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These are the user uploaded subtitles that are being translated: 1 00:00:25,526 --> 00:00:28,610 [ Man Narrating ] IT WAS THE LATE '70s, AND EVERYBODY WAS IN THE MIDDLE OF IT-- 2 00:00:28,679 --> 00:00:33,048 OF THE RECESSION, THE MILE-LONG LINES AT THE STATION, THE HOSTAGE CRISIS IN IRAN. 3 00:00:34,919 --> 00:00:38,170 WHEN I LOOK BACK AT IT NOW, IT'S AMAZING I CAN REMEMBER ANY OF IT. 4 00:00:38,238 --> 00:00:43,308 IT FEELS LIKE SNAPSHOTS FROM SOMEONE ELSE'S LIFE, ALL CONNECTED BY ONE MAN. 5 00:00:49,066 --> 00:00:51,399 A GUY NAMED STEVE RUBELL HAD A DREAM-- 6 00:00:51,468 --> 00:00:54,352 TO THROW THE BEST DAMN PARTY THE WORLD HAD EVER SEEN, 7 00:00:54,421 --> 00:00:56,588 AND THEN MAKE IT LAST FOREVER. 8 00:00:56,657 --> 00:01:00,158 HE BUILT A WORLD WHERE FANTASY WAS OFFERED UP AS REALITY, 9 00:01:00,227 --> 00:01:03,595 WHERE AN 80-YEAR-OLD DISCO QUEEN COULD PLAY TILL DAWN, 10 00:01:03,664 --> 00:01:07,899 WHERE MODELS MINGLED WITH MECHANICS, PLUMBERS DANCED WITH PRINCES. 11 00:01:07,968 --> 00:01:11,836 IT WAS A PLACE WHERE ALL LABELS WERE LEFT BEHIND, 12 00:01:11,905 --> 00:01:14,473 A PLACE WHERE THERE WERE NO RULES. 13 00:01:16,610 --> 00:01:20,162 ♪ BABY, MY HEART IS FULL OF LOVE ♪ 14 00:01:20,230 --> 00:01:22,531 ♪ AND DESIRE FOR YOU ♪ 15 00:01:22,599 --> 00:01:26,334 ♪ NOW COME ON DOWN AND DO WHAT YOU GOT TO DO ♪ 16 00:01:26,403 --> 00:01:29,888 ♪ IT'S STARTED THIS FIRE DOWN IN MY SOUL ♪♪ 17 00:01:29,956 --> 00:01:34,325 [ Man ] IN 1979, I WAS 19 YEARS OLD AND I HAD NOTHING. 18 00:01:34,394 --> 00:01:37,262 NOW, MY DAD WOULD SAY I HAD MORE THAN HE DID AT MY AGE, BUT YOU KNOW WHAT ? 19 00:01:37,331 --> 00:01:40,399 TO ME, FILLIN' GAS TANKS AT A JERSEY CITY STATION, 20 00:01:40,467 --> 00:01:43,635 GOIN' TO THE SAME DINGY BAR WITH THE SAME GUYS, 21 00:01:43,703 --> 00:01:46,638 TRYIN' TO PICK UP ON THE SAME CHICKS WAS NOT TONS OF FUN. 22 00:01:46,690 --> 00:01:50,225 [ Groaning ] 23 00:01:55,832 --> 00:01:59,434 I CAN'T BELIEVE YOU CAME ALREADY. SORRY. 24 00:02:01,438 --> 00:02:03,572 I'M SORRY. 25 00:02:03,640 --> 00:02:07,942 IT'S JUST THAT-- LOOK AT YOU, YOU'RE SO-- 26 00:02:08,011 --> 00:02:11,546 Y-YOU WANT TO GO OUT TOMORROW ? I KNOW THIS PLACE WHERE THE PIZZA'S DYNAMITE-- 27 00:02:11,615 --> 00:02:13,014 [ Zipper Zipping ] 28 00:02:13,083 --> 00:02:17,051 WHAT ? I'M FROM MONTCLAIR, RIGHT ? 29 00:02:17,120 --> 00:02:20,488 AND YOU'RE FROM JERSEY CITY. YEAH 30 00:02:20,557 --> 00:02:24,226 SO, I DON'T GO OUT WITH GUYS FROM JERSEY CITY. 31 00:02:24,294 --> 00:02:26,494 OH. 32 00:02:27,914 --> 00:02:31,016 I KNEW THE REAL ESCAPE WAS RIGHT ACROSS THE RIVER. 33 00:02:31,084 --> 00:02:33,818 BUT I DIDN'T EVEN HAVE A CAR. 34 00:02:33,887 --> 00:02:37,789 EVEN THOUGH NEW YORK WAS THREE MILES AWAY, IT SEEMED LIKE ANOTHER WORLD. 35 00:02:37,858 --> 00:02:40,058 I'D BEEN THERE BEFORE WITH MY MOM. 36 00:02:40,127 --> 00:02:44,813 SHE DID MAKEUP FOR THIS TELEVISION SHOW AND TOOK ME TO WORK WITH HER A FEW TIMES. 37 00:02:44,882 --> 00:02:49,334 IT WAS INCREDIBLE. EVERYONE WANTED TO BE AROUND THE STARS. 38 00:02:49,403 --> 00:02:51,537 MY MOTHER ALWAYS TOLD ME I COULD BE ANYTHING I WANTED TO BE, 39 00:02:51,605 --> 00:02:53,605 AND I BELIEVED HER. 40 00:02:55,376 --> 00:02:57,709 MOM DIED WHEN I WAS 12. 41 00:02:59,547 --> 00:03:03,114 THIS WAS DAD. HIS IDEA OF THE GOOD LIFE... 42 00:03:03,184 --> 00:03:05,884 WAS A CAN OF SCHLITZ AND A JACK BENNY SPECIAL ON THE TUBE. 43 00:03:05,952 --> 00:03:09,188 I HAD TO BREAK OUT. 44 00:03:09,256 --> 00:03:11,856 I KNEW I HAD TO MAKE A CHANGE. 45 00:03:14,428 --> 00:03:16,895 ALL RIGHT, ALL RIGHT, ALL RIGHT ! 46 00:03:18,999 --> 00:03:20,999 MOVE OVER. [ Scoffs ] 47 00:03:21,068 --> 00:03:23,068 WHAT ? WHAT YOU LAUGHIN' AT ? 48 00:03:23,137 --> 00:03:25,137 WHAT'S WITH THE HAIR ? WHAT DO YOU GOT, THE NEW LOOK ? 49 00:03:25,205 --> 00:03:27,839 LOOK AT THIS GUY ! LOOK AT THIS GUY ! WHERE'S MY HAIR ? 50 00:03:27,908 --> 00:03:32,044 WHAT ARE YOU TALKIN' ABOUT ? [ Laughs ] YOU LOOK LIKE VIDAL SASSOON. 51 00:03:32,112 --> 00:03:35,113 IF YOU DON'T LOOK GOOD-- [ Together ] WE DON'T LOOK GOOD. 52 00:03:35,165 --> 00:03:39,200 ♪♪ [ Disco ] 53 00:03:50,046 --> 00:03:54,215 SHIT. I SHOULD HAVE BROUGHT ALONG MY BROTHER'S PLATFORMS. 54 00:03:54,284 --> 00:03:56,451 DO I LOOK SHORT ? NO, YOU LOOK ALL RIGHT. FIX YOUR COLLAR. 55 00:03:56,520 --> 00:03:58,586 I DON'T KNOW, MAN. 56 00:03:58,655 --> 00:04:02,023 YOU BETTER HAVE PUT ON NEW UNDERWEAR. GET THE FUCK OUTTA HERE ! 57 00:04:02,091 --> 00:04:04,091 HEY, YOU GUYS, YOU GUYS, YOU GUYS. 58 00:04:04,160 --> 00:04:08,229 BEFORE WE GO IN, CHECK IT OUT. 59 00:04:08,298 --> 00:04:10,482 OH, TAKE ME HOME BA-- WHO ARE THEY ? 60 00:04:10,551 --> 00:04:12,617 THAT ONE'S JULIE BLACK FROM ALL MY CHILDREN. SHE'S MY FUCKIN' DREAM GIRL. 61 00:04:12,686 --> 00:04:16,304 JULIE BLACK. SHE'S FROM ALPINE. MY AUNT DOES HER MA'S HAIR. 62 00:04:16,372 --> 00:04:18,339 SAW HER ONCE, TOO, HANGIN' OUT AT THE ALPINE INN. 63 00:04:18,408 --> 00:04:21,142 ALPINE INN ? WE SHOULD STAKE HER OUT. 64 00:04:21,211 --> 00:04:24,179 [ Scoffs ] WHERE WAS THIS TAKEN, ANYWAY ? 65 00:04:24,247 --> 00:04:26,414 54. 66 00:04:26,500 --> 00:04:29,300 YOU KNOW, STUDIO 54. AIN'T YOU NEVER HEARD OF IT ? 67 00:04:29,353 --> 00:04:31,285 THAT PLACE IS FULL OF FREAKS. AND GIRLS. 68 00:04:31,355 --> 00:04:33,287 AND FAGS. COME ON, YOU GUYS. 69 00:04:33,357 --> 00:04:37,992 LISTEN, YOU KNOW WHO WAS THERE LAST NIGHT ? JACQUELINE BISSET. 70 00:04:38,061 --> 00:04:40,528 YOU KNOW WHO SHE IS ? YEAH, I FUCKED HER. 71 00:04:40,597 --> 00:04:42,764 [ Laughs ] [ Laughs ] 72 00:04:42,833 --> 00:04:45,767 ALL RIGHT, YOU TURKEYS CAN STAY HERE AND ROT, FOR ALL I CARE, 73 00:04:45,836 --> 00:04:48,936 BUT I'M GONNA GO SEE IF I CAN GET A LOOK AT OLIVIA. 74 00:04:49,005 --> 00:04:50,839 [ Together ] OLIVIA NEWTON-JOHN ? 75 00:04:50,907 --> 00:04:52,674 OW-OOOH ! WE AIN'T THERE YET ? 76 00:04:52,743 --> 00:04:57,378 ♪ B-B-B-BABY, YOU JUST AIN'T SEEN NOTHIN' YET ♪ FUCK YOU, JERSEY ! 77 00:04:57,447 --> 00:05:01,282 ♪ HERE'S SOMETHIN' THAT YOU'RE NEVER GONNA FORGET ♪ 78 00:05:01,351 --> 00:05:05,169 ♪ B-B-B-B-BABY, YOU JUST AIN'T SEEN N-N-NOTHIN' YET ♪ [ Horns Honking ] 79 00:05:05,238 --> 00:05:07,521 ♪ LISTEN YOU AIN'T BEEN AROUND ♪ SHIT. 80 00:05:07,590 --> 00:05:09,675 WE'LL SAVE YOU A PLACE IN LINE. HEY, WAIT ! 81 00:05:09,743 --> 00:05:12,044 YOU M-- YOU GONNA LEAVE ME HERE WITH THESE FREAKS ? 82 00:05:12,112 --> 00:05:15,964 [ Horns Honking ] [ Chattering ] 83 00:05:16,050 --> 00:05:21,353 [ Crowd Clamoring ] ♪ B-B-B-B-BABY, YOU JUST AIN'T SEEN N-N-NOTHIN' YET ♪ 84 00:05:21,422 --> 00:05:24,539 ♪ HERE'S SOMETHIN' YOU'RE NEVER GONNA FORGET ♪ STEP BACK. 85 00:05:24,608 --> 00:05:28,927 ♪ YOU JUST AIN'T SEEN NOTHIN' YET ♪♪ [ Together ] HEY ! 86 00:05:28,996 --> 00:05:33,531 [ Shane Narrating ] A LOT OF PEOPLE THOUGHT THE DOOR WAS A BETTER SHOW THAN INSIDE. 87 00:05:33,584 --> 00:05:36,017 PEOPLE WOULD TRY ANYTHING TO GET IN. 88 00:05:36,086 --> 00:05:40,205 MARK WAS THE DOORMAN, BUT IT WAS STEVE RUBELL'S CLUB AND HIS DOOR. 89 00:05:40,273 --> 00:05:43,925 I CAN'T LET YOU IN HERE. YOU'RE WEARING AN ASCOT. YOU LOOK LIKE AN ASSHOLE. 90 00:05:43,994 --> 00:05:46,527 [ Both Laugh ] [ Shane ] HE WAS OUT IN FRONT EVERY NIGHT... 91 00:05:46,596 --> 00:05:48,663 MAKING SURE ONLY THE RIGHT PEOPLE GOT IN. 92 00:05:48,732 --> 00:05:50,731 NO. GO HOME. SORRY. NO. 93 00:05:50,800 --> 00:05:53,101 HEY, COME ON ! [ Steve ] OVER THERE. 94 00:05:57,907 --> 00:06:00,675 EXCUSE ME. HE JUST POINTED AT US. 95 00:06:00,761 --> 00:06:03,628 EXCUSE ME. WHOOO ! 96 00:06:03,697 --> 00:06:06,131 OKAY, JUST YOU. WHAT ? SAY WHAT ? 97 00:06:06,200 --> 00:06:08,299 JUST YOU, NOT HIM. 98 00:06:08,368 --> 00:06:10,335 LADIES-- HEY, MAN, HE'S MY FRIEND. YOU CAN'T-- 99 00:06:10,403 --> 00:06:13,921 GIRLS, PLEASE, STAND BACK, PLEASE. STEP BACK, PLEASE. 100 00:06:13,991 --> 00:06:16,241 STEP BACK. 101 00:06:16,309 --> 00:06:20,328 OH, MY GOD. DON'T BE A SPAZ, MAN. GO FOR IT. 102 00:06:20,396 --> 00:06:22,463 ALL RIGHT, BUT DON'T WAIT FOR ME. I'LL FIND MY WAY HOME. 103 00:06:22,532 --> 00:06:27,135 OKAY, YOU GUYS, COME ON. [ Whispers ] GO IN, GO IN. 104 00:06:27,203 --> 00:06:32,206 PLEASE. HEY ! GET YOUR FUCKIN' HANDS OFF ME, YOU JIVE-ASS TURKEY ! 105 00:06:33,843 --> 00:06:36,395 FUCKIN' GORILLA ! FUCK YOU ! SORRY, GUY. 106 00:06:36,463 --> 00:06:39,030 [ Woman ] STEVE ! HEY, STEVE ! WHAT ? 107 00:06:39,099 --> 00:06:41,767 NOT WITH THAT SHIRT. [ Scoffs ] 108 00:06:41,835 --> 00:06:44,602 HEY ! 109 00:06:44,671 --> 00:06:46,838 I SAID, NOT WITH THAT SHIRT. 110 00:06:48,809 --> 00:06:50,809 [ Man In Crowd ] THAT'S YOUR TICKET IN, MAN. 111 00:06:57,484 --> 00:07:00,585 [ Crowd Cheering ] 112 00:07:04,091 --> 00:07:06,858 [ Woman In Crowd ] YOU'RE HOT ! 113 00:07:06,927 --> 00:07:10,328 [ Man In Crowd ] THAT'S HOW YOU GET IN. WELCOME TO MY PARTY, HANDSOME. 114 00:07:12,232 --> 00:07:15,066 [ Friend ] GO FOR IT, SHANE ! 115 00:07:15,135 --> 00:07:19,203 [ Shane ] HE CHOSE ME. I'D NEVER BEEN CHOSEN FOR ANYTHING BEFORE. 116 00:07:19,272 --> 00:07:21,756 ♪♪ [ Music Playing In Distance ] 117 00:07:31,667 --> 00:07:34,185 YOU WANNA CHECK THAT BOD, SUGAR ? 118 00:07:34,254 --> 00:07:36,905 [ Giggles ] 119 00:07:49,920 --> 00:07:53,071 ♪♪ [ Disco ] 120 00:08:38,018 --> 00:08:40,352 [ Moaning ] 121 00:08:40,420 --> 00:08:44,422 ♪ OOH AAH ♪ 122 00:08:44,490 --> 00:08:49,527 [ Moaning ] 123 00:08:49,596 --> 00:08:57,385 ♪ OOH AAH ♪ ♪ KEEP ME DANCIN' ♪ 124 00:08:57,454 --> 00:09:05,076 ♪ FUNKY, FUNKY, FUNKY MUSIC MY BODY, MAKE IT FUNKY ♪ 125 00:09:05,144 --> 00:09:09,130 ♪ GOTTA FEELIN' LIKE I WANT TO FLY ♪ 126 00:09:09,198 --> 00:09:13,818 [ Moaning Continues ] 127 00:09:26,366 --> 00:09:30,251 [ Thunder Crashes, Music Stops ] MIRROR, MIRROR ON THE WALL. 128 00:09:30,320 --> 00:09:32,620 WHO'S THE FAIREST OF THEM ALL ? 129 00:09:32,688 --> 00:09:36,107 TRUMAN ? TRUMAN CAPOTE, WHERE ARE YOU ? 130 00:09:36,175 --> 00:09:39,811 HERE, SUGAR ! [ Laughs ] THERE YOU ARE. 131 00:09:39,880 --> 00:09:43,281 IN HONOR OF THE FANTASTIC NEW FACE LIFT, 132 00:09:43,349 --> 00:09:47,585 I THOUGHT I'D GET YOU A COUPLE OF THINGS. [ Chuckles ] 133 00:09:47,654 --> 00:09:52,056 [ Steve Chuckles ] [ Audience Laughing ] 134 00:10:00,000 --> 00:10:02,850 [ Chuckles ] 135 00:10:04,087 --> 00:10:07,855 AND-- AND TO MAKE SURE THAT THE LIFT STICKS, 136 00:10:07,924 --> 00:10:11,292 I THOUGHT WE SHOULD ALL "KNOCK ON WOOD." 137 00:10:11,361 --> 00:10:14,846 [ Explosion ] ♪♪ [ "Knock On Wood" ] 138 00:10:14,915 --> 00:10:17,748 ♪ AHH ♪ 139 00:10:19,435 --> 00:10:21,820 ♪ OOH-OOH ♪ 140 00:10:24,357 --> 00:10:26,524 ♪ MMMMM ♪ 141 00:10:26,592 --> 00:10:29,510 ♪ OH, YEAH, OH, YEAH ♪ 142 00:10:29,579 --> 00:10:32,880 ♪ OH ♪ 143 00:10:32,966 --> 00:10:35,066 ♪ I DON'T WANT TO LOSE ♪ 144 00:10:35,134 --> 00:10:39,220 ♪ THIS GOOD THING THAT I GOT ♪ 145 00:10:39,288 --> 00:10:41,672 ♪ 'CAUSE IF I DO ♪ 146 00:10:41,725 --> 00:10:43,724 ♪ I WOULD SURELY ♪ 147 00:10:43,793 --> 00:10:46,610 ♪ SURELY LOSE A LOT ♪ 148 00:10:46,679 --> 00:10:50,631 ♪ 'CAUSE YOUR LOVE IS BETTER ♪ 149 00:10:50,700 --> 00:10:52,967 ♪ THAN ANYTHING I KNOW ♪ 150 00:10:53,036 --> 00:10:57,739 ♪ IT'S LIKE THUNDER LIGHTNING ♪ 151 00:10:57,807 --> 00:11:00,341 ♪ THE WAY YOU LOVE ME IS FRIGHTENING ♪ 152 00:11:00,410 --> 00:11:04,328 ♪ I BETTER KNOCK ON WOOD ♪ 153 00:11:07,000 --> 00:11:10,568 ♪ SAID I BETTER KNOCK, KNOCK, KNOCK ON ♪ 154 00:11:10,636 --> 00:11:13,071 ♪ OH, BABY ♪ 155 00:11:13,139 --> 00:11:16,107 ♪ I BELIEVE I WILL ♪ 156 00:11:16,176 --> 00:11:17,859 ♪ I BELIEVE I WILL ♪ 157 00:11:17,927 --> 00:11:20,612 ♪ THINK I BETTER KNOCK KNOCK, KNOCK ON WOOD ♪ 158 00:11:20,680 --> 00:11:25,950 ♪ IT'S LIKE THUNDER LIGHTNING ♪ 159 00:11:26,019 --> 00:11:28,219 ♪ THE WAY YOU LOVE ME IS FRIGHTENING ♪ WHOOO ! 160 00:11:28,287 --> 00:11:31,188 ♪ YOU BETTER KNOCK, KNOCK KNOCK, KNOCK ♪ 161 00:11:31,257 --> 00:11:34,492 ♪ ON WOOD, YEAH, BABY ♪ 162 00:11:34,561 --> 00:11:38,095 ♪ OH, YEAH ♪ 163 00:11:38,148 --> 00:11:40,381 ♪ I BETTER KNOCK ON WOOD BABE ♪ 164 00:11:40,450 --> 00:11:45,236 ♪ I BELIEVE I WILL I BELIEVE I WILL ♪ 165 00:11:45,305 --> 00:11:47,972 ♪ KNOCK, KNOCK, KNOCK ON WOOD ♪ 166 00:11:48,041 --> 00:11:51,776 ♪ I BETTER KNOCK, KNOCK KNOCK ON WOOD ♪♪ 167 00:11:55,515 --> 00:11:57,648 WELL, THE THING ABOUT STARS IS, THEY'RE SHORT. 168 00:11:57,717 --> 00:11:59,650 YOU TALK TO ANY OF 'EM ? KIND OF. 169 00:11:59,719 --> 00:12:01,652 LIKE WHO ? WHO ? 170 00:12:01,721 --> 00:12:04,455 LIKE-- I DON'T KNOW, BUT YOU SHOULD HAVE SEEN ALL THE PHOTOGRAPHERS. 171 00:12:04,523 --> 00:12:06,958 I BET YOU I EVEN GOT IN ONE OF THEIR PICTURES. 172 00:12:07,026 --> 00:12:09,794 THINK FARRAH EVER GOES THERE ? MAYBE. 173 00:12:09,863 --> 00:12:11,863 AND LEE MAJORS ? PROBABLY. 174 00:12:11,931 --> 00:12:14,516 - WHAT ABOUT PRINCESS GRACE ? - SURE, I BET SHE GOES ALL THE TIME. 175 00:12:14,584 --> 00:12:17,118 REALLY ? MAYBE WE CAN TOUCH HER WHEN SHE GOES BY. 176 00:12:17,187 --> 00:12:19,603 AND WE'LL TELL HER THAT MOM NAMED US AFTER HER. [ Man ] HEY, KIDS ! 177 00:12:19,672 --> 00:12:21,505 HEY, DAD. 178 00:12:21,574 --> 00:12:26,177 - WHAT ? - HEY, DAD, CAN I BORROW THE KEYS TONIGHT ? 179 00:12:26,246 --> 00:12:28,913 WHAT FOR ? SHANE WAS IN THE CITY LAST NIGHT AND HE WANTS TO GO BACK. 180 00:12:28,982 --> 00:12:32,416 THE CITY ? YEAH, SHANE WAS JUST TELLING US... 181 00:12:32,485 --> 00:12:35,052 HOW HE WENT TO STUDIO 54 LAST NIGHT. 182 00:12:35,121 --> 00:12:38,522 STUDIO 54 ? THAT'S THAT BIG DISCO EVERYBODY'S TALKING ABOUT. 183 00:12:38,591 --> 00:12:41,025 WHERE ALL THE STARS GO. YEAH, DAD, YOU SHOULDA SEEN IT. 184 00:12:41,094 --> 00:12:43,394 HEY, I SAW A STAR ONCE-- BOB HOPE. 185 00:12:43,462 --> 00:12:46,264 DID YOU SEE HIM THERE ? [ Laughs ] 186 00:12:46,332 --> 00:12:49,717 THANKS FOR THE MEMORIES, DAD, BUT IT WASN'T A KOREAN WAR SHOW. 187 00:12:49,786 --> 00:12:51,886 YEAH. 188 00:13:00,497 --> 00:13:03,665 - WHAT ELSE, SHANE ? - WELL, I WENT UP INTO THE BALCONY. 189 00:13:03,733 --> 00:13:05,766 IT WAS PRETTY-- 190 00:13:09,272 --> 00:13:12,039 IT WAS PRETTY... DARK. 191 00:13:19,966 --> 00:13:22,199 [ Shouting ] 192 00:13:27,190 --> 00:13:29,190 [ Snoring ] 193 00:13:50,497 --> 00:13:53,764 THE GIRL WHO CUT MY HAIR HAD THIS BOYFRIEND WHOSE SISTER DID THE BOOKS FOR STEVE RUBELL... 194 00:13:53,833 --> 00:13:56,100 AND GOT ME AN INTERVIEW. 195 00:13:56,169 --> 00:14:01,739 STEVE RUBELL, A REGULAR BROOKLYN KID WHO GOT HIS START BY RUNNING A FEW STEAK HOUSES, 196 00:14:01,808 --> 00:14:03,741 WAS NOW ON TOP OF THE WORLD. 197 00:14:03,810 --> 00:14:06,243 HE'S RIGHT OUT THERE IN THE HALLWAY IF YOU WANT TO SEE HIM FOR YOURSELF. 198 00:14:06,312 --> 00:14:08,779 HE'S GORGEOUS ? HE'S GORGEOUS. LOOK FOR YOURSELF. 199 00:14:08,848 --> 00:14:11,148 [ Shane ] I WAS WARNED THAT STEVE DIDN'T HIRE ANY DUMMIES, 200 00:14:11,217 --> 00:14:14,719 AND I SHOULD BE ON MY TOES BECAUSE HE COULD ASK SOME REALLY TRICKY QUESTIONS. 201 00:14:14,787 --> 00:14:17,054 WHAT'S TWO PLUS TWO ? HUH ? 202 00:14:17,123 --> 00:14:20,591 YOU'LL BE FINE. YOU'RE RIGHT, HE'S GORGEOUS. 203 00:14:20,660 --> 00:14:23,528 COME ON IN. 204 00:14:23,596 --> 00:14:26,480 WHERE DO BAD LITTLE BARTENDERS GO IF THEY DON'T GO TO HELL FIRST ? 205 00:14:26,549 --> 00:14:29,684 [ All ] XENON. RIGHT. A FATE WORSE THAN DEATH. 206 00:14:29,753 --> 00:14:35,489 SO, AS OF TONIGHT, THE NEW BARTENDER WILL BE... 207 00:14:36,860 --> 00:14:39,994 RHETT. CHOICE. 208 00:14:40,063 --> 00:14:42,930 OH, AND WE GOT A NEW BUSBOY. HIS NAME IS SHANE. 209 00:14:42,999 --> 00:14:46,100 SHANE ! SHANE, COME HERE, COME HERE. 210 00:14:47,570 --> 00:14:50,571 [ Group Laughs ] [ Steve Chuckles ] 211 00:14:50,640 --> 00:14:53,274 COULDN'T FIND THE RIGHT SIZE. 212 00:14:53,342 --> 00:14:57,812 AND REMEMBER, IT'S YOU BOYS WHO ARE TRULY... 213 00:14:57,881 --> 00:14:59,964 NEW YORK'S FINEST. 214 00:15:01,100 --> 00:15:03,968 ONE CHABLIS. HEY, KID ! 215 00:15:06,239 --> 00:15:10,341 - CHABLIS. - SO, UH, WHAT'LL IT BE ? 216 00:15:11,544 --> 00:15:14,412 WHAT'LL IT BE ? [ Chuckles ] 217 00:15:14,480 --> 00:15:16,780 WHERE DID THEY GET YOU, ROCKY ? PHILADELPHIA ? 218 00:15:16,849 --> 00:15:18,950 NO TALKIN' TO THE ANIMALS, BUSBOY. 219 00:15:19,018 --> 00:15:21,218 HANG IN THERE, BABY. 220 00:15:24,223 --> 00:15:26,958 GREG, MAN, CAN YOU HELP ME PLEASE ? 221 00:15:27,026 --> 00:15:28,993 THIS IS HOW IT WORKS. 222 00:15:29,062 --> 00:15:31,495 KEEP THE BOTTLES AND THE GLASSES OFF THE DANCE FLOOR. 223 00:15:31,564 --> 00:15:34,632 NOW, REMEMBER, KEEP THE CHAMPAGNE COLD, AND KEEP IT FLOWING. 224 00:15:34,701 --> 00:15:36,667 YOU GOTTA PAY ATTENTION TO THE V.I.P. AREA. STEVE DOESN'T WANT 'EM... 225 00:15:36,720 --> 00:15:39,170 EVER TO HAVE TO POUR CHAMPAGNE THEMSELVES. 226 00:15:39,238 --> 00:15:41,538 NOW, LISTEN UP. 227 00:15:41,607 --> 00:15:44,475 AFTER EVERYBODY'S ALL GONE, YOU CHECK THE BANQUETTES. 228 00:15:44,543 --> 00:15:46,861 WE USUALLY FIND SOME PRETTY GOOD STUFF. 229 00:15:46,930 --> 00:15:49,496 IS THAT JULIE BLACK ? 230 00:15:49,566 --> 00:15:52,633 THINK SO. READY ? YEAH. 231 00:15:52,702 --> 00:15:56,037 [ Shane ] THERE SHE WAS-- JULIE BLACK. 232 00:15:56,105 --> 00:16:00,708 MAN, SHE LOOKED EVEN BETTER IN PERSON THAN ON TV. 233 00:16:00,777 --> 00:16:03,410 SHE WAS FROM JERSEY, TOO, AND SHE'D MADE IT. 234 00:16:08,785 --> 00:16:12,920 YOU KNOW, I REALLY GOTTA GET OUTTA HERE AND GET SOME SLEEP. 235 00:16:12,989 --> 00:16:16,457 STEVIE KNEW THAT WE HAVE NO ROYALTY IN THIS COUNTRY-- WE HAVE CELEBRITY. 236 00:16:16,525 --> 00:16:20,011 IF HE COULD PROVIDE THE OPPORTUNITY FOR REGULAR PEOPLE TO DANCE WITH THE FAMOUS, 237 00:16:20,080 --> 00:16:22,213 STUDIO WOULD BE ONE OF A KIND. 238 00:16:22,265 --> 00:16:25,016 AND I WAS SUCH A DUMB KID. I MEAN, ALL THESE FAMOUS PEOPLE, 239 00:16:25,085 --> 00:16:27,868 AND I DIDN'T KNOW WHO ANY OF THEM WERE, AND THEY'D ALL GO, 240 00:16:27,937 --> 00:16:31,989 "TRUMAN, OH, TRUMAN," AND I'D BE THINKIN', "WHO THE FUCK IS TRUMAN ?" 241 00:16:32,058 --> 00:16:34,992 HEY, FIORUCCI ! HOW ARE YOU ? 242 00:16:35,061 --> 00:16:37,628 YOU KNOW, I'M SUCH A BIG FAN OF YOURS. YOUR WINDOWS ARE GREAT. 243 00:16:37,697 --> 00:16:40,565 GRAZIE. THANK YOU. GREAT. 244 00:16:40,633 --> 00:16:44,168 [ Speaks In Italian ] 245 00:16:44,237 --> 00:16:47,638 YOU'RE SO ITALIAN AND ADORABLE, I WANNA EAT YOU WITH A SPOON. 246 00:16:48,841 --> 00:16:50,841 COME WITH ME. 247 00:17:04,023 --> 00:17:06,006 ♪ OH ♪ 248 00:17:36,105 --> 00:17:39,323 [ Moans ] 249 00:17:47,467 --> 00:17:49,700 YOU KNOW, I'D SAY IT WAS THIS BIG. 250 00:17:49,769 --> 00:17:51,536 OH, STOP. NO, AT LEAST. 251 00:17:51,604 --> 00:17:55,940 DID YOU GET HIS NUMBER ? IT AIN'T THE SIZE OF THE SHIP, IT'S THE MOTION OF THE OCEAN. 252 00:17:56,008 --> 00:17:58,242 DID YOUR MOTHER TEACH YOU THAT ? HIS FATHER. 253 00:17:58,311 --> 00:18:00,945 [ Group Laughs ] HE SOUNDS KINDA DEFENSIVE TO ME. 254 00:18:01,013 --> 00:18:03,381 HEY, I THINK WE'RE FREAKING THE NEW KID OUT. 255 00:18:03,450 --> 00:18:07,751 HEY, HOW'D YOU DO TONIGHT ? GOOD. I MADE QUITE A BIT, I THINK. 256 00:18:07,820 --> 00:18:12,290 HE DOESN'T MEAN THE TIPS. YOU WENT UP TO THE BALCONY WITH PATTI, HMM ? 257 00:18:12,358 --> 00:18:14,959 WORD GETS AROUND FAST, I GUESS. 258 00:18:15,027 --> 00:18:19,197 SO, DID SHE DO THE ACCENT ? UM, SO HOW WAS SHE ? 259 00:18:19,265 --> 00:18:22,233 REALLY GREAT, YOU KNOW. SHE'S A MODEL. 260 00:18:22,302 --> 00:18:24,969 REALLY ? HAVE WE SEEN HER IN ANYTHING ? 261 00:18:25,037 --> 00:18:28,772 - YEAH, VOGUE. FRENCH VOGUE. - [ Group Laughs ] 262 00:18:28,841 --> 00:18:30,841 YEAH, SHE TOLD ME COSMO. 263 00:18:30,910 --> 00:18:32,977 SHE TOLD ME WOMEN'S WEAR DAILY. HEY, LISTEN, 264 00:18:33,045 --> 00:18:34,979 I DON'T CARE IF IT WAS SEARS AND ROEBUCK. IT WAS HOT. 265 00:18:35,047 --> 00:18:39,250 SHE TOLD YOU WOMEN'S WEAR DAILY ? STOP ! 266 00:18:39,319 --> 00:18:41,352 OOH, I FEEL A FIGHT COMIN' ON. 267 00:18:41,421 --> 00:18:44,622 [ Greg ] NO, NO WAY, SISTER. 268 00:18:44,690 --> 00:18:47,091 - AND THE EXTRA PLATE. - [ Group ] YEAH. 269 00:18:47,160 --> 00:18:49,994 ALL RIGHT, COUGH IT UP. THERE WE GO. 270 00:18:50,062 --> 00:18:52,396 [ Greg ] HEY, DON'T TAKE ANYTHING UNTIL EVERYBODY PUTS THEIR STUFF DOWN. 271 00:18:54,200 --> 00:18:57,801 - DIDN'T YOU GET ANYTHING ? - OH, WAIT. 272 00:18:59,405 --> 00:19:03,707 - [ Group Murmurs ] - HELLO, FRIEND. 273 00:19:03,776 --> 00:19:07,578 [ Group Laughs ] 274 00:19:10,883 --> 00:19:13,851 [ Shane ] SOMETIMES YOU MEET PEOPLE, AND RIGHT AWAY THEY FEEL LIKE FAMILY. 275 00:19:13,903 --> 00:19:16,937 [ Shane ] YOU'RE KIDDIN' ME. NO. 276 00:19:17,006 --> 00:19:19,507 [ Shane ] THAT'S HOW IT WAS WITH GREG AND ANITA. 277 00:19:19,575 --> 00:19:22,410 SHE WANTED TO BE THE NEXT DONNA SUMMER. 278 00:19:22,478 --> 00:19:25,379 GREG WANTED TO GET AHEAD BUT WASN'T SURE HOW. 279 00:19:25,448 --> 00:19:27,815 OH, LOOKS LIKE YOUR WEDDING WAS DYNAMITE ! 280 00:19:27,884 --> 00:19:33,421 ♪♪ [ Soft ] OH, PUT THIS AWAY. 281 00:19:33,489 --> 00:19:37,725 THIS IS ANITA'S STUDIO. FAR OUT. 282 00:19:37,794 --> 00:19:40,528 - WHAT'S THIS ? - [ Anita ] OH, THESE ARE JUST FOR MOTIVATION, 283 00:19:40,596 --> 00:19:43,414 LIKE WHEN YOU PUT A PICTURE OF A FAT PERSON ON THE FRIDGE. 284 00:19:43,482 --> 00:19:46,016 SO PLAY ME SOMETHING. YEAH, SHE'S SO UNBELIEVABLE. 285 00:19:46,085 --> 00:19:49,186 HONEY, PLAY SOMETHING FOR HIM. OH, NO, NO, I'M REALLY TIRED. 286 00:19:49,255 --> 00:19:52,623 I'M REALLY, REALLY TIRED. I MEAN, I'VE BEEN SCREAMING ALL NIGHT. 287 00:19:55,361 --> 00:19:58,161 OKAY, I'LL PLAY SOMETHING SIMPLE. 288 00:20:00,783 --> 00:20:02,800 ♪♪ [ Latin Beat ] 289 00:20:08,090 --> 00:20:10,591 ♪♪ [ Sings In Spanish ] 290 00:20:38,037 --> 00:20:39,903 ♪♪ [ Stops ] I CAN'T DO THIS. 291 00:20:39,972 --> 00:20:42,289 THAT WAS EXCELLENT. 292 00:20:42,357 --> 00:20:45,276 NO, IT WASN'T. 293 00:20:46,679 --> 00:20:48,846 SHANE, FOLLOW ME. 294 00:20:55,938 --> 00:20:59,340 - THIS PLACE IS BAD, MAN. - YOU CAN JUST STAY AS LONG AS YOU WANT. 295 00:21:00,442 --> 00:21:03,244 - REALLY ? - MI CASA ES TU CASA. 296 00:21:03,312 --> 00:21:08,115 AND IN MI CASA, THERE ARE THREE BASIC FOOD GROUPS-- 297 00:21:08,184 --> 00:21:11,285 SOLIDS, LIQUIDS AND HOT SMOKE. 298 00:21:11,354 --> 00:21:14,338 ♪ OOH, YEAH ♪ 299 00:21:15,725 --> 00:21:18,292 ♪ I'M JUST A LOVE MACHINE ♪ 300 00:21:18,360 --> 00:21:20,661 ♪ AND I WON'T WORK FOR NOBODY BUT YOU ♪ 301 00:21:20,730 --> 00:21:24,881 WHAT WILL IT BE ? WHAT WILL IT BE ? ♪ I'M JUST A LOVE MACHINE ♪♪ 302 00:21:26,352 --> 00:21:28,819 CAN I HELP YOU ? 303 00:21:28,887 --> 00:21:30,854 YEAH. CAN I HELP YOU ? 304 00:21:30,923 --> 00:21:32,923 I AM LOOKING FOR AMERICAN FOXES... 305 00:21:32,992 --> 00:21:36,560 FOR THEIR BIG AMERICAN BREASTS. 306 00:21:36,628 --> 00:21:41,282 [ Shane ] I COULDN'T BELIEVE ALL THE SHIT GREG TOLD ME WAS GOING ON AT THE CLUB. 307 00:21:41,367 --> 00:21:44,901 BARTENDERS, THEY HAD IT MADE. DRUGS, SEX, CONNECTIONS, MONEY. 308 00:21:44,971 --> 00:21:48,472 THERE WAS AN ENDLESS SUPPLY COMING ACROSS THE BAR. 309 00:21:48,540 --> 00:21:50,507 GREG TOLD ME THAT HALFWAY THROUGH THE NIGHT, 310 00:21:50,576 --> 00:21:53,010 STEVE HAD THE BARTENDERS DUMP THE CASH, SEND IT DOWNSTAIRS... 311 00:21:53,079 --> 00:21:55,245 AND CHANGE THE TAPE IN THE REGISTERS. 312 00:21:55,314 --> 00:21:57,565 IT WAS A SKIM JOB STRAIGHT OUT OF A VEGAS CASINO, 313 00:21:57,633 --> 00:22:00,451 AND STEVE RUBELL WAS MAKING A FORTUNE OFF OF IT. 314 00:22:01,487 --> 00:22:03,854 GREG WAS ON GARBAGE DETAIL. ANTHONY ! 315 00:22:03,922 --> 00:22:07,557 HE'D TAKE IT OUT THE BACK DOOR AND GIVE IT TO THIS GUY ANTHONY HE CALLED THE GARBAGE MAN. 316 00:22:07,626 --> 00:22:09,593 [ Man ] HEY, PAISANO ! 317 00:22:09,661 --> 00:22:12,796 HOW YOU DOIN' ? [ Laughs ] I REALLY SCORED TONIGHT, DIDN'T I ? 318 00:22:12,865 --> 00:22:16,700 [ Shane ] GREG TOLD ME EVERYTHING. ALL RIGHT, COWGIRL. 319 00:22:16,768 --> 00:22:18,768 PUT THAT ON THERE. EASY, EASY. 320 00:22:18,837 --> 00:22:21,571 WHOA ! [ Laughs ] 321 00:22:21,640 --> 00:22:24,808 IS IT ALL THERE ? YEAH, COUNT IT. 322 00:22:24,877 --> 00:22:27,044 OH ! HOW MUCH THEY PAY YOU TO WAIT AROUND FOR ME ? 323 00:22:27,113 --> 00:22:29,513 ENOUGH. YEAH ? YOU'RE ITALIAN, RIGHT ? 324 00:22:29,581 --> 00:22:31,581 RIGHT ON. YEAH ? 325 00:22:31,650 --> 00:22:34,284 YOU EVER NEED TO INCREASE YOUR PAYCHECK, YOU COME TO ME. 326 00:22:34,353 --> 00:22:37,221 I GOT THE BEST PARTY FAVORS IN THE PLACE. 327 00:22:37,289 --> 00:22:39,689 ALL RIGHT ? YEAH. 328 00:22:41,693 --> 00:22:43,693 [ Grunts ] YEAH ! OOH ! 329 00:22:47,366 --> 00:22:50,200 YOU, UH-- GREG. 330 00:22:50,269 --> 00:22:52,302 TAKE IT. UH, BUT I HAVE TO-- 331 00:22:52,371 --> 00:22:54,938 GIVE IT TO HIM. 332 00:22:55,007 --> 00:22:57,674 COME ON ! YOU'VE-- YOU'VE... 333 00:22:57,743 --> 00:23:01,945 NEVER SEEN MY PALACE. [ Chuckles ] 334 00:23:11,374 --> 00:23:13,374 [ Mumbles Incoherently ] 335 00:23:16,279 --> 00:23:18,279 EMPTY IT. 336 00:23:21,817 --> 00:23:24,017 GO AHEAD, GO AHEAD. 337 00:23:37,733 --> 00:23:39,733 MMM. 338 00:23:49,245 --> 00:23:51,245 [ Sighs ] 339 00:23:52,881 --> 00:23:57,218 RHETT, THE BRAND NEW BARTENDER, QUIT. 340 00:23:58,654 --> 00:24:00,587 THINKS HE'S GONNA MODEL. 341 00:24:00,656 --> 00:24:03,791 REALLY ? YEAH. 342 00:24:03,859 --> 00:24:06,960 HE, UH, MET SCAVULLO, 343 00:24:07,046 --> 00:24:09,763 AND HE THINKS HE'S GOT IT MADE. [ Chuckles ] 344 00:24:09,832 --> 00:24:12,983 YOU'RE A HANDSOME GUY. 345 00:24:14,987 --> 00:24:18,472 BET YOU COULD MODEL IF YOU WERE A LITTLE TALLER. 346 00:24:21,226 --> 00:24:24,160 AHH. [ Mumbles ] 347 00:24:28,968 --> 00:24:31,201 [ Whispers ] NO. [ Exhales ] 348 00:24:31,269 --> 00:24:35,238 [ Steve ] IT'S A NEW WORLD OUT THERE. 349 00:24:35,307 --> 00:24:40,227 OLD LABELS AND PREJUDICES DON'T APPLY ANYMORE. 350 00:24:40,296 --> 00:24:42,246 RIGHT. RIGHT. 351 00:24:42,314 --> 00:24:47,585 YOU DO A SPECIAL JOB FOR US. IMPORTANT. 352 00:24:47,653 --> 00:24:52,489 BEFORE YOU I ONLY LET BARTENDERS DEAL WITH ANTHONY, 353 00:24:52,558 --> 00:24:54,925 BUT VIV TRUSTS YOU. 354 00:24:54,993 --> 00:24:59,463 IT'S A GOOD JOB. I TAKE IT SERIOUSLY. YEAH. 355 00:24:59,532 --> 00:25:03,534 SHE ALSO SAYS THAT YOU'RE MARRIED TO ANITA. YEAH. 356 00:25:03,602 --> 00:25:06,737 AND THAT YOU NEVER GO WITH THE OTHER BOYS. 357 00:25:06,806 --> 00:25:11,508 YEAH. I MEAN NO, I DON'T, UH-- I'M NOT GAY. 358 00:25:13,278 --> 00:25:16,713 - LABELS. - I'M SORRY, I FORGOT, MR. RUBELL. 359 00:25:16,782 --> 00:25:19,884 "MISTER." OH, I'M "MISTER," I'M "MISTER." 360 00:25:19,952 --> 00:25:21,886 [ Laughs ] I'M "MISTER." 361 00:25:21,954 --> 00:25:25,789 OH, THAT'S GOOD. 362 00:25:25,858 --> 00:25:29,442 WELL, YOU KNOW WHAT ? I'M NOT GAY EITHER. 363 00:25:31,196 --> 00:25:33,180 [ Sighs ] 364 00:25:36,052 --> 00:25:39,052 I WANT TO SUCK YOUR COCK. 365 00:25:40,423 --> 00:25:43,807 I'M MARRIED. 366 00:25:43,876 --> 00:25:47,244 NO ONE GETS MARRIED AT YOUR AGE, 367 00:25:47,313 --> 00:25:49,563 UNLESS THEY'RE TRYING TO PROVE SOMETHING. 368 00:25:52,184 --> 00:25:56,119 I HAVE TO GO. SORRY. OKAY ? 369 00:25:56,188 --> 00:25:59,923 BARTENDERS MAKE A LOT OF THIS. 370 00:26:02,194 --> 00:26:04,978 - I KNOW. - COME HERE. 371 00:26:08,634 --> 00:26:10,550 [ Whispers ] COME HERE. 372 00:26:31,157 --> 00:26:34,007 [ Chuckles ] 373 00:26:35,644 --> 00:26:38,312 I-- I CAN'T. I'M MARRIED, AND SHE'S WAITING. 374 00:26:38,380 --> 00:26:42,048 - YOU REALLY ARE THAT STRAIGHT. - I'M SORRY. 375 00:26:42,117 --> 00:26:46,236 NO, NO, NO, NO. I-- 376 00:26:46,305 --> 00:26:49,856 I RESPECT THAT. 377 00:26:49,925 --> 00:26:52,792 LET ME APOLOGIZE TO YOU. 378 00:26:52,861 --> 00:26:56,029 [ Vomits ] 379 00:27:09,695 --> 00:27:12,696 [ TV: Faint ] 380 00:27:19,939 --> 00:27:22,472 BYE, DAD. 381 00:27:22,541 --> 00:27:24,541 BYE. 382 00:27:31,383 --> 00:27:34,968 [ Door Closes ] 383 00:27:35,037 --> 00:27:37,037 [ Car Engine Starts ] 384 00:27:46,348 --> 00:27:51,050 LISTEN, GRACIE, I'M SORRY ABOUT LEAVIN' YOU AND KELLY LIKE THIS, 385 00:27:51,119 --> 00:27:53,520 BUT I SHOULD HAVE BEEN OUT OF THE HOUSE TWO YEARS AGO. 386 00:27:53,589 --> 00:27:56,089 NO SHIT, SHANE. 387 00:27:58,394 --> 00:28:01,595 ♪ JUST MOVE ON UP ♪ ♪ MOVE ON UP ♪ 388 00:28:01,664 --> 00:28:04,598 ♪ TOWARDS YOUR DESTINATION ♪ ♪ MOVE ON UP ♪ 389 00:28:04,667 --> 00:28:08,669 [ Singing Along With Radio ] ♪ THOUGH YOU MAY FIND FROM TIME TO TIME ♪ 390 00:28:08,737 --> 00:28:11,538 ♪ A COMPLICATION ♪♪ 391 00:28:11,607 --> 00:28:15,392 YES, WE WANT VARIETY. YES, YOU GOTTA TOSS THE SALAD. 392 00:28:15,460 --> 00:28:19,863 BUT NO, THAT DOESN'T MEAN LETTING WHORES AND YIDS IN LIKE LAST NIGHT. 393 00:28:19,932 --> 00:28:21,999 THEY WERE YOUR COUSINS, STEVIE. I DON'T CARE... 394 00:28:22,068 --> 00:28:25,602 IF IT WAS MY MOTHER AND MY FATHER, THEY LOOKED LIKE SHIT. 395 00:28:25,671 --> 00:28:29,073 OKAY, STEVIE. NO, NO, NO "OKAY, STEVIE," NO "COOL ITS," COME ON. 396 00:28:29,141 --> 00:28:31,141 FAMILY, MY ASS. LET'S GO. 397 00:28:31,210 --> 00:28:35,179 THESE FUCKERS ARE HOT. WHAT DO YOU THINK ? 398 00:28:35,247 --> 00:28:37,748 FABULOUS, LOVE. NOW GET OUTTA HERE. 399 00:28:37,817 --> 00:28:40,184 GET OUTTA HERE ! LET'S GO ! 400 00:28:41,687 --> 00:28:44,554 HEY, CAN I TALK TO YOU ABOUT MAYBE PUTTIN' SOMEBODY ON THE LIST ? 401 00:28:44,623 --> 00:28:46,757 NO, MAN, YOU HAVE TO TALK TO STEVE, 402 00:28:46,826 --> 00:28:50,160 AND HE'S BEEN WORKING 72 HOURS STRAIGHT, SO YOU TREAD LIGHTLY. 403 00:28:50,229 --> 00:28:52,495 [ Steve ] THE I.R.S. ? OH, PLEASE. 404 00:28:52,564 --> 00:28:55,765 EVEN THOUGH YOU PAY ME LIKE A CASHIER, I'M THE ACCOUNTANT IN THIS PLACE, 405 00:28:55,834 --> 00:28:57,801 AND IT'S ME WHO'S GOING TO GO DOWN WITH YOU IF YOU GET IT... 406 00:28:57,869 --> 00:29:00,137 BY BLABBING YOUR BIG MOUTH ALL OVER THE PLACE. 407 00:29:00,206 --> 00:29:05,409 DO ME A FAVOR. THROW OUT THAT NASTY WEED OF YOURS, BECAUSE PARANOIA'S SETTING IN. 408 00:29:05,478 --> 00:29:07,444 [ Sighs ] 409 00:29:07,496 --> 00:29:11,231 - HI. - HI. 410 00:29:11,300 --> 00:29:15,753 HOW'S THE NEW KID ? YOU NEED A LITTLE SOMETHING FOR THE NIGHT ? 411 00:29:18,323 --> 00:29:22,760 BUCK TELLS ME YOU'VE BEEN DOING A GOOD JOB. 412 00:29:24,529 --> 00:29:27,097 WHAT SIGN ARE YOU ? 413 00:29:27,166 --> 00:29:31,835 UH, CANCER. CANCER. GOOD PEOPLE, CANCERS. 414 00:29:31,904 --> 00:29:34,887 WHAT DO YOU THINK, VIV ? 415 00:29:34,956 --> 00:29:36,956 CRABS. [ Chuckles ] 416 00:29:37,025 --> 00:29:41,712 STEVE, UM-- I WANTED TO TALK TO YOU ABOUT, UH-- 417 00:29:42,748 --> 00:29:45,148 I GOT SOME FRIENDS, AND, UM... 418 00:29:45,217 --> 00:29:49,019 I WANTED TO FIND OUT ABOUT MAYBE PUTTING THEM ON THE LIST. 419 00:29:49,088 --> 00:29:51,154 DO THEY LOOK LIKE YOU ? 420 00:29:51,223 --> 00:29:56,459 - ONE'S MY COUSIN. - OKAY, LET ME EXPLAIN SOMETHING, KID, OKAY ? 421 00:29:56,528 --> 00:30:00,313 OKAY, ONCE A MONTH, THE NEPHEW OF THE KING OF SAUDI ARABIA... 422 00:30:00,382 --> 00:30:05,118 FLIES 7,000 MILES TO DANCE HERE FOR ONE NIGHT, ALL NIGHT, 423 00:30:05,187 --> 00:30:07,821 THEN GETS BACK ON HIS PLANE AT SUNRISE. 424 00:30:07,890 --> 00:30:11,992 HE TELLS ME IT'S THE ONLY PLACE ON EARTH THAT HE FEELS TOTALLY FREE. 425 00:30:12,061 --> 00:30:15,829 SO, NATURALLY, I-- WE... 426 00:30:15,898 --> 00:30:17,864 HAVE A RESPONSIBILITY. 427 00:30:17,933 --> 00:30:23,036 SO, I REPEAT, DO THEY LOOK LIKE YOU ? 428 00:30:24,806 --> 00:30:26,806 THEY'RE MY FRIENDS. 429 00:30:31,613 --> 00:30:34,614 FINE. I'LL PUT THEM ON THE LIST. 430 00:30:36,218 --> 00:30:38,751 BUT THEY BETTER LOOK LIKE YOU. 431 00:30:38,820 --> 00:30:40,087 [ Sighs ] 432 00:30:40,155 --> 00:30:44,091 THANKS. 433 00:30:49,331 --> 00:30:51,331 [ Sighs ] 434 00:31:02,911 --> 00:31:05,929 ♪ FLY, ROBIN, FLY ♪ [ Laughs ] 435 00:31:07,933 --> 00:31:10,767 ♪ FLY, ROBIN, FLY ♪ 436 00:31:11,770 --> 00:31:15,638 JULIE. ♪ FLY, ROBIN, FLY ♪ 437 00:31:15,707 --> 00:31:18,474 YOU'RE A MESS. COME HERE. ♪ UP, UP TO THE SKY ♪♪ 438 00:31:18,543 --> 00:31:20,543 I'M GONNA FIX YOU UP. 439 00:31:24,316 --> 00:31:26,917 HEY, DID YOU SLEEP WITH SOMEBODY TO GET YOUR JOB ? [ Scoffs ] 440 00:31:26,985 --> 00:31:29,452 MY JOB ? PLEASE. 441 00:31:31,689 --> 00:31:34,190 HERE WE GO. 442 00:31:37,129 --> 00:31:41,231 LISTEN, SHANE, YOU BETTER WATCH HOW MUCH YOU PARTY, OR YOU COULD GET FIRED. 443 00:31:41,300 --> 00:31:43,333 HERE. 444 00:31:43,402 --> 00:31:45,668 AH, I DON'T DO THAT CRUD. NOTHIN' UP THE NOSE. 445 00:31:45,737 --> 00:31:48,838 COME ON, YOU NEED A LITTLE EQUALIZER. [ Mumbles ] 446 00:31:48,907 --> 00:31:51,041 COME ON, YOU LOOK LIKE STEVIE. 447 00:31:59,651 --> 00:32:04,354 [ Sniffs ] THERE YOU GO. 448 00:32:04,423 --> 00:32:08,758 [ Crowd Clamoring ] [ Shane ] STEVE COULD BE A RAT BASTARD, NO QUESTION ABOUT IT. 449 00:32:08,827 --> 00:32:12,929 HE TOOK MY FRIENDS OFF THE LIST AS SOON AS I LEFT HIS OFFICE. 450 00:32:12,998 --> 00:32:15,198 LOOK AGAIN, MAN. 451 00:32:15,267 --> 00:32:18,034 SHANE INVITED US. SHANE O'SHEA, HE WORKS HERE. 452 00:32:18,103 --> 00:32:21,237 I TOLD THEM LATER THAT STEVE WAS ALWAYS PLAYING LITTLE GAMES LIKE THAT. 453 00:32:21,306 --> 00:32:23,739 JUST CRUEL. I NEVER FIGURED OUT WHY. 454 00:32:23,808 --> 00:32:26,609 I MEAN, WITH THE KIND OF POWER HE HAD, WHY PLAY GAMES ? 455 00:32:26,678 --> 00:32:28,644 EXCUSE ME. GET THE FUCK OUTTA MY WAY, PLEASE. 456 00:32:28,713 --> 00:32:33,333 HE WAS WEIRD THAT WAY. LIKE, SOME NIGHTS, HE'D KEEP THE CLUB ALMOST EMPTY. 457 00:32:33,401 --> 00:32:37,237 THERE COULD BE A THOUSAND PEOPLE OUT ON THE STREET, AND ONLY A HUNDRED INSIDE DANCING. 458 00:32:39,374 --> 00:32:42,109 SHANE, LOOK. IT'S BILLIE AUSTIN. 459 00:32:42,177 --> 00:32:45,846 BILLIE ? WHAT'S HER DEAL ? 460 00:32:45,914 --> 00:32:50,383 SHE KNOWS EVERYBODY. ESPECIALLY EVERYBODY IN THE MUSIC INDUSTRY. 461 00:32:50,452 --> 00:32:53,836 HELP ME OUT. SHE'S INTO COKE. YOU WANNA MEET HER ? 462 00:32:53,905 --> 00:32:55,872 ♪ YOU CAN GET IT GET IT, GIRL ♪ 463 00:32:55,940 --> 00:32:58,174 ♪ ANYTIME ♪ 464 00:32:58,243 --> 00:33:00,443 ♪ TONIGHT IS FINE ♪ 465 00:33:05,283 --> 00:33:09,652 ♪ YOU GOTTA PUSH IT TO ME, BABY ♪ ♪ PUSH IT TO ME, BABY ♪♪ 466 00:33:09,721 --> 00:33:12,372 [ Sniffs ] 467 00:33:12,440 --> 00:33:16,760 OH, THANKS. DIANA HELPED HERSELF TO THE LAST OF MY SNOW. 468 00:33:18,030 --> 00:33:21,264 UGH ! RECORDING ARTISTS. 469 00:33:21,332 --> 00:33:23,867 UH, YOU KNOW, ANITA'S A RECORDING ARTIST TOO. OH. 470 00:33:23,935 --> 00:33:27,270 WONDERFUL. WHAT LABEL ? 471 00:33:28,907 --> 00:33:32,108 WELL, I DON'T REALLY HAVE ONE YET. 472 00:33:32,177 --> 00:33:36,946 [ Sniffs ] OH. OH. 473 00:33:37,015 --> 00:33:40,750 WELL, SEND ME A TAPE. I'D LOVE TO HEAR IT. 474 00:33:40,802 --> 00:33:44,504 OH, THANK YOU ! THANK YOU, THANK YOU, THANK YOU ! 475 00:33:44,573 --> 00:33:47,641 AS A MATTER OF FACT, I THINK I HAVE A TAPE HERE WITH ME. 476 00:33:49,144 --> 00:33:51,344 YEAH, YEAH. HERE. 477 00:33:51,413 --> 00:33:54,314 THE RECORDING ISN'T THAT GREAT, YOU KNOW. 478 00:33:54,383 --> 00:33:56,483 THIS DOOBIE'S EXCELLENT. 479 00:33:56,551 --> 00:33:59,586 I JUST MADE IT WITH, LIKE, HOME EQUIPMENT, AND SO-- 480 00:33:59,655 --> 00:34:01,655 BYE. 481 00:34:02,791 --> 00:34:05,675 [ Screams ] ♪ I'M JUST A LOVE MACHINE ♪ 482 00:34:05,744 --> 00:34:08,578 ♪ I WON'T WORK FOR NOBODY BUT YOU ♪♪ 483 00:34:08,647 --> 00:34:11,347 THEY'RE CUTE. 484 00:34:11,417 --> 00:34:14,718 I JUST LOVE DISCOVERING... 485 00:34:16,755 --> 00:34:19,255 NEW TALENT. 486 00:34:22,194 --> 00:34:24,427 YOU HAVE THE BODY OF DAVID... 487 00:34:24,496 --> 00:34:28,865 AND THE FACE OF A BOTTICELLI. 488 00:34:28,934 --> 00:34:31,268 BOTTLE OF WHAT ? 489 00:34:31,336 --> 00:34:33,770 JUST SAY THANKS, DARLING. 490 00:34:34,873 --> 00:34:37,774 THANKS. 491 00:34:37,842 --> 00:34:42,279 [ Sighs ] IT'S REALLY FUNKY, BUT I DON'T KNOW IF IT'S ME. 492 00:34:42,347 --> 00:34:44,847 DARLING, I DON'T THINK YOU REALIZE WHAT IS YOU. 493 00:34:44,917 --> 00:34:48,885 I JUST WANT TO LOOK COOL WHEN I'M OUT, LIKE I'M A NEW YORKER. 494 00:34:48,954 --> 00:34:53,890 WHAT YOU ARE IS PART OF BILLIE'S BIG BANG THEORY. 495 00:34:53,959 --> 00:34:56,459 [ Shane ] BILLIE TAUGHT ME HOW THE WORLD WORKED. 496 00:34:56,528 --> 00:34:59,796 THAT I HAD THE POWER TO GET WHATEVER IT WAS I WANTED. 497 00:34:59,864 --> 00:35:02,548 [ Billie ] YES. OH, YES. 498 00:35:02,617 --> 00:35:06,486 [ Moans ] 499 00:35:06,554 --> 00:35:09,089 [ Shane ] RHETT-- WHEN DID HE QUIT ? 500 00:35:09,157 --> 00:35:11,557 TONIGHT. [ Moans ] 501 00:35:11,626 --> 00:35:14,694 I'M CRUSHED. HE WAS INCREDIBLE. 502 00:35:14,763 --> 00:35:18,798 [ Sighs ] 503 00:35:18,867 --> 00:35:22,735 WHOA ! COWBOY, EASY. EASY ! 504 00:35:24,273 --> 00:35:27,274 THERE... TRY THIS. 505 00:35:31,813 --> 00:35:34,180 [ Moans ] OHHH-- 506 00:35:35,683 --> 00:35:39,185 OOH, YOU LEARN FAST. 507 00:35:39,254 --> 00:35:44,490 [ Gasps ] I BET I COULD DO THAT JOB. 508 00:35:44,559 --> 00:35:46,893 SHOULD I TALK TO STEVIE FOR YOU ? 509 00:35:46,962 --> 00:35:50,130 [ Panting ] I DON'T KNOW. 510 00:35:50,198 --> 00:35:52,498 MY FRIEND'S BEEN WAITING FOR THAT JOB. 511 00:35:52,567 --> 00:35:55,268 DO YOU WANT IT ? 512 00:35:55,337 --> 00:35:57,804 YEAH, I WANT IT. 513 00:35:57,872 --> 00:36:00,540 WHAT WOULD YOU DO TO GET IT ? 514 00:36:02,677 --> 00:36:06,112 [ Gasps, Moans ] 515 00:36:09,451 --> 00:36:12,836 [ Whispers ] HEY. 516 00:36:42,701 --> 00:36:44,701 WHO IS IT ? 517 00:36:49,291 --> 00:36:51,825 THAT OUGHTA BE ILLEGAL. 518 00:37:25,493 --> 00:37:27,794 MAY I HELP YOU ? 519 00:37:31,082 --> 00:37:34,534 RHETT QUIT... 520 00:37:34,603 --> 00:37:38,537 THE JOB, AND I... YOU KNOW. 521 00:37:40,608 --> 00:37:43,142 LET ME GET THIS STRAIGHT. YOU WANT A JOB. 522 00:37:43,211 --> 00:37:45,411 SHOULDN'T I BE TAKIN' MY PANTS OFF ? 523 00:37:49,584 --> 00:37:52,002 [ Laughs ] 524 00:37:59,745 --> 00:38:02,178 [ Chuckles ] 525 00:38:03,348 --> 00:38:07,433 OF COURSE, EVERYONE KNOWS THAT RHETT IS HISTORY, 526 00:38:07,502 --> 00:38:10,736 AND SHANE WILL TAKE HIS PLACE. 527 00:38:10,805 --> 00:38:16,542 [ Shane ] LATER ON I LEARNED THAT BILLIE HAD SPOKEN TO STEVIE ABOUT MY PROMOTION. 528 00:38:16,611 --> 00:38:19,412 I HAVE TO ADMIT I FELT BAD FOR GREG. 529 00:38:20,715 --> 00:38:24,000 I NAME THEE "SHANE 54" ! [ Crowd ] WHOO-HOO ! 530 00:38:26,705 --> 00:38:28,922 [ Chuckles ] 531 00:38:28,990 --> 00:38:31,490 [ Group ] WHOO ! 532 00:38:39,935 --> 00:38:43,636 WE WERE BOTH RIGHT. HMM ? 533 00:38:43,704 --> 00:38:46,872 I'M TOO SHORT AND I DON'T SUCK COCK. 534 00:38:46,942 --> 00:38:50,876 WELL, THERE'S NOTHING YOU CAN DO ABOUT BEING SHORT. 535 00:38:50,946 --> 00:38:52,946 RIGHT. 536 00:38:54,249 --> 00:38:56,449 [ Laughs ] 537 00:38:59,754 --> 00:39:01,754 I'M GONNA MAKE US SOME REAL MONEY. 538 00:39:01,823 --> 00:39:03,873 I GOT OTHER IDEAS. 539 00:39:10,215 --> 00:39:12,949 HOW ABOUT THE BEST FUCK OF YOUR LIFETIME ? 540 00:39:13,018 --> 00:39:15,651 [ Chuckles ] 541 00:39:15,721 --> 00:39:18,921 ♪ I'VE GOT TO SAY I WANNA TAKE YOU ♪ 542 00:39:18,990 --> 00:39:22,592 ♪ BUT LIKE A THIEF IN THE NIGHT ♪♪ 543 00:39:22,660 --> 00:39:27,046 [ Shane ] SO I MADE IT. BARTENDING WAS THE BEST JOB IN THE WORLD. 544 00:39:27,115 --> 00:39:30,082 BUT FOR ME THE BIG THING WAS, WHEN YOU WERE A BARTENDER AT 54, 545 00:39:30,152 --> 00:39:33,602 EVERYBODY KNEW YOUR NAME. 546 00:39:33,655 --> 00:39:35,221 YOU WERE FAMOUS. 547 00:39:35,306 --> 00:39:38,491 COME ON, I WANT TO INTRODUCE YOU TO HIM. 548 00:39:40,128 --> 00:39:42,095 HE DOESN'T WANT TO BE PHOTOGRAPHED TONIGHT. 549 00:39:42,164 --> 00:39:45,865 HE DOESN'T WANT TO BE PHOTOGRAPHED, OKAY ? OKAY. THANK YOU. 550 00:39:45,934 --> 00:39:49,169 STEVE DIDN'T DRAW A LINE BETWEEN CUSTOMERS AND EMPLOYEES. 551 00:39:49,237 --> 00:39:51,504 BEFORE 54, MOST CLUBS WOULD HIDE THEIR HELP. 552 00:39:51,572 --> 00:39:55,074 NOT STEVE. HE FLAUNTED HIS. 553 00:39:57,979 --> 00:40:02,015 PEOPLE MADE SUCH A BIG DEAL ABOUT GETTING INTO 54, BUT THEY DIDN'T KNOW. 554 00:40:02,083 --> 00:40:05,701 BECAUSE ONCE YOU GOT INTO THE DOOR, YOU WANTED TO GET INTO THE DEEJAY'S BOOTH, 555 00:40:05,770 --> 00:40:07,770 OR THE OFFICE, WHERE THE BEST COKE WAS. 556 00:40:07,838 --> 00:40:09,905 COME ON. OR THE BALCONY, WHERE THE PEOPLE WERE GETTING LAID, 557 00:40:09,974 --> 00:40:12,975 OR THE BASEMENT, WHERE THE BIGGEST NAMES HUNG OUT. 558 00:40:14,145 --> 00:40:16,212 STEVE WAS SO FUCKING SMART. 559 00:40:16,281 --> 00:40:19,482 I MEAN, YOU'D HAVE TO BE SOME KIND OF A GENIUS TO TAKE A DIRTY, WET BASEMENT... 560 00:40:19,551 --> 00:40:23,786 AND TURN IT INTO A V.I.P. ROOM CELEBRITIES WOULD KILL TO GET INTO. 561 00:40:23,854 --> 00:40:25,854 THERE WAS ALWAYS ANOTHER DOOR. 562 00:40:25,923 --> 00:40:28,624 SHANE, DARLING, I GUESS YOU'VE FINALLY ARRIVED. 563 00:40:28,693 --> 00:40:31,977 HI, ANDY. HI, STEVE, HOW ARE YOU ? 564 00:40:32,046 --> 00:40:35,648 SHANE, SHANE, THIS IS ANDY. OH, HI. 565 00:40:37,185 --> 00:40:40,119 ANDY LOVES IT DOWN HERE, DON'T YOU ? DON'T YOU, ANDY ? 566 00:40:40,188 --> 00:40:42,288 OH, YEAH. IT'S GREAT. 567 00:40:42,357 --> 00:40:45,157 IT'S REALLY BROWN. [ Chuckles ] [ Chuckles ] 568 00:40:45,227 --> 00:40:47,727 ♪♪ [ Continues ] 569 00:40:50,165 --> 00:40:54,217 ♪ LET'S MAKE LOVE TO MY HEART ♪ ♪ DO IT, DO IT ♪ 570 00:40:54,285 --> 00:40:57,604 ♪ WHEN WE DO IT'S REALLY HARD TO PART ♪ ♪ LET'S DO IT ♪ 571 00:40:57,672 --> 00:41:02,208 ♪ COMBINE OUR MINDS THIS TIME ♪ ♪ LET'S DO IT ♪ 572 00:41:02,277 --> 00:41:05,745 ♪ QUITE SURE OUR LOVE WON'T GO BAD ♪ 573 00:41:05,813 --> 00:41:08,180 ♪ OOH-OOH-OOH-OOH ♪ 574 00:41:08,250 --> 00:41:12,352 ♪ STAY ♪ ♪ LET'S GET TO IT, DO IT ♪ 575 00:41:12,420 --> 00:41:16,489 ♪ OH, HOW YOU MAKE ME FEEL ♪ ♪ DO IT, DO IT ♪ 576 00:41:16,558 --> 00:41:18,725 ♪ STAY ♪ 577 00:41:18,793 --> 00:41:24,030 ♪ OH, IS IT REALLY REAL ♪ ♪ DO IT, DO IT ♪ 578 00:41:24,099 --> 00:41:26,099 ♪ STAY ♪ 579 00:41:28,769 --> 00:41:32,305 ♪ STAY ♪ ♪ DOO, DOO, DOO, DOO ♪ 580 00:41:32,373 --> 00:41:36,893 ♪ STAY ♪ ♪ DO IT, DO IT, DO IT, DO IT ♪ 581 00:41:36,962 --> 00:41:41,097 ♪ STAY ♪ ♪ DOO, DOO, DOO, DOO ♪ 582 00:41:41,165 --> 00:41:44,634 ♪ STAY ♪ ♪ LET GET TO IT, DO IT ♪♪ 583 00:41:44,703 --> 00:41:48,404 EVEN OUTSIDE THE CLUB, I WAS ALWAYS WORKIN' IT. 584 00:41:48,473 --> 00:41:50,640 GETTING AN ARTICLE PLACED IN INTERVIEW, 585 00:41:50,709 --> 00:41:53,692 MINGLING WITH THE RIGHT PEOPLE, 586 00:41:53,762 --> 00:41:55,862 RAISING MY PROFILE. 587 00:42:01,536 --> 00:42:06,038 IT WAS ALL COMING TOGETHER. I COULD ALMOST TASTE IT. 588 00:42:26,444 --> 00:42:29,612 BILLIE GOT ME AND ANITA AN INVITATION TO LIZ VANGELDER'S BECAUSE SHE KNEW... 589 00:42:29,680 --> 00:42:31,814 THERE'D BE SOME GREAT CONTACTS FOR US. 590 00:42:31,883 --> 00:42:34,450 HER DINNER PARTIES WERE A REALLY BIG DEAL. 591 00:42:34,519 --> 00:42:37,787 HI. I'M SHANE. THIS IS ANITA. WE'RE BILLIE'S FRIENDS. 592 00:42:37,856 --> 00:42:41,491 YES, OF COURSE. I'M LIZ VANGELDER. 593 00:42:41,542 --> 00:42:44,410 WELL, THE NIGHTLIFE HERE IS AMUSING ENOUGH, I SUPPOSE, 594 00:42:44,479 --> 00:42:50,216 BUT BELIEVE ME, NOTHING COMPARED WITH LONDON IN THE SWINGING '60s. 595 00:42:50,284 --> 00:42:53,152 [ Laughs ] [ Liz ] COME ON. WHERE'D YOU FIND THEM ? 596 00:42:53,221 --> 00:42:57,406 L'UNIVERSITE DE CINQUANTE-QUATRE. 597 00:42:57,475 --> 00:43:00,342 54. 598 00:43:00,411 --> 00:43:05,014 THE BARTENDER AT 54. OH, YOU SLY PUSS. 599 00:43:05,066 --> 00:43:07,799 [ Liz ] BRINGING THE BARTENDER TO TABLE. 600 00:43:07,868 --> 00:43:11,053 TSK. STEVE IS HOLDING AUDITIONS FOR A NEW YEAR'S ACT. 601 00:43:11,122 --> 00:43:15,691 A NEW NEW YEAR'S ACT. HE SAYS HE WANTS SOMETHING FRESH. 602 00:43:15,760 --> 00:43:18,628 AIN'T NOBODY AS FRESH AS ME. [ Chuckles ] 603 00:43:18,696 --> 00:43:21,631 I MIGHT EVEN HAVE A TAPE WITH ME, YOU KNOW, IN MY PURSE. 604 00:43:21,699 --> 00:43:23,633 REALLY ? YEAH. 605 00:43:23,701 --> 00:43:25,635 GOOD. I HAVE A TAPE DECK IN MY CAR. 606 00:43:25,703 --> 00:43:28,638 SO, HERE I WAS, PUTTING MY JERSEY MOVES ON PARK AVENUE. 607 00:43:28,706 --> 00:43:32,274 I REALLY BELIEVED I'D COME OUT OF THERE THAT NIGHT WITH SOME GOOD CONNECTIONS. 608 00:43:32,343 --> 00:43:37,112 YOU HAVE THE ESSENCE OF ERROL FLYNN. HMM ? 609 00:43:37,181 --> 00:43:40,950 INSTEAD, I SAW HOW FAR I HAD TO GO. 610 00:43:41,018 --> 00:43:44,386 - WHO ? - DARLING, YOU KNOW WHO ERROL FLYNN IS. 611 00:43:45,656 --> 00:43:50,460 - OH, YEAH. ARROW FLINT, RIGHT. - [ Laughs ] 612 00:43:52,613 --> 00:43:58,250 YOU KNOW, YOU ARE THE MOST GORGEOUS TROGLODYTE I HAVE EVER SEEN. 613 00:43:58,319 --> 00:44:00,986 THANKS. [ Laughs ] 614 00:44:07,578 --> 00:44:10,913 I DON'T KNOW WHO THE FUCK ARROW FLINT IS EITHER, 615 00:44:10,982 --> 00:44:13,182 BUT DON'T YOU KNOW WHAT A TROGLODYTE IS ? 616 00:44:13,251 --> 00:44:16,618 YEAH, IT'S LIKE A DIAMOND. 617 00:44:16,687 --> 00:44:20,639 NO, SHANE. A TROGLODYTE IS LIKE A CAVEMAN. 618 00:44:20,708 --> 00:44:23,342 HE CALLED YOU A CAVEMAN. 619 00:44:23,410 --> 00:44:26,511 AND THAT MAKES ME A CAVEWOMAN. 620 00:44:28,449 --> 00:44:31,934 [ Knock On Door ] [ Man ] ANITA, ARE YOU READY ? 621 00:44:34,038 --> 00:44:37,040 YEAH, IN A MINUTE. 622 00:44:37,108 --> 00:44:41,210 WHAT ARE YOU DOING ? HE'S GIVING ME A BREAK. 623 00:44:43,414 --> 00:44:46,515 AND, SHANE, LAY OFF. 624 00:45:07,822 --> 00:45:10,989 WHERE'S THE ARTICLE ? 625 00:45:19,584 --> 00:45:21,584 [ Knock On Door ] 626 00:45:26,558 --> 00:45:31,127 SEE ? IF YOU HAD LET ME BE INVOLVED IN THE PHOTO SHOOT, THIS WOULDN'T HAVE HAPPENED. 627 00:45:31,196 --> 00:45:33,662 YOU SHOULD HAVE KNOWN WITH A MAGAZINE LIKE THIS. 628 00:45:33,731 --> 00:45:35,732 ANITA, LAY OFF, PLEASE. 629 00:45:41,639 --> 00:45:45,157 COME ON. I KNOW HOW TO CHEER YOU UP. 630 00:45:45,226 --> 00:45:48,144 ♪♪ [ Disco ] [ Anita ] SO WE'RE GONNA START WITH THE HIPS. 631 00:45:48,212 --> 00:45:51,313 ONE, TWO, THREE, FOUR, ONE, TWO, THREE, FOUR-- 632 00:45:51,382 --> 00:45:55,818 [ Shane ] FOR EXTRA DOUGH, ANITA TAUGHT SUBURBANITES HOW TO DISCO DANCE. 633 00:45:55,887 --> 00:46:01,323 - WELL, SHE TRIED ANYWAY. - ONE, TWO, THREE, HIP, ONE, TWO, THREE, HIP, 634 00:46:01,392 --> 00:46:04,059 ONE, TWO, THREE, HIP, LET ME SEE IT ! 635 00:46:04,128 --> 00:46:06,896 SECOND THING WE'RE GONNA DO IS ATTITUDE. 636 00:46:06,964 --> 00:46:09,732 IF YOU WANT TO MAKE IT TO STUDIO 54, THE MOST IMPORTANT THING... 637 00:46:09,801 --> 00:46:12,835 IS THAT YOU HAVE TO HAVE THE RIGHT ATTITUDE, AND THE ATTITUDE IS IN THE FACE. 638 00:46:12,904 --> 00:46:17,239 SO WATCH ME. THIS IS A VERY SPECIAL STEP FOR ATTITUDE. 639 00:46:17,308 --> 00:46:20,676 ONE, TWO, THREE, FOUR, ONE, TWO, THREE, ATTITUDE ! 640 00:46:20,745 --> 00:46:24,079 ONE, TWO, THREE, ATTITUDE ! ONE, TWO, THREE-- 641 00:46:24,148 --> 00:46:27,066 GIVE ME SOME ATTITUDE ! 642 00:46:27,134 --> 00:46:29,168 WHAT KIND OF AN ATTITUDE IS THAT ? COME OVER HERE. 643 00:46:29,237 --> 00:46:33,138 GIVE ME SOME ATTITUDE ! SHOW ME ! SHOW ME YOUR STUFF ! 644 00:46:33,208 --> 00:46:36,709 ONE, TWO, THREE, WHOO ! ONE, TWO, THREE, WHOO ! 645 00:46:36,777 --> 00:46:42,014 STOP, TWO, THREE, WHOO ! ONE, TWO, THREE-- WHOO ! 646 00:46:42,083 --> 00:46:44,517 WHOO ! WHOO ! WHOO ! 647 00:46:44,586 --> 00:46:47,653 THINK TRAVOLTA. COME ON ! 648 00:46:47,722 --> 00:46:49,922 WHOO ! 649 00:46:49,990 --> 00:46:52,825 KEEP GOING, KEEP GOING. I'M GONNA GO FOR SOME INSPIRATION. 650 00:46:52,893 --> 00:46:56,479 PLEASE, SHANE, THIS KID NEEDS SOME INSPIRATION. 651 00:47:13,715 --> 00:47:15,848 HEY ! HEY ! 652 00:47:15,916 --> 00:47:19,652 KEEP YOUR HANDS OFF MY WIFE. NO SMOTHERING, GREGO. 653 00:47:19,721 --> 00:47:24,790 PARA USTED. OH, THANK YOU. I WAS SO HUNGRY. 654 00:47:24,859 --> 00:47:27,860 ARE YOU GONNA STAY FOR THE BUS STOP ? THAT SOUNDS GREAT, BUT... 655 00:47:27,928 --> 00:47:29,928 I GOT SOME BUSINESS OF MY OWN. 656 00:47:29,997 --> 00:47:32,531 GOTTA GO. 657 00:47:32,600 --> 00:47:34,667 HEY, SHANE, WHY DON'T YOU SHOW US HOW YOU DO YOUR SPLITS ? 658 00:47:34,736 --> 00:47:36,836 I'M NOT GONNA DO THAT. MARIO, YOU DO IT. 659 00:47:36,904 --> 00:47:39,204 ALL RIGHT-- OW ! [ Pants Rip ] SHANE ! 660 00:47:39,273 --> 00:47:41,707 I LEAVE YOU ALONE FOR ONE SECOND AND LOOK WHAT HAPPENS. 661 00:47:41,776 --> 00:47:44,943 ARE YOU ALL RIGHT ? DOES IT HURT ? JUST A LITTLE. 662 00:47:45,012 --> 00:47:48,347 DON'T MOVE. I'M GONNA GO GET SOME ICE. I'M SORRY ! 663 00:48:17,395 --> 00:48:20,596 LUDES, ANGEL DUST, 664 00:48:20,664 --> 00:48:22,631 AND THIS-- THIS IS MDA. 665 00:48:22,700 --> 00:48:27,036 THIS IS WHY THE STUDIO'S SUCH A GREAT PARTY. THIS MONTH, ANYHOW. 666 00:48:35,596 --> 00:48:38,597 ♪♪ [ Disco ] 667 00:48:42,436 --> 00:48:44,603 ♪ ROCKIN' DISCO MAN ♪ THANKS. 668 00:48:44,672 --> 00:48:46,805 ♪ HANGIN' OUT AT THE DISCOTHEQUE ♪ 669 00:48:46,874 --> 00:48:49,175 ♪ I BELIEVE IN THE BOOGIE ♪♪ 670 00:48:49,243 --> 00:48:52,077 YOU CAN DO IT TOO, MAN. ♪♪ [ Continues ] 671 00:48:52,146 --> 00:48:54,213 [ Laughs ] HEY, MIDGET, 672 00:48:54,299 --> 00:48:56,832 I HEAR YOU'VE GOT SOME CHOICE MDA. 673 00:48:56,901 --> 00:48:59,235 YEAH, 20 EACH. FOR YOU, 25. 674 00:48:59,304 --> 00:49:01,470 OH, EAT ME RAW, TOM THUMB. 675 00:49:01,539 --> 00:49:05,724 I NEVER PAY FOR MY DRUGS. AND I DON'T TAKE MEDICARE. 676 00:49:05,793 --> 00:49:09,161 OOH ! HA, HA, HA. 677 00:49:09,229 --> 00:49:12,548 SO TELL ME, HOW MUCH MONEY DOES THE CLUB PULL IN ? UM, 678 00:49:12,617 --> 00:49:16,419 [ Chuckles ] I'D SAY I-- WE MAKE... 679 00:49:16,487 --> 00:49:21,990 [ Whispers Inaudibly ] EVERY NIGHT. 680 00:49:22,059 --> 00:49:24,059 WHEW. [ Chuckles ] 681 00:49:24,128 --> 00:49:27,029 AND THAT WOULD BE BEFORE UNCLE SAM GETS HIS TEETH INTO IT. 682 00:49:27,097 --> 00:49:31,233 WELL, LET ME PUT IT THIS WAY-- WHAT THE I.R.S. DOESN'T KNOW WON'T HURT THEM. 683 00:49:31,302 --> 00:49:34,453 - [ Tape Rewinding ] - LET ME PUT IT THIS WAY-- 684 00:49:34,521 --> 00:49:37,422 WHAT THE I.R.S. DOESN'T KNOW WON'T HURT THEM. 685 00:49:37,491 --> 00:49:40,993 THE SECRET IS, IS THAT I'M KIND OF A PHILOSOPHER. 686 00:49:41,062 --> 00:49:42,995 CAN YOU BELIEVE THE NERVE OF THIS MAN ? [ TV: Rubell Continues ] 687 00:49:43,064 --> 00:49:46,198 HE DID MERV LAST WEEK, DICK CAVETT, AND NOW THIS. 688 00:49:46,266 --> 00:49:50,268 I UNDERSTAND THAT THE PATH OF EXCESS LEADS TO THE PALACE OF WISDOM. 689 00:49:50,337 --> 00:49:52,337 DO YOU EVER READ BLAKE ? I HAVE. 690 00:49:52,406 --> 00:49:55,273 YEAH, I LOVE BLAKE. THAT'S MY FAVORITE POET. 691 00:49:55,342 --> 00:49:57,309 TIGER, TIGER, BURNING BRIGHT. WE GOTTA GET TO SOMEBODY IN THAT PLACE. 692 00:49:57,377 --> 00:50:00,178 [ Chuckles ] THAT'S RIGHT. I LOVE THAT. 693 00:50:00,247 --> 00:50:02,481 MAY I KISS YOUR HAND ? 694 00:50:02,567 --> 00:50:05,834 YOU KNOW, I BEEN GOOD FOR A WHOLE WEEK NOW. 695 00:50:05,903 --> 00:50:11,606 YEAH ? WELL, KEEP BEING GOOD AND QUIT LOOKING AT ME LIKE THAT. 696 00:50:13,410 --> 00:50:15,510 I'M NOT LOOKING AT YOU. 697 00:50:15,579 --> 00:50:17,746 WHO'D WANT TO LOOK AT YOU ? 698 00:50:21,085 --> 00:50:23,318 [ Chuckles ] 699 00:50:28,225 --> 00:50:30,893 AY. 700 00:50:33,130 --> 00:50:35,497 HEY, GIMME THAT. 701 00:50:35,566 --> 00:50:38,433 STOP IT ! COME ON. I WANNA HELP. YOU GUYS DO EVERYTHING. 702 00:50:38,502 --> 00:50:41,036 NO ! [ Speaking Spanish ] ♪ LA-LA-LA-LA ♪ 703 00:50:41,105 --> 00:50:43,872 YOU TRYING TO TURN ME ON ? NO, I'M TRYING TO COOK. 704 00:50:43,941 --> 00:50:46,241 SAY THAT AGAIN. WHAT ? 705 00:50:46,310 --> 00:50:49,478 NO SALTY ME DAY AT THE CASINO. [ Laughs ] 706 00:50:52,683 --> 00:50:56,485 COME ON. LET ME GO. [ Footsteps Approaching ] 707 00:50:59,890 --> 00:51:02,524 OH, I WAS JUST AFTER THE SPOON. 708 00:51:04,695 --> 00:51:06,695 THE SPOON ? 709 00:51:10,617 --> 00:51:12,617 [ Crashing, Clattering ] 710 00:51:14,955 --> 00:51:17,255 YOU BASTARD ! 711 00:51:17,324 --> 00:51:19,291 YOU JEALOUS BASTARD ! 712 00:51:19,359 --> 00:51:21,293 YOU JEALOUS BASTARD ! 713 00:51:21,361 --> 00:51:24,429 [ Screaming In Spanish ] I DIDN'T EVEN DO ANYTHING ! 714 00:51:24,498 --> 00:51:26,631 RIGHT ! RIGHT ! 715 00:51:26,701 --> 00:51:30,535 I TOLD YOU NOTHING'S GOING ON. BULLSHIT ! 716 00:51:31,538 --> 00:51:36,175 GREG, BABY, YOU TALKING ABOUT SHANE. 717 00:51:36,243 --> 00:51:39,244 IT BE LIKE DOING IT WITH MY OWN BROTHER. HOW COULD YOU EVEN THINK ABOUT IT ? 718 00:51:39,313 --> 00:51:42,447 I CAUGHT YOU ! YOU ARE A JEALOUS MANIAC AND YOU'D BETER GET OVER IT... 719 00:51:42,516 --> 00:51:44,649 BECAUSE I'M NOT STICKING AROUND FOR MORE. 720 00:51:44,719 --> 00:51:48,653 YOU THREATENING ME ? I TOLD YOU BEFORE WE GOT MARRIED... 721 00:51:48,723 --> 00:51:51,223 THAT I WAS NOT YOUR SLAVE. 722 00:51:51,291 --> 00:51:54,793 NO SMOTHERING, GREGO, RIGHT ? RIGHT ? RIGHT. RIGHT ! 723 00:51:54,861 --> 00:51:57,646 WE HAD A DEAL. REMEMBER ? 724 00:52:10,694 --> 00:52:14,029 YOU'RE THE ONLY ONE I LOVE. 725 00:52:14,097 --> 00:52:19,301 YOU'RE MY BABY. [ Whispers ] YOU'RE MY POPI. 726 00:52:23,006 --> 00:52:25,707 [ Kisses Smacking ] 727 00:52:28,879 --> 00:52:32,148 [ Clothing Rustling, Panting ] 728 00:52:32,216 --> 00:52:36,452 [ Pleasurable Moans ] 729 00:52:59,577 --> 00:53:01,493 ♪♪ [ Disco ] 730 00:53:01,579 --> 00:53:03,078 ♪ DANCE ♪ 731 00:53:03,147 --> 00:53:06,031 ♪ DANCE, DANCE, DANCE ♪ 732 00:53:06,099 --> 00:53:08,684 ♪ PEOPLE DANCE, DANCE ♪ 733 00:53:08,752 --> 00:53:11,753 ♪ DANCE DANCE, DANCE ♪ 734 00:53:11,822 --> 00:53:14,990 HI ! HI. 735 00:53:15,059 --> 00:53:17,993 DO I-- SHANE. 736 00:53:18,062 --> 00:53:21,396 NICE TO MEET YOU, SHANE. LET'S GO, JULIE. 737 00:53:25,903 --> 00:53:28,320 NO TICKET, NO COAT. 738 00:53:28,388 --> 00:53:30,388 JUST LOOK FOR IT. 739 00:53:30,458 --> 00:53:32,958 DO YOU KNOW HOW MANY BLACK LEATHER JACKETS WITH POPPERS... 740 00:53:33,026 --> 00:53:35,861 AND A COCK RING IN THE LEFT POCKET WE GOT BACK HERE ? 741 00:53:35,930 --> 00:53:38,129 [ Goat Bleating ] 742 00:53:40,167 --> 00:53:42,935 ♪ YOWZA, YOWZA, YOWZA ♪ 743 00:53:43,004 --> 00:53:45,937 ♪ I WANNA BOOGIE WITH YOU ♪ 744 00:53:54,815 --> 00:53:57,582 YOU'RE KILLING ME ! LATER. 745 00:53:59,186 --> 00:54:01,320 HEY. 746 00:54:04,658 --> 00:54:06,791 - OHH ! - WHAT'S WRONG ? 747 00:54:06,860 --> 00:54:09,661 I STARTED TO TAKE A LEAK AND IT FELT LIKE RAZOR BLADES. 748 00:54:11,298 --> 00:54:13,865 UH-OH. WHAT ? 749 00:54:13,934 --> 00:54:15,934 HEY, DON'T TELL ME THAT'S YOUR FIRST. 750 00:54:16,003 --> 00:54:18,470 MY FIRST WHAT ? 751 00:54:18,539 --> 00:54:21,873 YOU GOT THE CLAP, MAN. 752 00:54:21,942 --> 00:54:25,277 SHIT. WAKE UP. 753 00:54:31,902 --> 00:54:34,102 PENICILLIN, HUH ? 754 00:54:36,373 --> 00:54:39,608 WE MUST BE NEIGHBORS. I LIVE JUST-- 755 00:54:39,677 --> 00:54:43,445 DON'T WORRY. YOUR SECRET IS SAFE WITH ME. 756 00:54:43,514 --> 00:54:45,514 SHANE O'SHEA. 757 00:54:45,582 --> 00:54:48,950 THANKS. 758 00:54:52,489 --> 00:54:54,523 SHIT. [ Sighs ] 759 00:54:59,379 --> 00:55:03,082 THANKS, DOTTIE. IT'S MONA. 760 00:55:03,150 --> 00:55:06,484 BUT THAT'S JUST BETWEEN YOU AND ME TOO, OKAY ? 761 00:55:06,553 --> 00:55:08,520 OKAY. 762 00:55:08,589 --> 00:55:13,726 GRANDMA, LOOK IT. OH, THAT'S BEAUTIFUL ! 763 00:55:14,795 --> 00:55:18,163 NOW, CAN YOU SAY HI TO SHANE ? 764 00:55:18,232 --> 00:55:21,934 - HI. - HI. 765 00:55:22,002 --> 00:55:26,955 SWEET MEAT, SWEET MEAT, GIVE DISCO DOTTIE HER FUNKY LITTLE TREAT. 766 00:55:27,024 --> 00:55:30,242 HEY, ATLANTA, WE NEED MORE CHAMPAGNE ON THE BANQUETTE. 767 00:55:30,310 --> 00:55:34,412 ANTHONY'S HAVING A COW. HE SAID WE WERE SHORT A THOUSAND THE OTHER NIGHT. 768 00:55:34,481 --> 00:55:36,532 YEAH ? YEAH. 769 00:55:36,600 --> 00:55:40,101 I GOT A FRIEND AT XENON WHO'LL PUT YOU TO WORK AND NOT BITCH ABOUT IT. 770 00:55:40,170 --> 00:55:44,205 HEY, WHY DON'T YOU GO DANCE, OKAY ? IT'S SLOWING DOWN OUT THERE. 771 00:55:44,274 --> 00:55:46,274 YEAH, THERE YOU GO. 772 00:55:48,646 --> 00:55:53,114 - WHAT ? - I'M LETTING YOU GO. YOU'RE FIRED. 773 00:55:53,184 --> 00:55:55,884 [ Chuckles ] YOU CAN'T FIRE ME. WHY WOULD YOU WANT TO ? 774 00:55:55,952 --> 00:55:58,620 YOUR STICKY LITTLE FINGERS. DIDN'T YOU THINK ANTHONY WOULD NOTICE ? 775 00:55:58,689 --> 00:56:03,058 - NOTICE WHAT ? - OH, YOU'RE EMBARRASSING YOURSELF. 776 00:56:03,126 --> 00:56:05,160 HERE. YOUR SEVERANCE. 777 00:56:09,667 --> 00:56:14,436 STEVIE, I'VE WORKED FOR YOU FOR TEN YEARS. 778 00:56:14,505 --> 00:56:16,505 I HELPED YOU GET YOUR FIRST STEAK HOUSE. 779 00:56:16,574 --> 00:56:20,842 YOU'VE BEEN HERE TOO LONG. YOUR-- YOUR-- 780 00:56:20,911 --> 00:56:23,779 YOUR PARANOIA IS GETTING TO ME. 781 00:56:23,831 --> 00:56:26,764 IF THERE'S MONEY MISSING, LOOK SOMEPLACE ELSE. 782 00:56:26,834 --> 00:56:31,303 ANTHONY'S HAVING A COW, OKAY ? AND SOMEBODY'S HEAD HAS TO ROLL. 783 00:56:31,371 --> 00:56:33,755 FUCK ! 784 00:56:46,703 --> 00:56:49,504 ♪ THROUGH THE YEARS ♪ 785 00:56:49,573 --> 00:56:53,675 ♪ WE ALL WILL BE TOGETHER ♪ 786 00:56:53,744 --> 00:57:00,449 ♪ IF THE FATES ALLOW ♪ 787 00:57:02,520 --> 00:57:06,688 ♪ HANG A SHINING STAR ♪ 788 00:57:06,757 --> 00:57:09,892 ♪ UPON THE HIGH ♪ 789 00:57:09,960 --> 00:57:14,596 ♪ THE HIGHEST BOUGH ♪ 790 00:57:17,968 --> 00:57:20,936 ♪ AND ♪ 791 00:57:21,004 --> 00:57:23,872 ♪ HAVE YOURSELF ♪ 792 00:57:23,941 --> 00:57:29,878 ♪ A MERRY LITTLE CHRISTMAS ♪ 793 00:57:31,215 --> 00:57:35,633 ♪ NOW ♪♪ 794 00:57:37,371 --> 00:57:42,040 [ Applause ] LADIES AND GENTLEMEN, A CHRISTMAS PRESENT... 795 00:57:42,109 --> 00:57:45,210 FROM ME TO YOU. 796 00:57:51,301 --> 00:57:56,571 EVERY NIGHT I THINK ABOUT STAYING HOME, BUT THEN I COME TO MY SENSES... 797 00:57:56,640 --> 00:58:00,241 AND GIVE MYSELF A GOOD KICK IN THE ASS. [ Laughs ] 798 00:58:00,310 --> 00:58:03,712 ♪ YOU LOOK PRETTY NEW YORK CITY GIRL ♪ 799 00:58:03,780 --> 00:58:05,914 ♪ YOU MIGHT BREAK MY HEART, BABY ♪ 800 00:58:05,983 --> 00:58:09,417 ♪ NEW YORK CITY GIRL ♪ 801 00:58:09,486 --> 00:58:13,321 ♪ YOU GREW UP ON THE SUBWAYS ♪ 802 00:58:13,390 --> 00:58:17,358 ♪ RIDING WITH PEOPLE UP IN HARLEM ♪♪ 803 00:58:17,427 --> 00:58:20,812 ♪♪ [ Continues, Indistinct ] 804 00:58:20,881 --> 00:58:23,649 MAN, LOOK AT THIS PIT. 805 00:58:24,652 --> 00:58:26,585 NICOTINE BREAK. 806 00:58:26,654 --> 00:58:28,587 RIGHT ON. 807 00:58:28,656 --> 00:58:31,189 THANK YOU. 808 00:58:31,258 --> 00:58:34,709 I THOUGHT THIS NIGHT WOULD NEVER END. 809 00:58:34,778 --> 00:58:36,711 THANK GOD IT'S CHRISTMAS. 810 00:58:36,780 --> 00:58:39,480 I CAN'T WAIT TO GET OUT OF HERE. 811 00:58:39,550 --> 00:58:41,482 YOU GOIN' HOME TOMORROW ? 812 00:58:41,552 --> 00:58:43,802 I DON'T THINK SO. 813 00:58:43,870 --> 00:58:46,371 I HAVEN'T TALKED TO MY DAD IN, LIKE, FOUR MONTHS. 814 00:58:48,075 --> 00:58:50,876 YOU KNOW, WHY DON'T YOU COME WITH ME AND ANITA TO HER MOTHER'S ? 815 00:58:50,944 --> 00:58:53,111 BE FUN. 816 00:58:54,764 --> 00:58:58,199 - THANKS. - YEAH. 817 00:58:58,268 --> 00:59:01,702 LET'S CLEAN THIS PLACE UP. LET'S GET OUTTA THIS HOLE. 818 00:59:01,771 --> 00:59:04,289 HEY, YOU HEAR, ROMEO'S QUITTIN' NEW YEAR'S EVE. 819 00:59:04,357 --> 00:59:06,658 IF YOU THINK I'M EVER GONNA GET THAT JOB, YOU'RE DREAMIN'. 820 00:59:06,727 --> 00:59:09,394 - HE'S NEVER GONNA PROMOTE ME. - HE MIGHT. 821 00:59:09,463 --> 00:59:11,463 LISTEN, I'LL TALK TO HIM. 822 00:59:12,933 --> 00:59:15,367 ALL RIGHT. ANYWAY, WHEN WE HAVE OUR OWN PLACE, 823 00:59:15,436 --> 00:59:17,369 WE'LL DO ALL OF THE HIRING, RIGHT ? 824 00:59:17,438 --> 00:59:19,438 YEAH, RIGHT. 825 00:59:21,642 --> 00:59:24,509 ALL RIGHT, I'LL MEET YOU DOWNSTAIRS WHEN YOU FINISH WITH THIS STUFF. 826 00:59:24,578 --> 00:59:26,511 SAY WHAT ? 827 00:59:26,580 --> 00:59:30,582 STEVE DOESN'T WANT ME TO DO ANY MORE OF THE BUSSING OR ANYTHING. 828 00:59:30,651 --> 00:59:32,584 ARE YOU FOR REAL ? 829 00:59:32,653 --> 00:59:35,053 WHAT ? 830 00:59:35,121 --> 00:59:37,055 YOU'RE GETTIN' SO CONCEITED. 831 00:59:37,123 --> 00:59:39,190 IT'S LIKE I DON'T EVEN KNOW WHO I'M TALKIN' TO ANYMORE. 832 00:59:39,259 --> 00:59:41,326 WHAT'S YOUR PROBLEM, MAN ? 833 00:59:41,395 --> 00:59:44,329 YOU POUR DRINKS, OR YOU HANG OUT WITH SOME HIGH-CLASS ASSHOLES... 834 00:59:44,398 --> 00:59:47,198 AND SUDDENLY YOU'RE SOME BIG STAR, YOU CAN'T GET YOUR HANDS DIRTY ? 835 00:59:47,267 --> 00:59:50,902 OH, LOOK AT YOU. DEALIN' MORE DRUGS THAN JOHNSON & JOHNSON. 836 00:59:50,971 --> 00:59:54,506 - HEY, THAT MONEY'S FOR ANITA'S STUDIO. - OH, I SEE. 837 00:59:54,575 --> 00:59:57,942 YOUR HEAD'S FILLIN' UP WITH SO MUCH SHIT YOU DON'T EVEN KNOW WHAT YOU'RE TALKIN' ABOUT. 838 00:59:58,011 --> 01:00:00,862 HEY, GREG, COOL IT, MAN. I'M YOUR FRIEND, ALL RIGHT ? 839 01:00:00,930 --> 01:00:05,600 - YEAH-- A FRIEND WHO'S TRYIN' TO SCOPE MY WIFE. - WHAT ARE YOU TALKING ABOUT ? 840 01:00:05,669 --> 01:00:07,902 SHE'S THE ONLY GIRL THIS SIDE OF FIFTH AVENUE YOU HAVEN'T BALLED. 841 01:00:07,971 --> 01:00:10,104 YOU DON'T KNOW WHAT YOU'RE TALKIN' ABOUT. FUCK YOU. 842 01:00:10,173 --> 01:00:12,708 SHANE 54. 843 01:00:15,212 --> 01:00:17,145 ♪♪ [ Disco ] 844 01:00:17,214 --> 01:00:21,533 [ Man ] ♪ WE'LL HEAR THE THUNDER ROAR ♪ ♪ FEEL THE LIGHTNIN' STRIKE ♪ 845 01:00:21,601 --> 01:00:24,302 ♪ I KNOW WE BOTH DECIDED TO MEET ♪ 846 01:00:24,371 --> 01:00:27,205 ♪ SAME TIME TONIGHT ♪ 847 01:00:27,274 --> 01:00:29,474 ♪ DIG ON IN THERE, BABY ♪ 848 01:00:29,543 --> 01:00:32,043 ♪ DIG ON IN THERE, DARLIN' ♪ 849 01:00:32,112 --> 01:00:34,112 ♪ I'M GONNA GIVE YOU MORE ♪ 850 01:00:34,181 --> 01:00:36,948 ♪ THAN YOU'VE EVER DREAMED POSSIBLE ♪ 851 01:00:37,016 --> 01:00:40,051 ♪ DON'T BE AFRAID, BABY ♪ 852 01:00:40,120 --> 01:00:42,053 ♪ OH, DARLIN' ♪ 853 01:00:42,122 --> 01:00:44,222 COME ON. LAY OFF. 854 01:00:44,291 --> 01:00:46,857 - LET'S GET OUT OF HERE. - [ Spanish ] 855 01:00:48,061 --> 01:00:51,262 FUCK OFF. I'M NOT YOUR SLAVE ! 856 01:00:51,331 --> 01:00:54,532 ♪ 'CAUSE THERE'S TRUE LOVE BETWEEN US NOW ♪ 857 01:00:55,702 --> 01:00:59,003 ♪ OH, SO LET US TOUCH THE GROUND ♪ 858 01:00:59,072 --> 01:01:01,772 ♪ AND LET IT ALL DISSOLVE ♪ 859 01:01:01,841 --> 01:01:03,908 ♪ OH, YEAH, WE'RE ALMOST THERE, DARLIN' ♪ 860 01:01:03,977 --> 01:01:07,078 ♪ WE'RE TRULY MAKING LOVE ♪ 861 01:01:07,147 --> 01:01:09,247 ♪ HANG ON IN THERE, BABY ♪ 862 01:01:09,316 --> 01:01:11,716 ♪ DON'T YOU LET ME DOWN ♪ 863 01:01:11,784 --> 01:01:14,018 ♪ PLEASE DON'T DESTROY ♪ 864 01:01:14,087 --> 01:01:16,187 ♪ THIS NEW JOY THAT WE'VE FOUND ♪♪ 865 01:01:16,256 --> 01:01:18,256 ♪♪ [ Continues, Indistinct ] 866 01:01:24,297 --> 01:01:26,831 YOU KNOW, I TOLD HIM BEFORE WE GOT MARRIED. 867 01:01:26,899 --> 01:01:30,101 I TOLD HIM WHAT THE DEAL WAS. I SAID, "I LOVE YOU, BUT I NEED TO BE FREE. 868 01:01:30,170 --> 01:01:35,406 I NEED TO HAVE FUN. MAYBE NOT FOREVER, BUT FOR NOW." 869 01:01:35,475 --> 01:01:41,579 AND HE SAID, "IT'S OKAY, WHATEVER YOU NEED. I WANT YOU TO BE FREE." 870 01:01:41,648 --> 01:01:47,619 MY ASS ! I COULD FUCKIN' KILL HIM WHEN HE GETS LIKE THAT. 871 01:01:54,894 --> 01:01:57,529 WHAT'S WRONG ? 872 01:02:24,991 --> 01:02:27,091 [ Panting ] OHH. 873 01:02:29,328 --> 01:02:32,931 [ Moaning ] [ Grunting ] 874 01:02:39,272 --> 01:02:42,707 SHANE-- SHANE, STOP. SHANE-- [ Moans ] 875 01:02:42,776 --> 01:02:46,243 LET HIM WATCH. IT'S HIS BATHROOM. 876 01:02:53,720 --> 01:02:56,788 [ Groans, Retches ] 877 01:03:11,221 --> 01:03:16,024 [ Man On Radio ] THE DOW JONES CONTINUED ITS SLIDE TODAY, BRINGING THE DROP TO 90 POINTS. 878 01:03:16,092 --> 01:03:18,076 THE NEWS FROM WASHINGTON-- 879 01:03:27,871 --> 01:03:30,939 HEY ! GOD, WHERE HAVE YOU BEEN ? 880 01:03:31,007 --> 01:03:34,675 IT'S GREAT TO SEE YOU, GRACIE ! THOSE FOR US ? 881 01:03:34,744 --> 01:03:37,678 WHOA ! TINSEL TEETH ! THANKS TO YOU. 882 01:03:37,747 --> 01:03:40,281 I SHOULDN'T HAVE TOOK YOUR MONEY. LET'S GO IN. I'M FREEZING. 883 01:03:40,350 --> 01:03:45,503 WHOA, NICE CAR ! IS IT YOURS ? I'M FAMOUS, YOU KNOW. 884 01:03:45,572 --> 01:03:48,890 YEAH, I KNOW. WE SAW YOU IN THE PAPER, DANCIN' WITH SOME OLD LADY. 885 01:03:48,959 --> 01:03:52,227 AND I READ THAT PRINCESS GRACE SHOWED UP THERE TOO. 886 01:03:52,295 --> 01:03:55,863 DID YOU TELL HER ABOUT US ? I WAS OFF THAT NIGHT. 887 01:03:55,932 --> 01:03:59,200 OH. COME ON. I'M STARVED. 888 01:03:59,269 --> 01:04:02,553 WHY DON'T WE GO FOR A RIDE ? NO ONE'S HOME, ANYWAY. WHAT ? 889 01:04:02,623 --> 01:04:04,939 THEY-- THEY WENT TO AUNT MARY'S. 890 01:04:13,066 --> 01:04:17,369 RICKO'S AUNT GOT INTO THE STUDIO AND SHE TOLD DAD SHE SAW YOU PUTTING SOMETHIN' UP YOUR NOSE. 891 01:04:17,437 --> 01:04:20,355 SHE'S SUCH A LIAR ! RIGHT ? 892 01:04:20,423 --> 01:04:23,358 HEY, MAYBE YOU CAN COME IN AFTER I TALK 'EM INTO IT. 893 01:04:23,426 --> 01:04:26,294 NO, THANKS ! BUT-- BUT, SHANE ! 894 01:04:42,245 --> 01:04:44,445 DON'T MAKE HIM RIGHT ABOUT YOU, SHANE. 895 01:04:44,514 --> 01:04:47,282 THERE'S NOTHIN' WRONG WITH THIS STUFF, GRACIE. 896 01:04:47,350 --> 01:04:50,084 HE DRINKS. IT'S THE SAME THING. GOOD. 897 01:04:50,153 --> 01:04:52,153 I WANNA TRY ONE OF THESE. 898 01:05:25,188 --> 01:05:28,456 [ Shane ] IN THE MORNING, I WENT TO BREAKFAST AT THE ALPINE INN, 899 01:05:28,525 --> 01:05:32,493 LIKE WE USED TO THE DAY AFTER CHRISTMAS WHEN MOM WAS ALIVE. 900 01:05:33,479 --> 01:05:35,813 COULD I GET A CAPPUCCINO, PLEASE ? 901 01:05:35,882 --> 01:05:38,849 EXCUSE ME ? [ Woman Laughing ] 902 01:05:42,289 --> 01:05:44,222 WRONG SIDE OF THE RIVER. 903 01:05:44,291 --> 01:05:46,857 HEY ! SHH ! 904 01:05:46,927 --> 01:05:49,860 [ Whispers ] HI ! 905 01:05:49,930 --> 01:05:52,897 I'M SHANE. WE MET AT THE-- YEAH. I KNOW WHO YOU ARE. 906 01:05:54,767 --> 01:05:58,303 UH, WOULD YOU MIND-- COULD I-- 907 01:05:59,639 --> 01:06:01,639 SURE. 908 01:06:14,020 --> 01:06:17,488 UH, WHAT ARE YOU DOIN' OUT HERE ? 909 01:06:17,557 --> 01:06:21,159 SPENDING THE WEEK WITH MY PARENTS. [ Laughing ] 910 01:06:21,227 --> 01:06:24,195 YEAH. YOU LOOK LIKE YOU CRAWLED OUT FROM UNDER A ROCK. 911 01:06:24,264 --> 01:06:26,564 [ Sighs ] WELL. 912 01:06:26,632 --> 01:06:29,033 IT HASN'T BEEN THE GREATEST HOMECOMING. 913 01:06:29,102 --> 01:06:31,069 I SEE. 914 01:06:31,137 --> 01:06:34,172 HEY, WAITRESS ! TWO CUPS OF COFFEE, PLEASE. 915 01:06:34,240 --> 01:06:36,240 WHEN IN ROME. 916 01:06:42,582 --> 01:06:44,515 IT'S A WHOLE 'NOTHER WORLD, HUH ? 917 01:06:44,584 --> 01:06:47,352 YOU'LL LEARN. TWO LANGUAGES, TWO SETS OF CLOTHES, 918 01:06:47,420 --> 01:06:49,854 TWO SETS OF FRIENDS. 919 01:06:49,922 --> 01:06:51,889 YOU KEPT YOUR FRIENDS OUT HERE ? WELL, NO. 920 01:06:51,958 --> 01:06:53,958 ACTUALLY, THE CLOTHES WERE A LOT EASIER. 921 01:06:55,828 --> 01:07:00,764 [ Sighs ] IT'S INSANE, ISN'T IT ? 922 01:07:00,833 --> 01:07:04,068 I MEAN, MANHATTAN IS A WHOLE 'NOTHER PROBLEM. UP ONE MINUTE, DOWN THE NEXT. 923 01:07:04,137 --> 01:07:07,771 - THE STORY OF MY LIFE, ONE THOUSAND PERCENT. - TWO THOUSAND PERCENT. 924 01:07:16,449 --> 01:07:19,450 YOU KNOW, I'VE HAD SO MUCH COFFEE, I'M READY TO TAKE FLIGHT. 925 01:07:21,821 --> 01:07:23,838 BIRD OF PARADISE. 926 01:07:37,320 --> 01:07:39,754 HOLD ON. 927 01:07:41,557 --> 01:07:43,557 SO YOU REMEMBER TODAY. 928 01:07:48,431 --> 01:07:50,431 THANK YOU. 929 01:08:04,781 --> 01:08:06,714 WHOA. 930 01:08:06,783 --> 01:08:08,783 WHO'D HAVE THOUGHT ? HUH ? 931 01:08:10,153 --> 01:08:12,153 YOU WERE SO SWEET. 932 01:08:14,724 --> 01:08:18,326 TELL US WHAT WE WANT TO HEAR ABOUT HIM, OR WE'RE GONNA NAIL YOU. 933 01:08:18,395 --> 01:08:21,329 WE'RE TALKING AN AUDIT THAT GOES ALL THE WAY BACK. 934 01:08:21,398 --> 01:08:23,731 AND MY FRIEND, IF WE FIND SOMETHIN' WE DON'T LIKE, 935 01:08:23,800 --> 01:08:25,733 AND BELIEVE ME, WE WILL, 936 01:08:25,802 --> 01:08:27,735 GUESS WHAT ? 937 01:08:27,804 --> 01:08:30,738 YOUR HOUSE IS GONE. YOUR CAR IS GONE. 938 01:08:30,807 --> 01:08:33,507 YOU ARE SERIOUSLY GONE. 939 01:08:33,576 --> 01:08:35,677 I'M TALKIN' 10 TO 20 YEARS. 940 01:08:35,745 --> 01:08:38,279 YOUSE WANNA INVESTIGATE ? GO AHEAD. 941 01:08:38,347 --> 01:08:42,684 MY CAR-- NOT IN MY NAME. MY HOUSE-- NOT IN MY NAME. 942 01:08:42,752 --> 01:08:45,853 MY BANK ACCOUNT: AIN'T GOT ONE. 943 01:08:45,922 --> 01:08:48,856 YOU KNOW WHAT I GOT ? [ Italian ] 944 01:08:48,925 --> 01:08:51,159 WHAT ABOUT THE DRUGS ? 945 01:08:51,227 --> 01:08:55,879 WERE THEY IN YOUR NAME ? THEY WERE IN YOUR GLOVE COMPARTMENT. 946 01:08:58,585 --> 01:09:00,985 YES ! 947 01:09:01,054 --> 01:09:02,920 WOW. 948 01:09:02,989 --> 01:09:06,090 - YOU'RE GOOD. - FOUR BROTHERS, AND I NEVER LOST A GAME. 949 01:09:06,158 --> 01:09:08,158 OH, REALLY. MM-HMM. 950 01:09:09,662 --> 01:09:11,662 I'VE BEEN MEANING TO TELL YOU SOMETHING. MM-HMM ? 951 01:09:13,766 --> 01:09:15,967 IT'S KINDA EMBARRASSING. 952 01:09:16,035 --> 01:09:18,335 YOU CAN TELL ME. WHAT ARE YOU TALKING ABOUT ? 953 01:09:19,956 --> 01:09:23,324 WHEN I FIRST SAW THAT PICTURE OF YOU IN THE GOSSIP COLUMN, 954 01:09:23,393 --> 01:09:27,862 IT WAS... YOU KNOW, INSPIRING. 955 01:09:27,930 --> 01:09:29,864 WHAT ? I MEAN IT. 956 01:09:29,932 --> 01:09:32,834 JUST TO SEE SOMEBODY ELSE FROM JERSEY WHO MADE IT. 957 01:09:32,902 --> 01:09:34,836 [ Laughs ] MADE IT ? 958 01:09:34,904 --> 01:09:36,871 YOU'RE KIDDING, RIGHT ? I'M ON A SOAP. 959 01:09:36,939 --> 01:09:40,140 RIGHT. WRONG. SOAP WORK IS THE PITS ! 960 01:09:40,209 --> 01:09:43,411 WHY DO YOU THINK I'M AT 54 EVERY NIGHT ? 961 01:09:43,480 --> 01:09:47,915 I DON'T KNOW. MAYBE TO MEET SOMEBODY INTERESTING. EXACTLY. 962 01:09:49,919 --> 01:09:52,920 IN THIS BUSINESS IT'S ALL ABOUT WHO YOU KNOW. SINCE I'M GONNA GET A MOVIE-- 963 01:09:52,989 --> 01:09:56,290 OR DIE TRYING-- THERE'S NO PLACE BETTER THAN 54. 964 01:09:59,045 --> 01:10:02,046 ONE BIG BENDER WITH BUSINESS CARDS. 965 01:10:04,350 --> 01:10:06,884 SEE, THE THING IS, IF YOU MEET THE RIGHT PRODUCER, 966 01:10:06,952 --> 01:10:10,321 LIKE ROLAND ZACKS, FOR INSTANCE, YOU'VE GOT IT MADE. 967 01:10:10,390 --> 01:10:14,925 I MEAN, HE'S GOT HIS HANDS IN EVERYTHING: MUSIC, MOVIES, CLUBS, EVERYTHING. 968 01:10:14,994 --> 01:10:18,029 RIGHT. BUT YOU DON'T NEED THAT. 969 01:10:18,097 --> 01:10:22,900 SHANE, COME ON. YOU'RE A 54 BARTENDER. YOU KNOW HOW THINGS WORK. 970 01:10:22,968 --> 01:10:26,137 YOU KNOW WHAT THIS IS ALL ABOUT. I MEAN, YOU'VE HAD TO MANEUVER. 971 01:10:26,205 --> 01:10:30,408 SOMETIMES, USE YOUR CHARM. SOMETIMES, OTHER THINGS. HMM ? 972 01:10:31,511 --> 01:10:33,511 OKAY, YOU GOT ME. 973 01:10:37,500 --> 01:10:39,366 [ P.A. Announcer ] WHOEVER OWNS THE SMALL LABRADOR, 974 01:10:39,436 --> 01:10:43,304 GET IT OUT, WITH THE 1972 EL CAMINO, RIGHT NOW. 975 01:10:47,127 --> 01:10:49,560 THIS PLACE IS REALLY GREAT. 976 01:10:49,629 --> 01:10:51,662 YOU CAN ACTUALLY SEE PEOPLE HERE. 977 01:10:51,731 --> 01:10:55,266 [ Laughing ] YOU'RE CUTE. 978 01:11:02,242 --> 01:11:04,775 STARTING THE DECADE WITH THE PERFECT KISS. 979 01:11:04,844 --> 01:11:08,296 WHAT COULD BE BETTER THAN THAT ? PICKING UP THAT 7-10 SPLIT. 980 01:11:08,364 --> 01:11:10,798 OH, YEAH ? I'M GONNA DO IT FIRST ! NO, YOU'RE NOT, IT'S MINE ! 981 01:11:10,866 --> 01:11:13,467 FORGET IT ! COME ON ! [ Giggling ] 982 01:11:13,536 --> 01:11:15,369 HEY ! GIMME THAT BALL ! 983 01:11:15,438 --> 01:11:17,472 [ Man On Radio ] MAYOR KOCH EXPECTS THE BIGGEST THRONGS... 984 01:11:17,540 --> 01:11:20,574 OF NEW YEAR'S REVELERS IN BIG APPLE HISTORY TO RING IN THE '80s. 985 01:11:20,643 --> 01:11:22,710 ON THE OTHER SIDE OF THE BIG BLUE MARBLE, 986 01:11:22,778 --> 01:11:26,680 IT'S DAY 58 OF THE AMERICAN HOSTAGE CRISIS IN IRAN, WITH NO END IN SIGHT. 987 01:11:26,749 --> 01:11:30,118 [ Car Horn Honking ] OOPS. 988 01:11:30,186 --> 01:11:32,286 [ Steve ] YEAH, OF COURSE YOU'RE ON THE LIST ! 989 01:11:32,355 --> 01:11:34,622 [ Steve Laughing ] OKAY. 990 01:11:34,691 --> 01:11:36,323 OKAY. 991 01:11:36,392 --> 01:11:38,793 WHAT'S THIS ? 992 01:11:38,862 --> 01:11:41,796 THAT'S THE MISSING MONEY. 993 01:11:41,865 --> 01:11:43,865 I TOOK IT. 994 01:11:43,933 --> 01:11:47,068 WHAT MONEY ? 995 01:11:47,137 --> 01:11:49,070 YOU KNOW, ANTHONY'S MONEY. 996 01:11:49,139 --> 01:11:51,072 OHH ! THAT'S ADORABLE. 997 01:11:51,141 --> 01:11:52,573 YOU KNOW, GREG'S VERY LUCKY... 998 01:11:52,642 --> 01:11:55,342 TO HAVE A FRIEND LIKE YOU TO COVER FOR HIM. 999 01:11:55,411 --> 01:12:00,197 YOU KNEW ? YEAH, YOU KNOW-- [ Sighs ] 1000 01:12:00,266 --> 01:12:02,199 I SEE EVERYTHING THAT GOES ON HERE. 1001 01:12:02,268 --> 01:12:05,169 YOU DON'T THINK I'M WATCHING, BUT I AM. 1002 01:12:05,238 --> 01:12:09,640 HE NEVER WOULD HAVE TOUCHED THAT MONEY, IF HE'D BEEN MADE A BARTENDER IN THE FIRST PLACE. 1003 01:12:09,708 --> 01:12:11,642 HE'S REALLY A GREAT GUY, STEVE. 1004 01:12:11,710 --> 01:12:14,911 HE THOUGHT HE'D BE A BUSBOY FOR THE REST OF HIS LIFE. YEAH, I'M SURE. 1005 01:12:14,980 --> 01:12:17,848 CAN'T YOU GIVE HIM A BREAK ? 1006 01:12:17,916 --> 01:12:21,685 [ Sighs ] SO. 1007 01:12:21,754 --> 01:12:26,240 YOU WANT ME TO MAKE HIM A BARTENDER NOW. 1008 01:12:27,476 --> 01:12:29,543 [ Sighs ] 1009 01:12:29,612 --> 01:12:34,749 YOU KNOW, I AM TOO NICE FOR MY OWN GOOD, BECAUSE PEOPLE TAKE ADVANTAGE. 1010 01:12:36,085 --> 01:12:39,319 THANKS, STEVE. DON'T YOU SAY ANYTHING TO HIM ABOUT IT. 1011 01:12:39,388 --> 01:12:41,789 OKAY. I'LL TELL HIM MYSELF. 1012 01:12:43,793 --> 01:12:47,427 WHY'S EVERYONE SO SENTIMENTAL THIS TIME OF YEAR ? 1013 01:12:47,496 --> 01:12:50,030 I HATE THE HOLIDAYS. 1014 01:12:50,099 --> 01:12:52,049 [ Sighs ] 1015 01:12:52,118 --> 01:12:56,003 [ Woman ] ♪ FOUND A CURE ♪ 1016 01:12:57,606 --> 01:13:02,226 ♪ OOH, FOR YOUR HEARTACHE ♪ 1017 01:13:02,311 --> 01:13:07,414 ♪ BEFORE YOU WAKE BEFORE YOU WAKE ♪♪ GREG ! HEY, MAN. 1018 01:13:07,483 --> 01:13:09,416 IT'S GREAT TO SEE YOU. 1019 01:13:09,485 --> 01:13:13,720 I WASN'T SURE IF YOU WERE COMIN' BACK. I COULDN'T MISS ANITA TONIGHT. 1020 01:13:13,790 --> 01:13:17,224 PLUS, I SHOULD MEET UP WITH MY VERY-POSSIBLY GIRLFRIEND. 1021 01:13:17,293 --> 01:13:20,194 GIRLFRIEND. IS THAT WHERE YOU'VE BEEN ? YEAH. 1022 01:13:20,263 --> 01:13:22,930 - JULIE BLACK, MAN ! - BULLSHIT ! 1023 01:13:22,999 --> 01:13:25,365 I'M NOT JIVIN' YOU, I SWEAR. THAT'S GREAT, MAN. 1024 01:13:25,434 --> 01:13:28,102 ♪ WHATEVER IT IS LOVE WILL FIX IT ♪ HEY, LOOK. 1025 01:13:28,171 --> 01:13:31,205 I GOTTA GO FIND ANTHONY. YOU NEED ANY PARTY MATERIALS ? 1026 01:13:31,274 --> 01:13:33,874 NO, THANKS. NOT TONIGHT. ♪ FOUND A CURE ♪ 1027 01:13:33,943 --> 01:13:38,445 [ Horns Blowing, Crowd Talking, Shouting ] 1028 01:13:38,514 --> 01:13:40,647 STEVE ! 1029 01:13:40,716 --> 01:13:44,185 COME ON. I'VE BEEN HERE EVERY HOLIDAY. IT'S NEW YEAR'S EVE. 1030 01:13:44,253 --> 01:13:46,187 PLEASE, I'M SO LONELY. 1031 01:13:46,255 --> 01:13:49,190 - GO HOME, HONEY. - THIS IS MY HOME. 1032 01:13:49,258 --> 01:13:51,258 PLEASE ! 1033 01:13:52,245 --> 01:13:57,131 ♪♪ [ Continues ] 1034 01:13:57,200 --> 01:14:00,468 ♪ WHENEVER IT RAINS YOU'LL HAVE BLUE SKIES ♪ 1035 01:14:00,536 --> 01:14:04,137 ♪ FOUND A CURE ♪ ♪ I'M TELLIN' YOU ♪ 1036 01:14:04,206 --> 01:14:07,842 ♪ FOUND A CURE ♪ REMEMBER WHAT HAPPENS TOMORROW ? 1037 01:14:07,910 --> 01:14:09,844 IT'S A NEW DECADE, TURKEY. ♪ FOUND A ♪ 1038 01:14:09,912 --> 01:14:11,979 ♪ CURE ♪ THE NEW BARTENDER GETS ANNOUNCED. 1039 01:14:12,047 --> 01:14:15,048 OH, RIGHT. IT'S LOOKING GOOD FOR YOU FOR SURE, MAN. 1040 01:14:15,117 --> 01:14:17,050 REALLY ? [ Steve ] HEY, HEY ! 1041 01:14:17,119 --> 01:14:19,920 YOUR FAIRY TALE WISH JUST CAME TRUE. 1042 01:14:19,989 --> 01:14:22,456 I'VE GOT A VERY SPECIAL JOB FOR YOU TONIGHT. 1043 01:14:22,525 --> 01:14:24,692 GRACE KELLY'S COMING, 1044 01:14:24,760 --> 01:14:26,694 AND I WANT YOU TO TAKE CARE OF HER. 1045 01:14:26,762 --> 01:14:30,263 NO SHIT ! YES, BUT TRY NOT TO SAY "SHIT" AROUND HER, OKAY ? 1046 01:14:30,332 --> 01:14:33,266 SHE IS FROM PHILLY, BUT I DON'T THINK SHE DOES THAT ANYMORE. 1047 01:14:33,335 --> 01:14:35,253 NO, NOT TONIGHT. 1048 01:14:35,321 --> 01:14:38,456 NOT TONIGHT ! NEVER, NEVER, NEVER COME TO ME LIKE THAT ! 1049 01:14:38,524 --> 01:14:40,825 ♪ FOUND A CURE ♪ 1050 01:14:40,893 --> 01:14:42,843 ♪ FOUND A CURE OOH ♪♪ 1051 01:14:42,912 --> 01:14:44,912 ARE YOU SLEEPIN' ? 1052 01:14:46,516 --> 01:14:49,049 IS GRACIE THERE ? 1053 01:14:49,118 --> 01:14:51,218 WELL, TELL HER I'M GONNA MEET PRINCESS GRACE TONIGHT. 1054 01:14:51,286 --> 01:14:54,488 [ Gracie Screaming ] NO WAY ! 1055 01:14:54,557 --> 01:14:56,557 [ Man ] YEAH ! ♪♪ [ Continues ] 1056 01:14:58,711 --> 01:15:03,030 I JUST WANTED TO WISH YOU GOOD LUCK TONIGHT. YOU'RE GONNA BE GREAT. 1057 01:15:07,437 --> 01:15:15,826 [ Cork Pops ] AAH ! HAPPY NEW YEAR ! 1058 01:15:17,797 --> 01:15:21,499 HEY ! IT'S ERROL FLYNN ! HEY, ROLAND ! 1059 01:15:21,567 --> 01:15:24,535 IT'S GREAT TO SEE YOU, MAN. I'VE BEEN TRYIN' TO REACH YOU-- H-H-HOLD ON. 1060 01:15:24,604 --> 01:15:27,004 MY DATE'S GETTING CRUSHED. 1061 01:15:27,072 --> 01:15:29,774 OH. HI. 1062 01:15:31,043 --> 01:15:32,777 HI. 1063 01:15:32,845 --> 01:15:35,780 [ Roland ] I'VE GOT A GREAT IDEA. 1064 01:15:35,848 --> 01:15:37,848 [ Whispering ] 1065 01:15:39,185 --> 01:15:40,951 [ Whispering ] 1066 01:15:41,020 --> 01:15:45,690 OH, COME ON. IT'LL BE WILD. 1067 01:15:45,758 --> 01:15:47,725 LISTEN, SOME OF US ARE GOING BACK TO ROLAND'S HOUSE LATER. 1068 01:15:47,794 --> 01:15:50,060 HE WANTS TO KNOW. YOU WANT TO COME. 1069 01:15:51,230 --> 01:15:53,864 ACTUALLY, IT'LL JUST BE THE THREE OF US. 1070 01:15:57,236 --> 01:15:59,169 THERE GOES DONALD. 1071 01:15:59,238 --> 01:16:01,238 EXCUSE ME. 1072 01:16:04,377 --> 01:16:06,310 I-I DON'T UNDERSTAND. 1073 01:16:06,379 --> 01:16:09,613 I THOUGHT WE, YOU KNOW, CONNECTED. 1074 01:16:09,682 --> 01:16:11,615 SHANE, I ALREADY EXPLAINED THIS TO YOU. 1075 01:16:11,684 --> 01:16:14,251 MY CAREER IS REALLY IMPORTANT TO ME RIGHT NOW. 1076 01:16:14,320 --> 01:16:16,620 LISTEN, SHANE. I LIKE YOU, I REALLY DO. 1077 01:16:16,689 --> 01:16:18,622 BUT DROP THE FANTASY, OKAY ? 1078 01:16:18,691 --> 01:16:21,024 I'M BUILDING SOMETHING HERE. I THOUGHT YOU WANTED TO GET AHEAD TOO. 1079 01:16:21,093 --> 01:16:25,429 ROLAND'S THE KIND OF GUY WHO CAN MAKE THAT HAPPEN FOR YOU. DON'T YOU WANT THAT ? 1080 01:16:27,600 --> 01:16:30,234 NOT THAT WAY. 1081 01:16:33,589 --> 01:16:37,508 [ All Shouting ] TEN. NINE. EIGHT. SEVEN. SIX. 1082 01:16:37,576 --> 01:16:41,695 FIVE. FOUR. THREE. TWO. ONE ! 1083 01:16:41,764 --> 01:16:44,347 HAPPY NEW YEAR ! 1084 01:16:44,417 --> 01:16:47,183 [ Shouting, Cheering ] [ Horns Blowing ] 1085 01:16:47,252 --> 01:16:49,620 [ Applause, Cheering Continues ] OKAY. 1086 01:16:53,459 --> 01:16:58,194 FIRST, I WANT TO TELL YOU ALL SOMETHING... 1087 01:16:59,632 --> 01:17:01,965 THAT MOST OF YOU ALREADY KNOW. 1088 01:17:03,669 --> 01:17:06,403 I LOVE YOU. 1089 01:17:06,472 --> 01:17:09,373 YEAH ! [ Man ] LOVE YOU TOO, STEVE ! 1090 01:17:13,546 --> 01:17:17,181 [ Thump, Audio Feedback, Amplified Sniff ] AHH ! 1091 01:17:17,249 --> 01:17:22,453 SECONDLY, THERE HAVE BEEN A FEW LITTLE RUMORS FLOATING AROUND... 1092 01:17:22,521 --> 01:17:24,621 ABOUT ME AND A CERTAIN GOVERNMENT AGENCY. 1093 01:17:24,690 --> 01:17:28,125 BUT REST ASSURED, THAT'S ALL TAKEN CARE OF. 1094 01:17:28,194 --> 01:17:30,294 JUST TRY AND TANGLE WITH ME ! 1095 01:17:30,362 --> 01:17:33,997 [ Audience Laughing, Cheering ] RIGHT ON, STEVE ! 1096 01:17:34,066 --> 01:17:38,668 AND NOW, I WANT TO INTRODUCE TO YOU A BRAND NEW TALENT, 1097 01:17:38,737 --> 01:17:40,837 A TALENT FOR THE '80s THAT I DISCOVERED... 1098 01:17:40,906 --> 01:17:43,107 IN THE COATROOM, BELIEVE IT OR NOT. 1099 01:17:43,175 --> 01:17:46,676 PLEASE WELCOME... ANITA ! 1100 01:17:46,745 --> 01:17:48,745 [ Smattering Of Applause ] 1101 01:17:55,588 --> 01:17:57,521 [ Audio Feedback ] 1102 01:17:57,590 --> 01:18:03,360 ♪ TONIGHT IS THE NIGHT I'LL FLY ♪ 1103 01:18:03,428 --> 01:18:07,698 ♪ SPREAD MY WINGS ♪ 1104 01:18:07,766 --> 01:18:10,467 ♪ AND TOUCH THE SKY ♪ 1105 01:18:12,270 --> 01:18:17,808 ♪ TONIGHT IS THE NIGHT I'LL SEE ♪ 1106 01:18:17,894 --> 01:18:21,428 ♪ EVERYTHING ♪ 1107 01:18:21,497 --> 01:18:23,797 ♪ THAT'S WAITING ♪ 1108 01:18:23,866 --> 01:18:28,185 ♪ FOR ME ♪ 1109 01:18:31,540 --> 01:18:35,792 ♪ I'M LOVIN' THIS COOL WORLD THAT I'M IN ♪ 1110 01:18:39,498 --> 01:18:43,300 ♪ YOU KNOW IT FITS ME LIKE A SECOND SKIN ♪ 1111 01:18:45,821 --> 01:18:49,924 ♪ AND THEY SAY IT COMES AND GOES SO FAST ♪ 1112 01:18:49,992 --> 01:18:53,677 ♪ BUT WE'VE GOT SOMETHIN' BUILT TO LAST ♪ 1113 01:18:53,745 --> 01:18:57,831 ♪ OH, BABY, IT'S YOUR LOVE THAT SETS ME FREE ♪ 1114 01:18:57,900 --> 01:19:00,534 ♪ OHH, OHH, OHH, OHH ♪ 1115 01:19:00,602 --> 01:19:03,486 ♪ TONIGHT IS THE NIGHT I'LL FLY ♪ 1116 01:19:03,556 --> 01:19:07,224 ♪ SPREAD MY WINGS AND TOUCH THE SKY ♪ 1117 01:19:07,293 --> 01:19:10,511 ♪ TONIGHT IS THE NIGHT I'LL SEE ♪ 1118 01:19:10,563 --> 01:19:14,865 ♪ EVERYTHING THAT'S WAITING FOR ME ♪ 1119 01:19:14,934 --> 01:19:18,602 ♪ OH, OH, YEAH OH, ALL RIGHT ♪ 1120 01:19:18,671 --> 01:19:22,323 ♪ TONIGHT I'LL FLY ♪ 1121 01:19:22,391 --> 01:19:25,926 ♪ OH, OH, YEAH OH, ALL RIGHT ♪ 1122 01:19:25,995 --> 01:19:28,712 ♪ TONIGHT IS THE NIGHT ♪ 1123 01:19:28,780 --> 01:19:33,217 ♪ I'VE GOTTA BE FREE ♪ 1124 01:19:33,285 --> 01:19:35,219 ♪ GET DOWN ♪ 1125 01:19:35,287 --> 01:19:37,538 ♪ EVERYBODY GET DOWN ♪ 1126 01:19:37,590 --> 01:19:40,708 ♪ GET DOWN EVERYBODY GET DOWN ♪ YEAH ! 1127 01:19:40,776 --> 01:19:43,544 ♪ TONIGHT'S THE NIGHT TONIGHT'S THE NIGHT I FLY ♪ 1128 01:19:43,612 --> 01:19:47,898 ♪ TONIGHT'S THE NIGHT TONIGHT'S THE NIGHT I FLY ♪ 1129 01:19:47,984 --> 01:19:50,667 ♪ TONIGHT'S THE NIGHT TONIGHT'S THE NIGHT I FLY ♪ 1130 01:19:50,736 --> 01:19:53,169 SING IT WITH ME ! ♪ TONIGHT'S THE NIGHT ♪ 1131 01:19:53,238 --> 01:19:56,239 ♪ TONIGHT'S THE NIGHT I'LL FLY ♪ ♪ OOH, OOH ♪ 1132 01:19:58,611 --> 01:20:00,711 ♪ OOH, OOH ♪ 1133 01:20:00,779 --> 01:20:02,796 ♪ OOH, OOH ♪ 1134 01:20:05,835 --> 01:20:07,767 ♪ OOH, OOH ♪♪ 1135 01:20:07,837 --> 01:20:09,569 ♪♪ [ Stops ] 1136 01:20:09,638 --> 01:20:12,089 [ Woman In Crowd ] IT'S THAT OLD LADY THAT DISCOS. 1137 01:20:14,093 --> 01:20:16,042 [ Man In Crowd ] YOU BETTER GET SOMEONE. 1138 01:20:16,111 --> 01:20:18,112 [ Crowd Chattering ] 1139 01:20:21,650 --> 01:20:23,634 TURN ON THE LIGHTS ! 1140 01:20:26,672 --> 01:20:28,939 [ Crowd Gasps ] 1141 01:20:30,943 --> 01:20:32,959 DOTTIE ? 1142 01:20:34,096 --> 01:20:36,096 DOTTIE. 1143 01:20:40,202 --> 01:20:42,202 MONA ? 1144 01:21:09,231 --> 01:21:11,165 [ Man ] GET AN AMBULANCE. [ Man ] GET HER UP. 1145 01:21:11,233 --> 01:21:13,733 [ Man ] YOU GOT HER ? 1146 01:21:14,803 --> 01:21:16,770 CAREFUL ! [ Woman ] LET THEM THROUGH ! 1147 01:21:18,207 --> 01:21:21,141 LET'S CLEAR A PATH, HERE. PEOPLE, PLEASE. 1148 01:21:25,463 --> 01:21:27,414 ♪♪ [ Disco ] 1149 01:21:27,483 --> 01:21:41,945 ♪♪ 1150 01:21:42,014 --> 01:21:45,048 ♪ GO, GO, GO, GO, GO ♪ 1151 01:21:45,117 --> 01:21:48,685 ♪ GO, GO, GO, GO, GO ♪ HEY, HEY, HEY ! 1152 01:21:48,754 --> 01:21:51,021 PRINCESS GRACE IS HERE, AND SHE'S THIRSTY. 1153 01:21:51,089 --> 01:21:53,023 WHAT ? THIS WAY. YOU'RE ON. COME ON ! 1154 01:21:53,091 --> 01:21:57,995 SHANEY ! SHANEY, IT'S BEEN A MEAN NIGHT, OKAY ? 1155 01:21:58,063 --> 01:22:01,431 I'LL CRY ABOUT IT TOMORROW. I WILL. 1156 01:22:01,500 --> 01:22:03,700 BUT TONIGHT, THE SHOW MUST GO ON. LET'S GO. 1157 01:22:03,769 --> 01:22:06,503 I-I-I CAN'T TALK TO ANYBODY ! 1158 01:22:06,572 --> 01:22:10,674 WE DID IT TO HER ! THIS PLACE DID ! HEY ! COME ON ! 1159 01:22:10,743 --> 01:22:14,912 YOU CAN'T BLAME YOURSELF 'CAUSE SHE COULDN'T HANDLE HER DRUGS. 1160 01:22:14,980 --> 01:22:17,548 COME ON. LET'S GO. COME ON. COME ON. 1161 01:22:17,616 --> 01:22:20,551 IT'LL CALM YOU DOWN. COME ON. TAKE IT. 1162 01:22:20,619 --> 01:22:24,154 THIS ISN'T RIGHT. PRINCESS GRACE IS HERE. 1163 01:22:24,222 --> 01:22:26,690 OKAY ? PRINCESS GRACE. 1164 01:22:26,759 --> 01:22:30,827 WE LOST A FRIEND TONIGHT ! NO, NO, NO. I LOST A FRIEND TONIGHT. 1165 01:22:30,896 --> 01:22:33,163 NO OFFENSE, BUT YOU WERE JUST ANOTHER PRETTY FACE TO HER. 1166 01:22:33,231 --> 01:22:35,198 SHE WAS MY FRIEND. SHE WAS COMPLETELY NEARSIGHTED. 1167 01:22:35,267 --> 01:22:37,200 SHE COULDN'T TELL ONE OF YOU FROM THE NEXT. 1168 01:22:37,269 --> 01:22:39,369 NOW GET IT TOGETHER. GET DOWNSTAIRS. 1169 01:22:40,372 --> 01:22:42,305 HEY ! 1170 01:22:42,374 --> 01:22:44,841 DON'T FORGET HOW REPLACEABLE YOU ARE, LITTLE LORD FAUNTLEROY. 1171 01:22:44,910 --> 01:22:47,578 TRY TELLIN' THEM THAT, STEVIE. 1172 01:22:47,646 --> 01:22:50,380 REMEMBER, I'M ONE OF NEW YORK'S FINEST. I'M SHANE 54. 1173 01:22:50,449 --> 01:22:52,649 [ Sighs ] OH. 1174 01:22:52,718 --> 01:22:55,986 LIKE THERE WASN'T A GABRIEL 54 AND A RHETT 54. 1175 01:22:56,055 --> 01:22:59,590 BULLSHIT. OH, NO. 1176 01:22:59,658 --> 01:23:04,160 DON'T TELL ME THAT'S THE FIRST TIME YOU EVER READ AN INTERVIEW MAGAZINE. 1177 01:23:04,229 --> 01:23:07,497 OH, NO ! [ Laughing ] 1178 01:23:07,566 --> 01:23:09,566 FUCK YOU ! 1179 01:23:10,803 --> 01:23:12,736 YOU TROGLODYTE. 1180 01:23:12,805 --> 01:23:14,738 HEY, WHERE YOU GOIN' ? HUH ? 1181 01:23:14,807 --> 01:23:17,040 THE DOOR'S THAT WAY ! HE'S OUT ! 1182 01:23:17,109 --> 01:23:19,710 [ Sirens ] 1183 01:23:22,931 --> 01:23:26,266 [ Man ] ♪ QUE SERA ♪ 1184 01:23:26,335 --> 01:23:31,538 ♪ MI VIDA ♪ 1185 01:23:31,607 --> 01:23:34,475 ♪♪ [ Continues ] 1186 01:23:38,113 --> 01:23:41,598 ♪ QUE SERA ♪ 1187 01:23:41,667 --> 01:23:45,135 ♪ MI VIDA ♪♪ I LOVE YOU. 1188 01:23:50,308 --> 01:23:52,776 [ Woman ] ♪ WHEN I'M FEELING LONELY ♪ 1189 01:23:52,845 --> 01:23:54,778 ♪ COME ON, TELEPHONE ME ♪ 1190 01:23:54,847 --> 01:23:57,798 ♪ IT'S GETTING HARD TO PASS MY TIME ♪ [ Man ] I.R.S. 1191 01:23:57,867 --> 01:24:01,268 ♪ TAKE ME OUT AND TRY ME WATCH ME WHILE I'M SMILING ♪ 1192 01:24:01,336 --> 01:24:05,655 - ♪ BABY, IT'S A WASTE OF TIME ♪ - THEY'RE HERE. 1193 01:24:05,724 --> 01:24:07,991 ♪ I NEED A MAN PERHAPS A MAN LIKE YOU ♪ SHANE. 1194 01:24:08,060 --> 01:24:11,194 I-I-I KNEW YOU'D COME TO YOUR SENSES. MEINE KLEINE SHANE. 1195 01:24:11,263 --> 01:24:13,630 I WENT DOWNSTAIRS TO GET MY KEYS, AND THEY'RE RAIDING THE OFFICE. 1196 01:24:13,699 --> 01:24:18,768 ♪ TO MAKE MY DREAMS COME TRUE ♪ 1197 01:24:18,837 --> 01:24:21,955 ♪♪ [ Continues, Indistinct ] 1198 01:24:22,024 --> 01:24:24,541 EVEN FROM HERE, THOSE SUITS LOOK CHEAP. 1199 01:24:28,147 --> 01:24:32,332 STEVE. AREN'T YOU GONNA GET OUT OF HERE ? 1200 01:24:35,337 --> 01:24:38,321 WHERE WOULD I GO ? 1201 01:24:40,342 --> 01:24:45,512 ♪ I NEED A MAN TO MAKE MY DREAMS AND ♪ 1202 01:24:45,581 --> 01:24:48,298 ♪ I NEED A MAN ♪♪ LET'S GO, SHANE. 1203 01:24:48,366 --> 01:24:51,301 WHAT ARE YOU GUYS DOIN' ? STEVE WANTS YOU OUT ! 1204 01:24:51,369 --> 01:24:54,838 GET OFF OF ME ! YO, BILLY ! COME ON ! 1205 01:24:54,907 --> 01:24:56,840 COME ON, GUYS ! 1206 01:24:56,909 --> 01:24:59,542 GET OUTTA HERE ! 1207 01:25:01,747 --> 01:25:03,680 I GOTTA GET MY WALLET ! 1208 01:25:03,749 --> 01:25:05,749 GET OUTTA HERE ! 1209 01:25:13,943 --> 01:25:16,977 [ Shouting ] HEY, THESE HANDCUFFS ARE TOO TIGHT ! 1210 01:25:17,045 --> 01:25:22,365 THEY'LL LEAVE MARKS. WHAT AM I, PUBLIC ENEMY NUMBER ONE, FOR CHRIST'S SAKE ? 1211 01:25:22,434 --> 01:25:23,884 HUH ? 1212 01:25:23,953 --> 01:25:27,187 PUT YOUR HEAD DOWN. GET IN THERE ! 1213 01:25:27,255 --> 01:25:30,757 THIS IS SO TACKY. 1214 01:25:46,808 --> 01:25:48,842 SHANE ! 1215 01:25:48,911 --> 01:25:50,978 YOU WANT A RIDE ? 1216 01:26:00,589 --> 01:26:02,522 LOOK, SHANE, I'M SORRY. 1217 01:26:02,591 --> 01:26:05,959 I KNOW I ACTED LIKE A FOOL, BUT YOU KNOW HOW IT GETS IN THERE. 1218 01:26:07,596 --> 01:26:09,529 WHERE'S ROLAND ? 1219 01:26:09,598 --> 01:26:12,616 I LOST HIM IN THE BALCONY. 1220 01:26:12,684 --> 01:26:15,018 I'M SORRY. COME ON. 1221 01:26:15,086 --> 01:26:17,020 WHAT ABOUT YOUR CAREER ? 1222 01:26:17,088 --> 01:26:20,857 I THOUGHT THAT WAS YOUR BIG PRIORITY. YEAH, WELL... 1223 01:26:20,943 --> 01:26:24,278 I'M NOT SO SURE ANYMORE. 1224 01:26:28,767 --> 01:26:31,234 ME NEITHER. 1225 01:26:31,303 --> 01:26:33,770 SO, NOW WHAT ? 1226 01:26:35,908 --> 01:26:38,541 I LIKE YOU, SHANE. 1227 01:26:38,610 --> 01:26:40,977 LET'S FACE IT. WE'RE JERSEY. 1228 01:26:41,046 --> 01:26:43,947 YEAH, WE ARE. 1229 01:26:46,218 --> 01:26:48,151 SO-- 1230 01:26:48,220 --> 01:26:50,854 FRIENDS ? 1231 01:26:55,060 --> 01:26:57,160 FRIENDS. 1232 01:27:04,836 --> 01:27:09,622 [ Man On Radio ] AGENTS OF THE I.R.S. AND F.B.I. RAIDED THE HIGHLY POPULAR STUDIO 54. 1233 01:27:09,691 --> 01:27:11,624 [ Shane ] SO THAT'S HOW MY DECADE ENDED. 1234 01:27:11,693 --> 01:27:14,978 IN THE YEAR AND A HALF STEVE WAS IN JAIL, THINGS CHANGED A LOT. 1235 01:27:15,047 --> 01:27:20,083 BIG CORPORATIONS HAD TAKEN OVER THE NEW YORK CLUB WORLD, DOING WHAT CORPORATIONS DO. 1236 01:27:20,152 --> 01:27:24,620 MAKING EVERYTHING SAFE AND BORING. THE FREEDOM WAS GONE. 1237 01:27:24,690 --> 01:27:28,558 I KEPT IN TOUCH WITH JULIE. SHE WAS DOING ALL RIGHT. 1238 01:27:28,626 --> 01:27:31,260 SHE MOVED TO HOLLYWOOD AND GOT A SMALL PART IN A GOOD FILM. 1239 01:27:31,329 --> 01:27:34,230 I HADN'T SEEN GREG AND ANITA IN A WHILE. 1240 01:27:34,299 --> 01:27:38,501 BROUGHT BACK TOO MANY MEMORIES. BUT THEY WERE STILL TOGETHER, DOING FINE. 1241 01:27:38,570 --> 01:27:41,671 ANITA RECORDED A GREAT ALBUM WITH CASABLANCA, 1242 01:27:41,740 --> 01:27:43,773 BUT SOME PEOPLE THOUGHT IT WAS TOO DISCO. 1243 01:27:43,842 --> 01:27:48,511 I'D BEEN TAKING BUSINESS CLASSES AT N.Y.U. DURING THE DAY, 1244 01:27:48,580 --> 01:27:50,847 AND MANAGING A RESTAURANT IN THE VILLAGE AT NIGHT. 1245 01:27:50,916 --> 01:27:54,150 AS FAR AS MY DAD WENT, THINGS WERE BETTER THERE TOO. 1246 01:27:54,219 --> 01:27:58,621 I GOT TO JERSEY TO SEE HIM AND MY SISTERS ABOUT ONCE A WEEK. 1247 01:27:58,690 --> 01:28:03,259 WHEN I HEARD ABOUT STEVIE'S WELCOME BACK PARTY, I COULDN'T RESIST. 1248 01:28:04,629 --> 01:28:06,629 ♪♪ [ Disco ] 1249 01:28:15,591 --> 01:28:19,542 AFTER GETTING OFF WITH JUST SIX MONTHS PROBATION, GREG GAVE UP DEALING. 1250 01:28:19,611 --> 01:28:22,245 HE GOT A GOOD JOB IN CONSTRUCTION. HOW YOU DOIN' ? 1251 01:28:22,313 --> 01:28:25,681 - WHOA ! - [ Chattering ] 1252 01:28:25,751 --> 01:28:27,917 [ Man ] ♪ LET'S DO IT ♪ 1253 01:28:29,805 --> 01:28:32,038 ♪ LET'S DO IT ♪ 1254 01:28:33,958 --> 01:28:35,976 ♪ LET'S DO IT ♪ 1255 01:28:37,980 --> 01:28:39,980 ♪ LET'S DO IT ♪ 1256 01:28:41,683 --> 01:28:45,534 ♪ LET'S DO IT ♪ ♪ OH, BABY ♪ 1257 01:28:45,603 --> 01:28:48,504 ♪ OOH, BABY ♪ ♪ LET'S DO IT ♪ 1258 01:28:48,573 --> 01:28:51,074 ♪ TAKE YOUR TIME ♪ ♪ LET'S DO IT ♪ 1259 01:28:53,077 --> 01:28:57,113 ♪ YOU KNOW YOU OUGHT TO SLOW DOWN ♪♪ 1260 01:28:57,182 --> 01:29:00,183 ♪♪ [ Music Stops ] [ Crowd Grumbling, Murmuring ] 1261 01:29:03,822 --> 01:29:05,838 [ Audio Feedback ] 1262 01:29:07,276 --> 01:29:10,243 IT'S SO GOOD TO SEE YOU AGAIN. 1263 01:29:10,312 --> 01:29:12,295 IT'S GREAT TO BE BACK. 1264 01:29:20,522 --> 01:29:23,990 I WAS IN THE BAHAMAS, YOU KNOW, [ Crowd Laughs ] 1265 01:29:24,059 --> 01:29:28,795 ON A YEAR-AND-A-HALF FORCED VACATION. 1266 01:29:28,863 --> 01:29:32,365 DON'T YOU LOVE MY "CLUB FED" TAN ? [ Snickers ] 1267 01:29:41,743 --> 01:29:44,544 I WANT YOU TO KNOW, 1268 01:29:44,612 --> 01:29:49,015 ONLY MY FRIENDS ARE HERE TONIGHT. 1269 01:29:49,084 --> 01:29:53,203 BUT I DID PUT MY PAROLE OFFICER ON THE LIST. 1270 01:30:00,778 --> 01:30:02,912 YOU KNOW, 1271 01:30:02,980 --> 01:30:06,982 PRISON CAN BE SO FUCKING DULL AT NIGHT. 1272 01:30:16,060 --> 01:30:21,097 I GUESS I JUST WANTED TO WELCOME YOU ALL BACK TO SAY, 1273 01:30:21,165 --> 01:30:26,068 THIS TIME I HOPE IT DOES LAST FOREVER. 1274 01:30:26,137 --> 01:30:28,137 [ Cheering, Applause ] 1275 01:30:29,457 --> 01:30:33,726 LADIES AND GENTLEMEN, WELCOME BACK. 1276 01:30:35,864 --> 01:30:38,865 ♪ OOH ♪ 1277 01:30:40,051 --> 01:30:42,052 ♪ OOH, BABY ♪ 1278 01:30:44,923 --> 01:30:48,458 ♪ IF YOU COULD READ MY MIND, LOVE ♪ 1279 01:30:48,527 --> 01:30:52,328 ♪ WHAT A TALE MY THOUGHTS WOULD TELL ♪ 1280 01:30:52,397 --> 01:30:55,831 ♪ JUST LIKE AN OLD-TIME MOVIE ♪ 1281 01:30:55,900 --> 01:30:59,402 ♪ 'BOUT A GHOST FROM A WISHING WELL ♪ 1282 01:30:59,471 --> 01:31:04,807 ♪ IN A CASTLE DARK OR A FORTRESS STRONG ♪ 1283 01:31:04,876 --> 01:31:07,310 ♪ WITH CHAINS UPON MY FEET ♪ 1284 01:31:07,378 --> 01:31:12,515 ♪ YOU KNOW THAT GHOST IS ME ♪ 1285 01:31:12,584 --> 01:31:15,935 ♪ I DON'T KNOW WHERE WE WENT WRONG ♪ 1286 01:31:15,987 --> 01:31:20,773 ♪ BUT THE FEELING'S GONE AND I JUST CAN'T GET IT BACK ♪ 1287 01:31:24,913 --> 01:31:28,582 ♪ IF YOU COULD READ MY MIND, YEAH ♪ 1288 01:31:28,650 --> 01:31:31,451 ♪ IF YOU COULD READ MY MIND, LOVE ♪ SHANE ! 1289 01:31:31,520 --> 01:31:35,104 HOW YOU DOING ? ♪ WHAT A TALE MY THOUGHTS COULD TELL ♪ 1290 01:31:35,173 --> 01:31:39,876 ♪ JUST LIKE A PAPERBACK NOVEL ♪ 1291 01:31:39,945 --> 01:31:43,029 ♪ THE KIND THE DRUGSTORE SELLS ♪ 1292 01:31:43,098 --> 01:31:45,715 ♪ WHEN YOU REACH THE PART ♪ 1293 01:31:45,783 --> 01:31:48,151 ♪ WHERE THE HEARTACHE COMES ♪ 1294 01:31:48,220 --> 01:31:51,454 ♪ THE HERO WOULD BE YOU ♪ 1295 01:31:51,523 --> 01:31:54,924 ♪ BUT HEROES OFTEN FAIL ♪ 1296 01:31:56,027 --> 01:31:58,694 ♪ NEVER THOUGHT I'D FEEL THIS WAY ♪ 1297 01:31:58,763 --> 01:32:00,930 ♪ AND I'VE GOT TO SAY ♪ 1298 01:32:00,999 --> 01:32:03,399 ♪ THAT I JUST DON'T GET IT ♪ 1299 01:32:03,468 --> 01:32:05,402 [ Shane ] YOU SEE, STEVE RUBELL HAD A DREAM, 1300 01:32:05,470 --> 01:32:08,487 BUT LIKE WITH ALL DREAMS, YOU WAKE UP TO REALITY. 1301 01:32:08,557 --> 01:32:11,024 EVEN THOUGH STEVE WAS JUST A CONSULTANT NOW, 1302 01:32:11,092 --> 01:32:13,810 THE NEW OWNERS GAVE HIM THIS NIGHT, THIS ONE NIGHT, 1303 01:32:13,879 --> 01:32:18,048 TO BRING ALL HIS FRIENDS BACK-- TO DO IT HIS WAY. 1304 01:32:18,116 --> 01:32:19,983 WE PRETENDED NOTHING HAD CHANGED. 1305 01:32:20,052 --> 01:32:21,885 BUT IN REALITY, 1306 01:32:23,472 --> 01:32:25,405 THE PARTY WAS OVER. 1307 01:32:25,474 --> 01:32:28,741 ♪ IF YOU COULD IF YOU COULD ♪ ♪ MY MIND ♪ 1308 01:32:28,810 --> 01:32:32,645 ♪ IF YOU COULD READ MY MIND ♪ 1309 01:32:32,714 --> 01:32:36,115 ♪ IF YOU COULD READ MY MIND, LOVE ♪ 1310 01:32:36,184 --> 01:32:40,086 ♪ WHAT A TALE MY THOUGHTS WOULD TELL ♪ 1311 01:32:40,155 --> 01:32:43,756 ♪ JUST LIKE AN OLD-TIME MOVIE ♪ 1312 01:32:43,825 --> 01:32:48,028 ♪ 'BOUT A GHOST FROM A WISHING WELL ♪ 1313 01:32:48,096 --> 01:32:50,730 ♪ IF YOU COULD READ MY MIND, LOVE ♪ 1314 01:32:50,799 --> 01:32:55,301 ♪ WHAT A TALE MY THOUGHTS WOULD TELL ♪ 1315 01:32:55,370 --> 01:32:59,105 ♪ JUST LIKE A PAPERBACK NOVEL ♪ 1316 01:32:59,174 --> 01:33:02,625 ♪ THE KIND THE DRUGSTORE SELLS ♪ 1317 01:33:02,694 --> 01:33:05,161 ♪ WHEN YOU REACH THE PART ♪ 1318 01:33:05,230 --> 01:33:07,397 ♪ WHERE THE HEARTACHE COMES ♪ 1319 01:33:07,466 --> 01:33:11,318 ♪ THE HERO WOULD BE YOU ♪ 1320 01:33:11,386 --> 01:33:15,621 ♪ HEROES OFTEN FAIL ♪ 1321 01:33:15,690 --> 01:33:18,524 ♪ NEVER THOUGHT I'D FEEL THIS WAY ♪ 1322 01:33:18,593 --> 01:33:22,979 ♪ AND I'VE GOT TO SAY THAT I JUST DON'T GET IT ♪ 1323 01:33:23,048 --> 01:33:26,182 ♪ I DON'T KNOW WHERE WE WENT WRONG ♪ 1324 01:33:26,251 --> 01:33:30,886 ♪ BUT THE FEELING'S GONE AND I JUST CAN'T GET IT BACK ♪ 1325 01:33:30,956 --> 01:33:34,857 ♪ IF YOU COULD IF YOU COULD ♪ 1326 01:33:34,926 --> 01:33:38,527 ♪ IF YOU COULD READ MY MIND ♪ 1327 01:33:38,596 --> 01:33:42,265 ♪ IF YOU COULD IF YOU COULD ♪ 1328 01:33:42,334 --> 01:33:46,035 ♪ IF YOU COULD READ MY MIND ♪ 1329 01:33:46,104 --> 01:33:49,605 ♪ IF YOU COULD IF YOU COULD ♪♪ 1330 01:33:54,545 --> 01:33:56,746 [ Woman ] ♪ OH ♪ 1331 01:33:57,749 --> 01:33:59,749 ♪ MMM, AAH ♪ 1332 01:34:02,587 --> 01:34:04,587 ♪ OOH ♪ 1333 01:34:07,659 --> 01:34:11,527 ♪ MMM, OH, YEAH ♪ 1334 01:34:16,100 --> 01:34:19,735 ♪ I DON'T WANT TO LOSE THIS GOOD THING ♪ 1335 01:34:20,822 --> 01:34:22,738 ♪ THAT I'VE GOT ♪ 1336 01:34:22,807 --> 01:34:27,376 ♪ 'CAUSE IF I DO I WOULD SURELY ♪ 1337 01:34:27,445 --> 01:34:29,445 ♪ SURELY LOSE A LOT ♪ 1338 01:34:29,514 --> 01:34:34,184 ♪ 'CAUSE YOUR LOVE IS BETTER ♪ 1339 01:34:34,252 --> 01:34:36,686 ♪ THAN ANYTHING I KNOW ♪ 1340 01:34:36,754 --> 01:34:38,822 ♪ IT'S LIKE THUNDER ♪ 1341 01:34:38,890 --> 01:34:41,024 ♪ LIGHTNING ♪ 1342 01:34:41,092 --> 01:34:43,226 ♪ THE WAY YOU LOVE ME IS FRIGHTENING ♪ 1343 01:34:43,295 --> 01:34:45,695 ♪ I BETTER KNOCK ♪ 1344 01:34:47,132 --> 01:34:50,382 ♪ ON WOOD YEAH, BABY ♪ 1345 01:34:50,452 --> 01:34:53,453 ♪ OH, YEAH ♪ 1346 01:34:53,521 --> 01:34:57,056 ♪ I BETTER KNOCK ON WOOD, BABY ♪ 1347 01:34:57,124 --> 01:34:59,158 ♪ I BELIEVE I WILL ♪ 1348 01:34:59,226 --> 01:35:01,661 ♪ I BELIEVE I WILL ♪ 1349 01:35:01,729 --> 01:35:06,298 ♪ OH, YEAH OH, YEAH ♪ 1350 01:35:06,367 --> 01:35:09,869 ♪ THINK I BETTER KNOCK ON WOOD ♪ 1351 01:35:09,938 --> 01:35:13,072 ♪ THINK I BETTER BABY ♪ 1352 01:35:13,140 --> 01:35:15,842 ♪ RIGHT HERE RIGHT NOW ♪ 1353 01:35:15,910 --> 01:35:19,745 ♪ I WANT YOU TO LOVE ME ♪ 1354 01:35:19,814 --> 01:35:24,350 ♪ COME ON AND TOUCH ME YEAH, YEAH ♪ 1355 01:35:24,418 --> 01:35:26,586 ♪ IT'S LIKE THUNDER ♪ 1356 01:35:26,654 --> 01:35:28,754 ♪ LIGHTNING ♪ 1357 01:35:28,823 --> 01:35:31,323 ♪ THE WAY YOU LOVE ME IS FRIGHTENING ♪ 1358 01:35:31,392 --> 01:35:34,727 ♪ YOU BETTER KNOCK KNOCK, KNOCK, KNOCK ♪ 1359 01:35:34,796 --> 01:35:37,730 ♪ ON WOOD, YEAH, BABY ♪ 1360 01:35:37,799 --> 01:35:41,567 ♪ OOH, YEAH ♪ 1361 01:35:41,636 --> 01:35:44,837 ♪ I BETTER KNOCK ON WOOD, BABE ♪ 1362 01:35:44,906 --> 01:35:47,957 ♪ I BELIEVE I WILL I BELIEVE I WILL ♪ 1363 01:35:48,026 --> 01:35:51,010 ♪ THINK YOU BETTER KNOCK, KNOCK KNOCK ON WOOD ♪ 1364 01:35:51,078 --> 01:35:53,879 ♪ THINK YOU BETTER KNOCK, KNOCK KNOCK ON WOOD ♪ 1365 01:35:53,948 --> 01:35:57,716 ♪ THINK YOU BETTER KNOCK ON WOOD ♪ ♪ KNOCK, KNOCK, KNOCK ON WOOD ♪ 1366 01:35:57,785 --> 01:36:00,620 ♪ I THINK I BETTER, BABY ♪ ♪ THINK YOU BETTER KNOCK, KNOCK, KNOCK ON WOOD ♪ 1367 01:36:00,688 --> 01:36:03,822 ♪ RIGHT HERE, RIGHT NOW ♪ ♪ THINK YOU BETTER KNOCK, KNOCK KNOCK ON WOOD ♪ 1368 01:36:03,891 --> 01:36:07,059 ♪ I WANT YOU TO LOVE ME ♪ ♪ THINK YOU BETTER KNOCK, KNOCK, KNOCK ON WOOD ♪ 1369 01:36:07,128 --> 01:36:10,596 ♪ COME ON AND TOUCH ME ♪ ♪ THINK YOU BETTER KNOCK, KNOCK KNOCK ON WOOD ♪ 1370 01:36:10,665 --> 01:36:14,534 ♪ YEAH ♪ ♪ THINK YOU BETTER KNOCK, KNOCK, KNOCK ON WOOD ♪ 1371 01:36:14,602 --> 01:36:18,003 ♪ I THINK I BETTER COME ON, COME ON ♪ ♪ KNOCK, KNOCK, KNOCK ON WOOD ♪ 1372 01:36:18,072 --> 01:36:21,407 ♪ COME ON, I BETTER ♪ ♪ THINK YOU BETTER KNOCK, KNOCK, KNOCK ON WOOD ♪ 1373 01:36:21,476 --> 01:36:25,278 ♪ I WANNA, YEAH, OH, YEAH ♪ ♪ THINK YOU BETTER KNOCK, KNOCK, KNOCK ON WOOD ♪ 1374 01:36:25,346 --> 01:36:28,514 ♪ THINK YOU BETTER KNOCK, KNOCK KNOCK ON WOOD ♪ ♪ I-I-I-I-I-I ♪ 1375 01:36:28,583 --> 01:36:31,917 ♪ THINK YOU BETTER KNOCK, KNOCK, KNOCK ON WOOD ♪ ♪ BETTER KNOCK ON WOOD ♪ 1376 01:36:31,986 --> 01:36:35,388 ♪ THINK YOU BETTER KNOCK, KNOCK KNOCK ON WOOD ♪ ♪ YEAH, KNOCK ON WOOD, BABY ♪ 1377 01:36:35,456 --> 01:36:38,924 ♪ THINK YOU BETTER KNOCK, KNOCK, KNOCK ON WOOD ♪ ♪ RIGHT HERE, RIGHT NOW ♪ 1378 01:36:38,993 --> 01:36:43,028 ♪ THINK YOU BETTER KNOCK, KNOCK KNOCK ON WOOD ♪ ♪ DON'T WANNA LOSE YOU, NO, NO ♪ 1379 01:36:43,097 --> 01:36:46,232 ♪ THINK YOU BETTER KNOCK, KNOCK KNOCK ON WOOD ♪ ♪ DON'T WANNA LOSE YOU, BABE ♪ 1380 01:36:46,301 --> 01:36:48,967 ♪ THINK YOU BETTER KNOCK, KNOCK, KNOCK ON WOOD ♪♪ 1381 01:36:59,280 --> 01:37:02,281 ♪♪ [ Woman Vocalizing ] 1382 01:37:05,086 --> 01:37:09,856 ♪ COME TO ME ♪ 1383 01:37:09,924 --> 01:37:14,360 ♪ WHEN THERE'S NOBODY ELSE AROUND ♪ 1384 01:37:14,429 --> 01:37:18,330 ♪ COME TO ME ♪ 1385 01:37:18,400 --> 01:37:22,902 ♪ I'M STILL WAITING OPEN-ARMED FOR YOU ♪ 1386 01:37:22,970 --> 01:37:27,106 ♪ COME TO ME ♪ 1387 01:37:27,174 --> 01:37:30,376 ♪ 'CAUSE I WILL COMFORT YOU ♪ 1388 01:37:30,445 --> 01:37:34,514 ♪ WHEN YOU'VE NO ONE TO TURN TO ♪ 1389 01:37:34,582 --> 01:37:39,985 ♪ I WILL BE HERE JUST FOR YOU ♪ 1390 01:37:42,490 --> 01:37:45,825 ♪ COME TO ME ♪ 1391 01:37:45,894 --> 01:37:50,062 ♪ WHEN YOUR WORLD IS EMPTY AND COLD ♪ 1392 01:37:50,131 --> 01:37:53,433 ♪ COME TO ME ♪ 1393 01:37:53,501 --> 01:37:56,903 ♪ WHEN YOU NEED SOMEONE YOU WANT TO HOLD ♪ 1394 01:37:56,971 --> 01:38:00,873 ♪ COME TO ME ♪ 1395 01:38:00,942 --> 01:38:04,510 ♪ IN MY ARMS I WILL KEEP YOU SAFE AND WARM ♪ 1396 01:38:04,579 --> 01:38:08,147 ♪ COME TO ME ♪ 1397 01:38:08,215 --> 01:38:11,016 ♪ I WILL SHELTER YOU FROM THE STORM ♪ 1398 01:38:11,085 --> 01:38:14,754 ♪ I'M NOT ONE TO PRETEND ♪ 1399 01:38:14,823 --> 01:38:18,591 ♪ WHY CAN'T YOU UNDERSTAND ♪ 1400 01:38:18,660 --> 01:38:22,394 ♪ THAT I LOVE YOU ♪ 1401 01:38:22,464 --> 01:38:25,832 ♪ AND I LOVE YOU ♪ 1402 01:38:25,900 --> 01:38:28,300 ♪ AND I NEED YOU ♪ 1403 01:38:29,804 --> 01:38:33,506 ♪ AND I WANT YOU ♪ 1404 01:38:33,575 --> 01:38:37,009 ♪ AND I LOVE YOU ♪ 1405 01:38:37,078 --> 01:38:40,680 ♪ AND I LOVE YOU ♪ 1406 01:38:40,748 --> 01:38:44,183 ♪ AND I NEED YOU ♪ 1407 01:38:44,251 --> 01:38:47,553 ♪ AND I WANT YOU ♪ 1408 01:38:47,622 --> 01:38:51,624 ♪ COME TO ME ♪ 1409 01:38:51,693 --> 01:38:54,527 ♪ OH, BABY ♪ 1410 01:38:58,432 --> 01:39:02,234 ♪ COME TO ME ♪ 1411 01:39:02,303 --> 01:39:05,972 ♪ WHEN YOUR WORLD IS EMPTY AND COLD ♪ 1412 01:39:06,040 --> 01:39:09,675 ♪ COME TO ME ♪ 1413 01:39:09,744 --> 01:39:12,845 ♪ WHEN YOU NEED SOMEONE YOU WANT TO HOLD ♪ 1414 01:39:12,914 --> 01:39:16,849 ♪ COME TO ME ♪ 1415 01:39:16,918 --> 01:39:20,419 ♪ IN MY ARMS I WILL KEEP YOU SAFE AND WARM ♪ 1416 01:39:20,488 --> 01:39:24,189 ♪ COME TO ME ♪ 1417 01:39:24,258 --> 01:39:27,292 ♪ I WILL SHELTER YOU FROM THE STORM ♪ 1418 01:39:27,361 --> 01:39:30,863 ♪ I'M NOT ONE TO PRETEND ♪ 1419 01:39:30,932 --> 01:39:34,734 ♪ WHY CAN'T YOU UNDERSTAND ♪ 1420 01:39:34,802 --> 01:39:38,604 ♪ THAT I LOVE YOU ♪ 1421 01:39:38,673 --> 01:39:42,107 ♪ AND I LOVE YOU ♪ 1422 01:39:42,176 --> 01:39:45,845 ♪ AND I NEED YOU ♪ 1423 01:39:45,914 --> 01:39:49,314 ♪ AND I LOVE YOU ♪ 1424 01:39:49,383 --> 01:39:52,184 ♪ COME TO ME ♪ 1425 01:39:54,856 --> 01:39:55,922 ♪ COME ON, BABY ♪ 1426 01:39:55,990 --> 01:40:00,226 ♪ I NEED YOU ♪ 1427 01:40:00,294 --> 01:40:04,380 ♪ AND I NEED YOU ♪♪ 166326

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