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In this lecture, we are going to look at the relationship between quantum mechanics and
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quantum mechanics.
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Yami no Keimujo.
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00:15:31,950 --> 00:15:34,330
Koko ni tsurete korareta wa na, minna.
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Koseki kara massho sareta mono bakari.
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Tsumari, kono yo ni wa sonzai shite inai nda.
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Yurei mitai na mon da yo.
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Dakara, itsu hontou ni kesarete mo, dare mo kizukanai.
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00:15:59,440 --> 00:16:00,960
Kioku Soushitsu programude,
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00:16:01,920 --> 00:16:05,020
Hotondo no yatsu wa kako no kioku ga button deru.
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00:16:10,360 --> 00:16:12,600
Watashi wa motomoto atama ga warui kara,
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Atarashii kioku mo haitte konai shi.
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Sono bun,
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Motomoto no kioku mo kiete nakunaranai nda.
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Mai toshi suumei ga,
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Yami no shokei nin toshite,
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Koko wo deru.
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Saiban ya houritsu de sabaku koto ga dekinai jinbutsu wo,
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Massatsu suru ninja ga ataerareru nda.
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Demo,
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Sainou nashi to handansarereba,
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Hontou ni kesareru.
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Anayoiki tte koto da yo.
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Nyusho kikan ichi nen wo koeru koto mo yurusarenai shi,
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Bou no shuuyou ninzu mo kicchiri mamorareru.
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Anta no nyusho de,
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Minna no seizon ritsu wa ikki ni teika shita nda.
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Warera no seisatsu yodatsu ken wa,
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Kokka ni ari.
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Kore ga kokka.
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Kore ga seiji da yo.
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Sainou nashi to handansarereba,
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Taishi!
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Hyakuchi!
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00:19:23,100 --> 00:19:24,360
Maware! Migi!
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Tsugi!
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00:20:12,230 --> 00:20:13,010
Tsugi!
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00:20:14,570 --> 00:20:15,370
Hayaku shiro!
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Tsugi!
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Hayaku shiro!
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Tsugi!
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Hayaku shiro!
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Tsugi!
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Migi mukai migi!
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Kyou no kunren wa,
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Koumon shitsu e henkou suru.
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Mae e susume!
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00:22:02,700 --> 00:22:03,500
Tsugi!
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Tsugi!
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00:22:18,220 --> 00:22:19,820
Tsugi!
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00:22:20,460 --> 00:22:20,840
Tsugi!
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00:22:20,840 --> 00:22:21,040
Tsugi!
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00:22:25,390 --> 00:22:26,190
Tsugi!
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00:22:27,970 --> 00:22:28,770
Tsugi!
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00:22:29,130 --> 00:22:29,890
Tsugi!
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00:22:35,930 --> 00:22:37,530
Tsugi!
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00:23:02,420 --> 00:23:03,760
Kino no ban,
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Myou ni ii koe ga shiigoushitsu kara kannai ni hibiite ita sou janai ka.
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Hera choko no atsumaru shiigoushitsu no omaetachi wa,
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Mada mada,
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Shaba no ningen kusasa ga,
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Ukekitte inai kara na.
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Konna tokoro ni,
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Nan kagetsu, nan nen mo ira,
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Wakaranai,
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Demo nai,
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Demo,
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Kisoku wa kisoku da!
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Nanda,
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Minna ikite itai no ka?
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Sonna ni kono yo ni miren ga aru no ka?
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Nagou janai ka!
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Ima wa,
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Minna ikiterun dakara.
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Saigo no inoi o sunda ka?
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Kore kara ano yo ni iku,
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Omae no tame ni,
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Meido no miyage toshite,
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Kimochii koto wo shiteru.
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Sangan ni inai desu.
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Kimochi ga ii.
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Ii desu.
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Akabane wa ii desu.
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Ii desu.
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Oku, oku,
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Oku yo ii desu.
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Oku.
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Ii desu.
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Ii desu.
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Omae ni wakaranai.
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Motto tsukemase.
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I see.
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There were three people in room C.
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Supervisor!
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Yes?
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How many people are here now?
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Yes, five people.
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5 minus 3 is?
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1, 2, 0, 4, 5.
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1, 2, 0, 4, 5.
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We have no choice but to make them disappear.
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We have no choice but to make them disappear.
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When you try to break into a building,
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the first thing you have to do is to break through.
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You have to break in without being noticed by the enemy.
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If you break in in a male-dominated building,
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Otoko no kyoko sennyuu wo zettai yurushite wa taranai.
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Otokono utsu wa yorokonde ukeru.
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Kankei no keizoku wo tokoro miru.
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You must always check your mobile devices and switches.
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Women's mobile devices must always be kept clean.
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You must always store carbon dioxide.
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You must always check your mobile devices and switches.
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You must always store your energy.
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You must always check your mobile devices and switches.
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In a relationship between a man and a woman,
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darkness leads to the increase of sexual desire.
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To lure the enemy,
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you must lead the enemy to a dark place as much as possible.
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Touching the body of the enemy in a dark, closed space
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has the effect of reducing the enemy's alertness.
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When you touch the body of the enemy in a dark, closed space,
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you will be able to attract the enemy's attention.
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When you touch the body of the enemy in a dark, closed space,
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When you touch the body of the enemy in a dark, closed space,
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you will be able to attract the enemy's attention.
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When you touch the body of the enemy in a dark, closed space,
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you will be able to attract the enemy's attention.
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When you touch the body of the enemy in a dark, closed space,
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you will be able to attract the enemy's attention.
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You're welcome to the prison of the dark woman.
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The country raises you young people.
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You special young people are chosen.
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You have been chosen to this prison of the dark.
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You will be transformed into new people here.
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The art of domination.
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The art of winning over any enemy.
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The art of overcoming death.
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The art of reading people's minds and futures.
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The art of reading people's minds and futures.
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Change the concept of the country.
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The country is a violent and brutal place.
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Those who oppose the country will be buried.
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A new world will emerge from you.
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A new world will emerge from you.
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That's right.
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You will soon see the result.
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Listen carefully.
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Humans are not easy to get rid of.
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My mission is to help human domination.
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My mission is to help human domination.
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It doesn't matter if it's a religion or a country.
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It doesn't matter if it's a religion or a country.
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Don't choose the means to kill.
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Don't choose the means to kill those who oppose the country.
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That's the mission I entrusted to you.
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I'll kill you.
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No, don't do it.
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Don't do it.
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It's okay.
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That's all for today.
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2531.
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You must have been surprised.
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You should take a rest from tonight.
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Go back to room 4.
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Go forward.
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You must train him tonight.
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I'll have fun today.
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You've been trained a lot, haven't you?
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I'll show you the result.
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Stand up.
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I'll show you how to entertain me.
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You can't see me well.
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Look at me from the bottom.
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It's red.
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Take your time.
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Not yet.
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Take your time.
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I want to see your buttocks.
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Look at me.
181
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You know what I mean.
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You're getting wet.
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I'll use my fingers.
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I can hear a disgusting sound.
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I can hear a disgusting sound.
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You're making me feel good.
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You're making me feel good.
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You should say, excuse me, when you sleep.
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Excuse me.
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This is too small.
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Excuse me.
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Say it more lovingly.
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I'm asking you if you feel good.
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I'm asking you if you feel good.
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Look at me.
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00:46:33,710 --> 00:46:35,430
Look at me.
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00:46:36,170 --> 00:46:37,950
Do you feel good?
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00:46:40,310 --> 00:46:41,790
Not yet.
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00:47:14,520 --> 00:47:22,840
Do you know what I like?
200
00:47:22,840 --> 00:47:23,900
Do you know what I like?
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I don't know.
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It's your buttocks.
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00:47:32,470 --> 00:47:33,400
Look at me.
204
00:47:34,380 --> 00:47:34,760
Okay.
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00:48:03,080 --> 00:48:03,520
Look at me.
206
00:48:07,360 --> 00:48:38,100
What are you doing?
207
00:50:12,460 --> 00:50:13,200
Look at me.
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00:50:13,840 --> 00:50:18,420
Not yet.
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Stand up slowly.
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Stand up slowly.
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Don't you feel good?
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00:52:13,930 --> 00:52:15,250
I feel good.
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00:52:37,850 --> 00:53:36,180
Where do you want me to put my hand?
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00:53:36,380 --> 00:53:37,600
Please put your hand on my face.
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00:53:53,590 --> 00:53:55,450
Please put your hand on my face.
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00:54:13,890 --> 00:54:14,490
Why?
217
00:54:14,490 --> 00:54:14,590
Why?
218
00:54:15,990 --> 00:54:22,990
Why did God give us complex desires?
219
00:54:25,930 --> 00:54:27,310
I don't know.
220
00:54:29,190 --> 00:54:30,250
Life and death,
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00:54:30,990 --> 00:54:33,190
joy and sorrow,
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00:54:34,510 --> 00:54:35,990
desire to swallow everything.
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00:54:39,070 --> 00:54:39,710
Cheers.
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00:54:55,140 --> 00:55:25,120
Cheers.
225
00:55:25,140 --> 00:55:39,950
Cheers.
226
00:55:55,140 --> 00:56:09,870
Cheers.
227
01:00:04,010 --> 01:00:04,970
Drink.
228
01:00:04,970 --> 01:00:05,130
Drink a lot.
229
01:00:35,570 --> 01:00:37,630
You have a pimple on your face.
230
01:00:39,170 --> 01:00:41,390
Let's do something different today.
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01:00:41,390 --> 01:00:42,650
Let's smoke tomorrow.
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01:00:46,060 --> 01:00:47,540
Please smoke tomorrow.
233
01:07:21,280 --> 01:07:24,640
No!
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01:07:42,240 --> 01:07:49,900
No!
14246
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