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A science-fiction monster can be
explained scientifically
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and combated technologically.
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00:00:06,921 --> 00:00:09,691
We have to kill them.
It's that simple.
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00:00:09,725 --> 00:00:12,427
The monster boils down
all of our fears
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00:00:12,461 --> 00:00:15,732
into something
that we can see.
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I literally
went under my seat,
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and I said to my dad,
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"Tap me on the shoulder
when it's over."
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That's a big part of
what science fiction is...
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It is.
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Taking that fear of
that creature in the forest
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and now letting us
feel it in a safe place.
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It's fun to be in
a darkened theater
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00:00:32,548 --> 00:00:35,618
and imagine your world ending
because of a giant lobster.
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I have dreams.
Creatures are coming at me.
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00:00:37,752 --> 00:00:38,987
Must go faster.
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00:00:39,020 --> 00:00:40,389
Suspense starts
in the stomach...
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00:00:41,823 --> 00:00:44,059
and it goes up to the throat,
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00:00:44,093 --> 00:00:45,662
and then it comes out
as a scream.
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It's this primeval
instinct in us
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to escape the bear
in the woods.
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Will is alive.
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Science-fiction monster movies
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00:00:56,972 --> 00:00:59,609
allow us to explore
those dark parts of ourselves
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that we don't want
to admit actually exist.
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This is a creature
who asks why he is here.
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What is he for?
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00:01:06,615 --> 00:01:08,518
Who created him?
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And we always beat them
at the end,
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which was our way of
keeping the bogeyman at bay.
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You're a horror guy,
as you tell me
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00:01:54,529 --> 00:01:56,431
every time
we talk about this.
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So the question is,
where is that inter-zone,
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00:01:59,401 --> 00:02:02,671
that crosstalk between
horror and science fiction?
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The great distinction
is the fuel
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00:02:05,673 --> 00:02:07,610
for the early
horror tales.
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It has to be spiritual.
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-It comes from the belief of good and evil.
-Right.
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00:02:12,147 --> 00:02:14,750
And then there comes a point
in Western literature
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in which the element
includes, now, science.
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Science. So, today,
it's radioactivity,
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00:02:20,956 --> 00:02:23,059
genetic engineering,
robotics.
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00:02:23,092 --> 00:02:25,060
And, before,
our monsters came from
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00:02:25,093 --> 00:02:27,996
folklore, mythology,
demons,
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00:02:28,029 --> 00:02:29,598
the supernatural world.
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Yes. We created monsters
as composites
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that warn us about
the possible adversity
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00:02:36,772 --> 00:02:37,907
of the natural world.
Yeah.
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00:02:37,939 --> 00:02:39,609
And one proof of that...
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00:02:39,641 --> 00:02:43,478
I read somewhere that
dragons are universal
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00:02:43,511 --> 00:02:44,980
because they are
the composite
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00:02:45,014 --> 00:02:48,484
of the three main predators
of the anthropods.
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-Snakes.
-It's snake, feline,
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and large, rapacious birds.
Right.
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So it's a mash-up
of archetypes.
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00:02:56,524 --> 00:03:00,163
Yeah, of things that
you need to be afraid of.
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00:03:00,195 --> 00:03:03,466
So, fear of teeth and claws
and being chased
58
00:03:03,498 --> 00:03:06,034
-and all those things is a healthy thing.
-Yes.
59
00:03:06,068 --> 00:03:08,604
And it cycles in our brains
in our nightmares
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00:03:08,636 --> 00:03:10,205
and in our
monster movies.
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00:03:17,847 --> 00:03:20,082
I actually think dinosaurs
are the best monsters
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00:03:20,115 --> 00:03:21,951
because they actually existed.
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00:03:23,218 --> 00:03:25,787
Like, a lot of the crazy
monsters in films
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00:03:25,820 --> 00:03:27,222
and in science fiction,
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00:03:27,255 --> 00:03:29,191
you can console yourself
by saying,
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00:03:29,224 --> 00:03:31,827
"Yeah, but it's not real.
Really, it's not real,"
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00:03:31,861 --> 00:03:33,229
whereas with dinosaurs,
you can't do that.
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00:03:33,261 --> 00:03:34,529
They were real.
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00:03:34,563 --> 00:03:35,998
Like, it makes it more scary.
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00:03:39,267 --> 00:03:42,504
"Jurassic Park" really
deserves classic status.
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00:03:42,538 --> 00:03:44,907
I, myself, remember gasping...
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00:03:44,939 --> 00:03:47,542
And I think a lot of people
in the audience did...
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00:03:47,576 --> 00:03:49,479
At the first shot,
where they pull back
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00:03:49,511 --> 00:03:50,779
and give you a wide-angle view
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of this giant, giant dinosaur.
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00:04:02,057 --> 00:04:03,926
We, as an audience,
are going through
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00:04:03,958 --> 00:04:05,628
exactly what the characters
are going through.
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00:04:05,660 --> 00:04:08,630
We're seeing, for the first time
ever in human history,
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00:04:08,664 --> 00:04:11,133
dinosaurs alive.
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00:04:14,202 --> 00:04:17,039
When I was a kid, I used
to take my popsicle sticks,
81
00:04:17,072 --> 00:04:19,575
and I would basically
glue them together
82
00:04:19,608 --> 00:04:21,944
in the form of a dinosaur,
and I would bury it,
83
00:04:21,976 --> 00:04:23,846
and then I would
wait a week.
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00:04:23,878 --> 00:04:25,213
Until it fossilized?
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00:04:25,246 --> 00:04:26,748
And then I would go
looking for it again.
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00:04:26,782 --> 00:04:28,116
That was
my closest moment
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00:04:28,149 --> 00:04:30,118
of trying to be an
amateur paleontologist.
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00:04:30,152 --> 00:04:32,822
Cut to years later, and you're
working on "Jurassic Park."
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00:04:32,854 --> 00:04:34,724
"Jurassic Park," yeah.
You know, Michael Crichton
90
00:04:34,757 --> 00:04:36,859
just came up with
a perfect concept.
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00:04:36,892 --> 00:04:39,996
"I'll tell you
one conceptual line.
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00:04:40,029 --> 00:04:42,231
I'm writing a book
about dinosaurs and DNA."
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00:04:42,263 --> 00:04:44,099
-Yeah.
-And that's all he would say.
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00:04:44,133 --> 00:04:46,702
Right. Well,
I got sent the book.
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00:04:46,734 --> 00:04:49,771
I got to the scene where
the Tyrannosaurus rex
96
00:04:49,805 --> 00:04:52,775
-licks the windshield with the kids inside...
-Right.
97
00:04:52,808 --> 00:04:54,577
And said,
"I got to make this movie."
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00:04:54,609 --> 00:04:55,977
I never even
finished the book.
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00:04:56,010 --> 00:04:58,981
I called up, and he said,
"Steven just bought it."
100
00:04:59,013 --> 00:05:00,782
-Well, what happened was...
-And you know what?
101
00:05:00,815 --> 00:05:02,051
You know what?
102
00:05:02,084 --> 00:05:03,085
It was the very,
very best thing
103
00:05:03,118 --> 00:05:04,587
that could've happened
104
00:05:04,620 --> 00:05:06,022
because I would've
make it like "Aliens."
105
00:05:06,055 --> 00:05:07,256
I would've made
an R-rated,
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00:05:07,289 --> 00:05:08,858
scare-the-crap-out-of-you movie,
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00:05:08,890 --> 00:05:10,892
and you made it
just scary enough,
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00:05:10,926 --> 00:05:12,295
but still a movie
for kids.
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'Cause I was the 12-year-old me...
Yeah.
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Telling that story.
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00:05:19,101 --> 00:05:20,870
Well, some of those dinosaurs,
as you know,
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were Dennis Muren and CGI,
special effects.
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00:05:24,205 --> 00:05:27,842
Steven Spielberg would be
on a bullhorn off-camera
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00:05:27,875 --> 00:05:30,346
and be going, "Argh,"
making some dinosaur sounds...
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00:05:30,378 --> 00:05:32,280
Camera.
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00:05:32,313 --> 00:05:34,249
And we'd be looking
at a tennis ball.
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Arghhhh!
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But some of them were
Stan Winston puppetry.
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00:05:47,695 --> 00:05:49,332
When we came to this clearing
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00:05:49,364 --> 00:05:55,270
and saw this life-sized,
full-sized Triceratops,
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00:05:55,303 --> 00:05:58,907
and the seven people who were
making it blink and breathe
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00:05:58,940 --> 00:06:01,176
and do things were kind of
hidden behind it...
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00:06:04,712 --> 00:06:05,914
that was something.
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00:06:09,150 --> 00:06:11,820
Steven Spielberg...
He wanted the dinosaurs
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00:06:11,854 --> 00:06:14,255
to have some monster abilities
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and to be seen as monsters,
127
00:06:16,224 --> 00:06:19,761
but I was brought in
to make sure that 6th graders
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00:06:19,794 --> 00:06:23,265
didn't send him nasty notes
about things being wrong.
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00:06:24,166 --> 00:06:25,166
There was a scene
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00:06:25,200 --> 00:06:27,236
where the Velociraptors
come into the kitchen
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00:06:27,269 --> 00:06:29,672
and are chasing
the children around,
132
00:06:29,705 --> 00:06:32,974
and Steven wanted
the raptors to come in
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00:06:33,008 --> 00:06:34,676
and stick out a tongue,
134
00:06:34,710 --> 00:06:37,912
like a lizard
or a snake would do,
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00:06:37,945 --> 00:06:42,818
and I said, "We know for sure
that dinosaurs did not do that,"
136
00:06:42,851 --> 00:06:45,721
and so we decided the raptor
looks through the window,
137
00:06:45,753 --> 00:06:48,657
and it snorts,
and it fogs up the window,
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00:06:48,690 --> 00:06:51,159
and only a warm-blooded
animal can do that.
139
00:06:53,996 --> 00:06:55,830
Science fiction monster movies
are very much
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00:06:55,863 --> 00:06:58,166
about the monster of humanity.
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00:06:58,200 --> 00:07:01,937
In "Jurassic Park,"
our scientist, John Hammond,
142
00:07:01,969 --> 00:07:04,739
very much wants
to re-create dinosaurs
143
00:07:04,772 --> 00:07:07,375
to prove that he can do
something no one else has done,
144
00:07:07,409 --> 00:07:09,812
and that creates a chain
of disasters that,
145
00:07:09,844 --> 00:07:12,248
in turn, creates
a physical monster...
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00:07:12,281 --> 00:07:16,019
The literal manifestation of
the bad actions of those humans.
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00:07:17,185 --> 00:07:21,390
I wanted to show them something
that wasn't an illusion,
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00:07:21,423 --> 00:07:23,893
something that was real,
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00:07:23,926 --> 00:07:25,228
something that they could...
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00:07:27,863 --> 00:07:30,099
see and touch.
151
00:07:30,132 --> 00:07:33,335
John Hammond represents a ringmaster.
Yeah. Right.
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00:07:33,368 --> 00:07:35,004
He's the Ringling Brothers...
Yeah.
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00:07:35,036 --> 00:07:37,039
Of bringing these
species back to life.
154
00:07:37,072 --> 00:07:39,008
And his intentions are pure.
Yeah.
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He wants everybody
to come see these dinosaurs.
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He wants children to
get tears in their eyes
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when they marvel
at these creatures
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that they only could see
in storybooks.
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And at the same time,
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he is blind to what he's doing...
That's right.
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00:07:51,019 --> 00:07:52,388
Like all
mad scientists.
162
00:07:52,421 --> 00:07:55,224
Yeah. And Jeff Goldblum
is such a great conscience.
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00:07:55,257 --> 00:07:56,392
Yeah. He's the voice
of the audience.
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00:07:56,424 --> 00:07:57,960
He says, "Nature will
find a way."
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00:07:57,993 --> 00:07:59,327
He says that,
"Life finds a way."
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Yep.
Life finds a way.
167
00:08:00,762 --> 00:08:02,464
And he's right
every single time.
168
00:08:02,498 --> 00:08:03,866
Life breaks free.
169
00:08:03,899 --> 00:08:05,267
It expands
to new territories,
170
00:08:05,299 --> 00:08:07,068
and it crashes through
barriers, painfully,
171
00:08:07,101 --> 00:08:10,306
maybe even
dangerously, but...
172
00:08:10,339 --> 00:08:11,507
well, there it is.
173
00:08:11,539 --> 00:08:13,342
You're implying that
a group composed
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00:08:13,375 --> 00:08:16,779
entirely of female animals
will... breed?
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00:08:16,811 --> 00:08:20,248
No. I'm simply saying
that life,
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finds a way.
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00:08:21,817 --> 00:08:23,786
This idea that,
in "Jurassic Park,"
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the female dinosaurs
are capable of changing
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00:08:26,021 --> 00:08:29,224
so that they can reproduce
is brilliantly foreshadowed
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00:08:29,258 --> 00:08:31,093
when Sam Neill gets
into the helicopter
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00:08:31,126 --> 00:08:33,395
before they get
to Isla Nublar,
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00:08:33,427 --> 00:08:37,432
and he's got two seat belts
that are both female,
183
00:08:37,465 --> 00:08:39,301
but, of course,
they can't stick together.
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00:08:39,334 --> 00:08:42,805
So what he does is he ties them
in a knot around his waist,
185
00:08:42,838 --> 00:08:45,841
and that is... that's
the whole film, isn't it?
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00:08:45,873 --> 00:08:48,243
It's the whole idea
that life will find a way.
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00:08:48,277 --> 00:08:52,815
Evolution is an innovator
that finds a way to survive,
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00:08:52,848 --> 00:08:56,519
even though, against all odds,
it shouldn't be possible.
189
00:08:56,551 --> 00:08:58,186
I mean, it's quite clearly
the moral at the heart
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00:08:58,219 --> 00:09:00,556
of "Jurassic Park" is that
you can't control nature,
191
00:09:00,589 --> 00:09:02,258
and you shouldn't play God,
192
00:09:02,291 --> 00:09:04,093
but I kind of left
"Jurassic Park"
193
00:09:04,126 --> 00:09:05,961
really wanting to see
dinosaurs come to life.
194
00:09:11,099 --> 00:09:15,171
Theoretically,
we can retroengineer a bird,
195
00:09:15,204 --> 00:09:17,473
genetically, to make an animal
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00:09:17,506 --> 00:09:20,242
that would have
dinosaur characteristics.
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00:09:20,275 --> 00:09:22,278
We could, right now,
produce an animal
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00:09:22,310 --> 00:09:24,913
that would have
a dinosaur-like head.
199
00:09:24,946 --> 00:09:27,982
It would have arms and hands
instead of wings,
200
00:09:28,016 --> 00:09:31,420
some semblance of teeth,
and we're not finished yet.
201
00:09:31,453 --> 00:09:34,857
We're still trying to deal
with the tail,
202
00:09:34,889 --> 00:09:38,493
but when it really comes to
the science of making dinosaurs,
203
00:09:38,527 --> 00:09:41,030
or making anything genetically,
204
00:09:41,062 --> 00:09:44,165
I think it's actually
a cool thing to do,
205
00:09:44,199 --> 00:09:46,935
and I don't see anything
wrong with it at all.
206
00:09:48,970 --> 00:09:50,905
Are we seeing
a pattern here?
207
00:09:50,939 --> 00:09:53,242
The early
atomic scientist...
208
00:09:53,275 --> 00:09:56,045
the contemporary
AI scientist...
209
00:09:56,078 --> 00:09:58,914
Everybody only sees
the rosy future...
210
00:09:58,946 --> 00:10:00,448
-That's right.
-The upside.
211
00:10:00,482 --> 00:10:02,251
Exactly.
As they said on the "Westworld" poster,
212
00:10:02,283 --> 00:10:03,918
"What could possibly
go wrong?"
213
00:10:03,951 --> 00:10:05,854
And that gets
the audience excited
214
00:10:05,887 --> 00:10:08,224
because the audience is going
to see what went wrong,
215
00:10:08,257 --> 00:10:09,558
not what went right.
You know...
216
00:10:09,590 --> 00:10:11,292
Who cares about
what went right?
217
00:10:11,325 --> 00:10:12,961
-It's not fun if it goes right.
-It's no fun at all.
218
00:10:13,185 --> 00:10:17,256
You're quoted as saying that
"Frankenstein" is your autobiography,
219
00:10:17,289 --> 00:10:19,492
so are you
Frankenstein's monster,
220
00:10:19,525 --> 00:10:21,193
or are you
Frankenstein himself?
221
00:10:21,225 --> 00:10:22,861
-No, the creature.
-You're the creature?
222
00:10:22,895 --> 00:10:26,365
What happened to me is,
when I was growing up,
223
00:10:26,397 --> 00:10:29,134
and I felt different
to the world
224
00:10:29,167 --> 00:10:31,236
I was growing up,
and I did feel out of place,
225
00:10:31,270 --> 00:10:34,373
and when I saw the monster
play with forces
226
00:10:34,406 --> 00:10:38,243
-that where outsized to his comprehension...
-Right. Right.
227
00:10:38,276 --> 00:10:40,879
I thought, "This
creature represents me."
228
00:10:40,912 --> 00:10:43,181
-And there was a purity and an innocence to him.
-Yeah. Yeah.
229
00:10:43,214 --> 00:10:46,484
And I empathized
completely with him,
230
00:10:46,517 --> 00:10:48,853
and I felt,
immediately, a kinship,
231
00:10:48,887 --> 00:10:51,156
and I thought the impact,
emotionally, for me...
232
00:10:51,190 --> 00:10:52,958
-Yeah. Yeah.
-Was that big,
233
00:10:52,991 --> 00:10:54,794
was life-transforming.
234
00:10:56,862 --> 00:11:01,065
Prometheus ascending!
235
00:11:01,099 --> 00:11:04,804
When you look back, the
foundation of science fiction
236
00:11:04,837 --> 00:11:09,175
can technically be put on
the shoulders of Mary Shelley.
237
00:11:09,208 --> 00:11:10,810
Mary Shelley's "Frankenstein"
238
00:11:10,843 --> 00:11:12,911
was very much the birth
of science fiction.
239
00:11:12,945 --> 00:11:16,315
Shelley is one of the first
authors to think about science
240
00:11:16,348 --> 00:11:18,785
and explore
its impact on society.
241
00:11:20,219 --> 00:11:22,454
Mary Shelley...
She was living at a time
242
00:11:22,487 --> 00:11:26,192
when science was beginning
to gain a foothold,
243
00:11:26,224 --> 00:11:27,593
so there was a belief
244
00:11:27,626 --> 00:11:30,129
that the world was
understandable in a way
245
00:11:30,161 --> 00:11:33,232
that didn't involve religious
or mythological mysteries.
246
00:11:33,265 --> 00:11:36,168
Mary Shelley was visiting
science lectures...
247
00:11:36,200 --> 00:11:39,305
People like Galvani... to see
how newly discovered electricity
248
00:11:39,338 --> 00:11:41,406
was involved
in living processes.
249
00:11:43,642 --> 00:11:45,511
The story of "Frankenstein,"
250
00:11:45,544 --> 00:11:49,915
it's really about a scientist
who has the arrogance to think
251
00:11:49,948 --> 00:11:53,052
that he alone can
create a living being.
252
00:11:53,084 --> 00:11:55,620
This idea of being able
to create a human being
253
00:11:55,653 --> 00:11:58,156
from bits and pieces
of other human beings...
254
00:11:58,190 --> 00:11:59,558
It's so potent,
255
00:11:59,590 --> 00:12:02,493
and it is echoed
all over the movies,
256
00:12:02,526 --> 00:12:05,030
but that's when it really
is crystallized.
257
00:12:05,063 --> 00:12:06,298
In the first film version,
258
00:12:06,330 --> 00:12:08,466
Thomas Edison's
1910 "Frankenstein,"
259
00:12:08,499 --> 00:12:11,169
the creature is made
not through electricity,
260
00:12:11,203 --> 00:12:13,072
but through a chemical process.
261
00:12:13,104 --> 00:12:15,907
Thomas Edison was considered
the father of electricity,
262
00:12:15,940 --> 00:12:19,545
so he didn't want electricity to
have any negative connotations.
263
00:12:19,578 --> 00:12:21,512
In the '50s and '60s,
264
00:12:21,546 --> 00:12:25,217
Victor Frankenstein creates his
creature through atomic energy.
265
00:12:25,249 --> 00:12:27,886
In Kenneth Branagh's
1990s version,
266
00:12:27,920 --> 00:12:31,089
we have lots of images
of the creature itself
267
00:12:31,123 --> 00:12:33,425
shooting from one tube
to another tube
268
00:12:33,458 --> 00:12:35,427
until it's finally taken
out of the final tube
269
00:12:35,459 --> 00:12:38,897
by Frankenstein in a very wet
and messy birthing scene.
270
00:12:40,198 --> 00:12:43,936
And so, literally, he's created
the first test-tube baby.
271
00:12:48,339 --> 00:12:50,375
In the famous 1931 film,
272
00:12:50,408 --> 00:12:53,945
Dr. Frankenstein
has a dead body on a gurney,
273
00:12:53,978 --> 00:12:55,381
and then the body twitches.
274
00:12:55,414 --> 00:12:57,416
At that point, Dr. Frankenstein
275
00:12:57,449 --> 00:12:59,651
falls in somewhere
between hysterical...
276
00:12:59,685 --> 00:13:01,353
He's alive!
277
00:13:01,386 --> 00:13:02,921
And triumphant.
278
00:13:02,954 --> 00:13:04,989
In a way, this sums up
all the fears
279
00:13:05,022 --> 00:13:07,593
and all the hopes you would have
about making synthetic life,
280
00:13:07,626 --> 00:13:10,362
how awestruck we should be
that we could do it,
281
00:13:10,395 --> 00:13:12,531
and how scared we should be
that we could do it.
282
00:13:12,564 --> 00:13:15,468
Now I know what it feels
like to be God!
283
00:13:17,569 --> 00:13:19,972
The problem of "Frankenstein,"
of course, is that,
284
00:13:20,004 --> 00:13:22,440
when Victor Frankenstein
creates something that's ugly,
285
00:13:22,474 --> 00:13:24,709
he throws it out
of his laboratory,
286
00:13:24,743 --> 00:13:28,347
and this transforms
the creature into a monster
287
00:13:28,379 --> 00:13:31,049
who will eventually kill
those people he loves most.
288
00:13:31,083 --> 00:13:33,385
The subtitle of the book is
"The Modern Prometheus",
289
00:13:33,417 --> 00:13:36,187
which had to deal
with the myth of Prometheus
290
00:13:36,220 --> 00:13:39,023
stealing fire from the gods
and bringing it down to Earth,
291
00:13:39,056 --> 00:13:41,259
which was a violation
of the natural order.
292
00:13:41,292 --> 00:13:43,094
The creature realizes
that he is
293
00:13:43,127 --> 00:13:44,696
that violation
of the natural order.
294
00:13:44,729 --> 00:13:49,969
Did you ever consider the
consequences of your actions?
295
00:13:51,469 --> 00:13:55,740
This is a creature
who asks why he is here.
296
00:13:55,773 --> 00:13:57,175
What is he for?
297
00:13:57,209 --> 00:13:58,310
Who created him?
298
00:13:58,343 --> 00:13:59,445
Who made this happen?
299
00:13:59,478 --> 00:14:02,013
Those are fascinating questions,
300
00:14:02,046 --> 00:14:05,117
and those questions begin
with the Frankenstein monster.
301
00:14:05,150 --> 00:14:06,719
So as long as people
are thinking about that,
302
00:14:06,752 --> 00:14:09,253
people will be making
"Frankenstein" movies or movies
303
00:14:09,286 --> 00:14:12,324
that are very obviously
based on "Frankenstein."
304
00:14:12,357 --> 00:14:15,160
I'm working on something
that'll change the world
305
00:14:15,193 --> 00:14:16,662
and human life
as we know it.
306
00:14:17,796 --> 00:14:19,998
Somehow, I get the feeling
you don't get out much.
307
00:14:21,132 --> 00:14:24,335
"The Fly" is really an updating
of the "Frankenstein" myth,
308
00:14:24,368 --> 00:14:27,406
of trying to play God
with new technologies
309
00:14:27,439 --> 00:14:30,074
and the idea that
scientific hubris
310
00:14:30,108 --> 00:14:32,511
can ultimately lead
to destruction.
311
00:14:32,544 --> 00:14:35,481
So I invent this
teleportation device,
312
00:14:35,513 --> 00:14:38,316
and I experiment on myself,
313
00:14:38,349 --> 00:14:41,420
but, unbeknownst to me,
314
00:14:41,453 --> 00:14:44,490
there's a fly in the pod.
315
00:14:45,656 --> 00:14:47,725
The audience sees it,
316
00:14:47,758 --> 00:14:49,094
but I don't see it...
317
00:14:52,696 --> 00:14:55,700
and then I, sure enough,
I come out of the other thing.
318
00:14:55,733 --> 00:14:58,369
I seem to come out okay
at first,
319
00:14:58,402 --> 00:15:00,238
but, by and by...
What's this?
320
00:15:00,272 --> 00:15:03,574
You realize that my DNA
321
00:15:03,608 --> 00:15:05,544
has been fused
322
00:15:05,576 --> 00:15:07,546
with the the fly's DNA.
323
00:15:10,415 --> 00:15:13,385
You don't see an instant
transformation as you do in,
324
00:15:13,417 --> 00:15:16,054
say, "The Hulk."
325
00:15:16,088 --> 00:15:20,224
What you see in "The Fly" is
a far more realistic portrayal
326
00:15:20,257 --> 00:15:22,594
of what is likely to happen
in that situation,
327
00:15:22,627 --> 00:15:28,767
which is a slow and disgusting
breakdown of cells
328
00:15:28,800 --> 00:15:32,103
to the point where,
basically, he's falling apart
329
00:15:32,137 --> 00:15:36,175
as he is slowly mutating into
a revolting hybrid
330
00:15:36,208 --> 00:15:38,410
of these two
distantly related species.
331
00:15:38,443 --> 00:15:41,280
I'm becoming
Brundlefly.
332
00:15:41,313 --> 00:15:43,649
So I remember five different
stages of makeup.
333
00:15:45,316 --> 00:15:46,717
I'd have to get there
at 3:00 in the morning
334
00:15:46,751 --> 00:15:48,252
or 2:00 in the morning
335
00:15:48,286 --> 00:15:50,388
because I had some
prosthetics, you know?
336
00:15:50,421 --> 00:15:51,623
And I had funny teeth, too.
337
00:15:51,656 --> 00:15:55,560
I had a few different stages
of teeth.
338
00:15:58,329 --> 00:15:59,665
I got a kick out of it.
339
00:16:03,734 --> 00:16:06,871
What these movies grapple with
is that question of,
340
00:16:06,905 --> 00:16:09,708
"What happens when we do
something we shouldn't?"
341
00:16:09,741 --> 00:16:11,610
and, "What are the ramifications
of that?"
342
00:16:11,642 --> 00:16:14,445
and, "What is the fallout?"
and these movies are about that.
343
00:16:14,478 --> 00:16:15,781
The fallout is...
344
00:16:17,715 --> 00:16:19,185
monsters.
345
00:16:20,886 --> 00:16:23,622
To me, when I see a
science-fiction monster movie,
346
00:16:23,655 --> 00:16:26,425
it's about taking our angst
and our fantasies
347
00:16:26,458 --> 00:16:28,760
and our terrors and making an escape...
Yeah.
348
00:16:28,792 --> 00:16:30,495
A nightmare
that's safe.
349
00:16:30,528 --> 00:16:31,562
-Yes.
-You know?
350
00:16:31,595 --> 00:16:32,530
'Cause when you're
left alone
351
00:16:32,564 --> 00:16:35,300
with your nightmare
at 3:00 in the morning,
352
00:16:35,333 --> 00:16:36,334
you're not safe,
353
00:16:36,368 --> 00:16:38,436
but when you go into a movie theater...
Yeah.
354
00:16:38,469 --> 00:16:40,204
You're safe.
There's people around you.
355
00:16:40,238 --> 00:16:41,339
And you know
it's going to last
356
00:16:41,373 --> 00:16:42,474
a certain number
of minutes.
357
00:16:42,507 --> 00:16:43,675
That's right.
It's a defined thing.
358
00:16:43,708 --> 00:16:44,843
And things are going
to get resolved.
359
00:16:44,876 --> 00:16:48,213
Except for "Alien."
360
00:16:48,246 --> 00:16:51,283
I saw it on
opening night, in '79
361
00:16:51,315 --> 00:16:52,618
when it came out,
in a big theater,
362
00:16:52,651 --> 00:16:54,353
and, man, people
were screaming so hard
363
00:16:54,386 --> 00:16:55,721
they were throwing
their popcorn.
364
00:16:55,753 --> 00:16:58,322
Me, too. I mean, there's
that figure of speech...
365
00:16:58,356 --> 00:17:00,526
"hide under your seat."
Yeah.
366
00:17:00,559 --> 00:17:01,827
It was not
a figure of speech.
367
00:17:01,859 --> 00:17:03,928
I literally
went under my seat,
368
00:17:03,962 --> 00:17:05,464
and I said to my dad,
369
00:17:05,496 --> 00:17:06,931
"Tap me on the shoulder
when it's over."
370
00:17:14,939 --> 00:17:17,708
The Xenomorph from
"Alien" and "Aliens"
371
00:17:17,742 --> 00:17:21,579
is the best movie monster ever
372
00:17:21,612 --> 00:17:25,349
because it is the scariest
alien monster ever.
373
00:17:28,252 --> 00:17:29,788
I think what is terrifying
about the Xenomorph
374
00:17:29,820 --> 00:17:31,557
is it was barely on-screen.
375
00:17:31,589 --> 00:17:34,592
It was very underlit,
lots of flashing lights,
376
00:17:34,626 --> 00:17:36,662
and I think that's
very much the power
377
00:17:36,695 --> 00:17:39,531
of the first "Alien" movie,
as a scary movie,
378
00:17:39,563 --> 00:17:41,566
is it left a lot
to the imagination.
379
00:17:41,599 --> 00:17:43,702
It's, like,
the classic monster movie,
380
00:17:43,734 --> 00:17:47,939
and on top of it, you know,
it was the first woman heroine
381
00:17:47,973 --> 00:17:50,943
which we have seen
in a major motion picture.
382
00:17:50,975 --> 00:17:53,445
-You there, Ripley?
-I'm right here.
383
00:17:53,477 --> 00:17:55,846
I was sent
the script of "Alien,"
384
00:17:55,879 --> 00:17:57,815
and I think, frankly,
385
00:17:57,849 --> 00:17:59,984
commercially speaking,
they thought,
386
00:18:00,018 --> 00:18:01,787
"Let's make the hero a woman.
387
00:18:01,820 --> 00:18:04,223
No one will ever guess
that this young woman
388
00:18:04,255 --> 00:18:06,757
turns out to be
the lone survivor."
389
00:18:08,659 --> 00:18:10,428
And I like
the purity of that.
390
00:18:10,462 --> 00:18:12,330
We weren't making
any kind of statement,
391
00:18:12,364 --> 00:18:14,333
and I think the other reason,
of course, it appealed to me
392
00:18:14,366 --> 00:18:18,403
was that it was a rockin'
good part for a woman.
393
00:18:18,435 --> 00:18:19,838
I'm for killing that
damn thing right now.
394
00:18:19,870 --> 00:18:21,772
Well, let's talk
about killing it.
395
00:18:21,806 --> 00:18:23,442
We know it's using
the air shafts.
396
00:18:23,474 --> 00:18:24,810
Will you listen
to me, Parker?!
397
00:18:24,842 --> 00:18:26,410
-Stop talking...
-Shut up!
398
00:18:26,444 --> 00:18:29,414
So what possessed you
to take Ripley,
399
00:18:29,446 --> 00:18:31,449
who wasn't given
a first name...
400
00:18:31,483 --> 00:18:32,917
None of them had first names...
Yeah.
401
00:18:32,951 --> 00:18:35,687
And say,
"Let's make her a woman"?
402
00:18:35,720 --> 00:18:37,856
You know,
I hadn't realized
403
00:18:37,888 --> 00:18:40,591
the importance
of women's lib
404
00:18:40,625 --> 00:18:42,461
and how women aren't
really included
405
00:18:42,493 --> 00:18:45,429
-because I was brought up with a very strong mother.
-Yeah.
406
00:18:45,463 --> 00:18:47,933
So I had already accepted
that women will rule
407
00:18:47,965 --> 00:18:49,533
eventually anyway,
whatever we do.
408
00:18:49,567 --> 00:18:50,868
Yeah. Yeah.
409
00:18:50,902 --> 00:18:52,437
And...
So you weren't making a statement.
410
00:18:52,470 --> 00:18:54,039
You were just observing
the world
411
00:18:54,071 --> 00:18:56,608
that you knew...
Yeah. I said, "Why not?"
412
00:18:56,640 --> 00:18:59,343
To give Ripley the punch and power...
Yeah.
413
00:18:59,377 --> 00:19:00,745
Was the right thing
to do.
414
00:19:00,779 --> 00:19:02,814
Yeah, and science fiction
has always been a genre
415
00:19:02,847 --> 00:19:04,416
that pushed boundaries...
Yeah.
416
00:19:04,448 --> 00:19:07,652
Of gender,
conformity, racism.
417
00:19:07,685 --> 00:19:09,053
It's a stage
where anything goes.
418
00:19:09,087 --> 00:19:14,459
Yeah. Her character
is about facing her fears,
419
00:19:14,492 --> 00:19:16,461
and, over the course
of a number of films,
420
00:19:16,493 --> 00:19:17,762
she became a, you know,
421
00:19:17,795 --> 00:19:20,698
kind of a global icon for feminism.
Yeah.
422
00:19:22,000 --> 00:19:24,502
It really was the first movie
where you had
423
00:19:24,535 --> 00:19:26,704
a woman that wasn't the victim,
424
00:19:26,737 --> 00:19:28,673
and that was major.
425
00:19:28,706 --> 00:19:30,007
For years, it was a man's job
426
00:19:30,041 --> 00:19:32,511
to slay the monsters
in science fiction.
427
00:19:32,543 --> 00:19:35,513
The women, at best, where either
sent home so they'd be safe...
428
00:19:35,547 --> 00:19:37,015
Stay here, Kay.
429
00:19:37,048 --> 00:19:39,550
Or they had to get rescued
from the monsters,
430
00:19:39,583 --> 00:19:42,420
or, even worse yet, they
themselves were the monster.
431
00:19:42,454 --> 00:19:44,923
She'll tear up the whole town
until she finds Harry.
432
00:19:44,955 --> 00:19:46,692
Yeah, and then
she'll tear up Harry.
433
00:19:47,858 --> 00:19:51,530
Ash, when Dallas and Kane
are off the ship,
434
00:19:51,562 --> 00:19:53,064
I'm senior officer.
435
00:19:53,098 --> 00:19:56,335
Ridley Scott did such
an amazing job in portraying
436
00:19:56,368 --> 00:19:59,104
Ripley as
a straightforward human,
437
00:19:59,137 --> 00:20:03,675
and then Jim Cameron took it to
a whole new level with "Aliens,"
438
00:20:03,707 --> 00:20:08,647
setting up the relationship
of Ripley and Newt...
439
00:20:08,679 --> 00:20:11,515
Hard to believe there's
a little girl under all this.
440
00:20:11,549 --> 00:20:13,819
And then paralleling it
441
00:20:13,851 --> 00:20:16,120
with the queen
and her offspring.
442
00:20:21,393 --> 00:20:23,895
The Queen Alien
has sort of organic,
443
00:20:23,927 --> 00:20:26,598
flowing lines to her
because she's feminine.
444
00:20:26,630 --> 00:20:29,500
She's hideous, but she's
also very beautiful,
445
00:20:29,533 --> 00:20:32,103
which is fitting of an elegant,
446
00:20:32,137 --> 00:20:35,072
you know, matriarch
of an alien society.
447
00:20:35,106 --> 00:20:39,578
So by the time
I kill her children...
448
00:20:41,612 --> 00:20:43,414
and try to escape
with mine...
449
00:20:43,447 --> 00:20:44,715
Grab onto me!
450
00:20:44,749 --> 00:20:46,651
It's not like
bad versus good.
451
00:20:46,684 --> 00:20:51,656
It's two mothers fighting
for the life of their offspring,
452
00:20:51,688 --> 00:20:56,127
and I think it's done with, you
know, respect for both species.
453
00:20:57,060 --> 00:20:59,697
Happily,
he gives Ripley the edge.
454
00:21:01,832 --> 00:21:03,968
Get away from her,
you bitch!
455
00:21:05,703 --> 00:21:08,639
I watched "Aliens" for the
first time when I was 12,
456
00:21:08,673 --> 00:21:12,411
and I had never realized
that women could do
457
00:21:12,444 --> 00:21:14,012
the kind of things
that Sigourney Weaver
458
00:21:14,044 --> 00:21:15,147
was doing on-screen,
459
00:21:15,179 --> 00:21:17,416
or look that way
or talk that way.
460
00:21:17,448 --> 00:21:19,884
The whole thing
just blew my mind.
461
00:21:19,917 --> 00:21:23,487
There was this primal power
that she had...
462
00:21:23,521 --> 00:21:24,990
Come on!
463
00:21:25,022 --> 00:21:29,127
Based on just this
desperate need to survive
464
00:21:29,159 --> 00:21:31,595
and save this child.
465
00:21:32,864 --> 00:21:34,566
And I think that becomes
that archetype
466
00:21:34,599 --> 00:21:37,101
of that female hero.
467
00:21:41,138 --> 00:21:45,910
I think an audience likes to see
women succeed and slay monsters.
468
00:21:45,944 --> 00:21:49,513
There wouldn't be as many
franchises of the "Alien" movie
469
00:21:49,547 --> 00:21:51,583
if it didn't work.
470
00:21:51,616 --> 00:21:54,185
When the original
Sigourney Weaver Ripley arch
471
00:21:54,218 --> 00:21:55,853
of the "Aliens" franchise ends,
472
00:21:55,887 --> 00:21:59,825
we get a brand-new
awesome female monster-killer...
473
00:21:59,858 --> 00:22:01,126
Alice, in "Resident Evil."
474
00:22:10,001 --> 00:22:12,471
When "Resident Evil" came up,
I was just really excited.
475
00:22:12,503 --> 00:22:15,173
I was a huge fan
of the video game.
476
00:22:15,205 --> 00:22:17,074
Video games, you know,
477
00:22:17,108 --> 00:22:21,213
I think it answers something
very elemental in human beings,
478
00:22:21,245 --> 00:22:25,015
which is we're fascinated
with dangerous situations,
479
00:22:25,049 --> 00:22:26,952
and the closest
we could get to them
480
00:22:26,984 --> 00:22:30,589
without actually being in
danger, you know, we love.
481
00:22:33,224 --> 00:22:36,093
The "Resident Evil" universe
is all about "Frankenstein."
482
00:22:36,127 --> 00:22:39,697
I mean, the Umbrella Corporation
is using their technology
483
00:22:39,731 --> 00:22:41,031
to create these things
484
00:22:41,064 --> 00:22:43,033
that could very well
go out of control.
485
00:22:43,067 --> 00:22:45,837
T-virus manifesting itself
in genetic mutation.
486
00:22:47,004 --> 00:22:50,108
And surprise, surprise...
They do!
487
00:22:52,910 --> 00:22:55,813
One of the things that makes
Alice a strong character
488
00:22:55,847 --> 00:22:58,583
is she fights
what people might believe
489
00:22:58,616 --> 00:23:00,618
is, like, unbeatable odds...
490
00:23:01,819 --> 00:23:03,154
but she doesn't give up,
491
00:23:03,186 --> 00:23:05,491
and, ultimately,
over six movies, she triumphs.
492
00:23:07,759 --> 00:23:10,562
I think monsters tell us
everything about ourselves.
493
00:23:11,562 --> 00:23:13,998
I think the things that
we're the most scared of
494
00:23:14,031 --> 00:23:16,134
makes us who we are, in a way.
495
00:23:18,770 --> 00:23:21,172
Monsters, in a lot of ways,
are representing our fears.
496
00:23:21,204 --> 00:23:23,774
Are we gonna go too far?
497
00:23:23,808 --> 00:23:25,777
What do we still need
to learn about this world?
498
00:23:25,810 --> 00:23:27,611
What are we not prepared for?
499
00:23:27,645 --> 00:23:29,180
Which is why, I think,
it's so powerful
500
00:23:29,213 --> 00:23:33,084
and cathartic to see a woman
slay her monster...
501
00:23:33,117 --> 00:23:34,286
And men, too...
502
00:23:34,319 --> 00:23:36,021
But to see that figure
of a woman
503
00:23:36,053 --> 00:23:38,656
literally staring down her fear
and conquering it...
504
00:23:41,358 --> 00:23:42,993
We often think about
science fiction
505
00:23:43,027 --> 00:23:45,330
as a genre that celebrates
boys and their toys,
506
00:23:45,362 --> 00:23:49,300
and yet there is a space for
people of all different races
507
00:23:49,333 --> 00:23:51,001
and genders
and creeds and colors...
508
00:23:51,034 --> 00:23:52,236
And perhaps even species,
509
00:23:52,270 --> 00:23:54,039
since we're being
science fictional...
510
00:23:54,071 --> 00:23:57,175
To explore their hopes and fears
and convey them to others
511
00:23:57,207 --> 00:23:59,276
about life in
a high-tech society.
512
00:24:00,746 --> 00:24:03,883
Science fiction,
at its best, questions,
513
00:24:03,916 --> 00:24:06,819
challenges our belief in,
what are we...
514
00:24:06,852 --> 00:24:09,188
-Yeah.
-And what makes us human?
515
00:24:09,222 --> 00:24:10,690
Where do we fit
in society?
516
00:24:10,723 --> 00:24:13,393
-And what shakes us, or tries to shake us up.
-Yeah.
517
00:24:13,425 --> 00:24:16,562
So monsters
are about nature...
518
00:24:16,596 --> 00:24:18,865
Superhuman or suprahuman.
Yeah.
519
00:24:18,897 --> 00:24:20,900
They allow us
to question things
520
00:24:20,934 --> 00:24:22,569
that are
eminently human.
521
00:24:22,601 --> 00:24:25,638
Right. Now, don't you think
that the film "The Thing"
522
00:24:25,672 --> 00:24:27,507
follows that
same principle
523
00:24:27,540 --> 00:24:29,876
of making us fear
the other in human form?
524
00:24:29,908 --> 00:24:32,678
Absolutely, and that's
the point of the story
525
00:24:32,712 --> 00:24:35,348
-that I always am fascinated in the Carpenter film...
-Yeah.
526
00:24:35,380 --> 00:24:36,649
Because, ultimately,
527
00:24:36,683 --> 00:24:38,251
it's a matter of place
in the universe,
528
00:24:38,283 --> 00:24:40,753
and that's what makes
that story so important.
529
00:24:41,753 --> 00:24:43,790
Somebody in this camp
ain't what he appears to be.
530
00:24:43,822 --> 00:24:45,324
Right now, that may be
one or two of us.
531
00:24:45,358 --> 00:24:46,894
By spring,
it could be all of us.
532
00:24:47,793 --> 00:24:49,729
So how do we know
who's human?
533
00:24:51,297 --> 00:24:53,466
"The Thing" is an incredibly
influential movie
534
00:24:53,499 --> 00:24:54,901
in science fiction
535
00:24:54,934 --> 00:24:57,237
because it gets at one of
our most basic fears...
536
00:24:57,270 --> 00:24:58,838
That we might not be able
to tell the difference
537
00:24:58,870 --> 00:25:00,940
between good and evil,
or between ourselves
538
00:25:00,973 --> 00:25:03,443
and an evil alien impostor.
539
00:25:03,475 --> 00:25:05,411
The film follows the story
of a group of scientists
540
00:25:05,444 --> 00:25:06,546
in the Antarctic
541
00:25:06,579 --> 00:25:08,548
who find a frozen alien.
542
00:25:08,580 --> 00:25:10,416
What is it?
543
00:25:10,450 --> 00:25:12,519
When the alien thaws,
it turns out to be
544
00:25:12,551 --> 00:25:15,554
an incredibly hostile,
shape-shifting organism
545
00:25:15,588 --> 00:25:18,224
that wants nothing more
than to absorb us
546
00:25:18,258 --> 00:25:19,359
and conquer the world.
547
00:25:22,294 --> 00:25:25,397
As it absorbs people,
it becomes unclear who is real
548
00:25:25,431 --> 00:25:27,400
and who has become
the monster.
549
00:25:27,433 --> 00:25:30,002
We're gonna draw a little
bit of everybody's blood,
550
00:25:30,035 --> 00:25:31,971
and we're gonna find out
who's The Thing.
551
00:25:32,004 --> 00:25:33,439
You've got a monster story,
552
00:25:33,473 --> 00:25:35,508
and we're going to solve
the monster story
553
00:25:35,541 --> 00:25:36,842
by doing experiments.
554
00:25:36,876 --> 00:25:38,944
That is classic science fiction.
555
00:25:38,977 --> 00:25:41,681
The blood from one of you Things
won't obey when its attacked.
556
00:25:43,416 --> 00:25:44,850
It'll try and survive...
557
00:25:47,287 --> 00:25:49,590
crawl away from
a hot needle, say.
558
00:25:50,556 --> 00:25:52,325
The blood-testing scene
in the "The Thing"
559
00:25:52,358 --> 00:25:55,395
is one of the great scenes in,
I think, in all movies.
560
00:25:55,427 --> 00:25:57,997
All the protagonists
are tied up.
561
00:25:58,031 --> 00:26:02,269
At least one of them is
actually the monster itself,
562
00:26:02,301 --> 00:26:04,536
and watching Kurt Russell
testing the blood...
563
00:26:06,839 --> 00:26:09,442
where the tension
is just unbelievable.
564
00:26:09,474 --> 00:26:10,843
This is pure nonsense.
565
00:26:10,877 --> 00:26:12,646
It doesn't prove a thing.
566
00:26:12,678 --> 00:26:15,348
We'll do you last.
567
00:26:18,518 --> 00:26:20,353
When that thing screeches up...
568
00:26:21,654 --> 00:26:26,026
you know...
569
00:26:26,059 --> 00:26:29,495
that was worth
the price of admission.
570
00:26:32,665 --> 00:26:34,800
The Thing in "The Thing,"...
571
00:26:34,833 --> 00:26:37,369
In some ways, it's one of,
I think, the, like, apexes of
572
00:26:37,403 --> 00:26:40,307
that kind of old-school,
analog monster.
573
00:26:40,339 --> 00:26:41,675
Like, it was actually there
on the set
574
00:26:41,707 --> 00:26:43,342
with the tentacles
and the teeth.
575
00:26:45,677 --> 00:26:47,646
I mean, this is pre-CGI.
576
00:26:47,679 --> 00:26:49,815
Guys were doing
this kind of stuff.
577
00:26:50,750 --> 00:26:53,819
But the ultimate threat
here in "The Thing"
578
00:26:53,852 --> 00:26:56,689
isn't even the monster itself.
579
00:26:56,723 --> 00:26:59,392
It is what The Thing evokes...
580
00:26:59,425 --> 00:27:02,662
The paranoia and terror
that engulfs that station.
581
00:27:02,694 --> 00:27:04,864
It isn't Bennings.
582
00:27:07,966 --> 00:27:10,836
"The Thing" was based
on a story, "Who Goes There?"
583
00:27:10,869 --> 00:27:13,572
by the most influential
magazine editor,
584
00:27:13,606 --> 00:27:14,941
really, in the history
of science fiction...
585
00:27:14,973 --> 00:27:17,409
A writer named
John W. Campbell Jr.
586
00:27:17,443 --> 00:27:18,944
Did you have any plan in mind
587
00:27:18,977 --> 00:27:21,814
as to what you wanted
"Astounding" to be?
588
00:27:21,848 --> 00:27:24,416
I wanted it to be a good
science fiction magazine,
589
00:27:24,450 --> 00:27:26,386
and, yes...
590
00:27:26,418 --> 00:27:28,454
I wanted to learn
how to be an editor.
591
00:27:28,487 --> 00:27:32,091
So he began to establish a group
of writers for his magazine
592
00:27:32,125 --> 00:27:34,694
that became the pantheon
of modern science fiction...
593
00:27:34,726 --> 00:27:37,807
Robert Heinlein,
for example, Isaac Asimov.
594
00:27:37,823 --> 00:27:43,338
John W. Campbell Jr.
What he wanted were people
595
00:27:43,354 --> 00:27:46,924
who would write stories in which
the science was realistic...
596
00:27:46,958 --> 00:27:51,396
Realistic in the sense
that the scientific culture
597
00:27:51,429 --> 00:27:53,364
be represented accurately.
598
00:27:53,397 --> 00:27:55,633
He certainly
shifted science fiction
599
00:27:55,666 --> 00:27:58,169
from boys' adventure stories
in space
600
00:27:58,202 --> 00:28:00,838
to serious considerations of
what the future might be like,
601
00:28:00,872 --> 00:28:04,241
and that set up what
some writers think of
602
00:28:04,275 --> 00:28:05,911
as the golden age.
603
00:28:05,943 --> 00:28:07,912
Campbell said he got the idea
604
00:28:07,945 --> 00:28:09,780
the story "Who Goes There?"
605
00:28:09,814 --> 00:28:12,883
from a very personal incident
that happened to him as a child.
606
00:28:12,916 --> 00:28:15,920
One day, he came home,
saw his mother in the kitchen,
607
00:28:15,953 --> 00:28:18,822
and started talking with her
and became increasingly confused
608
00:28:18,855 --> 00:28:21,593
by her odd responses
to his questions.
609
00:28:21,625 --> 00:28:24,362
It wasn't until his mother
actually walked in
610
00:28:24,394 --> 00:28:27,531
that he realized he had been
talking to her twin sister.
611
00:28:27,565 --> 00:28:29,401
This sort of uncanny moment...
612
00:28:29,433 --> 00:28:31,402
The moment when he thought
he saw someone he knew,
613
00:28:31,435 --> 00:28:33,672
and it turned out to be
a different person...
614
00:28:33,704 --> 00:28:35,339
Stayed with him
for all his life.
615
00:28:36,406 --> 00:28:38,409
You ain't tying me up.
616
00:28:38,442 --> 00:28:40,679
Then I'll have to
kill you, Childs.
617
00:28:40,711 --> 00:28:42,247
Then kill me.
618
00:28:42,279 --> 00:28:45,951
"The Thing" is definitely
about the monster within
619
00:28:45,983 --> 00:28:48,986
and how those monsters within us
620
00:28:49,019 --> 00:28:54,692
that would allow the fear to
overtake you to the point where,
621
00:28:54,726 --> 00:28:56,628
your friend, you don't trust.
622
00:28:56,661 --> 00:29:01,833
You go down that road,
and it can be monstrous.
623
00:29:05,676 --> 00:29:08,012
I would say that,
you know, "Pacific Rim"
624
00:29:08,085 --> 00:29:09,287
-is foursquare science fiction...
-Yeah.
625
00:29:09,321 --> 00:29:10,821
Robots and
giant monsters,
626
00:29:10,854 --> 00:29:12,723
you don't get any more
science fiction than that.
627
00:29:12,756 --> 00:29:14,125
Yeah. "Pacific Rim"...
628
00:29:14,158 --> 00:29:16,661
What I love is all
the myriad of solutions
629
00:29:16,695 --> 00:29:21,766
that we can come up with
to kill 25-story monsters.
630
00:29:21,800 --> 00:29:24,903
The one solution that probably
would come out last is,
631
00:29:24,936 --> 00:29:27,606
-"Let's create 25-story robots."
-Robots, right.
632
00:29:36,915 --> 00:29:38,917
The great majority
of monster movies,
633
00:29:38,949 --> 00:29:41,753
-you killed the monster at the end.
-Yeah. Yeah.
634
00:29:41,785 --> 00:29:43,589
So it's
you stand that fear up,
635
00:29:43,621 --> 00:29:44,989
and then you kill it...
636
00:29:45,023 --> 00:29:47,024
and you kill it
by ingenuity, by willpower,
637
00:29:47,058 --> 00:29:48,794
by courage,
whatever it is,
638
00:29:48,827 --> 00:29:50,662
and so I think
there's an element
639
00:29:50,695 --> 00:29:52,998
-that we create the monster so we can destroy it...
-Of course.
640
00:29:53,031 --> 00:29:54,232
Like in the '50s,
641
00:29:54,264 --> 00:29:56,234
in all these
"B" monster movies.
642
00:30:01,106 --> 00:30:03,108
I certainly saw
"The Blob" when I was kid,
643
00:30:03,140 --> 00:30:07,211
and the fact that some
oozing mass of sticky goo
644
00:30:07,244 --> 00:30:10,849
is going to kill me
is a really good idea.
645
00:30:10,881 --> 00:30:13,084
It's a very B-movie,
horrible, stupid idea,
646
00:30:13,118 --> 00:30:15,387
but it actually
works pretty well.
647
00:30:15,419 --> 00:30:17,288
"B" movies in the 1950s emerged
648
00:30:17,321 --> 00:30:19,757
because the horror genre
went into decline,
649
00:30:19,791 --> 00:30:21,792
and something had
to fill the void,
650
00:30:21,825 --> 00:30:24,095
and science fiction
was just the right fit
651
00:30:24,129 --> 00:30:25,796
for independent producers
652
00:30:25,830 --> 00:30:27,832
with just enough
rubber monster suits
653
00:30:27,866 --> 00:30:30,702
to create something
on the cheap.
654
00:30:30,735 --> 00:30:32,670
Well,
"Creature From the Black Lagoon"
655
00:30:32,704 --> 00:30:34,973
was probably the first one that
I remember getting sucked into,
656
00:30:35,005 --> 00:30:36,975
and it kept me from swimming
in lakes for years.
657
00:30:38,443 --> 00:30:39,945
"The Killer Shrews"...
658
00:30:39,977 --> 00:30:42,147
I remember
being quite frightened by it.
659
00:30:42,179 --> 00:30:43,914
At the end,
660
00:30:43,947 --> 00:30:46,651
people are claustrophobically
in this sort of shed.
661
00:30:46,685 --> 00:30:48,186
I thought that was terrible,
662
00:30:48,218 --> 00:30:52,056
and I still have dreams
of fangy kind of creatures.
663
00:30:52,090 --> 00:30:54,659
There's a 1953 film
called "Robot Monster."
664
00:30:54,693 --> 00:30:57,663
The monster was a guy
in a gorilla costume
665
00:30:57,696 --> 00:30:59,031
with a diver's helmet.
666
00:30:59,063 --> 00:31:01,867
Made for $20,000...
Completely ridiculous,
667
00:31:01,899 --> 00:31:05,137
and yet audiences bought it,
and it made over $1 million.
668
00:31:05,169 --> 00:31:07,104
The monster movies
of the 1950s...
669
00:31:07,138 --> 00:31:12,209
You can see very clearly the way
they sprung out of World War II
670
00:31:12,243 --> 00:31:15,080
and the atomic bomb
and this incredible fear
671
00:31:15,112 --> 00:31:17,682
about what had been unleashed.
672
00:31:17,715 --> 00:31:19,751
Never in the history
of the United States,
673
00:31:19,783 --> 00:31:21,753
a monster of such
size and power...
674
00:31:21,785 --> 00:31:23,220
People had discovered
that radiation
675
00:31:23,254 --> 00:31:26,158
can change genetic structures
and create,
676
00:31:26,190 --> 00:31:28,459
well, odd kinds of monsters.
677
00:31:28,493 --> 00:31:31,229
The granddaddy of all
atomic monster movies
678
00:31:31,262 --> 00:31:33,065
has got to be "Godzilla."
679
00:31:40,004 --> 00:31:41,206
"Godzilla" embodies
680
00:31:41,238 --> 00:31:42,740
the anxiety and
the terror of a...
681
00:31:42,773 --> 00:31:43,941
-Of the nuclear age.
-Nuclear attack.
682
00:31:43,975 --> 00:31:45,243
-Absolutely.
-Right?
683
00:31:45,275 --> 00:31:46,911
Sure. It's not a surprise
that it emerged
684
00:31:46,945 --> 00:31:49,114
as a science-fiction
neo-myth from Japan,
685
00:31:49,147 --> 00:31:51,316
which had actually been
bombed by nuclear weapons.
686
00:31:51,349 --> 00:31:53,185
And in that way,
687
00:31:53,217 --> 00:31:56,787
monsters respond
to the zeitgeist
688
00:31:56,821 --> 00:31:58,356
at the time
that they are created.
689
00:31:58,389 --> 00:32:02,460
-Right. The zeitgeist.
-So monsters are incredibly apt
690
00:32:02,494 --> 00:32:06,031
at embodying
the abstract in flesh.
691
00:32:10,167 --> 00:32:11,902
"Godzilla" was made
less than a decade
692
00:32:11,936 --> 00:32:13,370
after the atomic bombings,
693
00:32:13,404 --> 00:32:15,907
and there were a lot
of issues that were taboo.
694
00:32:15,939 --> 00:32:18,110
Japanese people could not speak
amongst themselves
695
00:32:18,142 --> 00:32:21,011
or in the media about
Hiroshima and Nagasaki,
696
00:32:21,044 --> 00:32:23,514
about the defeat, and about
the fact that Japan,
697
00:32:23,548 --> 00:32:25,083
even after the war,
698
00:32:25,116 --> 00:32:27,219
remained subservient
to the United States.
699
00:32:27,252 --> 00:32:29,955
In Japan, you know, you can't
make a movie about that stuff,
700
00:32:29,987 --> 00:32:32,957
but what if you make a movie
about a giant monster who...
701
00:32:32,991 --> 00:32:35,393
Americans invent this bomb...
702
00:32:37,195 --> 00:32:38,764
it wakes up the monster,
703
00:32:38,796 --> 00:32:40,398
and one of our cities
gets destroyed
704
00:32:40,430 --> 00:32:43,067
and leaves radiation everywhere,
and they were like,
705
00:32:43,100 --> 00:32:44,936
"Yeah. That's fine.
You can make that movie."
706
00:32:44,968 --> 00:32:47,838
It was like, "Okay. Cool.
It's called 'Godzilla.'"
707
00:32:47,871 --> 00:32:49,874
In Japan, the name is "Gojira."
708
00:32:49,908 --> 00:32:51,810
It is a combination
of two words...
709
00:32:51,842 --> 00:32:53,512
"gorira,"
which means "gorilla,"
710
00:32:53,544 --> 00:32:55,412
and "kujira,"
which means "whale."
711
00:32:55,446 --> 00:32:57,448
So it literally means
"gorilla whale."
712
00:32:57,482 --> 00:32:59,818
The legend is
this was a nickname
713
00:32:59,850 --> 00:33:03,088
of an overweight
Toho Studios employee.
714
00:33:03,120 --> 00:33:05,090
The producer heard that nickname
715
00:33:05,122 --> 00:33:07,992
and loved it so much,
he gave it to the monster.
716
00:33:08,025 --> 00:33:13,297
The first film is hard-core,
very meaningful science fiction,
717
00:33:13,331 --> 00:33:15,801
and then, you know,
they obviously think,
718
00:33:15,833 --> 00:33:17,268
"What can we do next?" and,
719
00:33:17,302 --> 00:33:19,870
"Well, let's have Godzilla
fight another creature."
720
00:33:19,904 --> 00:33:21,940
It became a bit silly.
721
00:33:21,973 --> 00:33:23,809
And so Godzilla
was transformed
722
00:33:23,841 --> 00:33:26,076
from being this vengeful force
723
00:33:26,110 --> 00:33:29,313
to being more of a protector
and defender for Japan.
724
00:33:31,616 --> 00:33:33,552
In our film, we wanted to
bring back a little bit of
725
00:33:33,584 --> 00:33:36,453
the kitschy-ness
in a modern concept.
726
00:33:36,486 --> 00:33:40,158
Because Godzilla is such
a beloved character from Japan,
727
00:33:40,190 --> 00:33:43,427
the creators of
"Godzilla" had a bible.
728
00:33:43,460 --> 00:33:47,264
It was this thick, and in it was
all the "do"s and "don't"s...
729
00:33:47,298 --> 00:33:48,465
What it can do,
what it can't do.
730
00:33:48,498 --> 00:33:51,068
And we, like, threw it away.
731
00:33:51,101 --> 00:33:55,506
I hired one of the production
designers of "Independence Day,"
732
00:33:55,540 --> 00:33:59,544
Patrick Tatopoulos, to kind
of give me a new Godzilla,
733
00:33:59,577 --> 00:34:02,581
and I said,
"If I cannot make that Godzilla,
734
00:34:02,613 --> 00:34:04,615
I'm not making
the movie at all."
735
00:34:04,649 --> 00:34:06,585
The first shot that we had
about "Godzilla"
736
00:34:06,617 --> 00:34:08,385
was a shot from the street,
looking up.
737
00:34:10,153 --> 00:34:11,422
And the first
question we asked is,
738
00:34:11,456 --> 00:34:13,557
"What's happening
with the genitals?
739
00:34:13,591 --> 00:34:14,860
Should we see them?"
740
00:34:17,061 --> 00:34:19,898
And it's funny
because, a joke as it is,
741
00:34:19,930 --> 00:34:21,032
Emmerich says, "You know,
742
00:34:21,064 --> 00:34:22,099
I think she should be
a female.
743
00:34:22,133 --> 00:34:23,167
She should have kids."
744
00:34:26,037 --> 00:34:29,941
In many regards, we were trying
to reinvent Godzilla.
745
00:34:29,974 --> 00:34:33,044
I think that the people
in Japan felt,
746
00:34:33,077 --> 00:34:34,379
"Don't reinvent our Godzilla.
747
00:34:34,412 --> 00:34:36,915
We like our Godzilla
just the way he is."
748
00:34:40,017 --> 00:34:41,119
I think, when
you're trying to make
749
00:34:41,151 --> 00:34:42,553
a science-fiction
monster movie,
750
00:34:42,586 --> 00:34:45,489
you're always looking for
what's it really about?
751
00:34:45,523 --> 00:34:47,124
When we made our "Godzilla,"
752
00:34:47,157 --> 00:34:51,028
we definitely wanted it
to be serious again.
753
00:34:53,264 --> 00:34:55,099
You know, at the end of the day,
it's a giant monster movie,
754
00:34:55,133 --> 00:34:58,637
two massive creatures smacking
the crap out of each other.
755
00:34:58,669 --> 00:35:02,039
But all that stuff is pointless
if it hasn't got something
756
00:35:02,073 --> 00:35:03,575
at the heart of it
that it represents,
757
00:35:03,608 --> 00:35:07,312
and so I feel like there's
a sort of Western guilt
758
00:35:07,345 --> 00:35:11,649
that we don't really
acknowledge or talk about.
759
00:35:11,682 --> 00:35:13,985
We nuclear-bombed a country,
760
00:35:14,017 --> 00:35:16,521
and I think Godzilla,
in our film,
761
00:35:16,553 --> 00:35:20,392
was representing that coming
back to haunt us, in a way.
762
00:35:20,425 --> 00:35:22,526
Science-fiction movies
could be very cathartic.
763
00:35:22,559 --> 00:35:24,595
The reality is,
in all these movies,
764
00:35:24,628 --> 00:35:28,132
humankind ends up
defeating the monster,
765
00:35:28,166 --> 00:35:30,635
the world is saved,
766
00:35:30,667 --> 00:35:34,039
and we come together
when we most need to.
767
00:35:37,867 --> 00:35:40,375
It's hard to come up
with an original story.
768
00:35:40,469 --> 00:35:41,538
I mean, there's a lot
of writers out there
769
00:35:41,571 --> 00:35:43,073
nodding their heads.
770
00:35:43,105 --> 00:35:44,941
I think we're all
influenced by the stories
771
00:35:44,975 --> 00:35:47,243
that came before us
going back thousands of years,
772
00:35:47,277 --> 00:35:49,547
by myths, legends,
fairy tales.
773
00:35:49,580 --> 00:35:52,917
-I think the worst films just refer to other movies.
-Yeah.
774
00:35:52,949 --> 00:35:55,553
The best films somehow
connect you to something
775
00:35:55,585 --> 00:35:57,888
-that you've actually experienced.
-Yes.
776
00:35:57,920 --> 00:36:00,056
-Well, "Stranger Things" has done that very well.
-Yeah.
777
00:36:00,089 --> 00:36:02,091
It touches on a lot
of the movies that you and I
778
00:36:02,125 --> 00:36:04,527
-and others have made, but it does it brilliantly.
-Right. Yeah.
779
00:36:04,560 --> 00:36:07,463
-It's a amalgam of genres...
-Yeah.
780
00:36:07,497 --> 00:36:10,167
But all having to do
with one thing,
781
00:36:10,199 --> 00:36:12,468
-and that is you love those kids...
-Yeah.
782
00:36:12,502 --> 00:36:14,471
And you do not want anything
bad to happen to them.
783
00:36:14,504 --> 00:36:16,906
-Right. Right.
-And "Stranger Things,"
784
00:36:16,940 --> 00:36:19,944
-for all of its brilliant imaginings...
-Yeah.
785
00:36:19,977 --> 00:36:22,078
Are about those characters.
786
00:36:22,111 --> 00:36:24,347
All I know is Will is alive.
787
00:36:24,381 --> 00:36:26,049
Will is alive.
788
00:36:26,082 --> 00:36:27,183
He's out there somewhere.
789
00:36:27,216 --> 00:36:29,185
All we have to do
is find him.
790
00:36:29,219 --> 00:36:31,155
We had a pretty steady,
healthy diet
791
00:36:31,187 --> 00:36:32,323
of science fiction
792
00:36:32,355 --> 00:36:33,890
and horror movies growing up.
793
00:36:33,924 --> 00:36:36,594
They very much influenced
"Stranger Things."
794
00:36:36,627 --> 00:36:38,062
A lot of our favorite
795
00:36:38,094 --> 00:36:40,464
stories and movies
and books growing up
796
00:36:40,497 --> 00:36:42,232
all revolved
around children
797
00:36:42,265 --> 00:36:44,434
dealing with a terror
of some kind.
798
00:36:44,468 --> 00:36:46,402
Yeah. I mean, like,
Spielberg has a history
799
00:36:46,435 --> 00:36:50,440
of putting children
in traumatizing situations.
800
00:36:50,473 --> 00:36:51,875
So does Stephen King.
801
00:36:51,908 --> 00:36:53,509
They would take very
relatable characters,
802
00:36:53,542 --> 00:36:55,378
like families and kids,
803
00:36:55,411 --> 00:36:56,881
who, it felt like
our family,
804
00:36:56,913 --> 00:36:58,882
it felt like our friends,
it felt like us,
805
00:36:58,915 --> 00:37:02,118
and then put them into these
extraordinary situations.
806
00:37:11,928 --> 00:37:14,397
"Stranger Things"... it's about
a kid who goes missing.
807
00:37:14,431 --> 00:37:16,868
He vanishes into,
like, thin air.
808
00:37:17,600 --> 00:37:20,169
And I'm one of his best friends,
and we go look for him.
809
00:37:20,203 --> 00:37:24,208
We go on crazy adventures,
and they confront this girl.
810
00:37:24,241 --> 00:37:25,609
She has powers.
811
00:37:25,641 --> 00:37:28,913
Then we confront other things
like monsters...
812
00:37:28,946 --> 00:37:31,681
Not just monsters,
but one monster...
813
00:37:31,714 --> 00:37:32,982
the Demogorgon.
814
00:37:35,484 --> 00:37:37,387
The Demogorgon
has sort of this, like,
815
00:37:37,420 --> 00:37:40,089
ultimate movie... or TV-monster
feel to it,
816
00:37:40,123 --> 00:37:43,260
almost like the prototypical
nightmare monster.
817
00:37:43,292 --> 00:37:45,061
We wanted to
create a monster
818
00:37:45,094 --> 00:37:47,064
that we could
build practically,
819
00:37:47,096 --> 00:37:48,232
and we wanted to
go back to that
820
00:37:48,265 --> 00:37:49,699
old-school style
of filmmaking,
821
00:37:49,732 --> 00:37:51,535
and the thing is that
once you commit to that...
822
00:37:51,567 --> 00:37:55,238
To building a suit...
It limits you.
823
00:37:55,272 --> 00:37:56,473
It was also
very important
824
00:37:56,506 --> 00:37:58,308
that it was
very weird because,
825
00:37:58,341 --> 00:38:01,010
to us, you know,
the weirder a design is,
826
00:38:01,044 --> 00:38:02,179
the scarier it is.
827
00:38:02,212 --> 00:38:03,380
And sometimes
it's simple things,
828
00:38:03,413 --> 00:38:05,248
like removing...
Taking the eyes off.
829
00:38:05,281 --> 00:38:07,283
By the creature
not having a face,
830
00:38:07,317 --> 00:38:10,688
it really evokes the same idea
of something in the shadows...
831
00:38:10,721 --> 00:38:12,423
A figure that you
can't quite make out,
832
00:38:12,455 --> 00:38:14,290
but you have a familiar shape.
833
00:38:14,324 --> 00:38:16,226
But without any eyes, you don't
know where it's looking,
834
00:38:16,259 --> 00:38:18,262
what it's thinking,
which is terrifying.
835
00:38:19,696 --> 00:38:21,699
Demogorgon... he's really tall.
836
00:38:21,732 --> 00:38:24,500
I would say he's probably,
like, 7-foot-1...
837
00:38:24,533 --> 00:38:26,469
Shaq's height.
838
00:38:26,502 --> 00:38:29,038
His face looks like a tulip,
a flower,
839
00:38:29,071 --> 00:38:32,008
and it opens up with
all this teeth and slime.
840
00:38:32,042 --> 00:38:34,678
We can't wrap our brains
around what this thing is,
841
00:38:34,710 --> 00:38:38,515
and we can't pinpoint
what to do and what it is.
842
00:38:38,547 --> 00:38:41,150
That's why we're afraid of it,
and it looks pretty creepy,
843
00:38:41,183 --> 00:38:42,752
and it's trying to kill you.
844
00:38:42,786 --> 00:38:45,456
The Demogorgon head was
the most remarkable part
845
00:38:45,489 --> 00:38:48,592
of the entire Demogorgon suit.
846
00:38:48,625 --> 00:38:50,728
Because I don't see
the way I normally see,
847
00:38:50,761 --> 00:38:52,329
I don't hear
the way I normally hear,
848
00:38:52,361 --> 00:38:55,732
it makes it easier
to feel like the monster.
849
00:38:55,765 --> 00:38:58,368
The direction I was given by
the Duffers was very concise...
850
00:38:58,402 --> 00:39:00,037
That I was the shark
from "Jaws,"
851
00:39:00,069 --> 00:39:01,471
that I was this creature
that came from
852
00:39:01,504 --> 00:39:04,173
this other dimension to feed.
853
00:39:04,207 --> 00:39:05,609
I think monsters
who threaten children
854
00:39:05,641 --> 00:39:07,210
are particularly terrifying
855
00:39:07,243 --> 00:39:09,747
because it triggers
this response in humans
856
00:39:09,779 --> 00:39:11,748
to protect the young.
857
00:39:11,781 --> 00:39:14,617
Children are the ultimate
vulnerability.
858
00:39:14,650 --> 00:39:19,089
These kids are right on the
brink of becoming young adults,
859
00:39:19,122 --> 00:39:24,361
so some of the unleashing
of this other world,
860
00:39:24,393 --> 00:39:28,799
I think, is metaphorical,
and it allows us to think about,
861
00:39:28,832 --> 00:39:31,634
"What does it mean to pass
from a state of childhood
862
00:39:31,667 --> 00:39:33,202
into being a teen?"
863
00:39:33,236 --> 00:39:35,372
Sometimes you tangle
with monsters,
864
00:39:35,404 --> 00:39:37,740
and sometimes
you're sucked into a pool.
865
00:39:37,774 --> 00:39:39,609
Maybe these things
don't happen literally,
866
00:39:39,643 --> 00:39:43,614
but it's a really horrific,
terrifying process to grow up.
867
00:39:43,647 --> 00:39:46,449
Who are you?
I'm Maria.
868
00:39:49,618 --> 00:39:51,721
"Stranger Things" is,
in and of itself,
869
00:39:51,754 --> 00:39:54,057
a kind of "Frankenstein"
monster TV show.
870
00:39:57,694 --> 00:39:59,663
It is all these different parts
871
00:39:59,696 --> 00:40:02,820
of all these different
elements of pop culture...
872
00:40:02,839 --> 00:40:04,708
All right, here I go.
Okay?
873
00:40:04,740 --> 00:40:07,276
Okay.
Here we go.
874
00:40:07,309 --> 00:40:08,878
All kind of sutured together
875
00:40:08,912 --> 00:40:14,350
to create this new kind of
beautiful, horrifying thing.
876
00:40:14,383 --> 00:40:15,985
Out of the way!
Out of the way!
877
00:40:16,019 --> 00:40:17,921
The whole bike chase
and the van flip
878
00:40:17,954 --> 00:40:20,691
is, obviously, a
not-so-subtle nod to "E.T."
879
00:40:20,723 --> 00:40:21,892
Well,
dressing up Eleven...
880
00:40:21,925 --> 00:40:23,693
We just couldn't
help ourselves.
881
00:40:23,727 --> 00:40:25,395
A lot of
Winona's character
882
00:40:25,428 --> 00:40:27,598
was based on
Richard Dreyfuss.
883
00:40:27,631 --> 00:40:28,765
Her Christmas lights
884
00:40:28,798 --> 00:40:30,533
are his mashed potatoes,
basically.
885
00:40:30,566 --> 00:40:32,668
-Will?
-When you're a kid,
886
00:40:32,702 --> 00:40:35,439
and you're experiencing
these films,
887
00:40:35,472 --> 00:40:38,642
there's a sense of wonder
and awe and fear
888
00:40:38,675 --> 00:40:40,276
that just...
It stays with you
889
00:40:40,309 --> 00:40:41,911
for the rest of
your life.
890
00:40:41,944 --> 00:40:44,247
What we wanted to do
was try to recapture
891
00:40:44,280 --> 00:40:46,783
the way those movies
made us feel.
892
00:40:48,017 --> 00:40:51,821
Sci-fi is an escape
for so many people...
893
00:40:53,490 --> 00:40:55,892
and I feel those monsters...
Not just the Demogorgon...
894
00:40:55,925 --> 00:40:57,894
Helps everyone in the world
move on
895
00:40:57,926 --> 00:41:01,497
and feel good about
the world
896
00:41:01,530 --> 00:41:04,734
when the world
isn't doing well.
897
00:41:04,767 --> 00:41:06,637
Well, I think what
inflamed my imagination
898
00:41:06,669 --> 00:41:08,472
when I was a kid
was simply fear.
899
00:41:08,504 --> 00:41:11,374
Fear, I think, you know...
900
00:41:11,408 --> 00:41:13,443
I needed to do something
to protect myself
901
00:41:13,475 --> 00:41:15,479
against everything
that I was afraid of.
902
00:41:15,512 --> 00:41:17,446
Most everything when it got dark...
Yeah.
903
00:41:17,479 --> 00:41:19,415
I was afraid of.
904
00:41:19,448 --> 00:41:22,051
A lot of my process starts
with dreams and nightmares.
905
00:41:22,084 --> 00:41:24,687
It's all getting out
those childhood terrors
906
00:41:24,720 --> 00:41:27,023
and just making
everybody else feel it.
907
00:41:27,057 --> 00:41:28,058
Yeah. Yeah.
908
00:41:28,091 --> 00:41:29,825
You kind of exorcise them
from your own life,
909
00:41:29,859 --> 00:41:31,862
and then you foist them
upon strangers.
910
00:41:31,894 --> 00:41:33,696
On everybody else.
Right. Exactly.
911
00:41:33,729 --> 00:41:34,798
And we love it,
912
00:41:34,830 --> 00:41:35,865
and we can't get
enough of it,
913
00:41:35,899 --> 00:41:36,967
and so we can't stop.
914
00:41:36,999 --> 00:41:38,534
Right.
71978
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