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- Illusion, the art
of tricking the brain,
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00:00:05,359 --> 00:00:08,695
distorting the senses,
challenging perception,
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00:00:08,696 --> 00:00:12,899
you can't trust what you
see even with your own eyes.
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00:00:12,900 --> 00:00:15,001
Meet the masters of illusion.
5
00:00:15,002 --> 00:00:16,202
(flame exploding)
6
00:00:16,203 --> 00:00:18,538
(audience cheering)
7
00:00:18,539 --> 00:00:21,342
(dramatic music)
8
00:00:44,965 --> 00:00:48,068
(upbeat music)
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00:00:48,069 --> 00:00:50,537
Tonight, prepare
to enter a world
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where nothing is as it seems.
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00:00:53,407 --> 00:00:56,976
I'm Dean Cain, and this
is "Masters Of Illusion."
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00:00:56,977 --> 00:00:59,412
(audience applauding)
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Now there's something about
magic that draws us in,
14
00:01:01,982 --> 00:01:05,819
that makes us want to
believe in the impossible.
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Each trick, each illusion
is a window into a world
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00:01:09,523 --> 00:01:14,027
where reality bends and
surprises wait at every turn.
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Hosting the show is definitely
an adventure in itself,
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and I can not wait to see
what these amazing magicians
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have in store for us.
- Hey, Dean!
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- But Trino's here.
(audience applauding)
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How are you, my friend?
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- I'm good, how are you?
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- Good.
- Great.
24
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- Just opening everything up.
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- Amazing.
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Dean, do you have a
little bit of money
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I could borrow?
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- Right now?
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- Yeah.
- Here?
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(audience laughing)
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- Just a couple bucks.
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- Of all times?
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- Yeah, I didn't even realize
you were out here, I'm sorry.
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(audience laughing)
35
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- I got 100 bucks.
36
00:01:38,352 --> 00:01:39,919
- Oh, you're doing
well, all right.
37
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That's good.
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Dean, we're gonna
take this $100 bill,
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we're gonna fold it
up just like this.
40
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- That's always a mistake.
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- Ball it up like
that. (audience laughing)
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If you would, go ahead and
hold your hand out flat for me,
43
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we're gonna set that
right there on top.
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- Okay, I can see that.
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- Dean, check this out.
46
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I'm gonna take this cloth,
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this goes right
over the top here.
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You feel that?
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- Yeah, I feel it.
- You can feel the bill
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right there, right?
51
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- It's right there.
- Watch.
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(audience exclaiming)
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(audience applauding)
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Completely gone.
- I don't like the trick
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very much, Trino.
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00:02:04,345 --> 00:02:05,445
- Now watch, Dean.
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Just like this, you snap
your fingers, go on try it,
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and right inside
here you reach in
59
00:02:09,683 --> 00:02:11,851
and you can pull out-
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- My $100.
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- Your $100 bill.
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(audience applauding)
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- Yes.
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- Thank you so
much for your help.
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00:02:20,528 --> 00:02:23,630
- Okay, all right.
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I see what he did there.
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Let's get started.
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Let's welcome to the stage
the incredible Adam Wiley.
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(audience applauding)
(upbeat music)
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00:02:37,812 --> 00:02:41,481
- In my pocket, I have
one of the scariest,
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most mind-boggling objects
on the planet Earth.
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(tense music)
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A puzzle cube.
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(audience laughing)
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I know, stand back!
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00:02:54,695 --> 00:02:57,030
This thing haunts me.
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It scares me, and as a magician,
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you would think that I could
actually do something about it
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00:03:03,003 --> 00:03:04,571
and solve this thing,
80
00:03:04,572 --> 00:03:07,307
but to be honest
with you, I can not.
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00:03:07,308 --> 00:03:08,541
I've always wanted to,
82
00:03:08,542 --> 00:03:11,110
but I really legitimately
don't know how,
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00:03:11,111 --> 00:03:14,380
even if I tried, I would not
be able to solve this thing.
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00:03:14,381 --> 00:03:16,816
It, in fact, gives
me a lot of anxiety,
85
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which is why I carry
around this paper bag.
86
00:03:18,953 --> 00:03:20,653
(audience laughing)
87
00:03:20,654 --> 00:03:22,756
To heal my anxiety.
88
00:03:23,924 --> 00:03:26,227
However, I thought what if
89
00:03:27,328 --> 00:03:29,629
healing my anxiety
(dramatic music)
90
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would heal the thing that
causes me the most anxiety?
91
00:03:36,537 --> 00:03:37,804
Watch.
92
00:03:37,805 --> 00:03:42,877
Puzzle cube into the bag.
93
00:03:44,678 --> 00:03:45,812
Just a snap.
94
00:03:45,813 --> 00:03:47,413
(Adam snaps)
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00:03:47,414 --> 00:03:50,284
And it is completely solved.
96
00:03:51,252 --> 00:03:52,552
(audience laughing)
97
00:03:52,553 --> 00:03:54,888
Another snap and then
it is back to mixed.
98
00:03:54,889 --> 00:03:55,955
Thank you so much.
99
00:03:55,956 --> 00:03:57,423
(audience laughing)
100
00:03:57,424 --> 00:03:58,892
Thank you, I can't do that.
(audience applauding)
101
00:03:58,893 --> 00:03:59,960
It's impossible.
102
00:04:01,095 --> 00:04:02,295
It is.
103
00:04:02,296 --> 00:04:04,230
But I appreciate you
all believing in me,
104
00:04:04,231 --> 00:04:05,732
that's very, very nice of you.
105
00:04:05,733 --> 00:04:07,133
I will put said cube...
106
00:04:07,134 --> 00:04:10,370
It is, in fact, not solved.
107
00:04:10,371 --> 00:04:11,421
Not solved.
108
00:04:12,873 --> 00:04:14,674
Thank you so much, great.
109
00:04:14,675 --> 00:04:16,809
(audience laughing)
110
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(audience applauding)
111
00:04:19,647 --> 00:04:22,149
(Adam snaps)
112
00:04:26,887 --> 00:04:29,523
(bag rustling)
113
00:04:36,497 --> 00:04:38,865
(audience exclaiming)
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00:04:38,866 --> 00:04:41,000
(audience applauding)
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With nothing else in the bag.
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Thank you!
117
00:04:45,973 --> 00:04:48,875
Oh no, really, there is
nothing else in the bag.
118
00:04:48,876 --> 00:04:51,278
It really is just that cube.
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00:04:53,113 --> 00:04:55,214
Take that, Naathan Phan.
120
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I make confetti too.
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(audience applauding)
122
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- Prepare to be astonished
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by a magician who combines
creativity and precision
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to deliver
unforgettable illusions.
125
00:05:14,635 --> 00:05:16,002
He's an award-winning performer
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00:05:16,003 --> 00:05:18,972
who has taken the world of
close up magic by storm.
127
00:05:18,973 --> 00:05:22,608
Captivating audiences
everywhere, including right
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00:05:22,609 --> 00:05:26,145
here. Let's give a warm welcome
to the extraordinary Dreygon.
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00:05:26,146 --> 00:05:29,383
(audience applauding)
130
00:05:32,353 --> 00:05:35,355
- My favorite type of
magic involves imagination.
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00:05:35,356 --> 00:05:37,357
And I wanted to show
just how powerful
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00:05:37,358 --> 00:05:39,125
each and every one of
your imaginations are,
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00:05:39,126 --> 00:05:41,327
because of that, I've actually
invited two random people
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00:05:41,328 --> 00:05:42,161
up here with me.
135
00:05:42,162 --> 00:05:42,996
What's your name?
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00:05:42,997 --> 00:05:43,830
- Michon.
137
00:05:43,831 --> 00:05:44,897
- [Dreygon] Michon?
138
00:05:44,898 --> 00:05:45,531
And what's yours?
- Anthony.
139
00:05:45,532 --> 00:05:46,366
- Anthony.
140
00:05:46,367 --> 00:05:47,633
Nice to meet you guys.
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00:05:47,634 --> 00:05:49,035
I'm gonna have you guys
using your imagination,
142
00:05:49,036 --> 00:05:51,938
and to do that, I brought
some arts and crafts.
143
00:05:51,939 --> 00:05:53,973
We have a couple
blank slips of paper
144
00:05:53,974 --> 00:05:55,441
that we will get back to.
145
00:05:55,442 --> 00:05:57,810
As well as that, we have this.
146
00:05:57,811 --> 00:05:59,112
It's gonna be a
lot of fun later.
147
00:05:59,113 --> 00:06:00,446
We're gonna leave
that right there.
148
00:06:00,447 --> 00:06:03,516
Now I'm gonna show each
of you guys an image
149
00:06:03,517 --> 00:06:06,686
known as a ink blot test,
or a Rorschach test.
150
00:06:06,687 --> 00:06:08,054
Actually, by round of applause,
151
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how many of you have
heard of an ink blot test?
152
00:06:09,490 --> 00:06:10,456
(audience applauding)
153
00:06:10,457 --> 00:06:11,991
Yeah, yeah, yeah, okay, okay.
154
00:06:11,992 --> 00:06:13,926
I didn't know this was a group
therapy session, but okay.
155
00:06:13,927 --> 00:06:15,094
(audience laughing)
156
00:06:15,095 --> 00:06:16,629
But it's my version of it.
157
00:06:16,630 --> 00:06:19,198
And actually, I don't want
you guys to see this just yet,
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00:06:19,199 --> 00:06:20,900
so can you actually
face forward?
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00:06:20,901 --> 00:06:21,834
Thank you.
160
00:06:21,835 --> 00:06:22,802
This is what it looks like.
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I call it a doodle blot,
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because it's a bunch
of scribbly lines
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that they're gonna look into
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00:06:27,608 --> 00:06:29,876
until their imagination
sees one clear image
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00:06:29,877 --> 00:06:32,178
in the chaos of the lines, okay?
166
00:06:32,179 --> 00:06:33,646
So I'm gonna have
you go up first.
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Just think of the
first image you see,
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don't overthink it.
169
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And in fact, can you just
point to whichever image
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you're focusing on.
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00:06:41,055 --> 00:06:42,321
Yeah?
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00:06:42,322 --> 00:06:43,623
And I want you to paint
whatever image it is
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that you're focusing on
vividly in your mind,
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so you don't forget it.
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00:06:47,027 --> 00:06:47,860
You're doing that?
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00:06:47,861 --> 00:06:48,761
Okay, perfect.
177
00:06:48,762 --> 00:06:49,862
And you can face forward.
178
00:06:49,863 --> 00:06:51,264
Now I'm gonna have
you go up next.
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00:06:51,265 --> 00:06:53,599
And I'm gonna give you a
slightly different angle, okay?
180
00:06:53,600 --> 00:06:55,168
So same thing,
don't overthink it,
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00:06:55,169 --> 00:06:56,602
just point to whichever image...
182
00:06:56,603 --> 00:06:57,570
Okay.
183
00:06:57,571 --> 00:06:59,005
And just like I said with him,
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I want you to paint it
vividly in your imagination
185
00:07:01,175 --> 00:07:02,108
so you don't forget it.
186
00:07:02,109 --> 00:07:02,942
- Yep.
187
00:07:02,943 --> 00:07:04,043
- Okay?
188
00:07:04,044 --> 00:07:05,611
And then you can
face forward too.
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00:07:05,612 --> 00:07:08,181
Now think about it, two people
looked at the same scribbles
190
00:07:08,182 --> 00:07:09,715
and thought of an image.
191
00:07:09,716 --> 00:07:11,818
Maybe they thought
of the same image,
192
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or maybe two different images.
193
00:07:13,420 --> 00:07:15,288
I don't know.
194
00:07:15,289 --> 00:07:16,756
We're gonna try this out.
195
00:07:16,757 --> 00:07:17,723
We'll try this.
196
00:07:17,724 --> 00:07:18,891
You guys can face me now.
197
00:07:18,892 --> 00:07:21,861
This is where we're
gonna use this.
198
00:07:21,862 --> 00:07:26,767
Now this is a whole
bunch of confetti.
199
00:07:26,768 --> 00:07:28,968
And we're gonna sprinkle these
200
00:07:28,969 --> 00:07:30,470
into these pieces of paper.
201
00:07:30,471 --> 00:07:31,738
So here, get a handful.
202
00:07:31,791 --> 00:07:33,673
There we go.
203
00:07:33,674 --> 00:07:34,974
Sprinkle some in there.
204
00:07:34,975 --> 00:07:35,908
And then I'm gonna have
you do the same thing.
205
00:07:35,909 --> 00:07:37,877
And sprinkle that in there.
206
00:07:37,878 --> 00:07:39,779
And this is where it's
gonna get real fun.
207
00:07:39,780 --> 00:07:41,347
Can you actually, just
with your right hand,
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00:07:41,348 --> 00:07:42,649
just pinch right here.
209
00:07:42,650 --> 00:07:45,284
Yep, yeah, yeah,
yeah, just like that.
210
00:07:45,285 --> 00:07:46,686
And then when I tell you to,
211
00:07:46,687 --> 00:07:48,221
you're gonna use your
other hand to open it flat
212
00:07:48,222 --> 00:07:49,989
like a book, okay?
213
00:07:49,990 --> 00:07:51,891
And then I'm gonna have you
do the same exact thing.
214
00:07:51,892 --> 00:07:54,761
So here, take your right hand
and just pinch right here.
215
00:07:55,596 --> 00:07:56,729
Yep.
216
00:07:56,730 --> 00:07:57,897
And then again when
I tell you to...
217
00:07:57,898 --> 00:07:59,365
Yep, with your
index on the bottom.
218
00:07:59,366 --> 00:08:00,566
When I tell you to, you're
gonna use your other hand
219
00:08:00,567 --> 00:08:02,835
to open it flat
like a book, okay?
220
00:08:02,836 --> 00:08:04,837
This is where it's gonna
be really interesting,
221
00:08:04,838 --> 00:08:06,806
because you guys don't
even know what images
222
00:08:06,807 --> 00:08:08,207
they're thinking of, right?
223
00:08:08,208 --> 00:08:10,209
So for the first time,
what image did you go for?
224
00:08:10,210 --> 00:08:11,444
- The red apple.
225
00:08:11,445 --> 00:08:12,545
- The red apple?
226
00:08:12,546 --> 00:08:14,280
Okay, did you go
for a red apple?
227
00:08:14,281 --> 00:08:15,114
- A red bird.
228
00:08:15,115 --> 00:08:16,382
- Oh, a red bird, okay.
229
00:08:16,383 --> 00:08:17,450
So kind of close, right?
(audience laughing)
230
00:08:17,451 --> 00:08:19,051
Pretty cool.
231
00:08:19,052 --> 00:08:20,319
Hopefully this works.
232
00:08:20,320 --> 00:08:21,354
Can you guys actually
face the audience.
233
00:08:21,355 --> 00:08:22,588
In fact, can you stand up
234
00:08:22,589 --> 00:08:25,124
and do you guys
mind helping me out?
235
00:08:25,125 --> 00:08:28,194
Can you count from three
to two to one with me?
236
00:08:28,195 --> 00:08:29,795
Okay, and hopefully
this will work.
237
00:08:29,796 --> 00:08:30,630
You ready?
238
00:08:30,631 --> 00:08:31,764
Here with me now.
239
00:08:31,765 --> 00:08:33,933
- [Dreygon And Audience]
Three, two, one.
240
00:08:33,934 --> 00:08:34,901
- Open your papers.
241
00:08:34,902 --> 00:08:37,003
That's an apple, that's a bird.
242
00:08:37,004 --> 00:08:37,904
(audience applauding)
(upbeat music)
243
00:08:37,905 --> 00:08:38,955
That's amazing.
244
00:08:39,806 --> 00:08:41,174
Thank you guys so much.
245
00:08:41,175 --> 00:08:42,308
- So cool!
246
00:08:42,309 --> 00:08:44,143
- Thank you so much
for helping out.
247
00:08:44,144 --> 00:08:46,045
Thank you so much
for helping out.
248
00:08:46,046 --> 00:08:48,147
You guys were amazing.
249
00:08:48,148 --> 00:08:49,550
Thank you, guys.
250
00:08:55,407 --> 00:08:57,390
(flame exploding)
251
00:08:57,391 --> 00:08:59,992
- Coming up, Joel Meyers creates
252
00:08:59,993 --> 00:09:04,397
a completely unique magic
experience for one lucky lady.
253
00:09:04,398 --> 00:09:07,767
Plus Jeki Yoo makes
the impossible real
254
00:09:07,768 --> 00:09:09,503
right before your eyes.
255
00:09:11,071 --> 00:09:13,974
(flame exploding)
256
00:09:16,610 --> 00:09:21,682
(upbeat music)
(audience applauding)
257
00:09:22,916 --> 00:09:26,185
Prepare to be
entertained by a magician
258
00:09:26,186 --> 00:09:29,755
who brings energy, charm,
and cutting edge illusions
259
00:09:29,756 --> 00:09:31,257
to the stage.
260
00:09:31,258 --> 00:09:33,793
His fast-paced style and ability
to connect with audiences
261
00:09:33,794 --> 00:09:36,462
makes him one of the
most exciting performers
262
00:09:36,463 --> 00:09:37,697
in magic today.
263
00:09:37,698 --> 00:09:41,300
Let's give a warm
welcome to Joel Meyers.
264
00:09:41,301 --> 00:09:42,835
(upbeat music)
(audience applauding)
265
00:09:42,836 --> 00:09:45,204
- Let's see who we've got.
266
00:09:45,205 --> 00:09:47,139
Hi, what's your name?
- Katherine.
267
00:09:47,140 --> 00:09:48,774
- Katherine, you look fabulous.
268
00:09:48,775 --> 00:09:49,642
Everybody give
Katherine a big hand.
269
00:09:49,643 --> 00:09:50,810
Katherine, come
join me up on stage.
270
00:09:50,811 --> 00:09:51,744
(audience applauding)
271
00:09:51,745 --> 00:09:52,478
Nice to meet you, Katherine.
272
00:09:52,479 --> 00:09:53,746
Watch your step.
273
00:09:53,747 --> 00:09:55,548
Katherine, you're gonna
sit right over here
274
00:09:55,549 --> 00:09:57,216
in the executive
suite over there.
275
00:09:57,217 --> 00:09:59,252
So Katherine, like I said,
276
00:09:59,253 --> 00:10:01,887
I wanted to create a moment
that was very, very unique,
277
00:10:01,888 --> 00:10:04,223
and I actually have
an idea of how I think
278
00:10:04,224 --> 00:10:06,659
that this is going to go
by the end of this, okay?
279
00:10:06,660 --> 00:10:09,562
I have it on a piece
of paper right here.
280
00:10:09,563 --> 00:10:11,130
So Katherine, that is for you.
281
00:10:11,131 --> 00:10:12,531
We're gonna look
at that later on,
282
00:10:12,532 --> 00:10:13,899
but you're gonna
hold on to that.
283
00:10:13,900 --> 00:10:14,567
In fact, you can put
your hand on it right now
284
00:10:14,568 --> 00:10:16,135
if you want to.
285
00:10:16,136 --> 00:10:17,103
If your hand gets tired you
can bring it down, it's fine.
286
00:10:17,104 --> 00:10:18,304
Just keep an eye on the paper,
287
00:10:18,305 --> 00:10:19,305
make sure I don't
get near it, cool?
288
00:10:19,306 --> 00:10:20,706
- Got it.
289
00:10:20,707 --> 00:10:21,974
- Now I've also got some
photographs here, Katherine.
290
00:10:21,975 --> 00:10:23,075
There's a bunch of
different photos here.
291
00:10:23,076 --> 00:10:24,410
They're a bunch
of random things.
292
00:10:24,411 --> 00:10:26,712
Okay, I've got things
like a baseball there,
293
00:10:26,713 --> 00:10:29,982
we got a flamingo,
there's a sword.
294
00:10:29,983 --> 00:10:31,984
Now Katherine, somehow
these photographs,
295
00:10:31,985 --> 00:10:33,552
I'm going to try and
make some of these
296
00:10:33,553 --> 00:10:35,121
mean something to you
by the end of this.
297
00:10:35,122 --> 00:10:36,856
Hopefully, one of
these photographs
298
00:10:36,857 --> 00:10:39,959
will mean something to you
by the time we're done, okay?
299
00:10:39,960 --> 00:10:41,560
So there a bunch of
different random things.
300
00:10:41,561 --> 00:10:43,596
Now Katherine, all of the
faces of these photographs
301
00:10:43,597 --> 00:10:45,031
are totally different.
302
00:10:45,032 --> 00:10:47,967
But the backs are all the
same, can you see that?
303
00:10:47,968 --> 00:10:49,502
So all the faces are different,
304
00:10:49,503 --> 00:10:51,404
but the backs are
all the same, cool?
305
00:10:51,405 --> 00:10:53,639
So I'm gonna try and mix
these up randomly, okay?
306
00:10:53,640 --> 00:10:55,007
Make them all totally random.
307
00:10:55,008 --> 00:10:57,476
We're gonna mix them up
face up and face down
308
00:10:57,477 --> 00:10:58,744
just like this, okay?
309
00:10:58,745 --> 00:11:00,713
You see these face
up, these face down.
310
00:11:00,714 --> 00:11:02,815
And I'm gonna start
mixing these up right now
311
00:11:02,816 --> 00:11:04,183
just like this, Katherine.
312
00:11:04,184 --> 00:11:06,786
This is to make sure that
it's completely a mess.
313
00:11:06,787 --> 00:11:09,689
That these are completely
randomly mixed up.
314
00:11:09,690 --> 00:11:11,657
I'm gonna make it even
more a mess, Katherine.
315
00:11:11,658 --> 00:11:14,427
I'm gonna flip over maybe
like every other one
316
00:11:14,428 --> 00:11:17,430
just to make sure it's
even more of a mess there.
317
00:11:17,431 --> 00:11:18,931
Every other one.
318
00:11:18,932 --> 00:11:20,399
Now Katherine, I wanna get
you involved with this too.
319
00:11:20,400 --> 00:11:22,401
I want you to start making
some decisions here, okay?
320
00:11:22,402 --> 00:11:24,503
So now they're all mixed
up face up, face down,
321
00:11:24,504 --> 00:11:26,072
we're gonna take two
of them like this.
322
00:11:26,073 --> 00:11:28,474
That stop light is
face up right now
323
00:11:28,475 --> 00:11:30,576
and on the other
side is a windowpane.
324
00:11:30,577 --> 00:11:31,811
You tell me right now,
325
00:11:31,812 --> 00:11:32,745
do you want these
to stay up like this
326
00:11:32,746 --> 00:11:34,180
or do you want me to flip them?
327
00:11:34,181 --> 00:11:35,281
Do you want me drop them
as they are or flip them,
328
00:11:35,282 --> 00:11:36,115
it's up to you.
329
00:11:36,116 --> 00:11:36,949
- Drop them.
330
00:11:36,950 --> 00:11:37,850
- Drop them.
331
00:11:37,851 --> 00:11:39,385
Drop them just like that.
332
00:11:39,386 --> 00:11:40,753
So that stop light, that is
face up, it's still face up.
333
00:11:40,754 --> 00:11:41,287
It would've been face down
if you said flip, right?
334
00:11:41,288 --> 00:11:42,688
- Yeah.
335
00:11:42,689 --> 00:11:43,522
- We're gonna do it
again with these two.
336
00:11:43,523 --> 00:11:44,790
The lamp is face up,
337
00:11:44,791 --> 00:11:45,658
do you want me to
drop it or flip it?
338
00:11:45,659 --> 00:11:46,659
- Drop.
339
00:11:46,660 --> 00:11:47,793
- Drop, we're dropping those.
340
00:11:47,794 --> 00:11:48,961
These two, we'll do it quick.
These two, drop or flip?
341
00:11:48,962 --> 00:11:49,862
- [Katherine] Flip.
- Flip.
342
00:11:49,863 --> 00:11:50,896
Drop or flip?
- Drop.
343
00:11:50,897 --> 00:11:52,298
- Drop.
344
00:11:52,299 --> 00:11:54,533
Oh no, you said drop, I
flipped, my bad, okay, sorry.
345
00:11:54,534 --> 00:11:55,501
I'm listening.
(audience laughing)
346
00:11:55,502 --> 00:11:56,235
Okay.
347
00:11:56,236 --> 00:11:57,136
These two, drop or flip?
348
00:11:57,137 --> 00:11:58,070
- Drop.
349
00:11:58,071 --> 00:11:59,004
- Drop, okay, these two?
350
00:11:59,005 --> 00:11:59,805
- [Katherine] Flip.
351
00:11:59,806 --> 00:12:00,506
- [Joel] Flip.
352
00:12:00,507 --> 00:12:01,474
These two?
- Flip.
353
00:12:01,475 --> 00:12:02,408
- [Joel] Flip all right,
they're face up now.
354
00:12:02,409 --> 00:12:03,976
- Flip.
- Flip, there we go.
355
00:12:03,977 --> 00:12:04,744
- [Katherine] Drop.
356
00:12:04,745 --> 00:12:05,678
- Drop.
357
00:12:05,679 --> 00:12:07,012
- Drop.
- Drop, all right.
358
00:12:07,013 --> 00:12:08,547
You made those
decisions, Katherine.
359
00:12:08,548 --> 00:12:10,449
Now here's the deal, some
of these are now face up,
360
00:12:10,450 --> 00:12:13,219
some of them are now face down.
361
00:12:13,220 --> 00:12:15,020
You made those
decisions, Katherine.
362
00:12:15,021 --> 00:12:17,990
You're gonna make one more
decision right now, okay?
363
00:12:17,991 --> 00:12:20,359
There's some that
are closer to me
364
00:12:20,360 --> 00:12:22,595
and then some that are closer
to the audience right now.
365
00:12:22,596 --> 00:12:24,497
I'm gonna flip
over one more pile.
366
00:12:24,498 --> 00:12:27,166
That pile is going to determine
the rest of how this goes.
367
00:12:27,167 --> 00:12:30,302
You're gonna decide, am
I flipping over the pile
368
00:12:30,303 --> 00:12:31,470
that's closer to the audience
369
00:12:31,471 --> 00:12:33,272
or the pile that's closer to
me, which one do you want?
370
00:12:33,273 --> 00:12:34,507
- Audience.
371
00:12:34,508 --> 00:12:35,941
- The one that's closer to the
audience is getting flipped
372
00:12:35,942 --> 00:12:37,376
just like that.
373
00:12:37,377 --> 00:12:38,644
So Katherine, at this point now
374
00:12:38,645 --> 00:12:41,113
you've made all of
these decisions.
375
00:12:41,114 --> 00:12:43,749
Some of these are face up,
some of them are face down.
376
00:12:43,750 --> 00:12:45,618
Katherine, we're only gonna use
the ones that are face down,
377
00:12:45,619 --> 00:12:47,253
so we're not gonna
use that baseball,
378
00:12:47,254 --> 00:12:48,988
we're not gonna
use that flamingo,
379
00:12:48,989 --> 00:12:51,824
we're gonna only use these
ones that are face down.
380
00:12:51,825 --> 00:12:53,526
We're not gonna use
that wrench there,
381
00:12:53,527 --> 00:12:55,795
we're not gonna use the cactus,
or whatever that tool is.
382
00:12:55,796 --> 00:13:00,366
We're gonna use these, we're
not gonna use the lamp,
383
00:13:00,367 --> 00:13:03,569
we're not gonna use the nut
and bolts or that door handle,
384
00:13:03,570 --> 00:13:04,870
only these, cool, Katherine?
385
00:13:04,871 --> 00:13:06,338
- [Katherine] Cool.
386
00:13:06,339 --> 00:13:08,641
- Now Katherine,
here's the deal,
387
00:13:08,642 --> 00:13:11,076
I said I wanted to make some
of these mean something to you,
388
00:13:11,077 --> 00:13:13,679
so let's see what we've
ended up with here.
389
00:13:13,680 --> 00:13:15,514
Katherine, we've got a bunch
of different random ones here.
390
00:13:15,515 --> 00:13:17,850
Katherine, there's
a lighthouse there.
391
00:13:17,851 --> 00:13:19,718
You don't live in a
lighthouse, do you?
392
00:13:19,719 --> 00:13:20,686
- I do not.
393
00:13:20,687 --> 00:13:21,520
- Okay.
394
00:13:21,521 --> 00:13:22,822
(audience laughing)
395
00:13:22,823 --> 00:13:23,489
Have you ever seen a
lighthouse, Katherine?
396
00:13:23,490 --> 00:13:24,390
- I have.
397
00:13:24,391 --> 00:13:25,157
- Amazing, how do I do it?
398
00:13:25,158 --> 00:13:26,459
That was good.
399
00:13:26,460 --> 00:13:27,560
What about this one,
we've got an airplane,
400
00:13:27,561 --> 00:13:28,761
have you ever been
in an airplane?
401
00:13:28,762 --> 00:13:29,728
- Yes.
402
00:13:29,729 --> 00:13:30,863
- Do you have any affiliation
403
00:13:30,864 --> 00:13:31,430
with airplanes
though, Katherine?
404
00:13:31,431 --> 00:13:32,264
- No.
405
00:13:32,265 --> 00:13:33,499
- Nothing?
406
00:13:33,500 --> 00:13:34,400
Okay, books there,
nothing with books.
407
00:13:34,401 --> 00:13:35,201
Do you like to read maybe?
408
00:13:35,202 --> 00:13:36,302
- I do like to read.
409
00:13:36,303 --> 00:13:37,603
- But would you
say that's a hit,
410
00:13:37,604 --> 00:13:38,404
like that's amazing, oh
my gosh, how did he...
411
00:13:38,405 --> 00:13:38,971
No, nothing like...
412
00:13:38,972 --> 00:13:39,772
Okay.
413
00:13:39,773 --> 00:13:41,073
This is going great.
414
00:13:41,074 --> 00:13:42,341
Okay, umbrella there.
(audience laughing)
415
00:13:42,342 --> 00:13:45,611
We've got a stop light,
we've got a window.
416
00:13:45,612 --> 00:13:47,580
So far nothing's really
jumping out at you,
417
00:13:47,581 --> 00:13:49,648
none of this really has any
meaning to you right now?
418
00:13:49,649 --> 00:13:50,616
Okay.
419
00:13:50,617 --> 00:13:51,584
That's okay.
420
00:13:51,585 --> 00:13:52,818
We've got a clothespin there.
421
00:13:52,819 --> 00:13:54,820
And then we've got
a Swiss army knife.
422
00:13:54,821 --> 00:13:57,156
Now Katherine, the truth is,
423
00:13:57,157 --> 00:13:58,591
is I did say I wanted
to end this in a way
424
00:13:58,592 --> 00:13:59,992
that was very unique.
425
00:13:59,993 --> 00:14:03,562
So beforehand there was
a drawing that was made
426
00:14:03,563 --> 00:14:06,832
and I have two little
twin three year olds,
427
00:14:06,833 --> 00:14:10,703
and one of them drew the
drawing that you're gonna see
428
00:14:10,704 --> 00:14:13,439
and they drew it before
I even came here.
429
00:14:13,440 --> 00:14:15,107
So we're gonna unfold
this, Katherine.
430
00:14:15,108 --> 00:14:16,475
I want you to see, this has
been here the whole time,
431
00:14:16,476 --> 00:14:18,143
your hands have been on
it the entire time, right?
432
00:14:18,144 --> 00:14:19,245
Check this out, Katherine,
433
00:14:19,246 --> 00:14:21,714
this is actually
a drawing of you,
434
00:14:21,715 --> 00:14:23,749
do you see that, Katherine?
435
00:14:23,750 --> 00:14:25,150
But it's not just a
drawing of you, Katherine,
436
00:14:25,151 --> 00:14:26,552
it even says your name there,
437
00:14:26,553 --> 00:14:28,020
and then it has all of
the different items there.
438
00:14:28,021 --> 00:14:29,688
You can see there's
an umbrella there,
439
00:14:29,689 --> 00:14:31,624
you can see there's a
clothespin, a stop light,
440
00:14:31,625 --> 00:14:33,759
there's the train track,
there's some books,
441
00:14:33,760 --> 00:14:35,528
there's a stop light,
there's an airplane,
442
00:14:35,529 --> 00:14:38,030
pocket knife, window.
443
00:14:38,031 --> 00:14:39,565
Everything that
we ended up with.
444
00:14:39,566 --> 00:14:42,368
But Katherine, that's not
even the really amazing part.
445
00:14:42,369 --> 00:14:45,070
The really amazing part is
I said I wanted to end this
446
00:14:45,071 --> 00:14:46,772
in a way that was so unique
447
00:14:46,773 --> 00:14:51,176
that it could only be done
right here, right now,
448
00:14:51,177 --> 00:14:54,680
and only for you, Katherine.
449
00:14:54,681 --> 00:14:57,851
This is what I'm talking about.
450
00:14:59,653 --> 00:15:01,887
(audience exclaiming)
451
00:15:01,888 --> 00:15:03,122
(audience applauding)
452
00:15:03,123 --> 00:15:05,173
Katherine, if you
look really closely,
453
00:15:05,325 --> 00:15:07,315
can you see what
that says, Katherine?
454
00:15:07,316 --> 00:15:09,795
- Oh my god.
- Katherine, if you look at it
455
00:15:09,796 --> 00:15:11,463
it says Katherine.
456
00:15:11,464 --> 00:15:12,298
(audience laughing)
457
00:15:12,299 --> 00:15:13,566
- [Katherine] What?
458
00:15:13,567 --> 00:15:15,167
- [Joel] Just like that
it spells out your name.
459
00:15:15,168 --> 00:15:19,772
- No freaking way.
(audience applauding)
460
00:15:19,773 --> 00:15:23,108
(upbeat music)
461
00:15:23,109 --> 00:15:25,277
- Everybody give Katherine a
big hand, you guys, come on.
462
00:15:25,278 --> 00:15:28,515
(audience applauding)
463
00:15:36,289 --> 00:15:38,057
- This performer is a magician
464
00:15:38,058 --> 00:15:41,126
who has captivated
audiences around the globe
465
00:15:41,127 --> 00:15:45,030
with his innovative
visually stunning magic.
466
00:15:45,031 --> 00:15:48,100
Known for pushing the boundaries
of traditional illusions,
467
00:15:48,101 --> 00:15:50,836
please welcome the
incredible Jeki Yoo.
468
00:15:50,837 --> 00:15:54,139
(audience applauding)
469
00:15:54,140 --> 00:15:58,077
- Yeah, Jeki is back, and my
audience, what's your name?
470
00:15:58,078 --> 00:15:59,211
- Adam.
471
00:15:59,212 --> 00:16:00,079
- Adam, nice to
meet you, I'm Jeki.
472
00:16:00,080 --> 00:16:01,480
(upbeat music)
473
00:16:01,481 --> 00:16:03,415
All right, now I'm gonna
show you some visual magic,
474
00:16:03,416 --> 00:16:05,985
but before that, as you
can see I have a clear bag,
475
00:16:05,986 --> 00:16:07,353
but you can check it out.
476
00:16:07,354 --> 00:16:09,822
See it's there, any holes
or something like that?
477
00:16:09,823 --> 00:16:11,056
Just an ordinary bag, right?
478
00:16:11,057 --> 00:16:11,991
- Ordinary bag.
479
00:16:11,992 --> 00:16:13,258
- Okay, place it right here.
480
00:16:13,259 --> 00:16:15,361
And also I have four
coins in my hand,
481
00:16:15,362 --> 00:16:16,629
see, four coins.
482
00:16:16,630 --> 00:16:18,364
It's American half dollars,
483
00:16:18,365 --> 00:16:20,332
and look closely,
four coins here,
484
00:16:20,333 --> 00:16:22,234
and I put this inside the bag,
485
00:16:22,235 --> 00:16:23,636
but this is a clear bag,
486
00:16:23,637 --> 00:16:25,771
so you can clearly see
they are inside, right?
487
00:16:25,772 --> 00:16:26,772
- [Adam] Mm-hmm, yeah.
488
00:16:26,773 --> 00:16:27,940
- It looks like this.
489
00:16:27,941 --> 00:16:29,341
I gather them here,
490
00:16:29,342 --> 00:16:32,077
but look, if I shake it,
something will happen.
491
00:16:32,078 --> 00:16:33,445
See?
492
00:16:33,446 --> 00:16:37,984
One coin slowly, slowly
pass through the bag, see?
493
00:16:37,985 --> 00:16:39,218
(audience exclaiming)
494
00:16:39,219 --> 00:16:39,785
See?
495
00:16:39,786 --> 00:16:40,619
Oh my!
496
00:16:40,620 --> 00:16:41,453
- Yeah.
497
00:16:41,454 --> 00:16:42,921
- Let's see it again.
498
00:16:42,922 --> 00:16:44,356
But this time, let's make
it even more challenging.
499
00:16:44,357 --> 00:16:47,760
Here, I fold the
bag once and twice,
500
00:16:47,761 --> 00:16:49,895
so now there is no way out, see?
501
00:16:49,896 --> 00:16:51,296
They are inside.
502
00:16:51,297 --> 00:16:53,633
But look carefully,
if I shake it,
503
00:16:55,357 --> 00:16:57,903
and the second one comes out.
504
00:16:57,904 --> 00:16:58,737
(audience exclaiming)
505
00:16:58,738 --> 00:16:59,571
See?
506
00:16:59,572 --> 00:17:01,140
Two coins left.
507
00:17:01,141 --> 00:17:02,191
Let me show you.
508
00:17:04,010 --> 00:17:05,310
See?
509
00:17:05,311 --> 00:17:06,445
One and two.
510
00:17:06,446 --> 00:17:07,580
Look carefully.
511
00:17:08,201 --> 00:17:13,085
And now third one comes out,
(audience exclaiming)
512
00:17:13,086 --> 00:17:15,220
and here's the last.
(audience applauding)
513
00:17:15,221 --> 00:17:18,190
See, here's the last
one, look carefully.
514
00:17:18,191 --> 00:17:23,263
If I pull, one,
two, and three, see?
515
00:17:23,264 --> 00:17:25,698
All four coins pass
through the bag.
516
00:17:25,699 --> 00:17:26,565
(audience applauding)
517
00:17:26,566 --> 00:17:27,616
Thank you so much.
518
00:17:28,635 --> 00:17:30,736
And Adam, this is
a present for you,
519
00:17:30,737 --> 00:17:31,804
thank you so much.
520
00:17:31,805 --> 00:17:32,638
- Thank you.
521
00:17:32,639 --> 00:17:33,806
- Thank you, thank you.
522
00:17:33,807 --> 00:17:35,040
Yeah, big hand for Adam.
523
00:17:35,041 --> 00:17:38,278
(audience applauding)
524
00:17:41,347 --> 00:17:42,748
(flame exploding)
525
00:17:42,749 --> 00:17:45,851
- [Dean] Up next, international
superstar Hans Klok
526
00:17:45,852 --> 00:17:48,287
takes his partner
to new heights.
527
00:17:48,288 --> 00:17:52,024
Plus Mike Hammer gets all
wrapped up and put away.
528
00:17:52,025 --> 00:17:54,426
- Hey, I tried to stop
her, but my hands are tied.
529
00:17:54,427 --> 00:17:57,330
(flame exploding)
530
00:17:59,365 --> 00:18:04,069
(upbeat music)
(audience applauding)
531
00:18:04,070 --> 00:18:06,772
- This performer is known
for pushing the limits
532
00:18:06,773 --> 00:18:08,307
of what's possible.
533
00:18:08,308 --> 00:18:12,644
Combining precision, danger,
and elegance in every act.
534
00:18:12,645 --> 00:18:14,113
(audience applauding)
535
00:18:14,114 --> 00:18:16,515
From Holland, here is
probably the best illusionist
536
00:18:16,516 --> 00:18:19,017
in the world, Hans Klok.
537
00:18:19,018 --> 00:18:24,090
(audience applauding)
(dramatic music)
538
00:19:05,999 --> 00:19:08,867
(audience applauding)
539
00:19:08,868 --> 00:19:12,539
(dramatic music continues)
540
00:19:29,189 --> 00:19:32,425
(audience applauding)
541
00:19:54,380 --> 00:19:56,281
(audience exclaiming)
542
00:19:56,282 --> 00:19:59,519
(audience applauding)
543
00:20:17,103 --> 00:20:19,271
Tonight's performer
is a magician
544
00:20:19,272 --> 00:20:22,741
who specializes in the
art of the impossible
545
00:20:22,742 --> 00:20:25,711
with grand illusions
that challenge reality
546
00:20:25,712 --> 00:20:28,680
and escape acts that
flirt with danger.
547
00:20:28,681 --> 00:20:32,084
He has become a crowd
favorite across the globe.
548
00:20:32,085 --> 00:20:35,120
Please welcome the
brilliant Mike Hammer.
549
00:20:35,121 --> 00:20:40,193
(audience applauding)
(dramatic music)
550
00:20:48,067 --> 00:20:51,603
(audience applauding)
551
00:20:51,604 --> 00:20:52,654
- Thank you, guys.
552
00:20:54,474 --> 00:20:57,175
Please, hold your applause
like this guy's doing.
553
00:20:57,176 --> 00:20:58,343
What's wrong with you, sir?
554
00:20:58,344 --> 00:20:59,177
(audience laughing)
555
00:20:59,178 --> 00:21:00,312
Is this your guy?
556
00:21:00,313 --> 00:21:02,014
Small town, not
a lot of options?
557
00:21:02,015 --> 00:21:03,548
Why don't you come
up and help us out?
558
00:21:03,549 --> 00:21:04,549
What's your name?
559
00:21:04,550 --> 00:21:05,851
- Jeffrey.
560
00:21:05,852 --> 00:21:06,685
- Jeffrey, everybody,
give it up for Jeffrey.
561
00:21:06,686 --> 00:21:07,953
And what is your name?
562
00:21:07,954 --> 00:21:08,787
What is it?
563
00:21:08,788 --> 00:21:09,755
- Crystal.
564
00:21:09,756 --> 00:21:10,689
- Crystal, everybody, Crystal.
565
00:21:10,690 --> 00:21:12,224
Yeah, come on.
566
00:21:12,225 --> 00:21:14,627
Come on, you weren't
expecting to come up here.
567
00:21:16,262 --> 00:21:19,932
Oh my god, well,
wake it up. (laughs)
568
00:21:19,933 --> 00:21:21,600
Crystal, everybody, and Jeffrey.
569
00:21:21,601 --> 00:21:24,770
(audience applauding)
570
00:21:24,771 --> 00:21:27,205
Well, we're gonna
use something today
571
00:21:27,206 --> 00:21:29,174
a little more difficult
that a straight jacket.
572
00:21:29,175 --> 00:21:32,311
This, folks, is industrial
strength stretch wrap.
573
00:21:32,312 --> 00:21:34,212
If you're wrapped up in
this, you can not breathe.
574
00:21:34,213 --> 00:21:35,981
Jeffrey, can you breathe?
575
00:21:35,982 --> 00:21:36,815
- (chuckles) No.
576
00:21:36,816 --> 00:21:37,649
(audience laughing)
577
00:21:37,650 --> 00:21:39,051
- All right.
578
00:21:39,052 --> 00:21:40,852
Well, this is usually
used for moving supplies.
579
00:21:40,853 --> 00:21:43,021
You look like you move
around town a lot.
580
00:21:43,022 --> 00:21:43,889
All right, so,
581
00:21:43,890 --> 00:21:45,090
(audience laughing)
582
00:21:45,091 --> 00:21:46,491
Jeffrey, if you
could come over here,
583
00:21:46,492 --> 00:21:47,826
you're gonna start
wrapping this up around me.
584
00:21:47,827 --> 00:21:49,161
Why don't you stay on
this side over here?
585
00:21:49,162 --> 00:21:51,530
Just pull that stretch
wrap, hold the canister.
586
00:21:51,531 --> 00:21:54,933
Crystal, your part's coming
up in a little bit, all right?
587
00:21:54,934 --> 00:21:56,535
All right, so check
it out, folks.
588
00:21:56,536 --> 00:21:58,437
Jeffrey, you start
wrapping me up.
589
00:21:58,438 --> 00:21:59,571
(mellow music)
590
00:21:59,572 --> 00:22:01,606
There you go, just
pull it around.
591
00:22:01,607 --> 00:22:03,075
Looks good, right, ladies, yeah?
592
00:22:03,076 --> 00:22:04,009
(audience laughing)
593
00:22:04,010 --> 00:22:05,210
And you, sir?
594
00:22:05,211 --> 00:22:06,545
All right.
595
00:22:06,546 --> 00:22:09,614
That's good, Jeffrey,
keep going, keep going.
596
00:22:09,615 --> 00:22:11,183
Yeah, just around, there you go.
597
00:22:11,184 --> 00:22:12,784
Crystal, why don't
you walk around,
598
00:22:12,785 --> 00:22:14,953
make sure it's going
around my body.
599
00:22:14,954 --> 00:22:16,555
Yeah, feel free to get involved.
600
00:22:16,556 --> 00:22:18,290
(audience laughing)
601
00:22:18,291 --> 00:22:19,524
Go ahead, Jeffrey,
wherever you want.
602
00:22:19,525 --> 00:22:21,259
Yeah, one more time there, yeah.
603
00:22:21,260 --> 00:22:22,761
What was that all about?
604
00:22:22,762 --> 00:22:23,729
(audience laughing)
605
00:22:23,730 --> 00:22:25,464
Wow, touchy feely, aren't we?
606
00:22:25,465 --> 00:22:26,431
That's good.
607
00:22:26,432 --> 00:22:27,812
If you could just rip that up.
608
00:22:30,288 --> 00:22:32,304
Just pull it.
609
00:22:32,305 --> 00:22:33,872
(audience laughing)
610
00:22:33,873 --> 00:22:36,241
Oh my god, what are you
doing with this guy?
611
00:22:36,242 --> 00:22:38,677
All right, we've
got some package...
612
00:22:38,678 --> 00:22:40,078
Just drop that down,
it doesn't matter.
613
00:22:40,079 --> 00:22:41,346
We've got some package
tape over there,
614
00:22:41,347 --> 00:22:42,714
you see the package tape?
615
00:22:42,715 --> 00:22:44,049
You just go pick it up.
616
00:22:44,050 --> 00:22:45,417
(audience laughing)
617
00:22:45,418 --> 00:22:46,218
You should have applauded
for the other part,
618
00:22:46,219 --> 00:22:47,285
you'd never be up here.
619
00:22:47,286 --> 00:22:48,153
(audience laughing)
620
00:22:48,154 --> 00:22:49,621
This is package tape,
621
00:22:49,622 --> 00:22:51,356
Crystal, we're gonna get
you involved on this one.
622
00:22:51,357 --> 00:22:53,625
Just go ahead, start putting
the tape around my body,
623
00:22:53,626 --> 00:22:54,626
anywhere you like.
624
00:22:54,627 --> 00:22:55,994
Yeah, there you go, go around.
625
00:22:55,995 --> 00:22:57,229
Crystal, come over here.
626
00:22:57,230 --> 00:22:58,296
Can you press the tape?
627
00:22:58,297 --> 00:22:59,498
Go ahead, Jeffrey, go ahead.
628
00:22:59,499 --> 00:23:00,532
Where'd she go?
629
00:23:00,533 --> 00:23:01,767
Come over here, Crystal.
630
00:23:01,768 --> 00:23:03,301
(audience laughing)
631
00:23:03,302 --> 00:23:04,836
Oh my god, press that tape
firmly onto the stretch wrap,
632
00:23:04,837 --> 00:23:07,439
just press it on there,
follow Jeffrey around.
633
00:23:07,440 --> 00:23:08,306
Easy with the hands.
634
00:23:08,307 --> 00:23:09,541
Just go ahead.
635
00:23:09,542 --> 00:23:11,009
Go ahead, Jeffrey.
(audience laughing)
636
00:23:11,010 --> 00:23:14,112
Hey, I tried to stop here,
but my hands are tied, so.
637
00:23:14,113 --> 00:23:15,313
Go ahead, Jeffrey.
638
00:23:15,314 --> 00:23:16,364
Yeah, there you go.
639
00:23:19,485 --> 00:23:20,852
All right, just keep going.
640
00:23:20,853 --> 00:23:21,686
(audience laughing)
641
00:23:21,687 --> 00:23:23,155
Jeffrey, lower, lower.
642
00:23:23,156 --> 00:23:23,989
(audience laughing)
643
00:23:23,990 --> 00:23:24,923
No.
644
00:23:24,924 --> 00:23:26,291
Go ahead, Crystal.
645
00:23:26,292 --> 00:23:27,626
This is your girl, whatever.
646
00:23:27,627 --> 00:23:29,061
Yeah, go ahead, go ahead.
647
00:23:29,062 --> 00:23:30,462
That's probably
good right there.
648
00:23:30,463 --> 00:23:32,531
That's probably good unless
you want one more pass,
649
00:23:32,532 --> 00:23:33,498
it's up...
650
00:23:33,499 --> 00:23:34,800
All right.
651
00:23:34,801 --> 00:23:35,967
Good, Jeffrey, you can
just break that off.
652
00:23:35,968 --> 00:23:37,269
Yep.
653
00:23:37,270 --> 00:23:38,870
Crystal, I want you to
stand right over there,
654
00:23:38,871 --> 00:23:41,606
a little to your right, little
to your right, out of danger.
655
00:23:41,607 --> 00:23:42,908
Can you bring this over here,
656
00:23:42,909 --> 00:23:44,443
this big curtain, just
pull that over here.
657
00:23:44,444 --> 00:23:46,411
Ladies and gentlemen, you're
about to witness an escape.
658
00:23:46,412 --> 00:23:47,679
Yeah, just pull it in front.
659
00:23:47,680 --> 00:23:49,181
This escape is so fast
(dramatic music)
660
00:23:49,182 --> 00:23:50,615
you won't believe your eyes.
661
00:23:50,616 --> 00:23:51,683
Or in your case, sir, eye.
662
00:23:51,684 --> 00:23:52,617
What happened?
663
00:23:52,618 --> 00:23:54,186
(audience laughing)
664
00:23:54,187 --> 00:23:56,088
All right, Jeffrey, can
you move this side back
665
00:23:56,089 --> 00:23:58,290
a little bit so the audience
can see me over there.
666
00:23:58,291 --> 00:23:59,958
There you go, all right.
667
00:23:59,959 --> 00:24:01,159
Are you guys ready?
668
00:24:01,160 --> 00:24:02,894
(audience applauding)
669
00:24:02,895 --> 00:24:03,962
Let's do it.
670
00:24:03,963 --> 00:24:05,630
Close it, Jeffrey.
671
00:24:05,631 --> 00:24:06,665
Close it, Jeffrey.
672
00:24:06,666 --> 00:24:07,966
Come back here, Jeffrey!
673
00:24:07,967 --> 00:24:10,235
Come back here, come
here, come here!
674
00:24:10,236 --> 00:24:12,104
Hey, Crystal, check this out.
675
00:24:12,105 --> 00:24:13,038
(audience laughing)
676
00:24:13,039 --> 00:24:13,872
What?
677
00:24:13,873 --> 00:24:15,240
Wait, check it out.
678
00:24:15,241 --> 00:24:16,508
Check this out, folks.
679
00:24:16,509 --> 00:24:17,609
Look at that.
680
00:24:17,610 --> 00:24:20,847
(audience applauding)
681
00:24:26,219 --> 00:24:28,253
Oh, so nice to meet you.
682
00:24:28,254 --> 00:24:29,955
Let's go talk, okay?
683
00:24:29,956 --> 00:24:31,456
Don't worry about him.
684
00:24:31,457 --> 00:24:33,692
All right, Crystal, everybody.
685
00:24:33,693 --> 00:24:36,162
Thank you so much, oh my god.
686
00:24:38,264 --> 00:24:39,899
Good job, good job.
687
00:24:44,504 --> 00:24:45,554
See ya.
688
00:24:50,610 --> 00:24:51,810
(flame exploding)
689
00:24:51,811 --> 00:24:53,545
- [Dean] Up next,
Alexandra Duvivier
690
00:24:53,546 --> 00:24:56,781
brings an international
flare to her business card.
691
00:24:56,782 --> 00:24:58,650
- This is so romantic,
are you French?
692
00:24:58,651 --> 00:25:01,521
(flame exploding)
693
00:25:04,290 --> 00:25:08,260
(audience applauding)
(upbeat music)
694
00:25:08,261 --> 00:25:12,097
- Ladies and gentlemen, please
welcome, Alexandra Duvivier.
695
00:25:12,098 --> 00:25:17,170
(audience applauding)
(upbeat music)
696
00:25:18,004 --> 00:25:19,437
- Okay, you know what,
697
00:25:19,438 --> 00:25:20,906
I would like, my dear,
698
00:25:20,907 --> 00:25:23,341
to make a little, little,
little gift to you.
699
00:25:23,342 --> 00:25:25,310
I would like to give
you my business card,
700
00:25:25,311 --> 00:25:29,014
but just like this, I would
like to make a little dedication
701
00:25:29,015 --> 00:25:30,416
a little note.
702
00:25:30,417 --> 00:25:33,118
Can you please tell
me your name, please?
703
00:25:33,119 --> 00:25:34,452
- Maya.
704
00:25:34,453 --> 00:25:35,503
- Maya?
705
00:25:38,157 --> 00:25:39,758
You know what, Maya,
706
00:25:39,759 --> 00:25:44,296
you may think over there that
I am pretend asking her name,
707
00:25:44,297 --> 00:25:47,465
but in fact, I have previously
asked her name already,
708
00:25:47,466 --> 00:25:49,902
and I have written it on
the card the same way.
709
00:25:50,870 --> 00:25:52,370
Not my style.
710
00:25:52,371 --> 00:25:53,505
(audience laughing)
711
00:25:53,506 --> 00:25:55,440
So to avoid you
from thinking that,
712
00:25:55,441 --> 00:25:57,676
you're going to help me, dear.
713
00:25:57,677 --> 00:25:59,612
Let me finish it.
714
00:26:00,880 --> 00:26:03,315
Can you please write
a little something
715
00:26:03,316 --> 00:26:06,051
to make this card unique?
716
00:26:06,052 --> 00:26:08,920
You just put a happy face,
you put your initials,
717
00:26:08,921 --> 00:26:10,589
you make whatever you want,
718
00:26:10,590 --> 00:26:15,393
but this way it is really
impossible to duplicate.
719
00:26:15,394 --> 00:26:17,295
(gasps) A double heart.
720
00:26:17,296 --> 00:26:19,231
Let me show this.
721
00:26:19,232 --> 00:26:21,266
This is so romantic,
are you French?
722
00:26:21,267 --> 00:26:23,835
(audience laughing)
723
00:26:23,836 --> 00:26:24,769
Of course.
724
00:26:24,770 --> 00:26:27,105
And to make it even more unique,
725
00:26:27,106 --> 00:26:28,773
dear, can you do the same?
726
00:26:28,774 --> 00:26:32,677
Just come on here and
make a little note too.
727
00:26:32,678 --> 00:26:36,014
A little something
that make it so...
728
00:26:36,015 --> 00:26:38,683
Oh, la, la.
729
00:26:38,684 --> 00:26:40,386
I can't believe my crowd.
730
00:26:40,387 --> 00:26:43,054
Oh, you put your
number, that's great.
731
00:26:43,055 --> 00:26:45,257
(audience laughing)
732
00:26:45,258 --> 00:26:47,293
Oh yeah, wait.
733
00:26:48,427 --> 00:26:49,728
This is very unique,
734
00:26:49,729 --> 00:26:52,697
because I have two
helpers there helping me
735
00:26:52,698 --> 00:26:53,932
making this card unique.
736
00:26:53,933 --> 00:26:55,900
So I would like you
to have one answer
737
00:26:55,901 --> 00:26:57,269
and one answer only.
738
00:26:57,270 --> 00:27:00,272
Do we agree that
this card is unique
739
00:27:00,273 --> 00:27:02,574
in the whole wide world?
740
00:27:02,575 --> 00:27:04,409
(audience applauding)
741
00:27:04,410 --> 00:27:05,777
Thank you.
742
00:27:05,778 --> 00:27:08,248
Oh yeah, that's my best
effort, thank you so much.
743
00:27:08,714 --> 00:27:13,719
So now watch, I just put
this card around the middle.
744
00:27:16,022 --> 00:27:17,289
Let me show you.
745
00:27:17,290 --> 00:27:18,690
I said around the middle,
746
00:27:18,691 --> 00:27:20,225
because when I
say in the middle,
747
00:27:20,226 --> 00:27:21,426
some people tell me, wait,
748
00:27:21,427 --> 00:27:23,895
but it's not completely
in the middle.
749
00:27:23,896 --> 00:27:24,729
(audience laughing)
750
00:27:24,730 --> 00:27:26,765
So I say near or by...
751
00:27:26,766 --> 00:27:28,667
You were thinking about that.
752
00:27:28,668 --> 00:27:29,501
(audience laughing)
753
00:27:29,502 --> 00:27:31,036
Of course.
754
00:27:31,037 --> 00:27:33,238
So it's now by the middle.
755
00:27:33,239 --> 00:27:35,674
Now I would like you, my
dear, can you help me?
756
00:27:35,675 --> 00:27:37,042
Can you stay here?
757
00:27:37,043 --> 00:27:40,446
Can you please insert the
card all the way inside?
758
00:27:41,847 --> 00:27:43,281
Good, good, good.
759
00:27:43,282 --> 00:27:44,115
All the way.
760
00:27:44,116 --> 00:27:45,450
You do it so well.
761
00:27:45,451 --> 00:27:47,752
So now do we agree
(audience laughing)
762
00:27:47,753 --> 00:27:51,056
that I only turn the deck down?
763
00:27:51,057 --> 00:27:53,458
It's really important
for the rest.
764
00:27:53,459 --> 00:27:54,292
- [Audience Member] Oui.
765
00:27:54,293 --> 00:27:55,193
- Oui!
766
00:27:55,194 --> 00:27:56,027
(audience laughing)
767
00:27:56,028 --> 00:27:57,108
But you speak French?
768
00:27:58,197 --> 00:28:01,032
But why do I do the
show in English then?
769
00:28:01,033 --> 00:28:02,767
(audience laughing)
770
00:28:02,768 --> 00:28:04,202
What's the point?
771
00:28:04,203 --> 00:28:07,206
So do we agree that
I take the top card?
772
00:28:08,808 --> 00:28:10,342
Is it clear?
773
00:28:10,343 --> 00:28:12,744
Yeah, this is
important for the rest.
774
00:28:12,745 --> 00:28:15,047
So let's sum up.
775
00:28:16,716 --> 00:28:19,484
I have written a
little word for Maya,
776
00:28:19,485 --> 00:28:22,721
you have made this card
very unique, both of you,
777
00:28:22,722 --> 00:28:24,889
and I put it around the middle.
778
00:28:24,890 --> 00:28:26,358
Around the middle.
779
00:28:26,359 --> 00:28:30,261
And if now this card that
we just took from the top,
780
00:28:30,262 --> 00:28:34,232
if this is the unique card,
this is not a good trick,
781
00:28:34,233 --> 00:28:36,768
this is a miracle, isn't it?
782
00:28:36,769 --> 00:28:38,169
(audience laughing)
783
00:28:38,170 --> 00:28:39,037
Okay, you know what?
784
00:28:39,038 --> 00:28:40,438
Oui, merci.
785
00:28:40,439 --> 00:28:43,641
So let's check, let's see
if it's a real miracle.
786
00:28:43,642 --> 00:28:44,876
(drum rolling)
787
00:28:44,877 --> 00:28:46,144
It has worked!
788
00:28:46,145 --> 00:28:48,179
Look at the card!
(audience applauding)
789
00:28:48,180 --> 00:28:49,781
Look, look, look!
790
00:28:49,782 --> 00:28:51,283
Look at the card!
791
00:28:55,254 --> 00:28:57,122
Ooh, la, la, this is amazing.
792
00:28:57,123 --> 00:28:59,190
This is for you, dear, Maya.
793
00:28:59,191 --> 00:29:00,593
You are amazing.
794
00:29:08,410 --> 00:29:11,469
- She travels around the globe,
795
00:29:11,470 --> 00:29:13,438
amazing audiences along the way,
796
00:29:13,439 --> 00:29:16,007
and tonight, she's here with us.
797
00:29:16,008 --> 00:29:19,144
Please welcome the
incredible My Uyen.
798
00:29:19,145 --> 00:29:24,216
(audience applauding)
(upbeat music)
799
00:29:51,310 --> 00:29:54,814
(upbeat music continues)
800
00:30:11,697 --> 00:30:14,767
(audience laughing)
801
00:30:22,908 --> 00:30:25,210
(audience exclaiming)
802
00:30:25,211 --> 00:30:28,447
(audience applauding)
803
00:30:29,982 --> 00:30:33,486
(upbeat music continues)
804
00:31:17,329 --> 00:31:20,399
(audience laughing)
805
00:31:35,915 --> 00:31:38,316
(audience exclaiming)
806
00:31:38,317 --> 00:31:41,554
(audience applauding)
807
00:31:45,491 --> 00:31:48,460
(audience cheering)
808
00:31:52,398 --> 00:31:54,132
(flame exploding)
809
00:31:54,133 --> 00:31:57,235
- Up next, high tech
magic with Keelan Laser
810
00:31:57,236 --> 00:31:58,970
and Matt Daniel Baker.
811
00:31:58,971 --> 00:32:01,639
Plus, The Alchemist
creates magical art
812
00:32:01,640 --> 00:32:03,141
like you've never seen.
813
00:32:03,142 --> 00:32:06,045
(flame exploding)
814
00:32:08,647 --> 00:32:13,719
(upbeat music)
(audience applauding)
815
00:32:15,888 --> 00:32:18,823
Get ready to witness
the magic of tomorrow.
816
00:32:18,824 --> 00:32:19,991
(upbeat music)
817
00:32:19,992 --> 00:32:20,825
From London,
(audience applauding)
818
00:32:20,826 --> 00:32:22,126
here are Keelan Laser-
819
00:32:22,127 --> 00:32:23,127
- Thank you very much.
820
00:32:23,128 --> 00:32:24,862
- [Dean] And Matt Daniel Baker.
821
00:32:24,863 --> 00:32:27,832
- Ladies and gentlemen,
advanced technology
822
00:32:27,833 --> 00:32:30,635
may seem like magic,
823
00:32:30,636 --> 00:32:34,105
but the reality
may surprise you.
824
00:32:34,106 --> 00:32:35,473
(audience applauding)
825
00:32:35,474 --> 00:32:38,876
- So we thought we'd take
a traditional card trick
826
00:32:38,877 --> 00:32:43,215
and using technology,
bring it, bang, up to date.
827
00:32:44,450 --> 00:32:46,980
For this, we're gonna need
a couple of volunteers.
828
00:32:47,586 --> 00:32:49,320
Oh, show of hands, wonderful.
829
00:32:49,321 --> 00:32:50,622
We'll use you just here.
830
00:32:50,623 --> 00:32:52,557
Will you say stop
for me somewhere?
831
00:32:52,558 --> 00:32:54,092
- Stop.
832
00:32:54,093 --> 00:32:55,293
- Excellent, take the card,
don't look at it just yet
833
00:32:55,294 --> 00:32:56,260
and we'll come
around to this side.
834
00:32:56,261 --> 00:32:57,095
What's your name?
835
00:32:57,096 --> 00:32:57,929
- Chris.
836
00:32:57,930 --> 00:32:58,863
- Chris, good name.
837
00:32:58,864 --> 00:33:00,098
Can I borrow you quickly?
838
00:33:00,099 --> 00:33:01,132
Would you say stop?
839
00:33:01,133 --> 00:33:02,066
- Stop.
- Stop, good choice.
840
00:33:02,067 --> 00:33:03,301
What's your name?
- Ellie.
841
00:33:03,302 --> 00:33:04,569
- Ellie.
842
00:33:04,570 --> 00:33:07,106
Chris and Ellie, have a
quick peak at your cards
843
00:33:08,140 --> 00:33:10,174
as I make my way
back up to the stage.
844
00:33:10,175 --> 00:33:12,410
Hold the cards up, so
the camera can see,
845
00:33:12,411 --> 00:33:14,512
as Keelan and myself
will look at the floor.
846
00:33:14,513 --> 00:33:18,850
- Okay, Chris, I'm
going to draw something
847
00:33:18,851 --> 00:33:21,687
on this tablet.
848
00:33:22,855 --> 00:33:24,845
And I would like you
to stare at it for me.
849
00:33:25,991 --> 00:33:27,992
Good, now I'm going
to finish it off
850
00:33:27,993 --> 00:33:30,328
by drawing a playing card.
851
00:33:30,329 --> 00:33:31,929
In a loud, clear voice, Chris,
852
00:33:31,930 --> 00:33:33,965
could you name your card?
853
00:33:33,966 --> 00:33:34,799
- Queen of hearts.
854
00:33:34,800 --> 00:33:35,800
- Very good.
855
00:33:35,801 --> 00:33:37,201
He said the queen of hearts.
856
00:33:37,202 --> 00:33:40,439
(audience applauding)
857
00:33:40,440 --> 00:33:43,574
That's okay, I know
what you're thinking,
858
00:33:43,575 --> 00:33:46,277
I'm a magician and
finding the card
859
00:33:46,278 --> 00:33:47,612
is a bit easy for a magician.
860
00:33:47,613 --> 00:33:49,480
It would be better if, Chris,
861
00:33:49,481 --> 00:33:51,716
you found Ellie's selected card.
862
00:33:51,717 --> 00:33:53,951
- Okay, Chris, the way
that this is gonna work
863
00:33:53,952 --> 00:33:57,690
is that I'm gonna draw a very
quick picture of you, okay?
864
00:33:58,757 --> 00:33:59,957
So sit nice and still.
865
00:33:59,958 --> 00:34:01,559
Sit up, that's right,
you're on telly.
866
00:34:01,560 --> 00:34:02,393
(audience laughing)
867
00:34:02,394 --> 00:34:03,761
Good man.
868
00:34:03,762 --> 00:34:05,063
And Ellie, you don't get
off the hook that easily.
869
00:34:05,064 --> 00:34:06,731
I'm gonna do a quick
sketch of you as well.
870
00:34:06,732 --> 00:34:08,900
Nice big smile, please.
(audience laughing)
871
00:34:08,901 --> 00:34:12,237
I think I've got your
hair just about right.
872
00:34:13,205 --> 00:34:14,872
Wonderful, there you.
873
00:34:14,873 --> 00:34:16,340
(audience laughing)
874
00:34:16,341 --> 00:34:17,308
Chris, you'll be pleased,
875
00:34:17,309 --> 00:34:19,243
Ellie, probably not so pleased.
876
00:34:19,244 --> 00:34:20,545
But there's a picture of you.
877
00:34:20,546 --> 00:34:22,747
So Chris, you're gonna
go on a little adventure
878
00:34:22,748 --> 00:34:25,516
to try and find Ellie's card.
879
00:34:25,517 --> 00:34:27,952
So we have Ellie, we have Chris.
880
00:34:27,953 --> 00:34:29,353
- We have a pack of cards,
881
00:34:29,354 --> 00:34:32,423
all we need now is
some dramatic music.
882
00:34:32,424 --> 00:34:34,292
(dramatic music)
883
00:34:34,293 --> 00:34:39,364
- [Speaker] Five, four, three,
two, one, mission accepted.
884
00:34:43,102 --> 00:34:45,670
Access granted.
885
00:34:45,671 --> 00:34:48,340
(bell ringing)
886
00:34:50,142 --> 00:34:52,711
(tense music)
887
00:35:02,221 --> 00:35:03,988
(character yelling)
888
00:35:03,989 --> 00:35:06,023
(audience exclaiming)
889
00:35:06,024 --> 00:35:09,261
(audience applauding)
890
00:35:13,031 --> 00:35:15,934
(water splashing)
891
00:35:17,703 --> 00:35:20,939
(audience applauding)
892
00:35:38,323 --> 00:35:41,058
(audience laughing)
893
00:35:41,059 --> 00:35:44,296
(audience applauding)
894
00:35:53,172 --> 00:35:55,407
Ellie, was that your card?
895
00:36:07,319 --> 00:36:09,187
(audience exclaiming)
896
00:36:09,188 --> 00:36:12,223
(audience applauding)
(upbeat music)
897
00:36:12,224 --> 00:36:15,394
- Thank you, Chris,
thank you, Ellie.
898
00:36:17,996 --> 00:36:19,263
(flame exploding)
899
00:36:19,264 --> 00:36:21,432
- Up next, The Alchemist
creates magical art
900
00:36:21,433 --> 00:36:22,634
like you've never seen.
901
00:36:23,969 --> 00:36:26,872
(flame exploding)
902
00:36:29,341 --> 00:36:31,391
(upbeat music)
(audience applauding)
903
00:36:33,698 --> 00:36:36,948
Prepare to be
amazed by a magician
904
00:36:36,949 --> 00:36:40,885
whose breathtaking illusions
have left millions in awe.
905
00:36:40,886 --> 00:36:42,153
(audience applauding)
906
00:36:42,154 --> 00:36:44,622
From South Korea,
here is The Alchemist.
907
00:36:44,623 --> 00:36:47,459
(dramatic music)
908
00:37:16,755 --> 00:37:20,392
(dramatic music continues)
909
00:37:28,367 --> 00:37:30,902
(audience exclaiming)
910
00:37:30,903 --> 00:37:34,139
(audience applauding)
911
00:37:41,747 --> 00:37:44,316
(tense music)
912
00:37:52,691 --> 00:37:54,425
(audience exclaiming)
913
00:37:54,426 --> 00:37:57,663
(audience applauding)
914
00:38:01,099 --> 00:38:04,436
(tense music continues)
915
00:38:31,430 --> 00:38:34,666
(audience applauding)
916
00:38:41,139 --> 00:38:44,543
(tense music continues)
917
00:38:56,755 --> 00:38:59,992
(audience applauding)
918
00:39:48,306 --> 00:39:49,907
(audience exclaiming)
919
00:39:49,908 --> 00:39:54,980
(audience applauding)
(dramatic music)
920
00:40:23,341 --> 00:40:26,578
(audience applauding)
921
00:40:44,229 --> 00:40:47,998
(audience exclaiming)
922
00:40:47,999 --> 00:40:51,136
(audience applauding)
923
00:41:12,824 --> 00:41:16,061
(audience applauding)
924
00:41:34,579 --> 00:41:37,314
Tonight has been a
celebration of the impossible
925
00:41:37,315 --> 00:41:40,751
and we hope you've loved
every moment of it.
926
00:41:40,752 --> 00:41:44,188
I'm Dean Cain and we can't wait
to share more magic with you
927
00:41:44,189 --> 00:41:48,959
next time right here on
"Masters Of Illusion."
928
00:41:48,960 --> 00:41:51,010
(audience applauding)
(upbeat music)
929
00:41:51,012 --> 00:41:55,562
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