Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,000 --> 00:00:04,050
[DANCING GIRL
BY TERRY CALLIER PLAYING]
2
00:00:19,190 --> 00:00:24,110
♪ I saw a dream last night
bright like a falling star ♪
3
00:00:24,190 --> 00:00:27,280
♪ And the sources of light ♪
4
00:00:27,360 --> 00:00:32,070
♪ Seemed so near ♪
5
00:00:32,200 --> 00:00:36,950
♪ Yet so far ♪
6
00:00:37,660 --> 00:00:42,250
♪ I thought I was in flight,
out where the planets are ♪
7
00:00:42,330 --> 00:00:45,880
♪ Moving between day and night ♪
8
00:00:45,960 --> 00:00:50,550
♪ Here am I ♪
9
00:00:50,630 --> 00:00:56,100
♪ And there you are ♪
10
00:00:56,180 --> 00:01:00,850
♪ And follow the dancing girl,
go to a quiet place ♪
11
00:01:00,940 --> 00:01:05,480
♪ Here in the weary world,
somewhere between ♪
12
00:01:05,570 --> 00:01:09,490
♪ Time and space ♪
13
00:01:09,570 --> 00:01:16,580
♪ We shall be free ♪
14
00:01:21,080 --> 00:01:22,710
[Narrator in Norwegian] In 6th grade,
15
00:01:22,790 --> 00:01:26,040
Nora was told to write an essay
as if she was an object.
16
00:01:26,130 --> 00:01:29,710
She knew at once she'd be their house.
17
00:01:33,840 --> 00:01:38,600
She described how its belly shook
as she and her sister ran downstairs
18
00:01:38,680 --> 00:01:40,310
and out the back door.
19
00:01:40,390 --> 00:01:41,520
[door slams]
20
00:01:41,600 --> 00:01:47,110
That it saw them take the shortcut
through the fence and onto the road,
21
00:01:47,190 --> 00:01:49,650
where the house no longer could see them.
22
00:01:52,070 --> 00:01:54,320
[dog barks]
23
00:01:54,410 --> 00:01:58,830
She wondered if the house liked
to be empty and light,
24
00:01:59,490 --> 00:02:01,500
or full and heavy.
25
00:02:01,580 --> 00:02:05,250
If the floors liked being trod on.
26
00:02:06,540 --> 00:02:08,550
If the walls were ticklish.
27
00:02:08,630 --> 00:02:10,050
If it ever felt pain.
28
00:02:15,140 --> 00:02:17,180
[Nora as a child, inaudible]
29
00:02:19,720 --> 00:02:23,390
And she thought that yes,
it probably liked to be full.
30
00:02:23,480 --> 00:02:25,600
[children laughing]
31
00:02:28,190 --> 00:02:31,190
Before them, other people and pets
32
00:02:31,280 --> 00:02:33,740
had lived their moments in time there.
33
00:02:35,660 --> 00:02:41,830
Her great-great-grandfather died in
the room where her grandmother was born,
34
00:02:41,910 --> 00:02:44,750
which now was her parents' bedroom.
35
00:02:46,370 --> 00:02:49,340
[parents arguing]
36
00:02:51,090 --> 00:02:56,840
Their father said the house had a flaw,
discovered right after it was finished
37
00:02:56,930 --> 00:02:58,470
a century ago.
38
00:02:59,260 --> 00:03:04,980
She wrote that it was as if the house
was sinking, collapsing,
39
00:03:05,060 --> 00:03:10,770
only in very slow motion,
and that her family's time there
40
00:03:10,860 --> 00:03:15,400
was just a split second in mid-air.
41
00:03:15,490 --> 00:03:16,780
[door slams]
42
00:03:23,200 --> 00:03:28,460
When she read it later, she saw that
she hadn't used the word "quarrel",
43
00:03:28,540 --> 00:03:30,880
but wrote of the "noise" her parents made.
44
00:03:32,000 --> 00:03:37,300
But what the house disliked
more than noise, was silence.
45
00:03:43,600 --> 00:03:47,190
When her father left for good,
the house grew lighter.
46
00:03:47,270 --> 00:03:49,940
The noise her parents made, went away.
47
00:03:50,900 --> 00:03:54,610
But the house missed
the other sounds he made.
48
00:03:56,280 --> 00:03:57,990
[magpie chatters]
49
00:03:58,070 --> 00:04:00,490
[NOBODY KNOWS
BY PASTOR T.L. BARRETT PLAYING]
50
00:04:00,570 --> 00:04:04,410
Her teacher gave her an A,
and her father loved it.
51
00:04:04,490 --> 00:04:09,920
Nora reread it when looking for
a monologue for her academy audition,
52
00:04:10,000 --> 00:04:13,670
but found it disappointingly detached.
53
00:04:13,750 --> 00:04:17,130
She chose Nina's monologue
from "The Seagull" instead.
54
00:04:17,220 --> 00:04:20,390
[Nora] "I am a seagull. No. No.
I am an actress."
55
00:04:20,470 --> 00:04:22,550
"Yes, that is what I am."
56
00:04:22,640 --> 00:04:25,970
♪ Nobody knows ♪
57
00:04:26,060 --> 00:04:30,650
♪ All the trouble I've seen ♪
58
00:04:32,900 --> 00:04:34,900
[anxious breathing]
59
00:04:45,160 --> 00:04:47,290
-[sniffles]
-[knocking on door]
60
00:04:47,370 --> 00:04:48,660
[Stage manager] Nora?
61
00:04:49,750 --> 00:04:50,830
[insistent knocking]
62
00:04:50,920 --> 00:04:53,920
-Nora? Open the door.
-I can't do it.
63
00:04:54,000 --> 00:04:56,840
-Nora, open the door!
-Just a moment.
64
00:04:57,550 --> 00:05:00,720
[anxious breathing]
65
00:05:03,300 --> 00:05:05,310
[white noise from audience]
66
00:05:16,230 --> 00:05:18,690
[Director] Open the door, please.
67
00:05:21,070 --> 00:05:22,280
Are you okay?
68
00:05:24,740 --> 00:05:28,080
I'm just going over my lines.
69
00:05:29,120 --> 00:05:30,500
But you know your lines.
70
00:05:33,830 --> 00:05:37,710
-We've been here before.
-No, it's not like that.
71
00:05:38,920 --> 00:05:41,880
I can't do it. I can't go on stage.
72
00:05:41,970 --> 00:05:44,890
Okay. Let's take a deep breath.
73
00:05:46,220 --> 00:05:48,890
[tries to breathe calmly]
74
00:05:48,970 --> 00:05:52,940
Just look at me. Look at me. Breathe.
75
00:05:54,060 --> 00:05:56,440
Okay. Just breathe.
76
00:05:57,400 --> 00:06:02,070
-I can't breathe in this thing.
-We'll fix it downstairs.
77
00:06:02,150 --> 00:06:03,200
Just come with me.
78
00:06:04,110 --> 00:06:07,780
-I need water.
-There's water downstairs.
79
00:06:07,870 --> 00:06:09,540
[white noise]
80
00:06:09,620 --> 00:06:12,540
It won't work. We're five minutes late.
81
00:06:12,620 --> 00:06:16,500
It'll be fine. Just get her on, okay?
82
00:06:31,220 --> 00:06:33,690
Oh, it's out of place.
83
00:06:33,770 --> 00:06:35,810
No, it's okay.
84
00:06:45,860 --> 00:06:48,620
[OPHELIA
BY A.L. GODBOLT PLAYING]
85
00:06:48,700 --> 00:06:50,700
[loud horns]
86
00:07:04,130 --> 00:07:06,970
Hey... Could you help me out?
87
00:07:07,050 --> 00:07:09,510
-Right backstage.
-Now?
88
00:07:17,020 --> 00:07:18,730
Just... a bit stressed.
89
00:07:18,810 --> 00:07:21,520
I think I need some...
90
00:07:21,610 --> 00:07:24,320
Sort of need... something.
91
00:07:27,700 --> 00:07:31,700
-No, there's no time. Stop it.
-We have time.
92
00:07:32,790 --> 00:07:35,910
-You're just...
-Okay, then hit me.
93
00:07:36,000 --> 00:07:38,790
-Just slap me.
-No!
94
00:07:38,880 --> 00:07:42,750
Otherwise I can't go on stage.
I can't go on stage.
95
00:07:45,130 --> 00:07:48,050
-Are you okay? Dammit.
-Yeah. Okay.
96
00:08:01,190 --> 00:08:02,400
Hey!
97
00:08:02,480 --> 00:08:03,400
[door slams]
98
00:08:10,450 --> 00:08:12,870
[gasping for breath]
99
00:08:16,040 --> 00:08:18,330
-No!
-I can't breathe!
100
00:08:18,420 --> 00:08:19,540
Don't!
101
00:08:20,500 --> 00:08:22,750
Help! Nora, don't.
102
00:08:23,300 --> 00:08:26,510
-Don't... Don't tear it!
-[Seamster] Wait, Nora!
103
00:08:32,390 --> 00:08:34,390
[horns and bells]
104
00:08:37,310 --> 00:08:39,440
[orchestra goes silent]
105
00:08:45,900 --> 00:08:47,650
[inaudible]
106
00:08:50,280 --> 00:08:51,530
[tape tearing]
107
00:09:02,670 --> 00:09:05,420
Yngvar? Twenty seconds.
108
00:09:07,510 --> 00:09:09,550
[knocking on mike, feedback]
109
00:09:13,350 --> 00:09:14,220
Ready?
110
00:09:16,600 --> 00:09:18,430
[Ophelia - resumes]
111
00:09:23,650 --> 00:09:25,570
Are we ready?
112
00:09:30,200 --> 00:09:31,200
Yes.
113
00:09:59,720 --> 00:10:02,560
[music fades]
114
00:10:10,490 --> 00:10:13,490
[Nora's footsteps]
115
00:10:35,640 --> 00:10:37,550
Hear!
116
00:10:38,680 --> 00:10:40,020
[drums]
117
00:10:40,100 --> 00:10:42,850
You said you were going to save me.
118
00:10:42,930 --> 00:10:45,650
Yet you chased me into the flames!
119
00:10:45,730 --> 00:10:47,610
[dramatic music]
120
00:11:01,490 --> 00:11:05,960
I let your children into my home.
121
00:11:06,040 --> 00:11:08,880
Still you bore witness against me!
122
00:11:10,000 --> 00:11:13,010
[applause]
123
00:11:25,770 --> 00:11:28,560
[cheering and whistling]
124
00:11:40,740 --> 00:11:43,750
[voices of guests]
125
00:11:58,720 --> 00:12:03,350
I told you we should get catering.
This is just stressful.
126
00:12:11,770 --> 00:12:14,150
Hey... Hey...
127
00:12:15,490 --> 00:12:18,110
I'm okay. I'm okay.
128
00:12:21,280 --> 00:12:23,120
Can I have more cake?
129
00:12:23,700 --> 00:12:28,160
I've asked him to stop.
He's had four pieces already.
130
00:12:28,250 --> 00:12:32,130
-Please, Mom?
-No, eat something else first.
131
00:12:32,210 --> 00:12:34,920
What a lovely speech you held.
132
00:12:35,010 --> 00:12:37,380
It was from both of us.
133
00:12:37,470 --> 00:12:43,430
Your mom was so proud of you,
she talked about it all the time.
134
00:12:43,510 --> 00:12:46,520
-Yeah.
-Well, Sissel... Jesus.
135
00:12:46,600 --> 00:12:50,440
She took me to
the National Theatre many times.
136
00:13:00,490 --> 00:13:03,030
[birdsong]
137
00:13:03,120 --> 00:13:06,910
[voices]
138
00:13:37,280 --> 00:13:39,360
[sighs]
139
00:13:44,620 --> 00:13:46,790
[exhales]
140
00:13:51,670 --> 00:13:56,550
You know, that was Grandma's
office before she got sick.
141
00:13:57,130 --> 00:14:01,260
She sat there talking with people,
trying to help them.
142
00:14:01,340 --> 00:14:04,550
Or they spoke to her about their secrets.
143
00:14:11,730 --> 00:14:16,610
When I was little, I used to listen to
them talk through this stove.
144
00:14:19,190 --> 00:14:22,570
-Were you allowed to?
-No. They never knew.
145
00:14:24,740 --> 00:14:26,780
[Man] It's been ages, but...
146
00:14:26,870 --> 00:14:32,660
[Gustav] It's hard to know what to do,
offer your condolences or congratulate.
147
00:14:32,750 --> 00:14:36,080
[Gustav] Well, we spoke from time to time.
148
00:14:38,670 --> 00:14:41,210
-What is it?
-Nothing.
149
00:14:47,100 --> 00:14:49,470
Dad's here.
150
00:14:49,560 --> 00:14:51,270
-Did you know?
-No.
151
00:14:51,850 --> 00:14:54,440
But I did inform him.
152
00:14:58,980 --> 00:15:00,440
Hi, Dad!
153
00:15:01,570 --> 00:15:04,450
There you are! Excuse me.
154
00:15:05,450 --> 00:15:07,280
Hi.
155
00:15:07,370 --> 00:15:09,450
Hi. My girls.
156
00:15:11,950 --> 00:15:15,210
-Have you met Erik yet?
-No, is he here?
157
00:15:15,290 --> 00:15:21,130
-I didn't see you in church.
-I wasn't up for it. Why in church?
158
00:15:21,210 --> 00:15:25,340
-Did she find religion?
-We thought it would be nice.
159
00:15:26,130 --> 00:15:29,850
This is... This is so sad.
160
00:15:29,930 --> 00:15:34,100
She was a great mother for you, right?
She was so beautiful and...
161
00:15:34,730 --> 00:15:37,650
-Beautiful?
-Like you two.
162
00:15:37,730 --> 00:15:39,440
Sharp as hell.
163
00:15:40,650 --> 00:15:43,240
She was always right.
164
00:15:45,320 --> 00:15:48,780
-Hi! Look, Grandpa's here.
-Well, hello!
165
00:15:48,870 --> 00:15:50,910
Huh? Good morning.
166
00:15:52,700 --> 00:15:55,410
-Yeah. Hi.
-Been a while.
167
00:15:56,290 --> 00:15:59,830
-That's Even.
-Of course I know Evan.
168
00:16:00,920 --> 00:16:02,500
We go way back.
169
00:16:02,590 --> 00:16:06,010
My, how you've grown!
170
00:16:06,090 --> 00:16:10,800
-Are you tallest in class?
-I don't know. Don't think so.
171
00:16:10,890 --> 00:16:13,390
Are you the class monster?
172
00:16:13,470 --> 00:16:15,100
No?
173
00:16:30,570 --> 00:16:33,410
[footsteps on stairs]
174
00:16:37,790 --> 00:16:39,370
Hi.
175
00:16:42,590 --> 00:16:44,000
Here.
176
00:16:50,800 --> 00:16:52,470
I was just thinking about you.
177
00:16:56,020 --> 00:16:58,850
-What's this?
-They're mine.
178
00:17:01,440 --> 00:17:03,610
Are you okay?
179
00:17:03,690 --> 00:17:05,860
Well, why do you ask?
180
00:17:05,940 --> 00:17:09,700
-We have to talk while I'm in town.
-Okay?
181
00:17:09,780 --> 00:17:11,410
I have something I need to tell you.
182
00:17:12,660 --> 00:17:15,990
-Can't you just tell me now?
-No, not here.
183
00:17:17,080 --> 00:17:21,330
I think it's time you and I
sat down and had a proper talk.
184
00:17:26,170 --> 00:17:28,340
Fredrik can take them in his Toyota.
185
00:17:29,420 --> 00:17:31,470
-Sorry.
-Oops.
186
00:17:37,100 --> 00:17:38,680
I'm good, thanks.
187
00:17:43,980 --> 00:17:47,400
I just hope he doesn't feel like he...
188
00:17:48,490 --> 00:17:51,110
Suddenly has to be a dad and...
189
00:17:52,700 --> 00:17:55,700
-Comfort me or something.
-No.
190
00:17:55,780 --> 00:17:58,580
But at least he's trying.
191
00:17:58,660 --> 00:18:01,750
It might not be easy for him either.
192
00:18:02,920 --> 00:18:05,960
Ask him what he plans to do
with the house.
193
00:18:06,040 --> 00:18:08,710
-What do you mean?
-He owns it.
194
00:18:12,130 --> 00:18:14,760
-Oh?
-Mom got it after the divorce.
195
00:18:14,840 --> 00:18:18,060
But they never filed the paperwork.
196
00:18:18,140 --> 00:18:20,390
Okay?
197
00:18:20,480 --> 00:18:24,690
It's unfortunate.
We were hoping for some money.
198
00:18:27,480 --> 00:18:29,190
Why don't you ask him?
199
00:18:30,320 --> 00:18:33,530
You never dare confront him
about anything.
200
00:18:33,610 --> 00:18:37,370
-I don't? I see.
-You don't.
201
00:18:39,660 --> 00:18:41,750
-Sure I do.
-No.
202
00:18:52,720 --> 00:18:56,470
[door creaks]
203
00:18:59,760 --> 00:19:01,180
-Hi.
-Hi.
204
00:19:03,140 --> 00:19:06,610
You look great. What would you like?
205
00:19:06,690 --> 00:19:08,980
Uh, just a coffee.
206
00:19:09,070 --> 00:19:11,780
-Nothing else?
-No.
207
00:19:11,860 --> 00:19:15,910
-Coffee for the lovely young lady.
-Yes, please.
208
00:19:15,990 --> 00:19:20,580
-[Waiter] And you? Did you enjoy the meal?
-I enjoy everything you serve.
209
00:19:25,960 --> 00:19:28,210
She thinks we're a couple.
210
00:19:30,300 --> 00:19:33,920
I've thought about you a lot.
I've been worried.
211
00:19:34,010 --> 00:19:36,840
Okay. How have you been?
212
00:19:36,930 --> 00:19:40,220
Well, fine. Got my hands full.
213
00:19:41,470 --> 00:19:45,600
You may have heard about the retrospective
of my films in France.
214
00:19:46,650 --> 00:19:52,110
-No, where should I have heard?
-The film I'm making is more important.
215
00:19:52,190 --> 00:19:54,610
You're hanging in there.
216
00:19:56,820 --> 00:20:00,160
It might be my best script yet.
Michael agrees.
217
00:20:00,240 --> 00:20:05,080
-So Michael is still producing?
-He says things are going my way.
218
00:20:05,160 --> 00:20:10,290
My documentary is being screened
in many countries. I'm on a roll.
219
00:20:17,300 --> 00:20:19,760
You had something you wanted
to discuss with me?
220
00:20:21,350 --> 00:20:22,640
Yes.
221
00:20:22,720 --> 00:20:24,850
[rustling plastic]
222
00:20:29,560 --> 00:20:31,980
The film is about a...
223
00:20:33,150 --> 00:20:36,030
A young woman, a mother who...
224
00:20:39,530 --> 00:20:42,330
Well, I want you in the lead role.
225
00:20:50,580 --> 00:20:52,380
I wrote it for you.
226
00:20:54,880 --> 00:20:57,880
You're the only one who can play it.
227
00:21:06,270 --> 00:21:07,770
Thank you.
228
00:21:12,190 --> 00:21:15,190
But you've never seen me act.
229
00:21:15,280 --> 00:21:18,450
Sure. Several times. I saw you in "Medea".
230
00:21:18,530 --> 00:21:22,620
-You left during the intermission.
-I don't like theatre.
231
00:21:22,700 --> 00:21:26,870
The scenography was horrible.
But you were great.
232
00:21:28,250 --> 00:21:31,750
I can tell if an actor is any good
in two minutes.
233
00:21:31,830 --> 00:21:36,760
This part would be good for you
in many ways.
234
00:21:36,840 --> 00:21:41,180
You deserve something more personal
than centuries-old plays
235
00:21:41,260 --> 00:21:44,220
for a bunch of senior citizens.
236
00:21:44,300 --> 00:21:47,310
This is a real role in a film.
237
00:21:47,390 --> 00:21:53,100
You might get some financing too.
My series has done very well.
238
00:21:54,150 --> 00:21:57,190
Yeah, it helps somewhat.
239
00:21:57,280 --> 00:22:01,910
I've talked to Michael.
He's sure he can get financing.
240
00:22:01,990 --> 00:22:04,950
We'll film it in our house.
241
00:22:05,030 --> 00:22:07,290
-Our house?
-Yes.
242
00:22:07,370 --> 00:22:09,370
It's perfect.
243
00:22:17,840 --> 00:22:19,670
I'm not having any part in this.
244
00:22:21,630 --> 00:22:26,720
-You could take time off from the series.
-It was finished ages ago.
245
00:22:26,810 --> 00:22:29,810
You're way better than that.
246
00:22:29,890 --> 00:22:32,310
-You've seen it?
-Of course.
247
00:22:32,390 --> 00:22:34,600
Well, what do you think?
248
00:22:34,690 --> 00:22:36,520
What I think isn't important.
249
00:22:37,320 --> 00:22:40,490
I'd love to hear what you think.
250
00:22:41,650 --> 00:22:45,120
But that stuff isn't for me.
No visuals.
251
00:22:45,990 --> 00:22:50,580
We never really see your face.
We don't see your eyes.
252
00:22:50,660 --> 00:22:53,500
But what do I know?
People like it.
253
00:22:54,500 --> 00:22:58,210
It's not about what people think.
What do you think?
254
00:23:00,550 --> 00:23:03,170
You're not the problem with it.
255
00:23:03,930 --> 00:23:05,760
This part
256
00:23:05,840 --> 00:23:08,430
could be your big break.
257
00:23:09,510 --> 00:23:12,180
We're not going to work together, Dad.
258
00:23:12,930 --> 00:23:17,310
-We can't even communicate.
-Just read it, and I'll call you.
259
00:23:17,400 --> 00:23:22,280
-Don't call me. You're always drunk.
-But I worry about you.
260
00:23:22,360 --> 00:23:25,700
You don't have any right
to worry about me.
261
00:23:25,780 --> 00:23:28,660
-Just read the damn thing!
-Why?
262
00:23:28,740 --> 00:23:31,490
It'll never come to anything.
263
00:24:06,660 --> 00:24:08,740
[birdsong]
264
00:24:09,950 --> 00:24:12,290
[car approaching]
265
00:24:16,920 --> 00:24:19,000
[shouts in German]
266
00:24:21,000 --> 00:24:22,630
[Soldier] Halt!
267
00:24:23,670 --> 00:24:25,470
[Anna] No!
268
00:24:30,800 --> 00:24:33,310
[train engine]
269
00:24:39,770 --> 00:24:42,270
[conductor blows whistle]
270
00:24:50,240 --> 00:24:52,990
[cry]
271
00:25:01,040 --> 00:25:03,170
[Woman] Sit still!
272
00:25:03,250 --> 00:25:05,340
You mustn't move.
273
00:25:16,180 --> 00:25:19,020
[catches her breath]
274
00:25:20,150 --> 00:25:23,230
[sound of train intensifies]
275
00:25:52,180 --> 00:25:56,850
[train whistle blows]
276
00:26:03,060 --> 00:26:07,230
[applause]
277
00:26:10,280 --> 00:26:13,660
[original score - wind instruments]
278
00:26:34,800 --> 00:26:38,850
[in English] I sat near you
during the screening. I looked at you,
279
00:26:38,930 --> 00:26:43,060
and I saw you were also very,
very moved by this screening.
280
00:26:46,440 --> 00:26:48,400
[in English] Uh, yes.
281
00:26:48,480 --> 00:26:50,990
I'm sorry. It's, oh...
282
00:26:52,070 --> 00:26:56,370
It's twenty years ago, probably,
since I saw it.
283
00:26:56,450 --> 00:27:01,960
And I remember vividly,
in detail, the time, and...
284
00:27:03,040 --> 00:27:06,920
The days on the set. The people.
285
00:27:07,000 --> 00:27:09,750
You know, I film with friends.
286
00:27:12,090 --> 00:27:14,430
They are my family.
287
00:27:15,800 --> 00:27:19,850
Yes, and...
Even more so in this movie, yes?
288
00:27:19,930 --> 00:27:23,810
You mean my daughter, Agnes? Yeah.
289
00:27:23,890 --> 00:27:25,810
She's the one that plays Anna.
290
00:27:25,900 --> 00:27:28,900
[applause]
291
00:27:29,770 --> 00:27:33,190
[Christophe] So, one last question
before I let you go.
292
00:27:33,280 --> 00:27:38,370
I think everyone here wants to know.
There hasn't been a feature film
293
00:27:38,450 --> 00:27:41,540
since "L'Idylle" 15 years ago.
294
00:27:41,620 --> 00:27:45,370
Will we see another feature film
from Gustav Borg?
295
00:27:47,040 --> 00:27:49,840
Well, I hope so.
296
00:27:49,920 --> 00:27:53,130
[Christophe] I hope so too.
Thank you, Mr. Borg.
297
00:28:02,140 --> 00:28:04,180
[seagulls crying]
298
00:28:21,160 --> 00:28:23,790
[Christophe] Oh, Gustav!
299
00:28:23,870 --> 00:28:25,960
Gustav!
300
00:28:26,040 --> 00:28:29,330
Sorry, sorry.
Rachel Kemp loved your film.
301
00:28:29,420 --> 00:28:34,010
She wants you to join her.
She's having dinner at L'Excelsior.
302
00:28:34,090 --> 00:28:36,130
You know?
303
00:28:36,220 --> 00:28:39,800
The festival is paying everything,
of course.
304
00:28:42,810 --> 00:28:48,560
This is director Gustav Borg.
He's joining Rachel Kemp's table.
305
00:28:54,070 --> 00:28:55,860
[laughter]
306
00:28:55,940 --> 00:29:00,280
-[in French] Sorry, it's a private event.
-Gustav Borg!
307
00:29:03,120 --> 00:29:06,790
-[in English] Thank you for coming!
-Let me get you a chair.
308
00:29:06,870 --> 00:29:09,250
-Here you go.
-Thank you.
309
00:29:11,080 --> 00:29:14,710
I was so impressed by your film.
310
00:29:14,800 --> 00:29:18,220
-It's a masterpiece. Really.
-Oh, yeah.
311
00:29:18,300 --> 00:29:21,720
-Thank you.
-It is exceptional.
312
00:29:21,800 --> 00:29:25,600
-How did your screening go?
-It went well.
313
00:29:25,680 --> 00:29:29,480
The screening was amazing.
The theatre loved it.
314
00:29:29,560 --> 00:29:32,690
You have to see it in the fall
when it comes out.
315
00:29:32,770 --> 00:29:34,770
[humming]
316
00:29:34,860 --> 00:29:37,110
[laughter]
317
00:29:37,190 --> 00:29:40,200
[DES PAZ SUR LA NEIGE
BY CLAUDE DEBUSSY PLAYING]
318
00:29:41,410 --> 00:29:43,700
-[Nicky] Guess I gotta...
-[Sam] How does this work?
319
00:29:49,040 --> 00:29:51,040
[laughter]
320
00:29:51,120 --> 00:29:53,960
[Sam] You want more umbrellas?
321
00:29:55,960 --> 00:29:58,590
-[Gustav] You want more?
-[Rachel] Thank you.
322
00:30:00,180 --> 00:30:02,680
Will you look at this?
323
00:30:02,760 --> 00:30:05,180
[background laughter]
324
00:30:06,180 --> 00:30:08,180
[music fades]
325
00:30:09,520 --> 00:30:12,440
I wish I could make films like you do.
326
00:30:19,150 --> 00:30:22,160
I just... It really struck me today.
327
00:30:25,160 --> 00:30:28,500
I don't know if I'd ever seen
a film like it before.
328
00:30:31,210 --> 00:30:33,250
It was really...
329
00:30:33,790 --> 00:30:36,040
Really...
330
00:30:36,130 --> 00:30:38,210
Moved me.
331
00:30:44,590 --> 00:30:46,100
Thank you.
332
00:30:46,180 --> 00:30:48,430
[music resumes]
333
00:30:54,400 --> 00:30:58,020
I've been thinking a lot about
taking a break, actually.
334
00:30:58,110 --> 00:31:01,740
I already have all these projects
lined up.
335
00:31:04,530 --> 00:31:07,910
They're good enough parts, but...
336
00:31:07,990 --> 00:31:12,460
-They don't have anything to do with me.
-Just say no.
337
00:31:13,920 --> 00:31:17,540
Sam would freak out
if I just walked away like that.
338
00:31:17,630 --> 00:31:19,670
He'd have a right to.
339
00:31:20,880 --> 00:31:23,050
Fuck Sam.
340
00:31:23,130 --> 00:31:25,550
It's your life.
341
00:31:28,180 --> 00:31:30,430
And you?
342
00:31:30,520 --> 00:31:33,440
You working on anything new?
343
00:31:33,520 --> 00:31:36,060
No. I thought I was, but...
344
00:31:36,150 --> 00:31:38,360
Couldn't get the money?
345
00:31:39,860 --> 00:31:40,900
Something like that.
346
00:31:48,280 --> 00:31:51,620
[original score]
347
00:32:19,650 --> 00:32:23,190
He'll take you to the hotel.
348
00:32:23,280 --> 00:32:25,360
Thank you.
349
00:32:29,450 --> 00:32:33,620
-It was very nice to meet you.
-Very nice.
350
00:32:33,700 --> 00:32:35,660
-[Nicky] Rach?
-[Sam] Rachel!
351
00:32:35,750 --> 00:32:38,460
-[Nicky] Sir!
-[Sam] No, no, no!
352
00:32:38,540 --> 00:32:42,090
Rach, I have your phone! Oh, God!
353
00:32:43,300 --> 00:32:45,420
Hey, you guys!
354
00:32:54,140 --> 00:32:56,690
[gasps]
355
00:33:10,620 --> 00:33:12,700
[groans]
356
00:33:15,450 --> 00:33:17,790
[music ends]
357
00:33:25,170 --> 00:33:26,970
[in Norwegian]
Weren't you about to leave?
358
00:33:27,050 --> 00:33:29,430
You want me to leave?
359
00:33:29,510 --> 00:33:32,180
No, but this is getting very...
360
00:33:32,260 --> 00:33:34,890
Close and cuddly.
361
00:33:34,970 --> 00:33:40,190
-You don't like cuddly?
-Sure I like cuddly. I do.
362
00:33:40,270 --> 00:33:43,110
Why are you so afraid of intimacy?
363
00:33:46,070 --> 00:33:49,900
-I can tell it's not easy for you.
-No, it's not.
364
00:33:49,990 --> 00:33:54,410
It's perfect that you're married
so I don't have to confront
365
00:33:54,490 --> 00:33:57,410
how fucked-up I really am.
366
00:33:57,500 --> 00:34:02,630
Jeez, what a brutal thing to say
about yourself. How fucked-up are you?
367
00:34:06,210 --> 00:34:07,840
In percent?
368
00:34:07,920 --> 00:34:09,720
Eighty.
369
00:34:10,800 --> 00:34:14,510
-Eighty.
-So you're twenty percent...
370
00:34:14,600 --> 00:34:17,470
That's the percentage you see now.
371
00:34:20,640 --> 00:34:23,190
Did you talk to the manager?
372
00:34:23,270 --> 00:34:25,940
He thinks I should
373
00:34:26,020 --> 00:34:28,150
see a therapist.
374
00:34:28,240 --> 00:34:29,740
Yes.
375
00:34:29,820 --> 00:34:32,570
-Well, why not?
-Don't say yes!
376
00:34:32,660 --> 00:34:37,700
No, but it's some sort of phobia.
Therapy might help.
377
00:34:37,790 --> 00:34:41,040
But it's not that bad, it was just that...
378
00:34:41,120 --> 00:34:44,880
-I had to hit you.
-Yeah. Yeah.
379
00:34:44,960 --> 00:34:48,590
Sorry about that.
It was pretty intense, but...
380
00:34:48,670 --> 00:34:52,260
-You could change your mind and report me.
-I won't.
381
00:34:52,340 --> 00:34:55,890
I swear.
I already know too much about myself.
382
00:34:55,970 --> 00:35:00,270
-I don't need therapy.
-I'd say the exact opposite.
383
00:35:00,350 --> 00:35:02,810
-Why not?
-Mom was a...
384
00:35:02,890 --> 00:35:07,320
-I mean, she was a therapist.
-You're not going to see your mom.
385
00:35:08,110 --> 00:35:11,570
-I just want one last kiss.
-Sure, but...
386
00:35:11,650 --> 00:35:14,410
-No, not like that.
-But we're done!
387
00:35:18,830 --> 00:35:21,250
-See you tomorrow.
-See you.
388
00:35:23,080 --> 00:35:24,170
[door closes]
389
00:35:27,500 --> 00:35:29,630
[distant voice]
390
00:35:29,710 --> 00:35:32,550
[dog barks]
391
00:35:33,760 --> 00:35:38,220
[LOVE THEME FROM SPARTACUS
BY ALEX NORTH PLAYING]
392
00:35:46,560 --> 00:35:50,690
I mean, when you go on stage,
it's so counterintuitive.
393
00:35:50,780 --> 00:35:55,660
Your body, your whole body screams
as you step out to face the audience.
394
00:35:55,740 --> 00:35:59,830
-There's nowhere to hide.
-But it's not all anxiety?
395
00:35:59,910 --> 00:36:02,040
No, I love it! I love it!
396
00:36:02,120 --> 00:36:03,370
[laughs]
397
00:36:04,250 --> 00:36:07,330
[Nora] And that...
398
00:36:07,420 --> 00:36:11,670
This frustration, anger,
the sense of injustice,
399
00:36:11,760 --> 00:36:14,300
the burden of responsibility.
400
00:36:14,380 --> 00:36:20,600
When she says he avoids conflicts,
she reveals what she hates about herself.
401
00:36:20,680 --> 00:36:24,270
What I like the most about it,
is probably...
402
00:36:24,350 --> 00:36:30,070
Building a character.
Diving into that perspective, or into
403
00:36:30,150 --> 00:36:34,440
their feelings by assuming
the role of someone else.
404
00:36:34,530 --> 00:36:39,820
It maybe provides me the security
to connect to my own feelings.
405
00:36:39,910 --> 00:36:42,580
So you don't want to be yourself?
406
00:36:42,660 --> 00:36:47,000
That's what it sounds like.
What would Mom say about that?
407
00:36:47,790 --> 00:36:49,960
[music ends]
408
00:36:50,670 --> 00:36:53,550
[she coughs - he laughs]
409
00:36:53,630 --> 00:36:57,050
No, you're cheating. Step back. No.
410
00:36:57,130 --> 00:36:59,640
No, you can go closer.
411
00:36:59,720 --> 00:37:02,260
No, no. Here, here!
412
00:37:04,810 --> 00:37:07,690
Do you have a boyfriend?
413
00:37:10,020 --> 00:37:11,570
Uh...
414
00:37:11,650 --> 00:37:14,110
No, not really.
415
00:37:15,780 --> 00:37:17,860
Don't you want one?
416
00:37:18,450 --> 00:37:20,370
Uh...
417
00:37:20,450 --> 00:37:23,080
Sure.
418
00:37:23,160 --> 00:37:25,910
But it's not always that easy.
419
00:37:28,790 --> 00:37:31,210
-But I love you.
-Yes.
420
00:37:32,920 --> 00:37:35,010
I love you too.
421
00:37:36,920 --> 00:37:39,510
I wanna marry you when I grow up.
422
00:37:39,590 --> 00:37:43,350
[laughs]
423
00:37:44,510 --> 00:37:46,680
It's nice of you to say so.
424
00:37:46,770 --> 00:37:49,390
-But it's impossible.
-I know.
425
00:37:50,440 --> 00:37:53,610
[LITTLE WOLF
BY BIGBANG PLAYING]
426
00:37:54,730 --> 00:37:58,650
-Did you fall asleep?
-[Nora] No.
427
00:37:58,740 --> 00:38:00,910
He's just so cute!
428
00:38:02,820 --> 00:38:06,410
I think... He proposed to me down there.
429
00:38:08,120 --> 00:38:11,540
-[Even] Congrats.
-That doesn't happen every day.
430
00:38:12,790 --> 00:38:16,880
When he returned from
the playground today, he came to me,
431
00:38:16,960 --> 00:38:20,470
looked straight at me and said:
"I see you."
432
00:38:22,260 --> 00:38:24,050
Where's that from?
433
00:38:24,140 --> 00:38:28,180
-[Even] Do you say that?
-[Agnes] Maybe he picked it up at school.
434
00:38:28,270 --> 00:38:31,190
[Even] Saying "I see you" at school?
435
00:38:31,270 --> 00:38:33,310
Are you okay?
436
00:38:34,860 --> 00:38:36,650
-Sorry.
-Hey?
437
00:38:36,730 --> 00:38:38,940
-What is it?
-I'm okay.
438
00:38:39,030 --> 00:38:41,910
I think I should head home.
439
00:38:41,990 --> 00:38:43,700
No, wait.
440
00:38:43,780 --> 00:38:46,240
-I'm okay.
-Are you sure?
441
00:38:48,040 --> 00:38:52,170
-Really? Nothing's happened?
-No. It's okay. Sorry.
442
00:38:55,210 --> 00:38:56,960
[Agnes] Okay.
443
00:39:04,930 --> 00:39:07,010
[door shuts]
444
00:39:08,930 --> 00:39:10,980
[crackle]
445
00:39:13,480 --> 00:39:15,560
-Is she alright?
-Yeah.
446
00:39:20,440 --> 00:39:24,870
-You don't think she's there again?
-I don't think so.
447
00:39:26,700 --> 00:39:29,120
I think she's just lonely.
448
00:39:31,200 --> 00:39:35,130
-Does that make you sad?
-A bit.
449
00:39:37,500 --> 00:39:40,340
[background voices]
450
00:39:40,420 --> 00:39:42,840
[birdsong]
451
00:39:58,230 --> 00:40:00,320
-[Agnes] Hi.
-Hi.
452
00:40:06,530 --> 00:40:08,870
[draws her breath]
453
00:40:33,180 --> 00:40:34,980
It's weird.
454
00:40:36,230 --> 00:40:39,560
When Mom fell ill,
I considered whether to
455
00:40:39,650 --> 00:40:43,190
take over the house,
live here with Even and Erik.
456
00:40:43,280 --> 00:40:46,740
-Would you want to live here?
-No.
457
00:40:46,820 --> 00:40:49,620
We can't afford to buy out anyone.
458
00:40:58,040 --> 00:41:02,420
I've been through all that,
it's just old documents.
459
00:41:03,710 --> 00:41:07,340
Well, thanks for everything
you've done.
460
00:41:07,430 --> 00:41:09,430
It's amazing.
461
00:41:10,430 --> 00:41:16,020
-Keep what you want and dump the rest.
-But there are many nice things here.
462
00:41:16,100 --> 00:41:19,560
Things with sentimental value.
Have a look.
463
00:41:20,650 --> 00:41:23,280
I'd like that vase, for example.
464
00:41:24,190 --> 00:41:26,990
-Yeah, it's kinda nice.
-Oh?
465
00:41:27,070 --> 00:41:30,320
-Because I want it?
-No. You can have it.
466
00:41:30,410 --> 00:41:34,790
No, the point is
to go through it together and sort it out.
467
00:41:34,870 --> 00:41:37,750
Yeah. Well, then I'll take it.
468
00:41:39,040 --> 00:41:41,790
My God.
469
00:41:46,010 --> 00:41:48,550
Remember to turn off the stove
470
00:41:48,630 --> 00:41:50,680
[tears it off]
471
00:42:00,810 --> 00:42:05,900
-How long is he going to stay here?
-He didn't say.
472
00:42:05,980 --> 00:42:09,780
But he's here to arrange the sale?
473
00:42:09,860 --> 00:42:12,030
I don't really know if...
474
00:42:12,120 --> 00:42:15,330
He'll be here around 2 p.m.
You can ask him.
475
00:42:16,660 --> 00:42:20,210
-I don't think so.
-You can't pretend he's not here.
476
00:42:20,290 --> 00:42:22,630
I can try.
477
00:42:25,630 --> 00:42:29,300
He isn't selling the house,
like I thought, but...
478
00:42:30,430 --> 00:42:33,090
Well, he has this project.
479
00:42:34,470 --> 00:42:36,510
Come again?
480
00:42:36,600 --> 00:42:39,940
It's a good thing.
He's making a new movie.
481
00:42:41,850 --> 00:42:44,860
What project?
482
00:42:44,940 --> 00:42:48,690
-The one you discussed.
-The film he wrote for me?
483
00:42:48,780 --> 00:42:51,280
Yeah, the part you didn't want.
484
00:42:52,950 --> 00:42:56,490
-Did he get financing?
-He must have.
485
00:42:56,580 --> 00:43:00,750
He didn't say much.
But he asked if you'd be here.
486
00:43:02,080 --> 00:43:04,130
Okay.
487
00:43:04,210 --> 00:43:06,380
[car door slams]
488
00:43:07,420 --> 00:43:10,300
-Is that him?
-Yeah.
489
00:43:28,360 --> 00:43:30,280
[Agnes] Shit, that's Rachel Kemp.
490
00:43:32,030 --> 00:43:33,950
Oh, shit.
491
00:43:35,120 --> 00:43:38,580
[inaudible]
492
00:43:41,960 --> 00:43:44,880
-Shit!
-Hey? Nora?
493
00:43:44,960 --> 00:43:47,040
Hey, now...
494
00:43:47,710 --> 00:43:51,970
[in English] Looks almost the same.
Nothing has really changed.
495
00:43:55,140 --> 00:43:57,180
[birds twitter]
496
00:44:02,230 --> 00:44:04,730
[traffic noise]
497
00:44:04,810 --> 00:44:07,190
[crow cries]
498
00:44:07,270 --> 00:44:09,520
[background voice, car horn]
499
00:44:09,610 --> 00:44:11,780
It's so great to see you again.
500
00:44:11,860 --> 00:44:16,280
There's a café nearby. Rachel will
let you know when we're done.
501
00:44:18,490 --> 00:44:21,240
[shuts doors]
502
00:44:25,170 --> 00:44:27,920
[in Norwegian] Hi. Is Nora here?
503
00:44:28,000 --> 00:44:30,090
No, she had to leave.
504
00:44:31,550 --> 00:44:33,840
[in English]
Rachel, this is my daughter, Agnes.
505
00:44:33,920 --> 00:44:37,680
Hi. Rachel. Nice to meet you.
506
00:44:38,760 --> 00:44:41,390
Are you in the business as well?
507
00:44:41,470 --> 00:44:47,440
-No, she helps me with research sometimes.
-I'm an historic... Academic historian.
508
00:44:47,520 --> 00:44:50,440
[in Norwegian]
Sorry, I can't even speak properly.
509
00:44:52,360 --> 00:44:54,110
[in English] Do you recognize her?
510
00:44:56,400 --> 00:44:58,620
She played Anna in the film you saw.
511
00:44:58,700 --> 00:45:01,330
[in English] That's a long time ago.
512
00:45:01,410 --> 00:45:04,040
Of course. That's...
513
00:45:04,120 --> 00:45:07,420
You're Anna! That's right! I see it.
514
00:45:07,500 --> 00:45:11,550
-Can I take a selfie with you?
-Yeah, sure.
515
00:45:11,630 --> 00:45:13,710
Starstruck.
516
00:45:21,260 --> 00:45:22,430
Thank you.
517
00:45:23,810 --> 00:45:27,310
So she's here, talking to her son.
518
00:45:27,390 --> 00:45:31,860
This is the last scene.
She's preparing him something to eat.
519
00:45:31,940 --> 00:45:36,150
It's important for her.
A last motherly touch, maybe.
520
00:45:37,820 --> 00:45:39,990
They hug, and he leaves.
521
00:45:41,070 --> 00:45:45,330
And the moment the door closes,
something in her changes.
522
00:45:45,410 --> 00:45:48,830
Almost like she relaxes, don't you think?
523
00:45:50,580 --> 00:45:55,010
The boy's meeting up with his father,
so she's not in a hurry.
524
00:45:55,090 --> 00:46:00,550
-Here's the wire to dry clothes on.
-A clothes line.
525
00:46:00,640 --> 00:46:03,680
-A clothing line.
-The clothing line.
526
00:46:03,760 --> 00:46:07,640
And then she goes in here
and starts preparing.
527
00:46:07,730 --> 00:46:10,310
[scraping sound]
528
00:46:13,190 --> 00:46:15,280
Suddenly...
529
00:46:16,360 --> 00:46:19,780
She hears the veranda door opening.
Come.
530
00:46:26,200 --> 00:46:30,710
It's her son. He's forgotten his flag.
His Norwegian flag.
531
00:46:30,790 --> 00:46:35,670
Yeah, it's the 17th of May.
It's like the national day.
532
00:46:35,750 --> 00:46:39,260
Did I say that all this will be
in one shot?
533
00:46:39,340 --> 00:46:42,090
A oner? This whole thing?
534
00:46:42,180 --> 00:46:45,600
The whole ending in just one shot.
No editing.
535
00:46:45,680 --> 00:46:49,430
Complete sync between time and place.
536
00:46:50,520 --> 00:46:52,560
So...
537
00:46:52,650 --> 00:46:56,360
The boy just stands there looking at her.
538
00:46:56,440 --> 00:46:59,400
Something's off. He doesn't get it.
539
00:47:02,280 --> 00:47:05,950
So he just grabs his flag and runs off.
540
00:47:08,700 --> 00:47:13,710
She goes here to make sure that
this time he really leaves.
541
00:47:13,790 --> 00:47:20,130
We only hear the gate closing behind him.
Because the camera's here, on her.
542
00:47:20,220 --> 00:47:22,340
And this is crucial.
543
00:47:23,430 --> 00:47:26,010
The expression she has here.
544
00:47:27,850 --> 00:47:29,980
What is she thinking?
545
00:47:30,060 --> 00:47:32,140
Exactly.
546
00:47:34,480 --> 00:47:36,570
Then she walks back here.
547
00:47:56,250 --> 00:47:59,210
-So this is where she does it?
-Yeah.
548
00:48:08,050 --> 00:48:10,890
You think that would bear her weight?
549
00:48:11,890 --> 00:48:14,140
Well, it happened like that.
With my mother.
550
00:48:16,230 --> 00:48:18,570
-Your mother?
-Yeah.
551
00:48:24,530 --> 00:48:26,820
-But not here?
-Yeah.
552
00:48:27,820 --> 00:48:31,540
-It's a very long time ago.
-No!
553
00:48:31,620 --> 00:48:33,120
She used that.
554
00:48:36,210 --> 00:48:39,290
-That?
-Uh-huh.
555
00:48:39,380 --> 00:48:42,130
In order to get high enough.
556
00:48:43,220 --> 00:48:45,550
But we won't see that.
557
00:48:45,630 --> 00:48:50,140
We'll end the shot with her going back in
and closing the door.
558
00:48:50,220 --> 00:48:52,970
We just hear the sound.
559
00:48:53,060 --> 00:48:54,140
[bang]
560
00:48:54,230 --> 00:48:57,060
As the camera moves away.
561
00:49:01,900 --> 00:49:05,820
Can I ask
why you didn't just leave after that?
562
00:49:05,900 --> 00:49:08,410
Well, we did leave after this.
563
00:49:08,490 --> 00:49:11,740
We moved to Sweden.
My father was Swedish.
564
00:49:13,620 --> 00:49:16,290
Well, I'd love to hear more about her.
565
00:49:18,500 --> 00:49:21,380
It's not my mother in the script,
you know.
566
00:49:26,300 --> 00:49:29,970
Right, but they would still
let me do it? Yeah.
567
00:49:30,050 --> 00:49:33,520
-Yeah, I know.
-[Gustav in Norwegian] This'll be great.
568
00:49:33,600 --> 00:49:38,190
She's motivated.
I told her that that footstool
569
00:49:38,270 --> 00:49:41,440
was the one my mom used to hang herself.
570
00:49:41,520 --> 00:49:44,110
The one from IKEA?
571
00:49:44,190 --> 00:49:46,700
[he blows - she giggles]
572
00:49:49,910 --> 00:49:53,200
[ROSE ROOM
BY ART HICKMAN PLAYING]
573
00:50:00,500 --> 00:50:02,590
[Patient] "Is this me?"
574
00:50:04,170 --> 00:50:09,380
"Is this me?" What I think,
the way I feel, how I sleep or not...
575
00:50:09,470 --> 00:50:12,720
I just can't understand how this...
576
00:50:12,800 --> 00:50:16,020
-Can be me.
-We've been here before.
577
00:50:17,020 --> 00:50:20,600
-[Sissel] So you don't recognize yourself?
-[Male patient] No.
578
00:50:21,860 --> 00:50:27,320
[Narrator] Years before, the therapist's
office was called "The Library."
579
00:50:31,070 --> 00:50:35,370
It was often empty.
Karin, the oldest daughter,
580
00:50:35,450 --> 00:50:39,250
hung out with friends
and listened to music there.
581
00:50:52,640 --> 00:50:56,260
[inaudible]
582
00:50:57,100 --> 00:50:59,940
[jazz and inaudible voices]
583
00:51:06,400 --> 00:51:11,030
When the war broke out,
Karin joined the resistance.
584
00:51:11,740 --> 00:51:16,790
One autumn evening in 1943,
the State Police came to fetch her.
585
00:51:16,870 --> 00:51:21,250
[voices, inaudible]
586
00:51:24,170 --> 00:51:30,130
She was jailed for two years.
She never talked about the prison camp.
587
00:51:33,680 --> 00:51:36,810
[strains of jazz]
588
00:51:37,890 --> 00:51:40,810
There. Listen to this.
589
00:51:40,890 --> 00:51:46,520
[Narrator] After the war, Karin got
married and took over the family house.
590
00:51:48,230 --> 00:51:52,150
She gave birth to Gustav in 1951.
591
00:51:52,240 --> 00:51:55,030
[ENFANTILLAGES PITTORESQUES
BY ERIC SATIE PLAYING]
592
00:51:58,660 --> 00:52:03,500
Many years later, when he had become
a filmmaker, Gustav liked to say:
593
00:52:03,580 --> 00:52:06,540
"Nothing is more beautiful than shadows."
594
00:52:07,130 --> 00:52:11,210
He would imagine his childhood home.
595
00:52:41,580 --> 00:52:43,660
[door shuts]
596
00:52:44,540 --> 00:52:47,420
[I'M ALIVE
BY LUCIA/JACKSON PLAYING]
597
00:52:48,500 --> 00:52:53,010
♪ And I see things mighty clear today,
I'm alive! ♪
598
00:52:55,510 --> 00:52:59,930
[Narrator] Karin's little sister, Edith,
moved in with her friend Lillian.
599
00:53:00,930 --> 00:53:05,690
Edith was happily childless,
but Gustav often visited them in summer.
600
00:53:05,770 --> 00:53:08,560
♪ And I'm real! ♪
601
00:53:08,650 --> 00:53:11,690
♪ I can taste and touch and see,
I'm alive! ♪
602
00:53:12,900 --> 00:53:17,320
If anyone complained,
Edith turned up the volume. She was sure
603
00:53:17,410 --> 00:53:21,830
one of the neighbors
had ratted on her sister during the war.
604
00:53:25,250 --> 00:53:26,410
[song ends]
605
00:53:26,500 --> 00:53:30,000
[SHOOT FROM THE HEART
BY JUDIE TZUKE PLAYING]
606
00:53:30,590 --> 00:53:35,170
When Edith died, Gustav was her sole heir.
607
00:53:35,260 --> 00:53:40,300
In 1986, he moved back to the house
with all its memories.
608
00:53:43,850 --> 00:53:48,560
There are two versions of
how Gustav met his wife, Sissel.
609
00:53:48,650 --> 00:53:52,150
She said he came to her as
a patient with insomnia.
610
00:53:52,730 --> 00:53:56,700
It was obvious to her that moving back
proved more complicated
611
00:53:56,780 --> 00:53:58,780
than he liked to admit.
612
00:53:58,860 --> 00:54:01,870
Gustav's take was grander.
613
00:54:01,950 --> 00:54:04,080
She was absolutely stunning.
614
00:54:04,160 --> 00:54:09,040
I found out she was a therapist,
so I got some mental problems.
615
00:54:09,120 --> 00:54:12,420
[Narrator] Six months later,
Sissel was pregnant.
616
00:54:13,380 --> 00:54:18,470
They were married three weeks before
Nora was born in December 1987.
617
00:54:18,550 --> 00:54:20,590
[Young Agnes] I'm done.
618
00:54:20,680 --> 00:54:25,100
[Narrator] With her little sister Agnes,
they became a family of four.
619
00:54:25,180 --> 00:54:27,140
[Gustav, inaudible]
620
00:54:27,230 --> 00:54:32,360
-[Sissel] It sucks? Being with us sucks?
-[Gustav] That's not what I'm saying!
621
00:54:32,440 --> 00:54:36,780
[Gustav] Why do you have to dredge up
that old crap again?
622
00:54:36,860 --> 00:54:37,990
[Sissel, inaudible]
623
00:54:38,070 --> 00:54:41,530
[Narrator] After the divorce,
Gustav returned to Sweden.
624
00:54:42,490 --> 00:54:45,910
The house grew lighter and lighter.
625
00:54:52,830 --> 00:54:54,750
[music ends]
626
00:54:58,880 --> 00:55:02,050
[WORLD [PRICE OF LOVE]
BY NEW ORDER PLAYING]
627
00:55:08,480 --> 00:55:11,020
Have you talked to Peter?
628
00:55:12,100 --> 00:55:14,860
Peter is an old man.
629
00:55:15,980 --> 00:55:19,820
-He hasn't shot in ten years.
-Neither have I.
630
00:55:20,900 --> 00:55:26,120
-No, but he's retired.
-He'll do it for me.
631
00:55:28,870 --> 00:55:32,290
-I won't let anyone else film it.
-Okay, but...
632
00:55:32,370 --> 00:55:36,460
-You have to go and speak to him.
-Sure thing.
633
00:55:36,550 --> 00:55:39,050
"Sure thing"? Just do it.
634
00:55:40,220 --> 00:55:44,680
-He's no older than you are.
-Blah, blah.
635
00:55:44,760 --> 00:55:48,560
-[in English] So how do you like Norway?
-I love Norway.
636
00:55:48,640 --> 00:55:50,520
It's beautiful.
637
00:55:50,600 --> 00:55:53,810
The people are very friendly.
638
00:55:53,900 --> 00:55:56,190
Been very welcoming.
639
00:55:57,610 --> 00:56:02,860
[in Norwegian] This is a Netflix
production. Will it be shown in cinemas?
640
00:56:02,950 --> 00:56:05,450
Sure, where else?
641
00:56:05,530 --> 00:56:10,200
It's still being negotiated,
but that's definitely the plan.
642
00:56:11,910 --> 00:56:14,000
[in English]
Another question for Rachel Kemp.
643
00:56:14,080 --> 00:56:18,880
It's about the reception of
your last film, "Cathy's Choice."
644
00:56:18,960 --> 00:56:21,510
It must have made you a bit disappointed.
645
00:56:24,930 --> 00:56:27,680
I'm very proud of that film.
646
00:56:28,930 --> 00:56:33,100
I don't think that's what
we're here for today, are we?
647
00:56:33,180 --> 00:56:38,730
Were you nervous before taking on,
like, a real drama film?
648
00:56:38,820 --> 00:56:41,650
I'm working...
I'm doing this film because...
649
00:56:41,740 --> 00:56:44,780
[in Norwegian] What sort
of a stupid question is that?
650
00:56:45,950 --> 00:56:48,910
[in English] Rachel Kemp
is the best actress of her generation.
651
00:56:48,990 --> 00:56:50,290
You're lucky she's here.
652
00:56:50,370 --> 00:56:51,700
You should be grateful!
653
00:56:53,250 --> 00:56:55,670
Get out!
654
00:56:55,750 --> 00:56:59,790
-Get out!
-Okay. Thank you.
655
00:57:01,760 --> 00:57:04,420
[in Norwegian] What a goddamn idiot.
656
00:57:04,510 --> 00:57:08,010
Shouldn't the questions
be clarified in advance?
657
00:57:08,090 --> 00:57:12,470
-That's not possible.
-The TikTok troll.
658
00:57:20,650 --> 00:57:24,030
[public announcement, inaudible]
659
00:57:26,490 --> 00:57:29,660
[ticking of escalator]
660
00:57:29,740 --> 00:57:32,370
[seagulls crying]
661
00:57:34,080 --> 00:57:38,210
[Olav] Surely not ASMR again?
It makes you fall asleep.
662
00:57:38,290 --> 00:57:42,250
-[Woman] He taught it to me.
-[Actor] I also did it with him.
663
00:57:42,340 --> 00:57:45,130
I won't hold a speech, but I feel
664
00:57:45,220 --> 00:57:49,590
this gratitude welling up in me.
665
00:57:49,680 --> 00:57:53,720
I just want to say how awesome it is
to work with every one of you.
666
00:57:53,810 --> 00:57:59,060
-There's still some way to go...
-We talked about it earlier.
667
00:57:59,150 --> 00:58:01,900
We've also talked a great deal.
668
00:58:01,980 --> 00:58:04,820
We'll sort it out before the premiere.
669
00:58:04,900 --> 00:58:08,780
And Jakob, I know things
are difficult on the home front.
670
00:58:10,450 --> 00:58:12,780
But... Uh, but...
671
00:58:12,870 --> 00:58:18,000
Thank you for doing the work you do,
and if there's anything, tell me.
672
00:58:18,080 --> 00:58:21,330
-Always.
-Thank you. I will.
673
00:58:21,420 --> 00:58:23,420
[Olivia] But... Okay.
674
00:58:23,500 --> 00:58:26,630
But I think this is gonna be awesome.
675
00:58:26,720 --> 00:58:28,840
-[Olav] I think so too.
-[Actor] Cheers!
676
00:58:28,930 --> 00:58:31,850
-Cheers!
-[All] Cheers!
677
00:58:31,930 --> 00:58:36,060
But you haven't told me
you're getting a divorce.
678
00:58:36,140 --> 00:58:40,350
No, it's been so busy with
the rehearsals, and... Well.
679
00:58:40,440 --> 00:58:42,480
Yeah.
680
00:58:42,560 --> 00:58:44,320
[boat engine]
681
00:58:44,400 --> 00:58:48,450
-It's hard to find the right moment.
-Of course.
682
00:58:50,820 --> 00:58:52,910
It's not like...
683
00:58:53,830 --> 00:58:55,120
Uh...
684
00:58:55,200 --> 00:58:58,410
-Not because of us?
-No, that's not it.
685
00:58:58,500 --> 00:59:01,120
[voices, call of sandpiper]
686
00:59:03,000 --> 00:59:05,090
I'm here for you, if...
687
00:59:06,210 --> 00:59:08,220
If you need to talk.
688
00:59:08,300 --> 00:59:11,680
-[Olav] Is nobody else taking a dip?
-[Actor] Get in!
689
00:59:11,760 --> 00:59:13,850
-[Olivia] One, two...
-[Woman] Okay.
690
00:59:13,930 --> 00:59:16,510
-[Woman] Three!
-[All] Whoo!
691
00:59:16,600 --> 00:59:18,640
[fly buzzing]
692
00:59:25,440 --> 00:59:27,070
[bird twitters]
693
00:59:28,320 --> 00:59:30,610
We don't need to hide now.
694
00:59:32,740 --> 00:59:36,240
Listen, I... I don't know.
695
00:59:41,080 --> 00:59:44,670
[voices ahead]
696
00:59:49,380 --> 00:59:52,630
[original score - piano]
697
00:59:56,430 --> 00:59:59,810
[children's voices, laughter]
698
01:00:08,650 --> 01:00:10,940
[birdsong]
699
01:00:12,280 --> 01:00:14,360
-Hello!
-Hi!
700
01:00:16,530 --> 01:00:18,830
-Is Dad here?
-Not yet.
701
01:00:21,870 --> 01:00:25,540
-There you are! Congratulations!
-Thanks.
702
01:00:26,210 --> 01:00:29,550
Wow! You look nice with a bow tie!
703
01:00:29,630 --> 01:00:31,840
Hello! Are we having pizza?
704
01:00:31,920 --> 01:00:34,840
Hello. I'll just do like this.
705
01:00:36,390 --> 01:00:39,140
[inaudible]
706
01:00:39,220 --> 01:00:42,100
That record's still mine.
707
01:00:42,180 --> 01:00:44,690
Nah.
708
01:00:44,770 --> 01:00:47,650
-Start there.
-[doorbell rings]
709
01:00:52,530 --> 01:00:53,900
[door opens]
710
01:00:53,990 --> 01:00:57,030
[Agnes] Hi! Welcome.
711
01:00:57,120 --> 01:00:59,780
-Good to see you.
-Likewise.
712
01:00:59,870 --> 01:01:03,080
Congratulations. Happy birthday!
713
01:01:03,160 --> 01:01:06,880
The nine-year-old man. Big boy now.
714
01:01:06,960 --> 01:01:13,050
-Guess you haven't met since our wedding.
-I can never forget a woman like Therese.
715
01:01:17,590 --> 01:01:22,560
-Hi. Wow! Nice! Where did you get it?
-Just get some glasses.
716
01:01:35,570 --> 01:01:37,660
Hi, Dad.
717
01:01:39,160 --> 01:01:41,240
Hi.
718
01:01:46,370 --> 01:01:48,380
Yeah, you hit it.
719
01:01:48,460 --> 01:01:52,500
[background chatter]
720
01:01:53,460 --> 01:01:55,970
How's the film coming along?
721
01:01:58,550 --> 01:02:01,720
-Good.
-I've heard of it. How exciting!
722
01:02:01,810 --> 01:02:06,020
-What's it like to work with Rachel Kemp?
-Hey...
723
01:02:07,810 --> 01:02:10,310
I'm just asking what it's like
to work with her.
724
01:02:11,940 --> 01:02:15,530
Well, she's not there yet. But almost.
725
01:02:15,610 --> 01:02:19,820
I heard you fooled her with
a footstool from IKEA.
726
01:02:19,910 --> 01:02:23,370
Is he gonna spend all day
watching that thing?
727
01:02:23,450 --> 01:02:26,290
He's got 20 minutes
screen time left.
728
01:02:26,370 --> 01:02:28,460
Who? Even?
729
01:02:32,250 --> 01:02:35,840
I just wanna know how much screen time
you've left. Aren't you over?
730
01:02:37,260 --> 01:02:41,300
-How much screen time I've left?
-Does he have any?
731
01:02:41,390 --> 01:02:44,060
-[Therese] Put it away.
-[Nora] Pizza's ready.
732
01:02:44,140 --> 01:02:46,220
-[Even] I just...
-[Therese] Right now.
733
01:02:58,570 --> 01:03:01,740
-Right. What do you say?
-[Erik] Thank you.
734
01:03:01,820 --> 01:03:04,870
Look here. Monica Bellucci, dammit.
735
01:03:06,870 --> 01:03:11,500
And this film will make you understand
women and maternal relationships.
736
01:03:12,040 --> 01:03:13,840
-How nice.
-Thanks.
737
01:03:13,920 --> 01:03:16,420
-But we don't have a DVD player.
-Thank God.
738
01:03:16,500 --> 01:03:20,630
-We'll find a way to see them.
-I rarely watch films anymore.
739
01:03:20,720 --> 01:03:23,510
[original score]
740
01:03:53,210 --> 01:03:54,790
[Therese chuckles]
741
01:03:54,880 --> 01:03:57,000
You should start writing.
742
01:03:58,090 --> 01:04:00,380
Yeah, so you say.
743
01:04:01,550 --> 01:04:05,970
Why wait for some old fart
to let you play Ophelia?
744
01:04:06,050 --> 01:04:10,270
-I'm playing Hamlet.
-I've talked to Rachel about it.
745
01:04:10,350 --> 01:04:15,770
She's developing her own projects.
Has a production company now.
746
01:04:15,860 --> 01:04:17,690
It's hard to be an actress.
747
01:04:17,770 --> 01:04:22,450
You decide nothing yourself.
Just wait for people to want you.
748
01:04:22,530 --> 01:04:25,910
-It's not healthy in the long run.
-I...
749
01:04:25,990 --> 01:04:28,160
It erodes your self-confidence.
750
01:04:28,240 --> 01:04:32,660
Your need for attention
becomes insufferable.
751
01:04:34,620 --> 01:04:38,090
I could never have married an actress.
752
01:04:38,170 --> 01:04:40,840
But fucking them was okay?
753
01:04:40,920 --> 01:04:42,300
[snorts]
754
01:04:43,510 --> 01:04:49,010
Artists today are so petite bourgeoisie.
You'll never write "Ulysses"
755
01:04:49,100 --> 01:04:52,640
driving to soccer practice
and comparing car insurance.
756
01:04:54,900 --> 01:04:59,360
What happened to artistic freedom?
Artists need liberty.
757
01:05:01,400 --> 01:05:04,200
And not have kids then, Dad?
758
01:05:06,950 --> 01:05:08,530
Don't say that, Nora.
759
01:05:09,740 --> 01:05:11,950
How old are you now?
760
01:05:13,330 --> 01:05:17,000
When Sissel was your age,
she had two children.
761
01:05:17,080 --> 01:05:19,170
Times have changed.
762
01:05:21,840 --> 01:05:24,300
You two are the best thing
that's happened to me.
763
01:05:24,970 --> 01:05:27,640
The best that's happened to you?
764
01:05:27,720 --> 01:05:29,800
Then why weren't you there?
765
01:05:30,310 --> 01:05:32,180
[laughs]
766
01:05:32,270 --> 01:05:34,940
Everyone's mad at Dad, huh?
767
01:05:36,690 --> 01:05:39,650
You two turned out fine, didn't you?
768
01:05:39,730 --> 01:05:44,030
How can you tell?
You don't even know us.
769
01:05:44,110 --> 01:05:47,700
-Stop exaggerating.
-Exaggerating?
770
01:05:53,660 --> 01:05:57,750
I know it's been hard for you.
I recognize myself in you.
771
01:06:00,630 --> 01:06:04,130
But you're so goddamn angry.
772
01:06:04,210 --> 01:06:08,090
It's hard to love someone
who's so full of rage.
773
01:06:08,680 --> 01:06:12,260
Right?
You don't want to be alone forever.
774
01:06:16,690 --> 01:06:19,150
It's not good for the art either.
775
01:06:19,850 --> 01:06:24,190
You need someone to care about.
Children or something.
776
01:06:24,780 --> 01:06:27,610
You never regret having children.
777
01:06:34,540 --> 01:06:38,330
[original score - piano]
778
01:06:56,640 --> 01:06:58,730
[draws her breath]
779
01:07:10,740 --> 01:07:13,160
[exhales sharply, sobs]
780
01:07:28,840 --> 01:07:30,930
[sighs]
781
01:07:36,260 --> 01:07:38,680
[starts crying]
782
01:08:12,630 --> 01:08:15,300
[breathes]
783
01:08:28,190 --> 01:08:30,990
[SAME OLD SCENE
BY ROXY MUSIC PLAYING]
784
01:08:54,680 --> 01:08:56,800
[music fades]
785
01:08:56,890 --> 01:08:58,970
[birdsong]
786
01:09:01,850 --> 01:09:03,520
[Gustav in Swedish] Peter?
787
01:09:06,020 --> 01:09:08,270
[Peter] Good to see you. Hi.
788
01:09:08,360 --> 01:09:09,980
Some place you have here.
789
01:09:10,860 --> 01:09:15,200
Yeah, thanks to Lasse Hallström, not you.
790
01:09:15,280 --> 01:09:19,080
He only booked you after seeing
"River of Time."
791
01:09:20,080 --> 01:09:22,000
Must be great for your grandkids.
792
01:09:24,790 --> 01:09:30,710
It's still difficult with Daniel.
The worst part is that his kids suffer.
793
01:09:30,800 --> 01:09:34,670
They never get to come here
to see their grandpa.
794
01:09:34,760 --> 01:09:35,840
But hey...
795
01:09:37,010 --> 01:09:41,470
-This script...
-Not that bad, huh?
796
01:09:41,560 --> 01:09:44,270
-It's stunning.
-So you're in?
797
01:09:44,350 --> 01:09:46,940
Yeah, I have to do this.
798
01:09:47,020 --> 01:09:49,860
Come on, let's grab a drink.
799
01:10:01,620 --> 01:10:03,700
No. Oh.
800
01:10:05,160 --> 01:10:09,250
[Peter] I don't think there's much
hand-held camera in this.
801
01:10:09,330 --> 01:10:12,840
I'm thinking dolly and tripod.
802
01:10:21,100 --> 01:10:25,480
Sorry for not staying in touch.
I'm bad at that between films.
803
01:10:25,560 --> 01:10:28,060
Same here, you know. Same here.
804
01:10:33,440 --> 01:10:37,650
I have to... I'll let you know
if this works out.
805
01:10:40,240 --> 01:10:43,620
Netflix also wants a say.
806
01:10:45,160 --> 01:10:48,580
They want us to talk to others as well.
807
01:10:54,550 --> 01:10:56,880
Right, so that's how it is?
808
01:10:58,760 --> 01:11:01,050
Yeah.
809
01:11:01,140 --> 01:11:03,890
That's how it is.
810
01:11:03,970 --> 01:11:05,810
Mm.
811
01:11:07,180 --> 01:11:09,270
[sighs]
812
01:11:13,860 --> 01:11:16,940
[original score - piano]
813
01:11:22,700 --> 01:11:24,660
Cheers.
814
01:11:25,660 --> 01:11:27,750
Good to see you.
815
01:11:58,440 --> 01:11:59,690
[sighs heavily]
816
01:12:15,540 --> 01:12:19,260
[Gustav] Hi, Nora.
I just wanted to call you to say that...
817
01:12:25,100 --> 01:12:27,680
We have to talk to each other.
818
01:12:30,600 --> 01:12:33,900
It can't be the case that...
819
01:12:35,560 --> 01:12:39,150
I don't like going to the theatre,
for example.
820
01:12:39,230 --> 01:12:42,570
And it's not that I don't like theatre.
821
01:12:42,650 --> 01:12:47,410
It's just that...
I can't stand watching it.
822
01:12:50,160 --> 01:12:52,330
But Chekhov is...
823
01:12:52,410 --> 01:12:55,170
I can read Chekhov.
824
01:12:55,250 --> 01:12:57,960
It's really...
825
01:12:58,040 --> 01:13:01,420
Not the plays, but...
826
01:13:03,630 --> 01:13:07,010
I'm sensitive. So are you.
827
01:13:07,100 --> 01:13:10,600
We're... alike in that sense.
828
01:13:10,680 --> 01:13:13,230
What the fuck.
829
01:13:14,190 --> 01:13:16,690
[exhales]
830
01:13:22,690 --> 01:13:24,780
[gasps]
831
01:13:33,580 --> 01:13:35,620
[exhales]
832
01:14:12,620 --> 01:14:14,370
[in English] Oh, thanks.
833
01:14:14,450 --> 01:14:16,460
I was wondering...
834
01:14:16,540 --> 01:14:18,710
Who is the "you"?
835
01:14:18,790 --> 01:14:22,630
She says "you know."
Who is the you?
836
01:14:24,550 --> 01:14:26,630
Who do you think?
837
01:14:34,640 --> 01:14:39,690
I don't think it's her mother.
She'd never say that to her.
838
01:14:43,150 --> 01:14:47,450
It feels like it's just an inner voice,
I guess.
839
01:14:48,110 --> 01:14:52,740
It just feels weird to speak
and not be talking to anyone.
840
01:14:53,990 --> 01:14:56,290
Great.
841
01:14:56,370 --> 01:15:00,630
-Let's do it once with Ingrid listening.
-I am.
842
01:15:02,840 --> 01:15:06,010
Come here. Try it sitting here.
843
01:15:06,090 --> 01:15:09,090
-Just to see.
-Okay.
844
01:15:09,180 --> 01:15:12,010
And you pick it up at...
845
01:15:14,060 --> 01:15:17,060
"I had this kind of crisis."
Talk to Ingrid.
846
01:15:17,140 --> 01:15:22,150
[in Swedish] If you want to, you can
touch her. Feel that you're her mother.
847
01:15:24,440 --> 01:15:28,320
[in English] And remember,
she's never told anyone about this.
848
01:15:28,400 --> 01:15:31,780
She's embarrassed about praying like this.
849
01:15:31,870 --> 01:15:35,540
May try to hide it or laugh
at yourself, but...
850
01:15:36,910 --> 01:15:39,000
You're ashamed.
851
01:15:41,000 --> 01:15:44,590
You're ashamed of being weak.
852
01:15:45,670 --> 01:15:47,760
Okay.
853
01:15:53,260 --> 01:15:55,010
Okay.
854
01:16:00,480 --> 01:16:03,730
"I had this kind of crisis."
855
01:16:05,320 --> 01:16:08,030
"I was alone in the house again,"
856
01:16:08,110 --> 01:16:10,820
"lying in my bed, crying."
857
01:16:14,370 --> 01:16:17,740
"I know everyone lies in bed,
crying, but..."
858
01:16:23,830 --> 01:16:27,920
"Someone said praying
isn't really talking to God."
859
01:16:29,130 --> 01:16:32,470
"It's acknowledging the despair."
860
01:16:32,550 --> 01:16:37,260
"To throw yourself on the ground
because that's all you can do."
861
01:16:39,520 --> 01:16:43,520
"Not unlike lying with your heart broken,
thinking..."
862
01:16:44,770 --> 01:16:47,940
"'Please call me. Please forgive me.'"
863
01:16:48,020 --> 01:16:50,150
"'Please take me back.'"
864
01:16:54,870 --> 01:16:56,990
"And..."
865
01:16:57,080 --> 01:16:59,580
"I had fucked up."
866
01:17:01,620 --> 01:17:04,420
"And I was alone,"
867
01:17:05,540 --> 01:17:07,630
"and crying."
868
01:17:09,130 --> 01:17:11,970
"And then, for the first time,"
869
01:17:15,590 --> 01:17:17,680
"I sat down on the floor"
870
01:17:19,100 --> 01:17:20,720
"and prayed."
871
01:17:23,350 --> 01:17:27,270
"I don't know who I said it to,
but I said it out loud."
872
01:17:29,770 --> 01:17:32,030
"'Help me.'"
873
01:17:33,150 --> 01:17:35,530
"'I can't do this anymore.'"
874
01:17:36,450 --> 01:17:38,910
"'I can't do it alone.'"
875
01:17:40,660 --> 01:17:42,950
"'I want a home.'"
876
01:17:43,040 --> 01:17:45,370
"'I want a home.'"
877
01:17:45,460 --> 01:17:48,380
[laughs, cries]
878
01:17:51,630 --> 01:17:53,470
Oh!
879
01:17:57,340 --> 01:17:59,550
[laughs]
880
01:18:02,100 --> 01:18:04,810
I wish her... I wish
881
01:18:04,890 --> 01:18:08,190
her mother was like this in the film.
882
01:18:10,440 --> 01:18:12,530
Exactly.
883
01:18:14,110 --> 01:18:16,200
[Rachel sniffles]
884
01:18:18,200 --> 01:18:21,910
[white noise - car passing]
885
01:18:23,080 --> 01:18:26,000
Are you sure doing this
in English works?
886
01:18:26,080 --> 01:18:27,670
Yeah, of course.
887
01:18:27,750 --> 01:18:32,380
Maybe I should have
a Norwegian accent, like Ingrid?
888
01:18:32,460 --> 01:18:34,800
I don't have an accent. Do I?
889
01:18:34,880 --> 01:18:36,840
-She's Swedish.
-Do I?
890
01:18:36,930 --> 01:18:41,810
Your accent's non-existent.
I just mean... Wouldn't it be weird
891
01:18:41,890 --> 01:18:45,350
if everyone has a Scandinavian accent,
and I sound like this?
892
01:18:46,140 --> 01:18:48,560
Maybe. I'll think about it.
893
01:18:52,320 --> 01:18:56,700
Could I ask a little bit more
about the character?
894
01:18:56,780 --> 01:18:59,950
I think my big question is still "Why?"
895
01:19:00,030 --> 01:19:02,330
Why she decides to kill herself.
896
01:19:03,410 --> 01:19:06,750
Yeah. So what do you think?
897
01:19:10,830 --> 01:19:14,250
I get that she's depressed,
like her mother.
898
01:19:15,800 --> 01:19:17,840
But she has a child.
899
01:19:18,840 --> 01:19:22,260
That's the question
the film is asking, isn't it?
900
01:19:22,350 --> 01:19:24,930
I think you have to find your own reason.
901
01:19:27,680 --> 01:19:29,770
[birdsong]
902
01:19:31,230 --> 01:19:33,190
Could I ask about your mother?
903
01:19:33,270 --> 01:19:35,190
[laughs]
904
01:19:36,480 --> 01:19:40,660
I don't mean to pry,
I just feel she might be relevant.
905
01:19:40,740 --> 01:19:43,950
This is not about my mother.
906
01:19:54,880 --> 01:19:57,210
[electric door opener]
907
01:20:04,640 --> 01:20:06,850
[original score - piano]
908
01:20:06,930 --> 01:20:09,980
[creaking]
909
01:20:40,130 --> 01:20:42,680
[elevator door opens]
910
01:20:57,480 --> 01:20:59,650
[music fades]
911
01:21:05,450 --> 01:21:08,290
[Archivist in Norwegian]
This is her State Police registry card
912
01:21:08,370 --> 01:21:10,080
and her prison camp file.
913
01:21:10,950 --> 01:21:16,590
Karin Irgens' witness statement is here.
You applied for access to the whole file.
914
01:21:16,670 --> 01:21:21,720
And the file contains photographs from
reconstructions of the torture methods.
915
01:21:22,760 --> 01:21:27,430
Well, the images are unsettling.
I thought you should know.
916
01:21:27,510 --> 01:21:31,810
But I've marked the most relevant
information with tags.
917
01:21:31,890 --> 01:21:33,850
Well, thank you.
918
01:21:54,040 --> 01:21:56,120
IRGENS, Karin
919
01:21:56,210 --> 01:21:59,960
Sentenced for: Anti-nazi propaganda
920
01:22:16,730 --> 01:22:18,810
[sighs]
921
01:22:31,240 --> 01:22:33,330
[original score - somber]
922
01:22:37,920 --> 01:22:40,250
Treason trial
923
01:22:40,340 --> 01:22:44,550
Document list
- regarding instances of torture
924
01:22:56,600 --> 01:23:02,190
Re: Defendant's crimes of treason -
the torture of Karin Irgens
925
01:23:12,580 --> 01:23:16,120
They tightened the leg clamps
until I screamed.
926
01:23:16,200 --> 01:23:19,790
The interrogator tied me to a stove.
It was very hot.
927
01:23:19,880 --> 01:23:22,710
They beat me with a rod.
928
01:23:22,790 --> 01:23:25,920
It was most painful.
The pain endured for months.
929
01:24:06,090 --> 01:24:09,300
[Narrator] When she told Even
about it later,
930
01:24:09,380 --> 01:24:12,840
it didn't feel as if she had much to add.
931
01:24:12,930 --> 01:24:15,350
They already knew most of it.
932
01:24:17,430 --> 01:24:21,980
It was hard to say why it had made
such a strong impression.
933
01:24:22,060 --> 01:24:25,860
Was it her grandmother's
witness statement, the dry,
934
01:24:25,940 --> 01:24:28,860
unsentimental way she described it?
935
01:24:28,940 --> 01:24:35,740
Or was it because she was just one of many
victims who testified in the same file?
936
01:24:35,830 --> 01:24:42,000
The police report on her suicide
15 years later was thin.
937
01:24:42,080 --> 01:24:46,130
There were no photographs.
But her father's name was there.
938
01:24:46,210 --> 01:24:48,670
He hadn't been questioned.
939
01:24:48,760 --> 01:24:52,760
He was just seven years old at the time.
940
01:24:52,840 --> 01:24:55,760
[children's voices]
941
01:24:58,470 --> 01:25:00,640
[music fades]
942
01:25:02,310 --> 01:25:05,110
Then you pan quickly as hell.
943
01:25:05,190 --> 01:25:07,570
No, wait.
944
01:25:07,650 --> 01:25:09,030
Pay attention now.
945
01:25:10,320 --> 01:25:11,530
Wooh!
946
01:25:11,610 --> 01:25:15,660
[gargles]
947
01:25:18,240 --> 01:25:20,450
Cut.
948
01:25:20,540 --> 01:25:22,210
Show me.
949
01:25:22,290 --> 01:25:24,790
Good, huh?
950
01:25:26,880 --> 01:25:27,920
[chuckles]
951
01:25:31,340 --> 01:25:33,430
[Agnes] May I see?
952
01:25:33,510 --> 01:25:37,760
Ouch! Ow!
953
01:25:37,850 --> 01:25:40,220
[all laugh]
954
01:25:42,850 --> 01:25:44,140
Great!
955
01:25:46,980 --> 01:25:49,110
[child shouts]
956
01:25:49,650 --> 01:25:52,320
Why don't we go to Nora's premiere
together?
957
01:25:52,400 --> 01:25:55,860
We could grab some dinner here first.
958
01:25:55,950 --> 01:25:59,830
I think I have to take a cab
straight from the office.
959
01:25:59,910 --> 01:26:02,750
-But you're coming?
-Of course.
960
01:26:04,710 --> 01:26:07,380
[hum of city, seagulls crying]
961
01:26:09,170 --> 01:26:11,340
[child's voice]
962
01:26:12,420 --> 01:26:15,220
[Gustav] I want Erik to be in my film.
963
01:26:17,010 --> 01:26:19,510
-He's perfect.
-Okay?
964
01:26:21,100 --> 01:26:25,310
It's not that many lines,
but it's a key part, Rachel's son.
965
01:26:28,560 --> 01:26:31,190
That's nice, but...
966
01:26:31,270 --> 01:26:35,240
I don't know, he's not exactly
the actor type.
967
01:26:35,320 --> 01:26:38,110
I don't want an actor type.
968
01:26:38,200 --> 01:26:43,160
There's nothing worse than children
with jazz hands in a film.
969
01:26:43,250 --> 01:26:46,750
Like they're in a musical or something.
970
01:26:46,830 --> 01:26:49,330
There's something about Erik.
971
01:26:50,420 --> 01:26:53,170
He has secrets.
972
01:26:56,970 --> 01:27:00,640
You were also a bit shy, right?
973
01:27:00,720 --> 01:27:02,890
But great on screen.
974
01:27:02,970 --> 01:27:05,520
You should have kept at it.
975
01:27:05,600 --> 01:27:07,690
[chuckles]
976
01:27:11,020 --> 01:27:13,530
[distant cars]
977
01:27:13,610 --> 01:27:15,570
[Coach in Norwegian accent]
"I want three glasses of juice."
978
01:27:15,650 --> 01:27:18,450
"I want three glasses of juice."
979
01:27:19,530 --> 01:27:24,080
-"Thank you for washing my clothes."
-"Thank you for washing my clothes."
980
01:27:24,160 --> 01:27:29,000
-"Thank you for washing my clothes."
-"Thank you for washing my clothes."
981
01:27:49,980 --> 01:27:52,270
[hum of city]
982
01:27:52,360 --> 01:27:55,570
[in Norwegian accent] "I almost
don't dare to close my eyes."
983
01:27:55,650 --> 01:28:00,110
"I'm afraid that when I open them,
he won't be here anymore."
984
01:28:02,240 --> 01:28:04,240
Let's take a break.
985
01:28:05,990 --> 01:28:08,000
[vocal sound]
986
01:28:13,840 --> 01:28:16,590
You seem a little distracted.
987
01:28:18,720 --> 01:28:20,680
Just... A bit tired.
988
01:28:22,220 --> 01:28:24,640
You can't go wrong here.
989
01:28:25,640 --> 01:28:29,680
The only thing you can do wrong
is not to listen.
990
01:28:32,520 --> 01:28:34,560
And don't rush it.
991
01:28:39,740 --> 01:28:41,570
Okay?
992
01:28:41,660 --> 01:28:44,410
Let's try one without the accent.
993
01:28:49,540 --> 01:28:53,460
We'll take it from... from...
994
01:28:54,000 --> 01:28:57,460
-Previous page, on the top.
-Uh-huh.
995
01:28:57,550 --> 01:28:59,920
[echoes in foyer]
996
01:29:00,010 --> 01:29:01,170
[door opens]
997
01:29:02,800 --> 01:29:07,310
-Hey. It's so nice to meet you.
-Nice to meet you.
998
01:29:07,390 --> 01:29:12,230
-Sorry you had to wait.
-No, thank you for taking the time.
999
01:29:21,030 --> 01:29:23,240
[trumpet rehearsing]
1000
01:29:26,660 --> 01:29:28,950
Why didn't you want the role?
1001
01:29:34,960 --> 01:29:37,040
I can't work with him.
1002
01:29:38,210 --> 01:29:40,300
Why?
1003
01:29:43,800 --> 01:29:45,550
We can't really talk.
1004
01:29:46,180 --> 01:29:49,100
-But he wanted you to do it.
-Yeah.
1005
01:29:50,350 --> 01:29:51,980
Yeah.
1006
01:29:53,020 --> 01:29:54,730
I don't know.
1007
01:29:58,360 --> 01:30:01,030
Just keep thinking that he...
1008
01:30:02,190 --> 01:30:04,280
He made a mistake.
1009
01:30:08,580 --> 01:30:10,660
I just can't...
1010
01:30:13,370 --> 01:30:16,630
I can't get a handle on her.
1011
01:30:17,420 --> 01:30:22,710
The more that I study her,
the more lost I feel trying to be her.
1012
01:30:22,800 --> 01:30:25,720
It's like her sadness is...
1013
01:30:25,800 --> 01:30:28,850
It's such an overwhelming part of her.
1014
01:30:28,930 --> 01:30:31,260
It's a beautiful theme.
1015
01:30:33,020 --> 01:30:35,690
But I can't tell if that's just
1016
01:30:35,770 --> 01:30:39,400
the cause of everything.
1017
01:30:39,480 --> 01:30:41,730
Or is it...
1018
01:30:41,820 --> 01:30:45,070
I don't know.
A symptom of something deeper?
1019
01:30:46,240 --> 01:30:48,570
[original score - piano]
1020
01:30:52,790 --> 01:30:56,040
I don't wanna disappoint him, you know.
1021
01:31:06,930 --> 01:31:09,010
Well, he's a...
1022
01:31:11,560 --> 01:31:14,430
Very difficult person.
1023
01:31:14,520 --> 01:31:18,600
But he's a really good director,
and he sees something in you.
1024
01:31:18,690 --> 01:31:21,110
You'd be stupid to walk away.
1025
01:31:29,030 --> 01:31:32,870
[in Swedish] I'm not used to this.
I'm used to being in control.
1026
01:31:34,290 --> 01:31:37,750
And if I wasn't in control,
I would enjoy it.
1027
01:31:37,830 --> 01:31:40,290
Get it?
1028
01:31:42,750 --> 01:31:45,460
Now I'm too old.
1029
01:31:45,550 --> 01:31:50,180
There's barbed wire on the prairie.
The last damn Mohican.
1030
01:31:50,260 --> 01:31:54,100
And the new guy keeps
sending me moodboards.
1031
01:31:55,680 --> 01:31:58,270
Jeez, I really miss Peter.
1032
01:31:58,350 --> 01:32:01,810
When did he become so goddamn frail?
1033
01:32:06,780 --> 01:32:09,030
I'm too tired, Michael.
1034
01:32:09,110 --> 01:32:12,740
What the hell happened?
15 years ago, I was 55.
1035
01:32:17,000 --> 01:32:19,500
Maybe you're right.
1036
01:32:22,130 --> 01:32:24,210
Maybe we are too old.
1037
01:32:27,550 --> 01:32:30,380
This might be our last film together.
1038
01:32:32,550 --> 01:32:37,270
Just don't tell me you need to
keep up with the times or anything.
1039
01:32:38,350 --> 01:32:40,270
Promise me that.
1040
01:32:41,270 --> 01:32:43,230
This theme...
1041
01:32:44,310 --> 01:32:47,150
We know you've touched on it earlier.
1042
01:32:48,240 --> 01:32:53,660
But you've never confronted it
in this way before.
1043
01:32:53,740 --> 01:32:56,200
So purely. So personally.
1044
01:32:57,290 --> 01:33:01,040
Okay, so it took all those years
1045
01:33:01,120 --> 01:33:03,920
to get here.
1046
01:33:04,000 --> 01:33:07,130
But you're gonna make this film, dammit.
1047
01:33:08,210 --> 01:33:10,470
And do it your way.
1048
01:33:12,050 --> 01:33:13,340
Got it?
1049
01:33:19,310 --> 01:33:21,690
[murmurs from audience]
1050
01:33:35,410 --> 01:33:38,490
[orchestra tuning up]
1051
01:33:39,660 --> 01:33:42,750
[background voices, laughter]
1052
01:33:53,630 --> 01:33:55,760
[murmurs from audience]
1053
01:33:56,720 --> 01:33:58,810
-[in Norwegian] Yeah.
-[Technician] We'll just...
1054
01:34:00,720 --> 01:34:02,640
Okay.
1055
01:34:04,690 --> 01:34:06,400
Wait.
1056
01:34:08,440 --> 01:34:11,610
Could you loosen it a bit?
1057
01:34:14,280 --> 01:34:16,030
There.
1058
01:34:28,420 --> 01:34:32,460
[CREMATORIUM CONSPIRACY
BY MICHAEL NYMAN PLAYING]
1059
01:34:59,200 --> 01:35:01,370
[music ends]
1060
01:35:01,450 --> 01:35:04,830
[multiple voices, inaudible]
1061
01:35:14,050 --> 01:35:18,470
[original score - strings and horns]
1062
01:35:55,210 --> 01:35:58,970
-Hi!
-Congratulations. You were great.
1063
01:35:59,050 --> 01:36:02,350
-Really fantastic.
-Thanks.
1064
01:36:02,430 --> 01:36:05,520
Everyone thinks it's so exciting.
1065
01:36:06,220 --> 01:36:09,100
We got through it, I guess.
1066
01:36:09,190 --> 01:36:11,810
Well, it was fun. Yeah.
1067
01:36:16,820 --> 01:36:21,030
-Are you okay?
-Yeah, I'm fine.
1068
01:36:21,110 --> 01:36:25,620
-You haven't answered my calls.
-I know.
1069
01:36:25,700 --> 01:36:29,830
-Did you come with dad?
-No, he couldn't make it.
1070
01:36:32,460 --> 01:36:38,050
We've got a babysitter. We're going for
a drink at Tekehtopa. Wanna join us?
1071
01:36:38,130 --> 01:36:41,590
[Veteran actor] Excuse me?
I really must congratulate you.
1072
01:36:41,680 --> 01:36:44,970
What a fantastic performance!
1073
01:36:45,060 --> 01:36:46,810
Thank you.
1074
01:36:46,890 --> 01:36:48,930
[strings continue]
1075
01:37:15,040 --> 01:37:16,880
[exhales]
1076
01:37:18,710 --> 01:37:22,510
Yes, I'm heading there now.
I'll let you know.
1077
01:37:22,590 --> 01:37:25,640
But I can't this evening.
1078
01:37:25,720 --> 01:37:29,060
I've often gone on stage sick.
1079
01:37:29,140 --> 01:37:34,440
I've never canceled a performance before,
but it's simply not possible.
1080
01:37:34,520 --> 01:37:36,900
I'm so sorry.
1081
01:37:36,980 --> 01:37:39,570
Yeah, thank you. Thanks.
1082
01:37:39,650 --> 01:37:42,200
Okay. Bye.
1083
01:37:44,030 --> 01:37:45,490
[breathes]
1084
01:37:45,570 --> 01:37:47,200
[rattle]
1085
01:38:16,940 --> 01:38:19,110
[strings end]
1086
01:38:19,190 --> 01:38:21,230
[door slams shut]
1087
01:38:22,860 --> 01:38:26,110
-Where's Erik?
-He'll be here soon.
1088
01:38:28,950 --> 01:38:33,830
-Why didn't you come to Nora's premiere?
-She didn't want me there.
1089
01:38:37,960 --> 01:38:40,380
Let's see... This is the original.
1090
01:38:40,460 --> 01:38:42,920
And here's the translation,
1091
01:38:43,010 --> 01:38:48,640
so Erik can practice his English lines.
Don't worry about his accent.
1092
01:38:48,720 --> 01:38:50,850
Have you talked to Michael?
1093
01:38:50,930 --> 01:38:53,770
He has to take leave from school.
1094
01:38:56,650 --> 01:38:58,060
I'm not sure it's a good idea.
1095
01:38:59,150 --> 01:39:02,690
It's a great idea! It'll be awesome.
1096
01:39:02,780 --> 01:39:05,740
-No, I'm not sure he wants to.
-Sure he does.
1097
01:39:05,820 --> 01:39:08,660
-How do you know?
-I've talked to him.
1098
01:39:08,740 --> 01:39:12,990
-Have you talked to him?
-I mentioned it. He was ecstatic.
1099
01:39:13,080 --> 01:39:16,580
You can't talk to him without me there!
1100
01:39:17,830 --> 01:39:20,250
[sighs]
1101
01:39:24,010 --> 01:39:26,510
When you played in my film...
1102
01:39:27,630 --> 01:39:30,890
It's the most beautiful memory I've got.
1103
01:39:31,970 --> 01:39:36,060
This will be good.
Let's just look at the scenes.
1104
01:39:36,140 --> 01:39:39,520
I think Rachel will enjoy
filming them with him.
1105
01:39:39,600 --> 01:39:44,320
There's happiness in them.
She needs to see other aspects of...
1106
01:39:44,400 --> 01:39:46,490
Stop talking. Just stop.
1107
01:39:47,570 --> 01:39:50,820
-I don't want Erik to be in it.
-But Agnes...
1108
01:39:50,910 --> 01:39:53,450
And yes, it was nice, Dad.
1109
01:39:53,540 --> 01:39:58,420
It was fantastic. The time of my life.
I got to be with you.
1110
01:39:58,500 --> 01:40:01,460
I was the center of the universe.
1111
01:40:01,540 --> 01:40:06,210
-Then you left. I didn't see you for ages.
-But it was fantastic!
1112
01:40:07,300 --> 01:40:09,380
Yes.
1113
01:40:09,470 --> 01:40:11,510
But I don't understand.
1114
01:40:11,600 --> 01:40:17,020
I don't see how you can switch from being
so close and real to just vanishing.
1115
01:40:17,100 --> 01:40:21,560
Suddenly someone else is
the center of the universe.
1116
01:40:21,650 --> 01:40:24,070
-Just read it!
-Jesus Christ!
1117
01:40:24,150 --> 01:40:27,440
I don't care!
I don't care whether it's good or not.
1118
01:40:28,150 --> 01:40:30,200
I care about Erik.
1119
01:40:32,070 --> 01:40:33,240
[door opens]
1120
01:40:34,830 --> 01:40:35,740
[sighs]
1121
01:40:35,830 --> 01:40:38,210
Hi!
1122
01:40:39,290 --> 01:40:41,790
Hi!
1123
01:40:41,880 --> 01:40:44,960
-Grandpa was just leaving.
-Oh.
1124
01:40:47,010 --> 01:40:50,090
Hi. How have you been?
1125
01:40:50,180 --> 01:40:54,100
-[Erik] Okay.
-[Agnes] Good to see you. I've missed you.
1126
01:40:54,180 --> 01:40:56,350
-[Erik] Me too.
-[Agnes] You have?
1127
01:40:59,560 --> 01:41:03,360
-[Erik] So it's a good thing I came now.
-[Agnes] Right?
1128
01:41:03,440 --> 01:41:07,940
Very good.
What shall we do while we wait for Dad?
1129
01:41:08,030 --> 01:41:11,400
[original score - wind and strings]
1130
01:41:47,150 --> 01:41:49,570
[rustle of paper]
1131
01:42:19,510 --> 01:42:21,980
[car passing]
1132
01:42:26,560 --> 01:42:28,650
[music fades]
1133
01:42:29,650 --> 01:42:32,400
[car pulls up]
1134
01:42:45,960 --> 01:42:48,040
[in English] Hi.
1135
01:42:51,460 --> 01:42:54,260
To what do I owe the honor?
1136
01:42:56,840 --> 01:43:00,640
-Are you okay?
-Yeah, I guess.
1137
01:43:02,310 --> 01:43:04,980
Come on in. I'll make a cup of tea.
1138
01:43:21,370 --> 01:43:23,700
-There you go.
-Thank you.
1139
01:43:25,540 --> 01:43:27,620
[Gustav exhales]
1140
01:43:29,330 --> 01:43:33,260
So you don't wanna do the film anymore.
1141
01:43:34,550 --> 01:43:36,840
[draws her breath]
1142
01:43:36,930 --> 01:43:39,010
I, uh...
1143
01:43:40,140 --> 01:43:42,220
I just...
1144
01:43:44,520 --> 01:43:47,560
I just don't wanna let you down.
1145
01:43:50,690 --> 01:43:54,320
I won't drop out
if you really want me to stay.
1146
01:43:58,030 --> 01:44:01,240
Is it just me?
This just doesn't feel right.
1147
01:44:02,330 --> 01:44:06,410
It doesn't feel right for you either,
does it? Me doing this film.
1148
01:44:06,500 --> 01:44:08,710
Of course it does.
1149
01:44:14,420 --> 01:44:16,460
I don't think it does.
1150
01:44:17,630 --> 01:44:21,470
You know, you asked me to dye my hair
1151
01:44:21,550 --> 01:44:24,350
the same color as your daughter.
1152
01:44:25,520 --> 01:44:29,940
And I mean, you don't want
this film to be in English, do you?
1153
01:44:30,020 --> 01:44:33,060
That feels wrong to you too. Right?
1154
01:44:34,400 --> 01:44:36,480
[sighs]
1155
01:44:37,240 --> 01:44:40,070
And I don't wanna disappoint you.
1156
01:44:45,490 --> 01:44:47,580
I'm sorry.
1157
01:44:54,290 --> 01:44:58,130
I let you down, Rachel. I'm sorry.
1158
01:45:01,510 --> 01:45:04,760
Most actors would do the role
even if it felt wrong.
1159
01:45:06,100 --> 01:45:08,850
Or just leave,
and let the agents sort it out.
1160
01:45:12,980 --> 01:45:14,520
But you came here.
1161
01:45:19,150 --> 01:45:21,240
You're a good person.
1162
01:45:26,240 --> 01:45:28,330
[chuckles softly]
1163
01:45:31,620 --> 01:45:33,710
Come on.
1164
01:45:34,330 --> 01:45:36,420
[Rachel sniffles]
1165
01:45:39,420 --> 01:45:40,800
[Gustav] Ah...
1166
01:45:42,300 --> 01:45:43,470
[original score - piano]
1167
01:45:49,600 --> 01:45:52,520
Please don't look at this as a failure.
1168
01:45:53,650 --> 01:45:57,480
-You're a great actress. I meant it.
-Thank you.
1169
01:46:04,360 --> 01:46:06,450
[dog barks]
1170
01:46:31,520 --> 01:46:33,980
[sighs]
1171
01:46:41,860 --> 01:46:43,990
[original score - ominous music]
1172
01:47:03,590 --> 01:47:05,680
[breathes heavily]
1173
01:47:11,680 --> 01:47:14,180
[laughs]
1174
01:47:41,670 --> 01:47:43,760
[music fades]
1175
01:47:45,260 --> 01:47:47,590
[white noise - wind]
1176
01:47:49,840 --> 01:47:51,890
[doorbell]
1177
01:47:56,600 --> 01:47:58,650
[buzz]
1178
01:48:01,270 --> 01:48:03,360
-[in Norwegian] Hi.
-Hi.
1179
01:48:05,150 --> 01:48:08,490
Sorry for showing up like this,
but why don't you answer my calls?
1180
01:48:08,570 --> 01:48:10,620
I'm sorry.
1181
01:48:15,290 --> 01:48:18,120
[Korean show dialogue]
1182
01:48:19,210 --> 01:48:21,290
-Are you okay?
-Mm.
1183
01:48:25,710 --> 01:48:28,380
You have to answer the phone.
1184
01:48:28,470 --> 01:48:31,890
You know how anxious I get when you don't.
1185
01:48:35,640 --> 01:48:38,270
What's going on? Are you sick?
1186
01:48:38,350 --> 01:48:40,810
No.
1187
01:49:09,170 --> 01:49:10,930
I had a row with Dad yesterday.
1188
01:49:14,850 --> 01:49:18,230
I was furious.
He wants to put Erik in the film.
1189
01:49:18,310 --> 01:49:20,520
I don't want that.
1190
01:49:22,350 --> 01:49:24,480
But then I read the script.
1191
01:49:29,320 --> 01:49:33,160
And it was so great.
Not at all what I imagined.
1192
01:49:38,450 --> 01:49:43,000
Right. I know you don't want
anything to do with it.
1193
01:49:43,080 --> 01:49:45,920
But I still want you to read it.
1194
01:49:50,550 --> 01:49:53,090
Because I sense it's about you.
1195
01:49:53,180 --> 01:49:55,300
Or...
1196
01:49:56,350 --> 01:50:00,230
I think he wrote it for you.
It's not about his mother.
1197
01:50:01,940 --> 01:50:04,020
[sighs]
1198
01:50:05,940 --> 01:50:08,020
Well.
1199
01:50:35,180 --> 01:50:38,680
Could you read this bit for me?
1200
01:50:39,760 --> 01:50:42,680
Don't mind that it's like...
1201
01:50:42,770 --> 01:50:45,520
Well, a bit overwritten.
1202
01:50:45,600 --> 01:50:47,520
Just read it.
1203
01:50:56,490 --> 01:51:00,160
"You know, I don't believe in God at all."
1204
01:51:00,240 --> 01:51:04,250
"We came from a home
where all that was irrelevant."
1205
01:51:07,290 --> 01:51:13,670
"We weren't baptized. My sister and I had
a civil confirmation just for the money."
1206
01:51:13,760 --> 01:51:16,590
"Then I had this kind of crisis."
1207
01:51:16,680 --> 01:51:20,720
"I was alone in the house again,
lying in bed, crying."
1208
01:51:20,810 --> 01:51:25,810
"I know everyone lies in bed crying
at some point, but..."
1209
01:51:25,890 --> 01:51:30,150
"Someone said praying
isn't really talking to God."
1210
01:51:30,230 --> 01:51:33,030
"It's acknowledging despair."
1211
01:51:34,900 --> 01:51:39,700
"To throw yourself on the ground
because that's all you can do."
1212
01:51:39,780 --> 01:51:42,160
"Not unlike heartbreak:"
1213
01:51:42,240 --> 01:51:45,830
"'Call me. Please change your mind.'"
1214
01:51:45,910 --> 01:51:48,250
"'Take me back.'"
1215
01:51:49,710 --> 01:51:52,420
"There I was. I'd ruined everything."
1216
01:51:52,500 --> 01:51:55,720
"I was alone, lying there, crying."
1217
01:51:55,800 --> 01:51:59,010
"And then, for the first time,"
1218
01:51:59,090 --> 01:52:02,720
"I sat down and prayed."
1219
01:52:02,810 --> 01:52:05,140
"It's hard to explain."
1220
01:52:05,230 --> 01:52:10,060
"I don't know who I prayed to,
but I said it out loud."
1221
01:52:10,150 --> 01:52:12,230
"'Help me.'"
1222
01:52:14,530 --> 01:52:17,570
"'I can't do this.'"
1223
01:52:18,660 --> 01:52:20,740
"'I can't do it alone.'"
1224
01:52:22,240 --> 01:52:24,330
"'I want a home.'"
1225
01:52:26,200 --> 01:52:28,540
[breathes]
1226
01:52:28,620 --> 01:52:31,210
"'I want a home.'"
1227
01:52:35,260 --> 01:52:37,340
[Agnes sniffles]
1228
01:53:18,590 --> 01:53:20,680
[sniffles]
1229
01:53:57,210 --> 01:54:00,470
Did you tell Dad about...
1230
01:54:02,010 --> 01:54:05,430
-My suicide attempt?
-No, of course not.
1231
01:54:09,560 --> 01:54:13,400
I thought the same thing.
"How does he know?"
1232
01:54:14,560 --> 01:54:16,980
[dog barks]
1233
01:54:18,230 --> 01:54:22,150
It's mixed up with a lot of things
about his mother.
1234
01:54:22,240 --> 01:54:27,410
But in some scenes it's as if he was there
when you went through it.
1235
01:54:27,490 --> 01:54:29,490
Well, he wasn't.
1236
01:54:30,910 --> 01:54:33,080
You were.
1237
01:54:53,640 --> 01:54:55,650
How did it happen?
1238
01:54:56,650 --> 01:55:00,480
You turned out fine,
and I became fucked up.
1239
01:55:00,570 --> 01:55:03,110
That's not true.
1240
01:55:05,530 --> 01:55:08,830
Why didn't our childhood ruin you?
1241
01:55:08,910 --> 01:55:11,620
It hasn't always been easy for me.
1242
01:55:13,000 --> 01:55:16,170
But you've managed to make a family.
1243
01:55:18,080 --> 01:55:21,210
-A home.
-Yeah.
1244
01:55:24,590 --> 01:55:27,800
There's one major difference
in the way we grew up.
1245
01:55:28,890 --> 01:55:30,970
I had you.
1246
01:55:34,270 --> 01:55:40,110
I know you think you're incapable
of caring, but you were there for me.
1247
01:55:41,570 --> 01:55:43,650
When Mom was down.
1248
01:55:46,530 --> 01:55:48,620
You washed my hair.
1249
01:55:55,540 --> 01:55:57,620
Combed it.
1250
01:55:58,630 --> 01:56:00,710
Got me to school.
1251
01:56:03,630 --> 01:56:05,920
I felt safe.
1252
01:56:33,120 --> 01:56:34,830
[Nora exhales]
1253
01:56:34,910 --> 01:56:37,000
I love you.
1254
01:56:40,790 --> 01:56:42,670
You too.
1255
01:56:42,750 --> 01:56:44,840
I mean, I love you too.
1256
01:56:48,800 --> 01:56:50,590
[Agnes inhales]
1257
01:56:53,140 --> 01:56:55,600
[white noise - wind]
1258
01:56:59,940 --> 01:57:02,310
[birdsong]
1259
01:57:04,150 --> 01:57:06,440
[crows cackling]
1260
01:57:06,530 --> 01:57:09,400
[background voices]
1261
01:57:24,750 --> 01:57:26,840
[chair creaks]
1262
01:57:54,990 --> 01:57:57,040
[background voices]
1263
01:58:02,750 --> 01:58:05,250
[Nurse] Does it feel okay?
1264
01:58:06,340 --> 01:58:09,760
[Gustav] How wonderful to wake up
to such beauty.
1265
01:58:11,090 --> 01:58:16,430
You have a wonderful smile.
Does your boyfriend say so? He should.
1266
01:58:16,510 --> 01:58:20,640
[Nurse] Well, he does, actually.
I've heard it before.
1267
01:58:21,640 --> 01:58:25,560
Jeez! Do you have anything else?
Like champagne?
1268
01:58:25,650 --> 01:58:27,900
Champagne?
1269
01:58:29,650 --> 01:58:33,030
[DANCING GIRL
BY TERRY CALLIER PLAYING]
1270
01:58:46,170 --> 01:58:51,090
♪ I saw a dream last night
bright like a falling star ♪
1271
01:58:51,170 --> 01:58:54,260
♪ And the sources of light ♪
1272
01:58:54,340 --> 01:58:59,060
♪ Seemed so near ♪
1273
01:58:59,140 --> 01:59:02,100
♪ Yet so far ♪
1274
01:59:26,960 --> 01:59:29,130
[song ends]
1275
01:59:36,010 --> 01:59:38,470
Can I have some cookies too?
1276
01:59:38,550 --> 01:59:40,180
[Nora sighs]
1277
01:59:40,260 --> 01:59:44,600
-You know...
-Omar and the others get cookies.
1278
01:59:44,680 --> 01:59:49,060
-With chocolate.
-Just finish your sandwiches first.
1279
02:00:01,870 --> 02:00:03,950
[Nora sniffles]
1280
02:00:05,040 --> 02:00:07,120
Okay.
1281
02:00:21,640 --> 02:00:23,720
-Bye then.
-Bye.
1282
02:01:40,550 --> 02:01:42,640
[Nora sniffles]
1283
02:01:48,100 --> 02:01:51,100
[knocking on door]
1284
02:02:01,860 --> 02:02:04,200
[sniffles, exhales sharply]
1285
02:02:06,660 --> 02:02:10,000
-Hi. What's the matter?
-I forgot my mobile.
1286
02:02:20,420 --> 02:02:22,510
-Bye.
-Goodbye.
1287
02:02:25,010 --> 02:02:27,100
Okay.
1288
02:02:48,540 --> 02:02:51,200
[breathes]
1289
02:03:00,960 --> 02:03:03,050
[sighs]
1290
02:03:22,990 --> 02:03:25,070
[exhales]
1291
02:03:38,040 --> 02:03:39,840
[Gustav] Cut.
1292
02:03:41,550 --> 02:03:44,970
-Perfect.
-[Assistant director] We've cut. Move on.
1293
02:03:46,130 --> 02:03:48,510
[background voices]
1294
02:03:57,150 --> 02:03:59,230
[exhales]
1295
02:04:12,830 --> 02:04:16,330
[CANNOCK CHASE
BY LABI SIFFRE PLAYING]
1296
02:04:21,090 --> 02:04:25,010
♪ Sitting in the back seat of my car ♪
1297
02:04:26,010 --> 02:04:29,430
♪ With my arms around my guitar ♪
1298
02:04:30,600 --> 02:04:32,760
♪ And the rain falls ♪
1299
02:04:32,850 --> 02:04:35,810
♪ From the roof of the world ♪
1300
02:04:37,350 --> 02:04:41,940
♪ Nothing around,
just the trees and the ground ♪
1301
02:04:42,020 --> 02:04:46,570
♪ There's a bird in a tree,
singing a song ♪
1302
02:04:46,650 --> 02:04:48,700
♪ Just for me ♪
1303
02:04:49,530 --> 02:04:52,240
♪ Just for me ♪
1304
02:04:53,290 --> 02:04:56,660
♪ Yeah, da-da-da ♪
1305
02:05:27,490 --> 02:05:29,570
[instrumental guitar]
1306
02:05:33,870 --> 02:05:36,870
♪ I've been down for oh so long ♪
1307
02:05:37,830 --> 02:05:42,080
♪ Seemed like my soul was dead and gone ♪
1308
02:05:42,170 --> 02:05:44,500
♪ But it's alright ♪
1309
02:05:44,590 --> 02:05:47,420
♪ I'm back in the fight ♪
1310
02:05:49,010 --> 02:05:52,090
♪ I thought my day would never come ♪
1311
02:05:53,260 --> 02:05:56,770
♪ Maybe it won't, but I'll have fun ♪
1312
02:05:57,640 --> 02:05:59,980
♪ And I'll hold tight ♪
1313
02:06:00,060 --> 02:06:02,480
♪ 'Cause that way it might ♪
1314
02:06:03,270 --> 02:06:07,110
♪ La-da-da, da-da, da-da-da-da... ♪
1315
02:06:20,080 --> 02:06:23,120
♪ Oh, I know I'll be down again ♪
1316
02:06:23,210 --> 02:06:26,800
♪ With my old friend,
this friendship never ends ♪
1317
02:06:26,880 --> 02:06:30,090
♪ The blues is always the same ♪
1318
02:06:31,930 --> 02:06:35,260
♪ Blues is always the same ♪
1319
02:06:43,690 --> 02:06:46,860
♪ I don't know just where I am ♪
1320
02:06:47,770 --> 02:06:51,860
♪ I'm a nowhere man, I'm a desperate Dan ♪
1321
02:06:51,950 --> 02:06:54,530
♪ But I'll find out ♪
1322
02:06:54,610 --> 02:06:57,450
♪ Maybe if I shout ♪
1323
02:06:58,830 --> 02:07:02,870
♪ Give me your hand,
I'll give you my mind ♪
1324
02:07:02,960 --> 02:07:07,250
♪ It's a fair exchange if you're deaf,
dumb and blind ♪
1325
02:07:07,340 --> 02:07:12,800
♪ And we're sold out,
well, that's what it's all about ♪
1326
02:07:12,880 --> 02:07:16,600
♪ La-da-da, da-da, da-da-da-da... ♪
1327
02:08:03,930 --> 02:08:06,020
[song ends]
1328
02:08:07,150 --> 02:08:09,560
[original score]
90516
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Esperanto
Estonian
Faroese
Finnish
Frisian
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof