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I don't know what's going on when I see a number on the other side. Maybe we
should stop doing that.
But it's not a big deal.
Well, that's not a big deal. It's been a week.
It's taking off. It's a little adjustment.
It's a little adjustment. It's not a big deal.
It's not a big deal.
It's not a big deal.
It's not a big deal.
It's almost finished.
It's almost finished.
Dressed like that, the customers put their hands on you all the time, right?
Certainly not.
There's more to it than that.
I thought about it, so nothing else. They must have thought about it in the
morning, right?
There's the cook, they have a little... And that's it.
How do you do that? Do you do it the same way? Of course, it's a... Very
the setting is finished. There's work.
You're not dressed like that, are you?
No, no, we have work. We have work, but we don't have it on the shelf, we have
it with the customers.
Wait, I'm not dressed like that.
Do you want to take some pictures of yourself or of Angelique? We have a lot
work to do. We can do a lot of work, by the way. We know what it is to work.
A woman has the desire to do a lot of work.
Very good.
Put yourself on the line.
It will be more comfortable.
Take your favorite shoes. Very good.
Do you want to scratch your vest a little?
It was very hot with us.
Do you have any conversation?
Very good.
It's enough like that. It's a little more erotic.
You see?
Of course.
There's all the material underneath.
It's part of the uniform.
I think you forgot about the cuvee.
I can't see anything. Very good.
I'm going to take out a small lamp so you don't hurt yourself.
There you go.
Very good.
Okay.
There you go. You don't have to see it in the eye, as long as it's not the most
expensive.
Very good. And don't pretend.
Good page, huh?
We'll do it with one hand, don't worry. Like this? Yes, we'll do it with one
hand. Yes.
Yes, very good.
There you go.
I'm going to scratch your hands.
If the skirt bothers you, you can take it off.
That's pretty, pretty.
Thank you.
oh wow
Oh, shit.
Oh, my God.
Good morning, sir.
Thank you.
You're welcome.
You're welcome.
Thank you.
Oh, my God.
um um
Oh, my
God.
um oh
Amen.
Oh!
Oh, God.
Oh, my God.
Oh, my God.
Oh, my God.
Oh, shit.
My baby.
My baby.
My baby.
My baby. My baby.
Oh, my God. Oh, my God.
Oh,
my God.
Ah, c 'est bon lĂ .
Ah,
c 'est bon.
J 'aime ta langue, j 'aime.
T 'as envie de me voir encore.
Oh, oui, c 'est bon.
Allez,
allons.
Allons, mademoiselle.
Oui, mon téléphone,
ça ne marche pas.
Vous m 'entendez?
Oui, ça ne marche pas.
It's terrible.
I can hardly hear you.
Oui, cet après -midi, vous envoyez quelqu 'un?
Hein?
Oui, d 'accord.
Bon, tout l 'après -midi, oui.
Bon, merci.
Au revoir.
Ah,
c 'est meilleur lĂ .
I'm going to walk now.
Listen to yourself.
Yes, it works.
Incredible.
Yes, that's good.
How are you?
Good. Well, we'll help you. We still have work to do.
Yes, but wait, wait.
I'll offer you a drink for the road.
One for the road.
Yes.
A little light.
We shouldn't, by the way.
You know, yes, before anything.
Thank you. Thank you. Thank you.
Very good You
like
it?
You need to tell us.
Oh, no.
Huh?
No, I don't think so.
Yes.
Yes, I'm... I'll call you back, okay?
I can't.
See you later.
Bye.
You come with me.
Come.
Come.
Hello, I'm speaking to Jean -Pierre, please.
How come there's no Jean -Pierre?
I've done 732 -1408.
It's not at your place?
And what's your name?
Annie?
I don't know Annie, but it's a very good occasion to meet.
What are you doing tonight?
Ah, you have nothing to do?
Well, me neither, that's good.
We could meet, maybe, no?
At your place or at my place?
Ah, I'd rather be at my place.
Ah, you have a pen and a pencil?
Ah, very well, then... You write down?
17th General Amelie de Gaulle.
Well, on the first floor, on the left.
Very well, then, see you right away.
Goodbye.
Oh! Oh!
Go on, go on, more, more.
Take
me,
take my cat.
Oh, my God.
Oh, my God.
Oh, my God.
Oh, my God. Oh, my God.
Huh?
Huh?
Huh?
um um
Okay.
Oh, my God.
Oh, my God.
That's some good phone calls. You found it? Yes, my little friend.
She's not in a bad mood, that's a coincidence.
Too fast!
That's why I was feeling shy.
Yes, but... I thought you were going to jump.
We're not there yet.
What are you doing?
What, I can't help you?
No. That's what I was thinking.
There's a lot of material.
No? No.
Oh,
mmm
That'll do, yeah?
Yeah.
I love it. Yes. Yes.
I love it. You didn't come for nothing, did you?
No. No.
Yes.
Yes.
I want to play.
Don't play, Raggy. Yes.
Yes. Yes.
Oh.
Oh.
She ought to have said something.
Oh, God.
Are you strong?
I'll take care of you.
Hello Jimmy
It's not Jimmy.
Who is it, then?
Annie.
Oh, well, I was wrong.
Yes, the telephone, it makes mistakes sometimes.
So, it's all right. Will you come and visit me?
Yes, of course.
All right.
I'll wait for you.
25 Avenue 20 Ram. The little one in the corner.
Oh, really?
All right. See you later.
Oh, my God.
Oh, my God. Oh, my God.
Oh, my God.
So, apparently, we're in the middle of work, there, but it's wrong behind, what
I see. But what allows you to speak to me on that tone?
But I speak to me on the tone I want, you're not in the middle of work, there.
If I want, I go to the village, I say everything, to everyone, there.
You didn't say anything, did you? If you want to be nice to me, I didn't see
anything. You see what I mean?
Ah, there, there's one of you two who's going to stop me to start, there. You're
going to be nice, huh?
It's not like your friend, huh?
Come on, come on, my dear, don't be so shy.
That's it.
That's your friend like he's in the post office.
. .
.
Oh, my God.
Oh.
Oh. Oh. Oh.
Oh.
Oh, my God.
Oh, my
God.
Oh, God.
Oh, Jesus.
Thank you.
Yes, of course.
C 'est incroyable, les histoires avec ce téléphone, tu sais?
L 'autre jour, il y avait deux téléphonistes qui sont venus pour le
Deux filles, pas mal.
Deux filles?
Deux téléphonistes qui m 'ont ramené quelques surprises.
Je suis l 'une de vos surprises?
Faites -moi voir votre surprise que vous cachez dans votre pantalon.
C 'est pas mal.
Yes, sir, huh?
You want to get fucked, right?
You like that? Huh? No?
I'll fuck you up, you know?
Fucking bitch.
Fuck you like a dog.
Oui, bonjour.
C 'est pas Pamela qui fait.
Entrez!
Ah, cet éléphant, c 'est pas possible.
Oui, c 'est vrai, ça.
Oui, ça l 'a sûrement les téléphonistes, les salopes.
Qu 'est -ce que tu veux faire?
Il faut qu 'on se réunisse une soirée ensemble, hein, avec elle.
Une petite réunion?
Ah, ouais, ça serait très bien, ça.
Ah, mais quand ça, on pourrait faire ça?
Le plus vite possible?
I'm leaving, at least.
We'll show them, these big bastards, how to set up a phone.
Okay, yeah.
Tomorrow afternoon, yeah.
Sounds good to me.
Okay, we'll call you back then.
Okay, see you soon. Bye.
How are you, my dear Roy? I hope you're in good shape today. You're young, you
have to walk this bastard.
I'm young? Yes, you're young.
Shit,
you're kidding.
No shit.
What?
Okay.
Okay.
Very good. Come on, they're coming. I can hear the car.
Okay?
Ah, there you are.
How are you?
Good morning.
After work, we have the Costa.
Always.
You're going to be fresh today.
You can sit down.
So, what are we doing tonight?
Are we going to the restaurant?
Come on,
come on, boy.
I don't know.
That's much prettier.
oh oh
Oh, my
God.
Oh.
Thank you.
Oh.
Oh. Oh.
Oh. Oh.
Oh. Oh.
That's all you are.
You know that's all you are, isn't it?
Alright, come on, take that.
Go on, you.
You love it, don't you, eh?
Mitch,
come. Sucker! Mother!
Cunt! That bastard!
Yeah, you fucking cunt!
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