16,000
Oh, that's for playing a fiddle in the street.
717
00:27:16,000 --> 00:27:19,000
Oh, that's for playing a fiddle in the street.
718
00:27:19,000 --> 00:27:22,000
Oh, that's for playing a fiddle in the street.
719
00:27:22,000 --> 00:27:25,000
Oh, that's for playing a fiddle in the street.
720
00:27:25,000 --> 00:27:28,000
Oh, that's for playing a fiddle in the street.
721
00:27:28,000 --> 00:27:31,000
Oh, that's for playing a fiddle in the street.
722
00:27:31,000 --> 00:27:34,000
Oh, that's for playing a fiddle in the street.
723
00:27:34,000 --> 00:27:37,000
Oh, that's for playing a fiddle in the street.
724
00:27:37,000 --> 00:27:40,000
Oh, that's for playing a fiddle in the street.
725
00:27:40,000 --> 00:27:43,000
Oh, that's for playing a fiddle in the street.
726
00:27:43,000 --> 00:27:46,000
Oh, that's for playing a fiddle in the street.
727
00:27:46,000 --> 00:27:49,000
Oh, that's for playing a fiddle in the street.
728
00:27:49,000 --> 00:27:52,000
Oh, that's for playing a fiddle in the street.
729
00:27:52,000 --> 00:27:55,000
Oh, that's for playing a fiddle in the street.
730
00:27:55,000 --> 00:27:58,000
Oh, that's for playing a fiddle in the street.
731
00:27:58,000 --> 00:28:01,000
Oh, that's for playing a fiddle in the street.
732
00:28:01,000 --> 00:28:04,000
Oh, that's for playing a fiddle in the street.
733
00:28:04,000 --> 00:28:07,000
Oh, that's for playing a fiddle in the street.
734
00:28:07,000 --> 00:28:15,000
MUSIC
735
00:28:15,000 --> 00:28:17,000
Nice, Lou.
736
00:28:21,000 --> 00:28:24,000
Are you just going to sit there and frown?
737
00:28:24,000 --> 00:28:28,000
As I said when we made it, I think we've got to see what it is, don't you?
738
00:28:28,000 --> 00:28:30,000
No, not yet.
739
00:28:30,000 --> 00:28:33,000
What do we want to see it for?
740
00:28:33,000 --> 00:28:35,000
The audience will want to see it.
741
00:28:35,000 --> 00:28:38,000
They can see everything they need. Every gag worked, didn't it?
742
00:28:38,000 --> 00:28:40,000
They'll want to know what's on the end of the road.
743
00:28:40,000 --> 00:28:43,000
Of course they'll want to know what's on the end of the road.
744
00:28:43,000 --> 00:28:46,000
Quite frankly, old boy, so would I.
745
00:28:46,000 --> 00:28:48,000
Oh, boy.
746
00:28:48,000 --> 00:28:50,000
Suddenly I'm old boy.
747
00:28:50,000 --> 00:28:51,000
Justice, I'm afraid.
748
00:28:51,000 --> 00:28:53,000
Well, turn it up your ear hole.
749
00:28:53,000 --> 00:28:56,000
This is me, your former employer, remember.
750
00:28:56,000 --> 00:29:01,000
As I was helping you to be big enough not to resent her, Ursula Rose.
751
00:29:01,000 --> 00:29:05,000
I still pay you to manage me, Max.
752
00:29:05,000 --> 00:29:07,000
Oh.
753
00:29:07,000 --> 00:29:09,000
Must have a talk about that.
754
00:29:12,000 --> 00:29:15,000
You're through, Max. I'm firing you.
755
00:29:16,000 --> 00:29:20,000
Yes, I think that's the most ethical thing to do under the circumstances.
756
00:29:20,000 --> 00:29:23,000
We do it in any conflict of interest, do we?
757
00:29:24,000 --> 00:29:27,000
Keep pushing me and I won't work for you.
758
00:29:27,000 --> 00:29:30,000
Read your contract, old boy.
759
00:29:32,000 --> 00:29:34,000
Let us still.
760
00:29:35,000 --> 00:29:37,000
Get a good manager to read it for you.
761
00:29:47,000 --> 00:29:49,000
You know what show business is?
762
00:29:49,000 --> 00:29:51,000
Hmm, boring.
763
00:29:51,000 --> 00:29:55,000
Well, the audience that may be boring for the artist is supposed to be exciting.
764
00:29:55,000 --> 00:29:56,000
Says who?
765
00:29:56,000 --> 00:30:00,000
My wife's mother, a woman of startlinging comprehension.
766
00:30:01,000 --> 00:30:05,000
She thinks I spend every working hour going through the Ten Commandments with an axe.
767
00:30:05,000 --> 00:30:08,000
I'm bored already. I haven't been in the business two minutes.
768
00:30:08,000 --> 00:30:10,000
I didn't volunteer.
769
00:30:10,000 --> 00:30:12,000
It's Corky's idea.
770
00:30:12,000 --> 00:30:15,000
He gives me a part. He thinks he keeps me out of mischief.
771
00:30:15,000 --> 00:30:16,000
Oh, he's dead right there.
772
00:30:16,000 --> 00:30:18,000
They sure as hell doesn't feel like mischief.
773
00:30:18,000 --> 00:30:20,000
Thought you liked playing cards.
774
00:30:20,000 --> 00:30:23,000
Was that a little like about playing cards if it was the time?
775
00:30:23,000 --> 00:30:24,000
Profitedly.
776
00:30:24,000 --> 00:30:27,000
So you've lost a few bomb, you'll learn.
777
00:30:27,000 --> 00:30:30,000
I think we all start in show business knowing how to play cards.
778
00:30:30,000 --> 00:30:32,000
Something you pick up.
779
00:30:32,000 --> 00:30:35,000
Like the occasional theatrical then lady.
780
00:30:37,000 --> 00:30:40,000
I do appreciate, of course, I'm talking about the good old days.
781
00:30:42,000 --> 00:30:44,000
I used to be solo, did you know that?
782
00:30:44,000 --> 00:30:45,000
What happened?
783
00:30:45,000 --> 00:30:47,000
I got married. That's what happened.
784
00:30:47,000 --> 00:30:49,000
Couldn't wait to be a double act.
785
00:30:50,000 --> 00:30:52,000
We sang love songs together.
786
00:30:53,000 --> 00:30:55,000
Say, I'll have a way to run a marriage.
787
00:30:55,000 --> 00:30:57,000
Singing love songs all the time.
788
00:30:57,000 --> 00:30:59,000
I must have left her 15 times.
789
00:30:59,000 --> 00:31:01,000
I like a man who knows his own mind.
790
00:31:01,000 --> 00:31:03,000
I like when I leave her.
791
00:31:03,000 --> 00:31:06,000
Every time I leave her she gets a lump in her breast.
792
00:31:06,000 --> 00:31:08,000
I like when I leave her the lump in her breast.
793
00:31:08,000 --> 00:31:11,000
As soon as I walk back in the house the damn thing goes down.
794
00:31:12,000 --> 00:31:15,000
It's not a bad love song you're singing right now.
795
00:31:15,000 --> 00:31:17,000
You wouldn't leave her otherwise.
796
00:31:19,000 --> 00:31:21,000
It was like a walnut.
797
00:31:21,000 --> 00:31:23,000
You can feel it.
798
00:31:24,000 --> 00:31:26,000
I wish somebody would feel it.
799
00:31:26,000 --> 00:31:29,000
I wish I could catch some bastard feeling it.
800
00:31:29,000 --> 00:31:31,000
I really could leave her.
801
00:31:32,000 --> 00:31:34,000
You're going to play the card I just waved about.
802
00:31:35,000 --> 00:31:36,000
She loves you.
803
00:31:36,000 --> 00:31:37,000
I know.
804
00:31:37,000 --> 00:31:39,000
It's sort of sneaky trickers that to play after all these years.
805
00:31:39,000 --> 00:31:41,000
In 30,000 love songs.
806
00:31:41,000 --> 00:31:43,000
That was just the matter news.
807
00:31:43,000 --> 00:31:45,000
Mr. Brewer, your daughter, where is your daughter?
808
00:31:45,000 --> 00:31:48,000
You mean the small little bitch or the tall little bitch.
809
00:31:48,000 --> 00:31:49,000
Dottie.
810
00:31:49,000 --> 00:31:51,000
She'll be with her mother. It's less than time.
811
00:31:51,000 --> 00:31:53,000
Learning daddy's faults at Mummy's knee.
812
00:31:53,000 --> 00:31:54,000
I hope she's dressed.
813
00:31:54,000 --> 00:31:55,000
Dressed?
814
00:31:55,000 --> 00:31:56,000
We've all been dressed.
815
00:31:56,000 --> 00:32:00,000
Listen, I can't afford to keep playing cards with this man forever.
816
00:32:00,000 --> 00:32:01,000
Oh, you'll learn.
817
00:32:01,000 --> 00:32:03,000
I've spent my life killing time.
818
00:32:05,000 --> 00:32:07,000
That's what the business is.
819
00:32:07,000 --> 00:32:09,000
The noble art of killing time.
820
00:32:11,000 --> 00:32:13,000
God save me from the malice of small comedians.
821
00:32:13,000 --> 00:32:15,000
The original rise, Hector.
822
00:32:15,000 --> 00:32:17,000
Like a phoenix from the ashes of his performance.
823
00:32:17,000 --> 00:32:19,000
Such a dreary little sod.
824
00:32:19,000 --> 00:32:20,000
You've been upsetting him, Hector.
825
00:32:20,000 --> 00:32:21,000
No.
826
00:32:21,000 --> 00:32:22,000
Somebody's been upsetting him.
827
00:32:22,000 --> 00:32:23,000
Mr. Lejandra.
828
00:32:23,000 --> 00:32:24,000
Not to say.
829
00:32:24,000 --> 00:32:25,000
See what he wants.
830
00:32:25,000 --> 00:32:26,000
I know what he wants.
831
00:32:26,000 --> 00:32:28,000
He wants to show you a photograph, Miss Lejandra.
832
00:32:28,000 --> 00:32:30,000
He's following his snaps I don't need right now.
833
00:32:30,000 --> 00:32:31,000
It's of a girl, Miss Lejandra.
834
00:32:31,000 --> 00:32:33,000
You should say this, Mr. Lejandra.
835
00:32:33,000 --> 00:32:35,000
She photographs really well.
836
00:32:35,000 --> 00:32:38,000
He wants to show me photographs of naked girls.
837
00:32:38,000 --> 00:32:40,000
She's not naked, Mr. Lejandra.
838
00:32:40,000 --> 00:32:41,000
Not naked?
839
00:32:41,000 --> 00:32:43,000
What you trying to hide, Laddie?
840
00:32:43,000 --> 00:32:44,000
All right.
841
00:32:44,000 --> 00:32:46,000
You call this a double.
842
00:32:46,000 --> 00:32:48,000
I put three.
843
00:32:48,000 --> 00:32:50,000
And you call this a double.
844
00:32:50,000 --> 00:32:52,000
I put three.
845
00:32:52,000 --> 00:32:54,000
And you call this a double.
846
00:32:54,000 --> 00:32:56,000
Taking from the right angle, he won't look able to.
847
00:32:56,000 --> 00:32:59,000
Some double I keep out of these conversations with his navel.
848
00:32:59,000 --> 00:33:00,000
And what does it say?
849
00:33:00,000 --> 00:33:03,000
It says when you've broken a leg or two, you'll be shorter.
850
00:33:03,000 --> 00:33:05,000
God, well, it exaggerates.
851
00:33:05,000 --> 00:33:07,000
Does he know how to fall?
852
00:33:07,000 --> 00:33:09,000
Position's everybody.
853
00:33:09,000 --> 00:33:12,000
When he dies from the balcony, I don't anticipate he'll have any problem
854
00:33:12,000 --> 00:33:14,000
in knowing how to fall.
855
00:33:14,000 --> 00:33:16,000
You don't even know what I'm talking about.
856
00:33:16,000 --> 00:33:18,000
Coming out with it.
857
00:33:18,000 --> 00:33:22,000
It's not just that he might break his head.
858
00:33:22,000 --> 00:33:24,000
What's he going to look like?
859
00:33:24,000 --> 00:33:29,000
I put three, following through the air like a flying sack of horse manure.
860
00:33:29,000 --> 00:33:33,000
I've got my first big break into pictures playing a flying sack of horse manure.
861
00:33:33,000 --> 00:33:36,000
Is he called comedy's got to be neat?
862
00:33:36,000 --> 00:33:38,000
You've got to move like your bones.
863
00:33:38,000 --> 00:33:39,000
I made a jelly.
864
00:33:39,000 --> 00:33:40,000
You wanted neat.
865
00:33:40,000 --> 00:33:41,000
You do it.
866
00:33:41,000 --> 00:33:44,000
For good pictures, I beat my brains out.
867
00:33:44,000 --> 00:33:47,000
This one's going to be a stinker.
868
00:33:47,000 --> 00:33:50,000
All right, positions everybody.
869
00:33:50,000 --> 00:33:53,000
Clear a four.
870
00:33:53,000 --> 00:33:56,000
Performers only on the floor.
871
00:33:56,000 --> 00:33:59,000
Mr. Lejaundries.
872
00:33:59,000 --> 00:34:01,000
Ready, Mr. Lejenda.
873
00:34:01,000 --> 00:34:02,000
Ready.
874
00:34:02,000 --> 00:34:04,000
You called this.
875
00:34:04,000 --> 00:34:05,000
Ready.
876
00:34:05,000 --> 00:34:06,000
I said, please.
877
00:34:06,000 --> 00:34:07,000
Ready.
878
00:34:07,000 --> 00:34:08,000
You called this.
879
00:34:08,000 --> 00:34:09,000
Ready.
880
00:34:09,000 --> 00:34:12,000
I said, performance only on the floor.
881
00:34:12,000 --> 00:34:15,000
The floor's all clear, Mr. Lejenda.
882
00:34:15,000 --> 00:34:17,000
Remove that actor.
883
00:34:17,000 --> 00:34:23,000
That actor is not required for the scene.
884
00:34:23,000 --> 00:34:26,000
Order him to leave.
885
00:34:26,000 --> 00:34:29,000
Back off, Max.
886
00:34:29,000 --> 00:34:32,000
I do not require that actor.
887
00:34:32,000 --> 00:34:34,000
Remove him.
888
00:34:35,000 --> 00:34:40,000
If you wish to continue as assistant here, Hector.
889
00:34:40,000 --> 00:34:42,000
You're holding up production, Mr. Brown.
890
00:34:42,000 --> 00:34:44,000
We're all waiting.
891
00:34:46,000 --> 00:34:48,000
Please, Mr. Brun.
892
00:34:49,000 --> 00:34:52,000
All right, Hector.
893
00:34:52,000 --> 00:34:54,000
I'm going.
894
00:34:57,000 --> 00:35:00,000
A nice person you're working for.
895
00:35:05,000 --> 00:35:08,000
From the top, everybody.
896
00:35:08,000 --> 00:35:10,000
You should have hit him.
897
00:35:10,000 --> 00:35:12,000
Have you seen what he's standing on?
898
00:35:12,000 --> 00:35:14,000
I couldn't even reach him.
899
00:35:14,000 --> 00:35:16,000
And so you're going to get drunk.
900
00:35:16,000 --> 00:35:18,000
Oh, that'll show everyone who's got the talent round here.
901
00:35:18,000 --> 00:35:20,000
Aren't you wanted outside?
902
00:35:20,000 --> 00:35:22,000
Oh, they're doing the fall first.
903
00:35:22,000 --> 00:35:24,000
What are you going to do about that boy?
904
00:35:24,000 --> 00:35:25,000
He's going to hurt himself.
905
00:35:25,000 --> 00:35:26,000
Nothing.
906
00:35:26,000 --> 00:35:27,000
Six foot tall.
907
00:35:27,000 --> 00:35:28,000
Young handsome.
908
00:35:28,000 --> 00:35:30,000
You think he's got problems?
909
00:35:30,000 --> 00:35:31,000
Look at me.
910
00:35:31,000 --> 00:35:32,000
Stop it.
911
00:35:32,000 --> 00:35:34,000
What about Max?
912
00:35:34,000 --> 00:35:36,000
What do you want me to do about Max?
913
00:35:36,000 --> 00:35:38,000
Go out there and savage him.
914
00:35:38,000 --> 00:35:40,000
You'd like to see me more, Lib?
915
00:35:40,000 --> 00:35:41,000
Not all at once.
916
00:35:41,000 --> 00:35:42,000
No.
917
00:35:42,000 --> 00:35:43,000
Start with a leg or something.
918
00:35:43,000 --> 00:35:44,000
Maybe bite his knee.
919
00:35:44,000 --> 00:35:45,000
That's it.
920
00:35:45,000 --> 00:35:46,000
Have bite his knee.
921
00:35:46,000 --> 00:35:49,000
There's nothing festers faster than a bite of a comedian.
922
00:35:49,000 --> 00:35:53,000
He gets these teeth into his knee cap and he'll rule the day.
923
00:35:57,000 --> 00:35:59,000
I only want to make funny pictures.
924
00:35:59,000 --> 00:36:01,000
I know.
925
00:36:01,000 --> 00:36:06,000
Try to make laughter, so why do I end up feeling sad all the time?
926
00:36:06,000 --> 00:36:11,000
Tim, what I hate about this business?
927
00:36:11,000 --> 00:36:14,000
Talking to painted faces.
928
00:36:14,000 --> 00:36:16,000
Look at us.
929
00:36:16,000 --> 00:36:20,000
We can't even embrace without flaking off all over each other.
930
00:36:24,000 --> 00:36:26,000
My dad can make them laugh.
931
00:36:26,000 --> 00:36:29,000
He died by inches because we mauled.
932
00:36:29,000 --> 00:36:31,000
I didn't think he was funny.
933
00:36:39,000 --> 00:36:41,000
What are you doing?
934
00:36:41,000 --> 00:36:43,000
I'm taking it off.
935
00:36:43,000 --> 00:36:46,000
Do you be wanted out there in a minute?
936
00:36:46,000 --> 00:36:48,000
No, I won't.
937
00:36:48,000 --> 00:36:50,000
And now they will you.
938
00:36:50,000 --> 00:36:52,000
Not with this director.
939
00:36:52,000 --> 00:36:54,000
Corky.
940
00:36:54,000 --> 00:36:58,000
You can't just throw all these people out of work.
941
00:36:58,000 --> 00:37:00,000
Watch me.
942
00:37:28,000 --> 00:37:30,000
I won't be too young.
943
00:37:30,000 --> 00:37:33,000
Oh, I've got knocked over by Sam Twank and a lorry, didn't I?
944
00:37:33,000 --> 00:37:35,000
I'm glad you're dressed for bad news.
945
00:37:35,000 --> 00:37:36,000
What's that?
946
00:37:36,000 --> 00:37:38,000
Corky's walked out.
947
00:37:38,000 --> 00:37:40,000
If you used to work with Max.
948
00:37:40,000 --> 00:37:41,000
What?
949
00:37:41,000 --> 00:37:42,000
Walked out?
950
00:37:42,000 --> 00:37:44,000
I don't know what they want, Consulate.
951
00:37:44,000 --> 00:37:45,000
Hey!
952
00:37:45,000 --> 00:37:47,000
I'm going to get out of there.
953
00:37:47,000 --> 00:37:48,000
I'm going to get out of there.
954
00:37:48,000 --> 00:37:50,000
I'm going to get out of there.
955
00:37:50,000 --> 00:37:51,000
I'm going to get out of there.
956
00:37:51,000 --> 00:37:53,000
I'm going to get out of there.
957
00:37:53,000 --> 00:37:55,000
Don't go into the house.
958
00:37:55,000 --> 00:37:56,000
Oh, you're going to get out of there.
959
00:37:56,000 --> 00:37:58,000
I don't know what they want, Consulate.
960
00:37:58,000 --> 00:38:00,000
Yeah, that is all right here.
961
00:38:00,000 --> 00:38:01,000
Good.
962
00:38:01,000 --> 00:38:03,000
Rux!
963
00:38:03,000 --> 00:38:04,000
Right.
964
00:38:04,000 --> 00:38:06,000
So, I'll do that.
965
00:38:26,000 --> 00:38:28,000
I'll do that.
966
00:38:28,000 --> 00:38:30,000
I'll do that.
967
00:38:30,000 --> 00:38:31,000
I'll do that.
968
00:38:31,000 --> 00:38:32,000
I'll do that.
969
00:38:32,000 --> 00:38:33,000
I'll do that.
970
00:38:33,000 --> 00:38:34,000
I'll do that.
971
00:38:34,000 --> 00:38:35,000
I'll do that.
972
00:38:35,000 --> 00:38:36,000
I'll do that.
973
00:38:36,000 --> 00:38:37,000
I'll do that.
974
00:38:37,000 --> 00:38:38,000
I'll do that.
975
00:38:38,000 --> 00:38:39,000
I'll do that.
976
00:38:39,000 --> 00:38:40,000
I'll do that.
977
00:38:40,000 --> 00:38:41,000
I'll do that.
978
00:38:41,000 --> 00:38:42,000
I'll do that.
979
00:38:42,000 --> 00:38:43,000
I'll do that.
980
00:38:43,000 --> 00:38:44,000
I'll do that.
981
00:38:44,000 --> 00:38:45,000
I'll do that.
982
00:38:45,000 --> 00:38:46,000
I'll do that.
983
00:38:46,000 --> 00:38:47,000
I'll do that.
984
00:38:47,000 --> 00:38:48,000
I'll do that.
985
00:38:48,000 --> 00:38:49,000
I'll do that.
986
00:38:49,000 --> 00:38:50,000
I'll do that.
987
00:38:50,000 --> 00:38:51,000
I'll do that.
988
00:38:51,000 --> 00:38:52,000
I'll do that.
989
00:38:52,000 --> 00:38:53,000
I'll do that.
990
00:38:53,000 --> 00:38:54,000
I'll do that.
991
00:38:54,000 --> 00:38:55,000
I'll do that.
992
00:38:55,000 --> 00:38:56,000
I'll go find your house.
993
00:38:56,000 --> 00:38:57,000
Or late.
994
00:38:57,000 --> 00:38:58,000
or you've got a big day.
995
00:38:58,000 --> 00:39:01,000
I think it tellsmes a little
996
00:39:01,000 --> 00:39:01,000
command clsy.
997
00:39:01,000 --> 00:39:04,000
You know, in one of these inside
998
00:39:04,000 --> 00:39:05,000
your house I have an old
999
00:39:05,000 --> 00:39:06,000
house I have any hand.
1000
00:39:06,000 --> 00:39:06,000
When you the T date,
1001
00:39:06,000 --> 00:39:07,000
judge me a young person.
1002
00:39:07,000 --> 00:39:08,000
My boss isng this fellow.
1003
00:39:08,000 --> 00:39:26,000
Your temper didn't improve matters.
1004
00:39:26,000 --> 00:39:28,000
You did me.
1005
00:39:28,000 --> 00:39:31,000
I feel well.
1006
00:39:31,000 --> 00:39:33,000
Well, it's gone too far.
1007
00:39:33,000 --> 00:39:36,000
They won't be reconciled.
1008
00:39:36,000 --> 00:39:39,000
They're better than negative shit as they would have been reconciled.
1009
00:39:39,000 --> 00:39:42,000
Oh, it's for speed. He gives me this.
1010
00:39:42,000 --> 00:39:45,000
Autistically, he calls it.
1011
00:39:45,000 --> 00:39:50,000
For a director, he runs a great line in empty sheds here, didn't he?
1012
00:39:50,000 --> 00:39:54,000
Well, you're stuck with him, I'm afraid.
1013
00:39:54,000 --> 00:39:57,000
Is that your idea of aid and comfort?
1014
00:39:57,000 --> 00:39:59,000
Can he direct?
1015
00:39:59,000 --> 00:40:02,000
Well, opera may be.
1016
00:40:03,000 --> 00:40:05,000
Shakespeare.
1017
00:40:05,000 --> 00:40:10,000
They've all so gone on culture. Nobody knows this is a bit of crap, but films.
1018
00:40:10,000 --> 00:40:15,000
Well, yeah, for errand boys and shop girls and wise,
1019
00:40:15,000 --> 00:40:18,000
you're very good veins and lamps from their husbands, you know.
1020
00:40:18,000 --> 00:40:23,000
You don't get him sort of pennies thrown away on culture.
1021
00:40:24,000 --> 00:40:27,000
I think Max has been directing the wrong thing.
1022
00:40:27,000 --> 00:40:29,000
Yeah, my sword in picture.
1023
00:40:29,000 --> 00:40:31,000
You ought not to be on comedy.
1024
00:40:31,000 --> 00:40:34,000
You're right. I don't find a bastard found it.
1025
00:40:46,000 --> 00:40:49,000
He's got such a flair for the overdramatic.
1026
00:40:50,000 --> 00:40:54,000
But it'd make you a melodrama, a burpop, you know?
1027
00:40:55,000 --> 00:40:57,000
The hockey brand.
1028
00:40:58,000 --> 00:41:00,000
With a baggy pants comedian, I make a note.
1029
00:41:00,000 --> 00:41:04,000
No, no, let Corky finish his own picture and put Max on another one.
1030
00:41:04,000 --> 00:41:06,000
Well, where's the money coming from?
1031
00:41:06,000 --> 00:41:08,000
Well, we've gone broke on one, we may as well try for two.
1032
00:41:08,000 --> 00:41:09,000
We'll get your rabbit a stick.
1033
00:41:09,000 --> 00:41:11,000
No, we don't ask Clive. What, we shall dance?
1034
00:41:11,000 --> 00:41:13,000
We do not sell the house, Arnie.
1035
00:41:13,000 --> 00:41:15,000
What name?
1036
00:41:17,000 --> 00:41:19,000
Look, I've got you dressed half decently.
1037
00:41:19,000 --> 00:41:22,000
I can get you an appointment at the bank. The rest is up to you.
1038
00:41:22,000 --> 00:41:24,000
The bank? Yes, the bank.
1039
00:41:27,000 --> 00:41:30,000
Well, what do you need a car?
1040
00:41:47,000 --> 00:41:49,000
We ought to not let the bank see the lorry.
1041
00:41:49,000 --> 00:41:52,000
It's not for kind of lorry. A bank should see.
1042
00:41:52,000 --> 00:41:55,000
You want me to drive her under corner?
1043
00:41:55,000 --> 00:41:57,000
I'll see the bank. I'll stay here.
1044
00:41:57,000 --> 00:42:01,000
Hope he's got the sense to pretend it's not his, Laurie.
1045
00:42:01,000 --> 00:42:05,000
Are we going to have to do another moonlight?
1046
00:42:05,000 --> 00:42:06,000
What?
1047
00:42:06,000 --> 00:42:11,000
I was wondering if we're going to have to do another moonlight.
1048
00:42:11,000 --> 00:42:13,000
Oh, thank you. What's a moonlight?
1049
00:42:13,000 --> 00:42:14,000
Flit.
1050
00:42:14,000 --> 00:42:15,000
Flit.
1051
00:42:15,000 --> 00:42:17,000
Annie gets entangled this deep.
1052
00:42:17,000 --> 00:42:19,000
Usually ends with a moonlight.
1053
00:42:19,000 --> 00:42:22,000
I was hoping we cracked it this time.
1054
00:42:22,000 --> 00:42:24,000
My god, how many moonlights have you done?
1055
00:42:24,000 --> 00:42:27,000
Lots. You travel with Annie, you never really unpack.
1056
00:42:27,000 --> 00:42:29,000
Well, you can unpack this time, Lou Ellen.
1057
00:42:29,000 --> 00:42:31,000
We may not be able to save the picture,
1058
00:42:31,000 --> 00:42:33,000
but there'll be no more moonlights.
1059
00:42:33,000 --> 00:42:35,000
I'm glad about that.
1060
00:42:35,000 --> 00:42:37,000
I could get you used to a roof over my head.
1061
00:42:37,000 --> 00:42:39,000
He wants me to sell that too.
1062
00:42:39,000 --> 00:42:41,000
Goodbye, roof.
1063
00:42:41,000 --> 00:42:42,000
Don't you believe it?
1064
00:42:49,000 --> 00:42:49,000
Oh, dear.
1065
00:42:49,000 --> 00:42:51,000
Farewell, regular meals.
1066
00:43:20,000 --> 00:43:22,000
Oh.
1067
00:43:31,000 --> 00:43:34,000
You missed your playing, don't you, Violet?
1068
00:43:36,000 --> 00:43:39,000
Would you like to play for the actors?
1069
00:43:39,000 --> 00:43:42,000
You could help set the mood of their scenes.
1070
00:43:42,000 --> 00:43:45,000
It would be a great help to us, Violet.
1071
00:43:47,000 --> 00:43:48,000
I'll speak to Annie.
1072
00:43:49,000 --> 00:43:51,000
Go on, play some more.
1073
00:44:50,000 --> 00:44:53,000
My feet are cold.
1074
00:44:53,000 --> 00:44:55,000
Put something on.
1075
00:44:55,000 --> 00:44:58,000
Who said naked, didn't he?
1076
00:44:58,000 --> 00:45:01,000
Claire, I don't even know if it was serious.
1077
00:45:01,000 --> 00:45:03,000
Of course it was serious.
1078
00:45:03,000 --> 00:45:06,000
Directors don't joke about like that.
1079
00:45:06,000 --> 00:45:08,000
I don't usually ask to see girls naked.
1080
00:45:08,000 --> 00:45:11,000
You're the only one who can't even see me.
1081
00:45:11,000 --> 00:45:13,000
You're the only one who can't see me.
1082
00:45:13,000 --> 00:45:14,000
I'm just wondering if you can see me.
1083
00:45:14,000 --> 00:45:16,000
I don't know if you can see me.
1084
00:45:16,000 --> 00:45:18,000
You're the only one who can see me.
1085
00:45:18,000 --> 00:45:22,000
I don't usually ask to see girls naked either.
1086
00:45:22,000 --> 00:45:23,000
Of course they do if they're being considered
1087
00:45:23,000 --> 00:45:25,000
for a part in a picture.
1088
00:45:25,000 --> 00:45:27,000
You didn't mention any part.
1089
00:45:27,000 --> 00:45:31,000
Well, he won't do till he's seen me.
1090
00:45:31,000 --> 00:45:34,000
Percy, what's the matter with you?
1091
00:45:34,000 --> 00:45:38,000
Don't you want to help me?
1092
00:45:38,000 --> 00:45:39,000
Your mother's going to kill me.
1093
00:45:49,000 --> 00:45:51,000
Oh, hello.
1094
00:45:51,000 --> 00:45:52,000
How's the L?
1095
00:45:52,000 --> 00:45:53,000
Still on.
1096
00:45:53,000 --> 00:45:55,000
Still think you're a damn fool.
1097
00:45:55,000 --> 00:45:57,000
But I brought you these anyway.
1098
00:45:57,000 --> 00:45:58,000
Oh.
1099
00:45:58,000 --> 00:45:59,000
His arms fine, ducks.
1100
00:45:59,000 --> 00:46:01,000
Don't you worry about him.
1101
00:46:04,000 --> 00:46:07,000
It's only apparently. Look at that, eh?
1102
00:46:07,000 --> 00:46:09,000
It's convenient for all the menaces.
1103
00:46:09,000 --> 00:46:11,000
It's very snug in the weather, you'll notice that.
1104
00:46:11,000 --> 00:46:14,000
This is the main bedroom.
1105
00:46:14,000 --> 00:46:15,000
Oh, my goodness.
1106
00:46:15,000 --> 00:46:16,000
Also in a good state of repair.
1107
00:46:16,000 --> 00:46:18,000
Note the sumptuous fitteds.
1108
00:46:18,000 --> 00:46:19,000
Mm.
1109
00:46:19,000 --> 00:46:21,000
Curtains included.
1110
00:46:21,000 --> 00:46:23,000
Well, we could talk about it.
1111
00:46:23,000 --> 00:46:24,000
See that?
1112
00:46:24,000 --> 00:46:26,000
Genuine Chinese wallpaper.
1113
00:46:26,000 --> 00:46:27,000
Solid brass.
1114
00:46:27,000 --> 00:46:28,000
I told you.
1115
00:46:28,000 --> 00:46:29,000
Did I like it?
1116
00:46:29,000 --> 00:46:30,000
Come on out here.
1117
00:46:30,000 --> 00:46:32,000
I'll show you in a moment.
1118
00:46:36,000 --> 00:46:37,000
His mouth.
1119
00:46:37,000 --> 00:46:39,000
Stop raving, man.
1120
00:46:39,000 --> 00:46:41,000
A matter to a lunatic.
1121
00:46:41,000 --> 00:46:42,000
This carpet's worn.
1122
00:46:42,000 --> 00:46:43,000
What?
1123
00:46:43,000 --> 00:46:45,000
Let's just bed it in.
1124
00:46:45,000 --> 00:46:47,000
Who is this person?
1125
00:46:47,000 --> 00:46:48,000
Don't worry.
1126
00:46:48,000 --> 00:46:49,000
I think he's nibbling.
1127
00:46:49,000 --> 00:46:50,000
I think we've got us a bar here.
1128
00:46:50,000 --> 00:46:51,000
A buyer?
1129
00:46:51,000 --> 00:46:52,000
I'll give you a buyer.
1130
00:46:52,000 --> 00:46:53,000
This house is not for sale.
1131
00:46:53,000 --> 00:46:55,000
I'm sort of cranking ass and event or they get you.
1132
00:46:55,000 --> 00:46:58,000
You get him out of here before he learns how temperamental I can get.
1133
00:46:58,000 --> 00:47:00,000
You make her an office.
1134
00:47:00,000 --> 00:47:02,000
You'll barge your aim up with the process, right?
1135
00:47:02,000 --> 00:47:03,000
Up this way.
1136
00:47:03,000 --> 00:47:04,000
Come on.
1137
00:47:04,000 --> 00:47:05,000
There's more rooms out there.
1138
00:47:05,000 --> 00:47:06,000
Now this.
1139
00:47:06,000 --> 00:47:07,000
Please see it.
1140
00:47:07,000 --> 00:47:08,000
Ah!
1141
00:47:08,000 --> 00:47:09,000
Oh, yes.
1142
00:47:09,000 --> 00:47:10,000
Let's see her.
1143
00:47:10,000 --> 00:47:11,000
That's a nice room.
1144
00:47:11,000 --> 00:47:14,000
Will you get it into your head once and for all that this house is not for sale?
1145
00:47:14,000 --> 00:47:15,000
All right.
1146
00:47:15,000 --> 00:47:19,000
I'll show Brother for the money to help us finish the film, both films.
1147
00:47:19,000 --> 00:47:20,000
It's your husband.
1148
00:47:20,000 --> 00:47:21,000
I can't sell this house.
1149
00:47:21,000 --> 00:47:24,000
I've got the legal rights.
1150
00:47:24,000 --> 00:47:25,000
All right.
1151
00:47:25,000 --> 00:47:27,000
I'll ask my brother.
1152
00:47:27,000 --> 00:47:29,000
Now get this man out of here.
1153
00:47:29,000 --> 00:47:30,000
I'm going.
1154
00:47:30,000 --> 00:47:31,000
I'm going.
1155
00:47:31,000 --> 00:47:33,000
I should make up your biden mind.
1156
00:47:33,000 --> 00:47:36,000
I think he should have been a bit snottier about people's club.
1157
00:47:36,000 --> 00:47:38,000
It's called Pessar.
1158
00:47:38,000 --> 00:47:40,000
Another moonlight.
1159
00:47:40,000 --> 00:47:41,000
Hey.
1160
00:47:41,000 --> 00:47:42,000
No.
1161
00:47:42,000 --> 00:47:43,000
No, no.
1162
00:47:43,000 --> 00:47:45,000
I don't have a moonlight this time.
1163
00:47:45,000 --> 00:47:46,000
It's staying.
1164
00:47:46,000 --> 00:47:48,000
I've got a picture to finish.
1165
00:47:48,000 --> 00:47:49,000
Two pictures.
1166
00:47:49,000 --> 00:47:50,000
Hmm.
1167
00:47:50,000 --> 00:47:53,000
Hey, listen, I need a story.
1168
00:47:53,000 --> 00:47:57,000
Is that what human appeal.
1169
00:47:57,000 --> 00:47:59,000
A weepy.
1170
00:47:59,000 --> 00:48:00,000
Here.
1171
00:48:00,000 --> 00:48:03,000
We've got 14 shelves of books food.
1172
00:48:03,000 --> 00:48:05,000
Hey, I've come and let's get a story.
1173
00:48:05,000 --> 00:48:06,000
What about copyright?
1174
00:48:06,000 --> 00:48:08,000
Don't give me copyright.
1175
00:48:08,000 --> 00:48:10,000
I'm not going to use a story as it is, am I?
1176
00:48:10,000 --> 00:48:11,000
Oh, I know.
1177
00:48:11,000 --> 00:48:13,000
I just want a story that I couldn't have.
1178
00:48:13,000 --> 00:48:14,000
Steel.
1179
00:48:14,000 --> 00:48:15,000
Yeah.
1180
00:48:15,000 --> 00:48:20,000
Well, I was going to say that, but steel's going to have companies getting there.
1181
00:48:20,000 --> 00:48:21,000
It's moldy.
1182
00:48:21,000 --> 00:48:23,000
Don't call me mordy.
1183
00:48:23,000 --> 00:48:30,000
Look, love, do you think you can find an old party out there that can make us a huge pot of coffee?
1184
00:48:30,000 --> 00:48:31,000
I'll be up later, love.
1185
00:48:31,000 --> 00:48:32,000
I promise.
1186
00:48:32,000 --> 00:48:33,000
Prudoff.
1187
00:48:33,000 --> 00:48:34,000
Hmm.
1188
00:48:34,000 --> 00:48:35,000
Hmm.
1189
00:48:35,000 --> 00:48:36,000
Hmm.
1190
00:48:37,000 --> 00:48:38,000
Hmm.
1191
00:48:38,000 --> 00:48:40,000
I'm going to destroy it.
1192
00:48:40,000 --> 00:48:41,000
Ready?
1193
00:48:41,000 --> 00:48:42,000
Yeah.
1194
00:48:42,000 --> 00:48:43,000
Now.
1195
00:48:43,000 --> 00:48:44,000
Now.
1196
00:48:44,000 --> 00:48:45,000
Now.
1197
00:49:14,000 --> 00:49:17,000
I'm going to destroy it.
1198
00:49:17,000 --> 00:49:19,000
I'm going to destroy it.
1199
00:49:19,000 --> 00:49:20,000
I'm going to destroy it.
1200
00:49:20,000 --> 00:49:21,000
I'm going to destroy it.
1201
00:49:21,000 --> 00:49:22,000
I'm going to destroy it.
1202
00:49:22,000 --> 00:49:23,000
I'm going to destroy it.
1203
00:49:23,000 --> 00:49:24,000
I'm going to destroy it.
1204
00:49:24,000 --> 00:49:25,000
I'm going to destroy it.
1205
00:49:25,000 --> 00:49:26,000
I'm going to destroy it.
1206
00:49:26,000 --> 00:49:27,000
I'm going to destroy it.
1207
00:49:27,000 --> 00:49:28,000
I'm going to destroy it.
1208
00:49:28,000 --> 00:49:29,000
I'm going to destroy it.
1209
00:49:29,000 --> 00:49:30,000
I'm going to destroy it.
1210
00:49:30,000 --> 00:49:31,000
I'm going to destroy it.
1211
00:49:31,000 --> 00:49:32,000
I'm going to destroy it.
1212
00:49:32,000 --> 00:49:33,000
I'm going to destroy it.
1213
00:49:33,000 --> 00:49:34,000
I'm going to destroy it.
1214
00:49:34,000 --> 00:49:35,000
I'm going to destroy it.
1215
00:49:35,000 --> 00:49:36,000
I'm going to destroy it.
1216
00:49:36,000 --> 00:49:37,000
I'm going to destroy it.
1217
00:49:37,000 --> 00:49:38,000
I'm going to destroy it.
1218
00:49:38,000 --> 00:49:39,000
I'm going to destroy it.
1219
00:49:39,000 --> 00:49:40,000
I'm going to destroy it.
1220
00:49:40,000 --> 00:49:41,000
I'm going to destroy it.
1221
00:49:41,000 --> 00:49:42,000
I'm going to destroy it.
1222
00:49:42,000 --> 00:49:43,000
I'm going to destroy it.
1223
00:49:43,000 --> 00:49:44,000
I'm going to destroy it.
1224
00:49:44,000 --> 00:49:45,000
I'm going to destroy it.
1225
00:49:45,000 --> 00:49:46,000
I'm going to destroy it.
1226
00:49:46,000 --> 00:49:47,000
I'm going to destroy it.
1227
00:49:47,000 --> 00:49:48,000
I'm going to destroy it.
1228
00:49:48,000 --> 00:49:49,000
I'm going to destroy it.
1229
00:49:49,000 --> 00:49:50,000
I'm going to destroy it.
1230
00:49:50,000 --> 00:49:51,000
I'm going to destroy it.
1231
00:49:51,000 --> 00:49:52,000
I'm going to destroy it.
1232
00:49:52,000 --> 00:49:53,000
I'm going to destroy it.
1233
00:49:53,000 --> 00:49:54,000
I'm going to destroy it.
1234
00:49:54,000 --> 00:49:55,000
I'm going to destroy it.
1235
00:49:55,000 --> 00:49:56,000
I'm going to destroy it.
1236
00:49:56,000 --> 00:49:57,000
I'm going to destroy it.
1237
00:49:57,000 --> 00:49:58,000
I'm going to destroy it.
1238
00:49:58,000 --> 00:49:59,000
I'm going to destroy it.
1239
00:49:59,000 --> 00:50:00,000
I'm going to destroy it.
1240
00:50:00,000 --> 00:50:01,000
I'm going to destroy it.
1241
00:50:01,000 --> 00:50:02,000
I'm going to destroy it.
1242
00:50:02,000 --> 00:50:03,000
I'm going to destroy it.
1243
00:50:03,000 --> 00:50:04,000
I'm going to destroy it.
1244
00:50:04,000 --> 00:50:05,000
I'm going to destroy it.
1245
00:50:05,000 --> 00:50:06,000
I'm going to destroy it.
1246
00:50:06,000 --> 00:50:07,000
I'm going to destroy it.
1247
00:50:07,000 --> 00:50:08,000
I'm going to destroy it.
1248
00:50:08,000 --> 00:50:09,000
I'm going to destroy it.
1249
00:50:09,000 --> 00:50:10,000
I'm going to destroy it.
1250
00:50:10,000 --> 00:50:11,000
I'm going to destroy it.
1251
00:50:11,000 --> 00:50:12,000
I'm going to destroy it.
1252
00:50:12,000 --> 00:50:13,000
I'm going to destroy it.
1253
00:50:13,000 --> 00:50:14,000
I'm going to destroy it.
1254
00:50:14,000 --> 00:50:15,000
I'm going to destroy it.
1255
00:50:15,000 --> 00:50:16,000
I'm going to destroy it.
1256
00:50:16,000 --> 00:50:17,000
I'm going to destroy it.
1257
00:50:17,000 --> 00:50:18,000
I'm going to destroy it.
1258
00:50:18,000 --> 00:50:19,000
I'm going to destroy it.
1259
00:50:19,000 --> 00:50:20,000
I'm going to destroy it.
1260
00:50:20,000 --> 00:50:21,000
I'm going to destroy it.
1261
00:50:21,000 --> 00:50:22,000
I'm going to destroy it.
1262
00:50:22,000 --> 00:50:23,000
I'm going to destroy it.
1263
00:50:23,000 --> 00:50:24,000
I'm going to destroy it.
1264
00:50:24,000 --> 00:50:25,000
I'm going to destroy it.
1265
00:50:25,000 --> 00:50:26,000
I'm going to destroy it.
1266
00:50:26,000 --> 00:50:27,000
I'm going to destroy it.
1267
00:50:27,000 --> 00:50:28,000
I'm going to destroy it.
1268
00:50:28,000 --> 00:50:29,000
I'm going to destroy it.
1269
00:50:29,000 --> 00:50:30,000
I'm going to destroy it.
1270
00:50:30,000 --> 00:50:31,000
I'm going to destroy it.
1271
00:50:31,000 --> 00:50:32,000
I'm going to destroy it.
1272
00:50:32,000 --> 00:50:33,000
I'm going to destroy it.
1273
00:50:33,000 --> 00:50:34,000
I'm going to destroy it.
1274
00:50:34,000 --> 00:50:35,000
I'm going to destroy it.
1275
00:50:35,000 --> 00:50:36,000
I'm going to destroy it.
1276
00:50:36,000 --> 00:50:37,000
I'm going to destroy it.
1277
00:50:37,000 --> 00:50:38,000
I'm going to destroy it.
1278
00:50:38,000 --> 00:50:39,000
I'm going to destroy it.
1279
00:50:39,000 --> 00:50:40,000
I'm going to destroy it.
1280
00:50:40,000 --> 00:50:41,000
I'm going to destroy it.
1281
00:50:41,000 --> 00:50:42,000
I'm going to destroy it.
1282
00:50:42,000 --> 00:50:43,000
I'm going to destroy it.
1283
00:50:43,000 --> 00:50:44,000
I'm going to destroy it.
1284
00:50:44,000 --> 00:50:45,000
I'm going to destroy it.
1285
00:50:45,000 --> 00:50:46,000
I'm going to destroy it.
1286
00:50:46,000 --> 00:50:47,000
I'm going to destroy it.
1287
00:50:47,000 --> 00:50:48,000
I'm going to destroy it.
1288
00:50:48,000 --> 00:50:49,000
I'm going to destroy it.
1289
00:50:49,000 --> 00:50:50,000
I'm going to destroy it.
1290
00:50:50,000 --> 00:50:51,000
I'm going to destroy it.
1291
00:50:51,000 --> 00:50:52,000
I'm going to destroy it.
1292
00:50:52,000 --> 00:50:53,000
I'm going to destroy it.
1293
00:50:53,000 --> 00:50:54,000
I'm going to destroy it.
1294
00:50:54,000 --> 00:50:55,000
I'm going to destroy it.
1295
00:50:55,000 --> 00:50:56,000
I'm going to destroy it.
1296
00:50:56,000 --> 00:50:57,000
I'm going to destroy it.
1297
00:50:57,000 --> 00:50:58,000
I'm going to destroy it.
1298
00:50:58,000 --> 00:50:59,000
I'm going to destroy it.
1299
00:50:59,000 --> 00:51:00,000
I'm going to destroy it.
1300
00:51:00,000 --> 00:51:01,000
I'm going to destroy it.
1301
00:51:01,000 --> 00:51:02,000
I'm going to destroy it.
1302
00:51:02,000 --> 00:51:03,000
I'm going to destroy it.
1303
00:51:03,000 --> 00:51:04,000
I'm going to destroy it.
1304
00:51:04,000 --> 00:51:05,000
I'm going to destroy it.
1305
00:51:05,000 --> 00:51:06,000
I'm going to destroy it.
1306
00:51:06,000 --> 00:51:07,000
I'm going to destroy it.
1307
00:51:07,000 --> 00:51:08,000
I'm going to destroy it.
1308
00:51:08,000 --> 00:51:09,000
I'm going to destroy it.
1309
00:51:09,000 --> 00:51:10,000
I'm going to destroy it.
1310
00:51:10,000 --> 00:51:11,000
I'm going to destroy it.
1311
00:51:11,000 --> 00:51:12,000
I'm going to destroy it.
1312
00:51:12,000 --> 00:51:13,000
I'm going to destroy it.
1313
00:51:13,000 --> 00:51:14,000
I'm going to destroy it.
1314
00:51:14,000 --> 00:51:15,000
I'm going to destroy it.
1315
00:51:15,000 --> 00:51:16,000
I'm going to destroy it.
1316
00:51:16,000 --> 00:51:17,000
I'm going to destroy it.
1317
00:51:17,000 --> 00:51:18,000
I'm going to destroy it.
1318
00:51:18,000 --> 00:51:19,000
I'm going to destroy it.
1319
00:51:19,000 --> 00:51:20,000
I'm going to destroy it.
1320
00:51:20,000 --> 00:51:21,000
I'm going to destroy it.
1321
00:51:21,000 --> 00:51:22,000
I'm going to destroy it.
1322
00:51:22,000 --> 00:51:23,000
I'm going to destroy it.
1323
00:51:23,000 --> 00:51:24,000
I'm going to destroy it.
1324
00:51:24,000 --> 00:51:25,000
I'm going to destroy it.
1325
00:51:25,000 --> 00:51:26,000
I'm going to destroy it.
1326
00:51:26,000 --> 00:51:27,000
I'm going to destroy it.
1327
00:51:27,000 --> 00:51:28,000
I'm going to destroy it.
1328
00:51:28,000 --> 00:51:29,000
I'm going to destroy it.
1329
00:51:29,000 --> 00:51:30,000
I'm going to destroy it.
1330
00:51:30,000 --> 00:51:31,000
I'm going to destroy it.
1331
00:51:31,000 --> 00:51:32,000
I'm going to destroy it.
1332
00:51:32,000 --> 00:51:33,000
I'm going to destroy it.
1333
00:51:33,000 --> 00:51:34,000
I'm going to destroy it.
1334
00:51:34,000 --> 00:51:35,000
I'm going to destroy it.
1335
00:51:35,000 --> 00:51:36,000
I'm going to destroy it.
1336
00:51:36,000 --> 00:51:37,000
I'm going to destroy it.
1337
00:51:37,000 --> 00:51:38,000
I'm going to destroy it.
1338
00:51:38,000 --> 00:51:39,000
I'm going to destroy it.
1339
00:51:39,000 --> 00:51:40,000
I'm going to destroy it.
1340
00:51:40,000 --> 00:51:41,000
I'm going to destroy it.
86430
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof