All language subtitles for Flickers - episode 1 - starring Bob Hoskins & Frances de la Tour (1980)

Playing

I'll be two hours in that compartment with some twelfth and makes lavatory brushes.

Why, you would go in first class.

You know they get the bristles, eh?

I've had to explain them in luring detail and they get every bleeding bristling.

We should have had to take kids out here.

We're going to get us this meeting station, that neat ticket.

I'll leave off, let's hear.

If we'd have bought tickets, we wouldn't be able to afford to hire a projector, would we?

What's she saying?

She says she wants a lavatory.

We'll go and find it, bye.

You're a big girl now, you don't need your hand out. Go on.

You're looking old, you know that.

I'm just inquiry, now we're going to get off this station, that's all.

You're getting these ratty little lines round the corners of your eyes.

Around the mouth, especially the mouth.

Oh, stop it, Arnie.

You know what it is, girl, don't you?

We're in tear.

Nice depression.

Ask myself, why is it that letter you miss Martin Dowell is still on the payroll for supplying Aidan Comfort?

When daily we get less and less comfort.

Go find a poor one.

No, Martin's sticky.

Don't kid yourself, these days you're only sticky, go find a poor one.

We can't go on like this army, we need more than a pull task.

Find a poor one.

With a trolley, what?

You should listen to her.

Get the brush, get the brush.

You've lost it, ain't you?

You've lost the ice brush.

Can you put my hand straight on it?

Let's go to the devil that's tricky.

Come on.

We've got 300 hundred hundred and this will all say it's the fill.

Yeah.

Well, it won't be a prank to fill it, if anybody could.

You know what we need, don't you?

Hi.

Tickets.

Man, we need coke, he can't.

We should be making films.

We're going from flea pit to flea pit, shall we?

Hi.

You took it, John, didn't you?

I got one tonight.

Ah.

The pride of the litter.

You have arrived just in the nick of time.

I am Dr. Only Pips from the Roodele Mach.

This lady's medical advisor and the doctor's office.

She's a medical advisor and I can tell you she is far from well.

As you will notice, her tiny feet are about to give way under her.

This lady is about...

Rachel.

Ah.

Yes, what did I say?

No, no, no.

I understand.

This is your first picture.

Machu, could you assist us, please, to let this lady on the trolley?

Please.

Certainly, sir.

Thank you.

I may be able to save her life if I can get her to a surgery on time.

Leave room for the baggage.

Gentle, gentle.

Yes, please.

Let us pray that everything I need for the operation is in this baggage.

Ma'am, could you assist us, please?

This lady is dying.

To the infirmary.

Don't worry, my dear.

I should save you.

I should save you.

I promise.

I will.

This lady is dying.

I am dying.

Please.

Not to that.

This lady died a very, very property of petty officials.

I hope your railway company will accept all the responsibilities.

Move on.

What's she saying?

What's she saying?

She says there isn't a piano.

What does she mean there isn't a piano?

Don't shout it to her.

It isn't her fault there isn't a piano.

What was she standing round here sniffing for?

Why is she not looking for a piano?

Go and get a piano.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

I'm dying.

Morning, Mister Brunkin.

Morning, Major.

Hi.

Morning.

I miss you.

Your system is lookingSonny.

The system's looking well at Max.

We haven't started yet, and already the assistance

got the twitch.

Find out what the hell it is this time.

Mrs. Brun.

The lactector.

It's always a cock up the first day,

the second day, and the third day.

Carrot cock.

It's still a gender.

La Jolla.

What is it?

Where's the director?

My god, you've lost him again.

He went to meet the actors from the train yesterday

evening.

Nobody's seen them since.

All right, everybody, another rehearsal.

First positions from the top.

And, Corke, I'd like us to have a word about your director.

She'd be an unfaithful to me, Max.

Who?

My wife, dammit, who do you think who?

Me, Auntie Mabel.

I think I'm desperate in case we aren't

him able to be unfaithful to me.

Yeah, it turns to me.

I have more immediate problems there, boy.

Why about Corke?

There's a horsey type in the hotel.

He's teaching her to play bridge.

Tell everybody.

Why don't you tell everybody?

He's too short for a lover.

What are you trying to do?

Humiliate me?

You can't be unfaithful with somebody taller.

Yeah.

Don't drop him.

Let's roll the fleet.

Money goes rent in films.

I want to back here by nine or talk tomorrow morning, all right?

You know, something, Sydney, you've got a great lacquer wall.

And don't forget to rewind them.

Who's that egg on your toy?

Look at that.

Look at that.

Look here.

Look at that.

Look at that.

Look at that.

Look at that.

Look at that.

Look at that.

Look at that.

Look at that.

Look at that.

Look at that.

Look at that.

Look at that.

Look at that.

Look at that.

Look at that.

Right.

Back a bit.

Back a bit.

That's it.

All right, boy.

Let's try lighting the end this time.

Not the middle.

Yeah.

All right, dear people.

It'll be work for some of you tomorrow's shooting.

We'll pick you later.

In the meantime, stay here.

We'll be confined.

Don't move about.

Your curtsy for the gentleman.

Your curtsy.

I don't want to.

Oh, come on, sweetheart.

You can do it.

Oh, dear, for mommy, darling.

No.

Jack and Lily Brewer, musical artists.

It's not up to me, Mr. Brewer.

I don't know whether we need a kid.

Oh, you mustn't miss this.

Use a natural.

Do your big curtsy, Dotty.

Do your big curtsy.

Do your big curtsy.

Never mind, baby.

You can do it later.

Hey, call me a big lady.

Oh, no.

You're just all excited.

Maybe it sounded as though I called you a name.

I hate you.

Did you have to shout at her?

Who was shouting?

Before Boystar.

What do you mean, can we go now?

What does she mean, can we go now?

I don't know.

I don't understand.

They haven't picked people yet.

What are you trying to do?

Are you trying to ruin your sister's career?

What career?

How long do you think she's going to stay as a kid?

It's stupid.

She's jealous.

She is not jealous.

She is your sister.

She loves you.

We all love you.

Clara hates me.

Not always.

When I'm asleep, I don't hate you.

Clara!

Clara!

Well, do you like her a lot?

He certainly doesn't.

This is a phrase that you can say about your...

Oh, dear.

You talk to me like that.

I love this child.

Oh!

Oh!

Oh!

Oh!

Oh!

Oh!

Oh!

Oh!

Oh!

Oh!

Oh!

Oh!

Oh!

Oh!

Oh!

Oh!

Oh!

Oh!

Just inhales her!!!

I'm just products!

Some shit that tastes off Elm, they're nothing but fiction.

Have you any added pieces off to now?

Didn't you lady paste it?

Aliuated off.

applause

Check you've been living in Dodgeskli, are you seems to love John?

Be honest!

It's the only way to fit.

I think you can fit something else out of this city.

You'd fix it, prod me.

You've added the pieces off to know now.

You'd bea Pustedment!

I'll leave off.

I'm nearly 40 years of age with a conch out Stooget, proof.

Meteenrue Owen,five some Ronago Ricci.

We've got that film till 9 o'clock tomorrow, aren't we?

Well, once we've shown it, it's no good it hanging around doing nothing, is it?

Well, we might as well rent it to somebody else.

It's not your film.

Oh, yes, it is till 9 o'clock tomorrow morning.

Not for renting, for showing.

If you've got such a keen legal brainer,

comes you've only ever used a tailender thing, right?

Yeah, well, look where it's got me.

Well, what we need is someone who can show the film after we've shown it.

You'll have this blacklisted man.

Not if we do it quietly.

What we need is a kid with a bike.

Oh, God, mate!

No, well, she's using a bleedin' razor.

We got the other barfifff.

Ooh, my little darling.

I'm going to go to the bathroom.

I'm going to go to the bathroom.

I'm going to go to the bathroom.

I'm going to go to the bathroom.

I'm going to go to the bathroom.

I'm going to go to the bathroom.

I'm going to go to the bathroom.

I'm going to go to the bathroom.

I'm going to go to the bathroom.

I'm going to go to the bathroom.

I'm going to go to the bathroom.

I'm going to go to the bathroom.

I'm going to go to the bathroom.

I'm going to go to the bathroom.

I'm going to go to the bathroom.

I'm going to go to the bathroom.

I'm going to go to the bathroom.

I'm going to go to the bathroom.

You believe that somebody owns a cocky brown

and puts them in a costume picture?

They're half in a night.

He broke his leg, it'd be laughing.

Let's be grateful for small verses.

To Mayor Drew, he got the film up the right way tonight.

Are you hurt, Dad?

We should have taken that.

I'm going to go to the bathroom.

I'm going to go to the bathroom.

I'm going to go to the bathroom.

I'm going to go to the bathroom.

I'm going to go to the bathroom.

We should have taken that.

I do not finish counting yet.

I have. I've been counting yet.

So, where's this kid with his bike?

You know they're going to catch you, honey.

What's so terrible?

They rent the film to me.

And then I rent the film.

Some of us are small, struggling.

Look, look, look.

It's not your film. It's illegal.

It's not my film because I can't afford to buy it.

You want crooks, sweetheart?

The film renters have got the market sewn up tight.

Oh, now there's plenty of lights.

You said I was saying, mister.

Listen, kid.

When someone is paying you money,

this is our first seven.

He means 20 pounds, right?

I've been practicing.

See no faster than doing it.

You'll be careful.

She's right. You'll be careful.

You drop that film and you'll be wearing it.

Why, for a cower?

I won't drop it, mister.

You just get that film.

The temperance hole in Ollie Street

and the char-ball condition, right?

They've got an audience waiting.

How fast can you do?

16 minutes.

What have we got here? The town cripple?

There's nobody else he owns a bike.

You'd be careful on that bike.

Careful if he gets any more.

Careful if he's sharing a film at midnight.

But you're at the same time tomorrow night

we'll have another cocky brown special for you.

On street, won't you?

I say a problem. Go on, kid.

Off you go.

Kick up.

Get back to the break, enter.

The moment human companionship.

You know they're going to nail you on

and then they'll stop renting you all together.

Sodom.

I'll get older with you, but...

I'll get older with you, but I'm going to make my own films.

Then it'll be buying from me.

How you going to make films?

Fast and well.

I can make these things.

I can taste them already.

I'll give these yolks a thrill for their money.

You've never made films?

We think anybody asks?

We're all big gnists, right?

Beginners need money.

I'll get the money.

Then I'll get someone like cocky brown.

Them, they're wearing business, right?

Don't you worry. I'll get the money or what.

Listen, I would absolutely everything.

You look like a first class, right?

Probably, Steve, you've got a good fin cow in here, aren't you?

Is that him?

That's him.

Oh, Clive.

He looks every inch a rogue and a swindler.

Show people, Maud.

You have to make allowances.

At least you can listen to what he has to say.

Do you want me to deal with him alone?

Oh, don't be so silly.

He'll have the fillings from your teeth.

I'm not all that stupid, you know.

Only at business, do you?

Maud.

Trust me.

Just for once?

Very well.

Cliveie Bowie.

Right on time.

I like that in perspective, can't we, sit here?

Can't, now.

No, I thought this was going to be quite lunch.

This is too, this is nice.

It gives me a chance to meet your mother.

This is my sister, Maud.

She gets us off to a good start, then.

Mr. Arnold Cole.

Sit down, Mrs. Joe.

Miss.

Don't worry about offending me, Mr. Cole.

I don't like you either.

Maud.

I suggest we get straight down to business.

I swear I like to do things off of it.

I'll list the films.

I've made some inquiries about how you like to do things, Mr. Cole.

Evidently, you were the first in this area to show films of the late King Edward's funeral.

That's right, it'd be all a competition, no it.

For the very good reason that you were sharing an old film of Queen Victoria's funeral.

Well, he was at that one as well, wouldn't he?

I can see why you approached my brother with your scheme, Mr. Cole, and not his father.

Your old man would have shut me out and be pranked.

Quiet.

I need to be wrong.

Really?

Yes, lady, really.

He'd have given me the balance because the flickers to him are not respectable enough for a church-going family.

It is turned his preaching back on the chance of a lifetime.

It's a new industry, Maud.

Think of the potential.

Yes, for going up and for going down.

Oh, look, nothing's ever the way we'd really like it, lady.

Perhaps some of us would like to be nicely married instead of running a shop, baby.

It's very on, Cole.

Don't fret, Clive.

Your Mr. Cole is direct, if nothing else.

We'll order in a little while.

Don't worry, Mr. Cole.

The meal, at least, will undertake for.

Have you seen the prices?

I know the prices.

It'll be cheap enough for the pleasure of watching you struggle for the right knife and fork.

Maud.

If it does the job, lady, is the right knife and fork.

And in what way did you expect my brother to be your right knife and fork?

He has no money.

My father keeps us comfortably, but without extravagance.

I could teach him how to make his own.

But I'm talking about our work, lady.

Not and out from daddy.

Now, that brings you to out into a rush.

Oh, Mr. Cole, we were raised in the work ethic.

Yeah, I'll see that.

Don't patronize us because we wash more frequently than the national average.

You're wrong about my sister, Cole.

She's a worker.

She's the one my father leans on.

You're about to tell us, Mr. Cole, with a wave of your hand, how we could make money.

Films.

I know what the printers want.

Entertainment.

Entertainment.

Fruttoms were for frills and giggles.

They can't get enough of it.

Then why do you need us?

Well, I've only got the fair end and the wrong end of the business.

I have to show other people's films that I have to rent from a middleman.

And why should I be keeping all that low?

I want to make my own films and let that not work for me.

It makes sense, Maud.

Not to father, it weren't.

Not for making moving pictures.

If you had a word with him.

His idea of good tidings from me would be to hear that I'm about to be married as you well know, Clive.

My apparently inevitable drift into Spinsterhood is an overwhelming embarrassment to him, Mr. Cole.

Please don't talk like that, Maud.

Anyway, like some of us at this table, he would be less than overwhelmed by Mr. Cole's experience as a filmmaker.

You buy the talent you need, lady, and you put it to work.

And I promise you, once they're on my payroll, nobody sits around on his arid stole.

Let's go down to the nub of all this.

Capital.

If you have none, what do you buy this talent with?

Well, it brings us to why I approach your brother.

Indeed.

Well, he runs your old man store, didn't he?

It's Maud, really.

Well, right, both of you.

But the old man's not there, is he? On the premises.

He's got other fish to fry.

All right.

So he needs necessarily now if you made a few changes, right?

What sort of changes?

A cinema.

Change the store into a cinema.

No, I'm not the old flaming lot.

Just a corner or a basement.

Anywhere you can cram in 300 seats and make the place dark.

I'll supply the films in this tame Welshman that comes with a projector.

We could show 10, 12 shows a day.

Frontens the sea.

Come on, think about it.

It's bringing people into your store, what can you lose?

Like, we could clear what?

200 or what?

You get me 200 a week coming in and I'll get us a film company.

I promise you.

From Thrapen's The Seat?

Yes.

If we change films every day.

Now, the snag is father's bound to find out eventually.

It's going to ease his pain and it'll have good receipts.

Thing is going to work into having a few hundred extra punters in his store.

Your scheme shows imagination, Mr. Cole.

I dare say it might work.

I promise you, Heidi.

Except for one thing, I'm afraid.

What?

I'm sure I can speak freely.

Go ahead, go ahead.

You're not the kind of person my brother and I could do business with.

Stay and order your lunch, Mr. Cole.

I'll see it's placed on my brother's account.

Come along, Clive.

Good day, Mr. Cole.

The cow.

I didn't want to suit and car it.

Give it in the best deal you've ever heard.

And this is carting him away from me, don't bother.

I thought you said she was his sister.

Oh, yeah.

Does he look like his brother?

All right, Frost.

This is putting a block on his golden future.

Ain't feeling great about it.

But apart from all that, you're quite like them.

I'm not finished with her yet.

She's gone away on a bind, isn't it?

We'll let you in now.

When Clive, you guys on his own.

You've got to talk about it.

Well, she's not whining down his ear.

Come on.

Right, Chuck?

Champagne.

You want to get blasted, you waltz.

Twonk, didn't you?

No, honey.

Be fair.

Those things can fire even when you're sober.

How'd you know there was a train anyway?

I've got a timetable, aren't I?

When you live like I do, it pays to know when there's a train.

Yeah, I'm going to get a camera.

If we'd have had a camera, we could have filmed it for her last night.

Hey.

The planters are flocking.

Drows are seeing nice juicy fire.

He's right, you know.

I mean, error.

I mean, error often do you see a big department saw it up like that, right?

Not often.

Never.

I'm going to get you a bony tongue girl.

We'll have a day at the race, as he said.

I could have gone on the river without me stroking shore.

I can't even see the bleeding race.

You're doing a bit of sound.

Have you got a hand-key?

Missy, you've got a paste on mine?

No, I'll never mind.

I'm going to get you a hand-key.

I'm going to get you a hand-key.

No, I'll never mind.

Where do you all see, girl?

Oi, Lekki!

Bring your body back here in a dankie.

You're not having my bleeding lace, Uncle Chief.

The time and money I've poured into that girl.

And for what?

Look at the size of your arse on it.

You couldn't warn me.

It's got to stir in that size, look at it.

Well, sure you'd know, man.

I bring you to the end of the morning.

You're up halfway round it.

No, well, who's got time and nervous?

They're coming.

Come on.

That's it.

Get down.

Get down.

That way.

That's a sight.

I'm telling you.

Spooler kids.

What do you think of the pair to play rock?

Extra footnotes on top of a foreign support in Pro-Maine?

Oh, my God.

That's my favorite win.

They'll flock in their drones.

Oh, God.

Get their wrongs on us.

Oh, no, they can't.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

I'm going to get you a hand-off.

Tragenet, I'm juiced and lucky at cards.

Well, you know what they say.

And it's true.

True. No bother at all with the other thing.

What?

Which is all very well, but I'm not sure I wouldn't rather have the old bag fortune.

Smiling a shade more equitably between the two.

One's aged parent of course takes the short view,

issues stern prohibitions against the old gaming table.

Tense to...

Prune my allowance accordingly.

It's quite beyond the old sod that a gentleman has no option but to gamble.

Fine figure I'm gonna cut.

If I'm obliged to run, squealing from every challenge,

I'd damned if I can make him see it.

So, consequently, the thing is, old gal.

Don't mind the hair.

Money just coaxed you back into some sort of order.

So consequently, the thing is, I'd be more than grateful

if you would see your way, temporarily,

to helping me with a credit or two.

Well, I'd pay you back, of course.

Oh God, what have I done?

Master Cherryo thing happens to the best of them.

Oh, don't make a solid dancer, buddy.

I kept yours longer than most.

How is it possible that I could only see how beautiful you are?

Damn it, more not beautiful.

Set off handsome, damned attractive.

They're not beautiful.

Maud.

Maud.

What?

I'm willing to marry you.

Damn it, that's what you want, isn't it?

My God, you must be in deep water.

I am.

And I need more than handouts.

So do I, Charles.

Unfortunately, so do I.

That's it, that's it.

And then, the savage burglar rolls his eyes and waves his knife.

But you just smile.

Big, innocent, trusting smile.

And that really gets him.

And then, you offer him the doll.

You offer him the doll.

I know, I know.

I know, you know.

Just trying to assure that's all.

It's time she was in bed.

I'm not tired.

I'm tired.

Why can't we go back to our dicks?

Because this is a very nice class of hotel.

She is tired. Why should she be tired?

Is we've been slaving in front of the cameras all day?

I'm in front of a camera most.

Oh, I'll write prima, Donna. Just listen to it.

Top of the bill already.

I've got a bigger part than you.

Yes, your mouth parton is getting bigger all the time.

And just remember, you're only here because I got you this part because your father is a name in this business.

We've had a love.

How is it? You always know when I've had enough.

Shouting, can I get home to bed?

Oh, she wants to go to bed.

This hotel is full of show people.

And she might catch somebody's eye.

Doing what?

Darning this family's clothes, washing its socks.

My part's quite big enough as a tears, thank you.

She's jealous.

You're getting too big to help your mother?

Help her. And as the last time she lifted a finger.

I won't be spoken to like that.

I think she'd better go to bed.

She's not going to bed. I want her to have the same opportunity as I gave my youngest.

Clara, I'll make my own opportunity. Thank you.

A little bit late, lady. She'll almost up.

But if you've come about the fire, I've been advised by my solicitors that we have no legal responsibility.

It's not about the fire.

That's good because you don't stay in a prayer, lady. We was there under invitation from your brother.

It's not about the fire.

Can we talk?

Can I admit nothing?

Are we likely to be interrupted?

Not sort of kid comes with a boy.

How old are you?

Hey.

Damage is a simple enough question.

I'm not following you, Mrs.

How old?

Well, I'm faulty, but cry, say, yeah, you want to sit down.

No. You can sit down again if you like. You look excessively uncomfortable trying to remember your manners with your hat on.

I'm not going to sit down. Were you over and about working up the nerve to cram me? What's the matter with you?

How far have you got with your dream?

What dream?

Making moving pictures.

You think that's a dream?

Listen, lady, if you've come here here to stay down your lungs, not you.

I've been wearing my head out conniving to get started there. I'll use anything, lady.

Including your brother, Andrew always fired track of a store.

We was making money there, what we are told you.

You think I wanted to pass the place to burn down?

Oh, forget the damn fire.

Well, it's fine by me. What's a little fire between business associates?

How does your old man feel about the old where his top floor used to be?

Angry.

No, he will be, won't he?

But he'd be a lot less angry if you showed him the figures of what he could take if he rebuilt to include a cinema.

If I showed him...

Mate!

He's got to rebuild anywhere.

You're joking. You think I'm going to show my face to your old man?

You said you'd use anybody.

Oh, leave off, love.

You weren't there.

You didn't see the damage we'd done.

No, I wasn't there. I wasn't on a bind for either.

I was with a man.

Well, sure.

You found that surprising.

You was playing ass with some fellow?

No, I was not playing house with some fellow.

It wasn't supposed to be like that.

I'll never mind what it was supposed to be like. It's not something I've done before.

Well, I relax.

You're not the first boat to get us, go and lift you.

Oh, do you have to be so coarse?

Where'd they find out?

It was your damn fire that kept sending telegrams to where I was supposed to be.

How much do they know?

They know there's a man.

I'm supposed to produce him any minute with a ring on my finger.

Well, at least Mary.

No, he's not. I'm not that much of a fool.

What's the problem?

Two to be exact.

One, I won't marry him.

And two, I'm pregnant.

Oh, look, such your lady.

What are you telling me for?

Because you're going to marry me.

Because you're the only one I can think of in this whole damn universe who might still see me as a bargain.

I'm talking about capital if you still need it.

It's not a lot. I have to tell you that. I haven't got my father's support in any way.

He's shown me the door.

I'm not a fool.

I'm not a fool.

I'm not a fool.

I'm not a fool.

I'm not a fool.

That's my only way.

He's shown me the door already.

All I've got is my house and a smaller lance and my own personal savings, which really isn't very much but it should be enough to set us up.

Do you fancy a drink?

When you offered me a lift, I didn't realize you meant...

Oh, you're going to need every penny, wig and scrape, and what?

Then you'll do it!

Well, inside that, it makes you work out of details in the pub.

Look as if you need a drink.

I do not set foot in one of those.

You shouldn't have that bike in here.

Prodof.

Charmed off.

Charmed off.

Charmed off, sure.

Is this beer?

I don't think I've ever had beer.

Makes quite a nice change.

You've got spirit, lady. I'll say that for you.

It's a pity or not.

What?

Western knows mainly. You've got lovely eyes.

When they're not full of acid, like they are now.

Oh, you're still uncouth.

I find you utterly charmless.

Oh, well, it's going to be the best love matches Jekyll and I, don't it?

However, you do have one thing that gives me hope.

The man who got me into this condition.

It does take too, lady.

His only interest was pleasure.

Hell of a place you picked the goat looking for him, won't it?

Whereas you, when you're not being so damn rude,

you at least are only interested in your work, such as it is.

Now, things can be built on work.

I'll work with you.

What I can't buy you, I'll help you earn.

Can you knock a meal together?

I bet you never had to lift a finger in your life, have you?

I'll find I'm worth more to you than a cook.

No.

I'm going to be rich, with a crippled digestion.

All right.

I suppose you ought to begin calling me more.

Well, you think that's a favor, with a name like mold?

Oh, my god, he sits there called, what is it?

Arnold.

Arnold.

Being rude about my name, what kind of an oath is called Arnold?

Kind of if you're going to marry.

Are you sure you know what you'll do?

Of course I know what I'm doing.

Are you sure the stuff's all right?

It tastes absolutely foul.

Oh, swallow it, don't sip it.

Oh, you're here.

You can pack that lock in, rest out.

This has been a night for plain speaking, right?

I'm sorry.

You made it clear, I'm not what you had in mind.

But it's good you should know that you done exactly fit the picture I was building at a future Mrs. Carl Lever.

Yes, I can imagine.

I'm sorry.

I'm sorry.

I'm sorry.

I'm sorry.

I'm sorry.

I'm sorry.

I'm sorry.

I'm sorry.

I'm sorry.

Yes, I can imagine.

And yet?

Yes, I'm a brassie creature.

You think so?

Inevitably.

Mm.

A little bit of milk for a giggle anyway.

If you're so clever, how'd you get in a family way?

Who knows about that?

Until a moment ago, only you and I.

Who about the farmer?

What?

Did you tell him?

No.

You tell me who he is?

No, I'm not going to tell you who he is.

Well never.

Never.

If you want my help, you'll have to raise my child as your own.

What a drama you people make at a wrong side of the blanket.

Poor little sod.

The kids are kid.

Well, I was raised out and all the time.

Well, I know some co-somewhere's bringing up one of mine.

Here's to it, wherever he is, right?

How much do we need to get started?

Well, we need enough to cover costs and salaries for a period of making a film.

It's about two weeks.

But the problem is, we need a name big enough to sell the picture.

But a name that big is going to want a salary, we can't afford.

Oh, don't offer him a salary.

Offer him 50% of the picture.

Yeah.

40%.

Nobody gets 50% of only gold.

Well, 40% I'm going to bleed, aren't I?

It's only for the first picture.

As soon as we get started, you can go back on to salary.

Absolutely.

Yeah.

Then we need a place to make films in, like a workshop or something like that.

Can you use a typewriter?

I've always wanted a wife that could use a typewriter.

You can.

Wonderful.

Drink up as soon as we can, I'll get you something better.

That's a whole pint.

There's your lucky girl.

You're losing it.

You're losing it.

You are at the common.

Well, I can't go and do a deal with Caukey Brown in a bleeding lorry, can I?

I mean, aren't you?

Hey, you want to be the best you've got to get the best.

Listen to you, willy.

Willy if I ever get there.

What's wrong with this, Bleaton?

Well, I'm going to be the best.

Willy if I ever get there.

What's wrong with this, Bleaton?

Caukey.

I don't know.

I'm only the chauffeur.

I feel a real clink in this uniform.

All right.

A little lab.

Piss off.

Is that any way to talk to a married man?

A bit of a lady that mod.

A way above your class.

What are you talking about?

Old prize for a married's old spinster.

What's wrong with it?

Yeah.

Do you think this has got to mate?

Keep your eyes on the road.

Ten past two?

You are going to give him a surprise.

What's wrong? Who is it?

Some idiot come out of the night and never stops talking.

What idiot?

How do I know what idiot?

I've left Max dealing with him.

What does he want?

What's with to make pictures for him?

At this time of night?

His car broke down.

He couldn't wait till morning.

He says he's got to get back.

Claims he's getting married in the morning.

He needs a busy life.

Come in.

Cork, I think you better come down and listen to this.

You mean he's not just a lunatic?

Not when he's talking money, isn't?

No.

Forgive the intruding car.

Don't give it a second thought.

My husband thinks men come in droves through my bedroom.

Pass in through, I wouldn't mind.

On horseback, even.

I'll get you to the

door.

Dashie at all, Nord.

I never thought a chap would feel so low taking his sister to her wedding.

Not exactly starting at the top by you.

It's such a seedy business.

It's not what you've been used to, is it?

Are you really going to be able to cope?

That's something we'll find out, isn't it?

Does father know what you're doing this morning?

No, no.

Good.

Keep it that way.

Love.

I wish I could help you more.

I can't do it, Mordi.

I can't sneak you to that awful registry office and watch you commit yourself to God knows what kind of life.

Now listen to me, Clive.

I'm already committed.

My former life was finished when I bundled it.

I have to start again.

Not with him.

Anyway, I can.

It's such a bounder.

Yes, he is, isn't it?

Well, you found him.

Don't rub it in.

But happily, you found me a worker.

And hard work is one of the higher moralities.

And here at work, Clive, he has the genuine obsession.

He at least believes in this crazy new industry.

And with any luck, I can always get him to change his tailor.

Well, stop looking at me with eyes full of pity.

Damn it, a woman's supposed to cry on her wedding day.

Shall we go?

The other consenting party not yet arrived.

Perhaps you can register a death while you're waiting.

He's on his way.

Isn't he?

And this has got a better offer.

Mord, please don't say things like that.

Oh, don't worry.

I'm not sure.

I'm not sure.

I'm not sure.

I'm not sure.

I'm sure you're not sure.

I'm sure you're not sure.

I'm sure you're not sure.

I'm sure you're not sure.

Please don't say things like that.

Oh, darling, I'm not the kind who sits men's pulses racing.

And consequently, not their feet.

If men come to me at all, they come for their very own practical reasons.

And then not necessarily punctually.

Oh, darling, don't worry.

I'm not the blushing bride.

Over the years, I've been taught by my mirror that for me,

the romantic would have its element of fuss.

However, I do have my pride.

And if that registrar appears once more and pulls out his watch,

I can't promise not to strangle him with the chain.

Ah, that sounds like a showman's idea of an entrance.

Oh, my God.

The suit.

Oh, it's all right.

I brush off, don't worry.

I think he means the material.

Listen, we nearly never made it.

We've been driving all night.

I could have walked.

Oh, I've looked on my diddling walk at car.

We saw a dog coming up. It was freezing.

Listen, I've had to sign the manager.

He's a big flesh-o, but he wants a direct.

He's going to be trampled here, but we need him.

What can I do?

You know what you're doing.

You know, you still do, dear.

What's this?

Look at that.

It's Lou Ellen.

What happened to him?

It's all right, hey, boy.

You ever want water out of a ditch at midnight?

Never send a Welshman.

Oh.

Is this a director?

If you'd all follow me here.

Certainly.

There you go.

Oh, sorry.

Oh.

It was at this ditch bottom that was grinding.

Come off of me, eh?

Yeah.

Really?

I'm sorry.

Oh.

You ready?

What?

Got it.

Oh.

Oh, gold.

He's not legless on the liquor.

He's asleep, can't he?

Come on, make up.

Listen, we need another witness.

You can't sign your name, can't you?

In English.

Oh, an unmusical tongue.

Fit only for waking people.

Come on.

This looks like it's going to take a while, so you're going to have to stand up on your own feet, right?

And don't lean on me, bride.

OK?

Come on.

Well, you've seen her.

What's your record?

Do you think she's ugly?

So what do you think that matters?

But you do, don't you?

You think she's ugly?

Well, I'll send you my arm to wrap, wouldn't I?

I've only had her for five minutes.

Hmm.

This has got lovely eyes.

Come on.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.

Oh, my God.