Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:04,335 --> 00:00:08,043
ON A MUTILATED MISSION
TO INFLICT MERCILESS PAIN
2
00:00:08,126 --> 00:00:10,876
SACRIFICE YOUR SOUL
TO THE DEITY OF DETH
3
00:00:10,960 --> 00:00:14,251
SHE'S CONCOCTED YOUR MURDER
AND YOU'VE LOST ALL YOUR DEFENSE
4
00:00:14,335 --> 00:00:17,210
TRY
BUT YOU CAN'T HIDE
5
00:00:17,293 --> 00:00:20,168
THE HUNT IS ON
YOUR LIFE IS GONE
6
00:00:20,251 --> 00:00:22,210
CASTRATIKRON
EYES
7
00:00:22,293 --> 00:00:25,460
THEY WILL GO BLIND
IF LOOKED BEYOND
8
00:00:25,543 --> 00:00:33,960
YOUR SOUL IS GONE
CASTRATIKRON ♪
9
00:00:37,085 --> 00:00:44,001
>> [ROARING]
>> NATHAN!
10
00:00:44,085 --> 00:00:45,293
NATHAN, LOOK!
11
00:00:45,376 --> 00:00:47,168
CAN YOU GET US BACKSTAGE?
12
00:00:47,251 --> 00:00:48,710
WE'LL MAKE IT WORTH YOUR WHILE!
13
00:00:48,793 --> 00:00:51,418
WE'LL TOTALLY SUCK YOUR HOG!
14
00:00:51,501 --> 00:00:53,085
>> NATHAN!
15
00:00:53,168 --> 00:00:55,210
>> YEAH, WE'LL TOTALLY
GANG-BANG YOU!
16
00:00:55,043 --> 00:00:56,251
ALL OF US WILL!
17
00:00:56,085 --> 00:00:57,168
NATHAN!
18
00:00:57,251 --> 00:00:58,918
CUT OUR FACES OFF!
19
00:00:59,001 --> 00:01:00,751
CUT MY ARMS OFF!
20
00:01:00,835 --> 00:01:02,835
>> UH...
21
00:01:02,918 --> 00:01:04,835
I--I--I CAN'T.
22
00:01:04,918 --> 00:01:06,168
>> WHAT'S HE SAYING?
23
00:01:06,251 --> 00:01:07,460
>> WHAT'S HE SAYING?!
24
00:01:07,543 --> 00:01:08,335
>> I CAN'T.
25
00:01:08,418 --> 00:01:11,876
I HAVE A GIRLFRIEND NOW.
26
00:01:11,960 --> 00:01:13,126
>> NO!
27
00:01:13,210 --> 00:01:14,293
NO!
28
00:01:14,376 --> 00:01:16,793
>> ♪ DO ANYTHING FOR DETHKLOK
DO ANYTHING FOR DETHKLOK
29
00:01:16,876 --> 00:01:19,335
DO ANYTHING FOR DETHKLOK
DO ANYTHING FOR DETHKLOK
30
00:01:19,418 --> 00:01:22,168
DO ANYTHING FOR DETHKLOK ♪
>> ♪ DETHKLOK, DETHKLOK
31
00:01:22,251 --> 00:01:24,626
DETHKLOK, DETHKLOK ♪
>> ♪ I'LL
32
00:01:24,710 --> 00:01:27,168
TEACH YOU
WHO
33
00:01:27,251 --> 00:01:29,918
ROCK
DETHKLOK, DETHKLOK! ♪
34
00:01:30,001 --> 00:01:32,335
>> ♪ SKWISGAAR SKWIGELF
TALLER THAN A TREE
35
00:01:32,418 --> 00:01:35,085
TOKI WARTOOTH
NOT A BUMBLE BEE
36
00:01:35,168 --> 00:01:37,543
WILLIAM MURDERFACE
MURDERFACE, MURDERFACE
37
00:01:37,626 --> 00:01:39,335
PICKLES THE DRUMMER
DOODILY DOO, DING-DONG
38
00:01:39,418 --> 00:01:41,710
DOODILY DOODILY DOO
NATHAN EXPLOSION ♪
39
00:01:41,793 --> 00:01:48,043
[CAPTIONING MADE POSSIBLE BY
TURNER ENTERTAINMENT GROUP]
40
00:01:48,126 --> 00:01:50,710
>> [WOMEN GIGGLING]
>> HEY, NATE.
41
00:01:50,793 --> 00:01:51,793
WHAT THE HELL?
42
00:01:51,876 --> 00:01:54,085
AIN'T YOU GONNA GET PAINTED BY
NAKED LADIES WITH US?
43
00:01:54,168 --> 00:01:55,168
>> NO.
44
00:01:55,251 --> 00:01:56,751
I'M--I'M COOL.
45
00:01:56,835 --> 00:02:00,126
>> ALWAYS YOUS GETS PAINTED BY
NAKED LADY, HUH?
46
00:02:00,210 --> 00:02:01,043
YOU LOVES IT.
47
00:02:01,126 --> 00:02:03,210
>> I WANT TO GO NOW!
48
00:02:03,293 --> 00:02:04,251
>> WHAT THE HELLS, NATHAN?
49
00:02:04,335 --> 00:02:07,001
YOU BRING YOUR GIRLFRIENDS
BACKSTAGE?
50
00:02:07,085 --> 00:02:12,126
>> SHE KNOW HOW--WHERE IT IS,
YOU KNOW, SO...
51
00:02:12,210 --> 00:02:15,126
>> SHE'S PROBABLY KEEPING WATCH
LIKE A HAWK.
52
00:02:15,210 --> 00:02:18,210
>> IT'S ANOTHER JUDGMENTAL BIRD
FACE BAND-WRECKER.
53
00:02:18,043 --> 00:02:19,001
>> WHAT?
54
00:02:19,085 --> 00:02:19,876
>> WHAT? NOTHING.
55
00:02:19,960 --> 00:02:20,626
GOD, YOU'RE PARANOID.
56
00:02:20,710 --> 00:02:21,543
OH, THERE'S MY DRINK OVER THERE.
57
00:02:21,626 --> 00:02:22,418
GOTTA GO!
58
00:02:22,501 --> 00:02:23,501
>> YOUS GONNA HANGS OUT.
59
00:02:23,585 --> 00:02:24,376
COME ON.
60
00:02:24,460 --> 00:02:25,335
>> WE GOTTA GO.
61
00:02:25,418 --> 00:02:27,585
WE GOT PLANS WITH MY PARENTS,
REMEMBER?
62
00:02:27,668 --> 00:02:31,460
>> YEAH, I WISH I COULD, BUT--
>> LET'S GO.
63
00:02:31,543 --> 00:02:39,960
>> [GRUNTING]
FEEL, UH, FREE TO HELP ME OUT
64
00:02:41,043 --> 00:02:43,126
WITH THIS.
65
00:02:43,210 --> 00:02:45,168
>> THE WORLD SEEMS TO BE GOING
CRAZY OVER THE WHIRLWIND ROMANCE
66
00:02:45,251 --> 00:02:47,918
OF DETHKLOK FRONTMAN NATHAN
EXPLOSION AND CELEBRITY
67
00:02:48,001 --> 00:02:52,460
PERSONALITY REBECCA NIGHTROD,
NOW SIMPLY KNOWN AS NATEBECCA OR
68
00:02:52,543 --> 00:02:54,210
REBESPLOSION.
69
00:02:54,043 --> 00:02:56,293
DESPITE THE THOUSANDS OF FEMALE
SUICIDES, IT LOOKS LIKE THE
70
00:02:56,376 --> 00:02:59,126
WORLD HAS COME TO EMBRACE THE
JOINING OF THESE TWO MEDIA
71
00:02:59,210 --> 00:03:00,418
MONSTERS.
72
00:03:00,501 --> 00:03:03,251
NO TALK OF BABIES YET, BUT WE'VE
DONE SOME WORK ON OUR OWN AND
73
00:03:03,335 --> 00:03:07,168
ARE READY TO SHOW THE WORLD WHAT
THE METAL BABY GOD MIGHT LOOK
74
00:03:07,251 --> 00:03:08,876
LIKE.
75
00:03:08,960 --> 00:03:12,543
>> IT APPEARS THAT NATHAN
EXPLOSION HAS FOUND HIMSELF
76
00:03:12,626 --> 00:03:14,210
A GIRLFRIEND.
77
00:03:14,293 --> 00:03:16,043
>> A CELEBRITY GIRLFRIEND.
78
00:03:16,126 --> 00:03:20,085
>> HER NAME IS REBECCA NIGHTROD,
AND SHE'S A WORLD-CLASS TENNIS
79
00:03:20,168 --> 00:03:23,168
PLAYER TURNED SITCOM ACTOR/
MODEL.
80
00:03:23,251 --> 00:03:25,376
>> AND HER FATHER IS A DECORATED
DIGNITARY.
81
00:03:25,460 --> 00:03:27,793
VERY INFLUENTIAL IN THE
POLITICAL WORLD.
82
00:03:27,876 --> 00:03:31,126
>> GENTLEMEN, CELEBRITY
RELATIONSHIP EXPERT HORACE
83
00:03:31,210 --> 00:03:34,376
MARMINGBLAT WIMPLESTEIN JR.
>> WHEN TWO HIGH-PROFILE
84
00:03:34,460 --> 00:03:36,876
CELEBRITIES BEGIN A
RELATIONSHIP, IT CAN UPSET THE
85
00:03:36,960 --> 00:03:38,418
BALANCE OF THE WORLD.
86
00:03:38,501 --> 00:03:40,751
THE JOINING OF THESE TWO
MONUMENTAL EGOS CAN CREATE A
87
00:03:40,835 --> 00:03:43,710
SOCIOLOGICAL SUPERNOVA THAT
OVERSHADOWS WORLDLY EVENTS AND
88
00:03:43,793 --> 00:03:48,251
SHIFTS THE PERSPECTIVE FROM
IMPORTANCE TO PERIPHERAL.
89
00:03:48,085 --> 00:03:50,335
THE GOOD NEWS IS THAT THIS MAKES
THE AMERICAN PUBLIC EVEN MORE
90
00:03:50,418 --> 00:03:53,918
STUPID AND MALLEABLE, BUT THE
BAD NEWS IS THAT IT MAKES THEM,
91
00:03:54,001 --> 00:03:57,210
THE COUPLE, THOUSANDS OF TIMES
MORE POWERFUL, AND WE CANNOT
92
00:03:57,043 --> 00:03:58,210
HAVE THAT.
93
00:03:58,293 --> 00:04:00,376
>> WHAT DO YOU SUGGEST WE DO
ABOUT THIS?
94
00:04:00,460 --> 00:04:03,251
>> WE HAVE ONE THING IN OUR
FAVOR--THE MALE SEX DRIVE.
95
00:04:03,335 --> 00:04:06,126
YOU SEE, WHEN A MAN WHO CAN HAVE
ANY WOMAN HE WANTS ENTERS INTO
96
00:04:06,210 --> 00:04:09,793
AN EXCLUSIVE RELATIONSHIP, HE'S
FORCED TO CONSIDER THAT WHICH HE
97
00:04:09,876 --> 00:04:11,168
IS LEAVING BEHIND.
98
00:04:11,251 --> 00:04:13,376
COMBINE THAT WITH REBECCA
NIGHTROD'S TIGHT PUBLIC HOLD ON
99
00:04:13,460 --> 00:04:17,668
EXPLOSION, AND WE COULD CREATE A
RELATIONSHIP TORNADO.
100
00:04:17,751 --> 00:04:19,293
>> YES.
101
00:04:19,376 --> 00:04:21,876
>> GENTLEMEN, HAVE YOU HEARD OF
THE UNITED STATES PORNOGRAPHY
102
00:04:21,960 --> 00:04:22,835
AWARDS?
103
00:04:22,918 --> 00:04:24,293
>> I'VE READ REPORTS.
104
00:04:24,376 --> 00:04:26,918
>> THIS IS THE BIGGEST ADULT
FILM EVENT OF THE YEAR.
105
00:04:27,001 --> 00:04:29,585
I BELIEVE THAT IF WE CAN INVOLVE
DETHKLOK IN PARTICIPATING, THEN
106
00:04:29,668 --> 00:04:32,668
WE MAY HAVE A CHANCE AT TEMPTING
NATHAN EXPLOSION AND TEARING HIS
107
00:04:32,751 --> 00:04:34,585
RELATIONSHIP APART.
108
00:04:34,668 --> 00:04:37,168
>> I FEEL THAT THIS WOULD WORK
BETTER IF I WERE THERE--
109
00:04:37,251 --> 00:04:39,168
AT THE PORNOGRAPHY AWARDS.
110
00:04:39,251 --> 00:04:40,960
>> PERHAPS I SHOULD GO, TOO.
111
00:04:41,043 --> 00:04:43,626
>> I THINK THAT I SHOULD BE
THERE, TOO.
112
00:04:43,710 --> 00:04:45,376
>> I WILL GO, TOO.
113
00:04:45,460 --> 00:04:47,501
>> NO.
114
00:04:47,585 --> 00:04:51,293
YOU'RE NOT ALLOWED TO GO.
115
00:04:51,376 --> 00:04:54,835
>> SO, YOU'VE BEEN CORDIALLY
INVITED TO HOST AT THE UNITED
116
00:04:54,918 --> 00:04:57,126
STATES PORNOGRAPHY AWARDS.
117
00:04:57,210 --> 00:04:58,835
>> THAT'S WHAT I'M TALKING
ABOUT!
118
00:04:58,918 --> 00:05:00,543
THERE'S GONNA BE SO MUCH
KISSING!
119
00:05:00,626 --> 00:05:02,085
>> NOT, UH, THE MOST
DISTINGUISHED EVENT.
120
00:05:02,168 --> 00:05:03,418
I ADVISE WE PASS.
121
00:05:03,501 --> 00:05:05,626
MOVING ON, WE HAVE A BUNCH OF--
>> [BLEEP] THAT.
122
00:05:05,710 --> 00:05:06,751
I'M GOING.
123
00:05:06,835 --> 00:05:07,585
>> YEAH, WHAT ARE YOU?
124
00:05:07,668 --> 00:05:08,501
A EUNUCH?
125
00:05:08,585 --> 00:05:09,501
SIGN US UP!
126
00:05:09,585 --> 00:05:11,501
>> THEY'RE NOT PAYING YOU, AND
YOU'D LOSE MONEY.
127
00:05:11,585 --> 00:05:12,668
>> SO? [BLEEP] THAT!
128
00:05:12,751 --> 00:05:14,251
I PAY THEM FOR THIS.
129
00:05:14,085 --> 00:05:17,918
I JUST WANTS TO MAKE OUT WITH
THEMS BEAUTIFUL GIRLS.
130
00:05:18,001 --> 00:05:19,835
>> WELL, UH, FINANCIALLY
SPEAKING--
131
00:05:19,918 --> 00:05:22,210
>> HEY, LISTEN, MR. NUMBERS.
132
00:05:22,293 --> 00:05:27,001
UH, SOMETIMES YOU GOTTA JUST DO
SOMETHING BECAUSE YOUR HEART
133
00:05:27,085 --> 00:05:29,751
TELLS YOU IT'S THE RIGHT THING
TO DO.
134
00:05:29,835 --> 00:05:31,418
>> GOTS TO LISTEN TO YOUR
HEARTS.
135
00:05:31,501 --> 00:05:32,793
>> NOW SIGNS US UP.
136
00:05:32,876 --> 00:05:33,918
NAKED LADIES!
137
00:05:34,001 --> 00:05:35,668
OH, WOWEE!
138
00:05:35,751 --> 00:05:36,418
>> IT'S UNANIMOUS.
139
00:05:36,501 --> 00:05:37,585
>> NATHAN.
140
00:05:37,668 --> 00:05:39,168
[REBECCA SCREAMING ON PHONE]
>> YEAH, I KNOW, I'M SORRY.
141
00:05:39,251 --> 00:05:40,710
I JUST--I DIDN'T UNDERSTAND THAT
MADE YOU MAD.
142
00:05:40,793 --> 00:05:43,001
I DIDN'T KNOW THAT MADE YOU MAD.
143
00:05:43,085 --> 00:05:44,626
SEE, NOW I KNOW.
144
00:05:44,710 --> 00:05:46,626
WELL, I'M NOT PERFECT.
145
00:05:46,710 --> 00:05:49,043
I WILL TAKE YOU TO BED,
BATH & BEYOND.
146
00:05:49,126 --> 00:05:50,918
I DON'T KNOW MY SCHEDULE YET.
147
00:05:51,001 --> 00:05:51,710
>> NATHAN.
148
00:05:51,793 --> 00:05:52,918
>> OH, CAN I CALL YOU BACK?
149
00:05:53,001 --> 00:05:54,085
BAND MEETING.
150
00:05:54,168 --> 00:05:55,251
NO, YOU'RE IMPORTANT, TOO.
151
00:05:55,335 --> 00:05:56,293
>> STOP YELLING AT ME!
152
00:05:56,376 --> 00:05:57,751
>> NO, I'M NOT YELLING.
153
00:05:57,835 --> 00:05:59,251
I AM NOT YELLING.
154
00:05:59,085 --> 00:06:00,085
OK.
155
00:06:00,168 --> 00:06:01,210
>> I LOVE YOU!
156
00:06:01,043 --> 00:06:03,043
>> I HMPH YOU, TOO.
157
00:06:03,126 --> 00:06:03,876
>> OK, BYE.
158
00:06:03,960 --> 00:06:04,710
>> ALL RIGHT, BYE.
159
00:06:04,793 --> 00:06:07,710
[BEEP]
YOU DICKS GOT A PROBLEM?
160
00:06:07,793 --> 00:06:08,876
>> NO.
161
00:06:08,960 --> 00:06:09,835
>> ALL RIGHT.
162
00:06:09,918 --> 00:06:11,210
NATHAN, THE UNITED STATES
PORNOGRAPHY AWARDS.
163
00:06:11,293 --> 00:06:12,210
ARE YOU IN OR OUT?
164
00:06:12,293 --> 00:06:13,626
>> HE'S IN. RIGHT?
165
00:06:13,710 --> 00:06:14,835
>> WELL, HE MIGHT NOT BE.
166
00:06:14,918 --> 00:06:16,835
YOU SEE, HE HAS A GIRLFRIEND
NOW, AND SHE MIGHT NOT
167
00:06:16,918 --> 00:06:17,668
ENJOY THE IDEA.
168
00:06:17,751 --> 00:06:19,335
>> LISTEN, I CAN DO WHATEVER
I WANT.
169
00:06:19,418 --> 00:06:20,585
I'M [BLEEP] GOING!
170
00:06:20,668 --> 00:06:22,960
[CELL PHONE RINGS]
HELLO.
171
00:06:23,043 --> 00:06:24,501
>> I THOUGHT WE WERE GOING TO
BED, BATH & BEYOND!
172
00:06:24,585 --> 00:06:26,126
>> YES, WE'RE STILL GOING TO
BED, BATH & BEYOND.
173
00:06:26,210 --> 00:06:27,126
>> WHEN?
174
00:06:27,210 --> 00:06:28,168
>> SOON!
175
00:06:28,251 --> 00:06:36,668
>> YOU GUYS NOTICE THAT NATHAN'S
BEEN ACTING WEIRD LATELY, HUH?
176
00:06:40,668 --> 00:06:42,126
I'MS GETTING WORRIED.
177
00:06:42,210 --> 00:06:45,168
UNITED STATES PORNOGRAPHY AWARDS
IN TWO DAYS AND NATHAN HASN'T
178
00:06:45,251 --> 00:06:46,210
BEEN TO REHEARSAL.
179
00:06:46,293 --> 00:06:47,335
>> THAT'S LADIES FOR YOU.
180
00:06:47,418 --> 00:06:49,876
THEY ROB YOU OF YOUR VERY
ESSENCE.
181
00:06:49,960 --> 00:06:51,126
THEY'RE SOUL MURDERERS!
182
00:06:51,210 --> 00:06:53,251
>> SHE'S NOT GOOD ENOUGH
FOR HIMS.
183
00:06:53,085 --> 00:06:56,835
I HATES HER, YET I WOULD TOTALLY
DOS HER.
184
00:06:56,918 --> 00:06:58,501
>> YEAH. ME, TOO.
185
00:06:58,585 --> 00:07:01,293
SO STRANGE IS THIS MIND OF MEN.
186
00:07:01,376 --> 00:07:03,126
>> YEAH, MY LITTLE FRIEND.
187
00:07:03,210 --> 00:07:07,501
WE ARE SO EVOLVED, YET OUR
ANIMALISTIC INSKINCTS ALWAYS
188
00:07:07,585 --> 00:07:09,626
REMIND US OF WHO WE TRULY ARE.
189
00:07:09,710 --> 00:07:14,751
>> MENS ART BEASTS AND WOMENS--
THE DEMONS OF TONIGHT.
190
00:07:14,835 --> 00:07:17,835
[DOOR OPENS AND CLOSES]
>> HEY.
191
00:07:17,918 --> 00:07:18,918
YOU FEELING ALL RIGHT?
192
00:07:19,001 --> 00:07:21,210
>> AW, DID SHE BREAK UP WITH
YOU?
193
00:07:21,043 --> 00:07:21,960
>> NO.
194
00:07:22,043 --> 00:07:22,835
>> DAMN IT!
195
00:07:22,918 --> 00:07:26,001
>> BUT I HAVE SOME BAD NEWS!
196
00:07:26,085 --> 00:07:30,876
I CAN'T GO TO THE UNITED STATES
PORNOGRAPHY AWARDS.
197
00:07:30,960 --> 00:07:32,210
I'M NOT ALLOWED.
198
00:07:32,043 --> 00:07:35,085
>> DUDE, BUT IF YOU CAN'T GO,
THEN WE CAN'T PLAY,
199
00:07:35,168 --> 00:07:37,043
AND WE'RE DON'T--WE CAN'T GO!
200
00:07:37,126 --> 00:07:38,501
WE CAN'T GO!
201
00:07:38,585 --> 00:07:40,210
>> I'M SORRY.
202
00:07:40,043 --> 00:07:42,251
>> I WANTED TO KISS THE GIRLS!
203
00:07:42,085 --> 00:07:44,085
>> I WANT TO DIE.
204
00:07:44,168 --> 00:07:46,085
>> WHY?!
205
00:07:46,168 --> 00:07:47,085
>> YOU DON'T UNDERSTAND!
206
00:07:47,168 --> 00:07:48,210
SHE WON'T LET ME!
207
00:07:48,085 --> 00:07:51,751
>> YOUR RELATIONSHIP IS MESSING
WITH OUR LIVES!
208
00:07:51,835 --> 00:07:56,210
OUR LIVES.
209
00:07:56,043 --> 00:07:57,210
>> YOU BASTARD.
210
00:07:57,293 --> 00:07:59,585
WHY YOU MAKES ME DO THIS?
211
00:07:59,668 --> 00:08:04,085
>> WHA--
OH!
212
00:08:04,168 --> 00:08:06,085
WHAT THE HELL ARE YOU GUYS
DOING?
213
00:08:06,168 --> 00:08:10,085
I CAN'T MOVE!
214
00:08:10,168 --> 00:08:11,835
>> YEAH.
215
00:08:11,918 --> 00:08:14,251
FUNNY THING ABOUT BEING TIED
DOWN...
216
00:08:14,085 --> 00:08:15,168
>> AAGH!
217
00:08:15,251 --> 00:08:17,335
>> IT'S HARD TO KEEP YOUR
DEFENSES UP.
218
00:08:17,418 --> 00:08:18,751
>> OOH!
219
00:08:18,835 --> 00:08:23,251
WHY ARE YOU DOING THIS?
220
00:08:23,335 --> 00:08:27,168
>> YOU'VE BEEN BLINDED BY
A MANIPULATIVE COW, AND WE ARE
221
00:08:27,251 --> 00:08:28,918
HERE TO SAVE YOU.
222
00:08:29,001 --> 00:08:30,210
TASER HIM.
223
00:08:30,293 --> 00:08:32,960
>> WHOA!
224
00:08:33,043 --> 00:08:34,126
WHOA!
225
00:08:34,210 --> 00:08:35,251
STOP! STOP!
226
00:08:35,335 --> 00:08:37,876
WHOA, WHOA, WHOA!
227
00:08:37,960 --> 00:08:38,960
>> STOP.
228
00:08:39,043 --> 00:08:40,960
TAKE 5 ON THE JUICE, TOKI.
229
00:08:41,043 --> 00:08:41,835
>> WHOA!
230
00:08:41,918 --> 00:08:45,251
>> YOUR ATTITUDE IS
UNACCEPTABLE.
231
00:08:45,335 --> 00:08:49,751
[MUMBLING]
WHY DO YOU LIKE THAT LADY?
232
00:08:49,835 --> 00:08:52,668
>> EVERY TIME WE SEE YOU WITH
HER, YOU LOOK LIKE A BEATEN DOG.
233
00:08:52,751 --> 00:08:54,126
AROOOO!
234
00:08:54,210 --> 00:08:55,085
>> FINE.
235
00:08:55,168 --> 00:08:57,043
YOU WANT THE TRUTH?
236
00:08:57,126 --> 00:08:58,335
I HATE THAT LADY.
237
00:08:58,418 --> 00:09:00,418
>> YOU HATE HER, AND YET YOU ARE
WITH HER?
238
00:09:00,501 --> 00:09:01,251
WHY?!
239
00:09:01,335 --> 00:09:03,043
>> I DON'T KNOW!
240
00:09:03,126 --> 00:09:04,085
>> TOKI.
241
00:09:04,168 --> 00:09:05,710
>> NO!
242
00:09:05,793 --> 00:09:07,335
IT'S THE MOST BRUTAL THING EVER.
243
00:09:07,418 --> 00:09:09,376
IT'S NOT LIKE REGULAR HATE.
244
00:09:09,460 --> 00:09:11,668
IT'S SO MUCH MORE BLACK!
245
00:09:11,751 --> 00:09:14,835
IF SHE WERE A STREET GANG, I'D
[BLEEP] GO TO WAR WITH HER WITH
246
00:09:14,918 --> 00:09:16,418
BOTTLES AND CHAINS.
247
00:09:16,501 --> 00:09:18,043
BUT THIS IS DIFFERENT.
248
00:09:18,126 --> 00:09:20,210
THERE'S NOTHING I CAN DO.
249
00:09:20,043 --> 00:09:21,126
>> THERE'S NOTHING YOU CAN DO?
250
00:09:21,210 --> 00:09:23,210
THERE'S NOTHING YOU CAN DO?!
251
00:09:23,293 --> 00:09:26,793
>> I COULD POSSIBLY BREAK UP
WITH HER, BUT DEAR GOD, MAN, YOU
252
00:09:26,876 --> 00:09:28,668
DON'T KNOW WHAT SHE'S LIKE.
253
00:09:28,751 --> 00:09:30,168
WHAT IF SHE WON'T LET ME?
254
00:09:30,251 --> 00:09:33,251
[CLICKING]
YOU'RE RIGHT.
255
00:09:33,085 --> 00:09:34,168
YOU'RE RIGHT!
256
00:09:34,251 --> 00:09:35,418
OH, GOD, YOU'RE RIGHT!
257
00:09:35,501 --> 00:09:37,543
I'M SORRY!
258
00:09:37,626 --> 00:09:39,668
I'M SORRY!
259
00:09:39,751 --> 00:09:41,710
OHH...
260
00:09:41,793 --> 00:09:43,543
I'M SORRY.
261
00:09:43,626 --> 00:09:45,251
HEY, REBECCA.
262
00:09:45,335 --> 00:09:48,168
I THINK YOU AND I REALLY NEED TO
TALK.
263
00:09:48,251 --> 00:09:49,126
LISTEN.
264
00:09:49,210 --> 00:09:53,918
YOU AND AND I ARE TWO VERY GREAT
AND VERY DIFFERENT PEOPLE.
265
00:09:54,001 --> 00:09:57,668
>> HOLD ON FOR A [BLEEP] SECOND,
TONTO.
266
00:09:57,751 --> 00:09:59,126
WH--WHOA!
267
00:09:59,210 --> 00:10:00,085
OH!
268
00:10:00,168 --> 00:10:02,376
OH--OH, I'M OK.
269
00:10:02,460 --> 00:10:03,710
I'M OK.
270
00:10:03,793 --> 00:10:07,168
AAGH!
271
00:10:07,251 --> 00:10:11,626
[GRUNTING]
AAGH!
272
00:10:11,710 --> 00:10:18,168
[GRUNTING]
UHH!
273
00:10:18,251 --> 00:10:21,085
>> WELL, SHE'S IN A COMA, AND IF
YOU WANT TO TALK TO HER, SHE CAN
274
00:10:21,168 --> 00:10:22,043
HEAR YOU.
275
00:10:22,126 --> 00:10:23,251
WHATEVER.
276
00:10:23,335 --> 00:10:28,085
>> REBECCA, I DON'T FEEL LIKE I
EVER REALLY TALKED TO YOU
277
00:10:28,168 --> 00:10:31,710
BECAUSE, YOU KNOW, YOU DIDN'T
LET ME.
278
00:10:31,793 --> 00:10:34,751
BUT I JUST WANTED TO SAY I WAS
GOING TO BREAK UP WITH YOU BACK
279
00:10:34,835 --> 00:10:39,126
THERE, AND NOW SINCE YOU'RE IN
A COMA, I REALLY DON'T HAVE TO.
280
00:10:39,210 --> 00:10:41,418
YOU'RE, LIKE, THE ULTIMATE
GIRLFRIEND RIGHT NOW, AND I
281
00:10:41,501 --> 00:10:44,251
DON'T--I DON'T WANT TO LOSE
THAT, YOU KNOW?
282
00:10:44,335 --> 00:10:48,835
BUT, UH, TONIGHT ARE THE UNITED
STATES PORNOGRAPHY AWARDS, AND,
283
00:10:48,918 --> 00:10:53,668
UH, I KNOW YOU DIDN'T REALLY
LIKE THE IDEA OF ME GOING, BUT I
284
00:10:53,751 --> 00:10:57,168
FEEL LIKE WE'VE GROWN SO MUCH
SINCE THEN.
285
00:10:57,251 --> 00:11:00,460
AND, UH, IF YOU STILL DON'T WANT
ME TO GO, PLEASE...
286
00:11:00,543 --> 00:11:04,418
PLEASE SAY SOMETHING RIGHT NOW.
287
00:11:04,501 --> 00:11:09,210
>> AND NOW THE AWARDS FOR THE
BEST USE OF A DILDO.
288
00:11:09,293 --> 00:11:12,085
>> "ON GOLDEN DILDO."
289
00:11:12,168 --> 00:11:17,043
>> "GILDO DILDO A ROONEY ROO!"
>> "DILDO LIPS: THE KISSING
290
00:11:17,126 --> 00:11:19,210
DILDO."
291
00:11:19,043 --> 00:11:26,043
>> AND THE, UH, WINNER GOES TO
"DILDO TEAM TASK FORCE Z."
292
00:11:26,126 --> 00:11:27,210
>> CHIRP.
293
00:11:27,043 --> 00:11:29,168
[CAPTIONING MADE POSSIBLE BY
TURNER ENTERTAINMENT GROUP]
294
00:11:29,251 --> 00:11:30,418
[CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
295
00:11:30,501 --> 00:11:31,876
--www.ncicap.org--]
20556
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof