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(eerie dramatic music)
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- [Narrator] Across the globe,
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ancient architectural
marvels stand as testaments
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00:00:13,300 --> 00:00:15,434
to human ingenuity.
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00:00:15,434 --> 00:00:17,933
However, within the
stunning craftsmanship
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00:00:17,933 --> 00:00:21,934
of some of these structures,
sinister whispers linger.
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- People see something
that is so majestic,
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00:00:24,933 --> 00:00:28,767
so perfect, so beautiful
that they don't believe
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it could have been
created by human hands.
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00:00:32,067 --> 00:00:34,134
- [Narrator] In the
Andean heights of Peru,
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a colossal stone complex
defies explanation.
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00:00:38,100 --> 00:00:40,567
Its seemingly impenetrable walls
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00:00:40,567 --> 00:00:43,100
stunning 16th-century
conquerors.
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00:00:43,100 --> 00:00:45,800
- Why did the Spanish
believe the Inca
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00:00:45,800 --> 00:00:48,934
called on dark forces
to build their fortress?
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00:00:50,800 --> 00:00:52,201
- [Narrator] Deep in
the arid landscape
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00:00:52,201 --> 00:00:55,700
of Rajasthan, India,
the mesmerizing geometry
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00:00:55,700 --> 00:01:00,267
of an ancient stepwell plunges
13 stories into the earth.
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Its intricate design
seems almost otherworldly.
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- King Chanda is trying
to save his kingdom,
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so he turns to the dark arts.
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- [Narrator] Did a
malevolent force perform
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this architectural feat?
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00:01:13,267 --> 00:01:15,634
Rising above the
streets of Paris,
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00:01:15,634 --> 00:01:18,334
the Gothic spires
of a famed cathedral
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have long echoed tales
of demonic pacts.
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- This is a bastion of
the Christian faith.
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Demons will want
to play with it.
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- [Narrator] What
secrets lie hidden
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in its elaborate designs?
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Exploring these
architectural wonders
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uncovers the fine line between
genius and the supernatural.
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- It seemed like magic,
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and it's not that
much of a leap to go,
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"The devil was involved."
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- [Narrator] Could it be true?
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Or do the real answers lie
in forgotten human knowledge?
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(dramatic music)
(air whooshing)
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(playful music)
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High in the Andean mountains,
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00:02:12,900 --> 00:02:15,834
perched above the
Peruvian city of Cusco,
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lies Sacsayhuaman, a
massive stone complex
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that has baffled
experts for centuries.
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- The true purpose of
this colossal structure
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remains one of the greatest
mysteries of Inca archeology.
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Its layout hints at a
level of sophistication
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that we're only
beginning to understand.
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- [Narrator] With
zigzagging walls
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that stretch for
hundreds of meters,
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00:02:39,500 --> 00:02:44,067
Sacsayhuaman's cryptic design
speaks to a grand purpose.
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00:02:44,067 --> 00:02:48,767
- Commonly, it was believed
that this was a fortress,
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and that makes sense
when you consider
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its defensive walls
and strategic location.
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- [Narrator] But Sacsayhuaman's
mysteries run deeper
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than its imposing walls.
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Below its foundation is a
rumored labyrinth of tunnels,
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00:03:04,101 --> 00:03:06,800
potentially guarding
ancient secrets
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and a haunted passage
to the underworld.
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- Was this primarily
a military fortress
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or a religious center,
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or something else entirely?
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- [Narrator] When Spanish
conquistadors arrived in Cusco
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in the 16th century,
they were bewildered
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by the sight of Sacsayhuaman.
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- It's hard to imagine what
was going through the minds
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of the Spanish conquistadors
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the first time they set
eyes on Sacsayhuaman.
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- Well, the first
sight of the fortress
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must have been awe-inspiring,
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it must have been intimidating.
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- They had no frame of reference
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for what they were seeing.
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In some ways, the
engineering met
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or even exceeded what was
possible back in Europe.
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- They can't believe that it
was constructed by the Incas
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because they saw them as
backward and uncivilized.
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So in their mind,
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they couldn't possibly
build something
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as magnificent and
sophisticated as this fortress.
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They swiftly attribute
its construction
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to demonic forces.
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(eerie dramatic music)
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- [Narrator] Nearly a century
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before the conquistadors'
arrival in Cusco,
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Pachacuti Inca Yupanqui,
the ninth Sapa Inca,
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begins the transformation
of the kingdom of Cusco
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into the mighty Inca Empire,
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the largest pre-Columbian
empire in the Americas.
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Pachacuti is a
brilliant strategist.
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During his reign,
from 1438 to 1471 CE,
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he expands Inca territory
across western South America
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through conquest and diplomacy,
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and oversees massive
construction projects,
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including Machu Picchu
and Sacsayhuaman,
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marking the beginning of the
Inca Empire's Golden Age.
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Cusco serves as the
capital of the Incan Empire
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until the Spanish conquistadors
arrive in the 16th century,
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an event that would be the
catalyst for a bloody battle.
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- It's November 1533,
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Francisco Pizarro
and his conquistadors
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have arrived in Cusco.
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This moment marks
the culmination
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of a decade of Spanish
aggression in the Americas.
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In 1521, Hernan
Cortes had conquered
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the Aztec Empire for Spain.
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Now, Francisco
Pizarro seemed poised
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to do the same to the Incas.
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- [Narrator] The Spanish are
initially welcomed in Cusco.
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Earlier that year,
Pizarro's forces
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had captured and executed
the Inca emperor, Atahualpa,
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and installed the young
Manco Inca as a puppet ruler.
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- But things started to
go bad shortly thereafter,
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and tensions began to rise.
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The Spanish began
to strip the city
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of all of its gold and silver.
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They looted the sacred
buildings of the city,
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and all of this reached
the breaking point.
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In 1536, Manco Inca
led a rebellion
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against the Spanish
conquistadors,
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culminating in the
siege of Cusco.
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- [Narrator] Sacsayhuaman's
role in the siege
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is a crucial one.
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Its position overlooking Cusco
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makes it an ideal spot
as the headquarters
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for the 200,000 warriors
Manco has assembled.
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- For the Spanish, getting
control of Sacsayhuaman
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is suddenly now a
strategic objective.
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(dramatic music)
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- [Narrator] In May of 1536,
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a force of 50 cavalry
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and 120 Spanish infantry
stormed the complex.
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A bloody battle ensues,
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but the Spanish
eventually succeed
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in capturing Sacsayhuaman.
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This victory serves
as a pivotal moment
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in their efforts to
break the siege of Cusco.
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- In the chaos that followed,
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many Inca warriors threw
themselves from the walls,
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death being preferable to
being captured by the Spanish.
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So it's interesting to ask
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what these events can tell us
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about the intended
use of Sacsayhuaman.
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Was it actually intended
to be a fortress,
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00:07:10,234 --> 00:07:13,601
or was it just being used
as one out of necessity?
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00:07:13,601 --> 00:07:15,334
- New evidence
suggests the structure
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may have served a much
more practical purpose.
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- [Narrator] In 2008,
archeologists made
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a groundbreaking discovery,
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suggesting a more complex
role in Inca society,
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one that may transcend its
use as a simple fortress.
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- They uncover the ruins
of an ancient temple
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near the site of Sacsayhuaman.
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- [Narrator] The
temple's interior
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reveals a connection
to the dead,
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a series of
intriguing structures
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that point to sophisticated
funerary practices.
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- Within this temple,
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they find 11 enclosures
of varying sizes.
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The configuration and
contents of these chambers
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strongly suggest its
use for mummy burials.
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- These mummification
rituals were very important,
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very significant
in Inca culture.
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Clearly, they had
an understanding
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that it was important
to preserve the body
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for passage to the afterlife.
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- [Narrator] While the
archeological evidence suggests
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that the site's origins
may stretch back
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even further than the Incas,
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it is believed that the
Inca significantly expanded
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and developed the structure.
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The presence of this temple
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and its secret
funerary enclosures
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may hint at its role in
connecting the human realm
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to that which lies beyond.
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- Could other undiscovered
structures in this area
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help further expand our
knowledge of this site?
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Or does the truth lie somewhere
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within the mysterious
patterns of the walls?
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- [Narrator] The
design of Sacsayhuaman
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seems to be heavily influenced
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by Incan religious beliefs,
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and their tether
to other realms.
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- Inca religion was
intimately tied to cosmology,
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with their belief system
centering on celestial deities.
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- [Narrator] During his
reign in the 15th century,
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Pachacuti elevates
the sun god, Inti,
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to supreme status, reshaping
the state religion.
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- When people can't explain
what's happening around them,
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or they see the
forces of nature,
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they often turn them into
spiritual beings or entities.
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And so within this mysticism,
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we find that there are sun gods
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repeated over and
over and over again.
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The sun was the giver of life.
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It also marked the seasons.
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In the Incan culture,
that was Inti.
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- [Narrator] It's been
theorized that Sacsayhuaman
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was dedicated to the
worship of this sun god.
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And many elements
of its design hint
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00:09:47,034 --> 00:09:49,034
at its mystical connections.
201
00:09:49,034 --> 00:09:52,733
- The walls form this very
distinct zigzagging pattern.
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00:09:52,733 --> 00:09:54,234
This angular shape creates
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00:09:54,234 --> 00:09:57,367
a series of sharp
turns and recesses.
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- [Narrator] Some suggest
the design resembles
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the head of a puma,
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a sacred animal
in Inca mythology,
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with the city of Cusco
forming the body.
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- They had a complex
understanding of the cosmos.
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They recognized three realms,
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and each of them were tied
with significant creatures.
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The underworld was
associated with the serpent,
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the earthly realm with the puma,
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and the heavens with the condor.
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- [Narrator] These three realms
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and the cryptic language
of the stars above
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00:10:28,100 --> 00:10:32,367
often govern the ancient Inca
rituals and sacred sites.
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00:10:32,367 --> 00:10:36,367
- Many ancient civilizations
actually put spiritual values
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00:10:36,367 --> 00:10:39,833
and powers into the animals
that were around them.
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They've anthropomorphized
the animals themselves
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to place a spiritual
lead within that realm.
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00:10:47,367 --> 00:10:50,367
- [Narrator] Sacsayhuaman's
position as the puma's head
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emphasizes its importance
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00:10:52,134 --> 00:10:55,700
in connecting the earthly
and spiritual realms.
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00:10:55,700 --> 00:10:57,734
But perhaps even more intriguing
225
00:10:57,734 --> 00:10:59,867
is the theory that its
layout incorporates
226
00:10:59,867 --> 00:11:02,867
sophisticated
astronomical alignments,
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00:11:02,867 --> 00:11:05,967
potentially encoding
ancient knowledge.
228
00:11:05,967 --> 00:11:08,867
Researchers have identified
astronomical values
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in both the pattern
of its zigzag walls
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and in the angles of the
wall stones themselves,
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which could indicate the
alignment of the moon,
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00:11:16,934 --> 00:11:19,467
Earth, and sun at a given time,
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00:11:19,467 --> 00:11:22,901
and help predict lunar
and solar eclipses.
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00:11:22,901 --> 00:11:26,367
Similar patterns found at
ancient sites worldwide
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raise intriguing questions
about a shared knowledge
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00:11:29,633 --> 00:11:32,100
spanning continents
and millennia.
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This discovery
could revolutionize
238
00:11:34,367 --> 00:11:38,100
our understanding of ancient
civilizations' capabilities.
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00:11:38,100 --> 00:11:40,033
But would the Inca
really have had
240
00:11:40,033 --> 00:11:41,534
the engineering foresight
241
00:11:41,534 --> 00:11:43,534
to build such a grand complex
242
00:11:43,534 --> 00:11:45,433
in the shape of a puma's head,
243
00:11:45,433 --> 00:11:47,967
or to build complex
astronomical values
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00:11:47,967 --> 00:11:50,101
into its very walls?
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00:11:50,101 --> 00:11:53,233
- We often wonder how
the ancients accomplished
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00:11:53,233 --> 00:11:54,467
what they did.
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00:11:54,467 --> 00:11:57,700
But they knew a lot more
than we give them credit for.
248
00:11:57,700 --> 00:12:00,967
- The Inca people were amazing
249
00:12:00,967 --> 00:12:02,600
at developing technology.
250
00:12:02,600 --> 00:12:04,967
They built incredible
structures,
251
00:12:04,967 --> 00:12:08,634
they domesticated llamas
and alpacas and guinea pigs.
252
00:12:08,634 --> 00:12:10,867
They had terraced agriculture.
253
00:12:10,867 --> 00:12:12,867
They had water control.
254
00:12:12,867 --> 00:12:15,667
This society was
very, very innovative
255
00:12:15,667 --> 00:12:17,667
from a technological
point of view.
256
00:12:17,667 --> 00:12:19,134
- [Narrator] While
a conclusive answer
257
00:12:19,134 --> 00:12:22,134
to its original purpose
may continue to evade us,
258
00:12:22,134 --> 00:12:24,601
the stones of
Sacsayhuaman themselves
259
00:12:24,601 --> 00:12:26,634
hold their own secrets,
260
00:12:26,634 --> 00:12:28,967
hinting at a mastery
of construction
261
00:12:28,967 --> 00:12:32,034
that continues to challenge
mortal comprehension.
262
00:12:32,034 --> 00:12:34,734
- These walls are built
with massive stones,
263
00:12:34,734 --> 00:12:37,900
some of them weighing
up to 200 tons.
264
00:12:37,900 --> 00:12:40,100
- [Narrator] Believing
that only demonic forces
265
00:12:40,100 --> 00:12:43,167
could have built
Sacsayhuaman's amazing walls,
266
00:12:43,167 --> 00:12:46,467
the Spanish attempt to take
down the entire structure,
267
00:12:46,467 --> 00:12:48,800
but reportedly find
that the biggest stones
268
00:12:48,800 --> 00:12:51,434
are simply too heavy to move.
269
00:12:51,434 --> 00:12:55,167
- If the heaviest stones
were too large to take down,
270
00:12:55,167 --> 00:12:59,000
how on Earth were they
erected in the first place?
271
00:12:59,000 --> 00:13:00,367
- [Narrator] Could
this have been the work
272
00:13:00,367 --> 00:13:02,167
of otherworldly forces?
273
00:13:04,367 --> 00:13:06,400
- We don't know how
they built these walls,
274
00:13:06,400 --> 00:13:07,900
but it's reasonable to say
275
00:13:07,900 --> 00:13:09,933
that they had a good
understanding of physics,
276
00:13:09,933 --> 00:13:12,867
and they perhaps harnessed
the power of levers
277
00:13:12,867 --> 00:13:15,001
to move these giant boulders.
278
00:13:16,234 --> 00:13:17,934
- [Narrator] It's believed
they used wooden rollers
279
00:13:17,934 --> 00:13:20,700
and levers to facilitate
the movement of heavy stones
280
00:13:20,700 --> 00:13:22,934
over relatively flat terrain,
281
00:13:22,934 --> 00:13:25,567
and may have constructed
ramps and inclined planes
282
00:13:25,567 --> 00:13:27,934
for transporting
up steep slopes.
283
00:13:27,934 --> 00:13:29,501
- Where there's a
will, there's a way,
284
00:13:29,501 --> 00:13:31,401
and they figured it out.
285
00:13:31,401 --> 00:13:34,067
- [Narrator] It's possible
that over 20,000 workers
286
00:13:34,067 --> 00:13:37,367
were involved in building
this colossal fortress,
287
00:13:37,367 --> 00:13:38,667
likely including laborers
288
00:13:38,667 --> 00:13:40,567
who carried out
the Herculean task
289
00:13:40,567 --> 00:13:43,734
of transporting the stones
from nearby quarries,
290
00:13:43,734 --> 00:13:46,234
as well as the workers
who assembled the walls.
291
00:13:47,067 --> 00:13:48,633
But how did the Inca achieve
292
00:13:48,633 --> 00:13:50,567
the seemingly
impossible precision
293
00:13:50,567 --> 00:13:52,401
in the stonework
we still see today?
294
00:13:53,267 --> 00:13:55,634
(chisel clanging)
295
00:13:55,634 --> 00:13:58,267
- The Inca were
master stonemasons,
296
00:13:58,267 --> 00:14:00,800
renowned for their
remarkable ability
297
00:14:00,800 --> 00:14:03,900
to construct
monumental structures
298
00:14:03,900 --> 00:14:06,467
that have stood
the test of time.
299
00:14:06,467 --> 00:14:07,900
The strength of their empire
300
00:14:07,900 --> 00:14:10,934
is often credited
to this talent.
301
00:14:10,934 --> 00:14:12,801
- And they used
multiple techniques
302
00:14:12,801 --> 00:14:16,067
in order to shape not
only these massive stones,
303
00:14:16,067 --> 00:14:18,634
but also to create
very polished,
304
00:14:18,634 --> 00:14:21,334
finely-decorated stones.
305
00:14:21,334 --> 00:14:23,800
So clearly this is signs
306
00:14:23,800 --> 00:14:27,067
of a very sophisticated
artisanal culture,
307
00:14:27,067 --> 00:14:29,834
but also a culture in
which art and engineering
308
00:14:29,834 --> 00:14:31,401
went hand in hand.
309
00:14:31,401 --> 00:14:33,167
- [Narrator] Many stones
still bear the marks
310
00:14:33,167 --> 00:14:35,167
of the tools used to shape them,
311
00:14:35,167 --> 00:14:38,834
suggesting the use of bronze
chisels and stone hammers
312
00:14:38,834 --> 00:14:41,667
to achieve the desired
shape and smoothness.
313
00:14:41,667 --> 00:14:43,733
The cutting and
setting of the blocks
314
00:14:43,733 --> 00:14:47,467
were so exact that
mortar was unnecessary.
315
00:14:47,467 --> 00:14:49,133
- Mortar is an important piece
316
00:14:49,133 --> 00:14:52,467
to the durability
of a brick wall.
317
00:14:52,467 --> 00:14:54,800
If you were to build
a wall without mortar,
318
00:14:54,800 --> 00:14:57,533
you would likely have some gaps.
319
00:14:57,533 --> 00:14:58,801
- That's a bit problematic
320
00:14:58,801 --> 00:15:01,367
because you're going to
get water flowing down
321
00:15:01,367 --> 00:15:02,401
in between the rocks.
322
00:15:02,401 --> 00:15:03,667
If you get freezing periods,
323
00:15:03,667 --> 00:15:06,000
it's going to cause ice to form,
324
00:15:06,000 --> 00:15:07,833
and when ice forms,
it creates pressure,
325
00:15:07,833 --> 00:15:10,200
and causes rocks
to be pushed apart,
326
00:15:10,200 --> 00:15:13,167
and basically destroys
your construction
327
00:15:13,167 --> 00:15:15,867
through natural
weathering processes.
328
00:15:15,867 --> 00:15:17,800
- Mortar would close those gaps
329
00:15:17,800 --> 00:15:19,667
and allow for a more
airtight structure.
330
00:15:19,667 --> 00:15:23,000
However, they didn't use mortar
331
00:15:23,000 --> 00:15:26,867
and instead they just shaped
everything so precisely
332
00:15:26,867 --> 00:15:29,200
that mortar wasn't needed.
333
00:15:29,200 --> 00:15:32,967
Dry stone masonry is a
really incredible way
334
00:15:32,967 --> 00:15:34,734
to construct buildings,
335
00:15:34,734 --> 00:15:37,067
and we're constructing
basically a stone
336
00:15:37,067 --> 00:15:39,234
that fits like a puzzle piece
337
00:15:39,234 --> 00:15:41,134
into a larger part
of a building,
338
00:15:41,134 --> 00:15:45,900
we're matching every stone
to the stones around it.
339
00:15:45,900 --> 00:15:47,701
- [Narrator] Some believe
they used methods similar
340
00:15:47,701 --> 00:15:50,834
to those used in the
building of log cabins,
341
00:15:50,834 --> 00:15:53,034
called scribing and coping.
342
00:15:53,034 --> 00:15:56,367
- Scribing is the act
of shaping those stones
343
00:15:56,367 --> 00:15:59,501
to match the profile
of something else.
344
00:15:59,501 --> 00:16:01,967
And coping is a precise cut,
345
00:16:01,967 --> 00:16:04,401
sort of a carving
out of something.
346
00:16:04,401 --> 00:16:07,734
- This is beneficial from
so many points of view.
347
00:16:07,734 --> 00:16:09,800
It creates a very
stable structure,
348
00:16:09,800 --> 00:16:11,700
but it also resists weathering.
349
00:16:11,700 --> 00:16:13,934
If we're not getting
water flowing down
350
00:16:13,934 --> 00:16:16,534
between our rocks 'cause
they're so tight together,
351
00:16:16,534 --> 00:16:18,634
we have a much better chance
352
00:16:18,634 --> 00:16:20,300
of it enduring long
periods of time
353
00:16:20,300 --> 00:16:23,967
and not failing due to
normal weathering processes.
354
00:16:23,967 --> 00:16:27,700
- And they are just
perfectly fit with no mortar.
355
00:16:27,700 --> 00:16:29,133
There is no gap between them.
356
00:16:29,133 --> 00:16:31,733
You can't even put a piece
of paper in between there.
357
00:16:31,733 --> 00:16:33,101
That is incredible.
358
00:16:33,101 --> 00:16:35,301
They either coped, or
carved, or cut out,
359
00:16:35,301 --> 00:16:38,234
or sanded, or rounded
all of these rocks.
360
00:16:38,234 --> 00:16:40,767
Each one of these
is a labor of love.
361
00:16:40,767 --> 00:16:42,101
- [Narrator] But
the Inca engineers
362
00:16:42,101 --> 00:16:44,933
weren't just concerned
with aesthetics.
363
00:16:44,933 --> 00:16:47,967
They built with an
eye towards longevity.
364
00:16:47,967 --> 00:16:50,233
- The Incan Empire is
built high in the Andes,
365
00:16:50,233 --> 00:16:53,633
and the Andes are a
geologically active area.
366
00:16:53,633 --> 00:16:56,134
This area has
massive earthquakes.
367
00:16:56,134 --> 00:17:00,267
It's not uncommon to have
magnitude seven-plus earthquakes
368
00:17:00,267 --> 00:17:01,001
in this area.
369
00:17:01,001 --> 00:17:02,433
And to build structures
370
00:17:02,433 --> 00:17:05,467
that have been able to
endure thousands of years
371
00:17:05,467 --> 00:17:07,367
in this environment is amazing.
372
00:17:07,367 --> 00:17:09,501
Where we use dry masonry,
373
00:17:09,501 --> 00:17:13,301
because the stones fit
together and lock together,
374
00:17:13,301 --> 00:17:16,167
they don't want to tumble
apart in an earthquake.
375
00:17:16,167 --> 00:17:19,201
- And so that interlock of
all of these stones together
376
00:17:19,201 --> 00:17:22,800
can resist quite a
bit of horizontal
pressure on that wall,
377
00:17:22,800 --> 00:17:26,000
be it from wind, from an
impact from something,
378
00:17:26,000 --> 00:17:28,867
or from soil consistently
pressing on it.
379
00:17:28,867 --> 00:17:30,001
They also were thoughtful
380
00:17:30,001 --> 00:17:32,001
about the configuration
of these walls,
381
00:17:32,001 --> 00:17:33,767
they're in a zigzag pattern.
382
00:17:33,767 --> 00:17:36,533
Each shift through that zigzag
383
00:17:36,533 --> 00:17:39,133
adds lateral stability
into these walls as well.
384
00:17:39,133 --> 00:17:41,600
It acts as a unit to
resist all of those forces
385
00:17:41,600 --> 00:17:43,167
that it might experience.
386
00:17:43,167 --> 00:17:45,800
To recognize that the
need for robustness
387
00:17:45,800 --> 00:17:48,367
around lateral forces
in these ancient times
388
00:17:48,367 --> 00:17:50,334
is pretty awesome.
389
00:17:50,334 --> 00:17:52,300
- [Narrator] But the
mysteries of its construction
390
00:17:52,300 --> 00:17:55,467
don't end at its
unshakable walls.
391
00:17:55,467 --> 00:17:58,334
- Legend speaks of vast
underground networks
392
00:17:58,334 --> 00:18:02,534
connecting the fortress to
other important Inca sites.
393
00:18:02,534 --> 00:18:04,367
Some even claim these tunnels
394
00:18:04,367 --> 00:18:07,901
stretch all the way
to Cusco's Coricancha,
395
00:18:07,901 --> 00:18:10,834
the most sacred temple
of the Inca Empire.
396
00:18:12,034 --> 00:18:13,334
- [Narrator] These
tunnels could have served
397
00:18:13,334 --> 00:18:16,767
multiple purposes, from
storage and shelter,
398
00:18:16,767 --> 00:18:19,501
to escape routes and
ritualistic spaces.
399
00:18:20,934 --> 00:18:23,767
Legends persist of vast
chambers filled with gold
400
00:18:23,767 --> 00:18:26,034
and precious
artifacts hidden away
401
00:18:26,034 --> 00:18:28,434
from Spanish conquistadors,
402
00:18:28,434 --> 00:18:29,500
though no such treasures
403
00:18:29,500 --> 00:18:31,734
have been officially discovered.
404
00:18:31,734 --> 00:18:34,767
And for those who dare
attempt to find it,
405
00:18:34,767 --> 00:18:39,801
grave danger awaits.
(eerie dramatic music)
406
00:18:40,867 --> 00:18:43,434
In the 1920s, following
the rumored disappearance
407
00:18:43,434 --> 00:18:45,733
of several tunnel explorers,
408
00:18:45,733 --> 00:18:48,567
all entryways were
shuttered to the public,
409
00:18:48,567 --> 00:18:51,801
though many are still tempted
to venture below today.
410
00:18:52,700 --> 00:18:54,767
According to some local tales,
411
00:18:54,767 --> 00:18:57,734
these cursed passages
promise to kill anyone
412
00:18:57,734 --> 00:18:59,501
who steps foot inside.
413
00:19:00,800 --> 00:19:03,267
Could this be otherworldly
forces at work
414
00:19:03,267 --> 00:19:06,967
guarding a potential
channel to the underworld?
415
00:19:06,967 --> 00:19:09,934
- Tunnels and passages
come up again and again
416
00:19:09,934 --> 00:19:12,301
when we talk about
ancient structures.
417
00:19:13,400 --> 00:19:15,134
And a lot of this
comes to the idea that,
418
00:19:15,134 --> 00:19:17,233
you know, a tunnel
is a passageway,
419
00:19:17,233 --> 00:19:19,300
and it has a mystical
significance to it
420
00:19:19,300 --> 00:19:21,000
because you don't know
what's on the other end.
421
00:19:21,000 --> 00:19:23,433
And you can imagine that if
you travel down this tunnel,
422
00:19:23,433 --> 00:19:26,501
you will leave one
realm and enter another.
423
00:19:26,501 --> 00:19:28,834
- [Narrator] Could the Spanish
have seen these tunnels
424
00:19:28,834 --> 00:19:30,900
as the source of
the demonic forces
425
00:19:30,900 --> 00:19:33,334
they believed
built Sacsayhuaman?
426
00:19:33,334 --> 00:19:36,434
- It's interesting to
reflect, as a modern person,
427
00:19:36,434 --> 00:19:39,834
that descriptions of demons
428
00:19:39,834 --> 00:19:42,401
creating the structure
seems foreign,
429
00:19:42,401 --> 00:19:44,933
it seems unreasonable to us.
430
00:19:44,933 --> 00:19:47,834
But in fact, that would
have been perfectly natural,
431
00:19:47,834 --> 00:19:50,367
it would have been a
rational interpretation
432
00:19:50,367 --> 00:19:51,834
for someone like Pizarro.
433
00:19:52,934 --> 00:19:56,234
- There's a tendency on
the part of many conquerors
434
00:19:56,234 --> 00:19:58,800
to see the people that
they were conquering
435
00:19:58,800 --> 00:20:01,867
as inferior and incapable,
436
00:20:01,867 --> 00:20:06,001
and being bound by the
powers of darkness.
437
00:20:08,600 --> 00:20:09,834
- When we're faced
with something
438
00:20:09,834 --> 00:20:12,067
we don't know how it
happened, how it was built,
439
00:20:12,067 --> 00:20:15,167
or it just looks beyond
normal abilities of man,
440
00:20:15,167 --> 00:20:17,300
we put it into the supernatural.
441
00:20:17,300 --> 00:20:19,501
we put it onto the
side of the divine,
442
00:20:19,501 --> 00:20:22,667
if it's something that
matches with our religion.
443
00:20:22,667 --> 00:20:24,233
But the primitives,
the heathens,
444
00:20:24,233 --> 00:20:25,734
they're the ones
that are supporting
445
00:20:25,734 --> 00:20:28,667
the negative side
of the spirituality,
446
00:20:28,667 --> 00:20:31,134
devils, demons, the underworld.
447
00:20:31,134 --> 00:20:33,000
- Early modern people understood
448
00:20:33,000 --> 00:20:35,833
that the devil was real,
the devil was present,
449
00:20:35,833 --> 00:20:37,833
that the devil's function
450
00:20:37,833 --> 00:20:41,634
was to create chaos,
havoc, destruction.
451
00:20:41,634 --> 00:20:44,001
And so for someone like Pizarro,
452
00:20:44,001 --> 00:20:47,134
encountering the Incas
would have reminded him
453
00:20:47,134 --> 00:20:50,167
of the ever-present
reality of the demonic.
454
00:20:51,801 --> 00:20:54,501
- So when we consider
how the Spanish minimized
455
00:20:54,501 --> 00:20:56,634
and underestimated the Inca,
456
00:20:56,634 --> 00:20:57,967
it's worth asking ourselves
457
00:20:57,967 --> 00:20:59,901
if we don't do the
same thing sometimes
458
00:20:59,901 --> 00:21:01,534
when we look at
the accomplishments
459
00:21:01,534 --> 00:21:03,367
of other ancient civilizations.
460
00:21:03,367 --> 00:21:06,800
(dramatic music)
461
00:21:06,800 --> 00:21:08,700
- [Narrator] Halfway
across the world
462
00:21:08,700 --> 00:21:12,000
lies another
architectural enigma.
463
00:21:12,000 --> 00:21:16,367
Like Sacsayhuaman, its
geometry and impossible scale
464
00:21:16,367 --> 00:21:19,834
whisper of origins beyond
mortal comprehension.
465
00:21:22,733 --> 00:21:27,534
India, a land of ancient wonders
and rich cultural heritage,
466
00:21:27,534 --> 00:21:31,034
boasts a remarkable array
of architectural marvels
467
00:21:31,034 --> 00:21:33,201
that have stood
the test of time.
468
00:21:33,201 --> 00:21:35,700
While iconic sites
like the Taj Mahal
469
00:21:35,700 --> 00:21:37,867
often steal the spotlight,
470
00:21:37,867 --> 00:21:40,367
some of India's most
tantalizing structures
471
00:21:40,367 --> 00:21:43,233
continue to perplex
historians today.
472
00:21:43,233 --> 00:21:46,033
(dramatic music)
473
00:21:46,033 --> 00:21:48,967
Hidden in the arid
landscape of Rajasthan,
474
00:21:48,967 --> 00:21:51,533
a descent into
the depths awaits,
475
00:21:51,533 --> 00:21:54,033
the Chand Baori stepwell.
476
00:21:54,033 --> 00:21:57,867
- This is one of the largest
and deepest stepwells in India,
477
00:21:57,867 --> 00:22:00,533
reaching 13 storeys
into the earth.
478
00:22:00,533 --> 00:22:03,734
- [Narrator] Chand Baori is
one of many stepwells in India
479
00:22:03,734 --> 00:22:05,200
intended as a reservoir
480
00:22:05,200 --> 00:22:07,433
during the region's dry spells.
481
00:22:07,433 --> 00:22:09,601
But the intricate
carvings and sculptures
482
00:22:09,601 --> 00:22:11,933
that adorn its walls
hint at a purpose
483
00:22:11,933 --> 00:22:14,067
beyond mere water storage.
484
00:22:14,067 --> 00:22:16,967
- It is not only beautiful,
485
00:22:16,967 --> 00:22:20,767
but it must have required
extraordinary precision
486
00:22:20,767 --> 00:22:25,567
in its design and execution.
(dramatic music)
487
00:22:25,567 --> 00:22:28,901
- There's 3,500 steps in this.
488
00:22:28,901 --> 00:22:31,634
You immediately recognize
the geometry in this,
489
00:22:31,634 --> 00:22:33,734
the thoughtful planning
of these steps.
490
00:22:33,734 --> 00:22:36,601
- These perfectly carved steps
491
00:22:36,601 --> 00:22:41,000
form a mesmerizing
geometric pattern.
492
00:22:41,000 --> 00:22:44,100
- Why did they choose this
specific geometric design?
493
00:22:44,100 --> 00:22:47,967
Does it encode ancient
knowledge or religious beliefs?
494
00:22:49,101 --> 00:22:50,933
- [Narrator] The stepwell's
precise construction
495
00:22:50,933 --> 00:22:54,000
and vast scale raise
intriguing questions
496
00:22:54,000 --> 00:22:57,601
about the capabilities of
its 9th century builders.
497
00:22:57,601 --> 00:23:01,500
- How did these
ancient architects
achieve such precision
498
00:23:01,500 --> 00:23:03,667
without modern surveying tools?
499
00:23:03,667 --> 00:23:08,834
- It almost seems to defy the
limits of ancient engineering.
500
00:23:10,033 --> 00:23:12,734
- [Narrator] The hands that
carved this subterranean stone
501
00:23:12,734 --> 00:23:17,133
did so in worship of water.
(water sloshing)
502
00:23:17,133 --> 00:23:20,501
- So much of ancient cultures
focuses around water.
503
00:23:20,501 --> 00:23:22,700
For civilizations to thrive,
504
00:23:22,700 --> 00:23:24,701
they need continuous
access to it.
505
00:23:24,701 --> 00:23:26,934
You have to have water.
506
00:23:26,934 --> 00:23:29,333
- Nowadays, we have
great access to water.
507
00:23:29,333 --> 00:23:31,834
It's considered a
basic necessity,
508
00:23:31,834 --> 00:23:33,800
and it's always provided to us.
509
00:23:33,800 --> 00:23:36,534
But back then, in
places like India,
510
00:23:36,534 --> 00:23:37,867
you had to collect the water
511
00:23:37,867 --> 00:23:39,801
so there was enough
for the community.
512
00:23:39,801 --> 00:23:41,834
- In particular, in
India, there are years
513
00:23:41,834 --> 00:23:43,667
where you have monsoons
514
00:23:43,667 --> 00:23:46,367
and you have immense
amounts of water,
515
00:23:46,367 --> 00:23:49,900
and then you'll have periods
where there isn't a monsoon
516
00:23:49,900 --> 00:23:54,000
and the water table will
literally change by meters.
517
00:23:54,000 --> 00:23:56,267
If we're not changing
our technology
518
00:23:56,267 --> 00:23:58,800
to address the
changing water table,
519
00:23:58,800 --> 00:24:00,900
our civilization is
going to collapse.
520
00:24:00,900 --> 00:24:03,400
So the most successful
ancient civilizations
521
00:24:03,400 --> 00:24:06,933
had ways to ensure
continuous access to water.
522
00:24:06,933 --> 00:24:09,934
And that's kind of
where stepwells come in.
523
00:24:11,567 --> 00:24:16,001
- The stepwells were
a fascinating and
ingenious structure
524
00:24:16,001 --> 00:24:19,700
designed to serve
as water reservoirs.
525
00:24:19,700 --> 00:24:21,567
- The rainwater
falls from the sky
526
00:24:21,567 --> 00:24:23,101
and collects in
the huge opening.
527
00:24:23,101 --> 00:24:25,067
The rain then trickles
down the steps
528
00:24:25,067 --> 00:24:26,700
and collects in the bottom well.
529
00:24:26,700 --> 00:24:28,934
The water then seeps
through porous rock,
530
00:24:28,934 --> 00:24:31,401
which replenishes the
underground water table.
531
00:24:34,000 --> 00:24:37,734
- Thirst and hunger are
some of the strongest drives
532
00:24:37,734 --> 00:24:39,434
that motivate people.
533
00:24:39,434 --> 00:24:42,434
These are really basic drives,
534
00:24:42,434 --> 00:24:44,433
and they're in some
structures of the brain
535
00:24:44,433 --> 00:24:47,700
that are the oldest ones
conserved across evolution.
536
00:24:47,700 --> 00:24:49,767
It's going to be a major driver
537
00:24:49,767 --> 00:24:51,567
of how that society is formed
538
00:24:51,567 --> 00:24:53,401
and how decisions are made.
539
00:24:53,401 --> 00:24:55,234
And in this arid land,
540
00:24:55,234 --> 00:24:57,767
it should be very easy to get
a large community together
541
00:24:57,767 --> 00:24:59,367
to build a stepwell
542
00:24:59,367 --> 00:25:02,101
because it's something
everybody can see that they,
543
00:25:02,101 --> 00:25:04,967
their families, and their
descendants are going to need.
544
00:25:06,000 --> 00:25:07,501
- [Narrator] While
ancient stepwells
545
00:25:07,501 --> 00:25:10,734
were vital water sources in
the arid regions of India,
546
00:25:10,734 --> 00:25:13,234
their role transcended
mere necessity.
547
00:25:15,067 --> 00:25:18,900
- People gathered here
not only to draw water,
548
00:25:18,900 --> 00:25:22,567
but to socialize, exchange news,
549
00:25:22,567 --> 00:25:24,934
and even for religious purposes.
550
00:25:26,867 --> 00:25:28,701
- [Narrator] The
intricately carved walls,
551
00:25:28,701 --> 00:25:31,801
niches, and pavilions
served as a backdrop
552
00:25:31,801 --> 00:25:34,801
for storytelling and
artistic performances,
553
00:25:34,801 --> 00:25:37,667
transforming the stepwells
into vibrant hubs
554
00:25:37,667 --> 00:25:40,167
of daily life and
cultural activity.
555
00:25:41,467 --> 00:25:44,633
But the complexity of
Chand Baori's construction,
556
00:25:44,633 --> 00:25:47,467
its sheer scale and
intricate design
557
00:25:47,467 --> 00:25:50,967
has led to persistent questions
about how it was built.
558
00:25:50,967 --> 00:25:53,467
And, in the absence
of clear answers,
559
00:25:53,467 --> 00:25:56,934
local legends and
folklore have flourished.
560
00:25:56,934 --> 00:25:58,701
- When we think of a structure
561
00:25:58,701 --> 00:26:01,001
that is essential to
the survival of people,
562
00:26:01,001 --> 00:26:05,967
that is also an extraordinary
work of art in and of itself,
563
00:26:07,134 --> 00:26:09,167
it was so beautiful
that stories developed
564
00:26:09,167 --> 00:26:12,867
around it being a
supernatural creation.
565
00:26:13,567 --> 00:26:15,367
- Legend has it that King Chanda
566
00:26:15,367 --> 00:26:18,134
is trying to save his
kingdom from drought.
567
00:26:18,134 --> 00:26:21,867
- This king is driven
to desperation.
568
00:26:21,867 --> 00:26:24,801
He turned to the dark arts.
569
00:26:26,600 --> 00:26:28,033
- [Narrator] In
his darkest hour,
570
00:26:28,033 --> 00:26:30,834
the king calls upon
the help of a djinn,
571
00:26:30,834 --> 00:26:34,734
a supernatural entity
with malevolent powers.
572
00:26:34,734 --> 00:26:37,067
The djinn agrees to
build a stepwell.
573
00:26:37,067 --> 00:26:38,567
But this offer of salvation
574
00:26:38,567 --> 00:26:41,033
will come at a terrible price,
575
00:26:41,033 --> 00:26:43,633
the surrender of
the kingdom itself.
576
00:26:43,633 --> 00:26:45,733
(dramatic music)
577
00:26:45,733 --> 00:26:47,534
- Faced with an
impossible choice,
578
00:26:47,534 --> 00:26:49,201
the king accepts the terms,
579
00:26:49,201 --> 00:26:52,534
prioritizing his people's
survival over his own rule.
580
00:26:53,701 --> 00:26:56,134
According to the tale,
this supernatural being
581
00:26:56,134 --> 00:26:59,967
constructs the entire
stepwell in a single night.
582
00:26:59,967 --> 00:27:02,133
- [Narrator] Then King
Chanda experienced
583
00:27:02,133 --> 00:27:04,433
a fortunate twist of fate.
584
00:27:04,433 --> 00:27:06,867
- In recognizing the
king's selfless act,
585
00:27:06,867 --> 00:27:09,967
a saint intervenes and
basically traps the djinn
586
00:27:09,967 --> 00:27:11,867
in the bowels of the stepwell,
587
00:27:11,867 --> 00:27:14,134
and the kingdom is restored.
588
00:27:14,134 --> 00:27:16,134
- [Narrator] Imprisoned in
the depths of this structure
589
00:27:16,134 --> 00:27:19,267
for eternity, the legend
of the djinn lingers
590
00:27:19,267 --> 00:27:21,767
for centuries more.
591
00:27:21,767 --> 00:27:24,434
Chand Baori's intricate
design seems to defy
592
00:27:24,434 --> 00:27:26,434
the limitations of its time,
593
00:27:26,434 --> 00:27:29,101
leaving many to consider
the haunting possibility
594
00:27:29,101 --> 00:27:32,967
that such an entity may
indeed be responsible.
595
00:27:34,267 --> 00:27:37,567
However, modern archeology
has revealed hints
596
00:27:37,567 --> 00:27:39,434
about its true design.
597
00:27:40,967 --> 00:27:43,100
While detailed records of
Chand Baori's construction
598
00:27:43,100 --> 00:27:45,101
have been lost to history,
599
00:27:45,101 --> 00:27:48,601
careful examination of the
structure and others like it
600
00:27:48,601 --> 00:27:50,567
can offer some insights.
601
00:27:50,567 --> 00:27:51,767
- We often think
about structures
602
00:27:51,767 --> 00:27:53,800
that are coming up
from the ground,
603
00:27:53,800 --> 00:27:55,267
that we're creating
space above ground.
604
00:27:55,267 --> 00:27:58,467
This is actually creating
a space below grade.
605
00:27:58,467 --> 00:27:59,601
And that's really interesting,
606
00:27:59,601 --> 00:28:00,767
it's like inverting
my whole world.
607
00:28:00,767 --> 00:28:02,333
It's really cool.
608
00:28:02,333 --> 00:28:03,834
- [Narrator]
Excavation likely began
609
00:28:03,834 --> 00:28:06,800
with digging the central
well to reach water level.
610
00:28:06,800 --> 00:28:09,300
This would have required
precise surveying
611
00:28:09,300 --> 00:28:11,834
to ensure the correct
depth and width.
612
00:28:12,667 --> 00:28:14,667
As the foundation was secured,
613
00:28:14,667 --> 00:28:18,367
the greatest task
still loomed overhead,
614
00:28:18,367 --> 00:28:21,600
carving 3,500 narrow steps
615
00:28:21,600 --> 00:28:24,267
up thirteen floors
to ground level.
616
00:28:24,267 --> 00:28:27,300
- This is a big structure
where people are taking
617
00:28:27,300 --> 00:28:30,433
not only a lot of time
to carve those steps out,
618
00:28:30,433 --> 00:28:32,867
but a lot of time to make
sure that they're exactly
619
00:28:32,867 --> 00:28:34,334
the size they need to be.
620
00:28:35,500 --> 00:28:38,300
- [Narrator] The perfect
symmetry of Chand Baori
621
00:28:38,300 --> 00:28:41,033
implies a mastery
of mathematics,
622
00:28:41,033 --> 00:28:43,834
and potentially, a
grasp of geometry
623
00:28:43,834 --> 00:28:46,434
that surpasses the known
knowledge of this era.
624
00:28:47,534 --> 00:28:48,834
- When you're trying to build,
625
00:28:48,834 --> 00:28:51,200
essentially, an inverted
pyramid in the ground,
626
00:28:51,200 --> 00:28:54,267
you need to know exactly
what your pyramid
627
00:28:54,267 --> 00:28:57,500
is going to look like before
you start building it.
628
00:28:57,500 --> 00:29:00,167
If you start changing angles,
629
00:29:00,167 --> 00:29:01,867
you don't end up with a pyramid.
630
00:29:01,867 --> 00:29:04,834
You end up with something
that's very skewed
631
00:29:04,834 --> 00:29:08,567
and would look aesthetically
extremely unpleasing.
632
00:29:08,567 --> 00:29:09,900
- [Narrator] The uniform size
633
00:29:09,900 --> 00:29:12,000
and precise angles of the steps
634
00:29:12,000 --> 00:29:14,534
suggest the use of
standardized measurements
635
00:29:14,534 --> 00:29:16,367
and possibly, templates.
636
00:29:16,367 --> 00:29:20,500
- It takes a lot of precision
in each step that you go down
637
00:29:20,500 --> 00:29:24,000
to make sure you're going to
end up where you need to be.
638
00:29:24,000 --> 00:29:26,367
So you're literally measuring
639
00:29:26,367 --> 00:29:29,534
within a few millimeters
in each layer.
640
00:29:29,534 --> 00:29:30,867
- Everything is meticulous,
641
00:29:30,867 --> 00:29:33,434
the angles, the
carving, the steps,
642
00:29:33,434 --> 00:29:34,867
the pathways through.
643
00:29:34,867 --> 00:29:38,567
There's just so much thought
put into the circulation
644
00:29:38,567 --> 00:29:42,400
of this system and how
one would move through it.
645
00:29:42,400 --> 00:29:45,100
- [Narrator] Could this
seemingly impossible perfection
646
00:29:45,100 --> 00:29:48,901
be a clue that the mysterious
tale of the djinn is true?
647
00:29:50,867 --> 00:29:52,733
Beyond practical function,
648
00:29:52,733 --> 00:29:54,900
the design elements
of Chand Baori
649
00:29:54,900 --> 00:29:57,400
also play with its
visitors' minds,
650
00:29:57,400 --> 00:30:01,934
stirring a sense of awe,
and perhaps a subtle unease.
651
00:30:01,934 --> 00:30:04,401
- The stepwell is really
interesting in its design
652
00:30:04,401 --> 00:30:07,700
because of how it makes you
feel when you look at it.
653
00:30:07,700 --> 00:30:09,734
And that's because in nature,
654
00:30:09,734 --> 00:30:11,700
yes, we have rough
symmetry, right?
655
00:30:11,700 --> 00:30:13,900
We've got two arms,
two legs, two eyes,
656
00:30:13,900 --> 00:30:18,967
but yet things aren't
perfect in the natural world.
657
00:30:18,967 --> 00:30:23,867
Here we see something that is
balanced out and symmetric,
658
00:30:25,100 --> 00:30:28,167
but it's all sharp corners,
it's steps, it's lines.
659
00:30:28,167 --> 00:30:29,701
The only place we
normally see lines
660
00:30:29,701 --> 00:30:31,367
are off on the horizon.
661
00:30:31,367 --> 00:30:32,900
We don't see them
in straight lines
662
00:30:32,900 --> 00:30:34,834
in most any other places.
663
00:30:34,834 --> 00:30:38,534
And because of it, it
gives this sense of awe.
664
00:30:38,534 --> 00:30:40,967
It's not something
that is natural.
665
00:30:40,967 --> 00:30:44,400
And therefore, we add
extra meaning to the space,
666
00:30:44,400 --> 00:30:45,901
to the place itself.
667
00:30:47,367 --> 00:30:49,234
- [Narrator] Incorporated
into the engineering design
668
00:30:49,234 --> 00:30:52,901
of Chand Baori is an apparent
secret of ancient wisdom,
669
00:30:53,934 --> 00:30:55,767
one that suggests a strategy
670
00:30:55,767 --> 00:30:58,833
for mitigating the
desert's intense heat.
671
00:30:58,833 --> 00:31:01,667
As you descend the
steps of Chand Baori,
672
00:31:01,667 --> 00:31:03,800
you would feel the
temperature dropping,
673
00:31:03,800 --> 00:31:06,134
defying the
scorching heat above.
674
00:31:08,634 --> 00:31:11,800
The cooling properties of the
stepwell reveal themselves
675
00:31:11,800 --> 00:31:14,267
when examining the
layers of its design.
676
00:31:14,267 --> 00:31:16,834
At first glance, the
thick stone walls
677
00:31:16,834 --> 00:31:19,933
appear only to serve
as structural support,
678
00:31:19,933 --> 00:31:21,833
but they are actually
the first clue
679
00:31:21,833 --> 00:31:24,001
to the stepwell's
cooling mechanism.
680
00:31:25,300 --> 00:31:28,134
The builders chose materials
with high thermal mass,
681
00:31:28,134 --> 00:31:29,967
creating a natural heat sink
682
00:31:29,967 --> 00:31:32,134
that absorbs daytime heat,
683
00:31:32,134 --> 00:31:34,467
and releases it slowly at night.
684
00:31:35,934 --> 00:31:39,967
Further down, a noticeable
chill permeates the air.
685
00:31:39,967 --> 00:31:43,800
- The stepwell maintains a
temperature of 5 to 6 degrees
686
00:31:43,800 --> 00:31:46,901
cooler at its base
than at its surface.
687
00:31:46,901 --> 00:31:49,901
Was this an intentional
design feature,
688
00:31:49,901 --> 00:31:53,301
and if so, how did
they calculate it?
689
00:31:53,301 --> 00:31:55,801
- [Narrator] The ancient
engineers seem to have tapped
690
00:31:55,801 --> 00:31:58,434
into the Earth's natural
cooling properties,
691
00:31:58,434 --> 00:31:59,967
using the subterranean design
692
00:31:59,967 --> 00:32:02,534
to access cooler
underground layers.
693
00:32:03,867 --> 00:32:07,434
The collected water itself
isn't just for drinking.
694
00:32:07,434 --> 00:32:08,700
It plays a crucial role
695
00:32:08,700 --> 00:32:11,134
in a natural air
conditioning system.
696
00:32:12,367 --> 00:32:15,967
As water evaporates, it
cools the surrounding air,
697
00:32:15,967 --> 00:32:18,967
much like our own
body's perspiration.
698
00:32:18,967 --> 00:32:21,733
This natural cooling
system is amplified
699
00:32:21,733 --> 00:32:24,067
by the well's unique
vertical structure,
700
00:32:24,067 --> 00:32:26,167
which creates a chimney effect,
701
00:32:26,167 --> 00:32:28,701
encouraging air circulation.
702
00:32:28,701 --> 00:32:30,867
- By having that cooler
water source flow down
703
00:32:30,867 --> 00:32:33,300
and having wind that
would blow on top,
704
00:32:33,300 --> 00:32:35,734
it creates an
interesting thermodynamic
705
00:32:35,734 --> 00:32:37,934
where it will stay
cooler down there.
706
00:32:38,967 --> 00:32:40,534
- [Narrator] Warm air rises,
707
00:32:40,534 --> 00:32:43,801
drawing cooler air from
the water surface upwards,
708
00:32:43,801 --> 00:32:46,667
resulting in a constant
flow of breeze,
709
00:32:46,667 --> 00:32:48,867
a certain shiver
from the depths.
710
00:32:50,367 --> 00:32:52,701
- Ancient engineers
were able to create
711
00:32:52,701 --> 00:32:55,367
a sophisticated
climate control system,
712
00:32:55,367 --> 00:32:59,234
transforming a water
source into a cool oasis
713
00:32:59,234 --> 00:33:01,767
in one of the world's
hottest regions.
714
00:33:01,767 --> 00:33:04,267
- In an arid, dry land,
715
00:33:04,267 --> 00:33:08,767
cold water is not something
most people get to experience.
716
00:33:08,767 --> 00:33:10,934
Even the rains in the
monsoons are warm,
717
00:33:12,101 --> 00:33:16,767
so it adds another level
of awe or mysticism
718
00:33:16,767 --> 00:33:19,433
to the whole endeavor
and the whole structure,
719
00:33:19,433 --> 00:33:22,267
that they're experiencing
something special here
720
00:33:22,267 --> 00:33:24,367
that they cannot
get anywhere else.
721
00:33:24,367 --> 00:33:26,600
- [Narrator] While its
design creates an oasis
722
00:33:26,600 --> 00:33:27,967
in the desert heat,
723
00:33:27,967 --> 00:33:31,767
its purpose extends beyond
mere physical comfort,
724
00:33:31,767 --> 00:33:34,067
as evidenced by a nearby temple
725
00:33:34,067 --> 00:33:37,901
that hints at the site's
deeper spiritual significance.
726
00:33:38,901 --> 00:33:41,701
Just 100 meters
west of Chand Baori
727
00:33:41,701 --> 00:33:45,134
stands a temple dedicated
to Harshat Mata,
728
00:33:45,134 --> 00:33:47,933
the goddess of
joy and happiness.
729
00:33:47,933 --> 00:33:50,800
Built between the 7th
and 7th centuries,
730
00:33:50,800 --> 00:33:53,267
it's believed that this
temple formed a complex
731
00:33:53,267 --> 00:33:54,934
with Chand Baori.
732
00:33:54,934 --> 00:33:57,401
Pilgrims would typically
purify themselves
733
00:33:57,401 --> 00:33:58,934
in the stepwell's waters
734
00:33:58,934 --> 00:34:01,834
before entering the
sacred temple ground.
735
00:34:03,000 --> 00:34:06,867
- Water is sacred
across many traditions,
736
00:34:06,867 --> 00:34:09,767
and in Hindu, it has a
particularly special role,
737
00:34:09,767 --> 00:34:12,000
not only in ritual purification,
738
00:34:12,000 --> 00:34:15,034
but water was part
of the cosmos.
739
00:34:15,034 --> 00:34:17,133
It was actually
binding the earthly
740
00:34:17,133 --> 00:34:19,801
and the celestial
realms together.
741
00:34:19,801 --> 00:34:23,734
So it was essential to
their understanding,
742
00:34:23,734 --> 00:34:25,834
not only of their
lived experience,
743
00:34:25,834 --> 00:34:29,300
their present life,
but the afterlife.
744
00:34:29,300 --> 00:34:31,167
- [Narrator] This
connection also reveals
745
00:34:31,167 --> 00:34:34,167
the stepwell's deep
spiritual significance,
746
00:34:34,167 --> 00:34:38,167
further emphasized by its
intricate architectural details.
747
00:34:38,167 --> 00:34:40,867
Many of the carvings
adorning Chand Baori
748
00:34:40,867 --> 00:34:44,001
depict Hindu deities
and mythological scenes
749
00:34:44,001 --> 00:34:46,301
and narrate sacred stories.
750
00:34:46,301 --> 00:34:49,267
- These carvings
transform the stepwell
751
00:34:49,267 --> 00:34:52,767
into a three-dimensional
religious text.
752
00:34:52,767 --> 00:34:54,533
- [Narrator] Chand
Baori was likely used
753
00:34:54,533 --> 00:34:57,901
in conjunction with the
nearby temple for centuries,
754
00:34:57,901 --> 00:35:00,867
embodying the Hindu
concept of finding divinity
755
00:35:00,867 --> 00:35:03,600
in the most essential
elements of life,
756
00:35:03,600 --> 00:35:06,834
a tradition that has endured
for over a millennium.
757
00:35:10,167 --> 00:35:13,600
While the specifics of its
construction remain elusive
758
00:35:13,600 --> 00:35:15,934
and the legends of
the djinn endure,
759
00:35:15,934 --> 00:35:18,233
Chand Baori's ancient ingenuity
760
00:35:18,233 --> 00:35:21,200
continues to stand
the test of time.
761
00:35:21,200 --> 00:35:26,234
- Today, India is turning
back to its ancient wisdom
762
00:35:27,401 --> 00:35:31,434
in order to tackle the
modern water crisis.
763
00:35:31,434 --> 00:35:35,000
- I think it is a
testimony to the ingenuity
764
00:35:35,000 --> 00:35:37,933
of the early designers
of these stepwells
765
00:35:37,933 --> 00:35:41,667
that they are now finding
purpose again today.
766
00:35:41,667 --> 00:35:43,367
In this period of
climate change,
767
00:35:43,367 --> 00:35:47,067
when we have increasing
drought conditions locally,
768
00:35:47,067 --> 00:35:49,833
stepwells are now
being put back to work
769
00:35:49,833 --> 00:35:53,034
because they are one of
the most efficient means
770
00:35:53,034 --> 00:35:56,234
of ensuring the survival
of the local population.
771
00:35:57,600 --> 00:36:00,434
- This revival of ancient wisdom
772
00:36:00,434 --> 00:36:02,434
is testament to the fact
773
00:36:02,434 --> 00:36:04,634
that these ancient stepwells
774
00:36:04,634 --> 00:36:07,634
are not only relics of the past,
775
00:36:07,634 --> 00:36:10,334
but potential answers
for the future.
776
00:36:12,600 --> 00:36:14,300
- [Narrator] As
with Chand Baori,
777
00:36:14,300 --> 00:36:16,800
the line between the
mystical and the physical
778
00:36:16,800 --> 00:36:20,467
blurs at a grand
cathedral in Paris.
779
00:36:20,467 --> 00:36:22,433
Legends whisper of gargoyles
780
00:36:22,433 --> 00:36:25,667
that protect the cathedral
from unseen threats,
781
00:36:25,667 --> 00:36:28,067
and tales of diabolical pacts
782
00:36:28,067 --> 00:36:30,801
that may have shaped
its very doors.
783
00:36:31,800 --> 00:36:34,834
Standing majestically
in the heart of Paris,
784
00:36:34,834 --> 00:36:36,600
Notre Dame Cathedral,
785
00:36:36,600 --> 00:36:38,901
completed in the
mid-13th century,
786
00:36:38,901 --> 00:36:42,300
has captivated visitors
for hundreds of years.
787
00:36:42,300 --> 00:36:44,667
- It stands as one
of the world's oldest
788
00:36:44,667 --> 00:36:47,067
and most renowned
Gothic cathedrals.
789
00:36:48,867 --> 00:36:52,000
- Notre Dame has
witnessed pivotal moments
790
00:36:52,000 --> 00:36:53,801
in French history,
791
00:36:53,801 --> 00:36:57,767
from the coronation
of Napoleon Bonaparte,
792
00:36:57,767 --> 00:37:01,167
to the beatification
of Joan of Arc.
793
00:37:01,167 --> 00:37:03,701
- [Narrator] The cathedral's
impressive dimensions,
794
00:37:03,701 --> 00:37:07,200
with towers reaching
69 meters into the sky,
795
00:37:07,200 --> 00:37:10,201
speak to the ambition
of its builders.
796
00:37:10,201 --> 00:37:14,033
- This was a cathedral
built through the financial
797
00:37:14,033 --> 00:37:18,200
and artisanal contributions
of the local population.
798
00:37:18,200 --> 00:37:22,167
It was intended
to be the largest,
799
00:37:22,167 --> 00:37:25,867
the most sophisticated
cathedral of its time.
800
00:37:25,867 --> 00:37:29,367
So it was to be a mark of
the greatness of Paris,
801
00:37:29,367 --> 00:37:31,233
as one of the largest
802
00:37:31,233 --> 00:37:34,301
and most economically
successful cities
803
00:37:34,301 --> 00:37:35,867
in Europe at the time.
804
00:37:35,867 --> 00:37:38,000
- [Narrator] But beneath
its Gothic splendor
805
00:37:38,000 --> 00:37:40,700
lie deep mysteries
of its construction.
806
00:37:40,700 --> 00:37:43,200
- It's not only the
scale that amazes,
807
00:37:43,200 --> 00:37:44,734
but the innovative techniques
808
00:37:44,734 --> 00:37:47,300
used to achieve such heights.
809
00:37:47,300 --> 00:37:48,901
- [Narrator] And the
structural mysteries
810
00:37:48,901 --> 00:37:50,300
are just the beginning.
811
00:37:50,300 --> 00:37:51,834
- Legend has it
that the gargoyles
812
00:37:51,834 --> 00:37:53,333
are the protectors
of the church.
813
00:37:53,333 --> 00:37:55,067
But are they
protecting the church
814
00:37:55,067 --> 00:37:58,834
against supernatural forces
or against earthly threats?
815
00:38:01,434 --> 00:38:04,134
- [Narrator] Beneath the
soaring arches of Notre Dame
816
00:38:04,134 --> 00:38:05,933
lies a secret that
stretches back
817
00:38:05,933 --> 00:38:08,201
to the very
foundations of Paris.
818
00:38:09,300 --> 00:38:12,967
- For generations,
pilgrims and tourists
819
00:38:12,967 --> 00:38:16,700
have marveled at the
Christian masterpiece
820
00:38:16,700 --> 00:38:19,567
that is the Notre Dame today.
821
00:38:19,567 --> 00:38:21,734
But few realize that the ground
822
00:38:21,734 --> 00:38:25,234
that touches their
feet holds clues
823
00:38:25,234 --> 00:38:30,267
to a much older,
grander, mysterious past.
824
00:38:31,600 --> 00:38:33,634
- They find stone structures
underneath Notre Dame
825
00:38:33,634 --> 00:38:36,233
that would predate
it by centuries.
826
00:38:36,233 --> 00:38:40,900
- In the 1700s, they
discovered that the church
827
00:38:40,900 --> 00:38:44,934
was built on the ruins of
an old Gallo-Roman temple
828
00:38:44,934 --> 00:38:49,767
to Jupiter, the king
of the Roman pantheon.
829
00:38:49,767 --> 00:38:51,101
- What does that tell us?
830
00:38:51,101 --> 00:38:52,400
Well, first of all,
that you have a temple
831
00:38:52,400 --> 00:38:54,600
to the most powerful
of the Roman gods,
832
00:38:54,600 --> 00:38:56,600
suggests that this place,
833
00:38:56,600 --> 00:38:58,134
the place where it's located,
834
00:38:58,134 --> 00:39:00,667
has long been a site
of cultic worship,
835
00:39:00,667 --> 00:39:03,334
and in particular,
a very sacred site.
836
00:39:03,334 --> 00:39:06,334
- This is evidence of
the site's long history
837
00:39:06,334 --> 00:39:07,934
as a place of worship.
838
00:39:07,934 --> 00:39:09,900
How did a pagan temple become
839
00:39:09,900 --> 00:39:12,834
one of Christianity's
most revered cathedrals?
840
00:39:14,134 --> 00:39:16,334
- [Narrator] The transformation
from pagan temple
841
00:39:16,334 --> 00:39:20,367
to Christian cathedral was
a centuries-long process.
842
00:39:20,367 --> 00:39:24,367
- As Christianity spreads
throughout Europe,
843
00:39:24,367 --> 00:39:28,867
the site undergoes a
radical metamorphosis.
844
00:39:29,834 --> 00:39:32,867
- Sacred sites tended
to remain sacred sites
845
00:39:32,867 --> 00:39:34,934
even when there was
a change in religion,
846
00:39:34,934 --> 00:39:37,767
and so the Christians didn't
seem to have a problem
847
00:39:37,767 --> 00:39:40,834
rededicating pagan holy sites
848
00:39:40,834 --> 00:39:43,501
and making them
Christian holy sites.
849
00:39:44,500 --> 00:39:46,600
- So we go from the pagan temple
850
00:39:46,600 --> 00:39:48,033
to an early Christian church,
851
00:39:48,033 --> 00:39:50,634
and that gets replaced by
another Christian church,
852
00:39:50,634 --> 00:39:52,834
but it stays in
a line of descent
853
00:39:52,834 --> 00:39:55,667
that eventually brings
us to Notre Dame.
854
00:39:55,667 --> 00:39:56,834
- [Narrator] Emerging
from the shadows
855
00:39:56,834 --> 00:39:58,700
of its pagan origins,
856
00:39:58,700 --> 00:40:01,100
Notre Dame Cathedral
has defied centuries
857
00:40:01,100 --> 00:40:03,834
of challenges and
natural disasters.
858
00:40:03,834 --> 00:40:05,933
What architectural secrets lie
859
00:40:05,933 --> 00:40:07,667
within its hallowed walls,
860
00:40:07,667 --> 00:40:09,301
enabling the Gothic structure
861
00:40:09,301 --> 00:40:12,834
to withstand the ravages
of time and nature?
862
00:40:13,667 --> 00:40:15,767
For centuries,
Notre Dame Cathedral
863
00:40:15,767 --> 00:40:18,967
has stood as a testament
to Gothic architecture.
864
00:40:18,967 --> 00:40:23,701
But in 2019, a devastating
fire engulfed the cathedral,
865
00:40:23,701 --> 00:40:27,134
destroying its roof
and iconic spire.
866
00:40:27,134 --> 00:40:31,501
- To see a structure like
this be impacted by the fire,
867
00:40:31,501 --> 00:40:34,700
it's a little heartbreaking
for a structural engineer.
868
00:40:34,700 --> 00:40:38,267
I remember we turned it on
at our office and watched it.
869
00:40:40,100 --> 00:40:41,767
- [Narrator] As
the smoke clears,
870
00:40:41,767 --> 00:40:43,800
archeologists and historians
871
00:40:43,800 --> 00:40:46,034
are given an
unprecedented opportunity
872
00:40:46,034 --> 00:40:49,101
to study the inner workings
of Notre Dame's structure.
873
00:40:50,500 --> 00:40:54,334
- What hidden resilience
did medieval builders embed
874
00:40:54,334 --> 00:40:57,501
within the very bones
of Notre Dame Cathedral?
875
00:40:59,000 --> 00:41:01,267
- [Narrator] One of the keys
to the cathedral's longevity
876
00:41:01,267 --> 00:41:03,567
could be the 30
flying buttresses
877
00:41:03,567 --> 00:41:06,434
that form its stone exoskeleton.
878
00:41:06,434 --> 00:41:09,167
- When we start building big
structures like Notre Dame
879
00:41:09,167 --> 00:41:12,100
with large, open indoor spaces,
880
00:41:12,100 --> 00:41:15,367
we end up with immense roof
structures that are very heavy.
881
00:41:15,367 --> 00:41:18,100
And the result forces
from those roof structures
882
00:41:18,100 --> 00:41:22,033
invariably want to cause
our walls to buckle outward.
883
00:41:22,033 --> 00:41:26,901
So we need to design systems
that support our walls.
884
00:41:27,567 --> 00:41:28,767
And with Notre Dame,
885
00:41:28,767 --> 00:41:30,167
that technology is
the flying buttress.
886
00:41:31,534 --> 00:41:33,067
- The walls are quite tall,
887
00:41:33,067 --> 00:41:34,701
so they're a little wobbly.
888
00:41:34,701 --> 00:41:36,700
You can imagine building
a wall out of Lego.
889
00:41:36,700 --> 00:41:38,167
At some point, it's
not very stable,
890
00:41:38,167 --> 00:41:40,333
you can't put another
brick on top of there.
891
00:41:40,333 --> 00:41:42,933
And so you need to
brace it horizontally.
892
00:41:42,933 --> 00:41:45,867
And that's where the
flying buttresses come in.
893
00:41:45,867 --> 00:41:48,700
They are lateral supports
at high up points
894
00:41:48,700 --> 00:41:50,700
that then take those
lateral forces out,
895
00:41:50,700 --> 00:41:53,167
and all the way down
into the ground.
896
00:41:53,167 --> 00:41:55,367
Also, when you have
an arched roof,
897
00:41:55,367 --> 00:41:59,033
that arch wants to thrust
out at its haunches.
898
00:41:59,033 --> 00:42:02,334
And so the arch itself is
imposing a horizontal force.
899
00:42:02,334 --> 00:42:04,334
That force goes into
the flying buttresses.
900
00:42:04,334 --> 00:42:06,933
So all these things
are tied together
901
00:42:06,933 --> 00:42:10,167
and they are integral
to that building.
902
00:42:10,167 --> 00:42:12,134
If you do not have
the flying buttresses,
903
00:42:12,134 --> 00:42:13,834
that building will collapse.
904
00:42:14,834 --> 00:42:18,167
It's amazing to see this
ancient engineering,
905
00:42:18,167 --> 00:42:20,301
and how they knew
this, and used arches,
906
00:42:20,301 --> 00:42:21,967
which are another
really strong shape
907
00:42:21,967 --> 00:42:23,701
in these flying buttresses
908
00:42:23,701 --> 00:42:27,167
to make them lighter
and functional.
909
00:42:27,167 --> 00:42:28,467
- [Narrator] As restoration work
910
00:42:28,467 --> 00:42:30,500
on the burned cathedral begins,
911
00:42:30,500 --> 00:42:33,934
a remarkable discovery is
made within its stonework,
912
00:42:33,934 --> 00:42:36,633
large iron staples are revealed,
913
00:42:36,633 --> 00:42:39,301
measuring up to 50
centimeters long.
914
00:42:39,301 --> 00:42:41,900
These staples found
throughout the cathedral
915
00:42:41,900 --> 00:42:45,267
bind stones together,
providing reinforcement
916
00:42:45,267 --> 00:42:49,300
that allows it to achieve its
impressive 35 meter height
917
00:42:49,300 --> 00:42:52,567
while maintaining a
light, slender appearance.
918
00:42:52,567 --> 00:42:54,100
But the true breakthrough comes
919
00:42:54,100 --> 00:42:57,067
when these iron
reinforcements are dated.
920
00:42:58,634 --> 00:43:03,067
Radiocarbon dating reveals
they originate from the 1160s,
921
00:43:03,067 --> 00:43:06,234
making Notre Dame the first
known Gothic cathedral
922
00:43:06,234 --> 00:43:09,367
to use iron extensively
throughout its structure,
923
00:43:09,367 --> 00:43:13,134
a feat not repeated
for about four decades.
924
00:43:13,134 --> 00:43:15,167
But these iron reinforcements
925
00:43:15,167 --> 00:43:17,534
aren't the only
metalwork hiding secrets
926
00:43:17,534 --> 00:43:20,000
in Notre Dame's walls.
927
00:43:20,000 --> 00:43:23,034
Adorning the massive western
doors of the cathedral
928
00:43:23,034 --> 00:43:25,200
is intricate ironwork,
929
00:43:25,200 --> 00:43:28,833
and with it, comes a legend
of devilish intrigue.
930
00:43:28,833 --> 00:43:30,567
- There's so many legends
931
00:43:30,567 --> 00:43:32,167
about the building
of Notre Dame,
932
00:43:32,167 --> 00:43:34,201
but there's one from
the 13th century
933
00:43:34,201 --> 00:43:37,800
about a young blacksmith
named Biscornet.
934
00:43:37,800 --> 00:43:40,400
According to legend, he
had been commissioned
935
00:43:40,400 --> 00:43:42,567
to complete the elaborate,
936
00:43:42,567 --> 00:43:45,134
ornate iron doors
for the cathedral.
937
00:43:45,134 --> 00:43:48,034
- [Narrator] But when the
completed doors are unveiled,
938
00:43:48,034 --> 00:43:50,033
people are astounded.
939
00:43:50,033 --> 00:43:53,034
- The level of craftsmanship
was unprecedented.
940
00:43:53,034 --> 00:43:56,700
The intricate details and
artistry are so advanced
941
00:43:56,700 --> 00:43:58,801
that it leaves
people in disbelief.
942
00:43:58,801 --> 00:44:01,567
- No one believes
it could be the work
943
00:44:01,567 --> 00:44:03,934
of a 13th-century blacksmith.
944
00:44:03,934 --> 00:44:07,034
- [Narrator] This leads
to wild speculation.
945
00:44:07,034 --> 00:44:09,434
Biscornet's work must
have been the result
946
00:44:09,434 --> 00:44:11,100
of a deal made with the devil.
947
00:44:11,100 --> 00:44:14,067
- Rumors begin to
circulate that Biscornet
948
00:44:14,067 --> 00:44:17,067
had been found in his
workshop unconscious,
949
00:44:17,067 --> 00:44:18,767
and that the iron doors
950
00:44:18,767 --> 00:44:21,467
had miraculously been
completed overnight.
951
00:44:23,100 --> 00:44:26,367
When it came time to open up
the doors, they were stuck.
952
00:44:26,367 --> 00:44:27,967
According to legend,
953
00:44:27,967 --> 00:44:30,867
it was only after the
application of holy water
954
00:44:30,867 --> 00:44:32,867
that they were
able to be opened.
955
00:44:32,867 --> 00:44:36,667
- Adding to the mystery,
Biscornet reportedly dies
956
00:44:36,667 --> 00:44:38,700
shortly after
completing the project.
957
00:44:38,700 --> 00:44:41,534
(dramatic music)
958
00:44:43,933 --> 00:44:45,467
- For people at the time,
959
00:44:45,467 --> 00:44:48,400
the battle between good and evil
960
00:44:48,400 --> 00:44:51,234
was a real live one.
961
00:44:51,234 --> 00:44:54,867
So actually, it wasn't a
huge leap of the imagination
962
00:44:54,867 --> 00:44:58,501
to believe that these
beautiful iron doors
963
00:44:58,501 --> 00:45:01,533
were inspired by the devil.
964
00:45:01,533 --> 00:45:02,834
The story comes out
965
00:45:02,834 --> 00:45:05,134
that it's supernatural
powers that did it.
966
00:45:05,134 --> 00:45:09,333
And yet the minds
of the people around
967
00:45:09,333 --> 00:45:12,833
turn to it not being
divine intervention,
968
00:45:12,833 --> 00:45:15,434
but instead to it
being the devil.
969
00:45:16,667 --> 00:45:19,034
- It's not surprising, in a way,
970
00:45:19,034 --> 00:45:21,134
that a church of this grandeur
971
00:45:21,934 --> 00:45:24,501
would attract demonic tales.
972
00:45:24,501 --> 00:45:28,967
It is constructed as a bastion
of the Christian faith,
973
00:45:28,967 --> 00:45:30,533
which means, of course,
974
00:45:30,533 --> 00:45:32,667
demons will want
to play with it,
975
00:45:32,667 --> 00:45:34,167
they will want to haunt it,
976
00:45:34,167 --> 00:45:36,867
they will want to torment
those who go there.
977
00:45:36,867 --> 00:45:38,133
So in that sense,
978
00:45:38,133 --> 00:45:40,334
the fact that it's
spiritually significant
979
00:45:40,334 --> 00:45:45,434
means that it will be a
obvious target of the demonic.
980
00:45:46,633 --> 00:45:47,867
- [Narrator] To this day,
981
00:45:47,867 --> 00:45:50,800
the legend of the
devil doors persists.
982
00:45:50,800 --> 00:45:54,167
- And interestingly,
modern blacksmiths
983
00:45:54,167 --> 00:45:59,167
can't actually explain how
those doors were constructed.
984
00:46:00,334 --> 00:46:01,867
- [Narrator] Whether
crafted by human hands
985
00:46:01,867 --> 00:46:03,933
or through more sinister means,
986
00:46:03,933 --> 00:46:06,867
the devil doors continue
to hold their secrets tight
987
00:46:06,867 --> 00:46:08,334
at ground level.
988
00:46:08,334 --> 00:46:10,234
But perched up above,
989
00:46:10,234 --> 00:46:14,234
Notre Dame's silent
sentinels stand watch.
990
00:46:14,234 --> 00:46:18,800
What ancient mysteries do these
grotesque figures conceal?
991
00:46:18,800 --> 00:46:21,767
- The gargoyles of
Notre Dame are iconic.
992
00:46:21,767 --> 00:46:23,100
They are monstrous,
993
00:46:23,100 --> 00:46:26,067
with bulging eyes
and sharp teeth.
994
00:46:26,067 --> 00:46:28,267
- As a visitor, you
arrive and you look up
995
00:46:28,267 --> 00:46:32,433
and you see these enormous
winged creatures perched,
996
00:46:32,433 --> 00:46:33,933
looking down at you,
997
00:46:33,933 --> 00:46:36,934
each with its own individual
personality and movement.
998
00:46:38,067 --> 00:46:40,367
- What's striking
about these gargoyles
999
00:46:40,367 --> 00:46:45,401
is the wide variety of design
in which they were made.
1000
00:46:46,400 --> 00:46:48,100
And yet, what unifies them
1001
00:46:48,100 --> 00:46:51,567
is their whimsical, fiendish,
1002
00:46:51,567 --> 00:46:53,867
almost devilish nature.
1003
00:46:53,867 --> 00:46:55,567
- These aren't just decorations.
1004
00:46:55,567 --> 00:46:57,700
These gargoyles have stood watch
1005
00:46:57,700 --> 00:46:59,434
over the cathedral
for centuries.
1006
00:47:01,500 --> 00:47:03,234
- There are a number of theories
1007
00:47:03,234 --> 00:47:05,667
about what they might
have been intended to do.
1008
00:47:05,667 --> 00:47:08,801
Perhaps the most popular one
is that they were protective,
1009
00:47:08,801 --> 00:47:11,934
that they were looking
over Notre Dame,
1010
00:47:11,934 --> 00:47:14,867
and its parishioners
with an eye out
1011
00:47:14,867 --> 00:47:18,867
to defeating any demons
that might be circling.
1012
00:47:18,867 --> 00:47:23,067
- Others see them as
representations of sin and vice,
1013
00:47:23,067 --> 00:47:26,801
lurking outside the
sanctity of the church.
1014
00:47:27,901 --> 00:47:29,133
- If you look beautiful,
1015
00:47:29,133 --> 00:47:31,767
people think you
can do no wrong,
1016
00:47:31,767 --> 00:47:33,000
that you are good,
1017
00:47:33,000 --> 00:47:34,767
that you're special
just by that looks.
1018
00:47:34,767 --> 00:47:37,300
And, therefore, the
flip side is also there.
1019
00:47:37,300 --> 00:47:39,900
If you look ugly, if
you look grotesque,
1020
00:47:39,900 --> 00:47:41,334
then you're a monster
and you're evil.
1021
00:47:41,334 --> 00:47:44,067
And that's why when we look
at these gargoyles now,
1022
00:47:44,067 --> 00:47:45,801
we see them as evil creatures.
1023
00:47:46,967 --> 00:47:50,067
- And there are so many
folklore and stories
1024
00:47:50,067 --> 00:47:51,900
associated with them.
1025
00:47:51,900 --> 00:47:55,434
One story goes that the
gargoyles come alive at night
1026
00:47:55,434 --> 00:47:57,134
and patrol the streets of Paris,
1027
00:47:57,134 --> 00:47:59,301
keeping us all safe from harm.
1028
00:48:00,334 --> 00:48:01,867
- Another tale suggests
1029
00:48:01,867 --> 00:48:05,967
that these gargoyles
aren't sculptures at all,
1030
00:48:05,967 --> 00:48:11,034
but monsters turned to stone
by the power of the church.
1031
00:48:12,367 --> 00:48:15,034
- [Narrator] The gargoyles
adorning Notre Dame today
1032
00:48:15,034 --> 00:48:19,834
are not medieval originals,
but 19th-century additions.
1033
00:48:19,834 --> 00:48:21,534
Many of the original gargoyles
1034
00:48:21,534 --> 00:48:24,300
fell victim to the French
Revolution's destruction
1035
00:48:24,300 --> 00:48:26,701
in the late 1700s.
1036
00:48:26,701 --> 00:48:29,201
Over the decades
following the Revolution,
1037
00:48:29,201 --> 00:48:31,900
the cathedral falls
into disrepair.
1038
00:48:31,900 --> 00:48:34,534
But it would receive
a new lease on life
1039
00:48:34,534 --> 00:48:35,867
thanks to French author,
1040
00:48:35,867 --> 00:48:40,134
Victor Hugo's 1831 novel
"Notre-Dame de Paris",
1041
00:48:40,134 --> 00:48:42,834
whose 1833 English translation
1042
00:48:42,834 --> 00:48:46,167
was known as "The
Hunchback of Notre Dame".
1043
00:48:46,167 --> 00:48:50,667
- Victor Hugo's novel
really raised the cathedral
1044
00:48:50,667 --> 00:48:52,700
in popular consciousness,
1045
00:48:52,700 --> 00:48:54,867
and led to a surge of interest
1046
00:48:54,867 --> 00:48:58,401
in restoring the cathedral
to its former glory.
1047
00:48:59,900 --> 00:49:01,367
- [Narrator] A renovation
under the guidance
1048
00:49:01,367 --> 00:49:04,300
of architect, Eugene
Viollet-le-Duc,
1049
00:49:04,300 --> 00:49:06,434
began in the 1840s,
1050
00:49:06,434 --> 00:49:08,534
and new gargoyles were crafted,
1051
00:49:08,534 --> 00:49:11,933
cementing Notre Dame's
status as a cultural icon,
1052
00:49:11,933 --> 00:49:14,467
and popularizing the
notion of gargoyles
1053
00:49:14,467 --> 00:49:16,633
as the cathedral's guardians.
1054
00:49:16,633 --> 00:49:18,633
But the true purpose
of these figures
1055
00:49:18,633 --> 00:49:22,633
is actually crucial
to the cathedral's
structural integrity.
1056
00:49:22,633 --> 00:49:26,101
- In reality, their function
is much more practical.
1057
00:49:26,101 --> 00:49:28,133
They serve as water spouts,
1058
00:49:28,133 --> 00:49:31,600
channeling rainwater away
from the building's walls
1059
00:49:31,600 --> 00:49:33,301
to prevent erosion.
1060
00:49:34,367 --> 00:49:36,100
- [Narrator] Following
the tragic fire
1061
00:49:36,100 --> 00:49:39,801
that swept through Notre Dame
Cathedral in April, 2019,
1062
00:49:39,801 --> 00:49:42,367
the gargoyles and grotesques
have come to embody
1063
00:49:42,367 --> 00:49:45,934
the enduring spirit of
this beloved landmark.
1064
00:49:46,967 --> 00:49:48,934
- When we think
about Notre Dame now,
1065
00:49:48,934 --> 00:49:51,267
and the fact that
it's now rebuilt,
1066
00:49:51,267 --> 00:49:55,467
it makes us realize that
monuments are not static.
1067
00:49:55,467 --> 00:49:58,467
They are constantly being remade
1068
00:49:58,467 --> 00:50:00,367
and repurposed and reused
1069
00:50:00,367 --> 00:50:02,767
by the cultures because
they cherish them,
1070
00:50:02,767 --> 00:50:05,801
because of their ties
to their historic past,
1071
00:50:05,801 --> 00:50:07,934
but also because
they're living spaces,
1072
00:50:07,934 --> 00:50:10,401
living histories, that are
still meaningful to them.
1073
00:50:13,434 --> 00:50:16,934
- [Narrator] The cathedral
reopened in December of 2024
1074
00:50:16,934 --> 00:50:19,634
after a nearly
five-year restoration,
1075
00:50:19,634 --> 00:50:21,867
that was not without
its challenges.
1076
00:50:21,867 --> 00:50:23,767
- Structures that
have caught on fire,
1077
00:50:23,767 --> 00:50:25,434
some of them aren't salvageable.
1078
00:50:25,434 --> 00:50:26,801
This one, though, being stone,
1079
00:50:26,801 --> 00:50:28,800
is far more salvageable
1080
00:50:28,800 --> 00:50:30,901
than a wood structure
would have been.
1081
00:50:30,901 --> 00:50:33,100
But in terms of the
tools and the know-how
1082
00:50:33,100 --> 00:50:34,700
and the knowledge,
and the ability
1083
00:50:34,700 --> 00:50:36,100
to rebuild something like this,
1084
00:50:36,100 --> 00:50:37,434
and not everybody can do that,
1085
00:50:37,434 --> 00:50:38,934
there's less and less people
1086
00:50:38,934 --> 00:50:41,901
who could build these
structures in a similar way,
1087
00:50:41,901 --> 00:50:44,200
with the expertise and
with the knowledge.
1088
00:50:44,200 --> 00:50:47,134
- While some have attributed
the marvels of Notre Dame
1089
00:50:47,134 --> 00:50:49,901
to supernatural evil forces,
1090
00:50:49,901 --> 00:50:52,600
the reality is that
Notre Dame represents
1091
00:50:52,600 --> 00:50:56,767
the pinnacle of human
ingenuity, skill, craftsmanship,
1092
00:50:56,767 --> 00:50:59,834
and the determination of
a people in their time.
1093
00:51:00,634 --> 00:51:02,701
The real magic of Notre Dame
1094
00:51:02,701 --> 00:51:04,867
is the medieval
craftsmen that made it.
1095
00:51:04,867 --> 00:51:07,867
(dramatic music)
1096
00:51:07,867 --> 00:51:10,100
- [Narrator] From the whispers
of otherworldly forces
1097
00:51:10,100 --> 00:51:14,467
at Sacsayhuaman, to the tales
of djinns at Chand Baori,
1098
00:51:14,467 --> 00:51:17,334
and the ominous devil
doors at Notre Dame,
1099
00:51:17,334 --> 00:51:19,833
the stories of these
architectural wonders
1100
00:51:19,833 --> 00:51:22,501
blur the line between
human achievement
1101
00:51:22,501 --> 00:51:24,267
and the supernatural.
1102
00:51:24,267 --> 00:51:27,333
While standing testament
to remarkable engineering,
1103
00:51:27,333 --> 00:51:31,000
they hint at forces
beyond our understanding.
1104
00:51:31,000 --> 00:51:32,367
What hidden truths
1105
00:51:32,367 --> 00:51:35,334
might these ancient
structures still hold,
1106
00:51:35,334 --> 00:51:38,600
waiting to be uncovered
by future generations?
1107
00:51:38,600 --> 00:51:41,367
(dramatic music)
1108
00:51:57,367 --> 00:52:00,901
(dramatic music continues)
88074
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