Original subtitles

- [GUN COCKS] - Morgan Jones?

How do you know that name?

Victor told us all about you.

Victor's alive?

I gave up my family to put this guy away.

I'm not about to let him succeed now.

Recognize this voice, Teddy? Give you a hint.

Last time you heard it, you were in a Denton County courthouse

listening to my testimony against you.

Couldn't kill me then, and you sure as shit aren't gonna do it now.

- [GUN COCKS] - Step away from the girl, Teddy.

Not fixin' to hurt ya.

[RUMBLING]

♪ ♪

Aah!

[STATIC]

[DISHES CLINKING]

[INHALES DEEPLY]

[THE MAMAS AND THE PAPAS' "CALIFORNIA DREAMIN'" PLAYS]

♪ ♪

♪ All the leaves are brown ♪

♪ All the leaves are brown ♪

♪ And the sky is gray ♪

♪ And the sky is gray ♪

♪ I've been for a walk ♪

♪ I've been for a walk ♪

♪ On a winter's day ♪

♪ On a winter's day ♪

♪ I'd be safe and warm ♪

♪ I'd be safe and warm ♪

♪ If I was in LA ♪

♪ If I was in LA ♪

- ♪ California dreamin' ♪ - Anybody out there?

- ♪ California dreamin' ♪ - Anyone at all?

♪ On such a winter's day ♪

♪ Stopped into a church ♪

♪ I passed along the way ♪

♪ Well, I got down on my knees ♪

- ♪ Got down on my knees ♪ - Okay.

♪ And I pretend to pray ♪

- ♪ I pretend to pray ♪ - Another one off the board.

♪ You know the preacher likes the cold ♪

♪ Preacher likes the cold ♪

- ♪ He knows I'm gonna stay ♪ - Good night, John.

- ♪ Knows I'm gonna stay ♪ - Night, June.

♪ California dreamin' ♪

♪ California dreamin' ♪

♪ On such a winter's day ♪

♪ ♪

It's us again.

John Francis Dorie V

and my daughter-in-law, June Dorie.

The two folks 6 feet under.

Very much alive, though.

Plenty of food.

I don't have a right ascension or descension,

but we can't be too many klicks off the Galveston coast.

How about I take a deep breath before I spin?

Put me out of my misery.

[CHUCKLES] No mercy.

♪ ♪

- Good night, John. - Night, June.

♪ All the leaves are brown ♪

♪ All the leaves are brown ♪

♪ And the sky is gray ♪

♪ And the sky is gray ♪

♪ I've been for a walk ♪

♪ I've been for a walk ♪

♪ On a winter's day ♪

♪ On a winter's day ♪

♪ If I didn't tell her ♪

Leave this here radio on during daylight.

♪ I could leave today ♪

At least what we think is daylight.

So, if anybody's out there, just...

you give us a holler.

♪ California dreamin' ♪

♪ On such a winter's day ♪

♪ California dreamin' ♪

'Cause it's not too late.

It's never too late.

♪ ♪

Another one off the board.

Good night, John.

Night, June.

[CREAKING]

[THUMPING]

[DISHES CLATTERING]

[BOTTLES CLINKING]

[CLATTERING]

- June! - John! Are you okay?

[ELECTRICITY BUZZING]

Yeah.

What is that?

Do you see anything?

It's another room.

What?

♪ ♪

[GATE CREAKS]

♪ ♪

♪ ♪

♪ ♪

♪ ♪

♪ ♪

John...

- I know. - What is this place?

Teddy.

This is where he killed all those women.

♪ ♪

It's where it all started.

We...

We could never find it.

It was under our feet the whole time.

He's gone, John.

He can't do this to anyone ever again.

♪ ♪

So let's just seal this room up

and pretend it doesn't exist.

♪ ♪

It's not too late.

It's never too late.

♪ ♪

♪ ♪

- Synced and corrected by Firefly - - www.addic7ed.com -

[ELECTRICITY CRACKLES]

We should close it up.

No.

I think I'm gonna leave it open for a little while.

- John... - I have questions.

Had 'em close to 40 years.

The answers might be in here.

Theodore Maddox killed 23 women.

At least that's how many he confessed to.

Yeah, you don't have to relive it all for me.

No way I can forget it, June.

The women... he did the same thing to them

that he was doing after he escaped prison.

Embalming 'em so they'd never have

what he called a new beginning.

Problem is, we could never find the place

where he was doing the embalming.

Which is why he was able to continue as long as he did.

You still stopped him.

Only for a spell.

He still got what he wanted, June.

John, I don't think going over all this

is going to help anyone.

- It might. - What do you mean?

I didn't find 'em all.

Find what?

I said we knew he killed 23 women,

but we only found 22 bodies.

His last victim, Cindy Hawkins,

the one whose purse I planted,

he finally admitted he killed her.

It's what cracked the whole thing open.

But I never found her body.

I looked that girl's mama square in the eye,

and I promised her I'd help her bury her baby,

promised her I'd help give her the ending she deserved.

But I was never able to.

You tried. That's what counts.

I made a promise I couldn't keep back then.

But maybe I can now.

Maybe something in here will help me find where she is.

John, even if you figure it out,

you can't leave here.

[CREAKING, RUMBLING]

We may not have a choice.

How are those suits coming?

Still trying to make them airtight.

If we ever go up there,

we can't risk breathing in any particles.

How long till you think they'll be done?

It's not just the suits.

I mean, once these are done,

we need some kind of airlock...

a go-between from outside to in here

so we don't drag anything back in.

Why would we come back?

We don't know what kind of radiation is up there.

There are some types

that suits might not even protect against.

And if there are?

Well, I'm not an expert,

but from what I've read...

... it'll be a lot safer then.

Well, uh, you keep working on the suits.

I'll start shoring things up,

buy us some time in case we can't venture out.

I think I saw some twobys next door.

Mm.

I'm sorry, June.

I know I'm not the Dorie

you thought you'd be spending your days with.

I am happy to be where I am.

- I hope you feel the same. - [CHUCKLES]

You're talking to the guy

who lived on his own up there for decades.

This...

This ain't so bad.

[SIGHS]

♪ ♪

♪ ♪

John?

Have you seen the scissors?

♪ ♪

[HAMMER POUNDING]

That oughta do it.

[ELECTRICITY BUZZING]

Oh, just in time.

Lights out?

♪ ♪

[SIGHS]

Yeah.

Little late for pedaling.

Time to hit the hay.

Another one off the board.

Where's the hooch?

It all got smashed, along with all the preserves

and everything else on the shelf.

Plenty of Tang left.

That's alright.

Night, John.

Night, June.

[METAL CREAKING]

[SIGHS]

♪ ♪

[GROANS]

♪ ♪

♪ ♪

♪ ♪

[ELECTRICITY BUZZING]

♪ ♪

[LID CREAKS]

♪ ♪

[PAPER RUSTLING]

♪ ♪

♪ ♪

♪ ♪

Cindy...

I'm sorry I didn't keep my promise.

[ELECTRICITY BUZZING]

[CREAKING]

June?

[CREAKING CONTINUES]

June.

[CREAKING CONTINUES]

[CREAKING CONTINUES]

[POUNDING ON DOOR]

Is someone up there?

[MUFFLED VOICE]

WOMAN: [ECHOING] Help me!

♪ ♪

[DOOR OPENS]

[BREATHING HEAVILY]

Hello?

Anybody out there?

[BREATHING HEAVILY]

This the beginning you had in mind, Teddy?

♪ ♪

[WALKER GROWLING]

Dakota.

You poor girl.

The only one I couldn't save.

[GROWLING STOPS]

[BREATHING HEAVILY]

Help... me.

Help me.

Help me.

What's wrong?

You shouldn't be out here without protection.

Help me.

[BREATHING HEAVILY]

WOMAN: Help me.

Help me.

♪ ♪

[GASPS]

You promised.

- Cindy. - [FABRIC RIPS]

[GUNSHOT]

John, what's going on?!

You shot her!

Who?! What are you talking about?!

♪ ♪

[BREATHING HEAVILY]

- John? - [GUN CLICKS]

♪ ♪

Get inside!

♪ ♪

[DOOR CLOSES]

- Did you lock the hatch? - Think it'll hold?

You're asking the wrong man.

- Who were they? - You saw 'em longer than I did.

- Easy. Don't move. - Hey, I can get myself out.

- No, John, but I need to check. - I'm fine.

Yeah, but I am not! Alright? It's not just about you,

and it is not just about those contaminants

or whoever the hell was up there.

I need to make sure you weren't bit.

- I wasn't. - John...

- I wasn't! - But you could've been!

It's just a scratch.

What were you doing up there?

Why were you up there all by yourself?

- I heard her. She was calling me. - Who?

I know what it's gonna sound like.

Who, John?

The girl I never found.

I don't understand, John.

I know what it sounds like, but she was calling me.

I mean, I didn't know if she was the one calling me,

but I heard a voice.

So I went up,

and there she was, plain as day.

Are you sure you're okay?

Are you sure you didn't hit your head?

I know what I saw, dammit.

I put Dakota out of her torment when I was up there.

What Teddy did to the state of the state...

it ain't pretty, June.

- We shoulda stopped him. - But we didn't.

John, these decisions,

- going up there, we need to make them together. - I know.

I just...

I won't do it again.

What are you looking for?

Ah, thought a drink might take the edge off.

- I told you... we lost all the whiskey. - Are you sure?

One thing I know about Teddy... he liked to have a good time

when he wasn't causing a bad one for somebody else.

That's why he had as much as he did down here.

How did you know how much he had down here?

Can't ration without knowing.

I know, but that was my job.

John, have you been drinking without me knowing?

- Here and there. - How much?

I didn't keep track.

And before, when you were up there?

I was alone a lot, June.

John, I need you to tell me

exactly how much you were drinking up there.

Half a bottle a day?

Whatever I could find.

And down here?

A drink here and there.

It wasn't just the night caps.

I just...

I thought there was enough to get us through.

Your hands are shaking.

When was the last time you had a drink?

Day before last.

Before the ceiling collapsed.

[CLATTERING]

Think it's those masked folks?

Doesn't sound like the dead.

[SIGHS]

Picked a helluva time to go cold turkey.

You don't suppose those masked fellas are friendly.

They don't sound friendly to me.

John, this is why I didn't want you on that radio.

MAN: Enough of this.

We know you're listening.

Open that door and let us in.

This doesn't have to get ugly...

We should say something.

We know you're in there.

I'm gonna have to shore that up.

We can't just ignore them.

John, you're in no position to fight,

and it's only gonna get worse.

You think I don't know that?

[SIGHS]

[CREAKING]

- How long will it last? - DTs? Couple days.

Fever, sweats,

you may hear and see more than you did up there.

[POUNDING]

- [POUNDING CONTINUES] - [JOHN SIGHS]

[THE MAMAS AND THE PAPAS' "CALIFORNIA DREAMIN'" PLAYS]

♪ Got down on my knees ♪

♪ And I pretend to pray ♪

♪ I pretend to pray ♪

♪ You know the preacher likes the cold ♪

♪ Preacher likes the cold ♪

♪ He knows I'm gonna stay ♪

♪ Knows I'm gonna stay ♪

♪ California dreamin' ♪

♪ California dreamin' ♪

♪ On such a winter's day ♪

♪ ♪

[SWITCH CLICKS, ELECTRICITY BUZZING]

♪ ♪

[WOMAN WHIMPERS]

♪ ♪

♪ ♪

♪ ♪

John, help me, please.

♪ ♪

Hurry. He's going to come back.

You're not really here.

This isn't really now.

John, please...

♪ ♪

What do I have to do for you to leave me alone?

♪ ♪

Keep your promise.

Find me.

♪ ♪

JUNE: John?

What are you doing in here?

Couldn't sleep with the hammering.

Why are you in here?

It can't be helping.

I need something to occupy my mind.

I didn't solve it before.

Maybe I can now.

Are you still seeing things?

[CLANGING]

They're still at it.

♪ ♪

- You check the radio lately? - No.

It'll hold.

Maybe we should leave, June.

[CLANGING CONTINUES]

No one was meant to be down here.

You tore the suit.

And you saw it up there.

Getting through that fallout,

that is not going to be an easy journey,

let alone getting through them.

And in the condition you're in,

I don't think we'd make it very far,

or if we did, the radiation would kill us in days.

[CLANGING CONTINUES]

You know, a lot of people find it easier

to go through what you're going through with medication.

There are sedatives in the first-aid kit.

- Well, would it put me to sleep? - For a couple days.

- Until you're through the worst of it. - Are you sure that's smart?

I mean, what if those folks manage to pry the hatch open?

John, I know it is really hard to be down here.

It's really hard to be reminded of what he did.

That's not what this is.

Then what is this really about, John?

Why do you want to run out into a world

that's going to kill you in 10 different ways?

I know you think you saw her.

But I don't think she's the one that's not at peace, John.

I think that's you, and whatever you are seeing in here,

that's coming from you,

and you are not going to fix it by leaving.

[CREAKING]

♪ ♪

Right.

♪ ♪

There is something else that might make this easier.

What's that?

Get some sleep.

[SIGHS]

That's a tall order.

One of us should stay awake,

in case things get hairy.

[CHALK SQUEAKS]

[LANTERN CLANGING]

[JOHN SIGHS]

[BANGING]

[THE MAMAS AND THE PAPAS' "CALIFORNIA DREAMIN'" PLAYS]

♪ ♪

CINDY: You can't stay here.

♪ ♪

You're just in my head.

CINDY: Am I?

Look at what he's doing to me.

Stop. Stop!

You know how to do that.

♪ ♪

Find me.

♪ ♪

God damn it!

[BANGING CONTINUES]

[WOOD CREAKING]

John...

John.

- Don't do that! - I have to!

You're gonna bring the whole place down!

I need to get her to stop. I can do it in there.

You're not thinking straight!

The answer's in there! I find it, she'll leave me be.

Then I'll be able to think straight.

Be able to deal with them.

♪ ♪

Aah! What the hell are you doing?!

June... You...

I'm sorry, but I should have done that sooner.

You'll just...

[WOOD CREAKING]

John!

♪ ♪

VOICE OVER RADIO: We know that place ain't

gonna hold up much longer.

We know you're listening...

so consider this your final warning.

DORIE SR.: June?

June?

[GRUNTS]

[GRUNTS]

♪ ♪

June.

June.

CINDY: She's still breathing.

♪ ♪

I'm not.

♪ ♪

June, wake up.

She tried to drug you.

It's what Teddy did to me.

John, please.

♪ ♪

[CREAKING]

♪ ♪

I can't leave her here.

It's not going to collapse.

They're not going to get in.

Teddy told me he built it to withstand a nuclear blast.

He told me that's why no one would hear me scream.

♪ ♪

Help me.

Then help her.

♪ ♪

Where did he take you from?

I don't know.

I always thought he took you

from the diner parking lot after your shift.

We turned that place over looking for you.

But if... if he took you from somewhere else...

then that's where he woulda dumped you.

That's where your body would've been.

Where, John?

JUNE: John...

- John? - She's awake.

She can take care of herself.

I can't.

[GROANS] John...

John?

I didn't know you were wearing this.

I-I-I didn't want to lose it at work.

I only wore it when I was seeing my boyfriend.

I know.

That's what he told us.

Were you on your way to see him when Teddy nabbed you?

Maybe.

Then that's where he dumped you.

There... that's where your boyfriend lived,

across from that abandoned lot.

I remember going there to talk to him.

Then that's where I am.

♪ ♪

[GROANS]

♪ ♪

[GROANS] June.

John...

I know where she is, June. I gotta go.

John, it's not safe out there.

Those people, they are... they're back,

and that radiation alone is enough to kill you.

She sure about that?

If they're still alive,

it's not as dangerous as she said.

Is she right?

Who?

I don't know what you're talking about, John.

You need to rest.

They're alive.

Did he sound sick to you?

Is it really as dangerous as you said?

I-I-I-I don't know.

What do you mean you don't know?!

Where did all those numbers on the board come from?!

- Why do we have to wait 294 more days?! - I can explain, John!

I thought you said you got it out of that book.

John, listen to me, okay?

I did what I had to.

She's lying, John.

Are they in there or not?

I was being safe! Now cut me loose!

Not until you tell me the truth!

Tell me the truth! Tell me!

I-I made them up.

You see?

- I told you. - Why?!

I don't want to go up there.

You shouldn't, either.

She lied to you.

It's not about the radiation, is it?

I know what to expect down here every day.

I know what it's supposed to look like.

Up there, I don't know what anything looks like.

- None of us do. - That's not what I mean.

I mean without John.

[CLANGING]

You don't want to leave, you don't have to.

John, don't go out there. John!

[RUMBLING]

[GROANS] John!

[FABRIC RUSTLING]

Where are you going?

To keep the only damn promise I ever made

that I can still keep.

John, no. No, do not go out there.

I know where he dumped her, June.

I can put her to rest.

That was 40 years ago.

John, there is nothing left up there.

I'm out there, John.

Find me.

♪ ♪

[RUMBLING]

I'll come back for you.

The hatch'll hold.

Just let me free her.

Then I'll free you.

John, don't go up there.

You almost died last time.

If those people on the radio don't kill you,

the dead will.

We're already living 6 feet underground.

I'm not sure I see what the difference is.

♪ ♪

[BREATHING HEAVILY]

Which way?

Where are you when I need you?

[BREATHING HEAVILY]

[CLATTERING]

[GRUNTS]

[CLANGING]

[CLANGING]

♪ ♪

No.

♪ ♪

CINDY: They can't get in.

They'll still be trying when you get back.

John, what are you doing?

- You have to find me. - Why are you confusing me?

- Because you promised. - You're not real.

So how do you know they are?

I know she is.

June's real. I can't leave her.

You do that, they are gonna come after you.

You won't be able to keep your promise to me.

- I have to help her. - You have to help me.

- She's still alive. I can save her. - You can't.

John, you can't even save yourself.

- I can. - John...

John.

John!

♪ ♪

[GUNSHOT]

[GUNSHOTS]

♪ ♪

[GUNFIRE]

♪ ♪

Don't break your promise.

[GUNSHOTS]

I'm not.

♪ ♪

You'll never get them all.

Don't give me something to prove.

[GUNSHOTS]

♪ ♪

♪ ♪

[GRUNTS]

[FOOTSTEPS]

♪ ♪

No. No!

♪ ♪

♪ ♪

[WIND WHISTLING]

♪ ♪

Why are you doing this?

Because you didn't stop him.

Because he still destroyed everything.

Please... I have to help her.

You can't.

She'll be another dead body in the ground.

Just like us.

[INDISTINCT WHISPERING]

You're not real.

You're not real.

You're not real.

You're not real.

♪ ♪

♪ ♪

[WALKERS GROWLING]

♪ ♪

♪ ♪

[WALKERS GROWLING]

♪ ♪

It's not real.

It's not real.

It's not real!

[GROWLING CONTINUES]

♪ ♪

♪ ♪

MAN: You coming out?

Or are you gonna make me come in there?

♪ ♪

[GUN COCKS]

♪ ♪

[GUNSHOT]

[BODY THUDS]

You okay?

Yeah. You?

Yeah.

I gotta tell you... you're right.

That's some real ugly mustard up there.

♪ ♪

John...

♪ ♪

I can't believe it's her.

He musta still had her here when we were closing in on him.

Musta been too spooked to pose her where he found her, so...

he buried her in the wall.

♪ ♪

You kept your promise.

She's at rest now.

Not yet.

♪ ♪

♪ ♪

[CREAKING]

Better get a move on.

I know you don't wanna go up there.

But I'm afraid you don't have much choice.

No, I don't.

I'll help you see which way is up, then.

'Cause I think I see it again.

♪ ♪

I'll be right behind ya.

[RUMBLING]

- Move! Go! Move! - It's not gonna hold, John!

Ohh!

♪ ♪

JUNE: Hey.

You're awake.

You were out for days.

The collapse and the DTs...

I was worried you weren't going to wake up.

Where are we?

Not underground.

How...?

Someone heard your radio messages.

We survived because we had the masks on

when the dirt collapsed.

[SCOFFS]

I'll be.

John, the only reason I am alive

is because you talked me into leaving.

Well...

I just wanted to help you see which way was up.

- Well, here, it's... - [KNOCK ON DOOR]

... pretty clear.

Just not what we thought it'd be.

[DOOR OPENS]

Well, good morning.

Victor.

JUNE: He wanted to know as soon as you were up.

How'd you survive all this?

Better than you did.

But that's gonna change now that you're here.

You think we're gonna join you

after what you did to Morgan at the sub?

I, um...

I did what I did, yes.

But I'm here.

Morgan's out there.

Doesn't make it right.

But it does make staying here your only choice.

He's right. We can't go out there,

not in the condition you're in.

Not in the condition everything out there is in.

You have any idea who those people in the gas masks are?

I've been asking myself the same question.

Perhaps we can answer it together,

assuming that your skills at detection are as...

fantastic as I've heard them to be.

[SIGHS]

To new beginnings.

To whatever's next.

No, thanks.

I'm, uh...

I'm off the sauce right now.

Mm.

Maybe later.

I assume you have many questions,

but for now, you should rest.

The grand tour is still to come.

[DOOR CLOSES]

We can't stay here.

I'd rather face whatever's out there.

[WALKERS GROWLING]

Leaving really isn't an option.

Maybe I shoulda taken him up on that drink.

[WALKERS GROWLING]

Hey!

Hey!

June?

Mr. Dorie, can you hear me?

It's Morgan.

I heard your message on the radio.

I need you to tell me if you're down there.

June!

STRAND: They're not.

Victor? Where are they?

They're with me. And they're safe.

Which is more than you'd be able to say

if you'd found them first.

You listen to me.

You need to tell me where they are.

You're such a bore.

How about we do this every night so you can put me to sleep?

[CHUCKLES]

I'm done listening to you, Morgan.

Everyone is.

Everyone tried it your way and look what happened.

Death.

Destruction.

Face the truth, Morgan... you failed.

You're a failure.

We are here...

because of what you did.

I don't see it that way.

And now it's my turn.

I'm going to do what you couldn't.

I'm going to rebuild the world.

I'm going to help everyone that you let down.

Well, the ones that I see fit.

All while you watch from the outside.

I hope you do.

I didn't think you'd give up so easily.

I'm not finished.

You should rebuild the world, Victor.

You should help people.

I'm not gonna stop you from doing that.

But if I hear that is not what you're doing,

if I hear that you've hurt anybody that I care about,

I swear to God...

What, Morgan? What?

♪ ♪

I will come for you, Victor.

And I will do

what you tried to do to me on that submarine.

Only I won't miss.

♪ ♪

Bring it.

♪ ♪

♪ ♪

[WALKERS GROWLING]

So many dead.

[GUN COCKS]

MAN: Step away from my brother.

[CHUCKLES] You bringing strays to my doorstep?

You're gonna help me find Mr. Jones.

What makes you think

you're gonna do what your brother couldn't?

♪ ♪

Morgan, you there?

[WALKERS GROWLING]

♪ ♪

♪ ♪

CHAMBLISS: This episode is called "Cindy Hawkins".

That title actually comes from the name

of one of Teddy's victims,

a victim who, we'll learn over the course of the episode,

actually holds a lot of significance to John Dorie Sr.

Keep your promise.

Find me.

♪ ♪

The beginning of this sequence really was about showing

what life is like in this fall-out bunker,

and even though the world above has gone to hell,

they actually have something that's not all that bad.

We kind of see the two of them creating this bond

where they're growing close together,

where they're actually with family,

the family neither one of them,

I think, ever thought they would have.

I know I'm not the Dorie

you thought you'd be spending your days with.

I am happy to be where I am.

♪ ♪

This bunker is actually

where Teddy killed all the women back in the '70s.

When John Dorie Sr. discovers the room

where Teddy killed everyone,

not only is he kind of reminded of his own failures

in stopping Teddy in the past,

but he's reminded of a promise that he made

to one of Teddy's victims.

Cindy Hawkins.

I looked that girl's mama square in the eye,

and I promised her I'd help give her the ending she deserved.

40 years later, he thinks he's going to

finally make good on his promise.

As Dorie Sr. continues to see visions of Cindy Hawkins,

the one thing that Cindy starts to do...

and, really, is John's subconscious...

is start to turn him against June.

John, have you been drinking without me knowing?

Here and there.

As June discovers,

Dorie Sr. has actually been secretly drinking in the bunker.

And now he's without the one thing he used to self-medicate,

and it comes at the moment when he is quite literally haunted

by the one victim he wasn't able to give peace to.

John...

- John, don't do that! - I have to!

You're gonna bring the whole place down!

I need to get her to stop.

Dorie is going to risk both of their lives

to go up above ground,

and June feels like the only thing she can do

to protect themselves is to sedate him

until he gets through, really,

the worst of his alcohol withdrawal.

June... You...

I'm sorry, but I should have done that sooner.

You'll just...

[WOOD CREAKING]

June! June

♪ ♪

Ultimately, this experience

where John tries to go above ground

when June wants to stay below ground

leads to the reveal from June

that she was actually lying about how long they needed

to stay in the bunker before it was safe to go above ground.

Is it really as dangerous as you said?

I-I-I-I don't know.

Tell me the truth! Tell me!

I-I made them up.

Why?!

I don't want to go up there.

even without John.

That reveal forces June

to admit that it's actually rooted

in kind of a deep-seated fear she has...

♪ ♪

... the unknown that she's going to face in terms of

what a world looks like without John Dorie Jr. in it.

♪ ♪

Where are you going?

To keep the only damn promise

I ever made that I can still keep.

Dorie Sr. kind of once again choosing the investigation

over his own family.

John, don't go out there. John!

He's ready to leave June behind, who's in some real danger

because she's pinned beneath a collapsed beam in this bunker.

He's going above ground

because he thinks he can solve the crime once more.

- You have to find me. - Why are you confusing me?

You're not real.

So how do you know they are?

I know she is.

June's real. I can't leave her.

♪ ♪

No. No!

CHAMBLISS: After John Dorie Sr. makes the right decision

and he returns to the bunker

and does it with just enough time to save June

from the stalker who's infiltrated,

they actually end up finding

that Cindy Hawkins was buried in the walls of the bunker,

that Teddy must have not had enough time

to put her body anywhere else.

And ultimately, Dorie Sr.

is able to kind of fulfill the promise

that he made to Cindy Hawkins' mother all those years ago.

♪ ♪

I think he realizes

that it's never too late to forgive himself,

that it's never too late to put his past behind him

and embrace the present

instead of kind of dwelling in the past.

I'll help you see which way is up, then.

'Cause I think I see it again.

It's that lesson that he's gonna exit this bunker with.

- Move! Go! Move! - It's not gonna hold, John!

Ohh!

♪ ♪

The difference in June and Dorie Sr.'s reactions

to living in Strand's tower

really are kind of a function of the fact

that she's had some time to accept

that this may be the only way they're gonna be able to live.

Well, good morning.

Victor.

Dorie Sr. is waking up into this

and is kind of discovering the fact

that they are now forced to live with the man

who he saw do some pretty terrible things.

I'm done listening to you, Morgan.

I'm going to do what you couldn't.

I'm going to rebuild the world.

I'm going to help everyone that you let down.

Strand is really enjoying the fact that he is the leader now

and Morgan's on the outs.

I think in many ways it really speaks to

Strand's need to kind of be recognized,

and that's a big part of what his journey's gonna be

as we continue to go forward in the season.

I will come for you, Victor.

Bring it.

It really is kind of setting up this antagonism

between these two characters

as we continue to go deeper into the season,

and I think it creates a question of,

"Whose side is everyone gonna fall onto

as the conflict continues?"

♪ ♪

♪ ♪

♪ ♪

♪ ♪

- Synced and corrected by Firefly - - www.addic7ed.com -