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>> THEY WERE KNOWN AS
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SNAKES N' BARRELS--
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A TOUGH GROUP OF ROCK THUGS FROM
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THE WRONG SIDE OF THE TRACKS,
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WITH A RAVENOUS MADMAN AT THE
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FOREFRONT, A MAN SIMPLY KNOWN AS
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PICKLES, WHO EVENTUALLY BECAME
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THE LEGENDARY PERCUSSIONIST FOR
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DETHKLOK.
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BUT YEARS EARLIER, PICKLES WAS A
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YOUNG MIDWESTERNER ON A
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DUST-COVERED BUS HEADED
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TOWARDS L.A.
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>> THIS BOY COULDN'T HAVE BEEN
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OLDER THAN 16 WALKED RIGHT INTO
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MY PAWN SHOP LOCATED ON FAIRFAX
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AND WILSON, AND HE SAID, "GIMME
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A GUITAR."
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AND I SAID, "OH, WE GOT THIS
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SWEET OLD JAZZ BOX GUITAR."
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AND HE SAID, "NO!
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I WANT THAT GIBSON LES PAUL
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GOLD-TOP WITH THE HUMBUCKERS."
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NOW, THE WAY THAT HE TOLD ME
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THAT, I JUST KNEW THAT HE MEANT
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BUSINESS.
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AND I WAS LIKE, "UH-OH.
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HERE COMES--THIS GONNA BE BIG."
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>> AND THE MUSICAL PERSISTENCE
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OF THE YOUNG MAN PAID OFF.
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WITHIN MONTHS, HE HAD HIS OWN
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BAND SIGNED TO A MAJOR LABEL.
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THIS WAS THE BEGINNING OF
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SNAKE N' BARRELS.
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RECORD SALES WERE THROUGH
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THE ROOF, BUT THE CONSTANT
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TOURING TOOK ITS TOLL ON
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SNAKES N' BARRELS, AND DRUG
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USE BECAME A REGULAR PART
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OF THEIR LIVES.
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>> "ANTONIO SHOT HEROIN INTO HIS
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BALLS AGAIN THIS MORNING.
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HE SAYS THIS TIME IT WAS AN
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ACCIDENT.
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I'M SURE WE'LL HAVE THE USUAL
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DIFFICULTIES ON STAGE TONIGHT.
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I KNOW I SOUND LIKE A BROKEN
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RECORD, BUT I NEED HEAVIER
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MUSIC."
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>> THE SCOURGE OF DRUGS WOULD
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FORCE SNAKES N' BARRELS TO
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DISBAND NEARLY OVERNIGHT AT THE
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TOP OF THEIR GAME.
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RUMORS OF OVERDOSE AND DEATH
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CIRCULATED IN THE PRESS, LEAVING
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THE WORLD TO FOREVER PONDER THE
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POSSIBILITY OF A REUNION.
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WILL THERE EVER BE--
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>> HEY, WE WERE WATCHING THAT.
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>> DUDE, RIGHT.
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SO YOU CAN MAKE FUN OF ME--
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I KNOW.
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>> NO WAY.
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TO COMPLIMENT YOU.
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YOU WERE SUCH A BEAUTIFULS LADY
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BACK THEN.
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MAYBE YOU WILLS ALLS FAVOR US
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WITH MAKEUP TIPS.
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>> [LAUGHTER]
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>> HEY, COME ON NOW.
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THAT'S VERY FUNNY.
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>> IT'S EXCITING.
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TURN IT BACK ON.
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I WANT TO SEE WHAT HAPPENS.
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>> WHAT DO YOU MEAN?
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I'M HERE, THAT'S WHAT HAPPENED.
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THAT'S THE END OF THE STORY.
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>> WELL, IT'S BORING WHEN YOU
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SAY IT.
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>> I KNOW.
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>> PICKLE?
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[SIGHS]
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THIS SNAKES N' BARRELS, IT'S...
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IT'S NOT MY CUP OF TEA.
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IT SUCKS.
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>> WELL...
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THAT'S NOT A NICE THING TO SAY,
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TOKI.
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>> NOT MY FAULT IT SUCKS.
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>> WELL, YOU KNOW, IT'S STILL
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NOT--
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>> [SIGHS]
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>> LOOK, I DON'T PLAY IN THAT
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BAND ANYMORE.
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IT'S HISTORY, ALL RIGHT.
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THERE'S NO NEED TO BE
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THREATENED.
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>> HEY!
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WE'RE NOT THREATENED.
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>> I KNOW.
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I'M JUST--IT'S OVER.
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ALL I CARE ABOUT IT DETHKLOK.
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>> PICKLES, CAN YOU COME IN HERE
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FOR A MOMENT, PLEASE?
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SNAKES N' BARRELS' RECORD SALES
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HAVE GONE THROUGH THE ROOF SINCE
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THE DOCUMENTARY BEGAN AIRING,
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AND THERE'S INTEREST OF A
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REUNION TOUR.
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>> OK.
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>> ♪ DO ANYTHING FOR DETHKLOK
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DO ANYTHING FOR DETHKLOK
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DO ANYTHING FOR DETHKLOK
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DO ANYTHING FOR DETHKLOK
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DO ANYTHING FOR DETHKLOK ♪
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>> ♪ DETHKLOK, DETHKLOK
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DETHKLOK, DETHKLOK ♪
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>> ♪ I'LL
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TEACH YOU
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WHO
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ROCK
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DETHKLOK!
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DETHKLOK! ♪
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>> ♪ SKWISGAAR SKWIGELF
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TALLER THAN A TREE
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TOKI WARTOOTH
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NOT A BUMBLE BEE
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WILLIAM MURDERFACE
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MURDERFACE, MURDERFACE
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PICKLES THE DRUMMER
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DOODILY DOO, DING-DONG
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DOODILY DOODILY DOO
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NATHAN EXPLOSION ♪
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[CAPTIONING MADE POSSIBLE BY
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TURNER ENTERTAINMENT GROUP]
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>> DETHKLOK IS ON HIATUS
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WHILE PICKLES REUNITES WITH
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SNAKES N' BARRELS.
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>> ALONE THEY ARE WEAK.
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>> I BELIEVE THE WEAKNESS LIES
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IN SNAKES N' BARRELS'
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PREDISPOSITION FOR DRUG ABUSE.
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>> WE HAVE FULL BACKGROUND
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REPORTS ON EACH.
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GENTLEMAN, ANTONIO TONY DeMARCO
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THUNDERBOTTOM ON BASS GUITAR--
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ONCE A MAJOR ALCOHOLIC.
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HE'S NOW SOBER.
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SAMMY "CANDY NOSE" TWINSKINS ON
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DRUMS, A CRACK COCAINE FIEND.
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SOBER.
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ON RHYTHM GUITAR, SNIZZY "SNAZ"
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BULLETS.
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HALLUCINOGENS AND HEROIN LEFT
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HIM WITH PARTIAL PARALYSIS IN
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THE FACE.
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ALSO SOBER.
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>> JUST BECAUSE THEY'RE SOBER
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RIGHT NOW DOESN'T MEAN THEY
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CAN'T RELAPSE.
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WE HAVE AVAILABLE SOMEBODY WHO
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COULD PROVE TO BE VERY IMPORTANT
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TO US--MILITARY PHARMACEUTICAL
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PSYCHOTROPIC DRUG MANUFACTURER
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DR. RAYMOMOLUTH CHESTERFIELD.
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>> I'VE BEEN EXPERIMENTING WITH
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A NEW KIND OF DRUG CALLED
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TOTALLY AWESOME SWEET ALABAMA
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LIQUID SNAKE.
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THE SMALLEST DOSAGE OF THIS DRUG
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WILL DRIVE THE USER COMPLETELY
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INSANE.
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WITH A HIGH ENOUGH DOSAGE, THEIR
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MEMORY WILL BE WIPED CLEAR AND
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THUS BE A BLANK SLATE...
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WAITING TO BE REPROGRAMMED
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IN ANY WAY ONE SEES FIT.
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>> ONCE WE REPROGRAM PICKLES,
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WE WILL BE ABLE TO DESTROY
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DETHKLOK FROM THE INSIDE OUT.
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[BIRDS CAWING]
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>> WHAT IF PICKLES NEVER COMES
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BACK?
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OH, THAT WOULD BE TOTALLY MESSED
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UP.
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>> OH, COME ON, GUYS.
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IT'S NOT LIKE THIS IS ANYONE'S
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FIRST BAND.
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YOU'LL PROBABLY ALL WANT TO GO
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AND REUNITE WITH YOUR OLD BANDS
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AT SOME POINT.
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>> DETHKLOK IS MY FIRST BAND.
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>> OH.
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WELL, ONE DAY,
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YOU'LL WANT TO REUNITE WITH US.
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>> WHY?
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WE ALREADY TOGETHER.
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>> JUST 'CAUSE WE'RE NOT BROKEN
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UP DOESN'T MEAN WE CAN'T
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REUNITE.
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>> ACTUALLYS, I THINK THAT'S
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EXACTLYS WHAT THATS MEANS.
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>> SERIOUSLY?
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>> YOU CAN'T REUNITE WITH A
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BANDS THATS HAS NOT BROKESED UP.
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THEY WON'T LET YOU.
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>> THAT SUCKS.
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GREAT.
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>> WAIT.
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CAN WE HAVE A NOT-REUNION TOUR
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WHERE WE, YOU KNOW, JUST COME
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OUT AND, LIKE, YOU KNOW, DO A
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REGULAR SHOW?
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>> NO.
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I LOOKED INTO IT.
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>> WELL, THAT'S PRETTY LAME.
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>> WELL, THAT'S SHOW BIZ.
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YOU KNOW, I SOMETIMES GETS
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CONTACTED BY MY BANDS MATES
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TRYINGS TO, YOU KNOW, RIDE MY
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COATS TAILS LIKE DROWNING RATS.
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BUT I SAYS, "SCREW YOU.
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GO DIE."
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>> OH.
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>> WHATS BANDS WERE YOU IN?
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>> OH.
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ABOUT A MILLIONS.
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I WAS IN AGNOSTIC PRIEST,
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GANGOGAR ALDILIO.
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AL IL EL.
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>> YEAH.
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>> GOGNOGMUG.
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ALUGDUG.
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>> OH, YEAH.
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>> [BLEEP]-FACE ACADEMY.
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SAUSAGE ASSASSIN.
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FINANCIALLY RAPED.
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SMUGLY DISMISSED.
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I WAS IN PRETTY MUCH EVERY BAND.
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I COULD GOES ON, IS WHAT I'M
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SAYING.
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>> OH.
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I NEED A BACK RUB.
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I MISS PICKLES.
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[CAR ALARM RINGING]
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>> OK, LOOK, I KNOW YOU'RE ALL
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SOBER NOW, AND I CAN TOTALLY
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RESPECT YOU.
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SO, I'M GOING TO RESIST THE URGE
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TO DO DRUGS AND DRINK AROUND
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YOU.
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I WILL STILL DO THEM,
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BUT I WILL EXCUSE MYSELF AND GO
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TO A DIFFERENT ROOM.
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COOL?
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GOOD.
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SO, WE DON'T HAVE A LOT OF TIME
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BEFORE THIS REUNION TOUR,
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WHICH I AM VERY EXCITED ABOUT.
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SO, LET'S JUST JUMP INTO "WATER
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HORSY BLUES."
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UH, IT'S GOOD TO SEE YOU ALL
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AGAIN.
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>> ONE...
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TWO, 3...
266
00:05:59,668 --> 00:06:00,376
4.
267
00:06:00,460 --> 00:06:05,543
[ALL PLAYING POORLY]
268
00:06:05,626 --> 00:06:06,126
>> STOP!
269
00:06:06,210 --> 00:06:07,085
STOP, STOP!
270
00:06:07,168 --> 00:06:08,251
FOR THE LOVE OF GOD!
271
00:06:08,335 --> 00:06:09,168
SWEET LORD!
272
00:06:09,251 --> 00:06:10,293
HAVE YOU PEOPLE
273
00:06:10,376 --> 00:06:11,418
FORGOTTEN HOW TO PLAY?!
274
00:06:11,501 --> 00:06:12,168
THAT SOUNDED AWFUL!
275
00:06:12,251 --> 00:06:13,210
>> NO WAY, MAN!
276
00:06:13,043 --> 00:06:14,585
WE'RE BETTER THAN EVER.
277
00:06:14,668 --> 00:06:15,293
>> DUDE...
278
00:06:15,376 --> 00:06:16,043
YOU'RE SITTING ON THE OUTSIDE OF
279
00:06:16,126 --> 00:06:16,960
THE DRUM KIT.
280
00:06:17,043 --> 00:06:18,043
>> NO, I AIN'T.
281
00:06:18,126 --> 00:06:19,001
OH, WAIT, YOU'RE RIGHT.
282
00:06:19,085 --> 00:06:19,751
SORRY.
283
00:06:19,835 --> 00:06:21,043
THAT'S WHY IT FELT WEIRD.
284
00:06:21,126 --> 00:06:22,626
LET ME JUST GET ON BACK THERE.
285
00:06:22,710 --> 00:06:23,376
>> JUST GO AROUND.
286
00:06:23,460 --> 00:06:24,210
IT'S--DON'T CLIMB...
287
00:06:24,293 --> 00:06:25,043
[CRASH]
288
00:06:25,126 --> 00:06:26,085
OVER.
289
00:06:26,168 --> 00:06:26,710
TONY, DUDE,
290
00:06:26,793 --> 00:06:27,460
I COULDN'T EVEN HEAR YOUR BASS
291
00:06:27,543 --> 00:06:28,085
AT ALL.
292
00:06:28,168 --> 00:06:28,918
>> UH...
293
00:06:29,001 --> 00:06:29,668
OH.
294
00:06:29,751 --> 00:06:30,335
MY AMP IS OFF.
295
00:06:30,418 --> 00:06:31,043
>> WHY?
296
00:06:31,126 --> 00:06:32,085
>> HEY, I'M SAVING MONEY ON
297
00:06:32,168 --> 00:06:32,835
ELECTRICITY, BRO.
298
00:06:32,918 --> 00:06:34,085
I'M NOT MADE OUT OF MONEY.
299
00:06:34,168 --> 00:06:35,085
>> JUST TURN IT ON.
300
00:06:35,168 --> 00:06:35,918
I'LL REIMBURSE YOU.
301
00:06:36,001 --> 00:06:37,251
>> YOU GOT A DEAL.
302
00:06:37,085 --> 00:06:38,168
[AMP HUMS]
303
00:06:38,251 --> 00:06:39,043
>> GREAT.
304
00:06:39,126 --> 00:06:40,293
SOUNDS WONDERFUL.
305
00:06:40,376 --> 00:06:41,293
HEY, BULLETS,
306
00:06:41,376 --> 00:06:42,085
WHAT IS THIS THING YOU'RE
307
00:06:42,168 --> 00:06:42,918
WEARING?
308
00:06:43,001 --> 00:06:43,626
WHAT IS IT?
309
00:06:43,710 --> 00:06:44,460
>> IT'S AN INVENTION OF MINE.
310
00:06:44,543 --> 00:06:45,376
IT'S A STRAPLESS GUITAR THAT
311
00:06:45,460 --> 00:06:47,085
ALSO FUNCTIONS AS A GIRDLE.
312
00:06:47,168 --> 00:06:48,626
IT'S CALLED A GIGIRDLE-A-TAR.
313
00:06:48,710 --> 00:06:49,960
I CAN MAKE YOU ONE.
314
00:06:50,043 --> 00:06:50,751
>> GUYS!
315
00:06:50,835 --> 00:06:51,960
WE HAVE GOT A LOT OF WORK TO DO,
316
00:06:52,043 --> 00:06:53,418
AND NOT VERY MUCH TIME.
317
00:06:53,501 --> 00:06:54,293
WE'VE GOTTA GET YOU IN SHAPE OR
318
00:06:54,376 --> 00:06:55,210
WE'RE GONNA DISAPPOINT A WHOLE
319
00:06:55,293 --> 00:06:57,043
LOT OF PEOPLE OUT THERE.
320
00:06:57,126 --> 00:06:58,543
SNAKES N' BARRELS HAS GOT NO
321
00:06:58,626 --> 00:07:01,168
CHOICE BUT TO ROCK HARDER THAN
322
00:07:01,251 --> 00:07:02,626
EVER.
323
00:07:02,710 --> 00:07:11,126
[HARD ROCK MUSIC PLAYING]
324
00:07:14,793 --> 00:07:17,543
>> [CHEERING]
325
00:07:17,626 --> 00:07:18,876
[TUNING GUITAR]
326
00:07:18,960 --> 00:07:19,835
>> HEY.
327
00:07:19,918 --> 00:07:21,376
GOOD LUCK ON YOUR SHOW TONIGHT.
328
00:07:21,460 --> 00:07:22,418
>> OH.
329
00:07:22,501 --> 00:07:23,543
HEY, THANKS.
330
00:07:23,626 --> 00:07:24,793
I GOTTA GET READY BACK HERE IF
331
00:07:24,876 --> 00:07:25,668
YOU DON'T MIND.
332
00:07:25,751 --> 00:07:26,751
>> GO GET STIBBED.
333
00:07:26,835 --> 00:07:28,626
HAVES A REALLY GREAT SHOW.
334
00:07:28,710 --> 00:07:30,085
DO THAT FOR ME.
335
00:07:30,168 --> 00:07:30,876
>> YEAH.
336
00:07:30,960 --> 00:07:31,460
I GOTTA...
337
00:07:31,543 --> 00:07:32,293
YOU KNOW, GET READY.
338
00:07:32,376 --> 00:07:35,001
>> JUST DON'T FORGET ABOUT US.
339
00:07:35,085 --> 00:07:37,043
HE'S A GOOD KID!
340
00:07:37,126 --> 00:07:38,168
>> OH.
341
00:07:38,251 --> 00:07:39,168
YOU'RE ACTING WEIRD.
342
00:07:39,251 --> 00:07:40,251
>> WE'RE JUST, YOU KNOW...
343
00:07:40,335 --> 00:07:42,168
WE CARE ABOUT YOU.
344
00:07:42,251 --> 00:07:43,001
>> YEAH, IF YOU GETS A PROBLEM
345
00:07:43,085 --> 00:07:44,918
WITH THAT, THEN, WELL, I GUESS
346
00:07:45,001 --> 00:07:46,168
THAT'S JUST SAD.
347
00:07:46,251 --> 00:07:46,960
>> OH, GOD.
348
00:07:47,043 --> 00:07:48,043
I'M NOT LEAVING DETHKLOK.
349
00:07:48,126 --> 00:07:49,168
I TOLD YOU THIS A BILLION TIMES,
350
00:07:49,251 --> 00:07:50,085
OK.
351
00:07:50,168 --> 00:07:51,251
I'M JUST DOING THIS FOR FUN.
352
00:07:51,335 --> 00:07:52,876
>> OH, WELL, IT'S NOT BRUTAL,
353
00:07:52,960 --> 00:07:53,751
YOU KNOW.
354
00:07:53,835 --> 00:07:55,460
SNAKES N' BARRELS ISN'T BRUTAL.
355
00:07:55,543 --> 00:07:56,251
>> I KNOW.
356
00:07:56,335 --> 00:07:57,085
>> OK.
357
00:07:57,168 --> 00:07:57,876
>> OK.
358
00:07:57,960 --> 00:07:59,501
>> JUST DO A GREAT JOB.
359
00:07:59,585 --> 00:08:01,126
BUT DON'T LEAVE US.
360
00:08:01,210 --> 00:08:02,210
I'M GONNA GET GOING.
361
00:08:02,043 --> 00:08:03,293
YOUR MUSIC SUCKS, AND YOU'RE AN
362
00:08:03,376 --> 00:08:04,460
ASSHOLE.
363
00:08:04,543 --> 00:08:05,918
I'M NOT--I'M HAVING A HARD TIME
364
00:08:06,001 --> 00:08:07,210
EXPRESSING MYSELF.
365
00:08:07,293 --> 00:08:08,085
>> WILL GUYS GET THE HELL OUT OF
366
00:08:08,168 --> 00:08:09,043
HERE?
367
00:08:09,126 --> 00:08:09,751
I'M SUPPOSED TO BE GOING OVER
368
00:08:09,835 --> 00:08:10,335
THE SONGS.
369
00:08:10,418 --> 00:08:11,126
>> OH, YEAH?
370
00:08:11,210 --> 00:08:12,293
WELL, WHEN--WHERE'S YOUR STUPID
371
00:08:12,376 --> 00:08:13,085
BAND?
372
00:08:13,168 --> 00:08:14,126
>> [SIGHS]
373
00:08:14,210 --> 00:08:15,126
I DON'T EVEN KNOW WHERE THEY
374
00:08:15,210 --> 00:08:16,001
ARE.
375
00:08:16,085 --> 00:08:17,168
>> HEY, YOU GUYS WANT TO DO SOME
376
00:08:17,251 --> 00:08:19,085
TOTALLY AWESOME SWEET ALABAMA
377
00:08:19,168 --> 00:08:20,251
LIQUID SNAKE?
378
00:08:20,335 --> 00:08:21,043
>> UH...
379
00:08:21,126 --> 00:08:22,668
>> UH...
380
00:08:22,751 --> 00:08:23,668
>> YOU GUYS ARE GONNA GET SO
381
00:08:23,751 --> 00:08:25,001
HIGH THAT YOUR MINDS ARE GONNA
382
00:08:25,085 --> 00:08:26,751
BLOW CHUNKS TO OUTER SPACE AND
383
00:08:26,835 --> 00:08:28,168
TO THE MILKY WAY.
384
00:08:28,251 --> 00:08:29,460
>> UH...
385
00:08:29,543 --> 00:08:30,293
>> UH...
386
00:08:30,376 --> 00:08:31,626
>> UH...
387
00:08:31,710 --> 00:08:33,251
[ALL GROANING]
388
00:08:33,335 --> 00:08:34,293
>> AND WHAT BETTER WAY TO
389
00:08:34,376 --> 00:08:35,918
CELEBRATE THE REUNION THAN WITH
390
00:08:36,001 --> 00:08:37,418
A GOOD OLD-FASHIONED MILKY WAY
391
00:08:37,501 --> 00:08:39,543
CHUNK-BLOW, HMM?
392
00:08:39,626 --> 00:08:40,876
>> [CHEERING]
393
00:08:40,960 --> 00:08:41,710
>> ALL RIGHT.
394
00:08:41,793 --> 00:08:43,210
LET'S KICK ASS TONIGHT.
395
00:08:43,043 --> 00:08:44,501
>> YEAH.
396
00:08:44,585 --> 00:08:45,751
>> OH, I ALMOST FORGOT.
397
00:08:45,835 --> 00:08:47,251
WE GOT SOME TOTALLY AWESOME
398
00:08:47,085 --> 00:08:49,043
SWEET ALABAMA LIQUID SNAKE FROM
399
00:08:49,126 --> 00:08:49,960
A DUDE.
400
00:08:50,043 --> 00:08:50,710
>> OH, COME ON, GUYS.
401
00:08:50,793 --> 00:08:51,543
I DON'T WANT TO ENCOURAGE ANY
402
00:08:51,626 --> 00:08:52,376
DRUG--OK.
403
00:08:52,460 --> 00:08:53,835
I'LL DO IT.
404
00:08:53,918 --> 00:08:54,793
CHEERS.
405
00:08:54,876 --> 00:08:56,585
>> CHEERS.
406
00:08:56,668 --> 00:08:58,251
>> YEAH, YEAH, YEAH!
407
00:08:58,085 --> 00:08:59,251
SNAKES N' BARRELS ARE GONNA
408
00:08:59,085 --> 00:09:02,668
ROCK YOU!
409
00:09:02,751 --> 00:09:04,251
TWO, 3, 4!
410
00:09:04,085 --> 00:09:05,126
[HARD ROCK BEGINS]
411
00:09:05,210 --> 00:09:05,793
♪ WELL, YOU CAN LEAD
412
00:09:05,876 --> 00:09:06,376
A HORSE TO WATER
413
00:09:06,460 --> 00:09:07,043
BUT YOU CAN'T MAKE HIM DRINK
414
00:09:07,126 --> 00:09:07,918
YOU GOT THE BELLY OF A SINNER
415
00:09:08,001 --> 00:09:08,876
AND THE PANTIES OF A SAINT
416
00:09:08,960 --> 00:09:09,668
YOU GOT A STITCH IN TIME
417
00:09:09,751 --> 00:09:10,876
AND IT'S GONNA SAVE YOU 9
418
00:09:10,960 --> 00:09:12,043
FIRST YOU TRY TO WING IT, BABY
419
00:09:12,126 --> 00:09:13,043
ALSO TRY TO FLING IT
420
00:09:13,126 --> 00:09:13,918
YOU GOT IT EASY COME
421
00:09:14,001 --> 00:09:15,001
AND EASY GO
422
00:09:15,085 --> 00:09:16,126
ONLY ONE WAY TO GO
423
00:09:16,210 --> 00:09:16,793
YOU GOTTA GET UP OFF THE FLOOR
424
00:09:16,876 --> 00:09:18,001
YOU GOT AN ALFA-ROMERO
425
00:09:18,085 --> 00:09:18,918
IT'S A NATURAL WIN
426
00:09:19,001 --> 00:09:19,960
I GUESS I'M REALLY TIRED
427
00:09:20,043 --> 00:09:20,876
SINGING HEY, HEY, HEY
428
00:09:20,960 --> 00:09:21,793
WHEN YOU GET UP AND GO
429
00:09:21,876 --> 00:09:22,835
AND YOU KNOW YOU CAN'T DO IT
430
00:09:22,918 --> 00:09:23,751
NO, YOU DON'T HAVE A CHANCE
431
00:09:23,835 --> 00:09:25,085
BUT YOU GO, GO, GO
432
00:09:25,168 --> 00:09:25,835
BECAUSE THE PIE IN THE SKY
433
00:09:25,918 --> 00:09:26,835
IS A BIRD THAT WON'T FLY
434
00:09:26,918 --> 00:09:27,793
AND YOU HEAR THE OLD SONG
435
00:09:27,876 --> 00:09:28,835
WITH THE WONDERFUL LINE
436
00:09:28,918 --> 00:09:30,001
YEAH, AND WHAT GOES UP
437
00:09:30,085 --> 00:09:31,043
YOU KNOW IT'S GOTTA COME DOWN
438
00:09:31,126 --> 00:09:31,960
WHEN YOUR GLASS IS HALF-EMPTY
439
00:09:32,043 --> 00:09:32,918
WHEN YOU'RE GOING DOWNTOWN
440
00:09:33,001 --> 00:09:33,876
AND YOU KNOW YOU'RE GOING DOWN
441
00:09:33,960 --> 00:09:35,918
WHEN THE MOTHER... ♪
442
00:09:36,001 --> 00:09:37,085
[FEEDBACK]
443
00:09:37,168 --> 00:09:39,085
[GUITAR SOLO]
444
00:09:39,168 --> 00:09:41,543
[M
445
00:09:41,626 --> 00:09:46,210
>> [ROARING]
446
00:09:46,043 --> 00:09:54,460
>> [SHRIEKING]
447
00:09:55,418 --> 00:09:57,251
>> NO!
448
00:09:57,085 --> 00:09:59,251
NO!
449
00:09:59,085 --> 00:10:01,126
>> [SHRIEKING]
450
00:10:01,210 --> 00:10:03,210
>> [SCREAMING]
451
00:10:03,043 --> 00:10:04,751
>> NO!
452
00:10:04,835 --> 00:10:10,876
>> AAGH!
453
00:10:10,960 --> 00:10:12,168
>> APPARENTLY SNAKES N' BARRELS
454
00:10:12,251 --> 00:10:13,793
WERE GIVEN PSYCHOTROPIC DRUGS
455
00:10:13,876 --> 00:10:15,085
THAT HAVE ERASED THEIR MINDS--
456
00:10:15,168 --> 00:10:16,376
EXCEPT FOR PICKLES, WHO THE
457
00:10:16,460 --> 00:10:17,585
DRUGS HAD NO EFFECT ON
458
00:10:17,668 --> 00:10:18,376
WHATSOEVER.
459
00:10:18,460 --> 00:10:19,126
>> I GREW UP SMOKING GOVERNMENT
460
00:10:19,210 --> 00:10:20,126
WEED EVERY DAY.
461
00:10:20,210 --> 00:10:21,626
YOU KNOW, I HAD KIDDIE GLAUCOMA.
462
00:10:21,710 --> 00:10:22,543
DON'T ASK ME.
463
00:10:22,626 --> 00:10:23,335
I'M IMMUNE TO JUST ABOUT
464
00:10:23,418 --> 00:10:24,210
EVERYTHING.
465
00:10:24,293 --> 00:10:25,085
>> THE RECORDING OF THAT NIGHT'S
466
00:10:25,168 --> 00:10:26,710
CONCERT EVENT HAS ROCKETED
467
00:10:26,793 --> 00:10:28,251
THROUGH THE CHARTS AND IS BEING
468
00:10:28,085 --> 00:10:30,043
CALLED THE MOST BRUTAL ALBUM OF
469
00:10:30,126 --> 00:10:31,251
ALL TIME.
470
00:10:31,085 --> 00:10:33,210
>> MOST BRUTAL ALBUM, HUH?!
471
00:10:33,043 --> 00:10:33,835
UGH.
472
00:10:33,918 --> 00:10:34,876
I HATE TO SAY IT--
473
00:10:34,960 --> 00:10:36,126
THEY'RE RIGHT.
474
00:10:36,210 --> 00:10:37,876
IT'S AN AMAZING ALBUM.
475
00:10:37,960 --> 00:10:39,543
CONGRATULATIONS, PICKLES.
476
00:10:39,626 --> 00:10:40,668
IT IS SO CHILLING.
477
00:10:40,751 --> 00:10:42,043
>> WHAT A GREAT WAY TO GO OUT,
478
00:10:42,126 --> 00:10:42,918
TOO.
479
00:10:43,001 --> 00:10:44,251
I ONLY HOPE WE CAN END THAT
480
00:10:44,085 --> 00:10:46,085
WAY--CLAWING OUR EYES OUT,
481
00:10:46,168 --> 00:10:48,335
THROWING UP ACID BLOOD.
482
00:10:48,418 --> 00:10:49,543
>> I OFFICIALLY TAKES BACKS
483
00:10:49,626 --> 00:10:50,626
WHATEVER I SAY ABOUT
484
00:10:50,710 --> 00:10:52,168
SNAKES N' BARRELS.
485
00:10:52,251 --> 00:10:53,585
YOU'RE AMAZING.
486
00:10:53,668 --> 00:10:54,668
>> THIS MUSIC IS LIKES POTATO
487
00:10:54,751 --> 00:10:55,376
CHIPS.
488
00:10:55,460 --> 00:10:56,751
I CAN'T STOPS LISTENING TO IT.
489
00:10:56,835 --> 00:10:57,793
PLAYS IT AGAIN.
490
00:10:57,876 --> 00:10:58,835
>> ALL RIGHT.
491
00:10:58,918 --> 00:11:00,210
>> [SCREAMING]
492
00:11:00,043 --> 00:11:01,085
>> MY GIGIRDLE-A-TAR IS
493
00:11:01,168 --> 00:11:02,918
CHOCKING MY CHUBBY AND MY
494
00:11:03,001 --> 00:11:05,168
GUTS HURTS WHERE MY--
495
00:11:05,251 --> 00:11:06,251
>> THERE'S LITTLE CIVIL WAR
496
00:11:06,335 --> 00:11:08,251
SOLDIERS LICKING OFF MY SKIN!
497
00:11:08,335 --> 00:11:09,960
>> I'M AWARE OF MYSELF!
498
00:11:10,043 --> 00:11:11,293
>> [SCREAMING]
499
00:11:11,376 --> 00:11:13,085
>> GET IT OFF ME!
500
00:11:13,168 --> 00:11:14,418
>> OH, NO!
501
00:11:14,501 --> 00:11:17,376
I'M AM ALSO AWARE OF MY TONGUE!
502
00:11:17,460 --> 00:11:19,751
AAGH!
503
00:11:19,835 --> 00:11:20,668
>> I BELIEVE I'M A CHICKEN!
504
00:11:20,751 --> 00:11:21,418
I'M A CHICKEN!
505
00:11:21,501 --> 00:11:22,043
I'M A CHICKEN!
506
00:11:22,126 --> 00:11:24,085
I'M A--I'M A CHICKEN.
507
00:11:24,168 --> 00:11:25,251
I BELIEVE I'M A CHICKEN.
508
00:11:25,085 --> 00:11:26,168
>> CHIRP.
509
00:11:26,251 --> 00:11:27,168
[CAPTIONING MADE POSSIBLE BY
510
00:11:27,251 --> 00:11:28,293
TURNER ENTERTAINMENT GROUP]
511
00:11:28,376 --> 00:11:29,210
[CAPTIONED BY THE NATIONAL
512
00:11:29,293 --> 00:11:30,251
CAPTIONING INSTITUTE
513
00:11:30,335 --> 00:11:32,126
--www.ncicap.org--]
30813
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