Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:15,690 --> 00:00:18,150
I remember we sat and
listened to the songs, and,
2
00:00:18,190 --> 00:00:21,120
there was something
incredibly eerie about
3
00:00:21,150 --> 00:00:23,920
the first track Jesus Alone,
4
00:00:23,950 --> 00:00:27,150
sort of had this line, "He fell
from the sky, crash landed".
5
00:00:27,190 --> 00:00:29,190
Do you wanna
just tell me the story?
6
00:00:29,220 --> 00:00:31,950
I mean I don't really
know because I can't imagine
7
00:00:31,990 --> 00:00:34,320
how you never get such a thing.
8
00:00:34,350 --> 00:00:38,050
And, you know, I just can't even
9
00:00:38,090 --> 00:00:39,920
fathom it. Um...
10
00:00:39,950 --> 00:00:44,820
And watching this happen to
people that you love,
11
00:00:44,850 --> 00:00:47,750
is um... It doesn't even...
12
00:00:47,790 --> 00:00:51,750
I don't think even... lets you
any, gives you any insight
13
00:00:51,790 --> 00:00:54,590
really into it. Because,
there's a step within,
14
00:00:54,620 --> 00:00:55,950
you can't go.
15
00:00:56,950 --> 00:00:59,990
But, it... it feels like...
16
00:01:00,020 --> 00:01:04,020
for Nick or somebody who's
created all his life, um,
17
00:01:04,050 --> 00:01:07,790
it feels like...
18
00:01:07,820 --> 00:01:09,550
Can we stop right there?
19
00:01:11,850 --> 00:01:13,890
We have to re-calibrate,
this is out of focus.
20
00:01:13,920 --> 00:01:15,120
It's not usable at the moment.
21
00:01:15,144 --> 00:01:17,074
I know. Calibrate focus please.
22
00:01:18,050 --> 00:01:20,220
Sorry. That's alright, man.
23
00:01:20,250 --> 00:01:22,090
Are you... Let's cut it.
24
00:01:23,320 --> 00:01:25,050
Alright, do you want me to hop out?
Yeah.
25
00:01:25,090 --> 00:01:27,170
Yes please. Could you?
Do you want me to get out too?
26
00:01:27,210 --> 00:01:29,210
Yea, we'll get out.
If you wanna stretch your legs.
27
00:01:29,234 --> 00:01:30,314
Yeah.
28
00:01:32,290 --> 00:01:34,590
Mate, I'm sorry.
29
00:01:34,620 --> 00:01:37,750
It's shocking man. It's shocking,
it's terrible. This is not what I...
30
00:01:37,790 --> 00:01:39,164
what I want you to...
31
00:01:39,176 --> 00:01:42,190
To be honest I find this
really hard, because,
32
00:01:42,220 --> 00:01:45,808
I've never discussed
Nick's private life, um...
33
00:01:45,820 --> 00:01:47,020
Yeah.
34
00:01:47,050 --> 00:01:49,760
Or anybody that I know. I
don't sort of, discuss
35
00:01:49,772 --> 00:01:52,050
it like this, and, it
feels like this is
36
00:01:52,090 --> 00:01:55,220
- something that gotta come up. You know?
- Yeah.
37
00:01:55,250 --> 00:02:00,190
Um, and so there's a part of
me that feels very protective.
38
00:02:00,220 --> 00:02:03,090
That's where's it's hard
to strike a balance, you know.
39
00:02:03,120 --> 00:02:04,920
Like, I can... you know,
40
00:02:04,950 --> 00:02:07,690
I don't wanna go and tell you
what I saw when I went there,
41
00:02:07,720 --> 00:02:11,020
and all this, I don't wanna
tell what I felt because,
42
00:02:11,050 --> 00:02:14,650
it just feels like... that's...
43
00:02:14,690 --> 00:02:16,490
that's like, private, you know.
44
00:02:20,350 --> 00:02:24,120
Uh, I just... Warren sent me
something yesterday.
45
00:02:24,150 --> 00:02:26,520
Uh... emailed a friend...
46
00:02:26,990 --> 00:02:29,950
um, last night.
47
00:02:29,990 --> 00:02:32,890
I shouldn't go in first,
because I get in before...
48
00:02:33,850 --> 00:02:34,890
Uh...
49
00:02:38,190 --> 00:02:40,820
We've all gotta get behind you.
50
00:02:40,850 --> 00:02:42,250
Um, I don't know.
51
00:02:42,290 --> 00:02:47,150
And, I was mentioning how time
52
00:02:47,190 --> 00:02:49,890
felt elastic these days.
53
00:02:52,350 --> 00:02:54,790
Alright so we need to go
this way, mate.
54
00:02:58,690 --> 00:03:01,720
And he emailed me back...
55
00:03:01,750 --> 00:03:06,290
uh, a very excited
and lovely email.
56
00:03:06,320 --> 00:03:11,750
Where he spoke about um, the idea
that all things were happening...
57
00:03:11,790 --> 00:03:12,820
Is this um...
58
00:03:12,850 --> 00:03:14,490
all the time.
59
00:03:14,520 --> 00:03:17,640
Is this okay to wear in the studio,
do you want me to put a shirt on and stuff?
60
00:03:18,150 --> 00:03:21,950
Uh... Textually,
61
00:03:21,990 --> 00:03:23,920
textually that's not the
greatest thing. Okay.
62
00:03:23,950 --> 00:03:26,290
Yeah. Okay.
63
00:03:26,320 --> 00:03:30,650
Okay, come on, let's uh... begin to film
this. Alright. Yeah, we're filming.
64
00:03:30,690 --> 00:03:31,950
We never stopped.
65
00:03:31,990 --> 00:03:34,620
Okay. So, try and
get both Nick's.
66
00:03:34,650 --> 00:03:38,820
All past present and future,
are happening now.
67
00:03:38,850 --> 00:03:40,050
Right now.
68
00:03:40,090 --> 00:03:43,090
And then if you just...
Yeah, great Nick.
69
00:03:43,120 --> 00:03:48,290
That basically a caveman,
was clubbing a female mate,
70
00:03:51,550 --> 00:03:57,290
Uh, at the same time that astronauts,
or scientists trying to...
71
00:03:57,320 --> 00:03:59,850
work out how to colonize Mars.
72
00:04:08,220 --> 00:04:09,290
Now...
73
00:04:11,750 --> 00:04:14,650
that is encouraging right?
74
00:04:16,750 --> 00:04:22,220
And, I think he meant well.
But, it's not true because...
75
00:04:30,120 --> 00:04:31,250
it's not true...
76
00:04:32,650 --> 00:04:33,820
because...
77
00:04:33,850 --> 00:04:35,820
We need an exit. I know.
78
00:04:35,850 --> 00:04:36,950
It's to the right.
79
00:04:41,280 --> 00:04:44,000
Hey, you see there's another Nick
in the mirror there... Yeah, there.
80
00:04:44,024 --> 00:04:45,884
Wait till he comes back in.
81
00:04:47,690 --> 00:04:49,790
If everything was
happening now...
82
00:04:50,650 --> 00:04:51,890
Nick. Yeah?
83
00:04:51,920 --> 00:04:54,320
How do you feel about us
having another go at that?
84
00:04:54,350 --> 00:04:56,150
I wouldn't be sitting here
85
00:04:56,190 --> 00:05:00,090
waiting for the film crew to
work out how to work...
86
00:05:00,120 --> 00:05:02,850
Yeah, we'd really appreciate
another go.
87
00:05:02,890 --> 00:05:06,190
This ridiculous 3D black
and white camera.
88
00:05:07,050 --> 00:05:08,050
Uh, alright.
89
00:05:08,666 --> 00:05:09,626
Okay.
90
00:05:09,650 --> 00:05:11,790
Right now nothing is happening.
91
00:05:11,820 --> 00:05:13,720
We won't do it a third time.
92
00:05:13,750 --> 00:05:15,550
Okay, so what do you want to do?
93
00:05:15,590 --> 00:05:18,920
Basically, everything you just
did was fantastic, okay?
94
00:05:18,950 --> 00:05:22,190
And? We'd really
appreciate another go.
95
00:05:25,120 --> 00:05:27,890
You know what I'm saying? Um...
so, I have to undress again?
96
00:05:27,920 --> 00:05:29,620
Undress, yeah.
97
00:05:29,650 --> 00:05:32,750
Now, let's go back to it, eh? Do
you want to do it a bit slower?
98
00:05:32,790 --> 00:05:34,950
I see the focus, guys,
you need to focus guys.
99
00:05:41,890 --> 00:05:46,290
I mean obviously
your songs have become
100
00:05:46,320 --> 00:05:48,020
a lot less narrative.
101
00:05:49,150 --> 00:05:51,090
Uh...
102
00:05:51,120 --> 00:05:53,590
Yeah. The other half.
Yeah, and...
103
00:05:53,620 --> 00:05:56,920
do you have uh, is there
a reason for that?
104
00:05:56,950 --> 00:05:59,750
Well, yeah... Yeah I mean,
105
00:05:59,790 --> 00:06:01,890
I think um...
106
00:06:04,150 --> 00:06:09,090
maybe there's... maybe
some serve a certain need,
107
00:06:09,120 --> 00:06:13,590
and, I think I probably needed
uh, on some level
108
00:06:13,620 --> 00:06:17,890
a kind of narrative in my life
that was...
109
00:06:17,920 --> 00:06:20,220
kind of predictable
and had it's...
110
00:06:21,120 --> 00:06:23,020
had a kind of logic to it.
111
00:06:25,690 --> 00:06:28,250
So, I wrote stories and,
112
00:06:28,290 --> 00:06:33,750
they seem to hold everything together. Um,
in a particular part of my life, for a long
113
00:06:33,790 --> 00:06:35,790
part of my life
114
00:06:35,820 --> 00:06:41,020
where things needed to be held together.
Um, but, I don't believe in the narrative
115
00:06:41,050 --> 00:06:43,550
anymore. I don't... um...
116
00:06:47,050 --> 00:06:50,990
I don't actually believe that
that's what life is like.
117
00:06:51,020 --> 00:06:53,120
And, that there's
118
00:06:53,150 --> 00:06:57,920
a pleasing resolve and all
of that sort of thing to life.
119
00:06:57,950 --> 00:07:00,550
I... I... I just feel that
120
00:07:00,590 --> 00:07:05,120
to do fractured narrative, uh,
a thing where, uh...
121
00:07:05,150 --> 00:07:07,690
where time is actually
compressed,
122
00:07:07,720 --> 00:07:10,590
um, events uh...
123
00:07:10,620 --> 00:07:15,290
stuck on top of other events. There's
no particular logic to it. Um...
124
00:07:17,020 --> 00:07:19,920
or, a distressing kind of logic,
125
00:07:19,950 --> 00:07:22,890
um, makes it, um...
126
00:07:22,920 --> 00:07:26,520
it's much ore real that true
to the way I feel about things.
127
00:07:27,690 --> 00:07:31,620
So, um, this is just sort of
directorial...
128
00:07:32,790 --> 00:07:36,550
uh, tactic, to make us
all pissed off.
129
00:07:36,590 --> 00:07:38,050
What, you're pissed off?
130
00:07:39,290 --> 00:07:40,520
No, roll.
131
00:07:41,950 --> 00:07:43,590
To get us all edgy in the
morning.
132
00:07:43,620 --> 00:07:45,740
WO Should we put your bags in front?
Yeah, thanks.
133
00:07:45,764 --> 00:07:49,020
Not at all. It's actually just a...
this is...
134
00:07:49,050 --> 00:07:50,120
Thanks, Nick.
135
00:07:51,350 --> 00:07:53,320
We're rolling right?
136
00:07:58,350 --> 00:08:02,020
So, um, everything we say...
137
00:08:03,090 --> 00:08:04,920
is taped?
138
00:08:04,950 --> 00:08:06,950
It's all.
Unless we pull out the plug.
139
00:08:07,690 --> 00:08:08,750
Yup.
140
00:08:10,850 --> 00:08:12,450
Okay.
141
00:08:12,490 --> 00:08:17,950
I think it's the nature of songs
to um... have an insight into things
142
00:08:17,990 --> 00:08:22,820
that we don't consciously have
because, largely they come from
143
00:08:22,850 --> 00:08:24,920
the unconscious. Yeah.
144
00:08:24,950 --> 00:08:29,620
Which is a king of reservoir of knowledge
and understanding that"s far beyond what
145
00:08:29,650 --> 00:08:31,750
we consciously are aware of.
146
00:08:34,620 --> 00:08:36,550
I've got this...
147
00:08:36,590 --> 00:08:38,890
stuff that we did in
Morwan here,
148
00:08:38,920 --> 00:08:41,250
when we were going through it.
149
00:08:41,290 --> 00:08:44,790
And, maybe we can just go
through
150
00:08:45,650 --> 00:08:47,320
these, and look at them.
151
00:08:47,350 --> 00:08:50,090
What? Yeah, let's
change it a little bit.
152
00:08:50,120 --> 00:08:53,320
Yeah, but it... Well, you
know, we can add But um...
153
00:08:53,350 --> 00:08:56,220
or subtract and then...
154
00:08:56,250 --> 00:09:00,620
But actually, with Jesus Alone,
should we go back to that,
155
00:09:00,650 --> 00:09:04,550
um, you know, we talked about going
back to the earlier version of it.
156
00:09:04,590 --> 00:09:06,750
Yeah. That's less... okay, good.
157
00:09:06,790 --> 00:09:08,690
So, songs an often uh...
158
00:09:10,190 --> 00:09:14,220
appear to foretell situations in
159
00:09:14,250 --> 00:09:16,920
the same way as dreams maybe,
are able to...
160
00:09:17,850 --> 00:09:21,920
um... have, uh...
161
00:09:21,950 --> 00:09:24,790
have a kind of
prophetic nature sometimes.
162
00:09:24,820 --> 00:09:28,890
Susie, for example, is
hugely superstitious,
163
00:09:28,920 --> 00:09:33,250
about my songs. Um... Yeah.
164
00:09:33,290 --> 00:09:36,750
That there being a canary in the coal
mine kind of thing that there's some...
165
00:09:36,790 --> 00:09:38,690
Because, if... Exactly. Yeah.
166
00:09:40,720 --> 00:09:45,990
But, you know, and I... I...
Like I said, I don't think
167
00:09:46,020 --> 00:09:50,290
that this is a unique to what
I do. Although I
168
00:09:50,320 --> 00:09:54,790
write a certain type of song,
that has a certain element
169
00:09:54,820 --> 00:09:59,850
of, uh, anxiety, and dread,
and anguish...
170
00:09:59,890 --> 00:10:01,920
Yeah. To them in their nature.
171
00:10:03,120 --> 00:10:05,090
So, it can... it can...
172
00:10:05,790 --> 00:10:08,850
foretell, um...
173
00:10:13,020 --> 00:10:16,550
uh, they can foretell, um...
174
00:10:18,320 --> 00:10:19,820
certain events.
175
00:10:46,650 --> 00:10:49,550
Right. Hey Jake!
176
00:10:49,590 --> 00:10:51,990
This is the vocal that you didn't
do at La Frite. Yeah.
177
00:10:52,014 --> 00:10:55,920
Yeah but, I just
patched up this... Yeah.
178
00:10:55,950 --> 00:11:00,020
So, um, is this
before it's being...
179
00:11:00,050 --> 00:11:01,820
Before it's being...
put in time?
180
00:11:01,850 --> 00:11:04,650
Yeah.
181
00:11:04,690 --> 00:11:09,620
♪ You fell from the sky Crash landed ♪
♪ in a field Near the river Adur ♪
182
00:11:14,650 --> 00:11:20,790
♪ Flowers spring from the Ground Lambs ♪
♪ burst from the Wombs of their mothers ♪
183
00:11:25,120 --> 00:11:29,990
♪ In a hole beneath the bridge You ♪
♪ convalesced you Fashioned masks ♪
184
00:11:30,020 --> 00:11:33,320
♪ You gave them names ♪
♪ You gave them names ♪
185
00:11:33,350 --> 00:11:35,150
♪ With my voice. ♪
186
00:11:35,190 --> 00:11:36,590
It's better there.
187
00:11:36,620 --> 00:11:40,550
♪ I am calling you. ♪
188
00:11:40,590 --> 00:11:42,550
And, I'm playing the piano
at the same time. Yeah.
189
00:11:42,590 --> 00:11:45,290
And, because it's
just opened up a bit more there.
190
00:11:46,190 --> 00:11:48,250
This feels like...
191
00:11:48,290 --> 00:11:51,650
It does need the piano right?
Cut the piano here.
192
00:11:53,050 --> 00:11:55,790
We could do the piano separately.
Yeah, yeah.
193
00:11:55,820 --> 00:11:59,550
Edit over done piano, and
all those sorts of.
194
00:11:59,590 --> 00:12:00,910
"Ooh's", and "Ah's",
and all that.
195
00:12:00,934 --> 00:12:04,550
♪ You're an African doctor ♪
♪ Harvesting tear ducts ♪
196
00:12:04,590 --> 00:12:07,750
That has a, I mean a... I have to
listen to the other one, but this...
197
00:12:07,790 --> 00:12:10,190
definitely has a sort of,
intensity about it.
198
00:12:10,220 --> 00:12:12,326
Yeah. There's something
the vibe just builds
199
00:12:12,338 --> 00:12:14,220
in it and it becomes
hypnotic and stuff
200
00:12:14,250 --> 00:12:18,220
and, the other one feels like a song.
It Feels... Yeah, okay. So...
201
00:12:18,250 --> 00:12:22,890
The vocal needs to be fixed up, because
there's... Yeah, it goes in and out.
202
00:12:22,920 --> 00:12:24,890
Just mumbo-jumbo on it.
203
00:12:26,850 --> 00:12:28,550
Well, it's kind of ad-libbed.
204
00:12:28,590 --> 00:12:31,550
Right. A bit, a bit.
You know, a lot.
205
00:12:31,590 --> 00:12:32,420
And then...
206
00:12:32,450 --> 00:12:35,250
In La Frite we
kind of put it on one.
207
00:12:35,290 --> 00:12:37,650
The one was actually...
it wasn't...
208
00:12:37,690 --> 00:12:39,620
We never even knew
where the one was.
209
00:12:39,650 --> 00:12:43,590
It's coming in the wrong spots. At
least we all had a different opinion.
210
00:12:43,620 --> 00:12:45,050
As we often do.
211
00:12:45,090 --> 00:12:48,690
It felt like it... You've
never heard that one before.
212
00:12:51,850 --> 00:12:56,220
One! Should there be a vocal
before we do anything else?
213
00:12:56,250 --> 00:12:59,820
Uh... Yeah. Or, maybe
we don't need a vocal before.
214
00:12:59,850 --> 00:13:04,050
I think the vocal would give us
the kind of... the energy,
215
00:13:04,090 --> 00:13:05,590
Um... Right.
216
00:13:05,620 --> 00:13:08,120
And what to do, so that you
feed off...
217
00:13:08,150 --> 00:13:10,890
You know,
you working off like...
218
00:13:14,990 --> 00:13:16,250
Oh, that's it? Yeah.
219
00:13:20,150 --> 00:13:22,820
Incredible wasn't it. Aluminum.
220
00:13:26,250 --> 00:13:27,720
I'm incredible.
221
00:13:29,150 --> 00:13:30,550
3000 Dollars.
222
00:13:32,990 --> 00:13:35,290
You bought it? Yeah.
223
00:13:35,320 --> 00:13:38,320
It sound good?
Nah, it looks awesome.
224
00:13:56,720 --> 00:14:00,150
This is difficult. This
is really fucking difficult.
225
00:14:01,020 --> 00:14:02,120
It is.
226
00:14:03,890 --> 00:14:09,890
Doing and over dub-vocal, is
some kind of torture.
227
00:14:09,920 --> 00:14:13,150
And it's something that I
really try and avoid.
228
00:14:13,190 --> 00:14:18,890
I do everything I can to get
the vocal down while
229
00:14:18,920 --> 00:14:21,090
the basic track is being
recorded,
230
00:14:21,120 --> 00:14:23,650
you know. That we just
all do it together.
231
00:14:23,690 --> 00:14:27,720
There's something more hypnotic
about this one and kind of more...
232
00:14:27,750 --> 00:14:30,690
meditative or, something.
And it kind of has a...
233
00:14:30,720 --> 00:14:33,120
Feels a bit more
mysterious or something.
234
00:14:33,150 --> 00:14:38,150
And, also the kind of fact that the
stuff doesn't just come in on the one,
235
00:14:38,190 --> 00:14:40,250
wait, feel it
comes in somewhere,
236
00:14:40,290 --> 00:14:42,720
there's some more space
for the kind of backing...
237
00:14:42,750 --> 00:14:44,220
to kind of come through.
238
00:14:55,220 --> 00:14:57,820
No. What's that one?
239
00:15:00,890 --> 00:15:02,990
I don't know
what the chords are.
240
00:15:04,190 --> 00:15:05,650
I have to hear it on...
241
00:15:07,150 --> 00:15:09,920
Nick, you wanna
play piano right?
242
00:15:09,950 --> 00:15:12,150
I don't know what
the chords are.
243
00:15:12,190 --> 00:15:16,050
I don't know.
I don't know yet, because,
244
00:15:16,090 --> 00:15:17,850
I don't even know what
the chords are.
245
00:15:19,790 --> 00:15:21,790
They keep changing all the time.
246
00:15:25,090 --> 00:15:27,550
I mean, I played the
chords originally.
247
00:15:30,050 --> 00:15:34,290
But, there seems to be an endless
variations on the circle.
248
00:15:34,320 --> 00:15:37,590
Oh fuck it. I don't know what that is.
So, no, I won't be playing the piano.
249
00:15:39,890 --> 00:15:42,690
And, there seems to be a bit weird
to be trying to work out the chords,
250
00:15:43,590 --> 00:15:45,990
to an improvised song anyway.
251
00:15:46,020 --> 00:15:47,620
Don't you think?
252
00:15:49,050 --> 00:15:52,750
♪ I am calling you ♪
253
00:15:57,050 --> 00:15:59,850
♪ With your voice ♪
254
00:15:59,890 --> 00:16:04,620
♪ I am calling you ♪
255
00:16:04,650 --> 00:16:06,820
I should have strengthened
my voice.
256
00:16:07,650 --> 00:16:09,720
♪ With my voice ♪
257
00:16:10,650 --> 00:16:12,750
♪ With my voice My voice ♪
258
00:16:13,920 --> 00:16:18,620
♪ I am call, call, call. ♪
259
00:16:21,090 --> 00:16:24,120
I should have sung more before
I came into the studio.
260
00:16:26,250 --> 00:16:28,320
♪ I am call ♪
261
00:16:28,350 --> 00:16:30,290
I knew that at the time.
262
00:16:31,090 --> 00:16:32,220
Okay.
263
00:16:36,090 --> 00:16:37,250
Alright.
264
00:16:39,850 --> 00:16:41,620
I'll come out okay. Yeah.
265
00:16:43,790 --> 00:16:45,920
I think I'm losing my voice.
266
00:16:58,220 --> 00:17:00,120
Just find it into lost things.
267
00:17:05,220 --> 00:17:06,750
My voice.
268
00:17:09,120 --> 00:17:10,820
My iPhone.
269
00:17:13,690 --> 00:17:15,650
My judgment.
270
00:17:18,650 --> 00:17:19,850
My memory maybe.
271
00:17:23,590 --> 00:17:24,890
Fuck.
272
00:17:39,890 --> 00:17:42,220
And, isn't that
the invisible things?
273
00:17:46,850 --> 00:17:48,120
Lost things...
274
00:17:50,050 --> 00:17:51,920
that have so much mass,
275
00:17:54,790 --> 00:17:56,120
and so much weight.
276
00:18:01,690 --> 00:18:02,720
Alright.
277
00:18:02,750 --> 00:18:04,620
And, are as big as the universe.
278
00:18:27,150 --> 00:18:29,790
♪ You fell from the sky ♪
279
00:18:29,820 --> 00:18:33,250
♪ Crash landed in a field ♪
♪ Near the river Adur ♪
280
00:18:38,750 --> 00:18:43,820
♪ Flowers spring from The ground Lambs ♪
♪ burst from The wombs of their mothers ♪
281
00:18:48,690 --> 00:18:52,044
♪ In a hole beneath the ♪
♪ bridge You convalesced, ♪
282
00:18:52,056 --> 00:18:54,720
you fashioned Masks
of twigs and clay
283
00:18:59,890 --> 00:19:03,790
♪ You cried beneath ♪
♪ The dripping tree ♪
284
00:19:03,820 --> 00:19:06,050
♪ Ghost song Lodged ♪
♪ In the throat of a mermaid ♪
285
00:19:12,290 --> 00:19:14,150
♪ With my voice ♪
286
00:19:15,120 --> 00:19:18,950
♪ I am calling you ♪
287
00:19:23,290 --> 00:19:28,050
♪ You're a young man waking Covered ♪
♪ in blood that is Not yours ♪
288
00:19:33,120 --> 00:19:38,620
♪ You're a woman in a yellow Dress ♪
♪ Surrounded by a charm Of hummingbirds ♪
289
00:19:43,890 --> 00:19:49,150
♪ You're a young girl full of Forbidden ♪
♪ energy Flickering in the gloom ♪
290
00:19:54,050 --> 00:19:59,620
♪ You're a drug addict Lying on ♪
♪ your back In a Tijuana hotel room ♪
291
00:20:04,890 --> 00:20:07,690
♪ With my voice ♪
292
00:20:07,720 --> 00:20:11,920
♪ I am calling you ♪
293
00:20:15,190 --> 00:20:17,950
♪ With my voice ♪
294
00:20:17,990 --> 00:20:21,520
♪ I am calling you ♪
295
00:20:27,350 --> 00:20:32,990
♪ You're an African doctor ♪
♪ Harvesting tear ducts ♪
296
00:20:37,690 --> 00:20:43,550
♪ You believe in God, but you Get no ♪ ♪
special dispensation For this belief now ♪
297
00:20:49,720 --> 00:20:55,120
♪ You're an old man sitting by The fire, ♪
♪ you're the mist Rolling off the sea ♪
298
00:20:59,720 --> 00:21:05,550
♪ You're a distant memory in The ♪
♪ mind of your creator Don't you see ♪
299
00:21:08,650 --> 00:21:11,220
♪ With my voice ♪
300
00:21:11,250 --> 00:21:15,520
♪ I am calling you ♪
301
00:21:18,890 --> 00:21:21,190
♪ With my voice ♪
302
00:21:21,220 --> 00:21:25,850
♪ I am calling you ♪
303
00:21:30,890 --> 00:21:33,250
♪ Let us sit together ♪
304
00:21:34,250 --> 00:21:37,550
♪ Until the moment comes ♪
305
00:21:40,120 --> 00:21:42,120
♪ With my voice ♪
306
00:21:42,950 --> 00:21:47,190
♪ I am calling you ♪
307
00:21:52,190 --> 00:21:54,850
♪ Let us sit together ♪
♪ In the dark ♪
308
00:21:54,890 --> 00:21:58,250
♪ Until the moment comes ♪
309
00:22:01,950 --> 00:22:03,590
♪ With my voice ♪
310
00:22:04,290 --> 00:22:08,290
♪ I am calling you ♪
311
00:22:12,050 --> 00:22:14,120
♪ With my voice ♪
312
00:22:15,020 --> 00:22:19,050
♪ I am calling you ♪
313
00:22:22,350 --> 00:22:25,290
♪ With my voice ♪
314
00:22:25,320 --> 00:22:30,020
♪ I am calling you ♪
315
00:22:33,020 --> 00:22:35,850
♪ With my voice ♪
316
00:22:35,890 --> 00:22:40,250
♪ I am calling you. ♪
317
00:24:15,690 --> 00:24:18,190
Cool! Nice.
318
00:24:18,220 --> 00:24:20,650
That's a good one, and a longer.
It's good.
319
00:24:20,690 --> 00:24:22,520
Great. Cup of tea?
320
00:24:26,720 --> 00:24:28,558
Do you feel that the lack of
321
00:24:28,570 --> 00:24:30,820
narrative allows you to
get the something...
322
00:24:30,850 --> 00:24:34,650
as wide a... I just don't
think, I don't think, uh...
323
00:24:35,920 --> 00:24:37,620
life is a story.
324
00:24:37,650 --> 00:24:40,550
Yeah. You know, that...
that hasn't,
325
00:24:40,590 --> 00:24:42,820
I mean, we all hope it is. Yeah.
326
00:24:43,220 --> 00:24:45,050
Um...
327
00:24:45,090 --> 00:24:47,150
We all... It kind of
is, I have to say.
328
00:24:47,850 --> 00:24:50,220
It kind of is a story.
329
00:24:50,250 --> 00:24:52,790
It's the same story for
everyone.
330
00:24:52,820 --> 00:24:56,250
In a way
It... In a way but, um...
331
00:24:56,290 --> 00:25:00,790
the arc can be very different
and it's not necessarily, um...
332
00:25:03,650 --> 00:25:04,790
um...
333
00:25:05,920 --> 00:25:08,650
yeah, yeah, I guess...
334
00:25:08,690 --> 00:25:11,020
you were born, and you die.
335
00:25:11,050 --> 00:25:13,750
Um... Well you gradually...
336
00:25:13,790 --> 00:25:15,890
decay. Gradually decay.
337
00:25:15,920 --> 00:25:18,020
Yeah, which is...
338
00:25:18,050 --> 00:25:20,550
I mean, that what I feel like
I'm dealing with.
339
00:25:20,590 --> 00:25:22,120
And, you're ten years ahead
of me.
340
00:25:23,350 --> 00:25:24,620
Um...
341
00:25:26,120 --> 00:25:29,550
you decay and you sort
of diminish.
342
00:25:35,820 --> 00:25:37,820
Um...
343
00:25:37,850 --> 00:25:39,190
Do you really feel that way?
344
00:25:40,120 --> 00:25:43,550
Yeah. In what sense?
345
00:25:43,590 --> 00:25:48,820
Um, that the struggle to...
to do what I do is um...
346
00:25:51,290 --> 00:25:53,850
it just requires more effort.
347
00:25:57,220 --> 00:25:58,750
Was he ready? Yeah.
348
00:25:58,790 --> 00:26:00,120
Alright, mate. What from?
349
00:26:00,150 --> 00:26:02,120
Were do you wanna go from, boss?
350
00:26:02,150 --> 00:26:04,520
I guess the second, uh...
351
00:26:06,220 --> 00:26:08,050
the second... no, verse. Chord?
352
00:26:08,090 --> 00:26:09,220
Second verse, okay.
353
00:26:10,920 --> 00:26:12,720
Most of us don't wanna change.
354
00:26:13,820 --> 00:26:15,150
Really.
355
00:26:15,190 --> 00:26:16,790
Does that went away?
356
00:26:16,820 --> 00:26:18,290
That did...
What happened when you,
357
00:26:18,320 --> 00:26:20,690
when you came in, 'cause it
went away. Now, it's come back.
358
00:26:21,690 --> 00:26:23,450
I mean why should we.
359
00:26:23,490 --> 00:26:25,399
Has it moved
back or, is it a cable?
360
00:26:25,411 --> 00:26:27,290
Was it when you lifted
up the cables, John?
361
00:26:27,320 --> 00:26:28,890
Lift up the cables.
362
00:26:31,320 --> 00:26:33,650
What we want to do is...
363
00:26:33,690 --> 00:26:35,950
to sort of modific... modif...
364
00:26:35,990 --> 00:26:37,320
modify...
365
00:26:37,350 --> 00:26:40,250
Yeah. Yes. Stop, what've
you done there?
366
00:26:40,290 --> 00:26:42,850
Most of us don't want to change.
367
00:26:42,890 --> 00:26:45,550
Whatever that cable is,
that's the one.
368
00:26:45,590 --> 00:26:50,550
What we do want is sort of,
modifications on the original model.
369
00:26:52,920 --> 00:26:56,850
We keep on being ourselves
but just...
370
00:26:56,890 --> 00:26:59,020
hopefully better
versions of ourselves.
371
00:27:01,050 --> 00:27:02,290
But, what happens when...
372
00:27:03,920 --> 00:27:07,550
an event occurs that's
so catastrophic
373
00:27:07,590 --> 00:27:10,890
that we just change from one
day to the next.
374
00:27:12,720 --> 00:27:15,090
You change from the known
person,
375
00:27:15,120 --> 00:27:17,550
to an unknown person.
376
00:27:17,590 --> 00:27:19,650
So that, when you look at
yourself in the mirror,
377
00:27:20,790 --> 00:27:23,290
you recognize the person...
378
00:27:24,120 --> 00:27:26,020
uh, but you won't...
379
00:27:26,050 --> 00:27:29,050
but, the person inside
the skin is a different person.
380
00:27:33,850 --> 00:27:35,820
So that when you go outside...
381
00:27:40,950 --> 00:27:43,020
the world is the same.
382
00:27:43,050 --> 00:27:47,750
But, now you are a different
person and you have to
383
00:27:47,790 --> 00:27:50,190
renegotiate your position
in the world.
384
00:27:52,650 --> 00:27:53,920
A bit. Going for G here...
385
00:27:53,950 --> 00:27:55,250
Yeah. We can do it.
386
00:27:55,290 --> 00:27:56,620
Okay. For instance...
387
00:27:57,350 --> 00:27:59,890
I think D-F-G, D-F-A seems to...
388
00:27:59,920 --> 00:28:01,820
when you go into a shop
389
00:28:01,850 --> 00:28:06,620
to get cigarettes, because this
new version of yourself
390
00:28:06,650 --> 00:28:10,920
smokes, and the shop owner
says, "How are you?"
391
00:28:10,950 --> 00:28:14,020
And you don't know how
to answer.
392
00:28:14,050 --> 00:28:18,020
Or, when you meet a friend on the
street, who says some kindness.
393
00:28:18,050 --> 00:28:22,720
Uh, the... they don't really
work on the choruses because,
394
00:28:22,750 --> 00:28:26,290
they connect to the...
Yes... maybe it should be...
395
00:28:26,320 --> 00:28:27,850
it's like a "boom".
396
00:28:27,890 --> 00:28:31,090
And, suddenly you are
crying in their arms for ages.
397
00:28:31,120 --> 00:28:34,320
And, then you realize that the
person is not a friend at all.
398
00:28:34,350 --> 00:28:37,750
I think it's... we're saying
the same thing... Like a boom?
399
00:28:39,250 --> 00:28:41,370
They're doing the "waa".
Then I'm planning to wind up.
400
00:28:41,720 --> 00:28:43,120
Yeah.
401
00:28:43,150 --> 00:28:46,020
But, someone else that you
don't actually really
402
00:28:46,050 --> 00:28:47,220
know very well.
403
00:28:49,050 --> 00:28:51,550
I wouldn't put any more
emotion into it.
404
00:28:51,590 --> 00:28:55,590
Or, you go into a bakery to
buy a loaf of bread...
405
00:28:56,120 --> 00:28:58,220
let's say.
406
00:28:58,250 --> 00:29:01,650
And, you're standing
in the queue,
407
00:29:01,690 --> 00:29:05,020
and someone grabs you
by the arm and says something,
408
00:29:05,050 --> 00:29:07,050
with their kind eyes...
409
00:29:09,090 --> 00:29:14,720
But, you can't work out what they've said
because the new you can't hear very well.
410
00:29:14,750 --> 00:29:16,920
And, so, you say "What?"
411
00:29:16,950 --> 00:29:19,550
But, too loudly and angrily,
412
00:29:20,020 --> 00:29:21,220
and he says,
413
00:29:23,620 --> 00:29:26,790
"We are all with you, man".
414
00:29:26,820 --> 00:29:31,290
And you look around and all the bakery
is looking at you with kind eyes.
415
00:29:32,750 --> 00:29:34,950
And, you think that people
are really nice.
416
00:29:37,850 --> 00:29:40,790
But, when did you become
an object of pity?
417
00:30:03,050 --> 00:30:07,750
As soon as I walked in here, I got
this spike of agitation. You did?
418
00:30:08,150 --> 00:30:09,150
How come?
419
00:30:14,120 --> 00:30:15,690
Has anyone seen my pen?
420
00:30:20,150 --> 00:30:21,650
Thank you.
421
00:30:21,690 --> 00:30:23,620
Um, yeah.
422
00:30:27,350 --> 00:30:28,520
Um...
423
00:30:28,550 --> 00:30:31,990
did you print out the words
that I sent, or the words...
424
00:30:32,020 --> 00:30:33,720
This is what you sent.
Yeah. Did I?
425
00:30:34,890 --> 00:30:36,650
Um, okay.
426
00:30:37,750 --> 00:30:39,850
Yeah, um...
427
00:30:39,890 --> 00:30:42,290
No, because you
don't have any...
428
00:30:42,320 --> 00:30:43,990
What if I've got them on
my computer?
429
00:30:46,290 --> 00:30:47,690
Do you have a printer?
430
00:30:49,250 --> 00:30:53,620
Here I am, the moonlight man,
with my six shooter and Steve McQueen,
431
00:30:53,650 --> 00:30:58,050
call me a cab, I'm not that
kind of a guy, I have a dream.
432
00:30:58,090 --> 00:31:01,890
Sometimes I the elevator to
the top of the Burj Al Arab
433
00:31:01,920 --> 00:31:04,820
and shoot my guns across Dubai.
434
00:31:04,850 --> 00:31:07,650
Bang, bang, bang,
I'm that kind of guy.
435
00:31:14,090 --> 00:31:15,650
I know.
436
00:31:15,690 --> 00:31:18,066
But mostly, I curl up
inside my typewriter...
437
00:31:18,078 --> 00:31:20,050
curl up inside my
typewriter and wish
438
00:31:20,090 --> 00:31:21,150
that I can die.
439
00:31:23,820 --> 00:31:27,920
Your legs are so long, they should
come with their own elevator.
440
00:31:27,950 --> 00:31:31,050
Don't worry, darling, I'll be
coming around, see you later.
441
00:31:31,090 --> 00:31:32,850
Have you guys sang them
differently,
442
00:31:32,890 --> 00:31:34,750
or, something like that, um...
443
00:31:36,920 --> 00:31:40,290
Because, between you and me and
my best friend, the housefly...
444
00:31:42,720 --> 00:31:45,820
I'm Steve McQueen
with a big beautiful dream.
445
00:31:47,320 --> 00:31:48,720
I am god.
446
00:31:50,990 --> 00:31:54,690
I am God, thinking about God,
thinking about Steve McQueen.
447
00:31:55,290 --> 00:31:57,790
Oh, yeah, great.
448
00:31:57,820 --> 00:32:01,790
It's for me the sirens and the
sylphs do their twilight pining.
449
00:32:01,820 --> 00:32:05,790
On Saturday night. I woke on
someone else's stomach lining.
450
00:32:07,320 --> 00:32:10,120
Up and down this street,
call me a cab.
451
00:32:10,150 --> 00:32:11,950
Call me a cab.
452
00:32:11,990 --> 00:32:15,620
No I'm a housefly called God
and I don't give a fuck.
453
00:32:17,050 --> 00:32:18,790
Right, that's it. Go on.
454
00:32:18,820 --> 00:32:23,050
Here I come up the elevator, sixty
floors hoping I don't get stuck.
455
00:32:24,720 --> 00:32:29,050
And everyone out here does mean
And everyone out here does pain.
456
00:32:29,090 --> 00:32:31,620
But, someone's got to
sing the stars.
457
00:32:31,650 --> 00:32:33,690
And, someone's got to
sing the rain.
458
00:32:35,150 --> 00:32:36,850
I'm the atomizer.
459
00:32:36,890 --> 00:32:38,490
I'm the vaporizer.
460
00:32:38,520 --> 00:32:43,050
I turn everything to crud, I
like it here in flesh and blood.
461
00:32:43,090 --> 00:32:45,250
I'm the elevator man,
don't you see?
462
00:32:45,290 --> 00:32:48,990
You're a spine lashed,
long legged lovely young thing.
463
00:32:49,020 --> 00:32:52,990
Call me a cab. I'll drive
to the top of the Burj Al Arab.
464
00:32:53,020 --> 00:32:55,720
And, fire my guns
across your stomach.
465
00:32:59,650 --> 00:33:05,120
Because, someone's got to sing the stars,
and someone's got to sing the rain.
466
00:33:05,150 --> 00:33:09,620
And someone's got to sing the blood.
And someone's got to sing the pain.
467
00:33:11,220 --> 00:33:13,550
Watch out you fuckers.
468
00:33:13,590 --> 00:33:16,650
I've got my six shooter and my
housefly on lead,
469
00:33:16,690 --> 00:33:18,950
I'm Burj Al McQueen.
470
00:33:18,990 --> 00:33:21,890
And I'm coming to make
every last one of you bleed.
471
00:33:21,920 --> 00:33:25,650
How are you, Jim? I'm alright, thank you.
How are you?
472
00:33:27,720 --> 00:33:30,090
Got your beard back, mate.
Yeah, yeah.
473
00:33:30,120 --> 00:33:31,820
I thought I'd grow it just
for the show.
474
00:33:33,650 --> 00:33:35,320
What about continuity?
475
00:33:35,350 --> 00:33:36,920
Fuck continuity.
476
00:33:37,850 --> 00:33:39,550
Fuck continuity.
477
00:33:39,590 --> 00:33:45,320
God is great, chances are God is
good, well I wouldn't go that far.
478
00:33:47,150 --> 00:33:48,190
C to B Flat.
479
00:33:48,220 --> 00:33:51,220
I'm Steve McQueen
the atrocity man.
480
00:33:51,250 --> 00:33:55,790
♪ You wanna bleed on me. ♪
481
00:33:57,120 --> 00:33:58,720
And sing too, Jim.
482
00:33:58,750 --> 00:34:03,650
If you wanna bleed Don't bleed.
483
00:34:03,690 --> 00:34:06,650
With my strap on blood
pondered dream...
484
00:34:06,690 --> 00:34:10,820
♪ If you wanna bleed Don't bleed ♪
485
00:34:11,950 --> 00:34:13,720
♪ Step away. ♪
486
00:34:13,750 --> 00:34:18,150
But, mostly curl up inside my
typewriter with my housefly and cry.
487
00:34:20,720 --> 00:34:23,220
I tell my housefly not to cry.
488
00:34:23,250 --> 00:34:25,750
My housefly chose me not to die.
489
00:34:27,090 --> 00:34:30,190
Because someone's got to
sing the stars,
490
00:34:30,220 --> 00:34:32,520
and someone's got to sing
the rain.
491
00:34:33,120 --> 00:34:34,120
D minor.
492
00:34:34,150 --> 00:34:35,990
And, someone's got to
sing the blood.
493
00:34:38,750 --> 00:34:40,850
And, someone's
got to sing the pain.
494
00:34:42,320 --> 00:34:43,590
Okay.
495
00:34:53,590 --> 00:34:54,750
Look at him.
496
00:34:57,750 --> 00:34:59,120
Holding everything together.
497
00:34:59,150 --> 00:35:00,520
Is my hair alright?
498
00:35:01,950 --> 00:35:04,090
Fucking, never been better.
499
00:35:04,120 --> 00:35:07,990
Best it's ever been. Best it's ever been.
Huh? Best it's ever...
500
00:35:08,020 --> 00:35:12,950
It better be. Fucking, proceed
with absolute confidence.
501
00:35:12,990 --> 00:35:14,820
What would I do without Warren.
502
00:35:14,850 --> 00:35:15,920
If it's not...
503
00:35:17,290 --> 00:35:18,650
Cut! Cut!
504
00:35:19,920 --> 00:35:21,150
Three-Four minutes.
505
00:35:21,190 --> 00:35:24,790
We should do one, we should
do a take pretty soon.
506
00:35:24,820 --> 00:35:28,250
Or we're gonna lose
the essence of the thing.
507
00:35:28,290 --> 00:35:31,820
Because I can the whole mojo slipping away.
Yeah, it's getting
508
00:35:31,850 --> 00:35:35,820
cold. We're getting
bored, irritable.
509
00:35:35,850 --> 00:35:40,020
Can I hear, can I try that out just
with the backing track please, Jake.
510
00:35:47,890 --> 00:35:49,020
What's the time line?
511
00:35:55,120 --> 00:35:57,120
'Cause it's too loud.
512
00:36:33,990 --> 00:36:36,620
Tishi, see that guy? Tishi.
513
00:36:36,650 --> 00:36:40,720
That means, go to...
The cameraman, was like, Tishi.
514
00:36:40,750 --> 00:36:43,290
Did you show him his camera? Yeah,
yeah, I showed him a photo.
515
00:36:43,790 --> 00:36:45,220
Spooky.
516
00:36:45,250 --> 00:36:48,250
Warren just pointed out how
much the photographer looks like.
517
00:36:48,290 --> 00:36:49,690
Tishi.
518
00:36:51,050 --> 00:36:52,890
Tishi is another photographer.
519
00:36:52,920 --> 00:36:55,650
Hang on.
520
00:36:55,690 --> 00:36:58,220
Who has like shaggy hair
and a beard and...
521
00:36:58,250 --> 00:37:00,820
Bad backs are coming back.
Yeah, mate.
522
00:37:00,850 --> 00:37:04,650
Lived most of his life in
the streets, of his home town.
523
00:37:05,250 --> 00:37:06,520
In the Czech Republic.
524
00:37:08,020 --> 00:37:10,690
He took photographs of
women, with a camera
525
00:37:10,720 --> 00:37:11,990
that he made himself.
526
00:37:12,920 --> 00:37:14,750
They are...
527
00:37:14,790 --> 00:37:17,320
really wonderful photographs.
528
00:37:17,350 --> 00:37:21,850
Like stolen moments, of women
in over many
529
00:37:21,890 --> 00:37:23,690
amazing facets.
530
00:37:26,790 --> 00:37:28,950
I mean, many amazing facets.
531
00:37:32,020 --> 00:37:34,890
Women have more facets than men.
532
00:37:36,350 --> 00:37:38,150
Men are...
533
00:37:38,190 --> 00:37:40,920
Men are pretty much
two dimensional.
534
00:37:41,950 --> 00:37:43,820
And women are,
535
00:37:43,850 --> 00:37:44,950
like, fucking 3D.
536
00:37:46,620 --> 00:37:49,750
My wife is spectacularly
three dimensional.
537
00:37:53,150 --> 00:37:54,820
But, every time I try to, um...
538
00:37:56,090 --> 00:37:57,220
get a handle on her,
539
00:37:59,050 --> 00:38:02,120
and to put her into focus,
540
00:38:02,150 --> 00:38:05,250
she shifts and changes,
and becomes someone else.
541
00:38:05,290 --> 00:38:08,090
Or worse, she steps out of
the frame entirely.
542
00:38:08,920 --> 00:38:09,950
And...
543
00:38:10,850 --> 00:38:14,120
I'm left with a hovering
544
00:38:14,150 --> 00:38:16,190
ghost, in which... that's...
545
00:38:17,590 --> 00:38:18,990
burned on my retina.
546
00:38:20,250 --> 00:38:22,890
Like I've starred into
a spotlight.
547
00:38:23,820 --> 00:38:25,190
And closed my eyes.
548
00:38:28,020 --> 00:38:29,920
Eventually she steps back
into the frame,
549
00:38:31,590 --> 00:38:33,850
and I pull her back in focus.
550
00:38:33,890 --> 00:38:35,850
But, she's changed because
she's been
551
00:38:38,150 --> 00:38:41,190
out there, communing
with the dead.
552
00:39:09,750 --> 00:39:14,920
♪ Some go and some stay behind ♪
♪ Some never move at all ♪
553
00:39:16,290 --> 00:39:23,250
♪ Girl in amber trapped forever ♪
♪ Spinning down the hall ♪
554
00:39:23,290 --> 00:39:29,990
♪ Let no part of her go Unremembered, ♪
♪ clothes Across the floor ♪
555
00:39:30,020 --> 00:39:36,720
♪ Girl in amber lumber slumber ♪
♪ Shuts the bathroom door ♪
556
00:39:36,750 --> 00:39:43,790
♪ The phone, the phone The phone it ♪
♪ rings, it rings It rings no more ♪
557
00:39:43,820 --> 00:39:51,050
♪ The song, the song, the Song it ♪
♪ spins since nineteen eighty-four ♪
558
00:39:51,090 --> 00:39:57,990
♪ The phone, the phone The phone it ♪
♪ rings, it rings It rings no more ♪
559
00:39:58,020 --> 00:40:02,120
♪ The song, the song ♪
♪ It's been spinning ♪
560
00:40:02,150 --> 00:40:05,990
♪ Since Nineteen ♪
561
00:40:06,020 --> 00:40:09,720
♪ And if you want to ♪
♪ Bleed, just bleed ♪
562
00:40:12,250 --> 00:40:16,650
♪ And if you want to ♪
♪ Bleed, just bleed ♪
563
00:40:19,220 --> 00:40:23,920
♪ But if you want to leave ♪
♪ Don't breathe ♪
564
00:40:24,920 --> 00:40:28,990
♪ The world just step away ♪
565
00:40:29,020 --> 00:40:31,690
♪ And let the world ♪
566
00:40:31,720 --> 00:40:38,150
♪ And now in turn, you turn You kneel, lace ♪
♪ up his shoes Your little blue-eyed boy ♪
567
00:40:40,020 --> 00:40:47,320
♪ Take him by his hand ♪
♪ Go floating down the hall ♪
568
00:40:47,350 --> 00:40:54,550
♪ I get lucky, I get lucky ♪
♪ Cause I tried again ♪
569
00:40:54,590 --> 00:41:01,920
♪ I knew the world it would Stop ♪
♪ spinning now since You've been gone ♪
570
00:41:01,950 --> 00:41:08,790
♪ I used to think that when You ♪
♪ died you kind of Wandered the world ♪
571
00:41:08,820 --> 00:41:15,320
♪ In a slumber till you Crumbled, ♪
♪ were absorbed Into the earth ♪
572
00:41:15,350 --> 00:41:19,720
♪ Well, I don't think ♪
♪ That any more ♪
573
00:41:19,750 --> 00:41:22,290
♪ The phone it rings no more ♪
574
00:41:22,320 --> 00:41:29,790
♪ The song, the song it Spins ♪
♪ now Since nineteen eighty-four ♪
575
00:41:29,820 --> 00:41:36,050
♪ The song, the song it spins The song, it ♪
♪ spins, it spins It's been a spinning now ♪
576
00:41:36,090 --> 00:41:42,690
♪ And if you'll hold me I will ♪
♪ Tell you that you know that ♪
577
00:41:44,790 --> 00:41:49,190
♪ And if you want to leave ♪
♪ Don't breathe ♪
578
00:41:50,850 --> 00:41:55,520
♪ And if you want to leave ♪
♪ Don't breathe ♪
579
00:41:57,650 --> 00:42:02,990
♪ And if you want to leave ♪
♪ Don't breathe ♪
580
00:42:03,950 --> 00:42:05,920
♪ A word ♪
581
00:42:06,820 --> 00:42:09,320
♪ Just step away ♪
582
00:42:09,350 --> 00:42:13,550
♪ And let the world turn ♪
583
00:42:25,620 --> 00:42:31,820
♪ The song, the song it Spins ♪
♪ now Since nineteen eighty-four ♪
584
00:42:33,190 --> 00:42:39,050
♪ The phone, it rings, it rings ♪
♪ And you won't stay ♪
585
00:43:08,020 --> 00:43:10,590
♪ Don't touch me ♪
586
00:43:15,250 --> 00:43:17,190
♪ Don't touch me ♪
587
00:43:22,050 --> 00:43:24,590
♪ Don't touch me ♪
588
00:43:28,320 --> 00:43:31,020
♪ Don't touch me ♪
589
00:43:36,320 --> 00:43:39,520
♪ Don't touch me. ♪
590
00:43:56,150 --> 00:43:57,750
Hair's still alright?
591
00:43:58,650 --> 00:44:00,050
Even better.
592
00:44:00,090 --> 00:44:01,920
It's even better now.
593
00:44:03,350 --> 00:44:04,850
What ever you did,
don't touch it.
594
00:44:05,650 --> 00:44:07,590
Don't touch it.
595
00:44:13,620 --> 00:44:15,120
Fuck! What happened to my face.
596
00:44:18,020 --> 00:44:19,920
Look at those bags
under my eyes.
597
00:44:21,950 --> 00:44:23,250
Where did they come from?
598
00:44:26,350 --> 00:44:27,750
They weren't there last year.
599
00:44:32,280 --> 00:44:35,190
The director says I look
like a battered monument.
600
00:44:38,020 --> 00:44:40,820
I have a terrible feeling he's
trying to be kind to me.
601
00:44:44,920 --> 00:44:47,020
I must remember to be kind back.
602
00:44:49,620 --> 00:44:51,650
I must remember to be kind.
603
00:45:31,850 --> 00:45:35,020
♪ Mostly I never knew ♪
♪ Which way was out ♪
604
00:45:40,950 --> 00:45:44,620
♪ Once it was on ♪
♪ It was on and that was that ♪
605
00:45:50,950 --> 00:45:54,850
♪ The umbilicus was a faucet ♪
♪ That fountained rabbit blood ♪
606
00:45:54,890 --> 00:45:57,280
♪ And I spun on my wheel ♪
607
00:46:00,720 --> 00:46:02,590
♪ Like a laboratory rat ♪
608
00:46:09,690 --> 00:46:14,920
♪ I was an electrical storm On the ♪
♪ bathroom floor Clutching the bowl ♪
609
00:46:19,650 --> 00:46:23,750
♪ My blood was for the gags ♪
♪ And other people's diseases ♪
610
00:46:28,790 --> 00:46:32,150
♪ My monstrous little memory ♪
♪ Had swallowed me whole ♪
611
00:46:37,850 --> 00:46:42,850
♪ It was the year I officially ♪
♪ Became the bride of Jesus ♪
612
00:46:44,050 --> 00:46:48,950
♪ In love, in love ♪
♪ In love you laugh ♪
613
00:46:48,990 --> 00:46:51,690
♪ I move you move ♪
614
00:46:51,720 --> 00:46:55,550
♪ And one more time With feeling ♪
615
00:46:55,590 --> 00:46:58,850
♪ In love, in love ♪
♪ In laugh, you laugh ♪
616
00:46:59,720 --> 00:47:01,920
♪ I'm sawn in half ♪
617
00:47:01,950 --> 00:47:04,950
♪ And the stars are splashed ♪
618
00:47:08,180 --> 00:47:12,620
♪ Across the ceiling ♪
619
00:47:14,850 --> 00:47:20,050
♪ Oh, the urge to kill Somebody ♪
♪ was basically Overwhelming ♪
620
00:47:24,280 --> 00:47:29,790
♪ I had such hard blues Down ♪
♪ there in the supermarket Queues ♪
621
00:47:33,820 --> 00:47:39,850
♪ And I had a sudden urge to ♪
♪ Become someone Someone like you ♪
622
00:47:39,890 --> 00:47:45,690
♪ Who started out with less ♪
♪ Than anyone I ever knew ♪
623
00:47:52,020 --> 00:47:56,180
♪ In love, in love, I love ♪
♪ You love, I laugh, you love ♪
624
00:47:56,220 --> 00:48:01,950
♪ I move, you move ♪
♪ And one more time with feeling ♪
625
00:48:03,820 --> 00:48:06,890
♪ In love, in love I love, ♪
♪ You love I laugh, you laugh ♪
626
00:48:07,920 --> 00:48:10,590
♪ I'm sawn in half ♪
627
00:48:10,620 --> 00:48:13,220
♪ And the stars are splashed ♪
628
00:48:15,950 --> 00:48:20,620
♪ Across the ceiling ♪
629
00:48:47,320 --> 00:48:51,750
♪ Oh, and oh you come shining ♪
630
00:48:51,790 --> 00:48:54,790
♪ Softly to the hold Of a drink ♪
631
00:48:57,180 --> 00:49:02,950
♪ Come as far as the edge ♪
♪ Of my blood and swim ♪
632
00:49:07,690 --> 00:49:12,590
♪ And in the bathroom mirror ♪
♪ I see me vomit in the sink ♪
633
00:49:16,120 --> 00:49:21,920
♪ And all through the house we ♪
♪ Hear the hyena's hymns ♪
634
00:49:25,980 --> 00:49:30,890
♪ Of love I love, you ♪
♪ love I laugh, You laugh ♪
635
00:49:30,920 --> 00:49:35,920
♪ I move, you move, you move ♪
♪ One more time with feeling ♪
636
00:49:38,820 --> 00:49:43,550
♪ I love, you love ♪
♪ I laugh, you laugh ♪
637
00:49:43,590 --> 00:49:49,720
♪ We saw each other in heart And ♪
♪ all the stars have Splashed ♪
638
00:49:49,750 --> 00:49:51,550
♪ And splattered ♪
639
00:49:53,750 --> 00:49:56,850
♪ Across the ceiling. ♪
640
00:50:18,590 --> 00:50:20,790
How disturbing is this?
641
00:50:20,820 --> 00:50:22,750
It's quite disturbing. Yeah.
It is?
642
00:50:22,790 --> 00:50:27,220
Well, I think, um...
I'll make a deal with you.
643
00:50:27,250 --> 00:50:30,620
Absolutely anything in that's
in the film that you don't like?
644
00:50:30,650 --> 00:50:32,150
Yeah. Right? You can cut out.
645
00:50:32,180 --> 00:50:33,520
Okay. Okay?
646
00:50:36,890 --> 00:50:38,250
Okay.
647
00:50:38,280 --> 00:50:39,920
Let's just take one now.
648
00:50:39,950 --> 00:50:41,820
Wait till it's, um...
649
00:50:41,850 --> 00:50:45,550
I'll wait till... You know,
take a photo of them,
650
00:50:45,590 --> 00:50:47,980
and then we can put it
in the film.
651
00:50:51,650 --> 00:50:53,790
That worked, yeah. Okay, cool.
Yeah. Okay.
652
00:50:53,820 --> 00:50:55,590
And just wind it on with the...
Okay.
653
00:50:56,020 --> 00:50:57,220
The winder thing.
654
00:50:58,350 --> 00:51:00,050
Okay.
655
00:51:00,080 --> 00:51:01,050
Awesome. Okay.
656
00:51:01,080 --> 00:51:03,980
And so, if you wanna, um,
take any photos today,
657
00:51:04,020 --> 00:51:05,850
just gotta pop up the flash,
which is that.
658
00:51:11,280 --> 00:51:12,690
We didn't ask for it.
659
00:51:17,050 --> 00:51:19,050
But, it is all around us.
660
00:51:19,080 --> 00:51:20,650
A gratuitous beauty.
661
00:51:22,350 --> 00:51:25,280
That exists whether we,
uh, there to witness it or not.
662
00:51:27,920 --> 00:51:30,050
The world plunges on.
663
00:51:32,080 --> 00:51:33,790
And the world is magnificent.
664
00:51:37,820 --> 00:51:39,950
I watch you on your ice flow.
665
00:51:41,750 --> 00:51:44,180
Cold something into
the Arctic wind.
666
00:51:46,980 --> 00:51:49,750
The wind offers
a brutal resistance.
667
00:51:52,150 --> 00:51:53,520
But, still you plough on.
668
00:51:58,050 --> 00:52:00,620
I cling to my ice berg
and sing to you.
669
00:52:02,180 --> 00:52:07,920
See the sun, see it rising.
670
00:52:10,690 --> 00:52:14,220
♪ See it rising ♪
671
00:52:15,280 --> 00:52:20,520
♪ Rising in your eyes. ♪
672
00:52:25,120 --> 00:52:27,950
Oh my God. Hey.
673
00:52:27,980 --> 00:52:30,180
Look at you.
I've got brown hair.
674
00:52:35,050 --> 00:52:37,820
You've been alright? Yeah.
675
00:52:37,850 --> 00:52:40,590
What you doing. Oh, good.
Nothing.
676
00:52:41,350 --> 00:52:45,080
Um... No, get rid of it.
677
00:52:45,120 --> 00:52:47,880
Have the animal rights people...
Shh, shh!
678
00:52:48,780 --> 00:52:50,050
Why is creaking?
679
00:52:52,350 --> 00:52:56,120
It's been, um, an enormous
amount of doing nothing,
680
00:52:56,150 --> 00:52:57,280
waiting around. Yeah.
681
00:52:58,620 --> 00:53:00,020
Sounds pretty difficult.
682
00:53:02,690 --> 00:53:05,180
You'll get used to the camera
being there, now your on.
683
00:53:06,150 --> 00:53:07,520
Thanks.
684
00:53:08,880 --> 00:53:10,020
Good day Suz!
685
00:53:12,780 --> 00:53:14,050
See you're shy.
686
00:53:20,046 --> 00:53:21,726
That's what I'd do
at the time, and they...
687
00:53:21,750 --> 00:53:24,620
they give me special one
that's not connected.
688
00:53:24,650 --> 00:53:26,120
Just for the fuck of it.
689
00:53:27,350 --> 00:53:30,120
Go to DFA fader, that's
fuck all.
690
00:53:33,820 --> 00:53:36,050
BOY: And the buttons? Can I
press the buttons as well.
691
00:53:43,620 --> 00:53:47,950
And this guy, is the videographer.
We're watching the videographer,
692
00:53:47,980 --> 00:53:51,320
who's watching the camera man,
who's watching us,
693
00:53:51,350 --> 00:53:53,780
and it just goes around,
and around, and around.
694
00:53:55,180 --> 00:53:56,980
Spooky, huh?
695
00:53:57,020 --> 00:53:58,880
So, which is the 3D camera?
696
00:53:58,920 --> 00:53:59,950
Cam-ception!
697
00:53:59,980 --> 00:54:01,880
They heavy one. That one.
698
00:54:01,920 --> 00:54:03,720
This is the videographer.
699
00:54:03,750 --> 00:54:06,880
Is this in 2D? That's in 2D.
700
00:54:06,920 --> 00:54:08,980
Okay. He's in 2D.
701
00:54:19,280 --> 00:54:22,620
- Yeah, I mean it's...
- No, I mean it's...
702
00:54:22,650 --> 00:54:26,080
Yeah, yeah. Basically the couple
of record in the soundtrack stuff
703
00:54:26,120 --> 00:54:30,120
has been really about that I just
pall a bunch of stuff in there,
704
00:54:30,150 --> 00:54:34,220
and then just try and find something in
there, like it's really about... that's
705
00:54:34,250 --> 00:54:36,150
the really exciting thing.
706
00:54:36,180 --> 00:54:40,320
Um, for the last few years with
me, has been about that, like...
707
00:54:40,350 --> 00:54:44,620
trying to find something that kind
of, just comes out of nowhere.
708
00:54:45,020 --> 00:54:46,220
Um...
709
00:54:46,250 --> 00:54:49,680
These guys, Warren
and Andrew the director,
710
00:54:49,720 --> 00:54:51,680
they like to go on about,
711
00:54:51,720 --> 00:54:55,880
accidents
and the accident... uh...
712
00:54:56,850 --> 00:55:00,920
the accidental nature of art,
713
00:55:00,950 --> 00:55:05,150
but, this is just another way of saying
they're communing with the Gods.
714
00:55:06,980 --> 00:55:10,280
I mean, you think God would have
more pressing to do. Really.
715
00:55:12,180 --> 00:55:14,250
There's no such thing as
accidents.
716
00:55:16,620 --> 00:55:17,680
Oh, fuck!
717
00:55:21,020 --> 00:55:23,720
Yeah, I think accidents
is the wrong word, because,
718
00:55:25,650 --> 00:55:27,780
um, it more...
719
00:55:30,120 --> 00:55:31,620
Um...
720
00:55:31,650 --> 00:55:35,980
that we just get into... that we get
ourselves into a space these days.
721
00:55:36,720 --> 00:55:38,680
Where, um...
722
00:55:38,720 --> 00:55:42,820
some sort of magical thing
happens, that isn't
723
00:55:42,850 --> 00:55:44,080
to do with, uh,
724
00:55:46,250 --> 00:55:49,150
which isn't to do with knowing,
725
00:55:49,180 --> 00:55:53,220
which isn't to do with knowing
at all actually, so...
726
00:55:53,950 --> 00:55:56,550
um...
727
00:55:56,580 --> 00:56:02,080
I mean there are of course, happy
accidents and stuff like that, but...
728
00:56:02,120 --> 00:56:07,250
Mostly, um, I find that me and
Warren particularly, when we kind of
729
00:56:07,280 --> 00:56:10,880
jam together and stuff like
that, we get into, uh...
730
00:56:12,580 --> 00:56:16,950
a situation where a lot of very
beautiful things just happen
731
00:56:16,980 --> 00:56:22,280
after each other. And, then we get into a
situation where that doesn't happen at all.
732
00:56:22,320 --> 00:56:25,020
And we kind of, um, forever...
733
00:56:27,150 --> 00:56:31,650
um, foraging away
for these moments.
734
00:56:37,880 --> 00:56:42,650
It's a very different collaborative
situation with me and Warren that is
735
00:56:42,680 --> 00:56:47,580
with anybody else, that has
been working with me.
736
00:56:47,620 --> 00:56:51,150
Because, we actually sit down
in a room together and compose
737
00:56:51,180 --> 00:56:52,580
a song together.
738
00:56:54,180 --> 00:56:56,680
♪ We're beginning our descent ♪
739
00:56:58,150 --> 00:57:01,580
♪ I never knew What that meant ♪
740
00:57:03,920 --> 00:57:06,250
♪ We grabbed the oxygen pod ♪
741
00:57:21,320 --> 00:57:25,880
♪ And I call out the window ♪
742
00:57:29,850 --> 00:57:32,180
♪ Down here the sea. ♪
743
00:57:35,780 --> 00:57:41,320
And it actually really exciting to sing
the same if you're in a room together,
744
00:57:41,350 --> 00:57:43,250
to sing to something,
745
00:57:44,680 --> 00:57:46,720
that you don't know.
746
00:57:46,750 --> 00:57:48,820
You don't know where it's going.
747
00:57:48,850 --> 00:57:50,920
So, I'm singing a melody,
748
00:57:52,250 --> 00:57:58,220
that's being kind of,
stretched into all these
749
00:57:58,250 --> 00:58:02,620
into a wholly different way, that
I can never come up with myself.
750
00:58:31,880 --> 00:58:34,650
When I sit at the piano,
751
00:58:34,680 --> 00:58:39,850
I play chords and I know what it's gonna
sound like before I press the keys down.
752
00:58:42,950 --> 00:58:47,250
And so you just... it becomes
repetitious, there's no way around it.
753
00:58:55,280 --> 00:58:57,150
It's very exciting to have
754
00:58:58,050 --> 00:59:00,280
someone else doing
755
00:59:00,320 --> 00:59:02,020
that side of things.
756
00:59:04,750 --> 00:59:07,920
Because, your melodies aren't
dictated by
757
00:59:07,950 --> 00:59:09,080
what you know,
758
00:59:30,220 --> 00:59:34,280
♪ Sunday morning ♪
759
00:59:34,320 --> 00:59:38,120
♪ Scattered in trees ♪
760
00:59:39,650 --> 00:59:42,150
♪ Pressed against the sky ♪
761
00:59:43,680 --> 00:59:47,580
♪ The jittery TV ♪
762
00:59:48,680 --> 00:59:51,620
♪ And an empty bed ♪
763
00:59:54,180 --> 00:59:59,650
♪ Glowing white like fire ♪
764
00:59:59,680 --> 01:00:03,580
♪ And I called out the window ♪
765
01:00:07,280 --> 01:00:11,920
♪ Down to the sea ♪
766
01:00:14,780 --> 01:00:18,780
♪ And the devil Comes collecting ♪
767
01:00:18,820 --> 01:00:21,720
♪ For nothing is for free ♪
768
01:00:22,620 --> 01:00:25,780
♪ And I call out the window ♪
769
01:00:26,820 --> 01:00:32,650
♪ Jesus rising by ♪
770
01:00:32,680 --> 01:00:35,220
♪ In a ♪
771
01:00:38,920 --> 01:00:41,650
♪ Field. ♪
772
01:00:53,950 --> 01:00:55,680
You know, I'm...
773
01:00:56,750 --> 01:00:58,780
to a fault,
774
01:00:58,820 --> 01:01:03,080
have had a thing about words,
both, love and respect about
775
01:01:03,120 --> 01:01:08,680
words, but, a kind of fear about words, of
where they can actually take you, and...
776
01:01:08,720 --> 01:01:14,980
Um, what they can expose and stuff about
you. Words right, that's what that's...
777
01:01:15,020 --> 01:01:18,820
what makes the world go around,
if we didn't have any way about
778
01:01:18,850 --> 01:01:22,650
articulating anything, we would have no
way of even remembering anything really.
779
01:01:23,720 --> 01:01:27,020
Um... so,
780
01:01:27,050 --> 01:01:30,920
because of that power of
words I've really kept them
781
01:01:31,350 --> 01:01:33,920
contained like,
782
01:01:33,950 --> 01:01:36,750
don't let a line go,
in my opinion...
783
01:01:36,780 --> 01:01:40,250
I mean, people might just think what I
do is shit. I have to forget about that.
784
01:01:40,280 --> 01:01:42,320
But, in my opinion I don't
need a line go,
785
01:01:42,350 --> 01:01:44,280
that I'm not really really
please with.
786
01:01:44,320 --> 01:01:46,120
Basically, right?
787
01:01:46,150 --> 01:01:47,820
Um, and this record.
788
01:01:48,850 --> 01:01:52,620
I have to let go of that,
because,
789
01:01:52,650 --> 01:01:55,280
um, the line is successful
790
01:01:55,320 --> 01:01:56,720
for another reason.
791
01:02:05,250 --> 01:02:08,950
♪ All the fine wind is gone ♪
792
01:02:13,580 --> 01:02:16,980
♪ And this sweet world is so ♪
♪ Much older ♪
793
01:02:22,680 --> 01:02:27,880
♪ Animals pull the night ♪
♪ Around their shoulders ♪
794
01:02:31,580 --> 01:02:36,980
♪ Flowers fall to their ♪
♪ Naked knees ♪
795
01:02:37,980 --> 01:02:42,220
♪ Here I come now here I come ♪
796
01:02:42,250 --> 01:02:47,220
♪ I hear you been out there ♪
♪ Looking for something to love ♪
797
01:02:51,020 --> 01:02:55,880
♪ The dark force that shifts ♪
♪ At the edge of the tree ♪
798
01:02:57,250 --> 01:03:01,250
♪ It's alright, it's alright ♪
799
01:03:01,280 --> 01:03:06,950
♪ When you turn So long and ♪
♪ Lovely It's hard to believe ♪
800
01:03:10,080 --> 01:03:17,020
♪ That we're falling now ♪
♪ In the name of the Anthrocene ♪
801
01:03:27,950 --> 01:03:34,150
♪ All the things we love ♪
♪ We love, we love, we lose ♪
802
01:03:37,680 --> 01:03:44,580
♪ It's our bodies that fall ♪
♪ When they try to rise ♪
803
01:03:47,980 --> 01:03:53,580
♪ And I hear you been looking ♪
♪ Out for something to love ♪
804
01:03:55,750 --> 01:03:59,780
♪ Sit down beside me ♪
805
01:03:59,820 --> 01:04:02,520
♪ And I'll name it for you ♪
806
01:04:05,150 --> 01:04:10,620
♪ Behold, behold ♪
♪ The heaven bound sea ♪
807
01:04:14,320 --> 01:04:19,820
♪ The wind cast its shadow ♪
♪ And moves for the tree ♪
808
01:04:22,120 --> 01:04:29,120
♪ Behold the animals And the ♪
♪ Birds And the sky entire ♪
809
01:04:29,150 --> 01:04:34,920
♪ I hear you been out there Looking ♪
♪ for something to Set on fire ♪
810
01:04:37,620 --> 01:04:44,120
♪ The head bow children ♪
♪ Fall to their knees ♪
811
01:04:44,150 --> 01:04:50,250
♪ Humbled in the age ♪
♪ Of the Anthrocene ♪
812
01:05:04,580 --> 01:05:07,750
♪ Here they come now ♪
♪ Here they come ♪
813
01:05:07,780 --> 01:05:10,550
♪ Are pulling you away ♪
814
01:05:11,950 --> 01:05:17,550
♪ There are powers at play ♪
♪ More forceful than we ♪
815
01:05:20,180 --> 01:05:23,820
♪ Come over here and sit down ♪
816
01:05:23,850 --> 01:05:26,920
♪ And say a short prayer ♪
817
01:05:28,750 --> 01:05:34,120
♪ A prayer to the air, the air ♪
♪ That we breathe ♪
818
01:05:35,650 --> 01:05:40,980
♪ And the astonishing rise ♪
♪ Of the Anthrocene ♪
819
01:05:42,220 --> 01:05:45,220
♪ Come on now, come on now ♪
820
01:05:45,250 --> 01:05:48,620
♪ Hold your breath ♪
♪ While you're safe ♪
821
01:05:51,250 --> 01:05:57,120
♪ It's a long way back ♪
♪ And I'm begging you please ♪
822
01:05:57,150 --> 01:06:01,150
♪ To come home now Come home now ♪
823
01:06:05,780 --> 01:06:11,920
♪ Well, I heard you been out ♪
♪ Looking for something to love ♪
824
01:06:14,820 --> 01:06:18,820
♪ Close your eyes Little world ♪
825
01:06:18,850 --> 01:06:21,250
♪ And brace yourself. ♪
826
01:06:28,950 --> 01:06:33,180
I don't want to just write
songs like a diary,
827
01:06:33,220 --> 01:06:36,950
of what my life is like, I'm
not really interested in that.
828
01:06:36,980 --> 01:06:39,180
Um...
829
01:06:39,220 --> 01:06:43,120
I want to write songs that
radiate out... that...
830
01:06:43,150 --> 01:06:46,020
connect with people
and don't alienate people.
831
01:06:50,850 --> 01:06:53,120
A kind of great...
832
01:06:53,150 --> 01:06:56,780
trauma isn't actually
a very good thing,
833
01:06:56,820 --> 01:06:58,420
um...
834
01:06:58,450 --> 01:07:02,920
you know, you kind of... Well sometimes
you know, we all wish we have something
835
01:07:02,950 --> 01:07:07,280
to write about. We all wish we
have something in our lives,
836
01:07:07,320 --> 01:07:10,320
that can happen. That we can...
837
01:07:10,350 --> 01:07:12,520
that we can, um...
838
01:07:16,580 --> 01:07:19,250
to write about and make
our writing interesting.
839
01:07:19,280 --> 01:07:22,220
And all of that sort of stuff.
840
01:07:22,250 --> 01:07:26,580
But, actually trauma actually I think
in the way that this happened and,
841
01:07:26,620 --> 01:07:28,020
and in the events that happened,
842
01:07:31,620 --> 01:07:34,850
it was extremely damaging to
the creative process.
843
01:07:39,220 --> 01:07:45,550
Later someone entered the garden and
bashed the snakes brains in with a rock.
844
01:07:45,580 --> 01:07:50,680
Basically every one stood around among
the long black cars in a state of shock.
845
01:07:52,920 --> 01:07:57,550
Everything got sad, sad as a wind chime.
Sad, as stream as,
846
01:07:57,580 --> 01:07:59,720
sad as a single lost sock.
847
01:08:01,820 --> 01:08:07,280
There are many snakes, many
trees, many gardens to unlock.
848
01:08:07,320 --> 01:08:13,080
The media and it's complicitors reader
blew the whole thing out of proportion.
849
01:08:13,120 --> 01:08:18,150
A snake became a serpent, and
in a typical tabloid distortion
850
01:08:18,180 --> 01:08:22,650
the dead tree grew apples, the
wasteland paradise, God was brought in
851
01:08:22,680 --> 01:08:25,080
blame apportioned.
852
01:08:25,120 --> 01:08:27,672
The whole thing went
tits up to the ceiling.
853
01:08:27,684 --> 01:08:30,020
A complete fuck up and
a total abortion.
854
01:08:30,050 --> 01:08:31,120
It's like a rap song.
855
01:08:32,280 --> 01:08:37,250
The children let off hand fulls
of balloons into the sky,
856
01:08:37,280 --> 01:08:38,880
they huddled under the marquis.
857
01:08:41,350 --> 01:08:42,720
The wind chime stopped.
858
01:08:45,580 --> 01:08:46,780
Stream is flagged.
859
01:08:49,580 --> 01:08:51,720
The straight sailing ships
on the sea.
860
01:08:54,350 --> 01:08:58,580
There is a toll gate now in paradise,
absolutely nothing is for free.
861
01:09:03,180 --> 01:09:04,720
What's the worst
that can happen?
862
01:09:06,920 --> 01:09:09,850
Turning, pushing the hair from
you face and smiling at me.
863
01:09:15,320 --> 01:09:19,220
Do you think it's a good idea to
have Suzie coming out of the toilet?
864
01:09:20,950 --> 01:09:23,980
Just from an aesthetic
865
01:09:24,020 --> 01:09:26,050
and emotional and,
866
01:09:26,080 --> 01:09:28,680
How do you feel Suzie?
SUZIE: I don't mind. No, no.
867
01:09:28,720 --> 01:09:29,880
It's fine. I don't mind.
868
01:09:32,050 --> 01:09:33,936
Darling, do you really
wanna be photographed
869
01:09:33,948 --> 01:09:35,550
pinning and dressed
up in the toilet?
870
01:09:35,580 --> 01:09:36,950
It's fine. I don't mind.
871
01:09:36,980 --> 01:09:38,920
Just decide though. Okay.
872
01:09:38,950 --> 01:09:42,250
Well, it probably, oh...
Let's move the camera up there.
873
01:09:42,280 --> 01:09:43,780
Can we avoid seeing th toilet?
874
01:09:43,820 --> 01:09:45,580
You won't see the toilet.
875
01:09:45,620 --> 01:09:47,850
You're not going down
into the bowl.
876
01:10:11,250 --> 01:10:13,050
What d'you think when you
look at the picture?
877
01:10:14,980 --> 01:10:16,580
Yeah, things are changed.
878
01:10:17,280 --> 01:10:18,280
Um...
879
01:10:20,350 --> 01:10:22,180
I like that because, uh...
880
01:10:25,750 --> 01:10:30,880
because of the position of our bodies,
that we're not, uh, connected.
881
01:10:30,920 --> 01:10:32,650
That we're sorbed in our own...
882
01:10:34,350 --> 01:10:40,020
whatever. And, uh... but there
is a real connection as well
883
01:10:40,050 --> 01:10:41,120
at the same time.
884
01:10:46,680 --> 01:10:48,650
Anyway I love that picture.
885
01:10:48,680 --> 01:10:53,920
Actually went to a union
psychiatrist, 'cause I had
886
01:10:53,950 --> 01:10:55,777
some problems or whatever.
But, when you ended
887
01:10:55,789 --> 01:10:57,510
up talking about Suzie
all the time because
888
01:10:57,534 --> 01:11:00,720
she's actually much more
interesting than I am,
889
01:11:00,750 --> 01:11:04,820
And he was obviously more
interested in her as well.
890
01:11:05,320 --> 01:11:07,550
Um, and...
891
01:11:09,250 --> 01:11:13,720
and he said, that it was a kind
of untapped
892
01:11:13,750 --> 01:11:17,280
creativity makes... is quite
a common thing, actually
893
01:11:17,320 --> 01:11:21,180
to... for... um,
894
01:11:21,220 --> 01:11:24,250
that she's not doing what
she's supposed to be doing.
895
01:11:24,280 --> 01:11:27,080
So, it's a common
thing for women
896
01:11:28,080 --> 01:11:29,650
to move furniture around.
897
01:11:30,620 --> 01:11:32,580
I mean, what should we do... 2.
898
01:11:32,620 --> 01:11:34,580
Yes? Where can this go?
899
01:11:34,620 --> 01:11:37,220
It can go back to where it was
the other day. Back into...
900
01:11:37,250 --> 01:11:40,220
- Where was it the other day?
- It was where?
901
01:11:40,250 --> 01:11:42,339
The bike was there. Yeah.
SUZIE: Yeah, but
902
01:11:42,351 --> 01:11:44,550
do you want this out of
the shot completely.
903
01:11:44,580 --> 01:11:45,780
If you can just get that.
904
01:11:45,820 --> 01:11:47,950
That could go into
Nick's office.
905
01:11:47,980 --> 01:11:51,780
She knows I don't like it,
so, um,
906
01:11:51,820 --> 01:11:54,720
tends to happen when I'm
not in the house.
907
01:11:54,750 --> 01:11:58,880
And, so I go away and then I
come back in and it's different.
908
01:11:58,920 --> 01:12:03,780
You don't mind if I put this back under
the... SUZIE: Yeah, that's fine.
909
01:12:03,820 --> 01:12:06,446
I found this article
of this guy up north,
910
01:12:06,458 --> 01:12:08,720
who had a similar
situation with his wife
911
01:12:08,750 --> 01:12:10,480
and, he would nail...
912
01:12:10,520 --> 01:12:12,595
everything. All the
chairs to the ground and
913
01:12:12,607 --> 01:12:14,880
everything like that. And
she would tear them up
914
01:12:14,920 --> 01:12:19,820
and she'd be... it was like, that chronic.
And eventually he divorced her in the end.
915
01:12:20,820 --> 01:12:21,880
But, um...
916
01:12:24,180 --> 01:12:25,950
doesn't bid well for the future.
917
01:12:29,180 --> 01:12:31,980
'Cause it's cropped up in
couple of Nick's songs,
918
01:12:32,020 --> 01:12:33,820
I'm like... Yeah, yeah, yeah.
919
01:12:33,850 --> 01:12:36,080
I'm really embarrassed.
I always thought that
920
01:12:36,120 --> 01:12:41,120
it was some brilliant... He'd come
up with some brilliant kind of,
921
01:12:41,150 --> 01:12:43,880
metaphor, you know...
SUZIE: Yeah, I know.
922
01:12:43,920 --> 01:12:46,920
Is an actual description.
Actual description.
923
01:12:46,950 --> 01:12:51,880
Suzie changes, um, it's better
but Suzie actually changes
924
01:12:51,920 --> 01:12:54,050
the function of the room.
925
01:12:54,080 --> 01:12:57,020
While you asleep, right.
926
01:12:57,050 --> 01:12:58,620
So that you wake up,
927
01:12:59,820 --> 01:13:03,880
and, yeah it's...
it's a different, yeah.
928
01:13:03,920 --> 01:13:07,620
It's like the TV room, when before
it was the bedroom or something.
929
01:13:09,150 --> 01:13:11,580
No, I unplug it myself, darling.
930
01:13:11,620 --> 01:13:14,620
The woman keeps it plugged in though.
Suzie, I think here...
931
01:13:14,650 --> 01:13:18,150
they should... SUZIE: The boots
and everything. Thank you.
932
01:13:20,850 --> 01:13:22,370
Alright, just take
it in and out.
933
01:13:24,850 --> 01:13:26,250
Oh, fuck.
934
01:13:26,280 --> 01:13:28,180
Because there's, um...
SUZIE: Okay.
935
01:13:31,980 --> 01:13:34,050
Did you see that?
That's Nick Cave.
936
01:13:36,750 --> 01:13:40,080
Now, should we just see, you can
see what's gong on there, Nick.
937
01:13:40,120 --> 01:13:42,550
You can see what you're being
photographed by.
938
01:13:42,580 --> 01:13:44,580
Yeah.
939
01:13:44,620 --> 01:13:47,880
You just thought that we'd leave the
house and you'd be safe from us right?
940
01:13:47,920 --> 01:13:50,680
Yeah. In a sense yeah.
941
01:13:50,720 --> 01:13:53,880
But, we're still filming you,
in 3D.
942
01:13:53,920 --> 01:13:55,780
From another location.
943
01:13:55,820 --> 01:13:57,250
Thats amazing.
944
01:13:57,280 --> 01:14:01,020
But, seriously what... what do
you think about Suzie's shoes?
945
01:14:02,120 --> 01:14:03,980
Well, let me see her feet.
946
01:14:07,580 --> 01:14:09,680
You see them?
947
01:14:09,720 --> 01:14:13,050
I think you should wear
the high heels. Okay.
948
01:14:13,080 --> 01:14:14,250
I'll keep them on.
949
01:14:14,980 --> 01:14:17,650
Alright. Okay.
950
01:14:17,680 --> 01:14:21,020
Now, Suzie, you want to just explain
to us the philosophy of the dress?
951
01:14:21,050 --> 01:14:26,720
Yeah, um, okay this dress is based
on the American prairie dress,
952
01:14:27,080 --> 01:14:29,120
and, um...
953
01:14:29,150 --> 01:14:32,680
it's, you know, there's some cults
that all wear the same dresses...
954
01:14:33,720 --> 01:14:35,580
that was kind of
the inspiration,
955
01:14:35,620 --> 01:14:38,620
because I wanted to do them in all
these different color pastels.
956
01:14:38,650 --> 01:14:40,475
And I wanted them to be
kind of, instead of,
957
01:14:40,487 --> 01:14:42,120
being really frumpy
that they're really
958
01:14:42,150 --> 01:14:44,920
see through. Some of them are
completely see through.
959
01:14:44,950 --> 01:14:48,050
And some of them, like, this one
is sort of, semi see through.
960
01:14:48,080 --> 01:14:50,820
We can decide how much you...
961
01:14:50,850 --> 01:14:52,480
want to reveal.
962
01:14:52,520 --> 01:14:57,680
So, its the idea that takes something
that is supposed to be deeply conservative,
963
01:14:57,720 --> 01:14:59,180
and sexualize it.
964
01:14:59,220 --> 01:15:02,920
Yeah, I guess so. There is that.
And it's not that see through.
965
01:15:02,950 --> 01:15:04,220
So you don't have to worry.
966
01:15:05,880 --> 01:15:07,280
Since, um,
967
01:15:07,320 --> 01:15:12,020
you know, since everything that
happened my work became something
968
01:15:12,050 --> 01:15:15,180
different, you know. Before it
was something I was doing
969
01:15:15,220 --> 01:15:17,563
you know, because I was
enjoying it and loving
970
01:15:17,575 --> 01:15:19,680
it, but, then it became
a real necessity,
971
01:15:19,720 --> 01:15:22,850
I really had to be able to work,
972
01:15:22,880 --> 01:15:25,560
'cause it was the only thing that
would take my mind off everything.
973
01:15:25,584 --> 01:15:26,544
Yeah.
974
01:15:28,020 --> 01:15:32,150
I tried to not allow myself,
975
01:15:32,180 --> 01:15:37,280
to sink down into, you know,
I try to...
976
01:15:37,320 --> 01:15:42,880
You know, to just keep moving forward and
keep looking forwards, and just, um...
977
01:15:42,920 --> 01:15:49,120
But, sometimes, you know, physically
sometimes I feel it almost more on my...
978
01:15:49,150 --> 01:15:54,080
Don't know how to describe it. It's like a
physical depression almost. Not 'cause I'm
979
01:15:54,120 --> 01:15:56,643
depressed, but just the
grief process and, you
980
01:15:56,655 --> 01:15:58,920
know, and everything
like that is very...
981
01:15:58,950 --> 01:16:03,620
physical but, very you know,
my work is so diverting,
982
01:16:03,650 --> 01:16:06,820
and, I'm so grateful for that.
Right.
983
01:16:06,850 --> 01:16:10,880
Nick tells me, "You're really different
when you go..." Nick really encourages
984
01:16:10,920 --> 01:16:13,720
me to work, and, um,
985
01:16:13,750 --> 01:16:18,850
people have said to me all that's what...
creativity, where it comes from.
986
01:16:18,880 --> 01:16:23,020
It comes from all other time
from pain and from...
987
01:16:23,050 --> 01:16:26,220
some terrible situations and...
988
01:16:26,250 --> 01:16:29,820
And, then I realized that that's
what was happening to me.
989
01:16:30,920 --> 01:16:32,180
You know, in a small way.
990
01:16:35,820 --> 01:16:40,150
I haven't got anything I can
say any words of...
991
01:16:40,180 --> 01:16:43,217
wisdom or anything about it.
Because, I'm not
992
01:16:43,229 --> 01:16:46,080
at that... I don't know
if I ever will be.
993
01:17:00,350 --> 01:17:01,820
Suzie, can tell us what it is?
994
01:17:03,250 --> 01:17:04,650
Um...
995
01:17:04,680 --> 01:17:05,820
It's difficult.
996
01:17:08,780 --> 01:17:09,780
I'm gonna cry.
997
01:17:14,850 --> 01:17:22,050
Um, well, after Arthur died
I found this in storage.
998
01:17:22,080 --> 01:17:24,728
I just couldn't believe
it when I saw it
999
01:17:24,740 --> 01:17:27,920
because, it's a painting
that he did when he was
1000
01:17:27,950 --> 01:17:33,250
how old? About five or, something like
that? And it was... it's of the windmill,
1001
01:17:35,920 --> 01:17:37,180
and, you know, just where died.
1002
01:17:40,050 --> 01:17:41,920
Um...
1003
01:17:41,950 --> 01:17:45,680
And Earl did one as well.
There's two of them.
1004
01:17:45,720 --> 01:17:50,280
Um, and then I found this one and I
just kind of couldn't believe it.
1005
01:17:53,950 --> 01:17:57,680
I sort of hid it for a while, I didn't
want to show Nick, I didn't know what to
1006
01:17:57,720 --> 01:17:59,620
do with it,
1007
01:17:59,650 --> 01:18:03,850
and, I was upset that it's framed in
black and why it's framed in black.
1008
01:18:03,880 --> 01:18:05,150
I don't know why?
1009
01:18:05,180 --> 01:18:08,050
Um, because it was framed
a long time ago,
1010
01:18:08,080 --> 01:18:09,868
and it kind of, freaked
me out as well.
1011
01:18:09,880 --> 01:18:11,950
'Cause I thought "Why
is it framed in black?"
1012
01:18:11,980 --> 01:18:13,080
You know, maybe that's...
1013
01:18:15,050 --> 01:18:19,820
you know, it's been really
superstitious, and, um, anyway yeah.
1014
01:18:19,850 --> 01:18:21,720
But, I'm... I don't really know
1015
01:18:23,580 --> 01:18:24,900
what else to say about it.
Really.
1016
01:18:32,580 --> 01:18:33,780
Yeah.
1017
01:18:37,720 --> 01:18:39,280
Put it over here? Yeah.
1018
01:18:58,950 --> 01:19:02,980
There is more paradise in
hell than what we've been told.
1019
01:19:03,020 --> 01:19:06,750
And every step we take,
we stop from blue.
1020
01:19:06,780 --> 01:19:08,780
Lie down and bleed
into the water hole.
1021
01:19:10,920 --> 01:19:13,980
And so, the night, it will
in time unfold.
1022
01:19:14,020 --> 01:19:17,220
Curled up inside my palm
and it's sleeping too.
1023
01:19:17,250 --> 01:19:21,220
There is more paradise in
hell than we've been told.
1024
01:19:21,250 --> 01:19:24,650
From your lashes tumble
stars of gold,
1025
01:19:24,680 --> 01:19:27,820
star lashes, little splashes
of dew.
1026
01:19:27,850 --> 01:19:30,520
Spill across the world
and through my soul.
1027
01:19:31,880 --> 01:19:35,120
Now call your tiny animals
to the drinking hole.
1028
01:19:35,150 --> 01:19:39,080
Little cat, little bear, little
fire horse, little kangaroo,
1029
01:19:39,120 --> 01:19:42,680
there is more paradise in hell
than we've been told.
1030
01:19:42,720 --> 01:19:46,650
Little cat, little fire horse
with a shivering foal.
1031
01:19:46,680 --> 01:19:49,780
Curled in my demon palm
and dreaming too.
1032
01:19:49,820 --> 01:19:53,250
And, all across the world
the night night unfolds.
1033
01:19:53,280 --> 01:19:56,620
And all across the night
and through my soul.
1034
01:19:56,650 --> 01:20:00,220
But, every step we take
we start from blue.
1035
01:20:00,250 --> 01:20:02,650
Fresh tears bleed into
the water hole.
1036
01:20:04,850 --> 01:20:07,280
There is more paradise
in hell than we've been told.
1037
01:20:17,350 --> 01:20:21,820
You need... The imagination
needs room to move.
1038
01:20:21,850 --> 01:20:24,220
It needs room to invent.
1039
01:20:24,250 --> 01:20:28,120
Um, and to dream, and when
1040
01:20:28,150 --> 01:20:32,580
a trauma happens, that's
that big...
1041
01:20:32,620 --> 01:20:36,650
It is no room, it's just
no imaginative room around it.
1042
01:20:36,680 --> 01:20:38,080
It's just the fucking trauma.
1043
01:20:39,980 --> 01:20:43,250
Um, and I think that was...
1044
01:20:43,280 --> 01:20:47,650
that was what the problem was when I
tried to do new songs in the studio.
1045
01:20:49,720 --> 01:20:51,850
It's almost like
the songs, uh...
1046
01:20:53,080 --> 01:20:56,220
that songs that you
had written, uh...
1047
01:20:58,780 --> 01:21:03,120
in a way... maybe there were
songs you might have needed.
1048
01:21:06,020 --> 01:21:08,780
I don't know.
I don't know about the songs.
1049
01:21:08,820 --> 01:21:11,220
Because the songs do seem
to have a...
1050
01:21:12,950 --> 01:21:14,950
The... Um...
1051
01:21:17,820 --> 01:21:20,150
There's a sense of helplessness
in the songs.
1052
01:21:20,180 --> 01:21:23,050
Yeah. Well, you know...
You know.
1053
01:21:25,620 --> 01:21:29,780
When we... you know, it's sort of talking
about this prophetic nature of all of them,
1054
01:21:29,820 --> 01:21:32,850
that sort of stuff, I mean we gotta
take that with a pinch of salt.
1055
01:21:32,880 --> 01:21:35,120
Yeah. You know, um...
1056
01:21:36,880 --> 01:21:40,180
And I don't really care
about their prophetic,
1057
01:21:40,220 --> 01:21:42,780
they're not important enough.
1058
01:21:42,820 --> 01:21:45,550
At this stage...
1059
01:21:45,580 --> 01:21:49,280
but, the way that they've been
presented, the way that...
1060
01:21:49,320 --> 01:21:51,120
the way that you hear them
on this record.
1061
01:21:55,180 --> 01:21:59,080
It's very much because of
the emotional state,
1062
01:21:59,120 --> 01:22:02,050
just... not just of myself but,
everybody actually.
1063
01:22:02,080 --> 01:22:03,820
In the studio when we
were doing that...
1064
01:22:05,050 --> 01:22:07,320
it's... it's, um,
1065
01:22:07,350 --> 01:22:12,850
the kind of state we were all in gave us, I
think a confidence just to allow this thing
1066
01:22:12,880 --> 01:22:17,120
to go out like it was. This
document to go out like it was.
1067
01:22:17,150 --> 01:22:22,220
Um, which we wouldn't have done if
events were different, you know.
1068
01:22:22,250 --> 01:22:26,280
Fix this up and we would have
redone this and, um...
1069
01:22:29,680 --> 01:22:34,680
There's something about the naked
nature of the songs that have
1070
01:22:34,720 --> 01:22:35,820
um...
1071
01:22:37,320 --> 01:22:38,720
Alpha.
1072
01:22:40,050 --> 01:22:42,820
Or, you know...
1073
01:22:44,120 --> 01:22:45,720
all through.
1074
01:22:47,220 --> 01:22:48,220
So we're here.
1075
01:23:43,180 --> 01:23:48,250
♪ When you're feeling ♪
♪ Like a lover ♪
1076
01:23:48,280 --> 01:23:53,820
♪ Nothing really Matters anymore ♪
1077
01:23:54,780 --> 01:23:58,050
♪ I saw you standing there ♪
1078
01:23:58,080 --> 01:24:02,180
♪ In the supermarket ♪
1079
01:24:02,220 --> 01:24:09,180
♪ With your red dress falling ♪
♪ And your eyes are to The ground ♪
1080
01:24:11,280 --> 01:24:15,750
♪ Nothing really matters ♪
1081
01:24:15,780 --> 01:24:22,550
♪ Nothing really matters ♪
♪ When the one you love is gone ♪
1082
01:24:23,920 --> 01:24:26,920
♪ You're still in me, baby ♪
1083
01:24:27,620 --> 01:24:31,150
♪ I need you ♪
1084
01:24:36,780 --> 01:24:42,220
♪ In my heart, I need you ♪
1085
01:24:48,320 --> 01:24:52,880
♪ Cause nothing Really matters ♪
1086
01:24:52,920 --> 01:24:57,050
♪ I'm standing in the doorway ♪
1087
01:24:57,080 --> 01:25:03,250
♪ You're walking around my ♪
♪ Place in your red dress ♪
1088
01:25:03,280 --> 01:25:07,820
♪ Hair hanging down ♪
1089
01:25:07,850 --> 01:25:13,920
♪ With your eyes on one, we ♪
♪ Love the ones we can ♪
1090
01:25:13,950 --> 01:25:19,020
♪ Cause nothing really matters ♪
♪ When you're standing ♪
1091
01:25:27,150 --> 01:25:32,750
♪ I need you, I need you ♪
1092
01:25:36,080 --> 01:25:41,050
♪ Cause nothing Really matters ♪
1093
01:25:41,080 --> 01:25:47,220
♪ We follow the line of ♪
♪ The palms of our hands ♪
1094
01:25:47,250 --> 01:25:51,950
♪ You're standing ♪
♪ In the supermarket ♪
1095
01:25:51,980 --> 01:25:55,150
♪ Nothing, holding hands ♪
1096
01:25:55,180 --> 01:26:00,720
♪ In your red dress, falling ♪
1097
01:26:00,750 --> 01:26:04,550
♪ Falling, Falling in ♪
1098
01:26:04,580 --> 01:26:09,950
♪ A long black car is ♪
♪ Waiting 'round ♪
1099
01:26:09,980 --> 01:26:15,250
♪ I will miss you ♪
♪ When you're gone ♪
1100
01:26:15,280 --> 01:26:22,120
♪ I'll miss you when you're ♪
♪ Gone away forever ♪
1101
01:26:22,150 --> 01:26:26,580
♪ Cause nothing Really matters ♪
1102
01:26:26,620 --> 01:26:32,080
♪ I thought I knew better ♪
♪ So much better ♪
1103
01:26:32,120 --> 01:26:36,180
♪ And I need you ♪
1104
01:26:42,320 --> 01:26:46,720
♪ I need you ♪
1105
01:26:51,680 --> 01:26:55,980
♪ Cause nothing Really matters ♪
1106
01:26:56,020 --> 01:27:00,720
♪ On the night we ♪
♪ Wrecked like a train ♪
1107
01:27:00,750 --> 01:27:05,020
♪ Purring cars And pouring rain ♪
1108
01:27:05,050 --> 01:27:10,980
♪ Never felt right about ♪
♪ Never again ♪
1109
01:27:11,020 --> 01:27:15,550
♪ Cause nothing Really matters ♪
1110
01:27:15,580 --> 01:27:20,820
♪ Nothing really Matters anymore ♪
1111
01:27:20,850 --> 01:27:23,020
♪ Not even today ♪
1112
01:27:23,050 --> 01:27:27,280
♪ No matter how hard I try ♪
1113
01:27:29,320 --> 01:27:34,750
♪ When you're standing in ♪
♪ The aisle ♪
1114
01:27:35,980 --> 01:27:39,650
♪ And no, baby ♪
1115
01:27:39,680 --> 01:27:45,250
♪ Nothing, nothing, nothing ♪
1116
01:27:46,620 --> 01:27:49,620
♪ Nothing ♪
1117
01:27:51,150 --> 01:27:57,720
♪ I need, I need, I need you ♪
1118
01:27:59,850 --> 01:28:04,980
♪ I need you ♪
1119
01:28:09,950 --> 01:28:13,150
♪ In my heart ♪
1120
01:28:13,180 --> 01:28:17,280
♪ I need you ♪
1121
01:28:20,220 --> 01:28:23,950
♪ Just breathe, just breathe ♪
1122
01:28:24,650 --> 01:28:31,580
♪ I need you. ♪
1123
01:28:51,020 --> 01:28:54,180
There are things that are
being torn apart,
1124
01:28:54,220 --> 01:28:58,280
and I'm desperately trying
to find
1125
01:28:58,320 --> 01:29:03,050
a way of making some
kind of, um...
1126
01:29:03,080 --> 01:29:07,180
narrative sense out of it, if we're
talking about song writing, or, at least
1127
01:29:07,220 --> 01:29:10,580
some sense out of it
where, um...
1128
01:29:10,620 --> 01:29:16,220
over the... I can do what it keeps saying
in the books. What people keep saying to me
1129
01:29:16,250 --> 01:29:21,650
that It's, uh... that I can
reduce this chaotic...
1130
01:29:21,680 --> 01:29:25,720
mess that's happened down
into something that...
1131
01:29:25,750 --> 01:29:26,780
that's more um...
1132
01:29:30,020 --> 01:29:34,220
You know, that I can reduce,
distill it down to like
1133
01:29:34,250 --> 01:29:39,120
a platitude that I can fit nicely
you know, a kind of greeting card
1134
01:29:39,150 --> 01:29:41,280
sized platitude,
1135
01:29:41,320 --> 01:29:45,250
that means something to me, like, "He lives
in my heart", or something like that.
1136
01:29:45,280 --> 01:29:47,850
People say it all
the time to me.
1137
01:29:47,880 --> 01:29:51,650
"He lives in my heart", and I go,
"Yeah, yeah, I know, I know".
1138
01:29:51,680 --> 01:29:53,950
But, he doesn't you know.
He doesn't?
1139
01:29:53,980 --> 01:29:58,180
I mean, he is in my heart but,
he doesn't live at all.
1140
01:29:58,220 --> 01:30:02,920
And, there is no... I wanna
be able to sit here and...
1141
01:30:05,120 --> 01:30:10,250
round this off in some kind of way.
But, to me it's just not.
1142
01:30:11,780 --> 01:30:13,550
You know, it's just not...
1143
01:30:19,050 --> 01:30:23,880
things... it's affected me in a
way that I don't understand.
1144
01:30:23,920 --> 01:30:28,950
So, then my reactions to things
aren't, um,
1145
01:30:28,980 --> 01:30:32,880
the same as they used to, and they used
to be able to predict what would...
1146
01:30:32,920 --> 01:30:35,750
I would feel at certain
times and now...
1147
01:30:35,780 --> 01:30:37,650
um...
1148
01:30:37,680 --> 01:30:40,920
I just have a handle on things
anymore.
1149
01:30:41,880 --> 01:30:45,650
Um... What's that like?
1150
01:30:45,680 --> 01:30:49,020
Well, it's frightening
because, uh...
1151
01:30:49,050 --> 01:30:51,510
like, I don't know what I'm
fucking doing now.
1152
01:30:51,950 --> 01:30:53,180
For example.
1153
01:30:53,220 --> 01:30:56,620
What am I sitting in a...
in a... camera...
1154
01:30:57,850 --> 01:31:01,250
being filmed, talking about
this sort of thing.
1155
01:31:01,280 --> 01:31:04,220
I wouldn't have dreamed
of doing that before.
1156
01:31:04,250 --> 01:31:07,130
Well, I'm not sure that I feel
entirely comfortable about it either.
1157
01:31:08,220 --> 01:31:09,550
I don't know either.
1158
01:31:20,650 --> 01:31:23,720
♪ Let us go now ♪
1159
01:31:28,980 --> 01:31:31,510
♪ My one true love ♪
1160
01:31:33,220 --> 01:31:35,680
♪ Call the gasman ♪
1161
01:31:36,280 --> 01:31:39,120
♪ Cut the power out ♪
1162
01:31:41,150 --> 01:31:45,020
♪ We can set out ♪
1163
01:31:45,050 --> 01:31:48,150
♪ We can set out ♪
♪ For the distant sky ♪
1164
01:31:51,080 --> 01:31:56,550
♪ Watch the sun Watch it rising ♪
1165
01:31:59,180 --> 01:32:01,580
♪ In your eyes ♪
1166
01:32:21,680 --> 01:32:25,820
♪ Let us go now ♪
1167
01:32:26,820 --> 01:32:33,280
♪ My darling companion ♪
1168
01:32:40,880 --> 01:32:43,120
♪ Set out ♪
1169
01:32:43,150 --> 01:32:50,120
♪ For the distant sky ♪
1170
01:33:00,880 --> 01:33:05,750
♪ See the sun See it rising ♪
1171
01:33:08,720 --> 01:33:13,220
♪ See it rising ♪
1172
01:33:13,250 --> 01:33:18,750
♪ Rising in your eyes ♪
1173
01:33:36,250 --> 01:33:39,580
♪ Let us go now ♪
1174
01:33:41,180 --> 01:33:46,650
♪ My only companion ♪
1175
01:33:55,620 --> 01:34:00,050
♪ Set out for ♪
1176
01:34:01,180 --> 01:34:06,720
♪ The distant skies ♪
1177
01:34:14,350 --> 01:34:19,310
♪ Soon the children ♪
1178
01:34:19,350 --> 01:34:22,980
♪ Will be rising ♪
1179
01:34:23,880 --> 01:34:29,750
♪ Will be rising ♪
1180
01:34:29,780 --> 01:34:36,750
♪ This is not for our eyes ♪
1181
01:34:51,980 --> 01:34:57,150
♪ They told us our gods ♪
♪ Would outlive us ♪
1182
01:34:59,150 --> 01:35:04,580
♪ They told us our dreams ♪
♪ Would outlive us ♪
1183
01:35:07,580 --> 01:35:13,150
♪ They told us our gods ♪
♪ Would outlive us ♪
1184
01:35:15,350 --> 01:35:19,780
♪ But they lied. ♪
1185
01:36:37,050 --> 01:36:40,980
I'm driving in a car
along the M25,
1186
01:36:41,020 --> 01:36:46,950
and I'm driving in a car along the M25, on
a tiny blue spec trapped in a moon beam.
1187
01:36:50,720 --> 01:36:55,650
I'm looking out the window, and up at
the countless and indifferent stars.
1188
01:36:57,210 --> 01:36:58,750
I am barely a child, really.
1189
01:37:00,780 --> 01:37:03,180
The blue spec spins in
a dark field,
1190
01:37:04,950 --> 01:37:09,210
that began 15 billion years ago.
1191
01:37:09,250 --> 01:37:14,150
I'm driving home from the studio
where I've been making a record.
1192
01:37:14,180 --> 01:37:18,550
I'm feeling what every person who
makes a record probably feels.
1193
01:37:18,580 --> 01:37:22,850
That I am making something of great
significance, and permanence.
1194
01:37:22,880 --> 01:37:25,716
Even though in reality I
know what I've committed
1195
01:37:25,728 --> 01:37:27,950
my self to is of no
real significance.
1196
01:37:29,110 --> 01:37:30,620
And, no real permanence.
1197
01:37:34,310 --> 01:37:38,850
But, I have something
that the universe has not
1198
01:37:38,880 --> 01:37:40,210
never has had.
1199
01:37:40,250 --> 01:37:41,920
And will never have.
1200
01:37:43,110 --> 01:37:44,180
Consciousness.
1201
01:37:47,680 --> 01:37:52,820
My consciousness exists only at
this given time, it has no past.
1202
01:37:52,850 --> 01:37:55,280
And no future.
1203
01:37:55,310 --> 01:38:00,650
But, it's present, is bigger in
magnitude than all the trillion stars
1204
01:38:00,680 --> 01:38:02,020
and planets, and galaxies.
1205
01:38:13,080 --> 01:38:14,080
There's no, um...
1206
01:38:16,210 --> 01:38:20,820
it... you know, I can put it in
different ways with...
1207
01:38:20,850 --> 01:38:25,550
and make it sound nice and stuff
like that, what happened, and...
1208
01:38:25,580 --> 01:38:30,680
you just kind of, tied up in language
and stuff like that, but, actually...
1209
01:38:30,720 --> 01:38:34,210
every time I try and articulate
it just... just...
1210
01:38:35,580 --> 01:38:39,110
does the whole...
does him a disservice.
1211
01:38:39,150 --> 01:38:40,620
That's what it feels like to me.
1212
01:38:45,280 --> 01:38:47,110
You know, 'cause it's...
1213
01:38:47,150 --> 01:38:49,050
it happened to us
but, to happened to him.
1214
01:39:03,680 --> 01:39:05,510
Um, and that's um...
1215
01:39:08,080 --> 01:39:12,620
like the day, or the night,
and around that time is, um...
1216
01:39:15,010 --> 01:39:16,720
is like this place...
1217
01:39:20,310 --> 01:39:22,210
you just don't wanna go,
1218
01:39:22,250 --> 01:39:23,820
you know. It's like...
1219
01:39:23,850 --> 01:39:26,650
all the rest around
is okay, I can
1220
01:39:26,680 --> 01:39:29,376
deal with that. I can deal with that.
It's okay.
1221
01:39:29,388 --> 01:39:31,820
In fact that's something
I wanted to say...
1222
01:39:32,680 --> 01:39:34,310
is that...
1223
01:39:34,350 --> 01:39:37,880
if everything is not okay, but,
it's also okay.
1224
01:39:37,920 --> 01:39:42,310
Right? Things go on,
and, you know, if
1225
01:39:42,350 --> 01:39:45,080
anyone's interested,
the records go on.
1226
01:39:45,110 --> 01:39:46,950
And, we're still going
what we do.
1227
01:39:47,820 --> 01:39:49,010
Um, and the work goes on.
1228
01:39:50,310 --> 01:39:51,950
Um...
1229
01:39:51,980 --> 01:39:54,150
And, in that respect things...
1230
01:39:55,720 --> 01:39:57,150
continue.
1231
01:40:02,110 --> 01:40:04,210
Can we hear the, uh...
1232
01:40:04,250 --> 01:40:07,010
song please?
Jake, where ever you are.
1233
01:40:09,820 --> 01:40:12,180
What ever, we just want
to see how it goes.
1234
01:40:12,950 --> 01:40:14,180
Okay.
1235
01:40:15,980 --> 01:40:17,880
Can you do one one way,
and one they other way?
1236
01:40:17,920 --> 01:40:19,180
Here we go guys, And...
1237
01:40:19,210 --> 01:40:21,110
We're rolling.
1238
01:40:34,310 --> 01:40:37,110
♪ Sunday morning ♪
1239
01:40:38,250 --> 01:40:40,580
♪ Skeleton tree ♪
1240
01:40:42,950 --> 01:40:46,110
♪ Oh, nothing is for free ♪
1241
01:40:50,180 --> 01:40:54,750
♪ In the window, a candle ♪
1242
01:40:58,250 --> 01:41:01,950
♪ Well, maybe you can see ♪
1243
01:41:06,110 --> 01:41:12,580
♪ Fallen leaves thrown ♪
♪ Against the sky ♪
1244
01:41:14,150 --> 01:41:17,680
♪ A jittery TV ♪
1245
01:41:21,080 --> 01:41:25,180
♪ Glowing white like fire ♪
1246
01:41:29,310 --> 01:41:33,050
♪ Nothing is for free ♪
1247
01:41:36,680 --> 01:41:39,850
♪ I called out ♪
1248
01:41:40,880 --> 01:41:43,650
♪ I called out ♪
1249
01:41:45,050 --> 01:41:48,580
♪ Right across the sea ♪
1250
01:41:52,580 --> 01:41:56,580
♪ But the echo comes Back empty ♪
1251
01:42:00,350 --> 01:42:03,720
♪ Nothing is for free ♪
1252
01:42:37,810 --> 01:42:40,580
♪ Sunday morning ♪
1253
01:42:41,750 --> 01:42:43,780
♪ Skeleton tree ♪
1254
01:42:46,680 --> 01:42:49,910
♪ Pressed against the sky ♪
1255
01:42:54,350 --> 01:42:57,150
♪ The jittery TV ♪
1256
01:43:00,850 --> 01:43:05,910
♪ Glowing white like fire ♪
1257
01:43:09,010 --> 01:43:12,880
♪ And I called out ♪
1258
01:43:12,910 --> 01:43:15,250
♪ I called out ♪
1259
01:43:17,880 --> 01:43:20,880
♪ Right across the sea ♪
1260
01:43:24,950 --> 01:43:27,910
♪ And I called out ♪
1261
01:43:27,950 --> 01:43:30,620
♪ I called out ♪
1262
01:43:32,780 --> 01:43:36,010
♪ Nothing is for free ♪
1263
01:43:36,880 --> 01:43:39,580
♪ And it's ♪
1264
01:43:40,810 --> 01:43:44,110
♪ Alright ♪
1265
01:43:46,080 --> 01:43:47,810
♪ Now ♪
1266
01:43:51,780 --> 01:43:53,850
♪ And it's ♪
1267
01:43:55,680 --> 01:43:58,620
♪ Alright ♪
1268
01:44:01,010 --> 01:44:02,580
♪ Now ♪
1269
01:44:06,910 --> 01:44:08,980
♪ And it's ♪
1270
01:44:10,880 --> 01:44:13,780
♪ Alright ♪
1271
01:44:16,350 --> 01:44:17,880
♪ Now. ♪
1272
01:44:29,150 --> 01:44:32,550
Anyway, that's what
I mean, you know...
1273
01:44:32,580 --> 01:44:36,620
All of this stuff that I'm saying
now it just... it feels like,
1274
01:44:36,650 --> 01:44:38,950
it's just a lot of
bullshit to me.
1275
01:44:38,980 --> 01:44:42,010
You know, it may mean something
but, in the end,
1276
01:44:43,280 --> 01:44:46,150
in the end there's something
that happened,
1277
01:44:48,010 --> 01:44:53,880
um, and there's a kind of, like
a ring around that event...
1278
01:44:55,250 --> 01:44:57,010
um, it's fenced off.
1279
01:45:01,250 --> 01:45:05,620
And, everything else is okay around it
but, there's just something that happened
1280
01:45:05,650 --> 01:45:09,880
in that short space of time that we
can never get that far away from.
1281
01:45:10,980 --> 01:45:12,080
That we're, uh...
1282
01:45:12,950 --> 01:45:14,850
You probably don't want to.
1283
01:45:14,880 --> 01:45:17,910
Well, it's I think, you know, when I
looked at the film back there was
1284
01:45:17,950 --> 01:45:20,650
something I was rattling all
about time being elastic.
1285
01:45:20,680 --> 01:45:22,110
Yeah. And that is
1286
01:45:22,150 --> 01:45:26,910
I think, that's what I meant
that we're attached to this
1287
01:45:26,950 --> 01:45:31,950
event. And that we move away like
that and we're line on a rubber band.
1288
01:45:31,980 --> 01:45:35,810
And life can go on, and on,
and on, but eventually,
1289
01:45:35,850 --> 01:45:38,910
it just keeps coming back to that thing.
And that's, uh...
1290
01:45:41,910 --> 01:45:44,780
that's some kind of
trauma, I guess.
1291
01:45:51,080 --> 01:45:54,910
It's strange reading those
scripts back, those,
1292
01:45:56,150 --> 01:45:57,950
lyrics...
1293
01:45:57,980 --> 01:45:59,180
from my song book back.
1294
01:46:02,350 --> 01:46:05,980
And, you know, they're okay.
1295
01:46:07,610 --> 01:46:09,280
They're actually kind
of beautiful really.
1296
01:46:11,750 --> 01:46:14,310
But, at the time they never
revealed themselves as such.
1297
01:46:14,350 --> 01:46:16,050
And they just thought
that I was writing
1298
01:46:16,750 --> 01:46:17,980
a lot of rubbish.
1299
01:46:21,950 --> 01:46:23,270
That was one of
the things I lost.
1300
01:46:25,680 --> 01:46:28,080
That was one of the things
that I lost hard.
1301
01:46:30,810 --> 01:46:32,950
A sense of belief in myself.
1302
01:46:35,250 --> 01:46:36,880
Like I had fucked up bad.
1303
01:46:38,910 --> 01:46:42,980
The me and Suzie had looked
away for a terrible moment.
1304
01:46:43,010 --> 01:46:45,580
And this reflected savagely
on everything else.
1305
01:46:48,150 --> 01:46:51,050
My belief in the good in things
in the world.
1306
01:46:52,580 --> 01:46:54,950
In ourselves, evaporated.
1307
01:47:00,950 --> 01:47:03,680
But, you know, after a while,
after a time,
1308
01:47:05,110 --> 01:47:07,180
Suzie and I decided to be happy.
1309
01:47:08,880 --> 01:47:12,980
This happiness seemed to
be an act of revenge.
1310
01:47:15,750 --> 01:47:17,210
An act of defiance.
1311
01:47:21,750 --> 01:47:24,550
To care about each other,
and everyone else.
1312
01:47:25,810 --> 01:47:27,150
And to be careful.
1313
01:47:28,210 --> 01:47:29,680
To be careful with each other.
1314
01:47:31,180 --> 01:47:32,710
And the ones around us.
1315
01:47:43,880 --> 01:47:47,950
♪ I'm walking through Deep water ♪
1316
01:47:49,110 --> 01:47:52,650
♪ It's all but I can do ♪
1317
01:47:56,150 --> 01:47:59,780
♪ I'm walking through Deep water ♪
1318
01:48:01,710 --> 01:48:05,810
♪ Trying to get to you ♪
1319
01:48:08,650 --> 01:48:13,550
♪ Your face is hidden from me ♪
♪ But your love is not ♪
1320
01:48:13,580 --> 01:48:18,280
♪ I will not reach for other ♪
♪ Things till I know what I have got ♪
1321
01:48:18,310 --> 01:48:24,280
♪ I'm walking through Deep ♪
♪ water Trying to get to you ♪
1322
01:48:28,210 --> 01:48:31,110
♪ I'm walking through Deep water ♪
1323
01:48:33,580 --> 01:48:38,210
♪ I have no time to lose ♪
1324
01:48:40,910 --> 01:48:45,580
♪ I'm walking through Deep water ♪
1325
01:48:45,610 --> 01:48:49,880
♪ There's nothing Left to choose ♪
1326
01:48:52,910 --> 01:48:57,710
♪ This little heart of mine ♪
♪ Got loaded up with chains ♪
1327
01:48:57,750 --> 01:49:02,950
♪ The world just swirls Around ♪
♪ me The water makes its claim ♪
1328
01:49:02,980 --> 01:49:07,980
♪ I'm walking through Deep ♪
♪ water Trying to get to you ♪
1329
01:49:12,910 --> 01:49:15,980
♪ Who will calm my fears? ♪
1330
01:49:17,680 --> 01:49:22,780
♪ Who will drive my tears away ♪
1331
01:49:22,810 --> 01:49:26,280
♪ Who will calm my fears? ♪
1332
01:49:27,780 --> 01:49:31,750
♪ Who will drive my Tears away ♪
1333
01:49:41,150 --> 01:49:45,150
♪ I'm walking through Deep water ♪
1334
01:49:46,350 --> 01:49:50,150
♪ Nearer to the sea ♪
1335
01:49:53,250 --> 01:49:58,080
♪ I'm asking the deep water ♪
1336
01:49:58,110 --> 01:50:01,950
♪ Don't take my love from me ♪
1337
01:50:05,350 --> 01:50:09,950
♪ I'll dance with little ladies ♪
♪ With a hundred just like me ♪
1338
01:50:09,980 --> 01:50:14,810
♪ They hold their breath And ♪
♪ hesitate And dance beneath the sea ♪
1339
01:50:14,850 --> 01:50:20,280
♪ I'm walking through Deep ♪
♪ water Trying to get to you ♪
1340
01:50:36,980 --> 01:50:40,510
One, two, three, four...
1341
01:50:41,750 --> 01:50:43,810
♪ Come one ♪
1342
01:50:45,780 --> 01:50:48,980
♪ Morning comes ♪
1343
01:50:52,010 --> 01:50:56,080
♪ A jittery TV ♪
1344
01:50:59,810 --> 01:51:02,550
♪ I call out the window ♪
1345
01:51:02,580 --> 01:51:05,110
♪ When the morning comes ♪
1346
01:51:06,880 --> 01:51:09,650
♪ Nothing is for free ♪
1347
01:51:12,010 --> 01:51:18,550
♪ Nothing is for free ♪
1348
01:51:27,580 --> 01:51:30,710
♪ Fire ♪
1349
01:51:31,980 --> 01:51:34,910
♪ Nothing ♪
1350
01:51:36,050 --> 01:51:39,780
♪ Can narrow the bed ♪
1351
01:51:39,810 --> 01:51:45,950
♪ Glowing white like fire ♪
1352
01:51:45,980 --> 01:51:52,080
♪ And I called out the window ♪
1353
01:51:54,350 --> 01:51:58,850
♪ Down in the sea ♪
1354
01:52:02,080 --> 01:52:06,180
♪ But the echo ♪
♪ Comes back in, dear ♪
1355
01:52:06,210 --> 01:52:10,010
♪ 'Cause nothing is for free ♪
1356
01:52:10,050 --> 01:52:13,580
♪ And I called out the window ♪
1357
01:52:13,610 --> 01:52:18,280
♪ Skeleton tree ♪
109175
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof