All language subtitles for Charlies Angels - S3E11 1080p (moviesbyrizzo upl)

All passengers
for Flight 419 to Chicago,

now boarding at Gate 43.

Will Mr. Rowan
please call the flight desk.

Passengers for
Flight 709 may now board at Gate 76.

Use the lefl ramp
for meeting all incoming flights.

Good day.
This is the Townsend Agency.

Since we do not
toil on Sundays,

this machine will record any
messages you might wish to leave.

Wait till the sound of the
tone and then leave your name,

time of day and any message.

Either I or one of my
associates will get back to you

as soon as possible.

Charlie, this is Tom Norton.
It's 10:45.

I'm in a hurry and I can only
say this once, so listen good.

There's an acquaintance
of mine I owed a favor to.

He asked me to find him
a guy here in town...

to muscle someone a little.

I did what he asked.

Trouble is, it turns out my
acquaintance didn't want just muscle,

he wanted a killing.

And I found out it's apparently a
girl who works for you, Charlie.

I told him I didn't want
any part of any killing,

least-- leastwise
if it concerns you, Charlie.

I owe you, Charlie,and that's
the reason I don't--

No.

No, please. No.

Oh, God! Please--

I hope he wasn't too close a
friend of yours, Mr. Gorman.

I've very precise
in my work.

I don't like sudden decisions,
but I had no choice. You understand.

I understand.

I'll be at the Fremont Hotel.
Call me when she's dead.

And remember: time.

Trouble is,
it turns out my acquaintance...

didn't want just muscle,
he wanted a killing.

And I found out it's apparently a
girl who works for you, Charlie.

I told him I didn't want
any part of any killing,

least-— leastwise
if it concerns you, Charlie.

I owe you, Charlie,
and that's the reason I don't--

No. No, please. No.

Oh, God! Please--

Oh, boy.

Well, I came in 15 minutes ago.
I heard that, and I called you.

Did you
try to call Charlie .?

I tried, but I can '{ reach him.
He's out sailing today.

Norton. Tom Norton.

Do you have any idea
who that is, Bosley'?

No. I looked through the files
and the name just doesn't show up.

This is crazy.
One of us is due to be killed.

We don't know why,
when, by whom--

Where do we start?
We've got nothing to go on.

Wait a minute.
Now listen.

I owe you, Charlie,
and that's the reason I don't--

No. No, please.

No. Oh, God. Please--

I have a friend who works
at the police lab.

Maybe he can tell us what kind
of background noise that is.

Well, that beats sitting
around here and waiting.

Let's go.

Charlie, this is Tom Norton.

It's 10:45. I'm in a hurry
and I can only say this once--

You say this was a local call?

Well, that's what we figure.
What do you think?

Los Angeles airport.

Wait a minute. How do you know that?
Jet prop noise.

Turboprops,
regular reciprocating engines,

which would be intercity
commuter-type aircraft.

Since it's mixed in with heavy jet
noise, it's gotta be L.A.X.--

probably outside, near
the international terminals.

Thanks, Eddie.
I won't forget it's Sunday.

- Neither will I.
- Mm-hmm.

- Thanks, Eddie.
- Bye-bye.

Now where?
LAX.

To look for what?
Well, the phone booth Norton called from.

Even if we find
it, what will it tell us?

Maybe nothin',
but we gotta start somewhere.

Okay, where do we start?

The phone booths
inside the terminal are

the new, open-compartment
types.

Yeah?
But on the tape,

there was the sound of a metal
door opening and closing,

which means our mysterious
Mr. Norton was probably calling

from an outside-type booth.

Which would explain the heavy
noise level on the tape.

Hey, there are phone booths in those
parking lots over there. Okay. Let's go.

Yeah. Wait a minute.
Wait a minute.

Uh, why don't you let me do this?
I mean, one of you is a target.

And everything has been
happening so darned fast,

we haven't really stopped
and thought about that.

I mean, one of you could step out of
this car right now, and that's it.

So why don't you just let me
carry the ball this time?

803, you could do it alone,
but it would take time--

maybe more time than
we've got.

All I'm trying to say is that I have
grown rather attached to you three.

The feeling's mutual, Bosley,
but it's still team play.

Look, besides, I'm not one for
hiding in corners while some

freak is out there with a gun.

We know one thing about professional
hit men. They don't like complications.

They want one shot, neat and
clean, then a fast exit.

So from now on, we'll all walk close
together. We'll shift positions.

We'll never give him
a clear shot.

Right. Like Kris said,
it beats hiding in corners.

It sure does.
Bos, wh y don '{ you call Charlie?

See if he's home yet,
and don't worry about us.

Okay.

It done?
Not yet, Mr. Gorman.

Why'd you call me?
It's getting a little complicated.

What's she doin' here?
I don't know.

And who are those two?
They've been with her...

ever since I picked her up coming
out of the Townsend office.

Probably work with her.

What are they doin'?
I'd say they're looking for Norton's body.

He must have told 'em
where he was calling from.

If he told them that,
he could've mentioned your name.

It's getting messy.
I think we better call it off, Mr. Gorman.

I think we'd better not.
'Cause it could be you're right.

Maybe Norton
did mention our names,

and if he did, we'd
better know,

and we better do something
about it.

I don't like it.
Maybe you should do it yourself.

Jellek, if I had
the stomach for this,

I wouldn't have hired you
to kill her.

Every hour that goes by,

she's gonna come closer
to figurin' it out.

So you do it,
and you do it quick.

Well-- some guys
can hold their liquor...

and some can 7, huh?
[ Kelly} Yeah, some can't.

Right.
See you later.

So long. Come on, dear.
Let's get this thing open.

Be careful.
Wait a minute.

One-- One, two, three, go.
Easy, easy.

He's dead. Let's see
if there's any identification.

We got a wallet.

"Norton, Thomas A."
I'll call the police.

Operator, I'd like
to report a homicide.

Would you please give me the police?
It's an emergency.

Well, it was a clean shot, close
range, right through the heart.

I found this.

Right.
We're the Townsend Agency.

Yes, we'll stay here
till the officers arrive.

Thank you.

"Flight 717, Sovereign Airlines,
10:35 from Chicago. Today."

On the tape,
Norton said it was 10:45.

He met someone on that flight.
Ten minutes later he was killed.

Well, maybe it was the guy who
asked him to find the hit man?

Or maybe it was
the hit man himself?

Or both.

Yeah, that's right. Flight 717
from Chicago. Came in at 10:35.

Okay. Certainly do appreciate
it, Lieutenant Kane.

Yeah, I'm sure Charlie will
too, if we ever find him.

Okay. We'll get back to you.
Thanks a lot.

Well, Lieutenant Kane's
gonna get a fast court order,

subpoena the passenger list and
everything related to Flight 717,

and, uh, he'll get back to us
in a couple hours.

Listen, maybe there'll be
a name on that list that

we can tie into Norton
somehow.

Maybe, if we can figure how
Norton ties up with Charlie.

Well, I left a message for Charlie to call
us the minute he gets back from sailing.

Listen, I've got a weekend
houseguest I left at home,

and I think for her safety,
I'd better check her into a hotel.

I don't want her accidentally getting
in front of a gun pointed at me.

Well, we'll all pick her up.
Yeah.

Okay.

Hello? Charlie.

Uh, Charlie, there was
a message on the

answering machine
this morning,

a very urgent message.

Uh, yes. It was from a man
by the name of Tom Norton.

0h, then you do know him. Well, that's
terrific. Listen, could you help us all out?

Would you please tell us who he
is, or I mean, rather, who he was?

He's dead.

You want me to go to a hotel?
Just for a day or so.

And you won't tell me why?
Well, H can, but I'd rather not.

You're angry with me.
Are you mad at me or something?

Of course not, Sally.
Well, then why do you want me to leave?

Kelly, look. I'm not trying to
be difficult. Really, I'm not.

It's just that I'm a little
sensitive these days.

You know, since Morn died, I've-I've been
really alone, and I've looked forward to--

I'll get it.

Kelly, you're my best friend.
You always have been,

- and this is a very important
time for me right now. - Hello?

And, well, I-I wanna share it with you.
Okay, Bos/ey.

We'll be right out.
Charlie called.

- Did he get a line on Norton for us?
- Yeah, he did.

And I think maybe we oughta,
you know, hurry.

Yeah.

Look, I'm not going anywhere till
somebody tells me what's going on.

Okay, Sally. Look, we'll tell you on
the way to the hotel. Get your coat.

What'd Charlie tell you
about Norton?

Norton apparently was
a small-time hustler,

but he got mixed up
with some heavyweights

on a bank heist
that went sour.

He was accused
of shooting a guard.

But Charlie proved that he
ween't in valved in the killing,

and he got off
on a lesser charge.

Norton did time, but he was
very grateful to Charlie.

Which explains
his phone call to Charlie.

Would somebody please
tell me what's going on?

- Bosley, this is Sally Miles.
- How do you do?

You'll tell me. We
'll [ell you. Let's go now, Bos/ey.

So someone is trying to kill one of
you, but you don't know who?

That's the picture.

Charlie suggested we check out
Norton's house in the canyon.

So why don't you help her settle in,
and then we'll come back and pick you up?

Okay. Meanwhile,
I'll call Lieutenant Kane...

and see if he got the passenger
list for Flight 717 yet.

Yeah, and we'll be back in-- What?
Oh, hour and a half?

- Yeah.
- All righty. See you later.

Yes, I heard right.
Miles. Sally Miles.

They're going inside now.

Well, how would I know
how much has been said?

You want to--
You want to what?

Look, Gorman, I told you. I don't like
complications, sudden changes of plan.

I'm a direct man. I like to deal
with problems in a direct manner.

All right. All right.
We'll proceed your way.

But for your own sake,
it better work.

Yeah, Charlie.
We're at Norton's house now.

Sabrina and Kris
are checking it out.

Okay.

That was Charlie. He's sending all the
material he has on Norton over to the office.

Did you find anything
in Norton's house?

Well, a lot of dust and
this address and phone book.

Maybe it'll give us something.

Let's get back to Kelly, huh?
Yeah.

Hey.
What is it?

I have a feeling I saw that car earlier
at the hotel. Take a look at that.

You know what? Come to think of it,
I think I saw him behind us before.

Mm-hmm.
You think he's tagging us?

I don't know.
You got a pencil? Yeah.

Pen, anything?
Pencil.

Thank you.

694 NZ.
See “fl that's a “Z“

"le?
IJZ.

Bosley, look out!
Whoa!

Oh! Stop!

- Oh!
- Whoa!

Everybody okay?

Bosley, are you okay?
Yeah.

Boy, I whacked my head good.

Well, I guess the killer
made his move, huh?

Yeah, but which one of us
is he trying to kill?

We still don't know.

Well, we've made some progress.

Since Kelly wasn't in the car with you, it
looks like we've eliminated her as a target.

Uh, Charlie, the license number
we got off the car that tried

to force us off the road--

Did you get anything on that?
It was a rental car.

The police found it abandoned
half an hour ago.

Well, I figured once he knew we
got a look at it, he'd dump it.

Kris, Sabrina" I
could get you police protection.

For how long, Charlie? Forever?
No good. We gotta play this one out.

But I do think Kris and / should split up.
Split up? Why?

Well, until we know which one of us
he's after, we're never gonna know why.

Perhaps Sabrina's right, Kris.

If we can learn the reason
someone wants one of you dead,

then we have a fair chance
of stopping it.

Okay. How do we handle it?
Bot/1 of you go home.

The moment either of you see or even
feel something is wrong, call in.

Now, Bosley,
you stay there in the office...

to coordinate communications between
all of us. Good idea, Charlie.

Oh, by the way, I got the file
on Norton that you sent over--

his, uh, friends,
accomplices...

and, uh, material relative to
his life in prison, et cetera.

Also, I got
the related material...

on Sovereign Airlines's passenger
list that Lieutenant Kane sent over,

plus the, uh, phone and address
book we took from Norton's house.

I'll see if I can tie any of
those pieces together from here.

All right. Now remember, we
'll all stay as close as the nearest phone.

Kris or Sabrina's life may depend on if.

Yeah.

Pacifica Hotel.
Registration desk, please.

Hello. Listen, uh,
I dropped a couple of young ladies off at

your hotel about
20 minutes ago,

and one of them
left a wallet in my cab.

I tried to return the wallet,
but I may have gotten to the wrong room.

I can't be sure about that.
Her name is Miles-- Sally Miles.

Room 411? Thank you.

Uh, is the room on either side
of her unoccupied, by any chance?

Room 409 is unoccupied.

Yeah, I may have gone
to that room by mistake.

Uh, thank you.
Thank you very much.

Kelly, why are
you still pacing?

Kris and Sabrina told you.
You're off the hook.

I know. But one of them
is still on the hook.

You care a lot about them, don't you?
Quite a lot.

Oh, Kelly. I really picked a poor
time to drop in on you, didn't I?

Sally, I'm very happy
to see you.

And I'm glad things are
getting better for you.

I know how close
you were to your mother.

Oh, Kelly,
it was terrible.

I osing her was {he cruelest
thing that's ever happened to me.

And then all of a sudden,
being faced with the responsibility...

of all that money
and everything.

It's just all been too much to handle.
I know that.

But you gotta think of what's ahead of
you, the good things.

I'm trying. I know,

Kelly, I can't wait for you to meet him.
He's a stockbroker.

He's intelligent.
He's educated. He's cute.

I'm looking forward to it.

You are like the only family I have
left, and I want you to be pleased.

Sally, I Will be.

I guess I'm, uh,
still that insecure little ding-a-ling...

you befriended in summer camp
all those years ago.

I guess I'm still looking for
your approval. You don't need it.

You're your own person now.

I've always admired you.
I think I wanted to be just like you.

You know, I fold John that I was gonna
ask you to get me a job working with you.

I... don't think
it's your kind of work, Sally.

I know.

I was just kidding him.

Oh, Kelly, thanks.
Thanks for being such a good friend.

Sure.

Put the window down!

The window!
Put the window down!

Put it down!
Hey. What--

Okay, put your hands on the wheel.
On the wheel!

Put your--
Why are you following me?

What? What?
Don't you speak English?

Oh, okay. Okay.
What's your name?

Oh. Stashu Wyszniewsky.

Sta" Stash--
Stashu Wyszniewsky.

- "Voshnosky."
- Wyszniewsky.

Oh, the heck with it.
Okay, okay.

- What you got in the back
seat? What is that? - Ah.

- Uh, "grull." Pretty... "grull."
- Grill?

“Pu/tee gum.“

Oh. Oh, I'm--
I'm really sorry.

See, someone was
trying to" Girl pretty.

Oh, you're not gonna--
I-- Oh.

I'm--

I'm- It's just, I-

All right.
Now we know which of you is the target,

but we don't know
the why of it.

Sabrina, think carefully.

Is there anything new or different
that's happened to you lately?

Some new person you've met,
some change in your lifestyle...

that might be
significant somehow.

No, Charlie.
I keep thinkin' about that tire.

Now, the bullet missed me
but it hit the tire.

So, somebody shoots at you and
accidentally hits the tire.

I think he meant to hit the tire.
You lost me.

Well, it doesn't make sense. A professional
hit man who hits a guy in a phone booth...

in a public place with no
problem misses me at close range,

but... he hits the tire of
my car so I can't follow him.

Hey. Hey, now.
This is interesting.

What? Sovereign Airlines
Flight 717 from Chicago to LA.

Now, besides the passenger manifest,
Lieutenant Kane sent over...

a list of people who took out flight insurance,
rented cars, et cetera, et cetera.

We”, now, when you
take out flight insurance- . -

the passenger has to put his home
telephone number on the policy.

Now, here: John German.

Home number in Chicago,
area code 312-KL5-4761.

And in the address book that we took from
Norton's house, here is the same number,

but this time it's listed
under the name Wilson Flicker.

- Wilson Flicker. Does that ring
a bell for anybody? - Mm-mmm.

- Not me. Bos/ey?
- No. No bells, Charlie.

But get this.

Wilson Flicker or John Gorman or
whatever you want to call him...

was Tom Norton's cell mate
in prison.

- Here's his picture.
- Now, that is interesting.

Well, maybe Kelly
would remember the name Flicker.

Maybe you oughta give Kelly
3 call at the hotel.

Yeah.
Bye-bye, Charlie.

Get the number.

Hello?
Hi, Sally. Sabrina.

Is Kelly there?
Oh, Sabrina, she's not here.

She's not?
No.

I was kind of tired so Kelly
took a cab home.

She said she'd call you as
soon as she got there though.

How long ago did she leave?
Oh, about 15 minutes.

Okay.
Uh, thank you, Sally.

Bye-bye.

Not there.

I 'II try again
in a few minutes.

How much? Five dollars, ma'am.

Before you-- kill her,

you've gotta find out
what she's learned.

German--
You've got to!

What's been said, who's been
discussed, who can be identified.

Millions of dollars are at stake,
and if Norton mentioned our names...

before you... killed him,
even our lives may be at stake.

- Now, these are questions that have to be
asked, Jellek. - Then why don't you ask them?

Because you may have to get rough with
her, and I'm-- I'm not--

I'm not good
at that sort of thing.

Oh, Miss Johnson.
Miss Johnson?

- I beg your pardon?
- Miss Emily Johnson?

Well, I'm sorry.
You must have the wrong address.

I have the right address,
Miss Garrett. Step inside.

Inside.

What is it you want?

All right. What cab company would most
likely service the Pacifica Hotel?

Well, there were some Tower cabs
out front while we were there.

- Do we have the number?
- I think I've got it right here.

Your friend, Sally Miles--

Did she give you anything
before you left the hotel?

Like what?

- A picture, a snapshot.
- Of who?

A friend or someone close.

Oh, no photos of friends
or of anyone.

Did she give you anything before
you went to the hotel? Nothing.

What is it
you're looking for?

You stay right there!

Oh.

Thank you. Appreciate
your help. Cab dropped her off

about five minutes ago.

Then why isn't she answering?
Mm-mmm.

Maybe she decided
to drive over here.

No, she told Sally she was
gonna call us when she got home.

Well, she could have changed her mind.
I don't know. I don't like if.

Car forced us off the road
but none of us were hurt,

and those bullets
all missed me at my house.

You saying
those were diversions, Bree?

I'm saying I think we oughta
get over to Kelly's, fast.

Your phone rings 3 lot.

- I have a lot of friends.
- Maybe too many friends!

You and Sally Miles--
What did you talk about?

We're old friends.
We talked about a lot of things.

Who did you talk about mostly?

Her fiancé maybe?

Uh, her mother.

It's really too bad.

You're a very pretty girl.

I don't ordinarily
notice those things, but...

you're very pretty.

Hey, Sabrina!
What?

You know that list with the
names of people from the flight

who had rental cars reserved?

Yeah? Well,
that car over there was rented...

by Norton's friend Mr. John Gorman,
otherwise known as Wilson Flicker.

Bosley, he's gonna run!

How did they get here?

Hey, empty guns-

Okay, friend.
The next one's for real.

Go for it.
It's your choice.

Let's go.

Okay.
Let's have 'em in the air. Get out.

Come on. Just--

John?

What's going on?

John, answer me!

Sally, his name isn't John.

It's Wilson Flicker.

I helped send him to prison
five years ago for embezzlement.

Kelly, what are you saying?
You wanted me to meet him?

Well, that's the last thing
he wanted.

That's what all this
has been about.

John? Tell me this is
some kind of misunderstanding.

Tell me something.

Sally, do you have any, uh,
investment deals pending...

with your...
stockbroker fiancé?

Well, we, uh-

we discussed his... handling some of
the business deals I have pending.

Five years ago, he was engaged
to another young woman of means.

That engagement cost her
two million dollars.

Worthless stocks of some sort,
as I remember.

You remember too well.

I know.
It almost got me killed.

Sorry.

You all right?
Yeah, I'm fine.

Funny,huh?

Years later and it's still just
like it was in summer camp.

You're still taking care of me.
So what are friends for?

Oh, Kelly.
You're so dear to me.

Likewise.

There's just one thing.
What?

Next time you think about getting
engaged, let me check him out first?

Deal.
Okay.

Well, Kelly,

I assume your friend's wedding
plans were quickly canceled.

Very quickly, Charlie.
It could have been much worse.

Right.
She could've married him.

Ohh! Listen, Charlie.
Since we did work on Sunday,

I assume that we have a few days
off to rest and rehabilitate?

Hmm!

Kris, I'd like to help you,
but I'm afraid there's another case...

that needs
our immediate attention.

Ah, right you are, Charlie.

And I have the material
right here.

The case concerns the disappearance
of some rather valuable art pieces,

and the insurance company has promised us
a most generous stipend if we recover them.

The way I figure,
it should come... to--

- Bos/ey?
- Uh, yes, Charlie?

You've stopped talking.
What is it?

Oh, uh, well, I, uh, think
it's Sunday again, Charlie.

I don't follow you, Bosley.
Explain.

J