All language subtitles for Nightshift.1981.1080p.WEBRip.x264.AAC-[YTS.MX]

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Original subtitles

Downloaded from YTS.MX

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[COIN ROLLING]

[MUSIC BOX PLAYING]

[DOORBELL BUZZING]

- [Receptionist] Reception.

- May I have the key to room 26, please?

[DOOR SQUEAKING]

[KEYS JANGLING] [DOOR SQUEAKING]

- [BUSINESSMAN 1] ...10% of something.

- [BUSINESSMAN 2] Well 10% of something is better than 100% of nothing.

- [BUSINESSMAN 1] We must make this thing.

- [BUSINESSMAN 2] We must!

[BUSINESSMAN INAUDIBLE]

- [BUSINESSMAN 1] He said there’s nothing to talk about.

- [BUSINESSMAN 2] He was really, “it’s all percentages.”

- I told him, I said, “alright, then let’s talk percentages...

- but remember, it’s not me that wants to talk percentages

- it’s you that wants to talk percentages.”

[BUSINESSMEN INADUIBLE]

[DISTANT ROCK MUSIC]

[DISTANT ROCK MUSIC CONTINUES]

[CASH REGISTER CLANG]

[DISTANT ROCK MUSIC CONTINUES]

[INAUDIBLE BAND CHATTER]

- ...she told me that she didn't want it.

Got the reservation for the Urban Gorillas.

Two twin rooms and a single. That one's for me.

You make sure of that.

It's all on account.

Come on, fill these forms in.

Come on.

Come on, Jim.

- What's this?

[CHATTER]

- Oh, you wally. - Oh, sorry.

- Sebastian, come on.

Listen, listen.

What is this?

[CHATTER]

- What did you do last night, eh?

[CHATTER]

- Jim, give us a pen.

- A pen?

Here you go.

- Have you got food or anything?

- Have you done your form?

- Whatta you got? Whatta you got?

- I don’t know.

- The bar was down there when I was last here.

- Where?

[CHATTER]

Now, there's a car coming 9 o'clock tomorrow morning.

So you get lost down the bar.

Come on, that’s enough of that.

Get lost down the bar. Come on, you two.

Come on.

Oi oi!

And remember, don't go over your limit.

[CHATTER]

Is there any way of stopping them from overspending my limit?

'Cause between them all, they could drink the bar fucking dry.

Actually, it's all right, really. It's like a marriage.

You woo them, wine them, dine them.

All smiles down the aisle.

Open mind, open heart, open ended.

Then get them to sign on the line, and boom.

You're down to business.

I used to live in 66 when I first came to London.

Has 42 checked in yet?

[ELEVATOR DOORS CLOSING]

[ELEVATOR HUM]

[ELEVATOR NOISE]

[PHONE RINGING]

- Reception.

Mm-hmm.

[BACKGROUND ROCK RADIO MUSIC]

- See you next time, dear.

[INDISTINCT CHATTER]

- [BUSINESSMAN 1] If we talk percentages,

then let's talk his percentages, not our percentages.

- [BUSINESSMAN 2] Well, his percentage is 10% of something.

- 10% of something is a whole lot better than 100% of nothing.

- If we make it stick - We must make it stick.

- If we don't end up with all of this, we're aren’t gonna end up with any of it.

Did you talk to him? He said let's talk percentages.

- He can't talk percentages.

- Listen, don't talk percentages to me.

- He can't talk percentages to anyone.

- I've had percentages...

- May I use the telephone in the lounge, please?

[INDISTINCT BUSINESSMAN CHATTER]

[ELEVATOR DOORS CLOSING]

Hello, Auntie Lana.

This is Viviana, if you didn't miss...

I'm sorry, Auntie. You know what I'm like.

Oh, everything.

Settling down, Auntie. I'm much too young for that.

I know.

I know you worry about me, Auntie, and I worry about you,

but you know what I'm like, Auntie. I'm too young to settle down anyway.

Well, I'm doing such a lot of things, Auntie.

Um...

you know, my public relations work,

and I'm still on with my project with Jean,

and, um...

I knew you...

yes, I knew you were going to say that.

Nobody does, but, uh...

Um, all kinds of people, Auntie.

Theatrical people, um, housewives,

um, doctors, nurses,

uh, everybody.

Oh, at the moment, I'm staying at a marvellous hotel,

but I'm only going to be there till about Monday.

And then I don't know. It might be a one-roomed hovel.

I mean, who knows with me, Auntie?

Oh, please don't worry about me, Auntie.

Mummy keeps saying that, but you know, I am a big girl now.

Well, um, I'm only going to stay in San Francisco for a day or two.

And then I'm going to move to Carmel or Pebble Beach,

because I want to get away from that dreadful man.

Yes, you know who I mean.

Don't like to mention his name, Auntie.

It's so painful for me.

He's horrid.

But you knew. You did tell me, Auntie.

Yes, I wouldn't listen. I wouldn't listen.

I know, I know, I know.

Mummy tells me the same thing, and I won't listen,

so I have to suffer. It's my own fault.

No, but Jean's hunting for one for me.

He's, um, husband hunting at the moment.

Well, it doesn't matter.

He just thinks, "One more time," Auntie.

After all, you know, I'm not that old.

Just once more. Just one more husband.

Oh, Auntie...

Oh, Auntie, thank you. That's so kind.

But I look a bit tired at the moment.

You know, if I have a good night, you know, I may shed about five years, but...

Oh, dear.

Oh, Auntie.

Oh, Auntie, don't say that. Don't die.

Please don't die. Not for a long time.

No, you can live till you're 100 if you take great care of yourself.

All right, then.

Auntie, I know this sounds terribly childish, but

do you still love me?

"Settle down." Yes, Mummy keeps saying that.

I know what you mean, but, uh, sometimes I long to settle down,

and then other times, when I do settle down in a place,

I get so bored!

Maybe when I'm older, maybe...

Oh, it's not a low life, Auntie.

Well, some of the people are. There's Eddie, he, um...

Well, he is, uh... yes, he is low, but there are some low people.

But most of them are sort of medium.

Some of them are high. Some of them are marvellous, like Cyril Magnum.

And, uh, he's called...

San Francisco's, um, uh, Chief of Protocol.

No, um, I meet some fabulously...

It is extraordinary, Auntie, but I'm used to that kind of life now.

I'd be bored to tears living in the suburbs here now.

Really? Oh, Auntie.

Really? Oh, Auntie. Well, really?

All right, I promise, I'll ring tomorrow.

I promise. I promise.

I'll call you tomorrow. If not, you call me.

Bye bye. I love you. I love you, Auntie.

[DOOR SQUEAKS]

[RUMMAGING]

[DOOR POUDING]

Thank you so much.

[DOOR POUNDING]

[DOOR POUNDING]

[WHISTLING]

- Cab for room 16.

[TELEPHONE DIALING]

[TELEPHONE DIALING]

[SIGH]

[WHISTLING]

[TELEPHONE BUZZING CONINTUES]

[TELEPHONE BUZZING CONINTUES]

[ELEVATOR SOUNDS]

[ELEVATOR DOOR CREAKS]

- Are you the man with the cab? - [DRIVER] If you asked for teh cab.

[DOOR CREAKS]

[BACKGROUND ROCK RADIO MUSIC]

[DOOR CLOSES]

[SIGHS]

- Oh, it's a bedlum down there tonight.

Guy from 15 came down, and he wanted a cannelloni,

so I gave him a chicken casserole by mistake.

Didn't notice.

Seen that guy from 16?

The one that looks as though he's on wheels, do you know what I mean?

Whizzing around with his bottles of champagne, his bill's gonna be enormous.

Came down tonight, he wanted a round.

So I gave him a gin and orange, and he wanted a gin and tonic.

And he paid with his American Express.

So because I'd overcharged him, I said, "Don't worry about it, I'll put it in the book."

So I got the book out, went to the till, no 2ps, again.

Then his friend comes down.

He buys a round.

Says, "Can I pay you with dollars?"

So they have an argument about the exchange rate.

Wanted a cheese sandwich.

That woman came in, 36 I think.

She says, "Are the eggs free range?"

So I said, "I'll get some out, you know, you can have a look at them."

She said, "You can't tell by just looking at them, you know."

Could have thrown them at her.

She says, "If they're free range, they have thin shells."

So I told her, "I throw the shells away."

I think some people just like being difficult to relieve the tedium.

Fridge is rattling again.

Either it's the fridge or it's the radiator.

I asked Wilf. Wilf says, "It's the underground."

I think it's a rat.

And I think it eats all the salad.

My brother's little boy had his ear bitten off by a rat in Benidorm.

Sewerage.

Whole wheat bread. That's what she wanted.

Free range eggs and whole wheat bread.

Not brown, whole wheat.

I mean, either you're hungry or you're not hungry.

And there isn't any salad again.

One mangy lettuce left.

I put it in the book every night last week.

No salad left for the night staff.

Still no salad.

I don't know.

[SIGHS]

I left some chops on.

God!

[DOOR SLAMS]

[DOOR SQUEAKS]

Room 14.

[ELEVATOR SOUNDS]

[ELEVATOR SOUNDS]

[DOWNTEMPO MUSIC]

[DOWNTEMPO MUSIC CONTINUES]

[DOWNTEMPO MUSIC FADES OUT]

[DOOR CREAKS]

- I've come to see Room 16.

I'm his wife.

And this is our life together.

This...

this is the house we bought in Spain.

And this is Maria,

who goes with the house.

And this is our baby.

We called him Passion.

His skin is soft

and his lips are sweet.

And this...

is our garden.

And this...

is our tree.

And this is our bed.

And this...

is our love.

I am the lake

and he is the tower.

[FIRE ALARM RINGING]

[MEN SHOUTING RHYTHMICALLY]

[FIRE ALARM CONTINUES]

[MEN SHOUTING RHYTHMICALLY]

[FIRE ALARM STOPS

- [MAN] Happy birthday.

[VACUUM SOUNDS] [HUMMING SOUNDS]

[VACUUM SOUNDS] [HUMMING SOUNDS]

[VACUUM SOUNDS] [HUMMING SOUNDS]

[COIN ROLLING]

[MUSIC BOX PLAYING]

[MUSIC BOX PLAYING CONTINUES]

[MUSIC BOX PLAYING CONTINUES]

[WATER SLOSHING]

[MUSIC BOX PLAYING CONTINUES]

- 30. - Hmm.

- Raise it. - Two.

- What you got? - You knew I had that all the time, didn't you?

[BUSINESSMAN 2 MUMBLING]

- My money. - And you...

You knew you'd probably bound to win whatever happened.

- Yeah, maybe. - And you just carried on raising me all the time.

I mean, you could have actually cleaned me out of it.

- It's the same game, Max.

It's all the same game.

- But there's no way I could have won. - You talk about G.T.

There's no way I could have won that one.

- And you just carried on raising me... - You talk about G.T.

You want to talk about my brother. You want to talk about this.

- You want to talk about that. - Let's talk about what's happening now.

- For God's sake, Max! - Let's talk about what's happening now.

Our relationship is more important than all the G.T.'s and all the brothers in the world.

'Cause if you and I can't trust each other, then where are we?

We can trust each other, Max.

We...

- You knew I had it, too. - Take the money.

- Right? - Take all the money.

- No, no, you won the money fair and square.

Fair and square.

I mean, I had a 2, but you knew that.

[BUSINESSMAN 2 COUGHING]

- Let's play another one. - No, I...

- Pick up a card. - No, take my money.

- Pick up a card. I'm gonna play another one.

All right, all my money goes on this one. All of it.

All of it.

Yeah, lend me the five on that. Lend me the five on that.

Let go of them too.

[WOMEN LAUGHING]

[MUSIC BOX PLAYING CONTINUES]

[MUSIC BOX PLAYING CONTINUES]

[ANXIOUS GRUNTS]

[TV SOUNDS]

[MUSIC BOX PLAYING]

[WINDING SOUNDS]

[ELEVATOR SOUNDS]

[MUSIC BOX SONG ENDS]

[SQUEAKING GLASS]

[SQUEAKING GLASS]

[SQUEAKING GLASS]

[WIND] [BIRDS CHIRPING]

[NEWSPAPER SLAMS]

[BOTTLES CLANG]

[DISTANT SIREN]

- May I have my bill please?

Thank you.

[MUSIC BOX PLAYING]

[DOOR SQUEAKS]

[MUSIC BOX CONTINUES]

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