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>> [SIGHS]
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UH...
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[SIGHS]
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>> COME ON, MAN!
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PLAY SOMETHING!
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>> [SIGHS]
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>> THIS IS THE LAST PIECE OF
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FOOTAGE WE'VE SEEN OF THE BAND.
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THEY'RE CALLING IT THE CONCERT
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THAT DETHKLOK DIDN'T PLAY.
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RUMORS ARE CIRCULATING,
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CANCELLED TOUR DATES, NO PUBLIC
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APPEARANCE--HAS THE BAND THROWN
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IN THE TOWEL?
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>> THEM BOYS,
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THEY GOT THE BLUES.
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>> ♪ DO ANYTHING FOR DETHKLOK
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DO ANYTHING FOR DETHKLOK
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DO ANYTHING FOR DETHKLOK
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DO ANYTHING FOR DETHKLOK
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DO ANYTHING FOR DETHKLOK ♪
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>> ♪ DETHKLOK, DETHKLOK
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DETHKLOK, DETHKLOK ♪
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>> ♪ I'LL
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TEACH YOU
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WHO
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ROCK
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DETHKLOK!
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DETHKLOK! ♪
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>> ♪ SKWISGAAR SKWIGELF
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TALLER THAN A TREE
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TOKI WARTOOTH
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NOT A BUMBLE BEE
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WILLIAM MURDERFACE
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MURDERFACE, MURDERFACE
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PICKLES THE DRUMMER
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DOODILY DOO, DING-DONG
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DOODILY DOODILY DOO
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NATHAN EXPLOSION ♪
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[CAPTIONING MADE POSSIBLE BY
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TURNER ENTERTAINMENT GROUP]
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[SIGHS]
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>> CAN YOU PASS THAT PROZAC
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SHAKER?
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>> OH!
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THIS IS SOY ICE CREAM.
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SKWISGAAR!
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>> [SIGHS]
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MAYBE I'M NOT PLERCRICT.
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>> AT LEAST THEY'RE NOT THE
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FATTEST, UGLIEST LEAD SINGER
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ALIVE WITH HORRIBLE SKIN.
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>> MY LORDS, THIS MAN BREACHED
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THE GATES OF MORDHAUS.
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SHALL I KILL HIM?
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>> HOW DID HE GETS IN HERE?
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>> WELL, I'M A BLUES MAN.
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HA HA.
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A BLUES MAN FIND HIS WAY IN
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ANYWHERE.
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>> WHO ARE YOU?
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>> I'M MASHED POTATO JOHNSON.
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AND I WANT TO HELP YOU.
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>> DETHKLOK IS IN A CELEBRITY
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DEPRESSION.
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THIS COULD BE MONUMENTALLY BAD.
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>> COULD THIS CELEBRITY
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DEPRESSION BE THE END OF
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DETHKLOK?
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>> WELL, IT'S DIFFICULT TO
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SPECULATE.
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GENTLEMEN, CELEBRITY DEPRESSION
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EXPERT VINCENZO DE ALIMAMALA
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CORNINGSTON III.
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>> MANY CELEBRITIES BECOME
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CELEBRITIES BECAUSE WORLD
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RECOGNITION IS THE ONLY THING
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THAT PULLS THEM OUT OF THE
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HORRIBLY DEPRESSING REALITIES OF
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LIVING.
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THEY NO LONGER LIVE IN REALITY.
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ANYTHING COULD SEND THEM
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SPIRALING INTO A DEPRESSION--
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A BAD PHOTO, A SLICE OF PIZZA
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BEFORE SLEEPING--AND THEIR
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WORLD CAN IMMEDIATELY TURN
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UPSIDE DOWN!
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THUS THEY TURN OUTSIDE FORCES TO
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ENLIGHTEN THEM, SUCH AS SHAMEN
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OR GURUS.
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>> AND WHO DO YOU BELIEVE
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DETHKLOK WILL TURN TO?
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>> MASHED POTATO JOHNSON.
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HE'S THE OLDEST LIVING BLUES
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GUITARIST.
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THEY SAY HE MADE A DEAL WITH THE
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DEVIL--STANDARD BLUES MUSICIAN
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RAP SHEET.
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>> ALL DUE RESPECT, WHY SHOULD
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WE BE WORRIED ABOUT DETHKLOK
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LEARNING THE WAYS OF THE BLUES?
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>> BECAUSE THE BLUES ARE JUST AS
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CURSED AS THIS METAL IS.
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>> THE DEVIL HIMSELF IS AT THE
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HELM OF THIS MUSIC.
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>> IF DETHKLOK EMBRACES THEIR
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DEPRESSION, WE COULD ALL BE IN
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GREAT DANGER.
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>> WE WILL LET DETHKLOK EXPLORE
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THIS NEW TERRITORY.
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[HARMONICA PLAYING]
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[BIRD CAWING]
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>> OH!
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IT MUST BE 200 DEGREES.
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OH, [BLEEP] THIS [BLEEP].
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I'M TAKING OFF MY [BLEEP]
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SHIRT OFF.
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>> WHAT?
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WHERE ARE WE?
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>> WE'RE IN THE SOUTH--
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THE BIRTHPLACE OF THE BLUES.
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>> WELL, IT'S TOO [BLEEP] HOT.
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AND I'M TAKING MY SHIRT OFF.
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MY GOD.
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I HAVE LET MYSELF GO.
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>> WELL, YOU HAVE PUT ON A FEW
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POUND-A-ROONIS.
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>> YOU'RE, UH, NOT SUPPOSED TO
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AGREE WITH ME, DICK-BRAIN.
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>> WHAT ARE WE EVEN DOING IN
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THIS HORRIBLE MICROWAVES?
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I DOESN'T CARE NOTHING ABOUT
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THIS BLOUSE.
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>> THE BLUES.
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>> YEAH.
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BUT ALL I CARES ABOUT IS DARK
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AND BRUTAL.
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>> YOU WANT TO KNOW DARK AND
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BRUTAL?
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COME WITH ME.
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THIS HERE WHERE THE BLUES BEGAN,
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RIGHT HERE WHERE WE'RE STANDING.
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BLIND HARLAN DAVENPORT KILLED
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HIS WIFE, BURIED HER IN THAT
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CHICKEN COOP RIGHT THERE.
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THAT NIGHT, HE RECORDED "WIFE
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GONE ON THE FUNERAL TRAIN
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BLUES."
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NEXT MORNING, THE POLICE SHOT
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HIM IN THE EYE 52 TIMES.
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THIS IS WHERE SMOKY TOE BROWN
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WAS SAVAGELY BEATEN FOR SLEEPING
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WITH HIS NEIGHBOR'S WIFE SHORTLY
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BEFORE HE RECORDED "TRAIN, LEAVE
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THIS STATION BLUES."
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THEY SAY HIS GHOST COME BACK TO
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LIFE AND KILLED HIS NEIGHBOR,
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PITCH-FORKED HIS INTESTINES, AND
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HUNG THEM ON THE TREE.
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EVERYBODY KNOWS
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"SHORTY TURNYTOP" MADE A DEAL
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WITH THE DEVIL.
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HE WAS HIT BY A TRAIN AT THIS
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EXACT SPOT.
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AS HIS HEAD TRAVELED IN THE AIR,
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HE WROTE "BLUES TRAIN BLUES."
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>> ALLS THEY SINGS ABOUT IS
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TRAINS.
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>> IS THERE ANYTHING ELSE REALLY
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TO TALK ABOUT?
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HA HA.
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COME ON.
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THIS HERE IS WHERE MUSTARD TITS
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THE MURDER MASTER BROWN
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SLAUGHTERED 22 MEN JUST FOR
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BEING UGLY.
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HE WENT ON TO RECORD "HERE COME
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THAT TRAIN A-COMING BLUES."
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NOW, THE FIRST RULE OF THE BLUES
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IS TRANSLATING THAT FEELING,
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MAKING SOMEBODY FEEL JUST AS BAD
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AS YOU.
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NOW, I WANT Y'ALL TO PAIR UP.
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WE GONNA HAVE A BLUES-GIVING
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SESSION.
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[HARMONICA PLAYING]
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>> DUDE, HAS ANYBODY GOT ANY
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SPF?
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I'M VERY IRISH-AMERICAN.
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>> REAL BLUESMAN GET A SUNBURN.
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NOW, GO ON, NATHAN.
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YOU GIVE MURDERFACE THEM BLUES!
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>> OK, UH.
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ALL RIGHT, ALL RIGHT.
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UH, HEY, DOG-FACE,
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WHY DON'T YOU GO EAT SOME DOG
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FOOD AND EAT YOUR OWN THROW-UP,
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'CAUSE YOU'RE A DOG-FACE.
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>> JEEZ, NATHAN!
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A LITTLE BELOW THE BELT.
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I GUESS I REALLY DO HAVE A
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DOG-FACE.
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MAYBE I SHOULD THROW UP AND EAT
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IT.
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>> GOOD!
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NOW YOU FEELING THEM BLUES.
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YOU GO ON NOW, MURDERFACE.
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>> OK.
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HEY, THIN-LIPS,
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WHY DON'T YOU GO...
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MAKE OUT WITH GLENN CLOSE AND,
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UH, AND GO AND BRING HER ACADEMY
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AWARD AND SHOVE IT UP YOUR
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[BLEEP] ASS.
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THAT'S GREAT.
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>> MAYBE YOU'RE RIGHT.
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MAYBE I SHOULD USE MY CRAPPY
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THIN LIPS AND MAKE OUT WITH
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GLENN CLOSE.
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>> NOW, SKWISGAAR,
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LET'S TALK ABOUT BLUES GUITAR.
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>> I ONLY PLAYS METAL.
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IT'S EMBARRASSED FOR US TO EVEN
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HAVE THIS GRANDSPA'S GUITARS.
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>> THAT'S BECAUSE YOU DON'T KNOW
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HOW TO MAKE THE BLUES SOUND.
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WHY DON'T YOU TRY TO PLAY THIS.
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[PLAYS BLUESY RIFF]
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[PLAYING FAST ARPEGGIOS]
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THAT'S CLOSE.
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ONE MORE TIME.
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TRY TO PLAY THIS.
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[SLIDES UP TO NOTE, HOLDS IT,
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STRUMS]
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[PLAYING FAST SCALES]
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>> WE CAN'T NOTS PLAYS FAST
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PHYSICALLY.
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>> YEAH, IT'S HARD.
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>> ALL RIGHT.
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LET'S TRY SOMETHING ELSE.
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[PLAYING SLOWLY]
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>> OH!
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I GOTS THE HIT IN THE BALLS WITH
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THE TRAIN CINDER BLOCK RIGHT IN
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THE BALLS!
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>> NOW, NATHAN,
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I WANT YOU TO PLAY ME SOME BLUES
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HARMONICA.
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>> I DON'T HAVE A BLUES
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HARMONICA.
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>> WELL, THAT'S OK.
252
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YOU CAN USE MINE.
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LICK IT.
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>> I'M SORRY, WHAT?
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>> A REAL BLUES MAN GET A FLAVOR
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FOR HIS HARP.
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NOW, YOU GO ON AND LICK THAT
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THING.
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NOW, YOU PLAY THEM BLUES.
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[TOOT]
261
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>> THERE.
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I'M FINISHED.
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>> WHAT?!
264
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YOU'VE HARDLY PLAYED THAT THING
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AT ALL.
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>> YEAH, WELL, I MEAN, I--
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I GOT IT.
268
00:07:43,918 --> 00:07:45,085
>> NOW, YOU BOYS COME A LONG
269
00:07:45,168 --> 00:07:46,543
WAY, BUT SOME OF YOU MIGHT NOT
270
00:07:46,626 --> 00:07:48,335
KNOW, DOWN HERE IN MISSISSIPPI,
271
00:07:48,418 --> 00:07:49,918
THERE'S EVIL.
272
00:07:50,001 --> 00:07:52,085
THE BLUES DEVIL LIVE DOWN HERE.
273
00:07:52,168 --> 00:07:53,460
IF YOU WANT TO BE A REAL BLUES
274
00:07:53,543 --> 00:07:55,793
MAN, YOU GOTTA SELL YOUR SOUL TO
275
00:07:55,876 --> 00:07:57,751
THE DEVIL.
276
00:07:57,835 --> 00:08:03,126
[BIRD CAWING]
277
00:08:03,210 --> 00:08:11,626
[THUNDER]
278
00:08:22,168 --> 00:08:23,543
>> I UNDERSTAND YOU WISH TO
279
00:08:23,626 --> 00:08:25,126
BARGAIN YOUR ETERNAL SOULS FOR
280
00:08:25,210 --> 00:08:26,293
BLUES FAME.
281
00:08:26,376 --> 00:08:27,751
>> YEAH, UH...
282
00:08:27,835 --> 00:08:30,043
HEY, FANCY-PANTS, WE'RE
283
00:08:30,126 --> 00:08:31,460
DETHKLOK.
284
00:08:31,543 --> 00:08:34,835
WE'RE KIND OF FAMOUS ALREADY.
285
00:08:34,918 --> 00:08:35,501
>> OH, COME ON.
286
00:08:35,585 --> 00:08:36,376
WE'RE SUPPOSED TO DO THIS TO
287
00:08:36,460 --> 00:08:37,710
BECOME, YOU KNOW, THE BLUES
288
00:08:37,793 --> 00:08:38,876
GUYS.
289
00:08:38,960 --> 00:08:40,085
SIR, SORRY.
290
00:08:40,168 --> 00:08:42,210
HEY, WE, UH, WISH TO BARGAIN
291
00:08:42,043 --> 00:08:43,460
OUR SOULS, YOU KNOW, HA,
292
00:08:43,543 --> 00:08:44,501
FOR WHATEVER.
293
00:08:44,585 --> 00:08:45,501
>> VERY WELL.
294
00:08:45,585 --> 00:08:46,543
YOU UNDERSTAND THEN THAT YOU
295
00:08:46,626 --> 00:08:47,668
WILL HAVE TO SIGN A BINDING
296
00:08:47,751 --> 00:08:48,835
CONTRACT.
297
00:08:48,918 --> 00:08:51,210
>> WELL, SEE, OUR LAWYER IS NOT
298
00:08:51,043 --> 00:08:52,043
HERE.
299
00:08:52,126 --> 00:08:52,960
>> WELL, IT'S NOT LIKE WE
300
00:08:53,043 --> 00:08:54,210
HAVEN'T NEGOTIATED A CONTRACTED
301
00:08:54,085 --> 00:08:54,835
BEFORE.
302
00:08:54,918 --> 00:08:55,585
>> HOLD ON.
303
00:08:55,668 --> 00:08:56,751
PAGE 4, THE LANGUAGE IS KIND OF
304
00:08:56,835 --> 00:08:57,668
MURKY.
305
00:08:57,751 --> 00:08:58,418
THAT'S GONNA HAVE TO BE
306
00:08:58,501 --> 00:08:59,168
REWRITTEN.
307
00:08:59,251 --> 00:09:00,460
I'M SEEING OTHER REVISIONS, TOO.
308
00:09:00,543 --> 00:09:01,376
PAGE 7...
309
00:09:01,460 --> 00:09:02,501
>> ...IN ADVANCE NOT INCLUDABLE
310
00:09:02,585 --> 00:09:03,835
OF ALL AND/OR ANY MONIES...
311
00:09:03,918 --> 00:09:06,210
>> ...POINT 8% OF ALL SALES
312
00:09:06,293 --> 00:09:08,168
PRORATED BECAUSE OF BACK END...
313
00:09:08,251 --> 00:09:09,168
>> ...BEHAVIOR SYSTEM
314
00:09:09,251 --> 00:09:10,251
IS 16.9%...
315
00:09:10,335 --> 00:09:11,751
>> ...GOTTA DO IS PIGGYBACK SAID
316
00:09:11,835 --> 00:09:13,293
SALES ONTO RECOUPABLE SOURCES,
317
00:09:13,376 --> 00:09:14,376
I.E...
318
00:09:14,460 --> 00:09:15,376
>> ...7% OF THE BACK END ON YOUR
319
00:09:15,460 --> 00:09:16,835
SOUL, AND YOU, IN TURN, WILL GET
320
00:09:16,918 --> 00:09:19,210
THIS $5.00 GIFT CARD FOR
321
00:09:19,043 --> 00:09:20,710
HOT TOPIC.
322
00:09:20,793 --> 00:09:22,168
>> I CAN LIVES WITH THAT.
323
00:09:22,251 --> 00:09:23,460
>> I'M GONNA SLEEP ON IT AND
324
00:09:23,543 --> 00:09:25,085
CONTACT A NOTARY.
325
00:09:25,168 --> 00:09:26,168
>> I'M A NOTARY.
326
00:09:26,251 --> 00:09:27,501
>> I'M GONNA SLEEP ON IT.
327
00:09:27,585 --> 00:09:29,210
TAKE CARE, GUYS.
328
00:09:29,043 --> 00:09:30,210
>> I LIKE HIM.
329
00:09:30,043 --> 00:09:31,126
>> WE CAN'T EVEN GET THE BLUES
330
00:09:31,210 --> 00:09:32,210
RIGHT.
331
00:09:32,043 --> 00:09:34,168
OH, IT'S MAKING ME DEPRESSED.
332
00:09:34,251 --> 00:09:35,543
>> WE HAVE ONE FINAL THING TO DO
333
00:09:35,626 --> 00:09:37,918
AND YOUR JOURNEY OF THE BLUES IS
334
00:09:38,001 --> 00:09:39,085
COMPLETE.
335
00:09:39,168 --> 00:09:40,668
YOU GOTTA PLAY A SHOW.
336
00:09:40,751 --> 00:09:41,960
>> BUT WE CAN'T!
337
00:09:42,043 --> 00:09:43,168
WE'RE NOT READY!
338
00:09:43,251 --> 00:09:44,501
>> OH, HELL, YOU READY.
339
00:09:44,585 --> 00:09:45,418
>> BUT IT'S UNPOSSIBLE.
340
00:09:45,501 --> 00:09:48,126
NO BACK-STAGE, NO CHAMPAGNES,
341
00:09:48,210 --> 00:09:50,251
NOS POTATO SALAD IN THE SHAPE OF
342
00:09:50,085 --> 00:09:51,251
A DEAD LADIES.
343
00:09:51,085 --> 00:09:52,210
WE DON'T EVEN HAVE THE CONCERTS
344
00:09:52,293 --> 00:09:53,251
BOOK.
345
00:09:53,085 --> 00:09:54,251
>> IT DON'T MATTER.
346
00:09:54,085 --> 00:09:55,335
YOU GO TO WHERE PEOPLE ARE AND
347
00:09:55,418 --> 00:09:57,543
YOU PLAY THEM BLUES.
348
00:09:57,626 --> 00:10:02,960
[AIRY IMPROV GUITAR MUSIC PLAYS]
349
00:10:03,043 --> 00:10:05,043
THIS'LL DO JUST FINE.
350
00:10:05,126 --> 00:10:07,335
>> DIRTY, WORTHLESS HIPPIES.
351
00:10:07,418 --> 00:10:09,710
>> THIS, GUYS, IS WAY TOO HAPPY.
352
00:10:09,793 --> 00:10:10,918
>> MAKE 'EM WISH THEY WAS NEVER
353
00:10:11,001 --> 00:10:11,918
BORN.
354
00:10:12,001 --> 00:10:13,085
GIVE 'EM THE BLUES.
355
00:10:13,168 --> 00:10:14,668
>> SOMEBODY SLAP MY SUNBURNED
356
00:10:14,751 --> 00:10:15,710
BACK.
357
00:10:15,793 --> 00:10:17,293
AAGH!
358
00:10:17,376 --> 00:10:19,543
I CAN FEEL PAIN AGAIN.
359
00:10:19,626 --> 00:10:21,001
I'M READY.
360
00:10:21,085 --> 00:10:22,460
>> WE JUST RECEIVED SOME VERY
361
00:10:22,543 --> 00:10:25,085
AWESOME AND RAD NEWS, EVERYBODY.
362
00:10:25,168 --> 00:10:27,168
DETHKLOK HAS RETURNED TO THE
363
00:10:27,251 --> 00:10:28,210
PUBLIC.
364
00:10:28,293 --> 00:10:29,585
[HOWLS]
365
00:10:29,668 --> 00:10:30,710
YEAH!
366
00:10:30,793 --> 00:10:31,668
>> WE'RE HERE TO PLAY SOME
367
00:10:31,751 --> 00:10:33,251
MISSISSIPPI DELTA BLUES.
368
00:10:33,085 --> 00:10:35,251
WE'RE IN A HORRIBLE DEPRESSION,
369
00:10:35,085 --> 00:10:36,835
AND I GOTTA ADMIT IT:
370
00:10:36,918 --> 00:10:39,293
WE'RE STARTING TO LIKE IT.
371
00:10:39,376 --> 00:10:40,793
♪ HERE COMES THE SOUL COLLECTING
372
00:10:40,876 --> 00:10:42,793
TRAIN OF MURDER A-COMIN'
373
00:10:42,876 --> 00:10:43,960
IT LONGS TO TAKE YOUR PUTRID
374
00:10:44,043 --> 00:10:46,460
BLACKENED SOUL AWAY FROM YOU
375
00:10:46,543 --> 00:10:47,043
YOUR FACE WILL LEAVE
376
00:10:47,126 --> 00:10:47,960
YOUR ROTTING HEAD
377
00:10:48,043 --> 00:10:48,918
IN THE EARLY MORNING ♪
378
00:10:49,001 --> 00:10:49,626
>> MY GOD!
379
00:10:49,710 --> 00:10:50,501
IT'S SO DEPRESSING!
380
00:10:50,585 --> 00:10:51,335
>> ♪ YOUR GUTS WILL LEAVE YOUR
381
00:10:51,418 --> 00:10:52,043
CORPSE, YOUR SPINE WILL BREAK
382
00:10:52,126 --> 00:10:53,001
AND CRACK IN TWO ♪
383
00:10:53,085 --> 00:10:53,918
>> AAGH!
384
00:10:54,001 --> 00:10:54,626
>> AAGH!
385
00:10:54,710 --> 00:10:55,418
>> ♪ IT CANNOT BE STOPPED
386
00:10:55,501 --> 00:10:56,085
THE TRAIN IS FUELED BY CHOPPED
387
00:10:56,168 --> 00:10:57,001
BODIES FILLED WITH SORROW
388
00:10:57,085 --> 00:10:57,585
THERE IS NO TOMORROW
389
00:10:57,668 --> 00:10:58,251
TICKET IS YOUR LIFE
390
00:10:58,335 --> 00:10:59,085
ENDED BY A KNIFE
391
00:10:59,168 --> 00:11:00,251
CALLED THE MURDER TRAIN
392
00:11:00,085 --> 00:11:02,626
ETERNITY OF PAIN
393
00:11:02,710 --> 00:11:03,293
OH, YEAH
394
00:11:03,376 --> 00:11:04,210
YOU KNOW
395
00:11:04,043 --> 00:11:06,251
WHAT I'M TALKING ABOUT ♪
396
00:11:06,085 --> 00:11:07,210
[CAPTIONING MADE POSSIBLE BY
397
00:11:07,293 --> 00:11:08,418
TURNER ENTERTAINMENT GROUP]
398
00:11:08,501 --> 00:11:11,585
♪ THERE IS NO ESCAPE BUT DEATH
399
00:11:11,668 --> 00:11:13,335
YOUR LIFE IS JUST
400
00:11:13,418 --> 00:11:16,376
A MURDER TRAIN A-COMIN' ♪
401
00:11:16,460 --> 00:11:17,835
[CAPTIONED BY THE NATIONAL
402
00:11:17,918 --> 00:11:19,085
CAPTIONING INSTITUTE
403
00:11:19,168 --> 00:11:20,460
--www.ncicap.org--]
404
00:11:20,543 --> 00:11:24,335
♪ NOW PLAY THOSE BLUES ♪
405
00:11:24,418 --> 00:11:26,376
>> CHIRP.
24638
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