Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:06,946 --> 00:00:08,746
(eerie dramatic music)
2
00:00:08,746 --> 00:00:10,179
- [Narrator] Across the globe,
3
00:00:10,179 --> 00:00:13,479
ancient architectural
marvels stand as testaments
4
00:00:13,479 --> 00:00:15,613
to human ingenuity.
5
00:00:15,613 --> 00:00:18,112
However, within the
stunning craftsmanship
6
00:00:18,112 --> 00:00:22,113
of some of these structures,
sinister whispers linger.
7
00:00:22,113 --> 00:00:25,112
- People see something
that is so majestic,
8
00:00:25,112 --> 00:00:28,946
so perfect, so beautiful
that they don't believe
9
00:00:28,946 --> 00:00:31,113
it could have been
created by human hands.
10
00:00:32,246 --> 00:00:34,313
- [Narrator] In the
Andean heights of Peru,
11
00:00:34,313 --> 00:00:38,279
a colossal stone complex
defies explanation.
12
00:00:38,279 --> 00:00:40,746
Its seemingly impenetrable walls
13
00:00:40,746 --> 00:00:43,279
stunning 16th-century
conquerors.
14
00:00:43,279 --> 00:00:45,979
- Why did the Spanish
believe the Inca
15
00:00:45,979 --> 00:00:49,113
called on dark forces
to build their fortress?
16
00:00:50,979 --> 00:00:52,380
- [Narrator] Deep in
the arid landscape
17
00:00:52,380 --> 00:00:55,879
of Rajasthan, India,
the mesmerizing geometry
18
00:00:55,879 --> 00:01:00,446
of an ancient stepwell plunges
13 stories into the earth.
19
00:01:00,446 --> 00:01:04,280
Its intricate design
seems almost otherworldly.
20
00:01:04,280 --> 00:01:06,713
- King Chanda is trying
to save his kingdom,
21
00:01:06,713 --> 00:01:08,546
so he turns to the dark arts.
22
00:01:08,546 --> 00:01:10,613
- [Narrator] Did a
malevolent force perform
23
00:01:10,613 --> 00:01:12,346
this architectural feat?
24
00:01:13,446 --> 00:01:15,813
Rising above the
streets of Paris,
25
00:01:15,813 --> 00:01:18,513
the Gothic spires
of a famed cathedral
26
00:01:18,513 --> 00:01:22,013
have long echoed tales
of demonic pacts.
27
00:01:22,013 --> 00:01:24,779
- This is a bastion of
the Christian faith.
28
00:01:24,779 --> 00:01:27,179
Demons will want
to play with it.
29
00:01:27,179 --> 00:01:28,846
- [Narrator] What
secrets lie hidden
30
00:01:28,846 --> 00:01:31,146
in its elaborate designs?
31
00:01:31,146 --> 00:01:33,679
Exploring these
architectural wonders
32
00:01:33,679 --> 00:01:37,546
uncovers the fine line between
genius and the supernatural.
33
00:01:37,546 --> 00:01:38,979
- It seemed like magic,
34
00:01:38,979 --> 00:01:40,979
and it's not that
much of a leap to go,
35
00:01:40,979 --> 00:01:42,713
"The devil was involved."
36
00:01:42,713 --> 00:01:44,113
- [Narrator] Could it be true?
37
00:01:44,113 --> 00:01:47,846
Or do the real answers lie
in forgotten human knowledge?
38
00:01:47,846 --> 00:01:53,046
(dramatic music)
(air whooshing)
39
00:02:08,012 --> 00:02:10,879
(playful music)
40
00:02:10,879 --> 00:02:13,079
High in the Andean mountains,
41
00:02:13,079 --> 00:02:16,013
perched above the
Peruvian city of Cusco,
42
00:02:16,013 --> 00:02:20,046
lies Sacsayhuaman, a
massive stone complex
43
00:02:20,046 --> 00:02:22,613
that has baffled
experts for centuries.
44
00:02:22,613 --> 00:02:25,412
- The true purpose of
this colossal structure
45
00:02:25,412 --> 00:02:29,446
remains one of the greatest
mysteries of Inca archeology.
46
00:02:29,446 --> 00:02:32,913
Its layout hints at a
level of sophistication
47
00:02:32,913 --> 00:02:35,746
that we're only
beginning to understand.
48
00:02:35,746 --> 00:02:37,212
- [Narrator] With
zigzagging walls
49
00:02:37,212 --> 00:02:39,679
that stretch for
hundreds of meters,
50
00:02:39,679 --> 00:02:44,246
Sacsayhuaman's cryptic design
speaks to a grand purpose.
51
00:02:44,246 --> 00:02:48,946
- Commonly, it was believed
that this was a fortress,
52
00:02:48,946 --> 00:02:51,246
and that makes sense
when you consider
53
00:02:51,246 --> 00:02:55,546
its defensive walls
and strategic location.
54
00:02:55,546 --> 00:02:58,480
- [Narrator] But Sacsayhuaman's
mysteries run deeper
55
00:02:58,480 --> 00:03:00,246
than its imposing walls.
56
00:03:00,246 --> 00:03:04,280
Below its foundation is a
rumored labyrinth of tunnels,
57
00:03:04,280 --> 00:03:06,979
potentially guarding
ancient secrets
58
00:03:06,979 --> 00:03:10,012
and a haunted passage
to the underworld.
59
00:03:10,012 --> 00:03:12,613
- Was this primarily
a military fortress
60
00:03:12,613 --> 00:03:14,146
or a religious center,
61
00:03:14,146 --> 00:03:16,180
or something else entirely?
62
00:03:18,213 --> 00:03:20,279
- [Narrator] When Spanish
conquistadors arrived in Cusco
63
00:03:20,279 --> 00:03:23,679
in the 16th century,
they were bewildered
64
00:03:23,679 --> 00:03:26,146
by the sight of Sacsayhuaman.
65
00:03:26,146 --> 00:03:28,680
- It's hard to imagine what
was going through the minds
66
00:03:28,680 --> 00:03:30,013
of the Spanish conquistadors
67
00:03:30,013 --> 00:03:32,912
the first time they set
eyes on Sacsayhuaman.
68
00:03:32,912 --> 00:03:34,246
- Well, the first
sight of the fortress
69
00:03:34,246 --> 00:03:37,313
must have been awe-inspiring,
70
00:03:37,313 --> 00:03:39,246
it must have been intimidating.
71
00:03:39,246 --> 00:03:40,979
- They had no frame of reference
72
00:03:40,979 --> 00:03:42,146
for what they were seeing.
73
00:03:42,146 --> 00:03:44,046
In some ways, the
engineering met
74
00:03:44,046 --> 00:03:46,680
or even exceeded what was
possible back in Europe.
75
00:03:48,113 --> 00:03:51,446
- They can't believe that it
was constructed by the Incas
76
00:03:51,446 --> 00:03:55,746
because they saw them as
backward and uncivilized.
77
00:03:55,746 --> 00:03:56,946
So in their mind,
78
00:03:56,946 --> 00:03:58,480
they couldn't possibly
build something
79
00:03:59,680 --> 00:04:04,546
as magnificent and
sophisticated as this fortress.
80
00:04:05,546 --> 00:04:08,413
They swiftly attribute
its construction
81
00:04:08,413 --> 00:04:09,713
to demonic forces.
82
00:04:09,713 --> 00:04:13,013
(eerie dramatic music)
83
00:04:17,646 --> 00:04:18,979
- [Narrator] Nearly a century
84
00:04:18,979 --> 00:04:21,380
before the conquistadors'
arrival in Cusco,
85
00:04:21,380 --> 00:04:25,380
Pachacuti Inca Yupanqui,
the ninth Sapa Inca,
86
00:04:25,380 --> 00:04:28,046
begins the transformation
of the kingdom of Cusco
87
00:04:28,046 --> 00:04:30,480
into the mighty Inca Empire,
88
00:04:30,480 --> 00:04:34,080
the largest pre-Columbian
empire in the Americas.
89
00:04:36,512 --> 00:04:39,412
Pachacuti is a
brilliant strategist.
90
00:04:39,412 --> 00:04:44,079
During his reign,
from 1438 to 1471 CE,
91
00:04:44,079 --> 00:04:47,879
he expands Inca territory
across western South America
92
00:04:47,879 --> 00:04:50,380
through conquest and diplomacy,
93
00:04:50,380 --> 00:04:53,346
and oversees massive
construction projects,
94
00:04:53,346 --> 00:04:56,746
including Machu Picchu
and Sacsayhuaman,
95
00:04:56,746 --> 00:05:00,480
marking the beginning of the
Inca Empire's Golden Age.
96
00:05:02,146 --> 00:05:04,912
Cusco serves as the
capital of the Incan Empire
97
00:05:04,912 --> 00:05:09,113
until the Spanish conquistadors
arrive in the 16th century,
98
00:05:09,113 --> 00:05:13,113
an event that would be the
catalyst for a bloody battle.
99
00:05:13,113 --> 00:05:15,212
- It's November 1533,
100
00:05:15,212 --> 00:05:17,580
Francisco Pizarro
and his conquistadors
101
00:05:17,580 --> 00:05:19,846
have arrived in Cusco.
102
00:05:19,846 --> 00:05:22,046
This moment marks
the culmination
103
00:05:22,046 --> 00:05:25,813
of a decade of Spanish
aggression in the Americas.
104
00:05:25,813 --> 00:05:28,946
In 1521, Hernan
Cortes had conquered
105
00:05:28,946 --> 00:05:31,279
the Aztec Empire for Spain.
106
00:05:31,279 --> 00:05:33,646
Now, Francisco
Pizarro seemed poised
107
00:05:33,646 --> 00:05:35,779
to do the same to the Incas.
108
00:05:35,779 --> 00:05:38,946
- [Narrator] The Spanish are
initially welcomed in Cusco.
109
00:05:38,946 --> 00:05:41,379
Earlier that year,
Pizarro's forces
110
00:05:41,379 --> 00:05:45,546
had captured and executed
the Inca emperor, Atahualpa,
111
00:05:45,546 --> 00:05:49,313
and installed the young
Manco Inca as a puppet ruler.
112
00:05:49,313 --> 00:05:52,080
- But things started to
go bad shortly thereafter,
113
00:05:52,080 --> 00:05:53,913
and tensions began to rise.
114
00:05:53,913 --> 00:05:55,713
The Spanish began
to strip the city
115
00:05:55,713 --> 00:05:57,379
of all of its gold and silver.
116
00:05:57,379 --> 00:06:00,146
They looted the sacred
buildings of the city,
117
00:06:00,146 --> 00:06:04,013
and all of this reached
the breaking point.
118
00:06:04,013 --> 00:06:07,846
In 1536, Manco Inca
led a rebellion
119
00:06:07,846 --> 00:06:09,512
against the Spanish
conquistadors,
120
00:06:09,512 --> 00:06:12,446
culminating in the
siege of Cusco.
121
00:06:12,446 --> 00:06:14,713
- [Narrator] Sacsayhuaman's
role in the siege
122
00:06:14,713 --> 00:06:16,179
is a crucial one.
123
00:06:16,179 --> 00:06:18,213
Its position overlooking Cusco
124
00:06:18,213 --> 00:06:20,880
makes it an ideal spot
as the headquarters
125
00:06:20,880 --> 00:06:24,513
for the 200,000 warriors
Manco has assembled.
126
00:06:24,513 --> 00:06:27,280
- For the Spanish, getting
control of Sacsayhuaman
127
00:06:27,280 --> 00:06:29,712
is suddenly now a
strategic objective.
128
00:06:29,712 --> 00:06:31,780
(dramatic music)
129
00:06:31,780 --> 00:06:33,680
- [Narrator] In May of 1536,
130
00:06:33,680 --> 00:06:36,013
a force of 50 cavalry
131
00:06:36,013 --> 00:06:40,613
and 120 Spanish infantry
stormed the complex.
132
00:06:40,613 --> 00:06:43,012
A bloody battle ensues,
133
00:06:43,012 --> 00:06:44,846
but the Spanish
eventually succeed
134
00:06:44,846 --> 00:06:47,179
in capturing Sacsayhuaman.
135
00:06:47,179 --> 00:06:49,946
This victory serves
as a pivotal moment
136
00:06:49,946 --> 00:06:52,713
in their efforts to
break the siege of Cusco.
137
00:06:52,713 --> 00:06:54,180
- In the chaos that followed,
138
00:06:54,180 --> 00:06:57,380
many Inca warriors threw
themselves from the walls,
139
00:06:57,380 --> 00:07:01,080
death being preferable to
being captured by the Spanish.
140
00:07:01,712 --> 00:07:03,613
So it's interesting to ask
141
00:07:03,613 --> 00:07:05,246
what these events can tell us
142
00:07:05,246 --> 00:07:07,946
about the intended
use of Sacsayhuaman.
143
00:07:07,946 --> 00:07:10,413
Was it actually intended
to be a fortress,
144
00:07:10,413 --> 00:07:13,780
or was it just being used
as one out of necessity?
145
00:07:13,780 --> 00:07:15,513
- New evidence
suggests the structure
146
00:07:15,513 --> 00:07:19,146
may have served a much
more practical purpose.
147
00:07:20,912 --> 00:07:23,613
- [Narrator] In 2008,
archeologists made
148
00:07:23,613 --> 00:07:25,346
a groundbreaking discovery,
149
00:07:25,346 --> 00:07:28,679
suggesting a more complex
role in Inca society,
150
00:07:28,679 --> 00:07:32,880
one that may transcend its
use as a simple fortress.
151
00:07:32,880 --> 00:07:34,913
- They uncover the ruins
of an ancient temple
152
00:07:34,913 --> 00:07:37,246
near the site of Sacsayhuaman.
153
00:07:38,246 --> 00:07:39,779
- [Narrator] The
temple's interior
154
00:07:39,779 --> 00:07:42,079
reveals a connection
to the dead,
155
00:07:42,079 --> 00:07:44,013
a series of
intriguing structures
156
00:07:44,013 --> 00:07:47,246
that point to sophisticated
funerary practices.
157
00:07:47,246 --> 00:07:48,512
- Within this temple,
158
00:07:48,512 --> 00:07:52,080
they find 11 enclosures
of varying sizes.
159
00:07:52,080 --> 00:07:54,380
The configuration and
contents of these chambers
160
00:07:54,380 --> 00:07:58,146
strongly suggest its
use for mummy burials.
161
00:07:58,146 --> 00:08:01,012
- These mummification
rituals were very important,
162
00:08:01,012 --> 00:08:03,912
very significant
in Inca culture.
163
00:08:03,912 --> 00:08:06,146
Clearly, they had
an understanding
164
00:08:06,146 --> 00:08:08,746
that it was important
to preserve the body
165
00:08:08,746 --> 00:08:11,146
for passage to the afterlife.
166
00:08:12,446 --> 00:08:14,813
- [Narrator] While the
archeological evidence suggests
167
00:08:14,813 --> 00:08:16,646
that the site's origins
may stretch back
168
00:08:16,646 --> 00:08:18,613
even further than the Incas,
169
00:08:18,613 --> 00:08:21,346
it is believed that the
Inca significantly expanded
170
00:08:21,346 --> 00:08:23,313
and developed the structure.
171
00:08:23,313 --> 00:08:24,979
The presence of this temple
172
00:08:24,979 --> 00:08:27,513
and its secret
funerary enclosures
173
00:08:27,513 --> 00:08:30,846
may hint at its role in
connecting the human realm
174
00:08:30,846 --> 00:08:33,113
to that which lies beyond.
175
00:08:33,113 --> 00:08:35,646
- Could other undiscovered
structures in this area
176
00:08:35,646 --> 00:08:38,313
help further expand our
knowledge of this site?
177
00:08:38,313 --> 00:08:40,179
Or does the truth lie somewhere
178
00:08:40,179 --> 00:08:43,046
within the mysterious
patterns of the walls?
179
00:08:44,313 --> 00:08:46,613
- [Narrator] The
design of Sacsayhuaman
180
00:08:46,613 --> 00:08:47,846
seems to be heavily influenced
181
00:08:47,846 --> 00:08:49,946
by Incan religious beliefs,
182
00:08:49,946 --> 00:08:52,479
and their tether
to other realms.
183
00:08:52,479 --> 00:08:57,080
- Inca religion was
intimately tied to cosmology,
184
00:08:57,080 --> 00:09:01,980
with their belief system
centering on celestial deities.
185
00:09:03,646 --> 00:09:06,080
- [Narrator] During his
reign in the 15th century,
186
00:09:06,080 --> 00:09:08,680
Pachacuti elevates
the sun god, Inti,
187
00:09:08,680 --> 00:09:12,879
to supreme status, reshaping
the state religion.
188
00:09:12,879 --> 00:09:15,213
- When people can't explain
what's happening around them,
189
00:09:15,213 --> 00:09:16,746
or they see the
forces of nature,
190
00:09:16,746 --> 00:09:20,979
they often turn them into
spiritual beings or entities.
191
00:09:20,979 --> 00:09:23,146
And so within this mysticism,
192
00:09:23,146 --> 00:09:24,913
we find that there are sun gods
193
00:09:24,913 --> 00:09:26,746
repeated over and
over and over again.
194
00:09:26,746 --> 00:09:29,813
The sun was the giver of life.
195
00:09:29,813 --> 00:09:32,746
It also marked the seasons.
196
00:09:32,746 --> 00:09:37,080
In the Incan culture,
that was Inti.
197
00:09:39,013 --> 00:09:41,513
- [Narrator] It's been
theorized that Sacsayhuaman
198
00:09:41,513 --> 00:09:44,846
was dedicated to the
worship of this sun god.
199
00:09:44,846 --> 00:09:47,213
And many elements
of its design hint
200
00:09:47,213 --> 00:09:49,213
at its mystical connections.
201
00:09:49,213 --> 00:09:52,912
- The walls form this very
distinct zigzagging pattern.
202
00:09:52,912 --> 00:09:54,413
This angular shape creates
203
00:09:54,413 --> 00:09:57,546
a series of sharp
turns and recesses.
204
00:09:57,546 --> 00:09:59,546
- [Narrator] Some suggest
the design resembles
205
00:09:59,546 --> 00:10:01,046
the head of a puma,
206
00:10:01,046 --> 00:10:03,813
a sacred animal
in Inca mythology,
207
00:10:03,813 --> 00:10:06,413
with the city of Cusco
forming the body.
208
00:10:06,413 --> 00:10:10,746
- They had a complex
understanding of the cosmos.
209
00:10:10,746 --> 00:10:12,513
They recognized three realms,
210
00:10:12,513 --> 00:10:17,079
and each of them were tied
with significant creatures.
211
00:10:17,079 --> 00:10:19,379
The underworld was
associated with the serpent,
212
00:10:19,379 --> 00:10:21,713
the earthly realm with the puma,
213
00:10:21,713 --> 00:10:24,146
and the heavens with the condor.
214
00:10:24,146 --> 00:10:25,512
- [Narrator] These three realms
215
00:10:25,512 --> 00:10:28,279
and the cryptic language
of the stars above
216
00:10:28,279 --> 00:10:32,546
often govern the ancient Inca
rituals and sacred sites.
217
00:10:32,546 --> 00:10:36,546
- Many ancient civilizations
actually put spiritual values
218
00:10:36,546 --> 00:10:40,012
and powers into the animals
that were around them.
219
00:10:40,012 --> 00:10:43,213
They've anthropomorphized
the animals themselves
220
00:10:43,213 --> 00:10:47,546
to place a spiritual
lead within that realm.
221
00:10:47,546 --> 00:10:50,546
- [Narrator] Sacsayhuaman's
position as the puma's head
222
00:10:50,546 --> 00:10:52,313
emphasizes its importance
223
00:10:52,313 --> 00:10:55,879
in connecting the earthly
and spiritual realms.
224
00:10:55,879 --> 00:10:57,913
But perhaps even more intriguing
225
00:10:57,913 --> 00:11:00,046
is the theory that its
layout incorporates
226
00:11:00,046 --> 00:11:03,046
sophisticated
astronomical alignments,
227
00:11:03,046 --> 00:11:06,146
potentially encoding
ancient knowledge.
228
00:11:06,146 --> 00:11:09,046
Researchers have identified
astronomical values
229
00:11:09,046 --> 00:11:11,446
in both the pattern
of its zigzag walls
230
00:11:11,446 --> 00:11:14,913
and in the angles of the
wall stones themselves,
231
00:11:14,913 --> 00:11:17,113
which could indicate the
alignment of the moon,
232
00:11:17,113 --> 00:11:19,646
Earth, and sun at a given time,
233
00:11:19,646 --> 00:11:23,080
and help predict lunar
and solar eclipses.
234
00:11:23,080 --> 00:11:26,546
Similar patterns found at
ancient sites worldwide
235
00:11:26,546 --> 00:11:29,812
raise intriguing questions
about a shared knowledge
236
00:11:29,812 --> 00:11:32,279
spanning continents
and millennia.
237
00:11:32,279 --> 00:11:34,546
This discovery
could revolutionize
238
00:11:34,546 --> 00:11:38,279
our understanding of ancient
civilizations' capabilities.
239
00:11:38,279 --> 00:11:40,212
But would the Inca
really have had
240
00:11:40,212 --> 00:11:41,713
the engineering foresight
241
00:11:41,713 --> 00:11:43,713
to build such a grand complex
242
00:11:43,713 --> 00:11:45,612
in the shape of a puma's head,
243
00:11:45,612 --> 00:11:48,146
or to build complex
astronomical values
244
00:11:48,146 --> 00:11:50,280
into its very walls?
245
00:11:50,280 --> 00:11:53,412
- We often wonder how
the ancients accomplished
246
00:11:53,412 --> 00:11:54,646
what they did.
247
00:11:54,646 --> 00:11:57,879
But they knew a lot more
than we give them credit for.
248
00:11:57,879 --> 00:12:01,146
- The Inca people were amazing
249
00:12:01,146 --> 00:12:02,779
at developing technology.
250
00:12:02,779 --> 00:12:05,146
They built incredible
structures,
251
00:12:05,146 --> 00:12:08,813
they domesticated llamas
and alpacas and guinea pigs.
252
00:12:08,813 --> 00:12:11,046
They had terraced agriculture.
253
00:12:11,046 --> 00:12:13,046
They had water control.
254
00:12:13,046 --> 00:12:15,846
This society was
very, very innovative
255
00:12:15,846 --> 00:12:17,846
from a technological
point of view.
256
00:12:17,846 --> 00:12:19,313
- [Narrator] While
a conclusive answer
257
00:12:19,313 --> 00:12:22,313
to its original purpose
may continue to evade us,
258
00:12:22,313 --> 00:12:24,780
the stones of
Sacsayhuaman themselves
259
00:12:24,780 --> 00:12:26,813
hold their own secrets,
260
00:12:26,813 --> 00:12:29,146
hinting at a mastery
of construction
261
00:12:29,146 --> 00:12:32,213
that continues to challenge
mortal comprehension.
262
00:12:32,213 --> 00:12:34,913
- These walls are built
with massive stones,
263
00:12:34,913 --> 00:12:38,079
some of them weighing
up to 200 tons.
264
00:12:38,079 --> 00:12:40,279
- [Narrator] Believing
that only demonic forces
265
00:12:40,279 --> 00:12:43,346
could have built
Sacsayhuaman's amazing walls,
266
00:12:43,346 --> 00:12:46,646
the Spanish attempt to take
down the entire structure,
267
00:12:46,646 --> 00:12:48,979
but reportedly find
that the biggest stones
268
00:12:48,979 --> 00:12:51,613
are simply too heavy to move.
269
00:12:51,613 --> 00:12:55,346
- If the heaviest stones
were too large to take down,
270
00:12:55,346 --> 00:12:59,179
how on Earth were they
erected in the first place?
271
00:12:59,179 --> 00:13:00,546
- [Narrator] Could
this have been the work
272
00:13:00,546 --> 00:13:02,346
of otherworldly forces?
273
00:13:04,546 --> 00:13:06,579
- We don't know how
they built these walls,
274
00:13:06,579 --> 00:13:08,079
but it's reasonable to say
275
00:13:08,079 --> 00:13:10,112
that they had a good
understanding of physics,
276
00:13:10,112 --> 00:13:13,046
and they perhaps harnessed
the power of levers
277
00:13:13,046 --> 00:13:15,180
to move these giant boulders.
278
00:13:16,413 --> 00:13:18,113
- [Narrator] It's believed
they used wooden rollers
279
00:13:18,113 --> 00:13:20,879
and levers to facilitate
the movement of heavy stones
280
00:13:20,879 --> 00:13:23,113
over relatively flat terrain,
281
00:13:23,113 --> 00:13:25,746
and may have constructed
ramps and inclined planes
282
00:13:25,746 --> 00:13:28,113
for transporting
up steep slopes.
283
00:13:28,113 --> 00:13:29,680
- Where there's a
will, there's a way,
284
00:13:29,680 --> 00:13:31,580
and they figured it out.
285
00:13:31,580 --> 00:13:34,246
- [Narrator] It's possible
that over 20,000 workers
286
00:13:34,246 --> 00:13:37,546
were involved in building
this colossal fortress,
287
00:13:37,546 --> 00:13:38,846
likely including laborers
288
00:13:38,846 --> 00:13:40,746
who carried out
the Herculean task
289
00:13:40,746 --> 00:13:43,913
of transporting the stones
from nearby quarries,
290
00:13:43,913 --> 00:13:46,413
as well as the workers
who assembled the walls.
291
00:13:47,246 --> 00:13:48,812
But how did the Inca achieve
292
00:13:48,812 --> 00:13:50,746
the seemingly
impossible precision
293
00:13:50,746 --> 00:13:52,580
in the stonework
we still see today?
294
00:13:53,446 --> 00:13:55,813
(chisel clanging)
295
00:13:55,813 --> 00:13:58,446
- The Inca were
master stonemasons,
296
00:13:58,446 --> 00:14:00,979
renowned for their
remarkable ability
297
00:14:00,979 --> 00:14:04,079
to construct
monumental structures
298
00:14:04,079 --> 00:14:06,646
that have stood
the test of time.
299
00:14:06,646 --> 00:14:08,079
The strength of their empire
300
00:14:08,079 --> 00:14:11,113
is often credited
to this talent.
301
00:14:11,113 --> 00:14:12,980
- And they used
multiple techniques
302
00:14:12,980 --> 00:14:16,246
in order to shape not
only these massive stones,
303
00:14:16,246 --> 00:14:18,813
but also to create
very polished,
304
00:14:18,813 --> 00:14:21,513
finely-decorated stones.
305
00:14:21,513 --> 00:14:23,979
So clearly this is signs
306
00:14:23,979 --> 00:14:27,246
of a very sophisticated
artisanal culture,
307
00:14:27,246 --> 00:14:30,013
but also a culture in
which art and engineering
308
00:14:30,013 --> 00:14:31,580
went hand in hand.
309
00:14:31,580 --> 00:14:33,346
- [Narrator] Many stones
still bear the marks
310
00:14:33,346 --> 00:14:35,346
of the tools used to shape them,
311
00:14:35,346 --> 00:14:39,013
suggesting the use of bronze
chisels and stone hammers
312
00:14:39,013 --> 00:14:41,846
to achieve the desired
shape and smoothness.
313
00:14:41,846 --> 00:14:43,912
The cutting and
setting of the blocks
314
00:14:43,912 --> 00:14:47,646
were so exact that
mortar was unnecessary.
315
00:14:47,646 --> 00:14:49,312
- Mortar is an important piece
316
00:14:49,312 --> 00:14:52,646
to the durability
of a brick wall.
317
00:14:52,646 --> 00:14:54,979
If you were to build
a wall without mortar,
318
00:14:54,979 --> 00:14:57,712
you would likely have some gaps.
319
00:14:57,712 --> 00:14:58,980
- That's a bit problematic
320
00:14:58,980 --> 00:15:01,546
because you're going to
get water flowing down
321
00:15:01,546 --> 00:15:02,580
in between the rocks.
322
00:15:02,580 --> 00:15:03,846
If you get freezing periods,
323
00:15:03,846 --> 00:15:06,179
it's going to cause ice to form,
324
00:15:06,179 --> 00:15:08,012
and when ice forms,
it creates pressure,
325
00:15:08,012 --> 00:15:10,379
and causes rocks
to be pushed apart,
326
00:15:10,379 --> 00:15:13,346
and basically destroys
your construction
327
00:15:13,346 --> 00:15:16,046
through natural
weathering processes.
328
00:15:16,046 --> 00:15:17,979
- Mortar would close those gaps
329
00:15:17,979 --> 00:15:19,846
and allow for a more
airtight structure.
330
00:15:19,846 --> 00:15:23,179
However, they didn't use mortar
331
00:15:23,179 --> 00:15:27,046
and instead they just shaped
everything so precisely
332
00:15:27,046 --> 00:15:29,379
that mortar wasn't needed.
333
00:15:29,379 --> 00:15:33,146
Dry stone masonry is a
really incredible way
334
00:15:33,146 --> 00:15:34,913
to construct buildings,
335
00:15:34,913 --> 00:15:37,246
and we're constructing
basically a stone
336
00:15:37,246 --> 00:15:39,413
that fits like a puzzle piece
337
00:15:39,413 --> 00:15:41,313
into a larger part
of a building,
338
00:15:41,313 --> 00:15:46,079
we're matching every stone
to the stones around it.
339
00:15:46,079 --> 00:15:47,880
- [Narrator] Some believe
they used methods similar
340
00:15:47,880 --> 00:15:51,013
to those used in the
building of log cabins,
341
00:15:51,013 --> 00:15:53,213
called scribing and coping.
342
00:15:53,213 --> 00:15:56,546
- Scribing is the act
of shaping those stones
343
00:15:56,546 --> 00:15:59,680
to match the profile
of something else.
344
00:15:59,680 --> 00:16:02,146
And coping is a precise cut,
345
00:16:02,146 --> 00:16:04,580
sort of a carving
out of something.
346
00:16:04,580 --> 00:16:07,913
- This is beneficial from
so many points of view.
347
00:16:07,913 --> 00:16:09,979
It creates a very
stable structure,
348
00:16:09,979 --> 00:16:11,879
but it also resists weathering.
349
00:16:11,879 --> 00:16:14,113
If we're not getting
water flowing down
350
00:16:14,113 --> 00:16:16,713
between our rocks 'cause
they're so tight together,
351
00:16:16,713 --> 00:16:18,813
we have a much better chance
352
00:16:18,813 --> 00:16:20,479
of it enduring long
periods of time
353
00:16:20,479 --> 00:16:24,146
and not failing due to
normal weathering processes.
354
00:16:24,146 --> 00:16:27,879
- And they are just
perfectly fit with no mortar.
355
00:16:27,879 --> 00:16:29,312
There is no gap between them.
356
00:16:29,312 --> 00:16:31,912
You can't even put a piece
of paper in between there.
357
00:16:31,912 --> 00:16:33,280
That is incredible.
358
00:16:33,280 --> 00:16:35,480
They either coped, or
carved, or cut out,
359
00:16:35,480 --> 00:16:38,413
or sanded, or rounded
all of these rocks.
360
00:16:38,413 --> 00:16:40,946
Each one of these
is a labor of love.
361
00:16:40,946 --> 00:16:42,280
- [Narrator] But
the Inca engineers
362
00:16:42,280 --> 00:16:45,112
weren't just concerned
with aesthetics.
363
00:16:45,112 --> 00:16:48,146
They built with an
eye towards longevity.
364
00:16:48,146 --> 00:16:50,412
- The Incan Empire is
built high in the Andes,
365
00:16:50,412 --> 00:16:53,812
and the Andes are a
geologically active area.
366
00:16:53,812 --> 00:16:56,313
This area has
massive earthquakes.
367
00:16:56,313 --> 00:17:00,446
It's not uncommon to have
magnitude seven-plus earthquakes
368
00:17:00,446 --> 00:17:01,180
in this area.
369
00:17:01,180 --> 00:17:02,612
And to build structures
370
00:17:02,612 --> 00:17:05,646
that have been able to
endure thousands of years
371
00:17:05,646 --> 00:17:07,546
in this environment is amazing.
372
00:17:07,546 --> 00:17:09,680
Where we use dry masonry,
373
00:17:09,680 --> 00:17:13,480
because the stones fit
together and lock together,
374
00:17:13,480 --> 00:17:16,346
they don't want to tumble
apart in an earthquake.
375
00:17:16,346 --> 00:17:19,380
- And so that interlock of
all of these stones together
376
00:17:19,380 --> 00:17:22,979
can resist quite a
bit of horizontal
pressure on that wall,
377
00:17:22,979 --> 00:17:26,179
be it from wind, from an
impact from something,
378
00:17:26,179 --> 00:17:29,046
or from soil consistently
pressing on it.
379
00:17:29,046 --> 00:17:30,180
They also were thoughtful
380
00:17:30,180 --> 00:17:32,180
about the configuration
of these walls,
381
00:17:32,180 --> 00:17:33,946
they're in a zigzag pattern.
382
00:17:33,946 --> 00:17:36,712
Each shift through that zigzag
383
00:17:36,712 --> 00:17:39,312
adds lateral stability
into these walls as well.
384
00:17:39,312 --> 00:17:41,779
It acts as a unit to
resist all of those forces
385
00:17:41,779 --> 00:17:43,346
that it might experience.
386
00:17:43,346 --> 00:17:45,979
To recognize that the
need for robustness
387
00:17:45,979 --> 00:17:48,546
around lateral forces
in these ancient times
388
00:17:48,546 --> 00:17:50,513
is pretty awesome.
389
00:17:50,513 --> 00:17:52,479
- [Narrator] But the
mysteries of its construction
390
00:17:52,479 --> 00:17:55,646
don't end at its
unshakable walls.
391
00:17:55,646 --> 00:17:58,513
- Legend speaks of vast
underground networks
392
00:17:58,513 --> 00:18:02,713
connecting the fortress to
other important Inca sites.
393
00:18:02,713 --> 00:18:04,546
Some even claim these tunnels
394
00:18:04,546 --> 00:18:08,080
stretch all the way
to Cusco's Coricancha,
395
00:18:08,080 --> 00:18:11,013
the most sacred temple
of the Inca Empire.
396
00:18:12,213 --> 00:18:13,513
- [Narrator] These
tunnels could have served
397
00:18:13,513 --> 00:18:16,946
multiple purposes, from
storage and shelter,
398
00:18:16,946 --> 00:18:19,680
to escape routes and
ritualistic spaces.
399
00:18:21,113 --> 00:18:23,946
Legends persist of vast
chambers filled with gold
400
00:18:23,946 --> 00:18:26,213
and precious
artifacts hidden away
401
00:18:26,213 --> 00:18:28,613
from Spanish conquistadors,
402
00:18:28,613 --> 00:18:29,679
though no such treasures
403
00:18:29,679 --> 00:18:31,913
have been officially discovered.
404
00:18:31,913 --> 00:18:34,946
And for those who dare
attempt to find it,
405
00:18:34,946 --> 00:18:39,980
grave danger awaits.
(eerie dramatic music)
406
00:18:41,046 --> 00:18:43,613
In the 1920s, following
the rumored disappearance
407
00:18:43,613 --> 00:18:45,912
of several tunnel explorers,
408
00:18:45,912 --> 00:18:48,746
all entryways were
shuttered to the public,
409
00:18:48,746 --> 00:18:51,980
though many are still tempted
to venture below today.
410
00:18:52,879 --> 00:18:54,946
According to some local tales,
411
00:18:54,946 --> 00:18:57,913
these cursed passages
promise to kill anyone
412
00:18:57,913 --> 00:18:59,680
who steps foot inside.
413
00:19:00,979 --> 00:19:03,446
Could this be otherworldly
forces at work
414
00:19:03,446 --> 00:19:07,146
guarding a potential
channel to the underworld?
415
00:19:07,146 --> 00:19:10,113
- Tunnels and passages
come up again and again
416
00:19:10,113 --> 00:19:12,480
when we talk about
ancient structures.
417
00:19:13,579 --> 00:19:15,313
And a lot of this
comes to the idea that,
418
00:19:15,313 --> 00:19:17,412
you know, a tunnel
is a passageway,
419
00:19:17,412 --> 00:19:19,479
and it has a mystical
significance to it
420
00:19:19,479 --> 00:19:21,179
because you don't know
what's on the other end.
421
00:19:21,179 --> 00:19:23,612
And you can imagine that if
you travel down this tunnel,
422
00:19:23,612 --> 00:19:26,680
you will leave one
realm and enter another.
423
00:19:26,680 --> 00:19:29,013
- [Narrator] Could the Spanish
have seen these tunnels
424
00:19:29,013 --> 00:19:31,079
as the source of
the demonic forces
425
00:19:31,079 --> 00:19:33,513
they believed
built Sacsayhuaman?
426
00:19:33,513 --> 00:19:36,613
- It's interesting to
reflect, as a modern person,
427
00:19:36,613 --> 00:19:40,013
that descriptions of demons
428
00:19:40,013 --> 00:19:42,580
creating the structure
seems foreign,
429
00:19:42,580 --> 00:19:45,112
it seems unreasonable to us.
430
00:19:45,112 --> 00:19:48,013
But in fact, that would
have been perfectly natural,
431
00:19:48,013 --> 00:19:50,546
it would have been a
rational interpretation
432
00:19:50,546 --> 00:19:52,013
for someone like Pizarro.
433
00:19:53,113 --> 00:19:56,413
- There's a tendency on
the part of many conquerors
434
00:19:56,413 --> 00:19:58,979
to see the people that
they were conquering
435
00:19:58,979 --> 00:20:02,046
as inferior and incapable,
436
00:20:02,046 --> 00:20:06,180
and being bound by the
powers of darkness.
437
00:20:08,779 --> 00:20:10,013
- When we're faced
with something
438
00:20:10,013 --> 00:20:12,246
we don't know how it
happened, how it was built,
439
00:20:12,246 --> 00:20:15,346
or it just looks beyond
normal abilities of man,
440
00:20:15,346 --> 00:20:17,479
we put it into the supernatural.
441
00:20:17,479 --> 00:20:19,680
we put it onto the
side of the divine,
442
00:20:19,680 --> 00:20:22,846
if it's something that
matches with our religion.
443
00:20:22,846 --> 00:20:24,412
But the primitives,
the heathens,
444
00:20:24,412 --> 00:20:25,913
they're the ones
that are supporting
445
00:20:25,913 --> 00:20:28,846
the negative side
of the spirituality,
446
00:20:28,846 --> 00:20:31,313
devils, demons, the underworld.
447
00:20:31,313 --> 00:20:33,179
- Early modern people understood
448
00:20:33,179 --> 00:20:36,012
that the devil was real,
the devil was present,
449
00:20:36,012 --> 00:20:38,012
that the devil's function
450
00:20:38,012 --> 00:20:41,813
was to create chaos,
havoc, destruction.
451
00:20:41,813 --> 00:20:44,180
And so for someone like Pizarro,
452
00:20:44,180 --> 00:20:47,313
encountering the Incas
would have reminded him
453
00:20:47,313 --> 00:20:50,346
of the ever-present
reality of the demonic.
454
00:20:51,980 --> 00:20:54,680
- So when we consider
how the Spanish minimized
455
00:20:54,680 --> 00:20:56,813
and underestimated the Inca,
456
00:20:56,813 --> 00:20:58,146
it's worth asking ourselves
457
00:20:58,146 --> 00:21:00,080
if we don't do the
same thing sometimes
458
00:21:00,080 --> 00:21:01,713
when we look at
the accomplishments
459
00:21:01,713 --> 00:21:03,546
of other ancient civilizations.
460
00:21:03,546 --> 00:21:06,979
(dramatic music)
461
00:21:06,979 --> 00:21:08,879
- [Narrator] Halfway
across the world
462
00:21:08,879 --> 00:21:12,179
lies another
architectural enigma.
463
00:21:12,179 --> 00:21:16,546
Like Sacsayhuaman, its
geometry and impossible scale
464
00:21:16,546 --> 00:21:20,013
whisper of origins beyond
mortal comprehension.
465
00:21:22,912 --> 00:21:27,713
India, a land of ancient wonders
and rich cultural heritage,
466
00:21:27,713 --> 00:21:31,213
boasts a remarkable array
of architectural marvels
467
00:21:31,213 --> 00:21:33,380
that have stood
the test of time.
468
00:21:33,380 --> 00:21:35,879
While iconic sites
like the Taj Mahal
469
00:21:35,879 --> 00:21:38,046
often steal the spotlight,
470
00:21:38,046 --> 00:21:40,546
some of India's most
tantalizing structures
471
00:21:40,546 --> 00:21:43,412
continue to perplex
historians today.
472
00:21:43,412 --> 00:21:46,212
(dramatic music)
473
00:21:46,212 --> 00:21:49,146
Hidden in the arid
landscape of Rajasthan,
474
00:21:49,146 --> 00:21:51,712
a descent into
the depths awaits,
475
00:21:51,712 --> 00:21:54,212
the Chand Baori stepwell.
476
00:21:54,212 --> 00:21:58,046
- This is one of the largest
and deepest stepwells in India,
477
00:21:58,046 --> 00:22:00,712
reaching 13 storeys
into the earth.
478
00:22:00,712 --> 00:22:03,913
- [Narrator] Chand Baori is
one of many stepwells in India
479
00:22:03,913 --> 00:22:05,379
intended as a reservoir
480
00:22:05,379 --> 00:22:07,612
during the region's dry spells.
481
00:22:07,612 --> 00:22:09,780
But the intricate
carvings and sculptures
482
00:22:09,780 --> 00:22:12,112
that adorn its walls
hint at a purpose
483
00:22:12,112 --> 00:22:14,246
beyond mere water storage.
484
00:22:14,246 --> 00:22:17,146
- It is not only beautiful,
485
00:22:17,146 --> 00:22:20,946
but it must have required
extraordinary precision
486
00:22:20,946 --> 00:22:25,746
in its design and execution.
(dramatic music)
487
00:22:25,746 --> 00:22:29,080
- There's 3,500 steps in this.
488
00:22:29,080 --> 00:22:31,813
You immediately recognize
the geometry in this,
489
00:22:31,813 --> 00:22:33,913
the thoughtful planning
of these steps.
490
00:22:33,913 --> 00:22:36,780
- These perfectly carved steps
491
00:22:36,780 --> 00:22:41,179
form a mesmerizing
geometric pattern.
492
00:22:41,179 --> 00:22:44,279
- Why did they choose this
specific geometric design?
493
00:22:44,279 --> 00:22:48,146
Does it encode ancient
knowledge or religious beliefs?
494
00:22:49,280 --> 00:22:51,112
- [Narrator] The stepwell's
precise construction
495
00:22:51,112 --> 00:22:54,179
and vast scale raise
intriguing questions
496
00:22:54,179 --> 00:22:57,780
about the capabilities of
its 9th century builders.
497
00:22:57,780 --> 00:23:01,679
- How did these
ancient architects
achieve such precision
498
00:23:01,679 --> 00:23:03,846
without modern surveying tools?
499
00:23:03,846 --> 00:23:09,013
- It almost seems to defy the
limits of ancient engineering.
500
00:23:10,212 --> 00:23:12,913
- [Narrator] The hands that
carved this subterranean stone
501
00:23:12,913 --> 00:23:17,312
did so in worship of water.
(water sloshing)
502
00:23:17,312 --> 00:23:20,680
- So much of ancient cultures
focuses around water.
503
00:23:20,680 --> 00:23:22,879
For civilizations to thrive,
504
00:23:22,879 --> 00:23:24,880
they need continuous
access to it.
505
00:23:24,880 --> 00:23:27,113
You have to have water.
506
00:23:27,113 --> 00:23:29,512
- Nowadays, we have
great access to water.
507
00:23:29,512 --> 00:23:32,013
It's considered a
basic necessity,
508
00:23:32,013 --> 00:23:33,979
and it's always provided to us.
509
00:23:33,979 --> 00:23:36,713
But back then, in
places like India,
510
00:23:36,713 --> 00:23:38,046
you had to collect the water
511
00:23:38,046 --> 00:23:39,980
so there was enough
for the community.
512
00:23:39,980 --> 00:23:42,013
- In particular, in
India, there are years
513
00:23:42,013 --> 00:23:43,846
where you have monsoons
514
00:23:43,846 --> 00:23:46,546
and you have immense
amounts of water,
515
00:23:46,546 --> 00:23:50,079
and then you'll have periods
where there isn't a monsoon
516
00:23:50,079 --> 00:23:54,179
and the water table will
literally change by meters.
517
00:23:54,179 --> 00:23:56,446
If we're not changing
our technology
518
00:23:56,446 --> 00:23:58,979
to address the
changing water table,
519
00:23:58,979 --> 00:24:01,079
our civilization is
going to collapse.
520
00:24:01,079 --> 00:24:03,579
So the most successful
ancient civilizations
521
00:24:03,579 --> 00:24:07,112
had ways to ensure
continuous access to water.
522
00:24:07,112 --> 00:24:10,113
And that's kind of
where stepwells come in.
523
00:24:11,746 --> 00:24:16,180
- The stepwells were
a fascinating and
ingenious structure
524
00:24:16,180 --> 00:24:19,879
designed to serve
as water reservoirs.
525
00:24:19,879 --> 00:24:21,746
- The rainwater
falls from the sky
526
00:24:21,746 --> 00:24:23,280
and collects in
the huge opening.
527
00:24:23,280 --> 00:24:25,246
The rain then trickles
down the steps
528
00:24:25,246 --> 00:24:26,879
and collects in the bottom well.
529
00:24:26,879 --> 00:24:29,113
The water then seeps
through porous rock,
530
00:24:29,113 --> 00:24:31,580
which replenishes the
underground water table.
531
00:24:34,179 --> 00:24:37,913
- Thirst and hunger are
some of the strongest drives
532
00:24:37,913 --> 00:24:39,613
that motivate people.
533
00:24:39,613 --> 00:24:42,613
These are really basic drives,
534
00:24:42,613 --> 00:24:44,612
and they're in some
structures of the brain
535
00:24:44,612 --> 00:24:47,879
that are the oldest ones
conserved across evolution.
536
00:24:47,879 --> 00:24:49,946
It's going to be a major driver
537
00:24:49,946 --> 00:24:51,746
of how that society is formed
538
00:24:51,746 --> 00:24:53,580
and how decisions are made.
539
00:24:53,580 --> 00:24:55,413
And in this arid land,
540
00:24:55,413 --> 00:24:57,946
it should be very easy to get
a large community together
541
00:24:57,946 --> 00:24:59,546
to build a stepwell
542
00:24:59,546 --> 00:25:02,280
because it's something
everybody can see that they,
543
00:25:02,280 --> 00:25:05,146
their families, and their
descendants are going to need.
544
00:25:06,179 --> 00:25:07,680
- [Narrator] While
ancient stepwells
545
00:25:07,680 --> 00:25:10,913
were vital water sources in
the arid regions of India,
546
00:25:10,913 --> 00:25:13,413
their role transcended
mere necessity.
547
00:25:15,246 --> 00:25:19,079
- People gathered here
not only to draw water,
548
00:25:19,079 --> 00:25:22,746
but to socialize, exchange news,
549
00:25:22,746 --> 00:25:25,113
and even for religious purposes.
550
00:25:27,046 --> 00:25:28,880
- [Narrator] The
intricately carved walls,
551
00:25:28,880 --> 00:25:31,980
niches, and pavilions
served as a backdrop
552
00:25:31,980 --> 00:25:34,980
for storytelling and
artistic performances,
553
00:25:34,980 --> 00:25:37,846
transforming the stepwells
into vibrant hubs
554
00:25:37,846 --> 00:25:40,346
of daily life and
cultural activity.
555
00:25:41,646 --> 00:25:44,812
But the complexity of
Chand Baori's construction,
556
00:25:44,812 --> 00:25:47,646
its sheer scale and
intricate design
557
00:25:47,646 --> 00:25:51,146
has led to persistent questions
about how it was built.
558
00:25:51,146 --> 00:25:53,646
And, in the absence
of clear answers,
559
00:25:53,646 --> 00:25:57,113
local legends and
folklore have flourished.
560
00:25:57,113 --> 00:25:58,880
- When we think of a structure
561
00:25:58,880 --> 00:26:01,180
that is essential to
the survival of people,
562
00:26:01,180 --> 00:26:06,146
that is also an extraordinary
work of art in and of itself,
563
00:26:07,313 --> 00:26:09,346
it was so beautiful
that stories developed
564
00:26:09,346 --> 00:26:13,046
around it being a
supernatural creation.
565
00:26:13,746 --> 00:26:15,546
- Legend has it that King Chanda
566
00:26:15,546 --> 00:26:18,313
is trying to save his
kingdom from drought.
567
00:26:18,313 --> 00:26:22,046
- This king is driven
to desperation.
568
00:26:22,046 --> 00:26:24,980
He turned to the dark arts.
569
00:26:26,779 --> 00:26:28,212
- [Narrator] In
his darkest hour,
570
00:26:28,212 --> 00:26:31,013
the king calls upon
the help of a djinn,
571
00:26:31,013 --> 00:26:34,913
a supernatural entity
with malevolent powers.
572
00:26:34,913 --> 00:26:37,246
The djinn agrees to
build a stepwell.
573
00:26:37,246 --> 00:26:38,746
But this offer of salvation
574
00:26:38,746 --> 00:26:41,212
will come at a terrible price,
575
00:26:41,212 --> 00:26:43,812
the surrender of
the kingdom itself.
576
00:26:43,812 --> 00:26:45,912
(dramatic music)
577
00:26:45,912 --> 00:26:47,713
- Faced with an
impossible choice,
578
00:26:47,713 --> 00:26:49,380
the king accepts the terms,
579
00:26:49,380 --> 00:26:52,713
prioritizing his people's
survival over his own rule.
580
00:26:53,880 --> 00:26:56,313
According to the tale,
this supernatural being
581
00:26:56,313 --> 00:27:00,146
constructs the entire
stepwell in a single night.
582
00:27:00,146 --> 00:27:02,312
- [Narrator] Then King
Chanda experienced
583
00:27:02,312 --> 00:27:04,612
a fortunate twist of fate.
584
00:27:04,612 --> 00:27:07,046
- In recognizing the
king's selfless act,
585
00:27:07,046 --> 00:27:10,146
a saint intervenes and
basically traps the djinn
586
00:27:10,146 --> 00:27:12,046
in the bowels of the stepwell,
587
00:27:12,046 --> 00:27:14,313
and the kingdom is restored.
588
00:27:14,313 --> 00:27:16,313
- [Narrator] Imprisoned in
the depths of this structure
589
00:27:16,313 --> 00:27:19,446
for eternity, the legend
of the djinn lingers
590
00:27:19,446 --> 00:27:21,946
for centuries more.
591
00:27:21,946 --> 00:27:24,613
Chand Baori's intricate
design seems to defy
592
00:27:24,613 --> 00:27:26,613
the limitations of its time,
593
00:27:26,613 --> 00:27:29,280
leaving many to consider
the haunting possibility
594
00:27:29,280 --> 00:27:33,146
that such an entity may
indeed be responsible.
595
00:27:34,446 --> 00:27:37,746
However, modern archeology
has revealed hints
596
00:27:37,746 --> 00:27:39,613
about its true design.
597
00:27:41,146 --> 00:27:43,279
While detailed records of
Chand Baori's construction
598
00:27:43,279 --> 00:27:45,280
have been lost to history,
599
00:27:45,280 --> 00:27:48,780
careful examination of the
structure and others like it
600
00:27:48,780 --> 00:27:50,746
can offer some insights.
601
00:27:50,746 --> 00:27:51,946
- We often think
about structures
602
00:27:51,946 --> 00:27:53,979
that are coming up
from the ground,
603
00:27:53,979 --> 00:27:55,446
that we're creating
space above ground.
604
00:27:55,446 --> 00:27:58,646
This is actually creating
a space below grade.
605
00:27:58,646 --> 00:27:59,780
And that's really interesting,
606
00:27:59,780 --> 00:28:00,946
it's like inverting
my whole world.
607
00:28:00,946 --> 00:28:02,512
It's really cool.
608
00:28:02,512 --> 00:28:04,013
- [Narrator]
Excavation likely began
609
00:28:04,013 --> 00:28:06,979
with digging the central
well to reach water level.
610
00:28:06,979 --> 00:28:09,479
This would have required
precise surveying
611
00:28:09,479 --> 00:28:12,013
to ensure the correct
depth and width.
612
00:28:12,846 --> 00:28:14,846
As the foundation was secured,
613
00:28:14,846 --> 00:28:18,546
the greatest task
still loomed overhead,
614
00:28:18,546 --> 00:28:21,779
carving 3,500 narrow steps
615
00:28:21,779 --> 00:28:24,446
up thirteen floors
to ground level.
616
00:28:24,446 --> 00:28:27,479
- This is a big structure
where people are taking
617
00:28:27,479 --> 00:28:30,612
not only a lot of time
to carve those steps out,
618
00:28:30,612 --> 00:28:33,046
but a lot of time to make
sure that they're exactly
619
00:28:33,046 --> 00:28:34,513
the size they need to be.
620
00:28:35,679 --> 00:28:38,479
- [Narrator] The perfect
symmetry of Chand Baori
621
00:28:38,479 --> 00:28:41,212
implies a mastery
of mathematics,
622
00:28:41,212 --> 00:28:44,013
and potentially, a
grasp of geometry
623
00:28:44,013 --> 00:28:46,613
that surpasses the known
knowledge of this era.
624
00:28:47,713 --> 00:28:49,013
- When you're trying to build,
625
00:28:49,013 --> 00:28:51,379
essentially, an inverted
pyramid in the ground,
626
00:28:51,379 --> 00:28:54,446
you need to know exactly
what your pyramid
627
00:28:54,446 --> 00:28:57,679
is going to look like before
you start building it.
628
00:28:57,679 --> 00:29:00,346
If you start changing angles,
629
00:29:00,346 --> 00:29:02,046
you don't end up with a pyramid.
630
00:29:02,046 --> 00:29:05,013
You end up with something
that's very skewed
631
00:29:05,013 --> 00:29:08,746
and would look aesthetically
extremely unpleasing.
632
00:29:08,746 --> 00:29:10,079
- [Narrator] The uniform size
633
00:29:10,079 --> 00:29:12,179
and precise angles of the steps
634
00:29:12,179 --> 00:29:14,713
suggest the use of
standardized measurements
635
00:29:14,713 --> 00:29:16,546
and possibly, templates.
636
00:29:16,546 --> 00:29:20,679
- It takes a lot of precision
in each step that you go down
637
00:29:20,679 --> 00:29:24,179
to make sure you're going to
end up where you need to be.
638
00:29:24,179 --> 00:29:26,546
So you're literally measuring
639
00:29:26,546 --> 00:29:29,713
within a few millimeters
in each layer.
640
00:29:29,713 --> 00:29:31,046
- Everything is meticulous,
641
00:29:31,046 --> 00:29:33,613
the angles, the
carving, the steps,
642
00:29:33,613 --> 00:29:35,046
the pathways through.
643
00:29:35,046 --> 00:29:38,746
There's just so much thought
put into the circulation
644
00:29:38,746 --> 00:29:42,579
of this system and how
one would move through it.
645
00:29:42,579 --> 00:29:45,279
- [Narrator] Could this
seemingly impossible perfection
646
00:29:45,279 --> 00:29:49,080
be a clue that the mysterious
tale of the djinn is true?
647
00:29:51,046 --> 00:29:52,912
Beyond practical function,
648
00:29:52,912 --> 00:29:55,079
the design elements
of Chand Baori
649
00:29:55,079 --> 00:29:57,579
also play with its
visitors' minds,
650
00:29:57,579 --> 00:30:02,113
stirring a sense of awe,
and perhaps a subtle unease.
651
00:30:02,113 --> 00:30:04,580
- The stepwell is really
interesting in its design
652
00:30:04,580 --> 00:30:07,879
because of how it makes you
feel when you look at it.
653
00:30:07,879 --> 00:30:09,913
And that's because in nature,
654
00:30:09,913 --> 00:30:11,879
yes, we have rough
symmetry, right?
655
00:30:11,879 --> 00:30:14,079
We've got two arms,
two legs, two eyes,
656
00:30:14,079 --> 00:30:19,146
but yet things aren't
perfect in the natural world.
657
00:30:19,146 --> 00:30:24,046
Here we see something that is
balanced out and symmetric,
658
00:30:25,279 --> 00:30:28,346
but it's all sharp corners,
it's steps, it's lines.
659
00:30:28,346 --> 00:30:29,880
The only place we
normally see lines
660
00:30:29,880 --> 00:30:31,546
are off on the horizon.
661
00:30:31,546 --> 00:30:33,079
We don't see them
in straight lines
662
00:30:33,079 --> 00:30:35,013
in most any other places.
663
00:30:35,013 --> 00:30:38,713
And because of it, it
gives this sense of awe.
664
00:30:38,713 --> 00:30:41,146
It's not something
that is natural.
665
00:30:41,146 --> 00:30:44,579
And therefore, we add
extra meaning to the space,
666
00:30:44,579 --> 00:30:46,080
to the place itself.
667
00:30:47,546 --> 00:30:49,413
- [Narrator] Incorporated
into the engineering design
668
00:30:49,413 --> 00:30:53,080
of Chand Baori is an apparent
secret of ancient wisdom,
669
00:30:54,113 --> 00:30:55,946
one that suggests a strategy
670
00:30:55,946 --> 00:30:59,012
for mitigating the
desert's intense heat.
671
00:30:59,012 --> 00:31:01,846
As you descend the
steps of Chand Baori,
672
00:31:01,846 --> 00:31:03,979
you would feel the
temperature dropping,
673
00:31:03,979 --> 00:31:06,313
defying the
scorching heat above.
674
00:31:08,813 --> 00:31:11,979
The cooling properties of the
stepwell reveal themselves
675
00:31:11,979 --> 00:31:14,446
when examining the
layers of its design.
676
00:31:14,446 --> 00:31:17,013
At first glance, the
thick stone walls
677
00:31:17,013 --> 00:31:20,112
appear only to serve
as structural support,
678
00:31:20,112 --> 00:31:22,012
but they are actually
the first clue
679
00:31:22,012 --> 00:31:24,180
to the stepwell's
cooling mechanism.
680
00:31:25,479 --> 00:31:28,313
The builders chose materials
with high thermal mass,
681
00:31:28,313 --> 00:31:30,146
creating a natural heat sink
682
00:31:30,146 --> 00:31:32,313
that absorbs daytime heat,
683
00:31:32,313 --> 00:31:34,646
and releases it slowly at night.
684
00:31:36,113 --> 00:31:40,146
Further down, a noticeable
chill permeates the air.
685
00:31:40,146 --> 00:31:43,979
- The stepwell maintains a
temperature of 5 to 6 degrees
686
00:31:43,979 --> 00:31:47,080
cooler at its base
than at its surface.
687
00:31:47,080 --> 00:31:50,080
Was this an intentional
design feature,
688
00:31:50,080 --> 00:31:53,480
and if so, how did
they calculate it?
689
00:31:53,480 --> 00:31:55,980
- [Narrator] The ancient
engineers seem to have tapped
690
00:31:55,980 --> 00:31:58,613
into the Earth's natural
cooling properties,
691
00:31:58,613 --> 00:32:00,146
using the subterranean design
692
00:32:00,146 --> 00:32:02,713
to access cooler
underground layers.
693
00:32:04,046 --> 00:32:07,613
The collected water itself
isn't just for drinking.
694
00:32:07,613 --> 00:32:08,879
It plays a crucial role
695
00:32:08,879 --> 00:32:11,313
in a natural air
conditioning system.
696
00:32:12,546 --> 00:32:16,146
As water evaporates, it
cools the surrounding air,
697
00:32:16,146 --> 00:32:19,146
much like our own
body's perspiration.
698
00:32:19,146 --> 00:32:21,912
This natural cooling
system is amplified
699
00:32:21,912 --> 00:32:24,246
by the well's unique
vertical structure,
700
00:32:24,246 --> 00:32:26,346
which creates a chimney effect,
701
00:32:26,346 --> 00:32:28,880
encouraging air circulation.
702
00:32:28,880 --> 00:32:31,046
- By having that cooler
water source flow down
703
00:32:31,046 --> 00:32:33,479
and having wind that
would blow on top,
704
00:32:33,479 --> 00:32:35,913
it creates an
interesting thermodynamic
705
00:32:35,913 --> 00:32:38,113
where it will stay
cooler down there.
706
00:32:39,146 --> 00:32:40,713
- [Narrator] Warm air rises,
707
00:32:40,713 --> 00:32:43,980
drawing cooler air from
the water surface upwards,
708
00:32:43,980 --> 00:32:46,846
resulting in a constant
flow of breeze,
709
00:32:46,846 --> 00:32:49,046
a certain shiver
from the depths.
710
00:32:50,546 --> 00:32:52,880
- Ancient engineers
were able to create
711
00:32:52,880 --> 00:32:55,546
a sophisticated
climate control system,
712
00:32:55,546 --> 00:32:59,413
transforming a water
source into a cool oasis
713
00:32:59,413 --> 00:33:01,946
in one of the world's
hottest regions.
714
00:33:01,946 --> 00:33:04,446
- In an arid, dry land,
715
00:33:04,446 --> 00:33:08,946
cold water is not something
most people get to experience.
716
00:33:08,946 --> 00:33:11,113
Even the rains in the
monsoons are warm,
717
00:33:12,280 --> 00:33:16,946
so it adds another level
of awe or mysticism
718
00:33:16,946 --> 00:33:19,612
to the whole endeavor
and the whole structure,
719
00:33:19,612 --> 00:33:22,446
that they're experiencing
something special here
720
00:33:22,446 --> 00:33:24,546
that they cannot
get anywhere else.
721
00:33:24,546 --> 00:33:26,779
- [Narrator] While its
design creates an oasis
722
00:33:26,779 --> 00:33:28,146
in the desert heat,
723
00:33:28,146 --> 00:33:31,946
its purpose extends beyond
mere physical comfort,
724
00:33:31,946 --> 00:33:34,246
as evidenced by a nearby temple
725
00:33:34,246 --> 00:33:38,080
that hints at the site's
deeper spiritual significance.
726
00:33:39,080 --> 00:33:41,880
Just 100 meters
west of Chand Baori
727
00:33:41,880 --> 00:33:45,313
stands a temple dedicated
to Harshat Mata,
728
00:33:45,313 --> 00:33:48,112
the goddess of
joy and happiness.
729
00:33:48,112 --> 00:33:50,979
Built between the 7th
and 7th centuries,
730
00:33:50,979 --> 00:33:53,446
it's believed that this
temple formed a complex
731
00:33:53,446 --> 00:33:55,113
with Chand Baori.
732
00:33:55,113 --> 00:33:57,580
Pilgrims would typically
purify themselves
733
00:33:57,580 --> 00:33:59,113
in the stepwell's waters
734
00:33:59,113 --> 00:34:02,013
before entering the
sacred temple ground.
735
00:34:03,179 --> 00:34:07,046
- Water is sacred
across many traditions,
736
00:34:07,046 --> 00:34:09,946
and in Hindu, it has a
particularly special role,
737
00:34:09,946 --> 00:34:12,179
not only in ritual purification,
738
00:34:12,179 --> 00:34:15,213
but water was part
of the cosmos.
739
00:34:15,213 --> 00:34:17,312
It was actually
binding the earthly
740
00:34:17,312 --> 00:34:19,980
and the celestial
realms together.
741
00:34:19,980 --> 00:34:23,913
So it was essential to
their understanding,
742
00:34:23,913 --> 00:34:26,013
not only of their
lived experience,
743
00:34:26,013 --> 00:34:29,479
their present life,
but the afterlife.
744
00:34:29,479 --> 00:34:31,346
- [Narrator] This
connection also reveals
745
00:34:31,346 --> 00:34:34,346
the stepwell's deep
spiritual significance,
746
00:34:34,346 --> 00:34:38,346
further emphasized by its
intricate architectural details.
747
00:34:38,346 --> 00:34:41,046
Many of the carvings
adorning Chand Baori
748
00:34:41,046 --> 00:34:44,180
depict Hindu deities
and mythological scenes
749
00:34:44,180 --> 00:34:46,480
and narrate sacred stories.
750
00:34:46,480 --> 00:34:49,446
- These carvings
transform the stepwell
751
00:34:49,446 --> 00:34:52,946
into a three-dimensional
religious text.
752
00:34:52,946 --> 00:34:54,712
- [Narrator] Chand
Baori was likely used
753
00:34:54,712 --> 00:34:58,080
in conjunction with the
nearby temple for centuries,
754
00:34:58,080 --> 00:35:01,046
embodying the Hindu
concept of finding divinity
755
00:35:01,046 --> 00:35:03,779
in the most essential
elements of life,
756
00:35:03,779 --> 00:35:07,013
a tradition that has endured
for over a millennium.
757
00:35:10,346 --> 00:35:13,779
While the specifics of its
construction remain elusive
758
00:35:13,779 --> 00:35:16,113
and the legends of
the djinn endure,
759
00:35:16,113 --> 00:35:18,412
Chand Baori's ancient ingenuity
760
00:35:18,412 --> 00:35:21,379
continues to stand
the test of time.
761
00:35:21,379 --> 00:35:26,413
- Today, India is turning
back to its ancient wisdom
762
00:35:27,580 --> 00:35:31,613
in order to tackle the
modern water crisis.
763
00:35:31,613 --> 00:35:35,179
- I think it is a
testimony to the ingenuity
764
00:35:35,179 --> 00:35:38,112
of the early designers
of these stepwells
765
00:35:38,112 --> 00:35:41,846
that they are now finding
purpose again today.
766
00:35:41,846 --> 00:35:43,546
In this period of
climate change,
767
00:35:43,546 --> 00:35:47,246
when we have increasing
drought conditions locally,
768
00:35:47,246 --> 00:35:50,012
stepwells are now
being put back to work
769
00:35:50,012 --> 00:35:53,213
because they are one of
the most efficient means
770
00:35:53,213 --> 00:35:56,413
of ensuring the survival
of the local population.
771
00:35:57,779 --> 00:36:00,613
- This revival of ancient wisdom
772
00:36:00,613 --> 00:36:02,613
is testament to the fact
773
00:36:02,613 --> 00:36:04,813
that these ancient stepwells
774
00:36:04,813 --> 00:36:07,813
are not only relics of the past,
775
00:36:07,813 --> 00:36:10,513
but potential answers
for the future.
776
00:36:12,779 --> 00:36:14,479
- [Narrator] As
with Chand Baori,
777
00:36:14,479 --> 00:36:16,979
the line between the
mystical and the physical
778
00:36:16,979 --> 00:36:20,646
blurs at a grand
cathedral in Paris.
779
00:36:20,646 --> 00:36:22,612
Legends whisper of gargoyles
780
00:36:22,612 --> 00:36:25,846
that protect the cathedral
from unseen threats,
781
00:36:25,846 --> 00:36:28,246
and tales of diabolical pacts
782
00:36:28,246 --> 00:36:30,980
that may have shaped
its very doors.
783
00:36:31,979 --> 00:36:35,013
Standing majestically
in the heart of Paris,
784
00:36:35,013 --> 00:36:36,779
Notre Dame Cathedral,
785
00:36:36,779 --> 00:36:39,080
completed in the
mid-13th century,
786
00:36:39,080 --> 00:36:42,479
has captivated visitors
for hundreds of years.
787
00:36:42,479 --> 00:36:44,846
- It stands as one
of the world's oldest
788
00:36:44,846 --> 00:36:47,246
and most renowned
Gothic cathedrals.
789
00:36:49,046 --> 00:36:52,179
- Notre Dame has
witnessed pivotal moments
790
00:36:52,179 --> 00:36:53,980
in French history,
791
00:36:53,980 --> 00:36:57,946
from the coronation
of Napoleon Bonaparte,
792
00:36:57,946 --> 00:37:01,346
to the beatification
of Joan of Arc.
793
00:37:01,346 --> 00:37:03,880
- [Narrator] The cathedral's
impressive dimensions,
794
00:37:03,880 --> 00:37:07,379
with towers reaching
69 meters into the sky,
795
00:37:07,379 --> 00:37:10,380
speak to the ambition
of its builders.
796
00:37:10,380 --> 00:37:14,212
- This was a cathedral
built through the financial
797
00:37:14,212 --> 00:37:18,379
and artisanal contributions
of the local population.
798
00:37:18,379 --> 00:37:22,346
It was intended
to be the largest,
799
00:37:22,346 --> 00:37:26,046
the most sophisticated
cathedral of its time.
800
00:37:26,046 --> 00:37:29,546
So it was to be a mark of
the greatness of Paris,
801
00:37:29,546 --> 00:37:31,412
as one of the largest
802
00:37:31,412 --> 00:37:34,480
and most economically
successful cities
803
00:37:34,480 --> 00:37:36,046
in Europe at the time.
804
00:37:36,046 --> 00:37:38,179
- [Narrator] But beneath
its Gothic splendor
805
00:37:38,179 --> 00:37:40,879
lie deep mysteries
of its construction.
806
00:37:40,879 --> 00:37:43,379
- It's not only the
scale that amazes,
807
00:37:43,379 --> 00:37:44,913
but the innovative techniques
808
00:37:44,913 --> 00:37:47,479
used to achieve such heights.
809
00:37:47,479 --> 00:37:49,080
- [Narrator] And the
structural mysteries
810
00:37:49,080 --> 00:37:50,479
are just the beginning.
811
00:37:50,479 --> 00:37:52,013
- Legend has it
that the gargoyles
812
00:37:52,013 --> 00:37:53,512
are the protectors
of the church.
813
00:37:53,512 --> 00:37:55,246
But are they
protecting the church
814
00:37:55,246 --> 00:37:59,013
against supernatural forces
or against earthly threats?
815
00:38:01,613 --> 00:38:04,313
- [Narrator] Beneath the
soaring arches of Notre Dame
816
00:38:04,313 --> 00:38:06,112
lies a secret that
stretches back
817
00:38:06,112 --> 00:38:08,380
to the very
foundations of Paris.
818
00:38:09,479 --> 00:38:13,146
- For generations,
pilgrims and tourists
819
00:38:13,146 --> 00:38:16,879
have marveled at the
Christian masterpiece
820
00:38:16,879 --> 00:38:19,746
that is the Notre Dame today.
821
00:38:19,746 --> 00:38:21,913
But few realize that the ground
822
00:38:21,913 --> 00:38:25,413
that touches their
feet holds clues
823
00:38:25,413 --> 00:38:30,446
to a much older,
grander, mysterious past.
824
00:38:31,779 --> 00:38:33,813
- They find stone structures
underneath Notre Dame
825
00:38:33,813 --> 00:38:36,412
that would predate
it by centuries.
826
00:38:36,412 --> 00:38:41,079
- In the 1700s, they
discovered that the church
827
00:38:41,079 --> 00:38:45,113
was built on the ruins of
an old Gallo-Roman temple
828
00:38:45,113 --> 00:38:49,946
to Jupiter, the king
of the Roman pantheon.
829
00:38:49,946 --> 00:38:51,280
- What does that tell us?
830
00:38:51,280 --> 00:38:52,579
Well, first of all,
that you have a temple
831
00:38:52,579 --> 00:38:54,779
to the most powerful
of the Roman gods,
832
00:38:54,779 --> 00:38:56,779
suggests that this place,
833
00:38:56,779 --> 00:38:58,313
the place where it's located,
834
00:38:58,313 --> 00:39:00,846
has long been a site
of cultic worship,
835
00:39:00,846 --> 00:39:03,513
and in particular,
a very sacred site.
836
00:39:03,513 --> 00:39:06,513
- This is evidence of
the site's long history
837
00:39:06,513 --> 00:39:08,113
as a place of worship.
838
00:39:08,113 --> 00:39:10,079
How did a pagan temple become
839
00:39:10,079 --> 00:39:13,013
one of Christianity's
most revered cathedrals?
840
00:39:14,313 --> 00:39:16,513
- [Narrator] The transformation
from pagan temple
841
00:39:16,513 --> 00:39:20,546
to Christian cathedral was
a centuries-long process.
842
00:39:20,546 --> 00:39:24,546
- As Christianity spreads
throughout Europe,
843
00:39:24,546 --> 00:39:29,046
the site undergoes a
radical metamorphosis.
844
00:39:30,013 --> 00:39:33,046
- Sacred sites tended
to remain sacred sites
845
00:39:33,046 --> 00:39:35,113
even when there was
a change in religion,
846
00:39:35,113 --> 00:39:37,946
and so the Christians didn't
seem to have a problem
847
00:39:37,946 --> 00:39:41,013
rededicating pagan holy sites
848
00:39:41,013 --> 00:39:43,680
and making them
Christian holy sites.
849
00:39:44,679 --> 00:39:46,779
- So we go from the pagan temple
850
00:39:46,779 --> 00:39:48,212
to an early Christian church,
851
00:39:48,212 --> 00:39:50,813
and that gets replaced by
another Christian church,
852
00:39:50,813 --> 00:39:53,013
but it stays in
a line of descent
853
00:39:53,013 --> 00:39:55,846
that eventually brings
us to Notre Dame.
854
00:39:55,846 --> 00:39:57,013
- [Narrator] Emerging
from the shadows
855
00:39:57,013 --> 00:39:58,879
of its pagan origins,
856
00:39:58,879 --> 00:40:01,279
Notre Dame Cathedral
has defied centuries
857
00:40:01,279 --> 00:40:04,013
of challenges and
natural disasters.
858
00:40:04,013 --> 00:40:06,112
What architectural secrets lie
859
00:40:06,112 --> 00:40:07,846
within its hallowed walls,
860
00:40:07,846 --> 00:40:09,480
enabling the Gothic structure
861
00:40:09,480 --> 00:40:13,013
to withstand the ravages
of time and nature?
862
00:40:13,846 --> 00:40:15,946
For centuries,
Notre Dame Cathedral
863
00:40:15,946 --> 00:40:19,146
has stood as a testament
to Gothic architecture.
864
00:40:19,146 --> 00:40:23,880
But in 2019, a devastating
fire engulfed the cathedral,
865
00:40:23,880 --> 00:40:27,313
destroying its roof
and iconic spire.
866
00:40:27,313 --> 00:40:31,680
- To see a structure like
this be impacted by the fire,
867
00:40:31,680 --> 00:40:34,879
it's a little heartbreaking
for a structural engineer.
868
00:40:34,879 --> 00:40:38,446
I remember we turned it on
at our office and watched it.
869
00:40:40,279 --> 00:40:41,946
- [Narrator] As
the smoke clears,
870
00:40:41,946 --> 00:40:43,979
archeologists and historians
871
00:40:43,979 --> 00:40:46,213
are given an
unprecedented opportunity
872
00:40:46,213 --> 00:40:49,280
to study the inner workings
of Notre Dame's structure.
873
00:40:50,679 --> 00:40:54,513
- What hidden resilience
did medieval builders embed
874
00:40:54,513 --> 00:40:57,680
within the very bones
of Notre Dame Cathedral?
875
00:40:59,179 --> 00:41:01,446
- [Narrator] One of the keys
to the cathedral's longevity
876
00:41:01,446 --> 00:41:03,746
could be the 30
flying buttresses
877
00:41:03,746 --> 00:41:06,613
that form its stone exoskeleton.
878
00:41:06,613 --> 00:41:09,346
- When we start building big
structures like Notre Dame
879
00:41:09,346 --> 00:41:12,279
with large, open indoor spaces,
880
00:41:12,279 --> 00:41:15,546
we end up with immense roof
structures that are very heavy.
881
00:41:15,546 --> 00:41:18,279
And the result forces
from those roof structures
882
00:41:18,279 --> 00:41:22,212
invariably want to cause
our walls to buckle outward.
883
00:41:22,212 --> 00:41:27,080
So we need to design systems
that support our walls.
884
00:41:27,746 --> 00:41:28,946
And with Notre Dame,
885
00:41:28,946 --> 00:41:30,346
that technology is
the flying buttress.
886
00:41:31,713 --> 00:41:33,246
- The walls are quite tall,
887
00:41:33,246 --> 00:41:34,880
so they're a little wobbly.
888
00:41:34,880 --> 00:41:36,879
You can imagine building
a wall out of Lego.
889
00:41:36,879 --> 00:41:38,346
At some point, it's
not very stable,
890
00:41:38,346 --> 00:41:40,512
you can't put another
brick on top of there.
891
00:41:40,512 --> 00:41:43,112
And so you need to
brace it horizontally.
892
00:41:43,112 --> 00:41:46,046
And that's where the
flying buttresses come in.
893
00:41:46,046 --> 00:41:48,879
They are lateral supports
at high up points
894
00:41:48,879 --> 00:41:50,879
that then take those
lateral forces out,
895
00:41:50,879 --> 00:41:53,346
and all the way down
into the ground.
896
00:41:53,346 --> 00:41:55,546
Also, when you have
an arched roof,
897
00:41:55,546 --> 00:41:59,212
that arch wants to thrust
out at its haunches.
898
00:41:59,212 --> 00:42:02,513
And so the arch itself is
imposing a horizontal force.
899
00:42:02,513 --> 00:42:04,513
That force goes into
the flying buttresses.
900
00:42:04,513 --> 00:42:07,112
So all these things
are tied together
901
00:42:07,112 --> 00:42:10,346
and they are integral
to that building.
902
00:42:10,346 --> 00:42:12,313
If you do not have
the flying buttresses,
903
00:42:12,313 --> 00:42:14,013
that building will collapse.
904
00:42:15,013 --> 00:42:18,346
It's amazing to see this
ancient engineering,
905
00:42:18,346 --> 00:42:20,480
and how they knew
this, and used arches,
906
00:42:20,480 --> 00:42:22,146
which are another
really strong shape
907
00:42:22,146 --> 00:42:23,880
in these flying buttresses
908
00:42:23,880 --> 00:42:27,346
to make them lighter
and functional.
909
00:42:27,346 --> 00:42:28,646
- [Narrator] As restoration work
910
00:42:28,646 --> 00:42:30,679
on the burned cathedral begins,
911
00:42:30,679 --> 00:42:34,113
a remarkable discovery is
made within its stonework,
912
00:42:34,113 --> 00:42:36,812
large iron staples are revealed,
913
00:42:36,812 --> 00:42:39,480
measuring up to 50
centimeters long.
914
00:42:39,480 --> 00:42:42,079
These staples found
throughout the cathedral
915
00:42:42,079 --> 00:42:45,446
bind stones together,
providing reinforcement
916
00:42:45,446 --> 00:42:49,479
that allows it to achieve its
impressive 35 meter height
917
00:42:49,479 --> 00:42:52,746
while maintaining a
light, slender appearance.
918
00:42:52,746 --> 00:42:54,279
But the true breakthrough comes
919
00:42:54,279 --> 00:42:57,246
when these iron
reinforcements are dated.
920
00:42:58,813 --> 00:43:03,246
Radiocarbon dating reveals
they originate from the 1160s,
921
00:43:03,246 --> 00:43:06,413
making Notre Dame the first
known Gothic cathedral
922
00:43:06,413 --> 00:43:09,546
to use iron extensively
throughout its structure,
923
00:43:09,546 --> 00:43:13,313
a feat not repeated
for about four decades.
924
00:43:13,313 --> 00:43:15,346
But these iron reinforcements
925
00:43:15,346 --> 00:43:17,713
aren't the only
metalwork hiding secrets
926
00:43:17,713 --> 00:43:20,179
in Notre Dame's walls.
927
00:43:20,179 --> 00:43:23,213
Adorning the massive western
doors of the cathedral
928
00:43:23,213 --> 00:43:25,379
is intricate ironwork,
929
00:43:25,379 --> 00:43:29,012
and with it, comes a legend
of devilish intrigue.
930
00:43:29,012 --> 00:43:30,746
- There's so many legends
931
00:43:30,746 --> 00:43:32,346
about the building
of Notre Dame,
932
00:43:32,346 --> 00:43:34,380
but there's one from
the 13th century
933
00:43:34,380 --> 00:43:37,979
about a young blacksmith
named Biscornet.
934
00:43:37,979 --> 00:43:40,579
According to legend, he
had been commissioned
935
00:43:40,579 --> 00:43:42,746
to complete the elaborate,
936
00:43:42,746 --> 00:43:45,313
ornate iron doors
for the cathedral.
937
00:43:45,313 --> 00:43:48,213
- [Narrator] But when the
completed doors are unveiled,
938
00:43:48,213 --> 00:43:50,212
people are astounded.
939
00:43:50,212 --> 00:43:53,213
- The level of craftsmanship
was unprecedented.
940
00:43:53,213 --> 00:43:56,879
The intricate details and
artistry are so advanced
941
00:43:56,879 --> 00:43:58,980
that it leaves
people in disbelief.
942
00:43:58,980 --> 00:44:01,746
- No one believes
it could be the work
943
00:44:01,746 --> 00:44:04,113
of a 13th-century blacksmith.
944
00:44:04,113 --> 00:44:07,213
- [Narrator] This leads
to wild speculation.
945
00:44:07,213 --> 00:44:09,613
Biscornet's work must
have been the result
946
00:44:09,613 --> 00:44:11,279
of a deal made with the devil.
947
00:44:11,279 --> 00:44:14,246
- Rumors begin to
circulate that Biscornet
948
00:44:14,246 --> 00:44:17,246
had been found in his
workshop unconscious,
949
00:44:17,246 --> 00:44:18,946
and that the iron doors
950
00:44:18,946 --> 00:44:21,646
had miraculously been
completed overnight.
951
00:44:23,279 --> 00:44:26,546
When it came time to open up
the doors, they were stuck.
952
00:44:26,546 --> 00:44:28,146
According to legend,
953
00:44:28,146 --> 00:44:31,046
it was only after the
application of holy water
954
00:44:31,046 --> 00:44:33,046
that they were
able to be opened.
955
00:44:33,046 --> 00:44:36,846
- Adding to the mystery,
Biscornet reportedly dies
956
00:44:36,846 --> 00:44:38,879
shortly after
completing the project.
957
00:44:38,879 --> 00:44:41,713
(dramatic music)
958
00:44:44,112 --> 00:44:45,646
- For people at the time,
959
00:44:45,646 --> 00:44:48,579
the battle between good and evil
960
00:44:48,579 --> 00:44:51,413
was a real live one.
961
00:44:51,413 --> 00:44:55,046
So actually, it wasn't a
huge leap of the imagination
962
00:44:55,046 --> 00:44:58,680
to believe that these
beautiful iron doors
963
00:44:58,680 --> 00:45:01,712
were inspired by the devil.
964
00:45:01,712 --> 00:45:03,013
The story comes out
965
00:45:03,013 --> 00:45:05,313
that it's supernatural
powers that did it.
966
00:45:05,313 --> 00:45:09,512
And yet the minds
of the people around
967
00:45:09,512 --> 00:45:13,012
turn to it not being
divine intervention,
968
00:45:13,012 --> 00:45:15,613
but instead to it
being the devil.
969
00:45:16,846 --> 00:45:19,213
- It's not surprising, in a way,
970
00:45:19,213 --> 00:45:21,313
that a church of this grandeur
971
00:45:22,113 --> 00:45:24,680
would attract demonic tales.
972
00:45:24,680 --> 00:45:29,146
It is constructed as a bastion
of the Christian faith,
973
00:45:29,146 --> 00:45:30,712
which means, of course,
974
00:45:30,712 --> 00:45:32,846
demons will want
to play with it,
975
00:45:32,846 --> 00:45:34,346
they will want to haunt it,
976
00:45:34,346 --> 00:45:37,046
they will want to torment
those who go there.
977
00:45:37,046 --> 00:45:38,312
So in that sense,
978
00:45:38,312 --> 00:45:40,513
the fact that it's
spiritually significant
979
00:45:40,513 --> 00:45:45,613
means that it will be a
obvious target of the demonic.
980
00:45:46,812 --> 00:45:48,046
- [Narrator] To this day,
981
00:45:48,046 --> 00:45:50,979
the legend of the
devil doors persists.
982
00:45:50,979 --> 00:45:54,346
- And interestingly,
modern blacksmiths
983
00:45:54,346 --> 00:45:59,346
can't actually explain how
those doors were constructed.
984
00:46:00,513 --> 00:46:02,046
- [Narrator] Whether
crafted by human hands
985
00:46:02,046 --> 00:46:04,112
or through more sinister means,
986
00:46:04,112 --> 00:46:07,046
the devil doors continue
to hold their secrets tight
987
00:46:07,046 --> 00:46:08,513
at ground level.
988
00:46:08,513 --> 00:46:10,413
But perched up above,
989
00:46:10,413 --> 00:46:14,413
Notre Dame's silent
sentinels stand watch.
990
00:46:14,413 --> 00:46:18,979
What ancient mysteries do these
grotesque figures conceal?
991
00:46:18,979 --> 00:46:21,946
- The gargoyles of
Notre Dame are iconic.
992
00:46:21,946 --> 00:46:23,279
They are monstrous,
993
00:46:23,279 --> 00:46:26,246
with bulging eyes
and sharp teeth.
994
00:46:26,246 --> 00:46:28,446
- As a visitor, you
arrive and you look up
995
00:46:28,446 --> 00:46:32,612
and you see these enormous
winged creatures perched,
996
00:46:32,612 --> 00:46:34,112
looking down at you,
997
00:46:34,112 --> 00:46:37,113
each with its own individual
personality and movement.
998
00:46:38,246 --> 00:46:40,546
- What's striking
about these gargoyles
999
00:46:40,546 --> 00:46:45,580
is the wide variety of design
in which they were made.
1000
00:46:46,579 --> 00:46:48,279
And yet, what unifies them
1001
00:46:48,279 --> 00:46:51,746
is their whimsical, fiendish,
1002
00:46:51,746 --> 00:46:54,046
almost devilish nature.
1003
00:46:54,046 --> 00:46:55,746
- These aren't just decorations.
1004
00:46:55,746 --> 00:46:57,879
These gargoyles have stood watch
1005
00:46:57,879 --> 00:46:59,613
over the cathedral
for centuries.
1006
00:47:01,679 --> 00:47:03,413
- There are a number of theories
1007
00:47:03,413 --> 00:47:05,846
about what they might
have been intended to do.
1008
00:47:05,846 --> 00:47:08,980
Perhaps the most popular one
is that they were protective,
1009
00:47:08,980 --> 00:47:12,113
that they were looking
over Notre Dame,
1010
00:47:12,113 --> 00:47:15,046
and its parishioners
with an eye out
1011
00:47:15,046 --> 00:47:19,046
to defeating any demons
that might be circling.
1012
00:47:19,046 --> 00:47:23,246
- Others see them as
representations of sin and vice,
1013
00:47:23,246 --> 00:47:26,980
lurking outside the
sanctity of the church.
1014
00:47:28,080 --> 00:47:29,312
- If you look beautiful,
1015
00:47:29,312 --> 00:47:31,946
people think you
can do no wrong,
1016
00:47:31,946 --> 00:47:33,179
that you are good,
1017
00:47:33,179 --> 00:47:34,946
that you're special
just by that looks.
1018
00:47:34,946 --> 00:47:37,479
And, therefore, the
flip side is also there.
1019
00:47:37,479 --> 00:47:40,079
If you look ugly, if
you look grotesque,
1020
00:47:40,079 --> 00:47:41,513
then you're a monster
and you're evil.
1021
00:47:41,513 --> 00:47:44,246
And that's why when we look
at these gargoyles now,
1022
00:47:44,246 --> 00:47:45,980
we see them as evil creatures.
1023
00:47:47,146 --> 00:47:50,246
- And there are so many
folklore and stories
1024
00:47:50,246 --> 00:47:52,079
associated with them.
1025
00:47:52,079 --> 00:47:55,613
One story goes that the
gargoyles come alive at night
1026
00:47:55,613 --> 00:47:57,313
and patrol the streets of Paris,
1027
00:47:57,313 --> 00:47:59,480
keeping us all safe from harm.
1028
00:48:00,513 --> 00:48:02,046
- Another tale suggests
1029
00:48:02,046 --> 00:48:06,146
that these gargoyles
aren't sculptures at all,
1030
00:48:06,146 --> 00:48:11,213
but monsters turned to stone
by the power of the church.
1031
00:48:12,546 --> 00:48:15,213
- [Narrator] The gargoyles
adorning Notre Dame today
1032
00:48:15,213 --> 00:48:20,013
are not medieval originals,
but 19th-century additions.
1033
00:48:20,013 --> 00:48:21,713
Many of the original gargoyles
1034
00:48:21,713 --> 00:48:24,479
fell victim to the French
Revolution's destruction
1035
00:48:24,479 --> 00:48:26,880
in the late 1700s.
1036
00:48:26,880 --> 00:48:29,380
Over the decades
following the Revolution,
1037
00:48:29,380 --> 00:48:32,079
the cathedral falls
into disrepair.
1038
00:48:32,079 --> 00:48:34,713
But it would receive
a new lease on life
1039
00:48:34,713 --> 00:48:36,046
thanks to French author,
1040
00:48:36,046 --> 00:48:40,313
Victor Hugo's 1831 novel
"Notre-Dame de Paris",
1041
00:48:40,313 --> 00:48:43,013
whose 1833 English translation
1042
00:48:43,013 --> 00:48:46,346
was known as "The
Hunchback of Notre Dame".
1043
00:48:46,346 --> 00:48:50,846
- Victor Hugo's novel
really raised the cathedral
1044
00:48:50,846 --> 00:48:52,879
in popular consciousness,
1045
00:48:52,879 --> 00:48:55,046
and led to a surge of interest
1046
00:48:55,046 --> 00:48:58,580
in restoring the cathedral
to its former glory.
1047
00:49:00,079 --> 00:49:01,546
- [Narrator] A renovation
under the guidance
1048
00:49:01,546 --> 00:49:04,479
of architect, Eugene
Viollet-le-Duc,
1049
00:49:04,479 --> 00:49:06,613
began in the 1840s,
1050
00:49:06,613 --> 00:49:08,713
and new gargoyles were crafted,
1051
00:49:08,713 --> 00:49:12,112
cementing Notre Dame's
status as a cultural icon,
1052
00:49:12,112 --> 00:49:14,646
and popularizing the
notion of gargoyles
1053
00:49:14,646 --> 00:49:16,812
as the cathedral's guardians.
1054
00:49:16,812 --> 00:49:18,812
But the true purpose
of these figures
1055
00:49:18,812 --> 00:49:22,812
is actually crucial
to the cathedral's
structural integrity.
1056
00:49:22,812 --> 00:49:26,280
- In reality, their function
is much more practical.
1057
00:49:26,280 --> 00:49:28,312
They serve as water spouts,
1058
00:49:28,312 --> 00:49:31,779
channeling rainwater away
from the building's walls
1059
00:49:31,779 --> 00:49:33,480
to prevent erosion.
1060
00:49:34,546 --> 00:49:36,279
- [Narrator] Following
the tragic fire
1061
00:49:36,279 --> 00:49:39,980
that swept through Notre Dame
Cathedral in April, 2019,
1062
00:49:39,980 --> 00:49:42,546
the gargoyles and grotesques
have come to embody
1063
00:49:42,546 --> 00:49:46,113
the enduring spirit of
this beloved landmark.
1064
00:49:47,146 --> 00:49:49,113
- When we think
about Notre Dame now,
1065
00:49:49,113 --> 00:49:51,446
and the fact that
it's now rebuilt,
1066
00:49:51,446 --> 00:49:55,646
it makes us realize that
monuments are not static.
1067
00:49:55,646 --> 00:49:58,646
They are constantly being remade
1068
00:49:58,646 --> 00:50:00,546
and repurposed and reused
1069
00:50:00,546 --> 00:50:02,946
by the cultures because
they cherish them,
1070
00:50:02,946 --> 00:50:05,980
because of their ties
to their historic past,
1071
00:50:05,980 --> 00:50:08,113
but also because
they're living spaces,
1072
00:50:08,113 --> 00:50:10,580
living histories, that are
still meaningful to them.
1073
00:50:13,613 --> 00:50:17,113
- [Narrator] The cathedral
reopened in December of 2024
1074
00:50:17,113 --> 00:50:19,813
after a nearly
five-year restoration,
1075
00:50:19,813 --> 00:50:22,046
that was not without
its challenges.
1076
00:50:22,046 --> 00:50:23,946
- Structures that
have caught on fire,
1077
00:50:23,946 --> 00:50:25,613
some of them aren't salvageable.
1078
00:50:25,613 --> 00:50:26,980
This one, though, being stone,
1079
00:50:26,980 --> 00:50:28,979
is far more salvageable
1080
00:50:28,979 --> 00:50:31,080
than a wood structure
would have been.
1081
00:50:31,080 --> 00:50:33,279
But in terms of the
tools and the know-how
1082
00:50:33,279 --> 00:50:34,879
and the knowledge,
and the ability
1083
00:50:34,879 --> 00:50:36,279
to rebuild something like this,
1084
00:50:36,279 --> 00:50:37,613
and not everybody can do that,
1085
00:50:37,613 --> 00:50:39,113
there's less and less people
1086
00:50:39,113 --> 00:50:42,080
who could build these
structures in a similar way,
1087
00:50:42,080 --> 00:50:44,379
with the expertise and
with the knowledge.
1088
00:50:44,379 --> 00:50:47,313
- While some have attributed
the marvels of Notre Dame
1089
00:50:47,313 --> 00:50:50,080
to supernatural evil forces,
1090
00:50:50,080 --> 00:50:52,779
the reality is that
Notre Dame represents
1091
00:50:52,779 --> 00:50:56,946
the pinnacle of human
ingenuity, skill, craftsmanship,
1092
00:50:56,946 --> 00:51:00,013
and the determination of
a people in their time.
1093
00:51:00,813 --> 00:51:02,880
The real magic of Notre Dame
1094
00:51:02,880 --> 00:51:05,046
is the medieval
craftsmen that made it.
1095
00:51:05,046 --> 00:51:08,046
(dramatic music)
1096
00:51:08,046 --> 00:51:10,279
- [Narrator] From the whispers
of otherworldly forces
1097
00:51:10,279 --> 00:51:14,646
at Sacsayhuaman, to the tales
of djinns at Chand Baori,
1098
00:51:14,646 --> 00:51:17,513
and the ominous devil
doors at Notre Dame,
1099
00:51:17,513 --> 00:51:20,012
the stories of these
architectural wonders
1100
00:51:20,012 --> 00:51:22,680
blur the line between
human achievement
1101
00:51:22,680 --> 00:51:24,446
and the supernatural.
1102
00:51:24,446 --> 00:51:27,512
While standing testament
to remarkable engineering,
1103
00:51:27,512 --> 00:51:31,179
they hint at forces
beyond our understanding.
1104
00:51:31,179 --> 00:51:32,546
What hidden truths
1105
00:51:32,546 --> 00:51:35,513
might these ancient
structures still hold,
1106
00:51:35,513 --> 00:51:38,779
waiting to be uncovered
by future generations?
1107
00:51:38,779 --> 00:51:41,546
(dramatic music)
1108
00:51:57,546 --> 00:52:01,080
(dramatic music continues)
88074
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.