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All language subtitles for SNL S04E03 Frank Zappa.DVDRip.HI.RLP.cc.en.UNVSL

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,634 --> 00:00:07,750 GOOD EVENING, I'M FRED SILVERMAN. LAST JUNE, WHEN I BECAME 2 00:00:07,774 --> 00:00:09,552 FRED SILVERMAN. LAST JUNE, WHEN I BECAME PRESIDENT OF NBC, I VOWED 3 00:00:09,576 --> 00:00:11,721 LAST JUNE, WHEN I BECAME PRESIDENT OF NBC, I VOWED THAT THIS NETWORK WOULD UNDERGO 4 00:00:11,745 --> 00:00:13,857 PRESIDENT OF NBC, I VOWED THAT THIS NETWORK WOULD UNDERGO SIGNIFICANT CHANGES TO REFLECT 5 00:00:13,881 --> 00:00:15,658 THAT THIS NETWORK WOULD UNDERGO SIGNIFICANT CHANGES TO REFLECT WHAT YOU, THE AMERICAN TV 6 00:00:15,682 --> 00:00:17,060 SIGNIFICANT CHANGES TO REFLECT WHAT YOU, THE AMERICAN TV VIEWER, WANTED TO SEE. 7 00:00:17,084 --> 00:00:18,928 WHAT YOU, THE AMERICAN TV VIEWER, WANTED TO SEE. IN THE FOUR MONTHS SINCE I HAVE 8 00:00:18,952 --> 00:00:20,563 VIEWER, WANTED TO SEE. IN THE FOUR MONTHS SINCE I HAVE BEEN ITS PRESIDENT, NBC HAS 9 00:00:20,587 --> 00:00:22,332 IN THE FOUR MONTHS SINCE I HAVE BEEN ITS PRESIDENT, NBC HAS UNDERTAKEN THE MOST EXTENSIVE 10 00:00:22,356 --> 00:00:24,234 BEEN ITS PRESIDENT, NBC HAS UNDERTAKEN THE MOST EXTENSIVE RESEARCH CAMPAIGN IN THE HISTORY 11 00:00:24,258 --> 00:00:25,502 UNDERTAKEN THE MOST EXTENSIVE RESEARCH CAMPAIGN IN THE HISTORY OF TELEVISION. 12 00:00:25,526 --> 00:00:27,871 RESEARCH CAMPAIGN IN THE HISTORY OF TELEVISION. THE RESULTS INDICATED THAT YOU, 13 00:00:27,895 --> 00:00:29,739 OF TELEVISION. THE RESULTS INDICATED THAT YOU, THE AMERICAN TV VIEWER, WANT 14 00:00:29,763 --> 00:00:31,475 THE RESULTS INDICATED THAT YOU, THE AMERICAN TV VIEWER, WANT SOMETHING DIFFERENT, A NEW 15 00:00:31,499 --> 00:00:33,276 THE AMERICAN TV VIEWER, WANT SOMETHING DIFFERENT, A NEW LOOK... A NEW LOOK WITH NEW 16 00:00:33,300 --> 00:00:34,111 SOMETHING DIFFERENT, A NEW LOOK... A NEW LOOK WITH NEW FACES. 17 00:00:34,135 --> 00:00:36,679 LOOK... A NEW LOOK WITH NEW FACES. AND SURPRISINGLY, IN ALL OUR 18 00:00:36,703 --> 00:00:40,183 FACES. AND SURPRISINGLY, IN ALL OUR DATA... THE TRENDEX, ARBITRON, 19 00:00:40,207 --> 00:00:45,022 AND SURPRISINGLY, IN ALL OUR DATA... THE TRENDEX, ARBITRON, AND NIELSEN SURVEYS... ALL 20 00:00:45,046 --> 00:00:48,525 DATA... THE TRENDEX, ARBITRON, AND NIELSEN SURVEYS... ALL ARROWS POINTED TO ONE PERSON. 21 00:00:48,549 --> 00:00:50,627 AND NIELSEN SURVEYS... ALL ARROWS POINTED TO ONE PERSON. OVER AND OVER AGAIN, ONE MAN'S 22 00:00:50,651 --> 00:00:51,728 ARROWS POINTED TO ONE PERSON. OVER AND OVER AGAIN, ONE MAN'S NAME CAME UP. 23 00:00:51,752 --> 00:00:53,363 OVER AND OVER AGAIN, ONE MAN'S NAME CAME UP. AND THAT MAN'S NAME... 24 00:00:53,387 --> 00:00:55,532 NAME CAME UP. AND THAT MAN'S NAME... IS FRANK ZAPPA. 25 00:00:55,556 --> 00:01:00,203 AND THAT MAN'S NAME... IS FRANK ZAPPA. [CHEERS AND APPLAUSE] 26 00:01:00,227 --> 00:01:04,041 IS FRANK ZAPPA. [CHEERS AND APPLAUSE] QUITE FRANKLY... QUITE FRANKLY, 27 00:01:04,065 --> 00:01:06,376 [CHEERS AND APPLAUSE] QUITE FRANKLY... QUITE FRANKLY, NO ONE WAS MORE SURPRISED, YOU 28 00:01:06,400 --> 00:01:07,710 QUITE FRANKLY... QUITE FRANKLY, NO ONE WAS MORE SURPRISED, YOU KNOW, AS I WAS. 29 00:01:07,734 --> 00:01:09,379 NO ONE WAS MORE SURPRISED, YOU KNOW, AS I WAS. I THOUGHT IT WOULD BE 30 00:01:09,403 --> 00:01:11,381 KNOW, AS I WAS. I THOUGHT IT WOULD BE TONY ORLANDO. 31 00:01:11,405 --> 00:01:13,216 I THOUGHT IT WOULD BE TONY ORLANDO. PERSONALLY, I STOPPED FOLLOWING 32 00:01:13,240 --> 00:01:14,251 TONY ORLANDO. PERSONALLY, I STOPPED FOLLOWING ZAPPA AFTER HIS 33 00:01:14,275 --> 00:01:16,019 PERSONALLY, I STOPPED FOLLOWING ZAPPA AFTER HIS "MOTHERS LIVE AT THE FILLMORE" 34 00:01:16,043 --> 00:01:16,586 ZAPPA AFTER HIS "MOTHERS LIVE AT THE FILLMORE" ALBUM. 35 00:01:16,610 --> 00:01:18,355 "MOTHERS LIVE AT THE FILLMORE" ALBUM. ALTHOUGH, THAT BURRITO THING 36 00:01:18,379 --> 00:01:19,722 ALBUM. ALTHOUGH, THAT BURRITO THING STILL MAKES ME LAUGH. 37 00:01:19,746 --> 00:01:22,059 ALTHOUGH, THAT BURRITO THING STILL MAKES ME LAUGH. [LAUGHS] 38 00:01:22,083 --> 00:01:24,461 STILL MAKES ME LAUGH. [LAUGHS] BUT THE AMERICAN PEOPLE SPOKE, 39 00:01:24,485 --> 00:01:25,962 [LAUGHS] BUT THE AMERICAN PEOPLE SPOKE, AND NBC LISTENED. 40 00:01:25,986 --> 00:01:28,432 BUT THE AMERICAN PEOPLE SPOKE, AND NBC LISTENED. AND I AM PROUD TO ANNOUNCE THAT 41 00:01:28,456 --> 00:01:30,900 AND NBC LISTENED. AND I AM PROUD TO ANNOUNCE THAT WE HAVE SIGNED FRANK ZAPPA TO A 42 00:01:30,924 --> 00:01:33,903 AND I AM PROUD TO ANNOUNCE THAT WE HAVE SIGNED FRANK ZAPPA TO A LONG-TERM, EXCLUSIVE CONTRACT... 43 00:01:33,927 --> 00:01:36,073 WE HAVE SIGNED FRANK ZAPPA TO A LONG-TERM, EXCLUSIVE CONTRACT... [CHEERS AND APPLAUSE] 44 00:01:36,097 --> 00:01:37,407 LONG-TERM, EXCLUSIVE CONTRACT... [CHEERS AND APPLAUSE] WITH THE NATIONAL 45 00:01:37,431 --> 00:01:38,908 [CHEERS AND APPLAUSE] WITH THE NATIONAL BROADCASTING COMPANY. 46 00:01:38,932 --> 00:01:41,744 WITH THE NATIONAL BROADCASTING COMPANY. AND YOU'LL BE NBC'ing [seeing] A 47 00:01:41,768 --> 00:01:43,146 BROADCASTING COMPANY. AND YOU'LL BE NBC'ing [seeing] A LOT OF FRANK. 48 00:01:43,170 --> 00:01:44,747 AND YOU'LL BE NBC'ing [seeing] A LOT OF FRANK. HEY, AND I'M NOT 49 00:01:44,771 --> 00:01:48,085 LOT OF FRANK. HEY, AND I'M NOT CBS'ing [B.S.'ing] YOU, EITHER. 50 00:01:48,109 --> 00:01:50,587 HEY, AND I'M NOT CBS'ing [B.S.'ing] YOU, EITHER. YES, THE ENTIRE NBC STAR-MAKING 51 00:01:50,611 --> 00:01:53,190 CBS'ing [B.S.'ing] YOU, EITHER. YES, THE ENTIRE NBC STAR-MAKING MACHINERY IS BEHIND FRANK ZAPPA. 52 00:01:53,214 --> 00:01:55,158 YES, THE ENTIRE NBC STAR-MAKING MACHINERY IS BEHIND FRANK ZAPPA. THIS JANUARY, HE'LL BE STARRING 53 00:01:55,182 --> 00:01:57,227 MACHINERY IS BEHIND FRANK ZAPPA. THIS JANUARY, HE'LL BE STARRING IN HIS OWN SITUATION COMEDY AS A 54 00:01:57,251 --> 00:01:59,196 THIS JANUARY, HE'LL BE STARRING IN HIS OWN SITUATION COMEDY AS A HIGH-SCHOOL BASKETBALL COACH ON 55 00:01:59,220 --> 00:02:01,030 IN HIS OWN SITUATION COMEDY AS A HIGH-SCHOOL BASKETBALL COACH ON "THE ZAPPA WONDERS." 56 00:02:01,054 --> 00:02:03,467 HIGH-SCHOOL BASKETBALL COACH ON "THE ZAPPA WONDERS." TONIGHT, TO UNVEIL NBC's NEW 57 00:02:03,491 --> 00:02:05,168 "THE ZAPPA WONDERS." TONIGHT, TO UNVEIL NBC's NEW LOOK, FRANK ZAPPA. 58 00:02:05,192 --> 00:02:07,304 TONIGHT, TO UNVEIL NBC's NEW LOOK, FRANK ZAPPA. LIVE FROM NEW YORK, IT'S 59 00:02:07,328 --> 00:02:09,473 LOOK, FRANK ZAPPA. LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! 60 00:02:09,497 --> 00:02:11,597 LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! [BAND PLAYS] 61 00:02:20,906 --> 00:02:24,709 Announcer: IT'S "SATURDAY NIGHT LIVE." 62 00:02:28,748 --> 00:02:31,550 WITH FRANK ZAPPA. 63 00:02:38,758 --> 00:02:46,758 STARRING DAN AYKROYD... JOHN BELUSHI... JANE CURTIN... 64 00:02:53,307 --> 00:02:57,454 JOHN BELUSHI... JANE CURTIN... GARRETT MORRIS... 65 00:02:57,478 --> 00:03:01,291 JANE CURTIN... GARRETT MORRIS... BILL MURRAY... 66 00:03:01,315 --> 00:03:05,128 GARRETT MORRIS... BILL MURRAY... LARAINE NEWMAN... 67 00:03:05,152 --> 00:03:07,586 BILL MURRAY... LARAINE NEWMAN... AND GILDA RADNER. 68 00:03:14,294 --> 00:03:18,975 WITH A SPECIAL REPORT FROM FATHER GUIDO SARDUCCI... AND THE COMEDY TEAM OF 69 00:03:18,999 --> 00:03:21,479 FATHER GUIDO SARDUCCI... AND THE COMEDY TEAM OF FRANKEN & DAVIS. 70 00:03:26,138 --> 00:03:31,109 LADIES AND GENTLEMEN, FRANK ZAPPA. 71 00:03:41,020 --> 00:03:43,655 [CHEERS AND APPLAUSE] 72 00:03:46,792 --> 00:03:52,609 HIYA, HIYA, HIYA. THANK YOU. AND REMEMBER, I'M READING THIS 73 00:03:52,633 --> 00:03:54,043 THANK YOU. AND REMEMBER, I'M READING THIS OFF THESE CARDS UNDERNEATH THIS 74 00:03:54,067 --> 00:03:54,711 AND REMEMBER, I'M READING THIS OFF THESE CARDS UNDERNEATH THIS CAMERA HERE. 75 00:03:54,735 --> 00:03:55,512 OFF THESE CARDS UNDERNEATH THIS CAMERA HERE. THANK YOU. 76 00:03:55,536 --> 00:03:57,380 CAMERA HERE. THANK YOU. IT'S AN AWESOME RESPONSIBILITY 77 00:03:57,404 --> 00:03:59,282 THANK YOU. IT'S AN AWESOME RESPONSIBILITY BEING SELECTED OUT OF MILLIONS 78 00:03:59,306 --> 00:04:01,150 IT'S AN AWESOME RESPONSIBILITY BEING SELECTED OUT OF MILLIONS OF PEOPLE TO BECOME THE BANNER 79 00:04:01,174 --> 00:04:02,885 BEING SELECTED OUT OF MILLIONS OF PEOPLE TO BECOME THE BANNER OF NBC's NEW LOOK. 80 00:04:02,909 --> 00:04:04,854 OF PEOPLE TO BECOME THE BANNER OF NBC's NEW LOOK. GOD, I HOPE I'M GOOD. 81 00:04:04,878 --> 00:04:06,656 OF NBC's NEW LOOK. GOD, I HOPE I'M GOOD. TONIGHT, WE'D LIKE TO DO A SONG 82 00:04:06,680 --> 00:04:08,157 GOD, I HOPE I'M GOOD. TONIGHT, WE'D LIKE TO DO A SONG ABOUT AN IMPORTANT SOCIAL 83 00:04:08,181 --> 00:04:09,459 TONIGHT, WE'D LIKE TO DO A SONG ABOUT AN IMPORTANT SOCIAL PROBLEM... DISCO. 84 00:04:09,483 --> 00:04:11,628 ABOUT AN IMPORTANT SOCIAL PROBLEM... DISCO. IT DEALS WITH LONELY PEOPLE WITH 85 00:04:11,652 --> 00:04:13,697 PROBLEM... DISCO. IT DEALS WITH LONELY PEOPLE WITH NO NATURAL RHYTHM IMPINGING ON 86 00:04:13,721 --> 00:04:15,599 IT DEALS WITH LONELY PEOPLE WITH NO NATURAL RHYTHM IMPINGING ON EACH OTHER IN THE DARKNESS. 87 00:04:15,623 --> 00:04:17,934 NO NATURAL RHYTHM IMPINGING ON EACH OTHER IN THE DARKNESS. IT'S CALLED "DANCING FOOL." 88 00:04:17,958 --> 00:04:19,936 EACH OTHER IN THE DARKNESS. IT'S CALLED "DANCING FOOL." 1, 2, 3, 4. 89 00:04:19,960 --> 00:04:22,394 IT'S CALLED "DANCING FOOL." 1, 2, 3, 4. [INTRO PLAYS] 90 00:04:32,438 --> 00:04:35,785 ♪ I DON'T KNOW MUCH ABOUT DANCING ♪ ♪ THAT'S WHY I GOT THIS SONG ♪ 91 00:04:35,809 --> 00:04:37,120 DANCING ♪ ♪ THAT'S WHY I GOT THIS SONG ♪ ♪ ONE OF MY LEGS IS SHORTER THAN 92 00:04:37,144 --> 00:04:37,621 ♪ THAT'S WHY I GOT THIS SONG ♪ ♪ ONE OF MY LEGS IS SHORTER THAN THE OTHER ♪ 93 00:04:37,645 --> 00:04:39,122 ♪ ONE OF MY LEGS IS SHORTER THAN THE OTHER ♪ ♪ AND BOTH MY FEET'S TOO LONG ♪ 94 00:04:39,146 --> 00:04:40,457 THE OTHER ♪ ♪ AND BOTH MY FEET'S TOO LONG ♪ ♪ 'COURSE NOW RIGHT ALONG WITH 95 00:04:40,481 --> 00:04:40,957 ♪ AND BOTH MY FEET'S TOO LONG ♪ ♪ 'COURSE NOW RIGHT ALONG WITH 'EM ♪ 96 00:04:40,981 --> 00:04:42,459 ♪ 'COURSE NOW RIGHT ALONG WITH 'EM ♪ ♪ GOT NO NATURAL RHYTHM ♪ 97 00:04:42,483 --> 00:04:43,793 'EM ♪ ♪ GOT NO NATURAL RHYTHM ♪ ♪ BUT I GO DANCING EVERY 98 00:04:43,817 --> 00:04:44,294 ♪ GOT NO NATURAL RHYTHM ♪ ♪ BUT I GO DANCING EVERY NIGHT ♪ 99 00:04:44,318 --> 00:04:45,629 ♪ BUT I GO DANCING EVERY NIGHT ♪ ♪ HOPING ONE DAY I MIGHT GET IT 100 00:04:45,653 --> 00:04:46,129 NIGHT ♪ ♪ HOPING ONE DAY I MIGHT GET IT RIGHT ♪ 101 00:04:46,153 --> 00:04:49,799 ♪ HOPING ONE DAY I MIGHT GET IT RIGHT ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ 102 00:04:49,823 --> 00:04:52,969 RIGHT ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ 103 00:04:52,993 --> 00:04:56,139 ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ 104 00:04:56,163 --> 00:04:59,643 ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ 105 00:04:59,667 --> 00:05:00,810 ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I HEAR THAT BEAT, I JUMP OUT 106 00:05:00,834 --> 00:05:01,311 ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I HEAR THAT BEAT, I JUMP OUT OF MY SEAT ♪ 107 00:05:01,335 --> 00:05:02,312 ♪ I HEAR THAT BEAT, I JUMP OUT OF MY SEAT ♪ ♪ BUT I CAN'T COMPETE, 'CAUSE 108 00:05:02,336 --> 00:05:04,981 OF MY SEAT ♪ ♪ BUT I CAN'T COMPETE, 'CAUSE I'M A DANCING FOO-O-O-O-O-L ♪ 109 00:05:05,005 --> 00:05:09,073 ♪ BUT I CAN'T COMPETE, 'CAUSE I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ 110 00:05:15,114 --> 00:05:19,629 ♪ DISCO FOLKS ALL DRESSED UP ♪ ♪ LIKE THEY'S FIT TO KILL ♪ ♪ I WALK ON IN AND SEE 'EM 111 00:05:19,653 --> 00:05:20,129 ♪ LIKE THEY'S FIT TO KILL ♪ ♪ I WALK ON IN AND SEE 'EM THERE ♪ 112 00:05:20,153 --> 00:05:21,798 ♪ I WALK ON IN AND SEE 'EM THERE ♪ ♪ GONNA GIVE THEM ALL A THRILL ♪ 113 00:05:21,822 --> 00:05:23,466 THERE ♪ ♪ GONNA GIVE THEM ALL A THRILL ♪ ♪ WHEN THEY SEE ME COMING ♪ 114 00:05:23,490 --> 00:05:24,967 ♪ GONNA GIVE THEM ALL A THRILL ♪ ♪ WHEN THEY SEE ME COMING ♪ ♪ THEY ALL STEPS ASIDE ♪ 115 00:05:24,991 --> 00:05:26,469 ♪ WHEN THEY SEE ME COMING ♪ ♪ THEY ALL STEPS ASIDE ♪ ♪ THEY HAS A FIT WHILE I 116 00:05:26,493 --> 00:05:26,969 ♪ THEY ALL STEPS ASIDE ♪ ♪ THEY HAS A FIT WHILE I COMMIT ♪ 117 00:05:26,993 --> 00:05:28,305 ♪ THEY HAS A FIT WHILE I COMMIT ♪ ♪ MY SOCIAL SUICIDE ♪ 118 00:05:28,329 --> 00:05:31,474 COMMIT ♪ ♪ MY SOCIAL SUICIDE ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ 119 00:05:31,498 --> 00:05:34,977 ♪ MY SOCIAL SUICIDE ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ 120 00:05:35,001 --> 00:05:38,147 ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ 121 00:05:38,171 --> 00:05:41,651 ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ 122 00:05:41,675 --> 00:05:43,986 ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ THE BEAT GOES ON, AND I'M SO 123 00:05:44,010 --> 00:05:48,157 ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ THE BEAT GOES ON, AND I'M SO WRO-O-NG ♪ 124 00:05:48,181 --> 00:05:50,827 ♪ THE BEAT GOES ON, AND I'M SO WRO-O-NG ♪ ♪ THE BEAT GOES ON, AND I'M SO 125 00:05:50,851 --> 00:05:54,997 WRO-O-NG ♪ ♪ THE BEAT GOES ON, AND I'M SO WRO-O-NG ♪ 126 00:05:55,021 --> 00:05:56,165 ♪ THE BEAT GOES ON, AND I'M SO WRO-O-NG ♪ ♪ THE BEAT GOES ON, AND I'M SO 127 00:05:56,189 --> 00:05:56,666 WRO-O-NG ♪ ♪ THE BEAT GOES ON, AND I'M SO WRONG ♪ 128 00:05:56,690 --> 00:05:57,834 ♪ THE BEAT GOES ON, AND I'M SO WRONG ♪ ♪ THE BEAT GOES ON, AND I'M SO 129 00:05:57,858 --> 00:05:58,335 WRONG ♪ ♪ THE BEAT GOES ON, AND I'M SO WRONG ♪ 130 00:05:58,359 --> 00:05:59,669 ♪ THE BEAT GOES ON, AND I'M SO WRONG ♪ ♪ THE BEAT GOES ON, AND I'M SO 131 00:05:59,693 --> 00:06:00,169 WRONG ♪ ♪ THE BEAT GOES ON, AND I'M SO WRONG ♪ 132 00:06:00,193 --> 00:06:01,170 ♪ THE BEAT GOES ON, AND I'M SO WRONG ♪ ♪ THE BEAT GOES ON, AND I'M SO 133 00:06:01,194 --> 00:06:01,671 WRONG ♪ ♪ THE BEAT GOES ON, AND I'M SO WRONG ♪ 134 00:06:01,695 --> 00:06:02,672 ♪ THE BEAT GOES ON, AND I'M SO WRONG ♪ ♪ I MAY BE TOTALLY WRONG, BUT 135 00:06:02,696 --> 00:06:04,841 WRONG ♪ ♪ I MAY BE TOTALLY WRONG, BUT I'M A DANCING FOO-O-O-O-O-L ♪ 136 00:06:04,865 --> 00:06:06,175 ♪ I MAY BE TOTALLY WRONG, BUT I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I MAY BE TOTALLY WRONG, BUT 137 00:06:06,199 --> 00:06:09,679 I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I MAY BE TOTALLY WRONG, BUT I'M A DANCING FOO-O-O-O-O-L ♪ 138 00:06:16,809 --> 00:06:23,827 ♪ I GOT IT ALL TOGETHER NOW ♪ ♪ WITH MY VERY OWN DISCO CLOTHES, HEY ♪ 139 00:06:23,851 --> 00:06:26,162 ♪ WITH MY VERY OWN DISCO CLOTHES, HEY ♪ ♪ MY SHIRT'S HALF OPEN TO SHOW 140 00:06:26,186 --> 00:06:27,163 CLOTHES, HEY ♪ ♪ MY SHIRT'S HALF OPEN TO SHOW YOU MY CHAIN ♪ 141 00:06:27,187 --> 00:06:29,332 ♪ MY SHIRT'S HALF OPEN TO SHOW YOU MY CHAIN ♪ ♪ AND THE SPOON FOR UP IN MY 142 00:06:29,356 --> 00:06:30,166 YOU MY CHAIN ♪ ♪ AND THE SPOON FOR UP IN MY NOSE ♪ 143 00:06:30,190 --> 00:06:31,167 ♪ AND THE SPOON FOR UP IN MY NOSE ♪ [WHISTLE] 144 00:06:31,191 --> 00:06:33,837 NOSE ♪ [WHISTLE] ♪ "I AM REALLY SOMETHIN'" ♪ 145 00:06:33,861 --> 00:06:36,172 [WHISTLE] ♪ "I AM REALLY SOMETHIN'" ♪ ♪ THAT'S WHAT YOU'D PROBABLY 146 00:06:36,196 --> 00:06:37,674 ♪ "I AM REALLY SOMETHIN'" ♪ ♪ THAT'S WHAT YOU'D PROBABLY SAY ♪ 147 00:06:37,698 --> 00:06:39,509 ♪ THAT'S WHAT YOU'D PROBABLY SAY ♪ ♪ SO SMOKE YOUR LITTLE SMOKE ♪ 148 00:06:39,533 --> 00:06:41,010 SAY ♪ ♪ SO SMOKE YOUR LITTLE SMOKE ♪ ♪ DRINK YOUR LITTLE DRINK ♪ 149 00:06:41,034 --> 00:06:44,347 ♪ SO SMOKE YOUR LITTLE SMOKE ♪ ♪ DRINK YOUR LITTLE DRINK ♪ ♪ WHILE I DANCE THE NIGHT AWAY ♪ 150 00:06:44,371 --> 00:06:47,684 ♪ DRINK YOUR LITTLE DRINK ♪ ♪ WHILE I DANCE THE NIGHT AWAY ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ 151 00:06:47,708 --> 00:06:51,187 ♪ WHILE I DANCE THE NIGHT AWAY ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ 152 00:06:51,211 --> 00:06:54,357 ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ 153 00:06:54,381 --> 00:06:58,027 ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ 154 00:06:58,051 --> 00:07:00,363 ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ HE'S A DANCING FOOL ♪ 155 00:07:00,387 --> 00:07:01,698 ♪ I'M A DANCING FOO-O-O-O-O-L ♪ ♪ HE'S A DANCING FOOL ♪ ♪ I MAY BE TOTALLY WRONG, BUT 156 00:07:01,722 --> 00:07:04,033 ♪ HE'S A DANCING FOOL ♪ ♪ I MAY BE TOTALLY WRONG, BUT I'M A ♪ 157 00:07:04,057 --> 00:07:05,201 ♪ I MAY BE TOTALLY WRONG, BUT I'M A ♪ ♪ I MAY BE TOTALLY WRONG, BUT 158 00:07:05,225 --> 00:07:07,871 I'M A ♪ ♪ I MAY BE TOTALLY WRONG, BUT I'M A ♪ 159 00:07:07,895 --> 00:07:09,038 ♪ I MAY BE TOTALLY WRONG, BUT I'M A ♪ ♪ I MAY BE TOTALLY WRONG, BUT 160 00:07:09,062 --> 00:07:11,374 I'M A ♪ ♪ I MAY BE TOTALLY WRONG, BUT I'M A ♪ 161 00:07:11,398 --> 00:07:13,543 ♪ I MAY BE TOTALLY WRONG, BUT I'M A ♪ ♪ I MAY BE TOTALLY WRONG, BUT 162 00:07:13,567 --> 00:07:17,213 I'M A ♪ ♪ I MAY BE TOTALLY WRONG, BUT I'M A FOOL, YEAH ♪ 163 00:07:17,237 --> 00:07:20,717 ♪ I MAY BE TOTALLY WRONG, BUT I'M A FOOL, YEAH ♪ SAY, DARLING, CAN I BUY YOU A 164 00:07:20,741 --> 00:07:23,553 I'M A FOOL, YEAH ♪ SAY, DARLING, CAN I BUY YOU A DRINK? 165 00:07:23,577 --> 00:07:26,556 SAY, DARLING, CAN I BUY YOU A DRINK? I MEAN, ARE YOU LOOKING FOR 166 00:07:26,580 --> 00:07:29,058 DRINK? I MEAN, ARE YOU LOOKING FOR MR. GOODBAR? 167 00:07:29,082 --> 00:07:30,059 I MEAN, ARE YOU LOOKING FOR MR. GOODBAR? WAIT A MINUTE. 168 00:07:30,083 --> 00:07:31,060 MR. GOODBAR? WAIT A MINUTE. I'VE GOT IT. 169 00:07:31,084 --> 00:07:33,062 WAIT A MINUTE. I'VE GOT IT. YOU'RE AN ITALIAN. 170 00:07:33,086 --> 00:07:34,664 I'VE GOT IT. YOU'RE AN ITALIAN. YOU'RE JEWISH? 171 00:07:34,688 --> 00:07:36,399 YOU'RE AN ITALIAN. YOU'RE JEWISH? LOVE YOUR NAILS. 172 00:07:36,423 --> 00:07:39,736 YOU'RE JEWISH? LOVE YOUR NAILS. YOU MUST BE A LIBRA. 173 00:07:39,760 --> 00:07:41,237 LOVE YOUR NAILS. YOU MUST BE A LIBRA. YOUR PLACE OR MINE? 174 00:07:41,261 --> 00:07:43,239 YOU MUST BE A LIBRA. YOUR PLACE OR MINE? [MUSIC STOPS] 175 00:07:43,263 --> 00:07:45,408 YOUR PLACE OR MINE? [MUSIC STOPS] ALL RIGHT, LET'S GO. 176 00:07:45,432 --> 00:07:47,699 [MUSIC STOPS] ALL RIGHT, LET'S GO. [APPLAUSE] 177 00:07:56,408 --> 00:08:00,879 HONEY, I'M HOME! [CHEERS AND APPLAUSE] 178 00:08:13,926 --> 00:08:21,926 [CHEERS AND APPLAUSE] THE RELATION OF THE EARTH'S AXIS TO ITS SUN IS MOST NOTICEABLE 179 00:08:22,402 --> 00:08:22,912 THE RELATION OF THE EARTH'S AXIS TO ITS SUN IS MOST NOTICEABLE TODAY. 180 00:08:22,936 --> 00:08:24,413 TO ITS SUN IS MOST NOTICEABLE TODAY. YES, IT'S COLDER THAN A 181 00:08:24,437 --> 00:08:25,414 TODAY. YES, IT'S COLDER THAN A LARTHGOR'S MIB. 182 00:08:25,438 --> 00:08:27,049 YES, IT'S COLDER THAN A LARTHGOR'S MIB. BELDAR, WE MUST MAINTAIN OUR 183 00:08:27,073 --> 00:08:28,485 LARTHGOR'S MIB. BELDAR, WE MUST MAINTAIN OUR LAWN SPACES TO OUR HUMAN 184 00:08:28,509 --> 00:08:29,251 BELDAR, WE MUST MAINTAIN OUR LAWN SPACES TO OUR HUMAN NEIGHBORS. 185 00:08:29,275 --> 00:08:31,087 LAWN SPACES TO OUR HUMAN NEIGHBORS. YOU MUST COLLECT THE FALLEN TREE 186 00:08:31,111 --> 00:08:31,788 NEIGHBORS. YOU MUST COLLECT THE FALLEN TREE PARTICLES. 187 00:08:31,812 --> 00:08:33,289 YOU MUST COLLECT THE FALLEN TREE PARTICLES. THERE IS NO HUMAN CUSTOM 188 00:08:33,313 --> 00:08:34,891 PARTICLES. THERE IS NO HUMAN CUSTOM WHICH SAYS THE FEMALE SPOUSAL 189 00:08:34,915 --> 00:08:36,493 THERE IS NO HUMAN CUSTOM WHICH SAYS THE FEMALE SPOUSAL UNIT MAY NOT COLLECT THE TREE 190 00:08:36,517 --> 00:08:37,226 WHICH SAYS THE FEMALE SPOUSAL UNIT MAY NOT COLLECT THE TREE PARTICLES. 191 00:08:37,250 --> 00:08:38,628 UNIT MAY NOT COLLECT THE TREE PARTICLES. BUT I WAS THE ONE WHO 192 00:08:38,652 --> 00:08:39,963 PARTICLES. BUT I WAS THE ONE WHO INSTALLED THE EXTERIOR 193 00:08:39,987 --> 00:08:41,197 BUT I WAS THE ONE WHO INSTALLED THE EXTERIOR TRANSPARENT WEATHER PANELS! 194 00:08:41,221 --> 00:08:41,698 INSTALLED THE EXTERIOR TRANSPARENT WEATHER PANELS! MEBS! 195 00:08:41,722 --> 00:08:42,164 TRANSPARENT WEATHER PANELS! MEBS! MEBS! 196 00:08:42,188 --> 00:08:42,665 MEBS! MEBS! MEBS! 197 00:08:42,689 --> 00:08:43,165 MEBS! MEBS! MEBS! 198 00:08:43,189 --> 00:08:43,666 MEBS! MEBS! MEBS! 199 00:08:43,690 --> 00:08:44,166 MEBS! MEBS! MEBS! 200 00:08:44,190 --> 00:08:46,669 MEBS! MEBS! GREETINGS, PARENTAL UNITS. 201 00:08:46,693 --> 00:08:48,170 MEBS! GREETINGS, PARENTAL UNITS. WAIT! 202 00:08:48,194 --> 00:08:51,841 GREETINGS, PARENTAL UNITS. WAIT! GET YOUR YOUNG CONE OVER HERE. 203 00:08:51,865 --> 00:08:53,309 WAIT! GET YOUR YOUNG CONE OVER HERE. YOU MUST CONSUME MASS 204 00:08:53,333 --> 00:08:54,110 GET YOUR YOUNG CONE OVER HERE. YOU MUST CONSUME MASS QUANTITIES. 205 00:08:54,134 --> 00:08:55,444 YOU MUST CONSUME MASS QUANTITIES. NO, I HAVE A DATE. 206 00:08:55,468 --> 00:08:56,846 QUANTITIES. NO, I HAVE A DATE. I MUST PREPARE MY CONE. 207 00:08:56,870 --> 00:08:57,514 NO, I HAVE A DATE. I MUST PREPARE MY CONE. MEBS! 208 00:08:57,538 --> 00:08:59,115 I MUST PREPARE MY CONE. MEBS! YOU HAD A DATE LAST NIGHT. 209 00:08:59,139 --> 00:09:00,783 MEBS! YOU HAD A DATE LAST NIGHT. BELDAR, IT IS VITAL THAT YOU 210 00:09:00,807 --> 00:09:02,184 YOU HAD A DATE LAST NIGHT. BELDAR, IT IS VITAL THAT YOU ADDRESS OUR YOUNG ONE. 211 00:09:02,208 --> 00:09:05,021 BELDAR, IT IS VITAL THAT YOU ADDRESS OUR YOUNG ONE. CONNIE, WE ARE CONCERNED WITH 212 00:09:05,045 --> 00:09:06,422 ADDRESS OUR YOUNG ONE. CONNIE, WE ARE CONCERNED WITH THE INCREASING FREQUENCY OF YOUR 213 00:09:06,446 --> 00:09:07,757 CONNIE, WE ARE CONCERNED WITH THE INCREASING FREQUENCY OF YOUR NOCTURNAL INTERACTION WITH THE 214 00:09:07,781 --> 00:09:08,391 THE INCREASING FREQUENCY OF YOUR NOCTURNAL INTERACTION WITH THE HUMANS. 215 00:09:08,415 --> 00:09:09,859 NOCTURNAL INTERACTION WITH THE HUMANS. DO NOT BE CONCERNED. 216 00:09:09,883 --> 00:09:11,494 HUMANS. DO NOT BE CONCERNED. I CAN HANDLE MYSELF. 217 00:09:11,518 --> 00:09:12,328 DO NOT BE CONCERNED. I CAN HANDLE MYSELF. GOOD. 218 00:09:12,352 --> 00:09:13,763 I CAN HANDLE MYSELF. GOOD. YOU KNOW, CONNIE, PRYMAAT AND I 219 00:09:13,787 --> 00:09:15,131 GOOD. YOU KNOW, CONNIE, PRYMAAT AND I ARE NOT COMPLETELY UNAWARE OF 220 00:09:15,155 --> 00:09:16,365 YOU KNOW, CONNIE, PRYMAAT AND I ARE NOT COMPLETELY UNAWARE OF THE PROBLEMS WHICH PRESENT 221 00:09:16,389 --> 00:09:17,734 ARE NOT COMPLETELY UNAWARE OF THE PROBLEMS WHICH PRESENT THEMSELVES TO YOU AS A YOUNG, 222 00:09:17,758 --> 00:09:18,868 THE PROBLEMS WHICH PRESENT THEMSELVES TO YOU AS A YOUNG, ATTRACTIVE CONE ON THIS 223 00:09:18,892 --> 00:09:20,069 THEMSELVES TO YOU AS A YOUNG, ATTRACTIVE CONE ON THIS MISERABLE PLANET. 224 00:09:20,093 --> 00:09:20,970 ATTRACTIVE CONE ON THIS MISERABLE PLANET. OH, BOY. 225 00:09:20,994 --> 00:09:22,939 MISERABLE PLANET. OH, BOY. YOU'RE NOT GOING TO RELATE YOUR 226 00:09:22,963 --> 00:09:24,908 OH, BOY. YOU'RE NOT GOING TO RELATE YOUR LIFE TALES ABOUT THE ARZOOLIANS 227 00:09:24,932 --> 00:09:25,474 YOU'RE NOT GOING TO RELATE YOUR LIFE TALES ABOUT THE ARZOOLIANS AGAIN? 228 00:09:25,498 --> 00:09:27,343 LIFE TALES ABOUT THE ARZOOLIANS AGAIN? NO, BUT REALIZE THAT, WHEN I 229 00:09:27,367 --> 00:09:28,945 AGAIN? NO, BUT REALIZE THAT, WHEN I WAS YOUNG, I LIVED WITH MY 230 00:09:28,969 --> 00:09:30,647 NO, BUT REALIZE THAT, WHEN I WAS YOUNG, I LIVED WITH MY PARENTAL UNITS ON THE PLANET 231 00:09:30,671 --> 00:09:32,248 WAS YOUNG, I LIVED WITH MY PARENTAL UNITS ON THE PLANET GARNEP IN THE KRINT BELTS. 232 00:09:32,272 --> 00:09:33,716 PARENTAL UNITS ON THE PLANET GARNEP IN THE KRINT BELTS. ALL DURING THIS TIME, NOT ONE 233 00:09:33,740 --> 00:09:35,284 GARNEP IN THE KRINT BELTS. ALL DURING THIS TIME, NOT ONE GARNEEPIAN LAID A TENDRIL ON MY 234 00:09:35,308 --> 00:09:35,752 ALL DURING THIS TIME, NOT ONE GARNEEPIAN LAID A TENDRIL ON MY CONE. 235 00:09:35,776 --> 00:09:37,420 GARNEEPIAN LAID A TENDRIL ON MY CONE. SO THAT ON THE DAY WHEN BELDAR 236 00:09:37,444 --> 00:09:39,088 CONE. SO THAT ON THE DAY WHEN BELDAR AND I HAD OUR LANGTHOOS JOINED 237 00:09:39,112 --> 00:09:41,290 SO THAT ON THE DAY WHEN BELDAR AND I HAD OUR LANGTHOOS JOINED BY SHEBVAR THE RELENTLESS, I 238 00:09:41,314 --> 00:09:43,726 AND I HAD OUR LANGTHOOS JOINED BY SHEBVAR THE RELENTLESS, I PRESENTED BELDAR WITH AN UNHONED 239 00:09:43,750 --> 00:09:44,527 BY SHEBVAR THE RELENTLESS, I PRESENTED BELDAR WITH AN UNHONED CONE. 240 00:09:44,551 --> 00:09:47,196 PRESENTED BELDAR WITH AN UNHONED CONE. MMM, AND IT HEIGHTENED THE 241 00:09:47,220 --> 00:09:48,998 CONE. MMM, AND IT HEIGHTENED THE SENSO-EXPERIENCE FOR BOTH OF US. 242 00:09:49,022 --> 00:09:50,600 MMM, AND IT HEIGHTENED THE SENSO-EXPERIENCE FOR BOTH OF US. WE DID NOT LEAVE OUR GUZZ 243 00:09:50,624 --> 00:09:52,401 SENSO-EXPERIENCE FOR BOTH OF US. WE DID NOT LEAVE OUR GUZZ MODULE FOR THREE WHOLE DREEODES. 244 00:09:52,425 --> 00:09:53,135 WE DID NOT LEAVE OUR GUZZ MODULE FOR THREE WHOLE DREEODES. MMM. 245 00:09:53,159 --> 00:09:53,903 MODULE FOR THREE WHOLE DREEODES. MMM. MMM. 246 00:09:53,927 --> 00:09:55,404 MMM. MMM. AND EXCEPT FOR THOSE TWO 247 00:09:55,428 --> 00:09:57,073 MMM. AND EXCEPT FOR THOSE TWO FLATHRAGS FROM MEEPZOR, IT WAS 248 00:09:57,097 --> 00:09:58,741 AND EXCEPT FOR THOSE TWO FLATHRAGS FROM MEEPZOR, IT WAS MY FIRST TIME, AS WELL. 249 00:09:58,765 --> 00:09:59,776 FLATHRAGS FROM MEEPZOR, IT WAS MY FIRST TIME, AS WELL. "FLATHRAGS"?! 250 00:09:59,800 --> 00:10:01,143 MY FIRST TIME, AS WELL. "FLATHRAGS"?! YOU NEVER TOLD ME ABOUT 251 00:10:01,167 --> 00:10:02,478 "FLATHRAGS"?! YOU NEVER TOLD ME ABOUT FLATHRAGS FROM MEEPZOR! 252 00:10:02,502 --> 00:10:03,412 YOU NEVER TOLD ME ABOUT FLATHRAGS FROM MEEPZOR! Both: MEBS! 253 00:10:03,436 --> 00:10:03,913 FLATHRAGS FROM MEEPZOR! Both: MEBS! MEBS! 254 00:10:03,937 --> 00:10:05,014 Both: MEBS! MEBS! [DOORBELL RINGS] 255 00:10:05,038 --> 00:10:05,514 MEBS! [DOORBELL RINGS] MEBS! 256 00:10:05,538 --> 00:10:07,684 [DOORBELL RINGS] MEBS! OH... MY DATE! 257 00:10:07,708 --> 00:10:09,385 MEBS! OH... MY DATE! I HAVE NOT PREPARED MY CONE. 258 00:10:09,409 --> 00:10:11,287 OH... MY DATE! I HAVE NOT PREPARED MY CONE. PARENTAL UNITS, PLEASE GREET THE 259 00:10:11,311 --> 00:10:11,854 I HAVE NOT PREPARED MY CONE. PARENTAL UNITS, PLEASE GREET THE HUMAN. 260 00:10:11,878 --> 00:10:15,858 PARENTAL UNITS, PLEASE GREET THE HUMAN. [BOTH GROANING] 261 00:10:15,882 --> 00:10:16,693 HUMAN. [BOTH GROANING] GREETINGS. 262 00:10:16,717 --> 00:10:17,359 [BOTH GROANING] GREETINGS. ENTER. 263 00:10:17,383 --> 00:10:20,863 GREETINGS. ENTER. [APPLAUSE] 264 00:10:20,887 --> 00:10:22,531 ENTER. [APPLAUSE] HELLO, YOU MUST BE MR. AND 265 00:10:22,555 --> 00:10:24,366 [APPLAUSE] HELLO, YOU MUST BE MR. AND MRS., UH, CONEHEAD. 266 00:10:24,390 --> 00:10:25,334 HELLO, YOU MUST BE MR. AND MRS., UH, CONEHEAD. YES. 267 00:10:25,358 --> 00:10:26,368 MRS., UH, CONEHEAD. YES. CORRECT. 268 00:10:26,392 --> 00:10:27,070 YES. CORRECT. YOUR NAME? 269 00:10:27,094 --> 00:10:28,037 CORRECT. YOUR NAME? FRANK ZAPPA. 270 00:10:28,061 --> 00:10:29,772 YOUR NAME? FRANK ZAPPA. WHAT IS YOUR FUNCTION ON THIS 271 00:10:29,796 --> 00:10:30,339 FRANK ZAPPA. WHAT IS YOUR FUNCTION ON THIS PLANET? 272 00:10:30,363 --> 00:10:33,843 WHAT IS YOUR FUNCTION ON THIS PLANET? I AM A MUSICIAN. 273 00:10:33,867 --> 00:10:35,044 PLANET? I AM A MUSICIAN. AND I'M GIVING A CONCERT. 274 00:10:35,068 --> 00:10:36,378 I AM A MUSICIAN. AND I'M GIVING A CONCERT. NO, THAT SHOULD BE OUT THERE. 275 00:10:36,402 --> 00:10:37,580 AND I'M GIVING A CONCERT. NO, THAT SHOULD BE OUT THERE. IT SHOULDN'T BE IN THERE. 276 00:10:37,604 --> 00:10:38,147 NO, THAT SHOULD BE OUT THERE. IT SHOULDN'T BE IN THERE. OH, YEAH. 277 00:10:38,171 --> 00:10:39,582 IT SHOULDN'T BE IN THERE. OH, YEAH. AND... AND CONNIE IS MY SPECIAL 278 00:10:39,606 --> 00:10:40,016 OH, YEAH. AND... AND CONNIE IS MY SPECIAL GUEST. 279 00:10:40,040 --> 00:10:40,717 AND... AND CONNIE IS MY SPECIAL GUEST. "CONCERT"? 280 00:10:40,741 --> 00:10:41,951 GUEST. "CONCERT"? "CONCERT"... A VOLUNTARY 281 00:10:41,975 --> 00:10:43,252 "CONCERT"? "CONCERT"... A VOLUNTARY GATHERING OF HUMANS TO ABSORB 282 00:10:43,276 --> 00:10:44,053 "CONCERT"... A VOLUNTARY GATHERING OF HUMANS TO ABSORB SOUND PATTERNS. 283 00:10:44,077 --> 00:10:45,488 GATHERING OF HUMANS TO ABSORB SOUND PATTERNS. PRYMAAT, ASSIST OUR YOUNG ONE 284 00:10:45,512 --> 00:10:46,789 SOUND PATTERNS. PRYMAAT, ASSIST OUR YOUNG ONE WHILE I COMMUNICATE WITH THIS 285 00:10:46,813 --> 00:10:47,790 PRYMAAT, ASSIST OUR YOUNG ONE WHILE I COMMUNICATE WITH THIS HUMAN. 286 00:10:47,814 --> 00:10:50,727 WHILE I COMMUNICATE WITH THIS HUMAN. I INVITE YOU TO CONSUME MASS 287 00:10:50,751 --> 00:10:52,684 HUMAN. I INVITE YOU TO CONSUME MASS QUANTITIES. 288 00:11:16,142 --> 00:11:23,026 SO, ZAPPA, WHERE DID YOU MEET? [LAUGHTER] 289 00:11:23,050 --> 00:11:25,862 MEET? [LAUGHTER] EXCUSE ME. 290 00:11:25,886 --> 00:11:26,996 [LAUGHTER] EXCUSE ME. ZAPPA. 291 00:11:27,020 --> 00:11:28,064 EXCUSE ME. ZAPPA. YEAH? 292 00:11:28,088 --> 00:11:30,933 ZAPPA. YEAH? WHERE... WHERE DID YOU MEET 293 00:11:30,957 --> 00:11:31,934 YEAH? WHERE... WHERE DID YOU MEET OUR YOUNG ONE? 294 00:11:31,958 --> 00:11:33,736 WHERE... WHERE DID YOU MEET OUR YOUNG ONE? I SPOTTED HER IN THE FRONT 295 00:11:33,760 --> 00:11:35,604 OUR YOUNG ONE? I SPOTTED HER IN THE FRONT ROW LAST NIGHT, AND I KNEW SHE 296 00:11:35,628 --> 00:11:36,873 I SPOTTED HER IN THE FRONT ROW LAST NIGHT, AND I KNEW SHE WAS REALLY SPECIAL. 297 00:11:36,897 --> 00:11:38,541 ROW LAST NIGHT, AND I KNEW SHE WAS REALLY SPECIAL. NATURALLY, AS A PARENTAL 298 00:11:38,565 --> 00:11:40,543 WAS REALLY SPECIAL. NATURALLY, AS A PARENTAL UNIT, I AM CONCERNED WITH WHOM 299 00:11:40,567 --> 00:11:42,178 NATURALLY, AS A PARENTAL UNIT, I AM CONCERNED WITH WHOM OUR YOUNG ONE INTERACTS. 300 00:11:42,202 --> 00:11:44,113 UNIT, I AM CONCERNED WITH WHOM OUR YOUNG ONE INTERACTS. WELL, CONNIE TOLD ME WHERE 301 00:11:44,137 --> 00:11:46,515 OUR YOUNG ONE INTERACTS. WELL, CONNIE TOLD ME WHERE YOU'RE COMING FROM. 302 00:11:46,539 --> 00:11:47,917 WELL, CONNIE TOLD ME WHERE YOU'RE COMING FROM. [LAUGHS] 303 00:11:47,941 --> 00:11:50,286 YOU'RE COMING FROM. [LAUGHS] I REALIZE THAT AS FRENCH PEOPLE 304 00:11:50,310 --> 00:11:52,188 [LAUGHS] I REALIZE THAT AS FRENCH PEOPLE YOU MUST BE VERY WARY OF 305 00:11:52,212 --> 00:11:52,789 I REALIZE THAT AS FRENCH PEOPLE YOU MUST BE VERY WARY OF AMERICANS. 306 00:11:52,813 --> 00:11:54,090 YOU MUST BE VERY WARY OF AMERICANS. DON'T WORRY, I USED TO HAVE A 307 00:11:54,114 --> 00:11:55,558 AMERICANS. DON'T WORRY, I USED TO HAVE A FRENCH PERSON IN THE BAND, AND I 308 00:11:55,582 --> 00:11:56,826 DON'T WORRY, I USED TO HAVE A FRENCH PERSON IN THE BAND, AND I KNOW I CAN TAKE GOOD CARE OF 309 00:11:56,850 --> 00:11:57,193 FRENCH PERSON IN THE BAND, AND I KNOW I CAN TAKE GOOD CARE OF HER. 310 00:11:57,217 --> 00:12:00,697 KNOW I CAN TAKE GOOD CARE OF HER. GOOD. 311 00:12:00,721 --> 00:12:02,198 HER. GOOD. HI, CONNIE. 312 00:12:02,222 --> 00:12:05,534 GOOD. HI, CONNIE. HI, FRANK. 313 00:12:05,558 --> 00:12:07,336 HI, CONNIE. HI, FRANK. OH, EXCUSE MY PARENTAL UNITS IF 314 00:12:07,360 --> 00:12:09,005 HI, FRANK. OH, EXCUSE MY PARENTAL UNITS IF THEY HAVE PRESENTED YOU WITH 315 00:12:09,029 --> 00:12:09,872 OH, EXCUSE MY PARENTAL UNITS IF THEY HAVE PRESENTED YOU WITH SQUARE DOCTRINES. 316 00:12:09,896 --> 00:12:11,240 THEY HAVE PRESENTED YOU WITH SQUARE DOCTRINES. NO, THEY'RE NOT... THEY'RE 317 00:12:11,264 --> 00:12:11,874 SQUARE DOCTRINES. NO, THEY'RE NOT... THEY'RE NOT SQUARE. 318 00:12:11,898 --> 00:12:12,608 NO, THEY'RE NOT... THEY'RE NOT SQUARE. THEY'RE OKAY. 319 00:12:12,632 --> 00:12:13,876 NOT SQUARE. THEY'RE OKAY. CONNIE HAS MANY OF THESE 320 00:12:13,900 --> 00:12:15,311 THEY'RE OKAY. CONNIE HAS MANY OF THESE DISCS WHICH ARE GIFTS FROM THIS 321 00:12:15,335 --> 00:12:16,579 CONNIE HAS MANY OF THESE DISCS WHICH ARE GIFTS FROM THIS HUMAN. 322 00:12:16,603 --> 00:12:19,548 DISCS WHICH ARE GIFTS FROM THIS HUMAN. YOU PRODUCE THESE? 323 00:12:19,572 --> 00:12:21,483 HUMAN. YOU PRODUCE THESE? YES, THIS IS A COLLECTION... 324 00:12:21,507 --> 00:12:23,485 YOU PRODUCE THESE? YES, THIS IS A COLLECTION... AN UNAUTHORIZED COLLECTION... OF 325 00:12:23,509 --> 00:12:25,654 YES, THIS IS A COLLECTION... AN UNAUTHORIZED COLLECTION... OF MY LATEST SOUND PATTERNS. 326 00:12:25,678 --> 00:12:28,157 AN UNAUTHORIZED COLLECTION... OF MY LATEST SOUND PATTERNS. I, BELDAR, APPROVE. 327 00:12:28,181 --> 00:12:28,758 MY LATEST SOUND PATTERNS. I, BELDAR, APPROVE. AU REVOIR. 328 00:12:28,782 --> 00:12:30,259 I, BELDAR, APPROVE. AU REVOIR. RETURN AT THE PRE-DESIGNATED 329 00:12:30,283 --> 00:12:31,160 AU REVOIR. RETURN AT THE PRE-DESIGNATED TIME COORDINATES. 330 00:12:31,184 --> 00:12:32,161 RETURN AT THE PRE-DESIGNATED TIME COORDINATES. YEAH, YEAH, YEAH. 331 00:12:32,185 --> 00:12:33,529 TIME COORDINATES. YEAH, YEAH, YEAH. NICE TO MEET YOU, MR. AND 332 00:12:33,553 --> 00:12:35,531 YEAH, YEAH, YEAH. NICE TO MEET YOU, MR. AND MRS. CONEHEAD. 333 00:12:35,555 --> 00:12:36,999 NICE TO MEET YOU, MR. AND MRS. CONEHEAD. MMM. 334 00:12:37,023 --> 00:12:41,237 MRS. CONEHEAD. MMM. WHAT FINE COMPRESSED PETROLEUM 335 00:12:41,261 --> 00:12:44,406 MMM. WHAT FINE COMPRESSED PETROLEUM BINDING POLYMERS. 336 00:12:44,430 --> 00:12:47,198 WHAT FINE COMPRESSED PETROLEUM BINDING POLYMERS. [BOTH MUNCHING] 337 00:12:49,534 --> 00:12:51,335 [APPLAUSE] 338 00:12:59,879 --> 00:13:02,680 [HARMONICA PLAYING] 339 00:13:19,564 --> 00:13:23,312 HI, DAD. WE'RE BACK. YOU OWE ME FOR THE CLEANING. 340 00:13:23,336 --> 00:13:24,280 WE'RE BACK. YOU OWE ME FOR THE CLEANING. HELLO, SWEETHEART. 341 00:13:24,304 --> 00:13:25,181 YOU OWE ME FOR THE CLEANING. HELLO, SWEETHEART. WHERE'S YOUR MOTHER? 342 00:13:25,205 --> 00:13:26,515 HELLO, SWEETHEART. WHERE'S YOUR MOTHER? WELL, SHE'S JUST SITTING OUT 343 00:13:26,539 --> 00:13:27,716 WHERE'S YOUR MOTHER? WELL, SHE'S JUST SITTING OUT IN THE CAR, LOOKING OUT THAT 344 00:13:27,740 --> 00:13:30,719 WELL, SHE'S JUST SITTING OUT IN THE CAR, LOOKING OUT THAT LITTLE OPERA WINDOW. 345 00:13:30,743 --> 00:13:32,521 IN THE CAR, LOOKING OUT THAT LITTLE OPERA WINDOW. HEY, KID, LET ME OUT OF HERE. 346 00:13:32,545 --> 00:13:33,956 LITTLE OPERA WINDOW. HEY, KID, LET ME OUT OF HERE. I'M INNOCENT, I SWEAR IT. 347 00:13:33,980 --> 00:13:34,690 HEY, KID, LET ME OUT OF HERE. I'M INNOCENT, I SWEAR IT. I SWEAR. 348 00:13:34,714 --> 00:13:36,625 I'M INNOCENT, I SWEAR IT. I SWEAR. I KNOW YOU ARE, MR. LANDY. 349 00:13:36,649 --> 00:13:38,627 I SWEAR. I KNOW YOU ARE, MR. LANDY. WOULD YOU PLEASE HANG THESE UP 350 00:13:38,651 --> 00:13:39,495 I KNOW YOU ARE, MR. LANDY. WOULD YOU PLEASE HANG THESE UP BACK THERE? 351 00:13:39,519 --> 00:13:41,264 WOULD YOU PLEASE HANG THESE UP BACK THERE? AND WOULD YOU GET ME OUT MY 352 00:13:41,288 --> 00:13:41,931 BACK THERE? AND WOULD YOU GET ME OUT MY SWEATER? 353 00:13:41,955 --> 00:13:43,499 AND WOULD YOU GET ME OUT MY SWEATER? I WAS GOING TO TURN THE 354 00:13:43,523 --> 00:13:45,201 SWEATER? I WAS GOING TO TURN THE HEROIN IN, BUT YOU CAN NEVER 355 00:13:45,225 --> 00:13:46,803 I WAS GOING TO TURN THE HEROIN IN, BUT YOU CAN NEVER FIND A PARKING SPACE AT THE 356 00:13:46,827 --> 00:13:47,937 HEROIN IN, BUT YOU CAN NEVER FIND A PARKING SPACE AT THE NARCOTICS BUREAU. 357 00:13:47,961 --> 00:13:49,538 FIND A PARKING SPACE AT THE NARCOTICS BUREAU. HEY, DON'T BELIEVE HIM, KID. 358 00:13:49,562 --> 00:13:50,807 NARCOTICS BUREAU. HEY, DON'T BELIEVE HIM, KID. HE KNOWS MORE LIES THAN 359 00:13:50,831 --> 00:13:51,874 HEY, DON'T BELIEVE HIM, KID. HE KNOWS MORE LIES THAN F. LEE BAILEY. 360 00:13:51,898 --> 00:13:53,943 HE KNOWS MORE LIES THAN F. LEE BAILEY. UM, WHICH ONE DO YOU WANT... 361 00:13:53,967 --> 00:13:55,211 F. LEE BAILEY. UM, WHICH ONE DO YOU WANT... THE BETTY BOOP ONE OR THE BLUE 362 00:13:55,235 --> 00:13:55,544 UM, WHICH ONE DO YOU WANT... THE BETTY BOOP ONE OR THE BLUE ONE? 363 00:13:55,568 --> 00:13:56,312 THE BETTY BOOP ONE OR THE BLUE ONE? THE BLUE ONE. 364 00:13:56,336 --> 00:13:57,446 ONE? THE BLUE ONE. OH, THE BLUE ONE. OKAY. 365 00:13:57,470 --> 00:13:58,114 THE BLUE ONE. OH, THE BLUE ONE. OKAY. THANK YOU. 366 00:13:58,138 --> 00:13:59,381 OH, THE BLUE ONE. OKAY. THANK YOU. ALL RIGHT, I'LL GO GET YOUR 367 00:13:59,405 --> 00:13:59,816 THANK YOU. ALL RIGHT, I'LL GO GET YOUR MOTHER. 368 00:13:59,840 --> 00:14:01,184 ALL RIGHT, I'LL GO GET YOUR MOTHER. HONEY, DON'T FRATERNIZE WITH THE 369 00:14:01,208 --> 00:14:05,188 MOTHER. HONEY, DON'T FRATERNIZE WITH THE CONVICTS. 370 00:14:05,212 --> 00:14:06,956 HONEY, DON'T FRATERNIZE WITH THE CONVICTS. HEY, KID. 371 00:14:06,980 --> 00:14:08,424 CONVICTS. HEY, KID. HEY, KID. 372 00:14:08,448 --> 00:14:10,759 HEY, KID. HEY, KID. KID, GET ME THE PHONE. 373 00:14:10,783 --> 00:14:13,896 HEY, KID. KID, GET ME THE PHONE. GET... GET ME THE SAN DIEGO ZOO 374 00:14:13,920 --> 00:14:16,498 KID, GET ME THE PHONE. GET... GET ME THE SAN DIEGO ZOO ON THE PHONE... AREA CODE 375 00:14:16,522 --> 00:14:19,168 GET... GET ME THE SAN DIEGO ZOO ON THE PHONE... AREA CODE 714-422... 376 00:14:19,192 --> 00:14:20,837 ON THE PHONE... AREA CODE 714-422... WHY ARE YOU ALWAYS CALLING 377 00:14:20,861 --> 00:14:22,371 714-422... WHY ARE YOU ALWAYS CALLING THE SAN DIEGO ZOO? 378 00:14:22,395 --> 00:14:24,841 WHY ARE YOU ALWAYS CALLING THE SAN DIEGO ZOO? IT'S MY LAWYER... HE'S, UH... 379 00:14:24,865 --> 00:14:25,908 THE SAN DIEGO ZOO? IT'S MY LAWYER... HE'S, UH... HE'S THERE. 380 00:14:25,932 --> 00:14:27,343 IT'S MY LAWYER... HE'S, UH... HE'S THERE. WELL, I MEAN, NOT ALWAYS. 381 00:14:27,367 --> 00:14:28,510 HE'S THERE. WELL, I MEAN, NOT ALWAYS. PART TIME, YOU KNOW. 382 00:14:28,534 --> 00:14:30,146 WELL, I MEAN, NOT ALWAYS. PART TIME, YOU KNOW. BUT SOMETIMES, YOU KNOW, HE'S 383 00:14:30,170 --> 00:14:31,147 PART TIME, YOU KNOW. BUT SOMETIMES, YOU KNOW, HE'S THERE, YOU KNOW. 384 00:14:31,171 --> 00:14:32,748 BUT SOMETIMES, YOU KNOW, HE'S THERE, YOU KNOW. I MEAN, HE LIKES IT THERE. 385 00:14:32,772 --> 00:14:34,516 THERE, YOU KNOW. I MEAN, HE LIKES IT THERE. HE LIKES... IT'S NONE OF YOUR 386 00:14:34,540 --> 00:14:35,218 I MEAN, HE LIKES IT THERE. HE LIKES... IT'S NONE OF YOUR BUSINESS. 387 00:14:35,242 --> 00:14:37,086 HE LIKES... IT'S NONE OF YOUR BUSINESS. NOW, JUST GET HIM ON THE PHONE. 388 00:14:37,110 --> 00:14:38,888 BUSINESS. NOW, JUST GET HIM ON THE PHONE. ASK FOR BENJAMIN LATELLA, COME 389 00:14:38,912 --> 00:14:39,621 NOW, JUST GET HIM ON THE PHONE. ASK FOR BENJAMIN LATELLA, COME ON. 390 00:14:39,645 --> 00:14:42,691 ASK FOR BENJAMIN LATELLA, COME ON. CAN NO ONE HEAR THIS VOICE 391 00:14:42,715 --> 00:14:44,460 ON. CAN NO ONE HEAR THIS VOICE CRYING OUT IN THE WILDERNESS 392 00:14:44,484 --> 00:14:45,928 CAN NO ONE HEAR THIS VOICE CRYING OUT IN THE WILDERNESS AGAINST THE CALLOUS AND 393 00:14:45,952 --> 00:14:46,729 CRYING OUT IN THE WILDERNESS AGAINST THE CALLOUS AND CYNICAL... 394 00:14:46,753 --> 00:14:47,696 AGAINST THE CALLOUS AND CYNICAL... AW, SHUT UP. 395 00:14:47,720 --> 00:14:49,332 CYNICAL... AW, SHUT UP. YOU'RE NOT IN THE WILDERNESS. 396 00:14:49,356 --> 00:14:50,833 AW, SHUT UP. YOU'RE NOT IN THE WILDERNESS. YOU'RE IN THE HALL CLOSET. 397 00:14:50,857 --> 00:14:52,601 YOU'RE NOT IN THE WILDERNESS. YOU'RE IN THE HALL CLOSET. IT'S A HELL OF A LOT BETTER THAN 398 00:14:52,625 --> 00:14:54,070 YOU'RE IN THE HALL CLOSET. IT'S A HELL OF A LOT BETTER THAN BEING LOCKED UP UNDER THE 399 00:14:54,094 --> 00:14:54,636 IT'S A HELL OF A LOT BETTER THAN BEING LOCKED UP UNDER THE STAIRS. 400 00:14:54,660 --> 00:14:57,974 BEING LOCKED UP UNDER THE STAIRS. AT LEAST YOU GET TO TRY ON HATS. 401 00:14:57,998 --> 00:14:58,607 STAIRS. AT LEAST YOU GET TO TRY ON HATS. TWO MORE. 402 00:14:58,631 --> 00:14:59,909 AT LEAST YOU GET TO TRY ON HATS. TWO MORE. HERE, LOOK, I JUST GOT THE LIST 403 00:14:59,933 --> 00:15:01,277 TWO MORE. HERE, LOOK, I JUST GOT THE LIST OF STATE PRISONERS YOU CAN APPLY 404 00:15:01,301 --> 00:15:01,577 HERE, LOOK, I JUST GOT THE LIST OF STATE PRISONERS YOU CAN APPLY FOR. 405 00:15:01,601 --> 00:15:02,245 OF STATE PRISONERS YOU CAN APPLY FOR. LOOK AT THIS. 406 00:15:02,269 --> 00:15:03,379 FOR. LOOK AT THIS. HERE, HIT AND RUN... FIRST 407 00:15:03,403 --> 00:15:03,846 LOOK AT THIS. HERE, HIT AND RUN... FIRST OFFENSE. 408 00:15:03,870 --> 00:15:04,914 HERE, HIT AND RUN... FIRST OFFENSE. WE COULD LOCK HIM IN THE 409 00:15:04,938 --> 00:15:05,748 OFFENSE. WE COULD LOCK HIM IN THE GUEST-ROOM CLOSET. 410 00:15:05,772 --> 00:15:06,983 WE COULD LOCK HIM IN THE GUEST-ROOM CLOSET. THERE'S ALREADY A LOCK ON IT. 411 00:15:07,007 --> 00:15:08,251 GUEST-ROOM CLOSET. THERE'S ALREADY A LOCK ON IT. AND HERE... HIJACKER, ELDERLY. 412 00:15:08,275 --> 00:15:09,285 THERE'S ALREADY A LOCK ON IT. AND HERE... HIJACKER, ELDERLY. WE CAN STICK HIM IN THE 413 00:15:09,309 --> 00:15:10,052 AND HERE... HIJACKER, ELDERLY. WE CAN STICK HIM IN THE BUTLER'S PANTRY. 414 00:15:10,076 --> 00:15:11,053 WE CAN STICK HIM IN THE BUTLER'S PANTRY. THIS IS SO PERFECT. 415 00:15:11,077 --> 00:15:12,421 BUTLER'S PANTRY. THIS IS SO PERFECT. NOW, LOOK, HONEY, I MEAN, 416 00:15:12,445 --> 00:15:13,890 THIS IS SO PERFECT. NOW, LOOK, HONEY, I MEAN, YOU'RE NOT THE ONE THAT HAS TO 417 00:15:13,914 --> 00:15:15,124 NOW, LOOK, HONEY, I MEAN, YOU'RE NOT THE ONE THAT HAS TO TAKE CARE OF THEM. 418 00:15:15,148 --> 00:15:16,926 YOU'RE NOT THE ONE THAT HAS TO TAKE CARE OF THEM. ALL RIGHT, HERE, TAKE THIS 419 00:15:16,950 --> 00:15:18,594 TAKE CARE OF THEM. ALL RIGHT, HERE, TAKE THIS UPSTAIRS, DEAR. 420 00:15:18,618 --> 00:15:22,932 ALL RIGHT, HERE, TAKE THIS UPSTAIRS, DEAR. ALL RIGHT, HERE'S YOUR LAUNDRY. 421 00:15:22,956 --> 00:15:24,500 UPSTAIRS, DEAR. ALL RIGHT, HERE'S YOUR LAUNDRY. I COULDN'T GET THAT TOMATO-PASTE 422 00:15:24,524 --> 00:15:25,601 ALL RIGHT, HERE'S YOUR LAUNDRY. I COULDN'T GET THAT TOMATO-PASTE STAIN OUT YOUR SHIRT. 423 00:15:25,625 --> 00:15:27,036 I COULDN'T GET THAT TOMATO-PASTE STAIN OUT YOUR SHIRT. WE'LL HAVE TO BE MORE CAREFUL 424 00:15:27,060 --> 00:15:27,970 STAIN OUT YOUR SHIRT. WE'LL HAVE TO BE MORE CAREFUL WITH YOUR DINNER. 425 00:15:27,994 --> 00:15:29,338 WE'LL HAVE TO BE MORE CAREFUL WITH YOUR DINNER. WELL, MRS. B., HOW ABOUT 426 00:15:29,362 --> 00:15:30,873 WITH YOUR DINNER. WELL, MRS. B., HOW ABOUT GIVING US SOMETHING TO EAT WITH 427 00:15:30,897 --> 00:15:33,542 WELL, MRS. B., HOW ABOUT GIVING US SOMETHING TO EAT WITH BESIDES DIXIE CUP SPOONS, HUH? 428 00:15:33,566 --> 00:15:34,310 GIVING US SOMETHING TO EAT WITH BESIDES DIXIE CUP SPOONS, HUH? AH, TONY. 429 00:15:34,334 --> 00:15:35,878 BESIDES DIXIE CUP SPOONS, HUH? AH, TONY. YEAH, AND WHO DO WE HAVE TO 430 00:15:35,902 --> 00:15:37,246 AH, TONY. YEAH, AND WHO DO WE HAVE TO KNOW TO GET SOME REAL HOME 431 00:15:37,270 --> 00:15:38,647 YEAH, AND WHO DO WE HAVE TO KNOW TO GET SOME REAL HOME COOKING, YOU KNOW WHAT I'M 432 00:15:38,671 --> 00:15:39,481 KNOW TO GET SOME REAL HOME COOKING, YOU KNOW WHAT I'M TALKING ABOUT? 433 00:15:39,505 --> 00:15:41,050 COOKING, YOU KNOW WHAT I'M TALKING ABOUT? OH, NOW, WHY DON'T YOU JUST 434 00:15:41,074 --> 00:15:41,617 TALKING ABOUT? OH, NOW, WHY DON'T YOU JUST BUTT OUT. 435 00:15:41,641 --> 00:15:42,218 OH, NOW, WHY DON'T YOU JUST BUTT OUT. INSANE. 436 00:15:42,242 --> 00:15:43,619 BUTT OUT. INSANE. LOOK AT THIS... WE CAN HIRE A 437 00:15:43,643 --> 00:15:44,787 INSANE. LOOK AT THIS... WE CAN HIRE A MAID TO LOOK AFTER THEM. 438 00:15:44,811 --> 00:15:46,188 LOOK AT THIS... WE CAN HIRE A MAID TO LOOK AFTER THEM. LOOK, THE STATE PAYS $1,800 A 439 00:15:46,212 --> 00:15:47,656 MAID TO LOOK AFTER THEM. LOOK, THE STATE PAYS $1,800 A MONTH FOR EACH PRISONER WE TAKE 440 00:15:47,680 --> 00:15:48,490 LOOK, THE STATE PAYS $1,800 A MONTH FOR EACH PRISONER WE TAKE OFF THEIR HANDS. 441 00:15:48,514 --> 00:15:49,926 MONTH FOR EACH PRISONER WE TAKE OFF THEIR HANDS. WE PUT IN TWO MORE, AND THAT'S 442 00:15:49,950 --> 00:15:51,560 OFF THEIR HANDS. WE PUT IN TWO MORE, AND THAT'S $9,000 IN CHANGE. 443 00:15:51,584 --> 00:15:53,329 WE PUT IN TWO MORE, AND THAT'S $9,000 IN CHANGE. WELL, HONEY, NO. 444 00:15:53,353 --> 00:15:54,964 $9,000 IN CHANGE. WELL, HONEY, NO. AND I'M NOT TOO THRILLED ABOUT 445 00:15:54,988 --> 00:15:56,698 WELL, HONEY, NO. AND I'M NOT TOO THRILLED ABOUT THAT SEMI-REHABILITATED ARSONIST 446 00:15:56,722 --> 00:15:58,234 AND I'M NOT TOO THRILLED ABOUT THAT SEMI-REHABILITATED ARSONIST WE GOT UPSTAIRS IN THE LINEN 447 00:15:58,258 --> 00:15:58,801 THAT SEMI-REHABILITATED ARSONIST WE GOT UPSTAIRS IN THE LINEN CLOSET. 448 00:15:58,825 --> 00:16:00,202 WE GOT UPSTAIRS IN THE LINEN CLOSET. I MEAN... I MEAN, WHY DON'T YOU 449 00:16:00,226 --> 00:16:01,404 CLOSET. I MEAN... I MEAN, WHY DON'T YOU JUST HELP WITH SOME OF THE 450 00:16:01,428 --> 00:16:02,838 I MEAN... I MEAN, WHY DON'T YOU JUST HELP WITH SOME OF THE CHORES AROUND HERE OR SOMETHING? 451 00:16:02,862 --> 00:16:04,606 JUST HELP WITH SOME OF THE CHORES AROUND HERE OR SOMETHING? HEY, I COULD TAKE OUT THE 452 00:16:04,630 --> 00:16:05,341 CHORES AROUND HERE OR SOMETHING? HEY, I COULD TAKE OUT THE GARBAGE. 453 00:16:05,365 --> 00:16:05,975 HEY, I COULD TAKE OUT THE GARBAGE. Shh. 454 00:16:05,999 --> 00:16:07,176 GARBAGE. Shh. DON'T LET HIM. 455 00:16:07,200 --> 00:16:08,244 Shh. DON'T LET HIM. HE'LL STEAL IT. 456 00:16:08,268 --> 00:16:08,877 DON'T LET HIM. HE'LL STEAL IT. QUIET. 457 00:16:08,901 --> 00:16:10,446 HE'LL STEAL IT. QUIET. MR. LANDY, ON THE FLOOR IN 458 00:16:10,470 --> 00:16:12,114 QUIET. MR. LANDY, ON THE FLOOR IN THE BACK OF THE CLOSET, THERE'S 459 00:16:12,138 --> 00:16:13,115 MR. LANDY, ON THE FLOOR IN THE BACK OF THE CLOSET, THERE'S A BOX OF SCARVES. 460 00:16:13,139 --> 00:16:14,683 THE BACK OF THE CLOSET, THERE'S A BOX OF SCARVES. CAN YOU GET ME ONE THAT'LL GO 461 00:16:14,707 --> 00:16:15,884 A BOX OF SCARVES. CAN YOU GET ME ONE THAT'LL GO WITH THIS SWEATER? 462 00:16:15,908 --> 00:16:16,819 CAN YOU GET ME ONE THAT'LL GO WITH THIS SWEATER? THAT GOOD? 463 00:16:16,843 --> 00:16:17,786 WITH THIS SWEATER? THAT GOOD? THANK YOU. 464 00:16:17,810 --> 00:16:18,354 THAT GOOD? THANK YOU. OH. 465 00:16:18,378 --> 00:16:21,690 THANK YOU. OH. TONY, DID YOU SEND AWAY FOR THIS 466 00:16:21,714 --> 00:16:23,960 OH. TONY, DID YOU SEND AWAY FOR THIS WELDING KIT, C.O.D.? 467 00:16:23,984 --> 00:16:27,796 TONY, DID YOU SEND AWAY FOR THIS WELDING KIT, C.O.D.? NO, NO. IT WAS A CONTEST. 468 00:16:27,820 --> 00:16:29,365 WELDING KIT, C.O.D.? NO, NO. IT WAS A CONTEST. I-I MUST HAVE WON IT... YEAH, 469 00:16:29,389 --> 00:16:31,000 NO, NO. IT WAS A CONTEST. I-I MUST HAVE WON IT... YEAH, THAT'S IT... ME, WHO NEVER WINS 470 00:16:31,024 --> 00:16:31,633 I-I MUST HAVE WON IT... YEAH, THAT'S IT... ME, WHO NEVER WINS ANYTHING. 471 00:16:31,657 --> 00:16:32,501 THAT'S IT... ME, WHO NEVER WINS ANYTHING. [BOTH LAUGH] 472 00:16:32,525 --> 00:16:34,070 ANYTHING. [BOTH LAUGH] WELL, DON'T YOU LIE TO ME. 473 00:16:34,094 --> 00:16:34,870 [BOTH LAUGH] WELL, DON'T YOU LIE TO ME. ALL RIGHT. 474 00:16:34,894 --> 00:16:36,205 WELL, DON'T YOU LIE TO ME. ALL RIGHT. WHAT ARE YOU GONNA DO... 475 00:16:36,229 --> 00:16:37,273 ALL RIGHT. WHAT ARE YOU GONNA DO... OVERCOOK MY RICE? 476 00:16:37,297 --> 00:16:38,975 WHAT ARE YOU GONNA DO... OVERCOOK MY RICE? LOOK AT THIS PHONE BILL FOR 477 00:16:38,999 --> 00:16:40,343 OVERCOOK MY RICE? LOOK AT THIS PHONE BILL FOR $58's WORTH OF CALLS TO 478 00:16:40,367 --> 00:16:41,077 LOOK AT THIS PHONE BILL FOR $58's WORTH OF CALLS TO SAN DIEGO. 479 00:16:41,101 --> 00:16:42,578 $58's WORTH OF CALLS TO SAN DIEGO. WHO THE HELL KEEPS CALLING 480 00:16:42,602 --> 00:16:43,446 SAN DIEGO. WHO THE HELL KEEPS CALLING SAN DIEGO? 481 00:16:43,470 --> 00:16:45,181 WHO THE HELL KEEPS CALLING SAN DIEGO? I DON'T KNOW ANYBODY IN 482 00:16:45,205 --> 00:16:46,048 SAN DIEGO? I DON'T KNOW ANYBODY IN SAN DIEGO. 483 00:16:46,072 --> 00:16:47,350 I DON'T KNOW ANYBODY IN SAN DIEGO. [DOORBELL RINGS] 484 00:16:47,374 --> 00:16:49,218 SAN DIEGO. [DOORBELL RINGS] OH, WAIT A MINUTE, THAT'S 485 00:16:49,242 --> 00:16:50,086 [DOORBELL RINGS] OH, WAIT A MINUTE, THAT'S THAT DOOR. 486 00:16:50,110 --> 00:16:52,921 OH, WAIT A MINUTE, THAT'S THAT DOOR. JUST WHO COULD THAT BE? 487 00:16:52,945 --> 00:16:53,922 THAT DOOR. JUST WHO COULD THAT BE? YES, MAY I HELP YOU? 488 00:16:53,946 --> 00:16:55,124 JUST WHO COULD THAT BE? YES, MAY I HELP YOU? YEAH, THEY TOLD... I'M 489 00:16:55,148 --> 00:16:56,158 YES, MAY I HELP YOU? YEAH, THEY TOLD... I'M LOOKING TONY DeLIFLE. 490 00:16:56,182 --> 00:16:57,326 YEAH, THEY TOLD... I'M LOOKING TONY DeLIFLE. THEY SAID I COULD VISIT. 491 00:16:57,350 --> 00:16:58,727 LOOKING TONY DeLIFLE. THEY SAID I COULD VISIT. I WAS NEXT DOOR, AND THEY SAID 492 00:16:58,751 --> 00:16:59,395 THEY SAID I COULD VISIT. I WAS NEXT DOOR, AND THEY SAID YOU HAD HIM. 493 00:16:59,419 --> 00:17:00,463 I WAS NEXT DOOR, AND THEY SAID YOU HAD HIM. WELL, I'M SORRY, HONEY, 494 00:17:00,487 --> 00:17:01,763 YOU HAD HIM. WELL, I'M SORRY, HONEY, VISITING HOURS AREN'T TILL AFTER 495 00:17:01,787 --> 00:17:02,764 WELL, I'M SORRY, HONEY, VISITING HOURS AREN'T TILL AFTER WE DO THE DINNER DISHES. 496 00:17:02,788 --> 00:17:03,966 VISITING HOURS AREN'T TILL AFTER WE DO THE DINNER DISHES. YOU'LL HAVE TO JUST SIT RIGHT 497 00:17:03,990 --> 00:17:04,933 WE DO THE DINNER DISHES. YOU'LL HAVE TO JUST SIT RIGHT DOWN HERE FOR A SECOND. 498 00:17:04,957 --> 00:17:06,702 YOU'LL HAVE TO JUST SIT RIGHT DOWN HERE FOR A SECOND. HONEY, SHE'S HERE TO SEE TONY. 499 00:17:06,726 --> 00:17:07,836 DOWN HERE FOR A SECOND. HONEY, SHE'S HERE TO SEE TONY. OH, FINE, FINE. 500 00:17:07,860 --> 00:17:09,271 HONEY, SHE'S HERE TO SEE TONY. OH, FINE, FINE. HEY, LADY, VISIT ME. 501 00:17:09,295 --> 00:17:11,073 OH, FINE, FINE. HEY, LADY, VISIT ME. THE ONLY THING I'M GUILTY OF IS 502 00:17:11,097 --> 00:17:12,574 HEY, LADY, VISIT ME. THE ONLY THING I'M GUILTY OF IS LOVING WELL, NOT QUIETLY. 503 00:17:12,598 --> 00:17:14,377 THE ONLY THING I'M GUILTY OF IS LOVING WELL, NOT QUIETLY. OH, YOU'RE BREAKING ME HEART 504 00:17:14,401 --> 00:17:14,943 LOVING WELL, NOT QUIETLY. OH, YOU'RE BREAKING ME HEART THERE. 505 00:17:14,967 --> 00:17:16,479 OH, YOU'RE BREAKING ME HEART THERE. STOP IT. 506 00:17:16,503 --> 00:17:18,447 THERE. STOP IT. HI, TONY. 507 00:17:18,471 --> 00:17:20,949 STOP IT. HI, TONY. HI, UH, MARILYN. 508 00:17:20,973 --> 00:17:22,118 HI, TONY. HI, UH, MARILYN. HOW YOU BEEN? 509 00:17:22,142 --> 00:17:22,951 HI, UH, MARILYN. HOW YOU BEEN? GOOD. 510 00:17:22,975 --> 00:17:24,553 HOW YOU BEEN? GOOD. WHAT YOU BEEN DOING? 511 00:17:24,577 --> 00:17:26,889 GOOD. WHAT YOU BEEN DOING? OH, I'LL SHOW YOU. 512 00:17:26,913 --> 00:17:28,557 WHAT YOU BEEN DOING? OH, I'LL SHOW YOU. LOOK. 513 00:17:28,581 --> 00:17:30,092 OH, I'LL SHOW YOU. LOOK. YOU MADE THAT? 514 00:17:30,116 --> 00:17:31,160 LOOK. YOU MADE THAT? OH, NO. 515 00:17:31,184 --> 00:17:33,462 YOU MADE THAT? OH, NO. SEE, I SCRAPPED OFF '78, AND 516 00:17:33,486 --> 00:17:35,431 OH, NO. SEE, I SCRAPPED OFF '78, AND I GOT TO PUT IN IN '79. 517 00:17:35,455 --> 00:17:37,966 SEE, I SCRAPPED OFF '78, AND I GOT TO PUT IN IN '79. YOU KNOW, I DO IT FOR THE CARS. 518 00:17:37,990 --> 00:17:39,535 I GOT TO PUT IN IN '79. YOU KNOW, I DO IT FOR THE CARS. YOU, UH, WORK IN THE LAUNDRY? 519 00:17:39,559 --> 00:17:41,037 YOU KNOW, I DO IT FOR THE CARS. YOU, UH, WORK IN THE LAUNDRY? NO, WE SEND THEM OUT TO THE 520 00:17:41,061 --> 00:17:43,705 YOU, UH, WORK IN THE LAUNDRY? NO, WE SEND THEM OUT TO THE DRY CLEANERS. 521 00:17:43,729 --> 00:17:45,974 NO, WE SEND THEM OUT TO THE DRY CLEANERS. SO, UH, HOW HAVE YOU BEEN? 522 00:17:45,998 --> 00:17:47,809 DRY CLEANERS. SO, UH, HOW HAVE YOU BEEN? OH, I'VE BEEN HERE. 523 00:17:47,833 --> 00:17:49,478 SO, UH, HOW HAVE YOU BEEN? OH, I'VE BEEN HERE. WHAT CAN I TELL YOU? 524 00:17:49,502 --> 00:17:50,879 OH, I'VE BEEN HERE. WHAT CAN I TELL YOU? IT BEATS ATTICA. 525 00:17:50,903 --> 00:17:52,114 WHAT CAN I TELL YOU? IT BEATS ATTICA. IT'S NOT AS NICE AS THE 526 00:17:52,138 --> 00:17:53,215 IT BEATS ATTICA. IT'S NOT AS NICE AS THE MONTENEROS', THOUGH. 527 00:17:53,239 --> 00:17:54,216 IT'S NOT AS NICE AS THE MONTENEROS', THOUGH. "MONTENEROS'"? 528 00:17:54,240 --> 00:17:55,584 MONTENEROS', THOUGH. "MONTENEROS'"? YEAH, YOU REMEMBER THAT 529 00:17:55,608 --> 00:17:57,219 "MONTENEROS'"? YEAH, YOU REMEMBER THAT ELDERLY COUPLE I DID TWO TO FIVE 530 00:17:57,243 --> 00:17:58,354 YEAH, YOU REMEMBER THAT ELDERLY COUPLE I DID TWO TO FIVE WITH AROUND '62? 531 00:17:58,378 --> 00:17:59,155 ELDERLY COUPLE I DID TWO TO FIVE WITH AROUND '62? MM-HMM. 532 00:17:59,179 --> 00:18:00,423 WITH AROUND '62? MM-HMM. THEY WERE GREAT. 533 00:18:00,447 --> 00:18:01,924 MM-HMM. THEY WERE GREAT. TONY, WHEN CAN WE BE 534 00:18:01,948 --> 00:18:04,260 THEY WERE GREAT. TONY, WHEN CAN WE BE TOGETHER? 535 00:18:04,284 --> 00:18:05,727 TONY, WHEN CAN WE BE TOGETHER? ME AND LANDY ARE GONNA BUST 536 00:18:05,751 --> 00:18:07,296 TOGETHER? ME AND LANDY ARE GONNA BUST OUT OF HERE NEXT TIME SHE SERVES 537 00:18:07,320 --> 00:18:08,064 ME AND LANDY ARE GONNA BUST OUT OF HERE NEXT TIME SHE SERVES LASAGNA. 538 00:18:08,088 --> 00:18:10,132 OUT OF HERE NEXT TIME SHE SERVES LASAGNA. WE'RE GONNA BREAK OFF THE EDGES 539 00:18:10,156 --> 00:18:11,467 LASAGNA. WE'RE GONNA BREAK OFF THE EDGES AND LET IT HARDEN. 540 00:18:11,491 --> 00:18:13,702 WE'RE GONNA BREAK OFF THE EDGES AND LET IT HARDEN. WE'LL USE THEM AS A SAW. 541 00:18:13,726 --> 00:18:15,037 AND LET IT HARDEN. WE'LL USE THEM AS A SAW. [CLANKING] 542 00:18:15,061 --> 00:18:15,538 WE'LL USE THEM AS A SAW. [CLANKING] MOM. 543 00:18:15,562 --> 00:18:16,338 [CLANKING] MOM. WHAT'S THAT? 544 00:18:16,362 --> 00:18:17,473 MOM. WHAT'S THAT? THE ONE IN THE LINEN 545 00:18:17,497 --> 00:18:18,607 WHAT'S THAT? THE ONE IN THE LINEN CLOSET... HE'S RIOTING. 546 00:18:18,631 --> 00:18:19,942 THE ONE IN THE LINEN CLOSET... HE'S RIOTING. OH, HE'S JUST... 547 00:18:19,966 --> 00:18:21,310 CLOSET... HE'S RIOTING. OH, HE'S JUST... IS HE STILL IN THE LINEN CLOSET? 548 00:18:21,334 --> 00:18:21,777 OH, HE'S JUST... IS HE STILL IN THE LINEN CLOSET? YEAH. 549 00:18:21,801 --> 00:18:23,079 IS HE STILL IN THE LINEN CLOSET? YEAH. ALL RIGHT, CALL THE MARSHALS 550 00:18:23,103 --> 00:18:23,379 YEAH. ALL RIGHT, CALL THE MARSHALS IN. 551 00:18:23,403 --> 00:18:24,846 ALL RIGHT, CALL THE MARSHALS IN. CALL OF EMERGENCY. 552 00:18:24,870 --> 00:18:26,182 IN. CALL OF EMERGENCY. CALL OF EMERGENCY. 553 00:18:26,206 --> 00:18:28,184 CALL OF EMERGENCY. CALL OF EMERGENCY. ALL VISITOR PRIVILEGES MUST BE 554 00:18:28,208 --> 00:18:29,085 CALL OF EMERGENCY. ALL VISITOR PRIVILEGES MUST BE TERMINATED. 555 00:18:29,109 --> 00:18:29,851 ALL VISITOR PRIVILEGES MUST BE TERMINATED. I'M SORRY, HONEY. 556 00:18:29,875 --> 00:18:31,120 TERMINATED. I'M SORRY, HONEY. YOU'RE GONNA HAVE TO GET OUT OF 557 00:18:31,144 --> 00:18:31,454 I'M SORRY, HONEY. YOU'RE GONNA HAVE TO GET OUT OF HERE. 558 00:18:31,478 --> 00:18:32,988 YOU'RE GONNA HAVE TO GET OUT OF HERE. WHY DON'T YOU GIVE US GUNS? 559 00:18:33,012 --> 00:18:33,989 HERE. WHY DON'T YOU GIVE US GUNS? JUST GIVE US GUNS. 560 00:18:34,013 --> 00:18:35,458 WHY DON'T YOU GIVE US GUNS? JUST GIVE US GUNS. WE'LL FLUSH HIM OUT FOR YOU. 561 00:18:35,482 --> 00:18:36,725 JUST GIVE US GUNS. WE'LL FLUSH HIM OUT FOR YOU. LOOK, YOU NEED OUR HELP. 562 00:18:36,749 --> 00:18:37,859 WE'LL FLUSH HIM OUT FOR YOU. LOOK, YOU NEED OUR HELP. WHAT DOES HE WANT? 563 00:18:37,883 --> 00:18:39,328 LOOK, YOU NEED OUR HELP. WHAT DOES HE WANT? WELL, HE WANTS MORE ROOM. 564 00:18:39,352 --> 00:18:40,729 WHAT DOES HE WANT? WELL, HE WANTS MORE ROOM. HE WANTS TO BE MOVED TO THE 565 00:18:40,753 --> 00:18:41,697 WELL, HE WANTS MORE ROOM. HE WANTS TO BE MOVED TO THE GUEST BATHROOM. 566 00:18:41,721 --> 00:18:42,465 HE WANTS TO BE MOVED TO THE GUEST BATHROOM. NO, WAY. 567 00:18:42,489 --> 00:18:43,199 GUEST BATHROOM. NO, WAY. FORGET IT. 568 00:18:43,223 --> 00:18:44,766 NO, WAY. FORGET IT. WHAT'S WRONG WITH THE LINEN 569 00:18:44,790 --> 00:18:45,334 FORGET IT. WHAT'S WRONG WITH THE LINEN CLOSET? 570 00:18:45,358 --> 00:18:46,368 WHAT'S WRONG WITH THE LINEN CLOSET? I DON'T KNOW. 571 00:18:46,392 --> 00:18:47,769 CLOSET? I DON'T KNOW. WELL, LOOK, WHAT DOES HE 572 00:18:47,793 --> 00:18:48,204 I DON'T KNOW. WELL, LOOK, WHAT DOES HE HAVE? 573 00:18:48,228 --> 00:18:49,538 WELL, LOOK, WHAT DOES HE HAVE? WELL, HE HAS OUR LINEN. 574 00:18:49,562 --> 00:18:50,539 HAVE? WELL, HE HAS OUR LINEN. HE HAS OUR TOWELS. 575 00:18:50,563 --> 00:18:51,807 WELL, HE HAS OUR LINEN. HE HAS OUR TOWELS. HE HAS OUR SHEETS. 576 00:18:51,831 --> 00:18:53,375 HE HAS OUR TOWELS. HE HAS OUR SHEETS. HE HAS MY MOTHER'S LACE 577 00:18:53,399 --> 00:18:54,276 HE HAS OUR SHEETS. HE HAS MY MOTHER'S LACE TABLECLOTH. 578 00:18:54,300 --> 00:18:55,777 HE HAS MY MOTHER'S LACE TABLECLOTH. I'M COMING UP THERE TO 579 00:18:55,801 --> 00:18:56,612 TABLECLOTH. I'M COMING UP THERE TO NEGOTIATE. 580 00:18:56,636 --> 00:18:59,281 I'M COMING UP THERE TO NEGOTIATE. WATCH OUT, WATCH OUT. 581 00:18:59,305 --> 00:19:02,118 NEGOTIATE. WATCH OUT, WATCH OUT. OH, GOD, HELP US! 582 00:19:02,142 --> 00:19:03,385 WATCH OUT, WATCH OUT. OH, GOD, HELP US! WHAT ARE YOU DOING OUT THERE? 583 00:19:03,409 --> 00:19:04,753 OH, GOD, HELP US! WHAT ARE YOU DOING OUT THERE? HOW LONG DOES HE THINK HE CAN 584 00:19:04,777 --> 00:19:05,287 WHAT ARE YOU DOING OUT THERE? HOW LONG DOES HE THINK HE CAN HOLD OUT? 585 00:19:05,311 --> 00:19:06,088 HOW LONG DOES HE THINK HE CAN HOLD OUT? I DON'T KNOW. 586 00:19:06,112 --> 00:19:07,456 HOLD OUT? I DON'T KNOW. HEY, THOSE ARE OUR TOWELS AND 587 00:19:07,480 --> 00:19:08,690 I DON'T KNOW. HEY, THOSE ARE OUR TOWELS AND SHEETS, TOO, YOU KNOW. 588 00:19:08,714 --> 00:19:10,126 HEY, THOSE ARE OUR TOWELS AND SHEETS, TOO, YOU KNOW. ALL RIGHT, HENRY, WE CAN 589 00:19:10,150 --> 00:19:11,594 SHEETS, TOO, YOU KNOW. ALL RIGHT, HENRY, WE CAN SLEEP ON DIRTY SHEETS LONGER 590 00:19:11,618 --> 00:19:13,195 ALL RIGHT, HENRY, WE CAN SLEEP ON DIRTY SHEETS LONGER THAN YOU CAN GO WITHOUT, YOUNG 591 00:19:13,219 --> 00:19:13,596 SLEEP ON DIRTY SHEETS LONGER THAN YOU CAN GO WITHOUT, YOUNG MAN. 592 00:19:13,620 --> 00:19:14,696 THAN YOU CAN GO WITHOUT, YOUNG MAN. WELL, I CAN'T. 593 00:19:14,720 --> 00:19:16,465 MAN. WELL, I CAN'T. I HATE DIRTY SHEETS AND SMELLY 594 00:19:16,489 --> 00:19:17,065 WELL, I CAN'T. I HATE DIRTY SHEETS AND SMELLY TOWELS. 595 00:19:17,089 --> 00:19:17,733 I HATE DIRTY SHEETS AND SMELLY TOWELS. YEAH! 596 00:19:17,757 --> 00:19:19,235 TOWELS. YEAH! WE'RE WITH YOU, HENRY. 597 00:19:19,259 --> 00:19:20,236 YEAH! WE'RE WITH YOU, HENRY. WE'RE WITH YOU. 598 00:19:20,260 --> 00:19:21,737 WE'RE WITH YOU, HENRY. WE'RE WITH YOU. YEAH, YEAH. 599 00:19:21,761 --> 00:19:22,304 WE'RE WITH YOU. YEAH, YEAH. GO, GO. 600 00:19:22,328 --> 00:19:23,672 YEAH, YEAH. GO, GO. WAIT A MINUTE, NOW, THAT IS A 601 00:19:23,696 --> 00:19:26,175 GO, GO. WAIT A MINUTE, NOW, THAT IS A CLEAN... JUST CLEANED THAT. 602 00:19:26,199 --> 00:19:27,610 WAIT A MINUTE, NOW, THAT IS A CLEAN... JUST CLEANED THAT. AND THAT IS OUR BEST CHINA. 603 00:19:27,634 --> 00:19:28,877 CLEAN... JUST CLEANED THAT. AND THAT IS OUR BEST CHINA. THAT WAS A WEDDING GIFT. 604 00:19:28,901 --> 00:19:30,179 AND THAT IS OUR BEST CHINA. THAT WAS A WEDDING GIFT. ALL RIGHT, GET THE HOSE. 605 00:19:30,203 --> 00:19:30,979 THAT WAS A WEDDING GIFT. ALL RIGHT, GET THE HOSE. GET THE HOSE. 606 00:19:31,003 --> 00:19:31,580 ALL RIGHT, GET THE HOSE. GET THE HOSE. HURRY UP. 607 00:19:31,604 --> 00:19:32,914 GET THE HOSE. HURRY UP. ALL THIS IS GOING ON YOUR 608 00:19:32,938 --> 00:19:33,382 HURRY UP. ALL THIS IS GOING ON YOUR RECORDS. 609 00:19:33,406 --> 00:19:34,750 ALL THIS IS GOING ON YOUR RECORDS. AND YOU, YOUNG MAN, YOU'RE GONNA 610 00:19:34,774 --> 00:19:36,084 RECORDS. AND YOU, YOUNG MAN, YOU'RE GONNA BE CHANGING LICENSE PLATES TILL 611 00:19:36,108 --> 00:19:36,852 AND YOU, YOUNG MAN, YOU'RE GONNA BE CHANGING LICENSE PLATES TILL THE YEAR 2001. 612 00:19:36,876 --> 00:19:38,220 BE CHANGING LICENSE PLATES TILL THE YEAR 2001. YEAH, WELL, BE NICE TO THE 613 00:19:38,244 --> 00:19:39,555 THE YEAR 2001. YEAH, WELL, BE NICE TO THE PEOPLE YOU MEET ON THE WAY UP 614 00:19:39,579 --> 00:19:40,956 YEAH, WELL, BE NICE TO THE PEOPLE YOU MEET ON THE WAY UP 'CAUSE THEY'RE THE SAME PEOPLE 615 00:19:40,980 --> 00:19:42,291 PEOPLE YOU MEET ON THE WAY UP 'CAUSE THEY'RE THE SAME PEOPLE YOU'RE GONNA MEET ON THE WAY 616 00:19:42,315 --> 00:19:42,691 'CAUSE THEY'RE THE SAME PEOPLE YOU'RE GONNA MEET ON THE WAY DOWN. 617 00:19:42,715 --> 00:19:45,027 YOU'RE GONNA MEET ON THE WAY DOWN. [LAUGHS] 618 00:19:45,051 --> 00:19:46,695 DOWN. [LAUGHS] I CAN'T GET IT OUT. 619 00:19:46,719 --> 00:19:48,096 [LAUGHS] I CAN'T GET IT OUT. IT'S STUCK. 620 00:19:48,120 --> 00:19:50,899 I CAN'T GET IT OUT. IT'S STUCK. OOH, I OUGHT TO BOX YOUR 621 00:19:50,923 --> 00:19:51,367 IT'S STUCK. OOH, I OUGHT TO BOX YOUR EARS. 622 00:19:51,391 --> 00:19:52,801 OOH, I OUGHT TO BOX YOUR EARS. DON'T YOU HAVE ANY MANNERS? 623 00:19:52,825 --> 00:19:54,370 EARS. DON'T YOU HAVE ANY MANNERS? THE WAY YOU MESSED UP MY LINEN 624 00:19:54,394 --> 00:19:54,903 DON'T YOU HAVE ANY MANNERS? THE WAY YOU MESSED UP MY LINEN CLOSET. 625 00:19:54,927 --> 00:19:56,405 THE WAY YOU MESSED UP MY LINEN CLOSET. YOU PIG, YOU JUST GET OUT OF 626 00:19:56,429 --> 00:19:56,838 CLOSET. YOU PIG, YOU JUST GET OUT OF HERE. 627 00:19:56,862 --> 00:19:58,307 YOU PIG, YOU JUST GET OUT OF HERE. I NEVER WANT TO SEE YOU AGAIN. 628 00:19:58,331 --> 00:19:59,475 HERE. I NEVER WANT TO SEE YOU AGAIN. GET GOING. 629 00:19:59,499 --> 00:20:00,309 I NEVER WANT TO SEE YOU AGAIN. GET GOING. GET OUT. 630 00:20:00,333 --> 00:20:02,978 GET GOING. GET OUT. GET OUT OF HERE. 631 00:20:03,002 --> 00:20:05,047 GET OUT. GET OUT OF HERE. OH, NO, LOOK AT MY GOOD CHINA. 632 00:20:05,071 --> 00:20:07,015 GET OUT OF HERE. OH, NO, LOOK AT MY GOOD CHINA. WHAT ARE YOU DOING, YOU PIG? 633 00:20:07,039 --> 00:20:08,717 OH, NO, LOOK AT MY GOOD CHINA. WHAT ARE YOU DOING, YOU PIG? HOW WERE YOU BROUGHT UP? 634 00:20:08,741 --> 00:20:10,052 WHAT ARE YOU DOING, YOU PIG? HOW WERE YOU BROUGHT UP? DON'T YOU KNOW WHAT'S GOOD FOR 635 00:20:10,076 --> 00:20:10,419 HOW WERE YOU BROUGHT UP? DON'T YOU KNOW WHAT'S GOOD FOR YOU? 636 00:20:10,443 --> 00:20:11,820 DON'T YOU KNOW WHAT'S GOOD FOR YOU? JUST GET RIGHT OUT OF THIS HOUSE 637 00:20:11,844 --> 00:20:12,488 YOU? JUST GET RIGHT OUT OF THIS HOUSE THIS MINUTE. 638 00:20:12,512 --> 00:20:14,156 JUST GET RIGHT OUT OF THIS HOUSE THIS MINUTE. I'M SICK OF YOUR WHOLE THING. 639 00:20:14,180 --> 00:20:16,091 THIS MINUTE. I'M SICK OF YOUR WHOLE THING. AND YOU, MR. CLOSET, YOU CAN 640 00:20:16,115 --> 00:20:18,160 I'M SICK OF YOUR WHOLE THING. AND YOU, MR. CLOSET, YOU CAN JUST GET YOURSELF RIGHT OUT OF 641 00:20:18,184 --> 00:20:19,461 AND YOU, MR. CLOSET, YOU CAN JUST GET YOURSELF RIGHT OUT OF HERE THIS MINUTE. 642 00:20:19,485 --> 00:20:21,597 JUST GET YOURSELF RIGHT OUT OF HERE THIS MINUTE. WHERE WERE YOU BROUGHT UP... ON 643 00:20:21,621 --> 00:20:22,665 HERE THIS MINUTE. WHERE WERE YOU BROUGHT UP... ON THE FARM? 644 00:20:22,689 --> 00:20:24,166 WHERE WERE YOU BROUGHT UP... ON THE FARM? JUST GET GOING. 645 00:20:24,190 --> 00:20:26,123 THE FARM? JUST GET GOING. GO! 646 00:20:37,536 --> 00:20:42,172 COULD WE GET A DOG? [APPLAUSE] 647 00:20:52,050 --> 00:20:56,898 ALLEN LUDDEN AND BETTY WHITE ON DISPLAY AT THE METROPOLITAN. THIS AND MORE ON 648 00:20:56,922 --> 00:20:59,962 ON DISPLAY AT THE METROPOLITAN. THIS AND MORE ON "WEEKEND UPDATE" AT MIDNIGHT. 649 00:21:01,826 --> 00:21:05,474 Announcer: AND NOW "WEEKEND UPDATE" WITH THE "WEEKEND UPDATE" NEWS TEAM 650 00:21:05,498 --> 00:21:06,508 "WEEKEND UPDATE" WITH THE "WEEKEND UPDATE" NEWS TEAM BROUGHT TO YOU BY 651 00:21:06,532 --> 00:21:07,710 "WEEKEND UPDATE" NEWS TEAM BROUGHT TO YOU BY MISSIONARY POSITIONS 652 00:21:07,734 --> 00:21:09,345 BROUGHT TO YOU BY MISSIONARY POSITIONS INCORPORATED... THE EMPLOYMENT 653 00:21:09,369 --> 00:21:10,912 MISSIONARY POSITIONS INCORPORATED... THE EMPLOYMENT AGENCY FOR THOSE WHO WANT TO 654 00:21:10,936 --> 00:21:12,180 INCORPORATED... THE EMPLOYMENT AGENCY FOR THOSE WHO WANT TO START AT THE TOP. 655 00:21:12,204 --> 00:21:14,182 AGENCY FOR THOSE WHO WANT TO START AT THE TOP. NOW, HERE ARE BILL MURRAY AND 656 00:21:14,206 --> 00:21:16,017 START AT THE TOP. NOW, HERE ARE BILL MURRAY AND JANE CURTIN. 657 00:21:16,041 --> 00:21:17,185 NOW, HERE ARE BILL MURRAY AND JANE CURTIN. GOOD EVENING. 658 00:21:17,209 --> 00:21:18,320 JANE CURTIN. GOOD EVENING. I'M JANE CURTIN. 659 00:21:18,344 --> 00:21:20,322 GOOD EVENING. I'M JANE CURTIN. OUR TOP STORY TONIGHT... FORMER 660 00:21:20,346 --> 00:21:21,923 I'M JANE CURTIN. OUR TOP STORY TONIGHT... FORMER FIRST LADY BETTY FORD... 661 00:21:21,947 --> 00:21:23,525 OUR TOP STORY TONIGHT... FORMER FIRST LADY BETTY FORD... PICTURED HERE BEFORE HER RECENT 662 00:21:23,549 --> 00:21:25,160 FIRST LADY BETTY FORD... PICTURED HERE BEFORE HER RECENT FACE-LIFT, WHICH RESULTED IN HER 663 00:21:25,184 --> 00:21:26,662 PICTURED HERE BEFORE HER RECENT FACE-LIFT, WHICH RESULTED IN HER LOOKING LIKE THIS... SAYS THE 664 00:21:26,686 --> 00:21:27,929 FACE-LIFT, WHICH RESULTED IN HER LOOKING LIKE THIS... SAYS THE REASON SHE UNDERWENT THE 665 00:21:27,953 --> 00:21:29,565 LOOKING LIKE THIS... SAYS THE REASON SHE UNDERWENT THE COSMETIC SURGERY WAS BECAUSE SHE 666 00:21:29,589 --> 00:21:31,199 REASON SHE UNDERWENT THE COSMETIC SURGERY WAS BECAUSE SHE WANTED A NEW FACE TO GO WITH HER 667 00:21:31,223 --> 00:21:31,867 COSMETIC SURGERY WAS BECAUSE SHE WANTED A NEW FACE TO GO WITH HER NEW LIFE. 668 00:21:31,891 --> 00:21:33,469 WANTED A NEW FACE TO GO WITH HER NEW LIFE. BETTY'S HUSBAND, JERRY, SAID 669 00:21:33,493 --> 00:21:35,237 NEW LIFE. BETTY'S HUSBAND, JERRY, SAID THAT HE ALSO WAS SO PLEASED WITH 670 00:21:35,261 --> 00:21:36,805 BETTY'S HUSBAND, JERRY, SAID THAT HE ALSO WAS SO PLEASED WITH THE RESULTS THAT HE SECRETLY 671 00:21:36,829 --> 00:21:38,440 THAT HE ALSO WAS SO PLEASED WITH THE RESULTS THAT HE SECRETLY UNDERWENT THE SAME OPERATION. 672 00:21:38,464 --> 00:21:40,309 THE RESULTS THAT HE SECRETLY UNDERWENT THE SAME OPERATION. SHOWN HERE AFTER THE SURGERY, 673 00:21:40,333 --> 00:21:42,144 UNDERWENT THE SAME OPERATION. SHOWN HERE AFTER THE SURGERY, FORD SAID, "I'M GOING TO SUE 674 00:21:42,168 --> 00:21:43,078 SHOWN HERE AFTER THE SURGERY, FORD SAID, "I'M GOING TO SUE THAT DOCTOR. 675 00:21:43,102 --> 00:21:47,082 FORD SAID, "I'M GOING TO SUE THAT DOCTOR. HE DIDN'T CHANGE A THING." 676 00:21:47,106 --> 00:21:48,684 THAT DOCTOR. HE DIDN'T CHANGE A THING." THE FIRESTONE TIRE AND RUBBER 677 00:21:48,708 --> 00:21:50,018 HE DIDN'T CHANGE A THING." THE FIRESTONE TIRE AND RUBBER COMPANY HAS RECALLED AN 678 00:21:50,042 --> 00:21:52,120 THE FIRESTONE TIRE AND RUBBER COMPANY HAS RECALLED AN ESTIMATED 9 MILLION STEEL-BELTED 679 00:21:52,144 --> 00:21:54,189 COMPANY HAS RECALLED AN ESTIMATED 9 MILLION STEEL-BELTED RADIAL TIRES BECAUSE OF ALLEGED 680 00:21:54,213 --> 00:21:55,791 ESTIMATED 9 MILLION STEEL-BELTED RADIAL TIRES BECAUSE OF ALLEGED SAFETY-RELATED DEFECTS. 681 00:21:55,815 --> 00:21:57,293 RADIAL TIRES BECAUSE OF ALLEGED SAFETY-RELATED DEFECTS. TO HELP DEFRAY THE EXPENSE OF 682 00:21:57,317 --> 00:21:58,594 SAFETY-RELATED DEFECTS. TO HELP DEFRAY THE EXPENSE OF THE RECALL, FIRESTONE HAS 683 00:21:58,618 --> 00:22:00,228 TO HELP DEFRAY THE EXPENSE OF THE RECALL, FIRESTONE HAS ANNOUNCED THAT THE TIRES WILL BE 684 00:22:00,252 --> 00:22:02,030 THE RECALL, FIRESTONE HAS ANNOUNCED THAT THE TIRES WILL BE MELTED DOWN AND RECYCLED INTO 685 00:22:02,054 --> 00:22:03,766 ANNOUNCED THAT THE TIRES WILL BE MELTED DOWN AND RECYCLED INTO STEEL-BELTED RADIAL CONDOMS. 686 00:22:03,790 --> 00:22:05,668 MELTED DOWN AND RECYCLED INTO STEEL-BELTED RADIAL CONDOMS. THE CONDOMS ARE GUARANTEED SAFE 687 00:22:05,692 --> 00:22:07,403 STEEL-BELTED RADIAL CONDOMS. THE CONDOMS ARE GUARANTEED SAFE ON ANY SURFACE AND UNDER ANY 688 00:22:07,427 --> 00:22:09,204 THE CONDOMS ARE GUARANTEED SAFE ON ANY SURFACE AND UNDER ANY WEATHER CONDITIONS, EXCEPT IN 689 00:22:09,228 --> 00:22:11,139 ON ANY SURFACE AND UNDER ANY WEATHER CONDITIONS, EXCEPT IN THE WINTER WHEN OWNERS ARE URGED 690 00:22:11,163 --> 00:22:14,810 WEATHER CONDITIONS, EXCEPT IN THE WINTER WHEN OWNERS ARE URGED TO USE SNOW CHAINS. 691 00:22:14,834 --> 00:22:16,645 THE WINTER WHEN OWNERS ARE URGED TO USE SNOW CHAINS. AND IN A RELATED STORY, ANOTHER 692 00:22:16,669 --> 00:22:18,514 TO USE SNOW CHAINS. AND IN A RELATED STORY, ANOTHER RECALL WAS ANNOUNCED THIS WEEK. 693 00:22:18,538 --> 00:22:20,416 AND IN A RELATED STORY, ANOTHER RECALL WAS ANNOUNCED THIS WEEK. CORNELL MEDICAL SCHOOL ANNOUNCED 694 00:22:20,440 --> 00:22:22,250 RECALL WAS ANNOUNCED THIS WEEK. CORNELL MEDICAL SCHOOL ANNOUNCED THAT IT IS RECALLING ITS ENTIRE 695 00:22:22,274 --> 00:22:24,152 CORNELL MEDICAL SCHOOL ANNOUNCED THAT IT IS RECALLING ITS ENTIRE 1977 GRADUATING CLASS, CLAIMING 696 00:22:24,176 --> 00:22:25,721 THAT IT IS RECALLING ITS ENTIRE 1977 GRADUATING CLASS, CLAIMING THAT THE NEW DOCTORS WERE 697 00:22:25,745 --> 00:22:26,855 1977 GRADUATING CLASS, CLAIMING THAT THE NEW DOCTORS WERE MISTAKENLY TAUGHT 698 00:22:26,879 --> 00:22:28,757 THAT THE NEW DOCTORS WERE MISTAKENLY TAUGHT AIR-CONDITIONING REPAIR INSTEAD 699 00:22:28,781 --> 00:22:31,259 MISTAKENLY TAUGHT AIR-CONDITIONING REPAIR INSTEAD OF BASIC CARDIOVASCULAR SURGERY. 700 00:22:31,283 --> 00:22:33,762 AIR-CONDITIONING REPAIR INSTEAD OF BASIC CARDIOVASCULAR SURGERY. BILL. 701 00:22:33,786 --> 00:22:35,130 OF BASIC CARDIOVASCULAR SURGERY. BILL. WELL, THE WORLD-CHAMPION 702 00:22:35,154 --> 00:22:36,598 BILL. WELL, THE WORLD-CHAMPION NEW YORK YANKEES WERE THE BIG 703 00:22:36,622 --> 00:22:37,999 WELL, THE WORLD-CHAMPION NEW YORK YANKEES WERE THE BIG STORY THIS WEEK IN NEW YORK. 704 00:22:38,023 --> 00:22:41,002 NEW YORK YANKEES WERE THE BIG STORY THIS WEEK IN NEW YORK. [APPLAUSE] 705 00:22:41,026 --> 00:22:42,571 STORY THIS WEEK IN NEW YORK. [APPLAUSE] THE BRONX BOMBERS CLINCHED THE 706 00:22:42,595 --> 00:22:44,139 [APPLAUSE] THE BRONX BOMBERS CLINCHED THE SERIES TUESDAY IN LOS ANGELES, 707 00:22:44,163 --> 00:22:45,641 THE BRONX BOMBERS CLINCHED THE SERIES TUESDAY IN LOS ANGELES, WINNING THE SERIES IN THE 6th 708 00:22:45,665 --> 00:22:47,309 SERIES TUESDAY IN LOS ANGELES, WINNING THE SERIES IN THE 6th GAME, THE FINAL GAME, BY A SCORE 709 00:22:47,333 --> 00:22:49,645 WINNING THE SERIES IN THE 6th GAME, THE FINAL GAME, BY A SCORE OF 5,007 TO 2. 710 00:22:49,669 --> 00:22:51,079 GAME, THE FINAL GAME, BY A SCORE OF 5,007 TO 2. THE GAME WAS TIED 2-2 UNTIL THE 711 00:22:51,103 --> 00:22:52,481 OF 5,007 TO 2. THE GAME WAS TIED 2-2 UNTIL THE TOP OF THE 8th WHEN THE YANKEES 712 00:22:52,505 --> 00:22:54,783 THE GAME WAS TIED 2-2 UNTIL THE TOP OF THE 8th WHEN THE YANKEES FINALLY EXPLODED FOR 5,005 RUNS. 713 00:22:54,807 --> 00:22:56,918 TOP OF THE 8th WHEN THE YANKEES FINALLY EXPLODED FOR 5,005 RUNS. AT ONE POINT, THE YANKEES HIT 714 00:22:56,942 --> 00:22:59,588 FINALLY EXPLODED FOR 5,005 RUNS. AT ONE POINT, THE YANKEES HIT SAFELY 4,728 TIMES IN A ROW, 715 00:22:59,612 --> 00:23:01,089 AT ONE POINT, THE YANKEES HIT SAFELY 4,728 TIMES IN A ROW, INCLUDING 417 HOME RUNS BY 716 00:23:01,113 --> 00:23:02,825 SAFELY 4,728 TIMES IN A ROW, INCLUDING 417 HOME RUNS BY REGGIE JACKSON, WHICH I BELIEVE 717 00:23:02,849 --> 00:23:03,659 INCLUDING 417 HOME RUNS BY REGGIE JACKSON, WHICH I BELIEVE IS A RECORD. 718 00:23:03,683 --> 00:23:04,993 REGGIE JACKSON, WHICH I BELIEVE IS A RECORD. DODGERS TOM LASORDA AND 719 00:23:05,017 --> 00:23:06,795 IS A RECORD. DODGERS TOM LASORDA AND STEVE GARVEY WERE SO DISCOURAGED 720 00:23:06,819 --> 00:23:08,230 DODGERS TOM LASORDA AND STEVE GARVEY WERE SO DISCOURAGED AT THE HUMILIATING DEFEAT 721 00:23:08,254 --> 00:23:10,031 STEVE GARVEY WERE SO DISCOURAGED AT THE HUMILIATING DEFEAT THAT THEY DIDN'T EVEN SHOWER AND 722 00:23:10,055 --> 00:23:12,368 AT THE HUMILIATING DEFEAT THAT THEY DIDN'T EVEN SHOWER AND TOOK THE SUBWAY HOME. 723 00:23:12,392 --> 00:23:13,736 THAT THEY DIDN'T EVEN SHOWER AND TOOK THE SUBWAY HOME. WELL, LAST WEEK, I INTRODUCED A 724 00:23:13,760 --> 00:23:15,136 TOOK THE SUBWAY HOME. WELL, LAST WEEK, I INTRODUCED A NEW FEATURE ON "WEEKEND UPDATE." 725 00:23:15,160 --> 00:23:16,472 WELL, LAST WEEK, I INTRODUCED A NEW FEATURE ON "WEEKEND UPDATE." AND IT PROVED SO POPULAR... WE 726 00:23:16,496 --> 00:23:17,773 NEW FEATURE ON "WEEKEND UPDATE." AND IT PROVED SO POPULAR... WE GOT LITERALLY TONS OF MAIL ON 727 00:23:17,797 --> 00:23:19,140 AND IT PROVED SO POPULAR... WE GOT LITERALLY TONS OF MAIL ON IT, ALL OF IT FAVORABLE... THAT 728 00:23:19,164 --> 00:23:20,376 GOT LITERALLY TONS OF MAIL ON IT, ALL OF IT FAVORABLE... THAT WE'RE BRINGING IT BACK THIS 729 00:23:20,400 --> 00:23:20,743 IT, ALL OF IT FAVORABLE... THAT WE'RE BRINGING IT BACK THIS WEEK. 730 00:23:20,767 --> 00:23:22,043 WE'RE BRINGING IT BACK THIS WEEK. I'M TALKING, OF COURSE, ABOUT 731 00:23:22,067 --> 00:23:23,712 WEEK. I'M TALKING, OF COURSE, ABOUT BILL MURRAY'S CELEBRITY CORNER. 732 00:23:23,736 --> 00:23:24,847 I'M TALKING, OF COURSE, ABOUT BILL MURRAY'S CELEBRITY CORNER. AS YOU KNOW, PUNK ROCKER 733 00:23:24,871 --> 00:23:26,314 BILL MURRAY'S CELEBRITY CORNER. AS YOU KNOW, PUNK ROCKER SID VICIOUS WAS RECENTLY CHARGED 734 00:23:26,338 --> 00:23:27,783 AS YOU KNOW, PUNK ROCKER SID VICIOUS WAS RECENTLY CHARGED WITH SLAYING HIS GIRLFRIEND IN A 735 00:23:27,807 --> 00:23:28,751 SID VICIOUS WAS RECENTLY CHARGED WITH SLAYING HIS GIRLFRIEND IN A NEW YORK HOTEL ROOM. 736 00:23:28,775 --> 00:23:30,151 WITH SLAYING HIS GIRLFRIEND IN A NEW YORK HOTEL ROOM. AND SID'S MOM HAS FLOWN ALL THE 737 00:23:30,175 --> 00:23:31,520 NEW YORK HOTEL ROOM. AND SID'S MOM HAS FLOWN ALL THE WAY FROM ENGLAND TO BE AT HER 738 00:23:31,544 --> 00:23:32,120 AND SID'S MOM HAS FLOWN ALL THE WAY FROM ENGLAND TO BE AT HER SON'S SIDE. 739 00:23:32,144 --> 00:23:33,522 WAY FROM ENGLAND TO BE AT HER SON'S SIDE. AND HERE THEY ARE RIGHT NOW... 740 00:23:33,546 --> 00:23:34,656 SON'S SIDE. AND HERE THEY ARE RIGHT NOW... SID VICIOUS AND HIS MUM, 741 00:23:34,680 --> 00:23:37,158 AND HERE THEY ARE RIGHT NOW... SID VICIOUS AND HIS MUM, ANNE BEVERLY. 742 00:23:37,182 --> 00:23:40,161 SID VICIOUS AND HIS MUM, ANNE BEVERLY. SID, SURE, YOU'RE A PUNK, BUT 743 00:23:40,185 --> 00:23:44,165 ANNE BEVERLY. SID, SURE, YOU'RE A PUNK, BUT WHY DID YOU KILL THAT GIRL? 744 00:23:44,189 --> 00:23:45,901 SID, SURE, YOU'RE A PUNK, BUT WHY DID YOU KILL THAT GIRL? UH, FIRST OF ALL, I WOULD 745 00:23:45,925 --> 00:23:47,335 WHY DID YOU KILL THAT GIRL? UH, FIRST OF ALL, I WOULD LIKE TO STATE THAT I AM 746 00:23:47,359 --> 00:23:49,271 UH, FIRST OF ALL, I WOULD LIKE TO STATE THAT I AM COMPLETELY CONVINCED OF SIDNEY'S 747 00:23:49,295 --> 00:23:50,071 LIKE TO STATE THAT I AM COMPLETELY CONVINCED OF SIDNEY'S INNOCENCE. 748 00:23:50,095 --> 00:23:52,007 COMPLETELY CONVINCED OF SIDNEY'S INNOCENCE. AND SECONDLY, ON ADVICE FROM HIS 749 00:23:52,031 --> 00:23:53,475 INNOCENCE. AND SECONDLY, ON ADVICE FROM HIS ATTORNEY, SIDNEY IS NOT 750 00:23:53,499 --> 00:23:55,143 AND SECONDLY, ON ADVICE FROM HIS ATTORNEY, SIDNEY IS NOT PERMITTED TO COMMENT ON HIS 751 00:23:55,167 --> 00:23:55,577 ATTORNEY, SIDNEY IS NOT PERMITTED TO COMMENT ON HIS CASE. 752 00:23:55,601 --> 00:23:56,845 PERMITTED TO COMMENT ON HIS CASE. WELL, I GUESS IN YOUR 753 00:23:56,869 --> 00:23:58,313 CASE. WELL, I GUESS IN YOUR SITUATION, I'D KEEP MY MOUTH 754 00:23:58,337 --> 00:23:59,180 WELL, I GUESS IN YOUR SITUATION, I'D KEEP MY MOUTH SHUT, TOO, HUH? 755 00:23:59,204 --> 00:24:00,081 SITUATION, I'D KEEP MY MOUTH SHUT, TOO, HUH? [LAUGHS] 756 00:24:00,105 --> 00:24:01,550 SHUT, TOO, HUH? [LAUGHS] NOW, MRS. VICIOUS... 757 00:24:01,574 --> 00:24:03,452 [LAUGHS] NOW, MRS. VICIOUS... UH, THAT'S MRS. BEVERLY. 758 00:24:03,476 --> 00:24:04,319 NOW, MRS. VICIOUS... UH, THAT'S MRS. BEVERLY. I'M SORRY. 759 00:24:04,343 --> 00:24:06,087 UH, THAT'S MRS. BEVERLY. I'M SORRY. CAN YOU GIVE US ANY INSIGHT INTO 760 00:24:06,111 --> 00:24:06,922 I'M SORRY. CAN YOU GIVE US ANY INSIGHT INTO THE BOY SID? 761 00:24:06,946 --> 00:24:08,557 CAN YOU GIVE US ANY INSIGHT INTO THE BOY SID? I MEAN, WHAT WAS HE LIKE AS A 762 00:24:08,581 --> 00:24:09,491 THE BOY SID? I MEAN, WHAT WAS HE LIKE AS A CHILD? 763 00:24:09,515 --> 00:24:12,260 I MEAN, WHAT WAS HE LIKE AS A CHILD? WELL, HE WAS VERY UNLUCKY 764 00:24:12,284 --> 00:24:15,096 CHILD? WELL, HE WAS VERY UNLUCKY WITH PETS... SO MANY TERRIBLE 765 00:24:15,120 --> 00:24:16,364 WELL, HE WAS VERY UNLUCKY WITH PETS... SO MANY TERRIBLE ACCIDENTS. 766 00:24:16,388 --> 00:24:18,099 WITH PETS... SO MANY TERRIBLE ACCIDENTS. I REMEMBER I CAME IN ONE TIME 767 00:24:18,123 --> 00:24:19,902 ACCIDENTS. I REMEMBER I CAME IN ONE TIME AND FOUND HIS PARAKEET BOILING 768 00:24:19,926 --> 00:24:21,069 I REMEMBER I CAME IN ONE TIME AND FOUND HIS PARAKEET BOILING ON THE STOVE. 769 00:24:21,093 --> 00:24:23,472 AND FOUND HIS PARAKEET BOILING ON THE STOVE. HE WAS SO HEARTBROKEN, I GOT HIM 770 00:24:23,496 --> 00:24:25,307 ON THE STOVE. HE WAS SO HEARTBROKEN, I GOT HIM ANOTHER ONE RIGHT AWAY. 771 00:24:25,331 --> 00:24:27,008 HE WAS SO HEARTBROKEN, I GOT HIM ANOTHER ONE RIGHT AWAY. AND DO YOU KNOW WHAT? 772 00:24:27,032 --> 00:24:29,344 ANOTHER ONE RIGHT AWAY. AND DO YOU KNOW WHAT? THAT ONE DIED THE SAME WAY. 773 00:24:29,368 --> 00:24:30,813 AND DO YOU KNOW WHAT? THAT ONE DIED THE SAME WAY. MRS. BEVERLY, YOU'VE BEEN 774 00:24:30,837 --> 00:24:32,414 THAT ONE DIED THE SAME WAY. MRS. BEVERLY, YOU'VE BEEN QUOTED AS SAYING THAT YOU NEVER 775 00:24:32,438 --> 00:24:33,615 MRS. BEVERLY, YOU'VE BEEN QUOTED AS SAYING THAT YOU NEVER REALLY CARED FOR SID'S 776 00:24:33,639 --> 00:24:34,650 QUOTED AS SAYING THAT YOU NEVER REALLY CARED FOR SID'S GIRLFRIEND, NANCY. 777 00:24:34,674 --> 00:24:35,751 REALLY CARED FOR SID'S GIRLFRIEND, NANCY. NOW HOW DO YOU FEEL? 778 00:24:35,775 --> 00:24:38,554 GIRLFRIEND, NANCY. NOW HOW DO YOU FEEL? WELL, I-I NEVER THOUGHT SHE 779 00:24:38,578 --> 00:24:40,889 NOW HOW DO YOU FEEL? WELL, I-I NEVER THOUGHT SHE WAS RIGHT FOR MY SIDNEY. 780 00:24:40,913 --> 00:24:42,891 WELL, I-I NEVER THOUGHT SHE WAS RIGHT FOR MY SIDNEY. BESIDES, I ALWAYS LIKED TO THINK 781 00:24:42,915 --> 00:24:44,259 WAS RIGHT FOR MY SIDNEY. BESIDES, I ALWAYS LIKED TO THINK I WAS HIS BEST GIRL. 782 00:24:44,283 --> 00:24:45,193 BESIDES, I ALWAYS LIKED TO THINK I WAS HIS BEST GIRL. [LAUGHS] 783 00:24:45,217 --> 00:24:47,262 I WAS HIS BEST GIRL. [LAUGHS] WELL, MY MOM'S ALWAYS BEEN 784 00:24:47,286 --> 00:24:49,297 [LAUGHS] WELL, MY MOM'S ALWAYS BEEN KIND OF SPECIAL TO ME, TOO. 785 00:24:49,321 --> 00:24:51,600 WELL, MY MOM'S ALWAYS BEEN KIND OF SPECIAL TO ME, TOO. WHAT PLANS HAVE YOU GOT NOW FOR 786 00:24:51,624 --> 00:24:52,768 KIND OF SPECIAL TO ME, TOO. WHAT PLANS HAVE YOU GOT NOW FOR SID'S CAREER? 787 00:24:52,792 --> 00:24:55,070 WHAT PLANS HAVE YOU GOT NOW FOR SID'S CAREER? WELL, OF COURSE SIDNEY'S OUT 788 00:24:55,094 --> 00:24:57,105 SID'S CAREER? WELL, OF COURSE SIDNEY'S OUT ON BAIL NOW, BUT HE WILL BE 789 00:24:57,129 --> 00:24:59,274 WELL, OF COURSE SIDNEY'S OUT ON BAIL NOW, BUT HE WILL BE PLAYING IN A FEW LOCAL CLUBS. 790 00:24:59,298 --> 00:25:00,976 ON BAIL NOW, BUT HE WILL BE PLAYING IN A FEW LOCAL CLUBS. AND IF IT ALL GOES WELL AND 791 00:25:01,000 --> 00:25:02,911 PLAYING IN A FEW LOCAL CLUBS. AND IF IT ALL GOES WELL AND SIDNEY DOESN'T GET THROWN IN THE 792 00:25:02,935 --> 00:25:04,513 AND IF IT ALL GOES WELL AND SIDNEY DOESN'T GET THROWN IN THE SLAMMER, HE AND I WILL BE 793 00:25:04,537 --> 00:25:06,414 SIDNEY DOESN'T GET THROWN IN THE SLAMMER, HE AND I WILL BE APPEARING ON "THE ANDY WILLIAMS 794 00:25:06,438 --> 00:25:07,883 SLAMMER, HE AND I WILL BE APPEARING ON "THE ANDY WILLIAMS CHRISTMAS SPECIAL" THIS 795 00:25:07,907 --> 00:25:12,554 APPEARING ON "THE ANDY WILLIAMS CHRISTMAS SPECIAL" THIS DECEMBER. 796 00:25:12,578 --> 00:25:14,356 CHRISTMAS SPECIAL" THIS DECEMBER. WELL, I'M... I'M SURE THAT ANDY 797 00:25:14,380 --> 00:25:16,057 DECEMBER. WELL, I'M... I'M SURE THAT ANDY UNDERSTANDS WHAT YOU'RE GOING 798 00:25:16,081 --> 00:25:17,459 WELL, I'M... I'M SURE THAT ANDY UNDERSTANDS WHAT YOU'RE GOING THROUGH RIGHT NOW, MRS. BEVERLY. 799 00:25:17,483 --> 00:25:18,861 UNDERSTANDS WHAT YOU'RE GOING THROUGH RIGHT NOW, MRS. BEVERLY. AND WHATEVER HAPPENS IN COURT, I 800 00:25:18,885 --> 00:25:20,161 THROUGH RIGHT NOW, MRS. BEVERLY. AND WHATEVER HAPPENS IN COURT, I KNOW THAT THIS EVENT IS GONNA 801 00:25:20,185 --> 00:25:21,530 AND WHATEVER HAPPENS IN COURT, I KNOW THAT THIS EVENT IS GONNA TURN SIDNEY VICIOUS FROM A STAR 802 00:25:21,554 --> 00:25:22,764 KNOW THAT THIS EVENT IS GONNA TURN SIDNEY VICIOUS FROM A STAR INTO A SUPERSTAR, AND THAT'S 803 00:25:22,788 --> 00:25:23,331 TURN SIDNEY VICIOUS FROM A STAR INTO A SUPERSTAR, AND THAT'S GOOD NEWS. 804 00:25:23,355 --> 00:25:24,399 INTO A SUPERSTAR, AND THAT'S GOOD NEWS. THANKS FOR APPEARING ON 805 00:25:24,423 --> 00:25:25,534 GOOD NEWS. THANKS FOR APPEARING ON CELEBRITY CORNER, SID AND 806 00:25:25,558 --> 00:25:26,234 THANKS FOR APPEARING ON CELEBRITY CORNER, SID AND MRS. VICIOUS. 807 00:25:26,258 --> 00:25:27,369 CELEBRITY CORNER, SID AND MRS. VICIOUS. NOW, GET OUT OF HERE, YOU 808 00:25:27,393 --> 00:25:30,372 MRS. VICIOUS. NOW, GET OUT OF HERE, YOU MANIACS, AND I MEAN IT. 809 00:25:30,396 --> 00:25:31,373 NOW, GET OUT OF HERE, YOU MANIACS, AND I MEAN IT. NOT BAD, HUH? 810 00:25:31,397 --> 00:25:33,341 MANIACS, AND I MEAN IT. NOT BAD, HUH? WE'RE GETTING SOME INTERESTING 811 00:25:33,365 --> 00:25:34,710 NOT BAD, HUH? WE'RE GETTING SOME INTERESTING STUFF ON CELEBRITY CORNER. 812 00:25:34,734 --> 00:25:36,277 WE'RE GETTING SOME INTERESTING STUFF ON CELEBRITY CORNER. WELL... SOME INTERESTING STUFF 813 00:25:36,301 --> 00:25:37,813 STUFF ON CELEBRITY CORNER. WELL... SOME INTERESTING STUFF THIS WEEK ON CELEBRITY CORNER. 814 00:25:37,837 --> 00:25:39,114 WELL... SOME INTERESTING STUFF THIS WEEK ON CELEBRITY CORNER. WELL, LIKE PATTY HEARST, 815 00:25:39,138 --> 00:25:40,649 THIS WEEK ON CELEBRITY CORNER. WELL, LIKE PATTY HEARST, SUSAN FORD ANNOUNCED LAST WEEK 816 00:25:40,673 --> 00:25:42,117 WELL, LIKE PATTY HEARST, SUSAN FORD ANNOUNCED LAST WEEK THAT SHE TOO WOULD MARRY HER 817 00:25:42,141 --> 00:25:42,784 SUSAN FORD ANNOUNCED LAST WEEK THAT SHE TOO WOULD MARRY HER BODYGUARD. 818 00:25:42,808 --> 00:25:44,285 THAT SHE TOO WOULD MARRY HER BODYGUARD. WHETHER THE TWO ANNOUNCEMENTS 819 00:25:44,309 --> 00:25:46,021 BODYGUARD. WHETHER THE TWO ANNOUNCEMENTS HAD ANY EFFECT ON BESS TRUMAN, 820 00:25:46,045 --> 00:25:46,922 WHETHER THE TWO ANNOUNCEMENTS HAD ANY EFFECT ON BESS TRUMAN, NO ONE KNOWS. 821 00:25:46,946 --> 00:25:48,757 HAD ANY EFFECT ON BESS TRUMAN, NO ONE KNOWS. BUT THE 91-YEAR-OLD FORMER FIRST 822 00:25:48,781 --> 00:25:50,392 NO ONE KNOWS. BUT THE 91-YEAR-OLD FORMER FIRST LADY ANNOUNCED THAT SHE WILL 823 00:25:50,416 --> 00:25:52,127 BUT THE 91-YEAR-OLD FORMER FIRST LADY ANNOUNCED THAT SHE WILL MARRY HER BODYGUARD OF FOUR 824 00:25:52,151 --> 00:25:53,495 LADY ANNOUNCED THAT SHE WILL MARRY HER BODYGUARD OF FOUR YEARS... 54-YEAR-OLD 825 00:25:53,519 --> 00:25:54,396 MARRY HER BODYGUARD OF FOUR YEARS... 54-YEAR-OLD FRANK KINNING. 826 00:25:54,420 --> 00:25:55,697 YEARS... 54-YEAR-OLD FRANK KINNING. KINNING HOPES TO REMAIN 827 00:25:55,721 --> 00:25:57,265 FRANK KINNING. KINNING HOPES TO REMAIN MRS. TRUMAN'S BODYGUARD AFTER 828 00:25:57,289 --> 00:25:58,133 KINNING HOPES TO REMAIN MRS. TRUMAN'S BODYGUARD AFTER THE MARRIAGE. 829 00:25:58,157 --> 00:25:59,801 MRS. TRUMAN'S BODYGUARD AFTER THE MARRIAGE. HOWEVER, THEIR LIVES MAY CHANGE 830 00:25:59,825 --> 00:26:00,268 THE MARRIAGE. HOWEVER, THEIR LIVES MAY CHANGE SOME. 831 00:26:00,292 --> 00:26:01,904 HOWEVER, THEIR LIVES MAY CHANGE SOME. AS A HUSBAND OF A FORMER FIRST 832 00:26:01,928 --> 00:26:03,539 SOME. AS A HUSBAND OF A FORMER FIRST LADY, KINNING WILL BE ENTITLED 833 00:26:03,563 --> 00:26:05,173 AS A HUSBAND OF A FORMER FIRST LADY, KINNING WILL BE ENTITLED TO A BODYGUARD OF HIS OWN, AND 834 00:26:05,197 --> 00:26:06,575 LADY, KINNING WILL BE ENTITLED TO A BODYGUARD OF HIS OWN, AND HE HAS CHOSEN 24-YEAR-OLD 835 00:26:06,599 --> 00:26:11,246 TO A BODYGUARD OF HIS OWN, AND HE HAS CHOSEN 24-YEAR-OLD BONNIE LEE BATES. 836 00:26:11,270 --> 00:26:12,881 HE HAS CHOSEN 24-YEAR-OLD BONNIE LEE BATES. WELL, THE DOLLAR TOOK A PLUNGE 837 00:26:12,905 --> 00:26:14,449 BONNIE LEE BATES. WELL, THE DOLLAR TOOK A PLUNGE ON THE WORLD MARKET THIS WEEK 838 00:26:14,473 --> 00:26:16,018 WELL, THE DOLLAR TOOK A PLUNGE ON THE WORLD MARKET THIS WEEK AND IS AT ITS ALL-TIME LOW IN 839 00:26:16,042 --> 00:26:17,485 ON THE WORLD MARKET THIS WEEK AND IS AT ITS ALL-TIME LOW IN RELATION TO THE YEN AND THE 840 00:26:17,509 --> 00:26:17,953 AND IS AT ITS ALL-TIME LOW IN RELATION TO THE YEN AND THE MARK. 841 00:26:17,977 --> 00:26:19,588 RELATION TO THE YEN AND THE MARK. IN AN EFFORT TO STABILIZE THE 842 00:26:19,612 --> 00:26:21,389 MARK. IN AN EFFORT TO STABILIZE THE WORLD ECONOMY, JAPANESE, GERMAN, 843 00:26:21,413 --> 00:26:23,124 IN AN EFFORT TO STABILIZE THE WORLD ECONOMY, JAPANESE, GERMAN, AND U.S. NEGOTIATORS CAME TO AN 844 00:26:23,148 --> 00:26:24,826 WORLD ECONOMY, JAPANESE, GERMAN, AND U.S. NEGOTIATORS CAME TO AN UNPRECEDENTED AGREEMENT TODAY. 845 00:26:24,850 --> 00:26:26,595 AND U.S. NEGOTIATORS CAME TO AN UNPRECEDENTED AGREEMENT TODAY. JAPAN AND GERMANY WILL RESTORE 846 00:26:26,619 --> 00:26:28,296 UNPRECEDENTED AGREEMENT TODAY. JAPAN AND GERMANY WILL RESTORE THE DOLLAR TO ITS 1946 LEVEL, 847 00:26:28,320 --> 00:26:29,865 JAPAN AND GERMANY WILL RESTORE THE DOLLAR TO ITS 1946 LEVEL, AND THE UNITED STATES WILL 848 00:26:29,889 --> 00:26:31,567 THE DOLLAR TO ITS 1946 LEVEL, AND THE UNITED STATES WILL ACCEPT BLAME FOR PEARL HARBOR 849 00:26:31,591 --> 00:26:33,234 AND THE UNITED STATES WILL ACCEPT BLAME FOR PEARL HARBOR AND THE HOLOCAUST. 850 00:26:33,258 --> 00:26:33,835 ACCEPT BLAME FOR PEARL HARBOR AND THE HOLOCAUST. JANE. 851 00:26:33,859 --> 00:26:35,804 AND THE HOLOCAUST. JANE. ON MONDAY, THE COLLEGE OF 852 00:26:35,828 --> 00:26:37,539 JANE. ON MONDAY, THE COLLEGE OF CARDINALS CHOSE A POLISH 853 00:26:37,563 --> 00:26:39,307 ON MONDAY, THE COLLEGE OF CARDINALS CHOSE A POLISH CARDINAL KAROL WOJTYLA TO BE THE 854 00:26:39,331 --> 00:26:39,975 CARDINALS CHOSE A POLISH CARDINAL KAROL WOJTYLA TO BE THE NEW POPE. 855 00:26:39,999 --> 00:26:41,543 CARDINAL KAROL WOJTYLA TO BE THE NEW POPE. HERE TO TELL US WHAT WENT ON 856 00:26:41,567 --> 00:26:42,911 NEW POPE. HERE TO TELL US WHAT WENT ON BEHIND THE SCENES OF THE 857 00:26:42,935 --> 00:26:44,780 HERE TO TELL US WHAT WENT ON BEHIND THE SCENES OF THE CONCLAVE IS THE GOSSIP COLUMNIST 858 00:26:44,804 --> 00:26:46,481 BEHIND THE SCENES OF THE CONCLAVE IS THE GOSSIP COLUMNIST FOR L'OSSERVATORE ROMANO, THE 859 00:26:46,505 --> 00:26:47,649 CONCLAVE IS THE GOSSIP COLUMNIST FOR L'OSSERVATORE ROMANO, THE VATICAN NEWSPAPER, 860 00:26:47,673 --> 00:26:50,434 FOR L'OSSERVATORE ROMANO, THE VATICAN NEWSPAPER, FATHER GUIDO SARDUCCI. 861 00:26:55,313 --> 00:26:58,894 [Italian accent] WELL, THAT... IT SURE WAS SOME SURPRISE. 862 00:26:58,918 --> 00:27:01,096 THAT... IT SURE WAS SOME SURPRISE. NOBODY, BUT NOBODY, THOUGHT IT 863 00:27:01,120 --> 00:27:02,464 SURPRISE. NOBODY, BUT NOBODY, THOUGHT IT WOULD BE WOJTYLA. 864 00:27:02,488 --> 00:27:03,999 NOBODY, BUT NOBODY, THOUGHT IT WOULD BE WOJTYLA. EVERYBODY I TALKED TO SAYS THAT 865 00:27:04,023 --> 00:27:05,300 WOULD BE WOJTYLA. EVERYBODY I TALKED TO SAYS THAT THEY THOUGHT THAT FELONIO, 866 00:27:05,324 --> 00:27:06,802 EVERYBODY I TALKED TO SAYS THAT THEY THOUGHT THAT FELONIO, CARDINAL FELONIO WOULD BE MADE 867 00:27:06,826 --> 00:27:07,569 THEY THOUGHT THAT FELONIO, CARDINAL FELONIO WOULD BE MADE THE POPE. 868 00:27:07,593 --> 00:27:09,004 CARDINAL FELONIO WOULD BE MADE THE POPE. AND I THOUGHT SO, TOO. 869 00:27:09,028 --> 00:27:10,906 THE POPE. AND I THOUGHT SO, TOO. HE HAD A REALLY GOOD CAMPAIGN. 870 00:27:10,930 --> 00:27:12,975 AND I THOUGHT SO, TOO. HE HAD A REALLY GOOD CAMPAIGN. HE HAD NICE BUTTONS. 871 00:27:12,999 --> 00:27:15,744 HE HAD A REALLY GOOD CAMPAIGN. HE HAD NICE BUTTONS. HE HAD A REALLY GOOD SLOGAN. 872 00:27:15,768 --> 00:27:18,480 HE HAD NICE BUTTONS. HE HAD A REALLY GOOD SLOGAN. IT WAS, "FELONIO EST UNUM." 873 00:27:18,504 --> 00:27:21,583 HE HAD A REALLY GOOD SLOGAN. IT WAS, "FELONIO EST UNUM." IT MEANS, "FELONIO IS THE ONE." 874 00:27:21,607 --> 00:27:23,085 IT WAS, "FELONIO EST UNUM." IT MEANS, "FELONIO IS THE ONE." AND, YOU KNOW, IT'S HARD TO 875 00:27:23,109 --> 00:27:24,519 IT MEANS, "FELONIO IS THE ONE." AND, YOU KNOW, IT'S HARD TO GET GOOD SLOGANS IN LATIN. 876 00:27:24,543 --> 00:27:26,221 AND, YOU KNOW, IT'S HARD TO GET GOOD SLOGANS IN LATIN. THAT'S BECAUSE THERE'S NO SLANG. 877 00:27:26,245 --> 00:27:27,889 GET GOOD SLOGANS IN LATIN. THAT'S BECAUSE THERE'S NO SLANG. AND THEY SAY, TOO, HE HAD A LOT 878 00:27:27,913 --> 00:27:29,024 THAT'S BECAUSE THERE'S NO SLANG. AND THEY SAY, TOO, HE HAD A LOT OF MONEY BEHIND HIM. 879 00:27:29,048 --> 00:27:30,458 AND THEY SAY, TOO, HE HAD A LOT OF MONEY BEHIND HIM. BUT THEN RUMORS STARTED TO 880 00:27:30,482 --> 00:27:31,660 OF MONEY BEHIND HIM. BUT THEN RUMORS STARTED TO CIRCULATE THAT IT WAS 881 00:27:31,684 --> 00:27:32,761 BUT THEN RUMORS STARTED TO CIRCULATE THAT IT WAS EPISCOPALIAN MONEY. 882 00:27:32,785 --> 00:27:34,295 CIRCULATE THAT IT WAS EPISCOPALIAN MONEY. AND I THINK MAYBE IT KIND OF 883 00:27:34,319 --> 00:27:36,497 EPISCOPALIAN MONEY. AND I THINK MAYBE IT KIND OF HURT HIS CHANCES A LITTLE BIT. 884 00:27:36,521 --> 00:27:37,888 THESE CARDINALS HAD A VERY, VERY 885 00:27:38,023 --> 00:27:39,589 INTERESTING APPROACH. 886 00:27:39,724 --> 00:27:41,659 THEIR LINE HERE WAS SAYING, 887 00:27:41,793 --> 00:27:43,694 "TOTA VIA CUM SPANZOLLO ET 888 00:27:43,828 --> 00:27:44,528 RUSSO." 889 00:27:44,663 --> 00:27:46,864 IT MEANS, "ALL THE WAY WITH 890 00:27:46,998 --> 00:27:49,199 SPANZOLLO ET RUSSO." 891 00:27:49,333 --> 00:27:51,268 AND THEY WAS RUNNING LIKE WHAT 892 00:27:51,402 --> 00:27:52,536 YOU CALL A TEAM. 893 00:27:52,671 --> 00:27:54,437 THEY'RE IDEA IS THAT IT'S JUST 894 00:27:54,572 --> 00:27:56,439 TOO MUCH OF A JOB FOR ONE MAN IN 895 00:27:56,574 --> 00:27:58,608 THESE MODERN TIMES TO BE POPE. 896 00:27:58,743 --> 00:27:59,943 AND THEY SAYS, IF THEY WAS 897 00:28:00,078 --> 00:28:01,378 ELECTED, THEY WOULD SHARE THE 898 00:28:01,512 --> 00:28:01,779 JOB. 899 00:28:01,913 --> 00:28:03,346 THEY SAYS ALSO THEY WOULD HAVE 900 00:28:03,481 --> 00:28:04,347 TAKEN THE NAME OF 901 00:28:04,482 --> 00:28:06,249 POPE JOHN PAUL II, AND ONE OF 902 00:28:06,384 --> 00:28:08,152 THEM WOULD HAVE BEEN KNOWN AS 903 00:28:08,286 --> 00:28:11,822 "JOHN PAUL II 1" AND THE OTHER 904 00:28:11,956 --> 00:28:14,324 WOULD BE "JOHN PAUL II 2." 905 00:28:14,458 --> 00:28:16,160 AND ONE WOULD BE POPE, LIKE, 906 00:28:16,294 --> 00:28:18,128 MONDAY, WEDNESDAY, AND FRIDAY, 907 00:28:18,262 --> 00:28:20,097 AND ONE TUESDAY, THURSDAY, AND 908 00:28:20,231 --> 00:28:20,864 SATURDAY. 909 00:28:20,999 --> 00:28:22,833 AND THEN THEY WOULD SWITCH OFF 910 00:28:22,967 --> 00:28:25,502 EVERY OTHER SUNDAY. 911 00:28:25,636 --> 00:28:27,171 THIS IS JUST... THIS IS JUST 912 00:28:27,305 --> 00:28:27,938 SOMETHING. 913 00:28:28,073 --> 00:28:29,106 CARDINAL BARCELLI. 914 00:28:29,240 --> 00:28:30,941 EVERYBODY LOVES THIS FELLA, YOU 915 00:28:31,076 --> 00:28:31,441 KNOW? 916 00:28:31,576 --> 00:28:32,576 JUST EVERYBODY. 917 00:28:32,610 --> 00:28:33,243 HE'S HOLY. 918 00:28:33,377 --> 00:28:34,377 HE'S SMART, TOO. 919 00:28:34,445 --> 00:28:35,946 ONLY TROUBLE WITH HIM IS HE 920 00:28:36,081 --> 00:28:39,616 LOOKS JUST LIKE JOE GARAGIOLA. 921 00:28:39,751 --> 00:28:40,751 WOULD LOOK BAD FOR US. 922 00:28:40,819 --> 00:28:42,052 YOU KNOW, IF PEOPLE SAY, "THE 923 00:28:42,187 --> 00:28:43,020 POPE, HE LOOKS LIKE 924 00:28:43,154 --> 00:28:43,821 JOE GARAGIOLA." 925 00:28:43,955 --> 00:28:44,955 WHAT A PITY, YOU KNOW? 926 00:28:45,023 --> 00:28:47,390 IT'S A REAL SHAME. 927 00:28:47,525 --> 00:28:49,059 THIS WAS A VERY INTERESTING 928 00:28:49,194 --> 00:28:51,228 BUTTON AROUND THE CONCLAVE. 929 00:28:51,362 --> 00:28:53,797 IT WAS FOR CARDINAL DARIO FUNGI, 930 00:28:53,932 --> 00:28:56,033 THE OLDEST LIVING CARDINAL. 931 00:28:56,167 --> 00:28:58,535 HE'S 106 YEARS OLD, AND HIS 932 00:28:58,669 --> 00:28:59,837 FRIENDS PUT THIS OUT FOR HIM. 933 00:28:59,971 --> 00:29:01,211 I THINK THEY FEEL SORRY FOR HIM 934 00:29:01,339 --> 00:29:02,459 BECAUSE, YOU KNOW, IF YOU'RE 935 00:29:02,573 --> 00:29:03,774 OVER 80, YOU'RE NOT ALLOWED TO 936 00:29:03,908 --> 00:29:04,507 VOTE FOR POPE. 937 00:29:04,642 --> 00:29:05,876 AND THE LAST CONCLAVE, THEY 938 00:29:06,010 --> 00:29:07,310 DIDN'T EVEN INVITE HIM TO THE 939 00:29:07,445 --> 00:29:09,646 DINNER DANCE. 940 00:29:09,781 --> 00:29:10,814 THIS BUTTON SAYS 941 00:29:10,949 --> 00:29:12,816 "INCONSTITUTUS." 942 00:29:12,951 --> 00:29:15,485 THAT MEANS "DEADLOCKED." 943 00:29:15,620 --> 00:29:17,821 "COGITATE" MEANS "CONSIDER." 944 00:29:17,956 --> 00:29:18,388 "FUNGI." 945 00:29:18,522 --> 00:29:19,790 AND THEY GOT A PICTURE OF A 946 00:29:19,924 --> 00:29:21,391 MUSHROOM BECAUSE "FUNGI," THAT'S 947 00:29:21,525 --> 00:29:22,559 A MUSHROOM IN ITALIAN. 948 00:29:22,693 --> 00:29:24,094 AND THE IDEA WAS THAT IF THERE 949 00:29:24,229 --> 00:29:25,629 WAS A DEADLOCK, YOU KNOW, THEY 950 00:29:25,764 --> 00:29:27,097 WAS IN THERE MAYBE A MONTH OR 951 00:29:27,232 --> 00:29:28,665 TWO MONTHS AND SAID THEY WANTED 952 00:29:28,800 --> 00:29:30,000 TO GO HOME, YOU KNOW, GET 953 00:29:30,135 --> 00:29:31,468 CLEANED UP A LITTLE BIT, THEY 954 00:29:31,602 --> 00:29:32,602 COULD VOTE FOR FUNGI. 955 00:29:32,737 --> 00:29:34,071 HOW LONG CAN YOU LAST WHEN 956 00:29:34,205 --> 00:29:35,305 YOU'RE 106, YOU KNOW? 957 00:29:35,439 --> 00:29:37,007 COUPLE OF MONTHS, MAYBE A YEAR. 958 00:29:37,142 --> 00:29:38,608 AND THEN THEY COULD COME BACK 959 00:29:38,743 --> 00:29:40,077 AND VOTE FOR SOMEBODY THEY 960 00:29:40,211 --> 00:29:41,378 REALLY LIKE, YOU KNOW. 961 00:29:41,512 --> 00:29:42,846 BUT, UNFORTUNATELY, WAS NO 962 00:29:42,981 --> 00:29:44,447 DEADLOCK, WAS ONLY LIKE THREE 963 00:29:44,582 --> 00:29:46,083 DAYS, AND I THOUGHT, FOR SURE, 964 00:29:46,217 --> 00:29:47,751 IT WOULD BE LONGER 'CAUSE THEY 965 00:29:47,886 --> 00:29:49,319 HAD SOME REALLY, REALLY GOOD 966 00:29:49,453 --> 00:29:51,088 MOVIES THIS YEAR IN THERE. 967 00:29:51,355 --> 00:29:58,306 I KNOW THEY HAD "GREASE," AND THEY HAD "STAR WARS" AND "JAWS 2." 968 00:29:58,330 --> 00:29:59,274 THEY HAD "STAR WARS" AND "JAWS 2." AND MY SOURCE IN THE 969 00:29:59,298 --> 00:30:00,608 "JAWS 2." AND MY SOURCE IN THE CONCLAVE, HE SAYS, "YOU KNOW, 970 00:30:00,632 --> 00:30:02,077 AND MY SOURCE IN THE CONCLAVE, HE SAYS, "YOU KNOW, THEY DIDN'T EVEN GET A CHANCE TO 971 00:30:02,101 --> 00:30:04,512 CONCLAVE, HE SAYS, "YOU KNOW, THEY DIDN'T EVEN GET A CHANCE TO SEE "STAR WARS" OR "JAWS 2," BUT 972 00:30:04,536 --> 00:30:06,681 THEY DIDN'T EVEN GET A CHANCE TO SEE "STAR WARS" OR "JAWS 2," BUT THEY DID WATCH "GREASE" FOUR 973 00:30:06,705 --> 00:30:08,349 SEE "STAR WARS" OR "JAWS 2," BUT THEY DID WATCH "GREASE" FOUR TIMES. 974 00:30:08,373 --> 00:30:09,717 THEY DID WATCH "GREASE" FOUR TIMES. AND HE SAYS, IF A WOMAN ONLY 975 00:30:09,741 --> 00:30:11,253 TIMES. AND HE SAYS, IF A WOMAN ONLY COULD BE ELECTED POPE, HE THINKS 976 00:30:11,277 --> 00:30:12,187 AND HE SAYS, IF A WOMAN ONLY COULD BE ELECTED POPE, HE THINKS IT WOULD HAVE BEEN 977 00:30:12,211 --> 00:30:14,689 COULD BE ELECTED POPE, HE THINKS IT WOULD HAVE BEEN OLIVIA NEWTON-JOHN. 978 00:30:14,713 --> 00:30:16,024 IT WOULD HAVE BEEN OLIVIA NEWTON-JOHN. HE WAS, LIKE, JOKING THERE, YOU 979 00:30:16,048 --> 00:30:19,527 OLIVIA NEWTON-JOHN. HE WAS, LIKE, JOKING THERE, YOU KNOW? 980 00:30:19,551 --> 00:30:21,863 HE WAS, LIKE, JOKING THERE, YOU KNOW? WELL... 981 00:30:21,887 --> 00:30:23,231 KNOW? WELL... I GOT TO TELL YOU, THOUGH, IN 982 00:30:23,255 --> 00:30:24,565 WELL... I GOT TO TELL YOU, THOUGH, IN ALL SERIOUSNESS, I THINK THEY 983 00:30:24,589 --> 00:30:25,733 I GOT TO TELL YOU, THOUGH, IN ALL SERIOUSNESS, I THINK THEY MADE A WONDERFUL CHOICE. 984 00:30:25,757 --> 00:30:27,169 ALL SERIOUSNESS, I THINK THEY MADE A WONDERFUL CHOICE. HE'S GONNA BE A WONDERFUL POPE. 985 00:30:27,193 --> 00:30:28,603 MADE A WONDERFUL CHOICE. HE'S GONNA BE A WONDERFUL POPE. BUT IN A MILLION YEARS, I NEVER 986 00:30:28,627 --> 00:30:29,905 HE'S GONNA BE A WONDERFUL POPE. BUT IN A MILLION YEARS, I NEVER WOULD HAVE GUESSED THAT THEY 987 00:30:29,929 --> 00:30:31,173 BUT IN A MILLION YEARS, I NEVER WOULD HAVE GUESSED THAT THEY WOULD HAVE GONE AND STABBED 988 00:30:31,197 --> 00:30:32,607 WOULD HAVE GUESSED THAT THEY WOULD HAVE GONE AND STABBED THOSE ITALIANS IN THE BACK LIKE 989 00:30:32,631 --> 00:30:33,341 WOULD HAVE GONE AND STABBED THOSE ITALIANS IN THE BACK LIKE THAT. 990 00:30:33,365 --> 00:30:35,911 THOSE ITALIANS IN THE BACK LIKE THAT. THIS IS FATHER GUIDO SARDUCCI. 991 00:30:35,935 --> 00:30:38,535 THAT. THIS IS FATHER GUIDO SARDUCCI. ARRIVEDERCI, AMERICA. 992 00:30:45,576 --> 00:30:49,524 THANK YOU, FATHER. HELLO, I'M "WEEKEND UPDATE" STATION MANAGER DAN AYKROYD. 993 00:30:49,548 --> 00:30:50,792 HELLO, I'M "WEEKEND UPDATE" STATION MANAGER DAN AYKROYD. A COUPLE OF MONTHS AGO, 994 00:30:50,816 --> 00:30:52,427 STATION MANAGER DAN AYKROYD. A COUPLE OF MONTHS AGO, LOUISE BROWN, THE WORLD'S FIRST 995 00:30:52,451 --> 00:30:53,728 A COUPLE OF MONTHS AGO, LOUISE BROWN, THE WORLD'S FIRST TEST-TUBE BABY WAS BORN. 996 00:30:53,752 --> 00:30:55,330 LOUISE BROWN, THE WORLD'S FIRST TEST-TUBE BABY WAS BORN. THAT IS THE TOPIC OF TONIGHT'S 997 00:30:55,354 --> 00:30:56,397 TEST-TUBE BABY WAS BORN. THAT IS THE TOPIC OF TONIGHT'S POINT/COUNTERPOINT. 998 00:30:56,421 --> 00:30:57,565 THAT IS THE TOPIC OF TONIGHT'S POINT/COUNTERPOINT. JANE CURTIN WILL TAKE THE 999 00:30:57,589 --> 00:30:59,000 POINT/COUNTERPOINT. JANE CURTIN WILL TAKE THE PRO-TEST-TUBE-BABY POINT, AND I 1000 00:30:59,024 --> 00:30:59,701 JANE CURTIN WILL TAKE THE PRO-TEST-TUBE-BABY POINT, AND I WILL TAKE THE 1001 00:30:59,725 --> 00:31:00,635 PRO-TEST-TUBE-BABY POINT, AND I WILL TAKE THE ANTI-TEST-TUBE-BABY 1002 00:31:00,659 --> 00:31:01,336 WILL TAKE THE ANTI-TEST-TUBE-BABY COUNTERPOINT. 1003 00:31:01,360 --> 00:31:01,803 ANTI-TEST-TUBE-BABY COUNTERPOINT. JANE? 1004 00:31:01,827 --> 00:31:03,438 COUNTERPOINT. JANE? DAN, THERE IS NO JOY GREATER 1005 00:31:03,462 --> 00:31:04,739 JANE? DAN, THERE IS NO JOY GREATER THAN THAT OF MOTHERHOOD. 1006 00:31:04,763 --> 00:31:06,341 DAN, THERE IS NO JOY GREATER THAN THAT OF MOTHERHOOD. NO DOUBT YOU CANNOT UNDERSTAND 1007 00:31:06,365 --> 00:31:07,642 THAN THAT OF MOTHERHOOD. NO DOUBT YOU CANNOT UNDERSTAND THIS BECAUSE YOUR MOTHER 1008 00:31:07,666 --> 00:31:09,244 NO DOUBT YOU CANNOT UNDERSTAND THIS BECAUSE YOUR MOTHER OBVIOUSLY REGRETTED YOUR BIRTH 1009 00:31:09,268 --> 00:31:10,645 THIS BECAUSE YOUR MOTHER OBVIOUSLY REGRETTED YOUR BIRTH AND REFUSED TO SUCKLE YOU, 1010 00:31:10,669 --> 00:31:12,113 OBVIOUSLY REGRETTED YOUR BIRTH AND REFUSED TO SUCKLE YOU, THEREBY ACCOUNTING FOR YOUR 1011 00:31:12,137 --> 00:31:13,781 AND REFUSED TO SUCKLE YOU, THEREBY ACCOUNTING FOR YOUR FEARFUL, FRUSTRATED PERSONALITY. 1012 00:31:13,805 --> 00:31:15,450 THEREBY ACCOUNTING FOR YOUR FEARFUL, FRUSTRATED PERSONALITY. IT IS INCONCEIVABLE THAT ANYONE 1013 00:31:15,474 --> 00:31:17,052 FEARFUL, FRUSTRATED PERSONALITY. IT IS INCONCEIVABLE THAT ANYONE OTHER THAN A COLD, POMPOUS ASS 1014 00:31:17,076 --> 00:31:18,586 IT IS INCONCEIVABLE THAT ANYONE OTHER THAN A COLD, POMPOUS ASS SUCH AS YOURSELF WOULD DENY A 1015 00:31:18,610 --> 00:31:20,222 OTHER THAN A COLD, POMPOUS ASS SUCH AS YOURSELF WOULD DENY A WOMAN THE CHANCE OF BRINGING A 1016 00:31:20,246 --> 00:31:21,890 SUCH AS YOURSELF WOULD DENY A WOMAN THE CHANCE OF BRINGING A BABY INTO THE WORLD JUST BECAUSE 1017 00:31:21,914 --> 00:31:23,225 WOMAN THE CHANCE OF BRINGING A BABY INTO THE WORLD JUST BECAUSE SHE'S UNABLE TO CONCEIVE 1018 00:31:23,249 --> 00:31:23,925 BABY INTO THE WORLD JUST BECAUSE SHE'S UNABLE TO CONCEIVE OTHERWISE. 1019 00:31:23,949 --> 00:31:25,393 SHE'S UNABLE TO CONCEIVE OTHERWISE. WHAT IS THIS IRRATIONAL FEAR OF 1020 00:31:25,417 --> 00:31:26,328 OTHERWISE. WHAT IS THIS IRRATIONAL FEAR OF MEDICAL ADVANCES? 1021 00:31:26,352 --> 00:31:27,762 WHAT IS THIS IRRATIONAL FEAR OF MEDICAL ADVANCES? WHY NOT DENY THE NEARSIGHTED 1022 00:31:27,786 --> 00:31:28,663 MEDICAL ADVANCES? WHY NOT DENY THE NEARSIGHTED THEIR EYEGLASSES? 1023 00:31:28,687 --> 00:31:30,065 WHY NOT DENY THE NEARSIGHTED THEIR EYEGLASSES? WHY NOT DENY THE DIABETIC HIS 1024 00:31:30,089 --> 00:31:30,598 THEIR EYEGLASSES? WHY NOT DENY THE DIABETIC HIS INSULIN? 1025 00:31:30,622 --> 00:31:31,833 WHY NOT DENY THE DIABETIC HIS INSULIN? WELL, DAN, I JUST HOPE THAT YOU 1026 00:31:31,857 --> 00:31:33,101 INSULIN? WELL, DAN, I JUST HOPE THAT YOU CONTRACT SOME DISEASE FOR WHICH 1027 00:31:33,125 --> 00:31:34,302 WELL, DAN, I JUST HOPE THAT YOU CONTRACT SOME DISEASE FOR WHICH THEY HAVE NO CURE AND THAT YOU 1028 00:31:34,326 --> 00:31:37,526 CONTRACT SOME DISEASE FOR WHICH THEY HAVE NO CURE AND THAT YOU WASTE AWAY AND DIE. 1029 00:31:42,566 --> 00:31:48,583 JANE, YOU IGNORANT SLUT. THE ISSUE HERE IS NOT MOTHERHOOD, APPLE PIE, NOR IS IT 1030 00:31:48,607 --> 00:31:49,717 THE ISSUE HERE IS NOT MOTHERHOOD, APPLE PIE, NOR IS IT THE TRADITIONAL MEDICAL 1031 00:31:49,741 --> 00:31:50,752 MOTHERHOOD, APPLE PIE, NOR IS IT THE TRADITIONAL MEDICAL TREATMENT OF DISEASE. 1032 00:31:50,776 --> 00:31:51,953 THE TRADITIONAL MEDICAL TREATMENT OF DISEASE. THE ISSUE HERE IS GENETIC 1033 00:31:51,977 --> 00:31:52,620 TREATMENT OF DISEASE. THE ISSUE HERE IS GENETIC ENGINEERING. 1034 00:31:52,644 --> 00:31:54,055 THE ISSUE HERE IS GENETIC ENGINEERING. ONCE SCIENCE CAN MAKE BABIES IN 1035 00:31:54,079 --> 00:31:55,190 ENGINEERING. ONCE SCIENCE CAN MAKE BABIES IN A TEST TUBE, THEN WHAT? 1036 00:31:55,214 --> 00:31:56,491 ONCE SCIENCE CAN MAKE BABIES IN A TEST TUBE, THEN WHAT? WILL SCIENCE MAKE INTELLIGENT 1037 00:31:56,515 --> 00:31:57,825 A TEST TUBE, THEN WHAT? WILL SCIENCE MAKE INTELLIGENT BABIES, PRO-SOCIALIST BABIES, 1038 00:31:57,849 --> 00:31:58,493 WILL SCIENCE MAKE INTELLIGENT BABIES, PRO-SOCIALIST BABIES, SLAVE BABIES? 1039 00:31:58,517 --> 00:31:59,861 BABIES, PRO-SOCIALIST BABIES, SLAVE BABIES? AND WHO WILL PLAY GOD IN THESE 1040 00:31:59,885 --> 00:32:00,428 SLAVE BABIES? AND WHO WILL PLAY GOD IN THESE DECISIONS? 1041 00:32:00,452 --> 00:32:01,662 AND WHO WILL PLAY GOD IN THESE DECISIONS? THE GOVERNMENT, THAT'S WHO, 1042 00:32:01,686 --> 00:32:02,998 DECISIONS? THE GOVERNMENT, THAT'S WHO, WHICH IS RUN BY LIBERALS LIKE 1043 00:32:03,022 --> 00:32:03,564 THE GOVERNMENT, THAT'S WHO, WHICH IS RUN BY LIBERALS LIKE YOU, JANE. 1044 00:32:03,588 --> 00:32:04,766 WHICH IS RUN BY LIBERALS LIKE YOU, JANE. THEN THE WORLD WILL BE INHABITED 1045 00:32:04,790 --> 00:32:05,400 YOU, JANE. THEN THE WORLD WILL BE INHABITED BY BILLIONS OF 1046 00:32:05,424 --> 00:32:06,534 THEN THE WORLD WILL BE INHABITED BY BILLIONS OF LABORATORY-PERFECTED, IGNORANT 1047 00:32:06,558 --> 00:32:08,870 BY BILLIONS OF LABORATORY-PERFECTED, IGNORANT SLUTS LIKE YOURSELF. 1048 00:32:08,894 --> 00:32:09,905 LABORATORY-PERFECTED, IGNORANT SLUTS LIKE YOURSELF. THAT'S THE NEWS. 1049 00:32:09,929 --> 00:32:11,439 SLUTS LIKE YOURSELF. THAT'S THE NEWS. GOOD NIGHT, AND HAVE A PLEASANT 1050 00:32:11,463 --> 00:32:13,823 THAT'S THE NEWS. GOOD NIGHT, AND HAVE A PLEASANT TOMORROW. 1051 00:32:20,271 --> 00:32:24,408 [INTRO TO "THE MEEK SHALL INHERIT NOTHING" PLAYS] 1052 00:32:34,185 --> 00:32:42,185 ♪ SOME TAKE THE BIBLE FOR WHAT IT'S WORTH ♪ ♪ WHEN IT SAYS THAT THE MEEK 1053 00:32:42,894 --> 00:32:46,541 WHAT IT'S WORTH ♪ ♪ WHEN IT SAYS THAT THE MEEK SHALL INHERIT THE EARTH ♪ 1054 00:32:46,565 --> 00:32:49,377 ♪ WHEN IT SAYS THAT THE MEEK SHALL INHERIT THE EARTH ♪ ♪ WELL, I HEARD THAT SOME SHEIKH 1055 00:32:49,401 --> 00:32:51,712 SHALL INHERIT THE EARTH ♪ ♪ WELL, I HEARD THAT SOME SHEIKH HAS BOUGHT NEW JERSEY LAST 1056 00:32:51,736 --> 00:32:53,381 ♪ WELL, I HEARD THAT SOME SHEIKH HAS BOUGHT NEW JERSEY LAST WEEK ♪ 1057 00:32:53,405 --> 00:32:56,217 HAS BOUGHT NEW JERSEY LAST WEEK ♪ ♪ AND YOU SUCKERS AIN'T GETTING 1058 00:32:56,241 --> 00:33:00,055 WEEK ♪ ♪ AND YOU SUCKERS AIN'T GETTING NOTHING ♪ 1059 00:33:00,079 --> 00:33:05,560 ♪ AND YOU SUCKERS AIN'T GETTING NOTHING ♪ ♪ IS HARE RAMA REALLY WRONG ♪ 1060 00:33:05,584 --> 00:33:09,730 NOTHING ♪ ♪ IS HARE RAMA REALLY WRONG ♪ ♪ IF YOU WANDER AROUND WITH A 1061 00:33:09,754 --> 00:33:12,733 ♪ IS HARE RAMA REALLY WRONG ♪ ♪ IF YOU WANDER AROUND WITH A NAPKIN ON ♪ 1062 00:33:12,757 --> 00:33:16,071 ♪ IF YOU WANDER AROUND WITH A NAPKIN ON ♪ ♪ WITH A BELL ON A STICK AND 1063 00:33:16,095 --> 00:33:19,407 NAPKIN ON ♪ ♪ WITH A BELL ON A STICK AND YOUR HAIR IS ALL GONE ♪ 1064 00:33:19,431 --> 00:33:21,909 ♪ WITH A BELL ON A STICK AND YOUR HAIR IS ALL GONE ♪ ♪ THE GEEK SHALL INHERIT 1065 00:33:21,933 --> 00:33:25,580 YOUR HAIR IS ALL GONE ♪ ♪ THE GEEK SHALL INHERIT NOTHING ♪ 1066 00:33:25,604 --> 00:33:27,248 ♪ THE GEEK SHALL INHERIT NOTHING ♪ ♪ YOU SAY YOUR LIFE'S A BUM 1067 00:33:27,272 --> 00:33:28,916 NOTHING ♪ ♪ YOU SAY YOUR LIFE'S A BUM DEAL ♪ 1068 00:33:28,940 --> 00:33:30,418 ♪ YOU SAY YOUR LIFE'S A BUM DEAL ♪ ♪ AND YOU'RE UP AGAINST THE 1069 00:33:30,442 --> 00:33:32,920 DEAL ♪ ♪ AND YOU'RE UP AGAINST THE WALL ♪ 1070 00:33:32,944 --> 00:33:34,922 ♪ AND YOU'RE UP AGAINST THE WALL ♪ ♪ PEOPLE, YOU AIN'T EVEN GOT NO 1071 00:33:34,946 --> 00:33:39,427 WALL ♪ ♪ PEOPLE, YOU AIN'T EVEN GOT NO KIND OF DEAL AT ALL ♪ 1072 00:33:39,451 --> 00:33:43,264 ♪ PEOPLE, YOU AIN'T EVEN GOT NO KIND OF DEAL AT ALL ♪ ♪ 'CAUSE WHAT THEY DO IN 1073 00:33:43,288 --> 00:33:45,433 KIND OF DEAL AT ALL ♪ ♪ 'CAUSE WHAT THEY DO IN WASHINGTON ♪ 1074 00:33:45,457 --> 00:33:50,605 ♪ 'CAUSE WHAT THEY DO IN WASHINGTON ♪ ♪ THEY JUST TAKES CARE OF NUMBER 1075 00:33:50,629 --> 00:33:52,107 WASHINGTON ♪ ♪ THEY JUST TAKES CARE OF NUMBER ONE ♪ 1076 00:33:52,131 --> 00:33:56,777 ♪ THEY JUST TAKES CARE OF NUMBER ONE ♪ ♪ AND NUMBER ONE AIN'T YOU ♪ 1077 00:33:56,801 --> 00:33:59,280 ONE ♪ ♪ AND NUMBER ONE AIN'T YOU ♪ NOT ANYWHERE. 1078 00:33:59,304 --> 00:34:07,304 ♪ AND NUMBER ONE AIN'T YOU ♪ NOT ANYWHERE. ♪ YOU AIN'T EVEN NUMBER TWO ♪ 1079 00:34:09,814 --> 00:34:12,460 NOT ANYWHERE. ♪ YOU AIN'T EVEN NUMBER TWO ♪ ♪ THOSE JESUS FREAKS, WELL, 1080 00:34:12,484 --> 00:34:15,630 ♪ YOU AIN'T EVEN NUMBER TWO ♪ ♪ THOSE JESUS FREAKS, WELL, THEY'RE FRIENDLY, BUT ♪ 1081 00:34:15,654 --> 00:34:18,966 ♪ THOSE JESUS FREAKS, WELL, THEY'RE FRIENDLY, BUT ♪ ♪ THE STUFF THEY BELIEVE HAS GOT 1082 00:34:18,990 --> 00:34:22,303 THEY'RE FRIENDLY, BUT ♪ ♪ THE STUFF THEY BELIEVE HAS GOT THEIR MINDS ALL SHUT ♪ 1083 00:34:22,327 --> 00:34:25,806 ♪ THE STUFF THEY BELIEVE HAS GOT THEIR MINDS ALL SHUT ♪ ♪ AND THEY DON'T EVEN CARE WHEN 1084 00:34:25,830 --> 00:34:28,476 THEIR MINDS ALL SHUT ♪ ♪ AND THEY DON'T EVEN CARE WHEN THE CHURCH TAKES A CUT ♪ 1085 00:34:28,500 --> 00:34:31,146 ♪ AND THEY DON'T EVEN CARE WHEN THE CHURCH TAKES A CUT ♪ ♪ AIN'T IT BLEAK WHEN YOU GOT SO 1086 00:34:31,170 --> 00:34:33,314 THE CHURCH TAKES A CUT ♪ ♪ AIN'T IT BLEAK WHEN YOU GOT SO MUCH NOTHING ♪ 1087 00:34:33,338 --> 00:34:34,315 ♪ AIN'T IT BLEAK WHEN YOU GOT SO MUCH NOTHING ♪ SO, WHAT DO YOU DO? 1088 00:34:34,339 --> 00:34:37,318 MUCH NOTHING ♪ SO, WHAT DO YOU DO? ♪ HEY, EAT THAT PORK, EAT THAT 1089 00:34:37,342 --> 00:34:38,153 SO, WHAT DO YOU DO? ♪ HEY, EAT THAT PORK, EAT THAT HAM ♪ 1090 00:34:38,177 --> 00:34:39,987 ♪ HEY, EAT THAT PORK, EAT THAT HAM ♪ ♪ LAUGH TILL YOU CHOKE ON 1091 00:34:40,011 --> 00:34:41,489 HAM ♪ ♪ LAUGH TILL YOU CHOKE ON BILLY GRAHAM ♪ 1092 00:34:41,513 --> 00:34:44,659 ♪ LAUGH TILL YOU CHOKE ON BILLY GRAHAM ♪ ♪ MOSES, AARON, AND ABRAHAM ♪ 1093 00:34:44,683 --> 00:34:47,995 BILLY GRAHAM ♪ ♪ MOSES, AARON, AND ABRAHAM ♪ ♪ THEY'RE ALL A WASTE OF TIME ♪ 1094 00:34:48,019 --> 00:34:50,331 ♪ MOSES, AARON, AND ABRAHAM ♪ ♪ THEY'RE ALL A WASTE OF TIME ♪ ♪ AND IT'S YOUR BUTT THAT'S ON 1095 00:34:50,355 --> 00:34:55,170 ♪ THEY'RE ALL A WASTE OF TIME ♪ ♪ AND IT'S YOUR BUTT THAT'S ON THE LINE ♪ 1096 00:34:55,194 --> 00:34:57,338 ♪ AND IT'S YOUR BUTT THAT'S ON THE LINE ♪ ♪ IT'S YOUR BUTT THAT'S ON THE 1097 00:34:57,362 --> 00:35:01,342 THE LINE ♪ ♪ IT'S YOUR BUTT THAT'S ON THE LINE ♪ 1098 00:35:01,366 --> 00:35:05,680 ♪ IT'S YOUR BUTT THAT'S ON THE LINE ♪ ♪ DO WHAT YOU WANT TO, DO WHAT 1099 00:35:05,704 --> 00:35:07,515 LINE ♪ ♪ DO WHAT YOU WANT TO, DO WHAT YOU WILL ♪ 1100 00:35:07,539 --> 00:35:11,352 ♪ DO WHAT YOU WANT TO, DO WHAT YOU WILL ♪ ♪ JUST DON'T MESS UP YOUR 1101 00:35:11,376 --> 00:35:14,021 YOU WILL ♪ ♪ JUST DON'T MESS UP YOUR NEIGHBOR'S THRILL ♪ 1102 00:35:14,045 --> 00:35:17,192 ♪ JUST DON'T MESS UP YOUR NEIGHBOR'S THRILL ♪ ♪ AND WHEN YOU PAY THE BILL, 1103 00:35:17,216 --> 00:35:20,027 NEIGHBOR'S THRILL ♪ ♪ AND WHEN YOU PAY THE BILL, KINDLY LEAVE A LITTLE TIP ♪ 1104 00:35:20,051 --> 00:35:23,864 ♪ AND WHEN YOU PAY THE BILL, KINDLY LEAVE A LITTLE TIP ♪ ♪ AND HELP THE NEXT POOR SUCKER 1105 00:35:23,888 --> 00:35:28,536 KINDLY LEAVE A LITTLE TIP ♪ ♪ AND HELP THE NEXT POOR SUCKER ON HIS ONE-WAY TRIP ♪ 1106 00:35:28,560 --> 00:35:34,709 ♪ AND HELP THE NEXT POOR SUCKER ON HIS ONE-WAY TRIP ♪ ♪ SOME TAKE THE BIBLE ♪ 1107 00:35:34,733 --> 00:35:38,546 ON HIS ONE-WAY TRIP ♪ ♪ SOME TAKE THE BIBLE ♪ ♪ WHOA, WHOA ♪ 1108 00:35:38,570 --> 00:35:40,215 ♪ SOME TAKE THE BIBLE ♪ ♪ WHOA, WHOA ♪ AW, GIVE ME A HALF A DOZEN FOR 1109 00:35:40,239 --> 00:35:43,050 ♪ WHOA, WHOA ♪ AW, GIVE ME A HALF A DOZEN FOR THE HOTEL ROOM! 1110 00:35:43,074 --> 00:35:50,725 AW, GIVE ME A HALF A DOZEN FOR THE HOTEL ROOM! [CHEERS AND APPLAUSE] 1111 00:35:50,749 --> 00:35:52,849 THE HOTEL ROOM! [CHEERS AND APPLAUSE] THANK YOU. 1112 00:36:01,492 --> 00:36:04,472 HEY, MAN! WENDELL, HEY. YEAH, I'M WENDELL FROM 1113 00:36:04,496 --> 00:36:05,173 WENDELL, HEY. YEAH, I'M WENDELL FROM SOUL SOUND. 1114 00:36:05,197 --> 00:36:06,574 YEAH, I'M WENDELL FROM SOUL SOUND. MAN, HEY, IT WAS NICE WORKING 1115 00:36:06,598 --> 00:36:07,642 SOUL SOUND. MAN, HEY, IT WAS NICE WORKING WITH YOUR CREW, MAN. 1116 00:36:07,666 --> 00:36:09,076 MAN, HEY, IT WAS NICE WORKING WITH YOUR CREW, MAN. I'M GLAD YOU ENJOYED IT. 1117 00:36:09,100 --> 00:36:10,445 WITH YOUR CREW, MAN. I'M GLAD YOU ENJOYED IT. WE REALLY HAD A GOOD TIME 1118 00:36:10,469 --> 00:36:11,012 I'M GLAD YOU ENJOYED IT. WE REALLY HAD A GOOD TIME TONIGHT. 1119 00:36:11,036 --> 00:36:11,613 WE REALLY HAD A GOOD TIME TONIGHT. YEAH. 1120 00:36:11,637 --> 00:36:12,913 TONIGHT. YEAH. HEY, YOU WANT SOME TOOT? 1121 00:36:12,937 --> 00:36:13,581 YEAH. HEY, YOU WANT SOME TOOT? NO. NO. 1122 00:36:13,605 --> 00:36:14,482 HEY, YOU WANT SOME TOOT? NO. NO. THANKS, ANYWAY. 1123 00:36:14,506 --> 00:36:15,483 NO. NO. THANKS, ANYWAY. I DON'T DO DRUGS. 1124 00:36:15,507 --> 00:36:16,751 THANKS, ANYWAY. I DON'T DO DRUGS. YOU DON'T DO DRUGS? 1125 00:36:16,775 --> 00:36:18,286 I DON'T DO DRUGS. YOU DON'T DO DRUGS? HEY, MAN, THAT'S FUNNY, MAN. 1126 00:36:18,310 --> 00:36:19,787 YOU DON'T DO DRUGS? HEY, MAN, THAT'S FUNNY, MAN. FRANK ZAPPA DON'T DO DRUGS. 1127 00:36:19,811 --> 00:36:21,656 HEY, MAN, THAT'S FUNNY, MAN. FRANK ZAPPA DON'T DO DRUGS. FRANK, GLAD I CAUGHT YOU. 1128 00:36:21,680 --> 00:36:22,823 FRANK ZAPPA DON'T DO DRUGS. FRANK, GLAD I CAUGHT YOU. FRANK, TERRIFIC. 1129 00:36:22,847 --> 00:36:24,025 FRANK, GLAD I CAUGHT YOU. FRANK, TERRIFIC. HEY, JERRY ALDINI, 1130 00:36:24,049 --> 00:36:25,460 FRANK, TERRIFIC. HEY, JERRY ALDINI, POLYSUTRA RECORDS A&R. 1131 00:36:25,484 --> 00:36:27,228 HEY, JERRY ALDINI, POLYSUTRA RECORDS A&R. YOU WERE SENSATIONAL TONIGHT, 1132 00:36:27,252 --> 00:36:27,695 POLYSUTRA RECORDS A&R. YOU WERE SENSATIONAL TONIGHT, MAN. 1133 00:36:27,719 --> 00:36:29,297 YOU WERE SENSATIONAL TONIGHT, MAN. SENSATIONAL, SENSATIONAL. 1134 00:36:29,321 --> 00:36:30,431 MAN. SENSATIONAL, SENSATIONAL. MONSTER, MONSTER. 1135 00:36:30,455 --> 00:36:32,066 SENSATIONAL, SENSATIONAL. MONSTER, MONSTER. HEY, YOU TWO HAVE TO MEET. 1136 00:36:32,090 --> 00:36:33,734 MONSTER, MONSTER. HEY, YOU TWO HAVE TO MEET. FRANK ZAPPA, DON KIRSHNER. 1137 00:36:33,758 --> 00:36:35,503 HEY, YOU TWO HAVE TO MEET. FRANK ZAPPA, DON KIRSHNER. FRANK, YOU ARE ONE OF THE 1138 00:36:35,527 --> 00:36:37,372 FRANK ZAPPA, DON KIRSHNER. FRANK, YOU ARE ONE OF THE MOST DYNAMIC PERFORMERS IN THE 1139 00:36:37,396 --> 00:36:39,641 FRANK, YOU ARE ONE OF THE MOST DYNAMIC PERFORMERS IN THE INDUSTRY TODAY, BUT, YOU KNOW, 1140 00:36:39,665 --> 00:36:41,742 MOST DYNAMIC PERFORMERS IN THE INDUSTRY TODAY, BUT, YOU KNOW, JERRY AND I FEEL THAT IF YOU 1141 00:36:41,766 --> 00:36:43,811 INDUSTRY TODAY, BUT, YOU KNOW, JERRY AND I FEEL THAT IF YOU WERE TO UPDATE YOUR IMAGE A 1142 00:36:43,835 --> 00:36:46,214 JERRY AND I FEEL THAT IF YOU WERE TO UPDATE YOUR IMAGE A LITTLE, YOU COULD PROBABLY TAP A 1143 00:36:46,238 --> 00:36:48,316 WERE TO UPDATE YOUR IMAGE A LITTLE, YOU COULD PROBABLY TAP A WHOLE NEW SEGMENT OF TODAY'S 1144 00:36:48,340 --> 00:36:49,484 LITTLE, YOU COULD PROBABLY TAP A WHOLE NEW SEGMENT OF TODAY'S YOUTH MARKET. 1145 00:36:49,508 --> 00:36:51,752 WHOLE NEW SEGMENT OF TODAY'S YOUTH MARKET. THANKS TO JERRY ALDINI AND HIS 1146 00:36:51,776 --> 00:36:53,988 YOUTH MARKET. THANKS TO JERRY ALDINI AND HIS FABULOUS POLYSUTRA RECORDS A&R 1147 00:36:54,012 --> 00:36:56,357 THANKS TO JERRY ALDINI AND HIS FABULOUS POLYSUTRA RECORDS A&R STAFF AND TO FELIX ISMOND IN THE 1148 00:36:56,381 --> 00:36:58,359 FABULOUS POLYSUTRA RECORDS A&R STAFF AND TO FELIX ISMOND IN THE PROMOTIONAL WING OF MY OWN 1149 00:36:58,383 --> 00:37:00,094 STAFF AND TO FELIX ISMOND IN THE PROMOTIONAL WING OF MY OWN KIRSHNER ENTERTAINMENT 1150 00:37:00,118 --> 00:37:01,962 PROMOTIONAL WING OF MY OWN KIRSHNER ENTERTAINMENT CORPORATION, WE HAVE THE 1151 00:37:01,986 --> 00:37:04,165 KIRSHNER ENTERTAINMENT CORPORATION, WE HAVE THE RESOURCES AND BACKING TO TAKE 1152 00:37:04,189 --> 00:37:07,034 CORPORATION, WE HAVE THE RESOURCES AND BACKING TO TAKE YOU, FRANK ZAPPA, RIGHT BACK UP 1153 00:37:07,058 --> 00:37:08,303 RESOURCES AND BACKING TO TAKE YOU, FRANK ZAPPA, RIGHT BACK UP TO THE TOP. 1154 00:37:08,327 --> 00:37:10,271 YOU, FRANK ZAPPA, RIGHT BACK UP TO THE TOP. WHY DON'T THE THREE OF US GET 1155 00:37:10,295 --> 00:37:12,407 TO THE TOP. WHY DON'T THE THREE OF US GET INTO MY LIMO, DRIVE DOWN TO L.A. 1156 00:37:12,431 --> 00:37:14,041 WHY DON'T THE THREE OF US GET INTO MY LIMO, DRIVE DOWN TO L.A. TOGETHER, AND TAKE THIS 1157 00:37:14,065 --> 00:37:16,711 INTO MY LIMO, DRIVE DOWN TO L.A. TOGETHER, AND TAKE THIS OPPORTUNITY TO REALLY GET DOWN 1158 00:37:16,735 --> 00:37:17,478 TOGETHER, AND TAKE THIS OPPORTUNITY TO REALLY GET DOWN AND RAP? 1159 00:37:17,502 --> 00:37:19,614 OPPORTUNITY TO REALLY GET DOWN AND RAP? WELL, THANKS, BUT I'D RATHER 1160 00:37:19,638 --> 00:37:21,482 AND RAP? WELL, THANKS, BUT I'D RATHER DRIVE ALONE IN MY OWN CAR. 1161 00:37:21,506 --> 00:37:23,318 WELL, THANKS, BUT I'D RATHER DRIVE ALONE IN MY OWN CAR. THAT IS A NO-NO, FRANK. 1162 00:37:23,342 --> 00:37:25,119 DRIVE ALONE IN MY OWN CAR. THAT IS A NO-NO, FRANK. THE WEATHER HAS TURNED INTO A 1163 00:37:25,143 --> 00:37:26,454 THAT IS A NO-NO, FRANK. THE WEATHER HAS TURNED INTO A HORROR SHOW OUTSIDE. 1164 00:37:26,478 --> 00:37:28,356 THE WEATHER HAS TURNED INTO A HORROR SHOW OUTSIDE. WE'RE TALKING TORRENTIAL RAINS, 1165 00:37:28,380 --> 00:37:30,024 HORROR SHOW OUTSIDE. WE'RE TALKING TORRENTIAL RAINS, MUD SLIDES, HEAVY FLOODING. 1166 00:37:30,048 --> 00:37:31,926 WE'RE TALKING TORRENTIAL RAINS, MUD SLIDES, HEAVY FLOODING. I WOULD NOT SEND MY WORST GROUP 1167 00:37:31,950 --> 00:37:33,528 MUD SLIDES, HEAVY FLOODING. I WOULD NOT SEND MY WORST GROUP OUT ON A NIGHT LIKE THIS. 1168 00:37:33,552 --> 00:37:35,129 I WOULD NOT SEND MY WORST GROUP OUT ON A NIGHT LIKE THIS. YEAH, WELL, IT'S A PERFECT 1169 00:37:35,153 --> 00:37:36,731 OUT ON A NIGHT LIKE THIS. YEAH, WELL, IT'S A PERFECT TIME FOR ME TO TRY OUT MY NEW 1170 00:37:36,755 --> 00:37:37,599 YEAH, WELL, IT'S A PERFECT TIME FOR ME TO TRY OUT MY NEW RAIN RADIALS. 1171 00:37:37,623 --> 00:37:38,766 TIME FOR ME TO TRY OUT MY NEW RAIN RADIALS. HEY, THAT'S COOL. 1172 00:37:38,790 --> 00:37:41,269 RAIN RADIALS. HEY, THAT'S COOL. DON, IF FRANK WANTS TO DRIVE, HE 1173 00:37:41,293 --> 00:37:41,769 HEY, THAT'S COOL. DON, IF FRANK WANTS TO DRIVE, HE DRIVES. 1174 00:37:41,793 --> 00:37:43,137 DON, IF FRANK WANTS TO DRIVE, HE DRIVES. HE'S PROBABLY GONNA PRODUCE A 1175 00:37:43,161 --> 00:37:44,439 DRIVES. HE'S PROBABLY GONNA PRODUCE A WONDERFUL, MONSTER PIECE OF 1176 00:37:44,463 --> 00:37:45,573 HE'S PROBABLY GONNA PRODUCE A WONDERFUL, MONSTER PIECE OF MUSIC ON THE TRIP, HUH? 1177 00:37:45,597 --> 00:37:46,341 WONDERFUL, MONSTER PIECE OF MUSIC ON THE TRIP, HUH? TERRIFIC. 1178 00:37:46,365 --> 00:37:47,842 MUSIC ON THE TRIP, HUH? TERRIFIC. HEY, FRANK, DO YOU NEED 1179 00:37:47,866 --> 00:37:49,611 TERRIFIC. HEY, FRANK, DO YOU NEED SOMETHING TO KEEP YOU AWAKE? 1180 00:37:49,635 --> 00:37:50,578 HEY, FRANK, DO YOU NEED SOMETHING TO KEEP YOU AWAKE? NO, TAKE IT. 1181 00:37:50,602 --> 00:37:51,646 SOMETHING TO KEEP YOU AWAKE? NO, TAKE IT. I DON'T DO DRUGS. 1182 00:37:51,670 --> 00:37:52,280 NO, TAKE IT. I DON'T DO DRUGS. KEEP IT. 1183 00:37:52,304 --> 00:37:53,848 I DON'T DO DRUGS. KEEP IT. OKAY, WELL, THAT'S FINE, 1184 00:37:53,872 --> 00:37:55,149 KEEP IT. OKAY, WELL, THAT'S FINE, ANYWAYS, IT TURNS OUT. 1185 00:37:55,173 --> 00:37:56,817 OKAY, WELL, THAT'S FINE, ANYWAYS, IT TURNS OUT. BUT IT'S REFRESHING TO SEE IN 1186 00:37:56,841 --> 00:37:57,752 ANYWAYS, IT TURNS OUT. BUT IT'S REFRESHING TO SEE IN THIS INDUSTRY. 1187 00:37:57,776 --> 00:37:58,620 BUT IT'S REFRESHING TO SEE IN THIS INDUSTRY. IT REALLY IS. 1188 00:37:58,644 --> 00:37:59,354 THIS INDUSTRY. IT REALLY IS. EXCELENTE. 1189 00:37:59,378 --> 00:38:00,655 IT REALLY IS. EXCELENTE. WE'LL SEE YOU IN L.A., PROBABLY. 1190 00:38:00,679 --> 00:38:01,789 EXCELENTE. WE'LL SEE YOU IN L.A., PROBABLY. YEAH, I LOVE YOUR FACE. 1191 00:38:01,813 --> 00:38:02,257 WE'LL SEE YOU IN L.A., PROBABLY. YEAH, I LOVE YOUR FACE. GOODBYE. 1192 00:38:02,281 --> 00:38:04,292 YEAH, I LOVE YOUR FACE. GOODBYE. AS IT TURNED OUT, FRANK ZAPPA 1193 00:38:04,316 --> 00:38:06,227 GOODBYE. AS IT TURNED OUT, FRANK ZAPPA SHOULD HAVE ACCEPTED THAT RIDE 1194 00:38:06,251 --> 00:38:08,229 AS IT TURNED OUT, FRANK ZAPPA SHOULD HAVE ACCEPTED THAT RIDE FROM THOSE TWO FELLOWS BECAUSE, 1195 00:38:08,253 --> 00:38:10,231 SHOULD HAVE ACCEPTED THAT RIDE FROM THOSE TWO FELLOWS BECAUSE, ABOUT 100 MILES DOWN THE COAST, 1196 00:38:10,255 --> 00:38:12,066 FROM THOSE TWO FELLOWS BECAUSE, ABOUT 100 MILES DOWN THE COAST, IN A DENSE SHEET OF RAIN AND 1197 00:38:12,090 --> 00:38:14,034 ABOUT 100 MILES DOWN THE COAST, IN A DENSE SHEET OF RAIN AND FOG, HE MISSED A TURN SOMEWHERE 1198 00:38:14,058 --> 00:38:15,870 IN A DENSE SHEET OF RAIN AND FOG, HE MISSED A TURN SOMEWHERE AND ENDED UP ON A STEEP DIRT 1199 00:38:15,894 --> 00:38:17,505 FOG, HE MISSED A TURN SOMEWHERE AND ENDED UP ON A STEEP DIRT TRACK HE'D NEVER SEEN BEFORE. 1200 00:38:17,529 --> 00:38:18,906 AND ENDED UP ON A STEEP DIRT TRACK HE'D NEVER SEEN BEFORE. HALFWAY UP THE SIDE OF A 1201 00:38:18,930 --> 00:38:20,675 TRACK HE'D NEVER SEEN BEFORE. HALFWAY UP THE SIDE OF A MOUNTAIN, A SUDDEN FLOOD WASHED 1202 00:38:20,699 --> 00:38:22,343 HALFWAY UP THE SIDE OF A MOUNTAIN, A SUDDEN FLOOD WASHED OUT THE ROAD, AND FRANK HAD TO 1203 00:38:22,367 --> 00:38:23,378 MOUNTAIN, A SUDDEN FLOOD WASHED OUT THE ROAD, AND FRANK HAD TO ABANDON HIS CAR. 1204 00:38:23,402 --> 00:38:25,012 OUT THE ROAD, AND FRANK HAD TO ABANDON HIS CAR. HE SAW LIGHT THROUGH THE RAIN 1205 00:38:25,036 --> 00:38:26,714 ABANDON HIS CAR. HE SAW LIGHT THROUGH THE RAIN AHEAD OF HIM AND BEGAN WALKING 1206 00:38:26,738 --> 00:38:27,482 HE SAW LIGHT THROUGH THE RAIN AHEAD OF HIM AND BEGAN WALKING TOWARDS IT. 1207 00:38:27,506 --> 00:38:29,150 AHEAD OF HIM AND BEGAN WALKING TOWARDS IT. HOW COULD HE KNOW THAT HE WAS 1208 00:38:29,174 --> 00:38:31,986 TOWARDS IT. HOW COULD HE KNOW THAT HE WAS WALKING INTO A NIGHT ON 1209 00:38:32,010 --> 00:38:34,822 HOW COULD HE KNOW THAT HE WAS WALKING INTO A NIGHT ON FREAK MOUNTAIN? 1210 00:38:34,846 --> 00:38:36,846 WALKING INTO A NIGHT ON FREAK MOUNTAIN? [SCREAMS] 1211 00:38:43,654 --> 00:38:46,122 [THUNDER RUMBLING] 1212 00:38:55,866 --> 00:39:03,866 ANYBODY HOME? OH, WOW! SUNSET, WE HAVE A VISITOR! 1213 00:39:05,410 --> 00:39:07,822 OH, WOW! SUNSET, WE HAVE A VISITOR! OH, FAR OUT! 1214 00:39:07,846 --> 00:39:10,725 SUNSET, WE HAVE A VISITOR! OH, FAR OUT! ANOTHER BEING, MAN! 1215 00:39:10,749 --> 00:39:14,729 OH, FAR OUT! ANOTHER BEING, MAN! WHOA, WELCOME TO XANADU. 1216 00:39:14,753 --> 00:39:15,563 ANOTHER BEING, MAN! WHOA, WELCOME TO XANADU. YEAH. 1217 00:39:15,587 --> 00:39:17,832 WHOA, WELCOME TO XANADU. YEAH. THE ROAD WASHED OUT, AND I HAD 1218 00:39:17,856 --> 00:39:18,933 YEAH. THE ROAD WASHED OUT, AND I HAD AN ACCIDENT. 1219 00:39:18,957 --> 00:39:20,067 THE ROAD WASHED OUT, AND I HAD AN ACCIDENT. [LAUGHS] 1220 00:39:20,091 --> 00:39:22,102 AN ACCIDENT. [LAUGHS] THERE ARE NO ACCIDENTS, MAN. 1221 00:39:22,126 --> 00:39:23,904 [LAUGHS] THERE ARE NO ACCIDENTS, MAN. LOOK, MY CAR'S STUCK. 1222 00:39:23,928 --> 00:39:25,272 THERE ARE NO ACCIDENTS, MAN. LOOK, MY CAR'S STUCK. I GOT A AAA CARD. 1223 00:39:25,296 --> 00:39:26,907 LOOK, MY CAR'S STUCK. I GOT A AAA CARD. CAN I USE YOUR PHONE? 1224 00:39:26,931 --> 00:39:28,175 I GOT A AAA CARD. CAN I USE YOUR PHONE? [LAUGHS] 1225 00:39:28,199 --> 00:39:29,076 CAN I USE YOUR PHONE? [LAUGHS] NO, MAN. 1226 00:39:29,100 --> 00:39:31,679 [LAUGHS] NO, MAN. THERE ARE... THERE ARE NO PHONES 1227 00:39:31,703 --> 00:39:33,848 NO, MAN. THERE ARE... THERE ARE NO PHONES UP HERE ON FREAK MOUNTAIN! 1228 00:39:33,872 --> 00:39:35,350 THERE ARE... THERE ARE NO PHONES UP HERE ON FREAK MOUNTAIN! [BOTH LAUGH] 1229 00:39:35,374 --> 00:39:39,019 UP HERE ON FREAK MOUNTAIN! [BOTH LAUGH] [THUNDER RUMBLES] 1230 00:39:39,043 --> 00:39:39,954 [BOTH LAUGH] [THUNDER RUMBLES] I'M JASON. 1231 00:39:39,978 --> 00:39:42,056 [THUNDER RUMBLES] I'M JASON. THIS IS MY OLD LADY, SUNSET. 1232 00:39:42,080 --> 00:39:43,924 I'M JASON. THIS IS MY OLD LADY, SUNSET. I HAVE SOME TERRIFIC POT. 1233 00:39:43,948 --> 00:39:45,192 THIS IS MY OLD LADY, SUNSET. I HAVE SOME TERRIFIC POT. LET'S GET HIGH! 1234 00:39:45,216 --> 00:39:46,427 I HAVE SOME TERRIFIC POT. LET'S GET HIGH! ALL RIGHT. 1235 00:39:46,451 --> 00:39:48,830 LET'S GET HIGH! ALL RIGHT. I KNOW MY HAIR AND FACE ARE 1236 00:39:48,854 --> 00:39:51,131 ALL RIGHT. I KNOW MY HAIR AND FACE ARE LONG, BUT I REALLY DON'T TAKE 1237 00:39:51,155 --> 00:39:51,899 I KNOW MY HAIR AND FACE ARE LONG, BUT I REALLY DON'T TAKE DRUGS. 1238 00:39:51,923 --> 00:39:54,101 LONG, BUT I REALLY DON'T TAKE DRUGS. YOU KNOW, YOUR FACE IS REALLY 1239 00:39:54,125 --> 00:39:54,935 DRUGS. YOU KNOW, YOUR FACE IS REALLY FAMILIAR. 1240 00:39:54,959 --> 00:39:56,337 YOU KNOW, YOUR FACE IS REALLY FAMILIAR. I KNOW WHO YOU ARE! 1241 00:39:56,361 --> 00:39:58,072 FAMILIAR. I KNOW WHO YOU ARE! MAN, I KNOW WHO YOU ARE! 1242 00:39:58,096 --> 00:40:00,408 I KNOW WHO YOU ARE! MAN, I KNOW WHO YOU ARE! THIS GUY IS FRANK ZAPPA! 1243 00:40:00,432 --> 00:40:02,410 MAN, I KNOW WHO YOU ARE! THIS GUY IS FRANK ZAPPA! WOW! 1244 00:40:02,434 --> 00:40:03,578 THIS GUY IS FRANK ZAPPA! WOW! SUNSET, WHAT A TRIP! 1245 00:40:03,602 --> 00:40:04,245 WOW! SUNSET, WHAT A TRIP! FRANK ZAPPA! 1246 00:40:04,269 --> 00:40:06,581 SUNSET, WHAT A TRIP! FRANK ZAPPA! FAR OUT! 1247 00:40:06,605 --> 00:40:08,616 FRANK ZAPPA! FAR OUT! YOUR FIRST ALBUM, "FREAK OUT!" 1248 00:40:08,640 --> 00:40:10,451 FAR OUT! YOUR FIRST ALBUM, "FREAK OUT!" CHANGED MY WHOLE LIFE, MAN. 1249 00:40:10,475 --> 00:40:12,453 YOUR FIRST ALBUM, "FREAK OUT!" CHANGED MY WHOLE LIFE, MAN. I MEAN, LIKE, FOR A YEAR AFTER 1250 00:40:12,477 --> 00:40:14,489 CHANGED MY WHOLE LIFE, MAN. I MEAN, LIKE, FOR A YEAR AFTER THAT, MY FRIENDS JUST CALLED ME 1251 00:40:14,513 --> 00:40:18,325 I MEAN, LIKE, FOR A YEAR AFTER THAT, MY FRIENDS JUST CALLED ME SUZY CREAMCHEESE, MAN. 1252 00:40:18,349 --> 00:40:19,827 THAT, MY FRIENDS JUST CALLED ME SUZY CREAMCHEESE, MAN. WHOA! 1253 00:40:19,851 --> 00:40:22,029 SUZY CREAMCHEESE, MAN. WHOA! HAVE YOU FOLKS GOT A CAR OR 1254 00:40:22,053 --> 00:40:22,963 WHOA! HAVE YOU FOLKS GOT A CAR OR SOMETHING? 1255 00:40:22,987 --> 00:40:23,964 HAVE YOU FOLKS GOT A CAR OR SOMETHING? NO, MAN. 1256 00:40:23,988 --> 00:40:25,400 SOMETHING? NO, MAN. WE GOT RID OF OUR V.W. VAN TWO 1257 00:40:25,424 --> 00:40:26,000 NO, MAN. WE GOT RID OF OUR V.W. VAN TWO YEARS AGO. 1258 00:40:26,024 --> 00:40:27,368 WE GOT RID OF OUR V.W. VAN TWO YEARS AGO. WE DECIDED IT WAS IMMORAL TO, 1259 00:40:27,392 --> 00:40:28,870 YEARS AGO. WE DECIDED IT WAS IMMORAL TO, LIKE, OWN AN INTERNAL-COMBUSTION 1260 00:40:28,894 --> 00:40:29,404 WE DECIDED IT WAS IMMORAL TO, LIKE, OWN AN INTERNAL-COMBUSTION VEHICLE. 1261 00:40:29,428 --> 00:40:31,038 LIKE, OWN AN INTERNAL-COMBUSTION VEHICLE. RIGHT, AND THAT'S WHEN WE 1262 00:40:31,062 --> 00:40:32,407 VEHICLE. RIGHT, AND THAT'S WHEN WE CAME UP HERE TO XANADU. 1263 00:40:32,431 --> 00:40:33,608 RIGHT, AND THAT'S WHEN WE CAME UP HERE TO XANADU. ALL RIGHT. 1264 00:40:33,632 --> 00:40:35,976 CAME UP HERE TO XANADU. ALL RIGHT. THEN WHAT'S THE BEST WAY TO GO 1265 00:40:36,000 --> 00:40:37,545 ALL RIGHT. THEN WHAT'S THE BEST WAY TO GO BACK TO THE HIGHWAY? 1266 00:40:37,569 --> 00:40:39,580 THEN WHAT'S THE BEST WAY TO GO BACK TO THE HIGHWAY? IF THE ROAD'S WASHED OUT, 1267 00:40:39,604 --> 00:40:41,883 BACK TO THE HIGHWAY? IF THE ROAD'S WASHED OUT, THERE'S ONLY ONE WAY BACK TO THE 1268 00:40:41,907 --> 00:40:45,520 IF THE ROAD'S WASHED OUT, THERE'S ONLY ONE WAY BACK TO THE HIGHWAY, AND THAT IS TO GET 1269 00:40:45,544 --> 00:40:46,654 THERE'S ONLY ONE WAY BACK TO THE HIGHWAY, AND THAT IS TO GET HIGH! 1270 00:40:46,678 --> 00:40:49,990 HIGHWAY, AND THAT IS TO GET HIGH! [LAUGHS] 1271 00:40:50,014 --> 00:40:55,496 HIGH! [LAUGHS] [THUNDER RUMBLES] 1272 00:40:55,520 --> 00:40:56,597 [LAUGHS] [THUNDER RUMBLES] HERE, FRANK. 1273 00:40:56,621 --> 00:40:58,433 [THUNDER RUMBLES] HERE, FRANK. I MADE YOU SOME HOT MUSHROOM 1274 00:40:58,457 --> 00:40:58,933 HERE, FRANK. I MADE YOU SOME HOT MUSHROOM TEA. 1275 00:40:58,957 --> 00:41:00,301 I MADE YOU SOME HOT MUSHROOM TEA. [CHUCKLES NERVOUSLY] 1276 00:41:00,325 --> 00:41:01,135 TEA. [CHUCKLES NERVOUSLY] MUSHROOM TEA? 1277 00:41:01,159 --> 00:41:02,437 [CHUCKLES NERVOUSLY] MUSHROOM TEA? WHAT KIND OF MUSHROOMS? 1278 00:41:02,461 --> 00:41:03,671 MUSHROOM TEA? WHAT KIND OF MUSHROOMS? [LAUGHS] 1279 00:41:03,695 --> 00:41:05,907 WHAT KIND OF MUSHROOMS? [LAUGHS] CULTIVATED PSILOCYBIN SPORES 1280 00:41:05,931 --> 00:41:08,375 [LAUGHS] CULTIVATED PSILOCYBIN SPORES FROM THE BLUE HILLS OF JAMAICA, 1281 00:41:08,399 --> 00:41:09,544 CULTIVATED PSILOCYBIN SPORES FROM THE BLUE HILLS OF JAMAICA, MAN. 1282 00:41:09,568 --> 00:41:11,145 FROM THE BLUE HILLS OF JAMAICA, MAN. DRINK IT SLOWLY, THOUGH, 1283 00:41:11,169 --> 00:41:13,147 MAN. DRINK IT SLOWLY, THOUGH, BECAUSE, LIKE, IN THREE MINUTES, 1284 00:41:13,171 --> 00:41:15,149 DRINK IT SLOWLY, THOUGH, BECAUSE, LIKE, IN THREE MINUTES, YOU'LL BE SO STONED, IT'LL TAKE 1285 00:41:15,173 --> 00:41:16,717 BECAUSE, LIKE, IN THREE MINUTES, YOU'LL BE SO STONED, IT'LL TAKE YOU A WEEK TO COME DOWN. 1286 00:41:16,741 --> 00:41:18,319 YOU'LL BE SO STONED, IT'LL TAKE YOU A WEEK TO COME DOWN. YOU GOT ANY COFFEE OR 1287 00:41:18,343 --> 00:41:19,987 YOU A WEEK TO COME DOWN. YOU GOT ANY COFFEE OR SODA POP? 1288 00:41:20,011 --> 00:41:22,657 YOU GOT ANY COFFEE OR SODA POP? MR. FRANK ZAPPA, I'D LIKE YOU 1289 00:41:22,681 --> 00:41:28,830 SODA POP? MR. FRANK ZAPPA, I'D LIKE YOU TO MEET MR. WINDOWPANE WATSON. 1290 00:41:28,854 --> 00:41:30,832 MR. FRANK ZAPPA, I'D LIKE YOU TO MEET MR. WINDOWPANE WATSON. HI. 1291 00:41:30,856 --> 00:41:33,000 TO MEET MR. WINDOWPANE WATSON. HI. WHY DO THEY CALL YOU WINDOWPANE? 1292 00:41:33,024 --> 00:41:34,836 HI. WHY DO THEY CALL YOU WINDOWPANE? THEY CALL HIM WINDOWPANE 1293 00:41:34,860 --> 00:41:36,838 WHY DO THEY CALL YOU WINDOWPANE? THEY CALL HIM WINDOWPANE BECAUSE EVERY DAY FOR THE LAST 1294 00:41:36,862 --> 00:41:38,773 THEY CALL HIM WINDOWPANE BECAUSE EVERY DAY FOR THE LAST 10 YEARS, HE'S TAKEN A HIT OF 1295 00:41:38,797 --> 00:41:40,441 BECAUSE EVERY DAY FOR THE LAST 10 YEARS, HE'S TAKEN A HIT OF WINDOWPANE ACID. 1296 00:41:40,465 --> 00:41:41,609 10 YEARS, HE'S TAKEN A HIT OF WINDOWPANE ACID. LIKE, YOU KNOW, HE USED TO BE 1297 00:41:41,633 --> 00:41:42,242 WINDOWPANE ACID. LIKE, YOU KNOW, HE USED TO BE IN A BIKE CLUB. 1298 00:41:42,266 --> 00:41:43,377 LIKE, YOU KNOW, HE USED TO BE IN A BIKE CLUB. HE'S BEEN DOING ACID EVER SINCE 1299 00:41:43,401 --> 00:41:44,512 IN A BIKE CLUB. HE'S BEEN DOING ACID EVER SINCE HE BUSTED HIS HEAD OPEN WHEN HE 1300 00:41:44,536 --> 00:41:45,580 HE'S BEEN DOING ACID EVER SINCE HE BUSTED HIS HEAD OPEN WHEN HE FELL OFF HIS HOG DURING A BIG 1301 00:41:45,604 --> 00:41:46,614 HE BUSTED HIS HEAD OPEN WHEN HE FELL OFF HIS HOG DURING A BIG BIKER'S PROTEST RIDE AGAINST 1302 00:41:46,638 --> 00:41:47,314 FELL OFF HIS HOG DURING A BIG BIKER'S PROTEST RIDE AGAINST HELMET LAWS. 1303 00:41:47,338 --> 00:41:48,850 BIKER'S PROTEST RIDE AGAINST HELMET LAWS. THIS IS KIND OF A NEAT PLACE, 1304 00:41:48,874 --> 00:41:50,250 HELMET LAWS. THIS IS KIND OF A NEAT PLACE, BUT, I MEAN, DO YOU RENT THIS 1305 00:41:50,274 --> 00:41:51,051 THIS IS KIND OF A NEAT PLACE, BUT, I MEAN, DO YOU RENT THIS PLACE OR WHAT? 1306 00:41:51,075 --> 00:41:51,886 BUT, I MEAN, DO YOU RENT THIS PLACE OR WHAT? NO WAY, MAN. 1307 00:41:51,910 --> 00:41:54,555 PLACE OR WHAT? NO WAY, MAN. THEY PAY US TO LIVE HERE, MAN. 1308 00:41:54,579 --> 00:41:54,956 NO WAY, MAN. THEY PAY US TO LIVE HERE, MAN. DIG IT. 1309 00:41:54,980 --> 00:41:56,056 THEY PAY US TO LIVE HERE, MAN. DIG IT. THIS RICH OLD LADY DIED, AND 1310 00:41:56,080 --> 00:41:57,291 DIG IT. THIS RICH OLD LADY DIED, AND THIS IS, LIKE, YOU KNOW, PART OF 1311 00:41:57,315 --> 00:41:58,325 THIS RICH OLD LADY DIED, AND THIS IS, LIKE, YOU KNOW, PART OF HER ESTATE. 1312 00:41:58,349 --> 00:42:00,595 THIS IS, LIKE, YOU KNOW, PART OF HER ESTATE. RIGHT, AND, LIKE, WE MANAGE 1313 00:42:00,619 --> 00:42:02,930 HER ESTATE. RIGHT, AND, LIKE, WE MANAGE THIS PLACE FOR A TRUST COMPANY. 1314 00:42:02,954 --> 00:42:04,599 RIGHT, AND, LIKE, WE MANAGE THIS PLACE FOR A TRUST COMPANY. BUT WE'RE NOT GONNA LEAVE. 1315 00:42:04,623 --> 00:42:06,300 THIS PLACE FOR A TRUST COMPANY. BUT WE'RE NOT GONNA LEAVE. WHEN THEY SELL THIS PLACE AND 1316 00:42:06,324 --> 00:42:08,035 BUT WE'RE NOT GONNA LEAVE. WHEN THEY SELL THIS PLACE AND THEY TELL US TO SPLIT, THERE'S 1317 00:42:08,059 --> 00:42:09,470 WHEN THEY SELL THIS PLACE AND THEY TELL US TO SPLIT, THERE'S NO WAY WE'RE GONNA LEAVE 1318 00:42:09,494 --> 00:42:11,238 THEY TELL US TO SPLIT, THERE'S NO WAY WE'RE GONNA LEAVE BECAUSE, LIKE, THIS MOUNTAIN IS 1319 00:42:11,262 --> 00:42:13,508 NO WAY WE'RE GONNA LEAVE BECAUSE, LIKE, THIS MOUNTAIN IS LIKE OUR OWN LITTLE COUNTRY NOW, 1320 00:42:13,532 --> 00:42:14,074 BECAUSE, LIKE, THIS MOUNTAIN IS LIKE OUR OWN LITTLE COUNTRY NOW, MAN. 1321 00:42:14,098 --> 00:42:14,976 LIKE OUR OWN LITTLE COUNTRY NOW, MAN. REALLY, MAN. 1322 00:42:15,000 --> 00:42:16,377 MAN. REALLY, MAN. WE EVEN HAVE A SYSTEM OF 1323 00:42:16,401 --> 00:42:17,111 REALLY, MAN. WE EVEN HAVE A SYSTEM OF GOVERNMENT. 1324 00:42:17,135 --> 00:42:18,178 WE EVEN HAVE A SYSTEM OF GOVERNMENT. RIGHT, YOU KNOW. 1325 00:42:18,202 --> 00:42:19,680 GOVERNMENT. RIGHT, YOU KNOW. LIKE, JASON IS THE PRESIDENT, 1326 00:42:19,704 --> 00:42:22,016 RIGHT, YOU KNOW. LIKE, JASON IS THE PRESIDENT, I'M THE VICE PRESIDENT, AND 1327 00:42:22,040 --> 00:42:24,351 LIKE, JASON IS THE PRESIDENT, I'M THE VICE PRESIDENT, AND WINDOWPANE IS THE SECRETARY OF 1328 00:42:24,375 --> 00:42:25,620 I'M THE VICE PRESIDENT, AND WINDOWPANE IS THE SECRETARY OF THE INTERIOR. 1329 00:42:25,644 --> 00:42:26,487 WINDOWPANE IS THE SECRETARY OF THE INTERIOR. DIG IT! 1330 00:42:26,511 --> 00:42:29,824 THE INTERIOR. DIG IT! [THUNDER RUMBLES] 1331 00:42:29,848 --> 00:42:32,126 DIG IT! [THUNDER RUMBLES] WHAT'S THE FASTEST WAY OFF 1332 00:42:32,150 --> 00:42:33,427 [THUNDER RUMBLES] WHAT'S THE FASTEST WAY OFF THIS MOUNTAIN? 1333 00:42:33,451 --> 00:42:35,262 WHAT'S THE FASTEST WAY OFF THIS MOUNTAIN? I MEAN, WHEN YOU GO... 1334 00:42:35,286 --> 00:42:37,565 THIS MOUNTAIN? I MEAN, WHEN YOU GO... WHEN YOU GO DOWN THE MOUNTAIN 1335 00:42:37,589 --> 00:42:38,933 I MEAN, WHEN YOU GO... WHEN YOU GO DOWN THE MOUNTAIN FOR SUPPLIES... 1336 00:42:38,957 --> 00:42:39,867 WHEN YOU GO DOWN THE MOUNTAIN FOR SUPPLIES... YEAH? 1337 00:42:39,891 --> 00:42:42,503 FOR SUPPLIES... YEAH? HOW DO YOU GO DOWN THERE? 1338 00:42:42,527 --> 00:42:44,505 YEAH? HOW DO YOU GO DOWN THERE? WELL, IT'S A TWO-DAY BACKPACK 1339 00:42:44,529 --> 00:42:46,040 HOW DO YOU GO DOWN THERE? WELL, IT'S A TWO-DAY BACKPACK TRIP DOWN DEVIL'S FACE. 1340 00:42:46,064 --> 00:42:46,908 WELL, IT'S A TWO-DAY BACKPACK TRIP DOWN DEVIL'S FACE. I HAVE NYLON ROPES AND 1341 00:42:46,932 --> 00:42:47,942 TRIP DOWN DEVIL'S FACE. I HAVE NYLON ROPES AND EVERYTHING, AND I'M UP FOR 1342 00:42:47,966 --> 00:42:48,676 I HAVE NYLON ROPES AND EVERYTHING, AND I'M UP FOR LEAVING RIGHT NOW. 1343 00:42:48,700 --> 00:42:49,911 EVERYTHING, AND I'M UP FOR LEAVING RIGHT NOW. WE COULD DO IT RIGHT NOW, 'CAUSE 1344 00:42:49,935 --> 00:42:50,945 LEAVING RIGHT NOW. WE COULD DO IT RIGHT NOW, 'CAUSE THE MDA I DID AN HOUR AGO IS 1345 00:42:50,969 --> 00:42:51,612 WE COULD DO IT RIGHT NOW, 'CAUSE THE MDA I DID AN HOUR AGO IS KICKING IN, MAN. 1346 00:42:51,636 --> 00:42:52,379 THE MDA I DID AN HOUR AGO IS KICKING IN, MAN. IT'S REALLY CLEAN. 1347 00:42:52,403 --> 00:42:53,247 KICKING IN, MAN. IT'S REALLY CLEAN. YOU WANT SOME? 1348 00:42:53,271 --> 00:42:54,248 IT'S REALLY CLEAN. YOU WANT SOME? NO, THANK YOU. 1349 00:42:54,272 --> 00:42:55,783 YOU WANT SOME? NO, THANK YOU. I DON'T DO DRUGS, AND I'M NOT 1350 00:42:55,807 --> 00:42:56,784 NO, THANK YOU. I DON'T DO DRUGS, AND I'M NOT INTO BACKPACKING. 1351 00:42:56,808 --> 00:42:58,318 I DON'T DO DRUGS, AND I'M NOT INTO BACKPACKING. BUT IS IT OKAY IF I SPEND THE 1352 00:42:58,342 --> 00:42:59,053 INTO BACKPACKING. BUT IS IT OKAY IF I SPEND THE NIGHT HERE? 1353 00:42:59,077 --> 00:43:00,054 BUT IS IT OKAY IF I SPEND THE NIGHT HERE? SURE. FAR OUT. 1354 00:43:00,078 --> 00:43:01,689 NIGHT HERE? SURE. FAR OUT. YOU CAN SLEEP WITH JASON AND ME 1355 00:43:01,713 --> 00:43:02,790 SURE. FAR OUT. YOU CAN SLEEP WITH JASON AND ME IN THE HEATED ROOM. 1356 00:43:02,814 --> 00:43:04,291 YOU CAN SLEEP WITH JASON AND ME IN THE HEATED ROOM. OR YOU CAN CRASH IN THE 1357 00:43:04,315 --> 00:43:07,127 IN THE HEATED ROOM. OR YOU CAN CRASH IN THE TURRET WITH WINDOWPANE. 1358 00:43:07,151 --> 00:43:09,129 OR YOU CAN CRASH IN THE TURRET WITH WINDOWPANE. [THUNDER RUMBLES] 1359 00:43:09,153 --> 00:43:10,330 TURRET WITH WINDOWPANE. [THUNDER RUMBLES] FAR OUT. 1360 00:43:10,354 --> 00:43:11,732 [THUNDER RUMBLES] FAR OUT. NO, THANK YOU. 1361 00:43:11,756 --> 00:43:13,167 FAR OUT. NO, THANK YOU. NO, THANK YOU. 1362 00:43:13,191 --> 00:43:14,602 NO, THANK YOU. NO, THANK YOU. HEY, JASON. 1363 00:43:14,626 --> 00:43:16,971 NO, THANK YOU. HEY, JASON. HE REALLY DOESN'T GET HIGH. 1364 00:43:16,995 --> 00:43:19,540 HEY, JASON. HE REALLY DOESN'T GET HIGH. FRANK, LIKE, YOU REALLY DON'T 1365 00:43:19,564 --> 00:43:21,175 HE REALLY DOESN'T GET HIGH. FRANK, LIKE, YOU REALLY DON'T GET HIGH, DO YOU? 1366 00:43:21,199 --> 00:43:22,843 FRANK, LIKE, YOU REALLY DON'T GET HIGH, DO YOU? NO. I DON'T DO DRUGS. 1367 00:43:22,867 --> 00:43:24,979 GET HIGH, DO YOU? NO. I DON'T DO DRUGS. I JUST DON'T LIKE THE EFFECTS IT 1368 00:43:25,003 --> 00:43:29,984 NO. I DON'T DO DRUGS. I JUST DON'T LIKE THE EFFECTS IT HAS ON SOME PEOPLE. 1369 00:43:30,008 --> 00:43:31,251 I JUST DON'T LIKE THE EFFECTS IT HAS ON SOME PEOPLE. WHAT DO YOU MEAN, MAN? 1370 00:43:31,275 --> 00:43:32,687 HAS ON SOME PEOPLE. WHAT DO YOU MEAN, MAN? WHAT DO YOU MEAN, YOU DON'T DO 1371 00:43:32,711 --> 00:43:33,153 WHAT DO YOU MEAN, MAN? WHAT DO YOU MEAN, YOU DON'T DO DRUGS? 1372 00:43:33,177 --> 00:43:35,022 WHAT DO YOU MEAN, YOU DON'T DO DRUGS? FRANK ZAPPA DOESN'T DO DRUGS? 1373 00:43:35,046 --> 00:43:36,356 DRUGS? FRANK ZAPPA DOESN'T DO DRUGS? I DON'T BELIEVE IT. 1374 00:43:36,380 --> 00:43:38,158 FRANK ZAPPA DOESN'T DO DRUGS? I DON'T BELIEVE IT. YOU MEAN YOU WEREN'T HIGH 1375 00:43:38,182 --> 00:43:39,093 I DON'T BELIEVE IT. YOU MEAN YOU WEREN'T HIGH WHEN YOU DID 1376 00:43:39,117 --> 00:43:41,261 YOU MEAN YOU WEREN'T HIGH WHEN YOU DID "CALL ANY VEGETABLE," MAN? 1377 00:43:41,285 --> 00:43:42,763 WHEN YOU DID "CALL ANY VEGETABLE," MAN? YOU DIDN'T GET HIGH WITH THE 1378 00:43:42,787 --> 00:43:43,731 "CALL ANY VEGETABLE," MAN? YOU DIDN'T GET HIGH WITH THE ORIGINAL MOTHERS? 1379 00:43:43,755 --> 00:43:44,231 YOU DIDN'T GET HIGH WITH THE ORIGINAL MOTHERS? NO. 1380 00:43:44,255 --> 00:43:45,900 ORIGINAL MOTHERS? NO. WHAT ABOUT "FREAK OUT!" MAN? 1381 00:43:45,924 --> 00:43:47,534 NO. WHAT ABOUT "FREAK OUT!" MAN? YOU MEAN YOU WERE STRAIGHT WHEN 1382 00:43:47,558 --> 00:43:48,803 WHAT ABOUT "FREAK OUT!" MAN? YOU MEAN YOU WERE STRAIGHT WHEN YOU WROTE "FREAK OUT!"? 1383 00:43:48,827 --> 00:43:49,604 YOU MEAN YOU WERE STRAIGHT WHEN YOU WROTE "FREAK OUT!"? AAH! 1384 00:43:49,628 --> 00:43:51,205 YOU WROTE "FREAK OUT!"? AAH! [THUNDER RUMBLES] 1385 00:43:51,229 --> 00:43:52,372 AAH! [THUNDER RUMBLES] WOW, MAN! 1386 00:43:52,396 --> 00:43:56,376 [THUNDER RUMBLES] WOW, MAN! THAT'S SUCH A MINDBLOWER! 1387 00:43:56,400 --> 00:43:57,612 WOW, MAN! THAT'S SUCH A MINDBLOWER! FRANK, BABE. 1388 00:43:57,636 --> 00:43:59,313 THAT'S SUCH A MINDBLOWER! FRANK, BABE. WHO ARE THESE DUDES? 1389 00:43:59,337 --> 00:44:00,648 FRANK, BABE. WHO ARE THESE DUDES? FRANK, LISTEN. 1390 00:44:00,672 --> 00:44:02,850 WHO ARE THESE DUDES? FRANK, LISTEN. BECAUSE YOU ARE ONE OF THE MOST 1391 00:44:02,874 --> 00:44:04,685 FRANK, LISTEN. BECAUSE YOU ARE ONE OF THE MOST DYNAMIC PERFORMERS IN OUR 1392 00:44:04,709 --> 00:44:06,887 BECAUSE YOU ARE ONE OF THE MOST DYNAMIC PERFORMERS IN OUR INDUSTRY, I'M HAPPY TO SAY THAT 1393 00:44:06,911 --> 00:44:09,156 DYNAMIC PERFORMERS IN OUR INDUSTRY, I'M HAPPY TO SAY THAT JERRY ALDINI AND I HAVE FOLLOWED 1394 00:44:09,180 --> 00:44:11,191 INDUSTRY, I'M HAPPY TO SAY THAT JERRY ALDINI AND I HAVE FOLLOWED YOU ALL THE WAY THROUGH THE 1395 00:44:11,215 --> 00:44:12,893 JERRY ALDINI AND I HAVE FOLLOWED YOU ALL THE WAY THROUGH THE STORM IN THE POLYSUTRA 1396 00:44:12,917 --> 00:44:15,195 YOU ALL THE WAY THROUGH THE STORM IN THE POLYSUTRA HELICOPTER RIGHT DOWN FROM YOUR 1397 00:44:15,219 --> 00:44:18,198 STORM IN THE POLYSUTRA HELICOPTER RIGHT DOWN FROM YOUR GIG IN SAN FRANCISCO AT WHICH 1398 00:44:18,222 --> 00:44:19,900 HELICOPTER RIGHT DOWN FROM YOUR GIG IN SAN FRANCISCO AT WHICH YOU PERFORMED BRILLIANTLY. 1399 00:44:19,924 --> 00:44:21,702 GIG IN SAN FRANCISCO AT WHICH YOU PERFORMED BRILLIANTLY. AND WE HAVE COME TO TAKE YOU 1400 00:44:21,726 --> 00:44:23,704 YOU PERFORMED BRILLIANTLY. AND WE HAVE COME TO TAKE YOU DOWN TO LOS ANGELES TO JOIN YOUR 1401 00:44:23,728 --> 00:44:26,874 AND WE HAVE COME TO TAKE YOU DOWN TO LOS ANGELES TO JOIN YOUR LOVELY WIFE AND CHILDREN AHMET, 1402 00:44:26,898 --> 00:44:30,544 DOWN TO LOS ANGELES TO JOIN YOUR LOVELY WIFE AND CHILDREN AHMET, DWEEZIL, AND MOON UNIT. 1403 00:44:30,568 --> 00:44:32,113 LOVELY WIFE AND CHILDREN AHMET, DWEEZIL, AND MOON UNIT. YOU KNOW, FOR ONCE, I'M GLAD 1404 00:44:32,137 --> 00:44:33,047 DWEEZIL, AND MOON UNIT. YOU KNOW, FOR ONCE, I'M GLAD TO SEE YOU GUYS. 1405 00:44:33,071 --> 00:44:34,381 YOU KNOW, FOR ONCE, I'M GLAD TO SEE YOU GUYS. NOW LET'S GET OUT OF HERE. 1406 00:44:34,405 --> 00:44:35,082 TO SEE YOU GUYS. NOW LET'S GET OUT OF HERE. FAR OUT. 1407 00:44:35,106 --> 00:44:37,084 NOW LET'S GET OUT OF HERE. FAR OUT. DON KIRSHNER, HELLO. 1408 00:44:37,108 --> 00:44:38,485 FAR OUT. DON KIRSHNER, HELLO. FRANK, WHAT'S HAPPENING? 1409 00:44:38,509 --> 00:44:39,720 DON KIRSHNER, HELLO. FRANK, WHAT'S HAPPENING? ARE YOU SPLITTING, MAN? 1410 00:44:39,744 --> 00:44:41,122 FRANK, WHAT'S HAPPENING? ARE YOU SPLITTING, MAN? YEAH, LOOK, I GOT TO GO. 1411 00:44:41,146 --> 00:44:42,422 ARE YOU SPLITTING, MAN? YEAH, LOOK, I GOT TO GO. BUT I'LL GIVE YOU A CALL. 1412 00:44:42,446 --> 00:44:43,490 YEAH, LOOK, I GOT TO GO. BUT I'LL GIVE YOU A CALL. WHAT'S YOUR NUMBER? 1413 00:44:43,514 --> 00:44:43,991 BUT I'LL GIVE YOU A CALL. WHAT'S YOUR NUMBER? OH, HEY. 1414 00:44:44,015 --> 00:44:45,292 WHAT'S YOUR NUMBER? OH, HEY. YOU DON'T HAVE ANY PHONES UP 1415 00:44:45,316 --> 00:44:45,693 OH, HEY. YOU DON'T HAVE ANY PHONES UP HERE. 1416 00:44:45,717 --> 00:44:46,460 YOU DON'T HAVE ANY PHONES UP HERE. THAT'S TOO BAD. 1417 00:44:46,484 --> 00:44:47,227 HERE. THAT'S TOO BAD. HEY, FRANK. 1418 00:44:47,251 --> 00:44:48,595 THAT'S TOO BAD. HEY, FRANK. YOU KNOW, I WOULD LOVE TO WALK 1419 00:44:48,619 --> 00:44:49,997 HEY, FRANK. YOU KNOW, I WOULD LOVE TO WALK INTO OUR PROMOTIONAL MEETING ON 1420 00:44:50,021 --> 00:44:51,331 YOU KNOW, I WOULD LOVE TO WALK INTO OUR PROMOTIONAL MEETING ON MONDAY WITH A WHOLE NEW IMAGE 1421 00:44:51,355 --> 00:44:52,667 INTO OUR PROMOTIONAL MEETING ON MONDAY WITH A WHOLE NEW IMAGE FOR FRANK ZAPPA. 1422 00:44:52,691 --> 00:44:54,501 MONDAY WITH A WHOLE NEW IMAGE FOR FRANK ZAPPA. BABY, THE '60s ARE OVER WITH. 1423 00:44:54,525 --> 00:44:55,970 FOR FRANK ZAPPA. BABY, THE '60s ARE OVER WITH. A HAIRCUT AND A SHAVE. 1424 00:44:55,994 --> 00:44:57,471 BABY, THE '60s ARE OVER WITH. A HAIRCUT AND A SHAVE. WE PUT YOU IN KIND OF A 1425 00:44:57,495 --> 00:44:59,140 A HAIRCUT AND A SHAVE. WE PUT YOU IN KIND OF A BOZ SCAGGS BLOW-DRY THING. 1426 00:44:59,164 --> 00:45:00,440 WE PUT YOU IN KIND OF A BOZ SCAGGS BLOW-DRY THING. IT WILL BE INCREDIBLE. 1427 00:45:00,464 --> 00:45:01,942 BOZ SCAGGS BLOW-DRY THING. IT WILL BE INCREDIBLE. WE CAN RAP IN THE CHOPPER. 1428 00:45:01,966 --> 00:45:03,210 IT WILL BE INCREDIBLE. WE CAN RAP IN THE CHOPPER. DONNIE, WE'LL SEE YOU AT 1429 00:45:03,234 --> 00:45:04,478 WE CAN RAP IN THE CHOPPER. DONNIE, WE'LL SEE YOU AT CHOPPERSVILLE. 1430 00:45:04,502 --> 00:45:06,847 DONNIE, WE'LL SEE YOU AT CHOPPERSVILLE. I WOULD BE AT FAULT IF I DID 1431 00:45:06,871 --> 00:45:09,016 CHOPPERSVILLE. I WOULD BE AT FAULT IF I DID NOT TAKE THIS OPPORTUNITY TO 1432 00:45:09,040 --> 00:45:10,918 I WOULD BE AT FAULT IF I DID NOT TAKE THIS OPPORTUNITY TO THANK MARTY ENGLEMAN AND 1433 00:45:10,942 --> 00:45:13,154 NOT TAKE THIS OPPORTUNITY TO THANK MARTY ENGLEMAN AND MONARCH AVIATION OF STOCKTON, 1434 00:45:13,178 --> 00:45:15,322 THANK MARTY ENGLEMAN AND MONARCH AVIATION OF STOCKTON, CALIFORNIA, FOR PROVIDING US 1435 00:45:15,346 --> 00:45:17,725 MONARCH AVIATION OF STOCKTON, CALIFORNIA, FOR PROVIDING US WITH ONE OF THEIR NEW SKY RANGER 1436 00:45:17,749 --> 00:45:20,161 CALIFORNIA, FOR PROVIDING US WITH ONE OF THEIR NEW SKY RANGER JET HELICOPTERS SO THAT WE COULD 1437 00:45:20,185 --> 00:45:23,164 WITH ONE OF THEIR NEW SKY RANGER JET HELICOPTERS SO THAT WE COULD RESCUE A FINE, FINE RECORDING 1438 00:45:23,188 --> 00:45:26,333 JET HELICOPTERS SO THAT WE COULD RESCUE A FINE, FINE RECORDING ARTIST FROM SPENDING A NIGHT ON 1439 00:45:26,357 --> 00:45:28,102 RESCUE A FINE, FINE RECORDING ARTIST FROM SPENDING A NIGHT ON FREAK MOUNTAIN. 1440 00:45:28,126 --> 00:45:32,061 ARTIST FROM SPENDING A NIGHT ON FREAK MOUNTAIN. [THUNDER RUMBLES] 1441 00:45:52,950 --> 00:45:59,666 [LAUGHS] HELLO, AND WELCOME TO "WOMAN TO WOMAN." 1442 00:45:59,690 --> 00:46:01,401 HELLO, AND WELCOME TO "WOMAN TO WOMAN." I'M CONNIE CARSON, A YOUNG 1443 00:46:01,425 --> 00:46:03,503 "WOMAN TO WOMAN." I'M CONNIE CARSON, A YOUNG CAREER WOMAN WHO'S MADE A CAREER 1444 00:46:03,527 --> 00:46:05,405 I'M CONNIE CARSON, A YOUNG CAREER WOMAN WHO'S MADE A CAREER OUT OF TALKING TO WOMEN ABOUT 1445 00:46:05,429 --> 00:46:07,407 CAREER WOMAN WHO'S MADE A CAREER OUT OF TALKING TO WOMEN ABOUT WOMEN AND THEIR CAREERS. 1446 00:46:07,431 --> 00:46:09,543 OUT OF TALKING TO WOMEN ABOUT WOMEN AND THEIR CAREERS. TODAY, I'M TALKING TO A WOMAN 1447 00:46:09,567 --> 00:46:11,846 WOMEN AND THEIR CAREERS. TODAY, I'M TALKING TO A WOMAN WHO, UNLIKE ME, DOES NOT HAVE A 1448 00:46:11,870 --> 00:46:13,981 TODAY, I'M TALKING TO A WOMAN WHO, UNLIKE ME, DOES NOT HAVE A CAREER, WHO IS, IN FACT, WHAT 1449 00:46:14,005 --> 00:46:16,283 WHO, UNLIKE ME, DOES NOT HAVE A CAREER, WHO IS, IN FACT, WHAT HAS SO OFTEN BEEN CALLED A MERE 1450 00:46:16,307 --> 00:46:17,218 CAREER, WHO IS, IN FACT, WHAT HAS SO OFTEN BEEN CALLED A MERE HOUSEWIFE. 1451 00:46:17,242 --> 00:46:19,553 HAS SO OFTEN BEEN CALLED A MERE HOUSEWIFE. OR, AS THEY SAY IN FRENCH, A 1452 00:46:19,577 --> 00:46:20,621 HOUSEWIFE. OR, AS THEY SAY IN FRENCH, A MERE MéNAGèRIE. 1453 00:46:20,645 --> 00:46:22,322 OR, AS THEY SAY IN FRENCH, A MERE MéNAGèRIE. OR AS THEY SAY IN GERMAN, A 1454 00:46:22,346 --> 00:46:23,257 MERE MéNAGèRIE. OR AS THEY SAY IN GERMAN, A MERE HAUSFRAU. 1455 00:46:23,281 --> 00:46:24,959 OR AS THEY SAY IN GERMAN, A MERE HAUSFRAU. I'D LIKE YOU TO MEET 1456 00:46:24,983 --> 00:46:27,294 MERE HAUSFRAU. I'D LIKE YOU TO MEET MRS. HENRY POST. 1457 00:46:27,318 --> 00:46:28,528 I'D LIKE YOU TO MEET MRS. HENRY POST. WELL, HENRY... 1458 00:46:28,552 --> 00:46:30,931 MRS. HENRY POST. WELL, HENRY... NO, THAT'S MY HUSBAND'S NAME. 1459 00:46:30,955 --> 00:46:32,833 WELL, HENRY... NO, THAT'S MY HUSBAND'S NAME. [BOTH LAUGH] 1460 00:46:32,857 --> 00:46:34,635 NO, THAT'S MY HUSBAND'S NAME. [BOTH LAUGH] I'M SORRY. 1461 00:46:34,659 --> 00:46:37,204 [BOTH LAUGH] I'M SORRY. MRS. POST, THERE'S A QUESTION ON 1462 00:46:37,228 --> 00:46:39,640 I'M SORRY. MRS. POST, THERE'S A QUESTION ON THE LIPS OF EVERY SINGLE WOMAN 1463 00:46:39,664 --> 00:46:41,776 MRS. POST, THERE'S A QUESTION ON THE LIPS OF EVERY SINGLE WOMAN OF 30 YEARS OLD IN AMERICA 1464 00:46:41,800 --> 00:46:42,542 THE LIPS OF EVERY SINGLE WOMAN OF 30 YEARS OLD IN AMERICA TODAY. 1465 00:46:42,566 --> 00:46:45,045 OF 30 YEARS OLD IN AMERICA TODAY. THEY'RE ASKING, "WHAT'S IT LIKE 1466 00:46:45,069 --> 00:46:46,446 TODAY. THEY'RE ASKING, "WHAT'S IT LIKE TO BE MARRIED?" 1467 00:46:46,470 --> 00:46:47,848 THEY'RE ASKING, "WHAT'S IT LIKE TO BE MARRIED?" WELL, PHYSICALLY... 1468 00:46:47,872 --> 00:46:49,616 TO BE MARRIED?" WELL, PHYSICALLY... SPIRITUALLY, BEING MARRIED IS 1469 00:46:49,640 --> 00:46:50,550 WELL, PHYSICALLY... SPIRITUALLY, BEING MARRIED IS THE ULTIMATE. 1470 00:46:50,574 --> 00:46:52,219 SPIRITUALLY, BEING MARRIED IS THE ULTIMATE. IT'S THE PINNACLE OF WHAT A 1471 00:46:52,243 --> 00:46:53,687 THE ULTIMATE. IT'S THE PINNACLE OF WHAT A HUMAN BEING CAN BECOME. 1472 00:46:53,711 --> 00:46:54,221 IT'S THE PINNACLE OF WHAT A HUMAN BEING CAN BECOME. IT'S... 1473 00:46:54,245 --> 00:46:55,522 HUMAN BEING CAN BECOME. IT'S... OF COURSE, UNLESS YOU'VE 1474 00:46:55,546 --> 00:46:57,024 IT'S... OF COURSE, UNLESS YOU'VE EXPERIENCED IT FOR YOURSELF, 1475 00:46:57,048 --> 00:46:58,392 OF COURSE, UNLESS YOU'VE EXPERIENCED IT FOR YOURSELF, UNLESS YOU'VE BEEN HAPPILY 1476 00:46:58,416 --> 00:46:59,960 EXPERIENCED IT FOR YOURSELF, UNLESS YOU'VE BEEN HAPPILY MARRIED IN A GOOD RELATIONSHIP 1477 00:46:59,984 --> 00:47:01,628 UNLESS YOU'VE BEEN HAPPILY MARRIED IN A GOOD RELATIONSHIP AS I HAVE TO SOMEONE WHO LOVES 1478 00:47:01,652 --> 00:47:04,098 MARRIED IN A GOOD RELATIONSHIP AS I HAVE TO SOMEONE WHO LOVES YOU AS MY HUSBAND LOVES ME, YOU 1479 00:47:04,122 --> 00:47:06,600 AS I HAVE TO SOMEONE WHO LOVES YOU AS MY HUSBAND LOVES ME, YOU COULDN'T POSSIBLY KNOW THE JOY. 1480 00:47:06,624 --> 00:47:07,467 YOU AS MY HUSBAND LOVES ME, YOU COULDN'T POSSIBLY KNOW THE JOY. [LAUGHS] 1481 00:47:07,491 --> 00:47:08,936 COULDN'T POSSIBLY KNOW THE JOY. [LAUGHS] LET'S BACKTRACK HERE FOR A 1482 00:47:08,960 --> 00:47:09,503 [LAUGHS] LET'S BACKTRACK HERE FOR A MOMENT. 1483 00:47:09,527 --> 00:47:11,038 LET'S BACKTRACK HERE FOR A MOMENT. MRS. POST, HOW LONG HAVE YOU 1484 00:47:11,062 --> 00:47:11,906 MOMENT. MRS. POST, HOW LONG HAVE YOU BEEN MARRIED? 1485 00:47:11,930 --> 00:47:13,274 MRS. POST, HOW LONG HAVE YOU BEEN MARRIED? OH, LET'S SEE. 1486 00:47:13,298 --> 00:47:15,475 BEEN MARRIED? OH, LET'S SEE. TIME FLIES SO FAST WHEN YOU'RE 1487 00:47:15,499 --> 00:47:16,177 OH, LET'S SEE. TIME FLIES SO FAST WHEN YOU'RE HAPPY. 1488 00:47:16,201 --> 00:47:17,011 TIME FLIES SO FAST WHEN YOU'RE HAPPY. UM... 1489 00:47:17,035 --> 00:47:18,312 HAPPY. UM... FIVE YEARS. 1490 00:47:18,336 --> 00:47:19,579 UM... FIVE YEARS. FIVE YEARS. 1491 00:47:19,603 --> 00:47:20,948 FIVE YEARS. FIVE YEARS. FIVE LONG YEARS. 1492 00:47:20,972 --> 00:47:23,417 FIVE YEARS. FIVE LONG YEARS. DO YOU EVER REGRET YOUR DECISION 1493 00:47:23,441 --> 00:47:25,719 FIVE LONG YEARS. DO YOU EVER REGRET YOUR DECISION TO COMMIT TO ONE PERSON FOR AN 1494 00:47:25,743 --> 00:47:27,087 DO YOU EVER REGRET YOUR DECISION TO COMMIT TO ONE PERSON FOR AN ENTIRE LIFETIME? 1495 00:47:27,111 --> 00:47:28,255 TO COMMIT TO ONE PERSON FOR AN ENTIRE LIFETIME? OH, NEVER. 1496 00:47:28,279 --> 00:47:30,357 ENTIRE LIFETIME? OH, NEVER. NEVER, NEVER, NEVER, NEVER, 1497 00:47:30,381 --> 00:47:31,325 OH, NEVER. NEVER, NEVER, NEVER, NEVER, NEVER. 1498 00:47:31,349 --> 00:47:34,161 NEVER, NEVER, NEVER, NEVER, NEVER. YOU KNOW, SOMEONE LIKE YOU, 1499 00:47:34,185 --> 00:47:37,832 NEVER. YOU KNOW, SOMEONE LIKE YOU, SOMEONE WHO'S ALL ALONE COULDN'T 1500 00:47:37,856 --> 00:47:40,167 YOU KNOW, SOMEONE LIKE YOU, SOMEONE WHO'S ALL ALONE COULDN'T POSSIBLY UNDERSTAND, BUT I CAN 1501 00:47:40,191 --> 00:47:41,768 SOMEONE WHO'S ALL ALONE COULDN'T POSSIBLY UNDERSTAND, BUT I CAN ONLY TELL YOU THAT BEING MARRIED 1502 00:47:41,792 --> 00:47:43,270 POSSIBLY UNDERSTAND, BUT I CAN ONLY TELL YOU THAT BEING MARRIED IS PROBABLY THE MOST WONDERFUL 1503 00:47:43,294 --> 00:47:44,471 ONLY TELL YOU THAT BEING MARRIED IS PROBABLY THE MOST WONDERFUL THING THAT A PERSON CAN 1504 00:47:44,495 --> 00:47:45,172 IS PROBABLY THE MOST WONDERFUL THING THAT A PERSON CAN EXPERIENCE. 1505 00:47:45,196 --> 00:47:46,606 THING THAT A PERSON CAN EXPERIENCE. BUT, MRS. POST, DON'T YOU 1506 00:47:46,630 --> 00:47:48,142 EXPERIENCE. BUT, MRS. POST, DON'T YOU FEEL THERE'S A WHOLE WEALTH OF 1507 00:47:48,166 --> 00:47:50,010 BUT, MRS. POST, DON'T YOU FEEL THERE'S A WHOLE WEALTH OF EXPERIENCE AND CAREERS THAT 1508 00:47:50,034 --> 00:47:51,678 FEEL THERE'S A WHOLE WEALTH OF EXPERIENCE AND CAREERS THAT YOU'RE MISSING BY TOTAL 1509 00:47:51,702 --> 00:47:54,181 EXPERIENCE AND CAREERS THAT YOU'RE MISSING BY TOTAL COMMITMENT TO A MARRIAGE? 1510 00:47:54,205 --> 00:47:54,815 YOU'RE MISSING BY TOTAL COMMITMENT TO A MARRIAGE? NO. 1511 00:47:54,839 --> 00:47:56,984 COMMITMENT TO A MARRIAGE? NO. WELL, MRS. POST, DO YOU STILL 1512 00:47:57,008 --> 00:47:58,685 NO. WELL, MRS. POST, DO YOU STILL HAVE YOUR WEDDING DRESS? 1513 00:47:58,709 --> 00:47:59,720 WELL, MRS. POST, DO YOU STILL HAVE YOUR WEDDING DRESS? YES, I DO. 1514 00:47:59,744 --> 00:48:00,554 HAVE YOUR WEDDING DRESS? YES, I DO. [LAUGHS] 1515 00:48:00,578 --> 00:48:02,356 YES, I DO. [LAUGHS] DON'T YOU THINK IT WAS A 1516 00:48:02,380 --> 00:48:04,258 [LAUGHS] DON'T YOU THINK IT WAS A WASTE TO BUY A DRESS THAT YOU 1517 00:48:04,282 --> 00:48:05,525 DON'T YOU THINK IT WAS A WASTE TO BUY A DRESS THAT YOU ONLY USED ONE DAY? 1518 00:48:05,549 --> 00:48:07,061 WASTE TO BUY A DRESS THAT YOU ONLY USED ONE DAY? I'VE WORN IT SINCE. 1519 00:48:07,085 --> 00:48:08,395 ONLY USED ONE DAY? I'VE WORN IT SINCE. YOU HAD IT DYED. 1520 00:48:08,419 --> 00:48:09,230 I'VE WORN IT SINCE. YOU HAD IT DYED. NO, NO. 1521 00:48:09,254 --> 00:48:10,231 YOU HAD IT DYED. NO, NO. IT WAS OFF-WHITE. 1522 00:48:10,255 --> 00:48:11,131 NO, NO. IT WAS OFF-WHITE. [LAUGHS] 1523 00:48:11,155 --> 00:48:12,699 IT WAS OFF-WHITE. [LAUGHS] WELL, YOU MUST HAVE HAD TO 1524 00:48:12,723 --> 00:48:14,468 [LAUGHS] WELL, YOU MUST HAVE HAD TO RETURN A LOT OF WEDDING GIFTS. 1525 00:48:14,492 --> 00:48:16,237 WELL, YOU MUST HAVE HAD TO RETURN A LOT OF WEDDING GIFTS. OH, STRANGELY ENOUGH, THERE 1526 00:48:16,261 --> 00:48:17,537 RETURN A LOT OF WEDDING GIFTS. OH, STRANGELY ENOUGH, THERE WERE NO DUPLICATIONS. 1527 00:48:17,561 --> 00:48:18,305 OH, STRANGELY ENOUGH, THERE WERE NO DUPLICATIONS. REALLY? 1528 00:48:18,329 --> 00:48:19,706 WERE NO DUPLICATIONS. REALLY? WELL, YOU MUST STILL BE 1529 00:48:19,730 --> 00:48:21,342 REALLY? WELL, YOU MUST STILL BE ANSWERING THOSE "THANK YOU" 1530 00:48:21,366 --> 00:48:21,876 WELL, YOU MUST STILL BE ANSWERING THOSE "THANK YOU" NOTES. 1531 00:48:21,900 --> 00:48:23,710 ANSWERING THOSE "THANK YOU" NOTES. YOU MUST HAVE A LOT OF THOSE TO 1532 00:48:23,734 --> 00:48:24,311 NOTES. YOU MUST HAVE A LOT OF THOSE TO ANSWER. 1533 00:48:24,335 --> 00:48:25,846 YOU MUST HAVE A LOT OF THOSE TO ANSWER. WELL, I THINK I ANSWERED THEM 1534 00:48:25,870 --> 00:48:27,214 ANSWER. WELL, I THINK I ANSWERED THEM ALL, BUT IF THERE'S ANYONE I 1535 00:48:27,238 --> 00:48:28,448 WELL, I THINK I ANSWERED THEM ALL, BUT IF THERE'S ANYONE I LEFT OUT, CAN I TAKE THIS 1536 00:48:28,472 --> 00:48:29,750 ALL, BUT IF THERE'S ANYONE I LEFT OUT, CAN I TAKE THIS OPPORTUNITY TO THANK THEM? 1537 00:48:29,774 --> 00:48:31,451 LEFT OUT, CAN I TAKE THIS OPPORTUNITY TO THANK THEM? THANK YOU ALL SO MUCH FOR THE 1538 00:48:31,475 --> 00:48:33,153 OPPORTUNITY TO THANK THEM? THANK YOU ALL SO MUCH FOR THE GIFTS AND FOR THE ANNIVERSARY 1539 00:48:33,177 --> 00:48:34,088 THANK YOU ALL SO MUCH FOR THE GIFTS AND FOR THE ANNIVERSARY ONES, AS WELL. 1540 00:48:34,112 --> 00:48:34,855 GIFTS AND FOR THE ANNIVERSARY ONES, AS WELL. THANK YOU. 1541 00:48:34,879 --> 00:48:37,091 ONES, AS WELL. THANK YOU. AH, YOU KNOW, EVERYONE, 1542 00:48:37,115 --> 00:48:39,326 THANK YOU. AH, YOU KNOW, EVERYONE, TOMORROW, OCTOBER 22nd, IS 1543 00:48:39,350 --> 00:48:41,828 AH, YOU KNOW, EVERYONE, TOMORROW, OCTOBER 22nd, IS MOTHER-IN-LAW DAY. 1544 00:48:41,852 --> 00:48:43,864 TOMORROW, OCTOBER 22nd, IS MOTHER-IN-LAW DAY. I, MYSELF, A SINGLE WOMAN WITH A 1545 00:48:43,888 --> 00:48:45,599 MOTHER-IN-LAW DAY. I, MYSELF, A SINGLE WOMAN WITH A CAREER, DON'T HAVE TO WORRY 1546 00:48:45,623 --> 00:48:46,466 I, MYSELF, A SINGLE WOMAN WITH A CAREER, DON'T HAVE TO WORRY ABOUT THAT. 1547 00:48:46,490 --> 00:48:48,068 CAREER, DON'T HAVE TO WORRY ABOUT THAT. WHAT ARE YOU DOING ABOUT 1548 00:48:48,092 --> 00:48:49,336 ABOUT THAT. WHAT ARE YOU DOING ABOUT MOTHER-IN-LAW DAY? 1549 00:48:49,360 --> 00:48:51,205 WHAT ARE YOU DOING ABOUT MOTHER-IN-LAW DAY? YOU KNOW, MY MOTHER-IN-LAW 1550 00:48:51,229 --> 00:48:52,773 MOTHER-IN-LAW DAY? YOU KNOW, MY MOTHER-IN-LAW AND I GET ALONG SO WELL. 1551 00:48:52,797 --> 00:48:54,574 YOU KNOW, MY MOTHER-IN-LAW AND I GET ALONG SO WELL. SHE CALLS ME WITH RECIPES, I 1552 00:48:54,598 --> 00:48:56,277 AND I GET ALONG SO WELL. SHE CALLS ME WITH RECIPES, I CALL HER WITH REMEDIES FOR 1553 00:48:56,301 --> 00:48:57,544 SHE CALLS ME WITH RECIPES, I CALL HER WITH REMEDIES FOR CERTAIN ILLNESSES. 1554 00:48:57,568 --> 00:48:59,313 CALL HER WITH REMEDIES FOR CERTAIN ILLNESSES. THERE'S A WEALTH OF INFORMATION 1555 00:48:59,337 --> 00:49:00,915 CERTAIN ILLNESSES. THERE'S A WEALTH OF INFORMATION BEING EXCHANGED BETWEEN TWO 1556 00:49:00,939 --> 00:49:02,449 THERE'S A WEALTH OF INFORMATION BEING EXCHANGED BETWEEN TWO WOMEN WHO LOVE EACH OTHER. 1557 00:49:02,473 --> 00:49:03,117 BEING EXCHANGED BETWEEN TWO WOMEN WHO LOVE EACH OTHER. LAUNDRY. 1558 00:49:03,141 --> 00:49:04,518 WOMEN WHO LOVE EACH OTHER. LAUNDRY. WHAT ABOUT HIS DIRTY, FILTHY 1559 00:49:04,542 --> 00:49:04,985 LAUNDRY. WHAT ABOUT HIS DIRTY, FILTHY SOCKS? 1560 00:49:05,009 --> 00:49:05,852 WHAT ABOUT HIS DIRTY, FILTHY SOCKS? OH. 1561 00:49:05,876 --> 00:49:08,322 SOCKS? OH. SORTING SOCKS IS A FORM OF 1562 00:49:08,346 --> 00:49:10,157 OH. SORTING SOCKS IS A FORM OF MEDITATION FOR ME. 1563 00:49:10,181 --> 00:49:11,258 SORTING SOCKS IS A FORM OF MEDITATION FOR ME. MRS. POST, HAVE YOU EVER 1564 00:49:11,282 --> 00:49:12,426 MEDITATION FOR ME. MRS. POST, HAVE YOU EVER GOTTEN UP IN THE MIDDLE OF THE 1565 00:49:12,450 --> 00:49:13,660 MRS. POST, HAVE YOU EVER GOTTEN UP IN THE MIDDLE OF THE NIGHT TO GO TO THE BATHROOM AND 1566 00:49:13,684 --> 00:49:17,164 GOTTEN UP IN THE MIDDLE OF THE NIGHT TO GO TO THE BATHROOM AND THE TOILET SEAT IS UP? 1567 00:49:17,188 --> 00:49:19,133 NIGHT TO GO TO THE BATHROOM AND THE TOILET SEAT IS UP? HAVING GROWN UP IN A FAMILY 1568 00:49:19,157 --> 00:49:20,935 THE TOILET SEAT IS UP? HAVING GROWN UP IN A FAMILY WITH SIX BROTHERS, I ALWAYS 1569 00:49:20,959 --> 00:49:23,938 HAVING GROWN UP IN A FAMILY WITH SIX BROTHERS, I ALWAYS CHECK BEFORE I SIT. 1570 00:49:23,962 --> 00:49:24,704 WITH SIX BROTHERS, I ALWAYS CHECK BEFORE I SIT. COME ON. 1571 00:49:24,728 --> 00:49:25,839 CHECK BEFORE I SIT. COME ON. COME ON, MRS. POST. 1572 00:49:25,863 --> 00:49:27,241 COME ON. COME ON, MRS. POST. AFTER FIVE YEARS, HAS THE 1573 00:49:27,265 --> 00:49:28,608 COME ON, MRS. POST. AFTER FIVE YEARS, HAS THE ROMANCE GONE OUT OF YOUR 1574 00:49:28,632 --> 00:49:29,276 AFTER FIVE YEARS, HAS THE ROMANCE GONE OUT OF YOUR MARRIAGE? 1575 00:49:29,300 --> 00:49:30,877 ROMANCE GONE OUT OF YOUR MARRIAGE? I MEAN, NO BELLS ARE RINGING, 1576 00:49:30,901 --> 00:49:31,545 MARRIAGE? I MEAN, NO BELLS ARE RINGING, ARE THEY? 1577 00:49:31,569 --> 00:49:32,779 I MEAN, NO BELLS ARE RINGING, ARE THEY? LET ME TELL YOU A LITTLE 1578 00:49:32,803 --> 00:49:33,948 ARE THEY? LET ME TELL YOU A LITTLE STORY THAT HAPPENED ON MY 1579 00:49:33,972 --> 00:49:34,481 LET ME TELL YOU A LITTLE STORY THAT HAPPENED ON MY BIRTHDAY. 1580 00:49:34,505 --> 00:49:35,916 STORY THAT HAPPENED ON MY BIRTHDAY. I WAS AT HOME, MY HUSBAND WAS AT 1581 00:49:35,940 --> 00:49:36,616 BIRTHDAY. I WAS AT HOME, MY HUSBAND WAS AT HOME WITH ME. 1582 00:49:36,640 --> 00:49:37,884 I WAS AT HOME, MY HUSBAND WAS AT HOME WITH ME. THE DOORBELL RANG, AND A MAN 1583 00:49:37,908 --> 00:49:39,119 HOME WITH ME. THE DOORBELL RANG, AND A MAN APPEARED AT THE DOOR WITH A 1584 00:49:39,143 --> 00:49:40,454 THE DOORBELL RANG, AND A MAN APPEARED AT THE DOOR WITH A BLACK COAT AND A LITTLE BLACK 1585 00:49:40,478 --> 00:49:41,755 APPEARED AT THE DOOR WITH A BLACK COAT AND A LITTLE BLACK CAP, AND HE SAID, "MRS. POST, 1586 00:49:41,779 --> 00:49:43,090 BLACK COAT AND A LITTLE BLACK CAP, AND HE SAID, "MRS. POST, I'M HERE TO TAKE YOU AND YOUR 1587 00:49:43,114 --> 00:49:44,391 CAP, AND HE SAID, "MRS. POST, I'M HERE TO TAKE YOU AND YOUR HUSBAND ON YOUR LITTLE TRIP." 1588 00:49:44,415 --> 00:49:45,592 I'M HERE TO TAKE YOU AND YOUR HUSBAND ON YOUR LITTLE TRIP." WELL, I HAD NO IDEA. 1589 00:49:45,616 --> 00:49:47,194 HUSBAND ON YOUR LITTLE TRIP." WELL, I HAD NO IDEA. SO WE WENT, AND WE GOT IN THE 1590 00:49:47,218 --> 00:49:48,528 WELL, I HAD NO IDEA. SO WE WENT, AND WE GOT IN THE CAR, AND WE DROVE UP TO 1591 00:49:48,552 --> 00:49:50,130 SO WE WENT, AND WE GOT IN THE CAR, AND WE DROVE UP TO CONNECTICUT TO THIS BEAUTIFUL 1592 00:49:50,154 --> 00:49:50,564 CAR, AND WE DROVE UP TO CONNECTICUT TO THIS BEAUTIFUL INN. 1593 00:49:50,588 --> 00:49:51,932 CONNECTICUT TO THIS BEAUTIFUL INN. IT WAS BUILT ABOUT 1810. 1594 00:49:51,956 --> 00:49:53,834 INN. IT WAS BUILT ABOUT 1810. AND WE HAD A DELIGHTFUL DINNER, 1595 00:49:53,858 --> 00:49:55,569 IT WAS BUILT ABOUT 1810. AND WE HAD A DELIGHTFUL DINNER, WONDERFUL DINNER WITH WINE. 1596 00:49:55,593 --> 00:49:57,537 AND WE HAD A DELIGHTFUL DINNER, WONDERFUL DINNER WITH WINE. THEN WE WENT UP TO OUR ROOM, AND 1597 00:49:57,561 --> 00:49:59,273 WONDERFUL DINNER WITH WINE. THEN WE WENT UP TO OUR ROOM, AND IT WAS BEAUTIFULLY APPOINTED 1598 00:49:59,297 --> 00:50:01,141 THEN WE WENT UP TO OUR ROOM, AND IT WAS BEAUTIFULLY APPOINTED WITH ANTIQUES, AND THERE WAS A 1599 00:50:01,165 --> 00:50:02,742 IT WAS BEAUTIFULLY APPOINTED WITH ANTIQUES, AND THERE WAS A HUGE FOUR-POSTER BED WITH 1600 00:50:02,766 --> 00:50:04,678 WITH ANTIQUES, AND THERE WAS A HUGE FOUR-POSTER BED WITH WILDFLOWERS ON THE BED TABLE, A 1601 00:50:04,702 --> 00:50:06,546 HUGE FOUR-POSTER BED WITH WILDFLOWERS ON THE BED TABLE, A BLAZING FIRE IN THE FIREPLACE, 1602 00:50:06,570 --> 00:50:08,449 WILDFLOWERS ON THE BED TABLE, A BLAZING FIRE IN THE FIREPLACE, AND WE SAT IN FRONT OF THE FIRE 1603 00:50:08,473 --> 00:50:10,951 BLAZING FIRE IN THE FIREPLACE, AND WE SAT IN FRONT OF THE FIRE AND HAD HOT TODDIES AND THEN A 1604 00:50:10,975 --> 00:50:14,955 AND WE SAT IN FRONT OF THE FIRE AND HAD HOT TODDIES AND THEN A GLORIOUS NIGHT OF PASSION. 1605 00:50:14,979 --> 00:50:16,290 AND HAD HOT TODDIES AND THEN A GLORIOUS NIGHT OF PASSION. WAS THERE A BATHROOM IN THE 1606 00:50:16,314 --> 00:50:17,791 GLORIOUS NIGHT OF PASSION. WAS THERE A BATHROOM IN THE ROOM? 1607 00:50:17,815 --> 00:50:19,393 WAS THERE A BATHROOM IN THE ROOM? NO, IT WAS DOWN THE HALL. 1608 00:50:19,417 --> 00:50:21,061 ROOM? NO, IT WAS DOWN THE HALL. OH, SO YOU HAD TO WALK DOWN 1609 00:50:21,085 --> 00:50:22,896 NO, IT WAS DOWN THE HALL. OH, SO YOU HAD TO WALK DOWN THE HALL TO THE BATHROOM. 1610 00:50:22,920 --> 00:50:25,899 OH, SO YOU HAD TO WALK DOWN THE HALL TO THE BATHROOM. NO, HE CARRIED ME. 1611 00:50:25,923 --> 00:50:27,534 THE HALL TO THE BATHROOM. NO, HE CARRIED ME. YOU SEE, HE HAD TO CARRY HER 1612 00:50:27,558 --> 00:50:29,136 NO, HE CARRIED ME. YOU SEE, HE HAD TO CARRY HER DOWN THE HALL TO THE BATHROOM. 1613 00:50:29,160 --> 00:50:30,637 YOU SEE, HE HAD TO CARRY HER DOWN THE HALL TO THE BATHROOM. THAT'S WHAT MARRIED LIFE IS, 1614 00:50:30,661 --> 00:50:32,206 DOWN THE HALL TO THE BATHROOM. THAT'S WHAT MARRIED LIFE IS, BEING CARRIED DOWN THE HALL TO 1615 00:50:32,230 --> 00:50:33,874 THAT'S WHAT MARRIED LIFE IS, BEING CARRIED DOWN THE HALL TO THE BATHROOM INSTEAD OF WALKING 1616 00:50:33,898 --> 00:50:35,042 BEING CARRIED DOWN THE HALL TO THE BATHROOM INSTEAD OF WALKING ON YOUR OWN TWO FEET. 1617 00:50:35,066 --> 00:50:36,310 THE BATHROOM INSTEAD OF WALKING ON YOUR OWN TWO FEET. I'M AFRAID THAT'S ALL THE TIME 1618 00:50:36,334 --> 00:50:37,478 ON YOUR OWN TWO FEET. I'M AFRAID THAT'S ALL THE TIME WE HAVE ON "WOMAN TO WOMAN." 1619 00:50:37,502 --> 00:50:38,879 I'M AFRAID THAT'S ALL THE TIME WE HAVE ON "WOMAN TO WOMAN." I'M CONNIE CARSON, A YOUNG 1620 00:50:38,903 --> 00:50:40,547 WE HAVE ON "WOMAN TO WOMAN." I'M CONNIE CARSON, A YOUNG CAREER WOMAN WHO'S MADE A CAREER 1621 00:50:40,571 --> 00:50:42,116 I'M CONNIE CARSON, A YOUNG CAREER WOMAN WHO'S MADE A CAREER OUT OF TALKING TO WOMEN ABOUT 1622 00:50:42,140 --> 00:50:43,417 CAREER WOMAN WHO'S MADE A CAREER OUT OF TALKING TO WOMEN ABOUT WOMEN AND THEIR CAREERS. 1623 00:50:43,441 --> 00:50:45,052 OUT OF TALKING TO WOMEN ABOUT WOMEN AND THEIR CAREERS. JOIN US NEXT WEEK, WHEN I'LL BE 1624 00:50:45,076 --> 00:50:46,686 WOMEN AND THEIR CAREERS. JOIN US NEXT WEEK, WHEN I'LL BE TALKING TO GLORIA STEINEM ABOUT 1625 00:50:46,710 --> 00:50:48,355 JOIN US NEXT WEEK, WHEN I'LL BE TALKING TO GLORIA STEINEM ABOUT GLASSES FRAMES AND HOW TO CHOOSE 1626 00:50:48,379 --> 00:50:48,855 TALKING TO GLORIA STEINEM ABOUT GLASSES FRAMES AND HOW TO CHOOSE THEM. 1627 00:50:48,879 --> 00:50:50,190 GLASSES FRAMES AND HOW TO CHOOSE THEM. ♪ I AM STRONG ♪ 1628 00:50:50,214 --> 00:50:51,191 THEM. ♪ I AM STRONG ♪ ♪ STRONG ♪ 1629 00:50:51,215 --> 00:50:53,193 ♪ I AM STRONG ♪ ♪ STRONG ♪ ♪ I AM INVINCIBLE ♪ 1630 00:50:53,217 --> 00:50:54,361 ♪ STRONG ♪ ♪ I AM INVINCIBLE ♪ ♪ INVINCIBLE ♪ 1631 00:50:54,385 --> 00:50:58,154 ♪ I AM INVINCIBLE ♪ ♪ INVINCIBLE ♪ ♪ I AM WOMAN ♪ 1632 00:51:02,459 --> 00:51:06,706 Announcer: IT'S TIME FOR THE "FRANKEN AND DAVIS SHOW," STARRING AL FRANKEN AND 1633 00:51:06,730 --> 00:51:07,408 "FRANKEN AND DAVIS SHOW," STARRING AL FRANKEN AND TOM DAVIS. 1634 00:51:07,432 --> 00:51:11,367 STARRING AL FRANKEN AND TOM DAVIS. AND NOW HERE'S AL AND TOM. 1635 00:51:18,908 --> 00:51:21,922 THANK YOU. THANK YOU. GOOD EVENING, LADIES AND GENTLEMEN. 1636 00:51:21,946 --> 00:51:23,090 GOOD EVENING, LADIES AND GENTLEMEN. IT'S GREAT TO BE BACK. 1637 00:51:23,114 --> 00:51:23,990 GENTLEMEN. IT'S GREAT TO BE BACK. THAT'S RIGHT. 1638 00:51:24,014 --> 00:51:25,559 IT'S GREAT TO BE BACK. THAT'S RIGHT. AND TONIGHT, WE'D LIKE TO STICK 1639 00:51:25,583 --> 00:51:27,027 THAT'S RIGHT. AND TONIGHT, WE'D LIKE TO STICK OUR NECKS OUT A LITTLE BIT ON 1640 00:51:27,051 --> 00:51:28,662 AND TONIGHT, WE'D LIKE TO STICK OUR NECKS OUT A LITTLE BIT ON NATIONAL TELEVISION AND CALL FOR 1641 00:51:28,686 --> 00:51:29,996 OUR NECKS OUT A LITTLE BIT ON NATIONAL TELEVISION AND CALL FOR A VIOLENT OVERTHROW OF THE 1642 00:51:30,020 --> 00:51:31,298 NATIONAL TELEVISION AND CALL FOR A VIOLENT OVERTHROW OF THE UNITED STATES GOVERNMENT. 1643 00:51:31,322 --> 00:51:32,599 A VIOLENT OVERTHROW OF THE UNITED STATES GOVERNMENT. [LAUGHTER AND APPLAUSE] 1644 00:51:32,623 --> 00:51:35,602 UNITED STATES GOVERNMENT. [LAUGHTER AND APPLAUSE] THANK YOU. THANK YOU. 1645 00:51:35,626 --> 00:51:37,204 [LAUGHTER AND APPLAUSE] THANK YOU. THANK YOU. YOU SEE, BESIDES BEING A 1646 00:51:37,228 --> 00:51:39,039 THANK YOU. THANK YOU. YOU SEE, BESIDES BEING A PROFESSIONAL COMEDY TEAM, TOM 1647 00:51:39,063 --> 00:51:40,574 YOU SEE, BESIDES BEING A PROFESSIONAL COMEDY TEAM, TOM AND I ARE INTERNATIONAL 1648 00:51:40,598 --> 00:51:42,509 PROFESSIONAL COMEDY TEAM, TOM AND I ARE INTERNATIONAL COMMUNIST REVOLUTIONARIES, AND 1649 00:51:42,533 --> 00:51:44,244 AND I ARE INTERNATIONAL COMMUNIST REVOLUTIONARIES, AND WE BELIEVE THAT NOTHING CAN 1650 00:51:44,268 --> 00:51:45,912 COMMUNIST REVOLUTIONARIES, AND WE BELIEVE THAT NOTHING CAN REALLY BE CHANGED IN THIS 1651 00:51:45,936 --> 00:51:47,814 WE BELIEVE THAT NOTHING CAN REALLY BE CHANGED IN THIS COUNTRY THROUGH THE DEMOCRATIC 1652 00:51:47,838 --> 00:51:49,149 REALLY BE CHANGED IN THIS COUNTRY THROUGH THE DEMOCRATIC PROCESS. 1653 00:51:49,173 --> 00:51:50,016 COUNTRY THROUGH THE DEMOCRATIC PROCESS. [LIGHT APPLAUSE] 1654 00:51:50,040 --> 00:51:50,750 PROCESS. [LIGHT APPLAUSE] OH, THANK YOU. 1655 00:51:50,774 --> 00:51:52,018 [LIGHT APPLAUSE] OH, THANK YOU. WE'RE GLAD A LOT OF YOU FEEL 1656 00:51:52,042 --> 00:51:52,553 OH, THANK YOU. WE'RE GLAD A LOT OF YOU FEEL THAT WAY. 1657 00:51:52,577 --> 00:51:53,554 WE'RE GLAD A LOT OF YOU FEEL THAT WAY. RIGHT YOU ARE, AL. 1658 00:51:53,578 --> 00:51:55,222 THAT WAY. RIGHT YOU ARE, AL. AND YOU SEE, IN A CAPITALIST 1659 00:51:55,246 --> 00:51:57,057 RIGHT YOU ARE, AL. AND YOU SEE, IN A CAPITALIST SOCIETY, ANYBODY WHO IS RUNNING 1660 00:51:57,081 --> 00:51:58,325 AND YOU SEE, IN A CAPITALIST SOCIETY, ANYBODY WHO IS RUNNING FOR PUBLIC OFFICE IS 1661 00:51:58,349 --> 00:52:00,060 SOCIETY, ANYBODY WHO IS RUNNING FOR PUBLIC OFFICE IS AUTOMATICALLY CORRUPTED BY... 1662 00:52:00,084 --> 00:52:01,795 FOR PUBLIC OFFICE IS AUTOMATICALLY CORRUPTED BY... WELL, INSTEAD OF TELLING, WHY 1663 00:52:01,819 --> 00:52:04,163 AUTOMATICALLY CORRUPTED BY... WELL, INSTEAD OF TELLING, WHY DON'T WE SHOW YOU? 1664 00:52:04,187 --> 00:52:05,821 Announcer: THE FOLLOWING IS A 1665 00:52:05,955 --> 00:52:07,456 PAID POLITICAL ANNOUNCEMENT BY 1666 00:52:07,591 --> 00:52:08,890 THE TAGLIANI FOR CONGRESS 1667 00:52:09,025 --> 00:52:10,493 COMMITTEE. 1668 00:52:10,760 --> 00:52:18,412 HI. I'M PETE TAGLIANI. I WANT YOU TO HELP ME UNSEAT WINFIELD ADCOCK IN THE UPCOMING 1669 00:52:18,436 --> 00:52:20,581 I WANT YOU TO HELP ME UNSEAT WINFIELD ADCOCK IN THE UPCOMING FIFTH CONGRESSIONAL ELECTION SO 1670 00:52:20,605 --> 00:52:22,816 WINFIELD ADCOCK IN THE UPCOMING FIFTH CONGRESSIONAL ELECTION SO I CAN GO TO WASHINGTON AND SLASH 1671 00:52:22,840 --> 00:52:23,484 FIFTH CONGRESSIONAL ELECTION SO I CAN GO TO WASHINGTON AND SLASH TAXES. 1672 00:52:23,508 --> 00:52:25,652 I CAN GO TO WASHINGTON AND SLASH TAXES. AND HOW AM I GONNA SLASH TAXES? 1673 00:52:25,676 --> 00:52:27,854 TAXES. AND HOW AM I GONNA SLASH TAXES? BY MAKING THE FAT CATS PAY THEIR 1674 00:52:27,878 --> 00:52:28,822 AND HOW AM I GONNA SLASH TAXES? BY MAKING THE FAT CATS PAY THEIR FAIR SHARE. 1675 00:52:28,846 --> 00:52:30,357 BY MAKING THE FAT CATS PAY THEIR FAIR SHARE. NOW, I HAVE HERE 1676 00:52:30,381 --> 00:52:32,626 FAIR SHARE. NOW, I HAVE HERE WINFIELD ADCOCK'S 1968 TAX 1677 00:52:32,650 --> 00:52:35,061 NOW, I HAVE HERE WINFIELD ADCOCK'S 1968 TAX RETURN... A YEAR IN WHICH HE 1678 00:52:35,085 --> 00:52:39,966 WINFIELD ADCOCK'S 1968 TAX RETURN... A YEAR IN WHICH HE EARNED OVER $400,000 AND PAID... 1679 00:52:39,990 --> 00:52:43,937 RETURN... A YEAR IN WHICH HE EARNED OVER $400,000 AND PAID... 26 CENTS IN INCOME TAXES. 1680 00:52:43,961 --> 00:52:45,772 EARNED OVER $400,000 AND PAID... 26 CENTS IN INCOME TAXES. NOW, THIS FAT CAT IS RIPPING YOU 1681 00:52:45,796 --> 00:52:47,574 26 CENTS IN INCOME TAXES. NOW, THIS FAT CAT IS RIPPING YOU OFF, AND I SAY IT'S TIME WE SENT 1682 00:52:47,598 --> 00:52:49,343 NOW, THIS FAT CAT IS RIPPING YOU OFF, AND I SAY IT'S TIME WE SENT A MAN TO WASHINGTON WHO'S GONNA 1683 00:52:49,367 --> 00:52:50,777 OFF, AND I SAY IT'S TIME WE SENT A MAN TO WASHINGTON WHO'S GONNA WORK FOR THE HARDWORKING 1684 00:52:50,801 --> 00:52:52,246 A MAN TO WASHINGTON WHO'S GONNA WORK FOR THE HARDWORKING TAXPAYER OF OUR DISTRICT. 1685 00:52:52,270 --> 00:52:55,415 WORK FOR THE HARDWORKING TAXPAYER OF OUR DISTRICT. AND I SAY I'M THAT MAN. 1686 00:52:55,439 --> 00:52:58,752 TAXPAYER OF OUR DISTRICT. AND I SAY I'M THAT MAN. SO VOTE FOR ME... PETE TAGLIANI. 1687 00:52:58,776 --> 00:53:01,896 AND I SAY I'M THAT MAN. SO VOTE FOR ME... PETE TAGLIANI. YOU'LL BE GLAD YOU DID. 1688 00:53:04,414 --> 00:53:05,781 Announcer: THE FOLLOWING IS A 1689 00:53:05,915 --> 00:53:07,115 PAID POLITICAL MESSAGE BY THE 1690 00:53:07,250 --> 00:53:10,386 WE NEED ADCOCK COMMITTEE. 1691 00:53:10,654 --> 00:53:14,301 HELLO, I'M CONGRESSMAN WINFIELD ADCOCK, YOUR REPRESENTATIVE FROM THE 1692 00:53:14,325 --> 00:53:15,202 WINFIELD ADCOCK, YOUR REPRESENTATIVE FROM THE FIFTH DISTRICT. 1693 00:53:15,226 --> 00:53:16,770 REPRESENTATIVE FROM THE FIFTH DISTRICT. AND THIS YEAR, I'M RUNNING FOR 1694 00:53:16,794 --> 00:53:17,504 FIFTH DISTRICT. AND THIS YEAR, I'M RUNNING FOR REELECTION. 1695 00:53:17,528 --> 00:53:18,938 AND THIS YEAR, I'M RUNNING FOR REELECTION. ALREADY, MY OPPONENT 1696 00:53:18,962 --> 00:53:21,041 REELECTION. ALREADY, MY OPPONENT PETE TAGLIANI HAS STOOPED TO THE 1697 00:53:21,065 --> 00:53:23,009 ALREADY, MY OPPONENT PETE TAGLIANI HAS STOOPED TO THE LOWEST LEVEL OF MUDSLINGING BY 1698 00:53:23,033 --> 00:53:24,678 PETE TAGLIANI HAS STOOPED TO THE LOWEST LEVEL OF MUDSLINGING BY ACCUSING ME OF FINANCIAL 1699 00:53:24,702 --> 00:53:25,579 LOWEST LEVEL OF MUDSLINGING BY ACCUSING ME OF FINANCIAL MISCONDUCT. 1700 00:53:25,603 --> 00:53:27,648 ACCUSING ME OF FINANCIAL MISCONDUCT. WELL, I HAVE HERE DOCUMENTED 1701 00:53:27,672 --> 00:53:29,849 MISCONDUCT. WELL, I HAVE HERE DOCUMENTED EVIDENCE PROVING MY INNOCENCE. 1702 00:53:29,873 --> 00:53:31,652 WELL, I HAVE HERE DOCUMENTED EVIDENCE PROVING MY INNOCENCE. IT IS INDEED SURPRISING TO HEAR 1703 00:53:31,676 --> 00:53:33,320 EVIDENCE PROVING MY INNOCENCE. IT IS INDEED SURPRISING TO HEAR CHARGES... SCURRILOUS CHARGES 1704 00:53:33,344 --> 00:53:35,055 IT IS INDEED SURPRISING TO HEAR CHARGES... SCURRILOUS CHARGES SUCH AS THESE... COMING FROM A 1705 00:53:35,079 --> 00:53:36,856 CHARGES... SCURRILOUS CHARGES SUCH AS THESE... COMING FROM A MAN WHO'S, HIMSELF, OF SUCH LOW 1706 00:53:36,880 --> 00:53:37,891 SUCH AS THESE... COMING FROM A MAN WHO'S, HIMSELF, OF SUCH LOW MORAL CHARACTER. 1707 00:53:37,915 --> 00:53:39,526 MAN WHO'S, HIMSELF, OF SUCH LOW MORAL CHARACTER. MR. TAGLIANI CONTROLS ALL THE 1708 00:53:39,550 --> 00:53:41,295 MORAL CHARACTER. MR. TAGLIANI CONTROLS ALL THE CITY'S MASSAGE PARLORS AND PORNO 1709 00:53:41,319 --> 00:53:43,063 MR. TAGLIANI CONTROLS ALL THE CITY'S MASSAGE PARLORS AND PORNO HOUSES... A POSITION HE'S GAINED 1710 00:53:43,087 --> 00:53:44,831 CITY'S MASSAGE PARLORS AND PORNO HOUSES... A POSITION HE'S GAINED THROUGH HIS LIFELONG CONNECTIONS 1711 00:53:44,855 --> 00:53:46,500 HOUSES... A POSITION HE'S GAINED THROUGH HIS LIFELONG CONNECTIONS WITH THE MOB AND THE RECORDING 1712 00:53:46,524 --> 00:53:47,434 THROUGH HIS LIFELONG CONNECTIONS WITH THE MOB AND THE RECORDING INDUSTRY. 1713 00:53:47,458 --> 00:53:49,002 WITH THE MOB AND THE RECORDING INDUSTRY. I SAY VOTE FOR ME, 1714 00:53:49,026 --> 00:53:50,437 INDUSTRY. I SAY VOTE FOR ME, WINFIELD ADCOCK. 1715 00:53:50,461 --> 00:53:52,894 I SAY VOTE FOR ME, WINFIELD ADCOCK. I HATE HIGH TAXES. 1716 00:53:57,934 --> 00:54:02,238 HI. I'M PETE TAGLIANI. 1717 00:54:02,505 --> 00:54:08,322 MY FAT-CAT OPPONENT, WINFIELD ADCOCK, HAS ACCUSED ME OF HAVING TIES WITH ORGANIZED 1718 00:54:08,346 --> 00:54:10,090 WINFIELD ADCOCK, HAS ACCUSED ME OF HAVING TIES WITH ORGANIZED CRIME AND THE RECORDING 1719 00:54:10,114 --> 00:54:11,758 OF HAVING TIES WITH ORGANIZED CRIME AND THE RECORDING INDUSTRY. 1720 00:54:11,782 --> 00:54:14,361 CRIME AND THE RECORDING INDUSTRY. YOU KNOW, CHARGES OF IMMORALITY 1721 00:54:14,385 --> 00:54:16,896 INDUSTRY. YOU KNOW, CHARGES OF IMMORALITY SEEM STRANGE COMING FROM A MAN 1722 00:54:16,920 --> 00:54:19,433 YOU KNOW, CHARGES OF IMMORALITY SEEM STRANGE COMING FROM A MAN WHO IS, HIMSELF, AN ADULTERER. 1723 00:54:19,457 --> 00:54:21,968 SEEM STRANGE COMING FROM A MAN WHO IS, HIMSELF, AN ADULTERER. AND I HAVE HERE PICTURES OF MY 1724 00:54:21,992 --> 00:54:24,304 WHO IS, HIMSELF, AN ADULTERER. AND I HAVE HERE PICTURES OF MY OPPONENT ENGAGING IN SEXUAL 1725 00:54:24,328 --> 00:54:26,973 AND I HAVE HERE PICTURES OF MY OPPONENT ENGAGING IN SEXUAL RELATIONS WITH MY SISTER-IN-LAW. 1726 00:54:26,997 --> 00:54:28,475 OPPONENT ENGAGING IN SEXUAL RELATIONS WITH MY SISTER-IN-LAW. WITH MY SISTER-IN-LAW, 1727 00:54:28,499 --> 00:54:30,344 RELATIONS WITH MY SISTER-IN-LAW. WITH MY SISTER-IN-LAW, ANGELINA TAGLIANI, WHO IS, BY 1728 00:54:30,368 --> 00:54:32,279 WITH MY SISTER-IN-LAW, ANGELINA TAGLIANI, WHO IS, BY THE WAY, HAPPILY MARRIED TO MY 1729 00:54:32,303 --> 00:54:34,281 ANGELINA TAGLIANI, WHO IS, BY THE WAY, HAPPILY MARRIED TO MY BROTHER, MARIO TAGLIANI. 1730 00:54:34,305 --> 00:54:36,717 THE WAY, HAPPILY MARRIED TO MY BROTHER, MARIO TAGLIANI. NOW, DO WE WANT THIS SCOUNDREL 1731 00:54:36,741 --> 00:54:39,286 BROTHER, MARIO TAGLIANI. NOW, DO WE WANT THIS SCOUNDREL EMBARRASSING US, PERHAPS RUNNING 1732 00:54:39,310 --> 00:54:41,521 NOW, DO WE WANT THIS SCOUNDREL EMBARRASSING US, PERHAPS RUNNING AROUND NUDE IN THE HOUSE OF 1733 00:54:41,545 --> 00:54:44,524 EMBARRASSING US, PERHAPS RUNNING AROUND NUDE IN THE HOUSE OF REPRESENTATIVES? 1734 00:54:44,548 --> 00:54:46,826 AROUND NUDE IN THE HOUSE OF REPRESENTATIVES? I DON'T THINK SO. 1735 00:54:46,850 --> 00:54:50,664 REPRESENTATIVES? I DON'T THINK SO. SO VOTE FOR ME... PETE TAGLIANI. 1736 00:54:50,688 --> 00:54:53,568 I DON'T THINK SO. SO VOTE FOR ME... PETE TAGLIANI. YOU'LL BE GLAD YOU DID. 1737 00:54:56,826 --> 00:54:58,494 HELLO, I'M CONGRESSMAN 1738 00:54:58,628 --> 00:54:59,762 WINFIELD ADCOCK. 1739 00:54:59,896 --> 00:55:01,963 MY OPPONENT, PETE TAGLIANI, HAS 1740 00:55:02,098 --> 00:55:04,065 FURTHER LOWERED HIMSELF TO THE 1741 00:55:04,200 --> 00:55:05,901 GUTTER BY INTIMATING THAT I AM 1742 00:55:06,035 --> 00:55:07,836 GUILTY OF MARITAL INFIDELITY. 1743 00:55:08,104 --> 00:55:13,553 I AM PREPARED TO SUBMIT MYSELF TO A LIE-DETECTOR EXAMINATION TO ANSWER ANY QUESTIONS CONCERNING 1744 00:55:13,577 --> 00:55:15,155 TO A LIE-DETECTOR EXAMINATION TO ANSWER ANY QUESTIONS CONCERNING MY PUBLIC OR PRIVATE LIFE. 1745 00:55:15,179 --> 00:55:16,856 ANSWER ANY QUESTIONS CONCERNING MY PUBLIC OR PRIVATE LIFE. DESPERATE, SLANDEROUS SWIPES 1746 00:55:16,880 --> 00:55:18,659 MY PUBLIC OR PRIVATE LIFE. DESPERATE, SLANDEROUS SWIPES SUCH AS THESE CAN BE EXPECTED, 1747 00:55:18,683 --> 00:55:20,260 DESPERATE, SLANDEROUS SWIPES SUCH AS THESE CAN BE EXPECTED, PERHAPS, FROM A MAN WHO IS 1748 00:55:20,284 --> 00:55:21,662 SUCH AS THESE CAN BE EXPECTED, PERHAPS, FROM A MAN WHO IS HOSTILE TOWARDS WOMEN. 1749 00:55:21,686 --> 00:55:23,797 PERHAPS, FROM A MAN WHO IS HOSTILE TOWARDS WOMEN. I HAVE HERE A PHOTOGRAPH OF MY 1750 00:55:23,821 --> 00:55:25,865 HOSTILE TOWARDS WOMEN. I HAVE HERE A PHOTOGRAPH OF MY OPPONENT IN THE WASHROOM OF A 1751 00:55:25,889 --> 00:55:27,768 I HAVE HERE A PHOTOGRAPH OF MY OPPONENT IN THE WASHROOM OF A LOCAL RESTAURANT MAKING AN 1752 00:55:27,792 --> 00:55:29,336 OPPONENT IN THE WASHROOM OF A LOCAL RESTAURANT MAKING AN ADVANCE ON MY NEPHEW. 1753 00:55:29,360 --> 00:55:30,970 LOCAL RESTAURANT MAKING AN ADVANCE ON MY NEPHEW. THE HOMOSEXUAL IS A PERFECT 1754 00:55:30,994 --> 00:55:32,739 ADVANCE ON MY NEPHEW. THE HOMOSEXUAL IS A PERFECT TARGET FOR COMMUNIST BLACKMAIL 1755 00:55:32,763 --> 00:55:34,608 THE HOMOSEXUAL IS A PERFECT TARGET FOR COMMUNIST BLACKMAIL THREATS, AND THERE'S NO ROOM FOR 1756 00:55:34,632 --> 00:55:35,709 TARGET FOR COMMUNIST BLACKMAIL THREATS, AND THERE'S NO ROOM FOR THEM IN CONGRESS. 1757 00:55:35,733 --> 00:55:37,043 THREATS, AND THERE'S NO ROOM FOR THEM IN CONGRESS. I SAY VOTE FOR ME... 1758 00:55:37,067 --> 00:55:40,669 THEM IN CONGRESS. I SAY VOTE FOR ME... WINFIELD ADCOCK, AN HONEST MAN. 1759 00:55:44,541 --> 00:55:48,176 HI. I'M PETE TAGLIANI. 1760 00:55:48,445 --> 00:55:53,560 I HAVE HERE THE RESULTS OF A LIE-DETECTOR TEST THAT MY OPPONENT SUBMITTED TO LAST 1761 00:55:53,584 --> 00:55:54,294 LIE-DETECTOR TEST THAT MY OPPONENT SUBMITTED TO LAST TUESDAY. 1762 00:55:54,318 --> 00:55:56,262 OPPONENT SUBMITTED TO LAST TUESDAY. ACCORDING TO THESE RESULTS, HE 1763 00:55:56,286 --> 00:55:58,064 TUESDAY. ACCORDING TO THESE RESULTS, HE LIED ON EVERY ONE OF THE 32 1764 00:55:58,088 --> 00:55:58,898 ACCORDING TO THESE RESULTS, HE LIED ON EVERY ONE OF THE 32 QUESTIONS. 1765 00:55:58,922 --> 00:56:02,402 LIED ON EVERY ONE OF THE 32 QUESTIONS. WHY, HIS NAME ISN'T EVEN ADCOCK. 1766 00:56:02,426 --> 00:56:04,304 QUESTIONS. WHY, HIS NAME ISN'T EVEN ADCOCK. NOT ONLY IS THIS MAN A LIAR, 1767 00:56:04,328 --> 00:56:06,340 WHY, HIS NAME ISN'T EVEN ADCOCK. NOT ONLY IS THIS MAN A LIAR, BUT, UNFORTUNATELY, MR. ADCOCK 1768 00:56:06,364 --> 00:56:08,308 NOT ONLY IS THIS MAN A LIAR, BUT, UNFORTUNATELY, MR. ADCOCK IS INFLICTED WITH THE DREADED 1769 00:56:08,332 --> 00:56:11,478 BUT, UNFORTUNATELY, MR. ADCOCK IS INFLICTED WITH THE DREADED DISEASE OF ALCOHOLISM. 1770 00:56:11,502 --> 00:56:12,946 IS INFLICTED WITH THE DREADED DISEASE OF ALCOHOLISM. FORTUNATELY, I HAVE HERE A 1771 00:56:12,970 --> 00:56:14,681 DISEASE OF ALCOHOLISM. FORTUNATELY, I HAVE HERE A PICTURE OF ADCOCK COMING OUT OF 1772 00:56:14,705 --> 00:56:17,351 FORTUNATELY, I HAVE HERE A PICTURE OF ADCOCK COMING OUT OF A SLEAZY BAR. 1773 00:56:17,375 --> 00:56:18,852 PICTURE OF ADCOCK COMING OUT OF A SLEAZY BAR. NOW, DO WE WANT THIS MAN 1774 00:56:18,876 --> 00:56:20,587 A SLEAZY BAR. NOW, DO WE WANT THIS MAN STUMBLING AROUND THE HALLS OF 1775 00:56:20,611 --> 00:56:22,389 NOW, DO WE WANT THIS MAN STUMBLING AROUND THE HALLS OF CONGRESS, PERHAPS VOMITING IN 1776 00:56:22,413 --> 00:56:25,058 STUMBLING AROUND THE HALLS OF CONGRESS, PERHAPS VOMITING IN THE HOUSE CHAMBER? 1777 00:56:25,082 --> 00:56:27,728 CONGRESS, PERHAPS VOMITING IN THE HOUSE CHAMBER? I KNOW I DON'T. 1778 00:56:27,752 --> 00:56:31,231 THE HOUSE CHAMBER? I KNOW I DON'T. SO VOTE FOR ME... PETE TAGLIANI. 1779 00:56:31,255 --> 00:56:34,055 I KNOW I DON'T. SO VOTE FOR ME... PETE TAGLIANI. YOU'LL BE GLAD YOU DID. 1780 00:56:36,626 --> 00:56:38,326 [Slurring] HELLO. I'M 1781 00:56:38,461 --> 00:56:40,662 WINFIELD ADCOCK. 1782 00:56:40,930 --> 00:56:45,545 A COUPLE OF WEEKS AGO, THE RESULTS OF A LIE-DETECTOR TEST CREATED A LOT OF HEADLINES 1783 00:56:45,569 --> 00:56:47,280 RESULTS OF A LIE-DETECTOR TEST CREATED A LOT OF HEADLINES ACROSS THE CITY, AND NO ONE IN 1784 00:56:47,304 --> 00:56:48,314 CREATED A LOT OF HEADLINES ACROSS THE CITY, AND NO ONE IN CONGRESS IS INSANE. 1785 00:56:48,338 --> 00:56:49,816 ACROSS THE CITY, AND NO ONE IN CONGRESS IS INSANE. I GOT MY PROBLEMS LIKE EVERYBODY 1786 00:56:49,840 --> 00:56:50,316 CONGRESS IS INSANE. I GOT MY PROBLEMS LIKE EVERYBODY ELSE. 1787 00:56:50,340 --> 00:56:51,951 I GOT MY PROBLEMS LIKE EVERYBODY ELSE. BUT THAT WON'T KEEP ME FROM 1788 00:56:51,975 --> 00:56:53,787 ELSE. BUT THAT WON'T KEEP ME FROM BEING THE BEST DAMN CONGRESSMAN 1789 00:56:53,811 --> 00:56:55,321 BUT THAT WON'T KEEP ME FROM BEING THE BEST DAMN CONGRESSMAN THIS STATE HAS EVER SEEN. 1790 00:56:55,345 --> 00:56:59,158 BEING THE BEST DAMN CONGRESSMAN THIS STATE HAS EVER SEEN. NOW, I HAVE HERE SOLID EVIDENCE 1791 00:56:59,182 --> 00:57:01,728 THIS STATE HAS EVER SEEN. NOW, I HAVE HERE SOLID EVIDENCE THAT MY OPPONENT, PETE TAGLIANI, 1792 00:57:01,752 --> 00:57:03,864 NOW, I HAVE HERE SOLID EVIDENCE THAT MY OPPONENT, PETE TAGLIANI, IN 1969, WAS INVOLVED IN A 1793 00:57:03,888 --> 00:57:06,165 THAT MY OPPONENT, PETE TAGLIANI, IN 1969, WAS INVOLVED IN A SERIES OF GANGLAND SLAYINGS. 1794 00:57:06,189 --> 00:57:08,668 IN 1969, WAS INVOLVED IN A SERIES OF GANGLAND SLAYINGS. I'VE REQUESTED THAT THIS... 1795 00:57:08,692 --> 00:57:09,836 SERIES OF GANGLAND SLAYINGS. I'VE REQUESTED THAT THIS... THIS... I'M SORRY. 1796 00:57:09,860 --> 00:57:11,471 I'VE REQUESTED THAT THIS... THIS... I'M SORRY. WE ARE BRINGING CRIMINAL 1797 00:57:11,495 --> 00:57:13,507 THIS... I'M SORRY. WE ARE BRINGING CRIMINAL CHARGES AGAINST THIS MAN TO GET 1798 00:57:13,531 --> 00:57:15,541 WE ARE BRINGING CRIMINAL CHARGES AGAINST THIS MAN TO GET THIS MURDERER OFF OUR STREETS. 1799 00:57:15,565 --> 00:57:16,605 I SAY LET THE RECORD SPEAK 1800 00:57:16,666 --> 00:57:17,032 FOR ITS... 1801 00:57:17,166 --> 00:57:18,310 TAGLIANI, WHAT ARE YOU DOING?! 1802 00:57:18,334 --> 00:57:20,135 [GUNSHOT] 1803 00:57:24,841 --> 00:57:31,024 Announcer: "THE FRANKEN AND DAVIS SHOW" WAS BROUGHT TO YOU BY THE INTERNATIONAL COMMUNIST 1804 00:57:31,048 --> 00:57:31,625 DAVIS SHOW" WAS BROUGHT TO YOU BY THE INTERNATIONAL COMMUNIST PARTY. 1805 00:57:31,649 --> 00:57:33,427 BY THE INTERNATIONAL COMMUNIST PARTY. THE INTERNATIONAL COMMUNIST 1806 00:57:33,451 --> 00:57:35,395 PARTY. THE INTERNATIONAL COMMUNIST PARTY... WE'RE WORKING FOR YOU 1807 00:57:35,419 --> 00:57:36,229 THE INTERNATIONAL COMMUNIST PARTY... WE'RE WORKING FOR YOU IN AFRICA. 1808 00:57:36,253 --> 00:57:39,399 PARTY... WE'RE WORKING FOR YOU IN AFRICA. AND NOW HERE'S AL AND TOM. 1809 00:57:39,423 --> 00:57:41,167 IN AFRICA. AND NOW HERE'S AL AND TOM. GOOD NIGHT, EVERYBODY. 1810 00:57:41,191 --> 00:57:42,101 AND NOW HERE'S AL AND TOM. GOOD NIGHT, EVERYBODY. GOOD NIGHT. 1811 00:57:42,125 --> 00:57:43,737 GOOD NIGHT, EVERYBODY. GOOD NIGHT. [CHEERS AND APPLAUSE] 1812 00:57:43,761 --> 00:57:45,694 GOOD NIGHT. [CHEERS AND APPLAUSE] GOOD NIGHT. 1813 00:57:57,907 --> 00:58:00,709 [UP-TEMPO ROCK MUSIC PLAYING] 1814 00:58:48,324 --> 00:58:56,324 [TEMPO SLOWS] [SINGING IN FOREIGN LANGUAGE] 1815 00:58:59,870 --> 00:59:06,520 [SINGING IN FOREIGN LANGUAGE] [HORNS BLARE] 1816 00:59:06,544 --> 00:59:09,188 [LANGUAGE] [HORNS BLARE] [HORNS BLARE] 1817 00:59:09,212 --> 00:59:11,691 [HORNS BLARE] [HORNS BLARE] [GRUNTING] 1818 00:59:11,715 --> 00:59:15,361 [HORNS BLARE] [GRUNTING] [HORNS TRILL] 1819 00:59:15,385 --> 00:59:17,196 [GRUNTING] [HORNS TRILL] [SINGING IN FOREIGN LANGUAGE] 1820 00:59:17,220 --> 00:59:18,197 [HORNS TRILL] [SINGING IN FOREIGN LANGUAGE] [HORNS BLARE] 1821 00:59:18,221 --> 00:59:19,699 [SINGING IN FOREIGN LANGUAGE] [HORNS BLARE] ♪ AAH! ♪ 1822 00:59:19,723 --> 00:59:21,034 [HORNS BLARE] ♪ AAH! ♪ [HORNS BLARE] 1823 00:59:21,058 --> 00:59:22,536 ♪ AAH! ♪ [HORNS BLARE] [SINGING IN FOREIGN LANGUAGE] 1824 00:59:22,560 --> 00:59:24,203 [HORNS BLARE] [SINGING IN FOREIGN LANGUAGE] [HORNS BLARE] 1825 00:59:24,227 --> 00:59:25,371 [SINGING IN FOREIGN LANGUAGE] [HORNS BLARE] ♪ AAH! ♪ 1826 00:59:25,395 --> 00:59:26,873 [HORNS BLARE] ♪ AAH! ♪ [HORNS BLARE] 1827 00:59:26,897 --> 00:59:28,542 ♪ AAH! ♪ [HORNS BLARE] ♪ AAH! ♪ 1828 00:59:28,566 --> 00:59:32,546 [HORNS BLARE] ♪ AAH! ♪ [HORNS BLARE] 1829 00:59:32,570 --> 00:59:34,881 ♪ AAH! ♪ [HORNS BLARE] [SINGING IN FOREIGN LANGUAGE] 1830 00:59:34,905 --> 00:59:42,221 [HORNS BLARE] [SINGING IN FOREIGN LANGUAGE] [HORNS BLARE] 1831 00:59:42,245 --> 00:59:49,729 [SINGING IN FOREIGN LANGUAGE] [HORNS BLARE] [SINGING IN FOREIGN LANGUAGE] 1832 00:59:49,753 --> 00:59:55,234 [HORNS BLARE] [SINGING IN FOREIGN LANGUAGE] [HORNS BLARE] 1833 00:59:55,258 --> 00:59:57,403 [SINGING IN FOREIGN LANGUAGE] [HORNS BLARE] [CHEERS AND APPLAUSE] 1834 00:59:57,427 --> 00:59:59,861 [HORNS BLARE] [CHEERS AND APPLAUSE] [MUSIC CONTINUES] 1835 01:01:59,281 --> 01:02:02,084 [CHEERS AND APPLAUSE] 1836 01:02:27,810 --> 01:02:31,758 Announcer: HEY, KIDS. IT'S "THE MR. BILL SHOW"! HELLO, KIDDIES! 1837 01:02:31,782 --> 01:02:33,659 IT'S "THE MR. BILL SHOW"! HELLO, KIDDIES! OH, BOY, ARE WE GONNA HAVE FUN 1838 01:02:33,683 --> 01:02:35,528 HELLO, KIDDIES! OH, BOY, ARE WE GONNA HAVE FUN TODAY, 'CAUSE ME AND SPOT ARE 1839 01:02:35,552 --> 01:02:37,396 OH, BOY, ARE WE GONNA HAVE FUN TODAY, 'CAUSE ME AND SPOT ARE MOVING INTO OUR NEW PENTHOUSE 1840 01:02:37,420 --> 01:02:38,231 TODAY, 'CAUSE ME AND SPOT ARE MOVING INTO OUR NEW PENTHOUSE APARTMENT. 1841 01:02:38,255 --> 01:02:38,798 MOVING INTO OUR NEW PENTHOUSE APARTMENT. YAY! 1842 01:02:38,822 --> 01:02:40,666 APARTMENT. YAY! AND HERE'S OUR MOVING MAN, 1843 01:02:40,690 --> 01:02:41,534 YAY! AND HERE'S OUR MOVING MAN, MR. HANDS. 1844 01:02:41,558 --> 01:02:41,968 AND HERE'S OUR MOVING MAN, MR. HANDS. YAY! 1845 01:02:41,992 --> 01:02:43,636 MR. HANDS. YAY! SAY, MR. BILL, WHAT DO YOU 1846 01:02:43,660 --> 01:02:44,938 YAY! SAY, MR. BILL, WHAT DO YOU THINK OF THE OUTSIDE? 1847 01:02:44,962 --> 01:02:46,606 SAY, MR. BILL, WHAT DO YOU THINK OF THE OUTSIDE? WHAT A BEAUTIFUL BUILDING. 1848 01:02:46,630 --> 01:02:48,341 THINK OF THE OUTSIDE? WHAT A BEAUTIFUL BUILDING. ARE YOU SURE WE CAN AFFORD IT, 1849 01:02:48,365 --> 01:02:48,775 WHAT A BEAUTIFUL BUILDING. ARE YOU SURE WE CAN AFFORD IT, HUH? 1850 01:02:48,799 --> 01:02:49,609 ARE YOU SURE WE CAN AFFORD IT, HUH? OH, SURE. 1851 01:02:49,633 --> 01:02:51,745 HUH? OH, SURE. OH, AND WHAT A LUXURIOUS 1852 01:02:51,769 --> 01:02:52,678 OH, SURE. OH, AND WHAT A LUXURIOUS INTERIOR. 1853 01:02:52,702 --> 01:02:53,579 OH, AND WHAT A LUXURIOUS INTERIOR. NICE SHAG, TOO. 1854 01:02:53,603 --> 01:02:55,215 INTERIOR. NICE SHAG, TOO. WELL, MAKE YOURSELF AT HOME, 1855 01:02:55,239 --> 01:02:56,415 NICE SHAG, TOO. WELL, MAKE YOURSELF AT HOME, AND PROP YOUR FEET UP. 1856 01:02:56,439 --> 01:02:57,416 WELL, MAKE YOURSELF AT HOME, AND PROP YOUR FEET UP. YOU KNOW I CAN'T SIT. 1857 01:02:57,440 --> 01:02:59,919 AND PROP YOUR FEET UP. YOU KNOW I CAN'T SIT. OH, N-O-O-O-O-O! 1858 01:02:59,943 --> 01:03:01,387 YOU KNOW I CAN'T SIT. OH, N-O-O-O-O-O! SAY, MR. BILL, YOU'D BETTER 1859 01:03:01,411 --> 01:03:02,756 OH, N-O-O-O-O-O! SAY, MR. BILL, YOU'D BETTER CLEAN UP BEFORE THE INTERIOR 1860 01:03:02,780 --> 01:03:03,790 SAY, MR. BILL, YOU'D BETTER CLEAN UP BEFORE THE INTERIOR DECORATOR GETS HERE. 1861 01:03:03,814 --> 01:03:04,490 CLEAN UP BEFORE THE INTERIOR DECORATOR GETS HERE. I'LL VACUUM. 1862 01:03:04,514 --> 01:03:06,025 DECORATOR GETS HERE. I'LL VACUUM. OH, BUT IT LOOKS CLEAN TO ME. 1863 01:03:06,049 --> 01:03:06,359 I'LL VACUUM. OH, BUT IT LOOKS CLEAN TO ME. NO! 1864 01:03:06,383 --> 01:03:10,029 OH, BUT IT LOOKS CLEAN TO ME. NO! OH, N-O-O-O-O-O-O-O! 1865 01:03:10,053 --> 01:03:12,165 NO! OH, N-O-O-O-O-O-O-O! OH, JUST IN TIME, 'CAUSE HERE 1866 01:03:12,189 --> 01:03:14,100 OH, N-O-O-O-O-O-O-O! OH, JUST IN TIME, 'CAUSE HERE COMES THE INTERIOR DECORATOR. 1867 01:03:14,124 --> 01:03:15,301 OH, JUST IN TIME, 'CAUSE HERE COMES THE INTERIOR DECORATOR. OH, YAY! YAY! 1868 01:03:15,325 --> 01:03:16,136 COMES THE INTERIOR DECORATOR. OH, YAY! YAY! OH, NO! 1869 01:03:16,160 --> 01:03:18,204 OH, YAY! YAY! OH, NO! HE'S GONNA BE MEAN TO ME! 1870 01:03:18,228 --> 01:03:18,972 OH, NO! HE'S GONNA BE MEAN TO ME! NO. 1871 01:03:18,996 --> 01:03:21,107 HE'S GONNA BE MEAN TO ME! NO. IT'S INTERIOR DECORATOR SLUGGO, 1872 01:03:21,131 --> 01:03:23,276 NO. IT'S INTERIOR DECORATOR SLUGGO, AND HE SAYS YOU JUST MUST HAVE A 1873 01:03:23,300 --> 01:03:24,644 IT'S INTERIOR DECORATOR SLUGGO, AND HE SAYS YOU JUST MUST HAVE A NICE DOG-SKIN RUG. 1874 01:03:24,668 --> 01:03:25,812 AND HE SAYS YOU JUST MUST HAVE A NICE DOG-SKIN RUG. OH, NO, BUT I DON'T WANT A 1875 01:03:25,836 --> 01:03:26,379 NICE DOG-SKIN RUG. OH, NO, BUT I DON'T WANT A DOG-SKIN... 1876 01:03:26,403 --> 01:03:29,048 OH, NO, BUT I DON'T WANT A DOG-SKIN... OH, N-O-O-O-O-O-O-O! 1877 01:03:29,072 --> 01:03:30,716 DOG-SKIN... OH, N-O-O-O-O-O-O-O! OH, WHY?! WHY?! 1878 01:03:30,740 --> 01:03:32,451 OH, N-O-O-O-O-O-O-O! OH, WHY?! WHY?! NOW FOR SOME NEW FURNITURE. 1879 01:03:32,475 --> 01:03:34,254 OH, WHY?! WHY?! NOW FOR SOME NEW FURNITURE. AND SLUGGO SAYS THIS TABLE WILL 1880 01:03:34,278 --> 01:03:35,188 NOW FOR SOME NEW FURNITURE. AND SLUGGO SAYS THIS TABLE WILL FIT PERFECTLY. 1881 01:03:35,212 --> 01:03:36,823 AND SLUGGO SAYS THIS TABLE WILL FIT PERFECTLY. OH, MR. HANDS, BUT IT ONLY 1882 01:03:36,847 --> 01:03:37,791 FIT PERFECTLY. OH, MR. HANDS, BUT IT ONLY HAS THREE LEGS. 1883 01:03:37,815 --> 01:03:39,592 OH, MR. HANDS, BUT IT ONLY HAS THREE LEGS. OH, WELL, THEN, IT'S TIME FOR 1884 01:03:39,616 --> 01:03:40,459 HAS THREE LEGS. OH, WELL, THEN, IT'S TIME FOR HOME REPAIRS. 1885 01:03:40,483 --> 01:03:41,895 OH, WELL, THEN, IT'S TIME FOR HOME REPAIRS. DON'T WORRY. I'LL FIX IT. 1886 01:03:41,919 --> 01:03:42,896 HOME REPAIRS. DON'T WORRY. I'LL FIX IT. NO, WAIT. MY LEG! 1887 01:03:42,920 --> 01:03:45,231 DON'T WORRY. I'LL FIX IT. NO, WAIT. MY LEG! N-O-O-O-O-O-O-O-O! 1888 01:03:45,255 --> 01:03:46,399 NO, WAIT. MY LEG! N-O-O-O-O-O-O-O-O! OH, WHY?! WHY?! 1889 01:03:46,423 --> 01:03:47,066 N-O-O-O-O-O-O-O-O! OH, WHY?! WHY?! THERE. 1890 01:03:47,090 --> 01:03:48,234 OH, WHY?! WHY?! THERE. HARDLY EVEN WOBBLES. 1891 01:03:48,258 --> 01:03:49,836 THERE. HARDLY EVEN WOBBLES. NOW WE HAVE TO COORDINATE THE 1892 01:03:49,860 --> 01:03:51,537 HARDLY EVEN WOBBLES. NOW WE HAVE TO COORDINATE THE COLORS, 'CAUSE SLUGGO SAYS THIS 1893 01:03:51,561 --> 01:03:52,738 NOW WE HAVE TO COORDINATE THE COLORS, 'CAUSE SLUGGO SAYS THIS SHADE WILL NEVER DO. 1894 01:03:52,762 --> 01:03:54,140 COLORS, 'CAUSE SLUGGO SAYS THIS SHADE WILL NEVER DO. WE'LL HAVE TO REPAINT IT. 1895 01:03:54,164 --> 01:03:55,641 SHADE WILL NEVER DO. WE'LL HAVE TO REPAINT IT. I DON'T LIKE FUCHSIA. 1896 01:03:55,665 --> 01:03:57,576 WE'LL HAVE TO REPAINT IT. I DON'T LIKE FUCHSIA. BUT IT CREATES SUCH A STYLISH 1897 01:03:57,600 --> 01:03:58,211 I DON'T LIKE FUCHSIA. BUT IT CREATES SUCH A STYLISH EFFECT. 1898 01:03:58,235 --> 01:04:00,379 BUT IT CREATES SUCH A STYLISH EFFECT. OH, NO! 1899 01:04:00,403 --> 01:04:01,414 EFFECT. OH, NO! I DON'T LIKE IT! 1900 01:04:01,438 --> 01:04:02,448 OH, NO! I DON'T LIKE IT! I DON'T LIKE IT! 1901 01:04:02,472 --> 01:04:03,516 I DON'T LIKE IT! I DON'T LIKE IT! OH, MR. BILL. 1902 01:04:03,540 --> 01:04:04,984 I DON'T LIKE IT! OH, MR. BILL. WE GOT SOME PAINT ON YOU. 1903 01:04:05,008 --> 01:04:06,820 OH, MR. BILL. WE GOT SOME PAINT ON YOU. WE'LL HAVE TO WASH YOUR CLOTHES. 1904 01:04:06,844 --> 01:04:09,088 WE GOT SOME PAINT ON YOU. WE'LL HAVE TO WASH YOUR CLOTHES. OH, BUT YOU KNOW I CAN'T WASH 1905 01:04:09,112 --> 01:04:11,124 WE'LL HAVE TO WASH YOUR CLOTHES. OH, BUT YOU KNOW I CAN'T WASH MY CLOTHES, MR. HA-A-A-NDS! 1906 01:04:11,148 --> 01:04:13,293 OH, BUT YOU KNOW I CAN'T WASH MY CLOTHES, MR. HA-A-A-NDS! SURE, WE'LL WASH THE STAINS 1907 01:04:13,317 --> 01:04:13,893 MY CLOTHES, MR. HA-A-A-NDS! SURE, WE'LL WASH THE STAINS AWAY. 1908 01:04:13,917 --> 01:04:15,795 SURE, WE'LL WASH THE STAINS AWAY. SO, UNTIL NEXT WEEK, KIDS, 1909 01:04:15,819 --> 01:04:17,096 AWAY. SO, UNTIL NEXT WEEK, KIDS, MR. BILL SAYS... 1910 01:04:17,120 --> 01:04:18,097 SO, UNTIL NEXT WEEK, KIDS, MR. BILL SAYS... [GURGLING] 1911 01:04:18,121 --> 01:04:22,768 MR. BILL SAYS... [GURGLING] SO LONG! 1912 01:04:22,792 --> 01:04:26,272 [GURGLING] SO LONG! BYE-BYE. 1913 01:04:26,296 --> 01:04:28,230 SO LONG! BYE-BYE. [CHEERS AND APPLAUSE] 1914 01:04:47,116 --> 01:04:54,868 WELL, WE'VE COME TO THE END OF OUR SHOW TONIGHT, LADIES AND GENTLEMEN, AND, ACTUALLY... 1915 01:04:54,892 --> 01:04:57,536 OF OUR SHOW TONIGHT, LADIES AND GENTLEMEN, AND, ACTUALLY... OH, IT'S SO NICE TO SEE YOU 1916 01:04:57,560 --> 01:04:58,471 GENTLEMEN, AND, ACTUALLY... OH, IT'S SO NICE TO SEE YOU AGAIN. 1917 01:04:58,495 --> 01:05:01,540 OH, IT'S SO NICE TO SEE YOU AGAIN. LADIES AND GENTLEMEN, FRIENDS OF 1918 01:05:01,564 --> 01:05:03,209 AGAIN. LADIES AND GENTLEMEN, FRIENDS OF CHEVY CHASE INCORPORATED. 1919 01:05:03,233 --> 01:05:04,643 LADIES AND GENTLEMEN, FRIENDS OF CHEVY CHASE INCORPORATED. WE JUST HAD TO COME, MAN, AND 1920 01:05:04,667 --> 01:05:05,144 CHEVY CHASE INCORPORATED. WE JUST HAD TO COME, MAN, AND SEE YOU! 1921 01:05:05,168 --> 01:05:06,346 WE JUST HAD TO COME, MAN, AND SEE YOU! CAN WE CRASH WITH YOU? 1922 01:05:06,370 --> 01:05:07,180 SEE YOU! CAN WE CRASH WITH YOU? CRASH UP HERE. 1923 01:05:07,204 --> 01:05:08,214 CAN WE CRASH WITH YOU? CRASH UP HERE. I USED TO SLEEP HERE. 1924 01:05:08,238 --> 01:05:08,982 CRASH UP HERE. I USED TO SLEEP HERE. EVERYBODY ELSE. 1925 01:05:09,006 --> 01:05:09,983 I USED TO SLEEP HERE. EVERYBODY ELSE. GOOD NIGHT, FRANK. 1926 01:05:10,007 --> 01:05:11,417 EVERYBODY ELSE. GOOD NIGHT, FRANK. GOOD NIGHT. 1927 01:05:11,441 --> 01:05:12,585 GOOD NIGHT, FRANK. GOOD NIGHT. GOOD NIGHT. 1928 01:05:12,609 --> 01:05:13,753 GOOD NIGHT. GOOD NIGHT. GOOD NIGHT. 1929 01:05:13,777 --> 01:05:14,921 GOOD NIGHT. GOOD NIGHT. GOOD NIGHT. 1930 01:05:14,945 --> 01:05:16,089 GOOD NIGHT. GOOD NIGHT. GOOD NIGHT. 1931 01:05:16,113 --> 01:05:19,592 GOOD NIGHT. GOOD NIGHT. [CHEERS AND APPLAUSE] 1932 01:05:19,616 --> 01:05:21,928 GOOD NIGHT. [CHEERS AND APPLAUSE] GOOD NIGHT. 1933 01:05:21,952 --> 01:05:27,267 [CHEERS AND APPLAUSE] GOOD NIGHT. AND YOU, GOOD NIGHT. 1934 01:05:27,291 --> 01:05:28,268 GOOD NIGHT. AND YOU, GOOD NIGHT. AND... 1935 01:05:28,292 --> 01:05:34,440 AND YOU, GOOD NIGHT. AND... AW, COME ON. 1936 01:05:34,464 --> 01:05:36,398 AND... AW, COME ON. GOOD NIGHT. 1937 01:05:48,110 --> 01:05:49,311 Announcer: JOIN US 1938 01:05:49,445 --> 01:05:51,913 NOVEMBER 4th, WHEN STEVE MARTIN 1939 01:05:52,048 --> 01:05:54,549 RETURNS TO "SATURDAY NIGHT LIVE" 1940 01:05:54,683 --> 01:05:57,218 WITH SPECIAL GUEST VAN MORRISON. 1941 01:05:57,353 --> 01:05:58,553 THIS IS YOUR OLD ANNOUNCER 1942 01:05:58,687 --> 01:06:01,656 DON PARDO SAYING GOOD NIGHT. 198077