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These are the user uploaded subtitles that are being translated: 1 00:00:06,946 --> 00:00:08,746 (eerie dramatic music) 2 00:00:08,746 --> 00:00:10,179 - [Narrator] Across the globe, 3 00:00:10,179 --> 00:00:13,479 ancient architectural marvels stand as testaments 4 00:00:13,479 --> 00:00:15,613 to human ingenuity. 5 00:00:15,613 --> 00:00:18,112 However, within the stunning craftsmanship 6 00:00:18,112 --> 00:00:22,113 of some of these structures, sinister whispers linger. 7 00:00:22,113 --> 00:00:25,112 - People see something that is so majestic, 8 00:00:25,112 --> 00:00:28,946 so perfect, so beautiful that they don't believe 9 00:00:28,946 --> 00:00:31,113 it could have been created by human hands. 10 00:00:32,246 --> 00:00:34,313 - [Narrator] In the Andean heights of Peru, 11 00:00:34,313 --> 00:00:38,279 a colossal stone complex defies explanation. 12 00:00:38,279 --> 00:00:40,746 Its seemingly impenetrable walls 13 00:00:40,746 --> 00:00:43,279 stunning 16th-century conquerors. 14 00:00:43,279 --> 00:00:45,979 - Why did the Spanish believe the Inca 15 00:00:45,979 --> 00:00:49,113 called on dark forces to build their fortress? 16 00:00:50,979 --> 00:00:52,380 - [Narrator] Deep in the arid landscape 17 00:00:52,380 --> 00:00:55,879 of Rajasthan, India, the mesmerizing geometry 18 00:00:55,879 --> 00:01:00,446 of an ancient stepwell plunges 13 stories into the earth. 19 00:01:00,446 --> 00:01:04,280 Its intricate design seems almost otherworldly. 20 00:01:04,280 --> 00:01:06,713 - King Chanda is trying to save his kingdom, 21 00:01:06,713 --> 00:01:08,546 so he turns to the dark arts. 22 00:01:08,546 --> 00:01:10,613 - [Narrator] Did a malevolent force perform 23 00:01:10,613 --> 00:01:12,346 this architectural feat? 24 00:01:13,446 --> 00:01:15,813 Rising above the streets of Paris, 25 00:01:15,813 --> 00:01:18,513 the Gothic spires of a famed cathedral 26 00:01:18,513 --> 00:01:22,013 have long echoed tales of demonic pacts. 27 00:01:22,013 --> 00:01:24,779 - This is a bastion of the Christian faith. 28 00:01:24,779 --> 00:01:27,179 Demons will want to play with it. 29 00:01:27,179 --> 00:01:28,846 - [Narrator] What secrets lie hidden 30 00:01:28,846 --> 00:01:31,146 in its elaborate designs? 31 00:01:31,146 --> 00:01:33,679 Exploring these architectural wonders 32 00:01:33,679 --> 00:01:37,546 uncovers the fine line between genius and the supernatural. 33 00:01:37,546 --> 00:01:38,979 - It seemed like magic, 34 00:01:38,979 --> 00:01:40,979 and it's not that much of a leap to go, 35 00:01:40,979 --> 00:01:42,713 "The devil was involved." 36 00:01:42,713 --> 00:01:44,113 - [Narrator] Could it be true? 37 00:01:44,113 --> 00:01:47,846 Or do the real answers lie in forgotten human knowledge? 38 00:01:47,846 --> 00:01:53,046 (dramatic music) (air whooshing) 39 00:02:08,012 --> 00:02:10,879 (playful music) 40 00:02:10,879 --> 00:02:13,079 High in the Andean mountains, 41 00:02:13,079 --> 00:02:16,013 perched above the Peruvian city of Cusco, 42 00:02:16,013 --> 00:02:20,046 lies Sacsayhuaman, a massive stone complex 43 00:02:20,046 --> 00:02:22,613 that has baffled experts for centuries. 44 00:02:22,613 --> 00:02:25,412 - The true purpose of this colossal structure 45 00:02:25,412 --> 00:02:29,446 remains one of the greatest mysteries of Inca archeology. 46 00:02:29,446 --> 00:02:32,913 Its layout hints at a level of sophistication 47 00:02:32,913 --> 00:02:35,746 that we're only beginning to understand. 48 00:02:35,746 --> 00:02:37,212 - [Narrator] With zigzagging walls 49 00:02:37,212 --> 00:02:39,679 that stretch for hundreds of meters, 50 00:02:39,679 --> 00:02:44,246 Sacsayhuaman's cryptic design speaks to a grand purpose. 51 00:02:44,246 --> 00:02:48,946 - Commonly, it was believed that this was a fortress, 52 00:02:48,946 --> 00:02:51,246 and that makes sense when you consider 53 00:02:51,246 --> 00:02:55,546 its defensive walls and strategic location. 54 00:02:55,546 --> 00:02:58,480 - [Narrator] But Sacsayhuaman's mysteries run deeper 55 00:02:58,480 --> 00:03:00,246 than its imposing walls. 56 00:03:00,246 --> 00:03:04,280 Below its foundation is a rumored labyrinth of tunnels, 57 00:03:04,280 --> 00:03:06,979 potentially guarding ancient secrets 58 00:03:06,979 --> 00:03:10,012 and a haunted passage to the underworld. 59 00:03:10,012 --> 00:03:12,613 - Was this primarily a military fortress 60 00:03:12,613 --> 00:03:14,146 or a religious center, 61 00:03:14,146 --> 00:03:16,180 or something else entirely? 62 00:03:18,213 --> 00:03:20,279 - [Narrator] When Spanish conquistadors arrived in Cusco 63 00:03:20,279 --> 00:03:23,679 in the 16th century, they were bewildered 64 00:03:23,679 --> 00:03:26,146 by the sight of Sacsayhuaman. 65 00:03:26,146 --> 00:03:28,680 - It's hard to imagine what was going through the minds 66 00:03:28,680 --> 00:03:30,013 of the Spanish conquistadors 67 00:03:30,013 --> 00:03:32,912 the first time they set eyes on Sacsayhuaman. 68 00:03:32,912 --> 00:03:34,246 - Well, the first sight of the fortress 69 00:03:34,246 --> 00:03:37,313 must have been awe-inspiring, 70 00:03:37,313 --> 00:03:39,246 it must have been intimidating. 71 00:03:39,246 --> 00:03:40,979 - They had no frame of reference 72 00:03:40,979 --> 00:03:42,146 for what they were seeing. 73 00:03:42,146 --> 00:03:44,046 In some ways, the engineering met 74 00:03:44,046 --> 00:03:46,680 or even exceeded what was possible back in Europe. 75 00:03:48,113 --> 00:03:51,446 - They can't believe that it was constructed by the Incas 76 00:03:51,446 --> 00:03:55,746 because they saw them as backward and uncivilized. 77 00:03:55,746 --> 00:03:56,946 So in their mind, 78 00:03:56,946 --> 00:03:58,480 they couldn't possibly build something 79 00:03:59,680 --> 00:04:04,546 as magnificent and sophisticated as this fortress. 80 00:04:05,546 --> 00:04:08,413 They swiftly attribute its construction 81 00:04:08,413 --> 00:04:09,713 to demonic forces. 82 00:04:09,713 --> 00:04:13,013 (eerie dramatic music) 83 00:04:17,646 --> 00:04:18,979 - [Narrator] Nearly a century 84 00:04:18,979 --> 00:04:21,380 before the conquistadors' arrival in Cusco, 85 00:04:21,380 --> 00:04:25,380 Pachacuti Inca Yupanqui, the ninth Sapa Inca, 86 00:04:25,380 --> 00:04:28,046 begins the transformation of the kingdom of Cusco 87 00:04:28,046 --> 00:04:30,480 into the mighty Inca Empire, 88 00:04:30,480 --> 00:04:34,080 the largest pre-Columbian empire in the Americas. 89 00:04:36,512 --> 00:04:39,412 Pachacuti is a brilliant strategist. 90 00:04:39,412 --> 00:04:44,079 During his reign, from 1438 to 1471 CE, 91 00:04:44,079 --> 00:04:47,879 he expands Inca territory across western South America 92 00:04:47,879 --> 00:04:50,380 through conquest and diplomacy, 93 00:04:50,380 --> 00:04:53,346 and oversees massive construction projects, 94 00:04:53,346 --> 00:04:56,746 including Machu Picchu and Sacsayhuaman, 95 00:04:56,746 --> 00:05:00,480 marking the beginning of the Inca Empire's Golden Age. 96 00:05:02,146 --> 00:05:04,912 Cusco serves as the capital of the Incan Empire 97 00:05:04,912 --> 00:05:09,113 until the Spanish conquistadors arrive in the 16th century, 98 00:05:09,113 --> 00:05:13,113 an event that would be the catalyst for a bloody battle. 99 00:05:13,113 --> 00:05:15,212 - It's November 1533, 100 00:05:15,212 --> 00:05:17,580 Francisco Pizarro and his conquistadors 101 00:05:17,580 --> 00:05:19,846 have arrived in Cusco. 102 00:05:19,846 --> 00:05:22,046 This moment marks the culmination 103 00:05:22,046 --> 00:05:25,813 of a decade of Spanish aggression in the Americas. 104 00:05:25,813 --> 00:05:28,946 In 1521, Hernan Cortes had conquered 105 00:05:28,946 --> 00:05:31,279 the Aztec Empire for Spain. 106 00:05:31,279 --> 00:05:33,646 Now, Francisco Pizarro seemed poised 107 00:05:33,646 --> 00:05:35,779 to do the same to the Incas. 108 00:05:35,779 --> 00:05:38,946 - [Narrator] The Spanish are initially welcomed in Cusco. 109 00:05:38,946 --> 00:05:41,379 Earlier that year, Pizarro's forces 110 00:05:41,379 --> 00:05:45,546 had captured and executed the Inca emperor, Atahualpa, 111 00:05:45,546 --> 00:05:49,313 and installed the young Manco Inca as a puppet ruler. 112 00:05:49,313 --> 00:05:52,080 - But things started to go bad shortly thereafter, 113 00:05:52,080 --> 00:05:53,913 and tensions began to rise. 114 00:05:53,913 --> 00:05:55,713 The Spanish began to strip the city 115 00:05:55,713 --> 00:05:57,379 of all of its gold and silver. 116 00:05:57,379 --> 00:06:00,146 They looted the sacred buildings of the city, 117 00:06:00,146 --> 00:06:04,013 and all of this reached the breaking point. 118 00:06:04,013 --> 00:06:07,846 In 1536, Manco Inca led a rebellion 119 00:06:07,846 --> 00:06:09,512 against the Spanish conquistadors, 120 00:06:09,512 --> 00:06:12,446 culminating in the siege of Cusco. 121 00:06:12,446 --> 00:06:14,713 - [Narrator] Sacsayhuaman's role in the siege 122 00:06:14,713 --> 00:06:16,179 is a crucial one. 123 00:06:16,179 --> 00:06:18,213 Its position overlooking Cusco 124 00:06:18,213 --> 00:06:20,880 makes it an ideal spot as the headquarters 125 00:06:20,880 --> 00:06:24,513 for the 200,000 warriors Manco has assembled. 126 00:06:24,513 --> 00:06:27,280 - For the Spanish, getting control of Sacsayhuaman 127 00:06:27,280 --> 00:06:29,712 is suddenly now a strategic objective. 128 00:06:29,712 --> 00:06:31,780 (dramatic music) 129 00:06:31,780 --> 00:06:33,680 - [Narrator] In May of 1536, 130 00:06:33,680 --> 00:06:36,013 a force of 50 cavalry 131 00:06:36,013 --> 00:06:40,613 and 120 Spanish infantry stormed the complex. 132 00:06:40,613 --> 00:06:43,012 A bloody battle ensues, 133 00:06:43,012 --> 00:06:44,846 but the Spanish eventually succeed 134 00:06:44,846 --> 00:06:47,179 in capturing Sacsayhuaman. 135 00:06:47,179 --> 00:06:49,946 This victory serves as a pivotal moment 136 00:06:49,946 --> 00:06:52,713 in their efforts to break the siege of Cusco. 137 00:06:52,713 --> 00:06:54,180 - In the chaos that followed, 138 00:06:54,180 --> 00:06:57,380 many Inca warriors threw themselves from the walls, 139 00:06:57,380 --> 00:07:01,080 death being preferable to being captured by the Spanish. 140 00:07:01,712 --> 00:07:03,613 So it's interesting to ask 141 00:07:03,613 --> 00:07:05,246 what these events can tell us 142 00:07:05,246 --> 00:07:07,946 about the intended use of Sacsayhuaman. 143 00:07:07,946 --> 00:07:10,413 Was it actually intended to be a fortress, 144 00:07:10,413 --> 00:07:13,780 or was it just being used as one out of necessity? 145 00:07:13,780 --> 00:07:15,513 - New evidence suggests the structure 146 00:07:15,513 --> 00:07:19,146 may have served a much more practical purpose. 147 00:07:20,912 --> 00:07:23,613 - [Narrator] In 2008, archeologists made 148 00:07:23,613 --> 00:07:25,346 a groundbreaking discovery, 149 00:07:25,346 --> 00:07:28,679 suggesting a more complex role in Inca society, 150 00:07:28,679 --> 00:07:32,880 one that may transcend its use as a simple fortress. 151 00:07:32,880 --> 00:07:34,913 - They uncover the ruins of an ancient temple 152 00:07:34,913 --> 00:07:37,246 near the site of Sacsayhuaman. 153 00:07:38,246 --> 00:07:39,779 - [Narrator] The temple's interior 154 00:07:39,779 --> 00:07:42,079 reveals a connection to the dead, 155 00:07:42,079 --> 00:07:44,013 a series of intriguing structures 156 00:07:44,013 --> 00:07:47,246 that point to sophisticated funerary practices. 157 00:07:47,246 --> 00:07:48,512 - Within this temple, 158 00:07:48,512 --> 00:07:52,080 they find 11 enclosures of varying sizes. 159 00:07:52,080 --> 00:07:54,380 The configuration and contents of these chambers 160 00:07:54,380 --> 00:07:58,146 strongly suggest its use for mummy burials. 161 00:07:58,146 --> 00:08:01,012 - These mummification rituals were very important, 162 00:08:01,012 --> 00:08:03,912 very significant in Inca culture. 163 00:08:03,912 --> 00:08:06,146 Clearly, they had an understanding 164 00:08:06,146 --> 00:08:08,746 that it was important to preserve the body 165 00:08:08,746 --> 00:08:11,146 for passage to the afterlife. 166 00:08:12,446 --> 00:08:14,813 - [Narrator] While the archeological evidence suggests 167 00:08:14,813 --> 00:08:16,646 that the site's origins may stretch back 168 00:08:16,646 --> 00:08:18,613 even further than the Incas, 169 00:08:18,613 --> 00:08:21,346 it is believed that the Inca significantly expanded 170 00:08:21,346 --> 00:08:23,313 and developed the structure. 171 00:08:23,313 --> 00:08:24,979 The presence of this temple 172 00:08:24,979 --> 00:08:27,513 and its secret funerary enclosures 173 00:08:27,513 --> 00:08:30,846 may hint at its role in connecting the human realm 174 00:08:30,846 --> 00:08:33,113 to that which lies beyond. 175 00:08:33,113 --> 00:08:35,646 - Could other undiscovered structures in this area 176 00:08:35,646 --> 00:08:38,313 help further expand our knowledge of this site? 177 00:08:38,313 --> 00:08:40,179 Or does the truth lie somewhere 178 00:08:40,179 --> 00:08:43,046 within the mysterious patterns of the walls? 179 00:08:44,313 --> 00:08:46,613 - [Narrator] The design of Sacsayhuaman 180 00:08:46,613 --> 00:08:47,846 seems to be heavily influenced 181 00:08:47,846 --> 00:08:49,946 by Incan religious beliefs, 182 00:08:49,946 --> 00:08:52,479 and their tether to other realms. 183 00:08:52,479 --> 00:08:57,080 - Inca religion was intimately tied to cosmology, 184 00:08:57,080 --> 00:09:01,980 with their belief system centering on celestial deities. 185 00:09:03,646 --> 00:09:06,080 - [Narrator] During his reign in the 15th century, 186 00:09:06,080 --> 00:09:08,680 Pachacuti elevates the sun god, Inti, 187 00:09:08,680 --> 00:09:12,879 to supreme status, reshaping the state religion. 188 00:09:12,879 --> 00:09:15,213 - When people can't explain what's happening around them, 189 00:09:15,213 --> 00:09:16,746 or they see the forces of nature, 190 00:09:16,746 --> 00:09:20,979 they often turn them into spiritual beings or entities. 191 00:09:20,979 --> 00:09:23,146 And so within this mysticism, 192 00:09:23,146 --> 00:09:24,913 we find that there are sun gods 193 00:09:24,913 --> 00:09:26,746 repeated over and over and over again. 194 00:09:26,746 --> 00:09:29,813 The sun was the giver of life. 195 00:09:29,813 --> 00:09:32,746 It also marked the seasons. 196 00:09:32,746 --> 00:09:37,080 In the Incan culture, that was Inti. 197 00:09:39,013 --> 00:09:41,513 - [Narrator] It's been theorized that Sacsayhuaman 198 00:09:41,513 --> 00:09:44,846 was dedicated to the worship of this sun god. 199 00:09:44,846 --> 00:09:47,213 And many elements of its design hint 200 00:09:47,213 --> 00:09:49,213 at its mystical connections. 201 00:09:49,213 --> 00:09:52,912 - The walls form this very distinct zigzagging pattern. 202 00:09:52,912 --> 00:09:54,413 This angular shape creates 203 00:09:54,413 --> 00:09:57,546 a series of sharp turns and recesses. 204 00:09:57,546 --> 00:09:59,546 - [Narrator] Some suggest the design resembles 205 00:09:59,546 --> 00:10:01,046 the head of a puma, 206 00:10:01,046 --> 00:10:03,813 a sacred animal in Inca mythology, 207 00:10:03,813 --> 00:10:06,413 with the city of Cusco forming the body. 208 00:10:06,413 --> 00:10:10,746 - They had a complex understanding of the cosmos. 209 00:10:10,746 --> 00:10:12,513 They recognized three realms, 210 00:10:12,513 --> 00:10:17,079 and each of them were tied with significant creatures. 211 00:10:17,079 --> 00:10:19,379 The underworld was associated with the serpent, 212 00:10:19,379 --> 00:10:21,713 the earthly realm with the puma, 213 00:10:21,713 --> 00:10:24,146 and the heavens with the condor. 214 00:10:24,146 --> 00:10:25,512 - [Narrator] These three realms 215 00:10:25,512 --> 00:10:28,279 and the cryptic language of the stars above 216 00:10:28,279 --> 00:10:32,546 often govern the ancient Inca rituals and sacred sites. 217 00:10:32,546 --> 00:10:36,546 - Many ancient civilizations actually put spiritual values 218 00:10:36,546 --> 00:10:40,012 and powers into the animals that were around them. 219 00:10:40,012 --> 00:10:43,213 They've anthropomorphized the animals themselves 220 00:10:43,213 --> 00:10:47,546 to place a spiritual lead within that realm. 221 00:10:47,546 --> 00:10:50,546 - [Narrator] Sacsayhuaman's position as the puma's head 222 00:10:50,546 --> 00:10:52,313 emphasizes its importance 223 00:10:52,313 --> 00:10:55,879 in connecting the earthly and spiritual realms. 224 00:10:55,879 --> 00:10:57,913 But perhaps even more intriguing 225 00:10:57,913 --> 00:11:00,046 is the theory that its layout incorporates 226 00:11:00,046 --> 00:11:03,046 sophisticated astronomical alignments, 227 00:11:03,046 --> 00:11:06,146 potentially encoding ancient knowledge. 228 00:11:06,146 --> 00:11:09,046 Researchers have identified astronomical values 229 00:11:09,046 --> 00:11:11,446 in both the pattern of its zigzag walls 230 00:11:11,446 --> 00:11:14,913 and in the angles of the wall stones themselves, 231 00:11:14,913 --> 00:11:17,113 which could indicate the alignment of the moon, 232 00:11:17,113 --> 00:11:19,646 Earth, and sun at a given time, 233 00:11:19,646 --> 00:11:23,080 and help predict lunar and solar eclipses. 234 00:11:23,080 --> 00:11:26,546 Similar patterns found at ancient sites worldwide 235 00:11:26,546 --> 00:11:29,812 raise intriguing questions about a shared knowledge 236 00:11:29,812 --> 00:11:32,279 spanning continents and millennia. 237 00:11:32,279 --> 00:11:34,546 This discovery could revolutionize 238 00:11:34,546 --> 00:11:38,279 our understanding of ancient civilizations' capabilities. 239 00:11:38,279 --> 00:11:40,212 But would the Inca really have had 240 00:11:40,212 --> 00:11:41,713 the engineering foresight 241 00:11:41,713 --> 00:11:43,713 to build such a grand complex 242 00:11:43,713 --> 00:11:45,612 in the shape of a puma's head, 243 00:11:45,612 --> 00:11:48,146 or to build complex astronomical values 244 00:11:48,146 --> 00:11:50,280 into its very walls? 245 00:11:50,280 --> 00:11:53,412 - We often wonder how the ancients accomplished 246 00:11:53,412 --> 00:11:54,646 what they did. 247 00:11:54,646 --> 00:11:57,879 But they knew a lot more than we give them credit for. 248 00:11:57,879 --> 00:12:01,146 - The Inca people were amazing 249 00:12:01,146 --> 00:12:02,779 at developing technology. 250 00:12:02,779 --> 00:12:05,146 They built incredible structures, 251 00:12:05,146 --> 00:12:08,813 they domesticated llamas and alpacas and guinea pigs. 252 00:12:08,813 --> 00:12:11,046 They had terraced agriculture. 253 00:12:11,046 --> 00:12:13,046 They had water control. 254 00:12:13,046 --> 00:12:15,846 This society was very, very innovative 255 00:12:15,846 --> 00:12:17,846 from a technological point of view. 256 00:12:17,846 --> 00:12:19,313 - [Narrator] While a conclusive answer 257 00:12:19,313 --> 00:12:22,313 to its original purpose may continue to evade us, 258 00:12:22,313 --> 00:12:24,780 the stones of Sacsayhuaman themselves 259 00:12:24,780 --> 00:12:26,813 hold their own secrets, 260 00:12:26,813 --> 00:12:29,146 hinting at a mastery of construction 261 00:12:29,146 --> 00:12:32,213 that continues to challenge mortal comprehension. 262 00:12:32,213 --> 00:12:34,913 - These walls are built with massive stones, 263 00:12:34,913 --> 00:12:38,079 some of them weighing up to 200 tons. 264 00:12:38,079 --> 00:12:40,279 - [Narrator] Believing that only demonic forces 265 00:12:40,279 --> 00:12:43,346 could have built Sacsayhuaman's amazing walls, 266 00:12:43,346 --> 00:12:46,646 the Spanish attempt to take down the entire structure, 267 00:12:46,646 --> 00:12:48,979 but reportedly find that the biggest stones 268 00:12:48,979 --> 00:12:51,613 are simply too heavy to move. 269 00:12:51,613 --> 00:12:55,346 - If the heaviest stones were too large to take down, 270 00:12:55,346 --> 00:12:59,179 how on Earth were they erected in the first place? 271 00:12:59,179 --> 00:13:00,546 - [Narrator] Could this have been the work 272 00:13:00,546 --> 00:13:02,346 of otherworldly forces? 273 00:13:04,546 --> 00:13:06,579 - We don't know how they built these walls, 274 00:13:06,579 --> 00:13:08,079 but it's reasonable to say 275 00:13:08,079 --> 00:13:10,112 that they had a good understanding of physics, 276 00:13:10,112 --> 00:13:13,046 and they perhaps harnessed the power of levers 277 00:13:13,046 --> 00:13:15,180 to move these giant boulders. 278 00:13:16,413 --> 00:13:18,113 - [Narrator] It's believed they used wooden rollers 279 00:13:18,113 --> 00:13:20,879 and levers to facilitate the movement of heavy stones 280 00:13:20,879 --> 00:13:23,113 over relatively flat terrain, 281 00:13:23,113 --> 00:13:25,746 and may have constructed ramps and inclined planes 282 00:13:25,746 --> 00:13:28,113 for transporting up steep slopes. 283 00:13:28,113 --> 00:13:29,680 - Where there's a will, there's a way, 284 00:13:29,680 --> 00:13:31,580 and they figured it out. 285 00:13:31,580 --> 00:13:34,246 - [Narrator] It's possible that over 20,000 workers 286 00:13:34,246 --> 00:13:37,546 were involved in building this colossal fortress, 287 00:13:37,546 --> 00:13:38,846 likely including laborers 288 00:13:38,846 --> 00:13:40,746 who carried out the Herculean task 289 00:13:40,746 --> 00:13:43,913 of transporting the stones from nearby quarries, 290 00:13:43,913 --> 00:13:46,413 as well as the workers who assembled the walls. 291 00:13:47,246 --> 00:13:48,812 But how did the Inca achieve 292 00:13:48,812 --> 00:13:50,746 the seemingly impossible precision 293 00:13:50,746 --> 00:13:52,580 in the stonework we still see today? 294 00:13:53,446 --> 00:13:55,813 (chisel clanging) 295 00:13:55,813 --> 00:13:58,446 - The Inca were master stonemasons, 296 00:13:58,446 --> 00:14:00,979 renowned for their remarkable ability 297 00:14:00,979 --> 00:14:04,079 to construct monumental structures 298 00:14:04,079 --> 00:14:06,646 that have stood the test of time. 299 00:14:06,646 --> 00:14:08,079 The strength of their empire 300 00:14:08,079 --> 00:14:11,113 is often credited to this talent. 301 00:14:11,113 --> 00:14:12,980 - And they used multiple techniques 302 00:14:12,980 --> 00:14:16,246 in order to shape not only these massive stones, 303 00:14:16,246 --> 00:14:18,813 but also to create very polished, 304 00:14:18,813 --> 00:14:21,513 finely-decorated stones. 305 00:14:21,513 --> 00:14:23,979 So clearly this is signs 306 00:14:23,979 --> 00:14:27,246 of a very sophisticated artisanal culture, 307 00:14:27,246 --> 00:14:30,013 but also a culture in which art and engineering 308 00:14:30,013 --> 00:14:31,580 went hand in hand. 309 00:14:31,580 --> 00:14:33,346 - [Narrator] Many stones still bear the marks 310 00:14:33,346 --> 00:14:35,346 of the tools used to shape them, 311 00:14:35,346 --> 00:14:39,013 suggesting the use of bronze chisels and stone hammers 312 00:14:39,013 --> 00:14:41,846 to achieve the desired shape and smoothness. 313 00:14:41,846 --> 00:14:43,912 The cutting and setting of the blocks 314 00:14:43,912 --> 00:14:47,646 were so exact that mortar was unnecessary. 315 00:14:47,646 --> 00:14:49,312 - Mortar is an important piece 316 00:14:49,312 --> 00:14:52,646 to the durability of a brick wall. 317 00:14:52,646 --> 00:14:54,979 If you were to build a wall without mortar, 318 00:14:54,979 --> 00:14:57,712 you would likely have some gaps. 319 00:14:57,712 --> 00:14:58,980 - That's a bit problematic 320 00:14:58,980 --> 00:15:01,546 because you're going to get water flowing down 321 00:15:01,546 --> 00:15:02,580 in between the rocks. 322 00:15:02,580 --> 00:15:03,846 If you get freezing periods, 323 00:15:03,846 --> 00:15:06,179 it's going to cause ice to form, 324 00:15:06,179 --> 00:15:08,012 and when ice forms, it creates pressure, 325 00:15:08,012 --> 00:15:10,379 and causes rocks to be pushed apart, 326 00:15:10,379 --> 00:15:13,346 and basically destroys your construction 327 00:15:13,346 --> 00:15:16,046 through natural weathering processes. 328 00:15:16,046 --> 00:15:17,979 - Mortar would close those gaps 329 00:15:17,979 --> 00:15:19,846 and allow for a more airtight structure. 330 00:15:19,846 --> 00:15:23,179 However, they didn't use mortar 331 00:15:23,179 --> 00:15:27,046 and instead they just shaped everything so precisely 332 00:15:27,046 --> 00:15:29,379 that mortar wasn't needed. 333 00:15:29,379 --> 00:15:33,146 Dry stone masonry is a really incredible way 334 00:15:33,146 --> 00:15:34,913 to construct buildings, 335 00:15:34,913 --> 00:15:37,246 and we're constructing basically a stone 336 00:15:37,246 --> 00:15:39,413 that fits like a puzzle piece 337 00:15:39,413 --> 00:15:41,313 into a larger part of a building, 338 00:15:41,313 --> 00:15:46,079 we're matching every stone to the stones around it. 339 00:15:46,079 --> 00:15:47,880 - [Narrator] Some believe they used methods similar 340 00:15:47,880 --> 00:15:51,013 to those used in the building of log cabins, 341 00:15:51,013 --> 00:15:53,213 called scribing and coping. 342 00:15:53,213 --> 00:15:56,546 - Scribing is the act of shaping those stones 343 00:15:56,546 --> 00:15:59,680 to match the profile of something else. 344 00:15:59,680 --> 00:16:02,146 And coping is a precise cut, 345 00:16:02,146 --> 00:16:04,580 sort of a carving out of something. 346 00:16:04,580 --> 00:16:07,913 - This is beneficial from so many points of view. 347 00:16:07,913 --> 00:16:09,979 It creates a very stable structure, 348 00:16:09,979 --> 00:16:11,879 but it also resists weathering. 349 00:16:11,879 --> 00:16:14,113 If we're not getting water flowing down 350 00:16:14,113 --> 00:16:16,713 between our rocks 'cause they're so tight together, 351 00:16:16,713 --> 00:16:18,813 we have a much better chance 352 00:16:18,813 --> 00:16:20,479 of it enduring long periods of time 353 00:16:20,479 --> 00:16:24,146 and not failing due to normal weathering processes. 354 00:16:24,146 --> 00:16:27,879 - And they are just perfectly fit with no mortar. 355 00:16:27,879 --> 00:16:29,312 There is no gap between them. 356 00:16:29,312 --> 00:16:31,912 You can't even put a piece of paper in between there. 357 00:16:31,912 --> 00:16:33,280 That is incredible. 358 00:16:33,280 --> 00:16:35,480 They either coped, or carved, or cut out, 359 00:16:35,480 --> 00:16:38,413 or sanded, or rounded all of these rocks. 360 00:16:38,413 --> 00:16:40,946 Each one of these is a labor of love. 361 00:16:40,946 --> 00:16:42,280 - [Narrator] But the Inca engineers 362 00:16:42,280 --> 00:16:45,112 weren't just concerned with aesthetics. 363 00:16:45,112 --> 00:16:48,146 They built with an eye towards longevity. 364 00:16:48,146 --> 00:16:50,412 - The Incan Empire is built high in the Andes, 365 00:16:50,412 --> 00:16:53,812 and the Andes are a geologically active area. 366 00:16:53,812 --> 00:16:56,313 This area has massive earthquakes. 367 00:16:56,313 --> 00:17:00,446 It's not uncommon to have magnitude seven-plus earthquakes 368 00:17:00,446 --> 00:17:01,180 in this area. 369 00:17:01,180 --> 00:17:02,612 And to build structures 370 00:17:02,612 --> 00:17:05,646 that have been able to endure thousands of years 371 00:17:05,646 --> 00:17:07,546 in this environment is amazing. 372 00:17:07,546 --> 00:17:09,680 Where we use dry masonry, 373 00:17:09,680 --> 00:17:13,480 because the stones fit together and lock together, 374 00:17:13,480 --> 00:17:16,346 they don't want to tumble apart in an earthquake. 375 00:17:16,346 --> 00:17:19,380 - And so that interlock of all of these stones together 376 00:17:19,380 --> 00:17:22,979 can resist quite a bit of horizontal pressure on that wall, 377 00:17:22,979 --> 00:17:26,179 be it from wind, from an impact from something, 378 00:17:26,179 --> 00:17:29,046 or from soil consistently pressing on it. 379 00:17:29,046 --> 00:17:30,180 They also were thoughtful 380 00:17:30,180 --> 00:17:32,180 about the configuration of these walls, 381 00:17:32,180 --> 00:17:33,946 they're in a zigzag pattern. 382 00:17:33,946 --> 00:17:36,712 Each shift through that zigzag 383 00:17:36,712 --> 00:17:39,312 adds lateral stability into these walls as well. 384 00:17:39,312 --> 00:17:41,779 It acts as a unit to resist all of those forces 385 00:17:41,779 --> 00:17:43,346 that it might experience. 386 00:17:43,346 --> 00:17:45,979 To recognize that the need for robustness 387 00:17:45,979 --> 00:17:48,546 around lateral forces in these ancient times 388 00:17:48,546 --> 00:17:50,513 is pretty awesome. 389 00:17:50,513 --> 00:17:52,479 - [Narrator] But the mysteries of its construction 390 00:17:52,479 --> 00:17:55,646 don't end at its unshakable walls. 391 00:17:55,646 --> 00:17:58,513 - Legend speaks of vast underground networks 392 00:17:58,513 --> 00:18:02,713 connecting the fortress to other important Inca sites. 393 00:18:02,713 --> 00:18:04,546 Some even claim these tunnels 394 00:18:04,546 --> 00:18:08,080 stretch all the way to Cusco's Coricancha, 395 00:18:08,080 --> 00:18:11,013 the most sacred temple of the Inca Empire. 396 00:18:12,213 --> 00:18:13,513 - [Narrator] These tunnels could have served 397 00:18:13,513 --> 00:18:16,946 multiple purposes, from storage and shelter, 398 00:18:16,946 --> 00:18:19,680 to escape routes and ritualistic spaces. 399 00:18:21,113 --> 00:18:23,946 Legends persist of vast chambers filled with gold 400 00:18:23,946 --> 00:18:26,213 and precious artifacts hidden away 401 00:18:26,213 --> 00:18:28,613 from Spanish conquistadors, 402 00:18:28,613 --> 00:18:29,679 though no such treasures 403 00:18:29,679 --> 00:18:31,913 have been officially discovered. 404 00:18:31,913 --> 00:18:34,946 And for those who dare attempt to find it, 405 00:18:34,946 --> 00:18:39,980 grave danger awaits. (eerie dramatic music) 406 00:18:41,046 --> 00:18:43,613 In the 1920s, following the rumored disappearance 407 00:18:43,613 --> 00:18:45,912 of several tunnel explorers, 408 00:18:45,912 --> 00:18:48,746 all entryways were shuttered to the public, 409 00:18:48,746 --> 00:18:51,980 though many are still tempted to venture below today. 410 00:18:52,879 --> 00:18:54,946 According to some local tales, 411 00:18:54,946 --> 00:18:57,913 these cursed passages promise to kill anyone 412 00:18:57,913 --> 00:18:59,680 who steps foot inside. 413 00:19:00,979 --> 00:19:03,446 Could this be otherworldly forces at work 414 00:19:03,446 --> 00:19:07,146 guarding a potential channel to the underworld? 415 00:19:07,146 --> 00:19:10,113 - Tunnels and passages come up again and again 416 00:19:10,113 --> 00:19:12,480 when we talk about ancient structures. 417 00:19:13,579 --> 00:19:15,313 And a lot of this comes to the idea that, 418 00:19:15,313 --> 00:19:17,412 you know, a tunnel is a passageway, 419 00:19:17,412 --> 00:19:19,479 and it has a mystical significance to it 420 00:19:19,479 --> 00:19:21,179 because you don't know what's on the other end. 421 00:19:21,179 --> 00:19:23,612 And you can imagine that if you travel down this tunnel, 422 00:19:23,612 --> 00:19:26,680 you will leave one realm and enter another. 423 00:19:26,680 --> 00:19:29,013 - [Narrator] Could the Spanish have seen these tunnels 424 00:19:29,013 --> 00:19:31,079 as the source of the demonic forces 425 00:19:31,079 --> 00:19:33,513 they believed built Sacsayhuaman? 426 00:19:33,513 --> 00:19:36,613 - It's interesting to reflect, as a modern person, 427 00:19:36,613 --> 00:19:40,013 that descriptions of demons 428 00:19:40,013 --> 00:19:42,580 creating the structure seems foreign, 429 00:19:42,580 --> 00:19:45,112 it seems unreasonable to us. 430 00:19:45,112 --> 00:19:48,013 But in fact, that would have been perfectly natural, 431 00:19:48,013 --> 00:19:50,546 it would have been a rational interpretation 432 00:19:50,546 --> 00:19:52,013 for someone like Pizarro. 433 00:19:53,113 --> 00:19:56,413 - There's a tendency on the part of many conquerors 434 00:19:56,413 --> 00:19:58,979 to see the people that they were conquering 435 00:19:58,979 --> 00:20:02,046 as inferior and incapable, 436 00:20:02,046 --> 00:20:06,180 and being bound by the powers of darkness. 437 00:20:08,779 --> 00:20:10,013 - When we're faced with something 438 00:20:10,013 --> 00:20:12,246 we don't know how it happened, how it was built, 439 00:20:12,246 --> 00:20:15,346 or it just looks beyond normal abilities of man, 440 00:20:15,346 --> 00:20:17,479 we put it into the supernatural. 441 00:20:17,479 --> 00:20:19,680 we put it onto the side of the divine, 442 00:20:19,680 --> 00:20:22,846 if it's something that matches with our religion. 443 00:20:22,846 --> 00:20:24,412 But the primitives, the heathens, 444 00:20:24,412 --> 00:20:25,913 they're the ones that are supporting 445 00:20:25,913 --> 00:20:28,846 the negative side of the spirituality, 446 00:20:28,846 --> 00:20:31,313 devils, demons, the underworld. 447 00:20:31,313 --> 00:20:33,179 - Early modern people understood 448 00:20:33,179 --> 00:20:36,012 that the devil was real, the devil was present, 449 00:20:36,012 --> 00:20:38,012 that the devil's function 450 00:20:38,012 --> 00:20:41,813 was to create chaos, havoc, destruction. 451 00:20:41,813 --> 00:20:44,180 And so for someone like Pizarro, 452 00:20:44,180 --> 00:20:47,313 encountering the Incas would have reminded him 453 00:20:47,313 --> 00:20:50,346 of the ever-present reality of the demonic. 454 00:20:51,980 --> 00:20:54,680 - So when we consider how the Spanish minimized 455 00:20:54,680 --> 00:20:56,813 and underestimated the Inca, 456 00:20:56,813 --> 00:20:58,146 it's worth asking ourselves 457 00:20:58,146 --> 00:21:00,080 if we don't do the same thing sometimes 458 00:21:00,080 --> 00:21:01,713 when we look at the accomplishments 459 00:21:01,713 --> 00:21:03,546 of other ancient civilizations. 460 00:21:03,546 --> 00:21:06,979 (dramatic music) 461 00:21:06,979 --> 00:21:08,879 - [Narrator] Halfway across the world 462 00:21:08,879 --> 00:21:12,179 lies another architectural enigma. 463 00:21:12,179 --> 00:21:16,546 Like Sacsayhuaman, its geometry and impossible scale 464 00:21:16,546 --> 00:21:20,013 whisper of origins beyond mortal comprehension. 465 00:21:22,912 --> 00:21:27,713 India, a land of ancient wonders and rich cultural heritage, 466 00:21:27,713 --> 00:21:31,213 boasts a remarkable array of architectural marvels 467 00:21:31,213 --> 00:21:33,380 that have stood the test of time. 468 00:21:33,380 --> 00:21:35,879 While iconic sites like the Taj Mahal 469 00:21:35,879 --> 00:21:38,046 often steal the spotlight, 470 00:21:38,046 --> 00:21:40,546 some of India's most tantalizing structures 471 00:21:40,546 --> 00:21:43,412 continue to perplex historians today. 472 00:21:43,412 --> 00:21:46,212 (dramatic music) 473 00:21:46,212 --> 00:21:49,146 Hidden in the arid landscape of Rajasthan, 474 00:21:49,146 --> 00:21:51,712 a descent into the depths awaits, 475 00:21:51,712 --> 00:21:54,212 the Chand Baori stepwell. 476 00:21:54,212 --> 00:21:58,046 - This is one of the largest and deepest stepwells in India, 477 00:21:58,046 --> 00:22:00,712 reaching 13 storeys into the earth. 478 00:22:00,712 --> 00:22:03,913 - [Narrator] Chand Baori is one of many stepwells in India 479 00:22:03,913 --> 00:22:05,379 intended as a reservoir 480 00:22:05,379 --> 00:22:07,612 during the region's dry spells. 481 00:22:07,612 --> 00:22:09,780 But the intricate carvings and sculptures 482 00:22:09,780 --> 00:22:12,112 that adorn its walls hint at a purpose 483 00:22:12,112 --> 00:22:14,246 beyond mere water storage. 484 00:22:14,246 --> 00:22:17,146 - It is not only beautiful, 485 00:22:17,146 --> 00:22:20,946 but it must have required extraordinary precision 486 00:22:20,946 --> 00:22:25,746 in its design and execution. (dramatic music) 487 00:22:25,746 --> 00:22:29,080 - There's 3,500 steps in this. 488 00:22:29,080 --> 00:22:31,813 You immediately recognize the geometry in this, 489 00:22:31,813 --> 00:22:33,913 the thoughtful planning of these steps. 490 00:22:33,913 --> 00:22:36,780 - These perfectly carved steps 491 00:22:36,780 --> 00:22:41,179 form a mesmerizing geometric pattern. 492 00:22:41,179 --> 00:22:44,279 - Why did they choose this specific geometric design? 493 00:22:44,279 --> 00:22:48,146 Does it encode ancient knowledge or religious beliefs? 494 00:22:49,280 --> 00:22:51,112 - [Narrator] The stepwell's precise construction 495 00:22:51,112 --> 00:22:54,179 and vast scale raise intriguing questions 496 00:22:54,179 --> 00:22:57,780 about the capabilities of its 9th century builders. 497 00:22:57,780 --> 00:23:01,679 - How did these ancient architects achieve such precision 498 00:23:01,679 --> 00:23:03,846 without modern surveying tools? 499 00:23:03,846 --> 00:23:09,013 - It almost seems to defy the limits of ancient engineering. 500 00:23:10,212 --> 00:23:12,913 - [Narrator] The hands that carved this subterranean stone 501 00:23:12,913 --> 00:23:17,312 did so in worship of water. (water sloshing) 502 00:23:17,312 --> 00:23:20,680 - So much of ancient cultures focuses around water. 503 00:23:20,680 --> 00:23:22,879 For civilizations to thrive, 504 00:23:22,879 --> 00:23:24,880 they need continuous access to it. 505 00:23:24,880 --> 00:23:27,113 You have to have water. 506 00:23:27,113 --> 00:23:29,512 - Nowadays, we have great access to water. 507 00:23:29,512 --> 00:23:32,013 It's considered a basic necessity, 508 00:23:32,013 --> 00:23:33,979 and it's always provided to us. 509 00:23:33,979 --> 00:23:36,713 But back then, in places like India, 510 00:23:36,713 --> 00:23:38,046 you had to collect the water 511 00:23:38,046 --> 00:23:39,980 so there was enough for the community. 512 00:23:39,980 --> 00:23:42,013 - In particular, in India, there are years 513 00:23:42,013 --> 00:23:43,846 where you have monsoons 514 00:23:43,846 --> 00:23:46,546 and you have immense amounts of water, 515 00:23:46,546 --> 00:23:50,079 and then you'll have periods where there isn't a monsoon 516 00:23:50,079 --> 00:23:54,179 and the water table will literally change by meters. 517 00:23:54,179 --> 00:23:56,446 If we're not changing our technology 518 00:23:56,446 --> 00:23:58,979 to address the changing water table, 519 00:23:58,979 --> 00:24:01,079 our civilization is going to collapse. 520 00:24:01,079 --> 00:24:03,579 So the most successful ancient civilizations 521 00:24:03,579 --> 00:24:07,112 had ways to ensure continuous access to water. 522 00:24:07,112 --> 00:24:10,113 And that's kind of where stepwells come in. 523 00:24:11,746 --> 00:24:16,180 - The stepwells were a fascinating and ingenious structure 524 00:24:16,180 --> 00:24:19,879 designed to serve as water reservoirs. 525 00:24:19,879 --> 00:24:21,746 - The rainwater falls from the sky 526 00:24:21,746 --> 00:24:23,280 and collects in the huge opening. 527 00:24:23,280 --> 00:24:25,246 The rain then trickles down the steps 528 00:24:25,246 --> 00:24:26,879 and collects in the bottom well. 529 00:24:26,879 --> 00:24:29,113 The water then seeps through porous rock, 530 00:24:29,113 --> 00:24:31,580 which replenishes the underground water table. 531 00:24:34,179 --> 00:24:37,913 - Thirst and hunger are some of the strongest drives 532 00:24:37,913 --> 00:24:39,613 that motivate people. 533 00:24:39,613 --> 00:24:42,613 These are really basic drives, 534 00:24:42,613 --> 00:24:44,612 and they're in some structures of the brain 535 00:24:44,612 --> 00:24:47,879 that are the oldest ones conserved across evolution. 536 00:24:47,879 --> 00:24:49,946 It's going to be a major driver 537 00:24:49,946 --> 00:24:51,746 of how that society is formed 538 00:24:51,746 --> 00:24:53,580 and how decisions are made. 539 00:24:53,580 --> 00:24:55,413 And in this arid land, 540 00:24:55,413 --> 00:24:57,946 it should be very easy to get a large community together 541 00:24:57,946 --> 00:24:59,546 to build a stepwell 542 00:24:59,546 --> 00:25:02,280 because it's something everybody can see that they, 543 00:25:02,280 --> 00:25:05,146 their families, and their descendants are going to need. 544 00:25:06,179 --> 00:25:07,680 - [Narrator] While ancient stepwells 545 00:25:07,680 --> 00:25:10,913 were vital water sources in the arid regions of India, 546 00:25:10,913 --> 00:25:13,413 their role transcended mere necessity. 547 00:25:15,246 --> 00:25:19,079 - People gathered here not only to draw water, 548 00:25:19,079 --> 00:25:22,746 but to socialize, exchange news, 549 00:25:22,746 --> 00:25:25,113 and even for religious purposes. 550 00:25:27,046 --> 00:25:28,880 - [Narrator] The intricately carved walls, 551 00:25:28,880 --> 00:25:31,980 niches, and pavilions served as a backdrop 552 00:25:31,980 --> 00:25:34,980 for storytelling and artistic performances, 553 00:25:34,980 --> 00:25:37,846 transforming the stepwells into vibrant hubs 554 00:25:37,846 --> 00:25:40,346 of daily life and cultural activity. 555 00:25:41,646 --> 00:25:44,812 But the complexity of Chand Baori's construction, 556 00:25:44,812 --> 00:25:47,646 its sheer scale and intricate design 557 00:25:47,646 --> 00:25:51,146 has led to persistent questions about how it was built. 558 00:25:51,146 --> 00:25:53,646 And, in the absence of clear answers, 559 00:25:53,646 --> 00:25:57,113 local legends and folklore have flourished. 560 00:25:57,113 --> 00:25:58,880 - When we think of a structure 561 00:25:58,880 --> 00:26:01,180 that is essential to the survival of people, 562 00:26:01,180 --> 00:26:06,146 that is also an extraordinary work of art in and of itself, 563 00:26:07,313 --> 00:26:09,346 it was so beautiful that stories developed 564 00:26:09,346 --> 00:26:13,046 around it being a supernatural creation. 565 00:26:13,746 --> 00:26:15,546 - Legend has it that King Chanda 566 00:26:15,546 --> 00:26:18,313 is trying to save his kingdom from drought. 567 00:26:18,313 --> 00:26:22,046 - This king is driven to desperation. 568 00:26:22,046 --> 00:26:24,980 He turned to the dark arts. 569 00:26:26,779 --> 00:26:28,212 - [Narrator] In his darkest hour, 570 00:26:28,212 --> 00:26:31,013 the king calls upon the help of a djinn, 571 00:26:31,013 --> 00:26:34,913 a supernatural entity with malevolent powers. 572 00:26:34,913 --> 00:26:37,246 The djinn agrees to build a stepwell. 573 00:26:37,246 --> 00:26:38,746 But this offer of salvation 574 00:26:38,746 --> 00:26:41,212 will come at a terrible price, 575 00:26:41,212 --> 00:26:43,812 the surrender of the kingdom itself. 576 00:26:43,812 --> 00:26:45,912 (dramatic music) 577 00:26:45,912 --> 00:26:47,713 - Faced with an impossible choice, 578 00:26:47,713 --> 00:26:49,380 the king accepts the terms, 579 00:26:49,380 --> 00:26:52,713 prioritizing his people's survival over his own rule. 580 00:26:53,880 --> 00:26:56,313 According to the tale, this supernatural being 581 00:26:56,313 --> 00:27:00,146 constructs the entire stepwell in a single night. 582 00:27:00,146 --> 00:27:02,312 - [Narrator] Then King Chanda experienced 583 00:27:02,312 --> 00:27:04,612 a fortunate twist of fate. 584 00:27:04,612 --> 00:27:07,046 - In recognizing the king's selfless act, 585 00:27:07,046 --> 00:27:10,146 a saint intervenes and basically traps the djinn 586 00:27:10,146 --> 00:27:12,046 in the bowels of the stepwell, 587 00:27:12,046 --> 00:27:14,313 and the kingdom is restored. 588 00:27:14,313 --> 00:27:16,313 - [Narrator] Imprisoned in the depths of this structure 589 00:27:16,313 --> 00:27:19,446 for eternity, the legend of the djinn lingers 590 00:27:19,446 --> 00:27:21,946 for centuries more. 591 00:27:21,946 --> 00:27:24,613 Chand Baori's intricate design seems to defy 592 00:27:24,613 --> 00:27:26,613 the limitations of its time, 593 00:27:26,613 --> 00:27:29,280 leaving many to consider the haunting possibility 594 00:27:29,280 --> 00:27:33,146 that such an entity may indeed be responsible. 595 00:27:34,446 --> 00:27:37,746 However, modern archeology has revealed hints 596 00:27:37,746 --> 00:27:39,613 about its true design. 597 00:27:41,146 --> 00:27:43,279 While detailed records of Chand Baori's construction 598 00:27:43,279 --> 00:27:45,280 have been lost to history, 599 00:27:45,280 --> 00:27:48,780 careful examination of the structure and others like it 600 00:27:48,780 --> 00:27:50,746 can offer some insights. 601 00:27:50,746 --> 00:27:51,946 - We often think about structures 602 00:27:51,946 --> 00:27:53,979 that are coming up from the ground, 603 00:27:53,979 --> 00:27:55,446 that we're creating space above ground. 604 00:27:55,446 --> 00:27:58,646 This is actually creating a space below grade. 605 00:27:58,646 --> 00:27:59,780 And that's really interesting, 606 00:27:59,780 --> 00:28:00,946 it's like inverting my whole world. 607 00:28:00,946 --> 00:28:02,512 It's really cool. 608 00:28:02,512 --> 00:28:04,013 - [Narrator] Excavation likely began 609 00:28:04,013 --> 00:28:06,979 with digging the central well to reach water level. 610 00:28:06,979 --> 00:28:09,479 This would have required precise surveying 611 00:28:09,479 --> 00:28:12,013 to ensure the correct depth and width. 612 00:28:12,846 --> 00:28:14,846 As the foundation was secured, 613 00:28:14,846 --> 00:28:18,546 the greatest task still loomed overhead, 614 00:28:18,546 --> 00:28:21,779 carving 3,500 narrow steps 615 00:28:21,779 --> 00:28:24,446 up thirteen floors to ground level. 616 00:28:24,446 --> 00:28:27,479 - This is a big structure where people are taking 617 00:28:27,479 --> 00:28:30,612 not only a lot of time to carve those steps out, 618 00:28:30,612 --> 00:28:33,046 but a lot of time to make sure that they're exactly 619 00:28:33,046 --> 00:28:34,513 the size they need to be. 620 00:28:35,679 --> 00:28:38,479 - [Narrator] The perfect symmetry of Chand Baori 621 00:28:38,479 --> 00:28:41,212 implies a mastery of mathematics, 622 00:28:41,212 --> 00:28:44,013 and potentially, a grasp of geometry 623 00:28:44,013 --> 00:28:46,613 that surpasses the known knowledge of this era. 624 00:28:47,713 --> 00:28:49,013 - When you're trying to build, 625 00:28:49,013 --> 00:28:51,379 essentially, an inverted pyramid in the ground, 626 00:28:51,379 --> 00:28:54,446 you need to know exactly what your pyramid 627 00:28:54,446 --> 00:28:57,679 is going to look like before you start building it. 628 00:28:57,679 --> 00:29:00,346 If you start changing angles, 629 00:29:00,346 --> 00:29:02,046 you don't end up with a pyramid. 630 00:29:02,046 --> 00:29:05,013 You end up with something that's very skewed 631 00:29:05,013 --> 00:29:08,746 and would look aesthetically extremely unpleasing. 632 00:29:08,746 --> 00:29:10,079 - [Narrator] The uniform size 633 00:29:10,079 --> 00:29:12,179 and precise angles of the steps 634 00:29:12,179 --> 00:29:14,713 suggest the use of standardized measurements 635 00:29:14,713 --> 00:29:16,546 and possibly, templates. 636 00:29:16,546 --> 00:29:20,679 - It takes a lot of precision in each step that you go down 637 00:29:20,679 --> 00:29:24,179 to make sure you're going to end up where you need to be. 638 00:29:24,179 --> 00:29:26,546 So you're literally measuring 639 00:29:26,546 --> 00:29:29,713 within a few millimeters in each layer. 640 00:29:29,713 --> 00:29:31,046 - Everything is meticulous, 641 00:29:31,046 --> 00:29:33,613 the angles, the carving, the steps, 642 00:29:33,613 --> 00:29:35,046 the pathways through. 643 00:29:35,046 --> 00:29:38,746 There's just so much thought put into the circulation 644 00:29:38,746 --> 00:29:42,579 of this system and how one would move through it. 645 00:29:42,579 --> 00:29:45,279 - [Narrator] Could this seemingly impossible perfection 646 00:29:45,279 --> 00:29:49,080 be a clue that the mysterious tale of the djinn is true? 647 00:29:51,046 --> 00:29:52,912 Beyond practical function, 648 00:29:52,912 --> 00:29:55,079 the design elements of Chand Baori 649 00:29:55,079 --> 00:29:57,579 also play with its visitors' minds, 650 00:29:57,579 --> 00:30:02,113 stirring a sense of awe, and perhaps a subtle unease. 651 00:30:02,113 --> 00:30:04,580 - The stepwell is really interesting in its design 652 00:30:04,580 --> 00:30:07,879 because of how it makes you feel when you look at it. 653 00:30:07,879 --> 00:30:09,913 And that's because in nature, 654 00:30:09,913 --> 00:30:11,879 yes, we have rough symmetry, right? 655 00:30:11,879 --> 00:30:14,079 We've got two arms, two legs, two eyes, 656 00:30:14,079 --> 00:30:19,146 but yet things aren't perfect in the natural world. 657 00:30:19,146 --> 00:30:24,046 Here we see something that is balanced out and symmetric, 658 00:30:25,279 --> 00:30:28,346 but it's all sharp corners, it's steps, it's lines. 659 00:30:28,346 --> 00:30:29,880 The only place we normally see lines 660 00:30:29,880 --> 00:30:31,546 are off on the horizon. 661 00:30:31,546 --> 00:30:33,079 We don't see them in straight lines 662 00:30:33,079 --> 00:30:35,013 in most any other places. 663 00:30:35,013 --> 00:30:38,713 And because of it, it gives this sense of awe. 664 00:30:38,713 --> 00:30:41,146 It's not something that is natural. 665 00:30:41,146 --> 00:30:44,579 And therefore, we add extra meaning to the space, 666 00:30:44,579 --> 00:30:46,080 to the place itself. 667 00:30:47,546 --> 00:30:49,413 - [Narrator] Incorporated into the engineering design 668 00:30:49,413 --> 00:30:53,080 of Chand Baori is an apparent secret of ancient wisdom, 669 00:30:54,113 --> 00:30:55,946 one that suggests a strategy 670 00:30:55,946 --> 00:30:59,012 for mitigating the desert's intense heat. 671 00:30:59,012 --> 00:31:01,846 As you descend the steps of Chand Baori, 672 00:31:01,846 --> 00:31:03,979 you would feel the temperature dropping, 673 00:31:03,979 --> 00:31:06,313 defying the scorching heat above. 674 00:31:08,813 --> 00:31:11,979 The cooling properties of the stepwell reveal themselves 675 00:31:11,979 --> 00:31:14,446 when examining the layers of its design. 676 00:31:14,446 --> 00:31:17,013 At first glance, the thick stone walls 677 00:31:17,013 --> 00:31:20,112 appear only to serve as structural support, 678 00:31:20,112 --> 00:31:22,012 but they are actually the first clue 679 00:31:22,012 --> 00:31:24,180 to the stepwell's cooling mechanism. 680 00:31:25,479 --> 00:31:28,313 The builders chose materials with high thermal mass, 681 00:31:28,313 --> 00:31:30,146 creating a natural heat sink 682 00:31:30,146 --> 00:31:32,313 that absorbs daytime heat, 683 00:31:32,313 --> 00:31:34,646 and releases it slowly at night. 684 00:31:36,113 --> 00:31:40,146 Further down, a noticeable chill permeates the air. 685 00:31:40,146 --> 00:31:43,979 - The stepwell maintains a temperature of 5 to 6 degrees 686 00:31:43,979 --> 00:31:47,080 cooler at its base than at its surface. 687 00:31:47,080 --> 00:31:50,080 Was this an intentional design feature, 688 00:31:50,080 --> 00:31:53,480 and if so, how did they calculate it? 689 00:31:53,480 --> 00:31:55,980 - [Narrator] The ancient engineers seem to have tapped 690 00:31:55,980 --> 00:31:58,613 into the Earth's natural cooling properties, 691 00:31:58,613 --> 00:32:00,146 using the subterranean design 692 00:32:00,146 --> 00:32:02,713 to access cooler underground layers. 693 00:32:04,046 --> 00:32:07,613 The collected water itself isn't just for drinking. 694 00:32:07,613 --> 00:32:08,879 It plays a crucial role 695 00:32:08,879 --> 00:32:11,313 in a natural air conditioning system. 696 00:32:12,546 --> 00:32:16,146 As water evaporates, it cools the surrounding air, 697 00:32:16,146 --> 00:32:19,146 much like our own body's perspiration. 698 00:32:19,146 --> 00:32:21,912 This natural cooling system is amplified 699 00:32:21,912 --> 00:32:24,246 by the well's unique vertical structure, 700 00:32:24,246 --> 00:32:26,346 which creates a chimney effect, 701 00:32:26,346 --> 00:32:28,880 encouraging air circulation. 702 00:32:28,880 --> 00:32:31,046 - By having that cooler water source flow down 703 00:32:31,046 --> 00:32:33,479 and having wind that would blow on top, 704 00:32:33,479 --> 00:32:35,913 it creates an interesting thermodynamic 705 00:32:35,913 --> 00:32:38,113 where it will stay cooler down there. 706 00:32:39,146 --> 00:32:40,713 - [Narrator] Warm air rises, 707 00:32:40,713 --> 00:32:43,980 drawing cooler air from the water surface upwards, 708 00:32:43,980 --> 00:32:46,846 resulting in a constant flow of breeze, 709 00:32:46,846 --> 00:32:49,046 a certain shiver from the depths. 710 00:32:50,546 --> 00:32:52,880 - Ancient engineers were able to create 711 00:32:52,880 --> 00:32:55,546 a sophisticated climate control system, 712 00:32:55,546 --> 00:32:59,413 transforming a water source into a cool oasis 713 00:32:59,413 --> 00:33:01,946 in one of the world's hottest regions. 714 00:33:01,946 --> 00:33:04,446 - In an arid, dry land, 715 00:33:04,446 --> 00:33:08,946 cold water is not something most people get to experience. 716 00:33:08,946 --> 00:33:11,113 Even the rains in the monsoons are warm, 717 00:33:12,280 --> 00:33:16,946 so it adds another level of awe or mysticism 718 00:33:16,946 --> 00:33:19,612 to the whole endeavor and the whole structure, 719 00:33:19,612 --> 00:33:22,446 that they're experiencing something special here 720 00:33:22,446 --> 00:33:24,546 that they cannot get anywhere else. 721 00:33:24,546 --> 00:33:26,779 - [Narrator] While its design creates an oasis 722 00:33:26,779 --> 00:33:28,146 in the desert heat, 723 00:33:28,146 --> 00:33:31,946 its purpose extends beyond mere physical comfort, 724 00:33:31,946 --> 00:33:34,246 as evidenced by a nearby temple 725 00:33:34,246 --> 00:33:38,080 that hints at the site's deeper spiritual significance. 726 00:33:39,080 --> 00:33:41,880 Just 100 meters west of Chand Baori 727 00:33:41,880 --> 00:33:45,313 stands a temple dedicated to Harshat Mata, 728 00:33:45,313 --> 00:33:48,112 the goddess of joy and happiness. 729 00:33:48,112 --> 00:33:50,979 Built between the 7th and 7th centuries, 730 00:33:50,979 --> 00:33:53,446 it's believed that this temple formed a complex 731 00:33:53,446 --> 00:33:55,113 with Chand Baori. 732 00:33:55,113 --> 00:33:57,580 Pilgrims would typically purify themselves 733 00:33:57,580 --> 00:33:59,113 in the stepwell's waters 734 00:33:59,113 --> 00:34:02,013 before entering the sacred temple ground. 735 00:34:03,179 --> 00:34:07,046 - Water is sacred across many traditions, 736 00:34:07,046 --> 00:34:09,946 and in Hindu, it has a particularly special role, 737 00:34:09,946 --> 00:34:12,179 not only in ritual purification, 738 00:34:12,179 --> 00:34:15,213 but water was part of the cosmos. 739 00:34:15,213 --> 00:34:17,312 It was actually binding the earthly 740 00:34:17,312 --> 00:34:19,980 and the celestial realms together. 741 00:34:19,980 --> 00:34:23,913 So it was essential to their understanding, 742 00:34:23,913 --> 00:34:26,013 not only of their lived experience, 743 00:34:26,013 --> 00:34:29,479 their present life, but the afterlife. 744 00:34:29,479 --> 00:34:31,346 - [Narrator] This connection also reveals 745 00:34:31,346 --> 00:34:34,346 the stepwell's deep spiritual significance, 746 00:34:34,346 --> 00:34:38,346 further emphasized by its intricate architectural details. 747 00:34:38,346 --> 00:34:41,046 Many of the carvings adorning Chand Baori 748 00:34:41,046 --> 00:34:44,180 depict Hindu deities and mythological scenes 749 00:34:44,180 --> 00:34:46,480 and narrate sacred stories. 750 00:34:46,480 --> 00:34:49,446 - These carvings transform the stepwell 751 00:34:49,446 --> 00:34:52,946 into a three-dimensional religious text. 752 00:34:52,946 --> 00:34:54,712 - [Narrator] Chand Baori was likely used 753 00:34:54,712 --> 00:34:58,080 in conjunction with the nearby temple for centuries, 754 00:34:58,080 --> 00:35:01,046 embodying the Hindu concept of finding divinity 755 00:35:01,046 --> 00:35:03,779 in the most essential elements of life, 756 00:35:03,779 --> 00:35:07,013 a tradition that has endured for over a millennium. 757 00:35:10,346 --> 00:35:13,779 While the specifics of its construction remain elusive 758 00:35:13,779 --> 00:35:16,113 and the legends of the djinn endure, 759 00:35:16,113 --> 00:35:18,412 Chand Baori's ancient ingenuity 760 00:35:18,412 --> 00:35:21,379 continues to stand the test of time. 761 00:35:21,379 --> 00:35:26,413 - Today, India is turning back to its ancient wisdom 762 00:35:27,580 --> 00:35:31,613 in order to tackle the modern water crisis. 763 00:35:31,613 --> 00:35:35,179 - I think it is a testimony to the ingenuity 764 00:35:35,179 --> 00:35:38,112 of the early designers of these stepwells 765 00:35:38,112 --> 00:35:41,846 that they are now finding purpose again today. 766 00:35:41,846 --> 00:35:43,546 In this period of climate change, 767 00:35:43,546 --> 00:35:47,246 when we have increasing drought conditions locally, 768 00:35:47,246 --> 00:35:50,012 stepwells are now being put back to work 769 00:35:50,012 --> 00:35:53,213 because they are one of the most efficient means 770 00:35:53,213 --> 00:35:56,413 of ensuring the survival of the local population. 771 00:35:57,779 --> 00:36:00,613 - This revival of ancient wisdom 772 00:36:00,613 --> 00:36:02,613 is testament to the fact 773 00:36:02,613 --> 00:36:04,813 that these ancient stepwells 774 00:36:04,813 --> 00:36:07,813 are not only relics of the past, 775 00:36:07,813 --> 00:36:10,513 but potential answers for the future. 776 00:36:12,779 --> 00:36:14,479 - [Narrator] As with Chand Baori, 777 00:36:14,479 --> 00:36:16,979 the line between the mystical and the physical 778 00:36:16,979 --> 00:36:20,646 blurs at a grand cathedral in Paris. 779 00:36:20,646 --> 00:36:22,612 Legends whisper of gargoyles 780 00:36:22,612 --> 00:36:25,846 that protect the cathedral from unseen threats, 781 00:36:25,846 --> 00:36:28,246 and tales of diabolical pacts 782 00:36:28,246 --> 00:36:30,980 that may have shaped its very doors. 783 00:36:31,979 --> 00:36:35,013 Standing majestically in the heart of Paris, 784 00:36:35,013 --> 00:36:36,779 Notre Dame Cathedral, 785 00:36:36,779 --> 00:36:39,080 completed in the mid-13th century, 786 00:36:39,080 --> 00:36:42,479 has captivated visitors for hundreds of years. 787 00:36:42,479 --> 00:36:44,846 - It stands as one of the world's oldest 788 00:36:44,846 --> 00:36:47,246 and most renowned Gothic cathedrals. 789 00:36:49,046 --> 00:36:52,179 - Notre Dame has witnessed pivotal moments 790 00:36:52,179 --> 00:36:53,980 in French history, 791 00:36:53,980 --> 00:36:57,946 from the coronation of Napoleon Bonaparte, 792 00:36:57,946 --> 00:37:01,346 to the beatification of Joan of Arc. 793 00:37:01,346 --> 00:37:03,880 - [Narrator] The cathedral's impressive dimensions, 794 00:37:03,880 --> 00:37:07,379 with towers reaching 69 meters into the sky, 795 00:37:07,379 --> 00:37:10,380 speak to the ambition of its builders. 796 00:37:10,380 --> 00:37:14,212 - This was a cathedral built through the financial 797 00:37:14,212 --> 00:37:18,379 and artisanal contributions of the local population. 798 00:37:18,379 --> 00:37:22,346 It was intended to be the largest, 799 00:37:22,346 --> 00:37:26,046 the most sophisticated cathedral of its time. 800 00:37:26,046 --> 00:37:29,546 So it was to be a mark of the greatness of Paris, 801 00:37:29,546 --> 00:37:31,412 as one of the largest 802 00:37:31,412 --> 00:37:34,480 and most economically successful cities 803 00:37:34,480 --> 00:37:36,046 in Europe at the time. 804 00:37:36,046 --> 00:37:38,179 - [Narrator] But beneath its Gothic splendor 805 00:37:38,179 --> 00:37:40,879 lie deep mysteries of its construction. 806 00:37:40,879 --> 00:37:43,379 - It's not only the scale that amazes, 807 00:37:43,379 --> 00:37:44,913 but the innovative techniques 808 00:37:44,913 --> 00:37:47,479 used to achieve such heights. 809 00:37:47,479 --> 00:37:49,080 - [Narrator] And the structural mysteries 810 00:37:49,080 --> 00:37:50,479 are just the beginning. 811 00:37:50,479 --> 00:37:52,013 - Legend has it that the gargoyles 812 00:37:52,013 --> 00:37:53,512 are the protectors of the church. 813 00:37:53,512 --> 00:37:55,246 But are they protecting the church 814 00:37:55,246 --> 00:37:59,013 against supernatural forces or against earthly threats? 815 00:38:01,613 --> 00:38:04,313 - [Narrator] Beneath the soaring arches of Notre Dame 816 00:38:04,313 --> 00:38:06,112 lies a secret that stretches back 817 00:38:06,112 --> 00:38:08,380 to the very foundations of Paris. 818 00:38:09,479 --> 00:38:13,146 - For generations, pilgrims and tourists 819 00:38:13,146 --> 00:38:16,879 have marveled at the Christian masterpiece 820 00:38:16,879 --> 00:38:19,746 that is the Notre Dame today. 821 00:38:19,746 --> 00:38:21,913 But few realize that the ground 822 00:38:21,913 --> 00:38:25,413 that touches their feet holds clues 823 00:38:25,413 --> 00:38:30,446 to a much older, grander, mysterious past. 824 00:38:31,779 --> 00:38:33,813 - They find stone structures underneath Notre Dame 825 00:38:33,813 --> 00:38:36,412 that would predate it by centuries. 826 00:38:36,412 --> 00:38:41,079 - In the 1700s, they discovered that the church 827 00:38:41,079 --> 00:38:45,113 was built on the ruins of an old Gallo-Roman temple 828 00:38:45,113 --> 00:38:49,946 to Jupiter, the king of the Roman pantheon. 829 00:38:49,946 --> 00:38:51,280 - What does that tell us? 830 00:38:51,280 --> 00:38:52,579 Well, first of all, that you have a temple 831 00:38:52,579 --> 00:38:54,779 to the most powerful of the Roman gods, 832 00:38:54,779 --> 00:38:56,779 suggests that this place, 833 00:38:56,779 --> 00:38:58,313 the place where it's located, 834 00:38:58,313 --> 00:39:00,846 has long been a site of cultic worship, 835 00:39:00,846 --> 00:39:03,513 and in particular, a very sacred site. 836 00:39:03,513 --> 00:39:06,513 - This is evidence of the site's long history 837 00:39:06,513 --> 00:39:08,113 as a place of worship. 838 00:39:08,113 --> 00:39:10,079 How did a pagan temple become 839 00:39:10,079 --> 00:39:13,013 one of Christianity's most revered cathedrals? 840 00:39:14,313 --> 00:39:16,513 - [Narrator] The transformation from pagan temple 841 00:39:16,513 --> 00:39:20,546 to Christian cathedral was a centuries-long process. 842 00:39:20,546 --> 00:39:24,546 - As Christianity spreads throughout Europe, 843 00:39:24,546 --> 00:39:29,046 the site undergoes a radical metamorphosis. 844 00:39:30,013 --> 00:39:33,046 - Sacred sites tended to remain sacred sites 845 00:39:33,046 --> 00:39:35,113 even when there was a change in religion, 846 00:39:35,113 --> 00:39:37,946 and so the Christians didn't seem to have a problem 847 00:39:37,946 --> 00:39:41,013 rededicating pagan holy sites 848 00:39:41,013 --> 00:39:43,680 and making them Christian holy sites. 849 00:39:44,679 --> 00:39:46,779 - So we go from the pagan temple 850 00:39:46,779 --> 00:39:48,212 to an early Christian church, 851 00:39:48,212 --> 00:39:50,813 and that gets replaced by another Christian church, 852 00:39:50,813 --> 00:39:53,013 but it stays in a line of descent 853 00:39:53,013 --> 00:39:55,846 that eventually brings us to Notre Dame. 854 00:39:55,846 --> 00:39:57,013 - [Narrator] Emerging from the shadows 855 00:39:57,013 --> 00:39:58,879 of its pagan origins, 856 00:39:58,879 --> 00:40:01,279 Notre Dame Cathedral has defied centuries 857 00:40:01,279 --> 00:40:04,013 of challenges and natural disasters. 858 00:40:04,013 --> 00:40:06,112 What architectural secrets lie 859 00:40:06,112 --> 00:40:07,846 within its hallowed walls, 860 00:40:07,846 --> 00:40:09,480 enabling the Gothic structure 861 00:40:09,480 --> 00:40:13,013 to withstand the ravages of time and nature? 862 00:40:13,846 --> 00:40:15,946 For centuries, Notre Dame Cathedral 863 00:40:15,946 --> 00:40:19,146 has stood as a testament to Gothic architecture. 864 00:40:19,146 --> 00:40:23,880 But in 2019, a devastating fire engulfed the cathedral, 865 00:40:23,880 --> 00:40:27,313 destroying its roof and iconic spire. 866 00:40:27,313 --> 00:40:31,680 - To see a structure like this be impacted by the fire, 867 00:40:31,680 --> 00:40:34,879 it's a little heartbreaking for a structural engineer. 868 00:40:34,879 --> 00:40:38,446 I remember we turned it on at our office and watched it. 869 00:40:40,279 --> 00:40:41,946 - [Narrator] As the smoke clears, 870 00:40:41,946 --> 00:40:43,979 archeologists and historians 871 00:40:43,979 --> 00:40:46,213 are given an unprecedented opportunity 872 00:40:46,213 --> 00:40:49,280 to study the inner workings of Notre Dame's structure. 873 00:40:50,679 --> 00:40:54,513 - What hidden resilience did medieval builders embed 874 00:40:54,513 --> 00:40:57,680 within the very bones of Notre Dame Cathedral? 875 00:40:59,179 --> 00:41:01,446 - [Narrator] One of the keys to the cathedral's longevity 876 00:41:01,446 --> 00:41:03,746 could be the 30 flying buttresses 877 00:41:03,746 --> 00:41:06,613 that form its stone exoskeleton. 878 00:41:06,613 --> 00:41:09,346 - When we start building big structures like Notre Dame 879 00:41:09,346 --> 00:41:12,279 with large, open indoor spaces, 880 00:41:12,279 --> 00:41:15,546 we end up with immense roof structures that are very heavy. 881 00:41:15,546 --> 00:41:18,279 And the result forces from those roof structures 882 00:41:18,279 --> 00:41:22,212 invariably want to cause our walls to buckle outward. 883 00:41:22,212 --> 00:41:27,080 So we need to design systems that support our walls. 884 00:41:27,746 --> 00:41:28,946 And with Notre Dame, 885 00:41:28,946 --> 00:41:30,346 that technology is the flying buttress. 886 00:41:31,713 --> 00:41:33,246 - The walls are quite tall, 887 00:41:33,246 --> 00:41:34,880 so they're a little wobbly. 888 00:41:34,880 --> 00:41:36,879 You can imagine building a wall out of Lego. 889 00:41:36,879 --> 00:41:38,346 At some point, it's not very stable, 890 00:41:38,346 --> 00:41:40,512 you can't put another brick on top of there. 891 00:41:40,512 --> 00:41:43,112 And so you need to brace it horizontally. 892 00:41:43,112 --> 00:41:46,046 And that's where the flying buttresses come in. 893 00:41:46,046 --> 00:41:48,879 They are lateral supports at high up points 894 00:41:48,879 --> 00:41:50,879 that then take those lateral forces out, 895 00:41:50,879 --> 00:41:53,346 and all the way down into the ground. 896 00:41:53,346 --> 00:41:55,546 Also, when you have an arched roof, 897 00:41:55,546 --> 00:41:59,212 that arch wants to thrust out at its haunches. 898 00:41:59,212 --> 00:42:02,513 And so the arch itself is imposing a horizontal force. 899 00:42:02,513 --> 00:42:04,513 That force goes into the flying buttresses. 900 00:42:04,513 --> 00:42:07,112 So all these things are tied together 901 00:42:07,112 --> 00:42:10,346 and they are integral to that building. 902 00:42:10,346 --> 00:42:12,313 If you do not have the flying buttresses, 903 00:42:12,313 --> 00:42:14,013 that building will collapse. 904 00:42:15,013 --> 00:42:18,346 It's amazing to see this ancient engineering, 905 00:42:18,346 --> 00:42:20,480 and how they knew this, and used arches, 906 00:42:20,480 --> 00:42:22,146 which are another really strong shape 907 00:42:22,146 --> 00:42:23,880 in these flying buttresses 908 00:42:23,880 --> 00:42:27,346 to make them lighter and functional. 909 00:42:27,346 --> 00:42:28,646 - [Narrator] As restoration work 910 00:42:28,646 --> 00:42:30,679 on the burned cathedral begins, 911 00:42:30,679 --> 00:42:34,113 a remarkable discovery is made within its stonework, 912 00:42:34,113 --> 00:42:36,812 large iron staples are revealed, 913 00:42:36,812 --> 00:42:39,480 measuring up to 50 centimeters long. 914 00:42:39,480 --> 00:42:42,079 These staples found throughout the cathedral 915 00:42:42,079 --> 00:42:45,446 bind stones together, providing reinforcement 916 00:42:45,446 --> 00:42:49,479 that allows it to achieve its impressive 35 meter height 917 00:42:49,479 --> 00:42:52,746 while maintaining a light, slender appearance. 918 00:42:52,746 --> 00:42:54,279 But the true breakthrough comes 919 00:42:54,279 --> 00:42:57,246 when these iron reinforcements are dated. 920 00:42:58,813 --> 00:43:03,246 Radiocarbon dating reveals they originate from the 1160s, 921 00:43:03,246 --> 00:43:06,413 making Notre Dame the first known Gothic cathedral 922 00:43:06,413 --> 00:43:09,546 to use iron extensively throughout its structure, 923 00:43:09,546 --> 00:43:13,313 a feat not repeated for about four decades. 924 00:43:13,313 --> 00:43:15,346 But these iron reinforcements 925 00:43:15,346 --> 00:43:17,713 aren't the only metalwork hiding secrets 926 00:43:17,713 --> 00:43:20,179 in Notre Dame's walls. 927 00:43:20,179 --> 00:43:23,213 Adorning the massive western doors of the cathedral 928 00:43:23,213 --> 00:43:25,379 is intricate ironwork, 929 00:43:25,379 --> 00:43:29,012 and with it, comes a legend of devilish intrigue. 930 00:43:29,012 --> 00:43:30,746 - There's so many legends 931 00:43:30,746 --> 00:43:32,346 about the building of Notre Dame, 932 00:43:32,346 --> 00:43:34,380 but there's one from the 13th century 933 00:43:34,380 --> 00:43:37,979 about a young blacksmith named Biscornet. 934 00:43:37,979 --> 00:43:40,579 According to legend, he had been commissioned 935 00:43:40,579 --> 00:43:42,746 to complete the elaborate, 936 00:43:42,746 --> 00:43:45,313 ornate iron doors for the cathedral. 937 00:43:45,313 --> 00:43:48,213 - [Narrator] But when the completed doors are unveiled, 938 00:43:48,213 --> 00:43:50,212 people are astounded. 939 00:43:50,212 --> 00:43:53,213 - The level of craftsmanship was unprecedented. 940 00:43:53,213 --> 00:43:56,879 The intricate details and artistry are so advanced 941 00:43:56,879 --> 00:43:58,980 that it leaves people in disbelief. 942 00:43:58,980 --> 00:44:01,746 - No one believes it could be the work 943 00:44:01,746 --> 00:44:04,113 of a 13th-century blacksmith. 944 00:44:04,113 --> 00:44:07,213 - [Narrator] This leads to wild speculation. 945 00:44:07,213 --> 00:44:09,613 Biscornet's work must have been the result 946 00:44:09,613 --> 00:44:11,279 of a deal made with the devil. 947 00:44:11,279 --> 00:44:14,246 - Rumors begin to circulate that Biscornet 948 00:44:14,246 --> 00:44:17,246 had been found in his workshop unconscious, 949 00:44:17,246 --> 00:44:18,946 and that the iron doors 950 00:44:18,946 --> 00:44:21,646 had miraculously been completed overnight. 951 00:44:23,279 --> 00:44:26,546 When it came time to open up the doors, they were stuck. 952 00:44:26,546 --> 00:44:28,146 According to legend, 953 00:44:28,146 --> 00:44:31,046 it was only after the application of holy water 954 00:44:31,046 --> 00:44:33,046 that they were able to be opened. 955 00:44:33,046 --> 00:44:36,846 - Adding to the mystery, Biscornet reportedly dies 956 00:44:36,846 --> 00:44:38,879 shortly after completing the project. 957 00:44:38,879 --> 00:44:41,713 (dramatic music) 958 00:44:44,112 --> 00:44:45,646 - For people at the time, 959 00:44:45,646 --> 00:44:48,579 the battle between good and evil 960 00:44:48,579 --> 00:44:51,413 was a real live one. 961 00:44:51,413 --> 00:44:55,046 So actually, it wasn't a huge leap of the imagination 962 00:44:55,046 --> 00:44:58,680 to believe that these beautiful iron doors 963 00:44:58,680 --> 00:45:01,712 were inspired by the devil. 964 00:45:01,712 --> 00:45:03,013 The story comes out 965 00:45:03,013 --> 00:45:05,313 that it's supernatural powers that did it. 966 00:45:05,313 --> 00:45:09,512 And yet the minds of the people around 967 00:45:09,512 --> 00:45:13,012 turn to it not being divine intervention, 968 00:45:13,012 --> 00:45:15,613 but instead to it being the devil. 969 00:45:16,846 --> 00:45:19,213 - It's not surprising, in a way, 970 00:45:19,213 --> 00:45:21,313 that a church of this grandeur 971 00:45:22,113 --> 00:45:24,680 would attract demonic tales. 972 00:45:24,680 --> 00:45:29,146 It is constructed as a bastion of the Christian faith, 973 00:45:29,146 --> 00:45:30,712 which means, of course, 974 00:45:30,712 --> 00:45:32,846 demons will want to play with it, 975 00:45:32,846 --> 00:45:34,346 they will want to haunt it, 976 00:45:34,346 --> 00:45:37,046 they will want to torment those who go there. 977 00:45:37,046 --> 00:45:38,312 So in that sense, 978 00:45:38,312 --> 00:45:40,513 the fact that it's spiritually significant 979 00:45:40,513 --> 00:45:45,613 means that it will be a obvious target of the demonic. 980 00:45:46,812 --> 00:45:48,046 - [Narrator] To this day, 981 00:45:48,046 --> 00:45:50,979 the legend of the devil doors persists. 982 00:45:50,979 --> 00:45:54,346 - And interestingly, modern blacksmiths 983 00:45:54,346 --> 00:45:59,346 can't actually explain how those doors were constructed. 984 00:46:00,513 --> 00:46:02,046 - [Narrator] Whether crafted by human hands 985 00:46:02,046 --> 00:46:04,112 or through more sinister means, 986 00:46:04,112 --> 00:46:07,046 the devil doors continue to hold their secrets tight 987 00:46:07,046 --> 00:46:08,513 at ground level. 988 00:46:08,513 --> 00:46:10,413 But perched up above, 989 00:46:10,413 --> 00:46:14,413 Notre Dame's silent sentinels stand watch. 990 00:46:14,413 --> 00:46:18,979 What ancient mysteries do these grotesque figures conceal? 991 00:46:18,979 --> 00:46:21,946 - The gargoyles of Notre Dame are iconic. 992 00:46:21,946 --> 00:46:23,279 They are monstrous, 993 00:46:23,279 --> 00:46:26,246 with bulging eyes and sharp teeth. 994 00:46:26,246 --> 00:46:28,446 - As a visitor, you arrive and you look up 995 00:46:28,446 --> 00:46:32,612 and you see these enormous winged creatures perched, 996 00:46:32,612 --> 00:46:34,112 looking down at you, 997 00:46:34,112 --> 00:46:37,113 each with its own individual personality and movement. 998 00:46:38,246 --> 00:46:40,546 - What's striking about these gargoyles 999 00:46:40,546 --> 00:46:45,580 is the wide variety of design in which they were made. 1000 00:46:46,579 --> 00:46:48,279 And yet, what unifies them 1001 00:46:48,279 --> 00:46:51,746 is their whimsical, fiendish, 1002 00:46:51,746 --> 00:46:54,046 almost devilish nature. 1003 00:46:54,046 --> 00:46:55,746 - These aren't just decorations. 1004 00:46:55,746 --> 00:46:57,879 These gargoyles have stood watch 1005 00:46:57,879 --> 00:46:59,613 over the cathedral for centuries. 1006 00:47:01,679 --> 00:47:03,413 - There are a number of theories 1007 00:47:03,413 --> 00:47:05,846 about what they might have been intended to do. 1008 00:47:05,846 --> 00:47:08,980 Perhaps the most popular one is that they were protective, 1009 00:47:08,980 --> 00:47:12,113 that they were looking over Notre Dame, 1010 00:47:12,113 --> 00:47:15,046 and its parishioners with an eye out 1011 00:47:15,046 --> 00:47:19,046 to defeating any demons that might be circling. 1012 00:47:19,046 --> 00:47:23,246 - Others see them as representations of sin and vice, 1013 00:47:23,246 --> 00:47:26,980 lurking outside the sanctity of the church. 1014 00:47:28,080 --> 00:47:29,312 - If you look beautiful, 1015 00:47:29,312 --> 00:47:31,946 people think you can do no wrong, 1016 00:47:31,946 --> 00:47:33,179 that you are good, 1017 00:47:33,179 --> 00:47:34,946 that you're special just by that looks. 1018 00:47:34,946 --> 00:47:37,479 And, therefore, the flip side is also there. 1019 00:47:37,479 --> 00:47:40,079 If you look ugly, if you look grotesque, 1020 00:47:40,079 --> 00:47:41,513 then you're a monster and you're evil. 1021 00:47:41,513 --> 00:47:44,246 And that's why when we look at these gargoyles now, 1022 00:47:44,246 --> 00:47:45,980 we see them as evil creatures. 1023 00:47:47,146 --> 00:47:50,246 - And there are so many folklore and stories 1024 00:47:50,246 --> 00:47:52,079 associated with them. 1025 00:47:52,079 --> 00:47:55,613 One story goes that the gargoyles come alive at night 1026 00:47:55,613 --> 00:47:57,313 and patrol the streets of Paris, 1027 00:47:57,313 --> 00:47:59,480 keeping us all safe from harm. 1028 00:48:00,513 --> 00:48:02,046 - Another tale suggests 1029 00:48:02,046 --> 00:48:06,146 that these gargoyles aren't sculptures at all, 1030 00:48:06,146 --> 00:48:11,213 but monsters turned to stone by the power of the church. 1031 00:48:12,546 --> 00:48:15,213 - [Narrator] The gargoyles adorning Notre Dame today 1032 00:48:15,213 --> 00:48:20,013 are not medieval originals, but 19th-century additions. 1033 00:48:20,013 --> 00:48:21,713 Many of the original gargoyles 1034 00:48:21,713 --> 00:48:24,479 fell victim to the French Revolution's destruction 1035 00:48:24,479 --> 00:48:26,880 in the late 1700s. 1036 00:48:26,880 --> 00:48:29,380 Over the decades following the Revolution, 1037 00:48:29,380 --> 00:48:32,079 the cathedral falls into disrepair. 1038 00:48:32,079 --> 00:48:34,713 But it would receive a new lease on life 1039 00:48:34,713 --> 00:48:36,046 thanks to French author, 1040 00:48:36,046 --> 00:48:40,313 Victor Hugo's 1831 novel "Notre-Dame de Paris", 1041 00:48:40,313 --> 00:48:43,013 whose 1833 English translation 1042 00:48:43,013 --> 00:48:46,346 was known as "The Hunchback of Notre Dame". 1043 00:48:46,346 --> 00:48:50,846 - Victor Hugo's novel really raised the cathedral 1044 00:48:50,846 --> 00:48:52,879 in popular consciousness, 1045 00:48:52,879 --> 00:48:55,046 and led to a surge of interest 1046 00:48:55,046 --> 00:48:58,580 in restoring the cathedral to its former glory. 1047 00:49:00,079 --> 00:49:01,546 - [Narrator] A renovation under the guidance 1048 00:49:01,546 --> 00:49:04,479 of architect, Eugene Viollet-le-Duc, 1049 00:49:04,479 --> 00:49:06,613 began in the 1840s, 1050 00:49:06,613 --> 00:49:08,713 and new gargoyles were crafted, 1051 00:49:08,713 --> 00:49:12,112 cementing Notre Dame's status as a cultural icon, 1052 00:49:12,112 --> 00:49:14,646 and popularizing the notion of gargoyles 1053 00:49:14,646 --> 00:49:16,812 as the cathedral's guardians. 1054 00:49:16,812 --> 00:49:18,812 But the true purpose of these figures 1055 00:49:18,812 --> 00:49:22,812 is actually crucial to the cathedral's structural integrity. 1056 00:49:22,812 --> 00:49:26,280 - In reality, their function is much more practical. 1057 00:49:26,280 --> 00:49:28,312 They serve as water spouts, 1058 00:49:28,312 --> 00:49:31,779 channeling rainwater away from the building's walls 1059 00:49:31,779 --> 00:49:33,480 to prevent erosion. 1060 00:49:34,546 --> 00:49:36,279 - [Narrator] Following the tragic fire 1061 00:49:36,279 --> 00:49:39,980 that swept through Notre Dame Cathedral in April, 2019, 1062 00:49:39,980 --> 00:49:42,546 the gargoyles and grotesques have come to embody 1063 00:49:42,546 --> 00:49:46,113 the enduring spirit of this beloved landmark. 1064 00:49:47,146 --> 00:49:49,113 - When we think about Notre Dame now, 1065 00:49:49,113 --> 00:49:51,446 and the fact that it's now rebuilt, 1066 00:49:51,446 --> 00:49:55,646 it makes us realize that monuments are not static. 1067 00:49:55,646 --> 00:49:58,646 They are constantly being remade 1068 00:49:58,646 --> 00:50:00,546 and repurposed and reused 1069 00:50:00,546 --> 00:50:02,946 by the cultures because they cherish them, 1070 00:50:02,946 --> 00:50:05,980 because of their ties to their historic past, 1071 00:50:05,980 --> 00:50:08,113 but also because they're living spaces, 1072 00:50:08,113 --> 00:50:10,580 living histories, that are still meaningful to them. 1073 00:50:13,613 --> 00:50:17,113 - [Narrator] The cathedral reopened in December of 2024 1074 00:50:17,113 --> 00:50:19,813 after a nearly five-year restoration, 1075 00:50:19,813 --> 00:50:22,046 that was not without its challenges. 1076 00:50:22,046 --> 00:50:23,946 - Structures that have caught on fire, 1077 00:50:23,946 --> 00:50:25,613 some of them aren't salvageable. 1078 00:50:25,613 --> 00:50:26,980 This one, though, being stone, 1079 00:50:26,980 --> 00:50:28,979 is far more salvageable 1080 00:50:28,979 --> 00:50:31,080 than a wood structure would have been. 1081 00:50:31,080 --> 00:50:33,279 But in terms of the tools and the know-how 1082 00:50:33,279 --> 00:50:34,879 and the knowledge, and the ability 1083 00:50:34,879 --> 00:50:36,279 to rebuild something like this, 1084 00:50:36,279 --> 00:50:37,613 and not everybody can do that, 1085 00:50:37,613 --> 00:50:39,113 there's less and less people 1086 00:50:39,113 --> 00:50:42,080 who could build these structures in a similar way, 1087 00:50:42,080 --> 00:50:44,379 with the expertise and with the knowledge. 1088 00:50:44,379 --> 00:50:47,313 - While some have attributed the marvels of Notre Dame 1089 00:50:47,313 --> 00:50:50,080 to supernatural evil forces, 1090 00:50:50,080 --> 00:50:52,779 the reality is that Notre Dame represents 1091 00:50:52,779 --> 00:50:56,946 the pinnacle of human ingenuity, skill, craftsmanship, 1092 00:50:56,946 --> 00:51:00,013 and the determination of a people in their time. 1093 00:51:00,813 --> 00:51:02,880 The real magic of Notre Dame 1094 00:51:02,880 --> 00:51:05,046 is the medieval craftsmen that made it. 1095 00:51:05,046 --> 00:51:08,046 (dramatic music) 1096 00:51:08,046 --> 00:51:10,279 - [Narrator] From the whispers of otherworldly forces 1097 00:51:10,279 --> 00:51:14,646 at Sacsayhuaman, to the tales of djinns at Chand Baori, 1098 00:51:14,646 --> 00:51:17,513 and the ominous devil doors at Notre Dame, 1099 00:51:17,513 --> 00:51:20,012 the stories of these architectural wonders 1100 00:51:20,012 --> 00:51:22,680 blur the line between human achievement 1101 00:51:22,680 --> 00:51:24,446 and the supernatural. 1102 00:51:24,446 --> 00:51:27,512 While standing testament to remarkable engineering, 1103 00:51:27,512 --> 00:51:31,179 they hint at forces beyond our understanding. 1104 00:51:31,179 --> 00:51:32,546 What hidden truths 1105 00:51:32,546 --> 00:51:35,513 might these ancient structures still hold, 1106 00:51:35,513 --> 00:51:38,779 waiting to be uncovered by future generations? 1107 00:51:38,779 --> 00:51:41,546 (dramatic music) 1108 00:51:57,546 --> 00:52:01,080 (dramatic music continues) 88074

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