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AND OUR HOME WAS PILLAGED TO
BRING FORTH THE DARK SOUL.
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00:00:09,043 --> 00:00:11,794
[ MACHINE-GUN FIRE ]
Crozier: I FEAR THESE DEATHS
3
00:00:11,877 --> 00:00:14,502
WILL DRAW ATTENTION TO OUR WORK.
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00:00:14,585 --> 00:00:17,252
Orlaag: THE MISSION MUST
CONTINUE NO MATTER THE COST.
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00:00:17,335 --> 00:00:20,460
Selatcia: GENERAL CROZIER,
YOUR EFFORTS WILL BE REWARDED IN
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00:00:20,543 --> 00:00:22,627
DUE TIME.
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00:00:22,710 --> 00:00:24,961
THE GLOBAL ECONOMY HAS BEEN
IN A SPIRAL SINCE
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00:00:25,043 --> 00:00:26,794
NATHAN EXPLOSION DESTROYED
DETHKLOK'S LAST RECORD, AND
9
00:00:26,877 --> 00:00:29,627
WORLD LEADERS ARE DEMANDING
ANSWERS.
10
00:00:29,710 --> 00:00:32,752
IN OTHER NEWS, NOTORIOUS TYRANT
SULTAN SOTAJUMALA HAS INCREASED
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00:00:32,835 --> 00:00:35,627
EMPLOYEE BEHEADINGS BECAUSE HE
CAN NO LONGER AFFORD TO KEEP
12
00:00:35,710 --> 00:00:36,835
THEM ON HIS PAYROLL.
13
00:00:36,919 --> 00:00:39,752
BUT THE QUESTION EVERYONE'S
ASKING IS, WHEN WILL THERE BE A
14
00:00:39,835 --> 00:00:42,502
NEW DETHKLOK ALBUM TO TAKE US
OUT OF FINANCIAL PERIL?
15
00:00:42,585 --> 00:00:45,418
Nathan: I WISH I COULD HELP
YOU GUYS, BUT I HAVE A REALLY
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00:00:45,502 --> 00:00:50,502
BAD CASE OF WRITER'S BLOCK, SO,
UH, MY HANDS ARE TIED.
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00:00:50,585 --> 00:00:52,752
♪ TICK-TOCK TICK-TOCK
♪ TICK-TOCK TICK-TOCK
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00:00:52,835 --> 00:00:56,168
♪ TICK-TOCK TICK-TOCK
♪ DETHKLOK! DETHKLOK! DETHKLOK!
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00:00:56,252 --> 00:00:59,502
DETHKLOK! ♪
Nathan: ♪ FALLING DOWN
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00:00:59,585 --> 00:01:01,418
♪ HURT YOURSELF
♪ REALLY GETTIN' HURT
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00:01:01,502 --> 00:01:03,210
♪ REALLY GETTIN'
♪ REALLY NOW
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00:01:03,293 --> 00:01:05,043
♪ IT'S --
CAN WE STOP THIS THING?!
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00:01:05,502 --> 00:01:06,418
Dick: OKAY, FINE.
WHAT'S GOING ON?
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00:01:07,418 --> 00:01:09,418
Nathan: I GUESS I'M JUST NOT
FEELING IT.
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00:01:09,502 --> 00:01:11,502
Dick: THAT "FALLIN' DOWN"
STUFF'S GOOD.
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00:01:11,585 --> 00:01:13,210
I MEAN, IT'S -- IT'S GOOD
ENOUGH.
27
00:01:13,293 --> 00:01:14,335
Pickles: DUDE, NATHAN.
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00:01:14,418 --> 00:01:16,126
WE'VE BEEN DOING DEMOS FOR 37
DAYS.
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00:01:16,210 --> 00:01:18,418
WHEN ARE YOU GONNA START FEELING
IT ALREADY?
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00:01:18,502 --> 00:01:18,919
Nathan: I DON'T KNOW.
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00:01:19,002 --> 00:01:20,794
Dick: CHECK IT OUT.
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00:01:20,877 --> 00:01:21,835
AMBER WAS FEELING IT.
33
00:01:21,919 --> 00:01:23,168
SHE WAS BOUNCING ON MY LAP.
34
00:01:23,252 --> 00:01:24,877
UP AND DOWN. UP AND DOWN.
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00:01:24,961 --> 00:01:25,877
RIGHT, AMBER?
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00:01:25,961 --> 00:01:27,043
DON'T TALK.
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00:01:27,126 --> 00:01:28,210
YOU KNOW THE RULES.
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00:01:28,293 --> 00:01:32,710
Skwisgaar: HEY, TRINITYS
AND HER SISTERS, QUADRUPLETIES,
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00:01:32,794 --> 00:01:35,377
WAS ALSOS REALLYS EXCITEDS.
40
00:01:35,460 --> 00:01:37,377
THEY GIVES ME A DOUBLES
BLOWJOBS.
41
00:01:37,460 --> 00:01:39,168
Nathan: MAYBE I NEED A
BLOWJOB, YOU KNOW?
42
00:01:39,252 --> 00:01:43,043
Dick: WELL, LET'S JUST TRY
TO WRITE AT LEAST ONE VERSE
43
00:01:43,126 --> 00:01:45,252
BEFORE WE BREAK FOR LUNCH, OKAY,
BABE?
44
00:01:45,335 --> 00:01:47,502
SEE, AMBER, I TOLD YOU I RAN
THIS ROOM.
45
00:01:47,585 --> 00:01:49,377
Nathan: WELL, ANY
SUGGESTIONS?
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00:01:49,460 --> 00:01:51,543
Dick: HOW ABOUT YOU WRITE
SOMETHING INVOLVING HURTIN'
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00:01:51,627 --> 00:01:52,418
YOURSELF --
Nathan: NO!
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00:01:52,502 --> 00:01:53,585
I MEANT FOR LUNCH.
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00:01:53,669 --> 00:01:54,543
Toki: OH, HOW ABOUTS WE GOS
TO THAT PLACE WHERE THEY GOTS
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00:01:54,627 --> 00:01:56,502
THOSE AWESOMES BURRITOS?
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00:01:56,585 --> 00:01:56,877
Pickles: OH, RIGHT.
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00:01:56,961 --> 00:01:58,126
MEXICO, RIGHT?
53
00:01:58,210 --> 00:02:00,460
Nathan: WE'RE GONNA HAVE TO
PUT SOME CLOTHES ON THESE SLUTS
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00:02:00,543 --> 00:02:02,126
IF WE'RE GONNA TAKE 'EM OUT IN
PUBLIC.
55
00:02:02,210 --> 00:02:03,002
Dick: ALL RIGHT.
WELL, LET'S CLOSE UP THE SHOP.
56
00:02:04,043 --> 00:02:06,210
I MEAN, I FEEL LIKE WE DID THAT
VERSE ALMOST.
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00:02:06,293 --> 00:02:08,085
[ TELEPHONE RINGING ]
Pickles: DUDE!
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00:02:08,168 --> 00:02:09,252
THAT PHONE NEVER RINGS.
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00:02:09,335 --> 00:02:11,585
Skwisgaar: THAT AMS THE
PHONES THAT MEANS SOMEBODYS AMS
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00:02:11,669 --> 00:02:14,961
GONNA GET FIREDS.
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00:02:15,043 --> 00:02:17,085
Charles: ALL RIGHT, LOOK,
THIS ISN'T EASY TO SAY, BUT
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00:02:17,168 --> 00:02:19,252
CRYSTAL MOUNTAIN RECORDS ISN'T
HAPPY WITH THE LATEST DEMOS.
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00:02:19,335 --> 00:02:20,502
I'M AFRAID YOU'RE FIRED, DICK.
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00:02:20,585 --> 00:02:21,418
Dick: WAIT A MINUTE.
ARE YOU FUCKING WITH ME?
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00:02:22,252 --> 00:02:23,919
Nathan: THEY CAN'T JUST FIRE
HIM.
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00:02:24,002 --> 00:02:24,585
HE'S AWESOME.
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00:02:24,669 --> 00:02:25,919
THAT'S DICK KNUBBLER OVER THERE.
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00:02:26,002 --> 00:02:26,335
Dick: YEAH.
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00:02:26,418 --> 00:02:27,418
THANK YOU, NATHAN.
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00:02:27,502 --> 00:02:29,210
Nathan: I MEAN, THEY -- THEY
CAN'T, CAN THEY?
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00:02:29,293 --> 00:02:30,085
CAN THEY FIRE HIM?
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00:02:30,168 --> 00:02:31,460
Charles: WELL, YES, THEY CAN,
NATHAN.
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00:02:31,543 --> 00:02:33,418
IN FACT, YOU'RE SO DEEPLY IN
DEBT TO THE LABEL FROM
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00:02:33,502 --> 00:02:36,043
DESTROYING THE LAST RECORD THAT
YOU ACTUALLY HAVE NO CHOICE IN
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00:02:36,126 --> 00:02:36,752
THE MATTER.
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00:02:36,835 --> 00:02:37,919
Pickles: THANKS A LOT,
NATHAN.
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00:02:38,002 --> 00:02:40,168
Nathan: IT'S NOT MY FAULT
THAT THE RECORD WASN'T PERFECT,
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00:02:40,252 --> 00:02:41,710
SO I HAD TO DESTROY IT, ALL
RIGHT?
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00:02:41,794 --> 00:02:42,252
DON'T BLAME ME.
Charles: MOVING ON.
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00:02:43,293 --> 00:02:44,961
YOUR NEW PRODUCER SHOULD BE HERE
ANY MINUTE.
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00:02:45,043 --> 00:02:46,085
Pickles: WHAT'S HIS NAME?
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00:02:46,168 --> 00:02:47,919
Dick: I'M STILL HERE IN THE
ROOM.
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00:02:48,002 --> 00:02:50,460
Crozier: HER NAME IS
ABIGAIL REMELTINDTDRINC, ALSO
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00:02:50,543 --> 00:02:54,126
KNOWN AS "THE RECORD CLEANER," A
MUSIC PRODUCER WITH AN EXTREMELY
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00:02:54,210 --> 00:02:55,252
SUCCESSFUL TRACK RECORD.
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00:02:55,335 --> 00:02:58,418
Orlaag: SHE'S KNOWN WITHIN
THE INDUSTRY AS A HARDHEADED
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00:02:58,502 --> 00:03:01,877
BATTLE-AX THAT BANDS HAVE BROKEN
UP OVER BECAUSE THEY CAN'T
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00:03:01,961 --> 00:03:04,794
HANDLE HER UNORTHODOX WAYS OF
WORKING.
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00:03:04,877 --> 00:03:06,168
Stampingston: TO SPEAK MORE
ON THIS IS "MISOGYNY IN THE"
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00:03:06,252 --> 00:03:09,835
"WORKPLACE" SPECIALIST
CAPTAIN SLUFGYFLAYSID.
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00:03:09,919 --> 00:03:13,877
MISOGYNY IN THE WORKPLACE IS
A DANGEROUS TIGHTROPE TO WALK,
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00:03:13,961 --> 00:03:16,002
ESPECIALLY IF YOU'RE A LADY.
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00:03:16,085 --> 00:03:20,126
MALE WORKERS ONLY SEE FEMALE
WORKERS AS THEIR MOMMIES OR
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00:03:20,210 --> 00:03:22,126
PAWNS FOR THEIR SEXUAL PLEASURE.
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00:03:22,210 --> 00:03:24,877
SUPER-HOT CHICKS GET THE WORST
OF THIS.
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00:03:24,961 --> 00:03:27,418
GENERALLY, GOOD LOOKIN' BITCHES
HAVE TROUBLE GETTING RESPECT
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00:03:27,502 --> 00:03:30,335
EVEN IF THEY'RE GOOD AT THEIR
JOB, WHICH THEY USUALLY AREN'T.
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00:03:30,418 --> 00:03:34,919
PUTTING A SEXY LITTLE BUTTERCUP
IN CHARGE OF DETHKLOK COULD
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00:03:35,002 --> 00:03:37,835
PROVE TO BE CALAMITOUS.
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00:03:37,919 --> 00:03:40,293
WELL, THIS IS SOME OPERATION
YOU HAVE GOING ON HERE.
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00:03:40,377 --> 00:03:43,043
YOU REALIZE YOU WERE SUPPOSED TO
BE IN THE STUDIO AN HOUR AGO.
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00:03:43,126 --> 00:03:46,168
Skwisgaar: YEAH, BUT, UH, YOU
KNOW, THIS AMS PART OF THE
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00:03:46,252 --> 00:03:47,502
CREATIVE PROSKESS, YOU KNOW?
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00:03:47,585 --> 00:03:48,794
LET'S TALK ABOUT THAT.
105
00:03:48,877 --> 00:03:50,002
Murderface: HEY!
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00:03:50,085 --> 00:03:52,543
WHAT DO YOU SAY YOU JUST LEAVE
THE CREATIVE STUFF UP TO US AND
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00:03:52,627 --> 00:03:54,377
GO FETCH US SOME DRINKS,
SWEETHEART?
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00:03:54,460 --> 00:03:56,835
[ LAUGHS ]
HOW ABOUT YOU FETCH THEM?
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00:03:56,919 --> 00:03:58,418
YOU'RE THE BASS PLAYER.
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00:03:58,502 --> 00:03:59,210
Nathan: OH, YOUCH.
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00:03:59,293 --> 00:04:02,543
MUST BE SOMEBODY'S TIME OF THE
MONTH.
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00:04:02,627 --> 00:04:04,961
Skwisgaar: VERYS FUNNYS.
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00:04:05,043 --> 00:04:06,043
HUH.
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00:04:06,126 --> 00:04:08,252
WHY DON'T YOU WALK ME THROUGH A
TYPICAL RECORDING DAY?
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00:04:08,335 --> 00:04:14,794
Nathan: WELL, WE WAKE UP
EARLY AROUND 2:00 P.M.
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00:04:14,877 --> 00:04:16,377
5:00 P.M. SOMETIMES.
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00:04:16,460 --> 00:04:19,335
WE HAVE AN IMPORTED BREAKFAST
FROM VIENNA.
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00:04:19,418 --> 00:04:21,835
Murderface: YEAH, THEN WE'LL
PROBABLY NAP AND THEN JACK OFF
119
00:04:21,919 --> 00:04:23,043
AND THEN ANOTHER NAP.
120
00:04:23,126 --> 00:04:26,126
Nathan: SOMETIMES WE'LL MAKE
IT IN THE STUDIO, BUT, YOU KNOW,
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00:04:26,210 --> 00:04:29,502
IT'S USUALLY AROUND BEDTIME, SO
WE GET REAL TIRED.
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00:04:29,585 --> 00:04:32,168
THEN, WELL, THEN WE GO BACK TO
BED.
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00:04:32,252 --> 00:04:36,126
GUYS, YOUR PROCESS IS
BULLSHIT
124
00:04:36,210 --> 00:04:38,877
Nathan: PARDON ME, UH,
ABGAIL, UH, MAY I TALK TO YOU
125
00:04:38,961 --> 00:04:42,335
OUTSIDE FOR ONE MOMENT, PLEASE?
126
00:04:42,418 --> 00:04:45,210
LISTEN, THIS IS DETHKLOK, AND
THIS IS MY BAND, OKAY?
127
00:04:45,293 --> 00:04:48,126
NATHAN, YOU GUYS ARE BURNT
OUT AND DEEP DOWN, YOU'RE
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00:04:48,210 --> 00:04:50,543
WORRIED THAT YOU DON'T HAVE
ANYTHING LEFT TO SAY.
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00:04:50,627 --> 00:04:51,710
Nathan: UM...
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00:04:51,794 --> 00:04:54,252
SO I'M SENDING YOU AND THE
BAND ON A MANDATORY VACATION TO
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00:04:54,335 --> 00:04:54,919
HOPEFULLY BECOME INSPIRED AGAIN.
132
00:04:55,002 --> 00:04:57,002
Murderface: YEAH, VACATION!
133
00:04:57,085 --> 00:04:58,293
Skwisgaar: YEAH, VACATIONS!
134
00:04:58,377 --> 00:04:59,627
Toki: KNOTT'S BERRYS FARM!
135
00:04:59,710 --> 00:05:00,418
I LOVES KNOTT'S BERRYS FARM.
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00:05:00,502 --> 00:05:01,877
Pickles: HE DIDN'T SAY
ANYTHING ABOUT
137
00:05:01,961 --> 00:05:02,919
KNOTT'S BERRY'S FARM.
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00:05:03,002 --> 00:05:03,585
Nathan: SHUT UP!
139
00:05:03,669 --> 00:05:05,002
YOU'RE NOT SUPPOSED TO BE HERE!
140
00:05:05,085 --> 00:05:07,794
'CAUSE THIS IS A PRIVATE
CONVERSATION!
141
00:05:07,877 --> 00:05:09,460
I'VE TAKEN CARE OF EVERYTHING
ALREADY.
142
00:05:09,543 --> 00:05:10,585
YOUR FLIGHT LEAVES TOMORROW.
143
00:05:10,669 --> 00:05:13,168
WHEN YOU GET BACK, WE'LL START
WORKING ON THE NEW ALBUM.
144
00:05:13,252 --> 00:05:15,252
SEE? I'M NOT SO BAD.
145
00:05:15,335 --> 00:05:16,043
WHO ARE YOU CALLING?
Dick: WHY DID YOU BRING ME
HERE?
146
00:05:16,961 --> 00:05:19,085
I MEAN, I THOUGHT I WAS FIRED.
147
00:05:19,168 --> 00:05:20,085
WHY AM I NOW HAVING A SECRET
MEETING WITH YOU?
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00:05:20,168 --> 00:05:21,252
Nathan: RIGHT. I UNDERSTAND.
149
00:05:21,335 --> 00:05:24,126
LOOK, I DON'T LIKE THIS NEW
PRODUCER, ALL RIGHT?
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00:05:24,210 --> 00:05:25,252
Dick: UH-HUH.
151
00:05:25,335 --> 00:05:27,293
Nathan: SHE'S RUBBING ME THE
WRONG WAY RIGHT OUT OF THE
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00:05:27,377 --> 00:05:28,085
GATES.
153
00:05:28,168 --> 00:05:29,168
AND YOU WANT YOUR JOB BACK,
RIGHT?
154
00:05:29,252 --> 00:05:30,085
Dick: UH-HUH.
Nathan: WE NEED TO GET RID OF
THIS LADY.
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00:05:31,002 --> 00:05:31,877
OKAY? YOU UNDERSTAND?
156
00:05:31,961 --> 00:05:34,794
Dick: ARE YOU IMPLYING THAT
WE MURDER HER?
157
00:05:34,877 --> 00:05:36,877
NATHAN, HOW COULD YOU SAY
SOMETHING LIKE THAT?
158
00:05:36,961 --> 00:05:39,460
I MEAN, THIS IS A HUMAN --
I MEAN, I KNOW SOME PEOPLE IF --
159
00:05:39,543 --> 00:05:41,252
Nathan: I'M NOT SAYING THAT,
OKAY?
160
00:05:41,335 --> 00:05:43,335
FIX THE DEMOS WHILE WE'RE GONE,
ALL RIGHT?
161
00:05:43,418 --> 00:05:44,543
Dick: UH-HUH.
162
00:05:44,627 --> 00:05:47,043
Nathan: THERE'S ENOUGH FOR
YOU TO WORK WITH, AND I KNOW IF
163
00:05:47,126 --> 00:05:49,919
YOU GET THOSE DEMOS INTO SHAPE,
YOU CAN GET YOUR JOB BACK AND
164
00:05:50,002 --> 00:05:51,168
GET RID OF THIS LADY, ALL RIGHT?
165
00:05:51,252 --> 00:05:52,210
Dick: SURE, YEAH.
166
00:05:52,293 --> 00:05:52,794
THOSE DEMOS.
I CAN -- TRUST ME. LISTEN.
167
00:05:53,877 --> 00:05:56,377
DICK KNUBBLER KNOWS HOW TO
HANDLE WOMEN, OKAY?
168
00:05:56,460 --> 00:06:00,293
AND, UH, I CAN -- I CAN GO OVER
AND TALK TO HER AND CHARM THE
169
00:06:00,377 --> 00:06:01,794
PANTS OFF OF HER AND --
Nathan: WHAT? NO!
170
00:06:01,877 --> 00:06:03,502
WORK ON THE DEMOS!
171
00:06:03,585 --> 00:06:04,835
DON'T TRY TO CHARM HER.
172
00:06:04,919 --> 00:06:05,919
YOU'RE TERRIBLE WITH WOMEN, ALL
RIGHT?
173
00:06:06,002 --> 00:06:07,961
JUST GET THE DEMOS WORKING.
174
00:06:08,043 --> 00:06:09,502
IT'S ABOUT WORKING HARD, OKAY?
175
00:06:09,585 --> 00:06:10,043
Dick: I UNDERSTAND...
176
00:06:10,126 --> 00:06:13,085
WHAT YOU REALLY MEAN.
177
00:06:13,168 --> 00:06:14,168
SECRET MESSAGE RECEIVED.
178
00:06:14,252 --> 00:06:19,418
Nathan: [ GROANS ]
OH, PRETTY HAIR.
179
00:06:19,502 --> 00:06:20,835
LIKE MY MOMMY.
180
00:06:20,919 --> 00:06:22,377
Nathan: UH, THANK YOU.
181
00:06:22,460 --> 00:06:25,210
WHAT ARE ALL THESE PEOPLE DOING
ON OUR PLANE?
182
00:06:25,293 --> 00:06:25,877
IT'S ALWAYS CROWDED IN COACH.
183
00:06:25,961 --> 00:06:27,835
Nathan: COACH?
184
00:06:27,919 --> 00:06:29,002
Pickles: I THINK THIS IS
HOW REGULAR JACK-OFFS FLY.
185
00:06:29,085 --> 00:06:31,210
[ CRYING ]
Nathan: UGH.
186
00:06:31,293 --> 00:06:32,002
FUCKING GROSS.
187
00:06:32,085 --> 00:06:33,794
Murderface: WHAT THE FUCK
IS THAT?
188
00:06:33,877 --> 00:06:36,085
Nathan: THERE ARE PEOPLE
AROUND US SHITTING THEIR PANTS!
189
00:06:36,168 --> 00:06:37,835
Skwisgaar: OH, BUT LOOKS AT
THIS.
190
00:06:37,919 --> 00:06:38,293
THIS AMS GOODS.
191
00:06:38,377 --> 00:06:39,835
CHECKS IT OUTS.
192
00:06:39,919 --> 00:06:40,877
IT AMS THE INTERNATIONALS SIGNS
FOR THE GROUPIE SLUTS.
193
00:06:40,961 --> 00:06:42,585
PRESS THAT BUTTONS.
194
00:06:42,669 --> 00:06:43,210
HERE THEY COMES.
195
00:06:43,293 --> 00:06:44,669
Murderface: LET ME TRY THAT.
196
00:06:44,752 --> 00:06:45,293
OH, HELLO.
197
00:06:45,377 --> 00:06:46,460
WHAT CAN I GET YOU, PLEASE?
198
00:06:46,543 --> 00:06:48,168
Murderface: I PRESSED THE
BUTTON, I'M NOT GONNA DEGRADE
199
00:06:48,252 --> 00:06:51,335
MYSELF BY, UH, ASKING FOR SEX.
200
00:06:51,418 --> 00:06:52,210
HELLO.
201
00:06:52,293 --> 00:06:54,002
OH, I'M AFRAID THAT'S NOT
GOING TO HAPPEN.
202
00:06:54,085 --> 00:06:56,002
Murderface: OH, HOW ABOUT
JUST A BLOWJOB?
203
00:06:56,085 --> 00:06:56,502
NO CHANCE!
Nathan: EXCUSE ME.
204
00:06:57,418 --> 00:06:59,043
YOU GO AND GET US SOME FOOD
AND BOOZE.
205
00:06:59,126 --> 00:07:00,961
NOW. GO. CHOP-CHOP.
206
00:07:01,043 --> 00:07:02,377
NOTHING IS FREE IN COACH,
MA'AM.
207
00:07:02,460 --> 00:07:04,252
Nathan: YEAH, WELL, YOU
KNOW WHAT?
208
00:07:04,335 --> 00:07:04,794
"MA'AM"?
Skwisgaar: "MA'AMS"?
209
00:07:05,794 --> 00:07:07,835
I DON'T CARE IF YOU POLISH UP
THE DEMOS.
210
00:07:07,919 --> 00:07:08,961
IT'S STILL NOT MY DECISION.
211
00:07:09,043 --> 00:07:09,669
THAT'S WHAT I'M TRYING TO SAY.
212
00:07:09,752 --> 00:07:11,460
Dick: YEAH, YEAH, THAT'S
FINE.
213
00:07:11,543 --> 00:07:12,418
I FIGURED. I FIGURED.
THAT'S COOL.
214
00:07:13,126 --> 00:07:14,877
WHY DID YOU BRING ME HERE?
215
00:07:14,961 --> 00:07:18,168
Dick: I WANTED TO TALK TO YOU
ABOUT SOMETHING ELSE, SOMETHING
216
00:07:18,252 --> 00:07:23,710
THAT FITS REAL NICE INTO A
HOT DOG BUN.
217
00:07:23,794 --> 00:07:25,377
AAH!
218
00:07:25,460 --> 00:07:26,043
Murderface: WHERE ARE WE?
219
00:07:26,126 --> 00:07:27,126
IS THIS A RESORT?
220
00:07:27,210 --> 00:07:29,168
YOU LADIES LOOK LOST.
221
00:07:29,252 --> 00:07:30,002
HOW MAY I HELP YOU?
222
00:07:30,085 --> 00:07:32,085
Nathan: YEAH, UH, WHERE'S OUR
BAGS?
223
00:07:32,168 --> 00:07:33,168
OH. LET ME CHECK.
224
00:07:33,252 --> 00:07:34,377
WHAT YOUR BAGS LOOK LIKE?
225
00:07:34,460 --> 00:07:35,794
Nathan: HOW WOULD I KNOW?
226
00:07:35,877 --> 00:07:36,710
I DIDN'T PACK 'EM.
227
00:07:36,794 --> 00:07:39,919
YOU NEVER PUT ANY BAGS ON
THE AIRPLANE?
228
00:07:40,002 --> 00:07:41,252
Nathan: THAT'S WHAT I'M
SAYING.
229
00:07:41,335 --> 00:07:43,126
I GUESS I'M ANSWERING MY OWN
QUESTION.
230
00:07:43,210 --> 00:07:45,293
[ WOLF-WHISTLES ]
YOU LOOKIN' PRETTY GOOD OVER
231
00:07:45,377 --> 00:07:45,710
THERE!
YEAH, BABY!
232
00:07:46,335 --> 00:07:47,460
I WANT TO FUCK YOU!
233
00:07:47,543 --> 00:07:48,502
YOU LOOKIN' HOT!
234
00:07:48,585 --> 00:07:50,502
Toki: WHY AMS THOSE MENS
GAWKS AT US LIKES THAT?
235
00:07:50,585 --> 00:07:51,669
YOU'LL HAVE TO EXCUSE THEM.
236
00:07:51,752 --> 00:07:55,835
THEY'RE NOT USED TO SEEING SUCH
BEAUTIFUL WOMEN IN PUBLIC.
237
00:07:55,919 --> 00:07:57,002
Nathan: HUH.
238
00:07:57,085 --> 00:07:58,961
HEY, UH, I KNOW WE FORGOT TO
BRING MONEY AND STUFF, BUT LET'S
239
00:07:59,043 --> 00:08:04,752
GO GET A HOTEL AND SOME FOOD,
OKAY?
240
00:08:04,835 --> 00:08:06,752
THIS VACATION SUCKS!
241
00:08:06,835 --> 00:08:08,252
YOU KNOW, IT'S ALL THAT STUPID
LADY PRODUCER'S FAULT.
242
00:08:08,335 --> 00:08:09,418
SHE DID THIS TO US ON PURPOSE!
243
00:08:09,502 --> 00:08:13,002
Pickles: WELL, MAYBE IF YOU
HADN'T DESTROYED THE RECORD...
244
00:08:13,085 --> 00:08:14,085
Nathan: ALL RIGHT.
245
00:08:14,168 --> 00:08:16,418
Pickles: ...IN THE FIRST
PLACE, WE WOULDN'T BE HERE,
246
00:08:16,502 --> 00:08:17,168
NATHAN EXPLOSION!
247
00:08:17,252 --> 00:08:18,710
Nathan: I SAID I WAS SORRY!
248
00:08:18,794 --> 00:08:20,085
Pickles: NO, YOU DIDN'T EVER
SAY YOU WERE SORRY.
249
00:08:20,168 --> 00:08:21,335
Nathan: IT WAS IMPLIED!
250
00:08:21,418 --> 00:08:24,085
Pickles: I'D LIKE TO ADD TO
THE RECORD THAT YOU'RE STILL NOT
251
00:08:24,168 --> 00:08:25,085
SAYING YOU'RE SORRY.
252
00:08:25,168 --> 00:08:27,210
Nathan: YOU KNOW THAT I HAVE
AN APOLOGY PROBLEM!
253
00:08:27,293 --> 00:08:31,126
[ TIRES SCREECH ]
GET IN THE VAN!
254
00:08:31,210 --> 00:08:32,168
ALL OF YOU!
255
00:08:32,252 --> 00:08:34,377
Toki: THIS DOESN'T LOOKS
GOODS!
256
00:08:34,460 --> 00:08:35,377
I'M SCAREDS!
Skwisgaar: WHATS THE FUCKS
AM WE DOINGS HERES?
257
00:08:36,043 --> 00:08:37,961
Nathan: I DON'T KNOW.
258
00:08:38,043 --> 00:08:40,502
I CAN SEE THAT YOU ARE
CONFUSED AS TO WHY I HAVE
259
00:08:40,585 --> 00:08:41,752
BROUGHT YOU HERE.
260
00:08:41,835 --> 00:08:48,460
WELL, EVER SINCE I ACCIDENTALLY
BEHEADED MY BAND, I HAVE GROWN
261
00:08:48,543 --> 00:08:50,919
TIRED OF MY WOMEN.
262
00:08:51,002 --> 00:08:55,377
SO, THE TIME HAS COME FOR A
FRESH CROP.
263
00:08:55,460 --> 00:08:58,835
THAT IS WHY I'M MAKING YOU GIRLS
PART OF MY HAREM.
264
00:08:58,919 --> 00:09:02,877
HAVE YOU EVER SEEN SUCH A
WONDERFUL PACK OF HORNY SLUTS?
265
00:09:02,961 --> 00:09:03,919
NO, SIRE.
266
00:09:04,002 --> 00:09:07,877
THESE FILTHY WHORES WILL NO
DOUBT PLEASE YOU MOST
267
00:09:07,961 --> 00:09:08,585
SATISFACTORILY.
268
00:09:08,669 --> 00:09:11,168
WELL, THAT'S ENOUGH CHITCHAT.
269
00:09:11,252 --> 00:09:15,335
I NOW COMMAND YOU TO TAKE YOUR
CLOTHES OFF AND SUCK MY DICK
270
00:09:15,418 --> 00:09:16,168
Pickles: WHAT?
Nathan: WHAT?
271
00:09:17,210 --> 00:09:19,252
Pickles: THERE MUST BE SOME
MISTAKE, YOUR --
272
00:09:19,335 --> 00:09:20,085
SILENCE!
273
00:09:20,168 --> 00:09:21,794
Murderface: I HAVE A
MUSTACHE!
274
00:09:21,877 --> 00:09:23,293
LOWER YOUR GAZE, WOMAN!
275
00:09:23,377 --> 00:09:25,210
Nathan: WE ARE NOT LADIES.
276
00:09:25,293 --> 00:09:26,835
LISTEN TO MY VOICE.
277
00:09:26,919 --> 00:09:27,877
"NOT LADIES"?
278
00:09:27,961 --> 00:09:31,335
Skwisgaar: WE AMS A FAMOUS
BAND CALLED DETHKLOKS.
279
00:09:31,418 --> 00:09:38,085
[ BOTH WHISPERING INDISTINCTLY ]
IF YOU ARE INDEED THE GREAT
280
00:09:38,168 --> 00:09:42,335
DETHKLOK, THEN YOU WILL BE
SPARED IF YOU CAN PLAY A
281
00:09:42,418 --> 00:09:46,126
BRAND-NEW SONG THAT NO ONE HAS
EVER HEARD BEFORE.
282
00:09:46,210 --> 00:09:48,502
OTHERWISE, YOU WILL STILL HAVE
TO SUCK MY DICK
283
00:09:48,585 --> 00:09:50,252
Pickles: YOU HEAR THAT,
NATHAN?
284
00:09:50,335 --> 00:09:52,919
WE'VE GOT TO WRITE A BRAND-NEW
SONG RIGHT HERE ON THE SPOT.
285
00:09:53,002 --> 00:09:55,043
Nathan: PICKLES, YOU KNOW I'M
LOW ON IDEAS.
286
00:09:55,126 --> 00:09:57,210
Pickles: I AM NOT GONNA SUCK
THIS GUY'S DICK
287
00:09:57,293 --> 00:09:58,377
Skwisgaar: ME NEITHER.
288
00:09:58,460 --> 00:09:59,377
NATHANS, COME ON.
289
00:09:59,460 --> 00:10:01,293
Nathan: I DON'T WANT TO WRITE
ANOTHER SONG.
290
00:10:01,377 --> 00:10:13,585
[ LAUGHS ]
[ ZIPPER UNZIPS ]
291
00:10:13,669 --> 00:10:17,043
♪ WALKING, BLEEDING
♪ LURCHING, SEETHING
292
00:10:17,126 --> 00:10:20,543
♪ DYING FROM THE DAWN OF TIME
♪ FESTER WEAKLING
293
00:10:20,627 --> 00:10:24,210
♪ CURSED LIKE A DEMON
♪ TO WALK THIS EARTH ALIVE
294
00:10:24,293 --> 00:10:25,543
♪ CHASTE AND CAST OUT
♪ WAITING TO BLAST OUT
295
00:10:25,627 --> 00:10:30,168
♪ A LIFE LIVED PATRONIZED
♪ LIBERATION
296
00:10:30,252 --> 00:10:32,418
♪ BLACKENED EVASION
♪ SCYTHE AND MEDEA
297
00:10:32,502 --> 00:10:34,418
♪ PUNISHMENT IS NEAR
♪ I SEE YOU
298
00:10:34,502 --> 00:10:38,168
♪ I CURSE YOU
♪ TO FEEL MY HEART
299
00:10:38,252 --> 00:10:41,168
♪ I HATE YOU
♪ I AM YOU
300
00:10:41,252 --> 00:10:45,919
♪ DOOMED TO THIS EARTH
AAH!
301
00:10:46,002 --> 00:10:48,043
AAH!
302
00:10:48,126 --> 00:10:50,543
AAH!
303
00:10:50,627 --> 00:10:53,877
THIS SOUNDS LIKE THE WORK OF
A DESPERATE COKED-OUT LUNATIC.
304
00:10:53,961 --> 00:10:54,460
Dick: UH-HUH.
305
00:10:54,543 --> 00:10:55,627
YEAH, YEAH, YEAH. AND?
306
00:10:55,710 --> 00:10:57,710
WHAT I'M TELLING YOU IS THIS
MUSIC IS NOT GONNA WORK, BUT
307
00:10:57,794 --> 00:11:00,919
YOUR ENGINEERING IS PRETTY
OUTSTANDING, AND I NEED AN
308
00:11:01,002 --> 00:11:01,710
ENGINEER, SO YOU'RE HIRED IF YOU
WANT.
309
00:11:01,794 --> 00:11:04,002
Dick: I KNEW YOU'D COME
AROUND!
310
00:11:04,085 --> 00:11:06,752
GIVE ME A --
OOOOOOH!
311
00:11:06,835 --> 00:11:08,835
HERE COME THAT PUKEY FEELING.
312
00:11:08,919 --> 00:11:09,877
ALWAYS HAPPENS.
313
00:11:09,961 --> 00:11:14,210
♪ HOW CAN YOU STILL BE ALIVE?
314
00:11:14,293 --> 00:11:16,418
♪ HOW CAN YOU STILL BE...
23788
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