All language subtitles for CONTOS EROTICOS PARTE1(JULIA 1999)

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Original subtitles

A is equal to B as B is equal to A.

B is equal to C, as... We lilue ii. We lilue ii.

Well, I like il a ldl.

Every way in which sex manifests itself,

both real-life sex.

And unreal, imagined, wanted, dreamt,

raved-about and even extolled sex,

it's a voluptuous moment of that infinite source of pleasure

which is eroticism.

TINTO BRASS PRESENTS

Giulia! Giulia.

One, two, three, turn.

One, two, three, turn and twirl. Look.

No, not like that. Keep your shoulders straight.

Kgep going...

One, two, three, four, five.

From the start. One, two, three.

That's it for today. You n go. I would like to talk to you two.

Gustavo talked to you. ll looked really easy. What did he say?

About the tour in Rome.

- Really? - Yes.

- Stefania will be with us. - Ah, Stefania.

- He didn't say anything? - No, he didn't.

I don't know why he is so stlict with me. I don't understand.

I think it's just a way to enurage you. Don't worry.

- I don't know. At about 7pm. - Were you hot?

- What are you doing tonight? - I n't see you tonight.

- Why? - I am meeting my theatre teacher.

- Is that OK? - OK.

I'll see you another time.

Bye.

I don't know, at about 7pm...

What are you doing?

Everybody goes to Rome pl me. Why?

I don't want to talk about it light now. Bye.

I will go... Wail and see!

I've been watching you for weeks.

- Really? - In the church.

I often go.

- You never saw me? - No.

- Do you really believe in God? - Of urse.

I have to go.

- Hello! - Who are you?

I work with the creatures of the beyond. At Forkheim, not far from here.

My mothe rthinks it's a good job.

It's tme that for us who have faith, life is eternal.

Do you know the story of Mary Magdalen?

She washed christs feet.

You have beautiful feet. I would lilue to share this pleasure with you.

- I n1, I have to go. - You shouldn't leave so soon.

The glory of God. Your body is the glory of God.

Your eyes are beautiful. When Mary washes Jesus feel,

it's such a sensual gesture.

Good morning, Mum.

- You never liked Chi, my cal. - Come on, Mum.

Clislina, go to gel some nibbles for me and your sister.

Yes, Mother.

I'm going to Rome. Are you happy?

Do you dare to talk about Rome when Chi is not well?

Well, Romemthe memolies...

The light on the Caravaggio. The fa of Jupiter on the ilings.

The Etmn mosai, Villa Borghese.

Mum, it's a serious thing.

Well, that is ifl go. I had a row with the dan teacher.

Matthew, chapter 5, verse 44.

'Love your enemies,

'bless those who curse you, do good to those who hale you.'

Tell me about my father and ltaly, please.

He was a German Swiss. He was from a village near Zurich.

He rlied his gun all the time,

even when he wasn't at work.

He was a Viking god.

- He used to say, 'Grau mil rot...' - What?

And then, Clislina was born.

Here we are, Mum.

- May I sit down? - Come on, sit down.

Matthew, chapter 15, verse 4.

'Honour thy father and mother,

'and he that curseth father or mother, let him die the death.'

God, Mum, she just wants to sit down!

Slop ling people with your bullshit... your...

Do you want a ham sandwich, dear?

No, I don't.

I don't understand how you n eat such muck.

You, who always talks about Jesus.

Didn't you know that he never ale animals?

It isn't wlitten anywhere that he ate dead meat.

Are you going to lecture me now?

Come on, Clislina, go gel some biscuits.

Dfsnolworthil. - Doaslsay.

I won't have any biscuits.

Listen, Mum, I've decided to become an actress.

You have to teach me lots of things.

You are not strong enough.

'God created man in His own image.'

It's wlitlen in the Bible.

We are the most perfect creatures in existen.

He created the animals to nourish us.

He is the tmlh and the way.

Could you please leave God alone?

What does the tmth have to do with your beliefs?

John, chapter 8, verse 32.

'And ye shall know the tmlh...'

No, I think it's verse 32, chapter 7.

How do you put up with her?

You'll end up like her, you know?

You don't know anything. I should be going to Rome.

I should be going to Rome. Me, me, not you, me!

- My God, Mum. - 'Honour thy father and mother,

'and he that curseth father or mother, let him die the death.'

Don't you see that your beliefs don't rrespond to your real life,

- but they have been dmmmed... - Say goodbye to you sister.

You will be fine, anyway.

The libbons are my heart.

Grey with red.

The libbons are my heart...

Your breasts are my regalia.

- Hello. - Hello, Giulia.

- You look beautiful today. Thank you. - You are welme.

I am glad to finally have you in my house.

- It's a big pla. - Yes.

Do you live on your own?

Of ursel

Why of urse?

If I wasn't on my own I wouldn't asked you to me.

Iam heretogiveilatry.

- I know my lines by heart. - I'm sure.

Memory is not the only thing that matters.

Eyes are important as well.

You are always looking at me.

There is so much to look at.

But you haven't seen anything yel.

I hope you're going to show me everything.

- Show you urhal? - Who you are.

Iamwholam.

So what does that mean...

'Who I am'?

Iam here.

- Why don't we rehearse a little, hm? - All right.

Gel ready, me on.

Go.

I reject the baptism and the mass...

None of men's acts, from an erotic point of view,

ar more harmful than the dnt of Christ over humanity.

Giulia! Christ is the only person who didn't have a body.

But you, you have to prove that you live in a body, in your body.

I know, but it's very difficult.

I don't want to force you, but I n tell you howto do it.

- OK, I'm listening. - Gel undressed.

Say your lines and let me feel you have a body.

- Do you think it will work? - Yes, tmsl me.

To tmsl you..

Be strong.

- Consider it a challenge. - A challenge?

Yes.

Giulia, gel up.

- Are you afraid of challenges? - No.

Show me that you are stronger than that.

Come on, Giulia.

Don't be shy. Come on.

Come on.

I'll be there.

The line.

I reject the baptism and the mass.

None of men's acts, from an erotic point of view,

are more harmful than the dnt of Christ over humanity.

Start again. Talus off your trousers.

I reject the baptism and the mass.

None of men's acts, from an erotic point of view,

are more harmful than the dnt of Christ over humanity.

Kgep going.

I reject baptism and mass.

None of men's acts, from an erotic point of view,

are more harmful than the dnt of Christ over humanity.

Kgep going.

I reject...

Stop. It's too 685V-

What do you mean?

- You didn't even listen to me. - Of urse I did.

Ifelt you.

Yes, lfelt you...

Did you see how beautiful you were, how strong?

Yes. It makes the audien vulnerable, not me.

You n go further ifyou want.

I know, but I don't feel like il.

I am a man and you a woman. You don't want to leave now, do you?

Yes, of urse. I do ma! I want and when I want.

Ifyou are a man, you should know women.

- What are you doing? - A massage.

- Do you want to males love? - Yes.

- It doesn't matter where or when? - No, it doesn't, but mostly now.

No, not now. I'll challenge you.

Meet me tomorrow at 10pm, at 19 me do la Chapelle.

- Are you leaving? - Yes, I am.

See you tomorrow.

I reject the baptism and the mass...

Come here...

Come!

Why didn't you me yesterday, after the show?

I don't know.

You were sleeping. I didn't want to wake you up.

Last night at midnight, Elic phoned.

He said he is going to Rome.

- Eric? - Yes, Eric.

The one from your show.

You mean my Elic?

Why is he going to Rome?

With Gustavo.

What do you mean, with Gustavo?

Didn't you know they were lovers?

Come on, let's go out.

Come.

Hi, how are you?

What a ni p that you have. It's really ni.

Come on, mrhafs wrong?

I'm just saying that your p is ni.

Stop it.

- Leave her alone. - Just lm down.

- You lm down. - Give me that.

It's really ni, this p. Where did you gel it?

- Show me your watch. - No, the watch, no.

Show me your bralel.

Come on, show it to me. Eh, baby, just lm down. Calm down.

- What's the problem? - You're the problem. Just go away.

- Give me that p? - Go away.

- How ni this watch is. - Leave her alone.

Come on, defend yourself. Give me that.

Hey, slow down. Just lm yourself.

- You, lm yourself. - Stop. Stop.

- Arsehole. - All right. All right. Stop.

Ni pla, Palis.

I really miss Rome.

Mo: do you do, IMIe gm,

wnn matflower. neshlynlwked?

wnar do you do. ywna alri-

wllhlhatflower, lhatwllhedngflowar?

What do you do, beaullml woman,

WM lhatflawerwhlch Is Willing?

mmaraoyoudomldlddn

wllhlhatdyingflowar?

Gustavo is a bastard. He has to payfor it.

He hasn't even told me that I have to go to Rome.

You know that he frequents that disco lled Queen,

why don't you go and talk to him?

Why didn't you tell me that they were lovers?

You never asked me.

Anyway, Rome is a really special pla. Do you remember?

The parks, the statues, the avenues.

Is it your mobile phone, Elic?

Could you answer it, please?

Hello?

Who wants him?

Hold, please.

- It's for you. - Who is it?

- Giulia. - Ah, Giulia.

Hello? Yes, I am fine, and you?

Yes, I am at Guslavds.

Yes, you n pop in if you feel like. See you later.

What are you doing?

- Did you invite Giulia here? - Why, is that a problem?

It is a big problem. It's over.

It is not very ni. You should have not invited her.

What do you think I am, a moron?

Idiovl.

Come inl

Good morning.

Hello.

- Are you all light? - Yes, thank you.

- So, you are going to Rome, eh? - Yes.

- Why didn't you tell me? - It was a surplise.

- Ah, a surplise. - Yes.

- Ni pla. - Thanks.

- It's hot. - Yeah.

- May l? - Sure.

What were you two up to?

Use your imagination.

You are smart enough to understand it.

Understand urhal?

From A to Z...

I'll leave you two alone.

Come.

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