Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,000 --> 00:00:02,780
Thinking about, I was thinking about how
you point.
2
00:00:03,600 --> 00:00:06,020
I was thinking about how much I've
learned from you.
3
00:00:11,860 --> 00:00:13,360
I was your opening act.
4
00:00:16,320 --> 00:00:17,680
I know where I belong.
5
00:00:24,830 --> 00:00:28,950
Legendary singer Tony Bennett is
performing his final live concerts in
6
00:00:28,950 --> 00:00:29,950
City tonight.
7
00:00:30,190 --> 00:00:34,850
Tony is battling Alzheimer's, but when
the music comes on, he knows every word.
8
00:00:35,130 --> 00:00:39,510
And with his family's help, the
legendary crooner began rehearsing for
9
00:00:39,510 --> 00:00:42,030
City Music Hall with his friend Lady
Gaga.
10
00:00:42,410 --> 00:00:44,030
Once upon a time...
11
00:01:02,320 --> 00:01:04,040
Tony's my musical companion.
12
00:01:04,300 --> 00:01:09,900
Even in moments where he's looking at me
and I'm not sure if he has forgotten me
13
00:01:09,900 --> 00:01:13,020
and our friendship saved my life.
14
00:01:31,440 --> 00:01:35,260
Here from the Clown Off Theater, Tony
Bennett, the new singing sensation.
15
00:01:35,660 --> 00:01:41,160
Thank you very much. When I first met
Tony, I was singing at a charity event.
16
00:01:41,640 --> 00:01:45,340
And somebody came to me after the show,
and they said, Tony Bennett would like
17
00:01:45,340 --> 00:01:47,300
to meet you. And I said, excuse me?
18
00:01:48,580 --> 00:01:51,880
Mr. Tony Bennett. Tony Bennett's come
out now, and he's going to turn the
19
00:01:51,880 --> 00:01:54,620
out of the place for you. I'm going to
say it again. He's the greatest singer
20
00:01:54,620 --> 00:01:55,419
the world today.
21
00:01:55,420 --> 00:01:57,600
Mr. Tony Bennett, thank you very much.
22
00:01:58,090 --> 00:02:03,230
That's the first time I ever saw her
perform. The most profound entertainer
23
00:02:03,230 --> 00:02:04,230
ever witnessed.
24
00:02:04,370 --> 00:02:07,570
She herself, she's not like anybody
else.
25
00:02:08,090 --> 00:02:13,010
I was real nervous to meet Tony Bennett.
Plus, I looked crazy.
26
00:02:13,250 --> 00:02:17,710
I had blonde in my hair and black in my
hair, red lipstick, four big velvet
27
00:02:17,710 --> 00:02:20,210
moles on my face. I was doing my thing.
28
00:02:21,150 --> 00:02:26,150
So I went into my trailer. I said, take
it all off and make me look like a lady.
29
00:02:26,810 --> 00:02:28,230
And I went to meet Mr. Bennett.
30
00:02:28,790 --> 00:02:32,030
And he said, would you make a record
with me?
31
00:02:32,890 --> 00:02:37,530
And I said, Tony, thank you so much. You
only heard me sing two songs.
32
00:02:37,850 --> 00:02:40,350
I realized what an artist she really is.
33
00:02:40,610 --> 00:02:43,970
And then he said, lady, you are a jazz
singer.
34
00:02:47,370 --> 00:02:53,190
The minute we're together, something
very good happens. It works.
35
00:03:11,370 --> 00:03:13,290
You want to come see the set they've put
together?
36
00:03:13,590 --> 00:03:14,610
Yeah, I'd love to.
37
00:03:15,070 --> 00:03:16,690
Hey, Dad. Hi. How you doing?
38
00:03:16,910 --> 00:03:19,510
Good. Good. I'm going to look at the
set. Yeah, it's great.
39
00:03:19,710 --> 00:03:21,450
Good morning.
40
00:03:21,850 --> 00:03:22,970
Oh, this is beautiful.
41
00:03:23,910 --> 00:03:25,370
Good morning. Yeah, doesn't that look
great?
42
00:03:26,090 --> 00:03:28,570
Fabulous. I'd like to sit over here.
43
00:03:28,850 --> 00:03:29,769
On this side?
44
00:03:29,770 --> 00:03:30,910
Yeah. Good.
45
00:03:34,090 --> 00:03:35,090
Yeah, this would be good.
46
00:03:37,570 --> 00:03:39,910
I've warned and dined on Mulligan's
stew.
47
00:03:40,590 --> 00:03:41,590
Too low.
48
00:03:43,490 --> 00:03:47,670
I want to just hear the embellishment a
little from the microphone.
49
00:03:49,330 --> 00:03:50,710
Here I am at 85.
50
00:03:51,370 --> 00:03:52,990
There's still so much to learn.
51
00:03:53,710 --> 00:03:55,030
You never stop learning.
52
00:03:56,210 --> 00:03:59,930
And I'd like to prove that I can get
better as I get older.
53
00:04:00,910 --> 00:04:06,210
I've wined and dined on mulligan stew
and never wished for turkey.
54
00:04:07,040 --> 00:04:10,660
And as far as I'm concerned, I never
work a day in my life because I love it.
55
00:04:11,420 --> 00:04:15,640
If you don't apply love to what you're
doing, there's something missing.
56
00:04:17,380 --> 00:04:23,140
Now Lady Gaga is the one for me.
57
00:04:25,080 --> 00:04:31,240
No, don't play that last chord there.
Lady Gaga is the one for me.
58
00:04:35,320 --> 00:04:36,440
And I'm into it, right.
59
00:04:37,800 --> 00:04:38,800
All right.
60
00:04:40,100 --> 00:04:46,340
I have my whole family on this album,
you know.
61
00:04:46,680 --> 00:04:47,860
They're all participating.
62
00:04:49,260 --> 00:04:55,300
I'm surrounded by a group of very, very
thoughtful, beautiful people.
63
00:04:55,880 --> 00:04:58,860
I have a wonderful wife who's very, very
intelligent.
64
00:04:59,580 --> 00:05:01,000
So I count my blessings.
65
00:05:06,440 --> 00:05:07,560
Gaga's about five minutes away.
66
00:05:07,820 --> 00:05:08,820
Oh, good.
67
00:05:08,860 --> 00:05:09,860
What's her real name?
68
00:05:09,940 --> 00:05:11,340
Stephanie or something. Do we call her
Gaga?
69
00:05:11,540 --> 00:05:12,540
Kathleen?
70
00:05:12,860 --> 00:05:14,520
No, I think Stephanie. Stephanie?
71
00:05:15,040 --> 00:05:16,980
I think they call her Gaga. I'll find
out.
72
00:05:19,420 --> 00:05:20,880
You've met Lady Gaga before.
73
00:05:21,200 --> 00:05:24,800
Yeah. Just once with her family, with
her mother and father. Are they coming
74
00:05:24,800 --> 00:05:26,140
today? I don't know.
75
00:05:27,780 --> 00:05:28,780
Hi, everyone.
76
00:05:29,100 --> 00:05:31,160
I'm going to go say hi to Tony. I'll see
you later.
77
00:05:34,600 --> 00:05:36,240
Hi. How are you?
78
00:05:36,460 --> 00:05:37,439
Oh, great.
79
00:05:37,440 --> 00:05:41,680
So nice to see you. Good to see you. You
look so handsome.
80
00:05:42,080 --> 00:05:43,080
Oh, great.
81
00:05:43,320 --> 00:05:47,560
How are you? Fine. I'm so excited to be
here. Oh, God, I love it. Hi, everyone.
82
00:05:50,300 --> 00:05:54,520
I've been so excited. My dad has not
stopped calling me for hours. Oh, good.
83
00:05:55,300 --> 00:05:57,460
He's so happy. I love the way you look.
That's great.
84
00:05:57,720 --> 00:06:00,740
Well, thank you. Your hair is fabulous.
Thank you. I thought I'd give it a
85
00:06:00,740 --> 00:06:01,760
little twist for you.
86
00:06:02,000 --> 00:06:03,740
That's great. The whole thing was for
you.
87
00:06:04,140 --> 00:06:05,140
Head to toe.
88
00:06:05,220 --> 00:06:06,660
Oh, boy. That's so great.
89
00:06:07,060 --> 00:06:08,440
I said, what would Tony want?
90
00:06:10,720 --> 00:06:11,960
How's everyone doing today?
91
00:06:12,320 --> 00:06:13,320
You having fun?
92
00:06:13,680 --> 00:06:14,740
Everybody's doing great. Absolutely.
93
00:06:15,000 --> 00:06:16,020
Tony, is your wife here?
94
00:06:16,360 --> 00:06:18,540
Yes, she's right here. She's right
there. Yes, she is.
95
00:06:18,760 --> 00:06:22,200
You're so lucky. I am, yes. She's a
great... Good woman.
96
00:06:22,880 --> 00:06:23,880
Thank you.
97
00:06:24,370 --> 00:06:25,370
Look what we found.
98
00:06:26,450 --> 00:06:27,450
Oh.
99
00:06:28,910 --> 00:06:30,550
Girls Gaga as Toni Kroon.
100
00:06:32,050 --> 00:06:36,390
Toni Bennett, latest singing sensation,
made a personal appearance at the
101
00:06:36,390 --> 00:06:37,390
Enchanted Room.
102
00:06:37,710 --> 00:06:38,910
That's a long time ago.
103
00:06:40,050 --> 00:06:41,810
Because it's not like this anymore, is
it?
104
00:06:42,890 --> 00:06:47,510
Oh, Toni, I would have been chasing you
around in this dress.
105
00:06:48,790 --> 00:06:51,850
There's no men left that are as
gentlemanly as Toni.
106
00:06:53,870 --> 00:06:54,870
What do you think?
107
00:06:54,930 --> 00:06:57,090
God, that's so cute. And it's a dog.
108
00:06:59,030 --> 00:07:04,270
Now, did you choose that yellow for your
glasses?
109
00:07:04,950 --> 00:07:07,490
Excuse me? Did you choose that yellow
for your glasses?
110
00:07:07,870 --> 00:07:09,770
Yeah. You wanted them to be yellow?
111
00:07:09,970 --> 00:07:10,970
Yeah.
112
00:07:11,670 --> 00:07:12,770
I figured you did.
113
00:07:14,750 --> 00:07:16,330
I chose my hair to be blue.
114
00:07:23,880 --> 00:07:24,900
loves the theater.
115
00:07:25,780 --> 00:07:27,280
Never comes late.
116
00:07:27,680 --> 00:07:32,240
I never bother with people I hate.
117
00:07:33,480 --> 00:07:36,500
That's why this dick is a tramp.
118
00:07:40,700 --> 00:07:42,320
I'm so nervous.
119
00:07:42,640 --> 00:07:46,700
If I passed out, you can just tell them
it was all planned.
120
00:07:48,140 --> 00:07:49,780
It sounds great.
121
00:07:50,020 --> 00:07:51,300
You sing beautiful.
122
00:07:51,620 --> 00:07:52,620
Oh, thank you.
123
00:07:55,400 --> 00:07:56,400
Is Don out there?
124
00:07:57,200 --> 00:07:58,600
My voice teacher is here.
125
00:07:58,920 --> 00:08:02,520
I like to meet him. Yeah, I met Don when
I was 13 years old and he was teaching
126
00:08:02,520 --> 00:08:03,940
all these amazing people.
127
00:08:04,780 --> 00:08:07,100
He was the first person to believe in
me.
128
00:08:07,380 --> 00:08:09,480
That's great. And we're still friends.
That's important.
129
00:08:09,740 --> 00:08:10,740
That's important.
130
00:08:11,080 --> 00:08:12,080
It means everything.
131
00:08:12,500 --> 00:08:13,500
Yeah, it does.
132
00:08:13,720 --> 00:08:15,280
Just one person is all you need.
133
00:08:21,070 --> 00:08:22,410
This is so much fun.
134
00:08:22,670 --> 00:08:24,250
Are we to do this? Are we to do this?
135
00:08:25,390 --> 00:08:26,390
Marge, we did Amy.
136
00:08:26,830 --> 00:08:27,830
Gosh, we did Amy?
137
00:08:28,090 --> 00:08:29,910
Yeah. It was her last recording.
138
00:08:30,410 --> 00:08:31,590
Wow. Is she okay?
139
00:08:32,090 --> 00:08:33,090
She's really sad.
140
00:08:33,250 --> 00:08:35,010
Oh. What don't you do with Amy?
141
00:08:35,270 --> 00:08:36,750
Body and soul. Oh, wow.
142
00:08:37,330 --> 00:08:38,330
That's so true.
143
00:08:53,960 --> 00:08:55,560
27 years old, she died.
144
00:08:56,520 --> 00:08:57,520
27.
145
00:08:58,220 --> 00:08:59,320
Just tragic.
146
00:09:00,820 --> 00:09:05,140
I've just become more and more committed
to treat young people coming up with
147
00:09:05,140 --> 00:09:06,140
love.
148
00:09:06,700 --> 00:09:08,700
It's the only thing that works.
149
00:09:16,060 --> 00:09:20,900
Hi. Good to see you. This is so much fun
to do. Yeah, just love it.
150
00:09:21,340 --> 00:09:25,940
I'm just really happy to be here. Really
happy. You have no idea. I like the
151
00:09:25,940 --> 00:09:30,340
fact that you studied music, you know
how to play the piano, you sing
152
00:09:30,660 --> 00:09:31,319
Thank you.
153
00:09:31,320 --> 00:09:32,960
You know, you got the whole thing.
154
00:09:33,220 --> 00:09:36,000
Thanks. Well, thanks. You know how to
perform like crazy.
155
00:09:36,460 --> 00:09:38,360
You're really just a natural. My gosh.
156
00:09:38,580 --> 00:09:43,920
Really? I've got to send you some tapes
of me when I had dark hair when I was 16
157
00:09:43,920 --> 00:09:44,920
in jazz band.
158
00:09:45,340 --> 00:09:46,640
That would make you chuckle.
159
00:09:47,150 --> 00:09:52,430
I've been studying music my whole life
to do this. I used to do all kinds of
160
00:09:52,430 --> 00:09:57,130
things. I mean, Lost Life was like my
big number.
161
00:09:58,230 --> 00:10:01,070
That's great. People don't really know
that about me.
162
00:10:01,650 --> 00:10:04,950
They think I'm just, you know, I just
sort of stand as a pop singer, but
163
00:10:04,950 --> 00:10:08,070
everything was jazz before then. That's
great. You know what you're doing.
164
00:10:08,470 --> 00:10:09,470
Thanks, Tony.
165
00:10:09,630 --> 00:10:11,790
Yeah, I'm just putting out my first
ballad now.
166
00:10:12,030 --> 00:10:13,170
Great. My very first one.
167
00:10:13,690 --> 00:10:14,810
It's called You and I.
168
00:10:15,870 --> 00:10:19,050
I would love to hear it. I'm trying to
just push the boundaries a little bit
169
00:10:19,050 --> 00:10:22,430
now, you know, now that I've got my high
heel through the door.
170
00:10:22,890 --> 00:10:24,850
Maybe I can shake things up a little
bit.
171
00:10:31,450 --> 00:10:31,850
I'm
172
00:10:31,850 --> 00:10:42,230
done
173
00:10:42,230 --> 00:10:43,270
to hear you play the piano.
174
00:10:43,710 --> 00:10:47,040
Huh? I'm dying to hear you play the
piano. You've never heard me play piano?
175
00:10:47,280 --> 00:10:48,280
Yeah. Really?
176
00:10:48,660 --> 00:10:50,400
Yeah, I'd like to hear it. What do you
want to hear?
177
00:10:51,020 --> 00:10:52,860
I started writing a new song, actually.
178
00:11:19,050 --> 00:11:20,370
That sounds good. Yeah.
179
00:11:22,110 --> 00:11:23,110
That's a good thing.
180
00:11:23,250 --> 00:11:24,250
All right.
181
00:11:48,190 --> 00:11:54,970
is a champ i love the wind in
182
00:11:54,970 --> 00:12:01,530
my life without care it's oak
183
00:12:01,530 --> 00:12:08,350
i hate california it's crowded and damn
that's why
184
00:12:27,730 --> 00:12:29,230
There's a lot of giggling going on in
here.
185
00:12:29,770 --> 00:12:30,770
Everybody's happy?
186
00:12:30,850 --> 00:12:32,350
We're very happy. Okay.
187
00:12:32,970 --> 00:12:37,150
We just need to do some inserts on the
end, and we would have everything.
188
00:12:37,370 --> 00:12:38,370
Okay, great.
189
00:12:38,490 --> 00:12:41,610
But I think we should do it a couple
more times.
190
00:12:42,290 --> 00:12:44,590
You're having too much fun. Okay.
191
00:12:44,990 --> 00:12:46,310
I like that idea, too.
192
00:12:46,650 --> 00:12:49,310
I'm always good for more takes. We're
having a good time.
193
00:12:49,550 --> 00:12:52,130
We're just making it work extra so that
we can hang out.
194
00:12:53,900 --> 00:12:56,340
I could do this all day. Me too. I want
to know the truth.
195
00:12:56,700 --> 00:12:59,640
Hey, how are you? I'm Kelsey Bennett.
I'm a photographer.
196
00:12:59,980 --> 00:13:00,980
That was incredible.
197
00:13:01,040 --> 00:13:02,040
My granddaughter.
198
00:13:02,080 --> 00:13:03,120
Oh, my gosh.
199
00:13:03,420 --> 00:13:04,420
I love it.
200
00:13:05,620 --> 00:13:06,620
Gorgeous.
201
00:13:07,120 --> 00:13:08,120
Nice.
202
00:13:09,580 --> 00:13:10,580
Yeah, perfect.
203
00:13:12,600 --> 00:13:13,700
You're great together.
204
00:13:14,760 --> 00:13:17,340
I wish my grandpa was still alive.
205
00:13:17,800 --> 00:13:19,920
My grandpa would be so happy right now.
206
00:13:21,829 --> 00:13:27,990
Growing up, listening to Tony, loving
his interpretation of decades of music.
207
00:13:28,090 --> 00:13:31,630
What I love about the way he sings so
much is he means it every time.
208
00:13:32,290 --> 00:13:33,290
Oh, wow.
209
00:13:33,490 --> 00:13:38,150
You're a beautiful photographer. Thank
you. It's just like you have another
210
00:13:38,150 --> 00:13:41,990
member of your family here. I know.
Isn't it something? Like some imported
211
00:13:41,990 --> 00:13:46,310
niece. It's true. It's so sweet to me.
She's so comfortable with you.
212
00:13:46,630 --> 00:13:49,250
Hey, Dad. You said you wanted a jar or
something? Oh, yeah.
213
00:13:51,370 --> 00:13:55,650
I didn't know that you sketched. Yeah, I
went to art schools for it. You did?
214
00:13:56,070 --> 00:13:57,070
Yeah.
215
00:13:57,290 --> 00:13:58,950
Yeah, I'm in three museums.
216
00:13:59,170 --> 00:14:00,170
It's coming along.
217
00:14:01,010 --> 00:14:02,010
Three museums?
218
00:14:02,830 --> 00:14:03,830
Yeah.
219
00:14:04,030 --> 00:14:05,890
You better get him a teal crayon.
220
00:14:06,630 --> 00:14:09,170
I'm trying to do this fast, you know.
You don't have to.
221
00:14:09,370 --> 00:14:13,330
If they told little lady Gaga in her
apartment on Stanton that Tony Bennett
222
00:14:13,330 --> 00:14:16,750
wanted to sketch her years ago, she
wouldn't have said, do it quick.
223
00:14:23,020 --> 00:14:24,140
Oh my gosh, Tony.
224
00:14:26,080 --> 00:14:27,260
Tony, it's beautiful.
225
00:14:27,960 --> 00:14:28,960
Good.
226
00:14:30,060 --> 00:14:31,060
Who are you?
227
00:14:31,360 --> 00:14:35,320
Thank you. I knew you were a musical and
a visual legend.
228
00:14:35,680 --> 00:14:37,560
Will you take just one of me and Tony?
229
00:14:37,860 --> 00:14:38,860
One, two.
230
00:14:40,940 --> 00:14:41,940
Very good.
231
00:14:42,100 --> 00:14:43,100
Yeah.
232
00:14:43,360 --> 00:14:44,360
Oh.
233
00:14:44,800 --> 00:14:46,240
adorable looks. Oh, good.
234
00:14:46,740 --> 00:14:49,320
Oh, I can't take it. That's so
beautiful.
235
00:14:49,620 --> 00:14:50,960
I had a wonderful time.
236
00:14:51,200 --> 00:14:54,400
Good, good, good. I'm happy you did. I
did. It was wonderful.
237
00:14:54,760 --> 00:14:57,840
You don't know what you've done, and
I'll tell you about it someday.
238
00:14:58,440 --> 00:14:59,440
Okay, someday.
239
00:14:59,860 --> 00:15:01,320
Hopefully I'll see you again sometime.
240
00:15:01,540 --> 00:15:02,359
Oh, yes, too.
241
00:15:02,360 --> 00:15:06,140
And then I had one more question. Why
Lady of the Tramp lent itself so well
242
00:15:06,140 --> 00:15:07,139
a duet?
243
00:15:07,140 --> 00:15:09,380
Well, because I'm a tramp, and he knows
it.
244
00:15:10,520 --> 00:15:11,520
No, no, no.
245
00:15:11,960 --> 00:15:13,440
I know that you're a lady.
246
00:15:14,400 --> 00:15:15,400
Playing a trick.
247
00:15:15,480 --> 00:15:18,000
That's right. Oh, he's really got me.
248
00:15:18,280 --> 00:15:20,180
Look at that. He called me out.
249
00:15:22,960 --> 00:15:25,600
We just hit it off right from that
moment on.
250
00:15:32,660 --> 00:15:35,740
It was just really natural because he
understands me.
251
00:15:38,880 --> 00:15:40,900
You know, Tony can really see me.
252
00:15:44,360 --> 00:15:49,860
The whole premise of art is truth and
beauty, and that's Lady Gaga.
253
00:15:50,680 --> 00:15:52,480
There's an honesty about her.
254
00:15:55,740 --> 00:16:00,080
Anytime somebody wants to talk about
anything provocative that I've done,
255
00:16:00,080 --> 00:16:01,800
understands that it's my art form.
256
00:16:02,040 --> 00:16:03,060
Lady Gaga!
257
00:16:04,500 --> 00:16:06,540
She's crazy!
258
00:16:09,220 --> 00:16:12,000
Tony and I have a lot more in common
than people think.
259
00:16:13,610 --> 00:16:16,190
We just kind of understood one another.
260
00:16:17,290 --> 00:16:22,870
And I'm very happy that I met Tony at
this moment in my life because, you
261
00:16:22,870 --> 00:16:27,030
as soon as you write a song that becomes
a hit, everything becomes a blur.
262
00:16:28,750 --> 00:16:32,190
It's a very fast train and it's go, go,
go, go, go.
263
00:16:33,830 --> 00:16:35,910
I was not in a good place.
264
00:16:36,810 --> 00:16:40,890
I was very jaded by the music industry.
265
00:16:43,600 --> 00:16:44,600
I was sad.
266
00:16:46,060 --> 00:16:49,920
Everything that she's going through is
what happened to me in my life.
267
00:16:52,500 --> 00:16:54,300
It takes years to learn how to live.
268
00:16:55,400 --> 00:16:58,900
It took a long time for me to learn how
to put my life together.
269
00:16:59,920 --> 00:17:03,880
I knew about what she's going through
with the audience falling in love with
270
00:17:03,880 --> 00:17:04,880
her.
271
00:17:05,380 --> 00:17:09,380
And then the next question is, how do
you sustain that?
272
00:17:09,740 --> 00:17:12,720
Everybody loves that story.
273
00:17:13,310 --> 00:17:14,630
the icon that falls.
274
00:17:18,369 --> 00:17:23,329
And it's like you're falling, and you
see that you're falling, and you know
275
00:17:23,329 --> 00:17:24,490
you just have to hit the floor.
276
00:17:25,450 --> 00:17:27,569
I was just praying that I wasn't going
to die.
277
00:17:29,430 --> 00:17:32,510
I was a shell of my former self.
278
00:17:33,990 --> 00:17:36,030
I wasn't sure where to go next.
279
00:17:36,630 --> 00:17:38,890
And this is where Tony came in.
280
00:17:39,370 --> 00:17:41,290
He said, come be with me.
281
00:17:41,930 --> 00:17:44,350
Come be with my family. Let's make a
jazz record.
282
00:18:17,920 --> 00:18:22,040
Yeah. Yes. Maybe tomorrow I could come
later. Well, no, she'll come earlier.
283
00:18:22,280 --> 00:18:24,560
She's coming from Pennsylvania today.
284
00:18:25,700 --> 00:18:26,700
Hey.
285
00:18:29,140 --> 00:18:31,140
How are you?
286
00:18:31,360 --> 00:18:32,800
Hi. I brought you coffee.
287
00:18:33,180 --> 00:18:34,180
Nice to meet you.
288
00:18:36,240 --> 00:18:40,920
I missed you. I have to really apologize
for being late today.
289
00:18:41,840 --> 00:18:43,960
Should I go meet the van inside?
290
00:18:44,260 --> 00:18:45,260
Yeah, we can.
291
00:18:46,760 --> 00:18:49,460
How are you doing? I'm good. How are
you? Hey, guys.
292
00:18:49,860 --> 00:18:51,120
I'm here. I'm here.
293
00:18:51,520 --> 00:18:56,180
Thank you, Tony.
294
00:18:56,440 --> 00:18:57,440
Are you going to stay seated?
295
00:18:57,840 --> 00:18:59,180
Yes, I'm going to stay seated.
296
00:18:59,500 --> 00:19:03,680
This is a sad song. For a woman, if
she's singing this song, she's just
297
00:19:03,680 --> 00:19:04,680
miserable.
298
00:19:05,220 --> 00:19:08,280
I think I'm sadder than you are. This
song is what I mean.
299
00:19:14,760 --> 00:19:16,440
Okay. Say when.
300
00:19:16,640 --> 00:19:18,040
When.
301
00:19:18,880 --> 00:19:21,100
One, two.
302
00:19:24,620 --> 00:19:31,440
Love is fearful or it's
303
00:19:31,440 --> 00:19:32,440
game.
304
00:19:33,700 --> 00:19:35,920
It's a problem.
305
00:19:52,910 --> 00:19:53,930
But beautiful
306
00:19:53,930 --> 00:20:00,250
And
307
00:20:00,250 --> 00:20:06,530
I'm thinking If you
308
00:20:06,530 --> 00:20:13,490
were mine I'd never
309
00:20:13,490 --> 00:20:19,990
let you go And
310
00:20:19,990 --> 00:20:21,650
that would be
311
00:20:48,360 --> 00:20:52,460
Yeah, I just, I have a natural
inclination to stray.
312
00:20:52,760 --> 00:20:53,760
I understand.
313
00:20:53,780 --> 00:20:54,780
I'm sorry.
314
00:20:54,940 --> 00:20:55,940
No, don't.
315
00:20:57,580 --> 00:21:00,920
I'm sorry, you know, 100%. I want it to
be perfect.
316
00:21:01,560 --> 00:21:02,560
Let's just do it again.
317
00:21:03,100 --> 00:21:04,100
Okay.
318
00:21:07,040 --> 00:21:08,100
Another one, please.
319
00:21:09,960 --> 00:21:10,960
Want to go in again?
320
00:21:11,920 --> 00:21:12,920
Yes.
321
00:21:23,630 --> 00:21:24,630
You like that?
322
00:21:25,350 --> 00:21:26,830
That's beautiful, darling.
323
00:21:39,730 --> 00:21:40,930
You're doing it beautiful.
324
00:21:46,950 --> 00:21:51,570
I could hear what you're singing and it
sounds beautiful.
325
00:21:52,430 --> 00:21:56,730
I wanted the album to come out so that
everybody's going to say, my God, I
326
00:21:56,730 --> 00:21:57,910
didn't know she sang that well.
327
00:21:58,210 --> 00:22:01,310
When you accept, it makes me cry.
328
00:22:02,650 --> 00:22:05,010
Well, that's it. You know, no problem.
329
00:22:05,310 --> 00:22:09,650
When you're accepting of me in that way
and you see that I can be a great jazz
330
00:22:09,650 --> 00:22:14,790
musician and singer, it really means
something to me because to many, I was
331
00:22:14,790 --> 00:22:17,630
a piece of trash from New York.
332
00:22:17,870 --> 00:22:18,829
I understand.
333
00:22:18,830 --> 00:22:23,430
And even with... You know, producers
now, they still see me that way.
334
00:22:23,810 --> 00:22:26,810
Because I know how wonderful you sing.
335
00:22:27,130 --> 00:22:31,430
And I want it to come out so that
everybody's going to say, my God, I
336
00:22:31,430 --> 00:22:36,090
know she sang that well. So I want it to
sound like that and be that way so that
337
00:22:36,090 --> 00:22:37,530
there's longevity with it.
338
00:22:37,730 --> 00:22:43,690
That is what you represent for me. You
represent to me someone that knows how
339
00:22:43,690 --> 00:22:44,690
last forever.
340
00:22:44,790 --> 00:22:46,210
Right. I don't.
341
00:22:46,410 --> 00:22:51,550
yet really have a really good concept of
my artistic mortality at all. You know,
342
00:22:51,550 --> 00:22:52,369
I don't know.
343
00:22:52,370 --> 00:22:54,550
I don't know if it will last. I don't
know.
344
00:22:54,850 --> 00:22:58,390
But I know. But I know that yours will.
345
00:22:59,050 --> 00:23:02,050
And what you have done is what I want.
346
00:23:02,770 --> 00:23:04,250
We're going to do it with this album.
347
00:23:04,470 --> 00:23:06,810
It is all resting on this album, isn't
it?
348
00:23:07,990 --> 00:23:08,990
It is.
349
00:23:09,210 --> 00:23:11,850
That's why I keep freaking out because I
want to do a good job.
350
00:23:12,150 --> 00:23:14,910
We're going to take all the time that we
need to do it just right.
351
00:23:18,160 --> 00:23:19,160
Okay, great.
352
00:23:21,960 --> 00:23:25,260
I love what you're saying about the
cheat.
353
00:23:26,100 --> 00:23:27,120
Oh, yeah, yeah.
354
00:23:27,420 --> 00:23:31,700
I want to prove that cheat could think
to everybody, you know, and it's always
355
00:23:31,700 --> 00:23:33,240
good to keep up. Right?
356
00:23:34,040 --> 00:23:35,040
Thank you.
357
00:23:48,040 --> 00:23:53,380
There's food out there. Just like this
cupcake It
358
00:23:53,380 --> 00:24:13,700
don't
359
00:24:13,700 --> 00:24:17,420
mean a thing all you gotta do
360
00:24:18,410 --> 00:24:20,370
All you gotta do is swing.
361
00:24:21,450 --> 00:24:25,230
Do I, do I, do I, do I, do I, do I, Tony
Gaga.
362
00:24:29,590 --> 00:24:31,510
Are we rolling?
363
00:24:32,890 --> 00:24:33,749
Here we go.
364
00:24:33,750 --> 00:24:34,750
Hey, Tom.
365
00:24:35,330 --> 00:24:37,570
Yeah, I'm going to just extend the
ending a little.
366
00:24:37,770 --> 00:24:38,770
You got it, Tom.
367
00:24:38,850 --> 00:24:39,890
Lady, is that all right?
368
00:24:40,230 --> 00:24:42,830
Yes. That way? You can call me Gaga,
Tony.
369
00:24:43,090 --> 00:24:44,090
No, I'll call you Lady.
370
00:24:45,190 --> 00:24:46,210
So sweet.
371
00:24:46,730 --> 00:24:48,730
I wish my boyfriend would call me lady.
372
00:24:50,470 --> 00:24:53,130
Are you ready, Mr. Tony Bennett?
373
00:24:53,490 --> 00:24:54,490
I'm ready.
374
00:24:55,170 --> 00:24:57,030
One, two. One, two, three.
375
00:25:05,170 --> 00:25:09,110
It don't mean a thing if it ain't got
that swing.
376
00:25:09,590 --> 00:25:12,850
Do -wa, do -wa, do -wa, do -wa, do -wa,
do -wa, do -wa, do -wa.
377
00:25:13,450 --> 00:25:16,070
Makes no difference if it's sweetheart.
378
00:25:17,960 --> 00:25:19,960
Give it all the rhythm that you got.
379
00:25:45,740 --> 00:25:46,860
Mr. Tony Bennett.
380
00:25:48,120 --> 00:25:49,520
You sound awesome.
381
00:25:50,100 --> 00:25:53,920
Thank you. You are like a freak of
nature how awesome you are.
382
00:25:54,560 --> 00:25:55,580
You all are.
383
00:25:57,100 --> 00:26:02,560
To me, this song is that feeling when
you just remember none of the stuff
384
00:26:02,560 --> 00:26:06,080
in your head matters at all because when
that music comes on, it's like
385
00:26:06,080 --> 00:26:08,840
everything changes. It's a game changer,
right?
386
00:26:09,580 --> 00:26:11,940
Very good. That's what this song is for
me.
387
00:26:12,840 --> 00:26:13,840
That's jazz.
388
00:26:16,360 --> 00:26:18,480
I haven't stood and sang in a long time.
389
00:26:19,260 --> 00:26:21,180
I bet you my hip's worse than yours.
390
00:26:23,520 --> 00:26:24,520
Definitely.
391
00:26:55,850 --> 00:26:57,230
I think that was a take myself.
392
00:26:58,370 --> 00:26:59,810
It felt very good.
393
00:27:09,210 --> 00:27:10,990
Did you ever feel really lost?
394
00:27:11,310 --> 00:27:13,470
Did you ever feel lost when you were
working?
395
00:27:13,890 --> 00:27:14,890
Oh, yeah.
396
00:27:15,670 --> 00:27:19,290
I mean, I actually made a lot of
mistakes when I was young.
397
00:27:20,070 --> 00:27:22,310
And later on, I learned what to do.
398
00:27:22,550 --> 00:27:25,430
And so I'm in a stage of contention now.
399
00:27:25,640 --> 00:27:26,640
That's good.
400
00:27:26,780 --> 00:27:30,260
I'm happy to know that that exists in my
future.
401
00:27:37,040 --> 00:27:42,640
We only live a short time in our life,
and if you're not careful, you're
402
00:27:44,620 --> 00:27:46,140
You ever hear of Lenny Bruce?
403
00:27:46,440 --> 00:27:49,140
Yes. You know about him? No.
404
00:27:50,700 --> 00:27:53,560
Yes. Yeah? Yes. I knew his manager.
405
00:27:54,380 --> 00:28:01,170
He said, great lines and it changed my
life because i was high in those
406
00:28:01,170 --> 00:28:07,650
days he said he sinned against his
talents yeah
407
00:28:07,650 --> 00:28:14,290
and that changed me yeah i know it's
like finding that ability
408
00:28:14,290 --> 00:28:20,970
to survive with the fame yeah i'm really
sensitive and i i self
409
00:28:20,970 --> 00:28:27,690
-medicate sometimes you know the only
thing I regret in my entire career. I
410
00:28:27,690 --> 00:28:34,030
have one regret. I truly do. Only one.
And I do regret it, but I know that it
411
00:28:34,030 --> 00:28:37,950
only happened because I needed to get
through the tour.
412
00:28:38,610 --> 00:28:45,350
I didn't allow myself to feel any
emotional pain for like the past two
413
00:28:45,350 --> 00:28:48,650
all. You know, I just numbed myself.
414
00:28:49,340 --> 00:28:53,760
Because that was going so fast, Tony,
that I couldn't control myself anymore
415
00:28:53,760 --> 00:28:58,780
because everybody just wants something
from me. And I'm so giving because I
416
00:28:58,780 --> 00:29:00,580
to entertain. I live for the applause.
417
00:29:00,980 --> 00:29:07,920
But I have to be mindful of pacing it
because if I don't, I broke myself.
418
00:29:08,360 --> 00:29:12,960
You have a tremendous talent and accept
it.
419
00:29:14,020 --> 00:29:15,580
Just go straight ahead.
420
00:29:32,360 --> 00:29:33,360
Why?
421
00:30:50,879 --> 00:30:52,560
That's how I feel when I'm with you.
422
00:30:54,660 --> 00:30:55,660
Captivated.
423
00:30:59,480 --> 00:31:00,480
Beautiful.
424
00:31:01,620 --> 00:31:02,620
You're singing great.
425
00:31:04,780 --> 00:31:06,260
Thank you. It's been a good day today.
426
00:31:06,580 --> 00:31:07,580
Good, yeah.
427
00:31:07,700 --> 00:31:09,760
Well, I just need to warm up, you know?
Yeah, right.
428
00:31:10,040 --> 00:31:12,220
I don't know, I get rattled by
everything.
429
00:31:13,360 --> 00:31:14,860
Music really rattles me.
430
00:31:17,120 --> 00:31:18,740
I'm still a little girl.
431
00:31:19,120 --> 00:31:20,120
I know.
432
00:31:23,080 --> 00:31:24,080
But I'll be a friend.
433
00:31:24,280 --> 00:31:25,280
Thank you.
434
00:31:52,590 --> 00:31:53,590
Hey there, sweetheart.
435
00:32:03,030 --> 00:32:04,050
Oh, hi, Dad.
436
00:32:04,450 --> 00:32:05,750
Oh, my dad's here.
437
00:32:06,490 --> 00:32:07,490
Hi.
438
00:32:08,690 --> 00:32:10,410
Is it all right if my dad walks?
439
00:32:11,030 --> 00:32:12,030
Absolutely.
440
00:32:12,410 --> 00:32:13,410
It'll be online.
441
00:32:13,630 --> 00:32:14,630
My dad.
442
00:32:15,410 --> 00:32:16,810
You want a sneaker?
443
00:32:18,470 --> 00:32:20,050
It's 90 degrees outside.
444
00:32:22,540 --> 00:32:23,540
You couldn't wear a dress?
445
00:32:26,420 --> 00:32:32,260
All right,
446
00:32:35,600 --> 00:32:36,600
let's run it.
447
00:32:37,080 --> 00:32:38,080
Okay, here it comes.
448
00:33:03,010 --> 00:33:09,510
Dance with me. I want my arm
449
00:33:09,510 --> 00:33:10,930
about you.
450
00:33:11,430 --> 00:33:18,430
That charm about you will carry
451
00:33:18,430 --> 00:33:20,030
me through.
452
00:33:23,630 --> 00:33:26,090
I just can't wait till we perform.
453
00:33:28,110 --> 00:33:32,530
has got to be like fucking Ginger Rogers
and Fred Astaire and like Angels from
454
00:33:32,530 --> 00:33:34,270
Heaven singing with tap dancing.
455
00:33:34,490 --> 00:33:37,290
It needs to be the return of elegance.
456
00:33:51,550 --> 00:33:57,190
Tony Bennett and Lady Gaga have
announced their new jazz collaboration,
457
00:33:57,190 --> 00:34:01,090
Cheek. The album's first single,
Anything Goes, just hit iTunes.
458
00:34:01,670 --> 00:34:05,690
Tony, there's cameras everywhere here
for us. This is craziness. What's
459
00:34:05,690 --> 00:34:06,690
happening?
460
00:34:07,450 --> 00:34:11,929
Everybody's really going to be surprised
at how she sings the great American
461
00:34:11,929 --> 00:34:12,929
standards.
462
00:34:13,170 --> 00:34:15,989
She's a wonderful jazz singer.
463
00:34:17,510 --> 00:34:20,010
Well, you're not so bad either, Tony.
Thank you.
464
00:34:20,449 --> 00:34:25,150
Let me welcome your school's founder,
Tony Bennett, and his friend, our
465
00:34:25,150 --> 00:34:27,010
guest, Lady Gaga.
466
00:34:36,710 --> 00:34:37,870
Question is for Tony Bennett.
467
00:34:38,070 --> 00:34:39,850
What do you think of the way Lady Gaga
dresses?
468
00:34:41,830 --> 00:34:43,610
Anything she wears is beautiful.
469
00:34:43,949 --> 00:34:45,250
She knows how to do it.
470
00:34:46,230 --> 00:34:47,230
What a guy.
471
00:34:48,550 --> 00:34:51,190
We made an album together. It's coming
out in September.
472
00:34:51,530 --> 00:34:54,909
Tell your parents that they should buy
the record because she needs the money.
473
00:35:24,160 --> 00:35:29,860
I'm very excited today. This is the
first day that they're releasing the
474
00:35:29,860 --> 00:35:30,860
internationally.
475
00:35:44,270 --> 00:35:45,049
Professor, look!
476
00:35:45,050 --> 00:35:46,970
I love you so much!
477
00:35:48,690 --> 00:35:50,650
There's nobody like them, you know?
478
00:36:17,420 --> 00:36:18,420
I'm so excited.
479
00:36:19,200 --> 00:36:20,980
Hold the mic down. I want to tell you
something.
480
00:36:21,280 --> 00:36:22,400
See the reds and blues?
481
00:36:23,300 --> 00:36:24,620
Judy Garland told me.
482
00:36:24,960 --> 00:36:29,020
Anytime you're on stage and you see the
reds and blues, she said, smile.
483
00:36:30,780 --> 00:36:31,779
Okay, well.
484
00:36:31,780 --> 00:36:33,700
That's a good lesson, isn't it? Yeah.
485
00:36:33,920 --> 00:36:35,580
She was better than anybody.
486
00:36:36,320 --> 00:36:37,320
Judy.
487
00:37:10,830 --> 00:37:15,310
Yes, I'm doing Lush Life. We could put
San Francisco right before it. Don't
488
00:37:15,310 --> 00:37:15,908
a thing.
489
00:37:15,910 --> 00:37:16,910
No, this is better.
490
00:37:17,070 --> 00:37:18,870
Wait. You have to bewitch.
491
00:37:19,590 --> 00:37:21,950
Anything but love? I can't give you
anything but love. That's nice. Okay.
492
00:37:22,530 --> 00:37:26,670
Bobby, let me give you the new set list
Mr. Bennett is putting together.
493
00:37:26,950 --> 00:37:30,310
The only trouble is that there's two
ballads in a row, and I don't want to do
494
00:37:30,310 --> 00:37:31,310
that. Okay.
495
00:37:31,990 --> 00:37:35,650
I can't give anything but love. Yeah.
How do you keep the music playing?
496
00:37:35,930 --> 00:37:37,550
Yeah. Lush Life? Yeah.
497
00:37:37,870 --> 00:37:39,210
You don't mean a thing. Perfect.
498
00:37:39,530 --> 00:37:40,530
Okay? I love that.
499
00:37:41,130 --> 00:37:43,350
Well done. Yeah. It's better pacing.
500
00:37:43,810 --> 00:37:45,430
These songs count that way.
501
00:37:46,070 --> 00:37:47,950
Okay. See you later.
502
00:37:48,390 --> 00:37:49,390
Hold up. Hold up.
503
00:37:51,170 --> 00:37:52,170
Jorgen!
504
00:37:53,330 --> 00:37:54,490
Did you hear?
505
00:37:55,210 --> 00:37:59,670
Amazing. Thank you. You're welcome.
Thank you. Thank you.
506
00:38:00,130 --> 00:38:02,130
Thank you.
507
00:38:03,510 --> 00:38:04,510
I'm sober.
508
00:38:04,710 --> 00:38:06,010
I'm pretty sober.
509
00:38:12,010 --> 00:38:15,110
Cheek -to -cheek is number one in
Belgium right now. Right!
510
00:38:17,090 --> 00:38:18,490
He's such a lucky man.
511
00:38:22,510 --> 00:38:23,510
Yes.
512
00:38:27,410 --> 00:38:28,910
Lady Gaga thing, Jeff.
513
00:38:29,470 --> 00:38:30,750
The Daily Beast.
514
00:38:31,530 --> 00:38:36,490
As a nitpicking jazz critic, I view Gaga
as more a performance artist than a
515
00:38:36,490 --> 00:38:40,230
musician. She is certainly a risk -taker
and attention -getter, but often for
516
00:38:40,230 --> 00:38:41,930
matters of costume props and behavior.
517
00:38:42,530 --> 00:38:44,290
Is Gaga up to this challenge?
518
00:38:44,550 --> 00:38:48,510
Can she interpret the works of George
Gershwin, Duke Ellington, and Cole
519
00:38:48,510 --> 00:38:49,510
with plausibility?
520
00:38:49,810 --> 00:38:54,190
Above all, can she trade phrases with
Tony Bennett and not get left in the
521
00:38:54,450 --> 00:38:58,530
The answer is, somewhat to my surprise,
yes, she can.
522
00:39:13,710 --> 00:39:18,650
Number one in Brazil, Bulgaria, Chile,
Colombia, Costa Rica, Ecuador, Greece,
523
00:39:18,850 --> 00:39:23,770
Paraguay, Peru, Taiwan, Turkey, Vietnam,
Argentina, Belgium, Pennsylvania,
524
00:39:23,910 --> 00:39:24,910
Malaysia.
525
00:39:25,280 --> 00:39:27,000
Moldova, Singapore, Thailand.
526
00:39:27,280 --> 00:39:31,860
And this is before it's even in stores.
527
00:39:32,120 --> 00:39:34,560
This is like pre -order.
528
00:40:07,240 --> 00:40:08,078
Hi, Gaga.
529
00:40:08,080 --> 00:40:13,200
Hi, Ryan. Lady Gaga is with us, and
she's done this album with Tony Bennett,
530
00:40:13,380 --> 00:40:15,100
which is such a cool juxtaposition.
531
00:40:15,300 --> 00:40:18,120
He's not only a legend, but what a
gentleman.
532
00:40:18,340 --> 00:40:20,820
I mean, this is the old school of the
music industry.
533
00:40:21,080 --> 00:40:25,640
I feel so humbled to be doing this
project with him. This is the most
534
00:40:25,640 --> 00:40:29,880
album I've ever made. It is beautiful,
and when I listen to the different
535
00:40:29,880 --> 00:40:33,060
tracks, it makes me want to tuck in my
shirt and dress better.
536
00:40:33,360 --> 00:40:34,360
I know. You know, me too.
537
00:41:07,850 --> 00:41:14,730
was looked on as something shocking. Now
heaven knows anything goes.
538
00:41:16,150 --> 00:41:21,870
Good office too. Once knew better words.
Now only useful letter words.
539
00:41:22,070 --> 00:41:23,070
Writing goes.
540
00:41:24,530 --> 00:41:25,890
Anything goes.
541
00:41:26,860 --> 00:41:32,680
you're a dynamic duo and you're selling
out everywhere radio city las vegas yeah
542
00:41:32,680 --> 00:41:36,520
we just sold out throughout the world of
europe pinched me but i don't want to
543
00:41:36,520 --> 00:41:43,340
wake up this is a musical collaboration
as
544
00:41:43,340 --> 00:41:47,460
bizarre as it is perfect you're the
ultimate odd couple That's what makes it
545
00:41:47,460 --> 00:41:51,940
good. Not a term I often use here, but
they're adorable.
546
00:41:52,200 --> 00:41:56,620
I've just never been so happy singing
with somebody. And I laugh with him like
547
00:41:56,620 --> 00:42:01,040
laugh with my buddies in their late 20s.
Hi, this is Tommy Bennett and Lady Gaga
548
00:42:01,040 --> 00:42:02,080
in her pajamas.
549
00:42:05,500 --> 00:42:09,380
What was it like performing with him? It
must have been a little bit
550
00:42:09,380 --> 00:42:11,720
intimidating. Oh, yeah. Oh, wow.
551
00:42:12,440 --> 00:42:13,980
He asked me the question.
552
00:42:14,920 --> 00:42:15,920
Okay.
553
00:42:16,320 --> 00:42:19,980
I was excited to be rebellious against
my pop career.
554
00:42:20,220 --> 00:42:21,640
It can be a little wild.
555
00:42:21,900 --> 00:42:22,779
A little?
556
00:42:22,780 --> 00:42:23,780
Yeah.
557
00:42:24,140 --> 00:42:29,440
I could have retired 17 years ago, but I
want the young people to pick up on
558
00:42:29,440 --> 00:42:32,540
jazz. Thank God you didn't retire,
because what the hell would I be doing?
559
00:42:33,340 --> 00:42:38,660
He taught me that legacy is about
enduring, being fearless, and pushing
560
00:42:38,820 --> 00:42:42,120
I feel like a bird let out of my cage,
and it's all because of him.
561
00:42:42,320 --> 00:42:46,070
I'm singing the trumpet. Tony drew it. I
have a tattoo for every album I put
562
00:42:46,070 --> 00:42:49,750
out. I wanted this one to be the biggest
one because this is the biggest moment
563
00:42:49,750 --> 00:42:50,549
in my life.
564
00:42:50,550 --> 00:42:54,710
Please go absolutely nuts for Tony
Bennett and Lady Gaga.
565
00:42:55,050 --> 00:43:00,250
And oh, we're not just great romances.
We know that we're bound to answer when
566
00:43:00,250 --> 00:43:01,250
we perform.
567
00:43:01,670 --> 00:43:04,610
You must show me true happiness, Tony.
Anything goes.
568
00:43:06,170 --> 00:43:08,030
Anything goes.
569
00:43:09,170 --> 00:43:12,310
To jazz. And to swinging forever.
570
00:43:33,000 --> 00:43:34,360
It's so big on Broadway.
571
00:43:35,020 --> 00:43:38,860
I can't believe it. That was always my
biggest dream, was to have field boards
572
00:43:38,860 --> 00:43:39,859
in Times Square.
573
00:43:39,860 --> 00:43:41,820
Yeah, well, this is a big one.
574
00:43:42,120 --> 00:43:43,120
It's really big?
575
00:43:43,320 --> 00:43:44,460
Yeah, it's big.
576
00:43:46,120 --> 00:43:50,720
You know, I've been thinking about
everything, and no matter what happens,
577
00:43:50,720 --> 00:43:53,560
have to be in charge of the whole scene.
578
00:43:53,800 --> 00:43:59,080
Yep. Every single idea, creative idea,
has to come from you.
579
00:43:59,880 --> 00:44:01,740
This would be all your decisions.
580
00:44:03,770 --> 00:44:05,270
Holy mackerel, look at that.
581
00:44:05,710 --> 00:44:06,710
That's huge.
582
00:44:07,550 --> 00:44:09,550
Do you see that? It's you and me.
583
00:44:10,330 --> 00:44:12,130
Gosh, it's the size of the whole
building.
584
00:44:13,730 --> 00:44:16,230
Oh, Tony, look at our commercial.
585
00:44:25,910 --> 00:44:26,910
Hey.
586
00:44:30,290 --> 00:44:31,290
Still beautiful.
587
00:44:36,850 --> 00:44:39,650
And that's going all around the world.
Everywhere.
588
00:44:40,370 --> 00:44:44,750
Oh my God, it's Newman.
589
00:44:48,050 --> 00:44:51,190
Putting jazz on the front page of that
big commercial building.
590
00:44:57,630 --> 00:45:03,490
It makes no difference if it's sweet or
hot.
591
00:45:04,480 --> 00:45:07,400
Just give that rhythm everything you
got.
592
00:45:08,280 --> 00:45:12,620
Oh, it don't mean a thing if it ain't
got that swing.
593
00:45:13,240 --> 00:45:15,500
Do I, do I, do I, do I, do I?
594
00:45:18,880 --> 00:45:25,800
You know, whenever I'm with you,
595
00:45:25,900 --> 00:45:28,900
Tony, everything that happens is right,
always.
596
00:45:29,560 --> 00:45:30,920
Nothing ever goes wrong.
597
00:45:31,420 --> 00:45:36,340
I just know my life's on the right path
because each day is better than the day
598
00:45:36,340 --> 00:45:37,820
before since I met you.
599
00:45:43,520 --> 00:45:50,340
And the Grammy goes to, cheek to cheek,
Tony Bennett and Lady
600
00:45:50,340 --> 00:45:51,340
Gaga.
601
00:46:04,270 --> 00:46:05,270
Did I?
602
00:46:44,370 --> 00:46:48,090
Out together dancing.
603
00:46:49,530 --> 00:46:52,770
Out together dancing.
604
00:47:48,730 --> 00:47:52,390
This is my dad's place. When I'm home,
I'm here all the time.
605
00:47:53,390 --> 00:47:56,950
You look at these pictures of my
ancestors dating back all the way to
606
00:47:56,950 --> 00:47:59,830
place. My grandfather made shoes.
607
00:48:00,570 --> 00:48:02,030
My grandmother made dresses.
608
00:48:03,230 --> 00:48:05,870
Tony's mother was making and penning a
dress.
609
00:48:06,720 --> 00:48:11,860
And when we hang out, our families, it's
just like glue. You know, how far he's
610
00:48:11,860 --> 00:48:14,840
come and how humble he has stayed over
all the years.
611
00:48:15,700 --> 00:48:17,340
It's nice that people love you.
612
00:48:17,700 --> 00:48:19,960
You want them to love you for who you
really are.
613
00:48:21,660 --> 00:48:27,980
Him helping me rediscover that
confidence in myself as a musician,
614
00:48:27,980 --> 00:48:29,200
helped save my life.
615
00:48:44,880 --> 00:48:47,500
I just wanted to say a few things about
Tony.
616
00:48:48,840 --> 00:48:53,760
Some people in the world have seen us
sing together, but what they may not
617
00:48:53,760 --> 00:48:55,500
about is what he's taught me.
618
00:48:56,800 --> 00:49:01,180
You know, when I'm having a bad day and
I'm really, really sad and I just feel
619
00:49:01,180 --> 00:49:04,480
like I don't even know who to call,
because sometimes you don't want to call
620
00:49:04,480 --> 00:49:07,960
your mom and air out everything because
then she's, you know, nervous.
621
00:49:09,920 --> 00:49:10,980
I call Tony.
622
00:49:12,060 --> 00:49:13,060
I really do.
623
00:49:13,770 --> 00:49:16,090
I really do. I call Tony.
624
00:49:17,430 --> 00:49:22,490
And he says to me, straight ahead, lady.
625
00:49:23,630 --> 00:49:24,950
Just go straight ahead.
626
00:49:25,890 --> 00:49:26,990
Thank you, Tony.
627
00:49:27,770 --> 00:49:34,030
Thank you so much for reviving my
ability to have drive again.
628
00:49:35,570 --> 00:49:36,790
To want to keep going.
629
00:49:37,090 --> 00:49:38,090
Straight ahead.
630
00:49:40,850 --> 00:49:42,970
Happy birthday, Mr. Tony Bennett.
631
00:49:56,840 --> 00:49:59,300
Hey, everyone. How amazing is this
tonight? Nineties.
632
00:50:02,920 --> 00:50:04,460
This is Tony Betts.
633
00:50:04,740 --> 00:50:11,060
And fighting me with his heart, not just
giving to the arts, but giving to
634
00:50:11,060 --> 00:50:12,060
humanity.
635
00:50:12,200 --> 00:50:14,940
Fighting for equal and civil rights for
all people.
636
00:50:17,440 --> 00:50:18,440
I love you.
637
00:50:23,700 --> 00:50:29,890
Tony. At 90, you stand alone as an
artist and as a human being. Without
638
00:50:29,890 --> 00:50:34,910
music, I don't think my life and my
films, the films I've tried to make,
639
00:50:34,910 --> 00:50:36,010
be the same.
640
00:50:36,410 --> 00:50:41,730
Your music runs through my life like a
river that just doesn't stop flowing.
641
00:50:42,990 --> 00:50:43,990
Kentani Plus.
642
00:50:46,710 --> 00:50:49,110
I wanted to do something special for
Tony.
643
00:50:50,570 --> 00:50:54,270
So we called everybody at the Empire
State Building, and they said they'd
644
00:50:54,270 --> 00:50:55,850
it up special just for you, Tom.
645
00:50:58,170 --> 00:51:03,810
It's going to be lit up just like the
Italian flag to commemorate your success
646
00:51:03,810 --> 00:51:08,350
and legacy as an Italian -American in
this country. We love you, Tony. We're
647
00:51:08,350 --> 00:51:09,350
proud.
648
00:51:31,560 --> 00:51:37,360
do you remember when you told me i
should sing this song you said lady this
649
00:51:37,360 --> 00:51:38,720
good song for you to sing
650
00:52:51,880 --> 00:52:53,320
I'm trying to stay on it.
651
00:52:53,960 --> 00:52:55,180
I'm who I am.
652
00:52:58,280 --> 00:53:00,740
I'm still not retiring. I'm still
performing.
653
00:53:02,920 --> 00:53:07,540
I love entertaining people, and I'm
going to continue to do that as long as
654
00:53:07,540 --> 00:53:08,540
live.
655
00:53:39,820 --> 00:53:44,300
We came home one night, and he said,
Susan, I'm having a hard time
656
00:53:44,300 --> 00:53:47,040
the names of the musicians who he worked
with all the time.
657
00:53:48,400 --> 00:53:51,660
So it was unusual, and I said, well, do
you want to go see a doctor about it?
658
00:53:51,700 --> 00:53:52,700
And he said, I do.
659
00:53:58,720 --> 00:54:05,720
He would say, hey, lady, we should make
a record together of all Cole
660
00:54:05,720 --> 00:54:08,100
Porter songs, all love songs.
661
00:54:11,120 --> 00:54:16,180
His Alzheimer's started to set on, and I
said, let's go into the studio now, and
662
00:54:16,180 --> 00:54:17,180
we did.
663
00:54:20,620 --> 00:54:26,840
You know, I can promise you that every
note that I sang,
664
00:54:27,000 --> 00:54:30,620
I was thinking about how this was Tony's
last album.
665
00:54:31,940 --> 00:54:35,480
I knew I loved Tony before we made Love
for Sale.
666
00:54:37,960 --> 00:54:40,960
But then we made love for sale and I
really knew how much
667
00:55:12,330 --> 00:55:13,330
How much time do we have?
668
00:55:13,710 --> 00:55:15,070
It's a quarter to 12 right now.
669
00:55:15,290 --> 00:55:16,530
Yeah, hurry up, Picasso.
670
00:55:17,830 --> 00:55:18,830
Oh, no.
671
00:55:18,850 --> 00:55:20,190
Okay, let me check it out.
672
00:55:22,410 --> 00:55:25,390
Bar 48, B to E to A.
673
00:55:25,650 --> 00:55:32,550
Okay, and then on B3 and 4 should be C
sharp, F sharp, getting into B minor,
674
00:55:32,670 --> 00:55:35,930
right? I came early so I could be ready.
Beautiful.
675
00:55:39,370 --> 00:55:41,370
Would I be able to...
676
00:55:42,609 --> 00:55:43,970
Sure, yeah. Let's run it.
677
00:55:49,870 --> 00:55:56,410
Why don't you sing this low part and let
Tony sing, don't you know, little fool?
678
00:55:56,930 --> 00:55:59,530
You know what I'm saying? Like if this
is too low for him and that's too high
679
00:55:59,530 --> 00:56:00,129
for you.
680
00:56:00,130 --> 00:56:03,230
We'll see how he feels about it. Okay.
When Tony gets here, I think we should
681
00:56:03,230 --> 00:56:04,169
just try both.
682
00:56:04,170 --> 00:56:06,510
Okay. And see what he likes. All right.
683
00:56:06,910 --> 00:56:08,290
I'll be in the back doing my homework.
684
00:56:38,769 --> 00:56:44,090
Yeah, you look great. Thank you.
685
00:56:47,530 --> 00:56:48,468
How's it going?
686
00:56:48,470 --> 00:56:51,210
Fine. Good. Very good. How are you
doing?
687
00:56:51,470 --> 00:56:52,550
Good. I'm excited.
688
00:56:52,910 --> 00:56:53,910
Good. Yeah.
689
00:56:54,090 --> 00:56:59,330
We were just playing around with a
couple different keys, so you can choose
690
00:56:59,330 --> 00:57:01,690
which one makes you happy. Okay. Okay.
691
00:57:02,270 --> 00:57:07,230
Thank you. I'm so happy to be here with
you. Good.
692
00:57:07,930 --> 00:57:08,930
Same here.
693
00:57:26,030 --> 00:57:30,290
I've got you under my skin.
694
00:57:32,890 --> 00:57:38,190
I've got you deep in the heart of me.
695
00:57:40,170 --> 00:57:46,050
You're so deep in my heart, you're
really a part of me.
696
00:57:47,750 --> 00:57:52,950
Because I've got you under my skin.
697
00:58:10,960 --> 00:58:12,100
Anything you want to change?
698
00:58:12,600 --> 00:58:13,700
No. No?
699
00:58:14,180 --> 00:58:15,300
Everything's good. Okay.
700
00:58:17,880 --> 00:58:18,880
How's the key feel?
701
00:58:19,380 --> 00:58:22,100
Fine. Don't want it any higher. No.
Okay.
702
00:58:22,420 --> 00:58:25,040
Because we can do it higher if you want.
We can do it higher and it will take
703
00:58:25,040 --> 00:58:26,100
the bottom out.
704
00:58:27,220 --> 00:58:28,220
Okay.
705
00:58:30,100 --> 00:58:31,160
How's the tempo feel?
706
00:58:31,560 --> 00:58:32,940
Fine. Okay.
707
00:58:36,220 --> 00:58:37,740
Well, the boss is happy.
708
00:58:55,020 --> 00:58:57,760
So we'll need to get the seat music for
Tony.
709
00:58:58,400 --> 00:58:59,660
I'll get it out for you.
710
00:59:00,200 --> 00:59:01,400
Would you like water, Tony?
711
00:59:02,360 --> 00:59:03,360
Thank you.
712
00:59:09,280 --> 00:59:10,280
Perfect.
713
00:59:10,820 --> 00:59:12,340
Thank you. You're very welcome.
714
00:59:16,340 --> 00:59:17,520
So how was your night?
715
00:59:17,860 --> 00:59:20,920
Okay. How are you doing? Good. Good.
716
00:59:21,280 --> 00:59:26,680
Yeah. There's some things going on that
are a little crazy, you know. But I went
717
00:59:26,680 --> 00:59:31,100
to go see Newman, the quintet that came
out on the road with us. Oh. They were
718
00:59:31,100 --> 00:59:34,400
playing at the Gramercy last night. Oh,
how nice. It was really special. Good.
719
00:59:37,380 --> 00:59:38,960
I don't remember what I did.
720
00:59:39,960 --> 00:59:40,960
That's all right.
721
00:59:41,060 --> 00:59:42,060
Did you have spaghetti?
722
00:59:44,380 --> 00:59:45,380
I don't remember.
723
00:59:47,040 --> 00:59:48,180
Well, it was a long day.
724
00:59:49,160 --> 00:59:51,840
Yeah. I forget things all the time.
Yeah.
725
00:59:54,920 --> 00:59:57,500
Should we try one? Why not? I'm ready.
726
00:59:58,460 --> 00:59:59,460
Tony's always ready.
727
01:00:24,920 --> 01:00:26,460
It sounds so good.
728
01:00:27,300 --> 01:00:28,460
It's so much fun.
729
01:00:29,440 --> 01:00:32,380
I miss this. I think all the time about
how we toured.
730
01:00:33,500 --> 01:00:35,400
Wasn't that fun every night? Yeah.
731
01:00:35,920 --> 01:00:37,320
Every night was so fun.
732
01:00:38,820 --> 01:00:43,200
I'd love to watch you sing, Tony, for
your solo. No problem.
733
01:00:44,740 --> 01:00:50,220
So, guys, let's put a solo in. Four bars
before the end.
734
01:00:51,040 --> 01:00:53,900
You know what I mean?
735
01:00:54,670 --> 01:00:56,010
Should we run it? Yeah.
736
01:00:56,230 --> 01:00:57,230
Yeah.
737
01:00:58,090 --> 01:01:01,830
1, 2, 1, 2, 3, 4.
738
01:01:18,010 --> 01:01:22,110
Strange dear, but true dear.
739
01:01:25,680 --> 01:01:31,100
When I'm close to you, dear,
740
01:01:31,500 --> 01:01:34,160
the stars...
741
01:01:57,100 --> 01:01:58,100
Deceive me.
742
01:01:59,880 --> 01:02:01,140
Desert me.
743
01:02:03,800 --> 01:02:04,800
I'm yours.
744
01:02:43,140 --> 01:02:44,140
beautiful.
745
01:02:44,480 --> 01:02:47,100
You're so beautiful.
746
01:02:47,520 --> 01:02:48,740
That was so beautiful.
747
01:02:50,460 --> 01:02:54,960
You really, you really have got a way,
I'll tell you. Thank you.
748
01:02:56,940 --> 01:02:57,279
Yeah,
749
01:02:57,280 --> 01:03:05,060
you
750
01:03:05,060 --> 01:03:06,060
do know.
751
01:03:06,360 --> 01:03:07,440
You gotta know.
752
01:03:08,640 --> 01:03:09,720
You gotta know.
753
01:03:12,170 --> 01:03:14,290
I'm sorry, Marshall. What did you say? I
found it. Thanks.
754
01:03:14,550 --> 01:03:17,310
I need you to go back to the... I want
you to be happy.
755
01:03:21,130 --> 01:03:24,870
I want you to be happy.
756
01:03:25,370 --> 01:03:28,970
I want to be happy, too.
757
01:03:33,650 --> 01:03:34,650
I look sad.
758
01:03:38,830 --> 01:03:39,830
I know.
759
01:03:41,390 --> 01:03:44,630
But I'm happy when I'm with you.
Couldn't we say that?
760
01:03:47,030 --> 01:03:48,810
It's so magnificent.
761
01:03:58,230 --> 01:04:00,330
Yeah, but don't stop.
762
01:04:01,290 --> 01:04:05,950
Don't stop. You know what? I'm looking
at this again and I'm thinking.
763
01:04:07,049 --> 01:04:11,390
It's actually right. The only thing I'd
like you to do on the DS, Marshall, is
764
01:04:11,390 --> 01:04:17,710
when you go to the G, after this thing,
B flat minor 7, 2B, on the DS,
765
01:04:18,090 --> 01:04:21,610
that's going to be a solo in there.
That's going to work out with it.
766
01:04:38,600 --> 01:04:40,760
You got to be playing for me, not for
you.
767
01:04:41,540 --> 01:04:42,540
Okay.
768
01:04:42,800 --> 01:04:45,540
I mean, I don't feel like I'm being
accompanied.
769
01:04:46,300 --> 01:04:51,620
It feels like you're playing the solo
and I'm kind of singing behind it.
770
01:04:53,100 --> 01:04:58,100
I got to feel like where I'm at, that's
how you guys are playing.
771
01:05:00,080 --> 01:05:01,080
Do you understand?
772
01:05:01,400 --> 01:05:02,400
Okay.
773
01:05:02,460 --> 01:05:03,460
Okay.
774
01:05:06,160 --> 01:05:07,660
It just feels like...
775
01:05:07,880 --> 01:05:10,080
The group is louder than I'm singing.
776
01:05:10,660 --> 01:05:12,860
I'm happy to not play what's here.
777
01:05:13,600 --> 01:05:15,160
No, I'm not saying that.
778
01:05:16,040 --> 01:05:22,840
I'm just saying you have to hear where
I'm at and play for that.
779
01:05:24,120 --> 01:05:26,940
Right now, I have to go with what you're
doing.
780
01:05:27,920 --> 01:05:29,540
It should be the other way around.
781
01:05:29,860 --> 01:05:33,060
You should be playing where I'm at.
782
01:05:33,260 --> 01:05:36,360
I agree, and I'm happy to do that. I
know you agree, but...
783
01:05:36,640 --> 01:05:38,300
You're not agreeing when we're doing it.
784
01:05:38,680 --> 01:05:41,720
All right, I'll do it differently this
time. I'll do it that way.
785
01:05:42,880 --> 01:05:43,880
Let's do it again.
786
01:05:44,500 --> 01:05:45,500
Okay.
787
01:05:46,940 --> 01:05:47,940
Are we rolling?
788
01:05:48,280 --> 01:05:49,900
I think you should play softer.
789
01:05:50,200 --> 01:05:51,580
Okay, let's all play softer.
790
01:05:53,140 --> 01:05:56,860
One, two, one, two, three, four.
791
01:06:08,310 --> 01:06:09,750
No, no.
792
01:06:10,250 --> 01:06:14,070
You sound very voluminous and I sound
very quiet.
793
01:06:15,710 --> 01:06:17,390
You should be playing softer.
794
01:06:17,710 --> 01:06:19,650
Okay, I'll play softer. Okay.
795
01:06:20,250 --> 01:06:21,630
One, two.
796
01:06:21,850 --> 01:06:23,470
One, two, three.
797
01:06:35,660 --> 01:06:41,820
But true, dear, when I'm close
798
01:06:41,820 --> 01:06:44,900
to you, dear.
799
01:06:54,260 --> 01:06:55,540
I don't know where I'm at.
800
01:06:56,660 --> 01:07:01,280
Okay. I don't think it's marked really
clearly on your literacy when you come
801
01:07:01,280 --> 01:07:04,740
back. I don't feel like I'm being
accompanied. I feel like...
802
01:07:05,299 --> 01:07:10,380
You guys are playing solo, and I'm
underneath that.
803
01:07:12,340 --> 01:07:15,040
I think it also might have something to
do with the arrangement.
804
01:07:15,860 --> 01:07:22,560
I think that if there was more space,
you know, just throughout the...
805
01:07:22,560 --> 01:07:23,560
Oh, boy.
806
01:07:24,200 --> 01:07:27,260
Yeah. Just more space. Okay. Well, let's
try it one more time, all right? And if
807
01:07:27,260 --> 01:07:30,280
it's not happening, we'll work on it.
We'll work on it. There's so many
808
01:07:30,280 --> 01:07:31,280
here. Yeah.
809
01:07:31,500 --> 01:07:32,520
We just won't play it.
810
01:07:32,960 --> 01:07:33,960
Okay, let's try it.
811
01:07:34,280 --> 01:07:37,340
Should I try it? Yeah, let's do it. And
you're rolling.
812
01:07:37,700 --> 01:07:38,840
One, two.
813
01:07:39,280 --> 01:07:40,740
One, two, three.
814
01:08:00,400 --> 01:08:01,400
I'm yours.
815
01:08:38,530 --> 01:08:39,530
Thank you.
816
01:09:10,830 --> 01:09:11,830
Good morning.
817
01:09:11,870 --> 01:09:15,229
Good morning. How are you today? Okay,
how you doing? Terrific.
818
01:09:15,770 --> 01:09:16,850
It's going smooth.
819
01:09:17,370 --> 01:09:20,290
Yeah, it is. We both sound so good
together. It's really nice.
820
01:09:24,370 --> 01:09:26,870
I wake up every morning counting my
blessings.
821
01:09:28,490 --> 01:09:34,430
I mean, I'm surrounded by all real pro
guys and it all works.
822
01:09:35,050 --> 01:09:36,050
Absolutely.
823
01:09:36,689 --> 01:09:37,689
Hi, Tony.
824
01:09:37,970 --> 01:09:38,970
Hi.
825
01:09:44,020 --> 01:09:50,779
You know, I'd like to apologize for
yesterday
826
01:09:50,779 --> 01:09:52,740
because I didn't know what was going on.
827
01:09:53,060 --> 01:09:55,700
Oh, no problem. I appreciate it. No
problem.
828
01:09:56,720 --> 01:10:00,860
No problem. I appreciate it. Thank you.
Okay.
829
01:10:01,840 --> 01:10:03,440
Guys, let's do that beginning again.
830
01:10:04,560 --> 01:10:06,580
Guys, let's do that beginning again.
831
01:10:07,010 --> 01:10:08,010
Tony, are you there?
832
01:10:08,830 --> 01:10:10,290
What time are you coming in today?
833
01:10:11,910 --> 01:10:13,230
Oh, shit, I'm late.
834
01:10:15,950 --> 01:10:17,050
Hi. You
835
01:10:17,050 --> 01:10:24,030
have a mustache
836
01:10:24,030 --> 01:10:25,810
on this cover. It's going to be
different.
837
01:10:32,110 --> 01:10:34,690
Did I notice about the song you were
singing yesterday, Gaga?
838
01:10:34,970 --> 01:10:38,090
That intro. I'd never heard that intro.
Can we hear it a little?
839
01:10:38,690 --> 01:10:45,610
When the little blue bird who has never
said a word starts to sing
840
01:10:45,610 --> 01:10:46,690
spring, spring.
841
01:10:48,730 --> 01:10:54,890
It is nature that's all simply telling
us to fall
842
01:10:54,890 --> 01:10:57,310
in love.
843
01:11:00,210 --> 01:11:01,210
Perfect.
844
01:11:02,010 --> 01:11:04,330
That's why birds do it.
845
01:11:04,550 --> 01:11:05,930
Beards do it.
846
01:11:06,230 --> 01:11:09,150
Even educated, please do it.
847
01:11:09,530 --> 01:11:10,810
Let's do it.
848
01:11:11,190 --> 01:11:12,650
Let's fall in love.
849
01:11:15,170 --> 01:11:16,310
Grandpa, look this way.
850
01:11:19,490 --> 01:11:20,910
Can I have your hand, Tony?
851
01:11:21,370 --> 01:11:23,350
Can I have your hand? Oh, yeah.
852
01:11:23,990 --> 01:11:25,350
I love that.
853
01:11:25,610 --> 01:11:28,850
Yeah. You guys are ready for a night on
the town.
854
01:11:29,790 --> 01:11:30,950
It's on to the opera.
855
01:11:31,480 --> 01:11:33,820
Going to the opera. We're going to see
jazz, baby.
856
01:11:34,740 --> 01:11:36,160
You know what I was thinking of doing?
857
01:11:36,380 --> 01:11:40,400
Pass the clothes to the cover, maybe.
858
01:11:40,700 --> 01:11:43,460
Really? I mean, I think... I would love
that.
859
01:12:04,350 --> 01:12:05,350
I'm so sad.
860
01:12:07,490 --> 01:12:09,510
I'm so sad we're not singing together
tomorrow.
861
01:12:19,470 --> 01:12:23,010
How's it going?
862
01:12:24,250 --> 01:12:27,190
Should we pick a new spot to take a
picture? Yeah, I think you can sit here
863
01:12:27,190 --> 01:12:28,190
the piano.
864
01:12:29,730 --> 01:12:31,050
Can you play a little bit?
865
01:12:31,690 --> 01:12:32,690
Perfect.
866
01:12:57,320 --> 01:13:04,220
Just another way to prove I love you
when it's hard today. I'll lay back
867
01:13:04,220 --> 01:13:06,840
in my chair and find a way.
868
01:13:08,900 --> 01:13:15,340
And when you say the thing that you say
that makes me mad, I'll turn away,
869
01:13:15,640 --> 01:13:18,320
I'll turn away, I'll turn away.
870
01:13:19,640 --> 01:13:25,720
And think of different ways to keep my
spirits up.
871
01:13:26,160 --> 01:13:33,000
And choreograph flowers with playful,
joyous thoughts. We both know
872
01:13:33,000 --> 01:13:39,900
I could learn a thing or two about
relaxing. But hey, I love you. And after
873
01:13:40,100 --> 01:13:42,020
it's just another day.
874
01:13:44,100 --> 01:13:50,320
I could use some two or three or other
kind of ways to be. But
875
01:13:50,320 --> 01:13:54,460
today I won't be so hard on me.
876
01:13:55,980 --> 01:14:01,040
Pick up unique style. Kick around with
Tony today.
877
01:14:01,380 --> 01:14:08,240
I'll create simple thoughts. I'll laugh
in humble ways. We both
878
01:14:08,240 --> 01:14:12,400
know I could learn a thing or two about
behaving.
879
01:14:12,920 --> 01:14:16,960
But I love you and after all, it's just
enough.
880
01:14:41,290 --> 01:14:43,030
But just another day.
881
01:15:09,230 --> 01:15:10,830
You remember Lady Gaga, right?
882
01:15:11,610 --> 01:15:13,990
Do you remember you sang Lady is a Tramp
with her?
883
01:15:14,250 --> 01:15:17,170
Yeah. Okay, she's coming up here to sing
with you right now.
884
01:15:17,730 --> 01:15:19,410
You're rehearsing all week.
885
01:15:20,010 --> 01:15:21,010
Great.
886
01:15:21,630 --> 01:15:24,210
She is so excited to see you.
887
01:15:29,610 --> 01:15:31,090
This is going to be good.
888
01:15:31,330 --> 01:15:32,330
I know.
889
01:15:34,090 --> 01:15:35,850
I'm here because I love you.
890
01:15:47,980 --> 01:15:51,780
I get no kick from champagne.
891
01:15:53,440 --> 01:16:00,320
Mere, mere alcohol doesn't thrill me at
all. So tell me
892
01:16:00,320 --> 01:16:03,240
why should it? Thank you. I'm
practicing.
893
01:16:09,410 --> 01:16:12,550
You know, the best thing, though, is
just act like you haven't done it five
894
01:16:12,550 --> 01:16:14,470
times already. Say, let's do, I get a
kick out of you.
895
01:16:14,750 --> 01:16:17,270
He'd be like, okay. Okay. If you say,
take it from the bridge, he's like, huh?
896
01:16:17,530 --> 01:16:20,790
Okay. Do it again, I get it wrong, he
doesn't want it. That's so interesting.
897
01:16:20,910 --> 01:16:22,450
Let's do it. We'll see what happens.
Okay.
898
01:16:23,490 --> 01:16:24,490
Come on, cutie pie.
899
01:16:24,750 --> 01:16:25,870
Okay. Tony!
900
01:16:26,310 --> 01:16:27,310
Hi!
901
01:16:27,470 --> 01:16:28,470
Ladies here!
902
01:16:28,910 --> 01:16:29,910
I'm here!
903
01:16:30,630 --> 01:16:31,790
How are you, Tony?
904
01:16:32,110 --> 01:16:32,969
Hi, sweetie.
905
01:16:32,970 --> 01:16:35,490
Oh, so nice to see you.
906
01:16:35,990 --> 01:16:36,990
Wow.
907
01:16:37,250 --> 01:16:38,250
How you feeling?
908
01:16:38,440 --> 01:16:40,100
Couldn't be better. Couldn't be better?
909
01:16:40,340 --> 01:16:41,340
You want to sing?
910
01:16:41,640 --> 01:16:42,640
Let's sing together.
911
01:16:42,760 --> 01:16:43,760
Okay. Yeah?
912
01:16:46,980 --> 01:16:48,400
Yeah, man. Hi. Hey.
913
01:16:49,140 --> 01:16:50,600
Me and Lee were just catching up.
914
01:16:51,760 --> 01:16:53,740
Let's do I've Got You Under My Skin.
915
01:16:54,880 --> 01:16:58,360
Okay. Yeah? You want to start with that?
That sounds good. Yeah, I'd love to.
916
01:16:58,920 --> 01:16:59,920
All right, tone.
917
01:17:00,120 --> 01:17:01,120
Yeah.
918
01:17:01,280 --> 01:17:02,280
Wow.
919
01:17:02,520 --> 01:17:03,600
Looking good, tone.
920
01:17:13,260 --> 01:17:15,660
I've got you under my skin.
921
01:17:17,860 --> 01:17:22,720
I've got you deep in the heart of me.
922
01:17:23,940 --> 01:17:28,900
You're so deep in my heart. You're
really a part of me.
923
01:17:30,480 --> 01:17:34,660
I've got you under my skin.
924
01:17:35,080 --> 01:17:39,380
And I love you like a tattoo under my
skin.
925
01:17:41,550 --> 01:17:45,870
Yes, I've got you under my skin.
926
01:17:48,590 --> 01:17:50,850
Under, under, under, under my skin.
927
01:17:52,050 --> 01:17:53,050
Oh, Tony.
928
01:17:54,370 --> 01:17:55,750
Oh, my God.
929
01:17:56,170 --> 01:17:58,210
I'm so happy singing with you.
930
01:17:58,490 --> 01:18:01,050
Good. Am I keeping up okay? Jeez.
931
01:18:03,230 --> 01:18:04,330
It's been a while.
932
01:18:04,590 --> 01:18:06,930
It's been three years since we made this
record.
933
01:18:07,490 --> 01:18:11,030
Yeah. Wow. Yeah. Am I starting to swing,
Tony?
934
01:18:11,520 --> 01:18:16,780
Oh, yeah. I'm starting to swing with
you. Yeah? Oh, you're doing very well.
935
01:18:16,780 --> 01:18:20,880
been singing jazz by myself in Las
Vegas, and I've got to tell you, if I
936
01:18:20,880 --> 01:18:24,900
sang jazz with you first, I'd be lost
out there looking for a swing.
937
01:18:26,460 --> 01:18:30,520
Looking for a swing? I'd be looking for
a swing, trying to figure out where to
938
01:18:30,520 --> 01:18:35,060
go, because nobody knows how to swing
like you. You taught me how to swing.
939
01:18:36,180 --> 01:18:38,580
You want to sing a little more?
940
01:18:39,620 --> 01:18:40,620
Yeah.
941
01:18:42,730 --> 01:18:48,930
Last night, when we were young, love was
a star,
942
01:18:49,150 --> 01:18:51,930
song unsung.
943
01:18:53,070 --> 01:18:59,690
Life was so new, so real, so right, ages
944
01:18:59,690 --> 01:19:03,390
ago, last night.
945
01:19:04,910 --> 01:19:10,630
So now, let's reminisce.
946
01:19:12,200 --> 01:19:17,940
And recollect the sighs, the kisses,
947
01:19:18,000 --> 01:19:21,140
the arms that clung
948
01:19:21,140 --> 01:19:27,100
when we were young
949
01:19:27,100 --> 01:19:30,640
last night.
950
01:19:48,170 --> 01:19:49,170
Thank you.
951
01:19:49,910 --> 01:19:50,910
You make me cry.
952
01:19:54,630 --> 01:19:59,410
You sound so great, and I'm going to
keep doing my homework so I can make
953
01:19:59,410 --> 01:20:02,670
swing up there with you. Because if I'm
not swinging, you've got to kick me off.
954
01:20:26,020 --> 01:20:27,960
Thank you for a wonderful rehearsal,
Tony.
955
01:20:30,920 --> 01:20:33,920
I had so much fun rehearsing.
956
01:20:34,520 --> 01:20:36,300
I can't wait to rehearse again tomorrow.
957
01:20:38,540 --> 01:20:42,200
You know, with Alzheimer's, a lot of
times, like you're me, and you'll say
958
01:20:42,200 --> 01:20:43,660
hello, and I'm going to say hello.
959
01:20:44,560 --> 01:20:46,720
And he doesn't understand anymore to
make that.
960
01:20:46,960 --> 01:20:51,400
And so you have to get right in front of
him and say, hey. I think I was nervous
961
01:20:51,400 --> 01:20:52,400
to do that.
962
01:20:54,890 --> 01:20:57,170
With the Alzheimer's, he doesn't always
understand. You know, it used to drive
963
01:20:57,170 --> 01:20:59,470
me nuts. He'd sit on the couch and he
wouldn't look at me, but he'd talk to me
964
01:20:59,470 --> 01:21:00,108
like this.
965
01:21:00,110 --> 01:21:04,550
So if you make the emotional connection
by just getting into his safe zone,
966
01:21:04,750 --> 01:21:06,050
because he might just be down here.
967
01:21:06,330 --> 01:21:08,510
Okay. So, and then he'll connect.
968
01:21:09,210 --> 01:21:10,670
So I'm going to look at you more.
969
01:21:11,210 --> 01:21:17,910
All the guys are looking
970
01:21:17,910 --> 01:21:19,290
forward to seeing you tomorrow.
971
01:21:19,910 --> 01:21:20,910
Good. Yeah.
972
01:21:21,650 --> 01:21:23,350
Very good. Everybody misses you.
973
01:21:26,259 --> 01:21:27,720
Wow. Couldn't be better.
974
01:21:28,500 --> 01:21:29,500
Couldn't be better.
975
01:21:34,880 --> 01:21:37,600
You showing up makes everything work.
976
01:21:41,380 --> 01:21:42,860
You're the one that makes it work.
977
01:21:44,340 --> 01:21:46,060
I'm just your backup, you know?
978
01:21:46,460 --> 01:21:47,520
I got your back.
979
01:21:49,300 --> 01:21:53,240
Is this your favorite part of the day
when you're singing?
980
01:21:54,000 --> 01:21:55,960
Yeah, I love working.
981
01:21:58,080 --> 01:21:59,260
I love performing.
982
01:22:03,400 --> 01:22:05,180
It makes people feel good.
983
01:22:05,740 --> 01:22:06,740
It's true.
984
01:22:07,120 --> 01:22:10,580
When you sing, there's nothing like it.
985
01:22:12,420 --> 01:22:18,320
I haven't seen my parents since COVID,
so I'm going to see them later.
986
01:22:22,120 --> 01:22:23,120
Yeah. Yeah.
987
01:22:24,960 --> 01:22:27,340
Whenever the time is right. Yeah.
988
01:22:29,120 --> 01:22:30,160
How you doing, cutie?
989
01:22:30,380 --> 01:22:31,380
Hi.
990
01:22:31,820 --> 01:22:33,640
You're not sleepy, are you? You want to
keep singing?
991
01:22:34,000 --> 01:22:35,000
What?
992
01:22:35,540 --> 01:22:36,540
You getting sleepy?
993
01:22:38,340 --> 01:22:39,340
Hmm?
994
01:22:41,060 --> 01:22:42,060
Cutie pie?
995
01:22:50,410 --> 01:22:53,190
I don't think I've ever seen anything
more sweet.
996
01:23:00,170 --> 01:23:02,890
We're going to sing at Radio City.
997
01:23:03,170 --> 01:23:05,310
Wow. How about that? Packed houses.
998
01:23:05,970 --> 01:23:07,010
For your birthday.
999
01:23:07,730 --> 01:23:09,590
Beautiful. You know how old you're going
to be?
1000
01:23:10,610 --> 01:23:11,990
How old? 95.
1001
01:23:12,850 --> 01:23:13,910
Oh, my God.
1002
01:23:14,990 --> 01:23:16,070
I'm getting young.
1003
01:23:16,450 --> 01:23:18,250
You're getting young.
1004
01:23:21,900 --> 01:23:25,140
Well, I'm so happy to have sang with
you, Tony. I'm going to get out of here
1005
01:23:25,140 --> 01:23:25,959
I'll see you tomorrow.
1006
01:23:25,960 --> 01:23:26,960
Okay.
1007
01:23:27,460 --> 01:23:28,460
Take it easy.
1008
01:23:29,500 --> 01:23:31,200
I love you very much. Thank you.
1009
01:23:36,440 --> 01:23:37,620
We need to... Hey, guys.
1010
01:23:38,560 --> 01:23:41,320
This is the swan song, guys. I mean,
seriously.
1011
01:23:41,600 --> 01:23:43,540
I don't see that we're going to be doing
this again.
1012
01:23:44,760 --> 01:23:45,760
So, play out.
1013
01:23:46,800 --> 01:23:51,300
And let's be sensitive to Gaga because
he needs her now.
1014
01:23:51,720 --> 01:23:53,540
And she's willing to take that on.
1015
01:23:53,980 --> 01:23:56,060
The band's here waiting for you, Tony.
1016
01:23:56,280 --> 01:23:58,160
Okay. You haven't seen them for a year.
1017
01:23:58,500 --> 01:23:59,500
Wow.
1018
01:24:00,960 --> 01:24:02,420
I look forward to it.
1019
01:24:03,920 --> 01:24:06,740
And here he is.
1020
01:24:07,320 --> 01:24:08,860
Okay. Hey, hey.
1021
01:24:14,960 --> 01:24:16,960
Hello, Mr. Bennett. Hey! How you doing?
1022
01:24:17,740 --> 01:24:20,380
It's great to see you. How are you? Hi,
Danny.
1023
01:24:21,520 --> 01:24:24,920
All right.
1024
01:24:27,460 --> 01:24:28,460
Swingin' room.
1025
01:24:29,900 --> 01:24:30,900
Should we sing?
1026
01:24:31,980 --> 01:24:33,580
Would you like to sing Love for Sale?
1027
01:24:34,160 --> 01:24:35,160
Okay.
1028
01:24:37,500 --> 01:24:41,590
When the only sound in the empty
street... Good, and I'll give you an
1029
01:24:41,590 --> 01:24:45,570
He's a heavy shed of the heavy feet. A
lonesome cop.
1030
01:24:45,790 --> 01:24:46,790
Good.
1031
01:24:46,970 --> 01:24:49,230
She opens shop.
1032
01:24:49,510 --> 01:24:51,530
I think it could be nice to just follow
him.
1033
01:24:52,750 --> 01:24:57,530
So if he starts singing, let's just
follow him. I might not be in that key.
1034
01:24:58,770 --> 01:25:00,850
You know what I mean? I might not be in
the key. That's okay.
1035
01:25:02,650 --> 01:25:03,650
Can you find him?
1036
01:25:04,970 --> 01:25:05,970
Okay, find him.
1037
01:25:06,730 --> 01:25:07,730
Thank you.
1038
01:25:09,440 --> 01:25:12,080
Tony, do you mind if I just use the
ladies' room real fast?
1039
01:25:12,420 --> 01:25:13,680
No problem. I'll come right back.
1040
01:25:18,800 --> 01:25:22,100
Would you like a chair along the way?
Yeah, thank you very much. Oh, you're
1041
01:25:22,100 --> 01:25:23,240
welcome. Oh, hi, Ben.
1042
01:25:23,660 --> 01:25:27,220
You're doing great. It's okay. I just
don't want to cry.
1043
01:25:27,640 --> 01:25:34,340
Use your instincts. You know him as a
performer better than anybody
1044
01:25:34,340 --> 01:25:36,540
else. I'm saying all of us.
1045
01:25:37,640 --> 01:25:39,300
He's in your hands right now. Yeah.
1046
01:25:39,760 --> 01:25:42,640
Yeah, I'm fine. I'm just going to wipe
my face and I'll be right back.
1047
01:25:44,620 --> 01:25:45,620
How you doing?
1048
01:25:46,000 --> 01:25:47,160
Okay. Are you having fun?
1049
01:25:47,620 --> 01:25:48,620
Yeah. Yeah?
1050
01:25:49,620 --> 01:25:51,280
I like that I'm working again.
1051
01:25:52,740 --> 01:25:54,380
That's right. You're going to work all
week.
1052
01:25:56,280 --> 01:26:00,140
He loves the film much. When do you pull
it back?
1053
01:26:00,740 --> 01:26:03,340
You know, it's a tough decision, but...
1054
01:26:03,820 --> 01:26:06,580
We just want to make it meaningful for
him.
1055
01:26:08,560 --> 01:26:10,400
Don't be afraid to sight transpose.
1056
01:26:10,820 --> 01:26:12,600
You got it. This is the time.
1057
01:26:12,820 --> 01:26:14,280
Listen, I'm going to try.
1058
01:26:16,180 --> 01:26:18,300
What would make you feel happy right
now?
1059
01:26:18,580 --> 01:26:19,660
You. Me?
1060
01:26:20,000 --> 01:26:21,040
Oh, Tony.
1061
01:26:23,340 --> 01:26:25,660
You make me feel happy right now.
1062
01:26:26,260 --> 01:26:28,000
All right. Here we go.
1063
01:26:36,460 --> 01:26:38,920
Ladies and gentlemen, Mr. Tony Bennett
tonight.
1064
01:26:40,960 --> 01:26:42,760
Night and day.
1065
01:26:45,180 --> 01:26:46,740
Day and night.
1066
01:26:49,180 --> 01:26:50,840
Night and day.
1067
01:26:53,120 --> 01:26:54,800
Day and night.
1068
01:27:13,960 --> 01:27:17,320
So no matter what happens, no matter
what we do together, I'm going to make
1069
01:27:17,320 --> 01:27:19,320
that the band is always following you.
Wow.
1070
01:27:20,540 --> 01:27:21,660
You know what you're doing.
1071
01:27:22,240 --> 01:27:23,240
Yeah.
1072
01:27:24,700 --> 01:27:25,820
You know what you're doing.
1073
01:27:26,240 --> 01:27:27,280
I learned from you.
1074
01:27:27,580 --> 01:27:30,780
So if I know what I'm doing, it's
because you know what you're doing.
1075
01:27:31,500 --> 01:27:32,920
Because I learned it all from you.
1076
01:27:33,260 --> 01:27:34,260
Thank you.
1077
01:27:43,080 --> 01:27:45,580
I'm glad you're doing this for me.
1078
01:27:46,100 --> 01:27:51,320
I was like, I don't know if I can do
this because I was so worried about him.
1079
01:27:51,400 --> 01:27:57,020
And then I realized that he deserves a
show like that.
1080
01:27:57,580 --> 01:28:03,860
I've decided that if I could go back and
talk to my friend, I know he would tell
1081
01:28:03,860 --> 01:28:08,600
me to be confident and proud and be
myself.
1082
01:28:08,900 --> 01:28:12,260
And what that means to me is that I
should not show up.
1083
01:28:12,620 --> 01:28:17,200
Like, drunk, with my head hanging over a
trash bin. You know what I mean? Like,
1084
01:28:17,240 --> 01:28:23,880
he's saying, I can feel him saying to
me, do what we did. And also, I want to
1085
01:28:23,880 --> 01:28:30,020
make it really clear that there's
something that's going to be gone when
1086
01:28:30,020 --> 01:28:31,300
not doing this anymore.
1087
01:28:32,020 --> 01:28:37,600
We want to honor that he's the last of
the greats.
1088
01:28:37,920 --> 01:28:40,580
And I want Tony in the museum.
1089
01:28:50,700 --> 01:28:52,520
You guys know how you're entering.
1090
01:28:58,760 --> 01:29:02,080
Thursday boy is here.
1091
01:29:02,840 --> 01:29:04,220
Welcome back, Mr. Banks.
1092
01:29:05,240 --> 01:29:06,240
All right.
1093
01:29:06,520 --> 01:29:07,520
Rehearsal today.
1094
01:29:07,640 --> 01:29:08,940
No audience right now.
1095
01:29:09,140 --> 01:29:13,780
Just to be clear, as a lighting note,
watch what happens. We'll be in blue for
1096
01:29:13,780 --> 01:29:14,780
Mr. Bennett.
1097
01:29:18,920 --> 01:29:21,260
This will be great. He has a blue pocket
square.
1098
01:29:23,300 --> 01:29:26,120
Just trying to get the bed of roses
ready for Tony.
1099
01:29:27,420 --> 01:29:32,580
I'm nervous about it not being done in a
way where Tony understands, like, this
1100
01:29:32,580 --> 01:29:38,020
happens and this happens. Like, I'm
trying to, like, do for Tony what he
1101
01:29:38,020 --> 01:29:39,020
do if he could.
1102
01:29:50,960 --> 01:29:54,700
I just want to make sure that this is
just as pristine as when we were on
1103
01:29:54,740 --> 01:29:58,320
Right, right. And because we're doing
this in less of a time frame, that we go
1104
01:29:58,320 --> 01:30:01,920
from top to bottom, we're clear on what
does the announcement sound like, where
1105
01:30:01,920 --> 01:30:05,560
do I start when I come out. I just don't
want to wing it. The whole world's
1106
01:30:05,560 --> 01:30:06,560
going to see it.
1107
01:30:07,560 --> 01:30:08,560
Hi.
1108
01:30:09,240 --> 01:30:10,240
Thanks, Mommy.
1109
01:30:12,400 --> 01:30:13,400
Oh, you're doing all right.
1110
01:30:14,480 --> 01:30:15,480
Um,
1111
01:30:15,820 --> 01:30:18,880
it's just difficult, Dad. I feel like I
have no time.
1112
01:30:19,680 --> 01:30:22,100
There's so much of me that wants to fly
home and hide.
1113
01:30:22,700 --> 01:30:24,900
Can you turn me into the film, please?
1114
01:30:25,500 --> 01:30:29,000
I'm trying to get some soul into my
voice right now, and it's because
1115
01:30:29,000 --> 01:30:32,540
everything's not sitting in the right
spot.
1116
01:30:33,440 --> 01:30:34,440
Okay.
1117
01:30:39,820 --> 01:30:43,260
Maybe I'm just nervous. I haven't been
on stage in so long. Shit.
1118
01:30:46,420 --> 01:30:47,420
We got this.
1119
01:30:47,920 --> 01:30:48,920
We're doing it, though.
1120
01:30:49,290 --> 01:30:51,730
Okay. We honor in him. We're here.
1121
01:30:51,970 --> 01:30:54,190
Okay. You got this. Be strong. Okay.
1122
01:30:56,870 --> 01:30:58,330
There's no crying in jazz.
1123
01:31:02,470 --> 01:31:04,670
Good to
1124
01:31:04,670 --> 01:31:11,170
see you. How are you?
1125
01:31:12,290 --> 01:31:15,390
It's going to be packed, sold out all
the way to the top.
1126
01:31:16,900 --> 01:31:18,820
Would you like to sing Anything Goes?
1127
01:31:19,300 --> 01:31:20,300
Why?
1128
01:31:22,580 --> 01:31:24,520
Because Cole Porter said so.
1129
01:31:25,760 --> 01:31:28,380
I thought I was getting paid for it.
1130
01:31:29,380 --> 01:31:31,440
You are getting paid for it. Oh, good.
1131
01:31:33,060 --> 01:31:35,080
Well, let's do it then. All right, let's
do it.
1132
01:31:47,170 --> 01:31:52,310
The wild card is when Tony gets in front
of an audience, it's a whole other
1133
01:31:52,310 --> 01:31:54,430
thing for him. How he's going to react.
1134
01:31:56,870 --> 01:31:59,230
He hasn't experienced that yet.
1135
01:32:02,610 --> 01:32:03,549
All right.
1136
01:32:03,550 --> 01:32:06,630
I'm going to go get some more work. Got
to make this feel perfect for you.
1137
01:32:10,710 --> 01:32:13,510
You take care of the personal stuff.
I'll take care of the stage.
1138
01:32:14,170 --> 01:32:15,430
You got it. Okay.
1139
01:32:15,920 --> 01:32:16,759
Thank you, Tony.
1140
01:32:16,760 --> 01:32:17,760
Thank you.
1141
01:32:18,140 --> 01:32:19,079
It's okay.
1142
01:32:19,080 --> 01:32:20,080
Thank you.
1143
01:32:23,600 --> 01:32:27,220
You realize how great that was? Did you
have fun?
1144
01:32:27,540 --> 01:32:29,220
We'll go back and do it all over again.
1145
01:32:30,700 --> 01:32:31,700
Very good.
1146
01:32:32,420 --> 01:32:33,420
With an audience.
1147
01:32:33,760 --> 01:32:34,820
With an audience, yes.
1148
01:32:37,220 --> 01:32:38,220
I don't know.
1149
01:32:47,050 --> 01:32:51,170
It is Tony Bennett Day in New York in
honor of the New York City treasure and
1150
01:32:51,170 --> 01:32:56,470
the icon's 95th birthday. And to mark
the occasion, he will perform alongside
1151
01:32:56,470 --> 01:33:02,010
Lady Gaga at Radio City Music Hall
tonight as his final concert of his
1152
01:33:02,910 --> 01:33:05,510
Happy birthday, Tony Bennett.
1153
01:33:43,150 --> 01:33:44,089
It's your birthday.
1154
01:33:44,090 --> 01:33:45,150
It is? Yeah.
1155
01:33:45,730 --> 01:33:46,709
That's amazing.
1156
01:33:46,710 --> 01:33:47,710
That's why we're here.
1157
01:34:17,100 --> 01:34:19,320
How long are we going to be in this
room?
1158
01:34:19,560 --> 01:34:20,700
In this room?
1159
01:34:21,840 --> 01:34:23,200
About another 10 minutes.
1160
01:34:23,800 --> 01:34:25,600
And then we're going to watch Lady Gaga.
1161
01:34:26,000 --> 01:34:27,340
And then you go on.
1162
01:34:27,860 --> 01:34:28,980
Okay. Okay?
1163
01:34:34,480 --> 01:34:35,920
Thank you, ma 'am. All right.
1164
01:34:36,300 --> 01:34:37,300
Let's pray.
1165
01:34:38,420 --> 01:34:41,280
I feel like I prepared my whole life for
this moment.
1166
01:34:42,200 --> 01:34:47,460
I'd like to dedicate every note on this
stage, every... swing, every rhythm
1167
01:34:47,460 --> 01:34:50,020
to Tony Bennett.
1168
01:34:52,760 --> 01:34:57,660
He reminds me that we're enough just the
way we are.
1169
01:34:59,200 --> 01:35:01,020
But it's a choice to go deeper.
1170
01:35:02,740 --> 01:35:08,100
And it's also a choice to know that you
are excellent and be endlessly in
1171
01:35:08,100 --> 01:35:10,260
pursuit of excellence that never stops.
1172
01:35:11,700 --> 01:35:13,940
Danny, is there anything you want to say
about your dad?
1173
01:35:15,070 --> 01:35:16,510
No, because I'll start bawling.
1174
01:35:17,970 --> 01:35:24,750
No, thank you, everybody. I mean, this
is the chapter, you know. And Tony,
1175
01:35:24,890 --> 01:35:31,290
as you said, never looks back, always
looks forward. So I look at this as just
1176
01:35:31,290 --> 01:35:32,290
another beginning.
1177
01:35:32,830 --> 01:35:33,950
And have fun.
1178
01:35:37,590 --> 01:35:38,590
Swing it on three.
1179
01:35:39,110 --> 01:35:40,270
Right in the middle.
1180
01:35:40,770 --> 01:35:42,230
One, two, three.
1181
01:35:48,170 --> 01:35:53,310
Good evening ladies and gentlemen and
welcome to one last time an evening with
1182
01:35:53,310 --> 01:35:59,230
Tony Bennett and Lady Gaga This is going
to be an extraordinary night
1183
01:35:59,230 --> 01:36:06,130
What do I
1184
01:36:06,130 --> 01:36:09,110
do when I go out there you think
1185
01:36:22,410 --> 01:36:25,330
Enjoy your in for an historic night.
1186
01:37:20,080 --> 01:37:21,059
Sold out?
1187
01:37:21,060 --> 01:37:25,080
Yep. A sold out Radio City Music Hall
waiting for you to sing.
1188
01:37:25,540 --> 01:37:27,400
Wow. Quite spectacular.
1189
01:37:36,100 --> 01:37:38,240
Is there a balcony in this theater?
1190
01:37:38,500 --> 01:37:39,500
There's three balconies.
1191
01:37:39,940 --> 01:37:40,940
Couldn't be nicer.
1192
01:37:55,660 --> 01:38:00,960
So is this theater in New York? Yes,
babe. You've performed here 25 times.
1193
01:38:01,260 --> 01:38:02,260
Wow.
1194
01:38:36,200 --> 01:38:37,400
You're going to go on next, okay?
1195
01:38:37,620 --> 01:38:38,620
Yeah.
1196
01:38:38,800 --> 01:38:40,240
Bradley, watch what happens.
1197
01:38:41,120 --> 01:38:44,220
Let someone not believe in you.
1198
01:38:45,820 --> 01:38:46,940
Like I believe in you.
1199
01:38:48,340 --> 01:38:49,640
He's my friend.
1200
01:39:04,110 --> 01:39:05,630
He's my musical companion.
1201
01:39:06,870 --> 01:39:10,070
And he's the greatest singer in the
whole world.
1202
01:39:13,370 --> 01:39:17,750
I'll never forget this moment for the
rest of my life.
1203
01:39:21,530 --> 01:39:25,170
Please, cheer for him and make him
smile.
1204
01:39:26,310 --> 01:39:27,670
You better yell.
1205
01:39:28,590 --> 01:39:29,950
You better laugh.
1206
01:39:30,310 --> 01:39:31,590
You better cry.
1207
01:39:32,840 --> 01:39:36,820
You better give your soul, because it's
up to...
1208
01:40:15,500 --> 01:40:17,140
I don't know what you're doing.
1209
01:40:18,800 --> 01:40:19,280
Where
1210
01:40:19,280 --> 01:40:26,760
do
1211
01:40:26,760 --> 01:40:31,840
I go? Right where you come.
1212
01:41:16,750 --> 01:41:20,910
Let someone start believing in you.
1213
01:41:22,470 --> 01:41:24,890
Let him hold out his hand.
1214
01:41:26,210 --> 01:41:30,950
Let him find you and watch what happens.
1215
01:41:32,410 --> 01:41:37,350
Oh, let someone with a deep love to
give,
1216
01:41:37,490 --> 01:41:41,550
give his deep love to you.
1217
01:41:42,870 --> 01:41:45,230
What magic you see.
1218
01:41:46,190 --> 01:41:49,110
Let someone give his heart.
1219
01:41:50,370 --> 01:41:52,990
Someone who cares like me.
1220
01:41:53,890 --> 01:41:56,530
Thank you very much ladies and
gentlemen.
1221
01:42:19,820 --> 01:42:21,360
In San Francisco.
1222
01:42:55,720 --> 01:42:56,900
Your golden son.
1223
01:44:14,280 --> 01:44:19,700
She gets too hungry for dinner at 8.
1224
01:44:19,920 --> 01:44:25,560
I never bother with people that I hate.
1225
01:44:26,220 --> 01:44:28,520
That's why this lady...
1226
01:45:18,560 --> 01:45:25,080
Tony, we're all so grateful to have
witnessed your talent, your
1227
01:45:25,080 --> 01:45:31,820
generosity, your creativity, and your
1228
01:45:31,820 --> 01:45:35,180
kindness. Thank you. Your service
through all the years.
1229
01:45:35,720 --> 01:45:36,780
Wow, thank you.
1230
01:45:44,320 --> 01:45:50,920
And Mr. Bennett, it would be my honor to
escort you off the stage.
1231
01:47:50,830 --> 01:47:57,410
Tony you were magnificent You really you
1232
01:47:57,410 --> 01:48:03,690
always are You always are magic
1233
01:48:06,190 --> 01:48:09,110
You realize you're using all his lines
on stage.
1234
01:48:09,450 --> 01:48:12,210
I do. I say beautiful.
1235
01:48:12,590 --> 01:48:13,590
Wow.
1236
01:48:13,890 --> 01:48:15,550
I do this.
1237
01:48:15,950 --> 01:48:18,190
Tony, on stage tonight, I did this.
1238
01:48:18,870 --> 01:48:23,670
They like that. The audience loves that.
1239
01:48:24,370 --> 01:48:25,570
You taught me everything.
1240
01:48:26,850 --> 01:48:28,670
I'm going to give you a big hug, okay?
1241
01:48:29,470 --> 01:48:30,470
He'll take it.
1242
01:48:31,650 --> 01:48:32,990
I'm going to give you a big hug.
1243
01:48:34,270 --> 01:48:35,270
Thank you.
1244
01:48:38,320 --> 01:48:39,340
You're a good man.
1245
01:48:40,580 --> 01:48:41,620
Through and through.
1246
01:48:42,240 --> 01:48:43,820
A magnificent singer.
1247
01:48:44,360 --> 01:48:45,720
And a perfect human.
1248
01:48:47,560 --> 01:48:48,560
Wonderful.
1249
01:48:50,420 --> 01:48:51,960
I'll never forget tonight.
1250
01:48:52,800 --> 01:48:56,200
In my heart forever.
1251
01:48:58,140 --> 01:48:59,160
I'll be authentic.
1252
01:49:00,200 --> 01:49:01,200
I'll be true.
1253
01:49:02,420 --> 01:49:03,460
I'll be myself.
1254
01:49:04,300 --> 01:49:06,140
Because you taught me that.
1255
01:49:07,500 --> 01:49:12,200
Even with my makeup and my lipstick and
my wig and all that, I'll be the real
1256
01:49:12,200 --> 01:49:13,360
me, okay?
1257
01:49:14,000 --> 01:49:15,000
Wonderful.
1258
01:49:16,360 --> 01:49:17,540
Sleep well tonight.
1259
01:49:17,760 --> 01:49:21,420
Thank you. Thank you.
1260
01:49:23,780 --> 01:49:25,280
Night, night. Have fun.
1261
01:49:28,520 --> 01:49:29,520
See you later.
1262
01:49:38,600 --> 01:49:41,360
Thank you so much. I just want to tell
you something.
1263
01:49:42,860 --> 01:49:47,900
Even though we always sing music
together, most importantly, you'll
1264
01:49:47,900 --> 01:49:49,340
friend. That's right.
1265
01:49:50,540 --> 01:49:51,580
That's the main thing.
1266
01:49:53,400 --> 01:49:54,760
You'll always be my friend.
1267
01:49:55,840 --> 01:49:56,840
Good.
1268
01:49:58,080 --> 01:49:59,180
That's the most important.
1269
01:50:00,660 --> 01:50:01,820
Thank you very much.
1270
01:50:02,820 --> 01:50:04,200
I know I like you.
1271
01:50:08,780 --> 01:50:09,860
Do what?
90837
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.