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These are the user uploaded subtitles that are being translated: 1 00:00:49,484 --> 00:00:51,660 ♪ BECAUSE I WOULD NOT 2 00:00:51,834 --> 00:00:53,314 ♪ BREAK A VOW 3 00:00:53,488 --> 00:00:56,578 ♪ I MADE UNTO MY DEAR 4 00:00:56,752 --> 00:00:59,233 ♪ 'TWAS FROM THE MONARCH 5 00:00:59,407 --> 00:01:01,452 ♪ OF ABERDEEN 6 00:01:01,626 --> 00:01:03,454 ♪ THAT DWELT THE WINGED SAINT 7 00:01:11,332 --> 00:01:12,420 MORNING, MA'AM. 8 00:01:12,594 --> 00:01:13,594 HMM. 9 00:01:19,427 --> 00:01:20,558 LOU, TAKE CARE 10 00:01:20,732 --> 00:01:21,820 OF THINGS HERE. 11 00:01:21,994 --> 00:01:23,034 I'M GOING OVER TO FERGUS'. 12 00:01:29,132 --> 00:01:30,568 GET OUT OF HERE, YOU MUTT. 13 00:01:30,742 --> 00:01:32,614 GO ON, GIT! 14 00:01:37,227 --> 00:01:38,881 [ DOG CONTINUES BARKING, 15 00:01:40,665 --> 00:01:43,103 OH, MY. 16 00:01:50,806 --> 00:01:52,199 WHAT? 17 00:01:52,373 --> 00:01:53,453 I TOLD YOU TO WATCH THINGS. 18 00:02:02,861 --> 00:02:03,861 HOLD ON, LADIES. 19 00:02:06,691 --> 00:02:09,738 WHOA, WHOA. 20 00:02:09,912 --> 00:02:11,174 EASY, NOW, WHOA, 21 00:02:11,348 --> 00:02:12,348 WHOA, WHOA. 22 00:02:16,571 --> 00:02:17,659 ARE YOU LADIES ALL RIGHT? 23 00:02:17,833 --> 00:02:19,443 WHOA, WHOA. 24 00:02:25,232 --> 00:02:26,624 NEVER LEAVE MY COACHES 25 00:02:26,798 --> 00:02:27,973 UNATTENDED. 26 00:02:28,148 --> 00:02:28,757 I JUST TURNED MY BACK FOR 27 00:02:28,931 --> 00:02:29,931 A MOMENT, SIR. 28 00:02:30,062 --> 00:02:30,889 THAT ONE MOMENT ALMOST 29 00:02:31,063 --> 00:02:31,716 GOT MY PASSENGERS KILLED. 30 00:02:31,890 --> 00:02:33,240 YES, SIR. 31 00:02:33,414 --> 00:02:34,414 I'M VERY SORRY, SIR. 32 00:02:34,502 --> 00:02:35,329 SEE TO IT THAT THEY GET 33 00:02:35,503 --> 00:02:36,156 FULLY REFUNDED WHEN THEY 34 00:02:36,330 --> 00:02:37,113 GET TO WINDSOR. 35 00:02:37,287 --> 00:02:38,287 YES, SIR, MR. MINK. 36 00:03:23,028 --> 00:03:24,204 WHOA-HO. 37 00:04:14,645 --> 00:04:16,691 EMMA? 38 00:04:16,865 --> 00:04:17,474 EMMA, DEAR, I'M READY TO START 39 00:04:17,648 --> 00:04:19,955 THE RAREBIT. 40 00:04:20,129 --> 00:04:21,169 MISS ELIZABETH, WHY DO YOU 41 00:04:21,304 --> 00:04:22,087 KEEP ME ON IF YOU'RE JUST GONNA 42 00:04:22,262 --> 00:04:23,262 DO THE COOKING YOURSELF? 43 00:04:23,350 --> 00:04:24,350 STILL CAN'T KEEP HER FROM 44 00:04:24,438 --> 00:04:24,916 GETTING UNDERFOOT, EH, EMMA? 45 00:04:25,090 --> 00:04:26,527 MARY. 46 00:04:26,701 --> 00:04:28,964 MARY, MARY. 47 00:04:29,138 --> 00:04:29,660 OH, IT'S GOOD TO HAVE 48 00:04:29,834 --> 00:04:32,446 YOU HOME. 49 00:04:32,620 --> 00:04:34,883 AND SO ALICIA DIDN'T RETURN 50 00:04:35,057 --> 00:04:35,666 AFTER THE TERM? 51 00:04:35,840 --> 00:04:37,059 NO. 52 00:04:37,233 --> 00:04:37,712 AND WHAT ABOUT YOUR FRIEND 53 00:04:37,886 --> 00:04:38,974 VICTORIA? 54 00:04:39,148 --> 00:04:39,975 DID SHE LEAVE SCHOOL AS WELL? 55 00:04:40,149 --> 00:04:41,149 YES, AND SO SUDDENLY. 56 00:04:41,237 --> 00:04:42,357 ONE DAY WE'RE READING IN THE 57 00:04:42,412 --> 00:04:43,433 LIBRARY, THE NEXT, SHE'S BEING 58 00:04:43,457 --> 00:04:44,153 WHISKED OFF TO MARRY SOME 59 00:04:44,327 --> 00:04:44,849 BANKER IN SUDBURY. 60 00:04:45,023 --> 00:04:46,024 BANKER? 61 00:04:46,198 --> 00:04:47,722 WELL, HER FATHER MUST HAVE 62 00:04:47,896 --> 00:04:48,940 OFFERED QUITE A DOWRY. 63 00:04:49,114 --> 00:04:51,160 HOW SPLENDID FOR HER. 64 00:04:51,334 --> 00:04:52,727 OH, HOW AWFUL, YOU MEAN. 65 00:04:52,901 --> 00:04:54,381 WHY? 66 00:04:54,555 --> 00:04:55,595 WELL, MOTHER, THERE'S JUST 67 00:04:55,686 --> 00:04:56,383 SO MUCH TO DO WITH YOUR LIFE 68 00:04:56,557 --> 00:04:57,862 BEFORE YOU MARRY. 69 00:04:58,036 --> 00:05:00,387 OH. WELL, NOW TELL ME ALL 70 00:05:00,561 --> 00:05:01,997 ABOUT YOUR STUDIES. 71 00:05:02,171 --> 00:05:03,390 OH, TRES BIEN, MOTHER. 72 00:05:03,564 --> 00:05:04,869 I DID WELL IN HISTORY, 73 00:05:05,043 --> 00:05:06,107 SCIENCE, AND THE LANGUAGES, 74 00:05:06,131 --> 00:05:07,131 BUT IN LITERATURE, 75 00:05:07,219 --> 00:05:07,916 TOP OF MY CLASS. 76 00:05:08,090 --> 00:05:10,092 OH. 77 00:05:10,266 --> 00:05:10,875 THAT'S WHAT I HOPE TO TEACH 78 00:05:11,049 --> 00:05:12,486 SOMEDAY, MOTHER. 79 00:05:12,660 --> 00:05:13,965 TEACH? 80 00:05:14,139 --> 00:05:15,445 YES, THE HEADMISTRESS TOLD 81 00:05:15,619 --> 00:05:16,739 ME OF A NEW TEACHER TRAINING 82 00:05:16,838 --> 00:05:17,621 COLLEGE IN QUEBEC THAT 83 00:05:17,795 --> 00:05:18,927 ACCEPTS WOMEN. 84 00:05:19,101 --> 00:05:19,928 WELL, WE'LL HAVE TO SEE WHAT 85 00:05:20,102 --> 00:05:21,146 YOUR FATHER HAS TO SAY. 86 00:05:21,321 --> 00:05:22,361 BUT I'M SURE HE'LL BE VERY 87 00:05:22,496 --> 00:05:23,801 PROUD OF YOUR HIGH MARKS. 88 00:05:23,975 --> 00:05:25,542 VERY PROUD, INDEED. 89 00:05:25,716 --> 00:05:26,717 OH, DADDY! 90 00:05:29,111 --> 00:05:31,331 ONCE BECAUSE I MISSED YOU, 91 00:05:31,505 --> 00:05:33,071 TWICE BECAUSE I LOVE YOU, 92 00:05:33,245 --> 00:05:34,595 AND THREE TIMES BECAUSE 93 00:05:34,769 --> 00:05:36,597 I ALWAYS WILL. 94 00:05:36,771 --> 00:05:37,815 WELCOME HOME. 95 00:05:37,989 --> 00:05:39,295 OH, DADDY, THANK YOU. 96 00:05:39,469 --> 00:05:42,124 OH, WHAT'S ALL OF THIS? 97 00:05:42,298 --> 00:05:44,082 THE POEMS OF BYRON? 98 00:05:44,256 --> 00:05:45,040 I'VE FALLEN IN LOVE 99 00:05:45,214 --> 00:05:46,476 WITH POETRY. 100 00:05:46,650 --> 00:05:47,650 OH, AND NOT JUST BYRON, 101 00:05:47,782 --> 00:05:49,131 THERE'S KEATS AND WORDSWORTH, 102 00:05:49,305 --> 00:05:50,959 SO MANY I CAN'T REMEMBER. 103 00:05:51,133 --> 00:05:52,177 SOMEDAY I WANT TO FILL 104 00:05:52,352 --> 00:05:53,004 THE HEADS OF CHILDREN WITH 105 00:05:53,178 --> 00:05:54,178 ALL THEIR WORDS. 106 00:05:54,266 --> 00:05:55,920 SWEET MARY, ALWAYS 107 00:05:56,094 --> 00:05:56,660 THE DREAMER, HUH? 108 00:05:56,834 --> 00:05:58,053 HEH HEH. 109 00:06:02,187 --> 00:06:03,928 BUT, JAMES, HOW CAN IT HURT? 110 00:06:04,102 --> 00:06:05,669 SHE'S 17. 111 00:06:05,843 --> 00:06:06,627 MOST GIRLS HER AGE ARE 112 00:06:06,801 --> 00:06:07,845 ALREADY SPOKEN FOR. 113 00:06:08,019 --> 00:06:08,716 BUT, JAMES, SHE HAS HER 114 00:06:08,890 --> 00:06:10,152 HEART SET ON THIS. 115 00:06:10,326 --> 00:06:12,894 ELIZABETH, SHE HAS A BLACK 116 00:06:13,068 --> 00:06:14,112 FATHER AND A WHITE MOTHER. 117 00:06:14,286 --> 00:06:15,113 NOT ONE YOUNG MAN HAS COME 118 00:06:15,287 --> 00:06:16,376 TO ASK FOR HER HAND. 119 00:06:16,550 --> 00:06:17,681 NOW, WE MUST FIND SOMEONE 120 00:06:17,855 --> 00:06:19,683 WHO CAN LOOK PAST 121 00:06:19,857 --> 00:06:21,076 HER LIABILITIES. 122 00:06:21,250 --> 00:06:21,990 OH, JAMES, HOW CAN YOU TALK 123 00:06:22,164 --> 00:06:23,295 ABOUT HER THAT WAY? 124 00:06:23,470 --> 00:06:24,296 LOOK, I KNOW SHE LOOKS 125 00:06:24,471 --> 00:06:25,820 PERFECT TO US, BUT NOT 126 00:06:25,994 --> 00:06:28,344 EVERYONE SEES HER THAT WAY. 127 00:06:28,518 --> 00:06:31,086 AND WE MUST BE REALISTIC. 128 00:06:31,260 --> 00:06:32,914 WE MUST FIND SOME WAY TO 129 00:06:33,088 --> 00:06:35,090 OVERCOME IT. 130 00:06:35,264 --> 00:06:36,352 NOW, YOU KNOW I'M RIGHT. 131 00:06:42,184 --> 00:06:42,967 WHAT SEEMS TO BE 132 00:06:43,141 --> 00:06:44,141 THE PROBLEM? 133 00:06:44,273 --> 00:06:45,361 IT'S JUST THE NEWSPAPER 134 00:06:45,535 --> 00:06:46,231 NEVER RUNS ANYTHING 135 00:06:46,406 --> 00:06:48,190 QUITE LIKE THIS. 136 00:06:48,364 --> 00:06:48,843 YOU DO RUN MATRIMONIALS, 137 00:06:49,017 --> 00:06:49,800 DON'T YOU? 138 00:06:49,974 --> 00:06:51,541 OH, OF COURSE. 139 00:06:51,715 --> 00:06:52,823 IT'S JUST THAT I'VE NEVER SEEN 140 00:06:52,847 --> 00:06:53,891 SOMEONE OFFER SO BIG 141 00:06:54,065 --> 00:06:55,545 A DOWRY BEFORE. 142 00:06:55,719 --> 00:06:57,329 IT'S A FORTUNE. 143 00:06:57,504 --> 00:06:58,983 WELL, COULD YOU SEE THAT 144 00:06:59,157 --> 00:07:00,265 IT RUNS AS SOON AS POSSIBLE? 145 00:07:00,289 --> 00:07:00,985 AND MAKE SURE THAT IT GETS 146 00:07:01,159 --> 00:07:02,857 A PROMINENT SPACE. 147 00:07:03,031 --> 00:07:04,728 "RESPECTABLE WHITE HUSBAND 148 00:07:04,902 --> 00:07:06,077 WANTED FOR YOUNG COLORED 149 00:07:06,251 --> 00:07:08,123 GIRL, $10,000 DOWRY"? 150 00:07:08,297 --> 00:07:10,255 HOW DARE YOU? 151 00:07:10,430 --> 00:07:11,581 WHAT AM I TO YOU, FATHER, JUST 152 00:07:11,605 --> 00:07:12,388 ANOTHER PIECE OF PROPERTY? 153 00:07:12,562 --> 00:07:13,215 NOW, MARY, YOU KNOW 154 00:07:13,389 --> 00:07:14,389 THAT'S NOT TRUE. 155 00:07:14,434 --> 00:07:14,999 THEN WHY ARE YOU DOING 156 00:07:15,173 --> 00:07:16,173 THIS TO ME? 157 00:07:16,261 --> 00:07:17,088 WHAT ABOUT COLLEGE? 158 00:07:17,262 --> 00:07:19,047 WHAT ABOUT MY PLANS? 159 00:07:19,221 --> 00:07:19,917 I WANT MORE FROM MY LIFE THAN... 160 00:07:20,091 --> 00:07:22,790 I KNOW YOU DO. 161 00:07:22,964 --> 00:07:24,139 BUT IT'S YOUR FUTURE I MUST 162 00:07:24,313 --> 00:07:26,707 LOOK OUT FOR, BECAUSE A YOUNG 163 00:07:26,881 --> 00:07:28,186 WOMAN CANNOT FEND FOR 164 00:07:28,360 --> 00:07:29,536 HERSELF IN THIS WORLD TODAY. 165 00:07:29,710 --> 00:07:31,102 IT'S TOO HARD. 166 00:07:31,276 --> 00:07:32,103 THOSE DREAMS OF YOURS ARE 167 00:07:32,277 --> 00:07:34,105 MUCH TOO IMPRACTICAL. 168 00:07:34,279 --> 00:07:36,281 I WON'T ACCEPT THIS. 169 00:07:36,456 --> 00:07:37,761 DO YOU HEAR ME? 170 00:07:37,935 --> 00:07:38,935 I WILL NOT ACCEPT THIS. 171 00:07:39,023 --> 00:07:40,023 IT IS NOT YOUR DECISION. 172 00:07:46,378 --> 00:07:47,378 I'll SPEAK TO HER. 173 00:07:55,039 --> 00:07:56,127 MARY WILL BE FINE. 174 00:07:56,301 --> 00:07:56,998 SHE JUST NEEDS TO GET USED 175 00:07:57,172 --> 00:07:58,782 TO IT, THAT'S ALL. 176 00:07:58,956 --> 00:08:00,349 SHE'S SO YOUNG, JAMES. 177 00:08:00,523 --> 00:08:01,523 OH, SO WAS THE YOUNG GIRL 178 00:08:01,568 --> 00:08:03,265 I SENT FOR 23 YEARS AGO. 179 00:08:03,439 --> 00:08:06,747 MARY'S NOT THAT GIRL. 180 00:08:06,921 --> 00:08:08,531 GROWING UP POOR IN IRELAND, 181 00:08:08,705 --> 00:08:09,880 CROSSING AN OCEAN BY MYSELF, 182 00:08:10,054 --> 00:08:11,054 IS A FAR CRY FROM THE 183 00:08:11,186 --> 00:08:12,187 SHELTERED LIFE SHE'S HAD. 184 00:08:12,361 --> 00:08:13,361 SHE'S NO MORE SHELTERED 185 00:08:13,493 --> 00:08:14,711 THAN HER SCHOOLMATES, MOST 186 00:08:14,885 --> 00:08:15,712 OF WHOM ARE PREPARING FOR 187 00:08:15,886 --> 00:08:16,931 THEIR WEDDINGS. 188 00:08:17,105 --> 00:08:17,888 SHE MAY NOT BE READY 189 00:08:18,062 --> 00:08:19,673 FOR MARRIAGE, JAMES. 190 00:08:19,847 --> 00:08:20,927 IS IT MARY WHO'S NOT READY, 191 00:08:21,022 --> 00:08:23,851 OR HER MOTHER? 192 00:08:24,025 --> 00:08:26,941 OH. 193 00:08:27,115 --> 00:08:29,900 DO YOU KNOW WHAT I WOULD 194 00:08:30,074 --> 00:08:32,816 WANT FOR MARY? 195 00:08:32,990 --> 00:08:33,990 I WOULD WANT FOR HER TO 196 00:08:34,078 --> 00:08:35,689 MARRY INTO A FAMILY THAT 197 00:08:35,863 --> 00:08:36,907 WOULD ACCEPT HER FOR 198 00:08:37,081 --> 00:08:38,343 THE BEAUTIFUL GIRL THAT SHE IS. 199 00:08:38,518 --> 00:08:39,518 AND THAT'S NOT ALL. 200 00:08:40,998 --> 00:08:41,998 I WOULD WANT HER TO KNOW 201 00:08:42,130 --> 00:08:43,479 THE HAPPINESS THAT WE'VE HAD. 202 00:08:44,828 --> 00:08:45,655 AND I WOULD WANT HER 203 00:08:45,829 --> 00:08:46,829 TO KNOW THIS. 204 00:08:51,008 --> 00:08:52,488 GOOD MORNING, MR. TODD. 205 00:09:35,270 --> 00:09:36,967 I HAVE SEEN OVER TWO DOZEN 206 00:09:37,141 --> 00:09:38,534 SUITORS, ELIZABETH. 207 00:09:38,708 --> 00:09:39,491 HALF OF THEM ARE 208 00:09:39,666 --> 00:09:40,666 NE'ER-DO-WELL FORTUNE 209 00:09:40,754 --> 00:09:41,874 HUNTERS, DOWN ON THEIR LUCK, 210 00:09:41,972 --> 00:09:43,123 AND THE OTHER HALF ARE SPOILED 211 00:09:43,147 --> 00:09:44,888 ARISTOCRATS, WITH NO MORE 212 00:09:45,062 --> 00:09:45,672 BUSINESS SENSE THAN ONE 213 00:09:45,846 --> 00:09:46,846 OF MY HORSES. 214 00:09:46,934 --> 00:09:47,934 PERHAPS GOD'S TRYING TO 215 00:09:48,022 --> 00:09:48,849 TELL YOU SOMETHING, JAMES. 216 00:09:49,023 --> 00:09:50,023 YES, WELL, GOD HAS 217 00:09:50,111 --> 00:09:51,111 THE LUXURY OF ETERNITY, 218 00:09:51,242 --> 00:09:52,263 AND WE DON'T, AND I REFUSE TO 219 00:09:52,287 --> 00:09:53,767 SETTLE FOR ANY RIFF-RAFF. 220 00:09:53,941 --> 00:09:54,941 I MIGHT AS WELL GIVE MARY 221 00:09:55,029 --> 00:09:56,857 TO ONE OF THOSE POOR SLAVES 222 00:09:57,031 --> 00:09:57,684 COMING INTO CANADA, CLAMORING 223 00:09:57,858 --> 00:09:59,294 FOR HIS FREEDOM. 224 00:09:59,468 --> 00:10:00,469 YOUR FATHER WAS ONE OF 225 00:10:00,643 --> 00:10:01,707 THOSE SLAVES, WASN'T HE, JAMES? 226 00:10:01,731 --> 00:10:02,731 NOW, YOU KNOW THAT IS NOT 227 00:10:02,819 --> 00:10:03,907 WHAT I MEAN. 228 00:10:04,081 --> 00:10:04,865 I DON'T THINK YOU'RE GOING 229 00:10:05,039 --> 00:10:05,605 TO FIND THE MAN YOU'RE 230 00:10:05,779 --> 00:10:06,431 LOOKING FOR. 231 00:10:06,606 --> 00:10:07,432 WHY IS THAT? 232 00:10:07,607 --> 00:10:08,607 BECAUSE THERE IS ONLY 233 00:10:08,695 --> 00:10:10,131 JAMES MINK, AND HE'S ALREADY 234 00:10:10,305 --> 00:10:11,611 SPOKEN FOR. 235 00:10:16,137 --> 00:10:17,529 HEH HEH HEH, SUCH BLARNEY. 236 00:10:22,143 --> 00:10:23,361 NOW, MINK, HAVE YOU GIVEN 237 00:10:23,535 --> 00:10:24,928 ANY THOUGHT TO OUR OFFER? 238 00:10:25,102 --> 00:10:26,800 MY BUSINESS FRIENDS ARE 239 00:10:26,974 --> 00:10:28,366 ANXIOUS FOR YOUR DECISION 240 00:10:28,540 --> 00:10:30,847 ON THIS CITY COUNCIL MATTER. 241 00:10:31,021 --> 00:10:32,141 NOW, WE FEEL YOU'RE THE KIND 242 00:10:32,283 --> 00:10:33,502 OF CANDIDATE TORONTO NEEDS 243 00:10:33,676 --> 00:10:34,677 RIGHT NOW. 244 00:10:34,851 --> 00:10:36,810 REALLY? 245 00:10:36,984 --> 00:10:38,942 WHY IS THAT, MR. CARBERRY? 246 00:10:39,116 --> 00:10:40,465 WELL, A MAN WHO STARTS OUT 247 00:10:40,640 --> 00:10:41,989 WITH A HORSE AND BUGGY 248 00:10:42,163 --> 00:10:43,163 AND BUILDS IT INTO ONE OF 249 00:10:43,207 --> 00:10:44,247 THE CITY'S MOST PROFITABLE 250 00:10:44,339 --> 00:10:45,775 BUSINESSES KNOWS WHAT IT 251 00:10:45,949 --> 00:10:47,995 MEANS TO WORK HARD. 252 00:10:48,169 --> 00:10:50,867 THIS HOTEL, LIVERY OPERATION... 253 00:10:51,041 --> 00:10:52,041 YOUR FORTUNE HAS COME BY 254 00:10:52,173 --> 00:10:53,261 SWEAT, NOT BY BIRTHRIGHT. 255 00:10:53,435 --> 00:10:54,915 WELL, SURELY THERE ARE 256 00:10:55,089 --> 00:10:56,089 OTHER MEN THAT ARE MORE 257 00:10:56,177 --> 00:10:57,177 ACCOMPLISHED THAN MYSELF. 258 00:10:57,308 --> 00:10:59,354 NONE OF THEM POSSESS YOUR, 259 00:10:59,528 --> 00:11:02,096 UH, SHALL WE SAY, UNIQUE 260 00:11:02,270 --> 00:11:03,880 QUALIFICATIONS? 261 00:11:07,405 --> 00:11:08,580 LET'S BE HONEST, 262 00:11:08,755 --> 00:11:10,408 MR. CARBERRY. 263 00:11:10,582 --> 00:11:12,976 YOU AND YOUR BUSINESS 264 00:11:13,150 --> 00:11:14,412 FRIENDS, YOU OWN FACTORIES 265 00:11:14,586 --> 00:11:15,805 THAT ARE IN DESPERATE NEED 266 00:11:15,979 --> 00:11:17,241 OF CHEAP LABOR. 267 00:11:17,415 --> 00:11:18,460 MEANWHILE, THERE ARE 268 00:11:18,634 --> 00:11:19,853 HUNDREDS OF PITIFUL FUGITIVE 269 00:11:20,027 --> 00:11:23,247 SLAVES POURING INTO CANADA. 270 00:11:23,421 --> 00:11:24,422 WHAT BETTER WAY TO ENTICE 271 00:11:24,596 --> 00:11:25,946 THEM INTO YOUR SWEAT SHOPS 272 00:11:26,120 --> 00:11:27,948 THAN BY USING ME, THE SON OF 273 00:11:28,122 --> 00:11:30,515 A FREED SLAVE, AS A SYMBOL OF 274 00:11:30,690 --> 00:11:32,343 WHAT HARD WORK CAN ACCOMPLISH? 275 00:11:32,517 --> 00:11:33,997 WHAT YOU WANT IS A TOKEN. 276 00:11:34,171 --> 00:11:35,564 OH, COME, NOW, MINK. 277 00:11:35,738 --> 00:11:36,565 CLEARLY, YOU'VE MISINTERPRETED 278 00:11:36,739 --> 00:11:37,914 OUR INTEREST. 279 00:11:38,088 --> 00:11:39,176 I WILL BE YOUR SYMBOL, 280 00:11:39,350 --> 00:11:40,482 MR. CARBERRY. 281 00:11:43,137 --> 00:11:44,137 BUT I WILL NEED SOMETHING 282 00:11:44,268 --> 00:11:44,965 IN RETURN. 283 00:11:45,139 --> 00:11:46,444 GO ON. 284 00:11:46,618 --> 00:11:47,618 YOUR COUNCIL HAS A GREAT 285 00:11:47,707 --> 00:11:48,771 DEAL OF INFLUENCE IN WHO, UH, 286 00:11:48,795 --> 00:11:49,915 GETS THE ROYAL MAIL CONTRACT 287 00:11:50,057 --> 00:11:51,841 FROM KINGSTON TO TORONTO. 288 00:11:52,015 --> 00:11:53,625 AS YOU KNOW, I SUBMITTED 289 00:11:53,800 --> 00:11:55,192 A BID MYSELF. 290 00:11:55,366 --> 00:11:56,454 YOU ARE QUITE 291 00:11:56,628 --> 00:11:58,456 THE NEGOTIATOR, MINK. 292 00:11:58,630 --> 00:11:59,762 WELL, LET'S JUST SAY ITS, 293 00:11:59,936 --> 00:12:01,590 UH, ONE OF MY UNIQUE 294 00:12:01,764 --> 00:12:04,114 QUALIFICATIONS, EH? 295 00:12:05,768 --> 00:12:06,768 DO I HEAR 75? 296 00:12:07,857 --> 00:12:09,293 75, I HAVE 75. 297 00:12:09,467 --> 00:12:12,470 75 ONCE, 75 TWICE. 298 00:12:13,820 --> 00:12:14,646 SOLD TO MR. ROSS 299 00:12:14,821 --> 00:12:15,952 OF BROWN FARMS. 300 00:12:16,126 --> 00:12:17,127 HE'S A FINE HORSE. 301 00:12:17,301 --> 00:12:17,867 BUT I WOULDN'T PUT HIM 302 00:12:18,041 --> 00:12:19,041 OUT TO STUD. 303 00:12:21,915 --> 00:12:24,569 SEE HERE? 304 00:12:24,744 --> 00:12:27,094 FERRET MOUTH. 305 00:12:27,268 --> 00:12:29,052 HIS FOALS WILL BE TROUBLE. 306 00:12:29,226 --> 00:12:30,271 OH, IT'S NOT HIS FOALS I'M 307 00:12:30,445 --> 00:12:31,272 INTERESTED IN, IT'S HIS SPEED. 308 00:12:31,446 --> 00:12:32,534 OH, THEN YOU'VE FOUND 309 00:12:32,708 --> 00:12:33,729 YOURSELF AN ADEQUATE HORSE, 310 00:12:33,753 --> 00:12:34,492 BUT CLEARLY, YOUR STANDARDS 311 00:12:34,666 --> 00:12:35,276 ARE LOWER THAN MINE. 312 00:12:35,450 --> 00:12:36,450 OH, REALLY? 313 00:12:36,581 --> 00:12:37,321 WELL, THEN, UH, SUPPOSE 314 00:12:37,495 --> 00:12:39,062 YOU ENLIGHTEN ME. 315 00:12:39,236 --> 00:12:40,324 A MAGNIFICENT ANIMAL. 316 00:12:40,498 --> 00:12:41,498 LET'S JUST SAY SHE'S LIKE 317 00:12:41,543 --> 00:12:42,326 THE FIRST TASTE OF A VERY 318 00:12:42,500 --> 00:12:44,285 EXQUISITE CHAMPAGNE. 319 00:12:44,459 --> 00:12:45,539 MY NAME IS WILLIAM JOHNSON. 320 00:12:45,634 --> 00:12:46,678 I'M FROM NEW YORK, AND I 321 00:12:46,853 --> 00:12:47,853 REPRESENT A CARTEL 322 00:12:47,897 --> 00:12:48,897 IN THE MIDDLE EAST. 323 00:12:49,029 --> 00:12:49,725 WE'RE BRINGING THESE ARABIANS 324 00:12:49,899 --> 00:12:50,899 INTO THE PROVINCE. 325 00:12:50,944 --> 00:12:51,771 NOW, IF I HAVE ANYTHING TO 326 00:12:51,945 --> 00:12:52,772 SAY ABOUT IT, TWO YEARS 327 00:12:52,946 --> 00:12:53,946 FROM NOW, THERE WON'T BE 328 00:12:54,034 --> 00:12:54,774 A GENTLEMAN IN ALL OF UPPER 329 00:12:54,948 --> 00:12:55,948 CANADA WITHOUT ONE. 330 00:12:55,992 --> 00:12:56,992 IS SHE UP FOR AUCTION? 331 00:12:57,124 --> 00:12:57,864 THAT WOULD BE LIKE CASTING 332 00:12:58,038 --> 00:12:58,865 PEARLS BEFORE SWINE, 333 00:12:59,039 --> 00:13:00,823 WOULDN'T YOU SAY, SIR? 334 00:13:00,997 --> 00:13:02,018 I WON'T HAVE THESE BEAUTIES 335 00:13:02,042 --> 00:13:03,130 CROSS-BRED INTO OBLIVION. 336 00:13:03,304 --> 00:13:04,044 I'M GOING TO BE VERY SELECTIVE 337 00:13:04,218 --> 00:13:05,218 ABOUT WHO I SELL TO. 338 00:13:05,306 --> 00:13:07,438 IS SHE FAST? 339 00:13:12,530 --> 00:13:14,794 HYAH! 340 00:13:22,018 --> 00:13:23,280 HORSES ARE MY LIVELIHOOD, 341 00:13:23,454 --> 00:13:24,238 AND I'VE NEVER RIDDEN ANYTHING 342 00:13:24,412 --> 00:13:25,413 QUITE LIKE HER BEFORE. 343 00:13:25,587 --> 00:13:26,849 DO WE HAVE A SALE, THEN? 344 00:13:27,023 --> 00:13:28,023 WELL, I'M NOT SURE YOU'VE 345 00:13:28,068 --> 00:13:29,068 GIVEN ME YOUR BEST PRICE. 346 00:13:29,156 --> 00:13:29,983 PERHAPS WE SHOULD DISCUSS IT 347 00:13:30,157 --> 00:13:31,158 AT DINNER THIS EVENING. 348 00:13:31,332 --> 00:13:31,985 THAT IS, IF YOU HAVEN'T MADE 349 00:13:32,159 --> 00:13:33,290 ANY OTHER PLANS. 350 00:13:33,464 --> 00:13:34,030 I THINK I CAN REARRANGE 351 00:13:34,204 --> 00:13:34,726 MY SCHEDULE. 352 00:13:34,901 --> 00:13:35,901 GOOD. 353 00:13:37,947 --> 00:13:39,340 TELL ME, MR. JOHNSON, 354 00:13:39,514 --> 00:13:41,211 WHEN SHALL I EXPECT DELIVERY? 355 00:13:41,385 --> 00:13:42,425 WELL, THE DEMAND FOR THESE 356 00:13:42,473 --> 00:13:43,581 HORSES IS VERY HIGH, AND THE 357 00:13:43,605 --> 00:13:44,214 BOAT OUT OF AFRICA IS 358 00:13:44,388 --> 00:13:45,955 VERY SLOW. 359 00:13:46,129 --> 00:13:46,826 SO I CAN'T GUARANTEE THEM 360 00:13:47,000 --> 00:13:48,000 TILL LATE SUMMER. 361 00:13:48,088 --> 00:13:49,263 BUT THEY ARE WORTH WAITING 362 00:13:49,437 --> 00:13:50,917 FOR, AREN'T THEY, MR. MINK? 363 00:13:51,091 --> 00:13:52,091 I HAVE A FEELING YOU'RE 364 00:13:52,179 --> 00:13:52,744 GOING TO BE A VERY RICH MAN, 365 00:13:52,919 --> 00:13:53,963 MR. JOHNSON. 366 00:13:54,137 --> 00:13:55,660 YES. 367 00:13:57,880 --> 00:13:58,881 BUT ALL THE SUCCESS IN 368 00:13:59,055 --> 00:14:00,119 THE WORLD WON'T MAKE UP FOR 369 00:14:00,143 --> 00:14:01,223 MY BEING SUCH A RUDE GUEST. 370 00:14:01,275 --> 00:14:02,355 MRS. MINK, MY APOLOGIES FOR 371 00:14:02,450 --> 00:14:03,490 TURNING YOUR LOVELY DINNER 372 00:14:03,581 --> 00:14:04,844 INTO A HORSE AUCTION. 373 00:14:05,018 --> 00:14:06,193 I SEEM TO HAVE FORGOTTEN 374 00:14:06,367 --> 00:14:07,387 HOW TO BEHAVE IN THE COMPANY 375 00:14:07,411 --> 00:14:08,935 OF SUCH A CHARMING HOSTESS 376 00:14:09,109 --> 00:14:10,414 AND HER LOVELY DAUGHTER. 377 00:14:10,588 --> 00:14:13,113 MARY? 378 00:14:13,287 --> 00:14:14,549 PLEASE DON'T APOLOGIZE, 379 00:14:14,723 --> 00:14:15,898 MR. JOHNSON. 380 00:14:16,072 --> 00:14:17,072 I'VE BEEN MARRIED TO 381 00:14:17,160 --> 00:14:19,032 A HORSEMAN FOR 23 YEARS. 382 00:14:19,206 --> 00:14:20,206 I UNDERSTAND YOU'RE 383 00:14:20,250 --> 00:14:21,382 AN AMERICAN. 384 00:14:21,556 --> 00:14:23,863 YES, MA'AM, BUT GIVEN ALL 385 00:14:24,037 --> 00:14:25,037 THE UGLINESS DOWN SOUTH, 386 00:14:25,125 --> 00:14:25,690 PLEASE DON'T HOLD THAT 387 00:14:25,865 --> 00:14:27,040 AGAINST ME. 388 00:14:27,214 --> 00:14:28,214 FRANKLY, I SPEND SO MUCH 389 00:14:28,345 --> 00:14:28,955 TIME IN CANADA, I CONSIDER IT 390 00:14:29,129 --> 00:14:30,129 A SECOND HOME. 391 00:14:30,260 --> 00:14:31,522 IN FACT, I'M CONSIDERING 392 00:14:31,696 --> 00:14:32,736 MOVING HERE WHEN I FINALLY 393 00:14:32,784 --> 00:14:34,090 ESTABLISH MYSELF. 394 00:14:34,264 --> 00:14:35,004 AND WILL YOU BE BRINGING 395 00:14:35,178 --> 00:14:36,178 ANY FAMILY WITH YOU? 396 00:14:36,223 --> 00:14:37,223 I WISH I COULD SAY YES, 397 00:14:37,311 --> 00:14:37,964 BUT I'M AFRAID I'M CONDEMNED 398 00:14:38,138 --> 00:14:38,965 TO BACHELORHOOD. 399 00:14:39,139 --> 00:14:40,139 I SEEM TO BE MARRIED TO 400 00:14:40,183 --> 00:14:41,183 THE HORSE TRADE, AND IT'S 401 00:14:41,271 --> 00:14:42,925 A VERY JEALOUS BRIDE. 402 00:14:43,099 --> 00:14:44,099 WELL, PERHAPS YOU HAVEN'T 403 00:14:44,144 --> 00:14:45,164 FOUND THE RIGHT WOMAN YET. 404 00:14:45,188 --> 00:14:46,188 PERHAPS. 405 00:14:48,626 --> 00:14:49,845 MR. JOHNSON, I HAVE 406 00:14:50,019 --> 00:14:51,020 A QUESTION FOR YOU. 407 00:14:51,194 --> 00:14:52,021 WHAT DO YOU THINK ABOUT 408 00:14:52,195 --> 00:14:52,717 A WOMAN GETTING A HIGHER 409 00:14:52,892 --> 00:14:53,544 EDUCATION? 410 00:14:53,718 --> 00:14:54,981 MARY. 411 00:14:55,155 --> 00:14:56,235 TELL ME, HOW SHOULD A YOUNG 412 00:14:56,330 --> 00:14:57,570 LADY FEEL WHEN HER FATHER TAKES 413 00:14:57,635 --> 00:14:58,854 AWAY HER DREAM OF COLLEGE TO 414 00:14:59,028 --> 00:15:00,028 ARRANGE HER MARRIAGE TO 415 00:15:00,073 --> 00:15:00,900 A COMPLETE STRANGER? 416 00:15:01,074 --> 00:15:01,901 MARY, THIS IS NEITHER 417 00:15:02,075 --> 00:15:03,250 THE TIME, NOR THE PLACE. 418 00:15:08,995 --> 00:15:10,605 I'D LIKE TO ANSWER THAT 419 00:15:10,779 --> 00:15:11,939 QUESTION, IF I MAY, MR. MINK. 420 00:15:15,436 --> 00:15:16,456 CERTAINLY, I'M NO EXPERT ON 421 00:15:16,480 --> 00:15:17,480 SUCH A PRIVATE MATTER. 422 00:15:17,568 --> 00:15:18,134 BUT MAYBE I CAN MAKE YOU 423 00:15:18,308 --> 00:15:19,483 BOTH HAPPY. 424 00:15:19,657 --> 00:15:20,745 MARY, IT IS YOUR FATHER'S 425 00:15:20,920 --> 00:15:21,960 DUTY TO FIND YOU A HUSBAND 426 00:15:22,051 --> 00:15:22,617 WHO WILL CARE FOR YOU THE WAY 427 00:15:22,791 --> 00:15:24,140 THAT HE HAS. 428 00:15:24,314 --> 00:15:26,055 BUT PERHAPS, IN HIS SEARCH, 429 00:15:26,229 --> 00:15:28,710 HE WILL FIND SOMEONE 430 00:15:28,884 --> 00:15:30,146 FORWARD-THINKING ENOUGH 431 00:15:30,320 --> 00:15:31,756 TO APPRECIATE THE VALUE OF 432 00:15:31,931 --> 00:15:33,976 AN EDUCATED WIFE, AND MAN 433 00:15:34,150 --> 00:15:34,977 ENOUGH NOT TO GIVE A 434 00:15:35,151 --> 00:15:36,370 WHAT SOCIETY THINKS. 435 00:15:36,544 --> 00:15:37,893 WELL, I'D LIKE TO THINK THAT 436 00:15:38,067 --> 00:15:39,895 SUCH A MAN EXISTS, MR. JOHNSON, 437 00:15:40,069 --> 00:15:42,811 BUT, UH, I'M A REALIST. 438 00:15:42,985 --> 00:15:43,638 WELL, TIMES ARE CHANGING, 439 00:15:43,812 --> 00:15:45,031 MR. MINK. 440 00:15:45,205 --> 00:15:46,032 MAYBE YOU JUST NEED TO CAST 441 00:15:46,206 --> 00:15:48,121 YOUR NET A LITTLE WIDER. 442 00:15:48,295 --> 00:15:49,513 IT WOULD BE A SHAME NOT TO 443 00:15:49,687 --> 00:15:50,807 LET SUCH A BRIGHT YOUNG LADY 444 00:15:50,862 --> 00:15:51,862 PURSUE HER DREAM. 445 00:15:56,694 --> 00:15:57,694 SIR? 446 00:16:04,006 --> 00:16:06,182 MARY, ELIZABETH. 447 00:16:13,146 --> 00:16:14,146 THANK YOU. 448 00:16:17,193 --> 00:16:17,889 MR. MINK? 449 00:16:18,064 --> 00:16:19,152 YES? AH. 450 00:16:19,326 --> 00:16:20,326 THERE WAS A MESSAGE 451 00:16:20,370 --> 00:16:21,067 AT MY HOTEL THAT SAID YOU 452 00:16:21,241 --> 00:16:22,241 WANTED TO SEE ME. 453 00:16:22,285 --> 00:16:24,200 YES. WILLIAM. 454 00:16:24,374 --> 00:16:25,593 COME, SIT DOWN. 455 00:16:27,595 --> 00:16:29,118 SHERRY? 456 00:16:29,292 --> 00:16:31,991 THANK YOU. 457 00:16:32,165 --> 00:16:33,949 YOU KNOW, THE, UH, OTHER 458 00:16:34,123 --> 00:16:36,821 EVENING, YOU ADVISED ME TO, UH, 459 00:16:36,996 --> 00:16:38,780 WIDEN MY SEARCH IN LOOKING 460 00:16:38,954 --> 00:16:39,999 FOR A HUSBAND FOR MARY. 461 00:16:40,173 --> 00:16:40,825 I HOPE I DIDN'T OVERSTEP 462 00:16:41,000 --> 00:16:42,044 MY BOUNDS. 463 00:16:42,218 --> 00:16:43,218 OH, NO, NO, NO. 464 00:16:43,350 --> 00:16:44,090 ON THE CONTRARY, IN FACT, 465 00:16:44,264 --> 00:16:46,179 YOU OPENED MY EYES. 466 00:16:46,353 --> 00:16:47,963 YOU ADVISED ME TO, UH, LOOK 467 00:16:48,137 --> 00:16:49,158 FOR A MORE FORWARD-THINKING 468 00:16:49,182 --> 00:16:50,792 MAN, SOMEONE WHO WOULD LET 469 00:16:50,966 --> 00:16:51,793 MARY PURSUE HER DREAMS. 470 00:16:51,967 --> 00:16:53,273 YES, I SAID THAT. 471 00:16:53,447 --> 00:16:56,754 YOU KNOW, I BELIEVE... 472 00:16:56,928 --> 00:16:57,928 THAT YOU ARE THAT MAN. 473 00:17:02,412 --> 00:17:04,501 I DON'T... I DON'T KNOW 474 00:17:04,675 --> 00:17:06,112 WHAT TO SAY. 475 00:17:06,286 --> 00:17:07,896 ALL I ASK... IF, OF COURSE, 476 00:17:08,070 --> 00:17:10,290 YOU WILL ACCEPT MY OFFER... 477 00:17:10,464 --> 00:17:11,769 IS FOR YOU TO TAKE GOOD CARE 478 00:17:11,943 --> 00:17:13,641 OF MARY, GIVE HER THE LOVE 479 00:17:13,815 --> 00:17:15,730 THAT SHE DESERVES. 480 00:17:15,904 --> 00:17:17,471 UH, YES, OF COURSE. 481 00:17:17,645 --> 00:17:19,038 I MEAN, UH... 482 00:17:22,867 --> 00:17:25,914 MR. MINK, UH, MARY IS A LOVELY 483 00:17:26,088 --> 00:17:27,524 YOUNG WOMAN, BUT I... 484 00:17:31,006 --> 00:17:31,572 I'll NEED SOME TIME TO THINK. 485 00:17:31,746 --> 00:17:32,529 ABOUT THIS. 486 00:17:32,703 --> 00:17:33,791 OF COURSE. 487 00:17:38,013 --> 00:17:40,320 I WOULD EXPECT NOTHING LESS. 488 00:17:47,457 --> 00:17:48,589 MY COMPLIMENTS ON 489 00:17:48,763 --> 00:17:49,851 A LOVELY AFFAIR. 490 00:17:50,025 --> 00:17:50,808 YOUR DAUGHTER'S YOUNG MAN 491 00:17:50,982 --> 00:17:51,982 IS QUITE A CATCH. 492 00:17:52,027 --> 00:17:53,027 WE THINK SO, TOO, 493 00:17:53,072 --> 00:17:54,247 MR. CARBERRY. 494 00:17:54,421 --> 00:17:55,074 I'M ALSO IMPRESSED BY 495 00:17:55,248 --> 00:17:57,076 YOUR GUEST LIST. 496 00:17:57,250 --> 00:17:58,450 THIS KIND OF GALA EVENT CAN GO 497 00:17:58,555 --> 00:18:00,340 A LONG WAY IN AN ELECTION YEAR. 498 00:18:00,514 --> 00:18:02,951 SMART THINKING, MINK. 499 00:18:03,125 --> 00:18:04,125 MRS. MINK. 500 00:18:06,520 --> 00:18:07,869 OH, REALLY, AS IF OUR GUESTS 501 00:18:08,043 --> 00:18:08,652 WERE INVITED TO FURTHER YOUR 502 00:18:08,826 --> 00:18:10,785 AMBITIONS. 503 00:18:10,959 --> 00:18:12,395 THE MAN HAS NO MANNERS. 504 00:18:12,569 --> 00:18:13,353 WELL, HE'S A POLITICIAN. 505 00:18:13,527 --> 00:18:14,789 THAT'S WHAT THEY DO. 506 00:18:14,963 --> 00:18:16,921 NOW, MAY I HAVE THE DANCE 507 00:18:17,096 --> 00:18:17,792 WITH THE MOST BEAUTIFUL WOMAN 508 00:18:17,966 --> 00:18:18,966 IN ALL OF TORONTO? 509 00:18:19,054 --> 00:18:19,707 YES, YOU MAY. 510 00:18:19,881 --> 00:18:21,491 AH. 511 00:18:28,411 --> 00:18:31,110 MOTHER, WERE YOU AFRAID? 512 00:18:31,284 --> 00:18:33,895 OH, YES, I THINK EVERY GIRL 513 00:18:34,069 --> 00:18:36,463 IS ON HER WEDDING NIGHT. 514 00:18:36,637 --> 00:18:37,899 BUT I SOON DISCOVERED THAT 515 00:18:38,073 --> 00:18:38,813 YOUR FATHER WAS A GENTLE AND 516 00:18:38,987 --> 00:18:40,293 TENDER MAN. 517 00:18:40,467 --> 00:18:41,487 AND I AM SURE THAT WILLIAM 518 00:18:41,511 --> 00:18:43,905 WILL BE THE SAME. 519 00:18:44,079 --> 00:18:47,038 OH, MARY, YOU'VE YOUR WHOLE 520 00:18:47,213 --> 00:18:49,302 LIFE BEFORE YOU. 521 00:18:49,476 --> 00:18:51,826 EMBRACE EVERY PART OF IT, 522 00:18:52,000 --> 00:18:52,827 WHETHER PLEASURE OR PAIN, 523 00:18:53,001 --> 00:18:55,003 WITH YOUR WHOLE SOUL. 524 00:18:55,177 --> 00:18:57,919 AND REMEMBER, GOD WILL 525 00:18:58,093 --> 00:18:58,920 NEVER PUT YOU THROUGH MORE 526 00:18:59,094 --> 00:19:00,094 THAN YOU CAN BEAR. 527 00:19:04,839 --> 00:19:06,797 I'VE FORGOTTEN. 528 00:19:06,971 --> 00:19:08,190 WHEN DO YOU SAIL? 529 00:19:08,364 --> 00:19:09,887 FIRST OF THE MONTH. 530 00:19:10,061 --> 00:19:11,061 MY DRIVER WILL TAKE US 531 00:19:11,106 --> 00:19:11,802 ACROSS THE BORDER INTO 532 00:19:11,976 --> 00:19:13,239 NIAGARA TONIGHT. 533 00:19:13,413 --> 00:19:14,413 WE SHOULD BE IN NEW YORK 534 00:19:14,457 --> 00:19:15,110 HARBOR BY THE WEEK'S END. 535 00:19:15,284 --> 00:19:16,807 MM-HMM. 536 00:19:16,981 --> 00:19:19,897 WELL, SIR, YOUR DOWRY. 537 00:19:20,071 --> 00:19:21,377 MR. MINK... 538 00:19:21,551 --> 00:19:22,813 AH, JAMES, PLEASE. 539 00:19:22,987 --> 00:19:24,380 JAMES. 540 00:19:24,554 --> 00:19:28,819 WILLIAM, TAKE GOOD CARE 541 00:19:28,993 --> 00:19:30,778 OF MY DAUGHTER, PLEASE. 542 00:19:33,302 --> 00:19:35,913 OH, I LOVE YOU, MARY. 543 00:19:36,087 --> 00:19:37,654 I LOVE YOU, TOO, MOTHER. 544 00:19:37,828 --> 00:19:38,873 I'll WRITE YOU AS SOON. 545 00:19:39,047 --> 00:19:40,135 AS I REACH ENGLAND. 546 00:19:44,444 --> 00:19:47,447 ONCE BECAUSE I'll MISS YOU, 547 00:19:47,621 --> 00:19:51,842 TWICE BECAUSE I LOVE YOU, 548 00:19:52,016 --> 00:19:53,016 AND THREE TIMES BECAUSE 549 00:19:53,104 --> 00:19:54,454 I ALWAYS WILL. 550 00:19:59,981 --> 00:20:00,764 PICK IT UP, KITCHEL. 551 00:20:00,938 --> 00:20:02,113 HYAH. 552 00:20:17,128 --> 00:20:18,695 OH, WILLIAM, LOOK AT HOW 553 00:20:18,869 --> 00:20:20,871 BEAUTIFUL IT IS. 554 00:20:21,045 --> 00:20:22,221 I NEVER THOUGHT I'D COME TO 555 00:20:22,395 --> 00:20:23,787 AMERICA, OR SAIL TO ENGLAND. 556 00:20:23,961 --> 00:20:25,180 IT'S ALL SO WONDERFUL 557 00:20:51,380 --> 00:20:53,208 WILLIAM, PLEASE BE GENTLE. 558 00:21:04,741 --> 00:21:07,788 $200... WHY, THANK YOU, SIR. 559 00:21:07,962 --> 00:21:09,050 GENTLEMEN, GENTLEMEN, IT'S 560 00:21:09,224 --> 00:21:10,384 A BARGAIN AT TWICE THE PRICE. 561 00:21:10,530 --> 00:21:13,010 250... I THANK YOU SIR. 562 00:21:13,184 --> 00:21:14,882 250, 250, WHO'LL GIVE ME 300? 563 00:21:15,056 --> 00:21:16,144 WHO'LL GIVE ME 300? 564 00:21:16,318 --> 00:21:17,754 YOU, SIR, IN THE BACK, 300. 565 00:21:17,928 --> 00:21:19,756 WHO WILL GIVE ME 350? 566 00:21:19,930 --> 00:21:21,018 WHO WILL GIVE ME 350? 567 00:21:21,192 --> 00:21:22,411 350 FOR THE... 568 00:21:22,585 --> 00:21:23,978 350! 569 00:21:24,152 --> 00:21:25,152 350, I THANK YOU, SIR. 570 00:21:25,284 --> 00:21:27,329 NO, NO! 571 00:21:27,503 --> 00:21:30,245 YOU! 572 00:21:30,419 --> 00:21:31,419 THAT'S NO WAY TO TALK 573 00:21:31,507 --> 00:21:32,507 TO YOUR HUSBAND. 574 00:21:32,552 --> 00:21:35,294 I HOPE YOU ROT. 575 00:21:35,468 --> 00:21:37,861 I'M PLANNING ON IT. 576 00:21:38,035 --> 00:21:39,035 KITCHEL, GET THESE 577 00:21:39,123 --> 00:21:41,125 LINED UP, HER FIRST. 578 00:21:41,300 --> 00:21:43,519 DO I HEAR 450? 579 00:21:43,693 --> 00:21:46,435 GOING ONCE, GOING TWICE. 580 00:21:47,915 --> 00:21:49,308 SOLD FOR $400. 581 00:21:51,701 --> 00:21:53,312 A GIRL OF 582 00:21:53,486 --> 00:21:55,357 CHILD-BEARING AGE, OFFERED BY 583 00:21:55,531 --> 00:21:57,098 MR. WILLIAM JOHNSON. 584 00:22:02,016 --> 00:22:03,409 NO, NO, GET YOUR HANDS 585 00:22:03,583 --> 00:22:04,583 OFF ME! 586 00:22:14,028 --> 00:22:14,550 IT REQUIRES A MINIMUM BID 587 00:22:14,724 --> 00:22:16,509 OF $700. 588 00:22:16,683 --> 00:22:18,424 WHO WILL OPEN? 589 00:22:18,598 --> 00:22:19,990 725. 590 00:22:20,164 --> 00:22:21,165 STOP THIS! 591 00:22:21,340 --> 00:22:21,905 STOP THIS, I'M NOT A SLAVE. 592 00:22:23,254 --> 00:22:24,517 I'M NOT A SLAVE! 593 00:22:24,691 --> 00:22:26,170 LISTEN TO ME! 594 00:22:26,345 --> 00:22:28,172 THIS MAN... THIS MAN KIDNAPPED 595 00:22:28,347 --> 00:22:29,652 ME FROM MY HOME IN CANADA. 596 00:22:31,480 --> 00:22:32,960 I'M THE DAUGHTER OF 597 00:22:33,134 --> 00:22:34,135 JAMES MINK, AND I'M NOT 598 00:22:34,309 --> 00:22:35,658 A SLAVE. 599 00:22:35,832 --> 00:22:38,705 LISTEN TO ME! 600 00:22:38,879 --> 00:22:41,925 I'M NOT A SLAVE! 601 00:22:42,099 --> 00:22:43,099 MOVE HER DOWN 602 00:22:43,144 --> 00:22:44,144 IN THE BIDDING. 603 00:22:44,232 --> 00:22:45,232 I'M NOT A SLAVE! 604 00:22:57,201 --> 00:22:58,855 NOW, YOU LISTEN TO ME. 605 00:22:59,029 --> 00:23:00,509 YOU'D BEST LEARN YOUR PLACE, 606 00:23:00,683 --> 00:23:01,763 AND KEEP YOUR MOUTH SHUT... 607 00:23:04,078 --> 00:23:05,079 IT WOULD BE A SHAME TO 608 00:23:05,253 --> 00:23:06,253 LOWER THE VALUE OF SUCH 609 00:23:06,385 --> 00:23:07,385 A MAGNIFICENT PIECE OF 610 00:23:07,429 --> 00:23:09,213 PROPERTY, SIR. 611 00:23:09,388 --> 00:23:11,215 SHE CAUSED QUITE A STIR. 612 00:23:11,390 --> 00:23:12,129 YEAH, WELL, THIS LITTLE 613 00:23:12,303 --> 00:23:13,304 EITHER DELIRIOUS 614 00:23:13,479 --> 00:23:14,175 FROM THE HEAT, OR HER HEAD'S 615 00:23:14,349 --> 00:23:15,959 FULL OF FANTASIES. 616 00:23:16,133 --> 00:23:18,222 EITHER WAY, A BEATING IS 617 00:23:18,397 --> 00:23:20,790 NO WAY TO TAME A SASSY MOUTH. 618 00:23:20,964 --> 00:23:22,357 YOU OUTBID THE OTHERS, 619 00:23:22,531 --> 00:23:23,053 AND YOU CAN DO AS YOU PLEASE. 620 00:23:23,227 --> 00:23:23,880 MISTER. 621 00:23:24,054 --> 00:23:25,054 $1,200. 622 00:23:27,144 --> 00:23:28,319 I BELIEVE THE OFFER IS FAIR, 623 00:23:28,494 --> 00:23:29,712 GIVEN HER WILD STREAK. 624 00:23:29,886 --> 00:23:31,148 MISTER... 625 00:23:31,322 --> 00:23:33,237 ON THE CONTRARY, PERHAPS 626 00:23:33,412 --> 00:23:34,848 HER WILD STREAK IS WHAT 627 00:23:35,022 --> 00:23:36,980 EXCITES YOU THE MOST. 628 00:23:37,154 --> 00:23:38,982 DO WE HAVE A SALE OR NOT? 629 00:23:39,156 --> 00:23:40,220 I BELIEVE YOU'RE LOOKING FOR 630 00:23:40,244 --> 00:23:41,507 MORE THAN A FIELD HAND, SIR. 631 00:23:41,681 --> 00:23:43,900 AND WHAT YOU WANT COMES 632 00:23:44,074 --> 00:23:44,771 AT A MUCH HIGHER PRICE. 633 00:23:44,945 --> 00:23:46,512 2,000. 634 00:23:46,686 --> 00:23:48,688 MISTER, THIS MAN STOLE ME. 635 00:23:48,862 --> 00:23:49,863 HE KIDNAPPED ME. 636 00:23:50,037 --> 00:23:51,995 I'M NOT A SLAVE HERE. 637 00:23:52,169 --> 00:23:53,910 PLEASE BELIEVE ME. 638 00:23:54,084 --> 00:23:54,824 OF COURSE YOU'RE NOT. 639 00:23:54,998 --> 00:23:55,998 YOU'RE A VERY LOVELY 640 00:23:56,086 --> 00:23:57,174 YOUNG LADY. 641 00:23:57,348 --> 00:23:58,045 WE'RE GONNA MAKE A REAL 642 00:23:58,219 --> 00:23:59,219 GOOD HOME FOR YOU. 643 00:24:02,005 --> 00:24:03,050 MY FATHER WILL KILL YOU 644 00:24:03,224 --> 00:24:05,226 FOR THIS. 645 00:24:05,400 --> 00:24:07,097 BE GOOD TO YOUR NEW 646 00:24:07,271 --> 00:24:08,271 MASTER, NOW, MARY. 647 00:24:10,579 --> 00:24:14,017 YEEE! 648 00:24:17,281 --> 00:24:21,111 YEEHEE! 649 00:24:25,942 --> 00:24:30,381 YEEE! 650 00:24:30,556 --> 00:24:31,078 GOOD LUCK AT THE MARKET, 651 00:24:31,252 --> 00:24:32,427 MR. CLAY? 652 00:24:32,601 --> 00:24:33,641 LUCK IS A FICKLE MISTRESS, 653 00:24:33,689 --> 00:24:34,908 MR. STROOPE. 654 00:24:35,082 --> 00:24:36,431 TOBACCO PRICES ARE DOWN. 655 00:24:36,605 --> 00:24:38,128 OH, SORRY TO HEAR THAT, SIR. 656 00:24:38,302 --> 00:24:38,694 WHAT DO YOU WANT DONE WITH 657 00:24:38,868 --> 00:24:40,000 THE? 658 00:24:40,174 --> 00:24:40,957 SHE'S NOT STRONG ENOUGH 659 00:24:41,131 --> 00:24:42,219 FOR THE FIELDS. 660 00:24:42,393 --> 00:24:42,916 BEST PUT HER IN THE KITCHEN 661 00:24:43,090 --> 00:24:44,091 WITH INDIGO. 662 00:24:47,790 --> 00:24:52,055 YEHEEE! 663 00:25:00,411 --> 00:25:01,717 SHERMAN, YOU SAID YOU'D 664 00:25:01,891 --> 00:25:02,588 BE HOME YESTERDAY. 665 00:25:02,762 --> 00:25:04,067 I WAS WORRIED. 666 00:25:04,241 --> 00:25:05,852 YOU SHOULDN'T HAVE BEEN. 667 00:25:06,026 --> 00:25:06,853 I WAS SIMPLY DELAYED 668 00:25:07,027 --> 00:25:08,594 AT MARKET. 669 00:25:08,768 --> 00:25:09,768 DELAYED BY WHAT? 670 00:25:09,812 --> 00:25:12,685 BY WHOM? 671 00:25:12,859 --> 00:25:13,859 I'M TIRED, CATHERINE. 672 00:25:13,947 --> 00:25:14,774 I'M NOT IN THE MOOD 673 00:25:14,948 --> 00:25:15,948 FOR QUESTIONS. 674 00:25:23,565 --> 00:25:24,697 COME ON, YOU CAN MOVE 675 00:25:24,871 --> 00:25:25,871 FASTER THAN THAT. 676 00:25:25,915 --> 00:25:27,003 YOU'RE HURTING ME. 677 00:25:27,177 --> 00:25:28,527 I SAID MOVE. 678 00:25:32,313 --> 00:25:34,228 LET GO OF ME. 679 00:25:34,402 --> 00:25:35,510 DON'T TREAT ME LIKE AN ANIMAL. 680 00:25:35,534 --> 00:25:37,231 SISSY, YOU SASS ME AGAIN, 681 00:25:37,405 --> 00:25:38,145 I'll TAKE THAT YELLOW SKIN. 682 00:25:38,319 --> 00:25:40,016 OFF YOUR BACK. 683 00:25:40,190 --> 00:25:41,230 MR. CLAY WANTS HER WORKING 684 00:25:41,322 --> 00:25:41,888 IN THE KITCHEN WITH YOU, 685 00:25:42,062 --> 00:25:43,542 INDIGO. 686 00:25:43,716 --> 00:25:45,021 SEE TO IT SHE LEARN HER PLACE 687 00:25:45,195 --> 00:25:46,893 AND DON'T CAUSE NO TROUBLE. 688 00:25:47,067 --> 00:25:48,067 YES, SIR, MR. STROOPE. 689 00:25:51,462 --> 00:25:53,203 MERCY, CHILD, WHY YOU WANT 690 00:25:53,377 --> 00:25:53,943 TO RILE UP MR. STROOPE 691 00:25:54,117 --> 00:25:55,117 LIKE THAT? 692 00:26:48,563 --> 00:26:49,869 COME ALONG, GIRL, THESE 693 00:26:50,043 --> 00:26:50,652 POTATOES AIN'T GONNA PEEL 694 00:26:50,826 --> 00:26:52,001 THEMSELVES. 695 00:26:52,175 --> 00:26:53,255 AIN'T YOU DONE THIS BEFORE? 696 00:26:57,050 --> 00:26:57,703 THAT'S ALL RIGHT, CHILD, 697 00:26:57,877 --> 00:27:00,053 IT'S ALL RIGHT. 698 00:27:00,227 --> 00:27:02,446 OLD INDIGO GONNA 699 00:27:02,621 --> 00:27:03,622 LEARN YOU HOW. 700 00:27:06,929 --> 00:27:07,929 YOU GOT THE HANDS 701 00:27:08,061 --> 00:27:09,061 OF A. 702 00:27:11,891 --> 00:27:13,588 WHERE YOU COME FROM? 703 00:27:13,762 --> 00:27:15,982 CANADA? 704 00:27:16,156 --> 00:27:16,896 IS THAT WHERE YOU LEARNED 705 00:27:17,070 --> 00:27:18,462 THAT FANCY TALK? 706 00:27:18,637 --> 00:27:19,420 AND IF I CAN JUST GET WORD 707 00:27:19,594 --> 00:27:20,769 TO MY FATHER IN TORONTO, 708 00:27:20,943 --> 00:27:21,640 I KNOW HE'LL COME FOR ME AND 709 00:27:21,814 --> 00:27:22,641 TAKE ME BACK HOME. 710 00:27:22,815 --> 00:27:25,382 WILL YOU HELP ME? 711 00:27:25,556 --> 00:27:27,646 MARY, UH, I GOT SOME BAD 712 00:27:27,820 --> 00:27:29,169 NEWS FOR YOU, GIRL. 713 00:27:29,343 --> 00:27:31,258 YOU IS HOME. 714 00:27:31,432 --> 00:27:32,259 DON'T YOU UNDERSTAND? 715 00:27:32,433 --> 00:27:33,173 I'M NOT A SLAVE. 716 00:27:33,347 --> 00:27:34,347 I WAS KIDNAPPED. 717 00:27:34,391 --> 00:27:36,045 I'M NOT LIKE YOU. 718 00:27:36,219 --> 00:27:37,003 GIRL, LET ME TELL YOU 719 00:27:37,177 --> 00:27:37,873 SOMETHING, WE ALL BEEN 720 00:27:38,047 --> 00:27:39,396 KIDNAPPED. 721 00:27:39,570 --> 00:27:40,615 YOU AIN'T NOTHING SPECIAL. 722 00:27:40,789 --> 00:27:41,853 DON'T MATTER HOW YOU GOT HERE. 723 00:27:41,877 --> 00:27:43,009 YOU'VE BEEN BOUGHT AND PAID 724 00:27:43,183 --> 00:27:44,203 FOR, JUST LIKE THE REST OF US, 725 00:27:44,227 --> 00:27:45,054 AND THAT MAKE YOU A SLAVE. 726 00:27:45,228 --> 00:27:46,055 IF YOU WON'T HELP ME, 727 00:27:46,229 --> 00:27:47,317 I'll GO TO MR. CLAY. 728 00:27:47,491 --> 00:27:48,144 I'll MAKE HIM BELIEVE. 729 00:27:48,318 --> 00:27:50,016 THE TRUTH. 730 00:27:50,190 --> 00:27:51,190 THE TRUTH IS, MASSA CLAY 731 00:27:51,278 --> 00:27:52,061 AIN'T GONNA GIVE YOU UP FOR 732 00:27:52,235 --> 00:27:53,062 YOUR DADDY, OR NOBODY. 733 00:27:53,236 --> 00:27:53,976 NOW, HE DONE BROUGHT YOU 734 00:27:54,150 --> 00:27:54,977 HERE FOR ONE REASON. 735 00:27:55,151 --> 00:27:56,196 STOP THAT TALK, BOY. 736 00:27:56,370 --> 00:27:57,110 NOW, MAMA, MASSA CLAY AIN'T 737 00:27:57,284 --> 00:27:57,806 NO LITTLE BOY, 738 00:27:57,980 --> 00:27:59,068 NO MORE. 739 00:27:59,242 --> 00:28:00,330 NOW, YOU MAY HAVE BEEN HIS 740 00:28:00,504 --> 00:28:01,331 MAMMY, BUT YOU SURE AIN'T 741 00:28:01,505 --> 00:28:02,332 LEARNED HIM NO MANNERS. 742 00:28:02,506 --> 00:28:03,769 NOW, WE BOTH KNOW WHY HE 743 00:28:03,943 --> 00:28:05,031 BROUGHT THIS GAL HERE. 744 00:28:08,208 --> 00:28:09,209 ELROI, STOP IT. 745 00:28:12,516 --> 00:28:13,213 NOW, YOU BEST GET THIS IN 746 00:28:13,387 --> 00:28:14,954 YOUR HEAD, GIRL. 747 00:28:15,128 --> 00:28:16,390 DON'T NOBODY LEAVE THIS PLACE 748 00:28:16,564 --> 00:28:17,043 UNLESS IT'S ON A CHARIOT 749 00:28:17,217 --> 00:28:18,218 OF FIRE. 750 00:29:51,267 --> 00:29:53,052 LET GO OF ME, ELROI. 751 00:29:53,226 --> 00:29:54,246 YOU AIN'T RIGHT IN THE HEAD, 752 00:29:54,270 --> 00:29:55,010 YOU KNOW THAT, GIRL? 753 00:29:55,184 --> 00:29:56,925 ELROI, 754 00:29:57,099 --> 00:29:58,274 I'M GETTING AWAY FROM HERE. 755 00:29:58,448 --> 00:29:59,188 NOW, THAT'S THE STUPIDEST 756 00:29:59,362 --> 00:30:00,146 THING I EVER HEARD. 757 00:30:00,320 --> 00:30:01,147 YOU WOULDN'T HAVE GOT 758 00:30:01,321 --> 00:30:02,321 TWO MILES OFF THIS PLACE 759 00:30:02,409 --> 00:30:03,105 BEFORE STROOPE AND HIS DOGS 760 00:30:03,279 --> 00:30:04,279 BEEN ALL OVER YOU. 761 00:30:04,367 --> 00:30:05,107 THEN WHAT WAS YOU GONNA DO, 762 00:30:05,281 --> 00:30:06,065 TELL HIM YOU WAS OUT 763 00:30:06,239 --> 00:30:07,022 FOR A MOONLIGHT WALK? 764 00:30:07,196 --> 00:30:08,197 WOMAN, YOU GOT NO IDEA 765 00:30:08,371 --> 00:30:09,416 WHAT YOU'RE DEALING WITH. 766 00:30:09,590 --> 00:30:10,654 WELL, AT LEAST I'M NOT SOME 767 00:30:10,678 --> 00:30:11,742 COWARD WHO'S TO AFRAID TO BE 768 00:30:11,766 --> 00:30:12,506 ANYTHING BUT A BOOT-LICKING 769 00:30:12,680 --> 00:30:15,378 SLAVE HIS WHOLE LIFE. 770 00:30:15,552 --> 00:30:17,990 YOU KNOW WHAT THIS IS? 771 00:30:18,164 --> 00:30:20,122 DO YOU? THAT IS WHAT THEY GIVE 772 00:30:20,296 --> 00:30:21,341 A BOOT-LICKING SLAVE WHEN 773 00:30:21,515 --> 00:30:22,515 THEY CATCH HIM RUNNING. 774 00:30:22,603 --> 00:30:24,300 THEY BURN IT INTO HIM LIKE 775 00:30:24,474 --> 00:30:26,128 HE'S SOME ANIMAL. 776 00:30:26,302 --> 00:30:27,956 THEN THEY TELL HIM IF HE EVER 777 00:30:28,130 --> 00:30:30,437 RUN AGAIN, HE BEST GET FREE, 778 00:30:30,611 --> 00:30:32,569 BECAUSE IF THEY CATCH HIM, 779 00:30:32,743 --> 00:30:33,483 HE GONNA GET A ROPE AROUND 780 00:30:33,657 --> 00:30:34,657 HIS NECK. 781 00:30:37,400 --> 00:30:39,925 DON'T YOU JUDGE ME, GIRL, 782 00:30:40,099 --> 00:30:42,101 NOT TILL YOU BEEN WHERE I BEEN. 783 00:30:55,462 --> 00:30:57,377 IT'S COLD OUT HERE. 784 00:30:57,551 --> 00:30:58,247 YOU SHOULD COME IN AND SIT 785 00:30:58,421 --> 00:31:00,859 BY THE FIRE. 786 00:31:01,033 --> 00:31:02,338 DO YOU THINK MARY'S 787 00:31:02,512 --> 00:31:04,123 SOMEWHERE LOOKING UP AT 788 00:31:04,297 --> 00:31:07,474 THESE SAME STARS RIGHT NOW? 789 00:31:07,648 --> 00:31:08,779 WELL, IF SHE'S ANYTHING LIKE 790 00:31:08,954 --> 00:31:10,303 HER MOTHER, SHE'S WONDERING 791 00:31:10,477 --> 00:31:11,477 THE SAME THING ABOUT YOU. 792 00:31:14,176 --> 00:31:15,221 I THOUGHT WE WOULD 793 00:31:15,395 --> 00:31:17,005 HAVE HEARD FROM HER BY NOW. 794 00:31:17,179 --> 00:31:17,963 THE MAIL FROM ENGLAND 795 00:31:18,137 --> 00:31:19,442 IS VERY SLOW. 796 00:31:19,616 --> 00:31:20,443 WE'LL HEAR SOMETHING 797 00:31:20,617 --> 00:31:22,576 REAL SOON. 798 00:31:22,750 --> 00:31:24,143 I MISS HER. 799 00:31:28,495 --> 00:31:30,192 THE FROST WILL BE HERE SOON. 800 00:31:30,366 --> 00:31:31,106 LOOK, ALL MY ROSES ARE LOSING 801 00:31:31,280 --> 00:31:32,586 THEIR PETALS. 802 00:32:02,355 --> 00:32:04,096 MARY, WHAT ARE YOU DOING 803 00:32:04,270 --> 00:32:06,837 IN HERE? 804 00:32:07,012 --> 00:32:09,579 UM, YOUR BOOKS, SIR... 805 00:32:09,753 --> 00:32:11,886 I WANTED TO SEE YOUR BOOKS. 806 00:32:12,060 --> 00:32:13,192 YOU CAN READ, THEN, MARY? 807 00:32:15,934 --> 00:32:17,805 SHOW ME. 808 00:32:36,389 --> 00:32:37,781 "IN THEE I FONDLY HOPE 809 00:32:37,956 --> 00:32:39,435 TO CLASP 810 00:32:39,609 --> 00:32:40,828 A FRIEND WHOM DEATH ALONE 811 00:32:41,002 --> 00:32:42,961 COULD SEVER. 812 00:32:43,135 --> 00:32:44,440 TILL ENVY, WITH MALIGNANT 813 00:32:44,614 --> 00:32:45,876 GRASP 814 00:32:46,051 --> 00:32:46,747 DETACH THEE FROM MY BREAST 815 00:32:46,921 --> 00:32:48,053 "FOREVER." 816 00:32:50,751 --> 00:32:52,361 "THE LYRIC POETRY OF BYRON." 817 00:32:56,017 --> 00:32:58,324 ARE YOU AWARE THE LAW ALLOWS 818 00:32:58,498 --> 00:32:59,325 ME TO HAVE YOU BEATEN FOR 819 00:32:59,499 --> 00:33:00,499 LEARNING TO READ? 820 00:33:03,198 --> 00:33:04,198 BUT THE LAW 821 00:33:04,330 --> 00:33:05,330 IS A FOOLISH ONE. 822 00:33:16,298 --> 00:33:20,737 WE'LL LET THIS BE OUR 823 00:33:20,911 --> 00:33:23,262 LITTLE SECRET. 824 00:33:45,023 --> 00:33:47,286 "FATHER, WILLIAM JOHNSON 825 00:33:47,460 --> 00:33:48,852 SOLD ME AS A SLAVE. 826 00:33:49,027 --> 00:33:50,376 I'M BEING HELD AT THE CLAY 827 00:33:50,550 --> 00:33:51,725 PLANTATION NEAR RICHMOND. 828 00:33:51,899 --> 00:33:53,074 PLEASE HELP ME. 829 00:33:53,248 --> 00:33:54,641 "THREE KISSES. MARY." 830 00:34:27,630 --> 00:34:28,718 MORNING MR. CLYDE. 831 00:34:28,892 --> 00:34:29,980 MORNING, MR. CLAY. 832 00:34:30,155 --> 00:34:31,982 YOU LOOK TROUBLED. 833 00:34:32,157 --> 00:34:35,247 SHH! GIVE IT UP. 834 00:34:37,118 --> 00:34:38,118 GETTING OUT OF HAND. 835 00:34:38,206 --> 00:34:38,946 THE ROADS IS CRAWLING 836 00:34:39,120 --> 00:34:40,121 WITH POSSES. 837 00:34:40,295 --> 00:34:41,295 NOW, YOU STAY HERE. 838 00:34:42,428 --> 00:34:43,168 MAIL TO RICHMOND UNTIL 839 00:34:43,342 --> 00:34:44,169 THE END OF THE WEEK. 840 00:34:44,343 --> 00:34:45,126 NONE OF MY MAIL 841 00:34:45,300 --> 00:34:46,040 IS WORTH RISKING THE 842 00:34:46,214 --> 00:34:46,780 SLAVE-CATCHERS FOR. 843 00:34:46,954 --> 00:34:48,651 HA HA! 844 00:34:48,825 --> 00:34:51,611 AFTERNOON, SIR. 845 00:34:51,785 --> 00:34:52,525 LET ME HOLD YOUR HORSE WHILE 846 00:34:52,699 --> 00:34:53,699 YOU HOP ON UP THERE. 847 00:35:04,406 --> 00:35:07,017 ELROI, WHAT HAPPENED? 848 00:35:07,192 --> 00:35:08,671 SHE MUST HAVE SPOOKED, SIR. 849 00:35:08,845 --> 00:35:10,064 MR. CLYDE. 850 00:35:15,809 --> 00:35:16,809 ARE YOU ALL RIGHT? 851 00:35:20,030 --> 00:35:20,553 DON'T YOU NEVER GO NEAR MY 852 00:35:20,727 --> 00:35:21,771 HORSE AGAIN. 853 00:35:21,945 --> 00:35:22,945 YOU UNDERSTAND ME, BOY? 854 00:35:23,077 --> 00:35:24,122 YES, SIR. SORRY, SIR. 855 00:35:29,823 --> 00:35:30,823 HYAH, COME ON. 856 00:35:56,023 --> 00:35:58,895 EPHRAIM, IT'S YOU. 857 00:35:59,069 --> 00:36:00,070 IT'S YOUR NAME. 858 00:36:06,425 --> 00:36:07,643 BOY, WHAT YOU THINK 859 00:36:07,817 --> 00:36:08,817 YOU'RE DOING? 860 00:36:08,905 --> 00:36:10,255 MARKING MY NAME. 861 00:36:10,429 --> 00:36:11,169 SISTER, YOU'RE GONNA BE 862 00:36:11,343 --> 00:36:12,344 THE DEATH OF US ALL. 863 00:36:12,518 --> 00:36:13,171 ELROI, I'M JUST TEACHING HIM 864 00:36:13,345 --> 00:36:14,868 A FEW LETTERS. 865 00:36:15,042 --> 00:36:16,043 HE JUST MAD BECAUSE HE'S 866 00:36:16,217 --> 00:36:17,914 TOO DUMB TO MARK HIS NAME. 867 00:36:18,088 --> 00:36:19,088 BOY, GIVE ME THAT STICK. 868 00:36:22,702 --> 00:36:25,357 E-R... 869 00:36:28,447 --> 00:36:30,971 L-O. 870 00:36:31,145 --> 00:36:32,233 NOW, WHO ARE YOU 871 00:36:32,407 --> 00:36:33,407 CALLING DUMB? 872 00:36:36,106 --> 00:36:37,151 I WANT YOU BOTH TO CLOSE 873 00:36:37,325 --> 00:36:38,326 YOUR EYES. 874 00:36:38,500 --> 00:36:39,501 CLOSE YOUR EYES. 875 00:36:43,766 --> 00:36:45,028 JUST LISTEN. 876 00:36:48,336 --> 00:36:49,511 "SHE WALKS IN BEAUTY 877 00:36:49,685 --> 00:36:50,730 LIKE THE NIGHT 878 00:36:50,904 --> 00:36:52,688 OF CLOUDLESS CLIMES 879 00:36:52,862 --> 00:36:54,299 AND STARRY SKIES. 880 00:36:54,473 --> 00:36:55,691 AND ALL THAT'S BEST OF DARK 881 00:36:55,865 --> 00:36:57,040 AND BRIGHT 882 00:36:57,215 --> 00:36:58,216 MEET IN HER ASPECT 883 00:36:58,390 --> 00:37:00,000 "AND IN HER EYES." 884 00:37:00,174 --> 00:37:01,001 HMM, YOU SURE CAN SPIT OUT 885 00:37:01,175 --> 00:37:02,698 SOME FANCY WORDS, GIRL. 886 00:37:02,872 --> 00:37:04,613 HEH HEH, THEY'RE NOT 887 00:37:04,787 --> 00:37:05,875 MY WORDS, ELROI. 888 00:37:06,049 --> 00:37:07,181 OPEN YOUR EYES. 889 00:37:10,271 --> 00:37:10,837 I AIN'T SUPPOSED TO LOOK 890 00:37:11,011 --> 00:37:12,099 AT NO BOOK. 891 00:37:12,273 --> 00:37:13,753 BOY, YOU GET OUT OF HERE, 892 00:37:13,927 --> 00:37:14,754 AND DON'T YOU TELL NOBODY 893 00:37:14,928 --> 00:37:15,363 ABOUT THIS, YOU HEAR ME? 894 00:37:15,537 --> 00:37:16,669 GO ON. 895 00:37:19,324 --> 00:37:20,499 NOW, IT'S ONE THING I RISK 896 00:37:20,673 --> 00:37:21,693 MY HIDE ON YOUR FOOL LETTER, 897 00:37:21,717 --> 00:37:22,762 BUT YOU LEAVE THAT BOY BE. 898 00:37:22,936 --> 00:37:24,154 I AIN'T LETTING HIM CATCH 899 00:37:24,329 --> 00:37:25,569 HIS BACKSIDE ON STROOPE'S WHIP. 900 00:37:29,377 --> 00:37:29,986 WHAT, DID YOU TAKE THIS FROM 901 00:37:30,160 --> 00:37:31,205 THE BIG HOUSE? 902 00:37:31,379 --> 00:37:32,685 NO, MR. CLAY GAVE IT TO ME. 903 00:37:47,265 --> 00:37:49,223 THERE'S NOTHING AGAIN TODAY. 904 00:37:49,397 --> 00:37:50,877 WELL, PERHAPS TOMORROW. 905 00:37:51,051 --> 00:37:52,748 THAT ONE'S VERY ODD. 906 00:37:52,922 --> 00:37:53,922 IT'S FROM AMERICA. 907 00:38:06,066 --> 00:38:07,110 OH, MY. 908 00:38:08,547 --> 00:38:09,678 IT'S MARY. 909 00:38:09,852 --> 00:38:10,897 WHAT IS? 910 00:38:11,071 --> 00:38:11,854 WHAT'S HAPPENED? 911 00:38:12,028 --> 00:38:15,031 OH, MY! 912 00:38:15,205 --> 00:38:16,903 OH, NO, THIS CAN'T BE TRUE. 913 00:38:17,077 --> 00:38:18,237 JAMES, TELL ME IT'S NOT TRUE. 914 00:38:18,296 --> 00:38:19,471 SON OF A... 915 00:38:19,645 --> 00:38:20,428 NO, NO, IT'S A MISTAKE. 916 00:38:20,602 --> 00:38:21,602 IT MUST BE A MISTAKE. 917 00:38:21,647 --> 00:38:22,169 THAT IS MARY'S WRITING. 918 00:38:22,343 --> 00:38:23,431 IT'S HER! 919 00:38:23,605 --> 00:38:25,172 OH, 920 00:38:25,346 --> 00:38:26,347 WHAT ARE WE GOING TO DO? 921 00:38:26,521 --> 00:38:27,585 I'll HAVE TO GO AND GET HER. 922 00:38:27,609 --> 00:38:28,689 I'll BRING HER HOME SAFELY, 923 00:38:28,784 --> 00:38:29,437 AND WHEN I COME BACK, I'M GONNA 924 00:38:29,611 --> 00:38:30,438 HUNT THAT DOWN, 925 00:38:30,612 --> 00:38:31,396 AND I'M GONNA KILL HIM! 926 00:38:31,570 --> 00:38:32,310 NO, NO, WAIT, WAIT. 927 00:38:32,484 --> 00:38:33,485 NO, WE HAVE TO TALK. 928 00:38:33,659 --> 00:38:34,766 I GOT HER INTO THIS, AND I'M 929 00:38:34,790 --> 00:38:35,854 GOING TO HAVE TO GET HER OUT. 930 00:38:35,878 --> 00:38:36,878 NO, WE'RE BOTH TO BLAME. 931 00:38:36,966 --> 00:38:37,706 NOW, LISTEN, WE HAVE TO FIND 932 00:38:37,880 --> 00:38:38,880 SOMEONE TO HELP US. 933 00:38:38,925 --> 00:38:39,404 NO, SOMEONE WILL HELP US! 934 00:38:39,578 --> 00:38:40,143 PLEASE! 935 00:38:42,755 --> 00:38:45,061 OH, MY. 936 00:38:47,455 --> 00:38:50,197 MY. 937 00:38:50,371 --> 00:38:51,451 WE HAVE BEEN TO THE QUEEN'S 938 00:38:51,590 --> 00:38:53,679 MILITIA, LORD ELGIN, AND TO THE 939 00:38:53,853 --> 00:38:54,941 AMERICAN EMBASSY, AND 940 00:38:55,115 --> 00:38:55,811 NO ONE'S BEEN ABLE TO DO 941 00:38:55,985 --> 00:38:56,985 A THING ABOUT IT. 942 00:38:57,073 --> 00:38:58,205 NOW, THEN, I'M DESPERATE. 943 00:38:58,379 --> 00:39:00,338 WE NEED YOUR HELP. 944 00:39:00,512 --> 00:39:01,339 WELL, OF COURSE, I'll FILE. 945 00:39:01,513 --> 00:39:02,513 LETTERS OF PROTEST WITH 946 00:39:02,557 --> 00:39:03,950 PRESIDENT FILLMORE AND THE 947 00:39:04,124 --> 00:39:06,039 GOVERNOR OF VIRGINIA. 948 00:39:06,213 --> 00:39:07,823 BUT APART FROM THAT, 949 00:39:07,997 --> 00:39:09,999 THERE'S LITTLE I CAN DO. 950 00:39:10,173 --> 00:39:12,088 ARE YOU SAYING THAT THERE'S 951 00:39:12,262 --> 00:39:13,262 NOTHING YOU CAN DO TO GET 952 00:39:13,307 --> 00:39:14,328 THE AMERICANS TO COOPERATE? 953 00:39:14,352 --> 00:39:16,571 MR. MINK, PLEASE TRY TO 954 00:39:16,745 --> 00:39:18,225 UNDERSTAND. 955 00:39:18,399 --> 00:39:20,706 OUR RELATIONS WITH THE STATES 956 00:39:20,880 --> 00:39:23,186 IS STRAINED AT BEST. 957 00:39:23,361 --> 00:39:26,755 NOW, GIVING REFUGE TO THEIR 958 00:39:26,929 --> 00:39:27,669 FUGITIVE SLAVES HASN'T 959 00:39:27,843 --> 00:39:29,410 HELPED MATTERS. 960 00:39:29,584 --> 00:39:30,704 WE'RE IN NO POSITION TO MAKE 961 00:39:30,803 --> 00:39:31,891 STRONG DEMANDS AGAINST 962 00:39:32,065 --> 00:39:33,240 WASHINGTON. 963 00:39:36,025 --> 00:39:37,025 I'M SORRY. 964 00:39:38,941 --> 00:39:42,249 LORD ELGIN, MY DAUGHTER 965 00:39:42,423 --> 00:39:43,729 IS BEING HELD AGAINST HER WILL 966 00:39:43,903 --> 00:39:46,427 IN A FOREIGN COUNTRY. 967 00:39:46,601 --> 00:39:48,124 ARE YOU SAYING THAT THE 968 00:39:48,298 --> 00:39:49,082 GOVERNOR GENERAL OF UPPER 969 00:39:49,256 --> 00:39:50,649 CANADA IS JUST GOING 970 00:39:50,823 --> 00:39:52,041 TO ABANDON HER? 971 00:39:56,263 --> 00:39:58,918 JAMES, WE'VE TAKEN ENOUGH 972 00:39:59,092 --> 00:40:01,181 OF LORD ELGIN'S TIME. 973 00:40:16,936 --> 00:40:17,936 EXCUSE ME, SIR. 974 00:40:19,765 --> 00:40:20,765 SIR? 975 00:40:22,594 --> 00:40:25,727 YES. 976 00:40:25,901 --> 00:40:27,076 I KNOW IT AIN'T MY PLACE TO 977 00:40:27,250 --> 00:40:29,339 GIVE ADVICE, BUT YOU KNOW 978 00:40:29,514 --> 00:40:32,168 I LOVE MISS MARY, TOO. 979 00:40:32,342 --> 00:40:34,083 YOU SEE, SIR, I KNOW THIS 980 00:40:34,257 --> 00:40:36,042 LADY, BIDDY SHADD, SHE RUNS 981 00:40:36,216 --> 00:40:36,869 THE SLAVE CAMP OUT AT 982 00:40:37,043 --> 00:40:38,348 MACAULEY TOWN. 983 00:40:38,523 --> 00:40:39,219 SHE BEEN LIKE AN ANGEL TO ME 984 00:40:39,393 --> 00:40:40,786 AFTER I GOT FREE. 985 00:40:40,960 --> 00:40:42,875 WELL, SHE KNOWS FOLKS 986 00:40:43,049 --> 00:40:43,615 THAT HELP THE RUNAWAYS 987 00:40:43,789 --> 00:40:44,920 DOWN SOUTH. 988 00:40:45,094 --> 00:40:46,254 MAYBE SHE CAN HELP MISS MARY. 989 00:41:17,300 --> 00:41:20,739 MR. MINK, WELCOME. 990 00:41:20,913 --> 00:41:23,655 MISS SHADD? 991 00:41:23,829 --> 00:41:25,265 THE FIRST THING WE'RE GONNA 992 00:41:25,439 --> 00:41:26,484 DO IS GET WORD TO MY 993 00:41:26,658 --> 00:41:27,223 ABOLITIONIST FRIENDS IN 994 00:41:27,397 --> 00:41:28,397 THE STATES. 995 00:41:28,486 --> 00:41:29,530 NOW, I'VE GOT TO TELL YOU 996 00:41:29,704 --> 00:41:31,271 THAT ARRANGING AN ESCAPE CAN 997 00:41:31,445 --> 00:41:34,448 TAKE MONTHS, SOMETIMES YEARS. 998 00:41:34,622 --> 00:41:35,754 YOU TELL YOUR FRIENDS 999 00:41:35,928 --> 00:41:37,233 TO NAME THEIR PRICE. 1000 00:41:37,407 --> 00:41:38,017 I'M WILLING TO PAY ANYTHING 1001 00:41:38,191 --> 00:41:39,279 TO GET MARY OUT. 1002 00:41:39,453 --> 00:41:40,889 I KNOW YOU'RE A RICH MAN, 1003 00:41:41,063 --> 00:41:42,171 MR. MINK, BUT YOU COULD SPEND 1004 00:41:42,195 --> 00:41:43,355 YOUR ENTIRE FORTUNE AND STILL 1005 00:41:43,413 --> 00:41:44,850 NOT GUARANTEE HER FREEDOM. 1006 00:41:45,024 --> 00:41:46,064 THE SLAVE OWNERS ARE READY 1007 00:41:46,199 --> 00:41:46,895 TO KILL ANYONE CAUGHT HELPING 1008 00:41:47,069 --> 00:41:48,201 THE FUGITIVES. 1009 00:41:48,375 --> 00:41:49,395 THEY EVEN THREATEN THEIR OWN 1010 00:41:49,419 --> 00:41:49,985 SLAVES WITH DEATH IF THEY 1011 00:41:50,159 --> 00:41:50,986 TRY TO ESCAPE. 1012 00:41:51,160 --> 00:41:52,901 THE TRUTH IS, THE MAN 1013 00:41:53,075 --> 00:41:54,139 HOLDING YOUR DAUGHTER WOULD 1014 00:41:54,163 --> 00:41:54,773 PROBABLY RATHER SEE HER HANG 1015 00:41:54,947 --> 00:41:55,991 THAN SET FREE. 1016 00:41:56,165 --> 00:41:57,906 I DON'T THINK YOU REALIZE 1017 00:41:58,080 --> 00:41:59,125 WHO YOU'RE DEALING WITH, 1018 00:41:59,299 --> 00:42:00,474 MISS SHADD. 1019 00:42:00,648 --> 00:42:02,389 IF YOUR FRIEND'S NOT WILLING 1020 00:42:02,563 --> 00:42:04,913 TO GET MARY OUT QUICKLY, I WILL 1021 00:42:05,087 --> 00:42:05,653 GO TO VIRGINIA AND BRING HER 1022 00:42:05,827 --> 00:42:08,090 HOME MYSELF. 1023 00:42:08,264 --> 00:42:09,962 I'll BURN IN BEFORE. 1024 00:42:10,136 --> 00:42:11,311 SHE SUFFERS A MOMENT LONGER. 1025 00:42:15,097 --> 00:42:16,534 WE'LL HELP YOU, MR. MINK. 1026 00:42:25,455 --> 00:42:26,575 I FOUND THIS MAN IN BUFFALO. 1027 00:42:29,285 --> 00:42:30,069 JAMES, I CAN'T STAY 1028 00:42:30,243 --> 00:42:31,374 HERE ALONE. 1029 00:42:31,549 --> 00:42:33,028 I'VE ALREADY FAILED MARY, 1030 00:42:33,202 --> 00:42:34,202 AND I WON'T MAKE MATTERS 1031 00:42:34,290 --> 00:42:35,290 WORSE BY PUTTING YOU 1032 00:42:35,335 --> 00:42:36,335 IN DANGER, AS WELL. 1033 00:42:36,466 --> 00:42:37,163 AND I WON'T RISK LOSING 1034 00:42:37,337 --> 00:42:38,337 EITHER ONE OF YOU. 1035 00:42:38,468 --> 00:42:39,295 I HAVE ALWAYS TRIED TO DO 1036 00:42:39,469 --> 00:42:40,209 WHAT YOU'VE ASKED OF ME. 1037 00:42:40,383 --> 00:42:41,383 THIS TIME, I CAN'T. 1038 00:42:41,428 --> 00:42:42,168 SHE'S MY DAUGHTER, TOO. 1039 00:42:42,342 --> 00:42:43,952 IT'S IMPOSSIBLE. 1040 00:42:44,126 --> 00:42:45,345 THE SOUTH IS NO PLACE FOR A 1041 00:42:45,519 --> 00:42:46,955 BLACK MAN AND HIS WHITE WIFE. 1042 00:42:47,129 --> 00:42:48,391 JAMES, THIS LIFE WE HAVE 1043 00:42:48,566 --> 00:42:51,438 HERE, THIS HOME, WITHOUT YOU, 1044 00:42:51,612 --> 00:42:52,918 WITHOUT MARY, WHAT COULD IT 1045 00:42:53,092 --> 00:42:54,441 MEAN TO ME? 1046 00:42:54,615 --> 00:42:56,661 NOW, I AM GOING WITH YOU. 1047 00:43:03,363 --> 00:43:04,886 SOMETHING'S WRONG, JAMES. 1048 00:43:05,060 --> 00:43:05,670 SHE CAN'T HAVE MEANT US 1049 00:43:05,844 --> 00:43:06,844 TO COME HERE. 1050 00:43:06,932 --> 00:43:07,932 NO, THIS HAS TO BE IT. 1051 00:43:09,543 --> 00:43:11,284 WELL, WELL, IT LOOKS LIKE WE 1052 00:43:11,458 --> 00:43:13,242 GOT OUT-OF-TOWNERS HERE, BOYS. 1053 00:43:17,682 --> 00:43:19,031 DIDN'T YOU FOLKS KNOW IT 1054 00:43:19,205 --> 00:43:21,250 ISN'T HEALTHY FOR A COLORED MAN 1055 00:43:21,424 --> 00:43:23,818 TO BE OUT AFTER DARK? 1056 00:43:23,992 --> 00:43:26,081 PLEASE, I'M NOT ARMED. 1057 00:43:26,255 --> 00:43:27,909 I'll DO AS YOU ASK. 1058 00:43:28,083 --> 00:43:30,129 JUST LEAVE MY WIFE ALONE. 1059 00:43:30,303 --> 00:43:31,521 SHE'S YOUR WIFE? 1060 00:43:31,696 --> 00:43:33,828 YES. 1061 00:43:34,002 --> 00:43:35,743 WHAT'S YOUR NAME? 1062 00:43:35,917 --> 00:43:38,877 JAMES MINK. 1063 00:43:39,051 --> 00:43:40,748 SORRY IF WE SCARED YOU. 1064 00:43:40,922 --> 00:43:41,922 THERE'S A RUNAWAY FAMILY 1065 00:43:42,054 --> 00:43:43,214 INSIDE, AND WE'RE TAKING THEM 1066 00:43:43,316 --> 00:43:45,361 OVER THE BORDER TOMORROW. 1067 00:43:45,535 --> 00:43:46,556 THE STREET'S BEEN CRAWLING 1068 00:43:46,580 --> 00:43:48,147 WITH SLAVE-CATCHERS. 1069 00:43:48,321 --> 00:43:49,801 BIDDY'S WIRE SAID YOU HAVE 1070 00:43:49,975 --> 00:43:52,325 TO GET TO NEWCASTLE. 1071 00:43:52,499 --> 00:43:53,674 THE BEST BET WILL BE TO GO 1072 00:43:53,848 --> 00:43:54,675 THROUGH HAGERSTOWN, 1073 00:43:54,849 --> 00:43:55,894 MARYLAND, THAT'LL BE 1074 00:43:56,068 --> 00:43:56,895 THE FURTHEST POINT SOUTH 1075 00:43:57,069 --> 00:43:58,418 IN FREE TERRITORY. 1076 00:43:58,592 --> 00:43:59,592 THEN CATCH THE DAY TRAIN 1077 00:43:59,680 --> 00:44:02,074 TO VIRGINIA. 1078 00:44:02,248 --> 00:44:03,466 WE'LL NEED LODGING. 1079 00:44:03,641 --> 00:44:05,164 YOU'LL STAY HERE TONIGHT. 1080 00:44:05,338 --> 00:44:06,992 BUT FROM NOW ON, YOU WILL 1081 00:44:07,166 --> 00:44:08,994 TRAVEL ONLY BY DAY. 1082 00:44:09,168 --> 00:44:12,780 THERE ARE SAFE HOUSES HERE, 1083 00:44:12,954 --> 00:44:14,956 HERE, AND HERE. 1084 00:44:15,130 --> 00:44:15,740 MAKE SURE YOU REACH THEM 1085 00:44:15,914 --> 00:44:17,089 BY SUNDOWN. 1086 00:44:17,263 --> 00:44:19,352 WHEN YOU GET TO NEWCASTLE, 1087 00:44:19,526 --> 00:44:21,354 FIND THE QUAKER CHURCH FIRST 1088 00:44:21,528 --> 00:44:23,661 THING, AND THE MINISTER THERE 1089 00:44:23,835 --> 00:44:24,487 WILL HELP YOU THE REST 1090 00:44:24,662 --> 00:44:25,750 OF THE WAY. 1091 00:44:25,924 --> 00:44:26,924 WHY THE QUAKERS? 1092 00:44:30,232 --> 00:44:33,453 DOWN SOUTH, MR. MINK, BELIEF 1093 00:44:33,627 --> 00:44:36,804 IN JESUS IS NOT SURE SIGN OF 1094 00:44:36,978 --> 00:44:39,198 GOODNESS, EXCEPT AMONG 1095 00:44:39,372 --> 00:44:40,634 THE FOOT-WASHERS. 1096 00:44:49,338 --> 00:44:50,470 I WOULD LIKE TO BOOK 1097 00:44:50,644 --> 00:44:52,080 PASSAGE FOR TWO TO NEWCASTLE. 1098 00:44:52,254 --> 00:44:53,429 $6 WILL BUY YOUR MASTER 1099 00:44:53,603 --> 00:44:55,954 TWO SEATS, BOY. BUT IF YOU WANT 1100 00:44:56,128 --> 00:44:57,288 TO GO SOUTH YOU'RE GONNA HAVE 1101 00:44:57,433 --> 00:44:58,513 TO POST A BOND ON YOUR HEAD 1102 00:44:58,565 --> 00:44:59,305 BEFORE GETTING ON THAT TRAIN. 1103 00:44:59,479 --> 00:45:00,132 I DON'T THINK YOU 1104 00:45:00,306 --> 00:45:01,046 UNDERSTAND, SIR. 1105 00:45:01,220 --> 00:45:02,743 I'M A FREE MAN. 1106 00:45:02,917 --> 00:45:04,658 I HAVE TO SEE YOUR 1107 00:45:04,832 --> 00:45:06,312 PAPERS, THEN. 1108 00:45:06,486 --> 00:45:07,617 I BEG YOUR PARDON? 1109 00:45:07,792 --> 00:45:08,618 IF YOU'RE FREE, JUST SHOW ME 1110 00:45:08,793 --> 00:45:09,793 YOUR PAPERS, 1111 00:45:09,924 --> 00:45:11,709 OR MOVE ALONG. 1112 00:45:11,883 --> 00:45:12,579 I SAID BEFORE, 1113 00:45:12,753 --> 00:45:13,798 I WAS A FREE MAN. 1114 00:45:13,972 --> 00:45:14,992 MY WORD SHOULD BE SUFFICIENT. 1115 00:45:15,016 --> 00:45:15,582 WHO DO YOU THINK YOU'RE 1116 00:45:15,756 --> 00:45:16,801 TALKING TO? 1117 00:45:16,975 --> 00:45:17,976 WHAT'S THE PROBLEM HERE? 1118 00:45:18,150 --> 00:45:19,214 THE BOY HERE SAYS HE'S FREE, 1119 00:45:19,238 --> 00:45:20,805 BUT HE AIN'T GOT NO PAPERS. 1120 00:45:20,979 --> 00:45:21,544 HE DON'T LOOK LIKE 1121 00:45:21,719 --> 00:45:22,850 NO RUNAWAY. 1122 00:45:23,024 --> 00:45:24,199 WHY DON'T WE GO LOOK AT 1123 00:45:24,373 --> 00:45:25,026 THE NOTICES, JUST THE SAME? 1124 00:45:25,200 --> 00:45:25,853 LET GO OF ME! 1125 00:45:26,027 --> 00:45:26,724 YOU'RE LUCKY 1126 00:45:26,898 --> 00:45:28,726 I DON'T SHOOT YOU. 1127 00:45:28,900 --> 00:45:29,727 YOU'VE BEEN NOTHING BUT 1128 00:45:29,901 --> 00:45:30,597 TROUBLE EVER SINCE YOUR 1129 00:45:30,771 --> 00:45:31,771 MASTER DIED. 1130 00:45:31,903 --> 00:45:32,903 NOW, YOU'LL APOLOGIZE 1131 00:45:32,947 --> 00:45:33,774 TO THESE GENTLEMEN. 1132 00:45:33,948 --> 00:45:34,993 YOU BETTER LEARN SOME 1133 00:45:35,167 --> 00:45:36,231 MANNERS, BOY, OR THAT SASSY 1134 00:45:36,255 --> 00:45:37,375 TONGUE OF YOURS IS GONNA GET 1135 00:45:37,430 --> 00:45:38,997 YOU STRUNG UP. 1136 00:45:43,392 --> 00:45:44,480 I'll TAKE RESPONSIBILITY. 1137 00:45:44,654 --> 00:45:45,133 FOR MY OWN SLAVE, THANK YOU 1138 00:45:45,307 --> 00:45:46,307 VERY MUCH. 1139 00:45:47,919 --> 00:45:50,486 NOW, YOU HEARD ME. 1140 00:45:50,660 --> 00:45:51,660 APOLOGIZE. 1141 00:45:55,927 --> 00:45:56,927 I'M SORRY, SIR. 1142 00:45:59,931 --> 00:46:00,931 I'M SORRY, SIR. 1143 00:46:09,157 --> 00:46:11,203 ALL ABOARD TO NEWCASTLE. 1144 00:46:11,377 --> 00:46:12,377 SO THAT'S WHAT IT IS NOW, 1145 00:46:12,465 --> 00:46:13,945 HUH? 1146 00:46:14,119 --> 00:46:16,338 JAMES MINK, SLAVE. 1147 00:46:16,512 --> 00:46:17,513 IT DOESN'T MATTER WHAT 1148 00:46:17,687 --> 00:46:19,167 ANYONE ELSE SEES RIGHT NOW. 1149 00:46:19,341 --> 00:46:20,734 ALL THAT MATTERS IS THAT 1150 00:46:20,908 --> 00:46:23,389 WE KNOW WHO WE REALLY ARE. 1151 00:46:23,563 --> 00:46:25,913 I'M SORRY I HAD TO HIT YOU. 1152 00:46:26,087 --> 00:46:27,088 NO, NO ONE MUST SEE YOU 1153 00:46:27,262 --> 00:46:28,524 TOUCHING ME, EVER. 1154 00:46:28,698 --> 00:46:30,135 TIME TO BOARD NOW, MA'AM. 1155 00:46:30,309 --> 00:46:31,832 YOUR CAN PUT 1156 00:46:32,006 --> 00:46:33,442 YOUR BAGS IN THE SLAVE CAR. 1157 00:46:33,616 --> 00:46:35,053 MA'AM. 1158 00:47:27,932 --> 00:47:28,758 A PROPER GENTLEMAN NEVER 1159 00:47:28,933 --> 00:47:29,411 EATS WITH HIS ELBOWS ON 1160 00:47:29,585 --> 00:47:30,585 THE TABLE. 1161 00:47:37,376 --> 00:47:38,159 YOU'RE COMING WITH ME, 1162 00:47:38,333 --> 00:47:39,333 YOU LITTLE HALF-BREED. 1163 00:47:39,378 --> 00:47:40,378 GET YOUR HANDS OFF ME. 1164 00:47:40,466 --> 00:47:41,728 I DIDN'T DO ANYTHING. 1165 00:47:41,902 --> 00:47:42,902 DON'T LIE TO ME. 1166 00:47:43,034 --> 00:47:44,114 I CAUGHT THAT LITTLE DARKIE 1167 00:47:44,209 --> 00:47:44,818 EPHRAIM CUTTING HIS NAME 1168 00:47:44,992 --> 00:47:45,992 INTO A TREE. 1169 00:47:46,080 --> 00:47:46,907 ONLY SOMEBODY WITH A FANCY 1170 00:47:47,081 --> 00:47:47,603 TONGUE COULD HAVE SHOWN 1171 00:47:47,777 --> 00:47:48,777 HIM THAT. 1172 00:47:48,909 --> 00:47:49,736 I KNOW YOU BEEN TEACHING HIM. 1173 00:47:49,910 --> 00:47:51,869 IT WASN'T HER, BOSS. 1174 00:47:52,043 --> 00:47:54,741 I LEARNED THE BOY MYSELF. 1175 00:47:54,915 --> 00:47:55,742 YOU'RE LYING, BOY. 1176 00:47:55,916 --> 00:47:56,916 AIN'T NO DUMB AS YOU 1177 00:47:56,961 --> 00:47:58,005 COULD LEARN READING 1178 00:47:58,179 --> 00:47:59,441 AND WRITING. 1179 00:48:03,881 --> 00:48:04,664 I STOLE IT FROM 1180 00:48:04,838 --> 00:48:05,838 THE MASTER'S STUDY. 1181 00:48:05,926 --> 00:48:06,709 I'VE BEEN LEARNING MYSELF 1182 00:48:06,884 --> 00:48:07,885 HOW TO READ. 1183 00:48:08,059 --> 00:48:08,755 NO, ELROI. 1184 00:48:08,929 --> 00:48:09,929 SHUSH UP, GIRL. 1185 00:48:12,977 --> 00:48:14,500 OH, YOU'RE LYING, ELROI. 1186 00:48:21,507 --> 00:48:23,726 "SHE WALKS IN BEAUTY 1187 00:48:23,901 --> 00:48:26,338 LIKE THE NIGHT 1188 00:48:26,512 --> 00:48:29,689 OF CLOUDLESS CLIMES 1189 00:48:29,863 --> 00:48:31,343 AND STARRY SKIES." 1190 00:48:33,432 --> 00:48:34,041 YOU MUST LIKE GETTING 1191 00:48:34,215 --> 00:48:35,215 WHIPPED, BOY. 1192 00:48:39,568 --> 00:48:40,918 FOR BREAKING THE 1193 00:48:41,092 --> 00:48:41,831 CODE OF READING AND WRITING, 1194 00:48:42,006 --> 00:48:43,224 THE LAW SAYS YOU GET 1195 00:48:43,398 --> 00:48:45,705 39 STRIPES. 1196 00:48:48,795 --> 00:48:50,318 LASH HIS HANDS. 1197 00:48:55,323 --> 00:48:56,716 HAVE IT YOUR OWN WAY, BOY. 1198 00:49:05,768 --> 00:49:07,031 ONE. 1199 00:49:10,904 --> 00:49:12,471 TWO. 1200 00:49:14,299 --> 00:49:15,299 PLEASE, LET ME STOP THIS. 1201 00:49:18,694 --> 00:49:20,653 THREE. 1202 00:49:20,827 --> 00:49:22,829 LET IT GO, CHILD. 1203 00:49:23,003 --> 00:49:24,787 THE BOSS GONNA HAVE ELROI'S 1204 00:49:24,962 --> 00:49:27,007 HIDE, NO MATTER WHAT. 1205 00:49:27,181 --> 00:49:30,576 FOUR. 1206 00:49:32,186 --> 00:49:33,971 FIVE. 1207 00:49:36,669 --> 00:49:37,887 SIX. 1208 00:49:40,107 --> 00:49:41,107 SEVEN. 1209 00:49:54,165 --> 00:49:58,778 ELROI, I'M SO SORRY. 1210 00:50:33,900 --> 00:50:35,684 PARDON ME, SIR. 1211 00:50:35,858 --> 00:50:37,991 WE WERE TOLD YOU DEAL 1212 00:50:38,165 --> 00:50:39,471 IN BLACK WOOL. 1213 00:50:39,645 --> 00:50:40,733 AND WHO TOLD YOU THAT? 1214 00:50:40,907 --> 00:50:41,907 A FRIEND OF A FRIEND. 1215 00:50:45,999 --> 00:50:47,131 I'VE MANY FRIENDS. 1216 00:50:47,305 --> 00:50:47,827 YOU'LL HAVE TO BE MORE 1217 00:50:48,001 --> 00:50:48,828 SPECIFIC. 1218 00:50:49,002 --> 00:50:49,568 ARE THESE RIDDLES 1219 00:50:49,742 --> 00:50:50,917 NECESSARY? 1220 00:50:51,091 --> 00:50:51,874 IT WAS A MAN IN BUFFALO, 1221 00:50:52,049 --> 00:50:54,921 HIS NAME WAS RISSER. 1222 00:50:55,095 --> 00:50:55,791 THEN YOU ARE FRIENDS 1223 00:50:55,965 --> 00:50:57,141 OF MINE. 1224 00:50:57,315 --> 00:50:58,379 I'M SORRY FOR THE INTRIGUE, 1225 00:50:58,403 --> 00:50:59,012 BUT THE SLAVE TRADE HAS MANY 1226 00:50:59,186 --> 00:51:00,361 EYES AND EARS. 1227 00:51:00,535 --> 00:51:02,581 I'M REVEREND ELI BRENNEMAN. 1228 00:51:02,755 --> 00:51:04,148 ELIZABETH MINK. 1229 00:51:06,976 --> 00:51:09,762 SO, REVEREND, HOW FAR 1230 00:51:09,936 --> 00:51:10,936 IS THIS CLAY PLANTATION? 1231 00:51:11,024 --> 00:51:11,546 A GOOD HOUR'S RIDE 1232 00:51:11,720 --> 00:51:12,895 FROM HERE. 1233 00:51:13,070 --> 00:51:14,593 GOOD. WE CAN GET THERE 1234 00:51:14,767 --> 00:51:15,985 BY NIGHTFALL. 1235 00:51:16,160 --> 00:51:18,684 MR. MINK, I CAUTION YOU 1236 00:51:18,858 --> 00:51:20,164 ABOUT BEING TOO HASTY. 1237 00:51:20,338 --> 00:51:21,469 GETTING A SLAVE OFF A 1238 00:51:21,643 --> 00:51:22,427 PLANTATION IS VERY DANGEROUS. 1239 00:51:22,601 --> 00:51:23,906 BEFORE WE DO ANYTHING, 1240 00:51:24,081 --> 00:51:25,952 WE'RE GONNA NEED A PLAN. 1241 00:51:26,126 --> 00:51:28,868 MARY IS NOT A SLAVE, SIR. 1242 00:51:29,042 --> 00:51:31,827 AND I ALREADY HAVE A PLAN. 1243 00:51:32,001 --> 00:51:33,001 WE'LL SLIP IN THERE 1244 00:51:33,090 --> 00:51:33,612 BY NIGHTFALL, AND WE'LL GET 1245 00:51:33,786 --> 00:51:34,787 MARY OUT. 1246 00:51:34,961 --> 00:51:36,789 YOU MIGHT MANAGE THAT. 1247 00:51:36,963 --> 00:51:37,963 YOU MIGHT EVEN GET HER 1248 00:51:38,095 --> 00:51:39,183 ALL THE WAY BACK TO TOWN. 1249 00:51:39,357 --> 00:51:40,397 BUT HOW DO YOU PLAN TO GET 1250 00:51:40,532 --> 00:51:41,881 OUT OF VIRGINIA WITH EVERY 1251 00:51:42,055 --> 00:51:42,882 MARSHAL AND SLAVE-CATCHER 1252 00:51:43,056 --> 00:51:44,056 FROM HERE TO THE BORDER 1253 00:51:44,144 --> 00:51:45,189 LOOKING FOR A FAIR-SKINNED 1254 00:51:45,363 --> 00:51:46,407 RUNAWAY, A COLORED MAN 1255 00:51:46,581 --> 00:51:48,322 AND A WHITE WOMAN? 1256 00:51:48,496 --> 00:51:50,150 MR. MINK, IF YOU'RE CAUGHT, 1257 00:51:50,324 --> 00:51:52,370 YOU COULD BE SOLD AS A SLAVE, 1258 00:51:52,544 --> 00:51:53,849 AND ELIZABETH COULD BE JAILED. 1259 00:51:54,023 --> 00:51:55,063 AND YOU DON'T WANT TO KNOW 1260 00:51:55,155 --> 00:51:56,235 WHAT WILL HAPPEN TO MARY IF 1261 00:51:56,287 --> 00:51:57,447 THEY HAVE TO SEND HER BACK TO 1262 00:51:57,505 --> 00:51:59,855 THE CLAY PLANTATION. 1263 00:52:00,029 --> 00:52:02,031 TELL US WHAT WE MUST DO. 1264 00:52:05,209 --> 00:52:08,690 MARY, I'M SORRY FOR WHAT 1265 00:52:08,864 --> 00:52:11,040 STROOPE DID TO ELROI. 1266 00:52:11,215 --> 00:52:12,259 HAD I KNOWN ABOUT IT, 1267 00:52:12,433 --> 00:52:13,478 I WOULD HAVE STOPPED IT. 1268 00:52:13,652 --> 00:52:14,827 YES, SIR. 1269 00:52:15,001 --> 00:52:16,481 HE'S A GOOD MAN, 1270 00:52:16,655 --> 00:52:17,917 MR. STROOPE. 1271 00:52:18,091 --> 00:52:20,833 HE JUST GETS CARRIED AWAY 1272 00:52:21,007 --> 00:52:22,574 SOMETIMES. 1273 00:52:27,927 --> 00:52:30,756 MY, YOU ARE BEAUTIFUL. 1274 00:52:30,930 --> 00:52:34,063 OH! 1275 00:52:34,238 --> 00:52:37,066 SHH. IT'S JUST A SCRATCH. 1276 00:52:41,201 --> 00:52:42,594 NO, DON'T. 1277 00:52:42,768 --> 00:52:44,465 PLEASE, PLEASE. 1278 00:52:44,639 --> 00:52:45,423 MARY. 1279 00:52:45,597 --> 00:52:46,075 PLEASE, STOP IT. 1280 00:52:46,250 --> 00:52:47,512 MARY. 1281 00:52:47,686 --> 00:52:49,427 DON'T YOU EVER TOUCH ME 1282 00:52:49,601 --> 00:52:51,907 AGAIN. 1283 00:52:52,081 --> 00:52:52,560 I THINK YOU'RE FORGETTING 1284 00:52:52,734 --> 00:52:53,734 WHO I AM. 1285 00:52:53,866 --> 00:52:55,084 I PAID A GREAT DEAL OF MONEY 1286 00:52:55,259 --> 00:52:56,390 FOR YOU. 1287 00:52:56,564 --> 00:52:58,175 I'll DO WITH YOU AS I PLEASE! 1288 00:53:34,994 --> 00:53:35,560 YOU SEE THAT BUNCH OF 1289 00:53:35,734 --> 00:53:37,997 STARS THERE? 1290 00:53:38,171 --> 00:53:39,738 THE SLAVE FOLK CALL THAT 1291 00:53:39,912 --> 00:53:42,523 "THE DRINKING GOURD." 1292 00:53:42,697 --> 00:53:44,438 THE HANDLE POINTS NORTH, 1293 00:53:44,612 --> 00:53:46,658 TOWARD THE PROMISED LAND. 1294 00:53:46,832 --> 00:53:47,833 TO MY HOME. 1295 00:53:50,009 --> 00:53:51,053 YES. 1296 00:53:54,535 --> 00:53:55,884 ELROI, WHAT DID IT FEEL LIKE 1297 00:53:56,058 --> 00:53:58,017 THAT TIME, OUT THERE ON 1298 00:53:58,191 --> 00:53:59,323 THE RUN? 1299 00:54:04,502 --> 00:54:06,765 THEM THREE DAYS WERE 1300 00:54:06,939 --> 00:54:08,723 SWEET AS HONEY, EVEN WITH 1301 00:54:08,897 --> 00:54:12,684 THEM DOGS ON MY HEELS. 1302 00:54:12,858 --> 00:54:14,773 I WAS MY OWN MASSA, 1303 00:54:14,947 --> 00:54:16,122 MY OWN MAN. 1304 00:54:20,648 --> 00:54:21,997 ONCE YOU GET A TASTE OF 1305 00:54:22,171 --> 00:54:24,696 FREEDOM, YOU DON'T NEVER LOSE 1306 00:54:24,870 --> 00:54:26,045 YOUR HUNGER FOR IT. 1307 00:54:29,222 --> 00:54:29,918 DID YOU EVER IMAGINE TRYING 1308 00:54:30,092 --> 00:54:31,093 TO RUN AGAIN? 1309 00:54:34,009 --> 00:54:36,360 HMM. I USED TO THINK 1310 00:54:36,534 --> 00:54:38,057 ABOUT IT EVERY NIGHT. 1311 00:54:43,367 --> 00:54:46,892 JUST NOW, I GOT MORE 1312 00:54:47,066 --> 00:54:48,067 REASON TO STAY. 1313 00:54:51,984 --> 00:54:53,333 ELROI... 1314 00:54:57,206 --> 00:54:58,991 I DON'T WANT TO HURT YOU, 1315 00:54:59,165 --> 00:55:01,167 BUT I CAN'T LIVE THIS WAY 1316 00:55:01,341 --> 00:55:03,648 FOR THE REST OF MY LIFE, 1317 00:55:03,822 --> 00:55:05,302 I JUST CAN'T. 1318 00:55:10,959 --> 00:55:12,091 I KNOWS YOU CAN'T, MARY. 1319 00:55:14,615 --> 00:55:15,615 I KNOW. 1320 00:55:20,099 --> 00:55:23,276 LOOKY HERE, A WHOLE MESS 1321 00:55:23,450 --> 00:55:25,713 OF POTATOES, ALL PEELED 1322 00:55:25,887 --> 00:55:28,368 AND READY TO COOK. 1323 00:55:28,542 --> 00:55:30,588 I WONDER WHO DONE THAT? 1324 00:55:32,198 --> 00:55:32,938 SOMEONE WHO HAD 1325 00:55:33,112 --> 00:55:35,375 A GOOD TEACHER. 1326 00:55:35,549 --> 00:55:36,549 TAKE THESE SWEETS ON INTO 1327 00:55:36,681 --> 00:55:38,073 THE PARLOR. 1328 00:55:38,247 --> 00:55:39,367 MRS. CLAY'S WAITING ON THEM. 1329 00:55:46,168 --> 00:55:47,735 THE CLAYS HAVE OWNED THIS 1330 00:55:47,909 --> 00:55:48,910 PROPERTY FOR 150 YEARS, 1331 00:55:49,084 --> 00:55:50,608 MRS. CARBERRY. 1332 00:55:50,782 --> 00:55:51,782 INDEED. 1333 00:55:54,655 --> 00:55:55,655 FOOL GIRL, LOOK WHAT 1334 00:55:55,743 --> 00:55:56,863 YOU'VE DONE, THEY'RE RUINED! 1335 00:55:56,918 --> 00:55:58,006 GET DOWN AND CLEAN UP 1336 00:55:58,180 --> 00:55:59,225 THAT MESS. 1337 00:55:59,399 --> 00:56:00,182 OH, NO, PLEASE. 1338 00:56:00,357 --> 00:56:01,967 IT'S MY FAULT. 1339 00:56:02,141 --> 00:56:02,881 I'M AFRAID I GAVE YOUR LITTLE 1340 00:56:03,055 --> 00:56:04,055 GIRL QUITE A START. 1341 00:56:04,186 --> 00:56:07,712 HERE, DEAR, LET ME HELP YOU. 1342 00:56:07,886 --> 00:56:09,061 REALLY, THAT'S NOT 1343 00:56:09,235 --> 00:56:11,106 NECESSARY, MRS. CARBERRY. 1344 00:56:11,280 --> 00:56:11,846 OH, SHE'S SUCH A NERVOUS 1345 00:56:12,020 --> 00:56:12,760 LITTLE THING. 1346 00:56:12,934 --> 00:56:13,934 I DON'T MIND HELPING. 1347 00:56:15,937 --> 00:56:17,504 THERE, NOW I'M SURE SHE'LL 1348 00:56:17,678 --> 00:56:19,550 BE JUST FINE. 1349 00:56:19,724 --> 00:56:21,900 MR. CLAY, I DON'T MEAN TO BE 1350 00:56:22,074 --> 00:56:22,901 PRESUMPTUOUS, BUT MY SLAVE 1351 00:56:23,075 --> 00:56:24,075 JAMES IS RATHER PARCHED 1352 00:56:24,163 --> 00:56:25,773 AFTER OUR LONG RIDE. 1353 00:56:25,947 --> 00:56:27,819 I WONDER IF YOU COULD SEND 1354 00:56:27,993 --> 00:56:29,013 THE GIRL OUT TO THE STABLES 1355 00:56:29,037 --> 00:56:30,058 WITH A COOL DRINK FOR HIM. 1356 00:56:30,082 --> 00:56:32,650 SEE TO IT, MARY. 1357 00:56:32,824 --> 00:56:33,824 THANK YOU. 1358 00:57:06,945 --> 00:57:08,163 ONCE. 1359 00:57:11,776 --> 00:57:13,212 TWICE. 1360 00:57:29,054 --> 00:57:30,185 I'D LAY AWAKE AT NIGHT 1361 00:57:30,359 --> 00:57:31,399 TRYING TO REMEMBER YOU AND 1362 00:57:31,448 --> 00:57:34,102 MAMA, YOUR VOICES, YOUR 1363 00:57:34,276 --> 00:57:36,757 CLOTHES, ANYTHING TO HANG ONTO 1364 00:57:36,931 --> 00:57:39,760 UNTIL YOU CAME FOR ME. 1365 00:57:39,934 --> 00:57:41,153 BUT AFTER A WHILE, IT GOT 1366 00:57:41,327 --> 00:57:42,154 HARDER AND HARDER TO 1367 00:57:42,328 --> 00:57:44,983 PICTURE YOU. 1368 00:57:45,157 --> 00:57:46,332 AND I REALIZED THAT MY WORST 1369 00:57:46,506 --> 00:57:48,769 FEAR WAS THAT I MIGHT FORGET 1370 00:57:48,943 --> 00:57:51,468 YOU, AND THAT YOU MIGHT 1371 00:57:51,642 --> 00:57:53,600 FORGET ME. 1372 00:57:53,774 --> 00:57:55,602 MARY. 1373 00:58:00,128 --> 00:58:00,912 IT'S ALL RIGHT, DADDY. 1374 00:58:01,086 --> 00:58:02,479 HE'S A FRIEND. 1375 00:58:02,653 --> 00:58:04,742 MY NAME IS ELROI, SIR. 1376 00:58:07,614 --> 00:58:08,694 I'M GONNA HELP YOU GET YOUR 1377 00:58:08,833 --> 00:58:10,008 DAUGHTER OFF THIS PLACE. 1378 00:58:15,492 --> 00:58:17,624 TELL ME, MRS. CARBERRY, 1379 00:58:17,798 --> 00:58:19,539 WHAT LED YOU TO BELIEVE I MIGHT 1380 00:58:19,713 --> 00:58:20,833 BE INTERESTED IN SELLING OFF 1381 00:58:20,932 --> 00:58:22,499 A PIECE OF MY LAND? 1382 00:58:22,673 --> 00:58:24,892 AN EDUCATED GUESS, MR. CLAY. 1383 00:58:25,066 --> 00:58:27,286 ACCORDING TO YOUR NEIGHBORS, 1384 00:58:27,460 --> 00:58:28,481 THAT PARCEL HAS LAIN FALLOW 1385 00:58:28,505 --> 00:58:29,767 FOR SEVERAL YEARS. 1386 00:58:29,941 --> 00:58:31,246 AND WITH TOBACCO PRICES 1387 00:58:31,420 --> 00:58:32,857 DOWN THE WAY THEY ARE, 1388 00:58:33,031 --> 00:58:33,727 I THOUGHT YOU MIGHT BE OPEN 1389 00:58:33,901 --> 00:58:35,773 TO A FAIR OFFER. 1390 00:58:35,947 --> 00:58:36,991 NOW, OF COURSE, IF I'M 1391 00:58:37,165 --> 00:58:38,365 MISTAKEN, THERE MIGHT BE OTHER 1392 00:58:38,471 --> 00:58:40,081 PLANTERS I COULD TALK TO. 1393 00:58:40,255 --> 00:58:42,040 THAT WON'T BE NECESSARY. 1394 00:58:42,214 --> 00:58:43,215 YOUR OFFER IS GENEROUS. 1395 00:58:43,389 --> 00:58:44,042 I'M SURE WE CAN COME TO 1396 00:58:44,216 --> 00:58:45,216 AN AGREEMENT. 1397 00:58:45,347 --> 00:58:46,566 BUT I AM CURIOUS ABOUT 1398 00:58:46,740 --> 00:58:47,740 ONE THING. 1399 00:58:47,828 --> 00:58:49,743 30 ACRES IS NO SMALL 1400 00:58:49,917 --> 00:58:51,702 UNDERTAKING. 1401 00:58:51,876 --> 00:58:52,529 HOW WILL YOU MANAGE ON 1402 00:58:52,703 --> 00:58:53,921 YOUR OWN? 1403 00:58:54,095 --> 00:58:55,140 WE IRISH HAVE NEVER BEEN 1404 00:58:55,314 --> 00:58:56,421 AFRAID OF HARD WORK, MR. CLAY. 1405 00:58:56,445 --> 00:58:57,229 BESIDES, I LEARNED A GREAT 1406 00:58:57,403 --> 00:58:58,143 DEAL ABOUT BUSINESS FROM 1407 00:58:58,317 --> 00:59:00,188 MY LATE HUSBAND. 1408 00:59:00,362 --> 00:59:01,146 A GOOD BUSINESS MIND WILL 1409 00:59:01,320 --> 00:59:02,843 ONLY TAKE YOU SO FAR. 1410 00:59:03,017 --> 00:59:04,017 YOU'LL NEED STRONG BACKS 1411 00:59:04,062 --> 00:59:05,454 TO WORK THIS LAND. 1412 00:59:05,629 --> 00:59:07,631 I'M SORRY, 1413 00:59:07,805 --> 00:59:09,197 I DON'T UNDERSTAND. 1414 00:59:09,371 --> 00:59:10,851 WELL, SLAVES, DEAR. 1415 00:59:11,025 --> 00:59:12,157 SURELY YOU'LL WANT TO BUY 1416 00:59:12,331 --> 00:59:13,331 YOURSELF SOME GOOD. 1417 00:59:15,334 --> 00:59:16,465 AYE, OF COURSE, I'M SORRY. 1418 00:59:16,640 --> 00:59:18,032 I'VE HAD A VERY LONG DAY. 1419 00:59:18,206 --> 00:59:20,948 IN FACT, I'VE TAKEN UP FAR 1420 00:59:21,122 --> 00:59:22,297 TOO MUCH OF YOUR TIME. 1421 00:59:22,471 --> 00:59:23,690 I WONDER IF YOU'D BE KIND 1422 00:59:23,864 --> 00:59:24,604 ENOUGH TO ASK MY DRIVER 1423 00:59:24,778 --> 00:59:26,040 TO COME ROUND. 1424 00:59:26,214 --> 00:59:27,389 OH, NONSENSE, MRS. CARBERRY, 1425 00:59:27,564 --> 00:59:28,826 YOU'LL BE OUR GUEST TONIGHT. 1426 00:59:29,000 --> 00:59:30,001 THEN WE CAN CONCLUDE OUR 1427 00:59:30,175 --> 00:59:31,785 BUSINESS IN THE MORNING. 1428 00:59:31,959 --> 00:59:33,787 WELL, I'M VERY GRATEFUL. 1429 00:59:33,961 --> 00:59:35,049 WHERE SHALL I HAVE 1430 00:59:35,223 --> 00:59:36,311 MY SLAVE SLEEP? 1431 00:59:36,485 --> 00:59:38,139 I WOULDN'T FRET, DEAR. 1432 00:59:38,313 --> 00:59:39,837 I'M SURE HE'S ALREADY FOUND 1433 00:59:40,011 --> 00:59:40,533 HIMSELF A NICE SPOT FOR 1434 00:59:40,707 --> 00:59:41,707 THE NIGHT. 1435 00:59:41,839 --> 00:59:42,927 IF THERE'S ONE THING 1436 00:59:43,101 --> 00:59:45,756 LOVE TO DO, IT'S SLEEP. 1437 00:59:45,930 --> 00:59:47,758 NOW, IT TAKE A MAN 1438 00:59:47,932 --> 00:59:48,672 TEN MINUTES TO MAKE IT TO 1439 00:59:48,846 --> 00:59:50,456 THE CREEK, FOLLOW IT 1440 00:59:50,630 --> 00:59:51,849 DOWNSTREAM TO WHERE IT GETS 1441 00:59:52,023 --> 00:59:53,087 SHALLOW, AND THEN FROM THERE, 1442 00:59:53,111 --> 00:59:53,720 IT'S JUST A STRETCH OF FIELD 1443 00:59:53,894 --> 00:59:54,982 TO NEWCASTLE. 1444 00:59:55,156 --> 00:59:56,264 THAT WOULD TAKE AN ETERNITY. 1445 00:59:56,288 --> 00:59:57,288 I SAY WE USE THE SHADE OF 1446 00:59:57,332 --> 00:59:58,420 THE TREES, AND FOLLOW 1447 00:59:58,595 --> 00:59:59,702 THE ROAD ALL THE WAY TO TOWN. 1448 00:59:59,726 --> 01:00:00,901 THAT WOULD BE HALF THE TIME. 1449 01:00:01,075 --> 01:00:02,075 NOW, THAT'S FOOL-HEADED. 1450 01:00:02,163 --> 01:00:03,469 THEM SLAVE-CATCHERS' HOUNDS 1451 01:00:03,643 --> 01:00:04,723 WILL BE ON YOUR TAIL BEFORE 1452 01:00:04,775 --> 01:00:05,427 YOU'RE A MILE OFF 1453 01:00:05,602 --> 01:00:06,385 THE PLANTATION. 1454 01:00:06,559 --> 01:00:07,559 THAT CREEK'S THE ONLY 1455 01:00:07,647 --> 01:00:08,343 WAY TO THROW THEM DOGS. 1456 01:00:08,517 --> 01:00:11,085 YOU TAKE YOUR WAY, 1457 01:00:11,259 --> 01:00:12,419 YOU'RE GONNA GET MARY KILLED. 1458 01:00:12,478 --> 01:00:13,914 LOOK, THIS IS MY PLAN. 1459 01:00:14,088 --> 01:00:15,133 YOU NEED TO MIND YOUR OWN 1460 01:00:15,307 --> 01:00:16,507 BUSINESS AND STAY OUT OF MINE. 1461 01:00:26,057 --> 01:00:26,579 HOW COULD YOU SAY THAT 1462 01:00:26,753 --> 01:00:28,407 TO HIM? 1463 01:00:28,581 --> 01:00:29,581 MARY. 1464 01:00:38,809 --> 01:00:40,245 MRS. CARBERRY. 1465 01:00:42,595 --> 01:00:44,597 YES? 1466 01:00:44,771 --> 01:00:45,851 MRS. CARBERRY, IF I MAY ASK 1467 01:00:45,990 --> 01:00:48,079 A PERSONAL QUESTION. 1468 01:00:48,253 --> 01:00:51,560 YOUR HUSBAND, WAS HIS ILLNESS 1469 01:00:51,735 --> 01:00:53,780 A LENGTHY ONE? 1470 01:00:53,954 --> 01:00:55,695 NO, HE DIED RATHER 1471 01:00:55,869 --> 01:00:57,654 SUDDENLY, ACTUALLY. 1472 01:00:57,828 --> 01:01:02,528 OH, I'M SORRY. 1473 01:01:02,702 --> 01:01:03,822 BUT PERHAPS IT WAS GOD'S WAY 1474 01:01:03,921 --> 01:01:04,965 TO SPARE YOU THE PAIN OF 1475 01:01:05,139 --> 01:01:07,098 LOSING HIM GRADUALLY. 1476 01:01:07,272 --> 01:01:09,361 YES, PERHAPS. 1477 01:01:12,233 --> 01:01:13,713 YOU'RE VERY BRAVE TO BE 1478 01:01:13,887 --> 01:01:14,583 STARTING A NEW LIFE 1479 01:01:14,758 --> 01:01:15,758 FOR YOURSELF. 1480 01:01:15,846 --> 01:01:16,846 WELL, THANK YOU. 1481 01:01:18,413 --> 01:01:20,241 WELL, GOOD NIGHT. 1482 01:01:20,415 --> 01:01:21,721 GOOD NIGHT. 1483 01:01:58,671 --> 01:01:59,671 MARY? 1484 01:02:04,198 --> 01:02:05,678 I KNOW YOU HAVE 1485 01:02:05,852 --> 01:02:06,852 EVERY REASON TO HATE ME. 1486 01:02:13,468 --> 01:02:14,468 I ONLY WANTED THE BEST 1487 01:02:14,513 --> 01:02:15,688 FOR YOU. 1488 01:02:30,355 --> 01:02:32,183 I'M SORRY. 1489 01:02:37,318 --> 01:02:38,363 THANK YOU FOR YOUR 1490 01:02:38,537 --> 01:02:40,495 HOSPITALITY, MR. CLAY. 1491 01:02:40,669 --> 01:02:41,496 I'll WIRE MY BANK AS SOON AS 1492 01:02:41,670 --> 01:02:42,976 I GET BACK TO THE HOTEL. 1493 01:02:43,150 --> 01:02:43,760 I SHOULD HAVE MONEY FOR YOU 1494 01:02:43,934 --> 01:02:44,934 BY WEEK'S END. 1495 01:02:44,978 --> 01:02:45,631 I LOOK FORWARD TO YOUR 1496 01:02:45,805 --> 01:02:46,805 NEXT VISIT. 1497 01:02:46,937 --> 01:02:47,372 THANK YOU, SIR. 1498 01:02:47,546 --> 01:02:48,721 JAMES? 1499 01:03:11,091 --> 01:03:13,050 I HAVE THE DRAFT. 1500 01:03:13,224 --> 01:03:14,747 THAT'S A LOT TO PAY FOR LAND 1501 01:03:14,921 --> 01:03:16,357 WE WILL NEVER USE. 1502 01:03:16,531 --> 01:03:17,531 OH, JAMES, LOOK. 1503 01:03:20,492 --> 01:03:22,102 IT'S KITCHEL, JOHNSON'S MAN. 1504 01:03:22,276 --> 01:03:23,408 STAY HERE. 1505 01:03:23,582 --> 01:03:24,844 NO. 1506 01:03:25,018 --> 01:03:25,671 I SAID, STAY HERE. 1507 01:03:25,845 --> 01:03:26,845 STOP, PLEASE. 1508 01:03:33,026 --> 01:03:34,026 JOHNSON, THAT YOU? 1509 01:03:36,856 --> 01:03:38,597 JOHNSON? 1510 01:03:51,610 --> 01:03:52,610 JOHNSON? 1511 01:04:04,057 --> 01:04:05,450 KITCHEL. 1512 01:04:17,157 --> 01:04:18,985 WHERE'S WILLIAM JOHNSON? 1513 01:04:19,159 --> 01:04:20,279 I AIN'T TELLING YOU NOTHING. 1514 01:04:23,772 --> 01:04:25,557 WHERE IS HE? 1515 01:04:25,731 --> 01:04:27,037 JAMES! 1516 01:04:27,211 --> 01:04:28,275 GET OUT OF HERE, ELIZABETH. 1517 01:04:28,299 --> 01:04:29,299 REMEMBER WHY WE'VE COME. 1518 01:04:34,087 --> 01:04:35,132 GET ME SOME ROPE. 1519 01:04:37,264 --> 01:04:38,264 REVEREND BRENNEMAN? 1520 01:04:40,964 --> 01:04:42,182 WE MUST GO NOW. 1521 01:04:42,356 --> 01:04:43,357 I DON'T UNDERSTAND. 1522 01:04:43,531 --> 01:04:44,750 WILLIAM JOHNSON, 1523 01:04:44,924 --> 01:04:45,924 THAT WHO STOLE MARY, 1524 01:04:45,969 --> 01:04:47,318 HE'S IN TOWN. 1525 01:04:47,492 --> 01:04:49,015 I HAD A RUN-IN WITH HIS MAN. 1526 01:04:49,189 --> 01:04:49,929 I MADE SURE HE CAN'T FOLLOW US, 1527 01:04:50,103 --> 01:04:51,103 BUT IT WON'T BE LONG 1528 01:04:51,235 --> 01:04:52,366 BEFORE JOHNSON FINDS US. 1529 01:04:52,540 --> 01:04:53,324 BUT WE NEED MORE TIME. 1530 01:04:53,498 --> 01:04:54,542 WE DON'T HAVE TIME. 1531 01:04:54,716 --> 01:04:56,066 WE MUST GO NOW. 1532 01:04:56,240 --> 01:04:57,502 WE MAY NOT HAVE ANOTHER CHANCE. 1533 01:04:57,676 --> 01:04:58,807 THEN WE'LL HAVE TO MAKE DO. 1534 01:04:58,982 --> 01:04:59,808 AND MAY GOD ALMIGHTY 1535 01:04:59,983 --> 01:05:00,983 PROTECT US. 1536 01:05:19,959 --> 01:05:21,700 I'll WAIT FOR YOUR SIGN. 1537 01:05:21,874 --> 01:05:22,962 MRS. CARBERRY. 1538 01:05:23,136 --> 01:05:23,702 MR. CLAY, I'M SORRY 1539 01:05:23,876 --> 01:05:25,008 TO INTRUDE. 1540 01:05:25,182 --> 01:05:26,531 SOMETHING URGENT HAS COME UP, 1541 01:05:26,705 --> 01:05:27,769 AND I HAD TO SEE YOU AT ONCE. 1542 01:05:27,793 --> 01:05:28,793 PLEASE, COME IN. 1543 01:05:30,317 --> 01:05:31,317 HYAH. 1544 01:05:33,712 --> 01:05:34,931 MARY. 1545 01:05:35,105 --> 01:05:35,670 DADDY, WHAT ARE YOU 1546 01:05:35,844 --> 01:05:36,671 DOING HERE? 1547 01:05:36,845 --> 01:05:37,845 SOMETHING HAPPENED. 1548 01:05:37,977 --> 01:05:38,586 JOHNSON IS ON HIS WAY. 1549 01:05:38,760 --> 01:05:39,760 JOHNSON? 1550 01:05:39,848 --> 01:05:40,849 WE HAVE GOT TO GO. 1551 01:05:41,024 --> 01:05:41,850 BUT DADDY, I HAVEN'T EVEN 1552 01:05:42,025 --> 01:05:42,547 SAID GOODBYE TO INDIGO, 1553 01:05:42,721 --> 01:05:43,765 TO ELROI. 1554 01:05:43,940 --> 01:05:44,940 I WISH WE HAD TIME. 1555 01:05:45,071 --> 01:05:46,071 BUT WE'VE GOT... 1556 01:05:49,423 --> 01:05:50,423 YOU GOING, AIN'T YOU? 1557 01:05:53,079 --> 01:05:54,863 THEN I'M GOING WITH YOU. 1558 01:05:55,038 --> 01:05:56,038 ELROI, IF THEY CATCH YOU, 1559 01:05:56,126 --> 01:05:57,214 THEY'LL HANG YOU. 1560 01:05:57,388 --> 01:05:58,867 I GOT TO TAKE THAT CHANCE. 1561 01:05:59,042 --> 01:06:00,082 YOU CAN'T STAY HERE, AND I 1562 01:06:00,130 --> 01:06:01,740 CAN'T STAY HERE WITHOUT YOU. 1563 01:06:01,914 --> 01:06:02,523 ELROI, IT'LL BE MUCH 1564 01:06:02,697 --> 01:06:03,697 TOO DANGEROUS. 1565 01:06:03,829 --> 01:06:04,656 I DIDN'T MAKE PLANS FOR YOU. 1566 01:06:04,830 --> 01:06:05,657 I CAN HELP YOU, SIR. 1567 01:06:05,831 --> 01:06:06,875 I KNOW HOW THEM 1568 01:06:07,050 --> 01:06:07,746 SLAVE-CATCHERS DO THINGS. 1569 01:06:07,920 --> 01:06:09,139 IT'S TOO RISKY. 1570 01:06:09,313 --> 01:06:10,836 DADDY, I'M NOT LEAVING 1571 01:06:11,010 --> 01:06:12,010 WITHOUT HIM. 1572 01:06:18,496 --> 01:06:19,758 I'M SORRY FOR YOUR 1573 01:06:19,932 --> 01:06:21,629 TROUBLES, MRS. CARBERRY. 1574 01:06:21,803 --> 01:06:23,240 I HOPE THE QUESTIONS 1575 01:06:23,414 --> 01:06:24,414 CONCERNING YOUR HUSBAND'S 1576 01:06:24,502 --> 01:06:25,024 ESTATE CAN BE CLEARED UP 1577 01:06:25,198 --> 01:06:26,460 QUICKLY. 1578 01:06:26,634 --> 01:06:28,114 YES, I HOPE SO, TOO. 1579 01:06:28,288 --> 01:06:29,408 UNFORTUNATELY, IT'S A MATTER 1580 01:06:29,463 --> 01:06:30,638 I MUST SEE TO IN PERSON. 1581 01:06:30,812 --> 01:06:32,162 THANK YOU. 1582 01:06:32,336 --> 01:06:33,902 BUT I WANTED TO BE SURE THAT 1583 01:06:34,077 --> 01:06:34,773 OUR BUSINESS WAS CONCLUDED 1584 01:06:34,947 --> 01:06:35,556 BEFORE I LEFT FOR 1585 01:06:35,730 --> 01:06:36,818 THE CAROLINAS. 1586 01:06:36,993 --> 01:06:37,732 I THINK YOU'LL FIND THAT 1587 01:06:37,906 --> 01:06:38,907 IN ORDER, SIR. 1588 01:06:39,082 --> 01:06:40,431 I'M VERY GRATEFUL. 1589 01:06:40,605 --> 01:06:41,736 BUT SURELY THIS COULD HAVE 1590 01:06:41,910 --> 01:06:42,911 WAITED FOR YOUR RETURN. 1591 01:06:43,086 --> 01:06:45,088 BELIEVE ME, MR. CLAY, 1592 01:06:45,262 --> 01:06:46,828 NOTHING IS MORE IMPORTANT TO ME 1593 01:06:47,003 --> 01:06:48,004 THAN FINISHING THIS UP. 1594 01:06:49,657 --> 01:06:50,745 ELROI. 1595 01:06:54,010 --> 01:06:55,881 IVE BROUGHT YOU 1596 01:06:56,055 --> 01:06:57,796 SOME MORE FIREWOOD, MAMA. 1597 01:06:57,970 --> 01:06:59,711 IT'S GONNA LAST ME 1598 01:06:59,885 --> 01:07:01,234 A LONG TIME, SON. 1599 01:07:06,152 --> 01:07:06,979 MAMA, I GOT SOMETHING 1600 01:07:07,153 --> 01:07:09,155 TO TELL YOU. 1601 01:07:09,329 --> 01:07:10,504 LOOK HERE, ELROI, I MADE 1602 01:07:10,678 --> 01:07:12,158 YOUR FAVORITE, SWEET JAMS. 1603 01:07:25,824 --> 01:07:28,087 I LOVE YOU, BOY. 1604 01:07:31,221 --> 01:07:32,309 I LOVE YOU, TOO, MAMA. 1605 01:07:37,618 --> 01:07:41,013 GO, GO. 1606 01:08:06,038 --> 01:08:07,561 WHAT THE... 1607 01:08:19,269 --> 01:08:20,531 WHAT DO YOU KNOW ABOUT 1608 01:08:20,705 --> 01:08:21,705 THESE, BOY? 1609 01:08:21,793 --> 01:08:23,011 NOTHING, SIR. 1610 01:08:23,186 --> 01:08:23,969 YOU'D BEST NOT BE LYING 1611 01:08:24,143 --> 01:08:25,143 TO ME. 1612 01:08:31,324 --> 01:08:32,891 WHAT WE GOING TO DO NOW? 1613 01:08:33,065 --> 01:08:35,981 WHEN HE COME TO, HE GONNA 1614 01:08:36,155 --> 01:08:38,984 KNOW YOU'RE A PART OF THIS. 1615 01:08:39,158 --> 01:08:40,768 THEN WE'RE JUST GONNA HAVE 1616 01:08:40,942 --> 01:08:41,982 TO CONVINCE HIM OTHERWISE. 1617 01:08:51,562 --> 01:08:52,562 OH. 1618 01:09:11,886 --> 01:09:12,886 COME ON. 1619 01:09:40,045 --> 01:09:41,960 WHOA, GIRL. 1620 01:09:51,404 --> 01:09:52,404 THIS WAY! 1621 01:09:55,800 --> 01:09:58,150 HURRY, HURRY! 1622 01:10:01,327 --> 01:10:02,459 IN THE WAGON. 1623 01:10:23,131 --> 01:10:23,610 EVERYTHING SEEMS TO BE 1624 01:10:23,784 --> 01:10:24,872 IN ORDER. 1625 01:10:25,046 --> 01:10:26,178 WELL, IF YOU'LL JUST 1626 01:10:26,352 --> 01:10:27,092 COUNTERSIGN, THEN WE'LL BE 1627 01:10:27,266 --> 01:10:28,572 NEIGHBORS, MR. CLAY. 1628 01:10:28,746 --> 01:10:30,965 INDEED. 1629 01:10:36,971 --> 01:10:37,971 GET THE HORSES. 1630 01:10:41,106 --> 01:10:41,759 WHAT IS IT, STROOPE? 1631 01:10:41,933 --> 01:10:42,542 ESCAPE, SIR. 1632 01:10:42,716 --> 01:10:43,716 IT'S ELROI 1633 01:10:43,848 --> 01:10:44,848 AND THAT GIRL. 1634 01:10:44,979 --> 01:10:45,676 THEY KNOCKED ME AND 1635 01:10:45,850 --> 01:10:47,460 THE MA'AM'S COLD. 1636 01:10:47,634 --> 01:10:48,809 OH, NO. 1637 01:10:48,983 --> 01:10:49,593 AND ALL THE HORSES ARE 1638 01:10:49,767 --> 01:10:50,767 ACCOUNTED FOR. 1639 01:10:50,898 --> 01:10:52,049 I'M GUESSING THEY'RE ON FOOT. 1640 01:10:52,073 --> 01:10:53,073 MRS. CARBERRY, PLEASE 1641 01:10:53,161 --> 01:10:54,182 FORGIVE THIS INTERRUPTION. 1642 01:10:54,206 --> 01:10:55,033 OBVIOUSLY, I'M GOING TO BE 1643 01:10:55,207 --> 01:10:55,947 INDISPOSED FOR THE NEXT 1644 01:10:56,121 --> 01:10:57,775 WHO-KNOWS-HOW-LONG. 1645 01:10:57,949 --> 01:10:58,732 PERHAPS WE CAN CONTINUE 1646 01:10:58,906 --> 01:10:59,907 THIS BUSINESS LATER. 1647 01:11:00,081 --> 01:11:01,779 YES, OF COURSE. 1648 01:11:01,953 --> 01:11:02,997 GOOD DAY, THEN. 1649 01:11:03,171 --> 01:11:05,043 STROOPE, GATHER THE DOGS. 1650 01:11:12,485 --> 01:11:13,965 NO, MR. STROOPE, 1651 01:11:14,139 --> 01:11:15,271 PLEASE DON'T HURT ELROI. 1652 01:11:15,445 --> 01:11:16,445 GET OF MY WAY, INDIGO. 1653 01:11:16,576 --> 01:11:17,708 DON'T HURT MY BOY. 1654 01:11:25,890 --> 01:11:27,065 PLEASE, MASTER, 1655 01:11:27,239 --> 01:11:29,546 HE A GOOD BOY. 1656 01:11:29,720 --> 01:11:30,840 PLEASE, YOU LOVE OLD INDIGO. 1657 01:11:32,810 --> 01:11:34,159 DO IT FOR ME. 1658 01:11:34,333 --> 01:11:35,333 I CAN'T DO THAT, INDIGO. 1659 01:11:35,378 --> 01:11:36,378 LET HIM GO! 1660 01:11:36,422 --> 01:11:37,815 MR. STROOPE. 1661 01:11:37,989 --> 01:11:39,730 PLEASE, PLEASE! 1662 01:11:39,904 --> 01:11:42,689 MASTER, DO IT FOR ME! 1663 01:11:42,863 --> 01:11:44,561 PLEASE, LET HIM GO. 1664 01:12:01,491 --> 01:12:02,274 THEY CAN'T BE STUPID ENOUGH 1665 01:12:02,448 --> 01:12:03,448 TO HIDE IN THE HOUSE. 1666 01:12:16,027 --> 01:12:17,115 WHAT? 1667 01:12:22,729 --> 01:12:23,948 DO SOMETHING. 1668 01:12:24,122 --> 01:12:25,906 PERFUME. 1669 01:12:26,080 --> 01:12:27,517 WE'RE GONNA SEARCH EVERY 1670 01:12:27,691 --> 01:12:28,953 ROAD AND FARM FROM HERE TO 1671 01:12:29,127 --> 01:12:30,998 NEWCASTLE UNTIL WE FIND THEM. 1672 01:12:31,172 --> 01:12:33,305 YES, SIR. 1673 01:12:57,851 --> 01:12:58,851 MAMA! 1674 01:12:58,939 --> 01:13:01,072 OH, MAMA! 1675 01:13:14,955 --> 01:13:17,871 KITCHEL? 1676 01:13:18,045 --> 01:13:18,829 KITCHEL, WHERE 1677 01:13:19,003 --> 01:13:20,918 ARE YOU? 1678 01:13:25,923 --> 01:13:27,490 WHAT HAPPENED TO YOU? 1679 01:13:27,664 --> 01:13:28,795 IT'S MINK. 1680 01:13:28,969 --> 01:13:30,049 HE CAME AFTER HIS DAUGHTER. 1681 01:13:35,149 --> 01:13:36,542 WE LEAVE AT FIRST LIGHT. 1682 01:13:36,716 --> 01:13:38,065 IT'S A TWO-DAY TRIP BY ROAD TO 1683 01:13:38,239 --> 01:13:38,849 POINT PLEASANT ON THE 1684 01:13:39,023 --> 01:13:40,590 OHIO RIVER. 1685 01:13:40,764 --> 01:13:42,026 ONCE YOU'RE THERE, YOU'LL BE 1686 01:13:42,200 --> 01:13:43,244 MET AND TAKEN ACROSS TO 1687 01:13:43,419 --> 01:13:46,291 THE OHIO SIDE AND SAFETY. 1688 01:13:46,465 --> 01:13:47,529 BUT THERE'S STILL 200 MILES 1689 01:13:47,553 --> 01:13:49,120 FROM PORT PLEASANT TO CANADA. 1690 01:13:49,294 --> 01:13:50,294 200 OF THE SWEETEST MILES 1691 01:13:50,338 --> 01:13:51,338 THIS SIDE OF HEAVEN, SIR. 1692 01:13:51,470 --> 01:13:52,470 SLAVE FOLK CALL IT 1693 01:13:52,558 --> 01:13:53,385 THE "FRONT PORCH OF 1694 01:13:53,559 --> 01:13:54,560 THE PROMISED LAND." 1695 01:13:54,734 --> 01:13:55,561 THE SLAVE-CATCHERS OF OHIO 1696 01:13:55,735 --> 01:13:56,344 ARE OUTNUMBERED 50 TO 1 1697 01:13:56,519 --> 01:13:57,737 BY OUR PEOPLE. 1698 01:13:57,911 --> 01:13:58,911 ONCE THAT BOAT GETS YOU 1699 01:13:59,043 --> 01:13:59,652 ACROSS THE RIVER, YOU'RE AS 1700 01:13:59,826 --> 01:14:00,826 GOOD AS HOME. 1701 01:14:03,134 --> 01:14:04,135 AND I DIDN'T FORGET 1702 01:14:04,309 --> 01:14:06,311 YOUR PROMISE, MAMA. 1703 01:14:06,485 --> 01:14:10,054 WHAT PROMISE, DEAR? 1704 01:14:10,228 --> 01:14:11,228 THAT GOD WOULD NEVER PUT 1705 01:14:11,359 --> 01:14:12,186 ME THROUGH MORE THAN 1706 01:14:12,360 --> 01:14:13,360 I COULD BEAR. 1707 01:14:15,755 --> 01:14:17,061 MARY, TELL ME ABOUT ELROI. 1708 01:14:20,456 --> 01:14:21,848 I KNOW HE'S NOT WHAT FATHER 1709 01:14:22,022 --> 01:14:24,895 WANTS FOR ME, BUT HE'S KIND 1710 01:14:25,069 --> 01:14:27,288 AND GENTLE, AND MORE OF A MAN 1711 01:14:27,463 --> 01:14:28,028 THAN ANY OF THOSE PRETENDERS 1712 01:14:28,202 --> 01:14:29,813 IN TORONTO. 1713 01:14:29,987 --> 01:14:32,903 AND DO YOU LOVE HIM? 1714 01:14:33,077 --> 01:14:33,773 HE RISKED HIS LIFE FOR ME, 1715 01:14:33,947 --> 01:14:36,341 MOTHER. 1716 01:14:36,515 --> 01:14:37,734 BUT DO YOU LOVE HIM? 1717 01:14:41,172 --> 01:14:42,608 WITH ALL MY HEART. 1718 01:14:46,046 --> 01:14:50,137 WELL, THEN, NOTHING ELSE 1719 01:14:50,311 --> 01:14:51,312 MATTERS, DOES IT? 1720 01:14:55,012 --> 01:14:56,143 ONE THING BOTHER ME, 1721 01:14:56,317 --> 01:14:58,842 PREACHER, IS IT SEEMS KIND OF 1722 01:14:59,016 --> 01:15:00,365 FOOL-HEADED TRAVELING BY DAY 1723 01:15:00,539 --> 01:15:01,279 WHEN EVERYBODY CAN SEE US. 1724 01:15:01,453 --> 01:15:03,977 ELROI, I COULDN'T 1725 01:15:04,151 --> 01:15:05,239 AGREE MORE. 1726 01:15:46,019 --> 01:15:47,019 NEWS TRAVELS FAST, 1727 01:15:47,151 --> 01:15:49,980 MR. JOHNSON. 1728 01:15:50,154 --> 01:15:51,372 IN MY BUSINESS, IT PAYS TO 1729 01:15:51,547 --> 01:15:52,587 HAVE AN EAR TO THE GROUND, 1730 01:15:52,635 --> 01:15:55,333 MR. CLAY. 1731 01:15:55,507 --> 01:15:57,857 I CAME TO OFFER YOU MY HELP. 1732 01:15:58,031 --> 01:15:59,293 I THINK MY MEN ARE 1733 01:15:59,467 --> 01:16:00,619 PERFECTLY CAPABLE OF TRACKING 1734 01:16:00,643 --> 01:16:02,122 DOWN OUR OWN. 1735 01:16:02,296 --> 01:16:03,428 WELL, I DON'T MEAN TO STICK 1736 01:16:03,602 --> 01:16:06,779 MY NOSE IN, BUT IT SEEMS YOUR 1737 01:16:06,953 --> 01:16:07,780 MEN ARE OUTSIDE WATERING 1738 01:16:07,954 --> 01:16:08,651 THEIR HORSES WHILE YOUR 1739 01:16:08,825 --> 01:16:09,477 SLAVES ARE MAKING 1740 01:16:09,652 --> 01:16:10,652 TRACKS NORTH. 1741 01:16:12,132 --> 01:16:13,132 HOW MUCH WOULD IT COST 1742 01:16:13,264 --> 01:16:14,831 TO BRING THEM BACK? 1743 01:16:15,005 --> 01:16:16,572 I'M A FAIR MAN. 1744 01:16:16,746 --> 01:16:19,749 1,000 FOR THE BOY, 1745 01:16:19,923 --> 01:16:21,577 2,000 FOR THE GIRL. 1746 01:16:21,751 --> 01:16:24,318 THAT'S ABSURD. 1747 01:16:24,492 --> 01:16:25,929 I COULD HAVE ANY SLAVE GIRL 1748 01:16:26,103 --> 01:16:27,321 I WANT FOR HALF THAT PRICE. 1749 01:16:27,495 --> 01:16:28,235 AH, BUT ANY SLAVE GIRL 1750 01:16:28,409 --> 01:16:29,106 WOULDN'T BE MARRIED, 1751 01:16:29,280 --> 01:16:30,280 NOW, WOULD SHE? 1752 01:16:36,200 --> 01:16:38,898 HALF NOW, HALF WHEN YOU 1753 01:16:39,072 --> 01:16:40,117 BRING THEM BACK. 1754 01:16:51,041 --> 01:16:51,694 I'll NEED TO TALK TO. 1755 01:16:51,868 --> 01:16:52,868 THE BOY'S MAMA. 1756 01:16:59,658 --> 01:17:02,705 MR. JOHNSON, WHAT'S YOUR 1757 01:17:02,879 --> 01:17:04,576 INTEREST IN MARY? 1758 01:17:04,750 --> 01:17:06,883 SURELY IT'S NOT JUST THE MONEY. 1759 01:17:07,057 --> 01:17:08,754 YOUR MRS. CARBERRY AND THE 1760 01:17:08,928 --> 01:17:09,581 COLORED SHE TRAVELS WITH ARE 1761 01:17:09,755 --> 01:17:10,887 SLAVE RUNNERS. 1762 01:17:11,061 --> 01:17:12,141 WE'VE CROSSED PATHS BEFORE. 1763 01:17:12,192 --> 01:17:13,019 I DON'T WANT THEM TO HAVE 1764 01:17:13,193 --> 01:17:14,193 THE LAST WORD WHERE 1765 01:17:14,281 --> 01:17:15,805 THE CONCERNED. 1766 01:17:15,979 --> 01:17:18,895 GOOD DAY, MR. CLAY. 1767 01:17:19,069 --> 01:17:20,723 MA'AM. 1768 01:17:28,469 --> 01:17:30,907 SHERMAN, IF YOU'RE INCAPABLE 1769 01:17:31,081 --> 01:17:31,734 OF LOVING ME, AT LEAST LET ME 1770 01:17:31,908 --> 01:17:32,908 KEEP MY DIGNITY. 1771 01:17:32,996 --> 01:17:33,997 LET THE GIRL GO. 1772 01:17:38,349 --> 01:17:40,177 YOU'RE PATHETIC. 1773 01:17:51,579 --> 01:17:52,842 JUST TELL ME WHO HELPED 1774 01:17:53,016 --> 01:17:53,756 THEM ESCAPE, MAMA, AND WE'LL 1775 01:17:53,930 --> 01:17:54,930 LEAVE YOU IN PEACE. 1776 01:17:57,150 --> 01:18:00,719 CAN'T NOBODY GIVE ME PEACE 1777 01:18:00,893 --> 01:18:02,068 BUT MY LORD. 1778 01:18:07,378 --> 01:18:09,293 YOU IDIOT. 1779 01:18:09,467 --> 01:18:11,077 THIS IS CLAY'S MAMMY. 1780 01:18:11,251 --> 01:18:12,251 HE LOVES HER MORE THAN 1781 01:18:12,339 --> 01:18:13,339 ANYONE ON THIS PLACE. 1782 01:18:14,254 --> 01:18:15,254 HE TOLD ME I COULD 1783 01:18:15,299 --> 01:18:16,299 QUESTION HER. 1784 01:18:16,387 --> 01:18:16,996 WELL, HE DIDN'T SAY YOU 1785 01:18:17,170 --> 01:18:17,867 COULD DO THAT. 1786 01:18:18,041 --> 01:18:19,041 NOW, GET OUT OF HERE! 1787 01:18:28,834 --> 01:18:31,141 OH, MY. 1788 01:18:31,315 --> 01:18:33,491 KITCHEL, I BELIEVE IT'S TIME 1789 01:18:33,665 --> 01:18:34,274 TO PAY A VISIT TO THE LOCAL 1790 01:18:34,448 --> 01:18:36,712 FOOT-WASHERS. 1791 01:18:36,886 --> 01:18:37,669 ONE WAY OR ANOTHER, 1792 01:18:37,843 --> 01:18:38,843 THEY ALWAYS HAVE THEIR 1793 01:18:38,931 --> 01:18:39,931 FINGERS IN THE STEW. 1794 01:18:40,063 --> 01:18:41,063 IF YOU'RE TALKING ABOUT 1795 01:18:41,194 --> 01:18:42,215 THE QUAKER PREACHER, HE AIN'T 1796 01:18:42,239 --> 01:18:43,457 GONNA DO YOU NO GOOD. 1797 01:18:43,631 --> 01:18:44,458 WE STOPPED HIM ON THE ROAD 1798 01:18:44,632 --> 01:18:45,459 THIS MORNING, AND HE WAS 1799 01:18:45,633 --> 01:18:46,286 MAKING A FUNERAL OUT TO 1800 01:18:46,460 --> 01:18:48,332 POINT PLEASANT. 1801 01:18:48,506 --> 01:18:49,115 COME ON, THEY GOT A FULL DAY 1802 01:18:49,289 --> 01:18:50,289 RIDE ON US. 1803 01:18:53,076 --> 01:18:54,156 I DIDN'T GET THERE UNTIL IT 1804 01:18:54,294 --> 01:18:55,992 WAS TOO LATE, MR. CLAY. 1805 01:18:56,166 --> 01:18:57,341 JOHNSON BEAT HER BAD. 1806 01:18:57,515 --> 01:18:58,690 SHE'S ASKING FOR YOU. 1807 01:19:04,609 --> 01:19:05,609 LEAVE US. 1808 01:19:16,099 --> 01:19:19,406 INDIGO, IT'S ME, SHERMAN. 1809 01:19:19,580 --> 01:19:22,714 I'M HERE. 1810 01:19:22,888 --> 01:19:25,630 MASSA, YOU GONNA GIVE 1811 01:19:25,804 --> 01:19:27,806 OLD INDIGO HER WISH? 1812 01:19:27,980 --> 01:19:31,810 YOU GONNA LET MY BOY GO? 1813 01:19:31,984 --> 01:19:34,726 I'M SORRY, INDIGO. 1814 01:19:34,900 --> 01:19:38,643 I'M JUST SO SORRY. 1815 01:19:40,297 --> 01:19:42,342 DON'T CRY, LITTLE MASSA. 1816 01:19:42,516 --> 01:19:43,779 OLD INDIGO GOT A SWEET 1817 01:19:43,953 --> 01:19:44,953 CORN CAKE FOR YOU. 1818 01:19:47,043 --> 01:19:48,566 YOU RUN ON OUTSIDE AND PLAY 1819 01:19:48,740 --> 01:19:50,046 WITH MY ELROI. 1820 01:19:50,220 --> 01:19:54,093 HE A GOOD BOY. 1821 01:19:54,267 --> 01:19:57,183 YOU AND HIM GONNA BE FINE 1822 01:19:57,357 --> 01:20:00,621 YOUNG MEN SOMEDAY. 1823 01:20:01,753 --> 01:20:02,753 INDIGO. 1824 01:20:04,190 --> 01:20:06,192 MAMMY. 1825 01:20:08,107 --> 01:20:09,326 MAMMY. 1826 01:20:20,946 --> 01:20:21,773 YOU SHOULD TRY TO REST, 1827 01:20:21,947 --> 01:20:23,601 MY LOVE. 1828 01:20:23,775 --> 01:20:26,952 WE STILL HAVE A LONG WAY TO GO. 1829 01:20:27,126 --> 01:20:27,910 I REMEMBER THE DAY 1830 01:20:28,084 --> 01:20:29,433 SHE WAS BORN. 1831 01:20:29,607 --> 01:20:33,002 I SWORE I'D ALWAYS PROTECT HER. 1832 01:20:33,176 --> 01:20:34,655 WELL, WE'LL LET ELROI 1833 01:20:34,830 --> 01:20:37,267 DO THAT NOW. 1834 01:20:37,441 --> 01:20:38,485 EVERYTHING'S CHANGED, 1835 01:20:38,659 --> 01:20:41,010 ELIZABETH. 1836 01:20:41,184 --> 01:20:44,578 I LOOK AT MYSELF AND DON'T EVEN 1837 01:20:44,752 --> 01:20:45,752 KNOW HOW I AM. 1838 01:20:48,408 --> 01:20:50,149 WELL, I KNOW WHO YOU ARE. 1839 01:21:00,594 --> 01:21:03,119 POINT PLEASANT UP AHEAD. 1840 01:21:03,293 --> 01:21:04,381 THE BOAT SHOULD BE WAITING 1841 01:21:04,555 --> 01:21:05,595 FOR YOU ABOUT A MILE NORTH 1842 01:21:05,686 --> 01:21:06,470 OF THERE, BEHIND A THICKET 1843 01:21:06,644 --> 01:21:07,644 OF TREES. 1844 01:21:10,822 --> 01:21:13,085 WHOA. 1845 01:21:13,259 --> 01:21:15,740 WE GOT A ROAD BLOCK. 1846 01:21:15,914 --> 01:21:16,567 AND THIS IS THE ONLY WAY 1847 01:21:16,741 --> 01:21:17,741 THROUGH. 1848 01:21:20,353 --> 01:21:22,225 GOOD DAY, NEIGHBORS. 1849 01:21:22,399 --> 01:21:23,008 VIRGINIA STATE MARSHAL, 1850 01:21:23,182 --> 01:21:24,182 REVEREND. 1851 01:21:24,270 --> 01:21:25,010 WHERE ARE YOU HEADED 1852 01:21:25,184 --> 01:21:25,793 WITH THOSE CASKETS? 1853 01:21:25,968 --> 01:21:27,012 MIDDLEPORT. 1854 01:21:27,186 --> 01:21:27,839 I'M TAKING THEM FOR BURIAL 1855 01:21:28,013 --> 01:21:29,013 ON FAMILY LAND. 1856 01:21:29,101 --> 01:21:30,973 WHAT'S THE PROBLEM? 1857 01:21:31,147 --> 01:21:32,800 SLAVE ESCAPE, TWO DAYS AGO 1858 01:21:32,975 --> 01:21:34,063 OUTSIDE OF NEWCASTLE. 1859 01:21:34,237 --> 01:21:35,803 A MAN, A WOMAN, 1860 01:21:35,978 --> 01:21:38,371 TWO SLAVE-RUNNERS. 1861 01:21:38,545 --> 01:21:39,329 I'M SURE THAT DOESN'T 1862 01:21:39,503 --> 01:21:40,286 TROUBLE A GOOD QUAKER 1863 01:21:40,460 --> 01:21:41,505 LIKE YOURSELF, THOUGH. 1864 01:21:41,679 --> 01:21:43,855 MY FAITH FORBIDS ME TO LIE, 1865 01:21:44,029 --> 01:21:45,248 SIR, SO I CAN HONESTLY SAY, 1866 01:21:45,422 --> 01:21:47,903 I WISH YOUR RUNAWAYS WELL. 1867 01:21:48,077 --> 01:21:49,295 REVEREND, ARE YOU HIDING 1868 01:21:49,469 --> 01:21:50,601 FUGITIVES IN THOSE CASKETS? 1869 01:21:50,775 --> 01:21:52,081 FUGITIVES? NO. 1870 01:21:52,255 --> 01:21:53,295 WELL, YOU DON'T MIND IF WE 1871 01:21:53,343 --> 01:21:54,039 TAKE A LOOK, THEN, SEEING AS 1872 01:21:54,213 --> 01:21:55,301 YOU'RE NOT A LIAR. 1873 01:21:55,475 --> 01:21:57,086 DEFILING THE DEAD IS 1874 01:21:57,260 --> 01:21:58,478 AN ABOMINATION BEFORE GOD. 1875 01:21:58,652 --> 01:22:00,654 HEH HEH! 1876 01:22:00,828 --> 01:22:05,485 KITCHEL, OPEN THEM. 1877 01:22:05,659 --> 01:22:06,779 I'll JUST HAVE TO LIVE WITH. 1878 01:22:06,834 --> 01:22:07,834 MY CONSCIENCE. 1879 01:22:25,331 --> 01:22:27,333 OH, GOOD. 1880 01:22:27,507 --> 01:22:29,074 PLEASE ACCEPT OUR 1881 01:22:29,248 --> 01:22:30,249 APOLOGIES, REVEREND. 1882 01:22:30,423 --> 01:22:31,555 THIS WAS A TERRIBLE MISTAKE. 1883 01:22:31,729 --> 01:22:33,035 CLOSE UP THAT COFFIN SO THE 1884 01:22:33,209 --> 01:22:33,905 REVEREND CAN BE ON HIS WAY. 1885 01:22:34,079 --> 01:22:35,211 WAIT. 1886 01:22:40,956 --> 01:22:41,478 JOHNSON, WHAT ARE 1887 01:22:41,652 --> 01:22:42,652 YOU DOING? 1888 01:22:49,007 --> 01:22:49,747 THIS WAGON'S GOT A FALSE 1889 01:22:49,921 --> 01:22:51,053 BOTTOM, MARSHAL. 1890 01:22:53,969 --> 01:22:54,969 WHERE ARE THEY? 1891 01:22:58,190 --> 01:22:59,254 AIDING AND ABETTING RUNAWAY 1892 01:22:59,278 --> 01:23:00,497 SLAVES IS A SERIOUS OFFENSE 1893 01:23:00,671 --> 01:23:02,238 AGAINST THE VIRGINIA CODE, SIR. 1894 01:23:02,412 --> 01:23:03,717 I ANSWER TO A HIGHER LAW 1895 01:23:03,891 --> 01:23:06,068 THAN THE VIRGINIA CODE. 1896 01:23:07,939 --> 01:23:09,158 THEY'RE HERE. 1897 01:23:09,332 --> 01:23:10,072 FIND THEM. 1898 01:23:10,246 --> 01:23:11,246 COME ON. 1899 01:23:29,743 --> 01:23:31,441 HYAH, COME ON. 1900 01:23:36,011 --> 01:23:37,099 GET UP, HYAH, GET UP. 1901 01:23:47,805 --> 01:23:49,372 HYAH, HYAH, HYAH! 1902 01:24:02,776 --> 01:24:03,776 GET UP, GET UP! 1903 01:24:11,002 --> 01:24:12,003 COME ON! 1904 01:24:25,582 --> 01:24:26,582 OH! 1905 01:24:31,066 --> 01:24:32,502 MARY. 1906 01:24:32,676 --> 01:24:33,459 YOU STAY HERE, MA'AM. 1907 01:24:33,633 --> 01:24:36,723 NO! MARY! 1908 01:24:39,552 --> 01:24:42,164 JAMES, IT'S JOHNSON! 1909 01:24:44,035 --> 01:24:45,993 MARY! 1910 01:24:46,168 --> 01:24:47,256 GET OUT OF HERE. 1911 01:24:47,430 --> 01:24:48,735 GET TO THE RIVER. 1912 01:24:48,909 --> 01:24:49,475 NO, JAMES! 1913 01:24:49,649 --> 01:24:52,435 MARY! 1914 01:24:52,609 --> 01:24:54,001 I'll TAKE MINK AND THE GIRL. 1915 01:24:54,176 --> 01:24:55,176 HYAH, HYAH, HYAH! 1916 01:25:17,286 --> 01:25:18,069 THERE'S SUPPOSED TO BE FOUR. 1917 01:25:18,243 --> 01:25:18,939 WHERE ARE THE OTHERS? 1918 01:25:19,114 --> 01:25:19,853 THEY'RE COMING. 1919 01:25:20,027 --> 01:25:20,637 NOBODY'S GETTING 1920 01:25:20,811 --> 01:25:22,682 ON NO BOAT. 1921 01:25:22,856 --> 01:25:23,553 I'M TAKING THAT 1922 01:25:23,727 --> 01:25:24,902 RUNAWAY BACK. 1923 01:25:26,164 --> 01:25:27,164 HOLD ON. 1924 01:25:32,214 --> 01:25:34,129 I DON'T THINK SO, NEIGHBOR. 1925 01:25:51,363 --> 01:25:52,582 IT'S A SHAME IT HAS TO END 1926 01:25:52,756 --> 01:25:54,105 THIS WAY, JAMES. 1927 01:25:54,279 --> 01:25:55,454 YOU'RE THE ONLY 1928 01:25:55,628 --> 01:25:56,281 PERSON I EVER FELT AN OUNCE 1929 01:25:56,455 --> 01:25:57,455 OF RESPECT FOR. 1930 01:25:59,850 --> 01:26:01,808 NOW, GET UP HERE. 1931 01:26:01,982 --> 01:26:03,549 I'M TAKING MY WIFE BACK 1932 01:26:03,723 --> 01:26:04,898 TO VIRGINIA. 1933 01:26:05,072 --> 01:26:07,249 GET UP HERE! 1934 01:26:20,610 --> 01:26:21,915 STEP ASIDE. 1935 01:26:22,089 --> 01:26:23,178 NO! 1936 01:26:27,965 --> 01:26:31,577 YOU... LOW-DOWN... DIRTY... 1937 01:26:31,751 --> 01:26:34,145 SON OF A! 1938 01:26:35,842 --> 01:26:39,324 DADDY! DADDY, STOP. 1939 01:26:39,498 --> 01:26:40,498 STOP! 1940 01:26:46,810 --> 01:26:47,810 NOT WORTH IT. 1941 01:26:56,907 --> 01:26:58,169 LIKE I SAID, BOY... 1942 01:27:04,915 --> 01:27:05,915 I'M TAKING HER BACK. 1943 01:27:10,007 --> 01:27:10,573 WELL, YOU'RE GONNA HAVE 1944 01:27:10,747 --> 01:27:11,748 TO KILL ME. 1945 01:27:11,922 --> 01:27:12,962 'CAUSE THIS "BOY" WILL DIE 1946 01:27:13,010 --> 01:27:13,619 A WHOLE LOT BETTER MAN THAN 1947 01:27:13,793 --> 01:27:14,577 YOU EVER WERE. 1948 01:27:14,751 --> 01:27:15,751 COME ON. 1949 01:27:26,806 --> 01:27:28,112 I'll BE. 1950 01:27:39,863 --> 01:27:40,907 COME ON, BABY, 1951 01:27:41,081 --> 01:27:42,996 LET'S GO HOME. 1952 01:27:43,170 --> 01:27:45,216 LET'S GO, COME ON. 1953 01:27:56,271 --> 01:27:58,882 OH, MAMA. 1954 01:27:59,056 --> 01:28:00,100 EVERYBODY IN THE BOAT. 1955 01:28:00,275 --> 01:28:01,450 LET'S GO. 1956 01:28:01,624 --> 01:28:02,624 QUICKLY. 118203