Original subtitles

Downloaded from YTS.MX

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♪ WHAT EVERYBODY SAYING

♪ SWING DOWN, I WANNA RIDE

♪ SWING DOWN CHARIOT, STOP, AND LET ME RIDE ♪

♪ HELL, YEAH

♪ SWING DOWN, I WANNA RIDE

♪ SWING DOWN CHARIOT, STOP, AND LET ME RIDE ♪

♪ WHAT EVERYBODY SAYING

♪ SWING DOWN, I WANNA RIDE

♪ SWING DOWN CHARIOT, STOP, AND LET ME RIDE ♪

♪ HELL, YEAH

♪ SWING DOWN, I WANNA RIDE

♪ SWING DOWN CHARIOT, STOP, AND LET ME RIDE ♪

♪ WHAT EVERYBODY SAYING

♪ SWING DOWN, I WANNA RIDE

♪ SWING DOWN CHARIOT, STOP, AND LET ME RIDE ♪

♪ HELL, YEAH

I'M LETA.

WHEN I GREW UP, MTV AND B.E.T. WERE MY ONLY FRIENDS.

IT'S NO SURPRISE THAT MY DREAM WAS TO MAKE MUSIC VIDEOS.

BUT AFTER FILM SCHOOL,

LET'S JUST SAY NOBODY WAS BEATING DOWN MY DOOR,

OFFERING TO MAKE ME A DIRECTOR.

SO I SETTLED FOR A JOB AS AN ASSISTANT.

HEY, YOU GOT TO START SOMEWHERE, RIGHT?

♪ I WANNA RIDE

♪ LET ME RIDE

♪ SO LISTEN TO THE PLAY-BY-PLAY DAY-BY-DAY ♪

♪ ROLLING IN MY '4 WITH 16 SWITCHES ♪

♪ AND GOT SOUNDS FOR THE BITCHES, CLOCKIN' ALL THE RICHES ♪

♪ GOT THE HOLLOW POINTS FOR THE SNITCHES ♪

♪ SO WOULD YOU JUST WALK ON BY? ♪

♪ 'CAUSE I'M TOO HARD TO LIFT, AND, NO, THIS AIN'T AEROSMITH ♪

♪ IT'S THE MOTHERFUCKIN' D-R-E ♪

♪ FROM THE CPT

♪ ON A RHYMING SPREE, A STRAIGHT "G" ♪

♪ HOP BACK AS I POP MY TOP, YOU TRIP ♪

♪ I LET THE HOLLOW POINTS COMMENCE TO POP POP POP ♪

♪ YEAH, 'CAUSE IF IT DON'T STOP ♪

♪ I HAVE TO PUT MY SHIT IN REVERSE ♪

♪ GO BACK AND TAKE ANOTHER SPOT 'CAUSE I'M... ♪

♪ ROLLING IN MY SIX-FOUR

♪ WHAT ALL THE NIGGAS SAYING?

♪ SWING DOWN, SWEET CHARIOT STOP, AND LET ME RIDE ♪

♪ HELL, YEAH

♪ YOU'RE ALONE, SITTING HOME, WAITING BY THE PHONE ♪

♪ NO CREW, ONLY YOU, NOTHING LEFT TO DO ♪

♪ WHO DO YOU CALL ON?

♪ YOU CALL ON ME

♪ WHEN YOU'RE CHILLING AND YOU'RE SIPPING ON YOUR ALIZÉ ♪

♪ IT'S GETTING LATE, NO DATE, NOW YOU WANT TO PLAY ♪

♪ WHO DO YOU CALL ON?

♪ YOU CALL ON ME

♪ WHY YOU WANT TO BE A PLAYER, A BALLER, A SHOT CALLER? ♪

♪ I GOT TO GET IT, AND I'LL MAKE YOU WANT TO HOLLER ♪

♪ NO TIME FOR FAKE ONES, WILL YOU PLAYAS EVER LEARN? ♪

Bleau: Six, what the hell are you doing?!

Where is my new assistant,

and why aren't you answering the phone?

CHECK THIS OUT.

'CAUSE I'M NOT HERE. I'M AT LUNCH.

SAY, MAN, LET ME GET A PIECE OF THAT SAMWICH.

AIN'T IT RAMADAN? YEAH.

THEN YOU NEED TO BE FASTING, MALCOLM X-TRA BELLY.

HELLO.

I'M HERE TO AUDITION FOR THE MUSIC VIDEO.

OOH. YOU'RE LUCKY NUMBER ONE...

YES. ...HUNDRED.

HERE YOU GO. OVER THERE.

NOW, THAT'S FINE.SHE'S FINE.

THAT'S FINE.

Woman: CAN I GET SOME QUIET? 35!OH.

EXCUSE ME. HI.

I'M LETA EVANS, AND I'M HERE FOR --

YOU'RE NUMBER 101 -- TAKE THIS,

Woman: 38!WAIT OVER THERE, SOMEBODY WILL CALL YOU.

OH, BUT I'M NOT HERE FOR THE AUDITION. I'M --

DOESN'T MATTER. OVER THERE.

40!

SORRY. OOPS. CUT THROUGH HERE.

♪ BE THE ONE THAT KEEPS YOU CALLING ♪

THAT WAY.

♪ GOT A LOVE THAT'LL KEEP YOU FALLING ♪

38.

HONEY, NO OFFENSE, BUT YOU SEEM TO BE OUT OF YOUR ELEMENT.

OH, NO, NO, NO. NO, I'M NOT AUDITIONING.

NO, I WOULD NOT BE CAUGHT DEAD

SELLING MYSELF LIKE A PIECE OF MEAT.

A PIECE OF MEAT?

SO, WHAT ARE YOU TRYING TO SAY?

OH, NO, I'M SORRY.

WHAT I MEANT WAS, YOU KNOW, MM-HMM.

IF THAT'S WHAT YOU WANT TO DO, THEN THAT'S FINE.

I'M JUST -- I WOULDN'T DO IT.

SO, WHAT ARE YOU HERE FOR?

I'M A DIRECTOR.

DIRECTOR? YEAH.

YOU KNOW WHAT?

I HAVE GOT MY ACTING HEADSHOT RIGHT HERE, MISS DIRECTOR.Woman: 48!

WITH THAT, LET ME GO AHEAD

AND PUT ALL MY INFORMATION ON THE BACK --

MY PHONE NUMBER, MY PAGER NUMBER --

IT'S 800. YOU CAN CALL ME ANYTIME.

YOU A DIRECTOR, FOR REAL?!

GIRL, I KNEW THAT WAS YOU. OH, HONEY, YOU OKAY?

I RECOGNIZED YOU FROM B.E.T.!

YOU DID THAT VIDEO.NO, I DIDN'T.

AND THOSE LITTLE HOOTCHIE MAMAS THAT WERE DANCING.

GIRL, YOU NEEDED ME IN THAT VIDEO, UH-HUH.

HERE, HONEY. LET ME GIVE YOU MY HEADSHOT.

LOOK, MY HOME NUMBER'S ON THERE.

MY CELL NUMBER IS ON THERE --

MY PAGER NUMBER, MY BOYFRIEND'S NUMBER.

GIRL, YOU GOT TO CALL ME.

I GOT SKILLS, GIRL, FOR REAL!

WE CAN GET TOGETHER!

TAKE CARE, NOW. BYE, SWEETIE!

Woman: WAIT!

♪ ...THAT KEEPS YOU CALLING

♪ GOT A LOVE THAT'LL KEEP YOU FALLING ♪

♪ FOR ME, FOR ME

BLEAU KELLY WAS THE HOTTEST MUSIC-VIDEO DIRECTOR AROUND.

V WORLD'S HER BABY.

♪ GOT A LOVE THAT'LL KEEP YOU FALLING ♪

MISS KELLY, HI.

THE AGENCY SENT ME. I'M YOUR NEW ASSISTANT.YOU'RE LATE.

JUST COME INSIDE AND SAY YES TO EVERYTHING, OKAY?

OKAY. I-I MEAN, YES.

FREDDY, DARLING.

LISTEN, LADY, LET ME TELL YOU SOMETHING RIGHT --

FRED BROWN, A.K.A. "BIG WILLIE."

CLEANED TOILETS AT BEEHIVE RECORDS

UNTIL HE PLAYED A DEMO FOR THE C.E.O.

NOW HE'S A SUPERPRODUCER AND OWNS THE LABEL.

I GOTS TO HAVE THE JET PEOPLE BACKING MY BOYS DEF SQUAD.

UNDER NO CIRCUMSTANCES CAN I HAVE THEM

COUNTRY-BAMA, JHERI-CURLED, JUICE-WEARING,

WHATEVER YOU WANT TO CALL THEM DOWN THERE.

I GOTS TO HAVE MY OWN PEOPLE WHERE I'M FROM.

DO YOU UNDERSTAND WHAT I'M SAYING?I KNOW.

IF YOU CAN'T HANDLE THAT,

THEN I'LL FIND SOMEBODY ELSE THAT CAN.

I DON'T THINK SO, SWEETIE. I'M THE BEST.

COME ON, SIT DOWN. IT'S NO PROBLEM, FREDDY.

THIS IS MY NEW ASSISTANT.

SHE COMES HIGHLY RECOMMENDED FROM...NYU FILM SCHOOL.

YES. SHE'S GONNA BE CHAPERONING THE KIDS ON THE TRIP TOMORROW.

Freddy B: CHAPERONE? WHAT ABOUT MY BOY POPPA?

I DON'T KNOW NOTHING ABOUT NO CHAPERONE.

POPPA'S GOT MY BACK, A'IGHT? DO YOU UNDERSTAND THAT?

IF POPPA'S GOT YOUR BACK, HE'S GOT MY BACK. DONE.

THERE'S JUST ONE MORE TINY LITTLE DETAIL.

THE PRODUCER'S GONNA NEED AN EXTRA $15,000 FOR AIRFARE

AND ANOTHER $5,000 FOR HOTEL.

$15,000? $5,000?

LISTEN, DO THIS -- PUT THEM ON A BUS.

AND DOUBLE -- NO, NO, NO, NO.

TRIPLETHEM IN THE MOTEL.

DO I LOOK LIKE THE BANK OF HARLEM?

IT'S NO PROBLEM. SHE'LL HANDLE IT.

♪ I WAS ALL ALONE, AND I ASKED A FRIEND♪

♪ IF YOU WERE ON THE PHONE♪

DAMN! THAT'S A PHAT BEAT, YEAH!

WHO IS IT?

IT'S ONE OF YOURS, FREDDY.

DAMN, I'M GOOD. OOH.

YEAH, YOU GOOD.

OH! I'M GOOD!

I'M SO GOOD!

DON'T FUCK THIS UP FOR ME.

Woman: 73!

HEY, HEY, HEY, HEY, MAMI, HEY! HEY!

WHAT'S YOUR NAME, SWEETHEART?

HI. UH, CHARITY.

CHARITY. TELL ME SOMETHING -- UH, DO YOU SING?

OH, LIKE A BIRD. LIKE A BIRD?

WELL, ON THAT NOTE THERE, I GOT SOMETHING SPECIAL FOR YOU.

UH, MISS LETA, COULD YOU PLEASE COME OVER HERE, UH, FOR A SECOND?

COME ON, COME ON, BABY. YOU GOT TO BE WITH ME.OKAY.

WHAT I WANT YOU TO DO IS I WANT YOU

TO BRING THIS HERE NICE LADY ON DOWN TO MIAMI,

AND I WANT TO INTRODUCE HER AS MY NEW FIND.

MI-MIAMI?

MIAMI. YES. YES, MI-AMI -- M-I-A-M-I.

MIAMI.YES, OF COURSE.

Bleau: $6,000, $4,000, $2,000.

DAMN IT!

I'M STILL LOSING MONEY ON THIS PROJECT.

I HAVETO CUT THE BUDGET.

YOU'RE FIRED.

WHAT?! THAT'S IT.

FIRED? WELL, YOU JUST HIRED ME!

OH, AND I SHOULD CARE BECAUSE...

WELL, BECAUSE...

I'LL DO IT FOR FREE.

WELL, NO, JUMPED THE GUN THERE.

I WILL DO IT ALMOSTFREE.

REALLY? HOW "ALMOST FREE"?

JUST MY RENT AND... A CHANCE TO DIRECT

THE NEXT NO-NAME, LOW-BUDGET VIDEO THAT YOU DON'T WANT.

MM. SOUNDS VERY INTERESTING.

Edgy Martinez: YO, WHAT'S UP, Y'ALL?

IT'S EDGY MARTINEZ ON HOT 97,

SENDING OUT MUCH LOVE TO MY MAN, MY MELLOW FREDDY B.

ALL YOU YOUNG CATS OUT THERE LOOKING TO BE A STAR,

YOU NEED TO CHECK HIM OUT,

'CAUSE HE'S BLOWING GROUPS UP, FOR REAL!

Leta: FREDDY B HAD A WILD GROUP OF UP-AND-COMINGS

FROM HIS OLD NEIGHBORHOOD IN HARLEM THAT HE HANDPICKED

TO BE EXTRAS IN HIS NEWEST MUSIC VIDEO.

HE SAID HE WANTED TO KEEP IT REAL.

MMM!

BROTHA, THE LADY LOVER,

FREDDY B's NEXT NEW ARTIST TO DROP A CD...

AND HIS PANTS ANYTIME A PRETTY GIRL WALKS BY.

DAMN, BABY, YOU LOOK SEXIER THAN MILK CHOCOLATE.

HOW ABOUT I NUT IN YOUR MOUTH AND NOT IN YOUR HANDS?

AH.

Leta: WITH LINES LIKE THAT, FORGET PLATINUM.

YOUR CD WILL GO WOOD.

WHAT THE HELL YOU NIGGAS LAUGHING AT?

THAT SHIT AIN'T THAT FUNNY.

WHO DOES SHE THINK SHE IS?

TUESDAY AND BLACKÉ, FREDDY B's GIRL DUO.

HE PROMISED THEIR ALBUM WOULD DROP LAST YEAR

AND THE YEAR BEFORE THAT AND THE YEAR BEFORE THAT.

FORGET HER.

DID YOU GET IT FOR ME?

Man: HEY, YO, YOU SEE MY BROTHER, MAN?

JUST CALL ME "STICKY FINGERS."

Woman: I LOVE YOU, BABY!

OKAY, KEEP IT FOR ME.

A'IGHT.

HI.

YOU ARE THE KIDS HEADED TO MIAMI, AM I RIGHT?

EXCUSE ME, MY NUBIAN SISTER. HA HA.

WHY YOU STEPPING TO THIS DUSTY ASS WHITE BOY?

YOU BETTER ACE THE WHITE-BOY JOKES,

YOU DOG-COLLAR-WEARING, BLACK KUNTA KINTE MOTHERFUCKER.

COME ON, MAN. YOU LOOK LIKE A BROKE ASS SKINHEAD!

YOU LIKE A SHADE AWAY FROM BEING A GHOST!

THAT'S WHY WE CALL YOU "CASPER"!

EVERYBODY KNOW THEY CALL ME CASPER, I TURN INVISIBLE,

RUN UP IN YOUR CRIB, AND FUCK YOUR MAMA

JUST TO SAY I DID THE SHIT.REALLY, THIS --

EXCUSE ME. I GOT THIS, A'IGHT? SO, YOU DOING MY MAMA?

YOUR SISTER, TOO.

COME ON, MAN. YOU A BONA FIDE VIRGIN.

YOU PAINT THE CEILING SO MUCH YOUR LITTLE DING-A-LING

LOOK LIKE A JOYSTICK. SEGA!

THIS IS VERY --

Both: PLEASE!

CASPER AND INDIGO,

FREDDY B's SALT-AND-PEPPER RAP GROUP.

THERE'S JUST ONE BIG PROBLEM -- THEY CAN'T RAP.

YOU JUST PISSED 'CAUSE YOU'RE SO BLACK,

YOU POLISH SHOES WITH YOUR BARE HANDS.

YOU KNOW WHAT I'M SAYING?

TAKE THIS DIME AND LAY MY JOINT.

SISTER, PLEASE, PLEASE.

I UNDERSTAND WHY YOU'RE STEPPING TO ME,

THE LIGHT-SKINNED BROTHER, LIKE NONE OTHER,

FLOAT LIKE A LOVER, STING LIKE A KILLER.

YOU KNOW WHAT I'M SAYING, SISTER?

LET ME GET YOUR NAME AND NUMBER.

ALL RIGHT.

"LETA EVANS. 14551 EAST 65th STREET."

OH! THIS PICTURE IS FUCKED UP!

OKAY, THIS IS VERY AMUSING. GIVE ME BACK MY WALLET.

OH, YO! YO, YO!

FOUND A CONDOM IN THE WALLET! READY TO GO!

EROTICA FEMININE CONDOM.

SPECIALLY LUBRICATED WITH THIN RIBBED SKIN

FOR OPTIMUM FEMALE PLEASURE.

GET OUT. GET OUT. I HATE TO RESORT TO THIS.

GIVE ME BACK MY WALLET RIGHT --

HEY, HEY, HEY, YO, YO. SLOW UP, GIRL. HOLD YOUR FIRE.

YO, "G," GIVE HER BACK HER STUFF.

WHY YOU STICKING UP FOR HER, MAN?

YOU AIN'T NEVER GOT MY BACK!

WELL, MAYBE IF YOU LEARNED TO ACT RIGHT, I MIGHT.

MAN, FUCK THIS WHOLE TRIP, MAN!

I AIN'T HANGING WITH YOU NO MORE.

Poppa: WHERE YOU GOING?

Woman: WHY YOU ACTING LIKE A BABY?

WE'RE NOT GONNA WAIT ON YOU, GERONIMO.

DUMMY!

YOU KNOW, I REALLY FEEL SORRY FOR HIM.

HE PASSES UP A TRIP TO MIAMI, AND HE'S PROBABLY JUST GONNA BE

HEADED ON THE NEXT BUS TO RIKERS ISLAND.

WHY DON'T YOU SLOW UP, JUDGE JUDY, A'IGHT?

THAT'S MY BROTHER YOU TALKING ABOUT.

YOUR BROTHER? I'M SORRY.

I-I DIDN'T MEAN TO IMPLY THAT YOUR BROTHER

WAS SOME KIND OF... HOOD ROACH.

YO, CHECK THIS OUT --

IT'S HOOD RAT, A'IGHT?

NOT "HOOD ROACH."

THANK YOU.

NO DOUBT. I'M POPPA.

POPPA, FREDDY B's CHILDHOOD FRIEND

AND THE ONLY PERSON HE TRUSTS.

MY BAD.

MY NAME IS POPPA, A'IGHT? I'M FREDDY B's MAN.

WONDERFUL. SO, YOU'RE MY ASSISTANT.

YOU GOT JOKES, GIRL. DAMN!

THE ONLY REASON I HELP MY MAN FREDDY

IS 'CAUSE I LIKE HELPING THESE KIDS, A'IGHT?

I AIN'T NOBODY'S ASSISTANT.

SO WHAT EXACTLY DO YOU DO, POPPA?

HANDLE SHIT.

WELL, THAT IS QUITE A JOB DESCRIPTION.

I HOPE THEY PAY YOU WELL FOR THAT.

SO, WHERE'S THE BUS?!

Byrd: LOOK AT YOUR BOY RIGHT HERE.

DIRTY ASS MOTHERFUCKER.

SAY, LITTLE NIGGA,

HOW MUCH YOU CHARGE FOR A PARTY, SWEET CHEEKS?

Leta: PEACHES AND BYRD.

THEY'RE NOTORIOUS AROUND HARLEM FOR HAVING HELD UP

THE ENTIRE APOLLO AMATEUR NIGHT AUDIENCE

BECAUSE THEY GOT BOOED OFFSTAGE.

PEACHES, MAN!

DON'T BE ROLLING UP ON A NIGGA LIKE THAT!

THOUGHT YOU WAS GOING TO MIAMI.

MAN, I CAN'T HANG WITH THAT SHIT.

SO YOUR BROTHER LET YOUR LITTLE PUNK BUTT STAY BEHIND, HUH?

YEAH, DON'T NOBODY LET ME DO NOTHING, MAN!

TAKES CARE OF MY OWN, YOU KNOW WHAT I'M SAYING?

NIGGA, IT'S WHATEVER.

A'IGHT, THEN. LET'S ROLL, "G."

YEAH. GET YOUR LITTLE DIRTY ASS IN THE BACK.

DON'T BE FUCKING UP MY LEATHER SEATS

WITH THAT DIRTY OLD PROJECT DIRT, EITHER.

WHAT'S THE DILLIE, MAN? WHERE WE GOING?

Woman: YO, BACK UP, MAN.

HEY, BROTHA!

I DON'T KNOW. I SEEN HER, TALK TO HER, THAT'S IT.

ALL RIGHT, Y'ALL.

OH, YEAH, BABY!

YEAH, YEAH!

HEY!

WHAT THE FUCK IS THE DEAL?

WHAT THE FUCK IS THIS?!

DAMN!

WHAT IS THAT?! WHAT IS THAT?!

I HAD NO IDEA!IS THIS SUPPOSED TO BE SOME KIND OF JOKE?

NO, I-I HAD NO IDEA. I PROMISE.

THAT'S THE BUS? TELL ME IT'S NOT THE BUS.

WELL, I DON'T KNOW.I'M OUT OF HERE, MAN.

WELL, WAIT!

Both: Y'ALL WAITING FOR A BUS RIDE?

HUH?!

♪ BLOOD MONEY, THAT'S WHAT THIS LIFE LEAD TO ♪

HEY, LOOK, MAN, WHY DON'T YOU SIT

YOUR LITTLE DIRTY ASS DOWN, A'IGHT?

DAMN, CAN'T BRING A GHETTO NIGGA

AROUND LUXURY WORTH A FUCK.

MAN, SLOW YOUR ROLL!

YO, "G," UM...

WHY DON'T YOU WATCH THE RIDE WHILE WE GO ON IN HERE

AND GET OURSELVES A 40?

YOU BET!COOL WITH THAT?

HEY, LOOK, MAN, DON'T PLAY WITH NOTHING, A'IGHT?

THIS IS A LEXUS, NOT YOUR BALLS.

♪ YOU'RE DRINKING FROM THE SAME CUP♪

♪ WHO WOULD HAVE THOUGHT THAT SO MUCH WOULD HAVE TO CHANGE? ♪

♪ I'M ON WITH THE GAMES AS A NICKS FAN♪

♪ THEY HAD STRICKLAND, THEY TRADED 'EM♪

♪ EVER SINCE THEN, SON, I HATED 'EM♪

♪ THIS SHIT TURNING SOUR IN THE N.Y.♪

DOWN ON THE FLOOR!

STAND BACK! NOW GIVE ME THE LOOT!

♪ EVERY TIME I'M ON YOUR RIDE, YOU KNOW IT'S TIGHT♪

♪ PEOPLE SAY THEY THINK YOU'RE CUTE, YOU OUT OF SIGHT ♪

OH! SHIT!

AAH! FUCK THAT!

I AIN'T GOING TO THE PRECINCT FOR NOBODY!

NIGGA, YOU WANT TO DO TWO TO THE HEAD?

THAT'S COOL, TOO.

STOP THEM! STOP THEM!

CALL THE POLICE! CALL THE POLICE!

BACK THE FUCK UP! BACK UP!

DEEP FRIED BITCH!

DAMN!

WHAT IS THAT SMELL?

GOD! WHEN WAS THE LAST TIME Y'ALL CLEANED THE SEPTIC TANK?

THERE. NOW IT SMELL LIKE FRESH COUNTRY BREEZE.

SIRS, I WAS PROMISED A LUXURY TOUR BUS.

THIS IS IT.

WILSON PICKETT WENT FROM COAST TO COAST IN THIS BAD BOY.

THEY USED TO CALL HIM "THE WICKED PICKETT."

Both: ♪ I'M GONNA WAIT TILL THE MIDNIGHT HOUR ♪

♪ THAT'S WHEN MY LOVE COME TUMBLING DOWN ♪

♪ I'M GONNA HOLD YOU

♪ SQUEEZE YOU

♪ DO ALL THE THINGS I TOLD YOU ♪

♪ IN THE MIDNIGHT HOUR

♪ IN THE MIDNIGHT HOUR

♪ IN THE MIDNIGHT HO-O-O-O-UR

OW!

LOOK, I DON'T MIND ROUGHING IT,

BUT I CANNOT ASK THOSE KIDS TO RIDE

ALL THE WAY DOWN TO MIAMI IN THIS.

THEN Y'ALL AIN'T RIDING, PERIOD.

THIS HERE BUS IS THE ONLY ONE LEFT IN THE CITY.

THAT'S RIGHT.

WE BEEN BUSTING OUR BUTTS ALL MORNING

JUST TO GET THIS THING RUNNING.

I DON'T CARE WHO RODE IN THIS RAGGEDY PIECE OF SHIT.

WE AIN'T DOING IT.

WILL YOU JUST GIVE ME A MINUTE, PLEASE?

THIS IS CRAZY.

POPPA, I'M NOT EXACTLY DOING A DOMINIQUE DAWES OVER THIS, EITHER,

BUT WHAT ARE OUR OTHER OPTIONS HERE? WE DON'T HAVE ANY.

LOOK, THESE KIDS DESERVE BETTER THAN THIS, OKAY?I AGREE.

MAYBE WE CAN JUST GET THEM INTO THE ADVENTURE OF IT.

YOU KNOW WHAT I MEAN? IT'LL BE FINE.

I'VE NEVER BEEN TO HARLEM BEFORE TODAY, AND I'M HAVING A GREAT TIME.

IT'S QUITE CULTURAL.

HEY, HEY, HEY, HEY. LOOK, LOOK, Y'ALL MAKE UP YOUR MIND.

WE GET PAID EITHER WAY.

GOT SOME NERVE TO SAY OUR BUS IS FUNKY.

YOU DON'T KNOW WHAT FUNK IS.

WE KNOW FUNK. WE BEEN ON THIS BUS 17 YEARS.

ROSCOE, TELL THEM WHAT STINKY IS.

YOU EVER SMELL A PIG'S ASS?

ROSCOE, WHEN YOU SMELL A PIG'S ASS?

WELL, I DON'T LIKE TO TALK ABOUT IT.

I WAS DRUNK, IT WAS MY BIRTHDAY, AND MY WOMAN JUST LEFT ME.

BUT THERE ARE SOME "MEDICIMAL" REWARDS,

YOUNG LADY, TO SMELLING A PIG'S ASS.

WHAT IS "MEDICIMAL" ABOUT SMELLING A PIG'S ASS?

I DON'T EAT ANY PORK ANYMORE.

IF I WAS A DOCTOR,

PEOPLE COME TO MY OFFICE WITH HIGH BLOOD PRESSURE,

YOU KNOW WHAT I'D WRITE ON THE PRESCRIPTION -- "SMELL A PIG'S ASS."

BAM, BLOOD PRESSURE GO LIKE THIS -- OOH!

I AIN'T GETTING ON THIS RAGGEDY BUS.

Woman: NO, WE CAN DO THIS, MAN. WE CAN JUST LEAVE, MAN.

Y'ALL GETTING ON THIS BUS OR NOT?

Geronimo: WE CAN'T BE CREEPING IN THIS ALLEY TOO LONG, MAN.

THIS SHIT AIN'T COOL, MAN!

YOU GOT TO TELL SOMEBODY

YOU GONNA DO SOME ILL SHIT LIKE THAT, MAN!

WHAT, SO YOUR BROTHER GONNA PUNK YOU OUT AFTER ALL?

I AIN'T NO PUNK!

WHAT'S UP, MAN?Brotha X: YO, YO, YO, YO!

COME ON, MAN. YOU ALWAYS LATE.

I AIN'T LATE, MAN.

Leta: POPPA, EVERYBODY'S ON! LET'S GO! WE'RE LATE!

BLACKÉ: YEAH, LET'S GO, MAN! COME ON!

ALL RIGHT, ALL RIGHT.

DAMN! OH, SHIT.

IF THIS DON'T EAT THE PUSSY.

WHAT THE FUCK?

HOW WE GONNA GET OUT OF THIS SHIT NOW?

A'IGHT, A'IGHT. FUCK IT.

LOOK, I SAY WE GONNA SHOOT OUR WAY UP OUT OF HERE, A'IGHT,

LIKE THEY DO IN THE MOVIES. YOU KNOW WHAT I'M SAYING?

PEACHES, YOU A BIG-ASS QUEEN LATIFAH-TYPE BROAD.

SET IT OFF OUT THIS MOTHERFUCKER.

YO, YO, YO, YO. HOLD ON.

GIVE ME THE MONEY. THEY AIN'T LOOKING FOR ME.

I'LL HOLD IT, AND I'LL CATCH UP TO YOU LATER WHEN IT'S COOL.

WHAT?!NIGGA, YOU DONE SLIPPED AND BUMPED

YOUR MOTHERFUCKING HEAD.

LOOK, DON'T TRUST THIS LITTLE DIRTY-ASS, PROJECT-SCHEMING,

HIP-HOP, WORM-LOOKING MOTHERFUCKER A'IGHT?

HE GONNA TRY AND STEAL OUR MONEY.

MAN, SHUT UP!

SIT BACK. STOP BEING A BACKSEAT THINKER.

I AIN'T STUPID.

LOOK AT THIS LITTLE SHIT!

MAN, WATCH OUT! YOU SEE "FIVE-O"!

HEY!

CATCH HIS ASS, THEN. CATCH HIM!

HE GONNA OUTRUN HER BIG ASS.

Geronimo: POPPA! HOLD THE BUS!

YOU MOTHERFUCKER!

YOU CAN'T GET AWAY FROM ME!

MOTHERFUCKER.

DAMN, BITCH! WHO YOU SPAR WITH? TYSON?!

BITCH? WHO THE FUCK YOU CALLING A BITCH?

PEACHES, I WAS JUST PLAYING, PEACHES.

HERE. HERE.

WHO WALKING LIKE A BITCH NOW?

WHY DON'T YOU KICK THAT MONEY OVER HERE, YOU FAGGOT ASS?

GO FETCH, YOU DOGGY!

OH, YOU A FUNNY MOTHERFUCKER AIN'T YOU?

Woman: YO, RUN! RUN, GERONIMO!

RUN!

YEAH!

SHIT!

I'LL KILL YOUR ASS, GERONIMO!

FUCKER.

Geronimo: I'M GLAD WE GETTING OUT OF NEW YORK.

Leta: HELLO. QUIET DOWN.

THERE'S SOME ANNOUNCEMENTS TO BE MADE.

Poppa: YO, SIT DOWN!

Roscoe: ATTENTION, HIP-HOPPERS.

WORD! WORD UP!

HOT -- HOT DIGGITY!

MY NAME IS ROSCOE. THIS HERE IS MY BROTHER BO.

THIS IS OURBUS.

OURBUS -- ROSCOE, BO.

THAT SPELL "RED EYE BUS COMPANY."

WHEN YOU'RE ON OURBUS, YOU PLAY BY OURRULES.

OUR BUS, OUR RULES.

FIRST OF ALL, SEE THIS WHITE LINE RIGHT HERE?

DON'T NOBODY TOUCH IT.DON'T DO IT.

NOBODY CROSS THIS WHITE LINE.

YOU MEAN WHILE WE'RE IN MOTION?

I DON'T GIVE A DAMN IF YOUR ASS IS ON FIRE, LITTLE LADY.

AIN'T NO SMOKING UP IN HERE.

STOP RIGHT THERE, ROSCOE.

THE MAN SAID NO SMOKING...

OF ANY KIND.

THAT INCLUDES TWEED,

MARIJUANA, REEFER, GANGSTER,

HYDROCHRONIC.

PITTSBURGH COURIER.

CAN'T SMOKE THE PAPER.Man: WHY NOT?

THANK YOU. I THINK WE GET THE GIST.

YOU HOLD ON, LITTLE LADY. ROSCOE?

THERE AIN'T NO SEXING EACH OTHER UP IN HERE.

Man: WHOA! WHOA, WHOA, WHOA!

STOP RIGHT THERE, ROSCOE.

THE MAN SAID NO SEXING EACH OTHER UP

OR FREAKING EACH OTHER DOWN.

NO RUBBING OF THE BOOTY. NO TONGUE IN YOUR EAR.

NO "LET ME JUST GET A LITTLE BIT."

NO "JUST ROLL AROUND WITH ME FOR A LITTLE WHILE."

NO PINCHING, PILLAGING, OR PARTAKING OF ANY KIND.

SEXUALLY.

THAT MEANS, AIN'T NO BANG, BANG, BANGING UP IN HERE.

BANG, BANGING.BO, YOU GETTING GOOD.

I LIKE HIM.

HEY, YO! AND ONE MORE THING.

YO, LISTEN UP.

IF ANYBODY HAS BEEF ON THIS BUS, YOU BRING IT TO ME FIRST.

IF NOT, I'M GONNA HAVE TO BUST THAT ASS.

YEAH, RIGHT! YEAH!

BLACKÉ: WHATEVER.

WELL, NOW, THAT WAS...

TOUCHING.

PRETTY EXCITING MORNING, WOULDN'T YOU SAY?

Man: ALL RIGHT, ALL RIGHT.

NEVERTHELESS,

I'M SURE THE NEXT...28 HOURS WILL GO AS SMOOTH AS SILK.

WHATEVER.

YO, I NEVER EVEN BEEN OUT OF NEW YORK BEFORE.

WHAT? PLAYING WITH YOU.

I BEEN TO JERSEY...

ONCE.

Brotha X: COME HERE, BABY. COME HERE.

HEY, BABY.

MMM. THAT'S MY GIRL.

GIVE ME SOME SUGAR.

YO, I GOT SOME BOOKS FOR YOU TO READ, MAN.

CHILL. I CAN'T HANDLE THAT MUCH FUN.

ALL RIGHT. HEY, HEY.

I'M NOT GONNA LET YOU GET IN ANY MORE TROUBLE

OUT OF RESPECT FOR MAMA.

YEAH, YOU GONNA GROW TITTIES NEXT?

NO, I'M GONNA GROW ANOTHER FOOT TO KICK YOUR ASS WITH.

TUESDAY. WHAT?

LET'S GO IN THE BATHROOM.

FOR WHAT? NO.

WHAT YOU THINK, GIRL? COME ON, FOR ONE MINUTE. NO.

ONE MINUTE. COME ON, BABY. OKAY.

STOP. YOU CRAZY. GET OFF ME.

YOU KNOW WHEN WE GET TO THE HOTEL...

I'M GONNA BANG YOUR BACK OUT.

RIGHT. WHATEVER. YEAH.

YOU DON'T WANT ME TO BE YOUR BABY DADDY?

HUH?

YOU LIKE THAT?

GET OFF ME.

WITH YOUR LITTLE HOT SELF.

Peaches: THAT LITTLE PUNK WANT TO STEAL MY FUCKING MONEY?

CATCH UP!

MAN, WHAT YOU WAITING ON?

WHAT YOU NEED, HOOKED ON PHONICS?

CAN'T YOU READ?

YEAH!

D-E-A-D!

NOW BUST OUT!

HEY, MAN, YOU GONNA MESS A DUDE'S EARDRUMS UP

WITH THAT CRAP, MAN.

I'M GONNA MESS MORE THAN THAT! DRIVE!

HIT HIS ASS! WHITE BOY, 50 POINTS.

HEY! HEY!

♪ WU-TANG, WU-TANG

♪ ONYX

HEY, EVERYBODY! HOWDY!

JUST KIDDING. WE AREHEADED SOUTH.

ANYWAY, WHENEVER MY DAD TOOK US ON A ROAD TRIP,

HE GOT A HANDY-DANDY TRAVEL GUIDE JUST LIKE THIS.

SO AS WE PASS COOL POINTS OF INTEREST,

I'LL BE ABLE TO POINT THEM OUT.

THIS BROAD IS BUGGING.

DID YOU KNOW THAT NEW JERSEY...

WHO GIVES A FUCK ABOUT NEW JERSEY?

JUST GIVE ME A MINUTE.

EXCUSE ME!

EXCUSE ME, BUT ARE WE THERE YET?

BECAUSE I NEED TO WORK ON MY TAN.

HEY, YO, I THOUGHT THAT'S WHY VANILLA ICE HERE WAS GOING.

MAN, YOU BETTER EASE UP WITH THEM CORNY WHITE-BOY JOKES.

I AIN'T NO VANILLA ICE.

THEN HOW DID YOU KNOW I WAS TALKING ABOUT YOU?

'CAUSE EVERY TIME I BONE YOUR GIRL,

ALL SHE CAN SAY IS, "ICE, ICE, BABY."

SHE AIN'T GOT TIME TO YELL WITH ME

'CAUSE HER MOUTH IS LIKE A SNICKERS CANDY BAR,

PACKED FULL OF NUTS.

COME ON, MAN, YOU WANT TO BELIEVE THE HYPE?

WHOLE BUS KNOW THE TRUTH, MAN.

YOU'RE SO BLACK YOUR MAMA SCARED TO LET YOU PLAY IN THE STREET

'CAUSE YOU BLEND IN WITH THE PAVEMENT.

DISAPPEAR WITH YOUR SILLY LITTLE BLACK ASS.

LEAVE MY MAMA UP OUT OF THIS.

YOUR MAMA?THAT'S RIGHT.

FOOL, YOU SWEAT OIL.YOU SWEAT BLEACH.

YO, ENOUGH!

YO, I AIN'T WHITE, MAN.

CASPER, I'VE SEEN YOUR MOMS.

YOU KNOW WHAT? WHAT?

SHE'S WHITE.

YO, I GOT A DADDY, TOO, I AIN'T NEVER SEEN BEFORE, MAN.

AND WHEN I GET TO MIAMI, I'M GONNA FIND HIM.

YOU SEE THAT? UNH.

Man: WHAT'S THAT? WHAT'S THAT?

THIS DON'T SAY NOTHING ABOUT WHAT HE IS.

GIVE ME MY SHIT BACK, MAN!

I'M SAYING, SAY THEY CALL HIM THE PANTHER.

SAYING, HOW MANY WHITE PANTHERS YOU KNOW?

JUST 'CAUSE HE'S A PANTHER DON'T MEAN HE'S BLACK.

PUNK.

Woman: YO, TURN UP THE HEAT!

OOH, MAN, IT'S COLD UP IN HERE!

WHAT YOU GOT SO PRECIOUS IN THAT FUNNY-LOOKING PACK?

JUST WATCH IT, WOMAN, OR YOUR NICKNAME WILL BE "STUBBY."

DO YOU EVER WONDER WHY YOU CAN'T GET A GIRL?

FORGET YOU!CHUMP!

YO. YO, YO, WHAT'S UP? WHAT'S UP?

SISTER!

THIS IS ALL RIGHT.

AH!

COME ON! COME ON! COME ON!

OH, YEAH, YEAH!

YES!

OH! IT STINKS!

WHAT CRAWLED UP IN ME AND DIED?

Brotha X: WHERE YOU GOING, GIRL?

GIVE IT TO ME. I GOT TO GO PEE.WHAT?

What's that?

NONE OF YOUR BUSINESS.

OH! DAMN!

WHAT'S UP, CHARITABLE?

UGH! YOU STINK! YOU NEED AN ENEMA!YOU NEED THAT!

NASTY SELF.

GOT YOUR ENEMA.

OH, THAT NASTY THING!

Man: HEY! CLOSE THAT DOOR! GET OUT!

YOU LIKE THAT?

YEAH, BABY.

WHAT THE FUCK WRONG WITH YOU?!

YOU LOWDOWN, DIRTY MOTHERFUCKER.

TUESDAY, IT AIN'T EVEN WHAT YOU THINK, BABY.

I'M GONNA SNATCH THAT BITCH BALD.

HEY, HEY, HEY!

IT'S NONE OF YOUR BUSINESS, MAN.

THIS AIN'T GOT NOTHING TO DO WITH YOU!

BETTER TAKE CARE OF YOUR BUSINESS, PAPI!

YOU WAS HUMPING THAT FUNKY BITCH RIGHT IN FRONT OF ME!

COME ON, BOO.

YOU KNOW I'M ABOUT TO BLOW UP ON THE MUSIC.

MY FANS CAN'T BE KNOWING I GOT A GIRL ALREADY.

YOU KNOW WHAT I'M SAYING?

SO, UM...

I DON'T -- WHAT YOU SAYING, BROTHA?

YOU DON'T, UM --

YOU DON'T WANT PEOPLE TO KNOW THAT I'M YOUR LADY?

YOU IS, BABY.

JUST NOT THE REST OF THIS TRIP, THOUGH.

TUESDAY, TUESDAY, LOOK AT ME.

LOOK AT ME. LOOK AT ME!

LOOK AT ME!

LISTEN, BABY, I'M TRYING TO DO THIS FOR US.

YOU KNOW WHAT I'M SAYING?

STRAIGHT UP -- I'M TRYING TO GET PAID.

A'IGHT?

COME ON. COME ON. STOP THAT.

STOP THAT, BABY. STOP THAT.

A'IGHT?

A'IGHT.

A'IGHT.

DON'T BE LIKE THAT WITH ME.

I'M GONNA JUST FIND MYSELF SOMEBODY.

DON'T ACT STUPID, A'IGHT?

DON'T ACT STUPID.

♪ NO ONE KISSES ME THE WAY YOU DO ♪

Man: YEAH.

BLACKÉ: YOU ALL RIGHT?

FORGET HIM, MAN!

♪ THE WAY YOU DO

YO, TUESDAY, KICK HIM TO THE CURB WITH THE REST OF THEM DOGS!

LISTEN, BABY GIRL, YOU KNOW AS LONG AS YOU STAY WITH HIM,

YOU DESERVE THE SHIT HE GIVES YOU.

OH!

Brotha X: THERE'S ENOUGH OF ME TO GO AROUND.

ARE YOU SURE YOU COULD HANDLE ALL OF ME, NOW?

OH, MAN.

LEAVE ME ALONE, SNOW WHITE.

ARE YOU OKAY?

LOOK, I KNOW WE DON'T KNOW EACH OTHER VERY WELL,

AND I DON'T WANT TO GET INTO YOUR BUSINESS,

BUT, TUESDAY, HE IS A JERK.

YOU DESERVE BETTER THAN THAT.

MAN, THAT'S 'CAUSE YOU DON'T KNOW HIM. BROTHA LOVES ME.

OH, YEAH, HE'S GOT A LOT OF LOVE -- FOR EVERYBODY.

WHERE'S YOUR LOVE FOR YOURSELF, TUESDAY?

MAN, WHATEVER, OPRAH.

YOU KNOW, I DON'T EVEN HAVE A MAN,

AND I'M PERFECTLY HAPPY.

YOU DON'T HAVE A MAN? WHY NOT, YOU A DYKE?

NO, I'M NOT A DYKE AND YOU'RE MISSING MY POINT.

DON'T YOU BE GETTING HORNY?

HELL, YEAH.

HEY, CAN'T HAVE THE FLYEST GIRL IN HARLEM FEELING BAD.

I'LL PUT ROOTS ON HIM FOR YOU.

SO NOW CAN I BE YOUR MAN?

GERONIMO!

YOU JUST DID SOMETHING NICE, AND YOU HAD TO GO RUIN IT?

I'M SAYING WHAT IF I HAD MONEY, THOUGH?

BOY, GET OUT OF MY FACE.

Buddy Man: YO, WHAT'S THE DEAL?

THIS IS BUDDY MAN. 92Q BALTIMORE IS IN THE HOUSE.

♪ I'M JUST KICKING IT

♪ KICKING IT ALL DAY LONG♪

♪ I'M JUST KICKING IT♪

♪ KICKING IT ALL DAY LONG♪

DAMN!

I AIN'T NEVER SEEN THAT HAPPEN BEFORE.

DON'T JUST LOOK AT IT. LET'S FIX IT.

WHAT DO WE NEED?

LET ME GET MY GLUE GUN AND SOME CARPET FRESHENER.

HEY, YOUNG MAN!

COME ON!

LET'S GO. LET'S GO.

DON'T STEP ON THAT DOOR HERE.

LOOK AT THAT BALD HEAD.BALDI-LOCKS.

OKAY, THIS IS A TWO-MINUTE STOP, EVERYONE!

TWO MINUTES! PLEASE! MAKE IT QUICK!

DON'T BE TRYING TO TOUCH MY COOCHIE,

LITTLE PERVERT!

PER DIEMS!

GIVE ME MINE! GIVE ME MINE RIGHT NOW!

HEY, HEY, HEY, HEY! HEY, HEY!

DO YOU PROMISE TO BE BACK IN TWO MINUTES?

YEAH, GIVE ME THE MONEY.

YOU'RE A NATURAL-BORN LEADER, LETA --

AS LONG AS YOUR CASH HOLDS OUT.

WELL, I GUESS I SHOULD TAKE THE HIGH GROUND LIKE YOU

AND THREATEN TO KICK BUTT.COME ON! COME ON!

WHATEVER WORKS, RIGHT?COME ON, GIRL. GIVE ME THE MONEY.

YEAH!

TUESDAY, COME HERE.

LISTEN UP, Y'ALL! THIS IS ALL YOU'RE GONNA GET!

DO NOT WASTE IT ON JUNK!

MOVE!

SEE YA!

COME ON, PUNK!

WHAT YOU HAVE?

GET OUT OF MY WAY!

LADIES FIRST. YO, DO YOU TAKE FOOD STAMPS?

CHARITY, WHERE ARE YOU GOING?

THAT'S IT. SEND ME MY SHIT LATER. I'M OUT.

WAIT. STOP. WHAT HAPPENED? WHAT'S WRONG?

THEY KEEP SWEATING ME.

I MEAN, I KNOW THAT THEY'RE NOT USED TO A GIRL LIKE ME,

BUT LET ME TELL YOU SOMETHING --

I AM NOT ON THAT BUS TO EDUCATE THEM ABOUT MANNERS, OKAY?

I WAS ON "THE GRIND" FOR 3 1/2 YEARS AS ATMOSPHERE.

I DON'T NEED TO BE DEALING

WITH THIS MUSIC-VIDEO BULLSHIT ANYMORE.

THAT'S IT. THAT'S IT. THAT'S IT. THAT'S IT!

OKAY, ENOUGH ALREADY. YOU GOT TO GO, OKAY?

FREDDY B's EXPECTING YOU. REMEMBER HIM?

FREDDY B?

HE'LL FIND ME... AFTER HE FIRES YOUR ASS.

YOU KNOW WHAT?

IF YOU'RE NOT WILLING TO DO WHATEVER IT TAKES TO SUCCEED,

WHY SHOULD I CARE?

BON VOYAGE. HAVE A GREAT TRIP.

MAIL ME A POSTCARD!

WAIT A MINUTE, LETA!

LISTEN! MAMI, I WAS ONLY KIDDING!

Peaches: YEAH!

BREAKER, BREAKER, 1, 2, 1, 2.

CHECK 1, 2 -- YO!

I'M GONNA BRING ONE OF THESE BIG JOYS INTO THE HOOD!

YOU KNOW WHAT, MAN?

YOUR BIG ASS IS HAVING ENTIRELY TOO MUCH FUN

DRIVING THIS BIG RIG, MAN.

YOU NEED TO CALM YOUR ASS DOWN.

YO, BYRD, WHAT'S UP WITH ALL THE FAT JOKES, MAN?

Man: Homeboy just lost his rig. That's what I heard.

LOOK, PEACHES, YOU KNOW YOU MY GIRL AND A BAG OF PEARLS,

YOU KNOW WHAT I'M SAYING?

IT AIN'T LIKE I'M SAYING THAT YOU FAT.

'CAUSE YOU AIN'T FAT.

YOU JUST... FLUFFY THAN A MOTHERFUCKER.

YOU KNOW WHAT I'M SAYING?

NO, WELL, I AIN'T SITTING HERE CALLING YOU "HUGGY BEAR."

WHATEVER.

GET YOUR BUTT IN HERE!

WHAT YOU THINK YOU ARE, SOME KIND OF GOODFELLA OR SOMETHING?

Man: YO, LET ME GET SOME OF YOUR COOKIES, YO!

YOU SEE WHAT HAPPENS WHEN YOU LEAVE NEW YORK, YO?

MY BAD.

THIS AIN'T GOT NOBEATS.

YOU SEE, NOW I KNOW YOU WHITE, 'CAUSE IF YOU WAS BLACK,

THEN YOU'D KNOW THERE'S... BEATS ALL AROUND YOU.

YOU KNOW WHAT I'M SAYING?

WHAT? COME ON.

OH, YEAH.OH, SHIT.

♪ A-ONE, ONE, AND-A

♪ A-TWO, TWO, AND-A

♪ MY NAME IS BROTHA, I'M THE ILL M.C. AND-A ♪

♪ I'LL BE ON A EXTRA MISSION IN AN EXPEDITION ♪

♪ RIDING SHOTGUN THROUGH THE HOOD ♪

♪ WRITING RHYMES WITH MY COUSINS ♪

SEE THAT THERE, GIRL?

THAT RIGHT THERE IS RAW TALENT.

CAN'T NOBODY MESS WITH A REAL GIFT LIKE THAT.

SEE? I KNOW EVEN YOU GOT TO FEEL THAT.

♪ LIKE TO SPEND DOUGH

♪ SEE, MY NAME IS BROTHA, I'M A LADY LOVER ♪

♪ WHAT I'M SAYING IS

♪ I PROBABLY FUCKED YOUR BABY MOTHER ♪

♪ IT'S OFFICIAL NOW, IT'S ALL MILITARY, NEVER SECONDARY ♪

♪ YOU AIN'T GOT TO WORRY, ANY BEEF, I'M-A BURY ♪

YO! THERE THEY GO!

WE'RE COMING TO GET YOU, YOU COCKROACHES!

♪ I, BABY

♪ I'M SO IN LOVE WITH YOU ♪

Woman: SING IT, BLACKÉ!

♪ WHATEVER YOU WANT TO DO

UNH, UNH!

YEAH, THAT LITTLE RAT MUST BE HIDING IN THE CROWD SOMEWHERE.

YEAH. I CAN SMELL HIM.

1...2...3...

BLACKÉ: ♪ I KNEW

♪ I WANT TO SPEND MY WHOLE LIFE WITH YOU ♪

YEAH, BABY! UNH! UNH, UNH, UNH!

♪ OH, BABY

♪ LE-E-E-E-T'S

WHOO!

♪ LET'S STAY TOGETHER

♪ LOVING YOU WHETHER

♪ WHETHER

♪ TIMES ARE GOOD OR BAD

NOW YOU'RE ALL MESMERIZED.

A'IGHT? WHO'S NEXT? WHO'S NEXT?

♪ BROTHA, BROTHA, YOU'RE SO FINE ♪

♪ WANT YOUR HANDS ON MY BEHIND ♪

♪ I KNOW IT'S HARD 'CAUSE I'M SO FLY ♪

♪ I'M A REAL WOMAN, CAN'T MAKE ME CRY ♪

YOU DIDN'T SAY NOTHING ABOUT KISSING!

OH!

Poppa: HEY! HEY! ENOUGH!

WHAT I TELL Y'ALL ABOUT BEEFING?

GEE WHIZ, YOU GUYS! YOU ACT LIKE YOU'RE FROM THE GHETTO!

OH. MY BAD.

YOU KIDS ARE CRAZY!

ONE MINUTE YOU'RE LISTENING TO AL GREEN.

THE NEXT MINUTE YOU'RE PULLING YOUR WIGS OFF YOUR HEAD.

I KNOW WHAT THE PROBLEM IS -- THAT PUFFY COMBS BOY.

PUFF DADDY. WHAT THE HELL NAME IS A PUFF DADDY?

RAP SNOOP DOGGY DOGG. GET YOUR ASS ON THAT BUS.

COME ON, TELL THEM ABOUT SNOOP DOGGY DOGG, PUFFY COMBS.

Poppa: EVERYBODY GET ON THE BUS!

LET'S GET SOME REAL NAMES!

JOHNSON, SMITH. GET YOUR ASS ON THAT BUS.

DAMN, BEANIE BABY. DON'T Y'ALL KNOW CRACK KILLS?

COME ON. LET'S GO. YEAH.

Roscoe: LOOK AT ALL THAT HAIR.

THAT'S WHY YOUR HAIR TURN LIKE THAT.

YOU EAT TOO MUCH CANNED STUFF.

Bo: GET ON UP IN THERE. Y'ALL WERE SUPPOSED TO BE BACK 10 MINUTES AGO.

STUPID!

CAYENNE PEPPER HERE.

LOOK AT THIS BOY HERE. GOT A COAT ON.

GO ON, NOW. GET IN THERE.

I CAN'T GET IT IN THE HOLE.

THAT'S WHY YOU'RE STILL SINGLE, BOY.

CAN'T GET IT IN THE HOLE. COME ON, NOW.

MOVE, MOVE. GET ON IN.

I'VE SEEN YOUR KIDS, TOO.

BO, YOU KIDS DON'T LOOK THAT GOOD.

AIN'T GONNA HAVE SEX WHEN YOU'RE PREGNANT.

SIT DOWN!

DO YOU SEE HIM? NO, MAN.

I'M TIRED OF ALL THIS CREEPING

AND RUNNING AROUND AND SWEATING!

HEY, ASSHOLES!

GET HIM!

MOVE, FLUFFY, MOVE!

GIVE ME BACK MY MONEY!

DAMN!

Big Jigga: WBZZ 95.5.

BIG JIGGA LIVE IN THE DEN, GIVING A MAGNIFICENT SHOUT-OUT

TO FREDDY B's CREW MAKING THEIR TRIP FROM N.Y. TO MIAMI.

Brotha X: YO, THEY TALKING ABOUT US ON THE RADIO, YO!

STILL GOT 24 HOURS TO GO.

BLACKÉ?YO, WHAT THE DEAL IS?

CASPER?YES, DOCTOR.

CHARITY? HELLO.

GERONIMO?

GERONIMO?

BLACKÉ: WHERE HE AT?

DAMN IT, WHERE'S GERONIMO?

I DON'T KNOW.

Bo: ROSCOE! WHAT?

THAT LITTLE CRAZY KID HANGING ON THE SIDE OF THE BUS.

WHO?

YOU KNOW, GARAFALLO. GOMINO. GERITOL. WHATEVER.

GERONIMO, THAT LITTLE BAD BOY? YEAH.

HOW FAST WE GOING?

ABOUT 50. GO 55.

I KNOW WHAT YOU TRYING TO DO, ROSCOE.

HE STILL THERE?HE STILL THERE.

HE HOLDING ON -- THE BOY GOOD.

THAT'S A BAD YOUNG MOTHERFUCKER THERE.BOY CAN RIDE.

I HATE TO CALL SOMEBODY A MOTHERFUCKER WHEN YOU'RE DESCRIBING SOMEBODY,

BUT THAT'S A BAD MOTHERFUCKER.WHAT YOU GONNA CALL A MOTHERFUCKER

IF A MOTHERFUCKER CAN HOLD ON THE MOTHERFUCKER CAN RIDE.

A MOTHERFUCKER IS A MOTHERFUCKER.

YO, POPPA, LOOK! OH, SNAP!

Poppa: BO, PULL THIS BUS OVER.

♪ WEST COAST, DO OUR THING ALL DAY♪

♪ FROM A WEST COAST RIDER♪

♪ WE GOT NERVE♪

♪ ALL DAY, EVERY DAY♪

ENOUGH!

ENOUGH, GERONIMO. LET'S GO. ON THE BUS.

ON THE BUS.I AIN'T DO NOTHING!

I'LL BUST YOUR ASS! GET OVER HERE NOW!

A'IGHT, MAN.

EXCUSE ME, SIR. CAN YOU DO ME A FAVOR?

GIVE ME YOUR FUCKING KEYS!

WHAT?

LISTEN, I GOT CASH.

I'LL PROMISE TO TAKE CARE OF YOU, BABY.

LOOK, IF YOU HUNGRY, I'LL FEED YOU.

IF YOU COLD, I'LL KEEP YOU WARM.

AND IF YOU NAKED...

I'LL FUCK YOU!

WATCH YOUR MOUTH!

NOW, WHY DO YOU HAVE TO ALWAYS EMBARRASS ME?

I CAN'T EVEN GO TO OUR CHURCH BECAUSE OF YOU.

Peaches: OLD, SLOW-ASS CAR!

BETTER HURRY UP!

THERE'S A LOT OF BEBE KIDS ON THE BUS.

THIS AIN'T NO SPIKE LEE "GET ON THE BUS."

GET OFF THE BUS! GIVE ME MY MONEY!

PULL IT OVER!YO! WHAT A CLOWN!

GIVE ME MY MONEY!PULL THE BUS OVER!

I'M TIRED OF THIS!PULL IT OVER!

I SWEAR THEY AIN'T AFTER ME.

THEY TRYING TO WRECK FREDDY B's SHIT!

WHAT THE HELL ARE YOU TALKING ABOUT?

YOU KNOW, MESS UP HIS -- HIS VIDEO SCHEDULE,

HIS MARKETING PLAN.

WE GONNA GET YOU, SUCKER!

WE AIN'T GONNA HAVE NONE OF THAT.

I'M GONNA WRING YOUR NECK!

GET HIM! CUT THEM OFF.

FUCK WITH ME?! WANT TO FUCK WITH PEACHES?!

WHO DO THOSE FOOLS THINK THEY'RE SCARING?

HIT THEM.SAY HELLO TO MY BIG FRIEND!

CAN WE STOP THE TESTOSTERONE?

IF WE HIT THEM, THE BUS WILL FALL APART!

YOU CROSSED THE WHITE LINE.

SHE CROSSED THE WHITE LINE, BO.

GET YOUR ASS BACK ACROSS THAT LINE. I KNOW THAT.

YO. YO, MAN, THEY AIN'T SLOWING DOWN.

THEY GONNA BUST UP, DUDE!

THEY PLAYING ROUGH? I GOT SOMETHING FOR YOU.

SHOOT THEM! UGH!

FORGET THAT PIECE OF CRAP! GIVE ME YOURS!

OH, SHIT, ROSCOE. SOMETHING WRONG WITH THE ACCELERATOR.

WHAT?

OH.

IT'S STUCK!

DAMN IT, I KNOW IT'S STUCK!

OPEN SESAME!

GIVE ME SOMETHING!

WHAT AM I GONNA DO WITH THIS?!

GET OUT THE WAY!

GET OUT!

COME ON!

Bo: OH, LORD, I DON'T WANT TO HIT THESE KIDS!

AAH! COME ON! I'M PEACHES!

WATCH IT! GET OUT OF THE WAY!

YO, WE GONNA HIT 'EM!

YO, BRACE YOURSELF!

SEE, I TOLD YOU THEY WAS GANGSTERS!

Man: YEAH, SMASHED THAT STRATEGY.

THANK YOU, JESUS.

THEM MOTHERFUCKERS AIN'T GANGSTERS!

THEM MOTHERFUCKERS IS CRAZY!

SON OF A BITCH!

WHAT THE HELL WAS THAT?! WHAT YOU RUN FOR?!

WHAT I RUN FOR?! WHAT YOURUN FOR?!

I HAD PLANNED ON HIDING BEHIND YOUR BIG ASS!

THEN YOU WENT AND RAN, AND THAT MADE ME RUN!

QUIET, MAN.NOW WHAT WE GONNA DO?!

SHOOT, YOU KNOW THE ROUTINE.

Both: GET OUR ASS ANOTHER CAR.

Nate Quick: POWER 98, WPEG, CHARLOTTE'S QUIET STORM.

HI, THIS IS NATE QUICK, AND I GOT TO SEND THIS ONE OUT

TO ALL THE LOVERS TONIGHT.

Leta: SO, WHY ARE YOU ON THIS TRIP?

Poppa: I ALWAYS WANTED TO MAKE A DIFFERENCE.

YOU KNOW HOW MANY OF THESE KIDS THAT SIGN THESE CONTRACTS,

THEY CAN'T EVEN READ?

HMM.

SO I FIGURE NOW MY MAN FRED GOT A GRIP,

I WANT HIM AND SOME OTHER CATS TO KICK IN

FOR THIS RITES OF PASSAGE PROGRAM I'M TRYING TO DO

FOR ALL THE KIDS IN THE NEIGHBORHOOD.

GONNA HAVE, LIKE, COMPUTERS,

TUTORING, YOU KNOW, MARTIAL ARTS.

IN FACT...

THAT'S THE PROPOSAL RIGHT THERE.

WOW.

AND FREDDY B's GONNA PAY FOR ALL THIS?

MM-HMM. THAT'S WHAT HE SAID.

I MEAN, HE DAMN SURE GOT THE CHEESE.

YEAH, I HEARD THAT MUCH.

WHAT ABOUT YOUR MONEY?

I AIN'T TRIPPING OVER THAT.

YOU KNOW, I JUST DON'T WANT ANYBODY TO THINK

THAT I'M TRYING GET OVER ON THESE KIDS BY DOING IT.

I'LL GET MINE WHENEVER.

Buster: 102 JAMZ -- IT'S "THE BUSTER AND TONYA MORNING SHOW."

Tonya: GOOD MORNING, GREENSBORO.

7:20 RIGHT NOW, 20 MINUTES AFTER 7:00,

AND COMING UP SHORTLY, WE'RE GONNA DO "HOOKED ON EBONICS"!

THAT'S RIGHT. YOUR WORD IS "YAMAHA."

"YAMAHA"? YEP, THAT'S IT.

POWER TO THE PEOPLE!

SON! POPS!

HOLY SHIT! HOW DID YOU KNOW IT WAS ME?

YOU'RE MY FLESH AND BLOOD, SON.

AH, I KNEW IT.

I'VE BEEN SEARCHING FOR YOU FOR YEARS!

But I had to keep it kind of low.

GOVERNMENT'S WATCHING.

COME ON IN HERE.

LET ME HIP YOU TO THE MOVEMENT.

♪ I DON'T KNOW WHAT THEY WANT FROM ME ♪

♪ IT'S LIKE THE MORE MONEY WE COME ACROSS ♪

♪ THE MORE PROBLEMS WE SEE

♪ YEAH

♪ MM, WHAT'S GOING ON?

♪ MM

♪ SOMEBODY TELL ME

♪ WHAT'S GOING ON?

♪ I'M COMING

♪ I DON'T KNOW WHAT THEY WANT FROM ME ♪

♪ IT'S LIKE THE MORE MONEY WE COME ACROSS ♪

♪ THE MORE PROBLEMS WE SEE

SHIT. MO' MONEY, MO' MONEY, MO' MONEY.

I COULD... HANDLE THE PROBLEMS.

YOU STINK!

YOUR BREATH STINK!

EW. YOU'RE RIGHT.

OHH!EXCUSE ME!

WHEW!

COME ON! WE DON'T HAVE ANY INSURANCE FOR THAT SMELL!

OH, NO!

MAN!

EW!

COME ON!

MOVE! MOVE!

GIRL, YOU TRYING TO KILL US! WHAT'S WRONG WITH YOU?!

WHAT, Y'ALL NEVER SMELL LOVE POTION NUMBER 9 BEFORE?

NO, NO, TRICK, THAT WAS BOOTY POTION SECTION 8, A'IGHT?

NEVER MIND.OKAY, SINCE WE HAVE BEEN FORCED TO STOP --

LET'S EAT.

A'IGHT, Y'ALL, LISTEN UP.

ANYBODY WHO ISN'T BACK HERE --

IN 45 MINUTES!

I HOPE YOU GOT YOUR REEBOKS ON, A'IGHT?

'CAUSE YOUR ASS WILL BE WALKING BACK HOME.

LET'S GO!

MAN, COME ON!

OPEN UP SOME WINDOWS. TURN THE AIR ON OR SOMETHING.

BURN SOME FRANKINCENSE.

BO, HOW WOULD YOU DESCRIBE THAT SMELL?

LIKE DEATH TURNED OVER.

WHEW!

THE GIRL'S NICKNAME SHOULD BE "DAMN"!

BLACKÉ: YO, YOU LIKED THAT LOVE POTION NUMBER 9, RIGHT?

LET'S GO OVER HERE.

HEY, YO, LETA! MISS EVANS?

COME HERE, BABY BOO.

MM, NICE HAT.THANK YOU.

WHAT CAN I DO FOR YOU?

LOOK HERE, DOESN'T "PER DIEM" MEAN "PER DAY"?

AND TECHNICALLY SPEAKING, THIS IS DAY TWO,

YOU KNOW WHAT I'M SAYING?

GIVE US THE MONEY!GIVE US THE MONEY!

COME ON. NO.

OH, WELL, GET ON LIKE YOU'VE BEEN SPIT ON, THEN!

HEY, POPPA! BIG POPPA!

♪ I LOVE IT WHEN THEY CALL ME ♪

Both: ♪ BIG POPPA YEAH, YEAH.

SEE, DIDN'T I TELL YOU NOT TO SPEND YOUR MONEY ON THAT CRAP?

WHAT IS THAT, MAN?

COME ON, I LOOK PHAT IN THIS HAT, BABY!

I KNOW YOU WANT ONE! COME ON!NOW YOU'RE BROKE.

I KNOW YOU AIN'T GONNA LET TWO BROTHERS --

I MEAN A BROTHER AND ANOTHER -- STARVE, ARE YOU?

LET ME TELL YOU...

HANDLE YOUR BUSINESS, A'IGHT?

THIS IS THE LAST TIME.

RIGHT. FOR REAL.

YEAH. YEAH. TAKE THAT STUFF OFF.

COME ON, MAN.WE GET RID OF IT. WE GET RID OF IT.

I GOT OTHER HATS. IT AIN'T NOTHING.

COME ON, "B," I'M EATING. WHY YOU SWEATING ME?

JUST CHILL AND ENJOY YOURSELF, ALL RIGHT?

I'M NOT SWEATING YOU. THIS TIME.

AIN'T YOU GONNA EAT?

NO, MAN. GAVE ALL MY MONEY TO THE KIDS.

YOU SURE ABOUT THAT?

IT'S NASTY ANYWAY.

IT LOOK IT.

DJ Cass: WWWZ, CHARLESTON, SOUTH CAROLINA.

DJ CASS WITH YOU. MY BOY FREDDY B

AND ALL HIS PEEPS ON THE BUS, A BIG SHOUT-OUT.

Y'ALL GOT 12 HOURS TO GET TO MIAMI,

SO KEEP ON KEEPING ON. WORD IS BOND.

YO, POPPA, MAN, I DON'T SEE GERONIMO NOWHERE.

I AIN'T FALLING FOR THAT SHIT AGAIN.

A'IGHT. WELL, WHATEVER, MAN.

Roscoe: EVERYONE ON THIS BUS?

WHY? Y'ALL TURN UP THE AC.

FOR REAL. WHAT'S UP WITH THE AIR?

HE AIN'T SLICK.

OH, GOD. I GOT TO OPEN THIS WINDOW.

I WANT TO OPEN IT.

BLACKÉ: COME ON, DO SOMETHING, RUPAUL.

COME ON, HELP ME, THOUGH! OPEN THEM UP!

SHE'S GOT A POINT.

HOLD ON. WATCH OUT, BABY. LET ME SHOW YOU.

LET ME SHOW YOU.

YOU GOT IT, KOJAK?

GET BACK! GET BACK! GET OFF ME! GET OFF ME!

THANK GOD ALMIGHTY, I GOT AIR!

GET YOUR HAND OUT MY POCKET!

OH, MAN, WAIT TILL I GET MY HANDS ON THAT LITTLE PUNK!

I'M GONNA RIP HIS TONGUE OUT,

SHOVE IT UP HIS ASS!

FUCK.

HEY, YO, MAN, WHAT YOU LOOKING AT?!

YOU AIN'T NEVER SEEN A WOMAN PISS STANDING UP BEFORE?

HEY, YO, MAN, YOU CAN REALLY DO THAT SHIT FOR REAL?

I COULD DO MORE THAN THAT. BEND OVER.

YOU KNOW WHAT, MAN?

I ALWAYS SUSPECTED YOU HAD A BIG DICK, MAN.

THAT NINE IN YOUR JEANS LOOKS LIKE A FISTFUL OF QUARTERS.

I BET YOU GOT AFRO-PUFF HAIRS UNDER YOUR BALLS TOO,

DON'T YOU?

NEGRO, PLEASE! I'M TIRED OF YOUR MOUTH!

YO, GET HIM!

HEY, Y'ALL GONNA PAY YOUR CHECK?

Peaches: WE GOT YOUR ASS NOW.

YEAH, WE GOT YOU NOW, SUCKER!

GRAB THE BAG!

DAMN! I DONE HURT MY ASS BONE!

YOU SEEN GERONIMO?

YOU SEEN GERONIMO?

CASPER, YOU HAVEN'T SEEN HIM?

NO, I TOLD YOU BEFORE I AIN'T SEEN HIM.

INDIGO, YOU SEEN GERONIMO?

NO, I AIN'T SEEN HIM.

Brotha X: BLACKEÉ, THAT YOU STINKING?

WHAT YOU DOING MESSING AROUND WITH MY TRAP?

JUST GET ME DOWN!

IT'S 4:00 ON THE DOT. SHAKA ZULU ON THE B SIDE.

SHOUTING OUT TO FREDDY B AND THE WHOLE CREW

RIDING THROUGH THE ATL -- KEEP IT MOVING.

I GOT TO FIND HIM.WAIT, WAIT, WAIT.

HE KNOWS WE'RE HEADED TO MIAMI, RIGHT?

HE'S PROBABLY JUST GONNA MEET YOU THERE.

SHIT!

HEY, LETA. WHAT'S WRONG WITH HIM?

HE IN TROUBLE OR SOMETHING?

NO, NO. HE'S FINE. THERE'S NOTHING TO WORRY ABOUT.

RIGHT?

YEAH, NO, NO. WE COOL, Y'ALL. WE COOL.

I-I'M COOL.

LISTEN, WE'LL JUST STOP AT THE NEXT PHONE,

AND WE'LL MAKE SOME CALLS, ALL RIGHT?

GOOD LOOKING.

WAKE UP.

DAMN IT, ROSCOE.

I WAS HAVING A BAD DREAM ABOUT ME AND THREE MIDGETS

CIRCUS CLOWN, WATER HOSE.

TELL THE THREE MIDGETS WE OUT OF OIL.

WE OUT OF OIL?

DID YOU TIGHTEN THE SCREW LIKE I TOLD YOU TO?WHAT IF I DIDN'T?

Man: WHAT'S UP? CAN'T FIX THE BUS?

ANYBODY GOT ANY OIL?

5 POUNDS OF LARD, THAT'LL WORK. WHAT ELSE IS WRONG, BO?

WELL, LOOKS LIKE THE "U" JOINT

CAME LOOSE FROM THE SEPTIC TANK.

LET ME GET ONE OF YOUR RINGS.

THESE DIAMONDS COST ME $12.

DON'T WORRY ABOUT IT. I'M GONNA USE IT AS A WASHER.

HEY, HEY, HEY. DON'T YOU CROSS THAT RED LINE.

OH, MAN, YOU AND YOUR LINES.

YOU CROSS THAT RED LINE, GONNA BE ME AND YOUR ASS.

HIP-HOP, AFRICAN-AMERICAN, COLORED NEGRO.

TAKE IT EASY NOW, BO.

BO?

YOU KNOW, GUYS LIKE ME, IT'S DIFFERENT, YOU KNOW? DIFFERENT.

AND THIS BUS SITUATION, THIS AIN'T EVEN RIGHT, MAN.

IF I DON'T GET TO MIAMI, HOW AM I EVER GONNA FIND MY POPS?

I DON'T KNOW ABOUT Y'ALL, BUT I'M GETTING TO MIAMI.

WHAT?

FREDDY B PROMISED ME A RECORD DEAL,

AND I'M GONNA COLLECT, BABY.

I'M SUPPOSED TO TRYING TO HAVE A LISTENING PARTY AT THE HOTEL.

I DON'T KNOW WHY. YOUR ALBUM AIN'T SHIT.

SHUT UP.

WHATEVER, MAN.

I DON'T CARE. WE GOT TO GET TO MIAMI.

STRAIGHT UP, MAN.

HE PROMISED ME $1,000 TO PAY OFF MY P.O.

YOU KNOW WHAT I'M SAYING? I GOT TO...

$1,000? MAN ONLY PROMISED ME $500.

HEY, PLAYER, WHAT CAN I SAY?

IT DOESN'T MATTER WHAT HE PROMISED.

WE AIN'T NEVER GETTING TO MIAMI NOW.

OKAY, THAT'S IT.

I CAN'T BELIEVE YOU CAME ALL THIS WAY

AND NOW YOU'RE GIVING UP?

WELL, WE GOT OIL ALL OVER THE BOTTOM OF THE BUS,

AND ALSO WE GOT YELLOW STUFF COMING OUT THE RADIATOR.

SEE, WE KNOW WHAT THAT'S ALL ABOUT.

BO USED SOME MASSENGILL TO FLUSH THE ENGINE.

OH, YEAH.

LET THEM ORDER ME TWO BOTTLES OF SUMMER'S EVE --

13-OUNCE BOTTLES, SUMMER'S EVE.

THAT AIN'T THE BEST ONE.

MASSENGILL POTPOURRI'S THE BEST. I'VE GARGLED THAT.

MY BREATH SMELL LIKE A SUMMER'S DAY.

EXCUSE ME, BOYS, BUT I NEED TO USE THE PHONE.

BOY? BOY?

GIRL, I'M OLD ENOUGH TO TOOK YOUR GRANDMAMMA TO PROM.

GET ON SOMEWHERE. WE GOT BUSINESS.

BRING US ONE OF EACH.TELL THEM ONE OF EACH.

YEAH, SEND A MECHANIC RIGHT NOW. WE ALREADY BEHIND SCHEDULE.

UH-HUH.

ARE YOU OKAY?

I FUCKED UP.

I'M SUPPOSED TO ALWAYS KNOW WHERE MY BROTHER IS.

YOU CAN'T ALWAYS KNOW WHERE HE IS.

THAT'S IMPOSSIBLE.

YEAH, WELL, I HAVE TO.

I PROMISED MY...

BESIDES, AIN'T NOBODY ELSE GONNA LOOK OUT FOR HIM,

YOU KNOW, IF I DON'T.

YOU'RE BEING WAY TOO HARD ON YOURSELF.

YO, INDIE, MAN, YOU DON'T WANT THAT ORANGE. LET ME GET THAT.

HEY, WHERE ARE THEY GOING?

I SENT THEM AROUND THE CORNER TO A PARTY UNTIL THE BUS IS FIXED.

GOOD LOOKING.

YO, MAYBE I READ IT WRONG.

COME ON. LET'S JUST GO BUY ANOTHER ONE, A'IGHT?

Shit.

TWO IF YOU'RE PREGNANT. ONE IF YOU'RE NOT.

WHAT? YO, YOU BETTER MIND YOU OWN BUSINESS!

YOU KNOW WHAT, BITCH?

YOU AIN'T GOT SHIT ELSE TO SAY TO ME, ALL RIGHT?

LOOK. I AIN'T GOT NO BEEF WITH YOU.

AND I KNOW THAT YOU DON'T TRUST ME.

BUT, HONEY, BELIEVE ME. HE FLIRTS WITH EVERYBODY.

It's your move.

GIRL, YOU KNOW I GOT YOUR BACK.

BUT, YO, I'VE BEEN TELLING YOU FROM THE BEGINNING.

DESERVE BETTER THAN THAT, MAN.

CLEAN YOUR FACE.

CAN'T GO OUTSIDE LET HIM SEE YOU LIKE THAT.

DON'T WORRY ABOUT IT.

LITTLE BIT OF MASCARA, A LITTLE LIPSTICK,

MAKE YOU LOOK LIKE A DOLL.

OH, THAT'S NICE. YEAH. YEAH.

SHAKE YOUR BOOTY! SHAKE YOUR BOOTY! UNH! UNH!

HEY, HEY.

YO, THEY GOT A BUS!

THANKS, MAN. PEACE.

HEY. GERONIMO, WHERE THE HELL YOU BEEN?

YOU DON'T HEAR ME TALKING TO YOU?

WHAT, YOU STEPPING OUT ON ME WITH MY OWN BROTHER?!

UNH-UNH. UNH-UNH. COME OVER HERE.

FIRST OF ALL, DO NOT RAISE YOUR VOICE AT ME.

SECOND OF ALL, I AM NOT WITH EITHER ONE OF YOU.

AND THIRDLY, WHERE HAVE YOU BEEN, GERONIMO?

WE'VE BEEN LOOKING ALL OVER FOR YOU!

JUST FORGET IT!

WATCH OUT!WHAT'S UP, CUZ?

MAN, FUCK YOU BUSHWICK NEGROES.

WHAT THE FUCK YOU CALL ME, NIGGA?

BUSHWICK!

WHAT THE FUCK IS A BUSH WICK?

EXCUSE ME, MY BROTHERS!

DIDN'T YOU LEARN ANYTHING FROM THE MILLION MAN MARCH?!

DIDN'T YOU?!

WE MUST ATONE!

WE MUST HELP THIS MISGUIDED BROTHER AND NOT KICK HIS ASS!

'CAUSE I'M TRYING TO GET MY FREAK ON OVER THERE!

ATONEMENT FOR Y'ALL, A-BONE-MENT FOR ME.

I'LL SEE YOU LATER.

FUCK ALL THAT.SO WHAT YOU WANT TO DO?

YO, YO, YO. ENOUGH. ENOUGH, ALL RIGHT? ENOUGH!

HEY, CHECK THIS OUT, BIG HOMEY.

I AIN'T GOT NO PROBLEM WITH YOU, MAN.

BUT THIS LITTLE MOTHERFUCKER RIGHT HERE,

I GOT A PROBLEM WITH HIM.

YO, THIS LITTLE BROTHER HERE IS MY BLOOD, A'IGHT?

IT AIN'T GONNA HAPPEN.

SO I GUESS I'M GONNA HAVE TO WHUP YOUR PUSSY ASS TOO, HUH?

YEAH! THAT'S RIGHT, MAN! THAT'S RIGHT!

THAT'S MY BROTHER!

PUSSY DOES NOT RUN IN MY FAMILY!

GET THESE!

BROTHA!

WHAT THE FUCK WRONG WITH YOU, BITCH-ASS NIGGA?

KA-BAM!

WHAT THE FUCK WRONG WITH YOU, FOOL?

NOW THAT I GOT Y'ALL ATTENTION...

SHUT THE FUCK UP!

THAT'S RIGHT!

'CAUSE ENOUGH OF THIS CHASING Y'ALL SHIT.

IT'S HOT DOWN HERE! I GOT ON A TRIPLE-FAT GOOSE!

I AIN'T WASHED MY ASS IN TWO DAYS!

I COULDN'T GET NO POONTANG FROM MY PARTNER HERE!

AND ALL Y'ALL DOWN HERE IN CHOCOLATE MAYBERRY,

DO-SI-DOING LIKE EVERYTHING IS ALL RIGHT.

NOW, WHERE'S MY MONEY?!

MAN, I KNEW Y'ALL NIGGAS WAS SOME STRAIGHT MOTHERFUCKIN' BITCHES.

HOW THE FUCK Y'ALL GONNA SEND THESE MOTHERFUCKERS UP IN HERE

TO SHOOT MY SHIT UP, MAN?

MAN, THEY AIN'T DOWN WITH US. WE HATE THEM, TOO.

CHECK THIS OUT.

I DON'T APPRECIATE YOU BROKE-ASS,

BONNIE AND CLYDE, REN AND STIMPY,

MARTIN AND GINA-LOOKING MOTHERFUCKERS

COMING DOWN ON MY SHIT, GETTING WITH MY PROGRAM LIKE THAT.

SLAM FUCK YOU, YOU TALL, LANKY-ASS

DOUBLE-MINT PINCHING-LOOKING, COW-TIPPING,

BARNEY FIFE-ON-CRACK-ASS,

DICK-NOSED, SOUTHERN-FRIED, BAMA-ASS BIOTCH!

FREEZE!

WHICH ONE OF Y'ALL STOLE MY GUN?

THAT WOULD BE HER. THE YOUNG LADY WITH THE PUFFS.

LET IT GO. LET IT GO.

LET'S GO OUTSIDE.

COME ON.

RODNEY KING.

LOOKING OUT, MAN.

NO DOUBT, BIG BROTHER.

UGH, I'M PROUD OF YOU.

NOW, I KNOW YOU FOLKS WEREN'T LEAVING WITHOUT PAYING ME.

NO. NO.

AS FAR AS I CAN CALCULATE,

YOU OWE ME 500 DEAD WHITE PRESIDENTS.

Bo: YOU MEAN CASH?

C-A-S-H.

THAT SPELL CASH. Y'ALL GIVE THE MAN HIS MONEY.

I'M OUT OF CASH.

MY WAD'S BEEN SPENT.Man: WHAT?

MM-HMM.

I KNOW YOU AIN'T WANT US TO BE STRANDED.

HERE, MAN. WE JUST GOT TO GET TO MIAMI.

Y'ALL HAVE A NICE DAY.

I THOUGHT YOU WERE KIDDING.

I AIN'T STEAL IT, MAN.

I MEAN, I STOLE IT FROM THOSE HOODS.

LIKE ROBIN HOOD?

YEAH, THEY WAS ROBBING IN THE HOOD, SO I STOLE IT.

MIAMI, HERE WE COME.

MIAMI, HERE WE COME.

♪ MIAMI, HERE WE COME

Man: MIAMI'S PARTY STATION, POWER 96.

YOU GOT SLAMMING SUMMER ON YOUR BOX.

FREDDY B's IN THE HOUSE!

SO YOU FINALLY MADE IT TO M.I.A.,

HOME OF THE HEAVY BOOTIES. WHAT'S UP, MAN?

Freddy B: YO, POPPA LEADER, WHERE YOU AT, MONEY?

YOU WERE SUPPOSED TO BE HERE SEVEN HOURS AGO, BABY!

Woman: MIAMI!♪ LET'S RAISE THE ROOF

♪ MIAMI, LET'S TURN THIS MOTHER OUT ♪

♪ LET'S RAISE THE ROOF

♪ MIAMI, LET'S TURN THIS MOTHER OUT ♪

WAIT A MINUTE. YOU PASSED THE HOTEL UP.

THIS AIN'T NO HOTEL, MAN.

Woman: LITTLE HAVANA? NO.

OH.

PROSTITUTES IN OUR HOTEL?

THIS PLACE IS HORRIBLE.

IT'S LIKE WE NEVER LEFT THE PROJECTS.

YOU SHOULD FEEL RIGHT AT HOME, THEN.

Woman: I'M NOT STAYING IN THIS DUMP.

HEY, HEY, HEY, HEY, BABY. WHERE YOU GOING AT?

YOU KNOW FREDDY B GOT ALL HIS ACTS COVERED.

WHAT I WANT YOU TO DO IS GO SIT YOUR SEXY SELF OUT THERE

AND I'LL BE WITH YOU IN A MINUTE, A'IGHT?

YO, WHAT'S UP, MAN?

YOU TELL ME WHAT'S UP. WHAT'S UP WITH THIS SPOT, B?

LISTEN, MAN, LOOK LIKE Y'ALL WASN'T GONNA MAKE IT.

Y'ALL CUTTING IT KIND OF CLOSE, HUH?

WHEN HAVE I EVER LET YOU DOWN?

I GOT YOU. IT'S ALL GOOD.

YOU OWE ALL OF US.I OWE ALL Y'ALL.

L-LET'S GO, MAN.

LET'S GO, DAWG.

Man: FREDDY B's LEAVING, ANYWAY.

Woman: FREDDY B's LEAVING?

WHEN I GET BACK TO NEW YORK,

I'M READY TO START THAT RITES OF PASSAGE PROGRAM.

ALL I NEED IS THE SEED MONEY WE TALKED ABOUT.

EXCUSE YOU.EXCUSE ME.

HEY, HEY, HEY, LOOK, MAN, WE NEED TO GET INTO THAT LATER.

YOU KNOW, THAT'S WHAT WE NEED TO BE PLANTING OUR SEEDS IN

RIGHT THERE.

YO, CHARITY! CHARITY!

DAMN.

Woman: I HAVE 18 KIDS OUT HERE.

FORGET YOU. FORGET YOU, THEN!

AIN'T NOTHING BUT A MONEY-HUNGRY HOOCHIE ANYWAY.

TUESDAY, YOU BETTER HURRY UP. FREDDY B's LEAVING.

CAN I STAY WITH YOU?

YEAH, OF COURSE YOU CAN. TUESDAY, WHAT'S WRONG?

WHAT HAPPENED?

I'M PREGNANT.

WHAT? ALL RIGHT.

ALL RIGHT, IT'S GONNA BE OKAY.

I'M GONNA HELP YOU, ALL RIGHT?

OH, SHIT!

WHAT'S WRONG?

AIN'T NOTHING WRONG.

DO I LOOK LIKE SOMETHING'S WRONG?

WHAT YOU TRYING TO SAY?NEVER MIND.

GO BACK TO YOUR ROOM.

AIN'T YOU GONNA BE SCARED IN THAT DARK ROOM ALL BY YOURSELF?

NO.

COME ON, STOP FRONTING.

I'M NOT GONNA TELL NOBODY YOU'RE FREE.

GOOD. 'CAUSE I'M NOT.

GOOD NIGHT, GERONIMO. I'M TIRED, AND I'M GOING TO BED.

WHAT?! WHAT DO YOU WANT?!

ALL OF YOU?

THAT'S RIGHT. TOO MANY ROACHES IN MY ROOM.

HOLA, MAMA!I HOPE YOU SLEEP NAKED.

Charity: OKAY, I CAN BE THE LATIN MADONNA.

YOU KNOW, BECAUSE I GOT THE LOOKS, THE BODY.

I GOT THE MOVES.

AND, YOU KNOW, SINCE ALL THIS CROSSOVER MUSIC IS HAPPENING...

Woman: YES.

SIT RIGHT DOWN RIGHT HERE.

OH!

COME SIT RIGHT HERE, BABY.

UH, I GOT A DEMO. YOU WANT TO HEAR IT?

NO, DON'T WORRY ABOUT THE DEMO.

I WANT YOU TO SIT RIGHT HERE AND GIVE ME A BACK RUB.

OKAY. ALL RIGHT.

THAT FEELS GOOD.

I WANT YOU TO SING TO ME NOW.

LIKE A BIRD.

MNH-MNH. MNH-MNH.

LETA?

WHAT'S UP?

COME ON, GIRL. WHY YOU DO THAT?

OPEN UP.

ARE YOU TRYING TO WAKE UP THE ENTIRE HOTEL?

Shh!

WHAT ARE YOU DOING? DO YOU RUN A REFUGEE CAMP?

THEY'RE NOT AS TOUGH AS THEY ACT.

I SEE.

WHAT DO YOU WANT?

I NEED TO TALK.

UM, THINK WE CAN TAKE A WALK?

OH, MY GOD! IT'S 6:00!

WHAT? WHAT? IT'S 6:00!

SO?

THOSE KIDS ARE PROBABLY DEAD TO THE WORLD.

OH, RISE AND SHINE. GIVE GOD THE GLORY.

GOOD MORNING TO YOU, TOO.

YOU DIRTY DOG, YOU.

WHAT?WHERE HAVE YOU BEEN AT?

THAT'S RIGHT. YOU GOT A LOT OF EXPLAINING TO DO, YOUNG LADY.

IS IT POPPA, OR IS IT BIGPOPPA?

WELL, I JUST WANT TO KNOW, DID YOU USE A CONDOM, NASTY?

WELL, DID YOU?

CAN YOU KEEP A SECRET?YEAH! YEAH!

SO CAN I.

HEY, CASPER.

WHAT'S UP, MAN? YOU SCARED?

YO, HOW AM I SUPPOSED TO ACT WHEN I MEET THIS CAT, YO?

BE YOURSELF, MAN. KEEP IT REAL.

YOU KNOW WHAT I'M SAYING?COME ON, MAN.

IF I GET THERE AND THIS CAT OPEN UP THE DOOR AND HE'S WHITE,

IT'S GONNA THROW WRENCHES ALL UP IN MY PROJECT.

YOU KNOW WHAT I'M SAYING, INDIE? I CAN'T BE NO WHITE BOY, MAN.

I DON'T KNOW HOW TO BE NO WHITE BOY.

LOOK, MAN, IT DOESN'T EVEN MATTER, ANYWAY.

YOU KNOW WHAT I'M SAYING?YEAH.

IT'S ONLY SKIN DEEP, MAN.YEAH, I HEAR YOU.

A'IGHT?

AND LOOK, I KNOW YOU'RE BROKE.

NO DOUBT. A'IGHT?

HERE'S SOME LOOT, A'IGHT?

YEAH.

GET IN A CAB, GO SEE YOUR POPS. A'IGHT.

A'IGHT? A'IGHT.

I GOT TO GO, MAN.YO, YOU AIN'T GOT NO MORE?

MAN, YOU BETTER GET YOUR LILY- WHITE ASS IN THAT CAB, MAN.

"AIN'T GOT NO MORE."

MAN, YOU BETTER KEEP IT REAL, A'IGHT? NO DOUBT. NO DOUBT.

BLACKÉ: CAN WE MAKE ENOUGH MONEY TO LIVE LIKE THIS FOR REAL?

Man: CRAZY, I'M GETTING A SPOT 10 TIMES BIGGER THAN THIS

WHEN MY ALBUM COME OUT -- WATCH.

OH, THIS IS FREDDY B's HOUSE. BLOW UP.

THIS CRIB IS PHAT!

YO, RELAX!

I CAN'T BELIEVE YOU ACTUALLY GOT THEM HERE.

I TOLD YOU I'D GET THE JOB DONE.

SO YOU DID.

WELL, LOOKS LIKE THERE MIGHT BE A FUTURE FOR YOU AFTER ALL.

HEY. WAKE UP.

COME ON, GET UP.

YOU'RE GONNA MISS THE PHOTO SHOOT.

THE VIDEO. YEAH, THE KIDS ARE ALREADY HERE.

WHAT?

♪ WHAT I NE-E-E-E-ED

OH, OKAY.

OH, HEY, BABY. I'M GLAD YOU CAME DOWN HERE.

YOU KNOW, I GOT SOMETHING SPECIAL

I WANT TO TELL Y'ALL LADIES.

YOU KNOW, WHAT I GOT OUTSIDE IS A PHOTOGRAPHER,

AND WHAT HE'S GONNA DO IS HE'S GONNA TAKE ALL Y'ALL'S PICTURE.

WHY? "WHY"? 'CAUSE YOU ALL A GROUP.

YOU KNOW, Y'ALL NEED TO START HANGING TOGETHER LIKE A GROUP.

"A GROUP"? NEVER MIND.

YEAH, A GROUP, LIKE IN TCB --

YOU KNOW, TAKING CARE OF BUSINESS.

YOU KNOW, SEE, THIS IS SEXY "C" HERE.

WE AIN'T NO TRIO.

Y'ALL A TRIO OR Y'ALL AIN'T JACK SHIT.

TCB IN THE HOUSE!

WHAT -- WHAT TYPE OF GAME YOU TRYING TO PLAY?

BECAUSE YOU PROMISED ME A SOLO.

FREDDY B DON'T MAKE NO PROMISES, BABY.

WAIT, WHAT ABOUT LAST NIGHT?

OH, THAT WAS JUST A FRIENDLY FUCK.

A FRIENDLY FUCK?!NO, NO, NO, NO.

HOLD ON, BABY. HOLD ON. HOLD ON.

DON'T WORRY ABOUT IT. LET ME TELL YOU SOMETHING.

WOMEN LIKE YOU COME A DIME A DOZEN, MAN.

GO FIND ME ANOTHER ONE.

WAIT, FREDDY B, CAN I TALK TO YOU FOR A SECOND?

CAN I JUST TALK TO HIM FOR A SECOND?YOU JUST TALKED TO HIM.

I GUESS THE "C" WAS FOR EL CHEAPO.

MAN, SHUT UP.

COME ON. IT'LL BE ALL RIGHT.

YOU ALL RIGHT?

ALL RIGHT, ALL RIGHT. I GIVE IN.

YOU A'IGHT?

A'IGHT.

LISTEN. YEAH. UH-HUH.

FRED, I NEED TO TALK TO YOU.

YEAH, I-IT'S ALL GOOD.

SEE, THAT'S WHAT I'M TALKING ABOUT.

LOOK, I NEED A REAL ANSWER ABOUT THIS RITES OF PASSAGE PROGRAM.

LISTEN, MAN. NOW AIN'T THE TIME.

CAN'T YOU SEE WE DOING A VIDEO?

IT'S NEVER A GOOD TIME FOR YOU, MAN!

LOOK, IF YOU'RE NOT INTO THIS, COOL, A'IGHT?

I WON'T STRESS YOU ABOUT IT.

BUT DON'T TRY TO STRING ME ALONG LIKE I'M ONE OF YOUR BITCHES.

ONE OF MY BITCHES? JUST CHILL.

DAMN!

A'IGHT.

JUST DON'T ASK ME TO DO SHIT ELSE FOR YOU.

ACTION!

♪ THIS IS HOW WE ROLL ON THE WEEKEND ♪

♪ THIS IS HOW WE ROLL

♪ THIS IS HOW WE ROLL ON THE WEEKEND ♪

SO, HOW'S MY LITTLE SPANISH FLY DOING TODAY, HUH?

STEP OFF. GET OUT OF HERE.

CUT!

WHAT WAS THAT ALL ABOUT?

FUCK YOU, BITCH.

WHAT'S UP, BABY GIRL? HOW YOU DOING?

OH, SO TODAY I'M YOUR GIRL?

WHAT YOU TALKING ABOUT, TUESDAY? I TOLD YOU.

I GOT TO TELL YOU SOMETHING. I'M PREGNANT.

YOU PREGNANT?

TUESDAY!

TUESDAY! TUESDAY, COME HERE!

I DON'T KNOW WHAT YOU TELLING ME THAT FOR!

IT AIN'T MINE!

SHIT, I PULLED OUT EVERY TIME.

I AIN'T CLAIMING IT.

LOOK, BROTHA, YOU KNOW WHAT? I WASN'T ASKING YOU TO, OKAY?

I ALREADY DECIDED I WASN'T HAVING IT.

WELL, THAT'S GOOD, A'IGHT?

ENOUGH BASTARDS LIKE YOU IN THE PROJECTS

WITHOUT ME HAVING ANOTHER ONE.

WHAT? WHAT YOU SAY?

GET OFF ME.

YO, YO, YO. NOW, YOU KNOW YOU MAD.

YOU KNOW THAT, RIGHT?GET OFF ME, MAN.

NO, POPPA, I GOT IT. I GOT IT.

I DON'T NEED YOU.

YOU DISRESPECTFUL.

YOU BETTER STOP HITTING ME, MAN.

YOU MEAN.

MY HAIR!

I'M LOOKING OUT FOR TUESDAY FROM NOW ON.

MY MAN. HEY, HEY, HEY. COME HERE, MY MAN.

LOOK HERE -- I GOT GOOD NEWS AND BAD NEWS FOR YOU, DAWG.

THE GOOD NEWS IS THAT TCB IS COMING OUT FIRST.

THE BAD NEWS IS THAT BROTHA X IS NOW ON THE SHELF

UNTIL YOU, FOOL, FINISH THE RITES OF PASSAGE PROGRAM

RAN BY MY MAN POPS RIGHT THERE.

ALL RIGHT? GRADUATE. GRADUATE.

Man: YOU GOT TO GO TO CHARM SCHOOL!

DAMN!

SO, UH, YOU GONNA APOLOGIZE, FRED?

"APOLOGIZE"?

MAN, YOU SHOULD BE HAPPY. YOU GOT YOUR PROGRAM.

YOU GOT ME BEGGING YOU, MAN.

YOU SHOULDN'T CALL MY GIRLS BITCHES. IT'S ALL GOOD.

GOOD LOOKING, MAN. A'IGHT.

WELL, IF THE SOAP OPERA IS QUITE FINISHED,

LET'S DO ANOTHER TAKE, SHALL WE?

WHAT?

IS JAMES JACKSON AT HOME, PLEASE?

WHO WANTS TO KNOW?

Casper: THEY CALL HIM THE PANTHER.

HOW MANY WHITE PANTHERS YOU KNOW?

YO, I'M SORRY I EVEN BOTHERED YOU, MAN.

COME ON, BABY.

I CAN'T BELIEVE YOU SPENT TWO WHOLE DAYS

ON A BUS FULL OF RIFFRAFF.

WELL, THEY WEREN'T THAT BAD.

CAN YOU PUT HER ON THE BOTTOM STEP?

THIS IS CRAZY.

LISTEN, WOULD YOU JUST MAKE SURE

THAT THEY HAVE A NICE BUS ON THE WAY HOME?

BECAUSE THE RIDE DOWN, IT WAS PRETTY ROUGH ON THEM.

WHAT? WHY WASTE MY MONEY ON THAT?

THEY SHOULD BE GRATEFUL

I GAVE THEM A FREE TRIP OUTSIDE THE CITY.

THEY ARE GRATEFUL.

I JUST THINK IF YOU TREAT PEOPLE WITH SOME RESPECT --

OH, GROW UP. THESE PEOPLE PISS

IN THEIR OWN PROJECT ELEVATORS.

YOU KNOW, YOU TALK ABOUT THESE KIDS LIKE THEY ARE SHIT

BUT YOU ARE QUICK TO PIMP THEM IN YOUR BULLSHIT VIDEOS

THAT MAKE YOU RICH AND THEM LOOK IGNORANT

WHEN YOU KNOW THAT'S NOT HOW IT IS.

WELL, I HAD NO IDEA YOU HAD ALL THAT ANGER

PENT UP IN THAT LITTLE HEAD OF YOURS.

WELL, NOW --

SHUT UP NOW, AND YOU MIGHT STILL GET PAID.

HOLD ON. WHERE YOU THINK YOU'RE GOING, GIRL?

READY TO GO! I WANT TO SHOOT THIS!

HEY, OUT THE POOL NOW.

UNH-UNH, YO, BITCH, YOU BETTER COME CORRECT!

EXCUSE ME?

DO YOU KNOW WHO YOU'RE TALKING TO, LITTLE GIRL?

YEAH, THE LIAR WHO JUST RENEGED ON A PROMISE TO MY FRIEND.

I DON'T SEE A CONTRACT.

A VERBAL CONTRACT IS RECOGNIZED IN A COURT OF LAW.

OH, AND I BET YOU HEARD THAT

FROM SOME LAWYER WHILE YOU WERE SUCKING HIS DICK.

I WATCH COURT TV, PUTA.

PLEASE.

HEY, TRICK, AIN'T NOTHING MOVING TILL YOU MAKE GOOD.

YEAH!

YO, BLEAU, CHECK THIS OUT.

YOU WANT A VIDEO, RIGHT?

WELL, NO LETA, NO US, NO VIDEO.

YEAH!YEAH! YEAH!YEAH!

NO VIDEO, NO BUS, NO RIDE HOME.

WHATEVER.

YO, FRED.

DO I HAVE TO DEAL WITH THIS NOW? All: YEAH.

BLEAU IS OUT OF HERE. WHAT'S UP, DEF SQUAD?

WHAT'S UP? BABY, I'M FEELING IT.

YOU KNOW WHAT I'M SAYING? I'M TRYING TO BE LIKE YOU.

YOU GETTING THERE, THOUGH. IN ABOUT A YEAR.YEAH. YEAH. YEAH.

HEY, YO, POP, WE WERE OUT LOOKING FOR YOU.

YOU IN THERE ALL DAY.

TELL FREDDY DON'T BE CHANGING SHIT AT THE LAST MINUTE

LIKE HE DID BEFORE WITH HIS STINKING ASS.

Y'ALL REALLY THINK HE GONNA SHIT ON YOU?

All: HELL, YEAH!

HEY, YO, Y'ALL CAN'T LEAVE WITHOUT THE KID.

CASPER, WHAT'S UP, KID?

PLAYER, PLAYER.ALL RIGHT, ALL RIGHT, ALL RIGHT.

SO, WHAT'S UP WITH YOUR DADDY, MAN? IS HE WHITE?

YO, MY MAN WAS LIKE TWO SHADES LIGHTER THAN CHALK, YO.

HA! I KNEW HE WAS AN ANGLO-SAXON!

THAT'S WHAT I'M TALKING ABOUT!YO, WE OUT, MAN.

A'IGHT, PEACE, WHITEY.

YOUR DADDY WAS WHITE, HUH?

THAT'S A'IGHT, THOUGH. YOU STILL COOL FOR A WHITE BOY.

YOU KNOW WHAT I'M SAYING? SO, WHERE'S MY CHANGE, MAN?

YOUR CHANGE? YOUR CHANGE IS SPENT, YOU CHEAP SON OF A BITCH.

"CHEAP"? YOU THE ONE THAT GOT GROCERIES ON LAYAWAY.

WHITE TUPAC-LOOKING BASTARD.

Man: ALL RIGHT, QUIET ON THE SET! ROLL CAMERAS!

AND ACTION!

♪ DEF SQUAD

♪ YO, REAL, LET'S MAKE IT HAPPEN ♪

♪ YEAH, YO, YO ♪

♪ I'M IN THE 500, SITTING ON 20s ♪

♪ PUMPING JUNIOR M.A.F.I.A., AND B.I.G. GETTING MONEY ♪

♪ I'M HOLLYWOOD SWINGING, IT FEELS GOOD SOMETIMES ♪

♪ SO I ZONED OUT AND FREAK THE FUNK AND START SINGING ♪

♪ NO DIGGITY

♪ IF IT AIN'T DEF, IT AIN'T SHIT ♪

YOU GUYS!♪ I'M LIKE KEROSENE

GIVE ME A SHOT OF THIS RIGHT HERE.♪ I KEEP THE PLACE LIT

♪ YO, WILL, FIX THE BEAT UP

GIVE ME A CLOSE-UP ON HIM.♪ NO BEEF READ PUT THE HEAT UP

♪ YO, DAVE, YOU THE MAN

♪ NOW SPEAK UP

COME ON, YOU GUYS! GIVE ME SOME MORE ENERGY!

HAVE FUN!

ALL RIGHT.

YO, FRED, I'M TELLING YOU, MAN. STOP MESSING WITH ME.

YEAH, OKAY.

A'IGHT, YOU LET THIS CHECK BOUNCE,

I'M GONNA BUST THAT ASS.

A'IGHT. GOOD LOOKING, MAN.

♪ HOW WE DO ON AND ON, TILL THE EARLY MORN ♪

♪ ALWAYS WANT TO KICK IT

♪ NOT NOW, I GOT

♪ MOVE ON

Roscoe: I DON'T CARE WHAT YOU SAY.

I'M NOT DRIVING NO BUS NO MORE.

I'M GONNA BE ONE OF THEM LITTLE HIP-HOP DANCERS OVER THERE.

ROSCOE, DON'T BE RIDICULOUS.

CAN'T MAKE NO MONEY DOING THAT.

YOU RIGHT. OH, MALE EXOTIC DANCER.

YOU TOO OLD TO BE A MALE EXOTIC DANCER.

I USED TO BE A MALE EXOTIC DANCER.

MY NAME WAS "COFFEE CAKE."

GIRLS WOULD COME FROM MILES AROUND TO WATCH ME DANCE.

SEE, I RUBBED PEANUT BUTTER ALL OVER ME, AND I JUST WORK IT.

I BE WORKING IT. THEY BE SAYING, "WORK IT, BOY."

I'D BE WORKING. WORK WORK, WORK. AND WORKING IT GOOD.

THEY'D SCREAM MY NAME. BOY, I BE MAKING THAT MONEY.

I WAS WORKING.

♪ MY PERSONA STRICTLY

♪ DON'T BE CARING LIKE I'M DONNA ♪

♪ THE JERSE BOMBER

♪ GO 10 ROUNDS WITH ANACONDA

♪ I BLOW THE 9 "X" TO ORDER ME SOME PUSSY ♪

♪ THE BERNIE MAC'LL GET THE PARTY BUMPING LIKE BURDUSSY ♪

♪ YO, I'M FUCKIN' UP YOUR AUDIO ♪

♪ HARD-CORE RESERVOIR

♪ MATERIAL VIDEO

♪ AND WHEN YOU ARGUING

♪ ME AND MY MAN DAVE HOLLISTER ♪

♪ AND E. WALKING

♪ WHILE THE VALET PARKING SHIT ♪

♪ THIS IS HOW WE ROLL ON THE WEEKEND ♪

♪ THIS IS HOW WE ROLL

♪ THIS IS HOW WE ROLL ON THE WEEKEND ♪

♪ THIS IS HOW WE ROLL

♪ THIS IS HOW WE ROLL ON THE WEEKEND ♪

OH, YEAH. SPIN THE TOP.

WALK THE ROPE. WALK THE ROPE, ROSCOE.

♪ THIS IS HOW WE ROLL ON THE WEEKEND ♪

♪ FRIDAY

♪ SUNDAY

♪ HOW WE ROLL

♪ THIS IS HOW WE ROLL ON THE WEEKEND ♪

♪ YEAH, YEAH, UNH

♪ SUNDAY

♪ THIS IS HOW WE ROLL ON THE WEEKEND ♪

♪ FRIDAY, SATURDAY, SUNDAY

♪ THIS IS HOW WE ROLL

♪ THIS IS HOW WE ROLL ON THE WEEKEND ♪

CUT! YES! MY FIRST VIDEO!

THANK YOU! THANK YOU! YES!

♪ WU-TANG, WU-TANG

♪ PARTY

♪ WU-TANG, WU-TANG

♪ PARTY

HOLY SHIT! WHO THE FUCK IS THAT?

IT'S JON-JON.

STICKY FINGERS, KID, YOU GOT MY BACK?

♪ I GOT YOUR BACK, COUSIN

♪ I GOT THE MAGAZINE

♪ AND WHEN THOSE NIGGAS START JUMPIN' ♪

♪ BUST BACK, COUSIN

♪ 'CAUSE THE SAURIAN, TIME FOR SOME NEW SHIT ♪

♪ EVERY TIME I WRITE A RHYME, YOU KNOW IT'S TIGHT ♪

♪ PEOPLE SAY THEY'RE GONNA CUE YOU OUT OF SIGHT ♪

♪ YO, CHICKIE, CHICKIE, HIDE YOUR GOLD ♪

♪ LET ME DO ONTO YOU THE IMPOSSIBLE ♪

♪ WHEN YOU'RE ALONE, SITTING HOME, WAITING BY THE PHONE ♪

♪ NO CREW, ONLY YOU, NOTHING LEFT TO DO ♪

♪ WHO DO YOU CALL ON?

♪ YOU CALL ON ME

♪ WHY YOU WANNA BE A PLAYER, BALLER, A SHOT CALLER? ♪

♪ JAM ON IT, JAM ON IT

♪ IF YOU GOT WHAT IT TAKES, YOU SHOULD FLAUNT IT ♪

♪ ALL LADIES IN THE HOUSE, YOU WANT IT ♪

♪ ALL THE BROTHERS IN THE HOUSE, GET ON IT ♪

♪ BLOOD MONEY, THAT'S WHAT THIS LIFE LEAD TO ♪

♪ BLOOD MONEY, THAT'S HOW MY NIGGAS BLEED TO ♪

♪ BLOOD MONEY, THAT'S WHAT WE SMOKE WEED TO ♪

♪ BLOOD MONEY, THAT'S HOW MY NIGGAS EAT TO ♪

♪ BLOOD MONEY, THAT'S HOW MY NIGGAS EAT TO ♪

♪ OH, OOH

♪ WHO'S TO BLAME AND WHO COULD STAY ♪

♪ IN LOVE THE WAY YOU DO, BABE? ♪

- ♪ WHY WOULD YOU? - ♪ TELL ME, BABY

♪ TELL ME, BABY

- ♪ BE TRUE - ♪ TELL ME, BABY

- ♪ TELL ME, BABY - ♪ TRUE LIKE WE DO

♪ TELL ME, BABY

♪ TELL ME, BABY

♪ THIS IS ALL ON MY WEST COAST RIDERS ♪

♪ FLIPPIN' SHIT WITH THE SOUTHERN PARTNERS ♪

♪ ALL DAY, EVERY DAY

♪ L.A. TO L.A., NORTH COAST, WEST COAST, BABY, ALL DAY ♪

♪ FOR MY WEST COAST RIDERS

♪ FLIPPIN' SHIT WITH THE SOUTHERN PARTNERS ♪

♪ ALL DAY, EVERY DAY

♪ L.A. TO L.A., NORTH COAST, WEST COAST, BABY, ALL DAY ♪

♪ EAST SIDE

♪ YEAH, YEAH, EAST SIDE

♪ FEEL GOOD WHEN YOU GOT HOMEBOYS OUT THERE THAT LOOKOUT FOR YOU ♪

♪ THAT'S ON THE REAL

♪ IT'S ALL GOOD IN OUR 'HOOD

♪ HAVIN' SOMEONE THERE AND ALWAYS GIVE SOME BACK ♪

♪ AND THAT'S A FACT

♪ YOU DO, BABY, YOU

♪ NO ONE, YOU

♪ MIA X IS HARD AS HELL

♪ SOLDIER

♪ SOLDIER

♪ SOLDIER

♪ SOL-- SOL-- SOLDIER

♪ SEEMS LIKE I KEEP ON FALLING ♪

♪ I'M FALLING VICTIM

♪ I GOT THE SYMPTOMS OF THEM CRISP ONES ♪

♪ I CAN'T GET ENOUGH OF YOUR THING ♪

♪ I CAN'T GET ENOUGH OF YOUR THING ♪

♪ I CAN'T GET ENOUGH OF YOUR THING ♪

♪ IF CAN'T GET ENOUGH OF YOUR THING ♪

♪ OH, OH, OH

♪ I WANT TO GET HIGHER

♪ HIGHER, HIGHER

♪ I WANT TO GET HIGHER

♪ WHOA

♪ IT'S GONNA BE ALL RIGHT

♪ WAIT TILL I JOIN YOU

♪ ASHES TO ASHES AND DUST TO DUST ♪

♪ I HOPE YOU HEAR ME NOW, IN GOD WE TRUST ♪

♪ EVEN ALL THE PRAYERS CAN'T BRING YOU BACK TO US ♪

♪ I'LL MOURN YOU TILL I JOIN YOU 'CAUSE I KEEP IN TOUCH ♪

♪ NEVER SAID

♪ GOODBYE.

Roscoe: GOODBYE, MIAMI!

YOU CROSSED THE WHITE LINE.

GET YOUR BUTT BACK ACROSS THAT WHITE LINE!

Bo: HUMPH. NOT ONLY THAT, SHE DONE STEPPED ON YOUR WHITE SHOES.

MY SHOES? GET YOUR ASS OFF MY WHITE SHOES, WOMAN!