All language subtitles for Country at Heart [2020]
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (SoranĂ®)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:13,770 --> 00:00:15,050
He's wonderful, isn't he?
2
00:00:15,670 --> 00:00:18,410
I think I have every album Duke Sterling
ever made.
3
00:00:18,670 --> 00:00:20,030
He's pretty great, all right.
4
00:00:20,870 --> 00:00:22,910
I guess we're both here for the same
audition, huh?
5
00:00:24,430 --> 00:00:26,170
Looks like we're the last two of the
day.
6
00:00:26,590 --> 00:00:27,950
Better last than not at all, right?
7
00:00:28,310 --> 00:00:29,390
Have we met before?
8
00:00:30,050 --> 00:00:33,070
I'm Shana Judson. Yeah, that's me. Come
with me, please.
9
00:00:33,490 --> 00:00:34,490
We've seen a few.
10
00:00:34,750 --> 00:00:36,390
Good luck in there. Oh, thank you.
11
00:00:40,250 --> 00:00:44,330
Dana Judson, this is Carl. Carl
Campbell, you are Duke Sterling's
12
00:00:44,330 --> 00:00:45,370
in the business, ask anybody.
13
00:00:45,690 --> 00:00:46,690
Thanks for coming in.
14
00:00:46,950 --> 00:00:48,410
You can set yourself up over there.
15
00:00:48,670 --> 00:00:49,670
Okay, great.
16
00:00:50,230 --> 00:00:56,090
I have my demo for him if he wants it.
17
00:00:58,050 --> 00:00:59,050
Well, see.
18
00:01:00,870 --> 00:01:04,610
So, okay, you know what we're here for.
You are looking for backup singers for
19
00:01:04,610 --> 00:01:05,610
Duke Sterling.
20
00:01:05,630 --> 00:01:08,590
Duke is recording a new album next
month. After that, there will be a
21
00:01:08,590 --> 00:01:10,810
promotional tour, which means a stretch
along the road.
22
00:01:11,170 --> 00:01:13,690
Oh, well, it just so happens my next
month's pretty free.
23
00:01:14,830 --> 00:01:15,830
We're seeing a number of singers.
24
00:01:16,570 --> 00:01:17,570
We only need a couple.
25
00:01:18,190 --> 00:01:19,190
So what do you have for us?
26
00:01:19,350 --> 00:01:21,310
Oh, one from the man himself.
27
00:01:56,040 --> 00:01:56,818
That's great.
28
00:01:56,820 --> 00:01:58,360
That's it. I've got more prepared.
29
00:01:58,640 --> 00:01:59,640
I think we're good.
30
00:01:59,720 --> 00:02:00,720
Thanks.
31
00:02:02,780 --> 00:02:04,760
Did you hear back?
32
00:02:05,120 --> 00:02:06,120
Will they do it?
33
00:02:10,740 --> 00:02:12,340
They're ready for you. How did it go?
34
00:02:13,220 --> 00:02:14,580
Hope you have better luck than I did.
35
00:02:25,420 --> 00:02:26,420
Coming home.
36
00:02:26,700 --> 00:02:27,700
Everything all right?
37
00:02:27,940 --> 00:02:30,340
Yeah, everything's fine, Dad. I just, I
miss you is all.
38
00:02:30,600 --> 00:02:31,640
Well, I miss you too.
39
00:02:32,800 --> 00:02:33,800
Timing's good.
40
00:02:34,260 --> 00:02:37,880
Fall Music Festival starts next week.
We're expecting record crowds.
41
00:02:38,160 --> 00:02:39,900
You love showing off that rant.
42
00:02:41,180 --> 00:02:44,660
White star is my pride and joy. You know
that. Next to you, of course.
43
00:02:45,620 --> 00:02:46,860
Are you sure nothing's wrong?
44
00:02:47,360 --> 00:02:50,020
Yes, Dad. Nothing a big dose of home
couldn't cure.
45
00:02:50,240 --> 00:02:53,760
We can talk when I get home. Just don't
worry about me, okay?
46
00:02:54,410 --> 00:02:55,209
I love you.
47
00:02:55,210 --> 00:02:56,210
Love you, too.
48
00:02:56,290 --> 00:02:57,290
Drive safe.
49
00:02:57,450 --> 00:02:58,450
Okay. Bye.
50
00:03:08,790 --> 00:03:12,530
He's late. He's Duke Sterling. He can be
late if he wants to. Oh, look.
51
00:03:12,910 --> 00:03:14,010
It's our first album.
52
00:03:14,810 --> 00:03:15,810
Oh, I'm sorry.
53
00:03:16,190 --> 00:03:17,190
It's his first album.
54
00:03:19,690 --> 00:03:21,390
Ron, you do artist relations.
55
00:03:22,130 --> 00:03:25,990
Right? So can you relate to the idea
that I don't really want to do this? I'm
56
00:03:25,990 --> 00:03:29,150
still one of your top songwriters,
aren't I? Yes, but most of your stuff
57
00:03:29,150 --> 00:03:30,530
as album tracks these days.
58
00:03:30,750 --> 00:03:35,170
No breakouts. You need a hit. And you
think Duke is the answer? I think having
59
00:03:35,170 --> 00:03:39,250
him record one of your songs is good for
both of you. You guys wrote a ton of
60
00:03:39,250 --> 00:03:41,130
chart -toppers back in the day. Remember
that.
61
00:03:42,190 --> 00:03:43,570
Duke! Come in.
62
00:03:44,350 --> 00:03:45,350
You know Grady?
63
00:03:45,990 --> 00:03:47,250
Well, this is a surprise.
64
00:03:47,690 --> 00:03:48,750
How you doing, Grady?
65
00:03:48,990 --> 00:03:49,990
Duke and Wild.
66
00:03:50,090 --> 00:03:51,090
Carl.
67
00:04:05,450 --> 00:04:06,388
We'll let you get away.
68
00:04:06,390 --> 00:04:07,890
I don't even think they know I'm gone.
69
00:04:08,310 --> 00:04:10,970
I saw your dad yesterday. He didn't say
a word.
70
00:04:11,230 --> 00:04:14,850
Oh, he didn't know. I called him on my
way in. And I thought, as long as I was
71
00:04:14,850 --> 00:04:18,649
passing through town, why not take a
quick stop and say hello to my best
72
00:04:19,269 --> 00:04:20,269
So what's up?
73
00:04:20,750 --> 00:04:23,810
And don't say nothing, because I can
read you like a book and you know it.
74
00:04:25,310 --> 00:04:27,490
I had an audition that didn't go so
well.
75
00:04:27,730 --> 00:04:31,030
The thing I know doesn't let one bad
audition get her down. Not one audition.
76
00:04:31,870 --> 00:04:34,850
a string of them. I mean, Jenny, you
know more than anybody that I have been
77
00:04:34,850 --> 00:04:39,430
knocking on all the doors. Oh, yes. I
sing at the bars, the cafes, birthdays.
78
00:04:39,430 --> 00:04:42,290
sang a dog's wedding last month.
79
00:04:43,230 --> 00:04:45,530
And then there was this chance to back
up Duke Sterling.
80
00:04:45,770 --> 00:04:46,770
Duke Sterling?
81
00:04:46,890 --> 00:04:51,290
Is that why you're here? You know that
he's headlining the Silverado Festival,
82
00:04:51,290 --> 00:04:52,290
right?
83
00:04:52,310 --> 00:04:53,350
I didn't get it.
84
00:04:53,730 --> 00:04:55,410
Okay, so you're not singing there. I
sing here.
85
00:04:56,270 --> 00:04:58,170
Actually, how about...
86
00:04:58,990 --> 00:05:02,450
Tonight. I don't know, Jenny. I mean, I
feel like I need to take a break from
87
00:05:02,450 --> 00:05:08,230
music for a while. I need you. This
place needs you. Come on. What do you
88
00:05:11,470 --> 00:05:12,470
That's a yes?
89
00:05:13,830 --> 00:05:17,850
Please. Okay, fine. But one night,
Jenny. Okay, great. Yes. I'm going to
90
00:05:17,850 --> 00:05:20,570
the word. Oh, boy. It is so good to have
you home, girl.
91
00:05:21,330 --> 00:05:22,530
I'm excited to be here.
92
00:05:23,830 --> 00:05:25,230
I'll see you tonight. Okay. Yes.
93
00:05:25,690 --> 00:05:26,690
Thank you.
94
00:05:30,510 --> 00:05:33,550
You want him to write a song for me? For
you? With you?
95
00:05:33,890 --> 00:05:36,090
Whatever. Hey, it wasn't my idea.
96
00:05:37,770 --> 00:05:42,610
Look, guys, you're headlining the
Silverado Fall Music Festival next week,
97
00:05:42,790 --> 00:05:44,690
right? The publicity alone.
98
00:05:45,230 --> 00:05:47,990
Introduce it there. Build anticipation
for the album.
99
00:05:48,570 --> 00:05:52,750
Grady can go on ahead, check out the
talent, find some inspiration.
100
00:05:53,110 --> 00:05:57,710
You guys can get together after and
figure it out. You need this as much as
101
00:05:57,710 --> 00:05:59,450
does. Come on, guys, what do you say?
102
00:06:03,310 --> 00:06:04,310
Just like old times.
103
00:06:05,270 --> 00:06:06,330
Won't that be fun?
104
00:06:15,010 --> 00:06:16,010
Hey, Dad.
105
00:06:16,250 --> 00:06:17,350
You made good time.
106
00:06:19,150 --> 00:06:20,690
Oh. Come here.
107
00:06:21,390 --> 00:06:24,030
Oh, let me take a look at you for a
second.
108
00:06:24,290 --> 00:06:27,390
Now, when's the last time you had a
decent meal, young lady? With all these
109
00:06:27,390 --> 00:06:30,290
waitressing jobs lately, I have been
eating just fine.
110
00:06:33,409 --> 00:06:34,409
Welcome home.
111
00:06:34,590 --> 00:06:35,590
Thank you.
112
00:06:35,890 --> 00:06:37,270
So, how do you like the new sign?
113
00:06:38,190 --> 00:06:39,730
Silverado Fall Music Festival.
114
00:06:40,130 --> 00:06:41,190
Isn't that what it always says?
115
00:06:41,410 --> 00:06:43,810
Yes, but it's a new font, and it really
makes it pop.
116
00:06:44,210 --> 00:06:46,050
Oh. That's your dad's idea.
117
00:06:46,290 --> 00:06:48,610
How did I miss it? It is so much better.
118
00:06:49,310 --> 00:06:52,250
Okay, come on. Give me a ride back up to
the house, okay?
119
00:06:53,850 --> 00:06:54,850
What's all this?
120
00:06:55,650 --> 00:06:56,990
It's just some stuff I brought back.
121
00:06:57,250 --> 00:06:58,830
It looks like more than just something.
122
00:07:00,979 --> 00:07:04,740
Okay. You drive up to the house. Mm
-hmm. We'll talk about it up there.
123
00:07:24,480 --> 00:07:27,160
Ah, here for the music festival, I take
it.
124
00:07:27,580 --> 00:07:31,100
More musicians here for Square Foot than
anywhere in the country this week. Oh,
125
00:07:31,100 --> 00:07:32,640
you don't say. I do say.
126
00:07:32,860 --> 00:07:33,980
There's some big -name talent.
127
00:07:34,280 --> 00:07:35,620
Well, Duke Sterling.
128
00:07:35,940 --> 00:07:36,940
You somebody?
129
00:07:38,660 --> 00:07:39,840
Duke Sterling?
130
00:07:40,260 --> 00:07:42,720
The country music star?
131
00:07:43,600 --> 00:07:44,820
Not really into music.
132
00:07:46,360 --> 00:07:47,980
That's where I keep my shirts.
133
00:07:49,500 --> 00:07:50,500
Thank you.
134
00:08:12,680 --> 00:08:13,680
She looks good.
135
00:08:14,180 --> 00:08:15,880
Everything around here looks good.
136
00:08:16,160 --> 00:08:18,100
Well, ranch is fine. It's you I worry
about.
137
00:08:18,380 --> 00:08:19,319
I'm bad.
138
00:08:19,320 --> 00:08:22,660
I just need some space to breathe, to
get things out.
139
00:08:23,320 --> 00:08:25,260
Nobody said the music industry would be
easy.
140
00:08:25,560 --> 00:08:27,360
Yeah, nobody said it would break my
heart either.
141
00:08:28,480 --> 00:08:33,179
I've written some great songs. I've sung
for anybody who'd listen. No such thing
142
00:08:33,179 --> 00:08:37,460
as an overnight success. My entire life
isn't exactly overnight, Dad.
143
00:08:42,000 --> 00:08:43,320
So you're going to put me to work?
144
00:08:44,300 --> 00:08:46,580
You're not paying me to just sit around
and feel sorry for myself?
145
00:08:46,960 --> 00:08:48,320
I'm not paying you anything at all.
146
00:08:48,540 --> 00:08:49,540
Free room and board?
147
00:08:49,620 --> 00:08:50,880
Who said anything about free?
148
00:08:51,640 --> 00:08:53,660
Start by taking the truck back into
town.
149
00:08:53,900 --> 00:08:57,560
Okay. I got this list of things we need
around here. All the boys have their
150
00:08:57,560 --> 00:09:00,340
hands full. Everything's ready and
waiting. Just needs to be picked up.
151
00:09:00,900 --> 00:09:02,760
Useful at last. Feels so good.
152
00:09:03,000 --> 00:09:05,180
Wait till the crew comes tomorrow to
start setting up the festival.
153
00:09:05,400 --> 00:09:08,020
Going to be more to do. Mm -hmm. Well, I
will be here.
154
00:09:08,220 --> 00:09:09,220
Okay.
155
00:09:10,949 --> 00:09:12,730
Well, thanks for all your help, Tyler.
156
00:09:12,950 --> 00:09:15,250
Can you make sure that all of this is on
the ranch count?
157
00:09:15,550 --> 00:09:16,550
Will do.
158
00:09:39,580 --> 00:09:40,580
Try A minor.
159
00:09:41,160 --> 00:09:44,560
Excuse me? The chords you're looking
for. So you go from the G to the D, then
160
00:09:44,560 --> 00:09:46,120
try the A minor, then back to the C.
161
00:09:46,860 --> 00:09:47,759
Might work.
162
00:09:47,760 --> 00:09:49,660
And who are you again?
163
00:09:49,960 --> 00:09:51,840
Somebody who knows a little bit about
chord progression.
164
00:09:52,460 --> 00:09:53,480
It sounded kind of stuck.
165
00:09:53,920 --> 00:09:55,000
Is that how it sounded?
166
00:09:55,200 --> 00:09:56,620
Mm -hmm. Because I wasn't.
167
00:09:56,840 --> 00:09:58,220
Oh, do you say so?
168
00:09:59,860 --> 00:10:00,860
Sounded stuck.
169
00:10:01,650 --> 00:10:05,130
I wasn't stuck. I was just exploring
where to go next.
170
00:10:05,390 --> 00:10:08,250
Oh, well, maybe try exploring A minor.
171
00:10:08,570 --> 00:10:09,570
That won't work.
172
00:10:09,630 --> 00:10:11,130
Oh, it won't work if you don't try it.
173
00:10:12,230 --> 00:10:15,510
Did it ever occur to you that I might
actually know what I'm doing?
174
00:10:16,550 --> 00:10:17,550
No.
175
00:10:18,210 --> 00:10:19,210
Not once.
176
00:10:20,310 --> 00:10:21,310
Good luck.
177
00:10:21,750 --> 00:10:22,750
Thank you.
178
00:10:45,580 --> 00:10:48,100
Just look more and more like your mother
every day.
179
00:10:49,560 --> 00:10:52,120
She used to love to sing almost as much
as you, too.
180
00:10:53,280 --> 00:10:54,980
She loved music more than anything.
181
00:10:55,500 --> 00:10:56,760
There were a couple other things.
182
00:10:57,000 --> 00:10:58,000
You, for instance.
183
00:11:02,260 --> 00:11:04,140
Somebody's never made a go of it in
Nashville.
184
00:11:04,580 --> 00:11:05,820
There might be one reason.
185
00:11:07,400 --> 00:11:13,000
You know, people spend their lives
looking for something, and I think she
186
00:11:13,000 --> 00:11:14,600
found what she was looking for right
here.
187
00:11:16,270 --> 00:11:18,250
Are you coming to Jenny's place tonight?
Hear me sing?
188
00:11:18,890 --> 00:11:22,750
I'm going to do my best, but I have to
meet with the festival board, and you
189
00:11:22,750 --> 00:11:23,750
know how that can go.
190
00:11:24,290 --> 00:11:27,430
But you go show them what Nashville's
missing.
191
00:11:27,710 --> 00:11:29,670
Not a
192
00:11:29,670 --> 00:11:36,270
word
193
00:11:36,270 --> 00:11:39,070
from Duke yet. If we're going to write
this together...
194
00:11:39,740 --> 00:11:43,280
People need that song no matter who
writes it. A hit song doesn't happen
195
00:11:43,280 --> 00:11:46,020
overnight. Especially if one of the
writers won't answer his emails.
196
00:11:46,300 --> 00:11:50,240
Between us, Duke's getting a little too
big for his hat lately. So do this for
197
00:11:50,240 --> 00:11:51,520
you, if not for him.
198
00:11:51,720 --> 00:11:54,700
You got the short end of the stick early
on. This is your opportunity to show
199
00:11:54,700 --> 00:11:55,639
them what you've got.
200
00:11:55,640 --> 00:11:57,400
And all I need is a number one song.
201
00:11:57,700 --> 00:11:58,880
Is that asking too much?
202
00:11:59,600 --> 00:12:00,700
Yeah, how hard could it be?
203
00:12:10,250 --> 00:12:11,229
Welcome, my friend.
204
00:12:11,230 --> 00:12:12,230
What can I get you?
205
00:12:12,350 --> 00:12:14,870
A little inspiration, maybe.
206
00:12:15,250 --> 00:12:17,950
That was last week's special. Yeah, just
my luck.
207
00:12:18,650 --> 00:12:19,650
Well, then, beer.
208
00:12:19,810 --> 00:12:20,870
What have you got on tap?
209
00:12:21,110 --> 00:12:22,110
You got it.
210
00:12:23,170 --> 00:12:23,869
I'm good.
211
00:12:23,870 --> 00:12:24,870
Okay.
212
00:12:39,310 --> 00:12:41,910
I know it's a cliche, but this really is
a small town.
213
00:12:42,270 --> 00:12:43,410
Look who it is.
214
00:12:44,010 --> 00:12:47,130
You ever find that lost chord? Turns out
you found it, Wanda.
215
00:12:47,470 --> 00:12:48,510
I'm glad it worked out.
216
00:12:48,850 --> 00:12:50,350
Well, the chord worked, the song didn't.
217
00:12:50,950 --> 00:12:52,370
You here for the entertainment tonight?
218
00:12:53,250 --> 00:12:54,250
Yeah, in a way.
219
00:12:54,850 --> 00:12:55,950
Anything worth listening to?
220
00:12:56,210 --> 00:12:59,870
Oh, well, I mean, everybody said it was
great, but you never really tell.
221
00:13:00,410 --> 00:13:02,170
It's right in Nashville out here. Oh.
222
00:13:02,370 --> 00:13:03,370
Mm -hmm.
223
00:13:15,400 --> 00:13:19,220
We have a special guest, one of my
oldest and dearest, direct from
224
00:13:19,240 --> 00:13:22,540
Please give a warm welcome, Shana
Justin.
225
00:13:29,700 --> 00:13:31,380
Hello, Colorado.
226
00:13:32,940 --> 00:13:35,200
It is so good to be back.
227
00:13:35,480 --> 00:13:38,840
I see so many familiar faces out there,
228
00:13:39,640 --> 00:13:40,700
a stranger or two as well.
229
00:13:49,000 --> 00:13:50,020
Hope you guys enjoy it.
230
00:14:16,750 --> 00:14:20,890
And as far as I can tell, it's the only
thing I'll ever hold.
231
00:14:21,310 --> 00:14:25,610
I guess that road less traveled on is
the one I chose to take.
232
00:14:25,910 --> 00:14:28,850
But sometimes it seems I'm trying to see
how.
233
00:14:50,030 --> 00:14:53,870
Gonna be a big deal in a small town.
234
00:14:54,470 --> 00:14:59,150
Be a big deal in a small town. She's
great.
235
00:15:04,630 --> 00:15:05,630
Hey,
236
00:15:10,370 --> 00:15:15,010
listen up, everybody.
237
00:15:15,270 --> 00:15:18,830
The festival starts on Wednesday and
runs through to Duke Sterling.
238
00:15:20,400 --> 00:15:24,120
have a few days to pull everything
together now earl here has all your
239
00:15:24,120 --> 00:15:29,080
assignments if you have any questions
just check with me so thank you so much
240
00:15:29,080 --> 00:15:35,660
let's get to work hey do you want to
help me stand up my tent to somehow
241
00:15:35,660 --> 00:15:40,500
wrangle myself a prime spot oh it
doesn't hurt that adelaide is your aunt
242
00:15:40,500 --> 00:15:43,360
yeah i'll help you here's this car
243
00:15:56,940 --> 00:15:58,320
looking for another songwriting lesson?
244
00:15:59,820 --> 00:16:01,260
Looking for you, actually.
245
00:16:01,520 --> 00:16:05,100
So many fans last night. You didn't get
the chance to tell me I really liked
246
00:16:05,100 --> 00:16:05,939
your voice.
247
00:16:05,940 --> 00:16:06,940
Thank you.
248
00:16:07,740 --> 00:16:09,480
How did you find me?
249
00:16:10,580 --> 00:16:11,580
Pays to advertise.
250
00:16:11,900 --> 00:16:13,560
Oh, right.
251
00:16:14,200 --> 00:16:15,920
This is where the music festival
happened.
252
00:16:16,160 --> 00:16:17,180
Yeah, my family's ranch.
253
00:16:17,460 --> 00:16:18,460
It's quite the spread.
254
00:16:18,700 --> 00:16:20,040
What keeps you busy out here?
255
00:16:20,420 --> 00:16:21,379
Oh, we board horses.
256
00:16:21,380 --> 00:16:24,780
Riding, training, lessons, if you're
looking to brush up on your cowboy
257
00:16:24,780 --> 00:16:25,780
credentials.
258
00:16:26,330 --> 00:16:27,790
Of course, the annual fair.
259
00:16:29,070 --> 00:16:35,930
But, um, seriously, you came all this
way because... Listen, my name's
260
00:16:35,930 --> 00:16:36,809
Grady Connor.
261
00:16:36,810 --> 00:16:39,790
I think you're really talented, and I'd
like to hear more of your music.
262
00:16:42,150 --> 00:16:44,710
Do you know how many times I've heard
that line?
263
00:16:45,110 --> 00:16:46,110
I'm serious.
264
00:16:47,630 --> 00:16:51,450
Okay, uh, card's a bit worn. It's been
in there a while.
265
00:16:51,890 --> 00:16:53,930
Sorry. Smoky Mountain Records.
266
00:16:55,530 --> 00:16:56,750
That's Duke Sterling's label.
267
00:16:57,170 --> 00:16:58,510
And a lot of other talent.
268
00:16:58,850 --> 00:17:01,090
Look, you have a fresh ear for melody.
269
00:17:01,450 --> 00:17:02,790
Lyrics could use another path.
270
00:17:03,150 --> 00:17:04,550
But I think you have something special.
271
00:17:04,890 --> 00:17:07,490
Maybe we could try to write a song
together.
272
00:17:08,609 --> 00:17:10,010
I don't think so.
273
00:17:10,270 --> 00:17:11,569
Come on. Give it some thought.
274
00:17:11,869 --> 00:17:13,750
Check me out. My number's on the card.
275
00:17:14,170 --> 00:17:15,170
You're real good.
276
00:17:15,369 --> 00:17:16,910
Well, except for my lyrics, apparently.
277
00:17:18,150 --> 00:17:21,010
I think I can help. Just think it over.
278
00:17:21,430 --> 00:17:22,569
You know where to reach me.
279
00:17:25,579 --> 00:17:26,599
You sure this isn't a line?
280
00:17:28,720 --> 00:17:29,720
Not a line.
281
00:17:31,400 --> 00:17:34,780
What do you mean a line?
282
00:17:35,940 --> 00:17:36,960
He's kind of cute.
283
00:17:37,420 --> 00:17:38,420
What do you want?
284
00:17:38,480 --> 00:17:39,900
You have to write a song with me.
285
00:17:41,380 --> 00:17:44,020
That's totally a line. Totally. Come on.
286
00:18:06,480 --> 00:18:07,480
Crowds used to be bigger.
287
00:18:07,920 --> 00:18:11,960
Well, the festival hasn't started yet,
too. And you're the main attraction, so
288
00:18:11,960 --> 00:18:13,180
by Saturday you'll be mobbed.
289
00:18:14,440 --> 00:18:15,419
Well, come on.
290
00:18:15,420 --> 00:18:16,420
Don't keep them waiting.
291
00:18:20,120 --> 00:18:21,560
Come on, now. Let's hear it for Duke.
292
00:18:26,760 --> 00:18:30,740
Well, if this is a Silverado welcome,
then I'm never leaving.
293
00:18:47,920 --> 00:18:52,780
to take care of some business, but I'm
here all week, so those of you I missed,
294
00:18:52,900 --> 00:18:54,880
we'll catch you later, all right?
295
00:18:58,640 --> 00:18:59,640
Come on in.
296
00:19:01,520 --> 00:19:02,520
I'm the thief.
297
00:19:02,560 --> 00:19:04,400
It's hard to choose where. There's so
many of them.
298
00:19:05,160 --> 00:19:06,160
Oh, hey, Carl.
299
00:19:06,340 --> 00:19:07,340
Grady.
300
00:19:08,580 --> 00:19:10,300
So, let's come to this, huh?
301
00:19:11,640 --> 00:19:12,660
I call it home.
302
00:19:13,420 --> 00:19:15,040
Let me leave you boys alone to talk.
303
00:19:15,740 --> 00:19:16,820
Expecting great things, Grady.
304
00:19:22,580 --> 00:19:24,200
Yeah. Remember that night?
305
00:19:24,420 --> 00:19:26,200
Oh, yeah, that was Austin. That's when
we first started.
306
00:19:27,140 --> 00:19:28,760
We looked like kids there.
307
00:19:28,960 --> 00:19:29,960
We were.
308
00:19:30,080 --> 00:19:31,100
Both so green.
309
00:19:32,120 --> 00:19:36,380
Fun, sure, but we had no idea how the
business really worked.
310
00:19:37,440 --> 00:19:41,520
So I sent you a couple ideas for this
song to label once.
311
00:19:41,880 --> 00:19:43,080
I haven't heard back.
312
00:19:43,420 --> 00:19:44,420
Gotta be honest.
313
00:19:45,130 --> 00:19:47,690
It doesn't really feel like me. Yeah,
but isn't that the idea?
314
00:19:48,210 --> 00:19:51,070
Write a song like we used to write? We
just need to figure a way to make it
315
00:19:51,070 --> 00:19:52,049
work.
316
00:19:52,050 --> 00:19:55,130
And this time, we both need to have
Grady for us.
317
00:19:55,450 --> 00:19:56,450
There it is.
318
00:19:58,090 --> 00:20:02,090
I'm not going to have this same old
fight with you over and over, Grady. It
319
00:20:02,090 --> 00:20:03,570
happens every time we're in the same
room.
320
00:20:04,630 --> 00:20:05,630
You're right.
321
00:20:06,170 --> 00:20:07,410
This isn't going to work, is it?
322
00:20:08,150 --> 00:20:09,150
You and me.
323
00:20:10,550 --> 00:20:11,550
I'll tell you what.
324
00:20:11,830 --> 00:20:15,190
I'll come up with something and send it
your way and you either sing it or you
325
00:20:15,190 --> 00:20:16,650
don't. No lie.
326
00:20:17,130 --> 00:20:18,690
I need a big hit here.
327
00:20:19,490 --> 00:20:21,230
So, truce?
328
00:20:22,430 --> 00:20:23,430
Truce.
329
00:20:25,050 --> 00:20:26,050
All right.
330
00:20:26,170 --> 00:20:27,170
See you, Carl.
331
00:20:27,190 --> 00:20:28,190
Later.
332
00:20:48,330 --> 00:20:50,670
Have you heard of Grady Conner? Doesn't
ring a bell.
333
00:20:51,150 --> 00:20:53,550
Wait, is that the guy? The guy with the
line?
334
00:20:53,830 --> 00:20:56,370
Yeah. It turns out he's completely
legit.
335
00:20:56,630 --> 00:21:00,650
He's written for every artist that you
could possibly think of, including Duke
336
00:21:00,650 --> 00:21:02,250
Sterling. Are you kidding?
337
00:21:02,490 --> 00:21:05,090
No. Shayna, you need to jump on this
opportunity.
338
00:21:05,610 --> 00:21:08,030
You know that I need a break from the
business right now.
339
00:21:08,650 --> 00:21:11,210
Yeah, well, maybe music isn't ready to
take a break from you.
340
00:21:11,590 --> 00:21:13,650
Can't see me right now, but I have my
serious face on.
341
00:21:14,270 --> 00:21:16,950
Don't mess this up. What if it just ends
in more rejection?
342
00:21:17,660 --> 00:21:18,660
What if it doesn't?
343
00:21:19,220 --> 00:21:20,480
Okay, I gotta get set up.
344
00:21:20,900 --> 00:21:22,120
Okay, I'll catch you later.
345
00:21:32,760 --> 00:21:33,760
Mr.
346
00:21:36,480 --> 00:21:37,480
Connor.
347
00:21:37,740 --> 00:21:39,560
Hi, Shana Judson.
348
00:21:41,260 --> 00:21:43,720
I'd like to talk to you about writing
that song.
349
00:21:45,780 --> 00:21:46,960
Thanks again for coming.
350
00:21:47,680 --> 00:21:51,500
Okay, so tell me again what the deal is,
just so we're clear.
351
00:21:52,320 --> 00:21:54,180
We write a song, you and me.
352
00:21:54,600 --> 00:21:55,479
One song.
353
00:21:55,480 --> 00:21:56,560
We both like it.
354
00:21:56,800 --> 00:21:57,800
You'll give it to your label?
355
00:21:58,760 --> 00:21:59,760
Better, maybe.
356
00:22:00,900 --> 00:22:02,180
Let me be straight with you.
357
00:22:02,640 --> 00:22:05,000
The last few months, I've hit a wall.
358
00:22:05,680 --> 00:22:08,440
Now, well, I need to come up with
something.
359
00:22:09,380 --> 00:22:10,860
A new song for Duke Sterling.
360
00:22:11,340 --> 00:22:13,820
Wait, did you just, you just said Duke
Sterling?
361
00:22:14,450 --> 00:22:16,410
Maybe. Hey, hey, hey, hey, hey, hey,
hey.
362
00:22:17,090 --> 00:22:18,410
You just said Duke Sterling.
363
00:22:19,250 --> 00:22:20,370
Let's see what we come up with.
364
00:22:28,590 --> 00:22:30,870
Just as long as you know that this is
serious for me.
365
00:22:31,610 --> 00:22:35,110
I've given everything I've got to this
business and all it's gotten me is back
366
00:22:35,110 --> 00:22:36,109
to where I started.
367
00:22:36,110 --> 00:22:39,830
Music is all I've been able to think of
since I was old enough to hold a guitar.
368
00:22:40,190 --> 00:22:42,590
It didn't happen for me overnight, but
it happened.
369
00:22:43,690 --> 00:22:47,730
I want to sing, I want to write, and I
want people to hear what I have to say.
370
00:22:47,870 --> 00:22:51,410
This is as big a deal to me as it is to
you. How is that true?
371
00:22:51,710 --> 00:22:55,370
You've got a deal, a contract, a catalog
most artists would die for.
372
00:22:55,630 --> 00:22:58,230
Yeah, but it's been a while since I've
had a real hit.
373
00:22:58,430 --> 00:23:00,890
Look, I need a fresh way of looking at
things.
374
00:23:01,670 --> 00:23:04,950
I'd really like someone to bounce things
off of. You think that someone might be
375
00:23:04,950 --> 00:23:07,050
me? Well, we're not going to know unless
we try.
376
00:23:07,690 --> 00:23:11,950
But I really like what I've heard from
you so far. So what do you say?
377
00:23:16,040 --> 00:23:17,040
Where do we start?
378
00:23:20,580 --> 00:23:21,600
You wrote all these?
379
00:23:21,960 --> 00:23:22,859
I did.
380
00:23:22,860 --> 00:23:24,680
I've always had songs running through my
head.
381
00:23:25,260 --> 00:23:26,340
Your music's great.
382
00:23:26,720 --> 00:23:27,720
Love these melodies.
383
00:23:28,400 --> 00:23:32,480
But your lyrics could... Right, that's
what she said.
384
00:23:33,000 --> 00:23:34,120
What about my lyrics?
385
00:23:38,040 --> 00:23:41,340
Well, um... What am I trying to say?
386
00:23:41,980 --> 00:23:44,800
Your lyrics, they could be more
personal.
387
00:23:45,260 --> 00:23:47,440
What do you mean personal? Like love
song personal?
388
00:23:47,800 --> 00:23:48,800
That's one approach.
389
00:23:49,120 --> 00:23:50,320
Okay. If you've lived it.
390
00:23:50,680 --> 00:23:51,680
You've been in love?
391
00:23:51,780 --> 00:23:52,980
Once or twice. You?
392
00:23:53,300 --> 00:23:55,500
Enough to know I wouldn't mind feeling
it again sometime.
393
00:23:56,580 --> 00:24:03,260
I don't mean to interrupt. I just
thought you might like the taste of a
394
00:24:03,260 --> 00:24:04,320
cider. There you go.
395
00:24:05,780 --> 00:24:07,540
Jeremy Judson, you can call me Jud.
396
00:24:07,900 --> 00:24:09,320
This is my dad.
397
00:24:10,960 --> 00:24:12,500
Dad, this is Grady Conner.
398
00:24:14,539 --> 00:24:17,020
The songwriter that Shayna was looking
up online.
399
00:24:18,940 --> 00:24:20,600
Just want to show you who you said you
were.
400
00:24:21,420 --> 00:24:22,420
Yes.
401
00:24:23,400 --> 00:24:27,700
Nice to meet you, sir. And thanks for
this. The sun's going down before too
402
00:24:27,700 --> 00:24:31,260
long. We're having a little family
gathering tonight. You'll join us. I
403
00:24:31,260 --> 00:24:33,980
appreciate the invitation, but I don't
want to impose.
404
00:24:34,380 --> 00:24:35,760
Well, now, that wasn't a question, son.
405
00:24:36,080 --> 00:24:38,380
Nothing like a family gathering to get
to know a person.
406
00:24:39,860 --> 00:24:40,860
Well, all right.
407
00:24:42,160 --> 00:24:43,540
Welcome to Silverado.
408
00:24:49,100 --> 00:24:50,400
Hey, everybody.
409
00:24:51,040 --> 00:24:54,700
This is Grady. Grady, this is everybody.
410
00:24:55,100 --> 00:24:56,280
Hiya, Grady. Hey,
411
00:24:57,220 --> 00:24:58,280
Shayna. How about a song?
412
00:24:58,620 --> 00:24:59,620
Guitar's handy.
413
00:24:59,980 --> 00:25:01,840
Anything for you, Earl. All right.
414
00:25:02,660 --> 00:25:04,440
Molly, get this young man a marshmallow.
415
00:25:04,740 --> 00:25:06,500
French tradition here. Try it.
416
00:25:07,000 --> 00:25:08,000
Let's see.
417
00:25:10,040 --> 00:25:11,040
All right.
418
00:25:48,440 --> 00:25:51,960
We spent hours yesterday trying to write
a song and came up with nothing.
419
00:25:52,620 --> 00:25:56,200
Well, I imagine it's the whole getting
to know you process, isn't it? Yeah, but
420
00:25:56,200 --> 00:25:59,060
I'm going to get this done in time to
flip at Duke Sterling.
421
00:25:59,340 --> 00:26:02,240
Do you know how great that would be if
he sang my song on Saturday?
422
00:26:02,620 --> 00:26:05,520
Well, I don't know much about the
country music business, but... You sure
423
00:26:05,520 --> 00:26:06,299
can count on that?
424
00:26:06,300 --> 00:26:09,580
It is a long shot, but... If he didn't
think you were talented, he wouldn't
425
00:26:09,580 --> 00:26:10,419
offered this.
426
00:26:10,420 --> 00:26:13,460
Right? Maybe he sees more in you than
you see in yourself.
427
00:26:13,780 --> 00:26:17,020
Okay, so is this the part where you give
me a pep talk and tell me everything's
428
00:26:17,020 --> 00:26:17,859
going to be okay?
429
00:26:17,860 --> 00:26:18,860
Someone has to.
430
00:26:23,020 --> 00:26:24,020
I know what could help.
431
00:26:24,240 --> 00:26:25,240
What?
432
00:26:26,700 --> 00:26:27,700
Singing for me again tonight?
433
00:26:28,060 --> 00:26:31,500
Jenny. You know that I'm asking because
I'm in a bind.
434
00:26:32,000 --> 00:26:33,000
Bind.
435
00:26:36,240 --> 00:26:39,760
Those the ideas from Grady? Most of them
are just a riff on the same old stuff
436
00:26:39,760 --> 00:26:40,759
we used to do.
437
00:26:40,760 --> 00:26:41,820
Oh, which is what the label wants.
438
00:26:42,040 --> 00:26:42,879
Come on, Carl.
439
00:26:42,880 --> 00:26:46,380
I want to surprise my fans, show them
there's more to me than they know. Then
440
00:26:46,380 --> 00:26:47,740
you have to figure out how to please the
label.
441
00:26:48,650 --> 00:26:52,910
In the meantime, you have two dozen
fledgling songwriters eager to bask in
442
00:26:52,910 --> 00:26:54,590
creative wisdom. So, let's move it.
443
00:27:00,650 --> 00:27:01,890
What's the last song you wrote?
444
00:27:02,310 --> 00:27:04,830
The last song I wrote, or the last one
that was any good.
445
00:27:05,090 --> 00:27:06,850
Oh, gentleman's choice.
446
00:27:08,250 --> 00:27:11,810
It was a love song about my pickup.
447
00:27:12,050 --> 00:27:13,050
Your pickup truck?
448
00:27:13,610 --> 00:27:14,970
No. It was.
449
00:27:15,730 --> 00:27:16,950
Well, was it any good?
450
00:27:18,000 --> 00:27:19,900
It was a love song about a truck.
451
00:27:20,480 --> 00:27:21,480
So no.
452
00:27:23,960 --> 00:27:25,220
What was the last song you wrote?
453
00:27:27,600 --> 00:27:29,300
Down Home Tennessee.
454
00:27:30,040 --> 00:27:31,900
It's about growing up on the ranch.
455
00:27:32,460 --> 00:27:34,720
You know, playing in the fields, working
the horses.
456
00:27:35,000 --> 00:27:36,680
And I bet the lyrics were terrific.
457
00:27:37,880 --> 00:27:39,160
The best songs are authentic.
458
00:27:40,280 --> 00:27:41,280
Personal experience.
459
00:27:41,660 --> 00:27:44,060
So we just need to find the right
inspiration, yeah?
460
00:27:44,400 --> 00:27:45,400
Yeah.
461
00:27:45,960 --> 00:27:46,960
Okay.
462
00:27:47,850 --> 00:27:48,850
Grab that notebook.
463
00:27:50,170 --> 00:27:51,630
Follow me, good sir.
464
00:28:04,550 --> 00:28:05,550
Well,
465
00:28:11,410 --> 00:28:12,410
here we are.
466
00:28:13,790 --> 00:28:14,970
It's hard to believe you.
467
00:28:16,400 --> 00:28:17,400
This is incredible.
468
00:28:17,840 --> 00:28:18,840
Yeah.
469
00:28:20,040 --> 00:28:22,780
I guess I never really knew how lucky I
was, you know?
470
00:28:23,060 --> 00:28:25,120
It's always just home to me.
471
00:28:27,600 --> 00:28:28,680
Where were you raised?
472
00:28:29,700 --> 00:28:31,480
Oh, the mean streets of Nashville.
473
00:28:31,680 --> 00:28:32,680
Ooh.
474
00:28:33,220 --> 00:28:37,740
Don't get me wrong, it was great, but it
was a big city compared to all this.
475
00:28:38,080 --> 00:28:39,080
Mm -hmm.
476
00:28:39,960 --> 00:28:44,180
Sidewalks and playgrounds, skateboards,
guitar lessons.
477
00:28:45,520 --> 00:28:47,480
But to have all this every day.
478
00:28:47,860 --> 00:28:48,880
Yeah. Wow.
479
00:28:49,200 --> 00:28:52,780
My mom used to bring me down here all
the time, especially this time of year.
480
00:28:53,340 --> 00:28:55,820
You know, she always said she did her
best songwriting down here.
481
00:28:56,080 --> 00:28:57,360
She was a musician, too?
482
00:28:57,900 --> 00:28:59,040
Oh, yeah, my mom.
483
00:28:59,660 --> 00:29:00,660
She was good.
484
00:29:01,120 --> 00:29:02,140
She was really good.
485
00:29:03,520 --> 00:29:08,360
She had this nice career starting, and
my dad was super supportive. But, you
486
00:29:08,360 --> 00:29:13,480
know, when it came down to the ranch or
the road, her heart was here.
487
00:29:14,160 --> 00:29:17,120
I mean, she still played bars and cafes
around Silverado.
488
00:29:17,880 --> 00:29:21,060
My dad, when I was little, used to sneak
me in so I could watch her perform.
489
00:29:23,920 --> 00:29:27,060
Yeah. More than anything, I wanted to be
her when I grew up.
490
00:29:30,720 --> 00:29:32,660
What if our song is about finding love?
491
00:29:33,480 --> 00:29:34,480
You know?
492
00:29:34,500 --> 00:29:37,460
Knowing that your true love is out there
somewhere, you just haven't found that
493
00:29:37,460 --> 00:29:38,460
person yet.
494
00:29:38,760 --> 00:29:39,760
That's not bad.
495
00:29:42,179 --> 00:29:43,640
Boy, what are you thinking?
496
00:29:44,640 --> 00:29:46,640
You know I've seen you perform twice
now.
497
00:29:46,940 --> 00:29:52,940
Yeah. And you're different when you're
up on stage, you know.
498
00:29:53,260 --> 00:29:55,280
You're not the real you, not this you.
499
00:29:55,560 --> 00:29:57,120
Nobody wants to see the real me.
500
00:29:57,340 --> 00:29:59,820
Last night at the bonfire, it was just
you and that song.
501
00:30:00,200 --> 00:30:01,920
Yeah, but that's with friends.
502
00:30:02,880 --> 00:30:04,700
The stage is so different, you know
that.
503
00:30:05,100 --> 00:30:08,020
Right, but it doesn't mean you should
forget who you are.
504
00:30:08,480 --> 00:30:09,760
Songs come from the heart.
505
00:30:10,280 --> 00:30:12,000
It doesn't matter where you play them.
506
00:30:15,740 --> 00:30:17,600
I'll remember that, Grady Conner.
507
00:30:18,240 --> 00:30:22,080
Welcome, everyone.
508
00:30:24,540 --> 00:30:26,400
And some fresh faces here tonight.
509
00:30:26,820 --> 00:30:28,280
You all here for the music festival?
510
00:30:28,820 --> 00:30:30,980
Just out there to be myself?
511
00:30:31,340 --> 00:30:32,340
That's the idea.
512
00:30:33,280 --> 00:30:37,260
Easier said than done. So, a good friend
of mine sang here the other night.
513
00:30:38,000 --> 00:30:40,680
And she was so good that we decided to
bring her back.
514
00:30:41,540 --> 00:30:45,980
So please give a warm Silverado welcome
to my dear friend, Shayna Judson.
515
00:30:49,500 --> 00:30:53,460
How y 'all doing tonight?
516
00:30:56,760 --> 00:30:57,760
Okay.
517
00:30:58,500 --> 00:31:03,320
So tonight, I'm going to do something a
little more laid back if that's alright.
518
00:31:10,640 --> 00:31:11,640
means for this song.
519
00:31:40,179 --> 00:31:43,300
People got one red light.
520
00:31:43,620 --> 00:31:46,280
No folks around here get married.
521
00:31:46,620 --> 00:31:53,560
My mama gave me this guitar when I was
12 years
522
00:31:53,560 --> 00:31:59,200
old. And as far as I can tell, it's the
only thing I'll ever hold.
523
00:31:59,720 --> 00:32:04,400
I guess that road less traveled on than
the one I chose to take.
524
00:32:05,060 --> 00:32:08,060
Sometimes it seems I'm trying to see
how.
525
00:32:11,240 --> 00:32:12,320
Is that great?
526
00:32:13,120 --> 00:32:14,640
I didn't even perform anymore.
527
00:32:15,100 --> 00:32:16,280
Who's that rhythm?
528
00:33:19,630 --> 00:33:23,770
No, I'm just helping a friend is all.
Well, may I say you a great taste in
529
00:33:23,770 --> 00:33:24,770
friends?
530
00:33:24,830 --> 00:33:25,890
Care to introduce us?
531
00:33:26,310 --> 00:33:27,730
Duke, this is Shana Judson.
532
00:33:27,970 --> 00:33:30,690
Shana, nice to meet you. I'm such a fan.
533
00:33:30,970 --> 00:33:35,630
My family owns the ranch that the
festival will be on this weekend.
534
00:33:35,990 --> 00:33:38,130
Well, you'll have to give me a tour of
the place.
535
00:33:38,490 --> 00:33:40,870
Yeah, anytime you're out that way.
536
00:33:41,150 --> 00:33:44,450
I think we'd all like to hear you finish
the set. No one's going to want to pay
537
00:33:44,450 --> 00:33:47,570
attention to me with Duke Sterling in
the room. I will pay attention.
538
00:33:47,970 --> 00:33:48,970
Oh.
539
00:33:49,600 --> 00:33:51,380
This is Carl Campbell, my manager.
540
00:33:52,120 --> 00:33:54,760
Actually, Carl and I met last week in
Nashville.
541
00:33:54,960 --> 00:33:55,739
In Nashville?
542
00:33:55,740 --> 00:33:57,260
For the backup singer auditions.
543
00:33:57,540 --> 00:33:58,540
Oh, of course.
544
00:33:59,340 --> 00:34:02,780
Yeah, I'm sorry that didn't work out.
Carl, how could you let a voice like
545
00:34:02,780 --> 00:34:03,479
slip by?
546
00:34:03,480 --> 00:34:07,760
I think a do -over was called for. That
would be really great.
547
00:34:08,520 --> 00:34:11,159
Maybe I could sing the song that Grady
and I are writing for you.
548
00:34:12,040 --> 00:34:13,040
You and Grady?
549
00:34:13,699 --> 00:34:16,060
I can't wait to hear it.
550
00:34:16,620 --> 00:34:17,620
Say no?
551
00:34:18,520 --> 00:34:20,360
I think the audience is getting
restless. Oh, right.
552
00:34:21,280 --> 00:34:22,280
Sorry.
553
00:34:22,500 --> 00:34:25,760
It was really nice to meet you, Duke.
Pleasure's mine.
554
00:34:30,300 --> 00:34:31,540
We were writing a song together.
555
00:34:32,800 --> 00:34:34,360
Coming up dry on your own, are you?
556
00:34:34,639 --> 00:34:35,639
It's something we're trying.
557
00:34:36,320 --> 00:34:37,440
We'll see where it all goes.
558
00:34:43,600 --> 00:34:44,600
You're tired.
559
00:34:47,370 --> 00:34:48,710
She had the best night in years.
560
00:34:49,330 --> 00:34:51,750
I can't believe you just met Duke
Sterling.
561
00:34:52,310 --> 00:34:55,389
I started to make fun of myself. I feel
like I always think about what I should
562
00:34:55,389 --> 00:34:56,409
have said or shouldn't have.
563
00:34:56,730 --> 00:34:57,730
You were fine.
564
00:34:58,470 --> 00:35:00,090
Was there something going on with you
two?
565
00:35:00,570 --> 00:35:01,590
How you guys were friends?
566
00:35:02,350 --> 00:35:03,350
Long story.
567
00:35:03,970 --> 00:35:05,510
My favorite story is not the long one.
568
00:35:06,290 --> 00:35:07,290
Forget that.
569
00:35:07,350 --> 00:35:10,310
Now that he knows about the song, we've
got to make some serious headway.
570
00:35:10,770 --> 00:35:12,090
I came up with a few lines.
571
00:35:12,850 --> 00:35:16,010
An idea for the melody to run by you.
Based off what we talked about today?
572
00:35:16,210 --> 00:35:17,610
Yeah. When can I hear him?
573
00:35:17,930 --> 00:35:19,990
Give me a chance to flesh it out a
little first.
574
00:35:20,290 --> 00:35:21,590
I don't want to embarrass myself.
575
00:35:22,650 --> 00:35:23,650
Okay, fall.
576
00:35:25,250 --> 00:35:26,790
Night. Night.
577
00:35:29,430 --> 00:35:30,690
You can talk to me.
578
00:35:34,770 --> 00:35:41,670
Then it goes
579
00:35:41,670 --> 00:35:42,670
somewhere else from there.
580
00:35:43,370 --> 00:35:44,510
But your tune's good.
581
00:35:45,030 --> 00:35:46,030
It's really good.
582
00:35:46,170 --> 00:35:48,470
Yeah, well, I even hear some of my own
words in there.
583
00:35:48,690 --> 00:35:50,050
Well, you should.
584
00:35:50,690 --> 00:35:52,610
It's a riff on everything we've been
talking about.
585
00:35:52,910 --> 00:35:54,890
Well, it sounds more personal when you
sing it.
586
00:35:55,090 --> 00:35:56,310
That means I'm doing my job.
587
00:35:57,310 --> 00:35:58,750
You got that oven working overtime.
588
00:35:59,230 --> 00:36:00,590
Pumpkin pie for the festival.
589
00:36:00,850 --> 00:36:05,270
The faster I finish these, the faster I
help finish that song. So, am I putting
590
00:36:05,270 --> 00:36:07,770
these oven mitts on and taking them out
for me? Yes, ma 'am.
591
00:36:08,290 --> 00:36:09,290
Thank you.
592
00:36:16,710 --> 00:36:19,030
There are a couple of beauties going for
a blue ribbon.
593
00:36:19,430 --> 00:36:23,530
Oh, these aren't contest buys. These are
eating ties for the bake sale.
594
00:36:25,050 --> 00:36:26,050
Bake room.
595
00:36:28,690 --> 00:36:30,390
How would you like these?
596
00:36:30,630 --> 00:36:31,630
Right here, please.
597
00:36:32,870 --> 00:36:33,870
Thank you.
598
00:36:34,070 --> 00:36:35,430
That one's pulled down? Yeah.
599
00:36:37,230 --> 00:36:38,230
Oh, excuse me.
600
00:36:38,750 --> 00:36:39,830
Paying customers only.
601
00:36:41,210 --> 00:36:42,390
Step away from the pie.
602
00:36:42,690 --> 00:36:43,690
All right.
603
00:36:45,100 --> 00:36:46,800
Thanks, by the way, for last night.
604
00:36:47,540 --> 00:36:52,380
Singing with me on stage, introducing me
to Duke. I still cannot believe that
605
00:36:52,380 --> 00:36:53,178
that happened.
606
00:36:53,180 --> 00:36:54,180
Yeah, that was something.
607
00:36:54,740 --> 00:36:57,380
Oh, his manager called, by the way,
about the second audition.
608
00:36:57,760 --> 00:36:58,760
For the backup singer?
609
00:36:58,940 --> 00:37:02,720
Mm -hmm. Getting a spot on Duke's tour
would boost my career.
610
00:37:05,040 --> 00:37:06,240
You can try this one.
611
00:37:06,480 --> 00:37:07,480
All right.
612
00:37:15,680 --> 00:37:16,680
Mmm.
613
00:37:17,380 --> 00:37:18,480
That's really good.
614
00:37:18,780 --> 00:37:21,360
Yeah? If singing doesn't work out, you
have a career as a baker.
615
00:37:25,840 --> 00:37:32,200
You helped me find a different
616
00:37:32,200 --> 00:37:38,960
road One that I'd never traveled before
Now I feel I can
617
00:37:38,960 --> 00:37:42,760
carry that load You gave me the strength
618
00:37:53,360 --> 00:37:55,420
But I think we can take it a lot
farther.
619
00:37:55,960 --> 00:38:01,160
This is a song about knowing that true
love is out there somewhere, right?
620
00:38:01,780 --> 00:38:03,940
And how life changes when you find it.
621
00:38:04,500 --> 00:38:09,220
Yeah. You believe in love, right? I
mean, deep, true love.
622
00:38:09,580 --> 00:38:10,740
Yeah, of course I do.
623
00:38:11,140 --> 00:38:13,260
Okay. So what does that mean to you,
then?
624
00:38:13,680 --> 00:38:20,520
Oh, Grady, that's... You should know by
now that I'm not good at expressing
625
00:38:20,520 --> 00:38:22,160
stuff like that. Come on.
626
00:38:23,880 --> 00:38:27,820
Describe the person who you want to
spend the rest of your life with.
627
00:38:31,680 --> 00:38:32,720
Okay, let's try something.
628
00:38:33,240 --> 00:38:34,240
Close your eyes.
629
00:38:34,400 --> 00:38:36,780
What? Trust me. Close your eyes.
630
00:38:39,020 --> 00:38:43,360
All right, now visualize what you want
that to look like for you.
631
00:38:46,000 --> 00:38:47,140
I want to be sure.
632
00:38:48,720 --> 00:38:51,260
I want it to be easy for once.
633
00:38:53,520 --> 00:38:56,140
I'm tired of falling and getting my
heart broken.
634
00:38:58,380 --> 00:39:01,400
When we look at each other, I just want
us to know, you know?
635
00:39:02,300 --> 00:39:07,420
I want to look him in the eyes and know
that everything's okay.
636
00:39:14,300 --> 00:39:21,100
My heart's been broken a thousand times.
It feels like it took years to
637
00:39:21,100 --> 00:39:22,100
find.
638
00:39:22,650 --> 00:39:25,950
The one to turn those wrongs to right.
639
00:39:26,930 --> 00:39:28,650
Now it's all right.
640
00:39:30,390 --> 00:39:31,249
That's it.
641
00:39:31,250 --> 00:39:32,730
How did you just do that?
642
00:39:33,070 --> 00:39:36,350
How did you, like, take my heart and
make it sing?
643
00:39:37,470 --> 00:39:39,430
Okay, do you remember it, though?
644
00:39:39,830 --> 00:39:41,710
All right, my heart's been broke.
645
00:39:41,990 --> 00:39:43,530
Yes, because it has.
646
00:39:44,070 --> 00:39:45,330
Yeah, a thousand times.
647
00:39:45,990 --> 00:39:49,730
Sorry to bother you two, but we have a
guest.
648
00:39:50,750 --> 00:39:51,750
Duke?
649
00:39:54,410 --> 00:39:58,830
Hope I'm not interrupting anything. I
just wanted to check out the venue and
650
00:39:58,830 --> 00:40:00,750
maybe get that tour you promised me.
651
00:40:01,070 --> 00:40:02,970
Well, yeah, it's perfect timing.
652
00:40:03,210 --> 00:40:04,210
Isn't it, Grady?
653
00:40:04,350 --> 00:40:05,810
Yep. Well, then I'm all yours.
654
00:40:06,310 --> 00:40:08,450
Great. You go on ahead. I've seen it.
655
00:40:09,390 --> 00:40:10,970
Coming, Grady? No, it's all right.
656
00:40:11,310 --> 00:40:14,250
No, stay here. Play around with the song
a little bit. Yeah?
657
00:40:14,690 --> 00:40:19,450
Yeah. Okay, cool. You good?
658
00:40:21,510 --> 00:40:22,510
Yes, sir.
659
00:40:27,530 --> 00:40:28,630
This is quite the setup.
660
00:40:29,750 --> 00:40:30,910
And it opens tomorrow?
661
00:40:31,310 --> 00:40:32,310
Yep, brand new early.
662
00:40:32,470 --> 00:40:34,290
It's the biggest event of the year.
663
00:40:34,650 --> 00:40:36,090
We used to have these back home.
664
00:40:36,870 --> 00:40:37,870
Tulsa.
665
00:40:39,090 --> 00:40:40,110
Someone's done their homework.
666
00:40:41,570 --> 00:40:45,010
So is that how you and Grady know each
other from back then?
667
00:40:46,070 --> 00:40:47,670
How did you guys meet?
668
00:40:48,750 --> 00:40:49,890
Grady hasn't told you?
669
00:40:50,190 --> 00:40:51,910
He actually doesn't talk too much about
you.
670
00:40:53,630 --> 00:40:56,270
Well, I was doing the roadhouse circuit.
671
00:40:56,820 --> 00:40:57,820
Didn't know where.
672
00:40:58,080 --> 00:41:03,180
One day after a gig, this guy comes up,
introduces himself, says he wants to be
673
00:41:03,180 --> 00:41:04,180
a musician.
674
00:41:04,280 --> 00:41:06,160
We hit it off. Just like that.
675
00:41:06,360 --> 00:41:07,339
Like that.
676
00:41:07,340 --> 00:41:12,060
And a year later, we're in Nashville,
and I'm singing Country Mile on the
677
00:41:12,360 --> 00:41:14,660
First big hit. Oh, gosh, I love that
song.
678
00:41:15,000 --> 00:41:17,000
But you know what my favorite of yours
is?
679
00:41:17,560 --> 00:41:18,880
A life and a love.
680
00:41:19,690 --> 00:41:21,610
I mean, you wrote that one yourself,
yeah?
681
00:41:22,430 --> 00:41:25,970
Those lyrics are great. Where did you
come up with them?
682
00:41:26,230 --> 00:41:29,810
Who knows where lyrics come from, right?
683
00:41:30,810 --> 00:41:31,810
Yeah.
684
00:41:35,470 --> 00:41:38,330
I can see why you're proud of the ranch.
685
00:41:39,550 --> 00:41:40,550
It's a gem.
686
00:41:42,070 --> 00:41:45,430
All this land and mighty fine horses,
too.
687
00:41:45,850 --> 00:41:46,850
Do you ride?
688
00:41:47,010 --> 00:41:48,030
I used to.
689
00:41:49,670 --> 00:41:51,190
Back when I had time, it's been a while.
690
00:41:52,430 --> 00:41:55,490
Well, don't you make time to do the
things you love?
691
00:41:57,350 --> 00:42:02,750
Where do you draw the line between Duke
Sterling the superstar and Duke Sterling
692
00:42:02,750 --> 00:42:03,750
the person?
693
00:42:04,550 --> 00:42:07,450
Well, I've been asking myself that
question a lot lately.
694
00:42:08,790 --> 00:42:10,070
No easy answer.
695
00:42:10,630 --> 00:42:12,070
You sure make it look easy.
696
00:42:12,870 --> 00:42:16,550
You guys look like you're having a great
time on stage with your fans.
697
00:42:17,250 --> 00:42:18,670
Some days it's a pure joy.
698
00:42:20,620 --> 00:42:25,340
Other days, it's like putting on a
costume.
699
00:42:29,360 --> 00:42:30,520
Hey, Dad.
700
00:42:31,020 --> 00:42:33,780
Grady, you will not believe what just
happened.
701
00:42:35,960 --> 00:42:42,820
Duke asked me to sing at the music
festival Saturday night with him on the
702
00:42:42,820 --> 00:42:43,820
stage.
703
00:42:44,840 --> 00:42:46,020
That's fantastic.
704
00:42:46,660 --> 00:42:47,660
Thank you.
705
00:42:49,930 --> 00:42:50,930
My pleasure.
706
00:42:54,790 --> 00:42:56,570
I hope I was right to say yes.
707
00:42:58,110 --> 00:42:59,390
It's a great opportunity.
708
00:42:59,670 --> 00:43:00,890
A featured spot.
709
00:43:02,070 --> 00:43:06,030
I know, but... I mean, am I ready for
that?
710
00:43:06,470 --> 00:43:08,110
I've been in this business for years.
711
00:43:08,790 --> 00:43:12,430
Voices come and go all the time. But the
ones who last are the ones who have
712
00:43:12,430 --> 00:43:14,450
something special. Something nobody
heard.
713
00:43:15,070 --> 00:43:16,070
Nobody expects.
714
00:43:16,890 --> 00:43:17,890
And you have that.
715
00:43:18,170 --> 00:43:19,170
You think so?
716
00:43:20,170 --> 00:43:23,450
Anybody who doesn't see that or hear
that doesn't know what they're talking
717
00:43:23,450 --> 00:43:24,450
about.
718
00:43:26,270 --> 00:43:27,910
Shana, you are one of a kind.
719
00:43:32,510 --> 00:43:36,630
First things first, we still have a lot
of work to do on the song, so I better
720
00:43:36,630 --> 00:43:37,630
get back to the motel.
721
00:43:37,650 --> 00:43:38,650
Yeah.
722
00:43:39,570 --> 00:43:40,570
Night.
723
00:44:03,920 --> 00:44:05,540
feels so different right now, you know?
724
00:44:06,040 --> 00:44:08,780
It's like, it's exciting again.
725
00:44:09,020 --> 00:44:11,900
I mean, I was up all night working on
these lyrics.
726
00:44:12,140 --> 00:44:14,000
Wow, Brady's really got you digging in.
727
00:44:14,300 --> 00:44:15,420
Yeah, well, it had to be perfect.
728
00:44:16,340 --> 00:44:18,200
I still don't know what I'm going to
sing on Saturday.
729
00:44:18,440 --> 00:44:19,680
Well, you have plenty of time.
730
00:44:19,960 --> 00:44:23,380
The show's not for three days. Oh, I do
not have plenty of time. The show is in
731
00:44:23,380 --> 00:44:27,300
three days. Well, it depends on how you
look at it. See? Oh, hey, Mr. Johnson!
732
00:44:28,170 --> 00:44:30,090
You must be pretty proud of your girl
here.
733
00:44:30,610 --> 00:44:32,330
Only every single day of her life.
734
00:44:32,530 --> 00:44:33,930
Well, let's see how you feel after
Saturday.
735
00:44:34,170 --> 00:44:38,230
Hey, you're going to be incredible, and
you know it. It's just, with Duke
736
00:44:38,230 --> 00:44:41,030
headlining, this place is going to be
packed. I've never sung in front of that
737
00:44:41,030 --> 00:44:42,030
many people before.
738
00:44:42,210 --> 00:44:44,850
Just keep in mind that most of the folks
who are going to be there love you
739
00:44:44,850 --> 00:44:48,930
already. Friends and family, people you
grew up with, Baby Safford.
740
00:44:49,130 --> 00:44:50,130
They did.
741
00:44:50,530 --> 00:44:53,810
It's Duke who should be nervous. You've
got the hometown advantage, and they're
742
00:44:53,810 --> 00:44:55,710
all going to love you. Me and Jenny are
going to be your...
743
00:44:57,720 --> 00:44:58,820
What's that word? Posse.
744
00:44:59,120 --> 00:45:00,120
Posse.
745
00:45:00,420 --> 00:45:04,540
Look at you, Mr. Judson. When does your
father become so cool?
746
00:45:04,840 --> 00:45:06,680
I don't know. Never.
747
00:45:07,640 --> 00:45:10,420
You know, for that, you get a
firefighter on the house.
748
00:45:11,080 --> 00:45:13,480
Thank you very much, lady. See you
later. See you.
749
00:45:23,060 --> 00:45:24,780
Reaction. Festival's in full swing.
750
00:45:25,120 --> 00:45:26,520
Shana's down there helping Jenny.
751
00:45:26,920 --> 00:45:30,080
Well, the song needs some work. Shana
asked me to meet her here in a bit. Oh.
752
00:45:30,560 --> 00:45:31,940
Can I ask you a question?
753
00:45:33,360 --> 00:45:36,700
How do you really feel about Duke
Sterling asking Shana to sing with him?
754
00:45:38,420 --> 00:45:39,420
It's great.
755
00:45:40,420 --> 00:45:41,420
Just great.
756
00:45:42,520 --> 00:45:43,660
Why don't I believe you?
757
00:45:44,580 --> 00:45:46,760
No, it is. It's going to be a showcase
for her.
758
00:45:47,520 --> 00:45:50,620
I just hope with the rehearsing and all,
we'll have enough time to polish the
759
00:45:50,620 --> 00:45:54,060
song. Right, so you're concerned about
her spending time with Duke because of
760
00:45:54,060 --> 00:45:54,899
the song.
761
00:45:54,900 --> 00:45:59,380
Well, mostly the song, yeah. And yet I
just told you Shane is down there at the
762
00:45:59,380 --> 00:46:01,000
festival and you're still standing here.
763
00:46:07,360 --> 00:46:09,060
Come here.
764
00:46:09,420 --> 00:46:10,520
Do you want some corn?
765
00:46:10,800 --> 00:46:12,420
That's good. That's really yummy.
766
00:46:13,240 --> 00:46:14,780
Good job, I got you.
767
00:46:15,540 --> 00:46:16,540
Make a new friend?
768
00:46:17,710 --> 00:46:18,710
Not so new.
769
00:46:19,110 --> 00:46:21,030
This here is Pumpkin.
770
00:46:21,410 --> 00:46:26,330
She was all round and her face was all
orange when she was born. So we call her
771
00:46:26,330 --> 00:46:27,430
Pumpkin. Yeah.
772
00:46:28,290 --> 00:46:31,230
Every time I pass by, I can't help but
stop and say hello.
773
00:46:31,930 --> 00:46:32,930
Here.
774
00:46:33,810 --> 00:46:34,810
Hold this.
775
00:46:34,870 --> 00:46:35,950
Say hello to Grady.
776
00:46:36,490 --> 00:46:38,610
I'm not Grady. Say hello to Grady.
777
00:46:41,450 --> 00:46:44,070
Sorry I'm running late. I just, um...
778
00:46:44,510 --> 00:46:47,890
I wanted to make sure that I sat by
Jenny's booth, you know, make sure that
779
00:46:47,890 --> 00:46:48,888
had everything handled.
780
00:46:48,890 --> 00:46:50,770
But we can begin work whenever you want.
781
00:46:50,990 --> 00:46:57,370
Actually, I was thinking, opening day
and all, we got a really good jump on
782
00:46:57,370 --> 00:46:59,030
lyric. The tune's good.
783
00:46:59,250 --> 00:47:00,530
The verse is pretty solid.
784
00:47:01,030 --> 00:47:02,810
I think we've got a good start.
785
00:47:03,130 --> 00:47:05,390
So maybe we deserve a break.
786
00:47:07,270 --> 00:47:08,410
Yeah, maybe we do.
787
00:47:09,370 --> 00:47:10,390
Yeah. Yeah.
788
00:47:11,330 --> 00:47:12,370
She thinks so.
789
00:47:13,930 --> 00:47:15,290
Well, have you walked around yet?
790
00:47:15,690 --> 00:47:18,630
A little. Not too much, though. Let's
go. Let me show you around.
791
00:47:18,950 --> 00:47:21,210
You know, I was listening to some of
your old songs.
792
00:47:21,710 --> 00:47:24,830
Mm -hmm. That one that you wrote for
Becky Shaw, Dancing at Dawn.
793
00:47:25,790 --> 00:47:27,010
Still my absolute favorite.
794
00:47:27,510 --> 00:47:28,850
That was just an album cut.
795
00:47:29,630 --> 00:47:31,110
We didn't release that as a single.
796
00:47:32,030 --> 00:47:33,550
Doesn't make it any less awesome.
797
00:47:34,410 --> 00:47:36,470
You are awesome.
798
00:47:36,990 --> 00:47:38,450
Why do you need my help?
799
00:47:39,810 --> 00:47:42,830
Well, the label lost faith in my ability
to do it on my own.
800
00:47:43,720 --> 00:47:44,720
I did, too.
801
00:47:45,220 --> 00:47:47,360
I guess I've always been better with the
right partner.
802
00:47:47,700 --> 00:47:49,420
And early on, that was Duke?
803
00:47:51,380 --> 00:47:52,380
Early on.
804
00:47:54,700 --> 00:47:56,100
My favorite game! Come on!
805
00:47:56,540 --> 00:47:57,540
What? Okay.
806
00:47:57,860 --> 00:47:58,860
Oh,
807
00:47:59,160 --> 00:48:00,740
it's my favorite carnival game.
808
00:48:01,380 --> 00:48:02,380
Hey, Tyler.
809
00:48:02,720 --> 00:48:04,400
So, do you know how to play this?
810
00:48:04,740 --> 00:48:09,060
You do? Well, I'm going to tell you
anyway. You have to knock down all six
811
00:48:09,060 --> 00:48:10,560
bottles in one throw.
812
00:48:10,760 --> 00:48:11,760
You don't have to tell me.
813
00:48:11,930 --> 00:48:13,370
I'm the unofficial state champion.
814
00:48:13,630 --> 00:48:16,570
Oh, well, then I think that you will
have to prove yourself.
815
00:48:17,030 --> 00:48:18,030
All right.
816
00:48:22,330 --> 00:48:28,610
Okay, no laughing. Look, I'm just
warming up. Yeah. I mean, I think that
817
00:48:28,610 --> 00:48:31,430
should just be warmer than whatever that
was.
818
00:48:32,650 --> 00:48:33,650
Fair.
819
00:48:34,730 --> 00:48:37,670
All right, so I'm a little rusty.
820
00:48:37,890 --> 00:48:38,890
Everyone.
821
00:48:40,200 --> 00:48:42,200
All right, this one's the good luck one.
822
00:48:42,500 --> 00:48:44,040
Mind if I give that a shot?
823
00:48:44,400 --> 00:48:51,000
Duke, I thought you were welcoming the
newbie. I was, and now I'm just seeing
824
00:48:51,000 --> 00:48:52,540
what else the festival has to offer.
825
00:48:55,200 --> 00:48:59,280
It's a lot harder than it looks, Duke.
Well, I think I can handle a couple milk
826
00:48:59,280 --> 00:49:00,280
balls.
827
00:49:02,840 --> 00:49:04,620
I'm just going to sit back here.
828
00:49:04,860 --> 00:49:05,860
I think we've got an audience.
829
00:49:06,540 --> 00:49:07,540
Ready for this?
830
00:49:07,900 --> 00:49:09,280
Yep, make you a little bit nervous.
831
00:49:55,720 --> 00:49:58,520
There's one thing I was meant to be.
832
00:49:58,840 --> 00:50:03,660
So close.
833
00:50:03,920 --> 00:50:05,720
But the bridge is not quite right.
834
00:50:05,960 --> 00:50:06,618
I know.
835
00:50:06,620 --> 00:50:08,240
You think it's the tune or the lyrics?
836
00:50:08,700 --> 00:50:09,700
One or the other.
837
00:50:10,020 --> 00:50:11,160
I bet.
838
00:50:13,200 --> 00:50:14,600
Yeah, we'll figure it out.
839
00:50:16,860 --> 00:50:23,700
Hey, you maybe want to go back to the
festival tonight and check out some
840
00:50:24,840 --> 00:50:29,880
Oh, Grady, I'd love to, but I told Duke
I'd go to Jenny's place tonight.
841
00:50:31,300 --> 00:50:32,580
You should come with us.
842
00:50:32,860 --> 00:50:34,820
Right. Yeah, I'll think about that.
843
00:50:37,200 --> 00:50:39,620
Okay, when are you going to tell me what
happened between you two?
844
00:50:40,380 --> 00:50:41,800
I mean, it's just the way it is.
845
00:50:42,360 --> 00:50:43,360
Life happens.
846
00:50:43,440 --> 00:50:44,440
People change.
847
00:50:48,180 --> 00:50:49,840
I have to take that. Okay.
848
00:50:52,740 --> 00:50:53,740
Excuse me.
849
00:50:56,560 --> 00:50:57,319
Hey, what's up?
850
00:50:57,320 --> 00:51:00,420
Who's this Shana Judson I keep hearing
about? You really need to start
851
00:51:00,420 --> 00:51:04,020
listening, Ron. I told you, the woman
I'm writing the song with.
852
00:51:05,180 --> 00:51:06,580
And now she's opening for Duke?
853
00:51:06,780 --> 00:51:08,700
Wow, that might be stretching a point.
854
00:51:09,600 --> 00:51:11,260
She's singing in number, Duke's idea.
855
00:51:11,740 --> 00:51:12,740
Is she that good?
856
00:51:13,060 --> 00:51:17,940
Well, Duke and I don't see eye to eye on
many things these days, but yeah.
857
00:51:18,640 --> 00:51:19,640
Yeah, she is.
858
00:51:20,280 --> 00:51:23,060
And you know, I wouldn't want another
label to spot her first.
859
00:51:23,740 --> 00:51:25,420
Maybe you should come on out here.
860
00:51:25,760 --> 00:51:26,760
Listen for yourself.
861
00:51:26,920 --> 00:51:27,920
Maybe I will.
862
00:51:28,560 --> 00:51:31,120
Good idea, Grady. I still have one now
and then.
863
00:51:36,220 --> 00:51:37,840
Thank you.
864
00:51:39,200 --> 00:51:41,180
What? I didn't know what to wear.
865
00:51:41,500 --> 00:51:42,500
No, you look perfect, girl.
866
00:51:43,000 --> 00:51:49,060
Is this for Duke? No, it's not for Duke.
It's... I mean, what do you wear when a
867
00:51:49,060 --> 00:51:51,700
country star asks you out? Well, this
will get his attention.
868
00:51:52,960 --> 00:51:57,420
Are you in here? Oh, stop it. No, we're
just, we're here to listen to the band
869
00:51:57,420 --> 00:51:58,940
and talk about the show on Saturday.
870
00:51:59,520 --> 00:52:01,160
The place is jumping.
871
00:52:01,660 --> 00:52:05,200
Yeah, well, you know, some folks might
have got the idea that you'd be here,
872
00:52:05,900 --> 00:52:07,100
How would they know that?
873
00:52:07,440 --> 00:52:09,440
Oh, it's a small town. People talk.
874
00:52:11,080 --> 00:52:12,080
Okay, I talk.
875
00:52:12,160 --> 00:52:13,540
What can I say? You're good for
business.
876
00:52:14,540 --> 00:52:17,160
Why don't you guys take a seat? I'll
send someone over to get you some
877
00:52:17,360 --> 00:52:18,900
Oh, thanks, Jenny. On the house.
878
00:52:26,920 --> 00:52:30,960
If you're ever looking for a manager,
that girl wouldn't be your worst.
879
00:52:32,940 --> 00:52:34,760
You look very pretty tonight.
880
00:52:35,360 --> 00:52:36,360
Thank you.
881
00:52:38,420 --> 00:52:41,380
So we're hurrying to get you a song so
you have time to practice.
882
00:52:41,720 --> 00:52:43,400
Don't worry about me. I'm a quick study.
883
00:52:44,700 --> 00:52:48,900
If I told you how much I appreciate what
you're doing for me, for all the
884
00:52:48,900 --> 00:52:52,980
struggling musicians in this town this
week, you can't even begin to imagine.
885
00:52:53,640 --> 00:52:54,640
I've been there.
886
00:52:55,500 --> 00:52:56,540
Not an easy business.
887
00:52:57,260 --> 00:52:58,660
Sometimes you need a helping hand.
888
00:52:59,080 --> 00:53:02,280
I had that, so this is just me paying it
forward.
889
00:53:02,880 --> 00:53:03,880
Welcome one and all.
890
00:53:05,040 --> 00:53:07,060
You're all here for the music festival,
I bet.
891
00:53:07,280 --> 00:53:08,280
Yeah.
892
00:53:08,660 --> 00:53:09,660
I thought so.
893
00:53:09,820 --> 00:53:11,820
We're going to play one for you that you
all know and love.
894
00:53:17,420 --> 00:53:20,660
Matter of fact, this one's written by a
good friend of mine.
895
00:53:21,740 --> 00:53:23,180
He asked to be here tonight.
896
00:53:24,750 --> 00:53:27,150
And I think, a little encouragement.
897
00:53:27,490 --> 00:53:29,350
Come on, come on, if you're going to
help us out, what do you think?
898
00:53:29,790 --> 00:53:31,650
No, Lonnie, no, you're not.
899
00:53:33,090 --> 00:53:35,510
You know they're not going to stop until
you get up there, right?
900
00:53:38,530 --> 00:53:39,530
All right.
901
00:53:41,330 --> 00:53:42,069
Don't worry.
902
00:53:42,070 --> 00:53:43,070
Oh, no.
903
00:53:43,090 --> 00:53:44,090
No, no.
904
00:54:03,939 --> 00:54:06,740
Come on.
905
00:54:33,080 --> 00:54:38,840
Late nights at Richard's don't have no
business. There's one thing I need to
906
00:54:38,840 --> 00:54:39,840
derive.
907
00:54:40,340 --> 00:54:43,820
It's the light in the morning, my baby.
908
00:54:44,620 --> 00:54:47,660
Holdin' on to that wild green crazy.
909
00:55:12,810 --> 00:55:14,790
Is there life in love?
910
00:55:15,010 --> 00:55:18,230
Is there life in love with my baby?
911
00:55:18,870 --> 00:55:21,950
And I'd love to live the life with you.
912
00:55:25,070 --> 00:55:26,070
Yeah,
913
00:55:27,510 --> 00:55:30,050
I'd love to live the life with you.
914
00:56:16,360 --> 00:56:17,520
There's too many people in there.
915
00:56:18,040 --> 00:56:19,040
Just needed some air.
916
00:56:19,260 --> 00:56:20,660
Come on. That's not it.
917
00:56:21,420 --> 00:56:22,420
Tell me.
918
00:56:22,440 --> 00:56:25,100
We can't wait for you to hear the song
we've been working on.
919
00:56:25,480 --> 00:56:27,740
Well, he didn't mean it like that.
920
00:56:28,140 --> 00:56:29,700
He meant it exactly like that.
921
00:56:30,600 --> 00:56:32,140
What is your problem with Duke?
922
00:56:32,520 --> 00:56:33,520
Can't trust him.
923
00:56:33,600 --> 00:56:34,920
Why? What did he do?
924
00:56:36,380 --> 00:56:37,400
He stole my song.
925
00:56:37,840 --> 00:56:38,840
What?
926
00:56:39,220 --> 00:56:40,220
What song?
927
00:56:40,300 --> 00:56:41,300
That song.
928
00:56:42,160 --> 00:56:44,460
The one you just sang with him. A Life
and a Love.
929
00:56:44,920 --> 00:56:48,180
We wrote that song together, but then he
took all the credit for it.
930
00:56:48,760 --> 00:56:52,120
He made it this huge hit, and now
everyone, well, they think it's his.
931
00:56:52,440 --> 00:56:58,120
I mean, if that's true, why didn't you
sue him or go to the press or something
932
00:56:58,120 --> 00:56:58,899
like that?
933
00:56:58,900 --> 00:56:59,900
It's just like that.
934
00:57:00,540 --> 00:57:01,580
He was Duke Sterling.
935
00:57:02,820 --> 00:57:04,900
One of the most powerful men in country
music.
936
00:57:05,120 --> 00:57:07,700
If I'd have gone after him, I would have
never worked again.
937
00:57:08,100 --> 00:57:09,700
And that doesn't sound like the Duke I
know.
938
00:57:09,960 --> 00:57:11,300
It's because you don't know the album.
939
00:57:12,840 --> 00:57:13,840
Why?
940
00:57:14,600 --> 00:57:20,540
If you did that to us, I'd drop out of
the festival. No, you can't do that.
941
00:57:20,600 --> 00:57:21,600
Why not?
942
00:57:23,160 --> 00:57:26,840
There's a record label coming to hear
you sing. How do you know that? Because
943
00:57:26,840 --> 00:57:27,980
asked them to.
944
00:57:29,220 --> 00:57:30,220
You did that?
945
00:57:33,040 --> 00:57:34,040
For me?
946
00:57:34,720 --> 00:57:36,920
I believe in you, Shana.
947
00:57:37,940 --> 00:57:38,940
I'm serious.
948
00:57:40,400 --> 00:57:42,320
Look, this is your shot.
949
00:57:45,180 --> 00:57:46,180
You have to take it.
950
00:58:16,110 --> 00:58:17,110
Powerful feeling.
951
00:58:20,170 --> 00:58:21,170
Stage.
952
00:58:22,550 --> 00:58:23,550
Spotlight.
953
00:58:24,630 --> 00:58:26,850
All those people cheering just for you.
954
00:58:30,370 --> 00:58:32,550
Feel at once it's hard to walk away
from.
955
00:58:37,630 --> 00:58:40,310
You disappeared on me last night.
956
00:58:42,450 --> 00:58:44,370
Oh, it was late.
957
00:58:45,480 --> 00:58:49,200
You know, and I figured it would take
you a while to get away from the
958
00:58:49,200 --> 00:58:50,200
line.
959
00:58:51,400 --> 00:58:54,880
Um, we wanted to get this to you.
960
00:58:55,260 --> 00:58:57,080
It's the newest version of the song.
961
00:58:57,560 --> 00:58:58,560
Mine and Grady's.
962
00:58:58,860 --> 00:59:00,080
Just so you have an idea.
963
00:59:00,280 --> 00:59:01,280
Okay, great.
964
00:59:02,500 --> 00:59:03,500
Well, have a look.
965
00:59:03,740 --> 00:59:04,740
Great.
966
00:59:06,080 --> 00:59:07,260
Something else on your mind?
967
00:59:09,660 --> 00:59:11,120
Grady told me about a life and a love.
968
00:59:28,430 --> 00:59:32,650
or my version, chances are I come up a
bit better in it.
969
00:59:40,850 --> 00:59:42,430
We'd been writing together a while.
970
00:59:42,890 --> 00:59:45,010
Good songs, but nothing caught fire.
971
00:59:45,470 --> 00:59:48,210
And then he brought me that set of
lyrics. I loved it.
972
00:59:48,810 --> 00:59:50,210
Heck, everybody loved it.
973
00:59:51,070 --> 00:59:54,950
Label wanted to release it as my first
single, but only if it had my name on
974
00:59:55,070 --> 00:59:56,070
Why?
975
00:59:56,290 --> 00:59:57,350
Why would they do that?
976
00:59:57,880 --> 01:00:03,600
They wanted to build me up as this big
-time, authentic country music artist,
977
01:00:03,620 --> 01:00:06,020
and they thought a song that wasn't 100
% mine would hurt that.
978
01:00:06,360 --> 01:00:09,200
So they told everybody you wrote it.
979
01:00:11,740 --> 01:00:15,940
I could have told reporters, set the
record straight, but I didn't.
980
01:00:17,440 --> 01:00:18,440
It's on me.
981
01:00:20,960 --> 01:00:24,660
I guess it's kind of what you said
earlier, right?
982
01:00:26,510 --> 01:00:27,690
That one shot at fame?
983
01:00:29,490 --> 01:00:32,690
I apologize. I tried to explain.
984
01:00:33,290 --> 01:00:38,490
I made sure Grady got every penny he
deserved, but... No.
985
01:00:39,310 --> 01:00:42,190
He's a proud man.
986
01:00:44,670 --> 01:00:46,190
He was a good friend once.
987
01:00:47,690 --> 01:00:49,130
Not all that many of those.
988
01:00:53,590 --> 01:00:54,590
I'm...
989
01:00:54,990 --> 01:00:58,430
I'm not trying to come off like it's so
hard to be famous.
990
01:00:59,350 --> 01:01:06,170
But sometimes you have to choose between
your career and the
991
01:01:06,170 --> 01:01:07,210
people you care about.
992
01:01:08,010 --> 01:01:13,290
I hope you never have to make that
choice because sometimes it's sad to say
993
01:01:13,290 --> 01:01:14,290
career wins.
994
01:01:34,920 --> 01:01:35,920
Got your message.
995
01:01:36,400 --> 01:01:39,140
I knew you couldn't turn down an
invitation to see Pumpkin again.
996
01:01:40,760 --> 01:01:46,340
Look, about the other night, I've been
thinking I didn't mean to dump all that
997
01:01:46,340 --> 01:01:50,720
me and Duke stuff on you. It's just
sometimes I let it get to me.
998
01:01:51,020 --> 01:01:51,899
I'm sorry.
999
01:01:51,900 --> 01:01:53,780
No, what happened to you was wrong.
1000
01:01:54,240 --> 01:01:58,460
Honestly, I had no idea how I would
handle that kind of situation if I was
1001
01:01:58,460 --> 01:01:59,460
your shoes.
1002
01:02:00,740 --> 01:02:03,220
I do think that the two of you should
talk about it, though.
1003
01:02:04,740 --> 01:02:06,580
I've tried that over and over again.
1004
01:02:06,920 --> 01:02:08,460
It never gets us anywhere, though.
1005
01:02:09,600 --> 01:02:10,640
It's a shame, too.
1006
01:02:11,680 --> 01:02:13,580
Man, he and I were a good team.
1007
01:02:15,860 --> 01:02:16,860
And so are we.
1008
01:02:18,660 --> 01:02:20,620
You know, you and I have something
special.
1009
01:02:21,740 --> 01:02:24,720
And I just want to let you know how much
I appreciate everything we're doing
1010
01:02:24,720 --> 01:02:28,500
together. I really enjoy working with
you two, Grady Connor.
1011
01:02:30,800 --> 01:02:32,180
Nothing's ever going to get in the way
of that.
1012
01:02:32,770 --> 01:02:34,970
You've helped me remember what I love
most about music.
1013
01:02:36,390 --> 01:02:39,010
Even my lyrics have gotten better
somehow.
1014
01:02:41,170 --> 01:02:42,190
Tell you about that.
1015
01:02:42,690 --> 01:02:44,350
I just talked to Duke.
1016
01:02:44,570 --> 01:02:45,750
Wait, you talked to Duke?
1017
01:02:46,010 --> 01:02:47,010
Yep.
1018
01:02:48,510 --> 01:02:49,510
But what did he say?
1019
01:02:50,470 --> 01:02:54,070
Wants us to look at the bridge and a
couple of the lyrics, but I think we
1020
01:02:54,070 --> 01:02:55,070
that. Yeah.
1021
01:02:56,070 --> 01:02:58,110
Shana, Duke's looking for you.
1022
01:02:58,610 --> 01:03:00,970
We need a time through your number for
lights and sound.
1023
01:03:03,819 --> 01:03:06,280
Okay. Well, this will be quick, right?
1024
01:03:06,580 --> 01:03:09,620
So that we can polish the song this
afternoon?
1025
01:03:09,860 --> 01:03:12,500
Well, that won't give Duke and the boys
enough time to rehearse it if he wants
1026
01:03:12,500 --> 01:03:13,500
it in the show tonight.
1027
01:03:13,880 --> 01:03:14,880
That's okay. Go ahead.
1028
01:03:15,540 --> 01:03:16,840
That's fine. I can handle what's left.
1029
01:03:17,360 --> 01:03:18,360
On your own?
1030
01:03:19,920 --> 01:03:21,440
That's our song, Grady.
1031
01:03:21,720 --> 01:03:22,720
It still will be.
1032
01:03:23,460 --> 01:03:24,880
Look, it'll always be our song.
1033
01:03:25,380 --> 01:03:27,320
Now go. Get up on that stage, girl.
1034
01:03:29,840 --> 01:03:31,410
Okay. All right.
1035
01:03:33,930 --> 01:03:35,330
Looks good.
1036
01:03:38,810 --> 01:03:44,310
I can't hear.
1037
01:03:45,930 --> 01:03:48,910
Shana. Yeah. So sorry. We're having a
bit of a sound issue.
1038
01:03:49,390 --> 01:03:50,390
Give us 10.
1039
01:03:50,750 --> 01:03:51,750
Sure.
1040
01:03:52,010 --> 01:03:54,770
They said that was an hour ago. They
need to fix this.
1041
01:03:56,230 --> 01:03:57,510
Shana, this is your big break.
1042
01:03:57,810 --> 01:03:58,810
What's going on with you?
1043
01:03:59,310 --> 01:04:00,310
Greedy.
1044
01:04:00,540 --> 01:04:05,220
He went to polish the stone by himself
and I just... I can't help but feel like
1045
01:04:05,220 --> 01:04:07,960
I'm letting him down in the moment he
needs me most.
1046
01:04:08,360 --> 01:04:11,660
Well, maybe you need to decide what's
more important.
1047
01:04:13,760 --> 01:04:14,860
Okay, what were we going to do?
1048
01:04:15,260 --> 01:04:16,640
I told you I'll be back as soon as I
can.
1049
01:04:45,610 --> 01:04:46,169
What do I have to do?
1050
01:04:46,170 --> 01:04:49,590
What about your rehearsal with Duke? I
have sung that song a million times.
1051
01:04:50,070 --> 01:04:51,070
First things first.
1052
01:04:51,790 --> 01:04:52,910
And Duke's okay with it?
1053
01:04:54,730 --> 01:04:56,190
All right, then come on in. No.
1054
01:04:57,670 --> 01:04:58,670
Not here.
1055
01:04:59,090 --> 01:05:00,090
Well, then where?
1056
01:05:00,150 --> 01:05:01,150
It's my hair.
1057
01:05:01,230 --> 01:05:02,230
Come with me.
1058
01:05:03,110 --> 01:05:04,110
All right.
1059
01:05:04,990 --> 01:05:06,130
She was just here. I know.
1060
01:05:06,870 --> 01:05:09,530
She... She said she was going to be
right back.
1061
01:05:10,030 --> 01:05:11,250
Carl! Yeah, hold on.
1062
01:05:11,510 --> 01:05:12,510
One sec.
1063
01:05:17,440 --> 01:05:18,440
What's up?
1064
01:05:19,620 --> 01:05:22,900
Where's Shana? I don't know exactly.
1065
01:05:24,300 --> 01:05:25,500
Her stomach or something.
1066
01:05:25,760 --> 01:05:29,300
But I'm sure she'll be... We were
1067
01:05:29,300 --> 01:05:34,200
talking about choices.
1068
01:05:35,380 --> 01:05:36,640
I guess she made hers.
1069
01:05:44,020 --> 01:05:45,020
That's it.
1070
01:05:45,260 --> 01:05:46,560
Now we just gotta write it down.
1071
01:05:47,370 --> 01:05:48,950
Sounds more like Duke than Duke.
1072
01:05:50,230 --> 01:05:55,990
Just need to get these changes to him
and then... Well...
1073
01:05:55,990 --> 01:05:59,870
That's that.
1074
01:06:00,510 --> 01:06:01,510
That's that?
1075
01:06:02,230 --> 01:06:03,230
Yeah.
1076
01:06:05,270 --> 01:06:09,530
I'll, uh... I'll just get this written
out for Duke and the band then.
1077
01:06:11,350 --> 01:06:12,350
Hmm.
1078
01:06:16,110 --> 01:06:17,770
You guys need to sing this as a duet.
1079
01:06:18,450 --> 01:06:19,450
Me and Duke.
1080
01:06:20,230 --> 01:06:23,890
No. It's the perfect song for the two of
you. Duke's a smart man. He'll see
1081
01:06:23,890 --> 01:06:27,470
that. Grady, if I'm going to sing this
with anybody, that somebody should be
1082
01:06:27,470 --> 01:06:28,470
you.
1083
01:06:29,290 --> 01:06:30,290
No.
1084
01:06:30,830 --> 01:06:35,950
Are you imagining that something's going
on between me and Duke? No.
1085
01:06:36,470 --> 01:06:40,110
It's just, look, you're already going to
be there.
1086
01:06:40,330 --> 01:06:43,770
Yeah? Nobody wants to see the two of us
up there. They want to see Duke.
1087
01:06:44,070 --> 01:06:47,030
And as soon as you start singing,
They're going to want to see you, too.
1088
01:06:47,050 --> 01:06:48,330
well, I don't care what they want.
1089
01:06:49,050 --> 01:06:53,170
If you're going to be there, you should
be up there. I won't be, because I
1090
01:06:53,170 --> 01:06:54,170
can't.
1091
01:06:54,410 --> 01:06:58,010
I've got to finish this up and then get
back to Nashville tonight.
1092
01:06:58,550 --> 01:07:00,490
To Nashville tonight?
1093
01:07:00,930 --> 01:07:02,330
Yeah, I've got a job waiting there.
1094
01:07:03,550 --> 01:07:05,250
That's, uh, didn't I?
1095
01:07:05,530 --> 01:07:07,070
Thought I told you about it, didn't I?
No.
1096
01:07:08,310 --> 01:07:09,310
Grady.
1097
01:07:11,250 --> 01:07:12,250
Hey.
1098
01:07:12,830 --> 01:07:14,210
You're on the edge of something huge.
1099
01:07:16,759 --> 01:07:18,900
Shana, please don't let anything get in
the way of that.
1100
01:07:19,820 --> 01:07:25,100
The truth is, you don't need me. Between
us, you don't need Duke Sterling.
1101
01:07:26,400 --> 01:07:27,400
You got this.
1102
01:07:27,940 --> 01:07:29,760
No, you can't just leave.
1103
01:07:29,980 --> 01:07:33,680
Not... Not until we talk more.
1104
01:07:34,240 --> 01:07:41,120
Well, I... I'm sorry, I... Hey, Jenny,
is everything
1105
01:07:41,120 --> 01:07:42,120
okay?
1106
01:07:43,920 --> 01:07:49,560
Wait, wait, slow down. What is he...
He... Well, I'm just... I'm in the
1107
01:07:49,560 --> 01:07:54,960
of, um... Okay, yeah, no, okay. I'll be
right there.
1108
01:07:57,060 --> 01:07:58,400
Duke needs me back at rehearsal.
1109
01:07:59,740 --> 01:08:00,740
You gotta go.
1110
01:08:10,080 --> 01:08:11,980
You missed the sound check, the
rehearsal.
1111
01:08:12,300 --> 01:08:13,380
No, but I'm here now. I can explain.
1112
01:08:14,080 --> 01:08:16,060
Duke asked me to call Lonnie's band to
take your spot.
1113
01:08:16,300 --> 01:08:17,880
What? He's sorry this didn't work out.
1114
01:08:18,319 --> 01:08:22,660
Wait, but Carl, this is for him. I know
you're disappointed about not being on
1115
01:08:22,660 --> 01:08:24,700
stage tonight. No, that is not what this
is about.
1116
01:08:25,040 --> 01:08:26,040
I'm sorry, Gina.
1117
01:08:26,439 --> 01:08:28,859
Okay, this whole thing has just gotten
way out of hand. Okay, what is really
1118
01:08:28,859 --> 01:08:29,859
going on here?
1119
01:08:31,080 --> 01:08:34,819
People sometimes want to get near Duke
so they can take advantage of his fame
1120
01:08:34,819 --> 01:08:35,818
his money.
1121
01:08:35,819 --> 01:08:37,960
So when he decides to get close to
somebody...
1122
01:08:38,279 --> 01:08:40,000
and really trust them, and they aren't
there for him.
1123
01:08:40,220 --> 01:08:41,500
Wait, he doesn't think that that's me.
1124
01:08:43,180 --> 01:08:47,260
Or is this all about Grady? They have a
complicated history.
1125
01:08:47,520 --> 01:08:49,420
Yeah, I know. I know about the song.
1126
01:08:50,200 --> 01:08:51,319
It was never about that.
1127
01:08:52,380 --> 01:08:54,319
He always knew Grady was a better
songwriter.
1128
01:08:54,640 --> 01:08:55,640
What does that matter?
1129
01:08:56,899 --> 01:08:59,040
I mean, he's Duke Sterling.
1130
01:08:59,720 --> 01:09:03,899
He's number one on the charts. He's
famous. He's rich. And he's a guy who
1131
01:09:03,899 --> 01:09:05,120
doesn't always feel like he's good
enough.
1132
01:09:07,819 --> 01:09:09,520
Carl, you've got to let me talk to him.
1133
01:09:09,740 --> 01:09:10,740
It won't do any good.
1134
01:09:11,300 --> 01:09:14,220
There's only one person I've ever known
who could talk any sense into him.
1135
01:09:17,460 --> 01:09:18,460
Okay.
1136
01:09:19,080 --> 01:09:20,100
Then that's who we need to get.
1137
01:09:55,630 --> 01:09:57,830
Shana, Mr. Connell left something for
you.
1138
01:09:58,050 --> 01:09:59,050
Oh, thank you.
1139
01:10:12,210 --> 01:10:13,590
I'm so proud of us.
1140
01:10:14,150 --> 01:10:15,510
Proud to have written this with you.
1141
01:10:16,070 --> 01:10:18,370
But the label needs a song by Duke
Sterling.
1142
01:10:18,890 --> 01:10:20,210
So I'm giving him this one.
1143
01:10:21,110 --> 01:10:22,110
For him.
1144
01:10:22,750 --> 01:10:23,750
And for you.
1145
01:10:43,510 --> 01:10:45,330
I'm not leaving until you talk to me.
1146
01:10:47,970 --> 01:10:48,970
Duke!
1147
01:10:49,110 --> 01:10:50,250
Knock all you want.
1148
01:10:51,570 --> 01:10:52,570
Nobody's home.
1149
01:10:53,930 --> 01:10:56,230
Do I have to make you fool out of myself
here for nothing?
1150
01:10:58,330 --> 01:11:02,590
Look, I am so sorry I ran off. I really,
I really am. But please, you've got to
1151
01:11:02,590 --> 01:11:03,590
give me a second chance.
1152
01:11:03,770 --> 01:11:04,770
I don't know, Shayna.
1153
01:11:05,170 --> 01:11:09,310
I had to finish the song. It is so
important for you, and you know it's
1154
01:11:09,310 --> 01:11:10,310
important for me, too.
1155
01:11:11,920 --> 01:11:14,160
This is from Grady. It's the final
version.
1156
01:11:16,000 --> 01:11:17,740
Why isn't he giving it to me himself?
1157
01:11:18,160 --> 01:11:19,160
Because he left.
1158
01:11:20,140 --> 01:11:22,800
He seems to think that there's something
going on between you and me.
1159
01:11:28,800 --> 01:11:29,980
My name's on this.
1160
01:11:30,220 --> 01:11:34,320
He said that there's a record guy coming
tonight and he wants to hear a song by
1161
01:11:34,320 --> 01:11:35,320
Duke Sturdy.
1162
01:11:36,800 --> 01:11:37,800
That's it.
1163
01:11:38,440 --> 01:11:39,840
Grady wanted it this way?
1164
01:11:40,140 --> 01:11:41,140
He did that for you.
1165
01:11:43,660 --> 01:11:48,360
Honestly, when I look at the two of you,
I don't see one of you being better
1166
01:11:48,360 --> 01:11:54,760
than the other. All I see is two really,
really good men who have one very
1167
01:11:54,760 --> 01:11:56,280
annoying thing in common.
1168
01:11:56,640 --> 01:11:57,438
What's that?
1169
01:11:57,440 --> 01:11:59,680
They are too stubborn for their own
good.
1170
01:12:03,200 --> 01:12:04,980
Well, you may have something there.
1171
01:12:06,220 --> 01:12:12,740
Look, what you said the other night, I
don't like it. people close either.
1172
01:12:14,220 --> 01:12:15,960
But when I do, it's for life.
1173
01:12:17,860 --> 01:12:19,160
I hope that includes you.
1174
01:12:22,480 --> 01:12:25,540
If you hurry, you can probably squeeze
in a rehearsal.
1175
01:12:26,000 --> 01:12:27,220
Not that you need it.
1176
01:12:28,120 --> 01:12:32,480
I'll go over these changes. We'll sort
the Grady stuff out tomorrow, okay?
1177
01:12:32,760 --> 01:12:33,760
Really?
1178
01:12:34,420 --> 01:12:36,980
Hold on a minute.
1179
01:12:37,220 --> 01:12:38,220
Yeah?
1180
01:12:38,800 --> 01:12:39,900
There's a duet now?
1181
01:12:41,350 --> 01:12:44,510
Oh, yeah, it just kind of ended up that
way.
1182
01:12:45,710 --> 01:12:48,370
So I guess you'll be needing someone to
sing it with?
1183
01:12:50,010 --> 01:12:51,010
Yes, I will.
1184
01:13:02,610 --> 01:13:05,050
You good here?
1185
01:13:05,290 --> 01:13:06,290
Yeah.
1186
01:13:07,530 --> 01:13:08,710
It's a crazy week, huh?
1187
01:13:09,210 --> 01:13:10,210
I'll say it.
1188
01:13:13,610 --> 01:13:14,690
I'm so proud of you, Shana.
1189
01:13:14,950 --> 01:13:16,710
And the show at Duke is a big deal.
1190
01:13:17,030 --> 01:13:20,370
I was proud of you when you were playing
those little bars up in Nashville.
1191
01:13:21,390 --> 01:13:24,590
No, I'm proud of you because of you.
1192
01:13:26,010 --> 01:13:27,450
Because of the woman you've become.
1193
01:13:28,510 --> 01:13:29,510
I'm sad.
1194
01:13:31,430 --> 01:13:33,010
I only wish Mom was here.
1195
01:13:33,410 --> 01:13:34,410
She is.
1196
01:13:35,290 --> 01:13:36,430
You know she is.
1197
01:13:37,630 --> 01:13:42,090
Before you go, I thought maybe you could
use this.
1198
01:13:46,830 --> 01:13:47,830
That's Mom's guitar.
1199
01:13:48,590 --> 01:13:49,590
Yeah.
1200
01:13:53,710 --> 01:13:58,130
I've been meaning to give it to you for
a while, and time seems especially right
1201
01:13:58,130 --> 01:14:02,750
tonight, so... You know your mom would
want you to have it.
1202
01:14:03,670 --> 01:14:05,390
You have no idea how much this means.
1203
01:14:06,750 --> 01:14:07,750
Yes, I do.
1204
01:14:46,730 --> 01:14:47,688
Grady Conner.
1205
01:14:47,690 --> 01:14:49,950
I'm not here. Leave a message and I'll
get back to you.
1206
01:14:51,310 --> 01:14:52,470
Hey, Grady, it's Shana.
1207
01:14:53,210 --> 01:14:57,950
Um, you know, I just want to say again,
you know, how much I appreciate
1208
01:14:57,950 --> 01:15:04,910
everything that... Though she
1209
01:15:04,910 --> 01:15:05,910
didn't go.
1210
01:15:07,110 --> 01:15:08,230
We were great together.
1211
01:15:09,430 --> 01:15:10,750
We made each other great.
1212
01:15:12,050 --> 01:15:15,770
So, you know, if you're, uh, if you're
ever back in town, you know,
1213
01:15:30,800 --> 01:15:33,800
You look like a rock star. Well, you
don't look so bad yourself.
1214
01:15:34,260 --> 01:15:35,260
Well, thank you.
1215
01:15:35,760 --> 01:15:37,220
Thank you again for everything.
1216
01:15:37,760 --> 01:15:38,840
We're friends forever.
1217
01:15:41,460 --> 01:15:43,860
Shayna, we're ready for you. For me?
1218
01:15:44,480 --> 01:15:45,980
Local girl makes good.
1219
01:15:46,780 --> 01:15:49,320
You go get them started. I'll be right
there to join you.
1220
01:15:51,080 --> 01:15:52,080
It's going to be great.
1221
01:15:52,920 --> 01:15:53,920
So are you.
1222
01:15:55,000 --> 01:15:56,160
Okay, I'm going.
1223
01:15:57,600 --> 01:15:59,080
Bye. Talking dead.
1224
01:16:01,680 --> 01:16:03,040
Oh, there she is. Thank you.
1225
01:16:04,240 --> 01:16:05,440
Okay. Grady.
1226
01:16:07,340 --> 01:16:09,400
Carl. Grady, I heard you left.
1227
01:16:09,820 --> 01:16:10,820
I did.
1228
01:16:10,860 --> 01:16:12,880
Then I realized there was something I
needed to do.
1229
01:16:13,520 --> 01:16:16,520
Look, Carl sent me the tracks of your
album.
1230
01:16:16,960 --> 01:16:19,980
You don't need another song, especially
from me.
1231
01:16:21,620 --> 01:16:23,000
It's perfect the way it is.
1232
01:16:23,560 --> 01:16:26,500
That means a lot coming from you.
1233
01:16:26,880 --> 01:16:28,180
Thanks. Great.
1234
01:16:28,560 --> 01:16:30,980
Come on. You're Duke Sterling.
1235
01:16:31,720 --> 01:16:33,080
Do the album you want.
1236
01:16:34,140 --> 01:16:37,940
Ron doesn't like it. You know how many
other labels would love to sign you?
1237
01:16:38,680 --> 01:16:39,680
Come on.
1238
01:16:42,100 --> 01:16:43,100
Duke.
1239
01:16:47,220 --> 01:16:53,380
Is that the only reason you came back?
1240
01:16:56,560 --> 01:16:57,620
It's not the only reason.
1241
01:16:58,280 --> 01:17:03,720
So how about a warm music festival
welcome to Silverado's own J -Mack
1242
01:17:03,720 --> 01:17:04,720
Band.
1243
01:17:06,400 --> 01:17:07,540
Good evening,
1244
01:17:10,820 --> 01:17:11,820
Silverado.
1245
01:17:13,780 --> 01:17:19,180
I want to say thank you to Mr. Duke
Sterling, a great guy and a great
1246
01:17:19,960 --> 01:17:22,240
And to all of you who came out tonight.
1247
01:17:25,450 --> 01:17:29,370
who started this music festival, and
look at how it's grown.
1248
01:17:30,150 --> 01:17:34,490
It's an honor to be here tonight, and I
am so happy to be back home.
1249
01:17:36,310 --> 01:17:39,910
Finally, I want to give a huge thank you
to Brady Conner.
1250
01:17:40,270 --> 01:17:42,390
This first number was inspired by him.
1251
01:17:43,470 --> 01:17:50,110
It started out as a love song and ended
as a love story, even if he doesn't
1252
01:17:50,110 --> 01:17:51,110
know.
1253
01:18:01,070 --> 01:18:02,250
The song you and Shana wrote?
1254
01:18:02,650 --> 01:18:03,650
Yeah.
1255
01:18:03,910 --> 01:18:05,330
Doesn't need me to make it a hit.
1256
01:18:07,110 --> 01:18:08,110
Seriously?
1257
01:19:28,300 --> 01:19:29,300
Amen.
1258
01:20:59,280 --> 01:21:00,900
Next Saturday night at 9.
1259
01:21:01,420 --> 01:21:06,800
Single ladies, it is time. The bouquet
finds who it's meant to find.
1260
01:21:07,300 --> 01:21:08,300
It's perfect.
1261
01:21:08,620 --> 01:21:13,720
My Best Friend's Bouquet premieres next
Saturday night at 9, only on Hallmark
1262
01:21:13,720 --> 01:21:14,720
Channel.
90063
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.