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1
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If you're looking at the future,
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I think you kinda gotta look
at the dark future of it all.
3
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This is the world
as it exists today.
4
00:00:16,342 --> 00:00:17,610
And if you look
at all the things
5
00:00:17,642 --> 00:00:20,212
that could take us out...
Overpopulation,
6
00:00:20,246 --> 00:00:22,782
climate change,
the planet overheating,
7
00:00:22,815 --> 00:00:25,885
maybe AI emerges
but is used a weapon.
8
00:00:27,552 --> 00:00:30,455
Science fiction can be
a metaphor
9
00:00:30,488 --> 00:00:33,559
for the human's darkest side.
10
00:00:33,592 --> 00:00:35,928
I need you to know me.
11
00:00:37,596 --> 00:00:39,798
To me, a dystopian story
is a warning.
12
00:00:39,832 --> 00:00:42,335
They're coming to get you,
Barbara.
13
00:00:42,367 --> 00:00:43,870
You realize that
that's absolutely terrible.
14
00:00:43,903 --> 00:00:45,504
Let's not let that happen.
15
00:00:45,537 --> 00:00:47,507
Your move, creep.
16
00:00:47,540 --> 00:00:50,577
Not every advancement is going
to be used to better society.
17
00:00:50,610 --> 00:00:52,812
It's human nature. There are
evil people in the world.
18
00:00:52,845 --> 00:00:55,615
Where is she taking them?!
19
00:00:55,647 --> 00:00:59,351
Some people's dystopia
can be someone else's utopia.
20
00:00:59,385 --> 00:01:03,255
Surviving can be much more
of a burden than a blessing.
21
00:01:04,990 --> 00:01:08,760
Damn you all to Hell!
22
00:01:42,460 --> 00:01:45,397
Why are we so fascinated
with these dark futures?
23
00:01:45,431 --> 00:01:47,367
It's who we are in our intimate rage...
Yeah.
24
00:01:47,400 --> 00:01:49,401
-And our social rage.
-Yeah.
25
00:01:49,434 --> 00:01:53,606
So the angst that we have
is really
26
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the fear of the end
of humanity.
27
00:01:55,573 --> 00:01:57,709
Yeah. You know,
with nuclear energy
28
00:01:57,743 --> 00:02:01,380
and the potential for pathogens
and... and so on,
29
00:02:01,414 --> 00:02:02,915
all the things that
we've been dealing with
30
00:02:02,948 --> 00:02:04,884
for the last, you know,
50, 60 years...
31
00:02:04,916 --> 00:02:08,053
are manifesting in these
post-apocalyptic fantasies.
32
00:02:08,087 --> 00:02:09,622
-Yeah.
-And I would submit
33
00:02:09,654 --> 00:02:10,990
that everybody that watches
these movies
34
00:02:11,022 --> 00:02:12,557
believes that
they are gonna be
35
00:02:12,591 --> 00:02:14,593
that 1 in 10 million people
that survives.
36
00:02:14,627 --> 00:02:16,829
-100%.
-And has the... The apartment, you know...
37
00:02:16,861 --> 00:02:19,331
-Yeah.
-In Manhattan with the steel door and all that.
38
00:02:19,365 --> 00:02:21,067
Yeah.
Sure, you gotta shoot a few vampires,
39
00:02:21,099 --> 00:02:22,701
but it's actually
a pretty good life.
40
00:02:22,735 --> 00:02:25,338
It is. It simplifies the lifestyle.
Yeah.
41
00:02:25,371 --> 00:02:26,873
And at the end of the day
is the fantasy
42
00:02:26,906 --> 00:02:29,742
of having to hunt to survive.
43
00:02:29,775 --> 00:02:32,010
I mean, the quintessential
fantasy in the 20th century
44
00:02:32,044 --> 00:02:36,849
for post-apocalyptic is
you, your car, and your gun.
45
00:02:45,825 --> 00:02:51,698
I had been aware
of "I Am Legend" for years.
46
00:02:51,730 --> 00:02:55,734
Arnold Schwarzenegger had it
for about 10 years,
47
00:02:55,767 --> 00:02:57,836
and he... he wasn't
letting it go.
48
00:02:57,870 --> 00:03:00,807
And I was like, "Come on, man.
Come on, you the Governor, man.
49
00:03:00,839 --> 00:03:02,374
You not gonna make it."
50
00:03:02,408 --> 00:03:03,743
And eventually Arnold was like
51
00:03:03,776 --> 00:03:05,745
"Okay, okay.
I'm not gonna make it."
52
00:03:05,777 --> 00:03:09,681
Dr. Robert Neville,
he was a virologist,
53
00:03:09,714 --> 00:03:13,552
and he was supposed to
save humanity, and he missed.
54
00:03:13,586 --> 00:03:15,688
There has been
a worldwide epidemic
55
00:03:15,720 --> 00:03:17,990
and it has turned the population
56
00:03:18,022 --> 00:03:20,960
into these
vampire zombie-like things.
57
00:03:23,027 --> 00:03:26,031
And Neville is
the last man on Earth.
58
00:03:30,069 --> 00:03:31,704
What will the world look like,
59
00:03:31,736 --> 00:03:33,638
after we have finally
found a way
60
00:03:33,671 --> 00:03:35,741
to make sure it has
rid itself of us?
61
00:03:35,775 --> 00:03:38,745
Is at the heart
of the narrative.
62
00:03:38,777 --> 00:03:40,812
How does a guy survive
63
00:03:40,845 --> 00:03:43,815
after losing all of that,
64
00:03:43,849 --> 00:03:47,019
and make it day to day
to day to day?
65
00:03:47,051 --> 00:03:50,122
Being the last person on Earth
66
00:03:50,156 --> 00:03:54,726
speaks to the concept
of existential loneliness.
67
00:03:54,759 --> 00:03:59,798
It speaks to a very terrifying
reality for human beings,
68
00:03:59,831 --> 00:04:03,402
that we actually are born
and we die alone.
69
00:04:03,436 --> 00:04:04,636
Morning, Hank.
70
00:04:04,670 --> 00:04:07,573
Surviving can be
much more of a burden
71
00:04:07,605 --> 00:04:10,576
than a blessing sometimes,
and part of the beauty
72
00:04:10,608 --> 00:04:15,013
is that's how
a lot of us feel in life.
73
00:04:15,047 --> 00:04:17,617
When Will and Akiva
and I kind of crafted the movie,
74
00:04:17,649 --> 00:04:20,620
we wanted to keep elements
that made "I Am Legend,"
75
00:04:20,653 --> 00:04:21,987
"I Am "... "I Am Legend."
76
00:04:25,523 --> 00:04:30,463
one of my favorite ideas
in the novel is at the end,
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00:04:30,495 --> 00:04:32,531
Neville discovering,
78
00:04:32,564 --> 00:04:34,567
"The things that
I thought were the monsters
79
00:04:34,600 --> 00:04:37,703
aren't really the monsters.
I'm the monster."
80
00:04:37,735 --> 00:04:42,107
This idea that this creature
that he has down in his lab
81
00:04:42,141 --> 00:04:45,978
is the, you know, love
of the sort of alpha creature
82
00:04:46,011 --> 00:04:47,814
that's, you know, stalking him.
83
00:04:47,846 --> 00:04:49,848
And he discovers that
if he gives this creature back,
84
00:04:49,882 --> 00:04:53,119
this guy may let him live,
and he does.
85
00:04:53,151 --> 00:04:54,853
I'm sorry.
86
00:04:54,886 --> 00:04:58,824
The same way
he saw them as monsters,
87
00:04:58,857 --> 00:05:00,625
that's how they saw him.
88
00:05:00,658 --> 00:05:04,629
Now conceptually,
that is a spectacular idea.
89
00:05:04,663 --> 00:05:08,867
That is the truth
of all conflict.
90
00:05:08,901 --> 00:05:11,871
But the audience
just short of booed.
91
00:05:11,903 --> 00:05:15,173
Just, like,
right on the edge
92
00:05:15,206 --> 00:05:18,076
of... of booing.
93
00:05:18,110 --> 00:05:21,080
So we... we went back,
and the eventual ending,
94
00:05:21,112 --> 00:05:24,249
he sacrificed himself
to save the cure.
95
00:05:26,886 --> 00:05:30,523
There was something about
the difference
96
00:05:30,555 --> 00:05:33,158
of science fiction in a novel
97
00:05:33,192 --> 00:05:36,662
versus science fiction
in the cinema.
98
00:05:36,694 --> 00:05:41,567
The genre actually shifts
when you add the images.
99
00:05:41,600 --> 00:05:43,236
"I Am Legend" is a novel
100
00:05:43,269 --> 00:05:46,239
which was published in 1954,
101
00:05:46,271 --> 00:05:49,774
and is not only
one of the most important
102
00:05:49,807 --> 00:05:51,843
disease apocalypse stories
of all time,
103
00:05:51,877 --> 00:05:55,146
it is the most influential.
104
00:05:55,180 --> 00:05:56,848
It's had many adaptations.
105
00:05:56,882 --> 00:05:58,283
The first adaptation
106
00:05:58,317 --> 00:06:01,554
was in the early '60s
with Vincent Price.
107
00:06:01,586 --> 00:06:02,954
Another day to live through.
108
00:06:02,987 --> 00:06:04,523
Better get started.
109
00:06:04,557 --> 00:06:07,593
Then we had the really popular
'70s version
110
00:06:07,625 --> 00:06:10,662
called "The Omega Man."
111
00:06:10,696 --> 00:06:12,665
If you look at apocalyptic ideas
in science fiction,
112
00:06:12,697 --> 00:06:14,699
they tend to come in waves...
113
00:06:14,732 --> 00:06:17,636
-and the '70s was a very strong wave of apocalyptic thinking.
-Sure.
114
00:06:17,670 --> 00:06:19,305
But you're coming out
of the '60s,
115
00:06:19,338 --> 00:06:22,808
and... and a certain unleashing
of human consciousness.
116
00:06:22,841 --> 00:06:25,944
-Yeah.
-So, you know, of course it was gonna manifest itself that way.
117
00:06:25,978 --> 00:06:27,280
And after September 11th,
118
00:06:27,312 --> 00:06:28,848
there was
a big resurgence of it...
119
00:06:28,881 --> 00:06:30,683
-Sure.
-Almost immediately.
120
00:06:30,716 --> 00:06:32,050
Things like "I Am Legend,"
things like...
121
00:06:32,083 --> 00:06:33,819
-It was a big wave...
-Right, right.
122
00:06:33,852 --> 00:06:36,556
And very, very concerned
back to that '70s idea of,
123
00:06:36,588 --> 00:06:39,225
"You know what? We may well
screw this all up."
124
00:06:39,257 --> 00:06:41,693
I'm fascinated by the way
that science fiction
125
00:06:41,727 --> 00:06:44,964
is always, you know,
manifesting our... our angst,
126
00:06:44,997 --> 00:06:47,165
our dreams and our...
And our nightmares.
127
00:06:48,800 --> 00:06:50,870
Every generation has
its own version
128
00:06:50,903 --> 00:06:53,306
of the apocalypse,
129
00:06:53,338 --> 00:06:56,641
some horrible event
that basically annihilates
130
00:06:56,675 --> 00:06:58,276
a bunch of people
all at the same time.
131
00:06:58,309 --> 00:07:01,112
Apocalypses are
a big theme in science fiction
132
00:07:01,146 --> 00:07:02,982
and always have been.
133
00:07:03,014 --> 00:07:05,951
The reason they're interesting
is because we always feel like
134
00:07:05,985 --> 00:07:08,321
the clock is at 5 minutes
to midnight,
135
00:07:08,353 --> 00:07:10,188
that the apocalypse
is gonna come.
136
00:07:10,221 --> 00:07:12,857
The science fiction authors
and filmmakers
137
00:07:12,891 --> 00:07:15,595
may have given us the ammunition
138
00:07:15,627 --> 00:07:19,632
by illuminating for us
the dark possibilities
139
00:07:19,665 --> 00:07:21,867
which are now becoming
more and more real.
140
00:07:21,899 --> 00:07:25,870
I think that
one of the most powerful,
141
00:07:25,903 --> 00:07:29,641
dazzling, nasty ends
for... for humankind
142
00:07:29,675 --> 00:07:31,210
is "Planet of the Apes."
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00:07:31,242 --> 00:07:34,346
The book on which
it's based, by Pierre Bool,
144
00:07:34,379 --> 00:07:37,283
it's just a vision
of another world.
145
00:07:37,316 --> 00:07:38,918
But at the end there's,
of course,
146
00:07:38,951 --> 00:07:41,287
this famous big reveal
147
00:07:41,319 --> 00:07:44,856
that makes... makes your heart
turn upside down for a moment
148
00:07:44,889 --> 00:07:47,793
when you discover that they
didn't travel to another planet.
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00:07:47,826 --> 00:07:49,160
Unwittingly, they have traveled
150
00:07:49,194 --> 00:07:51,129
to the future
of the Earth itself.
151
00:07:51,163 --> 00:07:55,968
Damn you all to Hell!
152
00:07:56,000 --> 00:07:59,137
So it turns out to be a story
about our own future,
153
00:07:59,170 --> 00:08:00,839
about our destiny.
154
00:08:00,872 --> 00:08:04,009
It's a far, far,
far future post-apocalypse
155
00:08:04,043 --> 00:08:05,745
where humans have been
replaced by apes
156
00:08:05,778 --> 00:08:08,080
and... and humans are now
kind of dumb animals.
157
00:08:08,112 --> 00:08:09,781
Within the first series,
158
00:08:09,814 --> 00:08:12,350
but especially
in the second series of films,
159
00:08:12,384 --> 00:08:14,787
we discover that
humanity's demise,
160
00:08:14,819 --> 00:08:19,057
it's not just caused by
a rain of nukes from the sky.
161
00:08:19,091 --> 00:08:21,660
It's just caused
by a zombie pandemic.
162
00:08:21,694 --> 00:08:24,063
It's actually a whole bunch
of different factors.
163
00:08:24,095 --> 00:08:26,432
A hallmark of really good
science fiction
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00:08:26,465 --> 00:08:30,201
that stays with us
is this idea that
165
00:08:30,235 --> 00:08:32,937
the apocalypse is complicated.
166
00:08:32,970 --> 00:08:38,844
And the series is a great
example of a-an apocalypse
167
00:08:38,876 --> 00:08:41,946
which also has
an element of hope in it.
168
00:08:44,048 --> 00:08:45,418
We think of "Planet of the Apes"
169
00:08:45,451 --> 00:08:46,985
as this cynical movie
170
00:08:47,019 --> 00:08:49,321
where humans are going
to ruin everything.
171
00:08:49,354 --> 00:08:51,257
But there's that lovely moment
at the beginning.
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00:08:51,289 --> 00:08:52,991
From the very first film,
173
00:08:53,024 --> 00:08:55,226
Charlton Heston
is speaking aloud
174
00:08:55,259 --> 00:08:56,795
to the humans of the future,
who he thinks are gonna
175
00:08:56,828 --> 00:08:59,431
discover him in 700 years,
and he says...
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You who are reading me now
177
00:09:01,365 --> 00:09:03,269
are a different breed...
178
00:09:03,302 --> 00:09:05,336
I hope a better one.
179
00:09:05,370 --> 00:09:08,407
And the optimism of that
just breaks my heart,
180
00:09:08,440 --> 00:09:10,076
especially when
you're rewatching the film
181
00:09:10,109 --> 00:09:11,844
and you know what happens.
182
00:09:11,876 --> 00:09:14,245
It's trying to warn us about
what's gonna happen
183
00:09:14,278 --> 00:09:16,047
if we screw up today.
184
00:09:16,081 --> 00:09:17,983
It's almost like you drop
a stone in a pool,
185
00:09:18,015 --> 00:09:19,851
and he wakes up
at the 20th ripple,
186
00:09:19,884 --> 00:09:24,155
where what's happened in 1972
has ruined the world.
187
00:09:24,188 --> 00:09:26,858
It's frighteningly
a promissory note.
188
00:09:26,892 --> 00:09:28,761
I think we all watch
those movies...
189
00:09:28,793 --> 00:09:31,831
Kill them all!
And feel some truth,
190
00:09:31,864 --> 00:09:36,902
some inevitability to the idea
of it all going away.
191
00:09:38,770 --> 00:09:43,141
Us rendering us...
192
00:09:43,174 --> 00:09:47,479
dispensable
and dispensed with.
193
00:09:50,289 --> 00:09:52,860
If you look at all the things
that could take us out...
194
00:09:52,893 --> 00:09:54,928
-Sure.
-Overpopulation,
195
00:09:54,961 --> 00:09:56,964
climate change,
or nuclear war.
196
00:09:56,996 --> 00:10:00,032
Maybe AI emerges
but is used as a weapon.
197
00:10:00,066 --> 00:10:02,903
-It won't be one thing.
-That's right.
198
00:10:02,935 --> 00:10:06,038
I think dark futures in what
we do, as entertainment,
199
00:10:06,072 --> 00:10:08,542
the engine of that
is paranoia.
200
00:10:08,574 --> 00:10:10,009
Yeah. Right.
201
00:10:10,043 --> 00:10:11,378
Is it healthy paranoia
or unhealthy?
202
00:10:11,410 --> 00:10:13,145
It's very healthy.
203
00:10:13,178 --> 00:10:14,615
-It's healthy...
-It's very healthy.
204
00:10:14,648 --> 00:10:16,350
-'cause you're constantly saying, "what if?"
-Yeah.
205
00:10:16,382 --> 00:10:18,184
And if you're not saying,
"What if?" you're a fool.
206
00:10:18,217 --> 00:10:21,221
There's so many
different kinds of stories
207
00:10:21,254 --> 00:10:24,291
that are basically about
a really bad future.
208
00:10:24,323 --> 00:10:28,261
So there's an apocalyptic story,
and then there's dystopia.
209
00:10:28,294 --> 00:10:30,329
How did it come to this?
210
00:10:30,362 --> 00:10:34,001
Soylent Green is people!
211
00:10:34,034 --> 00:10:36,904
Dystopia is, "Something went
wrong along the way,
212
00:10:36,937 --> 00:10:38,272
and things are not
working out right."
213
00:10:38,304 --> 00:10:40,140
And it's about a future
looking at
214
00:10:40,173 --> 00:10:43,076
a worst case scenario of society
215
00:10:43,108 --> 00:10:46,045
where often this is something
humans are doing to humans.
216
00:10:46,078 --> 00:10:49,348
Primrose Everdeen.
217
00:10:49,381 --> 00:10:51,150
Prim!
218
00:10:51,183 --> 00:10:54,087
No! No! I volunteer!
219
00:10:54,120 --> 00:10:56,255
I volunteer as tribute.
220
00:10:56,289 --> 00:10:57,624
The world of "The Hunger Games"
221
00:10:57,656 --> 00:11:00,493
is a very brutal,
hard, dystopic world.
222
00:11:00,526 --> 00:11:02,496
You have a tyrannical government
223
00:11:02,529 --> 00:11:05,198
and they are just gonna,
at random,
224
00:11:05,231 --> 00:11:07,701
once every four years,
grab one of your kids
225
00:11:07,733 --> 00:11:09,502
and... and make them fight
to the death.
226
00:11:12,038 --> 00:11:14,541
I think Peeta's
a great character.
227
00:11:14,573 --> 00:11:16,409
I really connected with his idea
of even though
228
00:11:16,443 --> 00:11:18,345
this insanity
is happening around him
229
00:11:18,377 --> 00:11:22,214
and this is, like,
absolute dire circumstances,
230
00:11:22,247 --> 00:11:24,318
he still doesn't change
who he is.
231
00:11:24,351 --> 00:11:26,553
Katniss, go!
232
00:11:26,586 --> 00:11:29,289
Get out of here! Go!
What are you doing?!
233
00:11:29,322 --> 00:11:33,693
When entertainment turns into
this kind of dark spectacle,
234
00:11:33,727 --> 00:11:37,297
it can become
an instrument of oppression.
235
00:11:37,329 --> 00:11:40,232
The idea of violence
as political distraction
236
00:11:40,265 --> 00:11:43,069
comes from
Octavian Caesar Augustus,
237
00:11:43,102 --> 00:11:45,271
who literally said, "Give
the people bread and circuses.
238
00:11:45,304 --> 00:11:47,039
"Make sure their bellies
are full
239
00:11:47,073 --> 00:11:49,108
"and they've got something
to watch and distract them.
240
00:11:49,141 --> 00:11:51,377
Then they're not gonna take
to the streets and protest."
241
00:11:51,410 --> 00:11:53,612
One of
my favorite years.
242
00:11:53,645 --> 00:11:55,448
And one of
my favorite arenas.
243
00:11:55,481 --> 00:11:58,117
Suzanne Collins, in
the creation of the book series,
244
00:11:58,150 --> 00:12:02,121
she was flipping channels
during one of the wars in Iraq.
245
00:12:02,154 --> 00:12:04,757
You know,
embedded footage, live.
246
00:12:04,790 --> 00:12:06,325
And then you'd flip
a few channels
247
00:12:06,358 --> 00:12:08,594
and you'd be on MTV
watching one of these,
248
00:12:08,627 --> 00:12:11,397
you know, reality game shows...
249
00:12:13,165 --> 00:12:17,203
and starting to see these kids
battling one another,
250
00:12:17,236 --> 00:12:19,271
and then she started to put
the two ideas together.
251
00:12:19,304 --> 00:12:22,742
"The Hunger Games" really hits
right at the core of things
252
00:12:22,775 --> 00:12:24,310
that we worry about today.
253
00:12:24,343 --> 00:12:27,079
Reality TV being something
that's more cruel
254
00:12:27,112 --> 00:12:30,217
than it is entertaining,
but us not even noticing.
255
00:12:30,250 --> 00:12:32,452
And the idea of
surveillance culture for control
256
00:12:32,485 --> 00:12:35,489
has its roots in
George Orwell's novel "1984."
257
00:12:37,689 --> 00:12:41,327
"1984" is
a stunning book and film.
258
00:12:41,361 --> 00:12:43,130
Its vision of the future
259
00:12:43,163 --> 00:12:46,733
has been used to describe
the age we live in
260
00:12:46,765 --> 00:12:49,169
since it was published.
261
00:12:49,202 --> 00:12:53,506
With the rise of fascism,
the rise of war technologies,
262
00:12:53,539 --> 00:12:57,276
suddenly, science fiction
shifted from optimistic futures
263
00:12:57,309 --> 00:12:59,212
to futures that
nobody wanted to live in.
264
00:12:59,245 --> 00:13:01,248
Spreading the rumor...
265
00:13:01,280 --> 00:13:05,684
Orwell updated totalitarianism
for the media age.
266
00:13:05,717 --> 00:13:10,057
Things like telescreens
and Big Brother show us
267
00:13:10,090 --> 00:13:13,160
how surveillance would become
part of a technological network.
268
00:13:13,193 --> 00:13:14,660
Now we can see you!
269
00:13:14,693 --> 00:13:16,796
Clasp your hands
behind your heads!
270
00:13:16,829 --> 00:13:19,465
What was frightening about it
is that he didn't insist
271
00:13:19,499 --> 00:13:20,834
on a radically new world.
272
00:13:20,866 --> 00:13:22,435
He said, "Look, we can do this
273
00:13:22,468 --> 00:13:23,803
with the technology
we have now."
274
00:13:23,837 --> 00:13:26,073
The house is surrounded!
275
00:13:26,106 --> 00:13:28,341
Science fiction has never been
about predicting the future.
276
00:13:28,374 --> 00:13:29,743
It's about choosing a future.
277
00:13:29,775 --> 00:13:31,745
It's about the world
that we're in now
278
00:13:31,778 --> 00:13:33,279
and what direction we take.
279
00:13:35,548 --> 00:13:37,317
Dystopian science fiction
280
00:13:37,350 --> 00:13:40,821
grows into a launching pad
for social dialogue.
281
00:13:44,390 --> 00:13:47,159
And even then, it grows into
real world experience.
282
00:13:47,193 --> 00:13:48,861
We turn to Thailand,
283
00:13:48,895 --> 00:13:50,797
where protestors have
been inspired
284
00:13:50,829 --> 00:13:52,531
by the "Hunger Games" movie.
285
00:13:52,564 --> 00:13:56,502
A 3-fingered salute
is now a symbol of uprising.
286
00:13:56,535 --> 00:13:59,338
Is "The Hunger Games" about
revolution? It absolutely is.
287
00:14:01,473 --> 00:14:03,742
Suzanne created these
stories about war
288
00:14:03,775 --> 00:14:05,645
and the consequence of war
for teenagers
289
00:14:05,678 --> 00:14:07,347
and didn't hold back.
290
00:14:07,380 --> 00:14:10,817
High school feels like
the worst kind of dystopia.
291
00:14:10,850 --> 00:14:14,521
Someone else is controlling
what's possible for you
292
00:14:14,553 --> 00:14:16,890
and telling you what to do
and where to go and who to be.
293
00:14:16,923 --> 00:14:20,159
But in young adult literature
like the "Hunger Games"
294
00:14:20,193 --> 00:14:22,828
and in "Divergent,"
I think, these are stories
295
00:14:22,861 --> 00:14:25,298
in which young people,
especially young women,
296
00:14:25,331 --> 00:14:27,868
have agency and the power
to do something
297
00:14:27,900 --> 00:14:30,803
about the world around them.
298
00:14:30,837 --> 00:14:35,674
Katniss is this great character
and fights in a plausible way
299
00:14:35,707 --> 00:14:39,545
This is what they do,
and we must fight back!
300
00:14:39,578 --> 00:14:44,450
She is given skills that allow
her to take down a monster
301
00:14:44,483 --> 00:14:47,419
in the form of that society,
that's so much bigger than her.
302
00:14:47,452 --> 00:14:52,324
"The Hunger Games" does not end
with a pretty little bow on top
303
00:14:52,357 --> 00:14:54,560
where the world is just a better
place and everybody's happy.
304
00:14:54,593 --> 00:14:55,928
Prim is gone!
305
00:14:55,962 --> 00:14:59,866
She's dead and she's not
coming back! Get out!
306
00:14:59,899 --> 00:15:03,202
It takes a lot of casualties
and typically a lot of death
307
00:15:03,236 --> 00:15:05,804
and a lot of pain
to make any kind of change.
308
00:15:05,837 --> 00:15:09,826
But the people that remain
will always be damaged
309
00:15:09,858 --> 00:15:13,862
because those scars
definitely remain.
310
00:15:16,938 --> 00:15:19,341
I don't think the human mind
is mean to exist
311
00:15:19,375 --> 00:15:23,046
in two different...
dimensions?
312
00:15:23,078 --> 00:15:26,082
It's very confusing. You don't
know what's real and what's not.
313
00:15:26,115 --> 00:15:29,152
But you know what's real now.
314
00:15:29,184 --> 00:15:31,154
Yes, sir, I do.
315
00:15:31,187 --> 00:15:33,856
The darkest thing about
316
00:15:33,889 --> 00:15:36,425
the science fiction
of the future is the idea
317
00:15:36,458 --> 00:15:39,361
that you might be in the dark
future already and not know it.
318
00:15:39,394 --> 00:15:41,764
Where do you draw the line
319
00:15:41,798 --> 00:15:44,299
between reality
and memory and dreams?
320
00:15:44,332 --> 00:15:46,336
And I think
the fundamental message
321
00:15:46,369 --> 00:15:49,005
of every
dystopic sci-fi novel is,
322
00:15:49,038 --> 00:15:51,941
you're living
in a dystopic world
323
00:15:51,974 --> 00:15:54,344
and you either see it
or you don't.
324
00:15:54,376 --> 00:15:55,978
Now this is gonna be
very difficult
325
00:15:56,011 --> 00:15:57,380
for you to accept, Mr. Quaid.
I'm listening.
326
00:15:57,413 --> 00:16:02,351
I'm afraid you're not really
standing here right now.
327
00:16:02,384 --> 00:16:05,120
You know, Doc,
you could have fooled me.
328
00:16:05,154 --> 00:16:07,691
"Total Recall"
was adapted from a short story
329
00:16:07,724 --> 00:16:09,225
called "We Can
Remember It for You Wholesale"
330
00:16:09,258 --> 00:16:10,793
by Philip K. Dick.
331
00:16:10,827 --> 00:16:14,330
And he was
the most outstanding, surreal,
332
00:16:14,362 --> 00:16:16,965
satirical science fiction
writer of the age.
333
00:16:16,999 --> 00:16:19,034
People claim
to remember past lives.
334
00:16:19,067 --> 00:16:22,971
I claim to remember a different,
very different present life.
335
00:16:23,005 --> 00:16:26,476
And there were
subsequent Hollywood adaptations
336
00:16:26,509 --> 00:16:28,711
of his stories.
I'm placing you under arrest
337
00:16:28,745 --> 00:16:30,714
for the future murder
of Sarah Marks.
338
00:16:30,746 --> 00:16:33,916
And again and again,
characters are thrust into
339
00:16:33,950 --> 00:16:36,920
what they learn later
is a constructed universe,
340
00:16:36,952 --> 00:16:38,987
fooling the people
who wander into it
341
00:16:39,020 --> 00:16:41,024
into thinking
it's actually real.
342
00:16:41,057 --> 00:16:43,960
When we're asleep, our mind
can do almost anything.
343
00:16:45,995 --> 00:16:48,731
That's what
good science fiction does.
344
00:16:48,764 --> 00:16:51,967
It makes you do
a double take on reality.
345
00:16:52,000 --> 00:16:54,269
And the things you have taken
for granted your whole life,
346
00:16:54,303 --> 00:16:55,872
it makes you look at them
347
00:16:55,904 --> 00:16:58,808
in a new and sometimes
very paranoid way.
348
00:17:04,946 --> 00:17:06,348
What the hell?
349
00:17:06,382 --> 00:17:08,952
You can see that
Philip K. Dick's ideas
350
00:17:08,984 --> 00:17:11,820
are popping up in something
like "The Matrix."
351
00:17:11,854 --> 00:17:13,389
There is a sense of paranoia,
352
00:17:13,422 --> 00:17:16,893
the sense that there's
no ground truth to hold on to.
353
00:17:16,925 --> 00:17:19,194
You take the blue pill,
you wake up in your bed
354
00:17:19,228 --> 00:17:21,297
and believe whatever
you want to believe.
355
00:17:21,329 --> 00:17:22,932
You take the red pill,
356
00:17:22,964 --> 00:17:25,067
and I show you how deep
the rabbit hole goes.
357
00:17:26,368 --> 00:17:29,071
The Wachowskis
gave me the script.
358
00:17:29,105 --> 00:17:30,440
I read it.
359
00:17:33,308 --> 00:17:35,912
This idea of reality
not being reality...
360
00:17:35,944 --> 00:17:38,781
This is the world
as it exists today.
361
00:17:38,815 --> 00:17:40,150
What's really cool
about "The Matrix"
362
00:17:40,183 --> 00:17:42,384
is you get to see
what's behind the curtain...
363
00:17:42,417 --> 00:17:47,523
Enslavement of humans
to support machines.
364
00:17:47,557 --> 00:17:49,291
How do you define real?
365
00:17:49,325 --> 00:17:51,528
So you've got virtual reality
366
00:17:51,560 --> 00:17:55,330
and agents and Morpheus
and...
367
00:17:55,364 --> 00:17:57,299
And then kung fu.
368
00:18:01,871 --> 00:18:05,308
Laurence Fishburne and I had
been training the dojo sequence
369
00:18:05,340 --> 00:18:07,309
for about 7, 8 months.
370
00:18:07,343 --> 00:18:09,512
So it was really exciting
to actually be there on the day
371
00:18:09,545 --> 00:18:11,247
and start doing it.
372
00:18:11,279 --> 00:18:13,817
Because you can train, but then
there's the game, right?
373
00:18:13,849 --> 00:18:15,584
And then someone says, "Action,"
and it's...
374
00:18:15,617 --> 00:18:17,352
It's on, right?
375
00:18:23,526 --> 00:18:25,228
I know kung fu.
376
00:18:26,929 --> 00:18:28,531
In the synthetic
world of the Matrix,
377
00:18:28,564 --> 00:18:30,099
we're not limited by our bodies.
378
00:18:30,132 --> 00:18:32,869
We're limited just by
what we can imagine,
379
00:18:32,902 --> 00:18:35,404
which is how you can have these
innovations like bullet time...
380
00:18:37,606 --> 00:18:39,908
I think
what's really interesting
381
00:18:39,942 --> 00:18:42,311
about "The Matrix" is
that it employed special effects
382
00:18:42,345 --> 00:18:45,280
in a way that was inherent
to the narrative.
383
00:18:45,314 --> 00:18:47,984
The reason that bullet time
exists in the Matrix
384
00:18:48,017 --> 00:18:50,586
is as an exemplar
that this is not reality.
385
00:18:50,619 --> 00:18:53,255
When you're in the Matrix,
you're capable of doing things
386
00:18:53,288 --> 00:18:56,358
which you cannot do
in the real world.
387
00:18:56,392 --> 00:18:58,628
And the first time
we see Trinity
388
00:18:58,661 --> 00:19:01,264
jump up into that crane pose,
389
00:19:01,297 --> 00:19:02,932
we had never seen that before.
390
00:19:02,964 --> 00:19:05,268
That was technology that was
effectively invented
391
00:19:05,300 --> 00:19:07,135
for that film.
392
00:19:07,169 --> 00:19:08,504
And then later on in the film,
393
00:19:08,537 --> 00:19:10,606
when you see the bullet time
more and more,
394
00:19:10,640 --> 00:19:13,543
it becomes
the distinguishing feature
395
00:19:13,576 --> 00:19:15,644
that tells you
you're in the Matrix,
396
00:19:15,677 --> 00:19:17,880
and you're not in
the dystopian apocalypse
397
00:19:17,913 --> 00:19:19,281
where we actually exist.
398
00:19:20,982 --> 00:19:22,217
No.
399
00:19:25,453 --> 00:19:27,456
"The Matrix" certainly is
a very exciting film
400
00:19:27,490 --> 00:19:30,559
if you're just interested
in seeing cool graphics
401
00:19:30,593 --> 00:19:32,362
and kung fu.
402
00:19:32,394 --> 00:19:35,064
But you can also have all sorts
of debates with friends
403
00:19:35,096 --> 00:19:37,200
about its philosophical
underpinnings.
404
00:19:37,232 --> 00:19:39,034
The Matrix predicted a society
405
00:19:39,067 --> 00:19:42,437
where people could just
plug in and lose themselves,
406
00:19:42,471 --> 00:19:44,307
where people see
what they want to see,
407
00:19:44,339 --> 00:19:45,974
believe what they want
to believe
408
00:19:46,008 --> 00:19:48,411
because it's comfortable
and safe even though it's a lie.
409
00:19:48,443 --> 00:19:52,414
I know this steak
doesn't exist.
410
00:19:52,448 --> 00:19:55,451
I know that when
I put it in my mouth,
411
00:19:55,483 --> 00:19:59,621
the Matrix is telling my brain
that it is juicy and delicious.
412
00:19:59,654 --> 00:20:02,458
You know, saying,
"I just wanna eat some steak"
413
00:20:02,490 --> 00:20:04,327
and, you know,
"I wanna stay asleep,"
414
00:20:04,359 --> 00:20:06,695
I mean, I think it's a really
seductive choice, right?
415
00:20:06,729 --> 00:20:09,966
I don't wanna remember nothing.
Nothing.
416
00:20:09,999 --> 00:20:12,168
"The Matrix"
is perfect science fiction
417
00:20:12,201 --> 00:20:15,404
because it has the great moment
of personal choice.
418
00:20:15,438 --> 00:20:17,106
Do we plug in
419
00:20:17,138 --> 00:20:19,942
and do we just become
mindless cogs in a machine,
420
00:20:19,975 --> 00:20:23,111
or do we unplug
and choose to live in a world
421
00:20:23,144 --> 00:20:24,864
that is cold and dark
422
00:20:24,883 --> 00:20:27,886
and complicated
and hard and real?
423
00:20:31,633 --> 00:20:33,773
You flirt with science fiction
all over the place.
424
00:20:33,820 --> 00:20:36,129
-Very much.
-I would submit that "The Dark Knight"
425
00:20:36,148 --> 00:20:37,483
and "The Dark Knight Rises"
are actually
426
00:20:37,515 --> 00:20:39,884
-dystopian science fiction.
-Right.
427
00:20:39,903 --> 00:20:41,272
Because you're looking at
428
00:20:41,306 --> 00:20:44,578
a hypertrophied
corrupt state.
429
00:20:44,594 --> 00:20:45,962
Yeah, "Dark Knight Rises,"
it's...
430
00:20:45,996 --> 00:20:49,300
It's an experience
of dystopian future,
431
00:20:49,332 --> 00:20:50,868
and looking at
demagoguery.
432
00:20:50,900 --> 00:20:52,503
You're looking at all these
things that could happen.
433
00:20:52,535 --> 00:20:54,404
I think there's an aspect
of science fiction that...
434
00:20:54,438 --> 00:20:56,873
That celebrates
human potential...
435
00:20:56,907 --> 00:20:59,977
-Yeah.
-Where only a hero is your answer, is your salvation.
436
00:20:59,993 --> 00:21:02,229
Yeah, very much.
437
00:21:02,262 --> 00:21:03,562
You wanna play? Come on.
438
00:21:06,599 --> 00:21:08,902
You're terminated,.
439
00:21:10,669 --> 00:21:12,705
The role of the heroes
in most dark futures
440
00:21:12,739 --> 00:21:15,242
is to defeat the forces
441
00:21:15,274 --> 00:21:17,409
that help make
these dystopian futures happen.
442
00:21:17,443 --> 00:21:20,914
Dystopian fiction often consider
just how much one person can do
443
00:21:20,946 --> 00:21:22,314
to change the world around them,
444
00:21:22,348 --> 00:21:23,649
fighting against a system
445
00:21:23,683 --> 00:21:25,585
that has become
oppressive and corrupt.
446
00:21:25,618 --> 00:21:28,355
Drop the gun.
You are under arrest.
447
00:21:30,356 --> 00:21:32,592
Thank you for your cooperation.
448
00:21:32,625 --> 00:21:36,029
RoboCop is a cop who is
ultimately turned
449
00:21:36,061 --> 00:21:38,564
into a half-man, half-machine,
450
00:21:38,598 --> 00:21:41,001
but he's a good cop who believes
that there are bad guys,
451
00:21:41,033 --> 00:21:42,868
and he's there to stop them.
452
00:21:42,902 --> 00:21:45,505
Guns, guns, guns!
453
00:21:49,442 --> 00:21:51,411
I kept thinking about
a science fiction story
454
00:21:51,444 --> 00:21:53,512
that was kind of set
in the business world.
455
00:21:53,545 --> 00:21:55,447
You know, it was the 80's
and it was kind of
456
00:21:55,481 --> 00:21:57,884
the beginning
of the greed generation.
457
00:21:57,916 --> 00:22:00,954
So in "RoboCop," it was saying
that now we live in a world
458
00:22:00,986 --> 00:22:05,358
that is really run by money
and corporations, and I thought,
459
00:22:05,390 --> 00:22:07,860
"We should make a movie
about how this is inevitable,
460
00:22:07,894 --> 00:22:09,429
but maybe you can stop it."
461
00:22:09,462 --> 00:22:10,897
You are under arrest.
462
00:22:10,929 --> 00:22:13,299
RoboCop thinks
he's catching one bad guy,
463
00:22:13,332 --> 00:22:15,601
and then it turns out the bad
guy is even bigger than him.
464
00:22:15,635 --> 00:22:17,070
It's a system.
465
00:22:17,102 --> 00:22:18,904
That's the power of sci-fi,
it makes it possible
466
00:22:18,937 --> 00:22:21,874
to sit there and kind of think
about these very big topics
467
00:22:21,907 --> 00:22:23,475
while you're watching,
you know,
468
00:22:23,509 --> 00:22:25,878
robots, shoot guys
in the penis.
469
00:22:28,481 --> 00:22:29,782
Your move, creep.
470
00:22:32,984 --> 00:22:34,553
The violence of "RoboCop"
471
00:22:34,587 --> 00:22:36,955
is absolutely startling.
472
00:22:36,989 --> 00:22:38,992
You know, it shows that
this is dystopia
473
00:22:39,024 --> 00:22:40,694
and there is something
very terrible
474
00:22:40,726 --> 00:22:43,095
that has happened to the world
to get us to this place.
475
00:22:43,128 --> 00:22:45,365
I'm always a bit amazed
that people ask,
476
00:22:45,397 --> 00:22:47,733
"Why there is so much violence
in your movies?"
477
00:22:47,766 --> 00:22:49,335
Then I would answer,
478
00:22:49,368 --> 00:22:51,870
"Why is there not violence
in your movies?"
479
00:22:51,904 --> 00:22:54,340
Violence is built into
the universe.
480
00:22:54,374 --> 00:22:57,043
And that was, for me,
something that I understood
481
00:22:57,076 --> 00:22:59,512
from a, let's say,
religious point of view.
482
00:23:01,079 --> 00:23:05,885
I felt that the death of Murphy
should be a crucifixion.
483
00:23:05,917 --> 00:23:07,654
This has to be horrifying,
484
00:23:07,686 --> 00:23:10,756
so it had to be
extremely violent.
485
00:23:10,790 --> 00:23:12,759
I think it works very well.
486
00:23:12,791 --> 00:23:16,428
Then slowly, you get
these electronic movements
487
00:23:16,462 --> 00:23:18,631
and you start
to recognize things,
488
00:23:18,664 --> 00:23:19,965
and that is the resurrection.
489
00:23:21,733 --> 00:23:23,069
I can see the beauty
of that story
490
00:23:23,101 --> 00:23:26,638
and I wanted to impose that
on the movie.
491
00:23:26,672 --> 00:23:29,142
And basically it came
to me, the idea,
492
00:23:29,175 --> 00:23:31,010
that he should
walk over the water.
493
00:23:32,712 --> 00:23:35,048
And that's what I always
felt about RoboCop,
494
00:23:35,080 --> 00:23:37,649
that he was the American Jesus.
495
00:23:39,418 --> 00:23:40,986
"RoboCop" is a political satire,
496
00:23:41,020 --> 00:23:45,023
and the realization that this is
an allegory for Jesus Christ
497
00:23:45,057 --> 00:23:48,661
just shows that we really
attach cultural significance
498
00:23:48,694 --> 00:23:52,765
to the idea of saviors who
sacrifice everything to help us.
499
00:23:54,801 --> 00:23:56,168
Science fiction shows us
500
00:23:56,202 --> 00:23:58,738
an absolutely dystopian
and horrific future,
501
00:23:58,771 --> 00:24:03,542
but we find a beacon of hope
from the heroes of the story.
502
00:24:03,576 --> 00:24:06,479
You wanna get out of here?
503
00:24:06,512 --> 00:24:07,813
You talk to me.
504
00:24:07,847 --> 00:24:10,783
Mad Max,
the reluctant antihero.
505
00:24:10,817 --> 00:24:14,654
"Mad Max" was like,
you hear a piece of music,
506
00:24:14,686 --> 00:24:17,656
and you're like, "My God.
Where has that been?!"
507
00:24:17,689 --> 00:24:19,091
George Miller,
508
00:24:19,125 --> 00:24:21,661
he was a kid who grew up
in Australia.
509
00:24:21,694 --> 00:24:23,128
And when he was a teenager,
510
00:24:23,162 --> 00:24:25,965
he saw a lot of his friends
die in car crashes.
511
00:24:25,997 --> 00:24:28,700
And then when he was a doctor,
he saw lots of corpses
512
00:24:28,733 --> 00:24:30,837
come in that had
been mangled from roads.
513
00:24:30,869 --> 00:24:32,571
So when George Miller becomes
a filmmaker,
514
00:24:32,605 --> 00:24:34,774
this idea of telling
life and death stories
515
00:24:34,807 --> 00:24:36,843
set on roads feels
very natural to him.
516
00:24:38,243 --> 00:24:39,846
In the very first movie,
517
00:24:39,878 --> 00:24:42,448
society is kind of
on the verge of collapsing.
518
00:24:42,482 --> 00:24:45,585
And Max, he was a cop,
goes sort of insane
519
00:24:45,618 --> 00:24:46,953
over the course of the film,
520
00:24:46,985 --> 00:24:49,121
trying to stop criminals...
521
00:24:49,155 --> 00:24:50,723
and losing
his family.
522
00:24:52,758 --> 00:24:54,627
And then the second movie,
"Road Warrior,"
523
00:24:54,659 --> 00:24:57,663
there has been
this unexplained nuclear war
524
00:24:57,696 --> 00:25:00,132
and that now gas supplies
are incredibly scarce,
525
00:25:00,166 --> 00:25:03,470
and that has given way to this
post-apocalyptic wasteland
526
00:25:03,502 --> 00:25:05,737
that Max is now
wandering through.
527
00:25:05,771 --> 00:25:08,140
Mad Max might save
the situation,
528
00:25:08,174 --> 00:25:10,210
but he world itself
just keep getting worse
529
00:25:10,243 --> 00:25:11,778
and worse and worse.
530
00:25:13,846 --> 00:25:17,016
There are certain films
that the culture pivots around,
531
00:25:17,049 --> 00:25:19,485
and "Road Warrior" was
one of them.
532
00:25:19,519 --> 00:25:22,088
As the science fiction writer
J.G. Ballard said,
533
00:25:22,120 --> 00:25:24,156
"It's the Sistine Chapel
of punk."
534
00:25:24,189 --> 00:25:27,659
You! You can run,
but you can't hide.
535
00:25:29,060 --> 00:25:30,597
I'm a comic book artist.
536
00:25:30,629 --> 00:25:32,064
I write and I draw,
537
00:25:32,098 --> 00:25:33,765
and I'm used to words
and pictures all the time.
538
00:25:33,799 --> 00:25:36,135
So when I got a call
from George saying,
539
00:25:36,167 --> 00:25:37,803
"I've got some stuff on Mad Max
540
00:25:37,837 --> 00:25:40,006
I'd like to talk to you about,"
I said, "Yeah."
541
00:25:45,176 --> 00:25:46,913
In the fourth Mad Max,
"Fury Road,"
542
00:25:46,945 --> 00:25:50,782
we had to plot every
single thing on that movie,
543
00:25:50,816 --> 00:25:52,952
and we did it through
nearly 4,000 drawings.
544
00:25:55,221 --> 00:25:59,692
We really changed
the hero myth as well.
545
00:25:59,724 --> 00:26:02,262
In "Fury Road," Mad Max,
he's much more a product
546
00:26:02,294 --> 00:26:04,964
of sort of a post-traumatic
stress disorder,
547
00:26:04,996 --> 00:26:07,733
and there's nothing to live for
except to live.
548
00:26:07,766 --> 00:26:11,003
20 years out in the Outback on
his own in his beat-up old car.
549
00:26:11,037 --> 00:26:13,940
So this guy is like
a feral animal.
550
00:26:13,973 --> 00:26:16,142
He's placed as a hood ornament
on a hot rod.
551
00:26:16,175 --> 00:26:17,743
He's used as a blood bank.
552
00:26:17,777 --> 00:26:18,978
That's my property!
553
00:26:19,011 --> 00:26:20,547
Because in "Fury Road,"
554
00:26:20,579 --> 00:26:22,549
the commodity is not oil.
555
00:26:22,581 --> 00:26:24,850
It's actually
the human body itself.
556
00:26:24,884 --> 00:26:27,287
You're more than welcome
to come with us.
557
00:26:27,320 --> 00:26:30,822
I'll... I'll make my own way.
558
00:26:30,856 --> 00:26:32,892
I feel like when you watch
the Mad Max films,
559
00:26:32,925 --> 00:26:34,993
after the first one,
he doesn't even see himself
560
00:26:35,027 --> 00:26:36,729
as somebody who could be a hero.
561
00:26:36,762 --> 00:26:37,931
It's not his world.
562
00:26:37,964 --> 00:26:39,698
So it's up to women like Furiosa
563
00:26:39,732 --> 00:26:42,835
to do the work of actually
making it a better place.
564
00:26:42,868 --> 00:26:44,570
They're looking for hope.
565
00:26:44,604 --> 00:26:46,806
-What about you?
-Redemption.
566
00:26:46,839 --> 00:26:49,274
Furiosa is George's character.
567
00:26:49,308 --> 00:26:50,810
That was George saying,
568
00:26:50,842 --> 00:26:52,878
"I'm gonna make
a female road warrior,
569
00:26:52,912 --> 00:26:56,583
and then she's gonna be
an icon of the times."
570
00:26:56,616 --> 00:26:58,117
Even though it was
a Mad Max movie,
571
00:26:58,149 --> 00:27:00,954
it really allowed
this heroine character
572
00:27:00,986 --> 00:27:06,325
to sort of rise up
and almost steal the hero role.
573
00:27:06,358 --> 00:27:09,662
Furiosa is a much more
compelling hero
574
00:27:09,695 --> 00:27:11,697
than we see with Max.
575
00:27:11,731 --> 00:27:13,866
We understand her backstory
a lot better,
576
00:27:13,898 --> 00:27:15,702
and her motivations.
No!
577
00:27:15,734 --> 00:27:19,137
She has to protect these
women who are trying to escape
578
00:27:19,170 --> 00:27:22,040
from a really cruel,
terrible slave owner.
579
00:27:22,073 --> 00:27:24,677
Remember me?
580
00:27:28,179 --> 00:27:31,016
There comes a time when
Furiosa, being very injured...
581
00:27:31,050 --> 00:27:34,287
Stabbed in the side,
losing vast amounts of blood.
582
00:27:35,887 --> 00:27:37,991
And then Max penetrates her
with a knife
583
00:27:38,023 --> 00:27:40,892
and gives her his blood
and mingles it with her.
584
00:27:40,926 --> 00:27:43,663
He's now getting invested
in spite of himself.
585
00:27:43,695 --> 00:27:45,932
You see the male and the female
energy coming together,
586
00:27:45,964 --> 00:27:47,934
it was very powerful.
587
00:27:47,966 --> 00:27:50,168
And in a way,
this is their love scene.
588
00:27:50,202 --> 00:27:51,804
And then he leaves.
589
00:27:54,005 --> 00:27:56,708
When you see Furiosa
on that platform,
590
00:27:56,742 --> 00:27:58,945
rise above this village,
591
00:27:58,977 --> 00:28:00,979
you realize this might be
the first time
592
00:28:01,012 --> 00:28:02,314
where's there's
a little bit of hope
593
00:28:02,348 --> 00:28:04,183
at the end of a Mad Max film.
594
00:28:04,215 --> 00:28:06,019
There's a chance now,
a real hope
595
00:28:06,051 --> 00:28:09,321
that a new type of society
can be formed by these girls,
596
00:28:09,355 --> 00:28:11,391
with the muscle of Furiosa.
597
00:28:11,424 --> 00:28:14,761
These heroic women
will now bring forth
598
00:28:14,793 --> 00:28:16,795
a new dispensation
to this world.
599
00:28:16,829 --> 00:28:21,067
They're gonna remake the world
that exists in their ideology.
600
00:28:21,099 --> 00:28:22,368
What will happen, we don't know,
601
00:28:22,400 --> 00:28:24,539
but that's another story.
602
00:28:24,719 --> 00:28:27,689
We as a society hunger
for our nightmares
603
00:28:27,722 --> 00:28:30,992
-writ large on the big screen or the small screen.
-Right.
604
00:28:31,159 --> 00:28:33,828
So it seems to me that's a big
part of what science fiction is.
605
00:28:33,861 --> 00:28:36,698
-It is. Yeah.
-But as we got into the technological age
606
00:28:36,730 --> 00:28:38,833
and the science age,
our fear and our angst
607
00:28:38,865 --> 00:28:40,701
of where this was all going,
608
00:28:40,735 --> 00:28:42,304
-this big human experiment.
-Right.
609
00:28:42,336 --> 00:28:44,905
We're always worried about
where's the world going and...
610
00:28:44,939 --> 00:28:46,840
-Yeah. Yeah.
-Is this world coming to an end.
611
00:28:46,841 --> 00:28:49,945
-And a lot of science fiction capitalizes on those fears.
-Sure.
612
00:28:49,978 --> 00:28:52,781
-Can we at least retard the apocalypse and delay it?
-Yeah. Yeah.
613
00:28:52,814 --> 00:28:55,249
Sound a warning or think twice
about a policy.
614
00:28:55,283 --> 00:28:57,586
-All of science fiction are cautionary tales.
-Yeah.
615
00:28:57,618 --> 00:29:00,254
The best science fiction
are cautionary tales.
616
00:29:00,287 --> 00:29:03,191
What you are about to watch
is a nightmare.
617
00:29:03,223 --> 00:29:06,760
It is not meant to be prophetic.
It need not happen.
618
00:29:06,794 --> 00:29:10,632
But in this place,
in this moment, it does happen.
619
00:29:10,664 --> 00:29:14,134
This is the Twilight Zone.
620
00:29:14,168 --> 00:29:16,004
"The Twilight Zone" was
621
00:29:16,037 --> 00:29:19,566
the first great science fiction
show on television. Period.
622
00:29:24,945 --> 00:29:29,116
I mean, we all think of
the 1950s as apple pie placid.
623
00:29:29,150 --> 00:29:32,854
But "The Twilight Zone" offered
up the dark side of that.
624
00:29:32,886 --> 00:29:36,790
Everybody's dead except... me.
625
00:29:36,824 --> 00:29:39,928
There were always these great
twists, and I just loved that.
626
00:29:39,960 --> 00:29:42,631
I loved the poignant irony of...
627
00:29:42,663 --> 00:29:44,633
He's got all the time
in the world with his books,
628
00:29:44,665 --> 00:29:46,133
and then he breaks his glasses!
629
00:29:47,868 --> 00:29:50,037
It's not fair.
630
00:29:50,070 --> 00:29:51,672
Before "The Twilight Zone,"
631
00:29:51,705 --> 00:29:54,241
Rod Serling was
the great mainstream dramatist
632
00:29:54,275 --> 00:29:56,177
of 1950s television.
633
00:29:56,210 --> 00:29:58,345
But he was censored
at every turn
634
00:29:58,378 --> 00:30:00,748
when he wanted to talk about
social issues,
635
00:30:00,781 --> 00:30:02,883
racial issues, political issues.
636
00:30:02,916 --> 00:30:05,653
I think it is criminal
that we're not permitted
637
00:30:05,687 --> 00:30:08,923
to make dramatic note
of controversial themes
638
00:30:08,955 --> 00:30:10,758
that are inherent
in our society.
639
00:30:10,791 --> 00:30:12,826
This dissatisfaction,
this frustration
640
00:30:12,860 --> 00:30:15,196
led Rod Serling to create a show
641
00:30:15,229 --> 00:30:16,998
in which he could
talk about the issues,
642
00:30:17,030 --> 00:30:20,934
but in a way that the censor and
the advertisers wouldn't object.
643
00:30:20,968 --> 00:30:23,705
We are the minorities!
644
00:30:23,738 --> 00:30:25,739
To me, a dystopian story
is a warning.
645
00:30:25,772 --> 00:30:28,042
It is a way that it can try
to raise its hand and say,
646
00:30:28,076 --> 00:30:29,743
"Hey, everybody, it seems like
647
00:30:29,777 --> 00:30:31,712
"we might be going in
this direction,
648
00:30:31,746 --> 00:30:34,015
"and look, it won't be good
if we go there.
649
00:30:34,047 --> 00:30:36,984
So maybe we wanna do
something about it now."
650
00:30:37,018 --> 00:30:39,254
You're all desperate
to point some kind of a finger
651
00:30:39,287 --> 00:30:41,088
at a neighbor.
652
00:30:41,122 --> 00:30:43,324
Believe me, friends, the only
thing that's gonna happen
653
00:30:43,356 --> 00:30:46,060
is that we're gonna
eat each other up alive!
654
00:30:46,094 --> 00:30:49,864
Anytime you read
or watch a dystopic story,
655
00:30:49,896 --> 00:30:52,733
and you think, "Well, we're past
that now. That couldn't happen."
656
00:30:52,767 --> 00:30:54,369
Look, I swear it isn't me!
657
00:30:54,402 --> 00:30:56,237
Suddenly, we're handed
a curve ball with politics,
658
00:30:56,269 --> 00:30:57,667
with issues of the day,
659
00:30:57,688 --> 00:30:59,932
and we realize
we can always be blindsided.
660
00:31:00,842 --> 00:31:02,977
My name is Offred.
661
00:31:03,009 --> 00:31:07,481
I had another name,
but it's forbidden now.
662
00:31:07,515 --> 00:31:10,151
So many things
are forbidden now.
663
00:31:10,183 --> 00:31:14,822
In "The Handmaid's Tale," we are
plunged into this future world
664
00:31:14,855 --> 00:31:17,392
where men are
the absolute rulers,
665
00:31:17,424 --> 00:31:20,127
and women are the underclass.
666
00:31:20,161 --> 00:31:22,764
This is a very old-fashioned,
religious regime.
667
00:31:22,797 --> 00:31:24,364
They have special clothing
that they wear.
668
00:31:24,397 --> 00:31:26,300
They go into supermarkets
669
00:31:26,334 --> 00:31:29,504
where nothing is labeled
with letters.
670
00:31:29,537 --> 00:31:34,142
It feels like an alien place.
It feels like another world.
671
00:31:34,174 --> 00:31:36,810
And yet, we get these
constant reminders
672
00:31:36,844 --> 00:31:39,480
that no, this is Boston.
673
00:31:39,514 --> 00:31:42,283
But it's a very different world.
674
00:31:42,316 --> 00:31:44,119
I think I fell in love
with "The Handmaid's Tale"
675
00:31:44,152 --> 00:31:46,220
because of Offred,
676
00:31:46,253 --> 00:31:48,889
really how she was able to
keep up her strength
677
00:31:48,922 --> 00:31:52,926
and her belief and her hope
in this horrible situation.
678
00:31:52,960 --> 00:31:56,297
God whipped up
a special plague.
679
00:31:56,329 --> 00:31:58,432
There's been
an environmental disaster
680
00:31:58,466 --> 00:32:01,236
and the fertility rate
has gone down precipitously.
681
00:32:01,268 --> 00:32:03,270
No, please!
Please don't take her!
682
00:32:03,304 --> 00:32:05,038
-Mommy!
-No!
683
00:32:05,072 --> 00:32:06,775
She's ripped away
from her husband and her child.
684
00:32:07,806 --> 00:32:09,810
And because Offred is one
of the few fertile women left...
685
00:32:09,844 --> 00:32:11,179
This is the new one.
686
00:32:11,211 --> 00:32:13,347
She's kept
as a reproductive slave
687
00:32:13,381 --> 00:32:14,916
in the house of this commander.
688
00:32:14,949 --> 00:32:18,052
The handmaid shall lie
between the legs
689
00:32:18,085 --> 00:32:20,220
of the commander's wife.
690
00:32:20,253 --> 00:32:22,923
The two of you will become
one flower,
691
00:32:22,957 --> 00:32:24,826
waiting to be seeded.
692
00:32:24,858 --> 00:32:27,194
We're flowers.
693
00:32:27,228 --> 00:32:29,096
Lay down.
694
00:32:29,130 --> 00:32:32,801
What? It's nice.
695
00:32:32,834 --> 00:32:35,570
The one thing that I especially
love so much about Janine
696
00:32:35,603 --> 00:32:37,471
is that everybody thinks
she's a lunatic.
697
00:32:37,505 --> 00:32:40,374
But she's has taken the reality
that has been presented to her
698
00:32:40,408 --> 00:32:42,210
that she cannot seem to fight
699
00:32:42,242 --> 00:32:44,044
and fights it in her own way.
700
00:32:44,077 --> 00:32:45,946
Bye.
Because the only thing
701
00:32:45,980 --> 00:32:48,982
that is guaranteed
in your future as a handmaid
702
00:32:49,016 --> 00:32:50,351
is that you will
be going to the market
703
00:32:50,383 --> 00:32:52,420
and you will be raped.
704
00:32:52,452 --> 00:32:55,088
I didn't put anything
into the book that human beings
705
00:32:55,122 --> 00:32:57,358
had not already done
at some point in history
706
00:32:57,391 --> 00:32:58,927
or that they're not doing now.
707
00:32:58,960 --> 00:33:00,295
For instance, in Nazi Germany,
708
00:33:00,327 --> 00:33:03,964
the S.S. men had
assigned biological wives.
709
00:33:03,998 --> 00:33:07,302
She took directly from
horrible atrocities
710
00:33:07,335 --> 00:33:09,504
that have been committed against
people and put them in her book,
711
00:33:09,537 --> 00:33:12,006
and just formed them
into the world of Gilead.
712
00:33:12,038 --> 00:33:13,407
Margaret Atwood was fascinated
713
00:33:13,441 --> 00:33:15,343
with the Salem Witch Trials
714
00:33:15,375 --> 00:33:18,378
and the ways in which women
who were considered
715
00:33:18,412 --> 00:33:20,480
deviant from the norm
were punished.
716
00:33:22,316 --> 00:33:25,987
It was about sending
a clear message to all women
717
00:33:26,019 --> 00:33:30,591
that if you get out of line,
the wages of that are death.
718
00:33:30,624 --> 00:33:32,460
The Iranian Revolution was
719
00:33:32,492 --> 00:33:34,561
a very interesting analogue
for Margaret.
720
00:33:34,595 --> 00:33:37,932
It was a religious revolution.
721
00:33:37,964 --> 00:33:41,368
You know, one day, women were
wearing mini skirts,
722
00:33:41,402 --> 00:33:43,605
and the next day, they were
kicked out of college,
723
00:33:43,637 --> 00:33:45,906
all within 24 hours.
724
00:33:45,940 --> 00:33:48,409
Ladies, you can't
work here anymore.
725
00:33:48,441 --> 00:33:50,878
It's the law now.
726
00:33:50,912 --> 00:33:53,514
Offred has her job
taken away from her
727
00:33:53,547 --> 00:33:56,985
and realizes she has no more
control over money or property.
728
00:33:57,018 --> 00:33:59,053
I think this would have
very much resonated
729
00:33:59,085 --> 00:34:01,455
with readers in the 1980s
730
00:34:01,488 --> 00:34:04,558
because women had just earned
the right to own credit cards
731
00:34:04,591 --> 00:34:07,427
in their own name in 1974.
732
00:34:07,460 --> 00:34:09,363
You realize that
we've been there before.
733
00:34:09,397 --> 00:34:11,065
You realize that
734
00:34:11,098 --> 00:34:13,167
there but for the grace of God
could go all of us.
735
00:34:13,200 --> 00:34:15,136
It's not that difficult
for society
736
00:34:15,169 --> 00:34:16,537
to shift just a little bit
737
00:34:16,569 --> 00:34:20,341
in order to recreate
that dystopian future.
738
00:34:20,374 --> 00:34:23,076
Science fiction pieces
often portray
739
00:34:23,109 --> 00:34:25,412
the breakdown of society
as a warning.
740
00:34:25,446 --> 00:34:28,182
You know, it's a lot easier
to look back on a TV show
741
00:34:28,214 --> 00:34:29,983
and see where the important
things happened.
742
00:34:30,017 --> 00:34:32,654
It's a lot harder in your life
to look back.
743
00:34:32,687 --> 00:34:36,057
When they slaughtered
Congress, we didn't wake up.
744
00:34:36,089 --> 00:34:38,091
When they suspended
the Constitution,
745
00:34:38,125 --> 00:34:40,228
we didn't wake up then either.
746
00:34:40,261 --> 00:34:41,629
In a gradually heating bathtub,
747
00:34:41,662 --> 00:34:45,098
you'd be boiled to death
before you knew it.
748
00:34:45,131 --> 00:34:47,534
The idea of the slow burn,
that's what makes
749
00:34:47,567 --> 00:34:49,703
"The Handmaid's Tale"
so powerful.
750
00:34:49,736 --> 00:34:54,474
It's about the evolution of
a very small batch of variables
751
00:34:54,508 --> 00:34:56,611
that becomes kind of like
the butterfly's wings
752
00:34:56,643 --> 00:34:58,178
that cause a huge storm.
753
00:34:58,212 --> 00:35:00,581
Why'd they send the army?
754
00:35:00,613 --> 00:35:02,182
I think
it's just a warning.
755
00:35:02,216 --> 00:35:04,085
I don't think it's a prediction.
756
00:35:05,486 --> 00:35:08,122
In the very subtle bits
of resistance,
757
00:35:08,154 --> 00:35:10,691
that's how the fire stays alive,
758
00:35:10,725 --> 00:35:12,493
because you can take everything
away from these women.
759
00:35:12,526 --> 00:35:14,595
You take their families away.
760
00:35:14,627 --> 00:35:16,596
You take their eyeballs away.
761
00:35:16,629 --> 00:35:21,335
But you can't take away
their own very unique humanity.
762
00:35:21,368 --> 00:35:23,104
That's why you have
to stay awake,
763
00:35:23,136 --> 00:35:26,707
because otherwise,
you're left with Gilead.
764
00:35:26,741 --> 00:35:31,379
This may not seem ordinary
to you right now,
765
00:35:31,412 --> 00:35:33,180
but after a time, it will.
766
00:35:35,783 --> 00:35:38,970
This will become ordinary.
767
00:35:40,290 --> 00:35:42,826
I'm keeping this group
together, alive.
768
00:35:42,859 --> 00:35:45,195
But get one thing straight...
769
00:35:45,228 --> 00:35:50,033
If you're staying,
this isn't a democracy anymore.
770
00:35:50,067 --> 00:35:53,571
Post-apocalyptic stories
are really about
771
00:35:53,603 --> 00:35:55,105
just trying to restart
772
00:35:55,138 --> 00:35:59,676
and maybe make
a better world if we can.
773
00:35:59,710 --> 00:36:02,746
Can we rebuild society
after the apocalypse?
774
00:36:02,779 --> 00:36:05,216
You know, you're not gonna get
color TV back very quickly,
775
00:36:05,248 --> 00:36:07,250
but the answer
with "The Walking Dead" is,
776
00:36:07,283 --> 00:36:08,818
"I hope I can."
777
00:36:08,852 --> 00:36:10,888
But not everyone's
going to come up
778
00:36:10,920 --> 00:36:12,989
with a peaceful way of existing.
779
00:36:17,361 --> 00:36:20,565
I wrote the comic about
a group of normal,
780
00:36:20,598 --> 00:36:22,166
average, everyday human beings
781
00:36:22,199 --> 00:36:24,302
trying to survive
in the zombie apocalypse
782
00:36:24,335 --> 00:36:28,339
and kind of build some semblance
of the life that they once knew.
783
00:36:28,371 --> 00:36:30,207
God.
784
00:36:30,239 --> 00:36:32,576
The real reason you
go back on "The Walking Dead"
785
00:36:32,609 --> 00:36:36,246
is because those characters
fascinate you.
786
00:36:36,279 --> 00:36:39,917
And they're all fighting to
find out who they are
787
00:36:39,949 --> 00:36:43,987
in a world in which
society has been wiped out
788
00:36:44,020 --> 00:36:46,656
and the rules have all changed.
789
00:36:46,690 --> 00:36:48,626
Please don't.
790
00:36:48,658 --> 00:36:51,194
Do it, Dad. Do it.
791
00:36:51,228 --> 00:36:54,298
Post-apocalyptic
stories always talk about
792
00:36:54,330 --> 00:36:55,899
what happens to people
793
00:36:55,933 --> 00:36:59,236
and what these people,
become.
794
00:36:59,268 --> 00:37:03,341
And I think that's a classic
science fiction theme.
795
00:37:03,373 --> 00:37:06,643
And I think that is
something that exists
796
00:37:06,676 --> 00:37:10,213
in the Romero zombie mythology,
in his movies.
797
00:37:10,246 --> 00:37:12,882
They're coming to get you,
Barbara.
798
00:37:12,915 --> 00:37:14,684
George Romero invented
the zombie.
799
00:37:14,718 --> 00:37:16,920
I mean, the zombie did not exist
before George Romero...
800
00:37:16,953 --> 00:37:18,622
Not in the way
we think of the zombie.
801
00:37:18,656 --> 00:37:19,991
George Romero read
"I Am Legend"
802
00:37:20,024 --> 00:37:23,027
and loved the concept
of being at war
803
00:37:23,060 --> 00:37:25,228
with a mindless world.
804
00:37:25,261 --> 00:37:30,000
Now what Romero did, which is
critical to modern zombie lore,
805
00:37:30,033 --> 00:37:32,669
is Romero put in
social commentary.
806
00:37:32,703 --> 00:37:34,038
All right, Vince,
hit him in the head.
807
00:37:34,071 --> 00:37:36,040
Right between the eyes.
808
00:37:36,073 --> 00:37:38,643
The great things
about zombie movies,
809
00:37:38,676 --> 00:37:40,811
they get into
our fear of betrayal,
810
00:37:40,844 --> 00:37:42,780
that paranoia that we all have
as human beings
811
00:37:42,812 --> 00:37:45,315
that people that we love are
gonna turn on us.
812
00:37:45,348 --> 00:37:47,917
They tap into our fear
of a predator.
813
00:37:47,951 --> 00:37:50,154
We're afraid of them
because they're going to eat us.
814
00:37:50,187 --> 00:37:51,955
It has the fear
of overpopulation.
815
00:37:51,989 --> 00:37:53,924
And the fear of disease.
816
00:37:53,957 --> 00:37:56,661
The chimps are infected!
817
00:37:56,694 --> 00:37:58,195
The thing that really
bugged me about those movies
818
00:37:58,228 --> 00:37:59,996
was that you have these
really great setups,
819
00:38:00,029 --> 00:38:01,431
with these interesting
characters.
820
00:38:01,464 --> 00:38:04,234
And then the time limit runs out
on the movie.
821
00:38:04,268 --> 00:38:06,404
And as a writer,
I was like, "My God."
822
00:38:06,437 --> 00:38:08,371
Like, you're really missing
an opportunity here.
823
00:38:08,404 --> 00:38:11,074
You could follow these people
for years and years and years.
824
00:38:14,210 --> 00:38:15,745
I would say,
825
00:38:15,779 --> 00:38:17,748
after eight seasons of
"The Walking Dead,"
826
00:38:17,781 --> 00:38:22,953
we have probably created
over 16,000 walker make-ups.
827
00:38:22,986 --> 00:38:25,321
When I was younger,
I studied physiology
828
00:38:25,355 --> 00:38:28,225
and anatomy quite a bit,
and I minored in art.
829
00:38:28,257 --> 00:38:32,163
So for me, it's always been
important to elevate
830
00:38:32,196 --> 00:38:34,864
the level of realism
831
00:38:34,897 --> 00:38:39,102
and create something the audience
immediately saw as horrific...
832
00:38:39,136 --> 00:38:40,938
I'm sorry
this happened to you.
833
00:38:40,971 --> 00:38:44,141
And transform it into
something you felt sympathy for.
834
00:38:46,810 --> 00:38:49,246
"The Walking Dead" shows
the various ways
835
00:38:49,279 --> 00:38:51,082
we might rebuild society
836
00:38:51,114 --> 00:38:53,116
after an apocalyptic event.
837
00:38:53,149 --> 00:38:54,484
Rick Grimes and his group
838
00:38:54,518 --> 00:38:56,420
encounter many different types
of civilizations
839
00:38:56,453 --> 00:38:58,288
over the course
of "The Walking Dead."
840
00:38:58,321 --> 00:39:00,056
You have a place like Woodbury,
that's led by the Governor.
841
00:39:00,089 --> 00:39:02,727
We get to Alexandria,
which is a-a safe haven
842
00:39:02,759 --> 00:39:05,495
that was built for people
in Washington D.C.
843
00:39:05,529 --> 00:39:08,165
to kind of retreat to.
But the worst of the worst,
844
00:39:08,198 --> 00:39:10,301
when it comes to the societies
that we've encountered,
845
00:39:10,333 --> 00:39:13,002
is Negan and his group,
the Saviors.
846
00:39:13,036 --> 00:39:16,841
I'm gonna beat the holy hell
out of one of you.
847
00:39:22,379 --> 00:39:24,047
As a writer, you know,
848
00:39:24,080 --> 00:39:26,149
sometimes I worry
that people think, like,
849
00:39:26,183 --> 00:39:29,120
"That guy, he's just
having fun and he's callous.
850
00:39:29,152 --> 00:39:31,154
I like killing these people,
I'll kill anybody."
851
00:39:31,187 --> 00:39:33,189
It's really not
that easy for me.
852
00:39:33,223 --> 00:39:37,460
I need you to know me.
853
00:39:37,493 --> 00:39:39,763
When the characters die,
like, I get upset
854
00:39:39,797 --> 00:39:41,966
the same way that
the audience gets upset.
855
00:39:41,998 --> 00:39:43,466
I cry sometimes
while I'm writing,
856
00:39:43,500 --> 00:39:45,102
that's a thing
that totally happens.
857
00:39:45,134 --> 00:39:46,870
It does wear on me sometimes.
858
00:39:46,904 --> 00:39:48,239
Back to it.
859
00:39:50,140 --> 00:39:51,975
There have to be people
860
00:39:52,009 --> 00:39:55,212
that keep things in balance
morally.
861
00:39:55,245 --> 00:39:56,913
Otherwise, it's all chaos.
862
00:39:56,946 --> 00:40:00,884
It's all about groups of people
that you can trust
863
00:40:00,917 --> 00:40:03,486
in terms of making
a better future.
864
00:40:03,520 --> 00:40:04,989
Everything that
they're fighting for
865
00:40:05,022 --> 00:40:07,190
is about building a new society.
866
00:40:07,223 --> 00:40:09,794
There will be something after.
867
00:40:09,826 --> 00:40:12,929
We have to keep
our faith in each other.
868
00:40:12,962 --> 00:40:16,499
If we can hold onto that
with everything we have,
869
00:40:16,533 --> 00:40:19,937
the future is ours.
870
00:40:19,969 --> 00:40:23,506
"The Walking Dead" captures
these amazing little...
871
00:40:23,540 --> 00:40:25,910
Little snippets
of what human nature is
872
00:40:25,942 --> 00:40:28,312
at its best and worst,
and when it's tested.
873
00:40:30,013 --> 00:40:33,049
And the fact that you might
never be redeemed...
874
00:40:33,082 --> 00:40:34,517
You may be beyond redemption.
875
00:40:34,551 --> 00:40:36,085
But look
how many other characters
876
00:40:36,118 --> 00:40:39,189
are redeemed in some way.
877
00:40:39,223 --> 00:40:42,092
It is very much about
coming from the darkest point
878
00:40:42,125 --> 00:40:44,361
and finding a way to
work together
879
00:40:44,393 --> 00:40:47,263
to bring ourselves up
out of that darkness,
880
00:40:47,297 --> 00:40:49,567
and the rebuilding of
civilization.
881
00:40:49,600 --> 00:40:52,069
And so to me,
on a long enough timeline,
882
00:40:52,102 --> 00:40:54,237
it's a very uplifting story
about people
883
00:40:54,270 --> 00:40:56,473
who have lived through
the worst of the worst
884
00:40:56,506 --> 00:40:58,375
and have become
the best of the best.
885
00:40:58,408 --> 00:41:02,980
And so I've always looked at
is as an optimistic story.
886
00:41:03,013 --> 00:41:05,982
Science fiction is talking
about the human condition.
887
00:41:06,015 --> 00:41:07,517
It's ridiculous to say
good and evil,
888
00:41:07,551 --> 00:41:09,886
but I think the idea of
competitive, aggressive
889
00:41:09,920 --> 00:41:11,422
versus compassionate,
empathic.
890
00:41:11,455 --> 00:41:13,390
-You know, and we have both...
-Yep.
891
00:41:13,422 --> 00:41:16,125
And nature has selected
for both, in a way...
892
00:41:16,158 --> 00:41:17,894
'cause we're social beings.
893
00:41:17,928 --> 00:41:21,265
We didn't get to survive
without taking care of our kids
894
00:41:21,297 --> 00:41:23,100
-and learning how to hunt together...
-Right.
895
00:41:23,132 --> 00:41:26,337
And all the things that we give
and share with each other.
896
00:41:26,370 --> 00:41:29,607
And... and we all have
empathy and we're mindful
897
00:41:29,640 --> 00:41:31,174
and we have deep sympathy,
898
00:41:31,207 --> 00:41:33,042
even if we don't
act that way in our lives,
899
00:41:33,076 --> 00:41:35,579
or people don't see that in us,
everybody has that capacity.
900
00:41:35,611 --> 00:41:38,214
-Right.
-And that is the capacity, I think,
901
00:41:38,248 --> 00:41:40,367
that will always pull us
back from the brink.
71467
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