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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,033 --> 00:00:04,467 CAITLIN, SAMANTHA CALLED. SHE'S ON HER WAY UP. 2 00:00:04,501 --> 00:00:06,267 THANKS, ANGIE. WHO'S SAMANTHA? 3 00:00:06,300 --> 00:00:09,334 A FRIEND FROM MY YOGA CLASS. 4 00:00:09,367 --> 00:00:12,667 YOU NEVER MENTIONED HER. ARE YOU HIDING HER FROM ME? 5 00:00:14,100 --> 00:00:16,868 YOU'RE HIDING HER FROM ME. 6 00:00:16,901 --> 00:00:19,434 SAM IS NOT YOUR TYPE. SHE'S SMART. 7 00:00:21,100 --> 00:00:23,367 RIGHT -- NOT ATTRACTIVE. 8 00:00:23,400 --> 00:00:24,868 AND FUNNY. 9 00:00:24,901 --> 00:00:27,000 GOTCHA -- BIG GIRL. 10 00:00:30,601 --> 00:00:32,067 HEY, CAITLIN. 11 00:00:32,100 --> 00:00:33,334 OH, SAM! 12 00:00:36,133 --> 00:00:38,033 [ CLEARS THROAT ] 13 00:00:38,067 --> 00:00:39,167 OH, YEAH. 14 00:00:39,200 --> 00:00:41,334 UH, SAM, THIS IS A GUY I WORK WITH. 15 00:00:41,367 --> 00:00:43,434 GUY I WORK WITH -- SAM. 16 00:00:43,467 --> 00:00:45,968 CHARLIE CRAWFORD. NICE TO MEET YOU. 17 00:00:46,000 --> 00:00:47,234 YEAH, NICE TO MEET YOU. 18 00:00:47,267 --> 00:00:49,634 YOU'RE DEFINITELY NOT AS SMART AND FUNNY 19 00:00:49,667 --> 00:00:51,234 AS CAITLIN SAID YOU LOOKED. 20 00:00:51,267 --> 00:00:52,434 THANK YOU. 21 00:00:52,467 --> 00:00:54,801 YOU'RE NOT SO SMART AND FUNNY YOURSELF. 22 00:00:55,801 --> 00:00:57,734 SO, YOU MET AT YOGA? 23 00:00:57,767 --> 00:01:00,100 YEAH, I WAS IN THE MIDDLE OF A SUN SALUTATION 24 00:01:00,133 --> 00:01:02,167 WHEN I SPOTTED CAITLIN IN BRIDGE POSE. 25 00:01:02,200 --> 00:01:05,334 MAYBE YOU GALS WOULD LIKE TO DEMONSTRATE. 26 00:01:05,367 --> 00:01:08,567 CHARLIE, CAN I SEE YOU IN YOUR OFFICE FOR A SECOND? 27 00:01:08,601 --> 00:01:09,868 BE RIGHT BACK. 28 00:01:09,901 --> 00:01:11,100 I SAW THAT! 29 00:01:11,133 --> 00:01:12,200 SAW WHAT? 30 00:01:12,234 --> 00:01:14,567 THE OLD "NICE TO MEET YOU." 31 00:01:14,601 --> 00:01:16,501 YEAH, THAT WAS PRETTY RUDE. 32 00:01:16,534 --> 00:01:19,667 LOOK, SINCE I MOVED TO NEW YORK, I HAVE BEEN SO BUSY WORKING, 33 00:01:19,701 --> 00:01:22,200 I HAVEN'T HAD TIME TO MAKE ONE GOOD GIRLFRIEND. 34 00:01:22,234 --> 00:01:24,467 SAM AND I GOT ALONG RIGHT FROM THE START, 35 00:01:24,501 --> 00:01:26,334 AND I DON'T WANT YOU RUINING IT. 36 00:01:26,367 --> 00:01:28,200 ALL I SAID WAS "NICE TO MEET YOU." 37 00:01:29,334 --> 00:01:31,167 CAITLIN, WE BETTER GET GOING. 38 00:01:31,200 --> 00:01:32,801 NICE TO MEET YOU, CHARLIE. 39 00:01:32,834 --> 00:01:34,400 MY PLEASURE. 40 00:01:35,400 --> 00:01:37,701 CUT IT OUT! 41 00:02:04,000 --> 00:02:06,467 HOW WOULD YOU LIKE AN ALL-EXPENSE-PAID VACATION 42 00:02:06,501 --> 00:02:07,834 TO NEW ORLEANS? 43 00:02:07,868 --> 00:02:10,601 YOU'LL SPEND THREE DAYS AND TWO JAZZ-FILLED NIGHTS 44 00:02:10,634 --> 00:02:12,334 IN LUXURY AT THE FOUR SEASONS HOTEL -- 45 00:02:12,367 --> 00:02:15,801 SIR, I AM NOT BUYING ANY MORE MAGAZINE SUBSCRIPTIONS 46 00:02:15,834 --> 00:02:16,968 FROM YOUR NEPHEW. 47 00:02:17,000 --> 00:02:18,033 NO, NO, NO. 48 00:02:18,067 --> 00:02:19,667 THIS IS THE MAYOR'S CONVENTION. 49 00:02:19,701 --> 00:02:20,934 THIS YEAR, 50 00:02:20,968 --> 00:02:23,968 WE'RE DISCUSSING SOCIAL ISOLATION IN THE INNER CITY. 51 00:02:24,000 --> 00:02:27,701 THEN IT'S OFF TO THE GOLF COURSE BEFORE WE'RE TOO DRUNK TO DRIVE. 52 00:02:27,734 --> 00:02:29,968 I SHOULD PROBABLY STAY HERE AND HOLD DOWN THE FORT, 53 00:02:30,000 --> 00:02:32,601 AS MUCH AS I'D LOVE TO CADDY FOR A BUNCH OF BLITZED MAYORS. 54 00:02:32,634 --> 00:02:34,434 CAITLIN, HOW WOULD YOU LIKE THAT? 55 00:02:34,467 --> 00:02:35,868 OH, SORRY, SIR, 56 00:02:35,901 --> 00:02:38,200 I HAVE IMPORTANT PLANS WITH A FRIEND THIS WEEKEND. 57 00:02:38,234 --> 00:02:40,567 BUT THIS COULD BE SUCH A FUN TIME. 58 00:02:40,601 --> 00:02:43,267 WHO CAN I GET TO GO ON SUCH SHORT NOTICE? 59 00:02:43,300 --> 00:02:44,501 CARTER! 60 00:02:44,534 --> 00:02:45,567 YES. 61 00:02:45,601 --> 00:02:48,367 HELP ME CHOOSE SOMEONE. 62 00:02:48,400 --> 00:02:50,234 MY SCHEDULE IS WIDE OPEN, SIR. 63 00:02:50,267 --> 00:02:52,934 EXCELLENT. YOU CAN FEED MY CATS. 64 00:02:54,801 --> 00:02:56,934 I CAN'T BELIEVE I'M SAYING THIS, 65 00:02:56,968 --> 00:02:58,667 BUT I ACTUALLY FEEL SLIGHTED. 66 00:02:58,701 --> 00:03:00,200 SORRY I'M LATE. WHAT'D I MISS? 67 00:03:00,234 --> 00:03:02,067 OH, CARTER'S POUTING BECAUSE THE MAYOR 68 00:03:02,100 --> 00:03:04,567 DIDN'T INVITE HIM TO THE CONFERENCE IN NEW ORLEANS. 69 00:03:04,601 --> 00:03:06,400 THE BIG EASY, HUH? WHO'S HE TAKING? 70 00:03:06,434 --> 00:03:09,567 HE ASKED CAITLIN AND CHARLIE, BUT NEITHER OF THEM CAN GO. 71 00:03:09,601 --> 00:03:12,234 AN EMPTY SLOT, HUH? 72 00:03:12,267 --> 00:03:14,734 FINALLY -- A CHANCE FOR ADVANCEMENT. 73 00:03:14,767 --> 00:03:18,534 SO I GUESS HE'S GONNA HAVE TO CHOOSE BETWEEN ONE OF US, HUH? 74 00:03:18,567 --> 00:03:21,167 I GUESS IT ALL COMES DOWN TO WHO'S THE BIGGEST SUCK-UP. 75 00:03:21,200 --> 00:03:22,901 PAUL, BELIEVE ME, 76 00:03:22,934 --> 00:03:26,400 SUCKING UP NEVER GETS YOU ANYWHERE. 77 00:03:26,434 --> 00:03:28,467 YEAH, YEAH, YOU'RE RIGHT. 78 00:03:28,501 --> 00:03:31,367 WHOA, CARTER. MAN, YOU BEEN WORKING OUT? 79 00:03:31,400 --> 00:03:32,601 AS A MATTER OF FACT, I HAVE. 80 00:03:32,634 --> 00:03:36,367 AAAAH! YOU GUYS ARE TOAST! 81 00:03:36,400 --> 00:03:38,167 CHARLIE, I WANT TO APOLOGIZE. 82 00:03:38,200 --> 00:03:41,200 I MAY HAVE GONE A LITTLE OVERBOARD BEFORE ABOUT SAM. 83 00:03:41,234 --> 00:03:42,901 NO PROBLEM. 84 00:03:42,934 --> 00:03:45,601 I KNOW HOW YOU WORK -- YOU'LL HOOK UP WITH SAM, 85 00:03:45,634 --> 00:03:48,834 LEAVE BEFORE THE SUN COMES UP, AND NEVER CALL HER AGAIN. 86 00:03:48,868 --> 00:03:52,167 THEN SHE'LL BE MAD AT YOU AND, BY ASSOCIATION, MAD AT ME. 87 00:03:52,200 --> 00:03:54,567 WAS THAT THE APOLOGY? 88 00:03:55,968 --> 00:03:59,300 BECAUSE AFTER "SORRY," THINGS WENT TERRIBLY AWRY. 89 00:03:59,334 --> 00:04:02,200 I HAVE BEEN DOWN THIS ROAD BEFORE, AND IT'S A MESS. 90 00:04:02,234 --> 00:04:03,567 I CAN SEE IT COMING. 91 00:04:03,601 --> 00:04:06,300 "DID CHARLIE ASK ABOUT ME?" "DID HE GET MY MESSAGES?" 92 00:04:06,334 --> 00:04:07,934 AND THEN I'M COVERING FOR YOU. 93 00:04:07,968 --> 00:04:10,567 "HE'S IN BERMUDA." "HE'S IN A COMA." 94 00:04:10,601 --> 00:04:12,634 THEN SHE'S MAD AT ME FOR LYING. 95 00:04:12,667 --> 00:04:14,234 WE ARE NOT FRIENDS ANYMORE, 96 00:04:14,267 --> 00:04:16,734 YOU TWO GET BACK TOGETHER, AND I'M THE BAD GUY. 97 00:04:16,767 --> 00:04:19,167 NO, THANKS, CHARLIE! I DON'T WANT ANY PART OF IT! 98 00:04:19,200 --> 00:04:22,067 APOLOGY ACCEPTED. 99 00:04:22,100 --> 00:04:24,367 I CAN'T BELIEVE THE MAYOR HASN'T ASKED ME. 100 00:04:24,400 --> 00:04:26,734 OH, I'VE ALWAYS WANTED TO GO TO NEW ORLEANS. 101 00:04:26,767 --> 00:04:29,200 IT'S A CITY WHERE WOMEN GET TOPLESS FOR BEADS. 102 00:04:29,234 --> 00:04:32,734 A GUY SHOULDN'T GO IF HE'D RATHER HAVE THE BEADS. 103 00:04:32,767 --> 00:04:34,567 GENTLEMEN. 104 00:04:34,601 --> 00:04:37,200 MR. MAYOR, AS YOUR HEAD OF MINORITY AFFAIRS, 105 00:04:37,234 --> 00:04:39,300 MY PRESENCE IN NEW ORLEANS WOULD GIVE VOICE 106 00:04:39,334 --> 00:04:41,400 TO THE DIVERSE MEMBERS OF YOUR CONSTITUENCY. 107 00:04:41,434 --> 00:04:44,200 MR. MAYOR, WITH ALL DUE RESPECT TO MY BORING, GAY COLLEAGUE, 108 00:04:44,234 --> 00:04:46,734 I SHOULD BE THE ONE TO GO TO THE CONFERENCE. 109 00:04:46,767 --> 00:04:48,534 AS ASSISTANT DEPUTY MAYOR, 110 00:04:48,567 --> 00:04:51,667 IT'S IMPORTANT FOR ME TO...INTERFACE AND, UH... 111 00:04:51,701 --> 00:04:54,100 AH, I JUST WANT TO SEE THE BOOBIES. 112 00:04:54,133 --> 00:04:55,934 YOU BOTH MAKE STRONG CASES. 113 00:04:55,968 --> 00:04:57,133 WHAT ABOUT PAUL? 114 00:04:57,167 --> 00:04:58,734 DON'T WORRY ABOUT PAUL. 115 00:04:58,767 --> 00:05:01,267 HE'S NOT INTERESTED IN NEW ORLEANS. 116 00:05:01,300 --> 00:05:03,133 AND THERE YOU HAVE IT, FOLKS. 117 00:05:03,167 --> 00:05:05,634 WHAM, BAM, CAJUN, MA'AM. 118 00:05:12,534 --> 00:05:14,601 HI, SAM. 119 00:05:16,367 --> 00:05:18,033 WHAT ARE YOU DOING HERE?! 120 00:05:18,067 --> 00:05:19,868 COOL YOUR CHAKRAS, CAITLIN. 121 00:05:21,334 --> 00:05:26,234 I WAS INVITED BY YOUR VERY FLEXIBLE FRIEND OVER THERE. 122 00:05:26,267 --> 00:05:28,968 MIND IF I SQUEEZE IN HERE? 123 00:05:29,000 --> 00:05:31,734 THIS IS A YOGA CLASS, NOT A PICKUP BAR. 124 00:05:31,767 --> 00:05:34,334 PEOPLE COME HERE IN PURSUIT OF PEACE AND TRANQUILITY. 125 00:05:34,367 --> 00:05:36,901 IF YOU THINK THIS LITTLE STUNT IS GONNA IMPRESS SAM, 126 00:05:36,934 --> 00:05:39,000 YOU'RE ABOUT TO BE SERIOUSLY EMBARRASSED. 127 00:05:39,033 --> 00:05:41,734 YOGA TAKES YEARS TO MASTER. 128 00:05:41,767 --> 00:05:44,534 UHHH! 129 00:05:44,567 --> 00:05:46,000 NICE FORM, CHARLIE. 130 00:05:46,033 --> 00:05:49,534 THANKS. 131 00:05:49,567 --> 00:05:52,367 HAVE YOU BEEN DOING YOGA BEHIND MY BACK? 132 00:05:52,400 --> 00:05:55,067 IT'S JUST INSTINCT -- LIKE A MOTHER WHO CAN LIFT A CAR 133 00:05:55,100 --> 00:05:57,000 TO SAVE THE BABY TRAPPED UNDERNEATH. 134 00:05:57,033 --> 00:06:00,667 SO YOU SUDDENLY BECOME A YOGA SAVANT TO IMPRESS A WOMAN? 135 00:06:00,701 --> 00:06:03,734 I ONCE LEARNED SWEDISH ON A TRANSATLANTIC FLIGHT 136 00:06:03,767 --> 00:06:06,100 JUST TO GET A MODEL'S PHONE NUMBER. 137 00:06:14,267 --> 00:06:15,868 DID IT WORK? 138 00:06:15,901 --> 00:06:20,300 [ SPEAKING SWEDISH ] 139 00:06:20,334 --> 00:06:24,100 [ SPEAKING SWEDISH ] 140 00:06:24,133 --> 00:06:27,133 WHAT ARE THE ODDS? 141 00:06:28,834 --> 00:06:32,000 [ THUD ] 142 00:06:35,767 --> 00:06:37,968 I HAVE PUT TOGETHER A LIST OF QUESTIONS 143 00:06:38,000 --> 00:06:39,467 THAT WILL HELP ME DETERMINE 144 00:06:39,501 --> 00:06:42,234 WHICH OF YOU WILL BE MY IDEAL TRAVELING COMPANION. 145 00:06:42,267 --> 00:06:46,167 WHAT'S THE FIRST THING YOU DO WHEN WE ARRIVE IN NEW ORLEANS? 146 00:06:46,200 --> 00:06:48,868 I'VE TAKEN THE LIBERTY OF MAPPING OUT A WALKING TOUR 147 00:06:48,901 --> 00:06:50,734 THAT TAKES US PAST CERTAIN CULTURAL 148 00:06:50,767 --> 00:06:52,534 AND HISTORIC POINTS OF INTEREST. 149 00:06:52,567 --> 00:06:54,234 SpectraVision. 150 00:06:54,267 --> 00:06:57,200 I'M CLAY, SIR. MOLD ME. 151 00:06:57,234 --> 00:07:00,367 THE CONVENTION'S OVER, AND WE'VE GOT THE WHOLE NIGHT AHEAD OF US. 152 00:07:00,400 --> 00:07:01,701 WHAT WOULD YOU DO? 153 00:07:01,734 --> 00:07:04,467 THE GREAT AUTHOR MARK TWAIN ONCE WROTE OF NEW ORLEANS... 154 00:07:04,501 --> 00:07:06,434 SpectraVision. 155 00:07:06,467 --> 00:07:07,901 I WOULD BUY YOU SHRIMP. 156 00:07:09,200 --> 00:07:11,367 Instructor: THAT'S IT FOR TODAY. 157 00:07:11,400 --> 00:07:14,133 AND REMEMBER, BREATHING IS THE KEY TO LIFE. 158 00:07:14,167 --> 00:07:16,434 HEY, DON'T SHORT-SELL HEAVY PANTING. 159 00:07:18,834 --> 00:07:20,901 WELL, THIS WAS REALLY FUN. 160 00:07:20,934 --> 00:07:23,501 HEY, CHARLIE, YOU WANT TO SHARE A CAB DOWNTOWN? 161 00:07:23,534 --> 00:07:26,400 HE LIVES UPTOWN -- 86 BLOCKS IN THE OPPOSITE DIRECTION. 162 00:07:26,434 --> 00:07:27,801 OH. 163 00:07:27,834 --> 00:07:31,434 WELL, THEN, UH, I COULD JUST DROP YOU OFF ON THE WAY. 164 00:07:31,467 --> 00:07:32,901 I DON'T KNOW IF I SHOULD -- 165 00:07:32,934 --> 00:07:35,234 OH, COME ON. OKAY. 166 00:07:35,267 --> 00:07:36,667 OKAY. 167 00:07:36,701 --> 00:07:37,801 I'LL MEET YOU OUT FRONT. 168 00:07:37,834 --> 00:07:39,601 LATER. 169 00:07:41,234 --> 00:07:43,167 WHY ARE YOU RUINING MY FRIENDSHIP?! 170 00:07:43,200 --> 00:07:45,267 WE'RE JUST SHARING A CAB. 171 00:07:45,300 --> 00:07:47,033 OHH! 172 00:07:47,067 --> 00:07:50,501 WE BOTH KNOW YOU CAN'T JUST SHARE A CAB WITH A WOMAN. 173 00:07:50,534 --> 00:07:52,801 I KNOW HOW MUCH SAM'S FRIENDSHIP MEANS TO YOU. 174 00:07:52,834 --> 00:07:55,067 I WOULD NEVER DO ANYTHING TO JEOPARDIZE THAT. 175 00:08:02,534 --> 00:08:05,267 [ Thinking ] CAITLIN'S GOING TO KILL ME. 176 00:08:05,300 --> 00:08:08,334 OKAY, I'D BETTER TRY TO STAY THE NIGHT. 177 00:08:08,367 --> 00:08:10,701 I CAN DO THIS. 178 00:08:10,734 --> 00:08:14,200 ONE MISSISSIPPI, TWO MISSISSIPPI, 179 00:08:14,234 --> 00:08:15,934 THREE MISSISSIPPI. 180 00:08:15,968 --> 00:08:17,801 OKAY, TIME TO GO. 181 00:08:17,834 --> 00:08:19,667 I NEED AN EXCUSE. 182 00:08:19,701 --> 00:08:22,601 I'LL JUST GIVE HER THE OLD "I GOT AN EARLY MEETING." 183 00:08:22,634 --> 00:08:24,467 THAT ALWAYS WORKS. 184 00:08:27,267 --> 00:08:29,234 GOD, SHE'S SO BEAUTIFUL. 185 00:08:29,267 --> 00:08:31,601 AND I REALLY ENJOYED TALKING TO HER TONIGHT. 186 00:08:31,634 --> 00:08:34,133 ACTUALLY, THIS IS PRETTY NICE RIGHT NOW. 187 00:08:34,167 --> 00:08:35,801 OH, MY GOD. 188 00:08:35,834 --> 00:08:38,334 I THINK I'M CUDDLING. 189 00:08:38,367 --> 00:08:41,000 MAYBE I DO WANT TO STAY THE NIGHT. 190 00:08:41,033 --> 00:08:42,567 CHARLIE? 191 00:08:42,601 --> 00:08:46,367 HERE COMES ROUND TWO. 192 00:08:46,400 --> 00:08:48,000 YES? 193 00:08:48,033 --> 00:08:53,667 I'VE GOT AN EARLY MEETING. MIND IF I CALL YOU A CAB? 194 00:08:53,701 --> 00:08:56,467 A CAB? SURE, I GUESS. 195 00:08:56,501 --> 00:08:58,767 OKAY, JUST TELL HER YOU'LL GIVE HER A CALL. 196 00:08:58,801 --> 00:09:01,534 I'LL GIVE YOU A CALL. 197 00:09:01,567 --> 00:09:04,667 WHAT THE HELL'S GOING ON HERE? 198 00:09:12,400 --> 00:09:15,934 STUART! CAN I ASK YOU A QUESTION ABOUT WOMEN? 199 00:09:15,968 --> 00:09:17,734 YOU? 200 00:09:17,767 --> 00:09:20,701 ASK ME ABOUT WOMEN? 201 00:09:20,734 --> 00:09:22,901 IT'D BE AN HONOR. 202 00:09:22,934 --> 00:09:25,234 YOU GET DUMPED A LOT, RIGHT? 203 00:09:25,267 --> 00:09:27,634 CONSTANTLY. 204 00:09:27,667 --> 00:09:29,634 HOW DOES THAT USUALLY WORK? 205 00:09:29,667 --> 00:09:35,200 WELL, THERE'S THE DRINK IN THE FACE... 206 00:09:35,234 --> 00:09:37,100 THE SLAP IN THE FACE... 207 00:09:38,400 --> 00:09:42,133 ...THE WHOLE ABUSE OF THE FACE AREA. 208 00:09:42,167 --> 00:09:44,868 AND THEN THERE'S THE -- 209 00:09:44,901 --> 00:09:47,367 WAIT. WHY DO YOU ASK? 210 00:09:47,400 --> 00:09:50,067 LAST NIGHT, I WENT OUT WITH CAITLIN'S FRIEND SAM. 211 00:09:50,100 --> 00:09:51,300 TELL ME EVERYTHING. 212 00:09:51,334 --> 00:09:52,534 LEAVE OUT NO DETAIL 213 00:09:52,567 --> 00:09:54,868 AND FEEL FREE TO MAKE SOME STUFF UP. 214 00:09:54,901 --> 00:09:57,400 LET'S JUST SAY WE HAD A PLEASANT EVENING, 215 00:09:57,434 --> 00:10:00,100 AND I WAS HOME IN TIME TO WATCH "NIGHTLINE." 216 00:10:00,133 --> 00:10:02,667 OOH, THE QUICK GETAWAY. 217 00:10:02,701 --> 00:10:04,601 TSK! 218 00:10:04,634 --> 00:10:09,300 WHICH ESCAPE LINE DID YOU USE, THE OLD "MORNING MEETING"? 219 00:10:09,334 --> 00:10:11,567 ACTUALLY, SHE HAD THE MORNING MEETING. 220 00:10:13,701 --> 00:10:16,000 SHE TOLD YOU SHE HAD A MORNING MEETING? 221 00:10:16,033 --> 00:10:18,267 PEOPLE HAVE MORNING MEETINGS ALL THE TIME. 222 00:10:18,300 --> 00:10:21,601 SURE THEY DO, BUDDY. 223 00:10:21,634 --> 00:10:23,100 STUART, IT'S NOT LIKE THAT. 224 00:10:23,133 --> 00:10:25,234 I THINK WE REALLY MADE A CONNECTION. 225 00:10:25,267 --> 00:10:28,868 I'M SURE THAT'S WHAT SHE'S TALKING ABOUT AT HER "MEETING." 226 00:10:28,901 --> 00:10:32,334 OKAY...WHAT HAPPENED WITH SAM LAST NIGHT? 227 00:10:32,367 --> 00:10:33,901 WELL, I... 228 00:10:33,934 --> 00:10:36,801 YOU SLEPT WITH HER! 229 00:10:36,834 --> 00:10:40,734 OH, I DON'T BELIEVE IT. HE SLEPT WITH MY FRIEND. 230 00:10:40,767 --> 00:10:44,000 THEN YOU SHOULD SLEEP WITH ONE OF HIS FRIENDS. 231 00:10:44,033 --> 00:10:46,734 OR BETTER YET, AN ADORABLE CO-WORKER. 232 00:10:46,767 --> 00:10:49,300 CAITLIN, IT'S NOT WHAT YOU THINK. 233 00:10:49,334 --> 00:10:51,067 YES. 234 00:10:51,100 --> 00:10:54,601 SAM HAD A MORNING MEETING. 235 00:10:55,634 --> 00:10:57,934 [ Laughing ] OH, MY GOD! 236 00:10:57,968 --> 00:11:00,100 YOU GOT BLOWN OFF! 237 00:11:00,133 --> 00:11:02,667 I DID NOT GET BLOWN OFF. 238 00:11:02,701 --> 00:11:05,767 WHO GOT BLOWN OFF? 239 00:11:05,801 --> 00:11:08,000 CHARLIE. CHARLIE. 240 00:11:08,033 --> 00:11:11,467 TELL THEM THERE'S SUCH A THING AS A MORNING MEETING. 241 00:11:14,734 --> 00:11:17,400 CHARLIE, YOU'RE EMBARRASSING YOURSELF. 242 00:11:22,133 --> 00:11:24,234 Hi, this is Sam. Leave a message. 243 00:11:24,267 --> 00:11:25,300 [ Beep ] 244 00:11:25,334 --> 00:11:27,167 HI, SAM, IT'S CHARLIE AGAIN. 245 00:11:27,200 --> 00:11:29,734 JUST CURIOUS IF YOU GOT MY OTHER MESSAGES. 246 00:11:29,767 --> 00:11:32,400 I HAD A GREAT TIME THE OTHER NIGHT, AND I -- 247 00:11:32,434 --> 00:11:33,734 Mayor Winston: Hello? 248 00:11:33,767 --> 00:11:35,534 MR. MAYOR, YOU'RE ON MY LINE. 249 00:11:35,567 --> 00:11:37,400 I'M TRYING TO LEAVE A MESSAGE. 250 00:11:37,434 --> 00:11:41,367 For who, that woman who blew you off? 251 00:11:41,400 --> 00:11:42,601 SIR! 252 00:11:42,634 --> 00:11:45,200 Hey, how was her "morning meeting"? 253 00:11:45,234 --> 00:11:46,400 Heh heh. 254 00:11:46,434 --> 00:11:47,734 [ Click ] 255 00:11:47,767 --> 00:11:49,467 SAM, LET ME EXPLAIN ABOUT THAT -- 256 00:11:49,501 --> 00:11:50,434 [ Beep ] 257 00:11:50,467 --> 00:11:52,667 CAITLIN... 258 00:11:52,701 --> 00:11:54,667 HAVE YOU TALKED TO SAM TODAY? 259 00:11:54,701 --> 00:11:57,467 YEAH, I, UH, I TALKED TO HER 10 MINUTES AGO. 260 00:11:57,501 --> 00:12:00,100 SHE'S SCREENING ME. THAT IS SO HIGH SCHOOL. 261 00:12:00,133 --> 00:12:02,334 THERE'S ONLY ONE WAY TO HANDLE THIS. 262 00:12:02,367 --> 00:12:03,868 YOU CALL AND ASK FOR HER, 263 00:12:03,901 --> 00:12:06,133 THEN QUICKLY HAND THE PHONE BACK TO ME. 264 00:12:06,167 --> 00:12:09,834 OKAY, BUT WHAT IF HER MOM ANSWERS? 265 00:12:09,868 --> 00:12:12,000 WHAT KIND OF PERSON TAKES SOMEONE HOME, 266 00:12:12,033 --> 00:12:13,300 HAS THEIR WAY WITH THEM, 267 00:12:13,334 --> 00:12:15,501 THEN DOESN'T HAVE THE COURTESY TO PICK UP A PHONE? 268 00:12:17,834 --> 00:12:20,901 WHAT KIND OF FEMALE PERSON? 269 00:12:20,934 --> 00:12:23,400 I TOLD YOU -- I DON'T WANT TO GET IN THE MIDDLE. 270 00:12:23,434 --> 00:12:24,400 WHY NOT? 271 00:12:24,434 --> 00:12:25,734 BECAUSE SAM IS MY FRIEND. 272 00:12:25,767 --> 00:12:27,634 THERE'S PROBABLY 50 WOMEN YOU CAN CALL 273 00:12:27,667 --> 00:12:29,434 THAT WOULD GO OUT WITH YOU TONIGHT. 274 00:12:29,467 --> 00:12:32,367 THE POINT ISN'T HOW MANY WOMEN I COULD CALL, 275 00:12:32,400 --> 00:12:34,934 OR THE FACT THAT IT'S CLOSER TO 100. 276 00:12:34,968 --> 00:12:36,934 [ SIGHS ] 277 00:12:36,968 --> 00:12:40,000 IT'S THAT I FEEL LIKE I MIGHT HAVE SOMETHING SPECIAL WITH SAM. 278 00:12:40,033 --> 00:12:41,267 FINE. 279 00:12:41,300 --> 00:12:43,701 WE'RE GOING OUT TO DINNER. WHAT DO YOU WANT ME TO DO? 280 00:12:43,734 --> 00:12:45,167 TALK ME UP A LITTLE BIT. 281 00:12:45,200 --> 00:12:48,167 ALL SHE KNOWS IS I WORK AT CITY HALL, I'M GOOD AT YOGA, 282 00:12:48,200 --> 00:12:50,934 AND I CAN HOLD THE ARCHING LOTUS FOR HALF AN HOUR. 283 00:12:50,968 --> 00:12:52,501 YOU ALREADY MENTIONED YOGA. 284 00:12:52,534 --> 00:12:54,133 THAT'S NOT YOGA. 285 00:12:56,067 --> 00:12:57,734 WHEN YOU'RE DONE TALKING ME UP, 286 00:12:57,767 --> 00:12:59,534 I'LL ACCIDENTALLY RUN INTO YOU. 287 00:12:59,567 --> 00:13:02,200 YOU FAKE A STOMACHACHE, THEN I'LL TELL HER HOW I FEEL. 288 00:13:02,234 --> 00:13:04,868 NEXT, YOU'LL HAVE ME LURE HER INTO MY BED, 289 00:13:04,901 --> 00:13:07,000 AND THEN YOU'LL ASK ME TO LEAVE. 290 00:13:07,033 --> 00:13:08,267 CAITLIN! 291 00:13:08,300 --> 00:13:10,534 I WOULD NEVER ASK YOU TO LEAVE. 292 00:13:13,567 --> 00:13:15,701 STUART WAS ELIMINATED FROM THE COMPETITION. 293 00:13:15,734 --> 00:13:17,067 WHAT HAPPENED? 294 00:13:17,100 --> 00:13:19,167 THE MAYOR DIDN'T LIKE HIS ESSAY -- 295 00:13:19,200 --> 00:13:21,968 "THINGS AND PEOPLE I WANT TO DO IN NEW ORLEANS." 296 00:13:22,000 --> 00:13:25,000 IT'S JUST DOWN TO YOU AND ME FOR THE FINAL INTERVIEW. 297 00:13:25,033 --> 00:13:26,934 YEAH, I GUESS IT IS. 298 00:13:26,968 --> 00:13:29,167 SO DON'T BOTHER SHOWING UP... 299 00:13:29,200 --> 00:13:32,667 UNLESS YOU FEEL LIKE GETTING YOUR ASS KICKED! 300 00:13:32,701 --> 00:13:35,701 OH, YEAH, I GUESS I BETTER NOT SHOW UP. 301 00:13:35,734 --> 00:13:37,334 YEAH, YOU SHOULDN'T SHOW UP. 302 00:13:37,367 --> 00:13:39,801 'CAUSE IF YOU DO, YOU'RE GONNA GET A BEATDOWN! 303 00:13:39,834 --> 00:13:43,267 YEAH, YOU'RE RIGHT ABOUT THAT. 304 00:13:43,300 --> 00:13:46,000 PAUL, YOU'RE RUINING MY MEGAPHONE TRASH TALK. 305 00:13:46,033 --> 00:13:47,734 WHY AREN'T YOU FIGHTING BACK? 306 00:13:47,767 --> 00:13:51,501 CARTER, WHENEVER I GET CLOSE TO WINNING SOMETHING, 307 00:13:51,534 --> 00:13:53,133 I BLOW IT. 308 00:13:53,167 --> 00:13:55,200 I USED TO BE A WINNER. 309 00:13:55,234 --> 00:13:57,100 THEN IT HAPPENED. 310 00:13:57,133 --> 00:13:58,901 Man: FOR THE WIN, "AVOCADO." 311 00:13:58,934 --> 00:14:00,267 [ DISTORTED SPEAKING ] 312 00:14:00,300 --> 00:14:02,300 Paul: PANIC AUDITORY SHUTDOWN -- 313 00:14:02,334 --> 00:14:05,267 OTHERWISE KNOWN AS HYSTERICAL DEAFNESS. 314 00:14:05,300 --> 00:14:08,167 COULD YOU USE IT IN A SENTENCE? 315 00:14:08,200 --> 00:14:12,367 UH, COULD I HEAR THE LATIN ROOT OF THE WORD, PLEASE? 316 00:14:12,400 --> 00:14:16,567 UNDER INTENSE COMPETITION, I LOSE MY HEARING COMPLETELY. 317 00:14:16,601 --> 00:14:18,300 [ DISTORTED SPEAKING ] 318 00:14:18,334 --> 00:14:21,067 THE WORD IS "CAT" -- "CAT." 319 00:14:21,100 --> 00:14:22,634 C-A -- 320 00:14:22,667 --> 00:14:23,968 [ DISTORTED SPEAKING ] 321 00:14:24,000 --> 00:14:27,701 NO, NO, THE WORD IS -- IS "RICKSHAW." 322 00:14:27,734 --> 00:14:30,667 R-I -- R-I-C... 323 00:14:30,701 --> 00:14:33,834 R-RICKSHAW. 324 00:14:33,868 --> 00:14:36,734 [ CRYING ] 325 00:14:36,767 --> 00:14:38,667 PAUL, I HAD NO IDEA. 326 00:14:38,701 --> 00:14:40,133 I'M SORRY. 327 00:14:40,167 --> 00:14:43,300 LOOK, IF THIS TRIP MEANS THAT MUCH TO YOU... 328 00:14:44,701 --> 00:14:46,067 OH, NO. 329 00:14:46,100 --> 00:14:47,234 AHHH. 330 00:14:47,267 --> 00:14:49,234 I KNOW WHAT YOU'RE DOING. 331 00:14:49,267 --> 00:14:52,000 YOU'RE TRYING TO TRICK ME INTO FEELING SORRY FOR YOU. 332 00:14:52,033 --> 00:14:55,234 [ DISTORTED SPEAKING ] 333 00:14:58,601 --> 00:15:01,234 WHAT? 334 00:15:05,133 --> 00:15:07,234 SO THEN I SAID, "SKIP DESSERT? 335 00:15:07,267 --> 00:15:09,767 YOU SHOULD BE SKIPPING THE WHOLE BUFFET." 336 00:15:09,801 --> 00:15:12,534 [ Laughing ] OHH! 337 00:15:12,567 --> 00:15:15,267 THAT WAITER'S KIND OF CUTE. 338 00:15:15,300 --> 00:15:17,701 YOU KNOW WHO ELSE IS CUTE? CHARLIE. 339 00:15:17,734 --> 00:15:18,834 HE'S CUTE. 340 00:15:18,868 --> 00:15:21,334 I THINK I'M GONNA HAVE THE FUSILLI. 341 00:15:21,367 --> 00:15:25,434 SERIOUSLY, HE'S WARM, HE'S FUNNY, AND KIDS LOVE HIM. 342 00:15:25,467 --> 00:15:27,601 YOU JUST DESCRIBED ELMO. 343 00:15:27,634 --> 00:15:30,000 CHARLIE'S A GREAT GUY, AND HE LIKES YOU. 344 00:15:30,033 --> 00:15:31,267 AND TO BE HONEST, 345 00:15:31,300 --> 00:15:33,701 I HAVE NEVER SEEN HIM THIS WAY WITH A WOMAN. 346 00:15:33,734 --> 00:15:36,133 CHARLIE AND I HAD A GOOD TIME THE OTHER NIGHT, 347 00:15:36,167 --> 00:15:37,968 BUT THAT'S ALL I'M INTERESTED IN. 348 00:15:38,000 --> 00:15:41,000 THE LAST THING I NEED RIGHT NOW IS A CLINGY, DESPERATE GUY. 349 00:15:47,567 --> 00:15:49,868 SO, WHAT, YOU'RE JUST USING HIM? 350 00:15:49,901 --> 00:15:51,734 YEAH. I GUESS SO. 351 00:15:51,767 --> 00:15:53,667 HEY, YOU WANT TO SPLIT A SALAD? 352 00:15:53,701 --> 00:15:55,267 SAM, CHARLIE'S MY FRIEND, 353 00:15:55,300 --> 00:15:57,601 AND I DON'T LIKE TO HEAR THAT HE'S BEING USED. 354 00:15:57,634 --> 00:16:00,000 I DON'T KNOW IF YOU DESERVE A GUY LIKE CHARLIE. 355 00:16:00,033 --> 00:16:03,400 YOU HAVE NO RIGHT TO TELL ME WHO I DESERVE TO BE WITH. 356 00:16:03,434 --> 00:16:05,100 FINE. BE SELFISH. 357 00:16:05,133 --> 00:16:06,367 AND YOU KNOW WHAT? 358 00:16:06,400 --> 00:16:08,434 I'M NOT EVEN IN THE MOOD FOR DINNER ANYMORE. 359 00:16:08,467 --> 00:16:11,300 HEY, GUYS. WHAT A SURPRISE. 360 00:16:11,334 --> 00:16:12,534 CHARLIE. 361 00:16:12,567 --> 00:16:14,567 CAITLIN, YOU LOOK A LITTLE PEAKED. 362 00:16:14,601 --> 00:16:17,801 IS YOUR STOMACH BOTHERING YOU? 363 00:16:17,834 --> 00:16:19,100 NO. 364 00:16:19,133 --> 00:16:20,634 ARE YOU SURE? 365 00:16:20,667 --> 00:16:23,434 DON'T YOU WANT TO FEEL A LITTLE QUEASY RIGHT NOW? 366 00:16:23,467 --> 00:16:25,701 I'M GLAD YOU CAME BY. 367 00:16:25,734 --> 00:16:27,300 WOULD YOU LIKE TO GET OUT OF HERE? 368 00:16:27,334 --> 00:16:28,434 YEAH. 369 00:16:28,467 --> 00:16:30,167 GREAT. SEE YOU LATER, CAITLIN. 370 00:16:30,200 --> 00:16:32,868 EXCUSE ME FOR A SECOND. 371 00:16:32,901 --> 00:16:35,033 UM...CHARLIE... 372 00:16:35,067 --> 00:16:36,567 SHE JUST WANTS TO HAVE SEX. 373 00:16:36,601 --> 00:16:39,133 THANKS. I OWE YOU ONE. 374 00:16:40,734 --> 00:16:44,167 THIS ISN'T JUST ABOUT SEX. I LIKE THIS GIRL. 375 00:16:44,200 --> 00:16:46,367 SHE DOESN'T LIKE YOU THE WAY YOU LIKE HER. 376 00:16:46,400 --> 00:16:48,567 IF YOU GO WITH HER, WHEN YOU WAKE UP, 377 00:16:48,601 --> 00:16:51,501 YOU'LL FEEL USED AND EMPTY, JUST LIKE YOU DID TODAY. 378 00:16:51,534 --> 00:16:53,267 YOU'RE RIGHT. 379 00:16:53,300 --> 00:16:55,467 SAM... 380 00:16:55,501 --> 00:16:56,968 I LIKE YOU... 381 00:16:57,000 --> 00:16:59,834 BUT I CAN'T GO HOME WITH YOU IF THIS IS JUST ABOUT SEX. 382 00:16:59,868 --> 00:17:01,601 THIS IS JUST ABOUT SEX. 383 00:17:01,634 --> 00:17:04,501 YOU'RE HONEST. I RESPECT THAT. LET'S GO. 384 00:17:13,133 --> 00:17:16,267 I WANT TO REITERATE HOW DIFFICULT THIS DECISION IS. 385 00:17:16,300 --> 00:17:19,734 DUMPING BONDEK WAS EASY. BUT YOU TWO ARE... 386 00:17:19,767 --> 00:17:22,234 [ DISTORTED SPEAKING ] 387 00:17:26,334 --> 00:17:29,367 SO, I'M GONNA HAVE TO BASE MY DECISION 388 00:17:29,400 --> 00:17:31,033 ON YOUR FINAL STATEMENTS. 389 00:17:31,067 --> 00:17:32,400 CARTER... 390 00:17:32,434 --> 00:17:34,300 UH, SIR, AS YOUR AMBASSADOR, 391 00:17:34,334 --> 00:17:37,300 I WOULD REPRESENT NEW YORK WITH POISE AND DIGNITY. 392 00:17:37,334 --> 00:17:40,400 HERE ARE MY REFERENCES. 393 00:17:40,434 --> 00:17:41,734 UH-HUH. 394 00:17:41,767 --> 00:17:44,334 YOUR MOTHER SPEAKS HIGHLY OF YOU. 395 00:17:45,601 --> 00:17:46,901 PAUL... 396 00:17:46,934 --> 00:17:50,033 [ DISTORTED SPEAKING ] 397 00:17:50,067 --> 00:17:52,300 BOURBON STREET? 398 00:17:52,334 --> 00:17:53,567 EXCUSE ME? 399 00:17:55,300 --> 00:17:57,767 GUMBO. JAZZ. 400 00:17:59,067 --> 00:18:00,367 HARRY CONNICK JR.! 401 00:18:00,400 --> 00:18:04,067 MY GOD, HE WASN'T FAKING. IT'S REAL. 402 00:18:04,100 --> 00:18:05,667 WHAT'S REAL? 403 00:18:05,701 --> 00:18:06,968 SIR, HE CAN'T HEAR YOU. 404 00:18:07,000 --> 00:18:09,167 PAUL SUFFERS FROM HYSTERICAL DEAFNESS. 405 00:18:09,200 --> 00:18:11,634 UNDER THE PRESSURE OF INTENSE COMPETITION, 406 00:18:11,667 --> 00:18:12,901 HE LOSES HIS HEARING. 407 00:18:12,934 --> 00:18:16,567 COOL. 408 00:18:16,601 --> 00:18:17,734 SIR... 409 00:18:17,767 --> 00:18:20,901 AS MUCH AS I'D LIKE TO GO TO NEW ORLEANS, 410 00:18:20,934 --> 00:18:23,400 I'D BE HAPPIER IF YOU SELECTED PAUL. 411 00:18:23,434 --> 00:18:24,934 HE NEEDS THIS. 412 00:18:24,968 --> 00:18:26,300 PAUL, YOU WIN. 413 00:18:26,334 --> 00:18:28,300 [ DISTORTED SPEAKING ] 414 00:18:28,334 --> 00:18:29,567 MARDI GRAS! 415 00:18:29,601 --> 00:18:35,934 "YOU...WIN!" 416 00:18:35,968 --> 00:18:37,434 OH, MY GOD. 417 00:18:37,467 --> 00:18:39,801 OH, I WON THE COMPETITION. OH, MY GOD, I CAN HEAR! 418 00:18:39,834 --> 00:18:41,133 I CAN HEAR! 419 00:18:41,167 --> 00:18:43,100 WHO BEAT WHOSE BUTT?! 420 00:18:44,234 --> 00:18:47,267 WHO GAVE WHO A BEATDOWN?! 421 00:18:47,300 --> 00:18:49,601 CONGRATULATIONS, PAUL. I GUESS THE BEST MAN WON. 422 00:18:49,634 --> 00:18:53,100 OH, MR. MAYOR... OH, THIS IS WONDERFUL. 423 00:18:53,133 --> 00:18:54,300 I CAN'T WAIT. 424 00:18:54,334 --> 00:18:56,200 OH, I REALLY NEED THE TIME TO RELAX. 425 00:18:56,234 --> 00:18:58,701 I HOPE YOU'VE BEEN POLISHING UP ON YOUR GOLF GAME, 426 00:18:58,734 --> 00:19:01,434 BECAUSE WE HAVE A MATCH WITH THE MAYOR OF PHILADELPHIA 427 00:19:01,467 --> 00:19:03,734 AND HIS PARTNER -- UH, THERE'S A LITTLE WAGER. 428 00:19:03,767 --> 00:19:05,133 WAGER? 429 00:19:05,167 --> 00:19:06,701 JUST FOR A ROUND OF BEERS. 430 00:19:08,200 --> 00:19:09,601 OH, AND $2,500 A MAN. 431 00:19:12,567 --> 00:19:17,467 [ DISTORTED SPEAKING ] 432 00:19:24,567 --> 00:19:25,868 [ KNOCK ON DOOR ] 433 00:19:25,901 --> 00:19:27,067 HI. 434 00:19:27,100 --> 00:19:30,501 WHAT ARE YOU DOING HERE? WHY AREN'T YOU WITH SAM? 435 00:19:30,534 --> 00:19:32,267 I COULDN'T GO THROUGH WITH IT. 436 00:19:32,300 --> 00:19:33,701 WE GOT BACK TO HER PLACE, 437 00:19:33,734 --> 00:19:37,000 AND I KEPT HEARING THIS VOICE REMINDING ME HOW PATHETIC I WAS. 438 00:19:37,033 --> 00:19:39,167 IT WAS MY VOICE, WASN'T IT? 439 00:19:39,200 --> 00:19:40,467 NO, IT WAS MINE. 440 00:19:40,501 --> 00:19:43,534 SHE WAS LISTENING TO HER ANSWERING MACHINE. 441 00:19:45,901 --> 00:19:48,033 NICE PLACE. 442 00:19:48,067 --> 00:19:51,400 DO YOU SUBLET FROM SCARLETT O'HARA? 443 00:19:52,701 --> 00:19:54,467 SO, HOW YOU DOING? 444 00:19:54,501 --> 00:19:55,634 OKAY. 445 00:19:55,667 --> 00:19:58,601 I GUESS I'M A LITTLE SAD ABOUT SAM. 446 00:19:58,634 --> 00:20:00,868 I THINK OUR FRIENDSHIP IS PRETTY MUCH DONE. 447 00:20:00,901 --> 00:20:03,200 I CAN FILL IN FOR A NIGHT. WHAT ARE WE WATCHING? 448 00:20:03,234 --> 00:20:04,701 "SEX IN THE CITY." 449 00:20:04,734 --> 00:20:06,901 I'VE SEEN THIS ONE. 450 00:20:06,934 --> 00:20:08,334 THIS IS THE ONE 451 00:20:08,367 --> 00:20:12,167 WHERE THE SORTA SLUTTY ONE IS TALKING TO THE REALLY SLUTTY ONE 452 00:20:12,200 --> 00:20:13,567 ABOUT THE PRISSY ONE. 453 00:20:13,601 --> 00:20:15,734 SEE, I CAN BE A GOOD GIRLFRIEND. 454 00:20:15,767 --> 00:20:18,434 NICE TRY, CHARLIE, BUT IT'S NOT THE SAME. 455 00:20:18,467 --> 00:20:21,067 OH, COME ON, YOU HELPED ME. I OWE YOU. 456 00:20:21,100 --> 00:20:22,334 LET'S DISH. 457 00:20:26,133 --> 00:20:28,667 IS STUART'S ASS GETTING FAT OR WHAT? 458 00:20:28,701 --> 00:20:30,901 CHARLIE, I AM NOT DOING THIS WITH YOU. 459 00:20:30,934 --> 00:20:33,501 OH, COME ON. WHAT ABOUT DEBBIE IN ACCOUNTING? 460 00:20:33,534 --> 00:20:36,701 I HEAR SHE SLEPT WITH HALF THE SECOND FLOOR. 461 00:20:36,734 --> 00:20:39,100 OKAY, I WASN'T GONNA SAY ANYTHING, 462 00:20:39,133 --> 00:20:42,634 BUT I HEAR SHE'S NO STRANGER TO THE THIRD FLOOR EITHER. 463 00:20:42,667 --> 00:20:44,634 NO! 464 00:20:44,667 --> 00:20:46,000 THIS WILL BE FUN. 465 00:20:46,033 --> 00:20:47,567 WE CAN MAKE COOKIES, 466 00:20:47,601 --> 00:20:50,501 AND I'VE GOT "THE WAY WE WERE" ON DVD. 467 00:20:50,534 --> 00:20:54,534 ACTUALLY...I GOT A MORNING MEETING. 468 00:21:03,033 --> 00:21:07,267 HI. I UNDERSTAND YOU'RE INTO PURELY PHYSICAL RELATIONSHIPS. 469 00:21:07,300 --> 00:21:08,267 SO? 470 00:21:08,300 --> 00:21:09,701 LET'S GET PHYSICAL. 471 00:21:10,534 --> 00:21:12,467 THE DRINK IN THE FACE. 472 00:21:13,367 --> 00:21:14,734 THE SLAP IN THE FACE. 473 00:21:25,234 --> 00:21:29,601 AND THE GENERAL ABUSE OF THE FACE AREA. 474 00:21:29,634 --> 00:21:32,067 - [MAN] SIT, UBU, SIT. GOOD DOG. - [UBU BARKS] 9999 00:00:0,500 --> 00:00:2,00 www.tvsubtitles.net 34804

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