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These are the user uploaded subtitles that are being translated: 00:02:20: Yes, I am, I'm just a love man. 00:02:23: Let me tell you somethin' 00:02:25: Which one of you, girls, want me to hold you? 00:02:28: Which one of you, girls, want me to kiss you? 00:02:31: Which one of you, girls, want me to take you out? 00:02:34: Go on, I got you, gonna knock you all night, 'cause, baby, I'm a love man... 00:02:38: This is Jim Ladd of KLOS. 00:02:40: We interrupt this broadcast to bring you a special bulletin. 00:02:43: Rock music fans all over the world are in mourning today. 00:02:46: Jim Morrison, lead singer of The Doors 00:02:49: was found dead in his Paris apartment this morning. 00:02:52: French authorities attribute the cause of death to a heart attack. 00:02:55: Morrison was 27 years old. 00:02:59: Goodbye, Jim. 00:03:00: We'll miss you... 00:03:58: Jim Morrison was buried today in Pere Lachaise cemetery in Paris. 00:04:03: The coffin was sealed, 00:04:04: and only his girlfriend, Pamela Courson 00:04:06: and The Doors' manager were in attendance. 00:04:10: With his passing, the future of The Doors remains uncertain. 00:04:14: I'm Jim Ladd on 95.5 KLOS, 00:04:17: and I'll be here all night 00:04:19: as we pay tribute to one of America's most original and influential... 00:04:49: The sixties begin with a shot. 00:04:57: The civil rights movement intensifies. 00:05:07: The war in Vietnam gets bigger and bloodier. 00:05:11: "President Johnson, meanwhile, let it be known 00:05:14: that the FBI is closely watching all anti-war activities". 00:05:22: The youth movement catches fire, 00:05:25: making everyone over 30 a cultural enemy. 00:05:29: The days of Ricky Nelson and "Leave It To Beaver" are over. 00:05:32: "I have nothing against kissing. 00:05:34: But these friends of yours, Penny, 00:05:36: They want to kiss you all night!" 00:05:44: The establishment resists, 00:05:46: but a genuine counter-culture is growing. 00:05:51: For some, psychedelics like LSD open the doors of perception. 00:05:56: The Gate Is Straight, 00:05:57: Deep And Wide, 00:05:58: Break On Through To The Other Side... 00:05:59: A massive cultural earthquake is splitting the country wide open. 00:06:06: And out of the crack steps a band called The Doors. 00:06:10: � Name?- Robby Krieger. 00:06:13: - Age? - 22 years old. 00:06:16: - Occupation? - Guitar. 00:06:18: - Name? - John Densmore. 00:06:21: - Age? - 23. 00:06:22: - Occupation? - Percussionist. 00:06:24: - Name?- Raymond Daniel Manzarek. 00:06:27: - Age? - Born 2/12/39. 00:06:30: - Occupation? - Musician, organist. 00:06:34: - Name?- Uh... Jim. 00:06:37: - Occupation? - Um... 00:06:45: Jim Morrison is the oldest son of a decorated navy officer. 00:06:50: At 16, he's already reading Nietzsche, Rimbaud and William Blake. 00:06:57: He's also obsessed with Elvis Presley. 00:07:02: One teacher sends home a note scolding him as "self-centered". 00:07:07: He goes to three colleges before attending the film school at UCLA. 00:07:12: One of his friends there is Ray Manzarek, 00:07:14: who's also playing keyboards in his brother's surf band, 00:07:17: Rick and The Ravens. 00:07:19: Ray started with classical piano, 00:07:22: but quickly turned on to jazz and Chicago blues. 00:07:28: Jim, too, had an affinity for the blues. 00:07:31: They shared a common interest in cinema. 00:07:33: They were also dropping acid several times a month. 00:07:37: Jim makes one film at UCLA. 00:07:40: It earns him a D. 00:07:43: He skips his graduatio 00:07:45: and tells Ray he's moving to New York City. 00:07:51: But a few months later, 00:07:53: Ray runs into Jim at the beach in Venice. 00:07:56: He's been living on someone's roof 00:07:57: and writing songs for a rock concert he hears in his head. 00:08:01: Ray asks him to sing one. 00:08:03: Jim hesitates. 00:08:05: Then he sings Moonlight Drive. 00:08:08: Let's Swim To The Moon, Uh-Huh, 00:08:12: Let's Climb Through The Tide... 00:08:14: Ray is impressed by the poetry of his lyrics. 00:08:18: They decide to start a band. 00:08:21: Jim's already chosen a name from a poem by William Blake. 00:08:25: "If the doors of perception were cleansed, 00:08:28: everything would appear to man as it is: 00:08:32: infinite". 00:08:40: Jim moves in with Ray and his girlfriend, Dorothy Fujikawa. 00:08:45: Ray invites someone from his meditation class 00:08:47: to come jam with them. 00:08:50: John Densmore brings his friend, Robby Krieger. 00:08:54: Jim loves his bottleneck slide so much, 00:08:57: he wants to use it on every song. 00:09:03: Robby and John like his lyrics more than his voice, 00:09:07: but something about their lead singer pulls them in. 00:09:12: In the summer of 1965, The Doors are born. 00:09:18: Jim had never sung before. 00:09:21: Robby had only been playing electric guitar for 6 months. 00:09:27: His original training was on acoustic - Spanish flamenco. 00:09:33: He'd played in one rock band with Densmore, 00:09:35: when they were both in high school. 00:09:40: John had morphed from a high school marching band 00:09:43: to a certified jazz freak into Coltrane and Mingus. 00:09:52: Ray rents a house, 00:09:53: and the band rehearses there all summer. 00:09:59: Jim says they need more songs 00:10:00: and tells everyone to write one over the weekend. 00:10:05: Only Robby does his homework. 00:10:08: The first song he writes is called Light My Fire. 00:10:21: Know That It Will Be Untrue, 00:10:25: Know That I Would Be A Liar 00:10:29: If I Was To Say To You 00:10:33: Girl, We Couldn't Get Much Higher. 00:10:37: Come On, Baby, Light My Fire. 00:10:45: Try To Set The Night On Fire. 00:10:50: Time To Hesitate Is Through, 00:10:54: No Time To Wallow In The Mire. 00:10:58: Try Now, We Can Only Lose 00:11:02: And Our Love Become A Funeral Pyre. 00:11:06: Come On, Baby, Light My Fire. 00:11:12: The Doors get their first gig at a dive in LA called The London Fog. 00:11:19: Still unsure of himself, Jim turns his back to the audience, 00:11:23: facing the band, like he does in rehearsal. 00:11:30: The talent booker for The Whisky A Go Go comes in one night. 00:11:34: She falls for Morrison 00:11:35: and convinces her boss to hire The Doors 00:11:37: as The Whisky's house band. 00:11:40: In late 1966, they're opening for The Turtles, 00:11:43: Buffalo Springfield and Van Morrison. 00:11:48: Word spreads, especially about the lead singer. 00:11:54: Jack Holzman, founder of Elektra Records, 00:11:57: is so impressed, he offers them a 3-album deal. 00:12:03: The next night, Jim doesn't show up at The Whisky. 00:12:07: John and Ray head over to the motel he's crashing at 00:12:10: and find him out of his mind on acid. 00:12:16: When they get him back to The Whisky, 00:12:18: Jim wants to play The End, 00:12:19: a song he wrote about breaking up with his high-school girlfriend. 00:12:24: The Killer Awoke Before Dawn, 00:12:27: He Put His Boots On. 00:12:30: He Took A Face From The Ancient Gallery And He 00:12:35: He Walked On Down The Hallway, Baby! 00:12:45: Came To A Door 00:12:48: And He Looked Inside. 00:12:56: No one in the band knows where he's going. 00:13:04: Father? 00:13:07: Yes, Son? 00:13:11: I Wanna Kill You. 00:13:23: Mother... 00:13:27: I Want To... 00:13:30: Fuck, Fuck, Fuck, Fuck You All Night, Baby! 00:13:36: Fuck You, Mama, All Night Long! 00:13:40: You Wait, Mama! 00:13:42: Gonna Love You, Baby, All Night, Yeah! 00:13:48: The Whisky's owner calls Jim a "sick bastard" 00:13:51: and fires them. 00:13:59: A few weeks later, 00:14:00: The Doors record their first album in five days. 00:14:04: Holzman brings in veteran producer Paul Rothchild. 00:14:08: The equipment he uses is state-of-the-art - 00:14:11: a 4-track recorder. 00:14:13: He lays down John's drums on one track. 00:14:16: Ray's organ and Robby's guitar take up the second. 00:14:20: The third goes to Jim's vocal, 00:14:21: leaving the fourth for all overdubs. 00:14:31: Light My Fire and The End are over seven minutes long. 00:14:35: Both are recorded in two takes. 00:14:39: At Jim's insistence, 00:14:41: all songs are credited simply to The Doors. 00:14:45: To promote the album, 00:14:46: Holzman buys a billboard on The Sunset Strip. 00:14:49: No one has done this before. 00:14:51: Break On Through is their first single. 00:14:54: It stalls at number 106. 00:14:58: Holzman shifts quickly to Light My Fire. 00:15:02: Rothchild cuts the instrumentals, and the song hits the AM airwaves. 00:15:07: In July of 1967, 00:15:09: the first song Robby Krieger ever wrote climbs to number one in the country. 00:15:16: Ray and Dorothy hear it on their car radio and start screaming. 00:15:23: The first royalty checks give The Doors $ 50,000 apiece. 00:15:29: Morrison's family is oblivious 00:15:31: until a friend of his younger brother comes over with the album. 00:15:36: He thought the guy on the cover looked a little like Jim. 00:15:40: The family is further surprised 00:15:41: when they see how Jim has described them in his bio. 00:15:47: Holzman sends The Doors to New York City. 00:15:49: They're an immediate hit. 00:15:52: Andy Warhol becomes infatuated, particularly with Morrison. 00:15:58: Then, like The Beatles and Rolling Stones before them, 00:16:01: they perform live on The Ed Sullivan Show. 00:16:04: - Now The Doors! 00:16:05: Here they are with their newest hit record, 00:16:08: Light My Fire! 00:16:11: Time To Hesitate Is Through, 00:16:14: No Time To Wallow In The Mire. 00:16:18: Try Now, We Can Only Lose 00:16:22: And Our Live Become A Funeral Pyre. 00:16:26: Come On, Baby, Light My Fire. 00:16:34: Try To Set The Night On... Fire! 00:16:39: Sullivan asks The Doors to take out the word "higher" 00:16:42: because of its drug implications. 00:16:45: They agree. 00:16:47: During the performance, 00:16:48: Jim sings the song exactly as written. 00:16:51: Girl, We Couldn't Get Much Higher. 00:16:54: Come On, Baby, Light My Fire. 00:17:02: Try To Set The Night On Fire! 00:17:13: Try To Set The Night On... Fire! 00:17:19: It's been barely a year 00:17:20: since their shy young singer couldn't even face his audience. 00:17:24: Now, the metamorphosis is complete. 00:17:56: - Need A Match? 00:18:00: "As I look back over my life, 00:18:04: I'm struck by the postcards, 00:18:09: ruined snapshots, 00:18:12: faded posters of a time I can't recall". 00:18:29: French officials deny any evidence of drug overdose, 00:18:32: but a cloud of mystery hangs over Morrison's death. 00:18:35: Some claim he's still alive and that his death was just a hoax, 00:18:39: perhaps planned by Morrison himself. 00:18:42: Numerous sightings of the singer have already been reported. 00:18:45: No, the mood I get from most of itNis a kind of a heavy... 00:18:50: Kind of a sort of gloomy feeling, you know. 00:18:58: Like of someone not quite at home 00:19:00: Or, you know, or not quite... Not quite relaxed, and... 00:19:05: You know, aware of a lot of things 00:19:07: but not quite sure about anything, you know? 00:19:12: People Are Strange 00:19:14: When You're A Stranger. 00:19:16: Faces Look Ugly 00:19:18: When You're Alone. 00:19:20: Women Seem Wicked 00:19:22: When You're Unwanted. 00:19:24: Streets Are Uneven 00:19:27: When You're Down. 00:19:28: When You're Strange, 00:19:30: Faces Come Out Of The Rain. 00:19:34: When You're Strange, 00:19:37: No One Remembers Your Name 00:19:40: When You're Strange, 00:19:44: When You're... Strange. 00:19:52: The fact is, the music is strange. 00:19:56: It is music for the different, the uninvited. 00:20:00: It carries the listener into the shadowy realm of dream. 00:20:11: Part of the strangeness comes from their lack of a bass player. 00:20:15: This leaves Densmore to hold the beat. 00:20:18: But his jazz sensibility keeps it both tight and unpredictable. 00:20:28: Krieger's flamenco influences bring another layer of mystery. 00:20:32: He never uses a pick, 00:20:33: playing rhythm and lead with his fingernails. 00:20:39: But the sound needs a bottom. 00:20:41: Manzarek discovers an electric piano bass 00:20:44: and plays the bass line with his left hand. 00:20:47: He uses his right for chords and his Bach-tinged blues runs. 00:21:06: The organ carries a hint of the carnival - 00:21:08: both childlike and darkly disturbing. 00:21:12: It's no accident their second album, Strange Days, 00:21:15: features circus performers on its cover. 00:21:49: But if the band has a surreal fairground air, 00:21:52: it is Morrison who is the frenzied trapeze artist. 00:22:05: Love Me Two Times, Baby, Love Me Twice Today. 00:22:12: Love Me Two Times, Girl, I'm Goin' Away. 00:22:19: Love Me Two Times, Girl, 00:22:22: One For Tomorrow, One Just For Today. 00:22:28: Love Me Two Times, I'm Goin' Away. 00:22:35: To Ray, he's like an ancient shaman, 00:22:38: leading his followers into worlds they'd never dare enter alone. 00:22:43: I Could Not Speak. 00:22:46: Love Me One Time, 00:22:50: Yeah, My Knees Got Weak. 00:22:54: Love Me Two Times, Girl, 00:22:56: Last Me All Through The Week. 00:23:02: Love Me Two Times, I'm Goin' Away. 00:23:20: Morrison is both innocent and profane. 00:23:23: He's a rock and roll poet, 00:23:26: dangerous and highly intelligent. 00:23:31: No one has had this exact combination before. 00:24:14: No matter how high he flies, 00:24:17: his bandmates are always there 00:24:18: to catch him and guide him back to earth. 00:25:12: Their first hit of fame is sudden and intense. 00:25:17: - I even like them more than The Beatles! 00:25:19: - The Doors, they are so much better! 00:25:26: - Do you think you're a political group? 00:25:28: - We're, um... 00:25:30: Foremost, we're, um... Musicians and writers. 00:25:38: - No, you can't take a lit cigarette. Sorry. 00:25:41: - I'll see how I feel after a beer. 00:25:43: - You want people to like you? 00:25:45: - Well, I'd like them to listen. 00:25:48: I'd like them to... Give the music a chance, and... 00:25:58: Just to listen. 00:26:05: - The music can't help 00:26:07: but reflecting things that are happening around you. 00:26:12: - I think for your own sake, 00:26:13: while all the police are out there containing the kids, 00:26:15: you ought to get in the car and split. I really do. 00:26:19: Unless he wants to get... 00:26:21: Yeah, I mean, it's up to him. 00:26:25: It's up to him, unless he wants to... 00:26:28: Have them grab at his body. 00:26:32: - If he doesn't want it, I'll take it. 00:26:35: - And Bill and Todd will take the leftovers. 00:26:44: - Aloha! 00:26:57: - I've noticed that when people are joking, 00:27:00: they're usually dead serious. 00:27:02: And when they're dead serious, it's usually pretty funny. 00:27:05: - You should say that at a concert. 00:27:08: - Is your band like The Monkees? 00:27:11: - The Monkees? 00:27:12: - I said like The Monkees. 00:27:19: - All of our music is really so 00:27:22: symbolic rather than direct to the point, you know... 00:27:28: - Everybody's always talking about 00:27:31: rock and roll and jazz finally blending, you know... 00:27:38: And I don't think that can really happen, but... 00:27:41: If it's supposed to, I think we're it. 00:27:47: - OK, this time, can you look to me, please? 00:27:51: - I want to touch The Doors! 00:27:54: - Hey, quit knocking on the door. Hey! 00:27:57: - Can you get Jim out? 00:27:59: Come on, just take one picture. 00:28:01: - We paid to be here! 00:28:04: Most of the attention goes to Jim. 00:28:07: If it bothers Robby, Ray or John, 00:28:10: they don't outwardly show it. 00:28:13: But Jim relishes the attention. 00:28:18: He seems to have been born instantly ready for fame. 00:28:29: Everything he does seems either brilliant 00:28:32: or brilliantly calculated for effect. 00:28:37: - I think, you know, these days, 00:28:41: especially in The States, you have to be 00:28:46: a politician or an assassin 00:28:48: or something to really be a superstar. 00:28:54: Without a personal manager or publicist, 00:28:56: Jim takes control of his own image. 00:28:59: He picks out all his clothes, 00:29:01: from the conch belts to the leather pants 00:29:03: seemingly designed to accentuate his crotch. 00:29:14: - Hi! Hi, Jim! 00:29:18: - We're gotta go to the... dressing room, right? 00:29:22: - All right, man. 00:29:23: - OK, we're going to go to the dressing room now. 00:29:28: - Wait a while, don't get out yet. 00:29:31: He understood exactly how to make it all work for him, 00:29:34: and perhaps to protect himself, 00:29:36: he made it seem like he couldn't care less. 00:29:46: In 1968, The Who opened for The Doors at The Singer Bowl on Long Island. 00:29:51: - Don't go in, we need you. 00:30:11: - How much are these? 00:30:12: - $ 1. 00:30:14: - Can I look at it first to see what I want? 00:30:20: I've got one. 00:30:24: How much are those? 00:30:26: - $ 1. - $ 1? 00:30:28: It's hard to tell if he's simply mingling with his fans 00:30:31: or if he's drawing something crucial from them, 00:30:34: as if he needs their attention to survive. 00:30:38: - Make sure that The Doors know 00:30:41: that New York collectively welcomes them at The Singer Bowl. 00:30:45: The Doors! The Doors! 00:30:58: The Singer Bowl crowd is already worked up. 00:31:01: Morrison stokes them further. 00:31:03: No One Here Gets Out Alive Now. 00:31:08: You Get Yours, Mama, I'll Get Mine. 00:31:14: Gonna Make It, Baby... Come On! 00:31:18: Someone throws a chair. 00:31:29: - Everybody feel all right? 00:31:34: - The show is over, kids, so go on home. 00:31:37: Yes, please, go home. 00:31:45: - Give him a hand and help him if she's too heavy. Stay where you are. 00:31:50: - No, she's...She was just an innocent bystander. 00:31:54: - That became a victim. 00:31:55: - And someone whacked her with a chair. 00:31:56: - Why'd they whack her with a chair? - I don't know. 00:31:59: - Are you sure it was a chair? - I don't know what it was. 00:32:01: Someone hit me, I fell, and I wound up here. 00:32:03: - Where did they get a chair? There weren't any chairs. 00:32:04: - I don't know. 00:32:07: Earlier in the concert, Jeff Silverman is taking pictures in the front row. 00:32:12: He sees Jim look directly at a young girl and grab his crotch. 00:32:17: Her boyfriend picks up a chair. 00:32:19: According to Silverman, it was the first chair to be thrown. 00:32:23: - It's already coagulating. I think you're going to be OK. 00:32:30: I am The Lizard King! I can do anything! 00:32:42: Morrison's poem, The Celebration Of The Lizard, 00:32:45: was to take up one whole side of The Doors' next album, 00:32:49: but Paul Rothchild chooses not to include it. 00:32:54: Jim's behavior is becoming unpredictable, 00:32:57: and Rothchild is under pressure to get another record out 00:32:59: while the band is hot. 00:33:02: He fills out the side with unused songs from their first album. 00:33:08: Despite the raw intensity of new songs like Five To One and Unknown Soldier 00:33:14: critics dismiss the record. 00:33:18: But fans judge it differently. 00:33:20: Both the album and Morrison's Hello, I Love You hit number one. 00:33:40: - Something like that. 00:33:41: - Don't overblow, Jim. You got a long way to go. 00:33:45: - Why not? 00:33:49: In 1968, The Doors begin recording The Soft Parade. 00:33:56: Paul Rothchild produces, with Bruce Botnick as his engineer. 00:34:03: Jim has begun coming into the studio drunk or high. 00:34:09: Robby writes half the songs on Soft Parade, 00:34:12: and for the first time he and Jim separate their writing credits. 00:34:22: - Well, you know what Robby's trying to do, that sound. 00:34:24: - Yeah, I know that. 00:34:28: - Stupidest ending I've ever heard on any song. 00:34:30: - What's stupid, the ending? 00:34:31: - Yeah. Yeah, just... 00:34:36: - How's that again? 00:34:37: - Robby does two, John one, I do two, and then you come in. 00:34:46: - That sounds good, Robby. Here we go. One time, everybody, please. 00:35:08: Wild Child Full Of Grace, 00:35:13: Saver Of The Human Race 00:35:19: Your Cool Face... 00:35:35: Natural Child, Terrible Child 00:35:41: Not Your Mother's Or YourNFather's Child, You're 00:35:46: Our Child Screaming Wild... 00:36:29: Do you know the warm progress under the stars? 00:36:32: Do you know we exist? 00:36:34: Have you forgotten the keys to the kingdom? 00:36:37: Have you been born yet, and are you alive? 00:36:55: The youth movement keeps growing. 00:37:02: - So like I was telling you, honey, 00:37:03: before these cameramen came along, 00:37:06: death in our time... 00:37:11: - Yes, yes? 00:37:12: - Oh, man, I don't know. 00:37:16: And by 1968, the country was radically changed. 00:37:22: - And I pledge, if you give me your help, 00:37:24: if you give me your hand, 00:37:26: that I will work with you, 00:37:27: and we will have a new America! 00:37:29: Thank you very much! 00:37:35: Ray originally thought LSD was the key to enlightenment. 00:37:41: But a series of bad trips sends him in a different direction. 00:37:48: He turned to meditation, along with Robby and John, 00:37:52: attempting to find his bliss elsewhere. 00:37:57: Morrison keeps tripping for a while... 00:38:15: When The Music's Over. 00:38:22: When The Music's Over, Yeah-Yeah. 00:38:31: When The Music's Over, 00:38:34: Turn Out The Light, 00:38:38: Turn Out The Light... 00:38:44: Well, The Music Is Your Special Friend. 00:38:49: Dance On Fire As It Intends. 00:38:54: Music Is Your Only Friend 00:39:02: Until The End, 00:39:11: Until The... End! 00:40:03: Jim still has doubts about his voice. 00:40:06: He's had no musicial training and he can't read a note. 00:40:11: Sinatra has replaced Elvis as his favorite singer. 00:40:14: He describes his own voice as a scream or "a sick croon". 00:40:18: Cancel My Subscription To The Resurrection, 00:40:28: Send My Credentials To The House Of Detention. 00:40:36: I've Got Some Friends Inside... 00:40:38: Morrison takes a hard turn from psychedelics to booze. 00:40:44: Soft Parade takes 11 months to record. 00:40:49: This is partly due to Rothchild's insistence on perfection. 00:40:53: He makes the band do hundreds of takes. 00:41:03: But no one talks about the elephant in the room. 00:41:11: Densmore develops headaches and breaks out in rashes from the tension. 00:41:19: One day, John walks out of the studio, saying he can't take it anymore. 00:41:26: The next morning, he shows up, 00:41:28: and the band continues recording without a word. 00:41:32: Gonna Win, Yeah, We're Takin' Over. Come On! 00:41:39: Sometimes the drinking helps Morrison. 00:41:47: Sometimes it doesn't. 00:41:54: The band becomes adept at keeping him alive onstage. 00:42:16: His first onstage arrest had come early, in New Haven, Connecticut. 00:42:22: Before the concert, Jim is making out with a girl in a shower stall backstage. 00:42:27: A cop walks in on them. 00:42:29: Not recognizing Jim, he orders them out. 00:42:33: Jim tells him to go fuck himself. 00:42:35: The cop maces him. 00:42:39: Minutes before the show, Jim is in agony. 00:42:42: His eyes are still bloodshot and streaming with tears. 00:42:46: In the middle of the first song, 00:42:48: he stops and tells the audience what's just happened to him. 00:42:56: Jim keeps calling the cop 00:42:57: "A little blue man in a little blue suit with a little blue cap". 00:43:05: When the police move in, 00:43:06: Jim offers them a chance to "say their thing". 00:43:10: They choose not to. 00:43:14: Jim is arrested for breach of peace and immoral exhibition. 00:43:20: Two cops punch him in the face and kick him when he falls. 00:43:26: This starts the reputation of The Doors as a dirty and dangerous band. 00:43:37: It also marks a change between The Doors and their audience. 00:43:41: They're coming now to watch Morrison go crazy. 00:43:48: There is a growing sense 00:43:49: that the fans are not there to hear the music, 00:43:53: but to witness a spectacle. 00:44:00: It is becoming harder and harder 00:44:02: to distinguish between himself and the person who appears onstage. 00:44:10: But the train keeps picking up speed, and no one wants off. 00:44:19: In April 1968, The Village Voice chooses Morrison as vocalist of the year. 00:44:26: The Doors win best band, 00:44:28: and Ray Manzarek is best musician after Eric Clapton and Ravi Shankar. 00:44:33: The Soft Parade goes gold, making 4 gold albums in a row. 00:44:39: Touch Me, written by Krieger, 00:44:40: gives the band their third top-10 single. 00:44:44: Come On, Come On, Come On, Come On, Now, 00:44:46: Touch Me, Baby. 00:44:48: Can't You See That I Am Not Afraid? 00:44:54: What Was That Promise That You Made? 00:44:58: Why Won't You Tell Me What She Said? 00:45:02: What Was That Promise That You Made? 00:45:07: I'm Gonna Love You Till The Heaven Stop The Rain. 00:45:16: I'm Gonna Love You Till The Stars Fall From The Sky... 00:45:24: By late December 1968 00:45:26: The Doors are being hailed as America's Rolling Stones. 00:45:34: And just at that moment, Jim announces he's quitting. 00:45:42: The band is stunned. 00:45:45: Without Jim, there is no Doors. 00:45:50: - We need you to stay in the game. 00:45:53: - Well, the thing is, I don't think I like the game. 00:46:16: His girlfriend, Pam Courson, 00:46:18: encourages him to forget music and concentrate on his poetry. 00:46:23: Jim's already self-published two notebooks of his poems, 00:46:26: both dedicated to her. 00:46:29: His poetry is symbolic and pure. 00:46:34: It frees him from the requirements of rock stardom. 00:46:38: - Yeah, posing for a picture, can you imagine? 00:46:40: You know, and really looking in the camera and really posing? 00:46:45: It's insane! I must have been out of my mind! 00:46:49: But getting out is not as easy as it seems. 00:46:56: Ray convinces him to give it 6 more months. 00:47:02: But as his drinking increases, 00:47:04: Ray sees it give birth to Morrison's alter ego, 00:47:07: whom he names Jimbo. 00:47:10: Everyone dreads his appearance. 00:47:14: Out of concern for his health and the future of the band, 00:47:18: they finally confront him directly. 00:47:22: Jim listens politely. 00:47:26: He stays sober for about a week. 00:47:31: Then Jimbo returns. 00:48:06: The band hires a series of professional drinkers 00:48:09: to keep tabs on Morrison. 00:48:11: They can't keep up with him. 00:48:13: - You got any groovy possy in this joint? 00:48:16: Any LSD? Any LSD? 00:48:17: At a party in LA, he ends up with his face in Janis Joplin's lap. 00:48:22: She breaks down in tears, and then cracks a whiskey bottle over his head. 00:48:28: Pam gets tired of Jim's drunken infidelities. 00:48:33: She convinces him to see a psychiatrist. 00:48:36: Jim goes to one session. 00:48:40: He's moving further away from his family. 00:48:44: When his mother comes to watch The Doors in Washington, DC, 00:48:48: Jim does not see her. 00:48:51: He hasn't spoken to his father since 1966, 00:48:54: when he got a letter from him 00:48:56: with the advice "to give up any idea of singing 00:48:59: or any connection with a musical group 00:49:01: because of what I consider a complete lack of talent in this direction". 00:49:08: At the height of his son's fame, 00:49:10: Admiral Morrison is commanding 00:49:11: a division of aircraft carriers off the coast of Vietnam. 00:49:19: In his world, survival depends on obedience. 00:49:27: To Jim, obedience is suicide. 00:49:32: - Would anybody like to see my genitals? 00:49:37: I don't think there should be a president, man. 00:49:39: I think it should be a total democracy! 00:49:42: But I'll tell you this, man, I'll tell you this. 00:49:46: I don't know what's going to happen, man, 00:49:48: but I want to have my kicks before the whole shit house goes up in flames. 00:49:52: All Right? All Right! 00:49:57: In September 1968, The Doors tour Europe. 00:50:10: They're a big hit, even after Jim swallows a chunk of hash in Amsterdam 00:50:15: and collapses unconscious on stage. 00:50:19: The band plays the gig without him, with Ray doing all the singing. 00:50:27: Afterwards, Jim stays in London with Pam, 00:50:30: hanging out with poet Michael McClure. 00:50:34: The three of them go off on a drinking binge. 00:50:39: When Jim resurfaces, 00:50:41: he discovers The Doors have licensed Light My Fire 00:50:44: for use in a car commercial. 00:50:50: Robby, Ray and John explain they've tried to find him for days. 00:50:54: They thought the commercial was unique and felt Jim would agree. 00:50:59: But Jim does not agree. 00:51:00: The car commercial and $ 75,000 evaporate. 00:51:07: The alcohol takes a personal toll. 00:51:10: In the beginning, as Ray pulls the band together, 00:51:12: he and Jim are very close. 00:51:16: Jim had always welcomed Robby, 00:51:18: offering advice like giving each lyric a double meaning. 00:51:26: His drinking drives a wedge between them. 00:51:34: John and Jim used to drive around, 00:51:35: fantasizing about being in a famous rock and roll band. 00:51:40: The alcohol pushes them apart as well. 00:51:45: They all see Jim struggle, but have no idea how to help him. 00:51:53: And now, The Doors start playing larger arenas. 00:51:56: The first is The Hollywood Bowl in 1968. 00:52:01: Jim seems a little off. 00:52:05: John thinks he's dropped acid right before the show. 00:52:11: Robby feels Jim was distracted by Mick Jagger 00:52:14: sitting in the front row with Pam on his lap. 00:52:20: They sell out Madison Square Garden and The LA Forum, 00:52:24: and in early 1969, their manager, Bill Siddons, 00:52:27: books their first extensive US tour. 00:52:31: They'll hit 19 cities. 00:52:34: Their first gig is in Miami. 00:52:41: The band arrives early, minus Morrison. 00:52:45: He's had a fight with Pam and missed his plane. 00:52:49: He misses another flight hanging out in the airport bar 00:52:52: and shows up 20 minutes late. 00:52:54: - Ladies and gentlemen, The Doors! 00:52:57: The mood inside the converted airplane hangar is already tense. 00:53:01: The promoter has pulled out all the seats so he could sell another 2000 tickets. 00:53:08: As the band takes the stage, Jim seems preoccupied. 00:53:13: The week before, The Living Theatre had performed in Los Angeles. 00:53:17: Their manifesto is radically political - 00:53:20: change can only come from a rejection of all rules. 00:53:25: Jim goes to every performance. 00:53:28: He once called The Doors "erotic politicians", 00:53:32: but he confesses to the group's director 00:53:35: that though he has the ear of a generation, 00:53:38: he feels he's never had anything to say. 00:53:42: He chooses this moment to change that. 00:53:45: Yeah! Now listen here! 00:53:49: I ain't talking about no revolution! 00:53:55: And I'm not talking about no demonstration! 00:54:02: I'm talking about having a good time! 00:54:05: I'm talking about love, love, love, love, love, love, love, love. 00:54:14: Grab your fucking friend and love him. Come on! 00:54:21: Hey, listen, I'm lonely. 00:54:24: I need some love, you all. Come on! 00:54:30: I need some good-time loving, sweetheart. 00:54:35: Love me. Come on! 00:54:37: Someone throws a gallon of orange paint at the band. 00:54:40: You're All A Bunch Of Fucking Idiots! 00:54:47: You're All A Bunch Of Slaves, 00:54:50: Letting People Tell You What You're Gonna Do! 00:54:55: How Long Are You Gonna Let Them Push You Around? 00:54:59: Maybe You Love It! 00:55:00: Maybe You Love Getting Your Face Stuck In The Shit! Come On! 00:55:05: What Are You Gonna Do About It? 00:55:09: There's a rush at the stage. 00:55:14: Now, Listen, 00:55:15: Anybody That Wants To Come Up Here And Join Us 00:55:18: And Do Some Dancing, Have Some Fun, Just Get On Up Here. Come On! 00:55:20: A friend of Jim's walks out and hands him a lamb. 00:55:24: I'd Fuck Her, But She's Too Young. 00:55:28: A woman pours a bottle of champagne over Morrison. 00:55:32: He takes off his wet shirt, urging everyone to join him. 00:55:36: Shirts, pants, bras and underwear sail through the air. 00:55:41: But there's only one song they wanna hear. 00:55:44: - Light My Fire! Light My Fire! 00:55:49: Morrison gets angry. 00:55:50: "You Came To See Something Else, Didn't You?" 00:55:54: "All Right, Here's My Cock!". 00:55:57: Now, we're not going to leave until we all get our rocks off. 00:56:01: Ray yells out for someone to stop him. 00:56:03: - Go on, someone's going to get hurt. 00:56:06: The stage starts to collapse. 00:56:11: Robby and John jump off. 00:56:14: Manzarek keeps playing. 00:56:19: Jim is thrown into the audience by a security guard. 00:56:30: Less than an hour after it started, the concert is over. 00:56:35: The Doors play fragments of only 4 songs. 00:56:46: The next day, the entire band flies to Jamaica for a vacation. 00:56:51: Unknown to them, something strange is happening back in Miami. 00:56:58: - The Doors are out to make their own scene. 00:57:02: It was a bad scene, and... 00:57:04: Like I say, it was completely unwarranted, 00:57:06: uncalled for, on all parts. 00:57:08: It didn't seem like actual entertainment 00:57:10: that we've expected to see. 00:57:12: Seemed like very many people were under the influence of drugs. 00:57:16: We have to do something about this. This is real disgusting. 00:57:19: My children, when I grow up and I have children, 00:57:21: do I want them in an environment like this? 00:57:24: I mean, is this progress, or are we decaying in a way? 00:57:28: We have taken out two warrants for Jim Morrison. 00:57:32: One of them is for indecent exposure. 00:57:36: The other is for the use of obscene languages 00:57:39: during his performance at Dinner Key Saturday night. 00:57:43: We have been delayed on issuing these warrants 00:57:45: because we were waiting, hoping to get pictures 00:57:48: that were taken during the performance. 00:57:51: Jim's hit with one felony and three misdemeanors, 00:57:54: but it's the felony charge that is the most disturbing. 00:57:58: It claims that Jim did lewdly and lasciviously 00:58:00: "expose his penis, place his hands upon his penis and shake it, 00:58:05: and did simulate the acts of masturbation upon himself 00:58:08: and oral copulation upon another". 00:58:11: Although many pictures were taken during the concert, 00:58:13: none show Morrison exposing himself. 00:58:16: But for proof of oral copulation, 00:58:19: the prosecution offers this photo as evidence. 00:58:24: The charges take The Doors by surprise. 00:58:28: Over a hundred cops had been at the concert. 00:58:31: None had attempted to stop Morrison. 00:58:34: To John, the only thing they were guilty of was a lousy show. 00:58:38: - I especially thank my fellow citizens who join me... 00:58:43: But a wave of conservatism is sweeping the country. 00:58:45: - For over five months, our community has been subjected... 00:58:48: Decency rallies are held, specifically targeting The Doors. 00:58:52: - The people of Dade County have said "Enough, enough, enough!". 00:58:58: Even the rock and roll press turns against them. 00:59:00: ...to break its contract and cancel two concerts of The Doors. 00:59:05: Radio stations stop playing The Doors' music. 00:59:08: ...performances would be obnoxious. 00:59:10: And one by one, every remaining city 00:59:13: on The Doors' first major tour gets canceled. 00:59:19: Finally, on April 4 of 1969 Jim Morrison surrenders to the FBI. 00:59:28: The trial starts in August. 00:59:30: Ray, Robby and John testify in Jim's defense. 00:59:33: All of them deny seeing Jim expose himself. 00:59:37: - Jim, you're facing 3 1/2 years in state prison for the Miami incident. 00:59:41: The scope of this trial goes way beyond rock and roll. 00:59:44: It's really about the first amendment. 00:59:46: - What we're testing down there is the... 00:59:49: Issue of artistic freedom of expression. 00:59:53: But the prosecutor, Terrence McWilliams, seems preoccupied with sex. 00:59:58: He keeps returning to the oral copulation charge. 01:00:01: Jim explains he was down on his knees 01:00:03: simply to admire Robby's intricate finger work. 01:00:08: McWilliams scoffs, saying Jim must have seen Robby 01:00:11: perform this solo hundreds of times. 01:00:14: Jim replies, "Well, Robby gets better and better all the time". 01:00:19: Although a comedy of errors, trial is no joke. 01:00:24: On October 30 of 1969, 01:00:27: Morrison is found guilty of profanity and indecent exposure. 01:00:31: - Jim, you have anything to say? 01:00:42: Judge Murray Goodman sentences Jim 01:00:44: to four months of hard labor in the Dade county jail. 01:00:50: The Doors' attorney quickly files an appeal, 01:00:53: but the uncertainty of its outcome 01:00:55: throws The Doors into an uneasy state of limbo. 01:00:59: Morrison takes it the hardest. 01:01:05: It's more than just fear of spending time in a deep-southern jail. 01:01:09: It's as if he's suddenly realized he's not invincible. 01:02:05: Like Morrison, the country's innocence is being tested as well. 01:02:11: A spasm of violence ripples throughout the decade, 01:02:15: and it continues to be reflected in The Doors' music. 01:02:21: Morrison believes violence is an American tradition. 01:02:25: Its citizens are addicted to it and enchanted by it. 01:02:34: The Doors had passed on Woodstock, 01:02:36: so in 1970, while still waiting on their Miami appeal, 01:02:40: they fly to a small island off the coast of England. 01:02:44: The concert at The Isle of Wight 01:02:46: is intended to be a fusion of spirit 01:02:48: and the world's best rock musicians, 01:02:51: but fans feel the concert should be free. 01:02:55: Police and promoters disagree. 01:03:13: This Is The End, Beautiful Friend. 01:03:22: This Is The End, My Only Friend. 01:03:32: Of Our Elaborate Plans, 01:03:39: Of Everything That Stands. 01:03:53: I'll ever Look Into YourNEyes Again. 01:04:09: Can You Picture What We'll Be? 01:04:14: So Limitless And Free, 01:04:20: Desperately In Need 01:04:23: For Some Stranger's Hand 01:04:28: In A Desperate Land. 01:04:40: My thanks to all of you, 01:04:41: and now it's on to Chicago, 01:04:42: and let's win there! Thank you! 01:05:06: Come Ride With Me 01:05:11: cross The Sea 01:05:16: Endlessly. 01:05:39: Woke Up This Morning, Got The Crossroads On My Mind. 01:05:47: Well, I Woke Up This Morning, Got The Crossroads On My Mind. 01:05:56: Take A Walk With Me, Everything Will Work Out Fine. 01:06:03: Well, I Woke Up This Morning, Got The H-Bomb On My Mind. 01:06:12: Take A Walk With Me And Everything Will Be All Right. 01:06:16: All Right! Ride That Train! Yeah! 01:07:22: By late 1970, the dream that had stirred an entire generation officially ends. 01:07:33: Charles Manson's use of LSD 01:07:35: had not led him to enlightenment, 01:07:38: but into madness. 01:07:41: And a new president removes all hope for change. 01:07:48: Jim's deeply affected by the deaths of Hendrix and Joplin. 01:07:52: He jokes to friends: "They're looking at number three". 01:07:58: Michael McClure helps change his mood. 01:08:00: With his support, 01:08:02: Simon and Schuster publishes the first collection of Jim's poems. 01:08:07: The book becomes one of Morrison's proudest accomplishments. 01:08:13: "Nothing", he says, "is as eternal as poetry and song". 01:08:28: As the country enters the new decade, The Doors start over. 01:08:34: Morrison Hotel had been another step away from the mainstream. 01:08:38: It took them back to their roots - the blues. 01:08:45: It went gold in 2 days. 01:08:49: Despite the disaster of Miami, 01:08:51: Jack Holzman encourages them to make another album. 01:08:55: But some things stay the same. 01:08:58: Jim shows up late and drunk, only now, he's added cocaine to the mix. 01:09:05: The band is alternately bored and furious at Jim. 01:09:10: Rothchild falls asleep at the console. 01:09:14: He tries to motivate the band by accusing them of playing cocktail music. 01:09:21: Rothchild finally realizes it's time for him to leave. 01:09:26: His parting words to The Doors, 01:09:28: "The only way you'll survive is if you make this record yourselves". 01:09:35: Shocked by his departure, The Doors turn to Bruce Botnick. 01:09:40: Botnick urges the band to just play. 01:09:50: To John, it's like they're back in the garage, 01:09:53: back to the four of them just playing music. 01:10:03: It's John's idea to slow down the middle of LA Woman. 01:10:07: Jim comes up with a phrase he wants to repeat over and over. 01:10:11: After they record it, Jim scribbles something on a piece of paper 01:10:15: and shows it to the group. 01:10:16: Mr. Mojo Risin' 01:11:09: They record quickly, doing several songs a day. 01:11:13: To help keep Morrison interested, 01:11:15: Botnick brings in Jerry Scheff, Elvis' bass player. 01:11:20: The band wants Love Her Madly to be the first single, 01:11:23: but Robby resists, calling his own song too commercial for The Doors. 01:11:30: His choice is Riders On The Storm. 01:11:45: Riders On The Storm. 01:11:54: Into This House We're Born, 01:11:58: Into This World We're Thrown. 01:12:03: Like A Dog Without A Bone, An Actor Out On Loan. 01:12:08: Riders On The Storm. 01:12:12: There's A Killer On The Road, 01:12:16: His Brain Is Squirming Like A Toad. 01:12:22: Take A Long Holiday, 01:12:27: Let Your Children Play. 01:12:31: If You Give This Man A Ride, 01:12:33: Sweet Memory Will Die. 01:12:36: Killer On The Road. 01:13:24: It takes just over a week to record the entire album. 01:13:29: Once again, all songs are credited to The Doors. 01:13:36: On December 8, 1970, 01:13:38: Jim Morrison celebrates his birthday by recording his own poetry. 01:13:43: - He Was No Private, For He Could Not Be Sold. 01:13:47: He Was Only A Man, 01:13:49: And His Dedication Extended To The Last Degree. 01:13:52: Poor, Pretentious Soldier, Come Home. 01:13:58: He's 27. 01:14:00: Friends can't believe the change in only 2 years. 01:14:06: The poetry session snaps him out of a depression, 01:14:08: and he agrees to perform live with The Doors again. 01:14:13: On December 12th, they play New Orleans, introducing the new songs from LA Woman. 01:14:19: For a moment, the old Morrison appears. 01:14:23: Then he sits down on stage and doesn't get up. 01:14:29: It is here Ray says he sees all of Jim's psychic energy leave his body. 01:14:44: A few days later, Pam Courson returns to LA from a vacation in Paris. 01:14:49: She discovers Jim sleeping with a woman 01:14:51: who claims they were married in a pagan witch ceremony. 01:14:56: But the witch flies back to New York, and Jim goes back to Pam. 01:15:03: She still envisions a life for the two of them 01:15:05: that starts with Jim leaving The Doors. 01:15:11: He'll stay home and write poetry 01:15:12: while she runs an exclusive clothing boutique. 01:15:17: Just after the band finishes mixing LA Woman, 01:15:20: Jim announces he and Pam are moving to Paris. 01:15:25: He'll relax for a while. 01:15:27: He'll quit drinking. 01:15:29: He'll concentrate on his poetry. 01:15:33: Ray asks when he's coming back. 01:15:36: Jim just shrugs. 01:15:40: On April 17, 1971, 01:15:42: with the Miami conviction still hanging over him, 01:15:45: Jim flies to Paris. 01:16:06: For a while, things go according to plan. 01:16:11: Jim does concentrate on his poetry. 01:16:15: He shaves his beard. 01:16:18: He wanders the streets alone, 01:16:20: visiting the cemetery at Pere Lachaise, 01:16:22: where Chopin, Oscar Wilde and Edith Piaf are buried. 01:16:28: He develops a persistent cough. 01:16:33: Back home, Elektra releases LA Woman. 01:16:36: Critics call it "The Doors' comeback album". 01:16:42: When his cough worsens, Pam takes him to the doctor, 01:16:46: who strongly urges Morrison to quit drinking. 01:16:52: As he roams the city, 01:16:54: he carries his notebooks in a white plastic shopping bag. 01:16:57: They're filled with fragments of song lyrics and poetry. 01:17:04: But the solitude of the writing 01:17:06: offers little of the kick he knows so well. 01:17:15: One day, Jim makes a phone call home. 01:17:19: John Densmore is surprised to hear from him. 01:17:23: Jim says he's thinking of coming home to make another album with The Doors, 01:17:29: but John can tell his voice is slurred. 01:17:33: And one night, after hours of heavy drinking, 01:17:37: Jim says he doesn't feel well. 01:17:41: He takes a bath. 01:17:43: After calling out to Pam, "Are you still there?", 01:17:47: he dies in the bathtub. 01:18:07: Before You Slip Into Unconsciousness, I'd 01:18:16: Like To Have Another Kiss, 01:18:21: Another Flashing Chance At Bliss, 01:18:30: Another Kiss. 01:18:45: The Days Are Bright And Filled With Pain, 01:18:51: Enclose Me In Your Gentle Rain. 01:18:56: The Time You Ran Was Too Insane. 01:19:05: We'll Meet Again. 01:19:19: The Vietnam war finally ends. 01:19:22: The youth movement fades away, not to reappear. 01:19:27: But that flash of protest, however brief, was real. 01:19:32: It forged the consciousness of a whole generation. 01:19:36: Oh, Tell Me Where Your Freedom Lies. 01:19:41: The Streets Are Fields That Never Dies, 01:19:47: Deliver Me From Reasons Why You'd Rather Cry, 01:19:58: I'd Rather Fly. 01:20:05: To some, Jim was a poet, 01:20:08: his soul trapped between heaven and hell. 01:20:13: To others, he was just another rock star who crashed and burned. 01:20:18: But this much is true - you can't burn out if you're not on fire. 01:20:26: The Crystal Ship Is Being Filled, 01:20:31: A Thousand Girls, A Thousand Thrills... 01:20:36: He would take his father another 10 years to say, 01:20:40: "My son had a unique genius which he expressed without compromise". 01:20:45: When We Get Back, I'll Drop A Line... 01:20:58: The Doors were together for 54 months. 01:21:01: They've sold over 80 million albums worldwide. 01:21:06: They still sell a million albums a year. 01:21:09: As of this date, none of their songs has been used in a car commercial... 01:25:11: These subtitles have been combined, revised and translated to Russian 01:25:15:Odwied� www.NAPISY.info 01:25:19www.YourLiveCinema.TV - to Twoje internetowe|kino na �ywo. 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