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These are the user uploaded subtitles that are being translated: 1 00:00:01,701 --> 00:00:03,901 STUART, YOU'RE PACKING UP? 2 00:00:03,934 --> 00:00:06,501 WELL, IT WAS A PLEASURE WORKING WITH YOU. 3 00:00:06,534 --> 00:00:08,234 YOU ARE A UNIQUE INDIVIDUAL. 4 00:00:08,267 --> 00:00:10,300 I DIDN'T GET FIRED. 5 00:00:10,334 --> 00:00:13,234 CARTER, IT WAS A PLEASURE WORKING WITH YOU. 6 00:00:13,267 --> 00:00:15,434 YOU'RE A UNIQUE INDIVIDUAL. 7 00:00:15,467 --> 00:00:17,601 WE EMPTIED OUT OUR STORAGE UNIT. 8 00:00:17,634 --> 00:00:20,968 OH, COOL -- MY OLD DUCK PHONE! 9 00:00:21,000 --> 00:00:22,567 I REMEMBER THOSE. 10 00:00:22,601 --> 00:00:24,000 THEY DON'T RING, THEY QUACK. 11 00:00:24,033 --> 00:00:26,234 ACTUALLY, THIS ONE'S A FACTORY REJECT. 12 00:00:26,267 --> 00:00:27,501 IT BARKS. 13 00:00:27,534 --> 00:00:28,901 WOW! 14 00:00:28,934 --> 00:00:30,467 LISTEN TO THIS -- 15 00:00:30,501 --> 00:00:33,133 "FROM THE MOMENT I LAID EYES ON YOU, 16 00:00:33,167 --> 00:00:35,601 "I SAW MY FUTURE IN YOUR FACE. 17 00:00:35,634 --> 00:00:37,767 "I SAW THE PERSON I HOPED TO BECOME 18 00:00:37,801 --> 00:00:40,300 "AND WHAT WE CAN BECOME TOGETHER. 19 00:00:40,334 --> 00:00:42,000 LOVE ALWAYS...STUART." 20 00:00:42,033 --> 00:00:43,701 YOU WROTE THAT DRIVEL? 21 00:00:45,234 --> 00:00:47,901 CHARLIE, THIS IS SWEET. WOMEN LOVE THIS STUFF. 22 00:00:47,934 --> 00:00:49,400 Make me a copy. 23 00:00:50,901 --> 00:00:53,234 WHO IS "MY DARLING ANNE"? 24 00:00:53,267 --> 00:00:54,534 NO ONE. 25 00:00:54,567 --> 00:00:57,267 IT WAS JUST A WRITING ASSIGNMENT FOR A CLASS. 26 00:00:57,300 --> 00:01:01,234 WAS PART OF THE ASSIGNMENT TO MARINATE IT IN OLD SPICE? 27 00:01:01,267 --> 00:01:02,667 IT'S NOT THAT BAD. 28 00:01:02,701 --> 00:01:05,701 I'M GETTING A WHIFF OVER HERE. 29 00:01:05,734 --> 00:01:08,000 WHY DON'T YOU GUYS MIND YOUR OWN BUSINESS? 30 00:01:47,367 --> 00:01:50,067 HOW CAN MY APPROVAL RATINGS BE DOWN? 31 00:01:50,100 --> 00:01:52,901 WE THINK IT'S BECAUSE YOU HAVEN'T COME THROUGH 32 00:01:52,934 --> 00:01:55,567 ON ALL YOUR CAMPAIGN PROMISES. 33 00:01:55,601 --> 00:01:58,968 TODAY EVERY NEW YORKER ENJOYS LOWER CRIME AND CLEANER STREETS. 34 00:01:59,000 --> 00:02:00,767 TRUE, BUT THEY STILL DON'T HAVE 35 00:02:00,801 --> 00:02:02,801 THEIR NEW YORK CITY TEAM JACKETS. 36 00:02:02,834 --> 00:02:06,968 I HAD NO IDEA THAT WOULD COST $70 MILLION. 37 00:02:07,000 --> 00:02:09,234 IF YOUR RATINGS DROP LOWER, WE COULD LOSE SUPPORT 38 00:02:09,267 --> 00:02:11,501 TO RENOVATE THE CENTRAL PARK ZOO. 39 00:02:11,534 --> 00:02:13,300 THAT ZOO MEANS A LOT TO ME. 40 00:02:13,334 --> 00:02:15,834 IT'S WHERE MY DAD TOOK ME AS A KID. 41 00:02:15,868 --> 00:02:18,634 IT'S WHERE I DISCOVERED MY LOVE FOR PANDAS. 42 00:02:20,367 --> 00:02:23,534 IT'S WHERE I LOST MY VIRGINITY. 43 00:02:23,567 --> 00:02:26,968 I HOPE THOSE LAST TWO AREN'T RELATED. 44 00:02:28,033 --> 00:02:29,267 DON'T WORRY, SIR. 45 00:02:29,300 --> 00:02:31,367 TO BOOST YOUR APPROVAL RATING, 46 00:02:31,400 --> 00:02:33,567 I'VE HIRED YOU AN IMAGE CONSULTANT. 47 00:02:33,601 --> 00:02:35,801 YOU DID WHAT?! I WASN'T NOTIFIED. 48 00:02:35,834 --> 00:02:37,868 WHY DO I NEED TO NOTIFY YOU ABOUT EVERY DECISION? 49 00:02:37,901 --> 00:02:40,367 TO MAKE SURE THINGS GET DONE RIGHT. 50 00:02:40,400 --> 00:02:42,434 I'M AS QUALIFIED TO MAKE DECISIONS AS YOU. 51 00:02:42,467 --> 00:02:43,968 I AM COMMUNICATIONS DIRECTOR! 52 00:02:44,000 --> 00:02:45,200 I'M THE DEPUTY MAYOR. 53 00:02:45,234 --> 00:02:46,934 AND I'M THE MAYOR. 54 00:02:48,968 --> 00:02:52,601 I THOUGHT WE WERE ANNOUNCING OUR JOB TITLES. 55 00:02:52,634 --> 00:02:55,868 HELLO. I'M JULIA RHODES. 56 00:02:55,901 --> 00:02:58,300 CHARLIE CRAWFORD. 57 00:02:58,334 --> 00:03:00,601 I HOPE YOU CAN LIGHT UP THE MAYOR'S IMAGE 58 00:03:00,634 --> 00:03:02,434 THE WAY YOU LIGHT UP A ROOM. 59 00:03:02,467 --> 00:03:05,634 I'M SORRY -- DID I WALK INTO HAPPY HOUR AT BENNIGAN'S? 60 00:03:05,667 --> 00:03:07,100 I'M MAYOR WINSTON. 61 00:03:07,133 --> 00:03:08,367 NICE TO MEET YOU. 62 00:03:08,400 --> 00:03:09,634 IT'S AN HONOR, SIR. 63 00:03:09,667 --> 00:03:11,634 WORK ON HANDSHAKE. 64 00:03:11,667 --> 00:03:15,334 WELL, I DIDN'T SQUEEZE HARD BECAUSE YOU'RE A WOMAN. 65 00:03:15,367 --> 00:03:17,701 CAN BE CONDESCENDING. 66 00:03:17,734 --> 00:03:19,834 SIR, JULIA SET UP A FOCUS GROUP 67 00:03:19,868 --> 00:03:22,734 TO TRY TO ISOLATE THE PROBLEM WITH YOUR IMAGE. 68 00:03:22,767 --> 00:03:24,601 A FOCUS GROUP? OH, I HAVE TO WARN YOU, 69 00:03:24,634 --> 00:03:26,334 I DON'T TAKE CRITICISM WELL. 70 00:03:26,367 --> 00:03:28,300 DOESN'T TAKE CRITICISM WELL. 71 00:03:28,334 --> 00:03:31,000 OH, COME ON! I JUST GAVE YOU THAT ONE! 72 00:03:32,734 --> 00:03:35,334 SORRY. I GET A LITTLE CARRIED AWAY SOMETIMES. 73 00:03:35,367 --> 00:03:37,968 I'M JUST REALLY EXCITED ABOUT WORKING WITH YOU. 74 00:03:38,000 --> 00:03:40,701 SIR, WE HAVE THAT 11:00. JULIA, I'LL SEE YOU AT LUNCH. 75 00:03:40,734 --> 00:03:43,734 WELL, THANK YOU. 76 00:03:43,767 --> 00:03:44,968 BETTER. 77 00:03:48,734 --> 00:03:51,534 HOW'S THIS THING WORK, EXACTLY? 78 00:03:51,567 --> 00:03:53,033 TEST, TEST. 79 00:03:53,067 --> 00:03:55,267 CHARLIE CRAWFORD -- 80 00:03:55,300 --> 00:03:58,200 555-0153. 81 00:03:58,234 --> 00:04:00,567 CHARLIE, I HAVE A STRICT RULE 82 00:04:00,601 --> 00:04:03,234 ABOUT DATING PEOPLE I WORK WITH -- 83 00:04:03,267 --> 00:04:04,767 I HAVE TO LIKE THEM. 84 00:04:04,801 --> 00:04:07,300 SO I'D APPRECIATE IT 85 00:04:07,334 --> 00:04:09,501 IF YOU'D PICTURE ME MORE AS A CO-WORKER 86 00:04:09,534 --> 00:04:11,701 THAN AS A WOMAN YOU'RE ATTRACTED TO. 87 00:04:14,901 --> 00:04:17,801 IT'S NOT WORKING. 88 00:04:20,200 --> 00:04:21,968 CAITLIN... 89 00:04:22,000 --> 00:04:23,767 GUESS WHO'S PLAYING CUPID. 90 00:04:23,801 --> 00:04:25,234 OH, NO. 91 00:04:25,267 --> 00:04:27,501 YOU ALWAYS SET ME UP WITH GUYS WHO YOU WANT TO DATE. 92 00:04:27,534 --> 00:04:28,534 LIKE WHO? 93 00:04:28,567 --> 00:04:30,067 THAT FILIPINO BODYBUILDER 94 00:04:30,100 --> 00:04:31,634 WHO DESIGNED DOG CLOTHES. 95 00:04:33,767 --> 00:04:36,601 I SHOULD CALL HIM. 96 00:04:36,634 --> 00:04:38,968 NO, NO -- I'M TALKING ABOUT STUART AND ANNE -- 97 00:04:39,000 --> 00:04:41,167 THE GIRL FROM HIS LETTER. I LOOKED HER UP. 98 00:04:41,200 --> 00:04:43,901 SHE STILL LIVES IN NEW YORK. SHE'LL BE HERE ANY MINUTE. 99 00:04:43,934 --> 00:04:46,033 I DON'T KNOW ABOUT THIS ONE, CUPID. 100 00:04:46,067 --> 00:04:48,634 I KNOW MY HOOKUPS HAVEN'T WORKED IN THE PAST, 101 00:04:48,667 --> 00:04:51,234 but I've got a hunch about this one. 102 00:04:53,734 --> 00:04:56,400 WHAT THE HELL ARE YOU DOING HERE? 103 00:04:56,434 --> 00:04:59,300 SURPRISE! 104 00:04:59,334 --> 00:05:00,667 HELLO, STUART. 105 00:05:00,701 --> 00:05:02,934 YOUR FRIEND CARTER CALLED AND INVITED ME. 106 00:05:02,968 --> 00:05:05,367 CARTER, CAITLIN, THIS IS ANNE... 107 00:05:05,400 --> 00:05:07,033 HI, ANNE -- 108 00:05:07,067 --> 00:05:09,534 ...MY EX-WIFE. 109 00:05:09,567 --> 00:05:12,667 SURPRISE! 110 00:05:12,701 --> 00:05:16,467 CARTER, COULD I SPEAK TO YOU FOR A MINUTE? 111 00:05:21,634 --> 00:05:23,367 WHAT WERE YOU THINKING?! 112 00:05:23,400 --> 00:05:24,834 YOU WERE MARRIED?! 113 00:05:24,868 --> 00:05:26,634 HOW COULD YOU NOT TELL ME? 114 00:05:26,667 --> 00:05:29,234 OH, YES, LET'S MAKE THIS ABOUT YOU. 115 00:05:30,667 --> 00:05:32,801 FEEL FREE TO USE MY OFFICE, GUYS. 116 00:05:32,834 --> 00:05:35,434 ANNE IS THE LAST PERSON ON EARTH I WANT TO SEE. 117 00:05:35,467 --> 00:05:37,767 THAT WOMAN MADE ME GAIN OVER 100 POUNDS! 118 00:05:37,801 --> 00:05:39,234 WHY? 119 00:05:39,267 --> 00:05:41,901 NOTHING I DID WAS EVER GOOD ENOUGH FOR HER. 120 00:05:41,934 --> 00:05:43,901 THE WORSE I FELT, THE MORE I ATE. 121 00:05:43,934 --> 00:05:47,334 DON'T EVEN HAVE TO KNOCK -- JUST COME ON IN. 122 00:05:47,367 --> 00:05:50,434 WELL, IT'S BEEN A LONG TIME. MAYBE SHE'S CHANGED. 123 00:05:50,467 --> 00:05:51,601 OH, PLEASE. 124 00:05:51,634 --> 00:05:52,868 AT LEAST TALK TO HER. 125 00:05:52,901 --> 00:05:54,667 IT'LL BE THERAPEUTIC. 126 00:05:54,701 --> 00:05:56,434 OKAY, I'LL TALK TO HER. 127 00:05:56,467 --> 00:05:57,901 THERE YOU GO. 128 00:05:57,934 --> 00:06:01,734 MI OFFICE, SU OFFICE. 129 00:06:03,901 --> 00:06:05,934 OKAY, WE'RE READY. REMEMBER, SIR -- 130 00:06:05,968 --> 00:06:09,033 YOU CAN SEE THE FOCUS GROUP, BUT THE GROUP CANNOT SEE YOU. 131 00:06:09,067 --> 00:06:11,367 THIS WHOLE THING IS A COMPLETE WASTE OF TIME. 132 00:06:11,400 --> 00:06:13,033 CHARLIE, I CAN HEAR YOU. 133 00:06:13,067 --> 00:06:14,501 I KNOW. 134 00:06:16,934 --> 00:06:19,267 WHAT'S PAUL DOING IN THERE? 135 00:06:19,300 --> 00:06:22,234 WELL, SOMETIMES FOCUS GROUPS CAN DEVELOP A MOB MENTALITY. 136 00:06:22,267 --> 00:06:24,701 PAUL'S IN THERE TO KEEP THEM ON AN EVEN KEEL. 137 00:06:24,734 --> 00:06:28,133 HE LOOKS LIKE THE CAPTAIN WITHOUT TENNILLE. 138 00:06:29,367 --> 00:06:31,667 HERE'S A PICTURE OF THE MAYOR. 139 00:06:31,701 --> 00:06:33,534 TELL ME THE FIRST THING THAT COMES TO MIND. 140 00:06:33,567 --> 00:06:35,033 HE LOOKS DISTINGUISHED. 141 00:06:35,067 --> 00:06:36,501 LIKE HE'S IN CHARGE -- 142 00:06:36,534 --> 00:06:38,767 HE KNOWS WHAT HE'S TALKING ABOUT. 143 00:06:38,801 --> 00:06:40,901 SO FAR, SO GOOD. 144 00:06:40,934 --> 00:06:42,701 BUT YOU KNOW WHAT? 145 00:06:42,734 --> 00:06:46,334 IT LOOKS LIKE HE'S GAINED SOME WEIGHT. 146 00:06:46,367 --> 00:06:48,934 YOU KNOW, NOW THAT YOU MENTIONED IT, 147 00:06:48,968 --> 00:06:50,434 HE LOOKS KIND OF FAT. 148 00:06:50,467 --> 00:06:53,200 LIKE A FAT CAT. 149 00:06:53,234 --> 00:06:56,601 I BET HE'S NEVER DONE A HARD DAY'S WORK IN HIS LIFE. 150 00:07:00,467 --> 00:07:03,300 WHAT IS YOUR IMPRESSION OF THE MAYOR HERE? 151 00:07:03,334 --> 00:07:06,300 HEY, THAT'S CHARLIE CRAWFORD! 152 00:07:06,334 --> 00:07:08,300 DIDN'T HE DATE CLAUDIA SCHIFFER? 153 00:07:08,334 --> 00:07:10,734 NO, HE WAS WITH THAT FEMALE VOLLEYBALL PLAYER. 154 00:07:10,767 --> 00:07:11,801 Woman: OH. 155 00:07:11,834 --> 00:07:13,567 BEACH VOLLEYBALL PLAYER. 156 00:07:15,801 --> 00:07:18,968 HOW ABOUT THAT GOOD-LOOKING GUY ON THE MAYOR'S LEFT? 157 00:07:19,000 --> 00:07:20,968 I DIDN'T EVEN NOTICE HIM. 158 00:07:21,000 --> 00:07:22,667 HE'S THE PRESS SECRETARY. 159 00:07:22,701 --> 00:07:24,234 DOESN'T RING A BELL. 160 00:07:24,267 --> 00:07:27,267 NO, BUT THE BIG, FAT MAYOR RINGS A BELL. 161 00:07:27,300 --> 00:07:29,367 WOULD MY APPROVAL RATINGS GO DOWN 162 00:07:29,400 --> 00:07:30,634 IF I STRANGLED PAUL? 163 00:07:30,667 --> 00:07:33,334 THEY MIGHT GO UP. 164 00:07:35,734 --> 00:07:37,801 I WAS SURPRISED WHEN CARTER CALLED ME, 165 00:07:37,834 --> 00:07:39,400 BUT I HAVE TO SAY, 166 00:07:39,434 --> 00:07:42,167 I WAS VERY MOVED BY THE LETTER YOUR WROTE... 167 00:07:42,200 --> 00:07:44,300 DESPITE THE GRAMMATICAL ERRORS 168 00:07:44,334 --> 00:07:45,901 AND SENTIMENTAL CLICH�S. 169 00:07:45,934 --> 00:07:47,267 THANK YOU. 170 00:07:48,400 --> 00:07:50,534 AND YOU LOOK DIFFERENT. WHAT IS IT? 171 00:07:50,567 --> 00:07:52,934 I LOST 100 POUNDS. 172 00:07:52,968 --> 00:07:55,868 NO...I THINK IT'S THE RECEDING HAIRLINE. 173 00:07:59,200 --> 00:08:00,434 YOU KNOW, ANNE, 174 00:08:00,467 --> 00:08:02,934 STUART IS THE ASSISTANT DEPUTY MAYOR, 175 00:08:02,968 --> 00:08:04,167 A VERY IMPORTANT POSITION. 176 00:08:04,200 --> 00:08:06,601 SO YOU'VE ACTUALLY ACHIEVED SOMETHING? 177 00:08:06,634 --> 00:08:08,767 MY MOTHER WILL BE SHOCKED. 178 00:08:08,801 --> 00:08:11,000 OH, IS SHE STILL ALIVE? 179 00:08:11,033 --> 00:08:12,901 EXCUSE ME? NOTHING. 180 00:08:12,934 --> 00:08:15,567 I'M GOING TO THE LADIES' ROOM. 181 00:08:23,067 --> 00:08:25,534 THAT WOMAN IS EVIL. 182 00:08:25,567 --> 00:08:27,734 LET'S JUST LEAVE. 183 00:08:27,767 --> 00:08:30,400 NO. THIS IS MY CHANCE TO FINALLY SHOW HER 184 00:08:30,434 --> 00:08:33,133 THAT I'M NOT THE SAME GUY SHE WALKED ALL OVER 185 00:08:33,167 --> 00:08:34,534 15 YEARS AGO. 186 00:08:34,567 --> 00:08:36,033 THAT'S VERY BRAVE. 187 00:08:36,067 --> 00:08:38,801 I'M GETTING THE HELL OUT OF HERE. 188 00:08:43,334 --> 00:08:45,701 I CAN'T BELIEVE THEY DIDN'T RECOGNIZE ME. 189 00:08:45,734 --> 00:08:47,934 I'M THE PRESS SECRETARY. I STAND OUT. 190 00:08:47,968 --> 00:08:50,133 I COMMAND ATTENTION, DON'T YOU THINK? 191 00:08:50,167 --> 00:08:53,701 WHY DID YOU LET ME ORDER THE KUNG PAO CHICKEN? 192 00:08:53,734 --> 00:08:56,968 I SAID, "GO CHOW MEIN," BUT YOU NEVER LISTEN. 193 00:08:57,000 --> 00:08:58,501 HEY, ANGIE... 194 00:08:58,534 --> 00:09:01,167 DO YOU THINK I'M AN INTERESTING GUY? 195 00:09:01,200 --> 00:09:04,434 I SHOULD GET A MANICURE. 196 00:09:06,601 --> 00:09:07,734 SO? SO? 197 00:09:07,767 --> 00:09:09,801 HOW'D IT FEEL TO TELL HER OFF? 198 00:09:09,834 --> 00:09:11,267 IT WAS OKAY. 199 00:09:11,300 --> 00:09:13,667 NOW YOU'RE READY TO GET ON WITH YOUR LIFE. 200 00:09:13,701 --> 00:09:16,100 STUART, THE STORES CLOSE IN AN HOUR. 201 00:09:16,133 --> 00:09:19,033 YOU CAN TALK TO YOUR DUMB FRIEND LATER. 202 00:09:19,067 --> 00:09:20,667 COMING, HONEY. 203 00:09:26,334 --> 00:09:28,501 THE RESULTS FROM THE FOCUS GROUP ARE IN. 204 00:09:28,534 --> 00:09:31,234 I'VE PREPARED A COMPREHENSIVE 48-PAGE REPORT. 205 00:09:31,267 --> 00:09:32,767 THAT SOUNDS EXCESSIVE. 206 00:09:32,801 --> 00:09:34,767 DON'T WORRY. I'VE CREATED A CHARACTER 207 00:09:34,801 --> 00:09:36,834 CALLED MERV THE MONKEY TO GUIDE YOU THROUGH IT. 208 00:09:38,667 --> 00:09:40,501 WE THINK WE'VE ZONED IN ON THE PROBLEM. 209 00:09:40,534 --> 00:09:42,534 YOU DON'T SEEM TO BE DOING WELL WITH WOMEN. 210 00:09:42,567 --> 00:09:45,534 HEY, I'M JUST GOING THROUGH A DRY SPELL. 211 00:09:45,567 --> 00:09:48,467 WE'VE COME TO TWO DISTINCT CONCLUSIONS. 212 00:09:51,234 --> 00:09:55,200 IN THIS PICTURE, WOMEN FOUND YOU RELIABLE AND SENSITIVE. 213 00:09:56,601 --> 00:09:58,834 BUT IN THIS PICTURE... 214 00:09:58,868 --> 00:10:02,567 WOMEN FOUND YOU UNRELIABLE AND INSENSITIVE. 215 00:10:04,734 --> 00:10:06,801 WELL, THIS IS EASY. 216 00:10:06,834 --> 00:10:10,868 LET'S JUST NOT SHOW THEM THAT PICTURE. 217 00:10:17,601 --> 00:10:19,934 SO, IN ESSENCE, THE MAYOR'S WHOLESOME IMAGE 218 00:10:19,968 --> 00:10:21,934 IS BEING COMPROMISED BY THE FACT 219 00:10:21,968 --> 00:10:25,467 THAT WOMEN FIND CHARLIE DANGEROUS YET SEXUALLY ENTICING, 220 00:10:25,501 --> 00:10:28,400 AND THESE FINDINGS JUST SCRATCH THE SURFACE. 221 00:10:28,434 --> 00:10:32,200 WELL, CLEARLY WE NEED TO DO MORE RESEARCH. 222 00:10:32,234 --> 00:10:35,267 I'LL NEED THESE WOMEN'S NAMES. I'LL NEED THEIR NUMBERS. 223 00:10:35,300 --> 00:10:37,767 LET ME GET THIS STRAIGHT -- 224 00:10:37,801 --> 00:10:40,033 CHARLIE'S GETTING ALL THE ACTION, 225 00:10:40,067 --> 00:10:41,801 AND I'M TAKING ALL THE HEAT? 226 00:10:41,834 --> 00:10:42,934 BASICALLY. 227 00:10:42,968 --> 00:10:45,701 ANY WAY WE CAN REVERSE THAT? 228 00:10:45,734 --> 00:10:49,701 I'VE GOT A MEETING. YOU ALL JUST KEEP ME POSTED. 229 00:10:53,300 --> 00:10:55,200 I DON'T FIND YOU THAT SEXY. 230 00:10:55,234 --> 00:10:58,100 I PREFER IT THAT WAY, SIR. 231 00:10:58,133 --> 00:11:01,133 CHARLIE, WE NEED TO CHANGE THE WAY WOMEN PERCEIVE YOU. 232 00:11:01,167 --> 00:11:03,734 YOU NEED TO APPEAR MORE CARING AND SENSITIVE. 233 00:11:03,767 --> 00:11:05,400 FIRST THING... 234 00:11:05,434 --> 00:11:07,767 WE'LL WORK ON HIS SMILE. 235 00:11:07,801 --> 00:11:11,934 AND...WE NEED TO CHANGE THAT WARDROBE. 236 00:11:11,968 --> 00:11:13,467 LET'S CINCH UP HIS TIE. 237 00:11:13,501 --> 00:11:16,734 HEY, LOOK, I'M NOT A DOLL HERE FOR YOUR AMUSEMENT. 238 00:11:16,767 --> 00:11:18,567 OH, I BET HE'D LOOK CUTE WITH BANGS! 239 00:11:18,601 --> 00:11:19,667 OH. 240 00:11:19,701 --> 00:11:21,334 WHOA, WHOA! BACK OFF! 241 00:11:21,367 --> 00:11:23,968 YOU'RE NOT GOING TO WUSS UP MY APPEARANCE. 242 00:11:24,000 --> 00:11:27,033 I GOT MORE IMPORTANT THINGS TO WORRY ABOUT THAN MY LOOKS. 243 00:11:29,400 --> 00:11:31,501 THE MOST IMPORTANT THING IS THAT WE GET YOU 244 00:11:31,534 --> 00:11:33,434 SOME MEDIA EXPOSURE, LIKE A TALK SHOW -- 245 00:11:33,467 --> 00:11:34,734 ONE POPULAR WITH WOMEN 246 00:11:34,767 --> 00:11:37,200 SO WE CAN SHOW YOU CAN CONNECT WITH THEM 247 00:11:37,234 --> 00:11:38,767 ON AN INTERPERSONAL LEVEL. 248 00:11:38,801 --> 00:11:40,868 WHO IS THIS BROAD? 249 00:11:40,901 --> 00:11:44,067 I'M THE BROAD WHO WAS HIRED TO SAVE YOUR ASS. 250 00:11:44,100 --> 00:11:46,467 WELL, ACCORDING TO YOUR NUMBERS, 251 00:11:46,501 --> 00:11:49,267 80% OF WOMEN THINK MY ASS IS JUST FINE. 252 00:11:51,567 --> 00:11:53,067 NUMBERS DON'T LIE! 253 00:11:54,968 --> 00:11:57,367 YOU HAVE BEEN HOSTILE TO JULIA FROM THE START. 254 00:11:57,400 --> 00:12:00,133 BECAUSE THIS IDEA OF YOURS IS IDIOTIC. 255 00:12:00,167 --> 00:12:01,734 I AM NOT GONNA GET PETTY, 256 00:12:01,767 --> 00:12:03,968 BUT ONE THING IS CLEAR FROM HER RESEARCH -- 257 00:12:04,000 --> 00:12:05,834 PEOPLE LIKE ME BETTER THAN YOU. 258 00:12:05,868 --> 00:12:08,567 I'M NOT GONNA PRETEND TO BE SOMEBODY I'M NOT. 259 00:12:08,601 --> 00:12:10,601 YOUR IMAGE IS HURTING THE MAYOR, 260 00:12:10,634 --> 00:12:12,167 SO DROP THE VANITY ACT. 261 00:12:22,167 --> 00:12:25,400 I FIGURED OUT WHY THE FOCUS GROUP DIDN'T RECOGNIZE ME. 262 00:12:25,434 --> 00:12:27,501 I'M TOO STABLE, TOO SUCCESSFUL. 263 00:12:27,534 --> 00:12:28,934 PEOPLE ARE INTRIGUED 264 00:12:28,968 --> 00:12:31,167 BY CELEBRITIES WHO ARE FLAWED. 265 00:12:31,200 --> 00:12:33,400 I NEED TO COME UP WITH A FLAW. 266 00:12:33,434 --> 00:12:36,601 GEE, LET'S BRAINSTORM ON THAT FOR ABOUT EIGHT SECONDS. 267 00:12:36,634 --> 00:12:38,767 I WONDER HOW LONG IT WOULD TAKE 268 00:12:38,801 --> 00:12:40,901 TO DEVELOP A DRINKING PROBLEM. 269 00:12:40,934 --> 00:12:43,801 REMEMBER, I WANT YOU READY TO GO BY 7:00. 270 00:12:43,834 --> 00:12:45,300 I WILL BE. 271 00:12:45,334 --> 00:12:47,334 IS THAT YOUR DUCK PHONE? 272 00:12:47,367 --> 00:12:51,300 I THOUGHT I MADE YOU GET RID OF THAT YEARS AGO. 273 00:12:51,334 --> 00:12:53,300 OH, I JUST FOUND IT IN AN OLD BOX 274 00:12:53,334 --> 00:12:55,501 AND THOUGHT I'D DONATE IT TO CHARITY. 275 00:12:55,534 --> 00:12:57,400 I'M NOT USING IT. 276 00:12:57,434 --> 00:12:59,267 [ BARKING ] 277 00:12:59,300 --> 00:13:01,000 I-I CAN'T TALK NOW. 278 00:13:06,100 --> 00:13:08,634 I WILL SEE YOU LATER. 279 00:13:08,667 --> 00:13:10,567 OH -- AND WEAR A TIE. 280 00:13:11,601 --> 00:13:13,868 BUT NOT ONE LIKE THAT. 281 00:13:16,334 --> 00:13:17,968 STUART... 282 00:13:18,000 --> 00:13:19,367 STUART! 283 00:13:19,400 --> 00:13:21,167 STUART!! 284 00:13:25,334 --> 00:13:28,501 YOU'RE LETTING ANNE TAKE OVER YOUR LIFE. 285 00:13:28,534 --> 00:13:31,334 [ BABBLES ] 286 00:13:31,367 --> 00:13:33,300 THAT'S JUST AN EXCUSE. 287 00:13:33,334 --> 00:13:35,467 CARTER... 288 00:13:35,501 --> 00:13:38,133 YOU LISTEN TO ME. 289 00:13:38,167 --> 00:13:41,834 ANNE IS JUST GIVING ME DIRECTION! 290 00:13:43,601 --> 00:13:45,968 I MEAN, I SHOULD HAVE MY OWN OFFICE. 291 00:13:46,000 --> 00:13:49,634 AND I SHOULD BE MAKING MORE MONEY. 292 00:13:49,667 --> 00:13:52,067 AND I SHOULD BE BREAKING OFF 293 00:13:52,100 --> 00:13:54,534 ALL CONTACT WITH MY PARENTS. 294 00:13:56,434 --> 00:13:58,133 [ CHEERING ] 295 00:13:59,767 --> 00:14:02,334 MY NEXT GUEST IS SPEARHEADING SEVERAL NEW PROGRAMS 296 00:14:02,367 --> 00:14:05,000 THAT WILL MAKE LIFE EASIER FOR WOMEN IN THIS CITY. 297 00:14:05,033 --> 00:14:07,367 AND BESIDES THAT, HE'S A REAL CUTIE PATOOTIE. 298 00:14:07,400 --> 00:14:10,501 PLEASE WELCOME THE DEPUTY MAYOR OF NEW YORK, CHARLIE CRAWFORD! 299 00:14:10,534 --> 00:14:14,234 [ CHEERING, APPLAUSE ] 300 00:14:16,434 --> 00:14:17,667 HOW ARE YOU? 301 00:14:17,701 --> 00:14:18,968 GOOD. 302 00:14:19,000 --> 00:14:21,000 NICE TO SEE YOU. THANKS FOR BEING HERE. 303 00:14:21,033 --> 00:14:22,868 THANK YOU. 304 00:14:22,901 --> 00:14:25,167 HOW ARE YOU, CHARLIE? 305 00:14:25,200 --> 00:14:27,234 I'M SO HONORED TO BE ON THE SHOW. 306 00:14:27,267 --> 00:14:29,367 YOU DO SO MUCH FOR WOMEN'S ISSUES, 307 00:14:29,400 --> 00:14:31,501 AND I FEEL SO STRONGLY ABOUT THAT. 308 00:14:31,534 --> 00:14:34,267 WHAT EXACTLY DO YOU MEAN BY "WOMEN'S ISSUES"? 309 00:14:34,300 --> 00:14:37,934 WHEN A MAN WATCHES FOOTBALL AND SOMETHING BAD HAPPENS, 310 00:14:37,968 --> 00:14:41,200 HE'LL YELL SOMETHING AT THE TV LIKE, "COME ON!" 311 00:14:41,234 --> 00:14:43,200 BUT WOMEN ARE DIFFERENT. 312 00:14:43,234 --> 00:14:45,167 THEY CAN HAVE BABIES. 313 00:14:45,200 --> 00:14:47,000 SO... 314 00:14:47,033 --> 00:14:50,434 I GUESS THAT'S WHAT I'M TRYING TO SAY. 315 00:14:50,467 --> 00:14:51,834 A LITTLE BIRD TOLD ME 316 00:14:51,868 --> 00:14:54,033 THAT YOU WERE DATING CLAUDIA SCHIFFER. 317 00:14:54,067 --> 00:14:56,300 ANY TRUTH IN THAT? 'CAUSE SHE IS GORGEOUS. 318 00:14:56,334 --> 00:14:57,934 [ HOOTING ] 319 00:14:57,968 --> 00:15:01,067 ALL I KNOW IS THAT SHE'S BEAUTIFUL ON THE INSIDE. 320 00:15:01,100 --> 00:15:02,801 ON THE INSIDE? 321 00:15:02,834 --> 00:15:05,300 HEY, IF I LOOKED LIKE HER, I'D BE BUTT NAKED EVERY DAY 322 00:15:05,334 --> 00:15:07,300 IN THE FROZEN-FOOD SECTION OF A&P. 323 00:15:07,334 --> 00:15:09,133 YOU KNOW WHAT I MEAN? 324 00:15:09,167 --> 00:15:11,968 LISTEN, UP NEXT IS A SINGLE MOTHER FROM NEW JERSEY 325 00:15:12,000 --> 00:15:14,667 WHO RAISED FIVE CHILDREN ON A PARALEGAL'S SALARY 326 00:15:14,701 --> 00:15:16,667 AND THEN TOOK DOWN BIG TOBACCO. 327 00:15:16,701 --> 00:15:18,434 OH... 328 00:15:18,467 --> 00:15:19,734 WHAT? 329 00:15:19,767 --> 00:15:23,100 [ Voice breaking ] HER STORY...IS SO MOVING. 330 00:15:23,133 --> 00:15:25,234 [ SOBS ] 331 00:15:25,267 --> 00:15:27,334 SOMEBODY GET HIM A HANKIE. 332 00:15:27,367 --> 00:15:28,701 WE'RE GONNA TAKE A BREAK, 333 00:15:28,734 --> 00:15:30,734 AND WE'LL BE RIGHT BACK AFTER THIS...MESSAGE. 334 00:15:30,767 --> 00:15:32,901 [ CHEERING ] 335 00:15:37,701 --> 00:15:40,534 I DON'T WANNA TALK ABOUT ANNE. 336 00:15:40,567 --> 00:15:42,033 I WON'T SAY A THING. 337 00:15:42,067 --> 00:15:44,634 I'LL JUST LET THESE DO THE TALKING. 338 00:15:46,267 --> 00:15:49,334 OH, MY GOD. 339 00:15:49,367 --> 00:15:53,801 THE BIG JEANS. 340 00:15:55,467 --> 00:15:56,968 THE DAY I BOUGHT THESE 341 00:15:57,000 --> 00:15:59,667 WAS THE SECOND-MOST EMBARRASSING DAY OF MY LIFE. 342 00:15:59,701 --> 00:16:01,667 WHAT WAS THE FIRST? 343 00:16:01,701 --> 00:16:04,367 THE DAY I HAD THEM LET OUT. 344 00:16:04,400 --> 00:16:06,033 STU, I DON'T GET IT. 345 00:16:06,067 --> 00:16:07,968 WHY WOULD YOU WANT TO BE 346 00:16:08,000 --> 00:16:11,367 WITH A WOMAN WHO DOES THIS TO YOU? 347 00:16:11,400 --> 00:16:13,267 LOOK... 348 00:16:13,300 --> 00:16:16,000 ANNE WAS BEAUTIFUL. 349 00:16:16,033 --> 00:16:17,834 SHE WAS POPULAR. 350 00:16:17,868 --> 00:16:19,767 AND WHEN I MARRIED HER, 351 00:16:19,801 --> 00:16:23,267 FOR THE FIRST TIME IN MY LIFE, I FELT LIKE A WINNER. 352 00:16:23,300 --> 00:16:25,300 BUT YOU KNOW ANNE'S BAD FOR YOU. 353 00:16:25,334 --> 00:16:26,901 YOU GOTTA BE STRONG, STUART. 354 00:16:26,934 --> 00:16:29,767 YOU GOTTA CUT HER LOOSE... JUST LIKE I DID WITH DOUG. 355 00:16:29,801 --> 00:16:33,234 DIDN'T HE LEAVE YOU FOR A MALE NURSE NAMED HECTOR? 356 00:16:33,267 --> 00:16:35,467 HEY, WE'RE TALKING ABOUT YOU, NOT ME, FATTY! 357 00:16:37,601 --> 00:16:39,367 STUART, DO YOU WANNA BE A WINNER, 358 00:16:39,400 --> 00:16:41,501 OR DO YOU WANNA END UP RIDING A MINIBIKE 359 00:16:41,534 --> 00:16:43,601 IN THE "GUINNESS BOOK OF WORLD RECORDS"? 360 00:16:43,634 --> 00:16:45,567 I DON'T WANNA BE THAT GUY. 361 00:16:45,601 --> 00:16:48,334 STUART... 362 00:16:48,367 --> 00:16:50,033 YOU'RE A GREAT GUY. 363 00:16:51,100 --> 00:16:53,400 YOU DESERVE BETTER THAN HER. 364 00:16:53,434 --> 00:16:54,534 STUART! 365 00:16:54,567 --> 00:16:56,901 YOU'RE NOT READY! WE'RE SUPPOSED TO MEET 366 00:16:56,934 --> 00:16:58,701 MY MOTHER FOR LUNCH! 367 00:16:58,734 --> 00:17:00,334 I'M NOT GOING. 368 00:17:00,367 --> 00:17:02,801 ANNE, EVER SINCE YOU GOT HERE, 369 00:17:02,834 --> 00:17:05,534 YOU'VE DONE NOTHING BUT MAKE ME FEEL SMALL, 370 00:17:05,567 --> 00:17:07,033 AND...I'M SICK OF IT. 371 00:17:07,067 --> 00:17:09,167 HONEY, I KNOW I SEEM CRITICAL, 372 00:17:09,200 --> 00:17:11,801 BUT IT'S ONLY BECAUSE I CARE ABOUT YOU. 373 00:17:11,834 --> 00:17:13,934 IT'S LIKE YOU SAID IN YOUR LETTER -- 374 00:17:13,968 --> 00:17:16,133 WE'RE MEANT FOR EACH OTHER. 375 00:17:19,200 --> 00:17:20,901 HEY...STOP IT! 376 00:17:20,934 --> 00:17:22,300 WHAT? 377 00:17:22,334 --> 00:17:23,868 I LIKE MY HAIR! 378 00:17:23,901 --> 00:17:26,634 I LIKE MY JOB! 379 00:17:26,667 --> 00:17:27,901 AND YOU KNOW WHAT? 380 00:17:27,934 --> 00:17:29,367 I LIKE WEIGHING MYSELF 381 00:17:29,400 --> 00:17:31,667 ON A SCALE THAT'S NOT USED FOR LIVESTOCK. 382 00:17:33,701 --> 00:17:35,400 ANNE, I'M OVER YOU, 383 00:17:35,434 --> 00:17:37,400 AND... 384 00:17:37,434 --> 00:17:40,434 I THINK WE SHOULD BOTH... MOVE ON. 385 00:17:40,467 --> 00:17:44,534 IF I LEAVE NOW, YOU'LL NEVER SEE ME AGAIN. 386 00:17:44,567 --> 00:17:47,000 GOODBYE. 387 00:17:49,033 --> 00:17:51,000 [ DOOR CLOSES ] 388 00:17:51,033 --> 00:17:52,567 [ EXHALES ] 389 00:17:52,601 --> 00:17:57,067 YOU, UH...WANNA GO GRAB A BEER? 390 00:17:57,100 --> 00:17:59,601 NO. I'M DRAINED. 391 00:17:59,634 --> 00:18:02,734 I THINK I'M JUST GONNA LIE DOWN. 392 00:18:20,167 --> 00:18:21,601 OH, CHARLIE... 393 00:18:21,634 --> 00:18:23,767 I THINK YOU STILL HAVE SOME MAKEUP LEFT OVER 394 00:18:23,801 --> 00:18:25,234 FROM THE "ROSIE" SHOW. 395 00:18:25,267 --> 00:18:27,467 WHY DON'T YOU GO INTO THE LADIES' ROOM 396 00:18:27,501 --> 00:18:28,901 AND FRESHEN UP? 397 00:18:28,934 --> 00:18:30,734 [ LAUGHING ] 398 00:18:30,767 --> 00:18:32,067 NICE ONE, SIR. 399 00:18:32,100 --> 00:18:33,801 IN ALL SERIOUSNESS, CHARLIE, 400 00:18:33,834 --> 00:18:36,467 YOU GOING ON TELEVISION AND ACTING THAT WAY -- 401 00:18:36,501 --> 00:18:38,434 IT MEANT A LOT TO ME. 402 00:18:38,467 --> 00:18:40,734 IN MANY WAYS, I SEE YOU... 403 00:18:40,767 --> 00:18:42,667 AS THE DAUGHTER I NEVER HAD. 404 00:18:42,701 --> 00:18:45,868 [ LAUGHING ] 405 00:18:45,901 --> 00:18:47,734 VERY CLEVER, SIR. 406 00:18:47,767 --> 00:18:51,033 I ALWAYS ENJOY A GOOD RIBBING. 407 00:18:51,067 --> 00:18:52,567 HEY, CHARLIE... 408 00:18:52,601 --> 00:18:55,334 DOES THAT SWEATER COME WITH A MATCHING SKIRT? 409 00:18:57,067 --> 00:18:58,467 PAUL... 410 00:18:58,501 --> 00:19:01,100 MEAN ISN'T FUNNY. 411 00:19:03,701 --> 00:19:05,067 I HOPE YOU'RE HAPPY NOW. 412 00:19:05,100 --> 00:19:07,934 THAT WAS A COMPLETE DISASTER. 413 00:19:07,968 --> 00:19:10,434 I THOUGHT IT WAS VERY INFORMATIVE. 414 00:19:10,467 --> 00:19:13,167 I DIDN'T KNOW WOMEN COULD HAVE BABIES. 415 00:19:13,200 --> 00:19:16,467 GIVING ME THAT MAKEOVER WAS A BAD IDEA, AND YOU KNEW IT. 416 00:19:16,501 --> 00:19:17,934 OKAY, MAYBE I DID. 417 00:19:17,968 --> 00:19:19,767 WHY DID YOU MAKE ME DO IT? 418 00:19:19,801 --> 00:19:23,400 BECAUSE YOU WERE SUCH A JERK ABOUT THIS FOCUS-GROUP STUFF. 419 00:19:23,434 --> 00:19:25,601 IF I WAS A LITTLE ARROGANT, I'M SORRY. 420 00:19:25,634 --> 00:19:28,100 BUT THAT IS PART OF THE REASON 421 00:19:28,133 --> 00:19:29,934 WHY THE AVERAGE NEW YORK WOMAN 422 00:19:29,968 --> 00:19:31,934 HAS HAD 2.3 FANTASIES ABOUT ME. 423 00:19:31,968 --> 00:19:34,901 I AM BURNING THESE RESULTS. 424 00:19:38,067 --> 00:19:40,033 WELL, WE GOT SOME NEW POLLING DATA. 425 00:19:40,067 --> 00:19:42,334 THE GOOD NEWS IS YOU'RE UP 1% WITH WOMEN. 426 00:19:42,367 --> 00:19:44,601 THE BAD NEWS IS YOU'RE DOWN 20% WITH MEN. 427 00:19:44,634 --> 00:19:45,834 BUT I'VE GOT A FIX. 428 00:19:45,868 --> 00:19:48,334 HOW DO YOU FEEL ABOUT RIDING A BULL? 429 00:19:48,367 --> 00:19:51,534 IT SOUNDS A LITTLE OUT THERE, 430 00:19:51,567 --> 00:19:55,133 BUT -- HEY, YOU'VE EARNED MY TRUST. 431 00:19:55,167 --> 00:19:57,801 CHARLIE, YOUR IMAGE STILL NEEDS A LOT OF WORK. 432 00:19:57,834 --> 00:19:59,501 WHAT IS YOUR PROBLEM WITH ME? 433 00:19:59,534 --> 00:20:01,701 I DON'T HAVE A PROBLEM WITH YOU. 434 00:20:01,734 --> 00:20:04,367 I'M SIMPLY REACTING TO DATA FROM THE FOCUS GROUP. 435 00:20:04,400 --> 00:20:06,400 STOP HIDING BEHIND THESE NUMBERS. 436 00:20:06,434 --> 00:20:08,801 ADMIT IT -- YOU DON'T LIKE ME. 437 00:20:08,834 --> 00:20:10,767 FINE. I DON'T LIKE YOU. 438 00:20:10,801 --> 00:20:12,033 YOU DON'T EVEN KNOW ME. 439 00:20:12,067 --> 00:20:13,367 OH, I KNOW YOU. 440 00:20:13,400 --> 00:20:15,400 YOU'RE THE GUY WHO DUMPED ME IN HIGH SCHOOL, 441 00:20:15,434 --> 00:20:17,334 SLEPT WITH MY ROOMMATE IN COLLEGE, 442 00:20:17,367 --> 00:20:19,267 AND STOOD ME UP LAST NEW YEAR'S EVE. 443 00:20:21,334 --> 00:20:23,534 CAROL? 444 00:20:23,567 --> 00:20:25,701 I'VE DATED GUYS LIKE YOU ALL MY LIFE. 445 00:20:25,734 --> 00:20:27,200 YOU'RE SEXY AND CHARMING, 446 00:20:27,234 --> 00:20:29,200 BUT THE MINUTE THINGS GET SERIOUS, 447 00:20:29,234 --> 00:20:31,934 YOU'RE OUT THE DOOR. WELL, I AM THROUGH WITH THAT. 448 00:20:31,968 --> 00:20:33,133 CONGRATULATIONS. 449 00:20:42,234 --> 00:20:43,767 OOH! 450 00:20:50,968 --> 00:20:54,400 SOFT LIPS...MINTY BREATH... 451 00:20:54,434 --> 00:20:57,868 PERFECT PRESSURE... 452 00:20:57,901 --> 00:21:00,400 YOU WEREN'T TOO BAD EITHER. 453 00:21:04,634 --> 00:21:06,667 BEFORE WE START THE REGULAR BRIEFING, 454 00:21:06,701 --> 00:21:09,534 I HAVE AN INTRIGUING PERSONAL REVELATION TO MAKE. 455 00:21:09,567 --> 00:21:12,067 IT MIGHT MAKE AN INTERESTING STORY, 456 00:21:12,100 --> 00:21:13,567 MAYBE A MOVIE OF THE WEEK. 457 00:21:13,601 --> 00:21:17,567 I, PAUL LASSITER... AM A SEX ADDICT. 458 00:21:17,601 --> 00:21:19,901 I WILL NOW TAKE ANY QUESTIONS. 459 00:21:19,934 --> 00:21:21,367 YEAH? 460 00:21:21,400 --> 00:21:24,033 UM, WHEN WILL THE NEW SUBWAY CARS BE READY? 461 00:21:26,334 --> 00:21:28,467 AW, WHO CARES? 462 00:21:29,634 --> 00:21:32,100 - [MAN] SIT, UBU, SIT. GOOD DOG. - [UBU BARKS] 9999 00:00:0,500 --> 00:00:2,00 www.tvsubtitles.net 33442

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