All language subtitles for The Lady and the Legend

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranรฎ)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil) Download
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:02,780 Thinking about, I was thinking about how you point. 2 00:00:03,600 --> 00:00:06,020 I was thinking about how much I've learned from you. 3 00:00:11,860 --> 00:00:13,360 I was your opening act. 4 00:00:16,320 --> 00:00:17,680 I know where I belong. 5 00:00:24,830 --> 00:00:28,950 Legendary singer Tony Bennett is performing his final live concerts in 6 00:00:28,950 --> 00:00:29,950 City tonight. 7 00:00:30,190 --> 00:00:34,850 Tony is battling Alzheimer's, but when the music comes on, he knows every word. 8 00:00:35,130 --> 00:00:39,510 And with his family's help, the legendary crooner began rehearsing for 9 00:00:39,510 --> 00:00:42,030 City Music Hall with his friend Lady Gaga. 10 00:00:42,410 --> 00:00:44,030 Once upon a time... 11 00:01:02,320 --> 00:01:04,040 Tony's my musical companion. 12 00:01:04,300 --> 00:01:09,900 Even in moments where he's looking at me and I'm not sure if he has forgotten me 13 00:01:09,900 --> 00:01:13,020 and our friendship saved my life. 14 00:01:31,440 --> 00:01:35,260 Here from the Clown Off Theater, Tony Bennett, the new singing sensation. 15 00:01:35,660 --> 00:01:41,160 Thank you very much. When I first met Tony, I was singing at a charity event. 16 00:01:41,640 --> 00:01:45,340 And somebody came to me after the show, and they said, Tony Bennett would like 17 00:01:45,340 --> 00:01:47,300 to meet you. And I said, excuse me? 18 00:01:48,580 --> 00:01:51,880 Mr. Tony Bennett. Tony Bennett's come out now, and he's going to turn the 19 00:01:51,880 --> 00:01:54,620 out of the place for you. I'm going to say it again. He's the greatest singer 20 00:01:54,620 --> 00:01:55,419 the world today. 21 00:01:55,420 --> 00:01:57,600 Mr. Tony Bennett, thank you very much. 22 00:01:58,090 --> 00:02:03,230 That's the first time I ever saw her perform. The most profound entertainer 23 00:02:03,230 --> 00:02:04,230 ever witnessed. 24 00:02:04,370 --> 00:02:07,570 She herself, she's not like anybody else. 25 00:02:08,090 --> 00:02:13,010 I was real nervous to meet Tony Bennett. Plus, I looked crazy. 26 00:02:13,250 --> 00:02:17,710 I had blonde in my hair and black in my hair, red lipstick, four big velvet 27 00:02:17,710 --> 00:02:20,210 moles on my face. I was doing my thing. 28 00:02:21,150 --> 00:02:26,150 So I went into my trailer. I said, take it all off and make me look like a lady. 29 00:02:26,810 --> 00:02:28,230 And I went to meet Mr. Bennett. 30 00:02:28,790 --> 00:02:32,030 And he said, would you make a record with me? 31 00:02:32,890 --> 00:02:37,530 And I said, Tony, thank you so much. You only heard me sing two songs. 32 00:02:37,850 --> 00:02:40,350 I realized what an artist she really is. 33 00:02:40,610 --> 00:02:43,970 And then he said, lady, you are a jazz singer. 34 00:02:47,370 --> 00:02:53,190 The minute we're together, something very good happens. It works. 35 00:03:11,370 --> 00:03:13,290 You want to come see the set they've put together? 36 00:03:13,590 --> 00:03:14,610 Yeah, I'd love to. 37 00:03:15,070 --> 00:03:16,690 Hey, Dad. Hi. How you doing? 38 00:03:16,910 --> 00:03:19,510 Good. Good. I'm going to look at the set. Yeah, it's great. 39 00:03:19,710 --> 00:03:21,450 Good morning. 40 00:03:21,850 --> 00:03:22,970 Oh, this is beautiful. 41 00:03:23,910 --> 00:03:25,370 Good morning. Yeah, doesn't that look great? 42 00:03:26,090 --> 00:03:28,570 Fabulous. I'd like to sit over here. 43 00:03:28,850 --> 00:03:29,769 On this side? 44 00:03:29,770 --> 00:03:30,910 Yeah. Good. 45 00:03:34,090 --> 00:03:35,090 Yeah, this would be good. 46 00:03:37,570 --> 00:03:39,910 I've warned and dined on Mulligan's stew. 47 00:03:40,590 --> 00:03:41,590 Too low. 48 00:03:43,490 --> 00:03:47,670 I want to just hear the embellishment a little from the microphone. 49 00:03:49,330 --> 00:03:50,710 Here I am at 85. 50 00:03:51,370 --> 00:03:52,990 There's still so much to learn. 51 00:03:53,710 --> 00:03:55,030 You never stop learning. 52 00:03:56,210 --> 00:03:59,930 And I'd like to prove that I can get better as I get older. 53 00:04:00,910 --> 00:04:06,210 I've wined and dined on mulligan stew and never wished for turkey. 54 00:04:07,040 --> 00:04:10,660 And as far as I'm concerned, I never work a day in my life because I love it. 55 00:04:11,420 --> 00:04:15,640 If you don't apply love to what you're doing, there's something missing. 56 00:04:17,380 --> 00:04:23,140 Now Lady Gaga is the one for me. 57 00:04:25,080 --> 00:04:31,240 No, don't play that last chord there. Lady Gaga is the one for me. 58 00:04:35,320 --> 00:04:36,440 And I'm into it, right. 59 00:04:37,800 --> 00:04:38,800 All right. 60 00:04:40,100 --> 00:04:46,340 I have my whole family on this album, you know. 61 00:04:46,680 --> 00:04:47,860 They're all participating. 62 00:04:49,260 --> 00:04:55,300 I'm surrounded by a group of very, very thoughtful, beautiful people. 63 00:04:55,880 --> 00:04:58,860 I have a wonderful wife who's very, very intelligent. 64 00:04:59,580 --> 00:05:01,000 So I count my blessings. 65 00:05:06,440 --> 00:05:07,560 Gaga's about five minutes away. 66 00:05:07,820 --> 00:05:08,820 Oh, good. 67 00:05:08,860 --> 00:05:09,860 What's her real name? 68 00:05:09,940 --> 00:05:11,340 Stephanie or something. Do we call her Gaga? 69 00:05:11,540 --> 00:05:12,540 Kathleen? 70 00:05:12,860 --> 00:05:14,520 No, I think Stephanie. Stephanie? 71 00:05:15,040 --> 00:05:16,980 I think they call her Gaga. I'll find out. 72 00:05:19,420 --> 00:05:20,880 You've met Lady Gaga before. 73 00:05:21,200 --> 00:05:24,800 Yeah. Just once with her family, with her mother and father. Are they coming 74 00:05:24,800 --> 00:05:26,140 today? I don't know. 75 00:05:27,780 --> 00:05:28,780 Hi, everyone. 76 00:05:29,100 --> 00:05:31,160 I'm going to go say hi to Tony. I'll see you later. 77 00:05:34,600 --> 00:05:36,240 Hi. How are you? 78 00:05:36,460 --> 00:05:37,439 Oh, great. 79 00:05:37,440 --> 00:05:41,680 So nice to see you. Good to see you. You look so handsome. 80 00:05:42,080 --> 00:05:43,080 Oh, great. 81 00:05:43,320 --> 00:05:47,560 How are you? Fine. I'm so excited to be here. Oh, God, I love it. Hi, everyone. 82 00:05:50,300 --> 00:05:54,520 I've been so excited. My dad has not stopped calling me for hours. Oh, good. 83 00:05:55,300 --> 00:05:57,460 He's so happy. I love the way you look. That's great. 84 00:05:57,720 --> 00:06:00,740 Well, thank you. Your hair is fabulous. Thank you. I thought I'd give it a 85 00:06:00,740 --> 00:06:01,760 little twist for you. 86 00:06:02,000 --> 00:06:03,740 That's great. The whole thing was for you. 87 00:06:04,140 --> 00:06:05,140 Head to toe. 88 00:06:05,220 --> 00:06:06,660 Oh, boy. That's so great. 89 00:06:07,060 --> 00:06:08,440 I said, what would Tony want? 90 00:06:10,720 --> 00:06:11,960 How's everyone doing today? 91 00:06:12,320 --> 00:06:13,320 You having fun? 92 00:06:13,680 --> 00:06:14,740 Everybody's doing great. Absolutely. 93 00:06:15,000 --> 00:06:16,020 Tony, is your wife here? 94 00:06:16,360 --> 00:06:18,540 Yes, she's right here. She's right there. Yes, she is. 95 00:06:18,760 --> 00:06:22,200 You're so lucky. I am, yes. She's a great... Good woman. 96 00:06:22,880 --> 00:06:23,880 Thank you. 97 00:06:24,370 --> 00:06:25,370 Look what we found. 98 00:06:26,450 --> 00:06:27,450 Oh. 99 00:06:28,910 --> 00:06:30,550 Girls Gaga as Toni Kroon. 100 00:06:32,050 --> 00:06:36,390 Toni Bennett, latest singing sensation, made a personal appearance at the 101 00:06:36,390 --> 00:06:37,390 Enchanted Room. 102 00:06:37,710 --> 00:06:38,910 That's a long time ago. 103 00:06:40,050 --> 00:06:41,810 Because it's not like this anymore, is it? 104 00:06:42,890 --> 00:06:47,510 Oh, Toni, I would have been chasing you around in this dress. 105 00:06:48,790 --> 00:06:51,850 There's no men left that are as gentlemanly as Toni. 106 00:06:53,870 --> 00:06:54,870 What do you think? 107 00:06:54,930 --> 00:06:57,090 God, that's so cute. And it's a dog. 108 00:06:59,030 --> 00:07:04,270 Now, did you choose that yellow for your glasses? 109 00:07:04,950 --> 00:07:07,490 Excuse me? Did you choose that yellow for your glasses? 110 00:07:07,870 --> 00:07:09,770 Yeah. You wanted them to be yellow? 111 00:07:09,970 --> 00:07:10,970 Yeah. 112 00:07:11,670 --> 00:07:12,770 I figured you did. 113 00:07:14,750 --> 00:07:16,330 I chose my hair to be blue. 114 00:07:23,880 --> 00:07:24,900 loves the theater. 115 00:07:25,780 --> 00:07:27,280 Never comes late. 116 00:07:27,680 --> 00:07:32,240 I never bother with people I hate. 117 00:07:33,480 --> 00:07:36,500 That's why this dick is a tramp. 118 00:07:40,700 --> 00:07:42,320 I'm so nervous. 119 00:07:42,640 --> 00:07:46,700 If I passed out, you can just tell them it was all planned. 120 00:07:48,140 --> 00:07:49,780 It sounds great. 121 00:07:50,020 --> 00:07:51,300 You sing beautiful. 122 00:07:51,620 --> 00:07:52,620 Oh, thank you. 123 00:07:55,400 --> 00:07:56,400 Is Don out there? 124 00:07:57,200 --> 00:07:58,600 My voice teacher is here. 125 00:07:58,920 --> 00:08:02,520 I like to meet him. Yeah, I met Don when I was 13 years old and he was teaching 126 00:08:02,520 --> 00:08:03,940 all these amazing people. 127 00:08:04,780 --> 00:08:07,100 He was the first person to believe in me. 128 00:08:07,380 --> 00:08:09,480 That's great. And we're still friends. That's important. 129 00:08:09,740 --> 00:08:10,740 That's important. 130 00:08:11,080 --> 00:08:12,080 It means everything. 131 00:08:12,500 --> 00:08:13,500 Yeah, it does. 132 00:08:13,720 --> 00:08:15,280 Just one person is all you need. 133 00:08:21,070 --> 00:08:22,410 This is so much fun. 134 00:08:22,670 --> 00:08:24,250 Are we to do this? Are we to do this? 135 00:08:25,390 --> 00:08:26,390 Marge, we did Amy. 136 00:08:26,830 --> 00:08:27,830 Gosh, we did Amy? 137 00:08:28,090 --> 00:08:29,910 Yeah. It was her last recording. 138 00:08:30,410 --> 00:08:31,590 Wow. Is she okay? 139 00:08:32,090 --> 00:08:33,090 She's really sad. 140 00:08:33,250 --> 00:08:35,010 Oh. What don't you do with Amy? 141 00:08:35,270 --> 00:08:36,750 Body and soul. Oh, wow. 142 00:08:37,330 --> 00:08:38,330 That's so true. 143 00:08:53,960 --> 00:08:55,560 27 years old, she died. 144 00:08:56,520 --> 00:08:57,520 27. 145 00:08:58,220 --> 00:08:59,320 Just tragic. 146 00:09:00,820 --> 00:09:05,140 I've just become more and more committed to treat young people coming up with 147 00:09:05,140 --> 00:09:06,140 love. 148 00:09:06,700 --> 00:09:08,700 It's the only thing that works. 149 00:09:16,060 --> 00:09:20,900 Hi. Good to see you. This is so much fun to do. Yeah, just love it. 150 00:09:21,340 --> 00:09:25,940 I'm just really happy to be here. Really happy. You have no idea. I like the 151 00:09:25,940 --> 00:09:30,340 fact that you studied music, you know how to play the piano, you sing 152 00:09:30,660 --> 00:09:31,319 Thank you. 153 00:09:31,320 --> 00:09:32,960 You know, you got the whole thing. 154 00:09:33,220 --> 00:09:36,000 Thanks. Well, thanks. You know how to perform like crazy. 155 00:09:36,460 --> 00:09:38,360 You're really just a natural. My gosh. 156 00:09:38,580 --> 00:09:43,920 Really? I've got to send you some tapes of me when I had dark hair when I was 16 157 00:09:43,920 --> 00:09:44,920 in jazz band. 158 00:09:45,340 --> 00:09:46,640 That would make you chuckle. 159 00:09:47,150 --> 00:09:52,430 I've been studying music my whole life to do this. I used to do all kinds of 160 00:09:52,430 --> 00:09:57,130 things. I mean, Lost Life was like my big number. 161 00:09:58,230 --> 00:10:01,070 That's great. People don't really know that about me. 162 00:10:01,650 --> 00:10:04,950 They think I'm just, you know, I just sort of stand as a pop singer, but 163 00:10:04,950 --> 00:10:08,070 everything was jazz before then. That's great. You know what you're doing. 164 00:10:08,470 --> 00:10:09,470 Thanks, Tony. 165 00:10:09,630 --> 00:10:11,790 Yeah, I'm just putting out my first ballad now. 166 00:10:12,030 --> 00:10:13,170 Great. My very first one. 167 00:10:13,690 --> 00:10:14,810 It's called You and I. 168 00:10:15,870 --> 00:10:19,050 I would love to hear it. I'm trying to just push the boundaries a little bit 169 00:10:19,050 --> 00:10:22,430 now, you know, now that I've got my high heel through the door. 170 00:10:22,890 --> 00:10:24,850 Maybe I can shake things up a little bit. 171 00:10:31,450 --> 00:10:31,850 I'm 172 00:10:31,850 --> 00:10:42,230 done 173 00:10:42,230 --> 00:10:43,270 to hear you play the piano. 174 00:10:43,710 --> 00:10:47,040 Huh? I'm dying to hear you play the piano. You've never heard me play piano? 175 00:10:47,280 --> 00:10:48,280 Yeah. Really? 176 00:10:48,660 --> 00:10:50,400 Yeah, I'd like to hear it. What do you want to hear? 177 00:10:51,020 --> 00:10:52,860 I started writing a new song, actually. 178 00:11:19,050 --> 00:11:20,370 That sounds good. Yeah. 179 00:11:22,110 --> 00:11:23,110 That's a good thing. 180 00:11:23,250 --> 00:11:24,250 All right. 181 00:11:48,190 --> 00:11:54,970 is a champ i love the wind in 182 00:11:54,970 --> 00:12:01,530 my life without care it's oak 183 00:12:01,530 --> 00:12:08,350 i hate california it's crowded and damn that's why 184 00:12:27,730 --> 00:12:29,230 There's a lot of giggling going on in here. 185 00:12:29,770 --> 00:12:30,770 Everybody's happy? 186 00:12:30,850 --> 00:12:32,350 We're very happy. Okay. 187 00:12:32,970 --> 00:12:37,150 We just need to do some inserts on the end, and we would have everything. 188 00:12:37,370 --> 00:12:38,370 Okay, great. 189 00:12:38,490 --> 00:12:41,610 But I think we should do it a couple more times. 190 00:12:42,290 --> 00:12:44,590 You're having too much fun. Okay. 191 00:12:44,990 --> 00:12:46,310 I like that idea, too. 192 00:12:46,650 --> 00:12:49,310 I'm always good for more takes. We're having a good time. 193 00:12:49,550 --> 00:12:52,130 We're just making it work extra so that we can hang out. 194 00:12:53,900 --> 00:12:56,340 I could do this all day. Me too. I want to know the truth. 195 00:12:56,700 --> 00:12:59,640 Hey, how are you? I'm Kelsey Bennett. I'm a photographer. 196 00:12:59,980 --> 00:13:00,980 That was incredible. 197 00:13:01,040 --> 00:13:02,040 My granddaughter. 198 00:13:02,080 --> 00:13:03,120 Oh, my gosh. 199 00:13:03,420 --> 00:13:04,420 I love it. 200 00:13:05,620 --> 00:13:06,620 Gorgeous. 201 00:13:07,120 --> 00:13:08,120 Nice. 202 00:13:09,580 --> 00:13:10,580 Yeah, perfect. 203 00:13:12,600 --> 00:13:13,700 You're great together. 204 00:13:14,760 --> 00:13:17,340 I wish my grandpa was still alive. 205 00:13:17,800 --> 00:13:19,920 My grandpa would be so happy right now. 206 00:13:21,829 --> 00:13:27,990 Growing up, listening to Tony, loving his interpretation of decades of music. 207 00:13:28,090 --> 00:13:31,630 What I love about the way he sings so much is he means it every time. 208 00:13:32,290 --> 00:13:33,290 Oh, wow. 209 00:13:33,490 --> 00:13:38,150 You're a beautiful photographer. Thank you. It's just like you have another 210 00:13:38,150 --> 00:13:41,990 member of your family here. I know. Isn't it something? Like some imported 211 00:13:41,990 --> 00:13:46,310 niece. It's true. It's so sweet to me. She's so comfortable with you. 212 00:13:46,630 --> 00:13:49,250 Hey, Dad. You said you wanted a jar or something? Oh, yeah. 213 00:13:51,370 --> 00:13:55,650 I didn't know that you sketched. Yeah, I went to art schools for it. You did? 214 00:13:56,070 --> 00:13:57,070 Yeah. 215 00:13:57,290 --> 00:13:58,950 Yeah, I'm in three museums. 216 00:13:59,170 --> 00:14:00,170 It's coming along. 217 00:14:01,010 --> 00:14:02,010 Three museums? 218 00:14:02,830 --> 00:14:03,830 Yeah. 219 00:14:04,030 --> 00:14:05,890 You better get him a teal crayon. 220 00:14:06,630 --> 00:14:09,170 I'm trying to do this fast, you know. You don't have to. 221 00:14:09,370 --> 00:14:13,330 If they told little lady Gaga in her apartment on Stanton that Tony Bennett 222 00:14:13,330 --> 00:14:16,750 wanted to sketch her years ago, she wouldn't have said, do it quick. 223 00:14:23,020 --> 00:14:24,140 Oh my gosh, Tony. 224 00:14:26,080 --> 00:14:27,260 Tony, it's beautiful. 225 00:14:27,960 --> 00:14:28,960 Good. 226 00:14:30,060 --> 00:14:31,060 Who are you? 227 00:14:31,360 --> 00:14:35,320 Thank you. I knew you were a musical and a visual legend. 228 00:14:35,680 --> 00:14:37,560 Will you take just one of me and Tony? 229 00:14:37,860 --> 00:14:38,860 One, two. 230 00:14:40,940 --> 00:14:41,940 Very good. 231 00:14:42,100 --> 00:14:43,100 Yeah. 232 00:14:43,360 --> 00:14:44,360 Oh. 233 00:14:44,800 --> 00:14:46,240 adorable looks. Oh, good. 234 00:14:46,740 --> 00:14:49,320 Oh, I can't take it. That's so beautiful. 235 00:14:49,620 --> 00:14:50,960 I had a wonderful time. 236 00:14:51,200 --> 00:14:54,400 Good, good, good. I'm happy you did. I did. It was wonderful. 237 00:14:54,760 --> 00:14:57,840 You don't know what you've done, and I'll tell you about it someday. 238 00:14:58,440 --> 00:14:59,440 Okay, someday. 239 00:14:59,860 --> 00:15:01,320 Hopefully I'll see you again sometime. 240 00:15:01,540 --> 00:15:02,359 Oh, yes, too. 241 00:15:02,360 --> 00:15:06,140 And then I had one more question. Why Lady of the Tramp lent itself so well 242 00:15:06,140 --> 00:15:07,139 a duet? 243 00:15:07,140 --> 00:15:09,380 Well, because I'm a tramp, and he knows it. 244 00:15:10,520 --> 00:15:11,520 No, no, no. 245 00:15:11,960 --> 00:15:13,440 I know that you're a lady. 246 00:15:14,400 --> 00:15:15,400 Playing a trick. 247 00:15:15,480 --> 00:15:18,000 That's right. Oh, he's really got me. 248 00:15:18,280 --> 00:15:20,180 Look at that. He called me out. 249 00:15:22,960 --> 00:15:25,600 We just hit it off right from that moment on. 250 00:15:32,660 --> 00:15:35,740 It was just really natural because he understands me. 251 00:15:38,880 --> 00:15:40,900 You know, Tony can really see me. 252 00:15:44,360 --> 00:15:49,860 The whole premise of art is truth and beauty, and that's Lady Gaga. 253 00:15:50,680 --> 00:15:52,480 There's an honesty about her. 254 00:15:55,740 --> 00:16:00,080 Anytime somebody wants to talk about anything provocative that I've done, 255 00:16:00,080 --> 00:16:01,800 understands that it's my art form. 256 00:16:02,040 --> 00:16:03,060 Lady Gaga! 257 00:16:04,500 --> 00:16:06,540 She's crazy! 258 00:16:09,220 --> 00:16:12,000 Tony and I have a lot more in common than people think. 259 00:16:13,610 --> 00:16:16,190 We just kind of understood one another. 260 00:16:17,290 --> 00:16:22,870 And I'm very happy that I met Tony at this moment in my life because, you 261 00:16:22,870 --> 00:16:27,030 as soon as you write a song that becomes a hit, everything becomes a blur. 262 00:16:28,750 --> 00:16:32,190 It's a very fast train and it's go, go, go, go, go. 263 00:16:33,830 --> 00:16:35,910 I was not in a good place. 264 00:16:36,810 --> 00:16:40,890 I was very jaded by the music industry. 265 00:16:43,600 --> 00:16:44,600 I was sad. 266 00:16:46,060 --> 00:16:49,920 Everything that she's going through is what happened to me in my life. 267 00:16:52,500 --> 00:16:54,300 It takes years to learn how to live. 268 00:16:55,400 --> 00:16:58,900 It took a long time for me to learn how to put my life together. 269 00:16:59,920 --> 00:17:03,880 I knew about what she's going through with the audience falling in love with 270 00:17:03,880 --> 00:17:04,880 her. 271 00:17:05,380 --> 00:17:09,380 And then the next question is, how do you sustain that? 272 00:17:09,740 --> 00:17:12,720 Everybody loves that story. 273 00:17:13,310 --> 00:17:14,630 the icon that falls. 274 00:17:18,369 --> 00:17:23,329 And it's like you're falling, and you see that you're falling, and you know 275 00:17:23,329 --> 00:17:24,490 you just have to hit the floor. 276 00:17:25,450 --> 00:17:27,569 I was just praying that I wasn't going to die. 277 00:17:29,430 --> 00:17:32,510 I was a shell of my former self. 278 00:17:33,990 --> 00:17:36,030 I wasn't sure where to go next. 279 00:17:36,630 --> 00:17:38,890 And this is where Tony came in. 280 00:17:39,370 --> 00:17:41,290 He said, come be with me. 281 00:17:41,930 --> 00:17:44,350 Come be with my family. Let's make a jazz record. 282 00:18:17,920 --> 00:18:22,040 Yeah. Yes. Maybe tomorrow I could come later. Well, no, she'll come earlier. 283 00:18:22,280 --> 00:18:24,560 She's coming from Pennsylvania today. 284 00:18:25,700 --> 00:18:26,700 Hey. 285 00:18:29,140 --> 00:18:31,140 How are you? 286 00:18:31,360 --> 00:18:32,800 Hi. I brought you coffee. 287 00:18:33,180 --> 00:18:34,180 Nice to meet you. 288 00:18:36,240 --> 00:18:40,920 I missed you. I have to really apologize for being late today. 289 00:18:41,840 --> 00:18:43,960 Should I go meet the van inside? 290 00:18:44,260 --> 00:18:45,260 Yeah, we can. 291 00:18:46,760 --> 00:18:49,460 How are you doing? I'm good. How are you? Hey, guys. 292 00:18:49,860 --> 00:18:51,120 I'm here. I'm here. 293 00:18:51,520 --> 00:18:56,180 Thank you, Tony. 294 00:18:56,440 --> 00:18:57,440 Are you going to stay seated? 295 00:18:57,840 --> 00:18:59,180 Yes, I'm going to stay seated. 296 00:18:59,500 --> 00:19:03,680 This is a sad song. For a woman, if she's singing this song, she's just 297 00:19:03,680 --> 00:19:04,680 miserable. 298 00:19:05,220 --> 00:19:08,280 I think I'm sadder than you are. This song is what I mean. 299 00:19:14,760 --> 00:19:16,440 Okay. Say when. 300 00:19:16,640 --> 00:19:18,040 When. 301 00:19:18,880 --> 00:19:21,100 One, two. 302 00:19:24,620 --> 00:19:31,440 Love is fearful or it's 303 00:19:31,440 --> 00:19:32,440 game. 304 00:19:33,700 --> 00:19:35,920 It's a problem. 305 00:19:52,910 --> 00:19:53,930 But beautiful 306 00:19:53,930 --> 00:20:00,250 And 307 00:20:00,250 --> 00:20:06,530 I'm thinking If you 308 00:20:06,530 --> 00:20:13,490 were mine I'd never 309 00:20:13,490 --> 00:20:19,990 let you go And 310 00:20:19,990 --> 00:20:21,650 that would be 311 00:20:48,360 --> 00:20:52,460 Yeah, I just, I have a natural inclination to stray. 312 00:20:52,760 --> 00:20:53,760 I understand. 313 00:20:53,780 --> 00:20:54,780 I'm sorry. 314 00:20:54,940 --> 00:20:55,940 No, don't. 315 00:20:57,580 --> 00:21:00,920 I'm sorry, you know, 100%. I want it to be perfect. 316 00:21:01,560 --> 00:21:02,560 Let's just do it again. 317 00:21:03,100 --> 00:21:04,100 Okay. 318 00:21:07,040 --> 00:21:08,100 Another one, please. 319 00:21:09,960 --> 00:21:10,960 Want to go in again? 320 00:21:11,920 --> 00:21:12,920 Yes. 321 00:21:23,630 --> 00:21:24,630 You like that? 322 00:21:25,350 --> 00:21:26,830 That's beautiful, darling. 323 00:21:39,730 --> 00:21:40,930 You're doing it beautiful. 324 00:21:46,950 --> 00:21:51,570 I could hear what you're singing and it sounds beautiful. 325 00:21:52,430 --> 00:21:56,730 I wanted the album to come out so that everybody's going to say, my God, I 326 00:21:56,730 --> 00:21:57,910 didn't know she sang that well. 327 00:21:58,210 --> 00:22:01,310 When you accept, it makes me cry. 328 00:22:02,650 --> 00:22:05,010 Well, that's it. You know, no problem. 329 00:22:05,310 --> 00:22:09,650 When you're accepting of me in that way and you see that I can be a great jazz 330 00:22:09,650 --> 00:22:14,790 musician and singer, it really means something to me because to many, I was 331 00:22:14,790 --> 00:22:17,630 a piece of trash from New York. 332 00:22:17,870 --> 00:22:18,829 I understand. 333 00:22:18,830 --> 00:22:23,430 And even with... You know, producers now, they still see me that way. 334 00:22:23,810 --> 00:22:26,810 Because I know how wonderful you sing. 335 00:22:27,130 --> 00:22:31,430 And I want it to come out so that everybody's going to say, my God, I 336 00:22:31,430 --> 00:22:36,090 know she sang that well. So I want it to sound like that and be that way so that 337 00:22:36,090 --> 00:22:37,530 there's longevity with it. 338 00:22:37,730 --> 00:22:43,690 That is what you represent for me. You represent to me someone that knows how 339 00:22:43,690 --> 00:22:44,690 last forever. 340 00:22:44,790 --> 00:22:46,210 Right. I don't. 341 00:22:46,410 --> 00:22:51,550 yet really have a really good concept of my artistic mortality at all. You know, 342 00:22:51,550 --> 00:22:52,369 I don't know. 343 00:22:52,370 --> 00:22:54,550 I don't know if it will last. I don't know. 344 00:22:54,850 --> 00:22:58,390 But I know. But I know that yours will. 345 00:22:59,050 --> 00:23:02,050 And what you have done is what I want. 346 00:23:02,770 --> 00:23:04,250 We're going to do it with this album. 347 00:23:04,470 --> 00:23:06,810 It is all resting on this album, isn't it? 348 00:23:07,990 --> 00:23:08,990 It is. 349 00:23:09,210 --> 00:23:11,850 That's why I keep freaking out because I want to do a good job. 350 00:23:12,150 --> 00:23:14,910 We're going to take all the time that we need to do it just right. 351 00:23:18,160 --> 00:23:19,160 Okay, great. 352 00:23:21,960 --> 00:23:25,260 I love what you're saying about the cheat. 353 00:23:26,100 --> 00:23:27,120 Oh, yeah, yeah. 354 00:23:27,420 --> 00:23:31,700 I want to prove that cheat could think to everybody, you know, and it's always 355 00:23:31,700 --> 00:23:33,240 good to keep up. Right? 356 00:23:34,040 --> 00:23:35,040 Thank you. 357 00:23:48,040 --> 00:23:53,380 There's food out there. Just like this cupcake It 358 00:23:53,380 --> 00:24:13,700 don't 359 00:24:13,700 --> 00:24:17,420 mean a thing all you gotta do 360 00:24:18,410 --> 00:24:20,370 All you gotta do is swing. 361 00:24:21,450 --> 00:24:25,230 Do I, do I, do I, do I, do I, do I, Tony Gaga. 362 00:24:29,590 --> 00:24:31,510 Are we rolling? 363 00:24:32,890 --> 00:24:33,749 Here we go. 364 00:24:33,750 --> 00:24:34,750 Hey, Tom. 365 00:24:35,330 --> 00:24:37,570 Yeah, I'm going to just extend the ending a little. 366 00:24:37,770 --> 00:24:38,770 You got it, Tom. 367 00:24:38,850 --> 00:24:39,890 Lady, is that all right? 368 00:24:40,230 --> 00:24:42,830 Yes. That way? You can call me Gaga, Tony. 369 00:24:43,090 --> 00:24:44,090 No, I'll call you Lady. 370 00:24:45,190 --> 00:24:46,210 So sweet. 371 00:24:46,730 --> 00:24:48,730 I wish my boyfriend would call me lady. 372 00:24:50,470 --> 00:24:53,130 Are you ready, Mr. Tony Bennett? 373 00:24:53,490 --> 00:24:54,490 I'm ready. 374 00:24:55,170 --> 00:24:57,030 One, two. One, two, three. 375 00:25:05,170 --> 00:25:09,110 It don't mean a thing if it ain't got that swing. 376 00:25:09,590 --> 00:25:12,850 Do -wa, do -wa, do -wa, do -wa, do -wa, do -wa, do -wa, do -wa. 377 00:25:13,450 --> 00:25:16,070 Makes no difference if it's sweetheart. 378 00:25:17,960 --> 00:25:19,960 Give it all the rhythm that you got. 379 00:25:45,740 --> 00:25:46,860 Mr. Tony Bennett. 380 00:25:48,120 --> 00:25:49,520 You sound awesome. 381 00:25:50,100 --> 00:25:53,920 Thank you. You are like a freak of nature how awesome you are. 382 00:25:54,560 --> 00:25:55,580 You all are. 383 00:25:57,100 --> 00:26:02,560 To me, this song is that feeling when you just remember none of the stuff 384 00:26:02,560 --> 00:26:06,080 in your head matters at all because when that music comes on, it's like 385 00:26:06,080 --> 00:26:08,840 everything changes. It's a game changer, right? 386 00:26:09,580 --> 00:26:11,940 Very good. That's what this song is for me. 387 00:26:12,840 --> 00:26:13,840 That's jazz. 388 00:26:16,360 --> 00:26:18,480 I haven't stood and sang in a long time. 389 00:26:19,260 --> 00:26:21,180 I bet you my hip's worse than yours. 390 00:26:23,520 --> 00:26:24,520 Definitely. 391 00:26:55,850 --> 00:26:57,230 I think that was a take myself. 392 00:26:58,370 --> 00:26:59,810 It felt very good. 393 00:27:09,210 --> 00:27:10,990 Did you ever feel really lost? 394 00:27:11,310 --> 00:27:13,470 Did you ever feel lost when you were working? 395 00:27:13,890 --> 00:27:14,890 Oh, yeah. 396 00:27:15,670 --> 00:27:19,290 I mean, I actually made a lot of mistakes when I was young. 397 00:27:20,070 --> 00:27:22,310 And later on, I learned what to do. 398 00:27:22,550 --> 00:27:25,430 And so I'm in a stage of contention now. 399 00:27:25,640 --> 00:27:26,640 That's good. 400 00:27:26,780 --> 00:27:30,260 I'm happy to know that that exists in my future. 401 00:27:37,040 --> 00:27:42,640 We only live a short time in our life, and if you're not careful, you're 402 00:27:44,620 --> 00:27:46,140 You ever hear of Lenny Bruce? 403 00:27:46,440 --> 00:27:49,140 Yes. You know about him? No. 404 00:27:50,700 --> 00:27:53,560 Yes. Yeah? Yes. I knew his manager. 405 00:27:54,380 --> 00:28:01,170 He said, great lines and it changed my life because i was high in those 406 00:28:01,170 --> 00:28:07,650 days he said he sinned against his talents yeah 407 00:28:07,650 --> 00:28:14,290 and that changed me yeah i know it's like finding that ability 408 00:28:14,290 --> 00:28:20,970 to survive with the fame yeah i'm really sensitive and i i self 409 00:28:20,970 --> 00:28:27,690 -medicate sometimes you know the only thing I regret in my entire career. I 410 00:28:27,690 --> 00:28:34,030 have one regret. I truly do. Only one. And I do regret it, but I know that it 411 00:28:34,030 --> 00:28:37,950 only happened because I needed to get through the tour. 412 00:28:38,610 --> 00:28:45,350 I didn't allow myself to feel any emotional pain for like the past two 413 00:28:45,350 --> 00:28:48,650 all. You know, I just numbed myself. 414 00:28:49,340 --> 00:28:53,760 Because that was going so fast, Tony, that I couldn't control myself anymore 415 00:28:53,760 --> 00:28:58,780 because everybody just wants something from me. And I'm so giving because I 416 00:28:58,780 --> 00:29:00,580 to entertain. I live for the applause. 417 00:29:00,980 --> 00:29:07,920 But I have to be mindful of pacing it because if I don't, I broke myself. 418 00:29:08,360 --> 00:29:12,960 You have a tremendous talent and accept it. 419 00:29:14,020 --> 00:29:15,580 Just go straight ahead. 420 00:29:32,360 --> 00:29:33,360 Why? 421 00:30:50,879 --> 00:30:52,560 That's how I feel when I'm with you. 422 00:30:54,660 --> 00:30:55,660 Captivated. 423 00:30:59,480 --> 00:31:00,480 Beautiful. 424 00:31:01,620 --> 00:31:02,620 You're singing great. 425 00:31:04,780 --> 00:31:06,260 Thank you. It's been a good day today. 426 00:31:06,580 --> 00:31:07,580 Good, yeah. 427 00:31:07,700 --> 00:31:09,760 Well, I just need to warm up, you know? Yeah, right. 428 00:31:10,040 --> 00:31:12,220 I don't know, I get rattled by everything. 429 00:31:13,360 --> 00:31:14,860 Music really rattles me. 430 00:31:17,120 --> 00:31:18,740 I'm still a little girl. 431 00:31:19,120 --> 00:31:20,120 I know. 432 00:31:23,080 --> 00:31:24,080 But I'll be a friend. 433 00:31:24,280 --> 00:31:25,280 Thank you. 434 00:31:52,590 --> 00:31:53,590 Hey there, sweetheart. 435 00:32:03,030 --> 00:32:04,050 Oh, hi, Dad. 436 00:32:04,450 --> 00:32:05,750 Oh, my dad's here. 437 00:32:06,490 --> 00:32:07,490 Hi. 438 00:32:08,690 --> 00:32:10,410 Is it all right if my dad walks? 439 00:32:11,030 --> 00:32:12,030 Absolutely. 440 00:32:12,410 --> 00:32:13,410 It'll be online. 441 00:32:13,630 --> 00:32:14,630 My dad. 442 00:32:15,410 --> 00:32:16,810 You want a sneaker? 443 00:32:18,470 --> 00:32:20,050 It's 90 degrees outside. 444 00:32:22,540 --> 00:32:23,540 You couldn't wear a dress? 445 00:32:26,420 --> 00:32:32,260 All right, 446 00:32:35,600 --> 00:32:36,600 let's run it. 447 00:32:37,080 --> 00:32:38,080 Okay, here it comes. 448 00:33:03,010 --> 00:33:09,510 Dance with me. I want my arm 449 00:33:09,510 --> 00:33:10,930 about you. 450 00:33:11,430 --> 00:33:18,430 That charm about you will carry 451 00:33:18,430 --> 00:33:20,030 me through. 452 00:33:23,630 --> 00:33:26,090 I just can't wait till we perform. 453 00:33:28,110 --> 00:33:32,530 has got to be like fucking Ginger Rogers and Fred Astaire and like Angels from 454 00:33:32,530 --> 00:33:34,270 Heaven singing with tap dancing. 455 00:33:34,490 --> 00:33:37,290 It needs to be the return of elegance. 456 00:33:51,550 --> 00:33:57,190 Tony Bennett and Lady Gaga have announced their new jazz collaboration, 457 00:33:57,190 --> 00:34:01,090 Cheek. The album's first single, Anything Goes, just hit iTunes. 458 00:34:01,670 --> 00:34:05,690 Tony, there's cameras everywhere here for us. This is craziness. What's 459 00:34:05,690 --> 00:34:06,690 happening? 460 00:34:07,450 --> 00:34:11,929 Everybody's really going to be surprised at how she sings the great American 461 00:34:11,929 --> 00:34:12,929 standards. 462 00:34:13,170 --> 00:34:15,989 She's a wonderful jazz singer. 463 00:34:17,510 --> 00:34:20,010 Well, you're not so bad either, Tony. Thank you. 464 00:34:20,449 --> 00:34:25,150 Let me welcome your school's founder, Tony Bennett, and his friend, our 465 00:34:25,150 --> 00:34:27,010 guest, Lady Gaga. 466 00:34:36,710 --> 00:34:37,870 Question is for Tony Bennett. 467 00:34:38,070 --> 00:34:39,850 What do you think of the way Lady Gaga dresses? 468 00:34:41,830 --> 00:34:43,610 Anything she wears is beautiful. 469 00:34:43,949 --> 00:34:45,250 She knows how to do it. 470 00:34:46,230 --> 00:34:47,230 What a guy. 471 00:34:48,550 --> 00:34:51,190 We made an album together. It's coming out in September. 472 00:34:51,530 --> 00:34:54,909 Tell your parents that they should buy the record because she needs the money. 473 00:35:24,160 --> 00:35:29,860 I'm very excited today. This is the first day that they're releasing the 474 00:35:29,860 --> 00:35:30,860 internationally. 475 00:35:44,270 --> 00:35:45,049 Professor, look! 476 00:35:45,050 --> 00:35:46,970 I love you so much! 477 00:35:48,690 --> 00:35:50,650 There's nobody like them, you know? 478 00:36:17,420 --> 00:36:18,420 I'm so excited. 479 00:36:19,200 --> 00:36:20,980 Hold the mic down. I want to tell you something. 480 00:36:21,280 --> 00:36:22,400 See the reds and blues? 481 00:36:23,300 --> 00:36:24,620 Judy Garland told me. 482 00:36:24,960 --> 00:36:29,020 Anytime you're on stage and you see the reds and blues, she said, smile. 483 00:36:30,780 --> 00:36:31,779 Okay, well. 484 00:36:31,780 --> 00:36:33,700 That's a good lesson, isn't it? Yeah. 485 00:36:33,920 --> 00:36:35,580 She was better than anybody. 486 00:36:36,320 --> 00:36:37,320 Judy. 487 00:37:10,830 --> 00:37:15,310 Yes, I'm doing Lush Life. We could put San Francisco right before it. Don't 488 00:37:15,310 --> 00:37:15,908 a thing. 489 00:37:15,910 --> 00:37:16,910 No, this is better. 490 00:37:17,070 --> 00:37:18,870 Wait. You have to bewitch. 491 00:37:19,590 --> 00:37:21,950 Anything but love? I can't give you anything but love. That's nice. Okay. 492 00:37:22,530 --> 00:37:26,670 Bobby, let me give you the new set list Mr. Bennett is putting together. 493 00:37:26,950 --> 00:37:30,310 The only trouble is that there's two ballads in a row, and I don't want to do 494 00:37:30,310 --> 00:37:31,310 that. Okay. 495 00:37:31,990 --> 00:37:35,650 I can't give anything but love. Yeah. How do you keep the music playing? 496 00:37:35,930 --> 00:37:37,550 Yeah. Lush Life? Yeah. 497 00:37:37,870 --> 00:37:39,210 You don't mean a thing. Perfect. 498 00:37:39,530 --> 00:37:40,530 Okay? I love that. 499 00:37:41,130 --> 00:37:43,350 Well done. Yeah. It's better pacing. 500 00:37:43,810 --> 00:37:45,430 These songs count that way. 501 00:37:46,070 --> 00:37:47,950 Okay. See you later. 502 00:37:48,390 --> 00:37:49,390 Hold up. Hold up. 503 00:37:51,170 --> 00:37:52,170 Jorgen! 504 00:37:53,330 --> 00:37:54,490 Did you hear? 505 00:37:55,210 --> 00:37:59,670 Amazing. Thank you. You're welcome. Thank you. Thank you. 506 00:38:00,130 --> 00:38:02,130 Thank you. 507 00:38:03,510 --> 00:38:04,510 I'm sober. 508 00:38:04,710 --> 00:38:06,010 I'm pretty sober. 509 00:38:12,010 --> 00:38:15,110 Cheek -to -cheek is number one in Belgium right now. Right! 510 00:38:17,090 --> 00:38:18,490 He's such a lucky man. 511 00:38:22,510 --> 00:38:23,510 Yes. 512 00:38:27,410 --> 00:38:28,910 Lady Gaga thing, Jeff. 513 00:38:29,470 --> 00:38:30,750 The Daily Beast. 514 00:38:31,530 --> 00:38:36,490 As a nitpicking jazz critic, I view Gaga as more a performance artist than a 515 00:38:36,490 --> 00:38:40,230 musician. She is certainly a risk -taker and attention -getter, but often for 516 00:38:40,230 --> 00:38:41,930 matters of costume props and behavior. 517 00:38:42,530 --> 00:38:44,290 Is Gaga up to this challenge? 518 00:38:44,550 --> 00:38:48,510 Can she interpret the works of George Gershwin, Duke Ellington, and Cole 519 00:38:48,510 --> 00:38:49,510 with plausibility? 520 00:38:49,810 --> 00:38:54,190 Above all, can she trade phrases with Tony Bennett and not get left in the 521 00:38:54,450 --> 00:38:58,530 The answer is, somewhat to my surprise, yes, she can. 522 00:39:13,710 --> 00:39:18,650 Number one in Brazil, Bulgaria, Chile, Colombia, Costa Rica, Ecuador, Greece, 523 00:39:18,850 --> 00:39:23,770 Paraguay, Peru, Taiwan, Turkey, Vietnam, Argentina, Belgium, Pennsylvania, 524 00:39:23,910 --> 00:39:24,910 Malaysia. 525 00:39:25,280 --> 00:39:27,000 Moldova, Singapore, Thailand. 526 00:39:27,280 --> 00:39:31,860 And this is before it's even in stores. 527 00:39:32,120 --> 00:39:34,560 This is like pre -order. 528 00:40:07,240 --> 00:40:08,078 Hi, Gaga. 529 00:40:08,080 --> 00:40:13,200 Hi, Ryan. Lady Gaga is with us, and she's done this album with Tony Bennett, 530 00:40:13,380 --> 00:40:15,100 which is such a cool juxtaposition. 531 00:40:15,300 --> 00:40:18,120 He's not only a legend, but what a gentleman. 532 00:40:18,340 --> 00:40:20,820 I mean, this is the old school of the music industry. 533 00:40:21,080 --> 00:40:25,640 I feel so humbled to be doing this project with him. This is the most 534 00:40:25,640 --> 00:40:29,880 album I've ever made. It is beautiful, and when I listen to the different 535 00:40:29,880 --> 00:40:33,060 tracks, it makes me want to tuck in my shirt and dress better. 536 00:40:33,360 --> 00:40:34,360 I know. You know, me too. 537 00:41:07,850 --> 00:41:14,730 was looked on as something shocking. Now heaven knows anything goes. 538 00:41:16,150 --> 00:41:21,870 Good office too. Once knew better words. Now only useful letter words. 539 00:41:22,070 --> 00:41:23,070 Writing goes. 540 00:41:24,530 --> 00:41:25,890 Anything goes. 541 00:41:26,860 --> 00:41:32,680 you're a dynamic duo and you're selling out everywhere radio city las vegas yeah 542 00:41:32,680 --> 00:41:36,520 we just sold out throughout the world of europe pinched me but i don't want to 543 00:41:36,520 --> 00:41:43,340 wake up this is a musical collaboration as 544 00:41:43,340 --> 00:41:47,460 bizarre as it is perfect you're the ultimate odd couple That's what makes it 545 00:41:47,460 --> 00:41:51,940 good. Not a term I often use here, but they're adorable. 546 00:41:52,200 --> 00:41:56,620 I've just never been so happy singing with somebody. And I laugh with him like 547 00:41:56,620 --> 00:42:01,040 laugh with my buddies in their late 20s. Hi, this is Tommy Bennett and Lady Gaga 548 00:42:01,040 --> 00:42:02,080 in her pajamas. 549 00:42:05,500 --> 00:42:09,380 What was it like performing with him? It must have been a little bit 550 00:42:09,380 --> 00:42:11,720 intimidating. Oh, yeah. Oh, wow. 551 00:42:12,440 --> 00:42:13,980 He asked me the question. 552 00:42:14,920 --> 00:42:15,920 Okay. 553 00:42:16,320 --> 00:42:19,980 I was excited to be rebellious against my pop career. 554 00:42:20,220 --> 00:42:21,640 It can be a little wild. 555 00:42:21,900 --> 00:42:22,779 A little? 556 00:42:22,780 --> 00:42:23,780 Yeah. 557 00:42:24,140 --> 00:42:29,440 I could have retired 17 years ago, but I want the young people to pick up on 558 00:42:29,440 --> 00:42:32,540 jazz. Thank God you didn't retire, because what the hell would I be doing? 559 00:42:33,340 --> 00:42:38,660 He taught me that legacy is about enduring, being fearless, and pushing 560 00:42:38,820 --> 00:42:42,120 I feel like a bird let out of my cage, and it's all because of him. 561 00:42:42,320 --> 00:42:46,070 I'm singing the trumpet. Tony drew it. I have a tattoo for every album I put 562 00:42:46,070 --> 00:42:49,750 out. I wanted this one to be the biggest one because this is the biggest moment 563 00:42:49,750 --> 00:42:50,549 in my life. 564 00:42:50,550 --> 00:42:54,710 Please go absolutely nuts for Tony Bennett and Lady Gaga. 565 00:42:55,050 --> 00:43:00,250 And oh, we're not just great romances. We know that we're bound to answer when 566 00:43:00,250 --> 00:43:01,250 we perform. 567 00:43:01,670 --> 00:43:04,610 You must show me true happiness, Tony. Anything goes. 568 00:43:06,170 --> 00:43:08,030 Anything goes. 569 00:43:09,170 --> 00:43:12,310 To jazz. And to swinging forever. 570 00:43:33,000 --> 00:43:34,360 It's so big on Broadway. 571 00:43:35,020 --> 00:43:38,860 I can't believe it. That was always my biggest dream, was to have field boards 572 00:43:38,860 --> 00:43:39,859 in Times Square. 573 00:43:39,860 --> 00:43:41,820 Yeah, well, this is a big one. 574 00:43:42,120 --> 00:43:43,120 It's really big? 575 00:43:43,320 --> 00:43:44,460 Yeah, it's big. 576 00:43:46,120 --> 00:43:50,720 You know, I've been thinking about everything, and no matter what happens, 577 00:43:50,720 --> 00:43:53,560 have to be in charge of the whole scene. 578 00:43:53,800 --> 00:43:59,080 Yep. Every single idea, creative idea, has to come from you. 579 00:43:59,880 --> 00:44:01,740 This would be all your decisions. 580 00:44:03,770 --> 00:44:05,270 Holy mackerel, look at that. 581 00:44:05,710 --> 00:44:06,710 That's huge. 582 00:44:07,550 --> 00:44:09,550 Do you see that? It's you and me. 583 00:44:10,330 --> 00:44:12,130 Gosh, it's the size of the whole building. 584 00:44:13,730 --> 00:44:16,230 Oh, Tony, look at our commercial. 585 00:44:25,910 --> 00:44:26,910 Hey. 586 00:44:30,290 --> 00:44:31,290 Still beautiful. 587 00:44:36,850 --> 00:44:39,650 And that's going all around the world. Everywhere. 588 00:44:40,370 --> 00:44:44,750 Oh my God, it's Newman. 589 00:44:48,050 --> 00:44:51,190 Putting jazz on the front page of that big commercial building. 590 00:44:57,630 --> 00:45:03,490 It makes no difference if it's sweet or hot. 591 00:45:04,480 --> 00:45:07,400 Just give that rhythm everything you got. 592 00:45:08,280 --> 00:45:12,620 Oh, it don't mean a thing if it ain't got that swing. 593 00:45:13,240 --> 00:45:15,500 Do I, do I, do I, do I, do I? 594 00:45:18,880 --> 00:45:25,800 You know, whenever I'm with you, 595 00:45:25,900 --> 00:45:28,900 Tony, everything that happens is right, always. 596 00:45:29,560 --> 00:45:30,920 Nothing ever goes wrong. 597 00:45:31,420 --> 00:45:36,340 I just know my life's on the right path because each day is better than the day 598 00:45:36,340 --> 00:45:37,820 before since I met you. 599 00:45:43,520 --> 00:45:50,340 And the Grammy goes to, cheek to cheek, Tony Bennett and Lady 600 00:45:50,340 --> 00:45:51,340 Gaga. 601 00:46:04,270 --> 00:46:05,270 Did I? 602 00:46:44,370 --> 00:46:48,090 Out together dancing. 603 00:46:49,530 --> 00:46:52,770 Out together dancing. 604 00:47:48,730 --> 00:47:52,390 This is my dad's place. When I'm home, I'm here all the time. 605 00:47:53,390 --> 00:47:56,950 You look at these pictures of my ancestors dating back all the way to 606 00:47:56,950 --> 00:47:59,830 place. My grandfather made shoes. 607 00:48:00,570 --> 00:48:02,030 My grandmother made dresses. 608 00:48:03,230 --> 00:48:05,870 Tony's mother was making and penning a dress. 609 00:48:06,720 --> 00:48:11,860 And when we hang out, our families, it's just like glue. You know, how far he's 610 00:48:11,860 --> 00:48:14,840 come and how humble he has stayed over all the years. 611 00:48:15,700 --> 00:48:17,340 It's nice that people love you. 612 00:48:17,700 --> 00:48:19,960 You want them to love you for who you really are. 613 00:48:21,660 --> 00:48:27,980 Him helping me rediscover that confidence in myself as a musician, 614 00:48:27,980 --> 00:48:29,200 helped save my life. 615 00:48:44,880 --> 00:48:47,500 I just wanted to say a few things about Tony. 616 00:48:48,840 --> 00:48:53,760 Some people in the world have seen us sing together, but what they may not 617 00:48:53,760 --> 00:48:55,500 about is what he's taught me. 618 00:48:56,800 --> 00:49:01,180 You know, when I'm having a bad day and I'm really, really sad and I just feel 619 00:49:01,180 --> 00:49:04,480 like I don't even know who to call, because sometimes you don't want to call 620 00:49:04,480 --> 00:49:07,960 your mom and air out everything because then she's, you know, nervous. 621 00:49:09,920 --> 00:49:10,980 I call Tony. 622 00:49:12,060 --> 00:49:13,060 I really do. 623 00:49:13,770 --> 00:49:16,090 I really do. I call Tony. 624 00:49:17,430 --> 00:49:22,490 And he says to me, straight ahead, lady. 625 00:49:23,630 --> 00:49:24,950 Just go straight ahead. 626 00:49:25,890 --> 00:49:26,990 Thank you, Tony. 627 00:49:27,770 --> 00:49:34,030 Thank you so much for reviving my ability to have drive again. 628 00:49:35,570 --> 00:49:36,790 To want to keep going. 629 00:49:37,090 --> 00:49:38,090 Straight ahead. 630 00:49:40,850 --> 00:49:42,970 Happy birthday, Mr. Tony Bennett. 631 00:49:56,840 --> 00:49:59,300 Hey, everyone. How amazing is this tonight? Nineties. 632 00:50:02,920 --> 00:50:04,460 This is Tony Betts. 633 00:50:04,740 --> 00:50:11,060 And fighting me with his heart, not just giving to the arts, but giving to 634 00:50:11,060 --> 00:50:12,060 humanity. 635 00:50:12,200 --> 00:50:14,940 Fighting for equal and civil rights for all people. 636 00:50:17,440 --> 00:50:18,440 I love you. 637 00:50:23,700 --> 00:50:29,890 Tony. At 90, you stand alone as an artist and as a human being. Without 638 00:50:29,890 --> 00:50:34,910 music, I don't think my life and my films, the films I've tried to make, 639 00:50:34,910 --> 00:50:36,010 be the same. 640 00:50:36,410 --> 00:50:41,730 Your music runs through my life like a river that just doesn't stop flowing. 641 00:50:42,990 --> 00:50:43,990 Kentani Plus. 642 00:50:46,710 --> 00:50:49,110 I wanted to do something special for Tony. 643 00:50:50,570 --> 00:50:54,270 So we called everybody at the Empire State Building, and they said they'd 644 00:50:54,270 --> 00:50:55,850 it up special just for you, Tom. 645 00:50:58,170 --> 00:51:03,810 It's going to be lit up just like the Italian flag to commemorate your success 646 00:51:03,810 --> 00:51:08,350 and legacy as an Italian -American in this country. We love you, Tony. We're 647 00:51:08,350 --> 00:51:09,350 proud. 648 00:51:31,560 --> 00:51:37,360 do you remember when you told me i should sing this song you said lady this 649 00:51:37,360 --> 00:51:38,720 good song for you to sing 650 00:52:51,880 --> 00:52:53,320 I'm trying to stay on it. 651 00:52:53,960 --> 00:52:55,180 I'm who I am. 652 00:52:58,280 --> 00:53:00,740 I'm still not retiring. I'm still performing. 653 00:53:02,920 --> 00:53:07,540 I love entertaining people, and I'm going to continue to do that as long as 654 00:53:07,540 --> 00:53:08,540 live. 655 00:53:39,820 --> 00:53:44,300 We came home one night, and he said, Susan, I'm having a hard time 656 00:53:44,300 --> 00:53:47,040 the names of the musicians who he worked with all the time. 657 00:53:48,400 --> 00:53:51,660 So it was unusual, and I said, well, do you want to go see a doctor about it? 658 00:53:51,700 --> 00:53:52,700 And he said, I do. 659 00:53:58,720 --> 00:54:05,720 He would say, hey, lady, we should make a record together of all Cole 660 00:54:05,720 --> 00:54:08,100 Porter songs, all love songs. 661 00:54:11,120 --> 00:54:16,180 His Alzheimer's started to set on, and I said, let's go into the studio now, and 662 00:54:16,180 --> 00:54:17,180 we did. 663 00:54:20,620 --> 00:54:26,840 You know, I can promise you that every note that I sang, 664 00:54:27,000 --> 00:54:30,620 I was thinking about how this was Tony's last album. 665 00:54:31,940 --> 00:54:35,480 I knew I loved Tony before we made Love for Sale. 666 00:54:37,960 --> 00:54:40,960 But then we made love for sale and I really knew how much 667 00:55:12,330 --> 00:55:13,330 How much time do we have? 668 00:55:13,710 --> 00:55:15,070 It's a quarter to 12 right now. 669 00:55:15,290 --> 00:55:16,530 Yeah, hurry up, Picasso. 670 00:55:17,830 --> 00:55:18,830 Oh, no. 671 00:55:18,850 --> 00:55:20,190 Okay, let me check it out. 672 00:55:22,410 --> 00:55:25,390 Bar 48, B to E to A. 673 00:55:25,650 --> 00:55:32,550 Okay, and then on B3 and 4 should be C sharp, F sharp, getting into B minor, 674 00:55:32,670 --> 00:55:35,930 right? I came early so I could be ready. Beautiful. 675 00:55:39,370 --> 00:55:41,370 Would I be able to... 676 00:55:42,609 --> 00:55:43,970 Sure, yeah. Let's run it. 677 00:55:49,870 --> 00:55:56,410 Why don't you sing this low part and let Tony sing, don't you know, little fool? 678 00:55:56,930 --> 00:55:59,530 You know what I'm saying? Like if this is too low for him and that's too high 679 00:55:59,530 --> 00:56:00,129 for you. 680 00:56:00,130 --> 00:56:03,230 We'll see how he feels about it. Okay. When Tony gets here, I think we should 681 00:56:03,230 --> 00:56:04,169 just try both. 682 00:56:04,170 --> 00:56:06,510 Okay. And see what he likes. All right. 683 00:56:06,910 --> 00:56:08,290 I'll be in the back doing my homework. 684 00:56:38,769 --> 00:56:44,090 Yeah, you look great. Thank you. 685 00:56:47,530 --> 00:56:48,468 How's it going? 686 00:56:48,470 --> 00:56:51,210 Fine. Good. Very good. How are you doing? 687 00:56:51,470 --> 00:56:52,550 Good. I'm excited. 688 00:56:52,910 --> 00:56:53,910 Good. Yeah. 689 00:56:54,090 --> 00:56:59,330 We were just playing around with a couple different keys, so you can choose 690 00:56:59,330 --> 00:57:01,690 which one makes you happy. Okay. Okay. 691 00:57:02,270 --> 00:57:07,230 Thank you. I'm so happy to be here with you. Good. 692 00:57:07,930 --> 00:57:08,930 Same here. 693 00:57:26,030 --> 00:57:30,290 I've got you under my skin. 694 00:57:32,890 --> 00:57:38,190 I've got you deep in the heart of me. 695 00:57:40,170 --> 00:57:46,050 You're so deep in my heart, you're really a part of me. 696 00:57:47,750 --> 00:57:52,950 Because I've got you under my skin. 697 00:58:10,960 --> 00:58:12,100 Anything you want to change? 698 00:58:12,600 --> 00:58:13,700 No. No? 699 00:58:14,180 --> 00:58:15,300 Everything's good. Okay. 700 00:58:17,880 --> 00:58:18,880 How's the key feel? 701 00:58:19,380 --> 00:58:22,100 Fine. Don't want it any higher. No. Okay. 702 00:58:22,420 --> 00:58:25,040 Because we can do it higher if you want. We can do it higher and it will take 703 00:58:25,040 --> 00:58:26,100 the bottom out. 704 00:58:27,220 --> 00:58:28,220 Okay. 705 00:58:30,100 --> 00:58:31,160 How's the tempo feel? 706 00:58:31,560 --> 00:58:32,940 Fine. Okay. 707 00:58:36,220 --> 00:58:37,740 Well, the boss is happy. 708 00:58:55,020 --> 00:58:57,760 So we'll need to get the seat music for Tony. 709 00:58:58,400 --> 00:58:59,660 I'll get it out for you. 710 00:59:00,200 --> 00:59:01,400 Would you like water, Tony? 711 00:59:02,360 --> 00:59:03,360 Thank you. 712 00:59:09,280 --> 00:59:10,280 Perfect. 713 00:59:10,820 --> 00:59:12,340 Thank you. You're very welcome. 714 00:59:16,340 --> 00:59:17,520 So how was your night? 715 00:59:17,860 --> 00:59:20,920 Okay. How are you doing? Good. Good. 716 00:59:21,280 --> 00:59:26,680 Yeah. There's some things going on that are a little crazy, you know. But I went 717 00:59:26,680 --> 00:59:31,100 to go see Newman, the quintet that came out on the road with us. Oh. They were 718 00:59:31,100 --> 00:59:34,400 playing at the Gramercy last night. Oh, how nice. It was really special. Good. 719 00:59:37,380 --> 00:59:38,960 I don't remember what I did. 720 00:59:39,960 --> 00:59:40,960 That's all right. 721 00:59:41,060 --> 00:59:42,060 Did you have spaghetti? 722 00:59:44,380 --> 00:59:45,380 I don't remember. 723 00:59:47,040 --> 00:59:48,180 Well, it was a long day. 724 00:59:49,160 --> 00:59:51,840 Yeah. I forget things all the time. Yeah. 725 00:59:54,920 --> 00:59:57,500 Should we try one? Why not? I'm ready. 726 00:59:58,460 --> 00:59:59,460 Tony's always ready. 727 01:00:24,920 --> 01:00:26,460 It sounds so good. 728 01:00:27,300 --> 01:00:28,460 It's so much fun. 729 01:00:29,440 --> 01:00:32,380 I miss this. I think all the time about how we toured. 730 01:00:33,500 --> 01:00:35,400 Wasn't that fun every night? Yeah. 731 01:00:35,920 --> 01:00:37,320 Every night was so fun. 732 01:00:38,820 --> 01:00:43,200 I'd love to watch you sing, Tony, for your solo. No problem. 733 01:00:44,740 --> 01:00:50,220 So, guys, let's put a solo in. Four bars before the end. 734 01:00:51,040 --> 01:00:53,900 You know what I mean? 735 01:00:54,670 --> 01:00:56,010 Should we run it? Yeah. 736 01:00:56,230 --> 01:00:57,230 Yeah. 737 01:00:58,090 --> 01:01:01,830 1, 2, 1, 2, 3, 4. 738 01:01:18,010 --> 01:01:22,110 Strange dear, but true dear. 739 01:01:25,680 --> 01:01:31,100 When I'm close to you, dear, 740 01:01:31,500 --> 01:01:34,160 the stars... 741 01:01:57,100 --> 01:01:58,100 Deceive me. 742 01:01:59,880 --> 01:02:01,140 Desert me. 743 01:02:03,800 --> 01:02:04,800 I'm yours. 744 01:02:43,140 --> 01:02:44,140 beautiful. 745 01:02:44,480 --> 01:02:47,100 You're so beautiful. 746 01:02:47,520 --> 01:02:48,740 That was so beautiful. 747 01:02:50,460 --> 01:02:54,960 You really, you really have got a way, I'll tell you. Thank you. 748 01:02:56,940 --> 01:02:57,279 Yeah, 749 01:02:57,280 --> 01:03:05,060 you 750 01:03:05,060 --> 01:03:06,060 do know. 751 01:03:06,360 --> 01:03:07,440 You gotta know. 752 01:03:08,640 --> 01:03:09,720 You gotta know. 753 01:03:12,170 --> 01:03:14,290 I'm sorry, Marshall. What did you say? I found it. Thanks. 754 01:03:14,550 --> 01:03:17,310 I need you to go back to the... I want you to be happy. 755 01:03:21,130 --> 01:03:24,870 I want you to be happy. 756 01:03:25,370 --> 01:03:28,970 I want to be happy, too. 757 01:03:33,650 --> 01:03:34,650 I look sad. 758 01:03:38,830 --> 01:03:39,830 I know. 759 01:03:41,390 --> 01:03:44,630 But I'm happy when I'm with you. Couldn't we say that? 760 01:03:47,030 --> 01:03:48,810 It's so magnificent. 761 01:03:58,230 --> 01:04:00,330 Yeah, but don't stop. 762 01:04:01,290 --> 01:04:05,950 Don't stop. You know what? I'm looking at this again and I'm thinking. 763 01:04:07,049 --> 01:04:11,390 It's actually right. The only thing I'd like you to do on the DS, Marshall, is 764 01:04:11,390 --> 01:04:17,710 when you go to the G, after this thing, B flat minor 7, 2B, on the DS, 765 01:04:18,090 --> 01:04:21,610 that's going to be a solo in there. That's going to work out with it. 766 01:04:38,600 --> 01:04:40,760 You got to be playing for me, not for you. 767 01:04:41,540 --> 01:04:42,540 Okay. 768 01:04:42,800 --> 01:04:45,540 I mean, I don't feel like I'm being accompanied. 769 01:04:46,300 --> 01:04:51,620 It feels like you're playing the solo and I'm kind of singing behind it. 770 01:04:53,100 --> 01:04:58,100 I got to feel like where I'm at, that's how you guys are playing. 771 01:05:00,080 --> 01:05:01,080 Do you understand? 772 01:05:01,400 --> 01:05:02,400 Okay. 773 01:05:02,460 --> 01:05:03,460 Okay. 774 01:05:06,160 --> 01:05:07,660 It just feels like... 775 01:05:07,880 --> 01:05:10,080 The group is louder than I'm singing. 776 01:05:10,660 --> 01:05:12,860 I'm happy to not play what's here. 777 01:05:13,600 --> 01:05:15,160 No, I'm not saying that. 778 01:05:16,040 --> 01:05:22,840 I'm just saying you have to hear where I'm at and play for that. 779 01:05:24,120 --> 01:05:26,940 Right now, I have to go with what you're doing. 780 01:05:27,920 --> 01:05:29,540 It should be the other way around. 781 01:05:29,860 --> 01:05:33,060 You should be playing where I'm at. 782 01:05:33,260 --> 01:05:36,360 I agree, and I'm happy to do that. I know you agree, but... 783 01:05:36,640 --> 01:05:38,300 You're not agreeing when we're doing it. 784 01:05:38,680 --> 01:05:41,720 All right, I'll do it differently this time. I'll do it that way. 785 01:05:42,880 --> 01:05:43,880 Let's do it again. 786 01:05:44,500 --> 01:05:45,500 Okay. 787 01:05:46,940 --> 01:05:47,940 Are we rolling? 788 01:05:48,280 --> 01:05:49,900 I think you should play softer. 789 01:05:50,200 --> 01:05:51,580 Okay, let's all play softer. 790 01:05:53,140 --> 01:05:56,860 One, two, one, two, three, four. 791 01:06:08,310 --> 01:06:09,750 No, no. 792 01:06:10,250 --> 01:06:14,070 You sound very voluminous and I sound very quiet. 793 01:06:15,710 --> 01:06:17,390 You should be playing softer. 794 01:06:17,710 --> 01:06:19,650 Okay, I'll play softer. Okay. 795 01:06:20,250 --> 01:06:21,630 One, two. 796 01:06:21,850 --> 01:06:23,470 One, two, three. 797 01:06:35,660 --> 01:06:41,820 But true, dear, when I'm close 798 01:06:41,820 --> 01:06:44,900 to you, dear. 799 01:06:54,260 --> 01:06:55,540 I don't know where I'm at. 800 01:06:56,660 --> 01:07:01,280 Okay. I don't think it's marked really clearly on your literacy when you come 801 01:07:01,280 --> 01:07:04,740 back. I don't feel like I'm being accompanied. I feel like... 802 01:07:05,299 --> 01:07:10,380 You guys are playing solo, and I'm underneath that. 803 01:07:12,340 --> 01:07:15,040 I think it also might have something to do with the arrangement. 804 01:07:15,860 --> 01:07:22,560 I think that if there was more space, you know, just throughout the... 805 01:07:22,560 --> 01:07:23,560 Oh, boy. 806 01:07:24,200 --> 01:07:27,260 Yeah. Just more space. Okay. Well, let's try it one more time, all right? And if 807 01:07:27,260 --> 01:07:30,280 it's not happening, we'll work on it. We'll work on it. There's so many 808 01:07:30,280 --> 01:07:31,280 here. Yeah. 809 01:07:31,500 --> 01:07:32,520 We just won't play it. 810 01:07:32,960 --> 01:07:33,960 Okay, let's try it. 811 01:07:34,280 --> 01:07:37,340 Should I try it? Yeah, let's do it. And you're rolling. 812 01:07:37,700 --> 01:07:38,840 One, two. 813 01:07:39,280 --> 01:07:40,740 One, two, three. 814 01:08:00,400 --> 01:08:01,400 I'm yours. 815 01:08:38,530 --> 01:08:39,530 Thank you. 816 01:09:10,830 --> 01:09:11,830 Good morning. 817 01:09:11,870 --> 01:09:15,229 Good morning. How are you today? Okay, how you doing? Terrific. 818 01:09:15,770 --> 01:09:16,850 It's going smooth. 819 01:09:17,370 --> 01:09:20,290 Yeah, it is. We both sound so good together. It's really nice. 820 01:09:24,370 --> 01:09:26,870 I wake up every morning counting my blessings. 821 01:09:28,490 --> 01:09:34,430 I mean, I'm surrounded by all real pro guys and it all works. 822 01:09:35,050 --> 01:09:36,050 Absolutely. 823 01:09:36,689 --> 01:09:37,689 Hi, Tony. 824 01:09:37,970 --> 01:09:38,970 Hi. 825 01:09:44,020 --> 01:09:50,779 You know, I'd like to apologize for yesterday 826 01:09:50,779 --> 01:09:52,740 because I didn't know what was going on. 827 01:09:53,060 --> 01:09:55,700 Oh, no problem. I appreciate it. No problem. 828 01:09:56,720 --> 01:10:00,860 No problem. I appreciate it. Thank you. Okay. 829 01:10:01,840 --> 01:10:03,440 Guys, let's do that beginning again. 830 01:10:04,560 --> 01:10:06,580 Guys, let's do that beginning again. 831 01:10:07,010 --> 01:10:08,010 Tony, are you there? 832 01:10:08,830 --> 01:10:10,290 What time are you coming in today? 833 01:10:11,910 --> 01:10:13,230 Oh, shit, I'm late. 834 01:10:15,950 --> 01:10:17,050 Hi. You 835 01:10:17,050 --> 01:10:24,030 have a mustache 836 01:10:24,030 --> 01:10:25,810 on this cover. It's going to be different. 837 01:10:32,110 --> 01:10:34,690 Did I notice about the song you were singing yesterday, Gaga? 838 01:10:34,970 --> 01:10:38,090 That intro. I'd never heard that intro. Can we hear it a little? 839 01:10:38,690 --> 01:10:45,610 When the little blue bird who has never said a word starts to sing 840 01:10:45,610 --> 01:10:46,690 spring, spring. 841 01:10:48,730 --> 01:10:54,890 It is nature that's all simply telling us to fall 842 01:10:54,890 --> 01:10:57,310 in love. 843 01:11:00,210 --> 01:11:01,210 Perfect. 844 01:11:02,010 --> 01:11:04,330 That's why birds do it. 845 01:11:04,550 --> 01:11:05,930 Beards do it. 846 01:11:06,230 --> 01:11:09,150 Even educated, please do it. 847 01:11:09,530 --> 01:11:10,810 Let's do it. 848 01:11:11,190 --> 01:11:12,650 Let's fall in love. 849 01:11:15,170 --> 01:11:16,310 Grandpa, look this way. 850 01:11:19,490 --> 01:11:20,910 Can I have your hand, Tony? 851 01:11:21,370 --> 01:11:23,350 Can I have your hand? Oh, yeah. 852 01:11:23,990 --> 01:11:25,350 I love that. 853 01:11:25,610 --> 01:11:28,850 Yeah. You guys are ready for a night on the town. 854 01:11:29,790 --> 01:11:30,950 It's on to the opera. 855 01:11:31,480 --> 01:11:33,820 Going to the opera. We're going to see jazz, baby. 856 01:11:34,740 --> 01:11:36,160 You know what I was thinking of doing? 857 01:11:36,380 --> 01:11:40,400 Pass the clothes to the cover, maybe. 858 01:11:40,700 --> 01:11:43,460 Really? I mean, I think... I would love that. 859 01:12:04,350 --> 01:12:05,350 I'm so sad. 860 01:12:07,490 --> 01:12:09,510 I'm so sad we're not singing together tomorrow. 861 01:12:19,470 --> 01:12:23,010 How's it going? 862 01:12:24,250 --> 01:12:27,190 Should we pick a new spot to take a picture? Yeah, I think you can sit here 863 01:12:27,190 --> 01:12:28,190 the piano. 864 01:12:29,730 --> 01:12:31,050 Can you play a little bit? 865 01:12:31,690 --> 01:12:32,690 Perfect. 866 01:12:57,320 --> 01:13:04,220 Just another way to prove I love you when it's hard today. I'll lay back 867 01:13:04,220 --> 01:13:06,840 in my chair and find a way. 868 01:13:08,900 --> 01:13:15,340 And when you say the thing that you say that makes me mad, I'll turn away, 869 01:13:15,640 --> 01:13:18,320 I'll turn away, I'll turn away. 870 01:13:19,640 --> 01:13:25,720 And think of different ways to keep my spirits up. 871 01:13:26,160 --> 01:13:33,000 And choreograph flowers with playful, joyous thoughts. We both know 872 01:13:33,000 --> 01:13:39,900 I could learn a thing or two about relaxing. But hey, I love you. And after 873 01:13:40,100 --> 01:13:42,020 it's just another day. 874 01:13:44,100 --> 01:13:50,320 I could use some two or three or other kind of ways to be. But 875 01:13:50,320 --> 01:13:54,460 today I won't be so hard on me. 876 01:13:55,980 --> 01:14:01,040 Pick up unique style. Kick around with Tony today. 877 01:14:01,380 --> 01:14:08,240 I'll create simple thoughts. I'll laugh in humble ways. We both 878 01:14:08,240 --> 01:14:12,400 know I could learn a thing or two about behaving. 879 01:14:12,920 --> 01:14:16,960 But I love you and after all, it's just enough. 880 01:14:41,290 --> 01:14:43,030 But just another day. 881 01:15:09,230 --> 01:15:10,830 You remember Lady Gaga, right? 882 01:15:11,610 --> 01:15:13,990 Do you remember you sang Lady is a Tramp with her? 883 01:15:14,250 --> 01:15:17,170 Yeah. Okay, she's coming up here to sing with you right now. 884 01:15:17,730 --> 01:15:19,410 You're rehearsing all week. 885 01:15:20,010 --> 01:15:21,010 Great. 886 01:15:21,630 --> 01:15:24,210 She is so excited to see you. 887 01:15:29,610 --> 01:15:31,090 This is going to be good. 888 01:15:31,330 --> 01:15:32,330 I know. 889 01:15:34,090 --> 01:15:35,850 I'm here because I love you. 890 01:15:47,980 --> 01:15:51,780 I get no kick from champagne. 891 01:15:53,440 --> 01:16:00,320 Mere, mere alcohol doesn't thrill me at all. So tell me 892 01:16:00,320 --> 01:16:03,240 why should it? Thank you. I'm practicing. 893 01:16:09,410 --> 01:16:12,550 You know, the best thing, though, is just act like you haven't done it five 894 01:16:12,550 --> 01:16:14,470 times already. Say, let's do, I get a kick out of you. 895 01:16:14,750 --> 01:16:17,270 He'd be like, okay. Okay. If you say, take it from the bridge, he's like, huh? 896 01:16:17,530 --> 01:16:20,790 Okay. Do it again, I get it wrong, he doesn't want it. That's so interesting. 897 01:16:20,910 --> 01:16:22,450 Let's do it. We'll see what happens. Okay. 898 01:16:23,490 --> 01:16:24,490 Come on, cutie pie. 899 01:16:24,750 --> 01:16:25,870 Okay. Tony! 900 01:16:26,310 --> 01:16:27,310 Hi! 901 01:16:27,470 --> 01:16:28,470 Ladies here! 902 01:16:28,910 --> 01:16:29,910 I'm here! 903 01:16:30,630 --> 01:16:31,790 How are you, Tony? 904 01:16:32,110 --> 01:16:32,969 Hi, sweetie. 905 01:16:32,970 --> 01:16:35,490 Oh, so nice to see you. 906 01:16:35,990 --> 01:16:36,990 Wow. 907 01:16:37,250 --> 01:16:38,250 How you feeling? 908 01:16:38,440 --> 01:16:40,100 Couldn't be better. Couldn't be better? 909 01:16:40,340 --> 01:16:41,340 You want to sing? 910 01:16:41,640 --> 01:16:42,640 Let's sing together. 911 01:16:42,760 --> 01:16:43,760 Okay. Yeah? 912 01:16:46,980 --> 01:16:48,400 Yeah, man. Hi. Hey. 913 01:16:49,140 --> 01:16:50,600 Me and Lee were just catching up. 914 01:16:51,760 --> 01:16:53,740 Let's do I've Got You Under My Skin. 915 01:16:54,880 --> 01:16:58,360 Okay. Yeah? You want to start with that? That sounds good. Yeah, I'd love to. 916 01:16:58,920 --> 01:16:59,920 All right, tone. 917 01:17:00,120 --> 01:17:01,120 Yeah. 918 01:17:01,280 --> 01:17:02,280 Wow. 919 01:17:02,520 --> 01:17:03,600 Looking good, tone. 920 01:17:13,260 --> 01:17:15,660 I've got you under my skin. 921 01:17:17,860 --> 01:17:22,720 I've got you deep in the heart of me. 922 01:17:23,940 --> 01:17:28,900 You're so deep in my heart. You're really a part of me. 923 01:17:30,480 --> 01:17:34,660 I've got you under my skin. 924 01:17:35,080 --> 01:17:39,380 And I love you like a tattoo under my skin. 925 01:17:41,550 --> 01:17:45,870 Yes, I've got you under my skin. 926 01:17:48,590 --> 01:17:50,850 Under, under, under, under my skin. 927 01:17:52,050 --> 01:17:53,050 Oh, Tony. 928 01:17:54,370 --> 01:17:55,750 Oh, my God. 929 01:17:56,170 --> 01:17:58,210 I'm so happy singing with you. 930 01:17:58,490 --> 01:18:01,050 Good. Am I keeping up okay? Jeez. 931 01:18:03,230 --> 01:18:04,330 It's been a while. 932 01:18:04,590 --> 01:18:06,930 It's been three years since we made this record. 933 01:18:07,490 --> 01:18:11,030 Yeah. Wow. Yeah. Am I starting to swing, Tony? 934 01:18:11,520 --> 01:18:16,780 Oh, yeah. I'm starting to swing with you. Yeah? Oh, you're doing very well. 935 01:18:16,780 --> 01:18:20,880 been singing jazz by myself in Las Vegas, and I've got to tell you, if I 936 01:18:20,880 --> 01:18:24,900 sang jazz with you first, I'd be lost out there looking for a swing. 937 01:18:26,460 --> 01:18:30,520 Looking for a swing? I'd be looking for a swing, trying to figure out where to 938 01:18:30,520 --> 01:18:35,060 go, because nobody knows how to swing like you. You taught me how to swing. 939 01:18:36,180 --> 01:18:38,580 You want to sing a little more? 940 01:18:39,620 --> 01:18:40,620 Yeah. 941 01:18:42,730 --> 01:18:48,930 Last night, when we were young, love was a star, 942 01:18:49,150 --> 01:18:51,930 song unsung. 943 01:18:53,070 --> 01:18:59,690 Life was so new, so real, so right, ages 944 01:18:59,690 --> 01:19:03,390 ago, last night. 945 01:19:04,910 --> 01:19:10,630 So now, let's reminisce. 946 01:19:12,200 --> 01:19:17,940 And recollect the sighs, the kisses, 947 01:19:18,000 --> 01:19:21,140 the arms that clung 948 01:19:21,140 --> 01:19:27,100 when we were young 949 01:19:27,100 --> 01:19:30,640 last night. 950 01:19:48,170 --> 01:19:49,170 Thank you. 951 01:19:49,910 --> 01:19:50,910 You make me cry. 952 01:19:54,630 --> 01:19:59,410 You sound so great, and I'm going to keep doing my homework so I can make 953 01:19:59,410 --> 01:20:02,670 swing up there with you. Because if I'm not swinging, you've got to kick me off. 954 01:20:26,020 --> 01:20:27,960 Thank you for a wonderful rehearsal, Tony. 955 01:20:30,920 --> 01:20:33,920 I had so much fun rehearsing. 956 01:20:34,520 --> 01:20:36,300 I can't wait to rehearse again tomorrow. 957 01:20:38,540 --> 01:20:42,200 You know, with Alzheimer's, a lot of times, like you're me, and you'll say 958 01:20:42,200 --> 01:20:43,660 hello, and I'm going to say hello. 959 01:20:44,560 --> 01:20:46,720 And he doesn't understand anymore to make that. 960 01:20:46,960 --> 01:20:51,400 And so you have to get right in front of him and say, hey. I think I was nervous 961 01:20:51,400 --> 01:20:52,400 to do that. 962 01:20:54,890 --> 01:20:57,170 With the Alzheimer's, he doesn't always understand. You know, it used to drive 963 01:20:57,170 --> 01:20:59,470 me nuts. He'd sit on the couch and he wouldn't look at me, but he'd talk to me 964 01:20:59,470 --> 01:21:00,108 like this. 965 01:21:00,110 --> 01:21:04,550 So if you make the emotional connection by just getting into his safe zone, 966 01:21:04,750 --> 01:21:06,050 because he might just be down here. 967 01:21:06,330 --> 01:21:08,510 Okay. So, and then he'll connect. 968 01:21:09,210 --> 01:21:10,670 So I'm going to look at you more. 969 01:21:11,210 --> 01:21:17,910 All the guys are looking 970 01:21:17,910 --> 01:21:19,290 forward to seeing you tomorrow. 971 01:21:19,910 --> 01:21:20,910 Good. Yeah. 972 01:21:21,650 --> 01:21:23,350 Very good. Everybody misses you. 973 01:21:26,259 --> 01:21:27,720 Wow. Couldn't be better. 974 01:21:28,500 --> 01:21:29,500 Couldn't be better. 975 01:21:34,880 --> 01:21:37,600 You showing up makes everything work. 976 01:21:41,380 --> 01:21:42,860 You're the one that makes it work. 977 01:21:44,340 --> 01:21:46,060 I'm just your backup, you know? 978 01:21:46,460 --> 01:21:47,520 I got your back. 979 01:21:49,300 --> 01:21:53,240 Is this your favorite part of the day when you're singing? 980 01:21:54,000 --> 01:21:55,960 Yeah, I love working. 981 01:21:58,080 --> 01:21:59,260 I love performing. 982 01:22:03,400 --> 01:22:05,180 It makes people feel good. 983 01:22:05,740 --> 01:22:06,740 It's true. 984 01:22:07,120 --> 01:22:10,580 When you sing, there's nothing like it. 985 01:22:12,420 --> 01:22:18,320 I haven't seen my parents since COVID, so I'm going to see them later. 986 01:22:22,120 --> 01:22:23,120 Yeah. Yeah. 987 01:22:24,960 --> 01:22:27,340 Whenever the time is right. Yeah. 988 01:22:29,120 --> 01:22:30,160 How you doing, cutie? 989 01:22:30,380 --> 01:22:31,380 Hi. 990 01:22:31,820 --> 01:22:33,640 You're not sleepy, are you? You want to keep singing? 991 01:22:34,000 --> 01:22:35,000 What? 992 01:22:35,540 --> 01:22:36,540 You getting sleepy? 993 01:22:38,340 --> 01:22:39,340 Hmm? 994 01:22:41,060 --> 01:22:42,060 Cutie pie? 995 01:22:50,410 --> 01:22:53,190 I don't think I've ever seen anything more sweet. 996 01:23:00,170 --> 01:23:02,890 We're going to sing at Radio City. 997 01:23:03,170 --> 01:23:05,310 Wow. How about that? Packed houses. 998 01:23:05,970 --> 01:23:07,010 For your birthday. 999 01:23:07,730 --> 01:23:09,590 Beautiful. You know how old you're going to be? 1000 01:23:10,610 --> 01:23:11,990 How old? 95. 1001 01:23:12,850 --> 01:23:13,910 Oh, my God. 1002 01:23:14,990 --> 01:23:16,070 I'm getting young. 1003 01:23:16,450 --> 01:23:18,250 You're getting young. 1004 01:23:21,900 --> 01:23:25,140 Well, I'm so happy to have sang with you, Tony. I'm going to get out of here 1005 01:23:25,140 --> 01:23:25,959 I'll see you tomorrow. 1006 01:23:25,960 --> 01:23:26,960 Okay. 1007 01:23:27,460 --> 01:23:28,460 Take it easy. 1008 01:23:29,500 --> 01:23:31,200 I love you very much. Thank you. 1009 01:23:36,440 --> 01:23:37,620 We need to... Hey, guys. 1010 01:23:38,560 --> 01:23:41,320 This is the swan song, guys. I mean, seriously. 1011 01:23:41,600 --> 01:23:43,540 I don't see that we're going to be doing this again. 1012 01:23:44,760 --> 01:23:45,760 So, play out. 1013 01:23:46,800 --> 01:23:51,300 And let's be sensitive to Gaga because he needs her now. 1014 01:23:51,720 --> 01:23:53,540 And she's willing to take that on. 1015 01:23:53,980 --> 01:23:56,060 The band's here waiting for you, Tony. 1016 01:23:56,280 --> 01:23:58,160 Okay. You haven't seen them for a year. 1017 01:23:58,500 --> 01:23:59,500 Wow. 1018 01:24:00,960 --> 01:24:02,420 I look forward to it. 1019 01:24:03,920 --> 01:24:06,740 And here he is. 1020 01:24:07,320 --> 01:24:08,860 Okay. Hey, hey. 1021 01:24:14,960 --> 01:24:16,960 Hello, Mr. Bennett. Hey! How you doing? 1022 01:24:17,740 --> 01:24:20,380 It's great to see you. How are you? Hi, Danny. 1023 01:24:21,520 --> 01:24:24,920 All right. 1024 01:24:27,460 --> 01:24:28,460 Swingin' room. 1025 01:24:29,900 --> 01:24:30,900 Should we sing? 1026 01:24:31,980 --> 01:24:33,580 Would you like to sing Love for Sale? 1027 01:24:34,160 --> 01:24:35,160 Okay. 1028 01:24:37,500 --> 01:24:41,590 When the only sound in the empty street... Good, and I'll give you an 1029 01:24:41,590 --> 01:24:45,570 He's a heavy shed of the heavy feet. A lonesome cop. 1030 01:24:45,790 --> 01:24:46,790 Good. 1031 01:24:46,970 --> 01:24:49,230 She opens shop. 1032 01:24:49,510 --> 01:24:51,530 I think it could be nice to just follow him. 1033 01:24:52,750 --> 01:24:57,530 So if he starts singing, let's just follow him. I might not be in that key. 1034 01:24:58,770 --> 01:25:00,850 You know what I mean? I might not be in the key. That's okay. 1035 01:25:02,650 --> 01:25:03,650 Can you find him? 1036 01:25:04,970 --> 01:25:05,970 Okay, find him. 1037 01:25:06,730 --> 01:25:07,730 Thank you. 1038 01:25:09,440 --> 01:25:12,080 Tony, do you mind if I just use the ladies' room real fast? 1039 01:25:12,420 --> 01:25:13,680 No problem. I'll come right back. 1040 01:25:18,800 --> 01:25:22,100 Would you like a chair along the way? Yeah, thank you very much. Oh, you're 1041 01:25:22,100 --> 01:25:23,240 welcome. Oh, hi, Ben. 1042 01:25:23,660 --> 01:25:27,220 You're doing great. It's okay. I just don't want to cry. 1043 01:25:27,640 --> 01:25:34,340 Use your instincts. You know him as a performer better than anybody 1044 01:25:34,340 --> 01:25:36,540 else. I'm saying all of us. 1045 01:25:37,640 --> 01:25:39,300 He's in your hands right now. Yeah. 1046 01:25:39,760 --> 01:25:42,640 Yeah, I'm fine. I'm just going to wipe my face and I'll be right back. 1047 01:25:44,620 --> 01:25:45,620 How you doing? 1048 01:25:46,000 --> 01:25:47,160 Okay. Are you having fun? 1049 01:25:47,620 --> 01:25:48,620 Yeah. Yeah? 1050 01:25:49,620 --> 01:25:51,280 I like that I'm working again. 1051 01:25:52,740 --> 01:25:54,380 That's right. You're going to work all week. 1052 01:25:56,280 --> 01:26:00,140 He loves the film much. When do you pull it back? 1053 01:26:00,740 --> 01:26:03,340 You know, it's a tough decision, but... 1054 01:26:03,820 --> 01:26:06,580 We just want to make it meaningful for him. 1055 01:26:08,560 --> 01:26:10,400 Don't be afraid to sight transpose. 1056 01:26:10,820 --> 01:26:12,600 You got it. This is the time. 1057 01:26:12,820 --> 01:26:14,280 Listen, I'm going to try. 1058 01:26:16,180 --> 01:26:18,300 What would make you feel happy right now? 1059 01:26:18,580 --> 01:26:19,660 You. Me? 1060 01:26:20,000 --> 01:26:21,040 Oh, Tony. 1061 01:26:23,340 --> 01:26:25,660 You make me feel happy right now. 1062 01:26:26,260 --> 01:26:28,000 All right. Here we go. 1063 01:26:36,460 --> 01:26:38,920 Ladies and gentlemen, Mr. Tony Bennett tonight. 1064 01:26:40,960 --> 01:26:42,760 Night and day. 1065 01:26:45,180 --> 01:26:46,740 Day and night. 1066 01:26:49,180 --> 01:26:50,840 Night and day. 1067 01:26:53,120 --> 01:26:54,800 Day and night. 1068 01:27:13,960 --> 01:27:17,320 So no matter what happens, no matter what we do together, I'm going to make 1069 01:27:17,320 --> 01:27:19,320 that the band is always following you. Wow. 1070 01:27:20,540 --> 01:27:21,660 You know what you're doing. 1071 01:27:22,240 --> 01:27:23,240 Yeah. 1072 01:27:24,700 --> 01:27:25,820 You know what you're doing. 1073 01:27:26,240 --> 01:27:27,280 I learned from you. 1074 01:27:27,580 --> 01:27:30,780 So if I know what I'm doing, it's because you know what you're doing. 1075 01:27:31,500 --> 01:27:32,920 Because I learned it all from you. 1076 01:27:33,260 --> 01:27:34,260 Thank you. 1077 01:27:43,080 --> 01:27:45,580 I'm glad you're doing this for me. 1078 01:27:46,100 --> 01:27:51,320 I was like, I don't know if I can do this because I was so worried about him. 1079 01:27:51,400 --> 01:27:57,020 And then I realized that he deserves a show like that. 1080 01:27:57,580 --> 01:28:03,860 I've decided that if I could go back and talk to my friend, I know he would tell 1081 01:28:03,860 --> 01:28:08,600 me to be confident and proud and be myself. 1082 01:28:08,900 --> 01:28:12,260 And what that means to me is that I should not show up. 1083 01:28:12,620 --> 01:28:17,200 Like, drunk, with my head hanging over a trash bin. You know what I mean? Like, 1084 01:28:17,240 --> 01:28:23,880 he's saying, I can feel him saying to me, do what we did. And also, I want to 1085 01:28:23,880 --> 01:28:30,020 make it really clear that there's something that's going to be gone when 1086 01:28:30,020 --> 01:28:31,300 not doing this anymore. 1087 01:28:32,020 --> 01:28:37,600 We want to honor that he's the last of the greats. 1088 01:28:37,920 --> 01:28:40,580 And I want Tony in the museum. 1089 01:28:50,700 --> 01:28:52,520 You guys know how you're entering. 1090 01:28:58,760 --> 01:29:02,080 Thursday boy is here. 1091 01:29:02,840 --> 01:29:04,220 Welcome back, Mr. Banks. 1092 01:29:05,240 --> 01:29:06,240 All right. 1093 01:29:06,520 --> 01:29:07,520 Rehearsal today. 1094 01:29:07,640 --> 01:29:08,940 No audience right now. 1095 01:29:09,140 --> 01:29:13,780 Just to be clear, as a lighting note, watch what happens. We'll be in blue for 1096 01:29:13,780 --> 01:29:14,780 Mr. Bennett. 1097 01:29:18,920 --> 01:29:21,260 This will be great. He has a blue pocket square. 1098 01:29:23,300 --> 01:29:26,120 Just trying to get the bed of roses ready for Tony. 1099 01:29:27,420 --> 01:29:32,580 I'm nervous about it not being done in a way where Tony understands, like, this 1100 01:29:32,580 --> 01:29:38,020 happens and this happens. Like, I'm trying to, like, do for Tony what he 1101 01:29:38,020 --> 01:29:39,020 do if he could. 1102 01:29:50,960 --> 01:29:54,700 I just want to make sure that this is just as pristine as when we were on 1103 01:29:54,740 --> 01:29:58,320 Right, right. And because we're doing this in less of a time frame, that we go 1104 01:29:58,320 --> 01:30:01,920 from top to bottom, we're clear on what does the announcement sound like, where 1105 01:30:01,920 --> 01:30:05,560 do I start when I come out. I just don't want to wing it. The whole world's 1106 01:30:05,560 --> 01:30:06,560 going to see it. 1107 01:30:07,560 --> 01:30:08,560 Hi. 1108 01:30:09,240 --> 01:30:10,240 Thanks, Mommy. 1109 01:30:12,400 --> 01:30:13,400 Oh, you're doing all right. 1110 01:30:14,480 --> 01:30:15,480 Um, 1111 01:30:15,820 --> 01:30:18,880 it's just difficult, Dad. I feel like I have no time. 1112 01:30:19,680 --> 01:30:22,100 There's so much of me that wants to fly home and hide. 1113 01:30:22,700 --> 01:30:24,900 Can you turn me into the film, please? 1114 01:30:25,500 --> 01:30:29,000 I'm trying to get some soul into my voice right now, and it's because 1115 01:30:29,000 --> 01:30:32,540 everything's not sitting in the right spot. 1116 01:30:33,440 --> 01:30:34,440 Okay. 1117 01:30:39,820 --> 01:30:43,260 Maybe I'm just nervous. I haven't been on stage in so long. Shit. 1118 01:30:46,420 --> 01:30:47,420 We got this. 1119 01:30:47,920 --> 01:30:48,920 We're doing it, though. 1120 01:30:49,290 --> 01:30:51,730 Okay. We honor in him. We're here. 1121 01:30:51,970 --> 01:30:54,190 Okay. You got this. Be strong. Okay. 1122 01:30:56,870 --> 01:30:58,330 There's no crying in jazz. 1123 01:31:02,470 --> 01:31:04,670 Good to 1124 01:31:04,670 --> 01:31:11,170 see you. How are you? 1125 01:31:12,290 --> 01:31:15,390 It's going to be packed, sold out all the way to the top. 1126 01:31:16,900 --> 01:31:18,820 Would you like to sing Anything Goes? 1127 01:31:19,300 --> 01:31:20,300 Why? 1128 01:31:22,580 --> 01:31:24,520 Because Cole Porter said so. 1129 01:31:25,760 --> 01:31:28,380 I thought I was getting paid for it. 1130 01:31:29,380 --> 01:31:31,440 You are getting paid for it. Oh, good. 1131 01:31:33,060 --> 01:31:35,080 Well, let's do it then. All right, let's do it. 1132 01:31:47,170 --> 01:31:52,310 The wild card is when Tony gets in front of an audience, it's a whole other 1133 01:31:52,310 --> 01:31:54,430 thing for him. How he's going to react. 1134 01:31:56,870 --> 01:31:59,230 He hasn't experienced that yet. 1135 01:32:02,610 --> 01:32:03,549 All right. 1136 01:32:03,550 --> 01:32:06,630 I'm going to go get some more work. Got to make this feel perfect for you. 1137 01:32:10,710 --> 01:32:13,510 You take care of the personal stuff. I'll take care of the stage. 1138 01:32:14,170 --> 01:32:15,430 You got it. Okay. 1139 01:32:15,920 --> 01:32:16,759 Thank you, Tony. 1140 01:32:16,760 --> 01:32:17,760 Thank you. 1141 01:32:18,140 --> 01:32:19,079 It's okay. 1142 01:32:19,080 --> 01:32:20,080 Thank you. 1143 01:32:23,600 --> 01:32:27,220 You realize how great that was? Did you have fun? 1144 01:32:27,540 --> 01:32:29,220 We'll go back and do it all over again. 1145 01:32:30,700 --> 01:32:31,700 Very good. 1146 01:32:32,420 --> 01:32:33,420 With an audience. 1147 01:32:33,760 --> 01:32:34,820 With an audience, yes. 1148 01:32:37,220 --> 01:32:38,220 I don't know. 1149 01:32:47,050 --> 01:32:51,170 It is Tony Bennett Day in New York in honor of the New York City treasure and 1150 01:32:51,170 --> 01:32:56,470 the icon's 95th birthday. And to mark the occasion, he will perform alongside 1151 01:32:56,470 --> 01:33:02,010 Lady Gaga at Radio City Music Hall tonight as his final concert of his 1152 01:33:02,910 --> 01:33:05,510 Happy birthday, Tony Bennett. 1153 01:33:43,150 --> 01:33:44,089 It's your birthday. 1154 01:33:44,090 --> 01:33:45,150 It is? Yeah. 1155 01:33:45,730 --> 01:33:46,709 That's amazing. 1156 01:33:46,710 --> 01:33:47,710 That's why we're here. 1157 01:34:17,100 --> 01:34:19,320 How long are we going to be in this room? 1158 01:34:19,560 --> 01:34:20,700 In this room? 1159 01:34:21,840 --> 01:34:23,200 About another 10 minutes. 1160 01:34:23,800 --> 01:34:25,600 And then we're going to watch Lady Gaga. 1161 01:34:26,000 --> 01:34:27,340 And then you go on. 1162 01:34:27,860 --> 01:34:28,980 Okay. Okay? 1163 01:34:34,480 --> 01:34:35,920 Thank you, ma 'am. All right. 1164 01:34:36,300 --> 01:34:37,300 Let's pray. 1165 01:34:38,420 --> 01:34:41,280 I feel like I prepared my whole life for this moment. 1166 01:34:42,200 --> 01:34:47,460 I'd like to dedicate every note on this stage, every... swing, every rhythm 1167 01:34:47,460 --> 01:34:50,020 to Tony Bennett. 1168 01:34:52,760 --> 01:34:57,660 He reminds me that we're enough just the way we are. 1169 01:34:59,200 --> 01:35:01,020 But it's a choice to go deeper. 1170 01:35:02,740 --> 01:35:08,100 And it's also a choice to know that you are excellent and be endlessly in 1171 01:35:08,100 --> 01:35:10,260 pursuit of excellence that never stops. 1172 01:35:11,700 --> 01:35:13,940 Danny, is there anything you want to say about your dad? 1173 01:35:15,070 --> 01:35:16,510 No, because I'll start bawling. 1174 01:35:17,970 --> 01:35:24,750 No, thank you, everybody. I mean, this is the chapter, you know. And Tony, 1175 01:35:24,890 --> 01:35:31,290 as you said, never looks back, always looks forward. So I look at this as just 1176 01:35:31,290 --> 01:35:32,290 another beginning. 1177 01:35:32,830 --> 01:35:33,950 And have fun. 1178 01:35:37,590 --> 01:35:38,590 Swing it on three. 1179 01:35:39,110 --> 01:35:40,270 Right in the middle. 1180 01:35:40,770 --> 01:35:42,230 One, two, three. 1181 01:35:48,170 --> 01:35:53,310 Good evening ladies and gentlemen and welcome to one last time an evening with 1182 01:35:53,310 --> 01:35:59,230 Tony Bennett and Lady Gaga This is going to be an extraordinary night 1183 01:35:59,230 --> 01:36:06,130 What do I 1184 01:36:06,130 --> 01:36:09,110 do when I go out there you think 1185 01:36:22,410 --> 01:36:25,330 Enjoy your in for an historic night. 1186 01:37:20,080 --> 01:37:21,059 Sold out? 1187 01:37:21,060 --> 01:37:25,080 Yep. A sold out Radio City Music Hall waiting for you to sing. 1188 01:37:25,540 --> 01:37:27,400 Wow. Quite spectacular. 1189 01:37:36,100 --> 01:37:38,240 Is there a balcony in this theater? 1190 01:37:38,500 --> 01:37:39,500 There's three balconies. 1191 01:37:39,940 --> 01:37:40,940 Couldn't be nicer. 1192 01:37:55,660 --> 01:38:00,960 So is this theater in New York? Yes, babe. You've performed here 25 times. 1193 01:38:01,260 --> 01:38:02,260 Wow. 1194 01:38:36,200 --> 01:38:37,400 You're going to go on next, okay? 1195 01:38:37,620 --> 01:38:38,620 Yeah. 1196 01:38:38,800 --> 01:38:40,240 Bradley, watch what happens. 1197 01:38:41,120 --> 01:38:44,220 Let someone not believe in you. 1198 01:38:45,820 --> 01:38:46,940 Like I believe in you. 1199 01:38:48,340 --> 01:38:49,640 He's my friend. 1200 01:39:04,110 --> 01:39:05,630 He's my musical companion. 1201 01:39:06,870 --> 01:39:10,070 And he's the greatest singer in the whole world. 1202 01:39:13,370 --> 01:39:17,750 I'll never forget this moment for the rest of my life. 1203 01:39:21,530 --> 01:39:25,170 Please, cheer for him and make him smile. 1204 01:39:26,310 --> 01:39:27,670 You better yell. 1205 01:39:28,590 --> 01:39:29,950 You better laugh. 1206 01:39:30,310 --> 01:39:31,590 You better cry. 1207 01:39:32,840 --> 01:39:36,820 You better give your soul, because it's up to... 1208 01:40:15,500 --> 01:40:17,140 I don't know what you're doing. 1209 01:40:18,800 --> 01:40:19,280 Where 1210 01:40:19,280 --> 01:40:26,760 do 1211 01:40:26,760 --> 01:40:31,840 I go? Right where you come. 1212 01:41:16,750 --> 01:41:20,910 Let someone start believing in you. 1213 01:41:22,470 --> 01:41:24,890 Let him hold out his hand. 1214 01:41:26,210 --> 01:41:30,950 Let him find you and watch what happens. 1215 01:41:32,410 --> 01:41:37,350 Oh, let someone with a deep love to give, 1216 01:41:37,490 --> 01:41:41,550 give his deep love to you. 1217 01:41:42,870 --> 01:41:45,230 What magic you see. 1218 01:41:46,190 --> 01:41:49,110 Let someone give his heart. 1219 01:41:50,370 --> 01:41:52,990 Someone who cares like me. 1220 01:41:53,890 --> 01:41:56,530 Thank you very much ladies and gentlemen. 1221 01:42:19,820 --> 01:42:21,360 In San Francisco. 1222 01:42:55,720 --> 01:42:56,900 Your golden son. 1223 01:44:14,280 --> 01:44:19,700 She gets too hungry for dinner at 8. 1224 01:44:19,920 --> 01:44:25,560 I never bother with people that I hate. 1225 01:44:26,220 --> 01:44:28,520 That's why this lady... 1226 01:45:18,560 --> 01:45:25,080 Tony, we're all so grateful to have witnessed your talent, your 1227 01:45:25,080 --> 01:45:31,820 generosity, your creativity, and your 1228 01:45:31,820 --> 01:45:35,180 kindness. Thank you. Your service through all the years. 1229 01:45:35,720 --> 01:45:36,780 Wow, thank you. 1230 01:45:44,320 --> 01:45:50,920 And Mr. Bennett, it would be my honor to escort you off the stage. 1231 01:47:50,830 --> 01:47:57,410 Tony you were magnificent You really you 1232 01:47:57,410 --> 01:48:03,690 always are You always are magic 1233 01:48:06,190 --> 01:48:09,110 You realize you're using all his lines on stage. 1234 01:48:09,450 --> 01:48:12,210 I do. I say beautiful. 1235 01:48:12,590 --> 01:48:13,590 Wow. 1236 01:48:13,890 --> 01:48:15,550 I do this. 1237 01:48:15,950 --> 01:48:18,190 Tony, on stage tonight, I did this. 1238 01:48:18,870 --> 01:48:23,670 They like that. The audience loves that. 1239 01:48:24,370 --> 01:48:25,570 You taught me everything. 1240 01:48:26,850 --> 01:48:28,670 I'm going to give you a big hug, okay? 1241 01:48:29,470 --> 01:48:30,470 He'll take it. 1242 01:48:31,650 --> 01:48:32,990 I'm going to give you a big hug. 1243 01:48:34,270 --> 01:48:35,270 Thank you. 1244 01:48:38,320 --> 01:48:39,340 You're a good man. 1245 01:48:40,580 --> 01:48:41,620 Through and through. 1246 01:48:42,240 --> 01:48:43,820 A magnificent singer. 1247 01:48:44,360 --> 01:48:45,720 And a perfect human. 1248 01:48:47,560 --> 01:48:48,560 Wonderful. 1249 01:48:50,420 --> 01:48:51,960 I'll never forget tonight. 1250 01:48:52,800 --> 01:48:56,200 In my heart forever. 1251 01:48:58,140 --> 01:48:59,160 I'll be authentic. 1252 01:49:00,200 --> 01:49:01,200 I'll be true. 1253 01:49:02,420 --> 01:49:03,460 I'll be myself. 1254 01:49:04,300 --> 01:49:06,140 Because you taught me that. 1255 01:49:07,500 --> 01:49:12,200 Even with my makeup and my lipstick and my wig and all that, I'll be the real 1256 01:49:12,200 --> 01:49:13,360 me, okay? 1257 01:49:14,000 --> 01:49:15,000 Wonderful. 1258 01:49:16,360 --> 01:49:17,540 Sleep well tonight. 1259 01:49:17,760 --> 01:49:21,420 Thank you. Thank you. 1260 01:49:23,780 --> 01:49:25,280 Night, night. Have fun. 1261 01:49:28,520 --> 01:49:29,520 See you later. 1262 01:49:38,600 --> 01:49:41,360 Thank you so much. I just want to tell you something. 1263 01:49:42,860 --> 01:49:47,900 Even though we always sing music together, most importantly, you'll 1264 01:49:47,900 --> 01:49:49,340 friend. That's right. 1265 01:49:50,540 --> 01:49:51,580 That's the main thing. 1266 01:49:53,400 --> 01:49:54,760 You'll always be my friend. 1267 01:49:55,840 --> 01:49:56,840 Good. 1268 01:49:58,080 --> 01:49:59,180 That's the most important. 1269 01:50:00,660 --> 01:50:01,820 Thank you very much. 1270 01:50:02,820 --> 01:50:04,200 I know I like you. 1271 01:50:08,780 --> 01:50:09,860 Do what? 90837

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.